{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2000\u0026page=516","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2000\u0026page=515","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2000\u0026page=516"},"meta":{"pages":{"current_page":516,"next_page":null,"prev_page":515,"total_pages":516,"limit_value":10,"offset_value":5150,"total_count":5154,"first_page?":false,"last_page?":true}},"data":[{"id":"256e771e3cc0782aac349f80","type":"collection","attributes":{"title":"Zine Collection, 1973-2019","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80#abstract_or_scope","type":"document_value","attributes":{"value":["Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"256e771e3cc0782aac349f80","title_ssm":["Zine Collection"],"title_tesim":["Zine Collection"],"ead_ssi":"256e771e3cc0782aac349f80","unitdate_ssm":["1973-2019"],"unitdate_inclusive_ssm":["1973-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/26","/repositories/2/resources/6"],"text":["02/01/26","/repositories/2/resources/6","Zine Collection, 1973-2019","Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art","The collection is open for use.","Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.","The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.","Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.","Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe","English"],"unitid_tesim":["02/01/26","/repositories/2/resources/6"],"normalized_date_ssm":["1973-2019"],"normalized_title_ssm":["Zine Collection, 1973-2019"],"collection_title_tesim":["Zine Collection, 1973-2019"],"collection_ssim":["Zine Collection, 1973-2019"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"geogname_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"places_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet"],"extent_tesim":["9 Linear Feet"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for use."],"arrangement_html_tesm":["\u003cp\u003eOrganized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020."],"scopecontent_html_tesm":["\u003cp\u003eThe Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5a0de4e8fb6224cb231f2eecf1aee4f4\" label=\"Abstract and Language Disclaimer\"\u003eZines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.\u003c/abstract\u003e"],"abstract_tesim":["Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience."],"names_ssim":["Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"persname_ssim":["Corley, Madison","Lewis, Chloe"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":447,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870843569479090176,"_root_":"256e771e3cc0782aac349f80","timestamp":"2026-07-16T04:17:42.144Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"256e771e3cc0782aac349f80","title_ssm":["Zine Collection"],"title_tesim":["Zine Collection"],"ead_ssi":"256e771e3cc0782aac349f80","unitdate_ssm":["1973-2019"],"unitdate_inclusive_ssm":["1973-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/26","/repositories/2/resources/6"],"text":["02/01/26","/repositories/2/resources/6","Zine Collection, 1973-2019","Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art","The collection is open for use.","Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.","The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.","Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.","Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe","English"],"unitid_tesim":["02/01/26","/repositories/2/resources/6"],"normalized_date_ssm":["1973-2019"],"normalized_title_ssm":["Zine Collection, 1973-2019"],"collection_title_tesim":["Zine Collection, 1973-2019"],"collection_ssim":["Zine Collection, 1973-2019"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"geogname_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"places_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet"],"extent_tesim":["9 Linear Feet"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for use."],"arrangement_html_tesm":["\u003cp\u003eOrganized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020."],"scopecontent_html_tesm":["\u003cp\u003eThe Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5a0de4e8fb6224cb231f2eecf1aee4f4\" label=\"Abstract and Language Disclaimer\"\u003eZines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.\u003c/abstract\u003e"],"abstract_tesim":["Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience."],"names_ssim":["Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"persname_ssim":["Corley, Madison","Lewis, Chloe"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":447,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870843569479090176,"_root_":"256e771e3cc0782aac349f80","timestamp":"2026-07-16T04:17:42.144Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80"}},{"id":"2b8ea8f68f63cb8d721464d3","type":"collection","attributes":{"title":"Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/2b8ea8f68f63cb8d721464d3#creator","type":"document_value","attributes":{"value":["Zoo Miami and Zoo Miami Foundation"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/2b8ea8f68f63cb8d721464d3#abstract_or_scope","type":"document_value","attributes":{"value":["Miami-Dade Zoological Park and Gardens, colloquially known as Zoo Miami, is the largest and oldest zoological park in the state of Florida. The zoo is the only zoological garden in the continental United States with a tropical climate, which allows it to house a large array of animals from different continents. Previously known as Miami Metrozoo and Crandon Park Zoological Gardens, this collection offers a progressive chronology of the Zoo. Emphasis on the instrumental role played by benefactors, volunteers, zoo keepers and administrative staff is captured in the collection, from their early days in Key Biscayne, to their historic relocation to South Miami. The collection is comprised of newsletters, ephemeral objects, promotional materials, and photographic materials"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2b8ea8f68f63cb8d721464d3#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"2b8ea8f68f63cb8d721464d3","title_ssm":["Zoo Miami Collection"],"title_tesim":["Zoo Miami Collection"],"ead_ssi":"2b8ea8f68f63cb8d721464d3","unitdate_ssm":["1967-2017","1980-2006","Date acquired: 05/26/2017"],"unitdate_bulk_ssim":["1980-2006"],"unitdate_inclusive_ssm":["1967-2017"],"unitdate_other_ssim":["Date acquired: 05/26/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SFC1701","/repositories/2/resources/15"],"text":["SFC1701","/repositories/2/resources/15","Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006","The collection is open for research. Newsletters, most of the ephemeral materials and photographs are available through the  Zoo Miami Digital Collection","The Zoo Miami Collection is organized and housed in 12 boxes. The collection is arranged in four series determined by materiality: I. Publications, II. Ephemeral Materials, III. Promotional Materials, and IV. Photographic Materials. Contents in series I. include newsletters, corporate reports, and special newspaper supplements. Series II. include coloring books, guidebook, 45' vinyl record; Series III. include brochures and press kits; Series IV. include b\u0026w and color photographs, and slides.","The beginnings of Zoo Miami trail back to 1948, when a traveling show traded two spider monkeys, a chimpanzee, two black bears, and a goat to Miami-Dade County for the amount of $270 they needed to repair its truck. The six animals were the first of over 1,000 to be housed at the Crandon Park Zoological Gardens in Key Biscayne. The investment proved successful, as the Zoo gained momentum within its community and housed the first successful captive birth of an Aardvark in North America.","After Hurricane Betsy hit Miami in 1965, over 200 animals met their unfortunate demise and prompted the zoo officials, alongside the Zoological Society of Florida, to propose a relocation of the Zoo in order to prevent future casualties of zoo residents. In 1972, through the \"Item Nine\" referendum, Miami-Dade County approved the relocation of Crandon Park Zoo from Key Biscayne to its current home in South Miami. Construction took almost a decade to complete, and in 1980, the doors opened to the new Miami Metrozoo.","Since opening its doors in 1980, Miami Metrozoo has had 800,000 annual visitors, and has reached over 15 million people of all ages. Their conservation programs are alive not just locally, but on a global level, with over 30 programs on six continents. Their new rebranding as the Miami-Dade Zoological Park and Gardens, known on a day to day basis as Zoo Miami, keeps and maintains conservation on the forefront of any and all decision making processes.","Note written by ","Collection was processed by Ana D. Rodriguez. Finding aid was written by Ana D. Rodriguez and Melissa Cuadra.","The Zoo Miami Collection dates from 1967 to 2017, with bulk dates ranging from 1981 to 2006. The collection includes newsletters, ephemeral objects, promotional materials, and photographic material. The newsletters highlight early efforts from Crandon Park Zoo alongside the Zoological Society of Florida to spark public interest in zoological activities including conservation efforts, welcoming new residents and in-home captive births, and raising public funding necessary for zoological maintenance. The collection also contains a large amount of photographs taken by zoo keepers and staff members, focusing on showcasing the residents of the Zoo through the years. The Zoo Miami Collection offers an intellectual value for studies of history of South Florida between 1967-2017; history of zoological gardens and conservation; conservation of subtropical flora and fauna.","Copyright restrictions may apply.","Miami-Dade Zoological Park and Gardens, colloquially known as Zoo Miami, is the largest and oldest zoological park in the state of Florida. The zoo is the only zoological garden in the continental United States with a tropical climate, which allows it to house a large array of animals from different continents. Previously known as Miami Metrozoo and Crandon Park Zoological Gardens, this collection offers a progressive chronology of the Zoo. Emphasis on the instrumental role played by benefactors, volunteers, zoo keepers and administrative staff is captured in the collection, from their early days in Key Biscayne, to their historic relocation to South Miami. The collection is comprised of newsletters, ephemeral objects, promotional materials, and photographic materials","Green Library, Goverment Resources and Information Department,\nGL 214\nContact Staff for Access\nat 305-348-3135","FIU Special Collections","Zoo Miami and Zoo Miami Foundation","Crandon Park Zoo, Key Biscayne, FL","Miami Metrozoo","Zoological Society of Florida","Zoo Miami","English"],"unitid_tesim":["SFC1701","/repositories/2/resources/15"],"normalized_date_ssm":["1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"normalized_title_ssm":["Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"collection_title_tesim":["Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"collection_ssim":["Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Zoo Miami and Zoo Miami Foundation"],"creator_ssim":["Zoo Miami and Zoo Miami Foundation"],"creator_corpname_ssim":["Zoo Miami and Zoo Miami Foundation"],"creators_ssim":["Zoo Miami and Zoo Miami Foundation"],"access_terms_ssm":["Copyright restrictions may apply."],"acqinfo_ssim":["Zoo Miami and Zoo Miami Foundation","Donation"],"has_online_content_ssim":["false"],"extent_ssm":["12.00 boxes"],"extent_tesim":["12.00 boxes"],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. Newsletters, most of the ephemeral materials and photographs are available through the \u003cextref href=\"http://dpanther.fiu.edu/dPanther/collections/zoo\"\u003eZoo Miami Digital Collection\u003c/extref\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. Newsletters, most of the ephemeral materials and photographs are available through the  Zoo Miami Digital Collection"],"arrangement_html_tesm":["\u003cp\u003eThe Zoo Miami Collection is organized and housed in 12 boxes. The collection is arranged in four series determined by materiality: I. Publications, II. Ephemeral Materials, III. Promotional Materials, and IV. Photographic Materials. Contents in series I. include newsletters, corporate reports, and special newspaper supplements. Series II. include coloring books, guidebook, 45' vinyl record; Series III. include brochures and press kits; Series IV. include b\u0026amp;w and color photographs, and slides.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Zoo Miami Collection is organized and housed in 12 boxes. The collection is arranged in four series determined by materiality: I. Publications, II. Ephemeral Materials, III. Promotional Materials, and IV. Photographic Materials. Contents in series I. include newsletters, corporate reports, and special newspaper supplements. Series II. include coloring books, guidebook, 45' vinyl record; Series III. include brochures and press kits; Series IV. include b\u0026w and color photographs, and slides."],"bioghist_html_tesm":["\u003cp\u003eThe beginnings of Zoo Miami trail back to 1948, when a traveling show traded two spider monkeys, a chimpanzee, two black bears, and a goat to Miami-Dade County for the amount of $270 they needed to repair its truck. The six animals were the first of over 1,000 to be housed at the Crandon Park Zoological Gardens in Key Biscayne. The investment proved successful, as the Zoo gained momentum within its community and housed the first successful captive birth of an Aardvark in North America.\u003c/p\u003e\n","\u003cp\u003eAfter Hurricane Betsy hit Miami in 1965, over 200 animals met their unfortunate demise and prompted the zoo officials, alongside the Zoological Society of Florida, to propose a relocation of the Zoo in order to prevent future casualties of zoo residents. In 1972, through the \"Item Nine\" referendum, Miami-Dade County approved the relocation of Crandon Park Zoo from Key Biscayne to its current home in South Miami. Construction took almost a decade to complete, and in 1980, the doors opened to the new Miami Metrozoo.\u003c/p\u003e\n","\u003cp\u003eSince opening its doors in 1980, Miami Metrozoo has had 800,000 annual visitors, and has reached over 15 million people of all ages. Their conservation programs are alive not just locally, but on a global level, with over 30 programs on six continents. Their new rebranding as the Miami-Dade Zoological Park and Gardens, known on a day to day basis as Zoo Miami, keeps and maintains conservation on the forefront of any and all decision making processes.\u003c/p\u003e\n","\u003cp\u003eNote written by \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical "],"bioghist_tesim":["The beginnings of Zoo Miami trail back to 1948, when a traveling show traded two spider monkeys, a chimpanzee, two black bears, and a goat to Miami-Dade County for the amount of $270 they needed to repair its truck. The six animals were the first of over 1,000 to be housed at the Crandon Park Zoological Gardens in Key Biscayne. The investment proved successful, as the Zoo gained momentum within its community and housed the first successful captive birth of an Aardvark in North America.","After Hurricane Betsy hit Miami in 1965, over 200 animals met their unfortunate demise and prompted the zoo officials, alongside the Zoological Society of Florida, to propose a relocation of the Zoo in order to prevent future casualties of zoo residents. In 1972, through the \"Item Nine\" referendum, Miami-Dade County approved the relocation of Crandon Park Zoo from Key Biscayne to its current home in South Miami. Construction took almost a decade to complete, and in 1980, the doors opened to the new Miami Metrozoo.","Since opening its doors in 1980, Miami Metrozoo has had 800,000 annual visitors, and has reached over 15 million people of all ages. Their conservation programs are alive not just locally, but on a global level, with over 30 programs on six continents. Their new rebranding as the Miami-Dade Zoological Park and Gardens, known on a day to day basis as Zoo Miami, keeps and maintains conservation on the forefront of any and all decision making processes.","Note written by "],"processinfo_html_tesm":["\u003cp\u003eCollection was processed by Ana D. Rodriguez. Finding aid was written by Ana D. Rodriguez and Melissa Cuadra.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection was processed by Ana D. Rodriguez. Finding aid was written by Ana D. Rodriguez and Melissa Cuadra."],"scopecontent_html_tesm":["\u003cp\u003eThe Zoo Miami Collection dates from 1967 to 2017, with bulk dates ranging from 1981 to 2006. The collection includes newsletters, ephemeral objects, promotional materials, and photographic material. The newsletters highlight early efforts from Crandon Park Zoo alongside the Zoological Society of Florida to spark public interest in zoological activities including conservation efforts, welcoming new residents and in-home captive births, and raising public funding necessary for zoological maintenance. The collection also contains a large amount of photographs taken by zoo keepers and staff members, focusing on showcasing the residents of the Zoo through the years. The Zoo Miami Collection offers an intellectual value for studies of history of South Florida between 1967-2017; history of zoological gardens and conservation; conservation of subtropical flora and fauna.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zoo Miami Collection dates from 1967 to 2017, with bulk dates ranging from 1981 to 2006. The collection includes newsletters, ephemeral objects, promotional materials, and photographic material. The newsletters highlight early efforts from Crandon Park Zoo alongside the Zoological Society of Florida to spark public interest in zoological activities including conservation efforts, welcoming new residents and in-home captive births, and raising public funding necessary for zoological maintenance. The collection also contains a large amount of photographs taken by zoo keepers and staff members, focusing on showcasing the residents of the Zoo through the years. The Zoo Miami Collection offers an intellectual value for studies of history of South Florida between 1967-2017; history of zoological gardens and conservation; conservation of subtropical flora and fauna."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply."],"abstract_html_tesm":["\u003cabstract id=\"aspace_98d93a047aa83afe872c25f21d3ec3c0\" label=\"Abstract\"\u003eMiami-Dade Zoological Park and Gardens, colloquially known as Zoo Miami, is the largest and oldest zoological park in the state of Florida. The zoo is the only zoological garden in the continental United States with a tropical climate, which allows it to house a large array of animals from different continents. Previously known as Miami Metrozoo and Crandon Park Zoological Gardens, this collection offers a progressive chronology of the Zoo. Emphasis on the instrumental role played by benefactors, volunteers, zoo keepers and administrative staff is captured in the collection, from their early days in Key Biscayne, to their historic relocation to South Miami. The collection is comprised of newsletters, ephemeral objects, promotional materials, and photographic materials\u003c/abstract\u003e"],"abstract_tesim":["Miami-Dade Zoological Park and Gardens, colloquially known as Zoo Miami, is the largest and oldest zoological park in the state of Florida. The zoo is the only zoological garden in the continental United States with a tropical climate, which allows it to house a large array of animals from different continents. Previously known as Miami Metrozoo and Crandon Park Zoological Gardens, this collection offers a progressive chronology of the Zoo. Emphasis on the instrumental role played by benefactors, volunteers, zoo keepers and administrative staff is captured in the collection, from their early days in Key Biscayne, to their historic relocation to South Miami. The collection is comprised of newsletters, ephemeral objects, promotional materials, and photographic materials"],"physloc_html_tesm":["\u003cphysloc id=\"aspace_a24244a19994cc0d2c82168599de7bb3\" label=\"Physical Location\"\u003eGreen Library, Goverment Resources and Information Department,\nGL 214\nContact Staff for Access\nat 305-348-3135\u003c/physloc\u003e"],"physloc_tesim":["Green Library, Goverment Resources and Information Department,\nGL 214\nContact Staff for Access\nat 305-348-3135"],"names_coll_ssim":["Crandon Park Zoo, Key Biscayne, FL","Miami Metrozoo","Zoological Society of Florida","Zoo Miami"],"names_ssim":["FIU Special Collections","Zoo Miami and Zoo Miami Foundation","Crandon Park Zoo, Key Biscayne, FL","Miami Metrozoo","Zoological Society of Florida","Zoo Miami"],"corpname_ssim":["FIU Special Collections","Zoo Miami and Zoo Miami Foundation","Crandon Park Zoo, Key Biscayne, FL","Miami Metrozoo","Zoological Society of Florida","Zoo Miami"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"2b8ea8f68f63cb8d721464d3","timestamp":"2026-04-21T02:12:11.955Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2b8ea8f68f63cb8d721464d3","title_ssm":["Zoo Miami Collection"],"title_tesim":["Zoo Miami Collection"],"ead_ssi":"2b8ea8f68f63cb8d721464d3","unitdate_ssm":["1967-2017","1980-2006","Date acquired: 05/26/2017"],"unitdate_bulk_ssim":["1980-2006"],"unitdate_inclusive_ssm":["1967-2017"],"unitdate_other_ssim":["Date acquired: 05/26/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SFC1701","/repositories/2/resources/15"],"text":["SFC1701","/repositories/2/resources/15","Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006","The collection is open for research. Newsletters, most of the ephemeral materials and photographs are available through the  Zoo Miami Digital Collection","The Zoo Miami Collection is organized and housed in 12 boxes. The collection is arranged in four series determined by materiality: I. Publications, II. Ephemeral Materials, III. Promotional Materials, and IV. Photographic Materials. Contents in series I. include newsletters, corporate reports, and special newspaper supplements. Series II. include coloring books, guidebook, 45' vinyl record; Series III. include brochures and press kits; Series IV. include b\u0026w and color photographs, and slides.","The beginnings of Zoo Miami trail back to 1948, when a traveling show traded two spider monkeys, a chimpanzee, two black bears, and a goat to Miami-Dade County for the amount of $270 they needed to repair its truck. The six animals were the first of over 1,000 to be housed at the Crandon Park Zoological Gardens in Key Biscayne. The investment proved successful, as the Zoo gained momentum within its community and housed the first successful captive birth of an Aardvark in North America.","After Hurricane Betsy hit Miami in 1965, over 200 animals met their unfortunate demise and prompted the zoo officials, alongside the Zoological Society of Florida, to propose a relocation of the Zoo in order to prevent future casualties of zoo residents. In 1972, through the \"Item Nine\" referendum, Miami-Dade County approved the relocation of Crandon Park Zoo from Key Biscayne to its current home in South Miami. Construction took almost a decade to complete, and in 1980, the doors opened to the new Miami Metrozoo.","Since opening its doors in 1980, Miami Metrozoo has had 800,000 annual visitors, and has reached over 15 million people of all ages. Their conservation programs are alive not just locally, but on a global level, with over 30 programs on six continents. Their new rebranding as the Miami-Dade Zoological Park and Gardens, known on a day to day basis as Zoo Miami, keeps and maintains conservation on the forefront of any and all decision making processes.","Note written by ","Collection was processed by Ana D. Rodriguez. Finding aid was written by Ana D. Rodriguez and Melissa Cuadra.","The Zoo Miami Collection dates from 1967 to 2017, with bulk dates ranging from 1981 to 2006. The collection includes newsletters, ephemeral objects, promotional materials, and photographic material. The newsletters highlight early efforts from Crandon Park Zoo alongside the Zoological Society of Florida to spark public interest in zoological activities including conservation efforts, welcoming new residents and in-home captive births, and raising public funding necessary for zoological maintenance. The collection also contains a large amount of photographs taken by zoo keepers and staff members, focusing on showcasing the residents of the Zoo through the years. The Zoo Miami Collection offers an intellectual value for studies of history of South Florida between 1967-2017; history of zoological gardens and conservation; conservation of subtropical flora and fauna.","Copyright restrictions may apply.","Miami-Dade Zoological Park and Gardens, colloquially known as Zoo Miami, is the largest and oldest zoological park in the state of Florida. The zoo is the only zoological garden in the continental United States with a tropical climate, which allows it to house a large array of animals from different continents. Previously known as Miami Metrozoo and Crandon Park Zoological Gardens, this collection offers a progressive chronology of the Zoo. Emphasis on the instrumental role played by benefactors, volunteers, zoo keepers and administrative staff is captured in the collection, from their early days in Key Biscayne, to their historic relocation to South Miami. The collection is comprised of newsletters, ephemeral objects, promotional materials, and photographic materials","Green Library, Goverment Resources and Information Department,\nGL 214\nContact Staff for Access\nat 305-348-3135","FIU Special Collections","Zoo Miami and Zoo Miami Foundation","Crandon Park Zoo, Key Biscayne, FL","Miami Metrozoo","Zoological Society of Florida","Zoo Miami","English"],"unitid_tesim":["SFC1701","/repositories/2/resources/15"],"normalized_date_ssm":["1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"normalized_title_ssm":["Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"collection_title_tesim":["Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"collection_ssim":["Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Zoo Miami and Zoo Miami Foundation"],"creator_ssim":["Zoo Miami and Zoo Miami Foundation"],"creator_corpname_ssim":["Zoo Miami and Zoo Miami Foundation"],"creators_ssim":["Zoo Miami and Zoo Miami Foundation"],"access_terms_ssm":["Copyright restrictions may apply."],"acqinfo_ssim":["Zoo Miami and Zoo Miami Foundation","Donation"],"has_online_content_ssim":["false"],"extent_ssm":["12.00 boxes"],"extent_tesim":["12.00 boxes"],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. Newsletters, most of the ephemeral materials and photographs are available through the \u003cextref href=\"http://dpanther.fiu.edu/dPanther/collections/zoo\"\u003eZoo Miami Digital Collection\u003c/extref\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. Newsletters, most of the ephemeral materials and photographs are available through the  Zoo Miami Digital Collection"],"arrangement_html_tesm":["\u003cp\u003eThe Zoo Miami Collection is organized and housed in 12 boxes. The collection is arranged in four series determined by materiality: I. Publications, II. Ephemeral Materials, III. Promotional Materials, and IV. Photographic Materials. Contents in series I. include newsletters, corporate reports, and special newspaper supplements. Series II. include coloring books, guidebook, 45' vinyl record; Series III. include brochures and press kits; Series IV. include b\u0026amp;w and color photographs, and slides.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Zoo Miami Collection is organized and housed in 12 boxes. The collection is arranged in four series determined by materiality: I. Publications, II. Ephemeral Materials, III. Promotional Materials, and IV. Photographic Materials. Contents in series I. include newsletters, corporate reports, and special newspaper supplements. Series II. include coloring books, guidebook, 45' vinyl record; Series III. include brochures and press kits; Series IV. include b\u0026w and color photographs, and slides."],"bioghist_html_tesm":["\u003cp\u003eThe beginnings of Zoo Miami trail back to 1948, when a traveling show traded two spider monkeys, a chimpanzee, two black bears, and a goat to Miami-Dade County for the amount of $270 they needed to repair its truck. The six animals were the first of over 1,000 to be housed at the Crandon Park Zoological Gardens in Key Biscayne. The investment proved successful, as the Zoo gained momentum within its community and housed the first successful captive birth of an Aardvark in North America.\u003c/p\u003e\n","\u003cp\u003eAfter Hurricane Betsy hit Miami in 1965, over 200 animals met their unfortunate demise and prompted the zoo officials, alongside the Zoological Society of Florida, to propose a relocation of the Zoo in order to prevent future casualties of zoo residents. In 1972, through the \"Item Nine\" referendum, Miami-Dade County approved the relocation of Crandon Park Zoo from Key Biscayne to its current home in South Miami. Construction took almost a decade to complete, and in 1980, the doors opened to the new Miami Metrozoo.\u003c/p\u003e\n","\u003cp\u003eSince opening its doors in 1980, Miami Metrozoo has had 800,000 annual visitors, and has reached over 15 million people of all ages. Their conservation programs are alive not just locally, but on a global level, with over 30 programs on six continents. Their new rebranding as the Miami-Dade Zoological Park and Gardens, known on a day to day basis as Zoo Miami, keeps and maintains conservation on the forefront of any and all decision making processes.\u003c/p\u003e\n","\u003cp\u003eNote written by \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical "],"bioghist_tesim":["The beginnings of Zoo Miami trail back to 1948, when a traveling show traded two spider monkeys, a chimpanzee, two black bears, and a goat to Miami-Dade County for the amount of $270 they needed to repair its truck. The six animals were the first of over 1,000 to be housed at the Crandon Park Zoological Gardens in Key Biscayne. The investment proved successful, as the Zoo gained momentum within its community and housed the first successful captive birth of an Aardvark in North America.","After Hurricane Betsy hit Miami in 1965, over 200 animals met their unfortunate demise and prompted the zoo officials, alongside the Zoological Society of Florida, to propose a relocation of the Zoo in order to prevent future casualties of zoo residents. In 1972, through the \"Item Nine\" referendum, Miami-Dade County approved the relocation of Crandon Park Zoo from Key Biscayne to its current home in South Miami. Construction took almost a decade to complete, and in 1980, the doors opened to the new Miami Metrozoo.","Since opening its doors in 1980, Miami Metrozoo has had 800,000 annual visitors, and has reached over 15 million people of all ages. Their conservation programs are alive not just locally, but on a global level, with over 30 programs on six continents. Their new rebranding as the Miami-Dade Zoological Park and Gardens, known on a day to day basis as Zoo Miami, keeps and maintains conservation on the forefront of any and all decision making processes.","Note written by "],"processinfo_html_tesm":["\u003cp\u003eCollection was processed by Ana D. Rodriguez. Finding aid was written by Ana D. Rodriguez and Melissa Cuadra.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection was processed by Ana D. Rodriguez. Finding aid was written by Ana D. Rodriguez and Melissa Cuadra."],"scopecontent_html_tesm":["\u003cp\u003eThe Zoo Miami Collection dates from 1967 to 2017, with bulk dates ranging from 1981 to 2006. The collection includes newsletters, ephemeral objects, promotional materials, and photographic material. The newsletters highlight early efforts from Crandon Park Zoo alongside the Zoological Society of Florida to spark public interest in zoological activities including conservation efforts, welcoming new residents and in-home captive births, and raising public funding necessary for zoological maintenance. The collection also contains a large amount of photographs taken by zoo keepers and staff members, focusing on showcasing the residents of the Zoo through the years. The Zoo Miami Collection offers an intellectual value for studies of history of South Florida between 1967-2017; history of zoological gardens and conservation; conservation of subtropical flora and fauna.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zoo Miami Collection dates from 1967 to 2017, with bulk dates ranging from 1981 to 2006. The collection includes newsletters, ephemeral objects, promotional materials, and photographic material. The newsletters highlight early efforts from Crandon Park Zoo alongside the Zoological Society of Florida to spark public interest in zoological activities including conservation efforts, welcoming new residents and in-home captive births, and raising public funding necessary for zoological maintenance. The collection also contains a large amount of photographs taken by zoo keepers and staff members, focusing on showcasing the residents of the Zoo through the years. The Zoo Miami Collection offers an intellectual value for studies of history of South Florida between 1967-2017; history of zoological gardens and conservation; conservation of subtropical flora and fauna."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply."],"abstract_html_tesm":["\u003cabstract id=\"aspace_98d93a047aa83afe872c25f21d3ec3c0\" label=\"Abstract\"\u003eMiami-Dade Zoological Park and Gardens, colloquially known as Zoo Miami, is the largest and oldest zoological park in the state of Florida. The zoo is the only zoological garden in the continental United States with a tropical climate, which allows it to house a large array of animals from different continents. Previously known as Miami Metrozoo and Crandon Park Zoological Gardens, this collection offers a progressive chronology of the Zoo. Emphasis on the instrumental role played by benefactors, volunteers, zoo keepers and administrative staff is captured in the collection, from their early days in Key Biscayne, to their historic relocation to South Miami. The collection is comprised of newsletters, ephemeral objects, promotional materials, and photographic materials\u003c/abstract\u003e"],"abstract_tesim":["Miami-Dade Zoological Park and Gardens, colloquially known as Zoo Miami, is the largest and oldest zoological park in the state of Florida. The zoo is the only zoological garden in the continental United States with a tropical climate, which allows it to house a large array of animals from different continents. Previously known as Miami Metrozoo and Crandon Park Zoological Gardens, this collection offers a progressive chronology of the Zoo. Emphasis on the instrumental role played by benefactors, volunteers, zoo keepers and administrative staff is captured in the collection, from their early days in Key Biscayne, to their historic relocation to South Miami. The collection is comprised of newsletters, ephemeral objects, promotional materials, and photographic materials"],"physloc_html_tesm":["\u003cphysloc id=\"aspace_a24244a19994cc0d2c82168599de7bb3\" label=\"Physical Location\"\u003eGreen Library, Goverment Resources and Information Department,\nGL 214\nContact Staff for Access\nat 305-348-3135\u003c/physloc\u003e"],"physloc_tesim":["Green Library, Goverment Resources and Information Department,\nGL 214\nContact Staff for Access\nat 305-348-3135"],"names_coll_ssim":["Crandon Park Zoo, Key Biscayne, FL","Miami Metrozoo","Zoological Society of Florida","Zoo Miami"],"names_ssim":["FIU Special Collections","Zoo Miami and Zoo Miami Foundation","Crandon Park Zoo, Key Biscayne, FL","Miami Metrozoo","Zoological Society of Florida","Zoo Miami"],"corpname_ssim":["FIU Special Collections","Zoo Miami and Zoo Miami Foundation","Crandon Park Zoo, Key Biscayne, FL","Miami Metrozoo","Zoological Society of Florida","Zoo Miami"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"2b8ea8f68f63cb8d721464d3","timestamp":"2026-04-21T02:12:11.955Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2b8ea8f68f63cb8d721464d3"}},{"id":"1e210d3d5b491a8ea50fb53f_aspace_41108","type":"File","attributes":{"title":"Zora Neale Hurston: A Woman and Her Community, 2000","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1e210d3d5b491a8ea50fb53f_aspace_41108#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_41108","ref_ssm":["aspace_41108","aspace_41108"],"id":"1e210d3d5b491a8ea50fb53f_aspace_41108","title_filing_ssi":"Zora Neale Hurston: A Woman and Her Community","title_ssm":["Zora Neale Hurston: A Woman and Her Community"],"title_tesim":["Zora Neale Hurston: A Woman and Her Community"],"unitdate_other_ssim":["2000"],"normalized_date_ssm":["2000"],"normalized_title_ssm":["Zora Neale Hurston: A Woman and Her Community, 2000"],"text":["Zora Neale Hurston: A Woman and Her Community, 2000","Collected Materials on the Zora Neale Hurston Festival, 1989-2017","The Association to Preserve the Eatonville Community, Inc. (P.E.C)., 1991-2008.","Folder 39","/repositories/4/archival_objects/8527","box 1","folder 39"],"component_level_isim":[2],"parent_ids_ssim":["1e210d3d5b491a8ea50fb53f","1e210d3d5b491a8ea50fb53f_aspace_41087"],"parent_unittitles_ssm":["Collected Materials on the Zora Neale Hurston Festival, 1989-2017","The Association to Preserve the Eatonville Community, Inc. (P.E.C)., 1991-2008."],"parent_unittitles_tesim":["Collected Materials on the Zora Neale Hurston Festival, 1989-2017","The Association to Preserve the Eatonville Community, Inc. (P.E.C)., 1991-2008."],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 39","/repositories/4/archival_objects/8527"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Collected Materials on the Zora Neale Hurston Festival, 1989-2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":40,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[2000],"containers_ssim":["box 1","folder 39"],"_nest_path_":"/components#1/components#20","_nest_parent_":"1e210d3d5b491a8ea50fb53f_aspace_41087","_root_":"1e210d3d5b491a8ea50fb53f","_version_":1870857951396233216,"timestamp":"2026-07-16T08:06:17.890Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1e210d3d5b491a8ea50fb53f","title_ssm":["Collected Materials on the Zora Neale Hurston Festival"],"title_tesim":["Collected Materials on the Zora Neale Hurston Festival"],"ead_ssi":"1e210d3d5b491a8ea50fb53f","unitdate_ssm":["1989-2017"],"unitdate_inclusive_ssm":["1989-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.074","/repositories/4/resources/44"],"text":["SC.074","/repositories/4/resources/44","Collected Materials on the Zora Neale Hurston Festival, 1989-2017","Eatonville (Fla.)","African American women","The entire collection is open for research.","The collection is divided into two series, each organized chronologically and then alphabetically.","The Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel  Their Eyes Were Watching God  which was set in Eatonville. Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, workshops, museum exhibitions, historical tours, stage performances, arts education programming, an academic humanities- based conference, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. Numerous celebrity guest speakers have been featured at the festival including Alice Walker, Maya Angelou, Pearl Cleage, Danny Glover and Deborah Willis. ","The Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. As of 2024, the festival's sponsors include Orange County Government through the Arts \u0026 Cultural Affairs Program, University of Central Florida, Florida Humanities, the town of Eatonville, Florida, Florida Division of Arts and Culture, and The World Conference of Mayors, Inc. The festival continues to operate and maintain its goals of perpetuating the memory and legacy of Zora Neale Hurston and preserving the Eatonville community.  ","Collection processed by Ryan Groves, Lindsay Mazziotto, and Courtney Toelle; finding aid prepared by Ryan Groves, Lindsay Mazziotto, and Courtney Toelle.\t ","University of Central Florida Libraries collected these materials in 2007.","The collection is divided into three series, each organized chronologically.","\nThe Zora Neale Hurston Festivals collected materials contain documents spanning the festivals inception in 1989 until 2017. The first series of documents primarily contain programs printed for each year's festival. While there is not a complete set, the collection currently contains programs from 1990 to 2017. The second series contains materials concerning the African American Community in Eatonville with a particular focus on cultural programming. The third series contains magazine articles, newspaper clippings, and brochures that illustrate the growing programs and projects of the Association to Preserve the Eatonville Community. These include student and teacher workshops, art exhibitions, and publications that resulted from the growing influence of Zora Neale Hurston's work.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The collection contains documents related to the festival bearing the name of the late poet, writer, anthropologist, and folklorist Zora Neale Hurston. Since 1990, the Zora Neale Hurston Festival has attracted individuals from across the country in academic and artistic disciplines wishing to celebrate Zora Neale Hurston and African American culture as a whole. The following folders contain the programs from festival years 1990 to 2017. In addition to its annual festival, the Association to Preserve Eatonville, Inc. has expanded its focus and community activities to inform and celebrate the life and work of Zora Neale Hurston and Eatonville.","UCF Special Collections","University of Central Florida. Library","Association to Preserve the Eatonville Community (Eatonville, Fla.)","Hurston, Zora Neale (1891-1960)","English"],"unitid_tesim":["SC.074","/repositories/4/resources/44"],"normalized_date_ssm":["1989-2017"],"normalized_title_ssm":["Collected Materials on the Zora Neale Hurston Festival, 1989-2017"],"collection_title_tesim":["Collected Materials on the Zora Neale Hurston Festival, 1989-2017"],"collection_ssim":["Collected Materials on the Zora Neale Hurston Festival, 1989-2017"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Eatonville (Fla.)"],"geogname_ssim":["Eatonville (Fla.)"],"creator_ssm":["University of Central Florida. Library"],"creator_ssim":["University of Central Florida. Library"],"creator_corpname_ssim":["University of Central Florida. Library"],"creators_ssim":["University of Central Florida. Library"],"places_ssim":["Eatonville (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["University of Central Florida Libraries collected these materials in 2007 (CFM2007_05)."],"access_subjects_ssim":["African American women"],"access_subjects_ssm":["African American women"],"has_online_content_ssim":["false"],"extent_ssm":["0.6 Linear Feet 1 Box"],"extent_tesim":["0.6 Linear Feet 1 Box"],"date_range_isim":[1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into two series, each organized chronologically and then alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is divided into two series, each organized chronologically and then alphabetically."],"bioghist_html_tesm":["\u003cp\u003eThe Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel \u003cemph render=\"italic\"\u003eTheir Eyes Were Watching God\u003c/emph\u003e which was set in Eatonville. Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, workshops, museum exhibitions, historical tours, stage performances, arts education programming, an academic humanities- based conference, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. Numerous celebrity guest speakers have been featured at the festival including Alice Walker, Maya Angelou, Pearl Cleage, Danny Glover and Deborah Willis. \u003c/p\u003e\n","\u003cp\u003eThe Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. As of 2024, the festival's sponsors include Orange County Government through the Arts \u0026amp; Cultural Affairs Program, University of Central Florida, Florida Humanities, the town of Eatonville, Florida, Florida Division of Arts and Culture, and The World Conference of Mayors, Inc. The festival continues to operate and maintain its goals of perpetuating the memory and legacy of Zora Neale Hurston and preserving the Eatonville community.  \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel  Their Eyes Were Watching God  which was set in Eatonville. Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, workshops, museum exhibitions, historical tours, stage performances, arts education programming, an academic humanities- based conference, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. Numerous celebrity guest speakers have been featured at the festival including Alice Walker, Maya Angelou, Pearl Cleage, Danny Glover and Deborah Willis. ","The Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. As of 2024, the festival's sponsors include Orange County Government through the Arts \u0026 Cultural Affairs Program, University of Central Florida, Florida Humanities, the town of Eatonville, Florida, Florida Division of Arts and Culture, and The World Conference of Mayors, Inc. The festival continues to operate and maintain its goals of perpetuating the memory and legacy of Zora Neale Hurston and preserving the Eatonville community.  "],"prefercite_html_tesm":["\u003cp\u003eCollected Materials on the Zora Neale Hurston Festival, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collected Materials on the Zora Neale Hurston Festival, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Ryan Groves, Lindsay Mazziotto, and Courtney Toelle; finding aid prepared by Ryan Groves, Lindsay Mazziotto, and Courtney Toelle.\t \u003c/p\u003e","\u003cp\u003eUniversity of Central Florida Libraries collected these materials in 2007.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Ryan Groves, Lindsay Mazziotto, and Courtney Toelle; finding aid prepared by Ryan Groves, Lindsay Mazziotto, and Courtney Toelle.\t ","University of Central Florida Libraries collected these materials in 2007."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is divided into three series, each organized chronologically.\u003c/p\u003e\n","\u003cp\u003e\nThe Zora Neale Hurston Festivals collected materials contain documents spanning the festivals inception in 1989 until 2017. The first series of documents primarily contain programs printed for each year's festival. While there is not a complete set, the collection currently contains programs from 1990 to 2017. The second series contains materials concerning the African American Community in Eatonville with a particular focus on cultural programming. The third series contains magazine articles, newspaper clippings, and brochures that illustrate the growing programs and projects of the Association to Preserve the Eatonville Community. These include student and teacher workshops, art exhibitions, and publications that resulted from the growing influence of Zora Neale Hurston's work.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is divided into three series, each organized chronologically.","\nThe Zora Neale Hurston Festivals collected materials contain documents spanning the festivals inception in 1989 until 2017. The first series of documents primarily contain programs printed for each year's festival. While there is not a complete set, the collection currently contains programs from 1990 to 2017. The second series contains materials concerning the African American Community in Eatonville with a particular focus on cultural programming. The third series contains magazine articles, newspaper clippings, and brochures that illustrate the growing programs and projects of the Association to Preserve the Eatonville Community. These include student and teacher workshops, art exhibitions, and publications that resulted from the growing influence of Zora Neale Hurston's work."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_574cb50e400f77b5ecb97515777b9ea3\" label=\"Abstract\"\u003eThe collection contains documents related to the festival bearing the name of the late poet, writer, anthropologist, and folklorist Zora Neale Hurston. Since 1990, the Zora Neale Hurston Festival has attracted individuals from across the country in academic and artistic disciplines wishing to celebrate Zora Neale Hurston and African American culture as a whole. The following folders contain the programs from festival years 1990 to 2017. In addition to its annual festival, the Association to Preserve Eatonville, Inc. has expanded its focus and community activities to inform and celebrate the life and work of Zora Neale Hurston and Eatonville.\u003c/abstract\u003e"],"abstract_tesim":["The collection contains documents related to the festival bearing the name of the late poet, writer, anthropologist, and folklorist Zora Neale Hurston. Since 1990, the Zora Neale Hurston Festival has attracted individuals from across the country in academic and artistic disciplines wishing to celebrate Zora Neale Hurston and African American culture as a whole. The following folders contain the programs from festival years 1990 to 2017. In addition to its annual festival, the Association to Preserve Eatonville, Inc. has expanded its focus and community activities to inform and celebrate the life and work of Zora Neale Hurston and Eatonville."],"names_coll_ssim":["Association to Preserve the Eatonville Community (Eatonville, Fla.)","Hurston, Zora Neale (1891-1960)"],"names_ssim":["UCF Special Collections","University of Central Florida. Library","Association to Preserve the Eatonville Community (Eatonville, Fla.)","Hurston, Zora Neale (1891-1960)"],"corpname_ssim":["UCF Special Collections","University of Central Florida. 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