{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2001\u0026f%5Blevel%5D%5B%5D=File\u0026page=186","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2001\u0026f%5Blevel%5D%5B%5D=File\u0026page=185","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2001\u0026f%5Blevel%5D%5B%5D=File\u0026page=187","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2001\u0026f%5Blevel%5D%5B%5D=File\u0026page=253"},"meta":{"pages":{"current_page":186,"next_page":187,"prev_page":185,"total_pages":253,"limit_value":10,"offset_value":1850,"total_count":2523,"first_page?":false,"last_page?":false}},"data":[{"id":"8d964efa464c4f8b717f7b0a_aspace_fc31fc74449959434ddc18dae3a0fe2b","type":"File","attributes":{"title":"Planning for the 2001 Hurston Festival, 2001","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8d964efa464c4f8b717f7b0a_aspace_fc31fc74449959434ddc18dae3a0fe2b#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_fc31fc74449959434ddc18dae3a0fe2b","ref_ssm":["aspace_fc31fc74449959434ddc18dae3a0fe2b","aspace_fc31fc74449959434ddc18dae3a0fe2b"],"id":"8d964efa464c4f8b717f7b0a_aspace_fc31fc74449959434ddc18dae3a0fe2b","title_filing_ssi":"Planning for the 2001 Hurston Festival","title_ssm":["Planning for the 2001 Hurston Festival"],"title_tesim":["Planning for the 2001 Hurston Festival"],"unitdate_inclusive_ssm":["2001"],"normalized_date_ssm":["2001"],"normalized_title_ssm":["Planning for the 2001 Hurston Festival, 2001"],"text":["Planning for the 2001 Hurston Festival, 2001","University of Central Florida ZORA! Academic Conference records, 1988-2004","Planning, 1988-2004","/repositories/2/archival_objects/74991","box 1","folder 11"],"component_level_isim":[2],"parent_ids_ssim":["8d964efa464c4f8b717f7b0a","8d964efa464c4f8b717f7b0a_aspace_7152d5670151662ec860a84df68fd790"],"parent_unittitles_ssm":["University of Central Florida ZORA! Academic Conference records, 1988-2004","Planning, 1988-2004"],"parent_unittitles_tesim":["University of Central Florida ZORA! Academic Conference records, 1988-2004","Planning, 1988-2004"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/74991"],"repository_ssim":["UCF University Archives"],"collection_ssim":["University of Central Florida ZORA! 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Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel  Their Eyes Were Watching God . Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. ","The Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF. ","Processed by Mary Rubin in 2019. Finding aid prepared by Asmara Cortes-Caba in 2024.","Further information about the Zora Neale Hurston Festival of the Arts may be found in the   Collected Materials on the Zora Neale Hurston Festival.","The University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival.  ","Series I: Planning, 1988-2004, contains documents relating to the planning of the Zora Neale Hurston Festival and UCF professor Kristin Congdon's role as a member of the festival's planning committee and festival collaborator on behalf of UCF. Documents include reports, proposals, notes, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. Much of the correspondence was written by Kristin Congdon to other members of the planning committee such as N.Y. Nathiri, the Executive Director of PEC. The series also contains newspaper clippings and brochures from PEC featuring the history of Eatonville and its connection to Zora Neale Hurston. ","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival. \n\nThe Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. 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Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF.","UCF University Archives","University of Central Florida. College of Arts and Humanities","Academic Conference of the Zora Neale Hurston Festival of the Arts","Association to Preserve the Eatonville Community (Eatonville, Fla.)","Hurston, Zora Neale (1891-1960)","Congdon, Kristin G.","English"],"unitid_tesim":["UA28G","/repositories/2/resources/303"],"normalized_date_ssm":["1988-2004"],"normalized_title_ssm":["University of Central Florida ZORA! Academic Conference records, 1988-2004"],"collection_title_tesim":["University of Central Florida ZORA! 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Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Transferred by Kristin Congdon (Accession No. CFU2006_47)."],"access_subjects_ssim":["Women and literature -- Florida -- History -- 20th Century -- Congresses","African Americans in literature -- Congresses","reports","agendas (administrative records)","letters (correspondence)"],"access_subjects_ssm":["Women and literature -- Florida -- History -- 20th Century -- Congresses","African Americans in literature -- Congresses","reports","agendas (administrative records)","letters (correspondence)"],"has_online_content_ssim":["false"],"extent_ssm":["2.1 Linear Feet (1 box, 1 flat file)"],"extent_tesim":["2.1 Linear Feet (1 box, 1 flat file)"],"genreform_ssim":["reports","agendas (administrative records)","letters (correspondence)"],"date_range_isim":[1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into one series, Planning, 1988-2004.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into one series, Planning, 1988-2004."],"bioghist_html_tesm":["\u003cp\u003eThe Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel \u003cemph render=\"italic\"\u003eTheir Eyes Were Watching God\u003c/emph\u003e. Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. \u003c/p\u003e\n","\u003cp\u003eThe Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF. \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel  Their Eyes Were Watching God . Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. ","The Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], University of Central Florida ZORA! Academic Conference records, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], University of Central Florida ZORA! Academic Conference records, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Mary Rubin in 2019. Finding aid prepared by Asmara Cortes-Caba in 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Mary Rubin in 2019. Finding aid prepared by Asmara Cortes-Caba in 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eFurther information about the Zora Neale Hurston Festival of the Arts may be found in the \u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/44\"\u003e Collected Materials on the Zora Neale Hurston Festival.\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials "],"relatedmaterial_tesim":["Further information about the Zora Neale Hurston Festival of the Arts may be found in the   Collected Materials on the Zora Neale Hurston Festival."],"scopecontent_html_tesm":["\u003cp\u003eThe University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival.  \u003c/p\u003e\n","\u003cp\u003eSeries I: Planning, 1988-2004, contains documents relating to the planning of the Zora Neale Hurston Festival and UCF professor Kristin Congdon's role as a member of the festival's planning committee and festival collaborator on behalf of UCF. Documents include reports, proposals, notes, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. Much of the correspondence was written by Kristin Congdon to other members of the planning committee such as N.Y. Nathiri, the Executive Director of PEC. The series also contains newspaper clippings and brochures from PEC featuring the history of Eatonville and its connection to Zora Neale Hurston. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents "],"scopecontent_tesim":["The University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival.  ","Series I: Planning, 1988-2004, contains documents relating to the planning of the Zora Neale Hurston Festival and UCF professor Kristin Congdon's role as a member of the festival's planning committee and festival collaborator on behalf of UCF. Documents include reports, proposals, notes, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. Much of the correspondence was written by Kristin Congdon to other members of the planning committee such as N.Y. Nathiri, the Executive Director of PEC. The series also contains newspaper clippings and brochures from PEC featuring the history of Eatonville and its connection to Zora Neale Hurston. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d77ea98ffb9c538fd7c594cbfee27eac\" label=\"Abstract\"\u003eThe University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival. \n\nThe Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel \u003cemph render=\"italic\"\u003eTheir Eyes Were Watching God\u003c/emph\u003e. Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. \n\nThe Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF.\u003c/abstract\u003e"],"abstract_tesim":["The University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival. \n\nThe Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel  Their Eyes Were Watching God . Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. \n\nThe Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF."],"names_coll_ssim":["Academic Conference of the Zora Neale Hurston Festival of the Arts","Association to Preserve the Eatonville Community (Eatonville, Fla.)","Hurston, Zora Neale (1891-1960)","Congdon, Kristin G."],"names_ssim":["UCF University Archives","University of Central Florida. College of Arts and Humanities","Academic Conference of the Zora Neale Hurston Festival of the Arts","Association to Preserve the Eatonville Community (Eatonville, Fla.)","Hurston, Zora Neale (1891-1960)","Congdon, Kristin G."],"corpname_ssim":["UCF University Archives","University of Central Florida. College of Arts and Humanities","Academic Conference of the Zora Neale Hurston Festival of the Arts","Association to Preserve the Eatonville Community (Eatonville, Fla.)"],"persname_ssim":["Hurston, Zora Neale (1891-1960)","Congdon, Kristin G."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":17,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"8d964efa464c4f8b717f7b0a","timestamp":"2026-07-10T03:11:41.409Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8d964efa464c4f8b717f7b0a_aspace_fc31fc74449959434ddc18dae3a0fe2b"}},{"id":"acd92a5aa7d9fcd753e986eb_aspace_2988f4e7f97e2cea5b078f95f59acc39","type":"File","attributes":{"title":"Plan of service, 2001","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/acd92a5aa7d9fcd753e986eb_aspace_2988f4e7f97e2cea5b078f95f59acc39#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_2988f4e7f97e2cea5b078f95f59acc39","ref_ssm":["aspace_2988f4e7f97e2cea5b078f95f59acc39","aspace_2988f4e7f97e2cea5b078f95f59acc39"],"id":"acd92a5aa7d9fcd753e986eb_aspace_2988f4e7f97e2cea5b078f95f59acc39","title_filing_ssi":"Plan of service","title_ssm":["Plan of service"],"title_tesim":["Plan of service"],"unitdate_other_ssim":["2001"],"normalized_date_ssm":["2001"],"normalized_title_ssm":["Plan of service, 2001"],"text":["Plan of service, 2001","AARLCC History Collection, 1995-Present","AARLCC","/repositories/2/archival_objects/19920","box 1","folder 19"],"component_level_isim":[2],"parent_ids_ssim":["acd92a5aa7d9fcd753e986eb","acd92a5aa7d9fcd753e986eb_aspace_c046debe42dbd18279922e56a19d8a00"],"parent_unittitles_ssm":["AARLCC History Collection, 1995-Present","AARLCC"],"parent_unittitles_tesim":["AARLCC History Collection, 1995-Present","AARLCC"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/19920"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["AARLCC History Collection, 1995-Present"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":24,"parent_access_restrict_tesm":["The AARLCC History Collection is open for research."],"date_range_isim":[2001],"containers_ssim":["box 1","folder 19"],"_nest_path_":"/components#0/components#21","_nest_parent_":"acd92a5aa7d9fcd753e986eb_aspace_c046debe42dbd18279922e56a19d8a00","_root_":"acd92a5aa7d9fcd753e986eb","_version_":1876455834073956352,"timestamp":"2026-09-16T03:02:14.826Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"acd92a5aa7d9fcd753e986eb","title_filing_ssi":"AARLCC History Collection","title_ssm":["AARLCC History Collection"],"title_tesim":["AARLCC History Collection"],"ead_ssi":"acd92a5aa7d9fcd753e986eb","unitdate_ssm":["1995-Present"],"unitdate_inclusive_ssm":["1995-Present"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2024.1","/repositories/2/resources/377"],"text":["AARLCC.2024.1","/repositories/2/resources/377","AARLCC History Collection, 1995-Present","Broward County Library -- History","Library directors","African American librarians","Libraries and Black people","Public libraries -- Florida -- Fort Lauderdale","The AARLCC History Collection is open for research.","Accruals to the AARLCC History Collection are expected.","Inspired and spearheaded by Samuel Morrison, librarian and thirteen-year director of the Broward County Library system, the African-American Research Library and Cultural Center (AARLCC) opened on October 6, 2002. 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Mizell Library in the historic Sistrunk neighborhood, Fort Lauderdale's historically Black neighborhood. ","In late 1995 the Broward County Commission pledged funding to build AARLCC, beginning the library's design and construction planning. Over the next 7 years, community fundraising efforts matched and then surpassed the funding allocated by the county, surpassing millions of dollars. The architectural and design firm PAWA Complex International won the contract to design the structure. The building's interior design was completed by Cecil Hayes. Multiple public art projects also went into the original design of the building, including the Harambe Room by Gary Moore, \"The Bridge\" sculpture by George Gadson, and \"The Adinkra Tribute\" by C. J. Lattimore.","Opened as the third public library dedicated to Black research in the United States - along with the Schomburg Center for Research and Black Culture in New York and the Auburn Avenue Research Library in Atlanta - AARLCC distinguished itself by focusing on Caribbean and South American Black history in addition to African-American and African history. To achieve this mission, AARLCC houses the AARLCC Special Collections which continually works to archive and digitize collections for public access. Notable archival collections include the Alex Haley Collection, the Doroty Porter Wesley Collection, and the Niara Sudarkasa Collection. ","In addition to the aforementioned missions, AARLCC serves as a public library branch for the local community, providing patrons with essential resources such as book lending, computer and internet access, reading rooms, and an assortment of programming. 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"],"prefercite_html_tesm":["\u003cp\u003eAARLCC History Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["AARLCC History Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing and a finding aid was created by Adam Anderson in Feburary 2024. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing and a finding aid was created by Adam Anderson in Feburary 2024. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe AARLCC History Collection documents the history of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. The materials contain information about the inception of the library branch in 1995, its subsequent design and construction, and fundraising efforts. It also contains information about the AARLCC's programming, exhibits, staff, and special events since the grand opening in 2002 to the present. The collection materials include brochures, events, newspaper clippings, correspondence, reports, printed materials, blueprints, photographs, born-digital materials, and audio-visual materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The AARLCC History Collection documents the history of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. The materials contain information about the inception of the library branch in 1995, its subsequent design and construction, and fundraising efforts. It also contains information about the AARLCC's programming, exhibits, staff, and special events since the grand opening in 2002 to the present. The collection materials include brochures, events, newspaper clippings, correspondence, reports, printed materials, blueprints, photographs, born-digital materials, and audio-visual materials."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3c826a2397e08456847b304e6464edf0\"\u003eThe AARLCC History Collection documents the history of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida.\u003c/abstract\u003e"],"abstract_tesim":["The AARLCC History Collection documents the history of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida."],"names_ssim":["AARLCC Special Collections","African American Research Library and Cultural Center"],"corpname_ssim":["AARLCC Special Collections","African American Research Library and Cultural Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":150,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455834073956352,"_root_":"acd92a5aa7d9fcd753e986eb","timestamp":"2026-09-16T03:02:14.826Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/acd92a5aa7d9fcd753e986eb_aspace_2988f4e7f97e2cea5b078f95f59acc39"}},{"id":"d2c8dc40887bc202160226d8_aspace_673f23e876476fdd47b0405264749b6f","type":"File","attributes":{"title":"(Plaque) To Broward College nursing department on behalf of the first Paramedic online nursing students program, 2001-04-26","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d2c8dc40887bc202160226d8_aspace_673f23e876476fdd47b0405264749b6f#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_673f23e876476fdd47b0405264749b6f","ref_ssm":["aspace_673f23e876476fdd47b0405264749b6f","aspace_673f23e876476fdd47b0405264749b6f"],"id":"d2c8dc40887bc202160226d8_aspace_673f23e876476fdd47b0405264749b6f","title_filing_ssi":"(Plaque) To Broward College nursing department on behalf of the first Paramedic online nursing students program","title_ssm":["(Plaque) To Broward College nursing department on behalf of the first Paramedic online nursing students program"],"title_tesim":["(Plaque) To Broward College nursing department on behalf of the first Paramedic online nursing students program"],"unitdate_other_ssim":["2001-04-26"],"normalized_date_ssm":["2001-04-26"],"normalized_title_ssm":["(Plaque) To Broward College nursing department on behalf of the first Paramedic online nursing students program, 2001-04-26"],"text":["(Plaque) To Broward College nursing department on behalf of the first Paramedic online nursing students program, 2001-04-26","Nursing Collection, 1965-2012","/repositories/2/archival_objects/591","English","box 1"],"component_level_isim":[1],"parent_ids_ssim":["d2c8dc40887bc202160226d8"],"parent_unittitles_ssm":["Nursing Collection, 1965-2012"],"parent_unittitles_tesim":["Nursing Collection, 1965-2012"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/591"],"repository_ssim":["Broward College Archives and Special Collections"],"collection_ssim":["Nursing Collection, 1965-2012"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":5,"parent_access_restrict_tesm":["Open for research. 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Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[2001],"containers_ssim":["box 22","folder 4"],"_nest_path_":"/components#746","_nest_parent_":"377018d2c691025d88612f9e","_root_":"377018d2c691025d88612f9e","_version_":1870858782767054848,"timestamp":"2026-07-16T08:19:30.734Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"377018d2c691025d88612f9e","title_ssm":["Burt Szabo music collection"],"title_tesim":["Burt Szabo music collection"],"ead_ssi":"377018d2c691025d88612f9e","unitdate_ssm":["1955-2017"],"unitdate_inclusive_ssm":["1955-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA21G","/repositories/2/resources/332"],"text":["UA21G","/repositories/2/resources/332","Burt Szabo music collection, 1955-2017","Barbershop quartets","sheet music","The entire collection is open for research.","The collection is arranged in the original order that it was received.","Albert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  ","A strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. ","Processed by and finding aid prepared by Simone DeLuque in 2025.","For more information on Special Collections \u0026 University Archives, please see our website.","The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022.","UCF University Archives","Szabo, Burt","English"],"unitid_tesim":["UA21G","/repositories/2/resources/332"],"normalized_date_ssm":["1955-2017"],"normalized_title_ssm":["Burt Szabo music collection, 1955-2017"],"collection_title_tesim":["Burt Szabo music collection, 1955-2017"],"collection_ssim":["Burt Szabo music collection, 1955-2017"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["Szabo, Burt"],"creator_ssim":["Szabo, Burt"],"creator_persname_ssim":["Szabo, Burt"],"creators_ssim":["Szabo, Burt"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of David Schreier in 2018 (Accession no. CFU2018_47)."],"access_subjects_ssim":["Barbershop quartets","sheet music"],"access_subjects_ssm":["Barbershop quartets","sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["11.8 Linear Feet 30 boxes"],"extent_tesim":["11.8 Linear Feet 30 boxes"],"genreform_ssim":["sheet music"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in the original order that it was received.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in the original order that it was received."],"bioghist_html_tesm":["\u003cp\u003eAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \u003c/p\u003e\n","\u003cp\u003eA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the \u003cemph render=\"italic\"\u003eBarbershop Arranging Manual\u003c/emph\u003e and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Albert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  ","A strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Burt Szabo music collection, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Burt Szabo music collection, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Simone DeLuque in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Simone DeLuque in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on Special Collections \u0026amp; University Archives, please see our website.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on Special Collections \u0026 University Archives, please see our website."],"scopecontent_html_tesm":["\u003cp\u003eThe Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_47ef4f2c9d3944ef54170a551f97a3e7\"\u003eThe Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the \u003cemph render=\"italic\"\u003eBarbershop Arranging Manual\u003c/emph\u003e and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022.\u003c/abstract\u003e"],"abstract_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022."],"names_ssim":["UCF University Archives","Szabo, Burt"],"corpname_ssim":["UCF University Archives"],"names_coll_ssim":["Szabo, Burt"],"persname_ssim":["Szabo, Burt"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1087,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858782767054848,"_root_":"377018d2c691025d88612f9e","timestamp":"2026-07-16T08:19:30.734Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/377018d2c691025d88612f9e_aspace_c365917e49404a7f52e01c9ef1c37b4a"}},{"id":"725898a1a41349eb30ec365d_aspace_0847711ec276413d03ad28ef0377f086","type":"File","attributes":{"title":"Poems, 1977-2010, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_0847711ec276413d03ad28ef0377f086#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_0847711ec276413d03ad28ef0377f086","ref_ssm":["aspace_0847711ec276413d03ad28ef0377f086","aspace_0847711ec276413d03ad28ef0377f086"],"id":"725898a1a41349eb30ec365d_aspace_0847711ec276413d03ad28ef0377f086","title_filing_ssi":"Poems","title_ssm":["Poems"],"title_tesim":["Poems"],"unitdate_inclusive_ssm":["1977-2010, Undated"],"normalized_date_ssm":["1977-2010, Undated"],"normalized_title_ssm":["Poems, 1977-2010, Undated"],"text":["Poems, 1977-2010, Undated","José Guerra Alemán Collection, 1887-2013","Research Files, 1898-2012, Undated","Folder 6","/repositories/4/archival_objects/54022","box 10","folder 6"],"component_level_isim":[2],"parent_ids_ssim":["725898a1a41349eb30ec365d","725898a1a41349eb30ec365d_aspace_e0da8a351e89d497ae16650ae623f50e"],"parent_unittitles_ssm":["José Guerra Alemán Collection, 1887-2013","Research Files, 1898-2012, Undated"],"parent_unittitles_tesim":["José Guerra Alemán Collection, 1887-2013","Research Files, 1898-2012, Undated"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 6","/repositories/4/archival_objects/54022"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":143,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"containers_ssim":["box 10","folder 6"],"_nest_path_":"/components#1/components#32","_nest_parent_":"725898a1a41349eb30ec365d_aspace_e0da8a351e89d497ae16650ae623f50e","_root_":"725898a1a41349eb30ec365d","_version_":1870857755411087360,"timestamp":"2026-07-16T08:03:10.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"725898a1a41349eb30ec365d","title_ssm":["José Guerra Alemán Collection"],"title_tesim":["José Guerra Alemán Collection"],"ead_ssi":"725898a1a41349eb30ec365d","unitdate_ssm":["1887-2013"],"unitdate_inclusive_ssm":["1887-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.098","/repositories/4/resources/204"],"text":["SC.098","/repositories/4/resources/204","José Guerra Alemán Collection, 1887-2013","Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs","Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints","The entire collection is open for research.","José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.","Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.","Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog.","This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"","Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.","The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.","UCF Special Collections","Guerra Alemán, José","English"],"unitid_tesim":["SC.098","/repositories/4/resources/204"],"normalized_date_ssm":["1887-2013"],"normalized_title_ssm":["José Guerra Alemán Collection, 1887-2013"],"collection_title_tesim":["José Guerra Alemán Collection, 1887-2013"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"geogname_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"creator_ssm":["Guerra Alemán, José"],"creator_ssim":["Guerra Alemán, José"],"creator_persname_ssim":["Guerra Alemán, José"],"creators_ssim":["Guerra Alemán, José"],"places_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"acqinfo_ssim":["The collection was donated by Carlos Guerra, José Guerra Alemán's son, to the University of Central Florida Libraries in 2014. (CFM2014_07)"],"access_subjects_ssim":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"access_subjects_ssm":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["17.5 Linear Feet 20 boxes, 1 Flat File"],"extent_tesim":["17.5 Linear Feet 20 boxes, 1 Flat File"],"genreform_ssim":["correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n was born to Jos\u0026#xE9; Guerra and Herminia Alem\u0026#xE1;n-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as Jos\u0026#xE9; Guerra Alem\u0026#xE1;n, his initials J.G.A. and his nickname Pep\u0026#xED;n. Many of his closest friends and family called him as Pep\u0026#xED;n. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.\u003c/p\u003e\n","\u003cp\u003eIn his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ej\u0026#xE9;rcito) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 Divisi\u0026#xF3;n de Infanter\u0026#xED;a) called Divisi\u0026#xF3;n Rel\u0026#xE1;mpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.\u003c/p\u003e\n","\u003cp\u003eOnce he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of \u0026#xC9;l Pa\u0026#xED;s, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.\u003c/p\u003e\n","\u003cp\u003eOne of those encounters, Jos\u0026#xE9; Guerra Alem\u0026#xE1;n climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with Jos\u0026#xE9; Garc\u0026#xED;a and Eduardo Hern\u0026#xE1;ndez (Guayo) in the same company. Jos\u0026#xE9; Guerra Alem\u0026#xE1;n directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.\u003c/p\u003e\n","\u003cp\u003eWith his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote A\u0026#xFA;n Hay Luna En Los Cerros, Ensayos (Las Mayor\u0026#xED;as Discriminadas): En Defensa de la Mujer, Barro y Cenizas (D\u0026#xED;alogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biograf\u0026#xED;a de su Abuelo el General Jos\u0026#xE9; Braulio Alem\u0026#xE1;n). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.\u003c/p\u003e\n","\u003cp\u003eUnderstanding where his family came from and knowing the other members of his family tree can provide a part of Jos\u0026#xE9; Guerra Alem\u0026#xE1;n's identity. Jose Guerra Alem\u0026#xE1;n's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named Jos\u0026#xE9; Braulio Guerra Alem\u0026#xE1;n fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, Jos\u0026#xE9; Manuel Alem\u0026#xE1;n, served in the Cuban government as Minister of Education during the presidency of Dr. Ram\u0026#xF3;n Grau San Martin, president of the Authentic Party (Partido Aut\u0026#xE9;ntico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.\u003c/p\u003e\n","\u003cp\u003eHe rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alem\u0026#xE1;n. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business."],"prefercite_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["José Guerra Alemán Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks collected by Jos\u0026#xE9; Guerra Alem\u0026#xE1;n can be found by performing a series search for \"Jos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection\" in the UCF Libraries catalog.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog."],"scopecontent_html_tesm":["\u003cp\u003eThis collection was arranged in seven series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alem\u0026#xE1;n took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alem\u0026#xE1;n used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. \u003c/p\u003e\n","\u003cp\u003e\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of Jos\u0026#xE9; G. Alem\u0026#xE1;n and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\""],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4d41ff341ce7470c0d40282c3f71dd8\"\u003eThe collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist Jos\u0026#xE9; Guerra Alem\u0026#xE1;n. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.\u003c/abstract\u003e"],"abstract_tesim":["The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita."],"names_ssim":["UCF Special Collections","Guerra Alemán, José"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Guerra Alemán, José"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":282,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857755411087360,"_root_":"725898a1a41349eb30ec365d","timestamp":"2026-07-16T08:03:10.972Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_0847711ec276413d03ad28ef0377f086"}},{"id":"276f4da755904627bfe702ef_aspace_dd48b472d56ced08f4998c4253413fcd","type":"File","attributes":{"title":"Poems 2001, 2001","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/276f4da755904627bfe702ef_aspace_dd48b472d56ced08f4998c4253413fcd#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003ePoems (printed on a laser printer); Letter to Zita M. Cael\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/276f4da755904627bfe702ef_aspace_dd48b472d56ced08f4998c4253413fcd#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_dd48b472d56ced08f4998c4253413fcd","ref_ssm":["aspace_dd48b472d56ced08f4998c4253413fcd","aspace_dd48b472d56ced08f4998c4253413fcd"],"id":"276f4da755904627bfe702ef_aspace_dd48b472d56ced08f4998c4253413fcd","title_filing_ssi":"Poems 2001","title_ssm":["Poems 2001"],"title_tesim":["Poems 2001"],"unitdate_other_ssim":["2001"],"normalized_date_ssm":["2001"],"normalized_title_ssm":["Poems 2001, 2001"],"text":["Poems 2001, 2001","Dr. Norman Nathan Faculty Papers Collection, bulk 1944-2011","Poetry","/repositories/2/archival_objects/83244","box 33","folder 1","Poems (printed on a laser printer); Letter to Zita M. Cael"],"component_level_isim":[2],"parent_ids_ssim":["276f4da755904627bfe702ef","276f4da755904627bfe702ef_aspace_263644b3a82da7e5f9671c50c83ad85b"],"parent_unittitles_ssm":["Dr. Norman Nathan Faculty Papers Collection, bulk 1944-2011","Poetry"],"parent_unittitles_tesim":["Dr. Norman Nathan Faculty Papers Collection, bulk 1944-2011","Poetry"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/83244"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Dr. Norman Nathan Faculty Papers Collection, bulk 1944-2011"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":610,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"date_range_isim":[2001],"containers_ssim":["box 33","folder 1"],"scopecontent_html_tesm":["\u003cp\u003ePoems (printed on a laser printer); Letter to Zita M. Cael\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Poems (printed on a laser printer); Letter to Zita M. Cael"],"_nest_path_":"/components#2/components#370","_nest_parent_":"276f4da755904627bfe702ef_aspace_263644b3a82da7e5f9671c50c83ad85b","_root_":"276f4da755904627bfe702ef","_version_":1870842149442945024,"timestamp":"2026-07-16T03:55:07.874Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"276f4da755904627bfe702ef","title_ssm":["Dr. Norman Nathan Faculty Papers Collection"],"title_tesim":["Dr. Norman Nathan Faculty Papers Collection"],"ead_ssi":"276f4da755904627bfe702ef","unitdate_ssm":["1944-2011"],"unitdate_bulk_ssim":["1944-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UAFP0004","/repositories/2/resources/67"],"text":["UAFP0004","/repositories/2/resources/67","Dr. Norman Nathan Faculty Papers Collection, bulk 1944-2011","University Archives -- Faculty Papers","University Archives","Florida Atlantic University -- History","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","The collection is arranged into nine series.","In 2013, Leslie Siegel and Victoria Thur processed the collection.","Norman Nathan is Professor Emeritus of English at Florida Atlantic University in Boca Raton, Florida. He received his Bachelor of Arts and Master of Arts, and a Ph.D. in English all from New York University. In 1968, Dr. Nathan began his career at Florida Atlantic University. In his early career, Dr. Nathan wrote several textbooks dealing with English grammar and style, and literary interpretation of the short story and poetry while continuing to write poetry and short stories.","Dr. Nathan published several books of poetry in addition to publishing over 450 poems in various publications. He has published over 22 short stories. In addition to the unpublished poems and short stories in the collection, it also contains his unpublished memoirs and novels. Dr. Nathan published over 62 scholarly articles on Shakespeare, Chaucer, Blake, The Bible, Keats, Shelly, and T. S. Elliot. Dr. Nathan passed away June 11, 2013.","In 2018, additional material donated by his daughter. This material was described and added to the existing collection by Leslie Siegel. In addition to poems and stories, the additional material included essays he wrote as an undergraduate student. The collection contains his unpublished memoirs, novels, short stories, poems, and essays.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","Norman Nathan","English"],"unitid_tesim":["UAFP0004","/repositories/2/resources/67"],"normalized_date_ssm":["bulk 1944-2011"],"normalized_title_ssm":["Dr. Norman Nathan Faculty Papers Collection, bulk 1944-2011"],"collection_title_tesim":["Dr. Norman Nathan Faculty Papers Collection, bulk 1944-2011"],"collection_ssim":["Dr. Norman Nathan Faculty Papers Collection, bulk 1944-2011"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"creator_ssm":["Norman Nathan"],"creator_ssim":["Norman Nathan"],"creator_persname_ssim":["Norman Nathan"],"creators_ssim":["Norman Nathan"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","The collection is arranged into nine series.","In 2013, Leslie Siegel and Victoria Thur processed the collection.","Norman Nathan is Professor Emeritus of English at Florida Atlantic University in Boca Raton, Florida. He received his Bachelor of Arts and Master of Arts, and a Ph.D. in English all from New York University. In 1968, Dr. Nathan began his career at Florida Atlantic University. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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