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He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the \u003cemph render=\"italic\"\u003eBarbershop Arranging Manual\u003c/emph\u003e and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. 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He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. 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Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_47ef4f2c9d3944ef54170a551f97a3e7\"\u003eThe Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the \u003cemph render=\"italic\"\u003eBarbershop Arranging Manual\u003c/emph\u003e and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022.\u003c/abstract\u003e"],"abstract_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022."],"names_ssim":["UCF University Archives","Szabo, Burt"],"corpname_ssim":["UCF University Archives"],"names_coll_ssim":["Szabo, Burt"],"persname_ssim":["Szabo, Burt"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1087,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858782767054848,"_root_":"377018d2c691025d88612f9e","timestamp":"2026-07-16T08:19:30.734Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/377018d2c691025d88612f9e_aspace_2e3ca212ad2a11d421c33e20e13add69"}},{"id":"5704cc28d5311ad5f4edd43f_aspace_1ce8d540069cb6c511a7526b6f770143","type":"Box","attributes":{"title":"Soccer, 1997-2011","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5704cc28d5311ad5f4edd43f_aspace_1ce8d540069cb6c511a7526b6f770143#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1ce8d540069cb6c511a7526b6f770143","ref_ssm":["aspace_1ce8d540069cb6c511a7526b6f770143","aspace_1ce8d540069cb6c511a7526b6f770143"],"id":"5704cc28d5311ad5f4edd43f_aspace_1ce8d540069cb6c511a7526b6f770143","title_filing_ssi":"Soccer","title_ssm":["Soccer"],"title_tesim":["Soccer"],"unitdate_inclusive_ssm":["1997-2011"],"normalized_date_ssm":["1997-2011"],"normalized_title_ssm":["Soccer, 1997-2011"],"text":["Soccer, 1997-2011","USF Athletics collection, bulk 1956-Present","Media","Box 221","/repositories/2/archival_objects/199568","box 221"],"component_level_isim":[2],"parent_ids_ssim":["5704cc28d5311ad5f4edd43f","5704cc28d5311ad5f4edd43f_aspace_ff14723bd95263a63ec8c30eb33cdd30"],"parent_unittitles_ssm":["USF Athletics collection, bulk 1956-Present","Media"],"parent_unittitles_tesim":["USF Athletics collection, bulk 1956-Present","Media"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Box 221","/repositories/2/archival_objects/199568"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["USF Athletics collection, bulk 1956-Present"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":3233,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"containers_ssim":["box 221"],"_nest_path_":"/components#3/components#31","_nest_parent_":"5704cc28d5311ad5f4edd43f_aspace_ff14723bd95263a63ec8c30eb33cdd30","_root_":"5704cc28d5311ad5f4edd43f","_version_":1870863599522545664,"timestamp":"2026-07-16T09:36:04.168Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5704cc28d5311ad5f4edd43f","title_ssm":["USF Athletics collection"],"title_tesim":["USF Athletics collection"],"ead_ssi":"5704cc28d5311ad5f4edd43f","unitdate_ssm":["1956-Present"],"unitdate_bulk_ssim":["1956-Present"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2021-05","/repositories/2/resources/593"],"text":["MS-2021-05","/repositories/2/resources/593","USF Athletics collection, bulk 1956-Present","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-2021-05","/repositories/2/resources/593"],"normalized_date_ssm":["bulk 1956-Present"],"normalized_title_ssm":["USF Athletics collection, bulk 1956-Present"],"collection_title_tesim":["USF Athletics collection, bulk 1956-Present"],"collection_ssim":["USF Athletics collection, bulk 1956-Present"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"has_online_content_ssim":["false"],"extent_ssm":["122.74 Linear Feet","232 boxes"],"extent_tesim":["122.74 Linear Feet","232 boxes"],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"total_component_count_is":3281,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863599522545664,"_root_":"5704cc28d5311ad5f4edd43f","timestamp":"2026-07-16T09:36:04.168Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5704cc28d5311ad5f4edd43f_aspace_1ce8d540069cb6c511a7526b6f770143"}},{"id":"bfd41a7c19618933042e1aeb_aspace_131227","type":"File","attributes":{"title":"Social life and customs - Bowling, 2000","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/bfd41a7c19618933042e1aeb_aspace_131227#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_131227","ref_ssm":["aspace_131227","aspace_131227"],"id":"bfd41a7c19618933042e1aeb_aspace_131227","title_filing_ssi":"Social life and customs - Bowling","title_ssm":["Social life and customs - Bowling"],"title_tesim":["Social life and customs - Bowling"],"unitdate_other_ssim":["2000"],"normalized_date_ssm":["2000"],"normalized_title_ssm":["Social life and customs - Bowling, 2000"],"text":["Social life and customs - Bowling, 2000","Rex Maniscalco collection, 1980-2002, bulk 1990-2002","Photograph Negatives - Misc.","Folder 5","/repositories/2/archival_objects/52836","box 12","folder 5"],"component_level_isim":[2],"parent_ids_ssim":["bfd41a7c19618933042e1aeb","bfd41a7c19618933042e1aeb_aspace_131222"],"parent_unittitles_ssm":["Rex Maniscalco collection, 1980-2002, bulk 1990-2002","Photograph Negatives - Misc."],"parent_unittitles_tesim":["Rex Maniscalco collection, 1980-2002, bulk 1990-2002","Photograph Negatives - Misc."],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["Folder 5","/repositories/2/archival_objects/52836"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Rex Maniscalco collection, 1980-2002, bulk 1990-2002"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":254,"parent_access_terms_tesm":["No restrictions.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[2000],"containers_ssim":["box 12","folder 5"],"_nest_path_":"/components#11/components#4","_nest_parent_":"bfd41a7c19618933042e1aeb_aspace_131222","_root_":"bfd41a7c19618933042e1aeb","_version_":1871677752741986304,"timestamp":"2026-07-25T09:16:41.370Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"bfd41a7c19618933042e1aeb","title_ssm":["Rex Maniscalco collection"],"title_tesim":["Rex Maniscalco collection"],"ead_ssi":"bfd41a7c19618933042e1aeb","unitdate_ssm":["1980-2002","1990-2002"],"unitdate_bulk_ssim":["1990-2002"],"unitdate_inclusive_ssm":["1980-2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2009-02","/repositories/2/resources/324"],"text":["MS-2009-02","/repositories/2/resources/324","Rex Maniscalco collection, 1980-2002, bulk 1990-2002","LGBTQ+ film festivals","Gay and lesbian dance parties","LGBTQ+ movement","Gay community","Queer community ","Queer culture","LGBTQ+ activists","LGBTQ+ advocacy","LGBTQ+ communities","Series by format and subseries by subject (events, social life and customs, organizations). This collection is organized into three series with subsequent and corresponding subseries. Contained within this collection were film negatives not accompanied by developed images. These negatives remain unprocessed. Negatives that were included in envelopes alongside developed images were processed in tandem with photographs and housed in two Hollinger boxes as a series. Within  Series: Negatives , folders correspond with the images processed into subseries within photo boxes, more specifically, events, social life and customs, organizations. Additionally, Rex's personal photographs, which include travel, family, and other miscellaneous events such as the Renaissance Festival, the filming of a Burt Reynolds movie in Tampa, and Yankee training, remain unprocessed but available in photo albums.","Most remembered for saying, \"Ah one-a, ah two-a, ah-Cheeze-a\", Rex Maniscalco was Tampa's GLBT photographer and community documentarian. An Ybor City native, Rex Maniscalco was around to experience and participate in the emergence of a visible LGBT community in the Tampa area. From the early Pride picnics and festivals to the beginnings of Equality Florida, Rex was there, camera in hand, to document the people who have been instrumental in creating LGBT community and culture. Inspired by a traveling exhibition of the history of the LGBT movement, Rex undertook the task of capturing gay history in the making through his camera and video recordings. Moved by the stories of hidden lives told by Bobbie Smith and Kay Thompson, he began the Rainbow in Sunshine Project in January of 2007 to offer a photographic history of gay lives and activism in Tampa, Florida. He was a part of the GLBT \u0026 Hillsborough Democratic Executive Community and active in the Hillsborough County GLBTA Democratic caucus. Rex Maniscalco passed away April 4, 2009 at the age of 57","Note written by CW, 2015.","Partially processed.","Bobby Smith Photograph Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, Florida.","This collection contains photographs, negatives, and VHS recordings pertaining to Tampa GLBT culture and community and reflects the growing national visibility of gay and lesbian lives throughout the 1990s and early 2000s more generally. This collection is comprised of photographs of the LGBT community taken by Rex Maniscalco from the 1980s to 2000s. Captured in the images within this collection are Tampa Bay's early Pride picnics to full scale Pride Festivals in downtown Tampa and Ybor City, the Tampa Gay and Lesbian Film Festival, the Tampa AIDS walk, other major gay events such as Southern Decadence in New Orleans, LA and Beach Fest in Daytona, protests and rallies, and many other social gatherings and political events. This collection also contains video recordings of major political events and organizations in Tampa including County Commission and City Council vote to include sexual orientation in the city's human rights ordinance in 1991, the 1993 March on Washington, organizational meetings of the Human Rights Task Force. Maniscalco's collection also includes video recordings of local and national talk shows and television shows.","Oversized graphic materials stored in a horizontal folder separate from the collection.","No restrictions.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","This collection is comprised of photographs and video footage of the LGBTQ+ community taken by Rex Maniscalco from the 1980s to 2000s, as well as documents from Tampa Bay LGBTQ+ culture, civil rights, and community organizations.","USF Libraries - Tampa Special Collections","Human Rights Task Force","Equality Florida","Metropolitan Community Church of Tampa","Maniscalco, Rex (1956-2009)","English"],"unitid_tesim":["MS-2009-02","/repositories/2/resources/324"],"normalized_date_ssm":["1980-2002, bulk 1990-2002"],"normalized_title_ssm":["Rex Maniscalco collection, 1980-2002, bulk 1990-2002"],"collection_title_tesim":["Rex Maniscalco collection, 1980-2002, bulk 1990-2002"],"collection_ssim":["Rex Maniscalco collection, 1980-2002, bulk 1990-2002"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Maniscalco, Rex (1956-2009)"],"creator_ssim":["Maniscalco, Rex (1956-2009)"],"creator_persname_ssim":["Maniscalco, Rex (1956-2009)"],"creators_ssim":["Maniscalco, Rex (1956-2009)"],"access_terms_ssm":["No restrictions.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Mark Bias and Carrie West","Donation."],"access_subjects_ssim":["LGBTQ+ film festivals","Gay and lesbian dance parties","LGBTQ+ movement","Gay community","Queer community ","Queer culture","LGBTQ+ activists","LGBTQ+ advocacy","LGBTQ+ communities"],"access_subjects_ssm":["LGBTQ+ film festivals","Gay and lesbian dance parties","LGBTQ+ movement","Gay community","Queer community ","Queer culture","LGBTQ+ activists","LGBTQ+ advocacy","LGBTQ+ communities"],"has_online_content_ssim":["false"],"extent_ssm":["21 boxes","14.43 Linear Feet","1 folders Oversized graphic materials stored in a horizontal folder separate from the collection."],"extent_tesim":["21 boxes","14.43 Linear Feet","1 folders Oversized graphic materials stored in a horizontal folder separate from the collection."],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"arrangement_html_tesm":["\u003cp\u003eSeries by format and subseries by subject (events, social life and customs, organizations). This collection is organized into three series with subsequent and corresponding subseries. Contained within this collection were film negatives not accompanied by developed images. These negatives remain unprocessed. Negatives that were included in envelopes alongside developed images were processed in tandem with photographs and housed in two Hollinger boxes as a series. Within \u003cemph render=\"italic\"\u003eSeries: Negatives\u003c/emph\u003e, folders correspond with the images processed into subseries within photo boxes, more specifically, events, social life and customs, organizations. Additionally, Rex's personal photographs, which include travel, family, and other miscellaneous events such as the Renaissance Festival, the filming of a Burt Reynolds movie in Tampa, and Yankee training, remain unprocessed but available in photo albums.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Series by format and subseries by subject (events, social life and customs, organizations). This collection is organized into three series with subsequent and corresponding subseries. Contained within this collection were film negatives not accompanied by developed images. These negatives remain unprocessed. Negatives that were included in envelopes alongside developed images were processed in tandem with photographs and housed in two Hollinger boxes as a series. Within  Series: Negatives , folders correspond with the images processed into subseries within photo boxes, more specifically, events, social life and customs, organizations. Additionally, Rex's personal photographs, which include travel, family, and other miscellaneous events such as the Renaissance Festival, the filming of a Burt Reynolds movie in Tampa, and Yankee training, remain unprocessed but available in photo albums."],"bioghist_html_tesm":["\u003cp\u003eMost remembered for saying, \"Ah one-a, ah two-a, ah-Cheeze-a\", Rex Maniscalco was Tampa's GLBT photographer and community documentarian. An Ybor City native, Rex Maniscalco was around to experience and participate in the emergence of a visible LGBT community in the Tampa area. From the early Pride picnics and festivals to the beginnings of Equality Florida, Rex was there, camera in hand, to document the people who have been instrumental in creating LGBT community and culture. Inspired by a traveling exhibition of the history of the LGBT movement, Rex undertook the task of capturing gay history in the making through his camera and video recordings. Moved by the stories of hidden lives told by Bobbie Smith and Kay Thompson, he began the Rainbow in Sunshine Project in January of 2007 to offer a photographic history of gay lives and activism in Tampa, Florida. He was a part of the GLBT \u0026amp; Hillsborough Democratic Executive Community and active in the Hillsborough County GLBTA Democratic caucus. Rex Maniscalco passed away April 4, 2009 at the age of 57\u003c/p\u003e\n","\u003cp\u003eNote written by CW, 2015.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Most remembered for saying, \"Ah one-a, ah two-a, ah-Cheeze-a\", Rex Maniscalco was Tampa's GLBT photographer and community documentarian. An Ybor City native, Rex Maniscalco was around to experience and participate in the emergence of a visible LGBT community in the Tampa area. From the early Pride picnics and festivals to the beginnings of Equality Florida, Rex was there, camera in hand, to document the people who have been instrumental in creating LGBT community and culture. Inspired by a traveling exhibition of the history of the LGBT movement, Rex undertook the task of capturing gay history in the making through his camera and video recordings. Moved by the stories of hidden lives told by Bobbie Smith and Kay Thompson, he began the Rainbow in Sunshine Project in January of 2007 to offer a photographic history of gay lives and activism in Tampa, Florida. He was a part of the GLBT \u0026 Hillsborough Democratic Executive Community and active in the Hillsborough County GLBTA Democratic caucus. Rex Maniscalco passed away April 4, 2009 at the age of 57","Note written by CW, 2015."],"processinfo_html_tesm":["\u003cp\u003ePartially processed.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Partially processed."],"relatedmaterial_html_tesm":["\u003cp\u003eBobby Smith Photograph Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Bobby Smith Photograph Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains photographs, negatives, and VHS recordings pertaining to Tampa GLBT culture and community and reflects the growing national visibility of gay and lesbian lives throughout the 1990s and early 2000s more generally. This collection is comprised of photographs of the LGBT community taken by Rex Maniscalco from the 1980s to 2000s. Captured in the images within this collection are Tampa Bay's early Pride picnics to full scale Pride Festivals in downtown Tampa and Ybor City, the Tampa Gay and Lesbian Film Festival, the Tampa AIDS walk, other major gay events such as Southern Decadence in New Orleans, LA and Beach Fest in Daytona, protests and rallies, and many other social gatherings and political events. This collection also contains video recordings of major political events and organizations in Tampa including County Commission and City Council vote to include sexual orientation in the city's human rights ordinance in 1991, the 1993 March on Washington, organizational meetings of the Human Rights Task Force. Maniscalco's collection also includes video recordings of local and national talk shows and television shows.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains photographs, negatives, and VHS recordings pertaining to Tampa GLBT culture and community and reflects the growing national visibility of gay and lesbian lives throughout the 1990s and early 2000s more generally. This collection is comprised of photographs of the LGBT community taken by Rex Maniscalco from the 1980s to 2000s. Captured in the images within this collection are Tampa Bay's early Pride picnics to full scale Pride Festivals in downtown Tampa and Ybor City, the Tampa Gay and Lesbian Film Festival, the Tampa AIDS walk, other major gay events such as Southern Decadence in New Orleans, LA and Beach Fest in Daytona, protests and rallies, and many other social gatherings and political events. This collection also contains video recordings of major political events and organizations in Tampa including County Commission and City Council vote to include sexual orientation in the city's human rights ordinance in 1991, the 1993 March on Washington, organizational meetings of the Human Rights Task Force. Maniscalco's collection also includes video recordings of local and national talk shows and television shows."],"separatedmaterial_html_tesm":["\u003cp\u003eOversized graphic materials stored in a horizontal folder separate from the collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Oversized graphic materials stored in a horizontal folder separate from the collection."],"userestrict_html_tesm":["\u003cp\u003eNo restrictions.\u0026#xA0; The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["No restrictions.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_2725e9e7269d2febf9372c22418f4cc3\"\u003eThis collection is comprised of photographs and video footage of the LGBTQ+ community taken by Rex Maniscalco from the 1980s to 2000s, as well as documents from Tampa Bay LGBTQ+ culture, civil rights, and community organizations.\u003c/abstract\u003e"],"abstract_tesim":["This collection is comprised of photographs and video footage of the LGBTQ+ community taken by Rex Maniscalco from the 1980s to 2000s, as well as documents from Tampa Bay LGBTQ+ culture, civil rights, and community organizations."],"names_coll_ssim":["Human Rights Task Force","Equality Florida","Metropolitan Community Church of Tampa"],"names_ssim":["USF Libraries - Tampa Special Collections","Human Rights Task Force","Equality Florida","Metropolitan Community Church of Tampa","Maniscalco, Rex (1956-2009)"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Human Rights Task Force","Equality Florida","Metropolitan Community Church of Tampa"],"persname_ssim":["Maniscalco, Rex (1956-2009)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":642,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871677752741986304,"_root_":"bfd41a7c19618933042e1aeb","timestamp":"2026-07-25T09:16:41.370Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/bfd41a7c19618933042e1aeb_aspace_131227"}},{"id":"bfd41a7c19618933042e1aeb_aspace_131245","type":"File","attributes":{"title":"Social life and customs - Eunice Fisher, Wedding Ceremony, 2000","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/bfd41a7c19618933042e1aeb_aspace_131245#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_131245","ref_ssm":["aspace_131245","aspace_131245"],"id":"bfd41a7c19618933042e1aeb_aspace_131245","title_filing_ssi":"Social life and customs - Eunice Fisher, Wedding Ceremony","title_ssm":["Social life and customs - Eunice Fisher, Wedding Ceremony"],"title_tesim":["Social life and customs - Eunice Fisher, Wedding Ceremony"],"unitdate_other_ssim":["2000"],"normalized_date_ssm":["2000"],"normalized_title_ssm":["Social life and customs - Eunice Fisher, Wedding Ceremony, 2000"],"text":["Social life and customs - Eunice Fisher, Wedding Ceremony, 2000","Rex Maniscalco collection, 1980-2002, bulk 1990-2002","Photograph Negatives - Misc.","Folder 23","/repositories/2/archival_objects/53016","box 12","folder 23"],"component_level_isim":[2],"parent_ids_ssim":["bfd41a7c19618933042e1aeb","bfd41a7c19618933042e1aeb_aspace_131222"],"parent_unittitles_ssm":["Rex Maniscalco collection, 1980-2002, bulk 1990-2002","Photograph Negatives - Misc."],"parent_unittitles_tesim":["Rex Maniscalco collection, 1980-2002, bulk 1990-2002","Photograph Negatives - Misc."],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["Folder 23","/repositories/2/archival_objects/53016"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Rex Maniscalco collection, 1980-2002, bulk 1990-2002"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":272,"parent_access_terms_tesm":["No restrictions.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[2000],"containers_ssim":["box 12","folder 23"],"_nest_path_":"/components#11/components#22","_nest_parent_":"bfd41a7c19618933042e1aeb_aspace_131222","_root_":"bfd41a7c19618933042e1aeb","_version_":1871677752741986304,"timestamp":"2026-07-25T09:16:41.370Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"bfd41a7c19618933042e1aeb","title_ssm":["Rex Maniscalco collection"],"title_tesim":["Rex Maniscalco collection"],"ead_ssi":"bfd41a7c19618933042e1aeb","unitdate_ssm":["1980-2002","1990-2002"],"unitdate_bulk_ssim":["1990-2002"],"unitdate_inclusive_ssm":["1980-2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2009-02","/repositories/2/resources/324"],"text":["MS-2009-02","/repositories/2/resources/324","Rex Maniscalco collection, 1980-2002, bulk 1990-2002","LGBTQ+ film festivals","Gay and lesbian dance parties","LGBTQ+ movement","Gay community","Queer community ","Queer culture","LGBTQ+ activists","LGBTQ+ advocacy","LGBTQ+ communities","Series by format and subseries by subject (events, social life and customs, organizations). This collection is organized into three series with subsequent and corresponding subseries. Contained within this collection were film negatives not accompanied by developed images. These negatives remain unprocessed. Negatives that were included in envelopes alongside developed images were processed in tandem with photographs and housed in two Hollinger boxes as a series. Within  Series: Negatives , folders correspond with the images processed into subseries within photo boxes, more specifically, events, social life and customs, organizations. Additionally, Rex's personal photographs, which include travel, family, and other miscellaneous events such as the Renaissance Festival, the filming of a Burt Reynolds movie in Tampa, and Yankee training, remain unprocessed but available in photo albums.","Most remembered for saying, \"Ah one-a, ah two-a, ah-Cheeze-a\", Rex Maniscalco was Tampa's GLBT photographer and community documentarian. An Ybor City native, Rex Maniscalco was around to experience and participate in the emergence of a visible LGBT community in the Tampa area. From the early Pride picnics and festivals to the beginnings of Equality Florida, Rex was there, camera in hand, to document the people who have been instrumental in creating LGBT community and culture. Inspired by a traveling exhibition of the history of the LGBT movement, Rex undertook the task of capturing gay history in the making through his camera and video recordings. Moved by the stories of hidden lives told by Bobbie Smith and Kay Thompson, he began the Rainbow in Sunshine Project in January of 2007 to offer a photographic history of gay lives and activism in Tampa, Florida. He was a part of the GLBT \u0026 Hillsborough Democratic Executive Community and active in the Hillsborough County GLBTA Democratic caucus. Rex Maniscalco passed away April 4, 2009 at the age of 57","Note written by CW, 2015.","Partially processed.","Bobby Smith Photograph Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, Florida.","This collection contains photographs, negatives, and VHS recordings pertaining to Tampa GLBT culture and community and reflects the growing national visibility of gay and lesbian lives throughout the 1990s and early 2000s more generally. This collection is comprised of photographs of the LGBT community taken by Rex Maniscalco from the 1980s to 2000s. Captured in the images within this collection are Tampa Bay's early Pride picnics to full scale Pride Festivals in downtown Tampa and Ybor City, the Tampa Gay and Lesbian Film Festival, the Tampa AIDS walk, other major gay events such as Southern Decadence in New Orleans, LA and Beach Fest in Daytona, protests and rallies, and many other social gatherings and political events. This collection also contains video recordings of major political events and organizations in Tampa including County Commission and City Council vote to include sexual orientation in the city's human rights ordinance in 1991, the 1993 March on Washington, organizational meetings of the Human Rights Task Force. Maniscalco's collection also includes video recordings of local and national talk shows and television shows.","Oversized graphic materials stored in a horizontal folder separate from the collection.","No restrictions.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","This collection is comprised of photographs and video footage of the LGBTQ+ community taken by Rex Maniscalco from the 1980s to 2000s, as well as documents from Tampa Bay LGBTQ+ culture, civil rights, and community organizations.","USF Libraries - Tampa Special Collections","Human Rights Task Force","Equality Florida","Metropolitan Community Church of Tampa","Maniscalco, Rex (1956-2009)","English"],"unitid_tesim":["MS-2009-02","/repositories/2/resources/324"],"normalized_date_ssm":["1980-2002, bulk 1990-2002"],"normalized_title_ssm":["Rex Maniscalco collection, 1980-2002, bulk 1990-2002"],"collection_title_tesim":["Rex Maniscalco collection, 1980-2002, bulk 1990-2002"],"collection_ssim":["Rex Maniscalco collection, 1980-2002, bulk 1990-2002"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Maniscalco, Rex (1956-2009)"],"creator_ssim":["Maniscalco, Rex (1956-2009)"],"creator_persname_ssim":["Maniscalco, Rex (1956-2009)"],"creators_ssim":["Maniscalco, Rex (1956-2009)"],"access_terms_ssm":["No restrictions.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Mark Bias and Carrie West","Donation."],"access_subjects_ssim":["LGBTQ+ film festivals","Gay and lesbian dance parties","LGBTQ+ movement","Gay community","Queer community ","Queer culture","LGBTQ+ activists","LGBTQ+ advocacy","LGBTQ+ communities"],"access_subjects_ssm":["LGBTQ+ film festivals","Gay and lesbian dance parties","LGBTQ+ movement","Gay community","Queer community ","Queer culture","LGBTQ+ activists","LGBTQ+ advocacy","LGBTQ+ communities"],"has_online_content_ssim":["false"],"extent_ssm":["21 boxes","14.43 Linear Feet","1 folders Oversized graphic materials stored in a horizontal folder separate from the collection."],"extent_tesim":["21 boxes","14.43 Linear Feet","1 folders Oversized graphic materials stored in a horizontal folder separate from the collection."],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"arrangement_html_tesm":["\u003cp\u003eSeries by format and subseries by subject (events, social life and customs, organizations). This collection is organized into three series with subsequent and corresponding subseries. Contained within this collection were film negatives not accompanied by developed images. These negatives remain unprocessed. Negatives that were included in envelopes alongside developed images were processed in tandem with photographs and housed in two Hollinger boxes as a series. Within \u003cemph render=\"italic\"\u003eSeries: Negatives\u003c/emph\u003e, folders correspond with the images processed into subseries within photo boxes, more specifically, events, social life and customs, organizations. Additionally, Rex's personal photographs, which include travel, family, and other miscellaneous events such as the Renaissance Festival, the filming of a Burt Reynolds movie in Tampa, and Yankee training, remain unprocessed but available in photo albums.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Series by format and subseries by subject (events, social life and customs, organizations). This collection is organized into three series with subsequent and corresponding subseries. Contained within this collection were film negatives not accompanied by developed images. These negatives remain unprocessed. Negatives that were included in envelopes alongside developed images were processed in tandem with photographs and housed in two Hollinger boxes as a series. Within  Series: Negatives , folders correspond with the images processed into subseries within photo boxes, more specifically, events, social life and customs, organizations. Additionally, Rex's personal photographs, which include travel, family, and other miscellaneous events such as the Renaissance Festival, the filming of a Burt Reynolds movie in Tampa, and Yankee training, remain unprocessed but available in photo albums."],"bioghist_html_tesm":["\u003cp\u003eMost remembered for saying, \"Ah one-a, ah two-a, ah-Cheeze-a\", Rex Maniscalco was Tampa's GLBT photographer and community documentarian. An Ybor City native, Rex Maniscalco was around to experience and participate in the emergence of a visible LGBT community in the Tampa area. From the early Pride picnics and festivals to the beginnings of Equality Florida, Rex was there, camera in hand, to document the people who have been instrumental in creating LGBT community and culture. Inspired by a traveling exhibition of the history of the LGBT movement, Rex undertook the task of capturing gay history in the making through his camera and video recordings. Moved by the stories of hidden lives told by Bobbie Smith and Kay Thompson, he began the Rainbow in Sunshine Project in January of 2007 to offer a photographic history of gay lives and activism in Tampa, Florida. He was a part of the GLBT \u0026amp; Hillsborough Democratic Executive Community and active in the Hillsborough County GLBTA Democratic caucus. Rex Maniscalco passed away April 4, 2009 at the age of 57\u003c/p\u003e\n","\u003cp\u003eNote written by CW, 2015.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Most remembered for saying, \"Ah one-a, ah two-a, ah-Cheeze-a\", Rex Maniscalco was Tampa's GLBT photographer and community documentarian. An Ybor City native, Rex Maniscalco was around to experience and participate in the emergence of a visible LGBT community in the Tampa area. From the early Pride picnics and festivals to the beginnings of Equality Florida, Rex was there, camera in hand, to document the people who have been instrumental in creating LGBT community and culture. Inspired by a traveling exhibition of the history of the LGBT movement, Rex undertook the task of capturing gay history in the making through his camera and video recordings. Moved by the stories of hidden lives told by Bobbie Smith and Kay Thompson, he began the Rainbow in Sunshine Project in January of 2007 to offer a photographic history of gay lives and activism in Tampa, Florida. He was a part of the GLBT \u0026 Hillsborough Democratic Executive Community and active in the Hillsborough County GLBTA Democratic caucus. Rex Maniscalco passed away April 4, 2009 at the age of 57","Note written by CW, 2015."],"processinfo_html_tesm":["\u003cp\u003ePartially processed.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Partially processed."],"relatedmaterial_html_tesm":["\u003cp\u003eBobby Smith Photograph Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Bobby Smith Photograph Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains photographs, negatives, and VHS recordings pertaining to Tampa GLBT culture and community and reflects the growing national visibility of gay and lesbian lives throughout the 1990s and early 2000s more generally. This collection is comprised of photographs of the LGBT community taken by Rex Maniscalco from the 1980s to 2000s. Captured in the images within this collection are Tampa Bay's early Pride picnics to full scale Pride Festivals in downtown Tampa and Ybor City, the Tampa Gay and Lesbian Film Festival, the Tampa AIDS walk, other major gay events such as Southern Decadence in New Orleans, LA and Beach Fest in Daytona, protests and rallies, and many other social gatherings and political events. This collection also contains video recordings of major political events and organizations in Tampa including County Commission and City Council vote to include sexual orientation in the city's human rights ordinance in 1991, the 1993 March on Washington, organizational meetings of the Human Rights Task Force. Maniscalco's collection also includes video recordings of local and national talk shows and television shows.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains photographs, negatives, and VHS recordings pertaining to Tampa GLBT culture and community and reflects the growing national visibility of gay and lesbian lives throughout the 1990s and early 2000s more generally. This collection is comprised of photographs of the LGBT community taken by Rex Maniscalco from the 1980s to 2000s. Captured in the images within this collection are Tampa Bay's early Pride picnics to full scale Pride Festivals in downtown Tampa and Ybor City, the Tampa Gay and Lesbian Film Festival, the Tampa AIDS walk, other major gay events such as Southern Decadence in New Orleans, LA and Beach Fest in Daytona, protests and rallies, and many other social gatherings and political events. This collection also contains video recordings of major political events and organizations in Tampa including County Commission and City Council vote to include sexual orientation in the city's human rights ordinance in 1991, the 1993 March on Washington, organizational meetings of the Human Rights Task Force. Maniscalco's collection also includes video recordings of local and national talk shows and television shows."],"separatedmaterial_html_tesm":["\u003cp\u003eOversized graphic materials stored in a horizontal folder separate from the collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Oversized graphic materials stored in a horizontal folder separate from the collection."],"userestrict_html_tesm":["\u003cp\u003eNo restrictions.\u0026#xA0; The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["No restrictions.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_2725e9e7269d2febf9372c22418f4cc3\"\u003eThis collection is comprised of photographs and video footage of the LGBTQ+ community taken by Rex Maniscalco from the 1980s to 2000s, as well as documents from Tampa Bay LGBTQ+ culture, civil rights, and community organizations.\u003c/abstract\u003e"],"abstract_tesim":["This collection is comprised of photographs and video footage of the LGBTQ+ community taken by Rex Maniscalco from the 1980s to 2000s, as well as documents from Tampa Bay LGBTQ+ culture, civil rights, and community organizations."],"names_coll_ssim":["Human Rights Task Force","Equality Florida","Metropolitan Community Church of Tampa"],"names_ssim":["USF Libraries - Tampa Special Collections","Human Rights Task Force","Equality Florida","Metropolitan Community Church of Tampa","Maniscalco, Rex (1956-2009)"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Human Rights Task Force","Equality Florida","Metropolitan Community Church of Tampa"],"persname_ssim":["Maniscalco, Rex (1956-2009)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":642,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871677752741986304,"_root_":"bfd41a7c19618933042e1aeb","timestamp":"2026-07-25T09:16:41.370Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/bfd41a7c19618933042e1aeb_aspace_131245"}},{"id":"725898a1a41349eb30ec365d_aspace_46d087b954c4efe5eb376c3eb0800b41","type":"Subseries","attributes":{"title":"Social, Political, and Cultural History, 1922-2013, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_46d087b954c4efe5eb376c3eb0800b41#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_46d087b954c4efe5eb376c3eb0800b41","ref_ssm":["aspace_46d087b954c4efe5eb376c3eb0800b41","aspace_46d087b954c4efe5eb376c3eb0800b41"],"id":"725898a1a41349eb30ec365d_aspace_46d087b954c4efe5eb376c3eb0800b41","title_filing_ssi":"Social, Political, and Cultural History","title_ssm":["Social, Political, and Cultural History"],"title_tesim":["Social, Political, and Cultural History"],"unitdate_inclusive_ssm":["1922-2013, Undated"],"normalized_date_ssm":["1922-2013, Undated"],"normalized_title_ssm":["Social, Political, and Cultural History, 1922-2013, Undated"],"text":["Social, Political, and Cultural History, 1922-2013, Undated","José Guerra Alemán Collection, 1887-2013","Manuscripts, 1915-2013, Undated","3","/repositories/4/archival_objects/53930"],"component_level_isim":[2],"parent_ids_ssim":["725898a1a41349eb30ec365d","725898a1a41349eb30ec365d_aspace_c169fb1b4abcdaaa416e683d4329daa8"],"parent_unittitles_ssm":["José Guerra Alemán Collection, 1887-2013","Manuscripts, 1915-2013, Undated"],"parent_unittitles_tesim":["José Guerra Alemán Collection, 1887-2013","Manuscripts, 1915-2013, Undated"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["3","/repositories/4/archival_objects/53930"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":41,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":56,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"_nest_path_":"/components#0/components#2","_nest_parent_":"725898a1a41349eb30ec365d_aspace_c169fb1b4abcdaaa416e683d4329daa8","_root_":"725898a1a41349eb30ec365d","_version_":1870857755411087360,"timestamp":"2026-07-16T08:03:10.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"725898a1a41349eb30ec365d","title_ssm":["José Guerra Alemán Collection"],"title_tesim":["José Guerra Alemán Collection"],"ead_ssi":"725898a1a41349eb30ec365d","unitdate_ssm":["1887-2013"],"unitdate_inclusive_ssm":["1887-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.098","/repositories/4/resources/204"],"text":["SC.098","/repositories/4/resources/204","José Guerra Alemán Collection, 1887-2013","Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs","Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints","The entire collection is open for research.","José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.","Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.","Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog.","This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"","Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.","The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.","UCF Special Collections","Guerra Alemán, José","English"],"unitid_tesim":["SC.098","/repositories/4/resources/204"],"normalized_date_ssm":["1887-2013"],"normalized_title_ssm":["José Guerra Alemán Collection, 1887-2013"],"collection_title_tesim":["José Guerra Alemán Collection, 1887-2013"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"geogname_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"creator_ssm":["Guerra Alemán, José"],"creator_ssim":["Guerra Alemán, José"],"creator_persname_ssim":["Guerra Alemán, José"],"creators_ssim":["Guerra Alemán, José"],"places_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"acqinfo_ssim":["The collection was donated by Carlos Guerra, José Guerra Alemán's son, to the University of Central Florida Libraries in 2014. (CFM2014_07)"],"access_subjects_ssim":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"access_subjects_ssm":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["17.5 Linear Feet 20 boxes, 1 Flat File"],"extent_tesim":["17.5 Linear Feet 20 boxes, 1 Flat File"],"genreform_ssim":["correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n was born to Jos\u0026#xE9; Guerra and Herminia Alem\u0026#xE1;n-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as Jos\u0026#xE9; Guerra Alem\u0026#xE1;n, his initials J.G.A. and his nickname Pep\u0026#xED;n. Many of his closest friends and family called him as Pep\u0026#xED;n. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.\u003c/p\u003e\n","\u003cp\u003eIn his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ej\u0026#xE9;rcito) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 Divisi\u0026#xF3;n de Infanter\u0026#xED;a) called Divisi\u0026#xF3;n Rel\u0026#xE1;mpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.\u003c/p\u003e\n","\u003cp\u003eOnce he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of \u0026#xC9;l Pa\u0026#xED;s, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.\u003c/p\u003e\n","\u003cp\u003eOne of those encounters, Jos\u0026#xE9; Guerra Alem\u0026#xE1;n climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with Jos\u0026#xE9; Garc\u0026#xED;a and Eduardo Hern\u0026#xE1;ndez (Guayo) in the same company. Jos\u0026#xE9; Guerra Alem\u0026#xE1;n directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.\u003c/p\u003e\n","\u003cp\u003eWith his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote A\u0026#xFA;n Hay Luna En Los Cerros, Ensayos (Las Mayor\u0026#xED;as Discriminadas): En Defensa de la Mujer, Barro y Cenizas (D\u0026#xED;alogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biograf\u0026#xED;a de su Abuelo el General Jos\u0026#xE9; Braulio Alem\u0026#xE1;n). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.\u003c/p\u003e\n","\u003cp\u003eUnderstanding where his family came from and knowing the other members of his family tree can provide a part of Jos\u0026#xE9; Guerra Alem\u0026#xE1;n's identity. Jose Guerra Alem\u0026#xE1;n's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named Jos\u0026#xE9; Braulio Guerra Alem\u0026#xE1;n fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, Jos\u0026#xE9; Manuel Alem\u0026#xE1;n, served in the Cuban government as Minister of Education during the presidency of Dr. Ram\u0026#xF3;n Grau San Martin, president of the Authentic Party (Partido Aut\u0026#xE9;ntico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.\u003c/p\u003e\n","\u003cp\u003eHe rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alem\u0026#xE1;n. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business."],"prefercite_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["José Guerra Alemán Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks collected by Jos\u0026#xE9; Guerra Alem\u0026#xE1;n can be found by performing a series search for \"Jos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection\" in the UCF Libraries catalog.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog."],"scopecontent_html_tesm":["\u003cp\u003eThis collection was arranged in seven series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alem\u0026#xE1;n took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alem\u0026#xE1;n used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. \u003c/p\u003e\n","\u003cp\u003e\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of Jos\u0026#xE9; G. Alem\u0026#xE1;n and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\""],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4d41ff341ce7470c0d40282c3f71dd8\"\u003eThe collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist Jos\u0026#xE9; Guerra Alem\u0026#xE1;n. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.\u003c/abstract\u003e"],"abstract_tesim":["The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita."],"names_ssim":["UCF Special Collections","Guerra Alemán, José"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Guerra Alemán, José"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":282,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857755411087360,"_root_":"725898a1a41349eb30ec365d","timestamp":"2026-07-16T08:03:10.972Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_46d087b954c4efe5eb376c3eb0800b41"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Southwest Florida Regional Planning Council Collection, 1920-2020","value":"Southwest Florida Regional Planning Council Collection, 1920-2020","hits":333},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Southwest+Florida+Regional+Planning+Council+Collection%2C+1920-2020\u0026f%5Bdate_range%5D%5B%5D=2000\u0026view=compact"}},{"attributes":{"label":"USF Athletics collection, bulk 1956-Present","value":"USF Athletics collection, bulk 1956-Present","hits":266},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=USF+Athletics+collection%2C+bulk+1956-Present\u0026f%5Bdate_range%5D%5B%5D=2000\u0026view=compact"}},{"attributes":{"label":"Sally Thompson collection, 1976-2019","value":"Sally Thompson collection, 1976-2019","hits":261},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Sally+Thompson+collection%2C+1976-2019\u0026f%5Bdate_range%5D%5B%5D=2000\u0026view=compact"}},{"attributes":{"label":"Florida Audubon Society Miami records, 1961-2014","value":"Florida Audubon Society Miami records, 1961-2014","hits":194},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Florida+Audubon+Society+Miami+records%2C+1961-2014\u0026f%5Bdate_range%5D%5B%5D=2000\u0026view=compact"}},{"attributes":{"label":"Dr. Edna Louise Saffy Papers, 1962-2013","value":"Dr. Edna Louise Saffy Papers, 1962-2013","hits":159},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Dr.+Edna+Louise+Saffy+Papers%2C+1962-2013\u0026f%5Bdate_range%5D%5B%5D=2000\u0026view=compact"}},{"attributes":{"label":"Bromeliad Society International (BSI) Archive, 1911-2018","value":"Bromeliad Society International (BSI) Archive, 1911-2018","hits":146},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Bromeliad+Society+International+%28BSI%29+Archive%2C+1911-2018\u0026f%5Bdate_range%5D%5B%5D=2000\u0026view=compact"}},{"attributes":{"label":"Susan Evans Papers, 1988-2021, bulk 1993-2011, 1995-2007","value":"Susan Evans Papers, 1988-2021, bulk 1993-2011, 1995-2007","hits":126},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Susan+Evans+Papers%2C+1988-2021%2C+bulk+1993-2011%2C+1995-2007\u0026f%5Bdate_range%5D%5B%5D=2000\u0026view=compact"}},{"attributes":{"label":"Democratic Women's Club of Florida, Inc. 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