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2000.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains documents, correspondence, and publications related to the establishment of a Distance Learning Program at FGCU and within the Florida State University System from 1993 - 2000."],"names_ssim":["Florida Gulf Coast University Archives"],"corpname_ssim":["Florida Gulf Coast University Archives"],"language_ssim":["English"],"total_component_count_is":78,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842581838987264,"_root_":"a48f049786a9445f408f2022","timestamp":"2026-07-16T04:02:00.338Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a48f049786a9445f408f2022_aspace_2943635971afcf6a339bfa71ff2d975c"}},{"id":"5bfec06960a94373aa1cd96c_aspace_20ee4d45d515a6ba8373e15479839678","type":"File","attributes":{"title":"\"F\" general, Circa 1990-2003","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5bfec06960a94373aa1cd96c_aspace_20ee4d45d515a6ba8373e15479839678#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_20ee4d45d515a6ba8373e15479839678","ref_ssm":["aspace_20ee4d45d515a6ba8373e15479839678","aspace_20ee4d45d515a6ba8373e15479839678"],"id":"5bfec06960a94373aa1cd96c_aspace_20ee4d45d515a6ba8373e15479839678","title_filing_ssi":"\"F\" general","title_ssm":["\"F\" general"],"title_tesim":["\"F\" general"],"unitdate_inclusive_ssm":["Circa 1990-2003"],"normalized_date_ssm":["Circa 1990-2003"],"normalized_title_ssm":["\"F\" general, Circa 1990-2003"],"text":["\"F\" general, Circa 1990-2003","Samuel F. Morrison Collection, Circa 1936-2021","Correspondence","/repositories/2/archival_objects/2308","box 2","folder 4"],"component_level_isim":[2],"parent_ids_ssim":["5bfec06960a94373aa1cd96c","5bfec06960a94373aa1cd96c_aspace_7b6daf101476f834374f098a005b76d7"],"parent_unittitles_ssm":["Samuel F. Morrison Collection, Circa 1936-2021","Correspondence"],"parent_unittitles_tesim":["Samuel F. Morrison Collection, Circa 1936-2021","Correspondence"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/2308"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Samuel F. Morrison Collection, Circa 1936-2021"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":37,"parent_access_terms_tesm":["The Samuel F. Morrison Collection is open for research."],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"containers_ssim":["box 2","folder 4"],"_nest_path_":"/components#0/components#35","_nest_parent_":"5bfec06960a94373aa1cd96c_aspace_7b6daf101476f834374f098a005b76d7","_root_":"5bfec06960a94373aa1cd96c","_version_":1876455835659403264,"timestamp":"2026-09-16T03:02:16.331Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5bfec06960a94373aa1cd96c","title_filing_ssi":"Morrison, Samuel F. Collection","title_ssm":["Samuel F. Morrison Collection"],"title_tesim":["Samuel F. Morrison Collection"],"ead_ssi":"5bfec06960a94373aa1cd96c","unitdate_ssm":["Circa 1936-2021"],"unitdate_inclusive_ssm":["Circa 1936-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2003.27","/repositories/2/resources/28"],"text":["AARLCC.2003.27","/repositories/2/resources/28","Samuel F. Morrison Collection, Circa 1936-2021","Morrison, Samuel F., 1936- -- Correspondence","African American librarians","Library directors","Public libraries -- Florida -- Fort Lauderdale","Public libraries -- Florida -- Frostproof","Photographs","Certificates","plaques (flat objects)","scrapbooks","Clippings","Ephemera","Periodicals","videocassettes","Sound recordings","The collection is arranged into 9 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Photographs and Scrapbooks, Series V. Printed Materials, Series VI. Awards, Series VII. Ephemera, Series VIII. Artwork, and Series IX. Audio-Visual Materials.","Samuel F. Morrison was born in Flagstaff, Arizona on December 19, 1936 to parents Travis Morrison (1909-1953) and Esther Porter (1919-circa 2000). He had one sister, Pearl Lorraine Morrison Pitts (1938-1964). His father divorced Esther and married his second wife Ruth Swain (1911-1990). Morrison was primarily raised in Phoenix, Arizona. His family moved several times due to his father's job at munitions plants. He graduated from Compton High School in Los Angeles, California in 1952. Morrison earned an associate degree from Compton Junior College in 1955. Morrison entered the United States Air Force and served from 1955 to 1959. For three of those years in the service, he was stationed in Morocco and helped manage the library on the Air Force base. In 1970, he received his bachelor's degree in English from California State University. Morrison earned a Master's degree in Library Science from the University of Illinois at Urbana–Champaign in 1972 and attended the John F. Kennedy School of Government at Harvard University completing coursework in 1989. ","From 1972-1974, Morrison worked as a library director at the Frostproof Living Learning Library Center in Frostproof, Florida. He built a library and initiated outreach services for the African American and Hispanic migrant communities. In 1974, Morrison became the assistant director of Broward County Library in Broward County, Florida and served as deputy director from 1976-1987. He assisted in the growth of Broward County Library from 2 branches to 25 branches during this time. He also managed the formation of the new Main Library branch in downtown Fort Lauderdale, Florida.","Morrison lead in the construction of the Chicago Public Library's Harold Washington Library Center and became the library's chief director from 1987 to 1990. In 1990, Morrison returned to Broward County as director of Broward County Library and worked in that position until his retirement in 2003. Under his leadership, Broward County Library was awarded \"Library of the Year\" in 1996 and grew to 38 branches. During his tenure as director, Morrison fundraised for the creation of the African American Research Library and Cultural Center, which serves as a public library as well as a special collections research center dedicated to the history and culture of the African diaspora. He attended the library's groundbreaking ceremony on October 23, 1999 and opening day on October 26, 2002.","Samuel F. Morrison actively participated in local and national organizations during his career. He served in the Fort Lauderdale Chapter of the NAACP, Urban League of Broward County, Florida Library Association (FLA), and American Library Association (ALA). He was president of the Florida Library Association in 1981. Morrison received awards and recognition including the FLA Lifetime Achievement Award, DEMCO/ALA Black Caucus Award for Excellence in Librarianship, Leadership Foundation Broward \"Leader of the Year\" Award, and the African American Achievers Award.","Morrison married Judith Moore in 1964 and divorced in 1985. He and his former wife had no children.\n ","This collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Samuel F. Morrison Collection in the Broward County Library Digital Archives.","The Samuel F. Morrison Collection is comprised of materials primarily dating from the 1970s to 2010s including correspondence, books, professional and personal papers, photographs, scrapbooks, plaques, ephemera, artwork, vinyl records, and VHS tapes. These materials document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the establishment of the Chicago Public Library's Harold Washington Library Center. The collection also contains materials related to Morrison's roles as director of the Frostproof Living Learning Library Center in Frostproof, Florida from 1972 to 1974, the assistant/deputy director of Broward County Library in Broward County, Florida from 1974 to 1987, the Chicago Public Library's Harold Washington Library Center's chief director from 1987 to 1990, and Director of the Broward County Library from 1990 to 2003. Also included are items related to Morrison's participation and leadership in local and national organizations.","Books from the Morrison collection were cataloged in the Broward County Library catalog with the prefix \"SFM\".","The Samuel F. Morrison Collection is open for research.","The Samuel F. Morrison Collection contains materials primarily dating from the 1970s to 2010s that document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the Chicago Public Library's Harold Washington Library Center.","AARLCC Special Collections","Broward County Library","African American Research Library and Cultural Center","Chicago Public Library. Harold Washington Library Center","Morrison, Samuel F., 1936-","English"],"unitid_tesim":["AARLCC.2003.27","/repositories/2/resources/28"],"normalized_date_ssm":["Circa 1936-2021"],"normalized_title_ssm":["Samuel F. Morrison Collection, Circa 1936-2021"],"collection_title_tesim":["Samuel F. Morrison Collection, Circa 1936-2021"],"collection_ssim":["Samuel F. Morrison Collection, Circa 1936-2021"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"access_terms_ssm":["The Samuel F. Morrison Collection is open for research."],"acqinfo_ssim":["Samuel F. Morrison donated the materials to the AARLCC Special Collections."],"access_subjects_ssim":["Morrison, Samuel F., 1936- -- Correspondence","African American librarians","Library directors","Public libraries -- Florida -- Fort Lauderdale","Public libraries -- Florida -- Frostproof","Photographs","Certificates","plaques (flat objects)","scrapbooks","Clippings","Ephemera","Periodicals","videocassettes","Sound recordings"],"access_subjects_ssm":["Morrison, Samuel F., 1936- -- Correspondence","African American librarians","Library directors","Public libraries -- Florida -- Fort Lauderdale","Public libraries -- Florida -- Frostproof","Photographs","Certificates","plaques (flat objects)","scrapbooks","Clippings","Ephemera","Periodicals","videocassettes","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["67 Hollinger Boxes"],"extent_tesim":["67 Hollinger Boxes"],"genreform_ssim":["Photographs","Certificates","plaques (flat objects)","scrapbooks","Clippings","Ephemera","Periodicals","videocassettes","Sound recordings"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 9 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Photographs and Scrapbooks, Series V. Printed Materials, Series VI. Awards, Series VII. Ephemera, Series VIII. Artwork, and Series IX. Audio-Visual Materials.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 9 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Photographs and Scrapbooks, Series V. Printed Materials, Series VI. Awards, Series VII. Ephemera, Series VIII. Artwork, and Series IX. Audio-Visual Materials."],"bioghist_html_tesm":["\u003cp\u003eSamuel F. Morrison was born in Flagstaff, Arizona on December 19, 1936 to parents Travis Morrison (1909-1953) and Esther Porter (1919-circa 2000). He had one sister, Pearl Lorraine Morrison Pitts (1938-1964). His father divorced Esther and married his second wife Ruth Swain (1911-1990). Morrison was primarily raised in Phoenix, Arizona. His family moved several times due to his father's job at munitions plants. He graduated from Compton High School in Los Angeles, California in 1952. Morrison earned an associate degree from Compton Junior College in 1955. Morrison entered the United States Air Force and served from 1955 to 1959. For three of those years in the service, he was stationed in Morocco and helped manage the library on the Air Force base. In 1970, he received his bachelor's degree in English from California State University. Morrison earned a Master's degree in Library Science from the University of Illinois at Urbana\u0026#x2013;Champaign in 1972 and attended the John F. Kennedy School of Government at Harvard University completing coursework in 1989. \u003c/p\u003e\n","\u003cp\u003eFrom 1972-1974, Morrison worked as a library director at the Frostproof Living Learning Library Center in Frostproof, Florida. He built a library and initiated outreach services for the African American and Hispanic migrant communities. In 1974, Morrison became the assistant director of Broward County Library in Broward County, Florida and served as deputy director from 1976-1987. He assisted in the growth of Broward County Library from 2 branches to 25 branches during this time. He also managed the formation of the new Main Library branch in downtown Fort Lauderdale, Florida.\u003c/p\u003e\n","\u003cp\u003eMorrison lead in the construction of the Chicago Public Library's Harold Washington Library Center and became the library's chief director from 1987 to 1990. In 1990, Morrison returned to Broward County as director of Broward County Library and worked in that position until his retirement in 2003. Under his leadership, Broward County Library was awarded \"Library of the Year\" in 1996 and grew to 38 branches. During his tenure as director, Morrison fundraised for the creation of the African American Research Library and Cultural Center, which serves as a public library as well as a special collections research center dedicated to the history and culture of the African diaspora. He attended the library's groundbreaking ceremony on October 23, 1999 and opening day on October 26, 2002.\u003c/p\u003e\n","\u003cp\u003eSamuel F. Morrison actively participated in local and national organizations during his career. He served in the Fort Lauderdale Chapter of the NAACP, Urban League of Broward County, Florida Library Association (FLA), and American Library Association (ALA). He was president of the Florida Library Association in 1981. Morrison received awards and recognition including the FLA Lifetime Achievement Award, DEMCO/ALA Black Caucus Award for Excellence in Librarianship, Leadership Foundation Broward \"Leader of the Year\" Award, and the African American Achievers Award.\u003c/p\u003e\n","\u003cp\u003eMorrison married Judith Moore in 1964 and divorced in 1985. He and his former wife had no children.\n \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Samuel F. Morrison was born in Flagstaff, Arizona on December 19, 1936 to parents Travis Morrison (1909-1953) and Esther Porter (1919-circa 2000). He had one sister, Pearl Lorraine Morrison Pitts (1938-1964). His father divorced Esther and married his second wife Ruth Swain (1911-1990). Morrison was primarily raised in Phoenix, Arizona. His family moved several times due to his father's job at munitions plants. He graduated from Compton High School in Los Angeles, California in 1952. Morrison earned an associate degree from Compton Junior College in 1955. Morrison entered the United States Air Force and served from 1955 to 1959. For three of those years in the service, he was stationed in Morocco and helped manage the library on the Air Force base. In 1970, he received his bachelor's degree in English from California State University. Morrison earned a Master's degree in Library Science from the University of Illinois at Urbana–Champaign in 1972 and attended the John F. Kennedy School of Government at Harvard University completing coursework in 1989. ","From 1972-1974, Morrison worked as a library director at the Frostproof Living Learning Library Center in Frostproof, Florida. He built a library and initiated outreach services for the African American and Hispanic migrant communities. In 1974, Morrison became the assistant director of Broward County Library in Broward County, Florida and served as deputy director from 1976-1987. He assisted in the growth of Broward County Library from 2 branches to 25 branches during this time. He also managed the formation of the new Main Library branch in downtown Fort Lauderdale, Florida.","Morrison lead in the construction of the Chicago Public Library's Harold Washington Library Center and became the library's chief director from 1987 to 1990. In 1990, Morrison returned to Broward County as director of Broward County Library and worked in that position until his retirement in 2003. Under his leadership, Broward County Library was awarded \"Library of the Year\" in 1996 and grew to 38 branches. During his tenure as director, Morrison fundraised for the creation of the African American Research Library and Cultural Center, which serves as a public library as well as a special collections research center dedicated to the history and culture of the African diaspora. He attended the library's groundbreaking ceremony on October 23, 1999 and opening day on October 26, 2002.","Samuel F. Morrison actively participated in local and national organizations during his career. He served in the Fort Lauderdale Chapter of the NAACP, Urban League of Broward County, Florida Library Association (FLA), and American Library Association (ALA). He was president of the Florida Library Association in 1981. Morrison received awards and recognition including the FLA Lifetime Achievement Award, DEMCO/ALA Black Caucus Award for Excellence in Librarianship, Leadership Foundation Broward \"Leader of the Year\" Award, and the African American Achievers Award.","Morrison married Judith Moore in 1964 and divorced in 1985. He and his former wife had no children.\n "],"prefercite_html_tesm":["\u003cp\u003eSamuel F. Morrison Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Samuel F. Morrison Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll26/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Samuel F. Morrison Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digitized Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Samuel F. Morrison Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Samuel F. Morrison Collection is comprised of materials primarily dating from the 1970s to 2010s including correspondence, books, professional and personal papers, photographs, scrapbooks, plaques, ephemera, artwork, vinyl records, and VHS tapes. These materials document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the establishment of the Chicago Public Library's Harold Washington Library Center. The collection also contains materials related to Morrison's roles as director of the Frostproof Living Learning Library Center in Frostproof, Florida from 1972 to 1974, the assistant/deputy director of Broward County Library in Broward County, Florida from 1974 to 1987, the Chicago Public Library's Harold Washington Library Center's chief director from 1987 to 1990, and Director of the Broward County Library from 1990 to 2003. Also included are items related to Morrison's participation and leadership in local and national organizations.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Samuel F. Morrison Collection is comprised of materials primarily dating from the 1970s to 2010s including correspondence, books, professional and personal papers, photographs, scrapbooks, plaques, ephemera, artwork, vinyl records, and VHS tapes. These materials document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the establishment of the Chicago Public Library's Harold Washington Library Center. The collection also contains materials related to Morrison's roles as director of the Frostproof Living Learning Library Center in Frostproof, Florida from 1972 to 1974, the assistant/deputy director of Broward County Library in Broward County, Florida from 1974 to 1987, the Chicago Public Library's Harold Washington Library Center's chief director from 1987 to 1990, and Director of the Broward County Library from 1990 to 2003. Also included are items related to Morrison's participation and leadership in local and national organizations."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default\" target=\"_blank\"\u003eBooks from the Morrison collection were cataloged in the Broward County Library catalog with the prefix \"SFM\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books from the Morrison collection were cataloged in the Broward County Library catalog with the prefix \"SFM\"."],"userestrict_html_tesm":["\u003cp\u003eThe Samuel F. Morrison Collection is open for research.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Samuel F. Morrison Collection is open for research."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e2606958532f5daaff3ca0844861a4b4\"\u003eThe Samuel F. Morrison Collection contains materials primarily dating from the 1970s to 2010s that document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the Chicago Public Library's Harold Washington Library Center.\u003c/abstract\u003e"],"abstract_tesim":["The Samuel F. Morrison Collection contains materials primarily dating from the 1970s to 2010s that document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the Chicago Public Library's Harold Washington Library Center."],"names_coll_ssim":["Broward County Library","African American Research Library and Cultural Center","Chicago Public Library. Harold Washington Library Center","Morrison, Samuel F., 1936-"],"names_ssim":["AARLCC Special Collections","Broward County Library","African American Research Library and Cultural Center","Chicago Public Library. Harold Washington Library Center","Morrison, Samuel F., 1936-"],"corpname_ssim":["AARLCC Special Collections","Broward County Library","African American Research Library and Cultural Center","Chicago Public Library. Harold Washington Library Center"],"persname_ssim":["Morrison, Samuel F., 1936-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":782,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455835659403264,"_root_":"5bfec06960a94373aa1cd96c","timestamp":"2026-09-16T03:02:16.331Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5bfec06960a94373aa1cd96c_aspace_20ee4d45d515a6ba8373e15479839678"}},{"id":"a0b8dca0cc27e719e79a099f_aspace_5c24278b367bcf94968ef5f17f39d84a","type":"File","attributes":{"title":"Field Notebooks, 2000-2001","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_5c24278b367bcf94968ef5f17f39d84a#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eFolder includes notebooks with the following measurements: A – level, B – level, rainfall, wind direction, wind vel., bar., humidity, high temperature, low temperature. Some pages include additional written observations.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_5c24278b367bcf94968ef5f17f39d84a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5c24278b367bcf94968ef5f17f39d84a","ref_ssm":["aspace_5c24278b367bcf94968ef5f17f39d84a","aspace_5c24278b367bcf94968ef5f17f39d84a"],"id":"a0b8dca0cc27e719e79a099f_aspace_5c24278b367bcf94968ef5f17f39d84a","title_filing_ssi":"Field Notebooks","title_ssm":["Field Notebooks"],"title_tesim":["Field Notebooks"],"unitdate_inclusive_ssm":["2000-2001"],"normalized_date_ssm":["2000-2001"],"normalized_title_ssm":["Field Notebooks, 2000-2001"],"text":["Field Notebooks, 2000-2001","Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Corkscrew Swamp Sanctuary Records","Equipment-Field Notebooks I","/repositories/2/archival_objects/198083","box 9","folder 7","Folder includes notebooks with the following measurements: A – level, B – level, rainfall, wind direction, wind vel., bar., humidity, high temperature, low temperature. 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Some pages include additional written observations.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Folder includes notebooks with the following measurements: A – level, B – level, rainfall, wind direction, wind vel., bar., humidity, high temperature, low temperature. Some pages include additional written observations."],"_nest_path_":"/components#0/components#8/components#6","_nest_parent_":"a0b8dca0cc27e719e79a099f_aspace_4b9622aa3b4725b22fa3ecd188115d32","_root_":"a0b8dca0cc27e719e79a099f","_version_":1872946110924849152,"timestamp":"2026-08-08T09:16:41.949Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a0b8dca0cc27e719e79a099f","title_ssm":["Audubon Society Corkscrew Swamp Sanctuary records"],"title_tesim":["Audubon Society Corkscrew Swamp Sanctuary records"],"ead_ssi":"a0b8dca0cc27e719e79a099f","unitdate_ssm":["1937-2019"],"unitdate_inclusive_ssm":["1937-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2020-03","/repositories/2/resources/583"],"text":["MS-2020-03","/repositories/2/resources/583","Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Ecology -- Florida","Conservationists -- Florida","Birds -- Habitat -- Florida","Birds -- Migration","Good.","Until 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society.","This collection is divided into four series: Corkscrew Swamp Sanctuary records, subject files, photographs and slides, and oversized material. The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically.","Audubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns.","The Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record.","This collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings.","Maps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. Rainey Wildlife Sanctuary and Platte River.","USF Libraries - Tampa Special Collections","Ed Carlson","English"],"unitid_tesim":["MS-2020-03","/repositories/2/resources/583"],"normalized_date_ssm":["1937-2019"],"normalized_title_ssm":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"collection_title_tesim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"collection_ssim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Ed Carlson"],"creator_ssim":["Ed Carlson"],"creator_persname_ssim":["Ed Carlson"],"creators_ssim":["Ed Carlson"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Ecology -- Florida","Conservationists -- Florida","Birds -- Habitat -- Florida","Birds -- Migration"],"access_subjects_ssm":["Ecology -- Florida","Conservationists -- Florida","Birds -- Habitat -- Florida","Birds -- Migration"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good."],"extent_ssm":["51 Linear Feet","96 boxes"],"extent_tesim":["51 Linear Feet","96 boxes"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eUntil 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Until 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into four series: Corkscrew Swamp Sanctuary records, subject files, photographs and slides, and oversized material. The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is divided into four series: Corkscrew Swamp Sanctuary records, subject files, photographs and slides, and oversized material. The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003eAudubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns.\u003c/p\u003e"],"bioghist_heading_ssm":["Content Description"],"bioghist_tesim":["Audubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns."],"odd_html_tesm":["\u003cp\u003eThe Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record.\u003c/p\u003e"],"odd_heading_ssm":["Cataloged Publications"],"odd_tesim":["The Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings."],"separatedmaterial_html_tesm":["\u003cp\u003eMaps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Maps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bf60a5a83f90c49360b71829ac95b658\"\u003eThe Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. Rainey Wildlife Sanctuary and Platte River.\u003c/abstract\u003e"],"abstract_tesim":["The Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. Rainey Wildlife Sanctuary and Platte River."],"names_ssim":["USF Libraries - Tampa Special Collections","Ed Carlson"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Ed Carlson"],"language_ssim":["English"],"total_component_count_is":2704,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872946110924849152,"_root_":"a0b8dca0cc27e719e79a099f","timestamp":"2026-08-08T09:16:41.949Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_5c24278b367bcf94968ef5f17f39d84a"}},{"id":"bfd41a7c19618933042e1aeb_aspace_130414","type":"File","attributes":{"title":"Film Festival, 2000","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/bfd41a7c19618933042e1aeb_aspace_130414#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_130414","ref_ssm":["aspace_130414","aspace_130414"],"id":"bfd41a7c19618933042e1aeb_aspace_130414","title_filing_ssi":"Film Festival","title_ssm":["Film Festival"],"title_tesim":["Film Festival"],"unitdate_other_ssim":["2000"],"normalized_date_ssm":["2000"],"normalized_title_ssm":["Film Festival, 2000"],"text":["Film Festival, 2000","Rex Maniscalco collection, 1980-2002, bulk 1990-2002","Event Photographs - Film Festivals, Gay Days","Folder 9","/repositories/2/archival_objects/52770","box 3","folder 9"],"component_level_isim":[2],"parent_ids_ssim":["bfd41a7c19618933042e1aeb","bfd41a7c19618933042e1aeb_aspace_130392"],"parent_unittitles_ssm":["Rex Maniscalco collection, 1980-2002, bulk 1990-2002","Event Photographs - Film Festivals, Gay Days"],"parent_unittitles_tesim":["Rex Maniscalco collection, 1980-2002, bulk 1990-2002","Event Photographs - Film Festivals, Gay Days"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["Folder 9","/repositories/2/archival_objects/52770"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Rex Maniscalco collection, 1980-2002, bulk 1990-2002"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":31,"parent_access_terms_tesm":["No restrictions.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[2000],"containers_ssim":["box 3","folder 9"],"_nest_path_":"/components#2/components#8","_nest_parent_":"bfd41a7c19618933042e1aeb_aspace_130392","_root_":"bfd41a7c19618933042e1aeb","_version_":1871677752741986304,"timestamp":"2026-07-25T09:16:41.370Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"bfd41a7c19618933042e1aeb","title_ssm":["Rex Maniscalco collection"],"title_tesim":["Rex Maniscalco collection"],"ead_ssi":"bfd41a7c19618933042e1aeb","unitdate_ssm":["1980-2002","1990-2002"],"unitdate_bulk_ssim":["1990-2002"],"unitdate_inclusive_ssm":["1980-2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2009-02","/repositories/2/resources/324"],"text":["MS-2009-02","/repositories/2/resources/324","Rex Maniscalco collection, 1980-2002, bulk 1990-2002","LGBTQ+ film festivals","Gay and lesbian dance parties","LGBTQ+ movement","Gay community","Queer community ","Queer culture","LGBTQ+ activists","LGBTQ+ advocacy","LGBTQ+ communities","Series by format and subseries by subject (events, social life and customs, organizations). This collection is organized into three series with subsequent and corresponding subseries. Contained within this collection were film negatives not accompanied by developed images. These negatives remain unprocessed. Negatives that were included in envelopes alongside developed images were processed in tandem with photographs and housed in two Hollinger boxes as a series. Within  Series: Negatives , folders correspond with the images processed into subseries within photo boxes, more specifically, events, social life and customs, organizations. Additionally, Rex's personal photographs, which include travel, family, and other miscellaneous events such as the Renaissance Festival, the filming of a Burt Reynolds movie in Tampa, and Yankee training, remain unprocessed but available in photo albums.","Most remembered for saying, \"Ah one-a, ah two-a, ah-Cheeze-a\", Rex Maniscalco was Tampa's GLBT photographer and community documentarian. An Ybor City native, Rex Maniscalco was around to experience and participate in the emergence of a visible LGBT community in the Tampa area. From the early Pride picnics and festivals to the beginnings of Equality Florida, Rex was there, camera in hand, to document the people who have been instrumental in creating LGBT community and culture. Inspired by a traveling exhibition of the history of the LGBT movement, Rex undertook the task of capturing gay history in the making through his camera and video recordings. Moved by the stories of hidden lives told by Bobbie Smith and Kay Thompson, he began the Rainbow in Sunshine Project in January of 2007 to offer a photographic history of gay lives and activism in Tampa, Florida. He was a part of the GLBT \u0026 Hillsborough Democratic Executive Community and active in the Hillsborough County GLBTA Democratic caucus. Rex Maniscalco passed away April 4, 2009 at the age of 57","Note written by CW, 2015.","Partially processed.","Bobby Smith Photograph Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, Florida.","This collection contains photographs, negatives, and VHS recordings pertaining to Tampa GLBT culture and community and reflects the growing national visibility of gay and lesbian lives throughout the 1990s and early 2000s more generally. This collection is comprised of photographs of the LGBT community taken by Rex Maniscalco from the 1980s to 2000s. Captured in the images within this collection are Tampa Bay's early Pride picnics to full scale Pride Festivals in downtown Tampa and Ybor City, the Tampa Gay and Lesbian Film Festival, the Tampa AIDS walk, other major gay events such as Southern Decadence in New Orleans, LA and Beach Fest in Daytona, protests and rallies, and many other social gatherings and political events. This collection also contains video recordings of major political events and organizations in Tampa including County Commission and City Council vote to include sexual orientation in the city's human rights ordinance in 1991, the 1993 March on Washington, organizational meetings of the Human Rights Task Force. Maniscalco's collection also includes video recordings of local and national talk shows and television shows.","Oversized graphic materials stored in a horizontal folder separate from the collection.","No restrictions.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","This collection is comprised of photographs and video footage of the LGBTQ+ community taken by Rex Maniscalco from the 1980s to 2000s, as well as documents from Tampa Bay LGBTQ+ culture, civil rights, and community organizations.","USF Libraries - Tampa Special Collections","Human Rights Task Force","Equality Florida","Metropolitan Community Church of Tampa","Maniscalco, Rex (1956-2009)","English"],"unitid_tesim":["MS-2009-02","/repositories/2/resources/324"],"normalized_date_ssm":["1980-2002, bulk 1990-2002"],"normalized_title_ssm":["Rex Maniscalco collection, 1980-2002, bulk 1990-2002"],"collection_title_tesim":["Rex Maniscalco collection, 1980-2002, bulk 1990-2002"],"collection_ssim":["Rex Maniscalco collection, 1980-2002, bulk 1990-2002"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Maniscalco, Rex (1956-2009)"],"creator_ssim":["Maniscalco, Rex (1956-2009)"],"creator_persname_ssim":["Maniscalco, Rex (1956-2009)"],"creators_ssim":["Maniscalco, Rex (1956-2009)"],"access_terms_ssm":["No restrictions.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Mark Bias and Carrie West","Donation."],"access_subjects_ssim":["LGBTQ+ film festivals","Gay and lesbian dance parties","LGBTQ+ movement","Gay community","Queer community ","Queer culture","LGBTQ+ activists","LGBTQ+ advocacy","LGBTQ+ communities"],"access_subjects_ssm":["LGBTQ+ film festivals","Gay and lesbian dance parties","LGBTQ+ movement","Gay community","Queer community ","Queer culture","LGBTQ+ activists","LGBTQ+ advocacy","LGBTQ+ communities"],"has_online_content_ssim":["false"],"extent_ssm":["21 boxes","14.43 Linear Feet","1 folders Oversized graphic materials stored in a horizontal folder separate from the collection."],"extent_tesim":["21 boxes","14.43 Linear Feet","1 folders Oversized graphic materials stored in a horizontal folder separate from the collection."],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"arrangement_html_tesm":["\u003cp\u003eSeries by format and subseries by subject (events, social life and customs, organizations). This collection is organized into three series with subsequent and corresponding subseries. Contained within this collection were film negatives not accompanied by developed images. These negatives remain unprocessed. Negatives that were included in envelopes alongside developed images were processed in tandem with photographs and housed in two Hollinger boxes as a series. Within \u003cemph render=\"italic\"\u003eSeries: Negatives\u003c/emph\u003e, folders correspond with the images processed into subseries within photo boxes, more specifically, events, social life and customs, organizations. Additionally, Rex's personal photographs, which include travel, family, and other miscellaneous events such as the Renaissance Festival, the filming of a Burt Reynolds movie in Tampa, and Yankee training, remain unprocessed but available in photo albums.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Series by format and subseries by subject (events, social life and customs, organizations). This collection is organized into three series with subsequent and corresponding subseries. Contained within this collection were film negatives not accompanied by developed images. These negatives remain unprocessed. Negatives that were included in envelopes alongside developed images were processed in tandem with photographs and housed in two Hollinger boxes as a series. Within  Series: Negatives , folders correspond with the images processed into subseries within photo boxes, more specifically, events, social life and customs, organizations. Additionally, Rex's personal photographs, which include travel, family, and other miscellaneous events such as the Renaissance Festival, the filming of a Burt Reynolds movie in Tampa, and Yankee training, remain unprocessed but available in photo albums."],"bioghist_html_tesm":["\u003cp\u003eMost remembered for saying, \"Ah one-a, ah two-a, ah-Cheeze-a\", Rex Maniscalco was Tampa's GLBT photographer and community documentarian. An Ybor City native, Rex Maniscalco was around to experience and participate in the emergence of a visible LGBT community in the Tampa area. From the early Pride picnics and festivals to the beginnings of Equality Florida, Rex was there, camera in hand, to document the people who have been instrumental in creating LGBT community and culture. Inspired by a traveling exhibition of the history of the LGBT movement, Rex undertook the task of capturing gay history in the making through his camera and video recordings. Moved by the stories of hidden lives told by Bobbie Smith and Kay Thompson, he began the Rainbow in Sunshine Project in January of 2007 to offer a photographic history of gay lives and activism in Tampa, Florida. He was a part of the GLBT \u0026amp; Hillsborough Democratic Executive Community and active in the Hillsborough County GLBTA Democratic caucus. Rex Maniscalco passed away April 4, 2009 at the age of 57\u003c/p\u003e\n","\u003cp\u003eNote written by CW, 2015.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Most remembered for saying, \"Ah one-a, ah two-a, ah-Cheeze-a\", Rex Maniscalco was Tampa's GLBT photographer and community documentarian. An Ybor City native, Rex Maniscalco was around to experience and participate in the emergence of a visible LGBT community in the Tampa area. From the early Pride picnics and festivals to the beginnings of Equality Florida, Rex was there, camera in hand, to document the people who have been instrumental in creating LGBT community and culture. Inspired by a traveling exhibition of the history of the LGBT movement, Rex undertook the task of capturing gay history in the making through his camera and video recordings. Moved by the stories of hidden lives told by Bobbie Smith and Kay Thompson, he began the Rainbow in Sunshine Project in January of 2007 to offer a photographic history of gay lives and activism in Tampa, Florida. He was a part of the GLBT \u0026 Hillsborough Democratic Executive Community and active in the Hillsborough County GLBTA Democratic caucus. Rex Maniscalco passed away April 4, 2009 at the age of 57","Note written by CW, 2015."],"processinfo_html_tesm":["\u003cp\u003ePartially processed.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Partially processed."],"relatedmaterial_html_tesm":["\u003cp\u003eBobby Smith Photograph Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Bobby Smith Photograph Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains photographs, negatives, and VHS recordings pertaining to Tampa GLBT culture and community and reflects the growing national visibility of gay and lesbian lives throughout the 1990s and early 2000s more generally. This collection is comprised of photographs of the LGBT community taken by Rex Maniscalco from the 1980s to 2000s. Captured in the images within this collection are Tampa Bay's early Pride picnics to full scale Pride Festivals in downtown Tampa and Ybor City, the Tampa Gay and Lesbian Film Festival, the Tampa AIDS walk, other major gay events such as Southern Decadence in New Orleans, LA and Beach Fest in Daytona, protests and rallies, and many other social gatherings and political events. This collection also contains video recordings of major political events and organizations in Tampa including County Commission and City Council vote to include sexual orientation in the city's human rights ordinance in 1991, the 1993 March on Washington, organizational meetings of the Human Rights Task Force. Maniscalco's collection also includes video recordings of local and national talk shows and television shows.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains photographs, negatives, and VHS recordings pertaining to Tampa GLBT culture and community and reflects the growing national visibility of gay and lesbian lives throughout the 1990s and early 2000s more generally. This collection is comprised of photographs of the LGBT community taken by Rex Maniscalco from the 1980s to 2000s. Captured in the images within this collection are Tampa Bay's early Pride picnics to full scale Pride Festivals in downtown Tampa and Ybor City, the Tampa Gay and Lesbian Film Festival, the Tampa AIDS walk, other major gay events such as Southern Decadence in New Orleans, LA and Beach Fest in Daytona, protests and rallies, and many other social gatherings and political events. This collection also contains video recordings of major political events and organizations in Tampa including County Commission and City Council vote to include sexual orientation in the city's human rights ordinance in 1991, the 1993 March on Washington, organizational meetings of the Human Rights Task Force. Maniscalco's collection also includes video recordings of local and national talk shows and television shows."],"separatedmaterial_html_tesm":["\u003cp\u003eOversized graphic materials stored in a horizontal folder separate from the collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Oversized graphic materials stored in a horizontal folder separate from the collection."],"userestrict_html_tesm":["\u003cp\u003eNo restrictions.\u0026#xA0; The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["No restrictions.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_2725e9e7269d2febf9372c22418f4cc3\"\u003eThis collection is comprised of photographs and video footage of the LGBTQ+ community taken by Rex Maniscalco from the 1980s to 2000s, as well as documents from Tampa Bay LGBTQ+ culture, civil rights, and community organizations.\u003c/abstract\u003e"],"abstract_tesim":["This collection is comprised of photographs and video footage of the LGBTQ+ community taken by Rex Maniscalco from the 1980s to 2000s, as well as documents from Tampa Bay LGBTQ+ culture, civil rights, and community organizations."],"names_coll_ssim":["Human Rights Task Force","Equality Florida","Metropolitan Community Church of Tampa"],"names_ssim":["USF Libraries - Tampa Special Collections","Human Rights Task Force","Equality Florida","Metropolitan Community Church of Tampa","Maniscalco, Rex (1956-2009)"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Human Rights Task Force","Equality Florida","Metropolitan Community Church of Tampa"],"persname_ssim":["Maniscalco, Rex (1956-2009)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":642,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871677752741986304,"_root_":"bfd41a7c19618933042e1aeb","timestamp":"2026-07-25T09:16:41.370Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/bfd41a7c19618933042e1aeb_aspace_130414"}},{"id":"ec0d65981df646e0f1a8b1b3_aspace_393632a4da36b0f9d784e95c285c1aae","type":"File","attributes":{"title":"Film Festival – Photographs, 2000","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_393632a4da36b0f9d784e95c285c1aae#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_393632a4da36b0f9d784e95c285c1aae","ref_ssm":["aspace_393632a4da36b0f9d784e95c285c1aae","aspace_393632a4da36b0f9d784e95c285c1aae"],"id":"ec0d65981df646e0f1a8b1b3_aspace_393632a4da36b0f9d784e95c285c1aae","title_filing_ssi":"Film Festival – Photographs","title_ssm":["Film Festival – Photographs"],"title_tesim":["Film Festival – Photographs"],"unitdate_other_ssim":["2000"],"normalized_date_ssm":["2000"],"normalized_title_ssm":["Film Festival – Photographs, 2000"],"text":["Film Festival – Photographs, 2000","Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","Photographs \u0026 CDs","/repositories/2/archival_objects/184549","box 5","folder 10"],"component_level_isim":[2],"parent_ids_ssim":["ec0d65981df646e0f1a8b1b3","ec0d65981df646e0f1a8b1b3_aspace_55997459c2d533703121f16f4a91f3a9"],"parent_unittitles_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","Photographs \u0026 CDs"],"parent_unittitles_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","Photographs \u0026 CDs"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["/repositories/2/archival_objects/184549"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":227,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[2000],"containers_ssim":["box 5","folder 10"],"_nest_path_":"/components#4/components#8","_nest_parent_":"ec0d65981df646e0f1a8b1b3_aspace_55997459c2d533703121f16f4a91f3a9","_root_":"ec0d65981df646e0f1a8b1b3","_version_":1871043586387083264,"timestamp":"2026-07-18T09:16:53.209Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ec0d65981df646e0f1a8b1b3","title_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection"],"title_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection"],"ead_ssi":"ec0d65981df646e0f1a8b1b3","unitdate_ssm":["1990-2024"],"unitdate_inclusive_ssm":["1990-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2024-01","/repositories/2/resources/641"],"text":["MS-2024-01","/repositories/2/resources/641","Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)","Materials are arranged according to type, with attention to chronology within series.","\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.","Dorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.","At every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.","Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF.","USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival","English"],"unitid_tesim":["MS-2024-01","/repositories/2/resources/641"],"normalized_date_ssm":["1990-2024"],"normalized_title_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_title_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_ssim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Tampa International Gay and Lesbian Film Festival"],"creator_ssim":["Tampa International Gay and Lesbian Film Festival"],"creator_corpname_ssim":["Tampa International Gay and Lesbian Film Festival"],"creators_ssim":["Tampa International Gay and Lesbian Film Festival"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"access_subjects_ssm":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"has_online_content_ssim":["false"],"extent_ssm":["9 boxes","9 Linear Feet"],"extent_tesim":["9 boxes","9 Linear Feet"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged according to type, with attention to chronology within series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged according to type, with attention to chronology within series."],"bioghist_html_tesm":["\u003cp\u003e\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.\u003c/p\u003e\n","\u003cp\u003eDorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.\u003c/p\u003e\n","\u003cp\u003eAt every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.\u003c/p\u003e\n","\u003cp\u003eFounders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.\u003c/p\u003e\n","\u003cp\u003eTampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.\u003c/p\u003e\n","\u003cp\u003eAfter two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.\u003c/p\u003e\n","\u003cp\u003eThat first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.\u003c/p\u003e\n","\u003cp\u003e\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.","Dorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.","At every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/"],"scopecontent_html_tesm":["\u003cp\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7fd2447780ec58fc96b7d52c2b93a93a\"\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF.\u003c/abstract\u003e"],"abstract_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF."],"names_ssim":["USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival"],"language_ssim":["English"],"total_component_count_is":365,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871043586387083264,"_root_":"ec0d65981df646e0f1a8b1b3","timestamp":"2026-07-18T09:16:53.209Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_393632a4da36b0f9d784e95c285c1aae"}},{"id":"71b8a757b0f138dee122db24_aspace_9fef1cb7df083b53837b932405408b40","type":"File","attributes":{"title":"Final District Financial Reports, 1999-2000","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/71b8a757b0f138dee122db24_aspace_9fef1cb7df083b53837b932405408b40#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9fef1cb7df083b53837b932405408b40","ref_ssm":["aspace_9fef1cb7df083b53837b932405408b40","aspace_9fef1cb7df083b53837b932405408b40"],"id":"71b8a757b0f138dee122db24_aspace_9fef1cb7df083b53837b932405408b40","title_filing_ssi":"Final District Financial Reports","title_ssm":["Final District Financial Reports"],"title_tesim":["Final District Financial Reports"],"unitdate_inclusive_ssm":["1999-2000"],"normalized_date_ssm":["1999-2000"],"normalized_title_ssm":["Final District Financial Reports, 1999-2000"],"text":["Final District Financial Reports, 1999-2000","Florida Bandmasters Association Records, 1936-2010","Financial Records","/repositories/2/archival_objects/40716","box 108","folder 19"],"component_level_isim":[2],"parent_ids_ssim":["71b8a757b0f138dee122db24","71b8a757b0f138dee122db24_aspace_03f601044e357e382a43701562a684b0"],"parent_unittitles_ssm":["Florida Bandmasters Association Records, 1936-2010","Financial Records"],"parent_unittitles_tesim":["Florida Bandmasters Association Records, 1936-2010","Financial Records"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/40716"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"collection_ssim":["Florida Bandmasters Association Records, 1936-2010"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2052,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials."],"parent_access_terms_tesm":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"date_range_isim":[1999,2000],"containers_ssim":["box 108","folder 19"],"_nest_path_":"/components#4/components#120","_nest_parent_":"71b8a757b0f138dee122db24_aspace_03f601044e357e382a43701562a684b0","_root_":"71b8a757b0f138dee122db24","_version_":1877102187519148032,"timestamp":"2026-09-23T06:15:45.471Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"71b8a757b0f138dee122db24","title_ssm":["Florida Bandmasters Association Records"],"title_tesim":["Florida Bandmasters Association Records"],"ead_ssi":"71b8a757b0f138dee122db24","unitdate_ssm":["1936-2010"],"unitdate_inclusive_ssm":["1936-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS1000","/repositories/2/resources/26"],"text":["MS1000","/repositories/2/resources/26","Florida Bandmasters Association Records, 1936-2010","Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.","The Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2","This collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.","The records have been arranged in eight series, six of which have been further arranged in subseries.","Series 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.","Series 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026 Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries – Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.","Series 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.","Series 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.","Series 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.","Series 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors.","Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487","The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association","English"],"unitid_tesim":["MS1000","/repositories/2/resources/26"],"normalized_date_ssm":["1936-2010"],"normalized_title_ssm":["Florida Bandmasters Association Records, 1936-2010"],"collection_title_tesim":["Florida Bandmasters Association Records, 1936-2010"],"collection_ssim":["Florida Bandmasters Association Records, 1936-2010"],"repository_ssm":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"creator_ssm":["Florida Bandmaster Association"],"creator_ssim":["Florida Bandmaster Association"],"creator_corpname_ssim":["Florida Bandmaster Association"],"creators_ssim":["Florida Bandmaster Association"],"access_terms_ssm":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"acqinfo_ssim":["Beginning in 1967, John J. Heney took on the role of FBA archivist and began to assemble what records he could collect from former FBA presidents, executive director Robert Lampi, and individual bandmasters. Heney made arrangements with the University of Florida to store the records, which he delivered in several installments through 1978. In 1988, because of a connection between an FBA member and Florida Southern College, the collection was returned to the FBA and moved to FSC."],"access_subjects_ssim":["Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs"],"access_subjects_ssm":["Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["60.5 Linear Feet"],"extent_tesim":["60.5 Linear Feet"],"genreform_ssim":["Correspondence","Photographs"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials."],"bioghist_html_tesm":["\u003cp\u003eThe Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2"],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.\u003c/p\u003e\n","\u003cp\u003eThe records have been arranged in eight series, six of which have been further arranged in subseries.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026amp; Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries \u0026#x2013; Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.\u003c/p\u003e\n","\u003cp\u003eSeries 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.\u003c/p\u003e\n","\u003cp\u003eSeries 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.\u003c/p\u003e\n","\u003cp\u003eSeries 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.","The records have been arranged in eight series, six of which have been further arranged in subseries.","Series 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.","Series 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026 Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries – Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.","Series 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.","Series 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.","Series 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.","Series 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"names_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association"],"corpname_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2839,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877102187519148032,"_root_":"71b8a757b0f138dee122db24","timestamp":"2026-09-23T06:15:45.471Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/71b8a757b0f138dee122db24_aspace_9fef1cb7df083b53837b932405408b40"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"USF Athletics collection, bulk 1956-Present","value":"USF Athletics collection, bulk 1956-Present","hits":259},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=USF+Athletics+collection%2C+bulk+1956-Present\u0026f%5Bdate_range%5D%5B%5D=2000\u0026f%5Blevel%5D%5B%5D=File"}},{"attributes":{"label":"Southwest Florida Regional Planning Council Collection, 1920-2020","value":"Southwest Florida Regional Planning Council Collection, 1920-2020","hits":175},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Southwest+Florida+Regional+Planning+Council+Collection%2C+1920-2020\u0026f%5Bdate_range%5D%5B%5D=2000\u0026f%5Blevel%5D%5B%5D=File"}},{"attributes":{"label":"Florida Audubon Society Miami records, 1961-2014","value":"Florida Audubon Society Miami records, 1961-2014","hits":136},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Florida+Audubon+Society+Miami+records%2C+1961-2014\u0026f%5Bdate_range%5D%5B%5D=2000\u0026f%5Blevel%5D%5B%5D=File"}},{"attributes":{"label":"Sally Thompson collection, 1976-2019","value":"Sally Thompson collection, 1976-2019","hits":114},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Sally+Thompson+collection%2C+1976-2019\u0026f%5Bdate_range%5D%5B%5D=2000\u0026f%5Blevel%5D%5B%5D=File"}},{"attributes":{"label":"Democratic Women's Club of Florida, Inc. 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