{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1998\u0026page=46\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1998\u0026page=45\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1998\u0026page=47\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1998\u0026page=577\u0026view=compact"},"meta":{"pages":{"current_page":46,"next_page":47,"prev_page":45,"total_pages":577,"limit_value":10,"offset_value":450,"total_count":5765,"first_page?":false,"last_page?":false}},"data":[{"id":"555bb06439f859dbc9dd94c8_aspace_6bede21f88a65a034e956b568a306858","type":"Series","attributes":{"title":"Artifacts, 1983–2008, undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/555bb06439f859dbc9dd94c8_aspace_6bede21f88a65a034e956b568a306858#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_6bede21f88a65a034e956b568a306858","ref_ssm":["aspace_6bede21f88a65a034e956b568a306858","aspace_6bede21f88a65a034e956b568a306858"],"id":"555bb06439f859dbc9dd94c8_aspace_6bede21f88a65a034e956b568a306858","title_filing_ssi":"Artifacts","title_ssm":["Artifacts"],"title_tesim":["Artifacts"],"unitdate_inclusive_ssm":["1983–2008","undated"],"normalized_date_ssm":["1983–2008, undated"],"normalized_title_ssm":["Artifacts, 1983–2008, undated"],"text":["Artifacts, 1983–2008, undated","Saviz Shafaie collection, 1979-2008","3","/repositories/4/archival_objects/78916"],"component_level_isim":[1],"parent_ids_ssim":["555bb06439f859dbc9dd94c8"],"parent_unittitles_ssm":["Saviz Shafaie collection, 1979-2008"],"parent_unittitles_tesim":["Saviz Shafaie collection, 1979-2008"],"parent_levels_ssm":["collection"],"unitid_ssm":["3","/repositories/4/archival_objects/78916"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Saviz Shafaie collection, 1979-2008"],"has_online_content_ssim":["false"],"child_component_count_isi":7,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":44,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be seured from the repository and the copyright holder."],"date_range_isim":[1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"_nest_path_":"/components#2","_nest_parent_":"555bb06439f859dbc9dd94c8","_root_":"555bb06439f859dbc9dd94c8","_version_":1870857827968352256,"timestamp":"2026-07-16T08:04:20.180Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"555bb06439f859dbc9dd94c8","title_ssm":["Saviz Shafaie collection"],"title_tesim":["Saviz Shafaie collection"],"ead_ssi":"555bb06439f859dbc9dd94c8","unitdate_ssm":["1979-2008"],"unitdate_inclusive_ssm":["1979-2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 132","/repositories/4/resources/248"],"text":["SC 132","/repositories/4/resources/248","Saviz Shafaie collection, 1979-2008","Gay political activists","LGBTQ+ activists","AIDS activists ","Sexism","LGBTQ+ people of colour","Gay poetry","The entire collection is open for research.","This collection is arranged in three series. \n I. Activism, 1981-2001 II. Photographs, 1979-1998 III.Artifacts, 2003-2008","Saviz Shafaie was born on August 30, 1950, into a political family. Shafaie grew up learning poetry and literature not just through books but through anecdotes heard from numerous \"uncles\" and \"aunts,\" as it was customary to call his parents' close family friends and contemporaries. This mix of politics, social activism, and art shaped his life. ","After finishing elementary and secondary school in Tehran, Shafaie enrolled in Shiraz University (formerly Pahlavi) to study National Development and Sociology. In 1972, he delivered a speech to present the results of a questionnaire and research he had done to study attitudes towards sexual orientation in Iran. The speech was socially important, as it marked the first serious discussion in Iran of same-sex relationships.","After graduating from Shiraz University, Shafaie moved to the United States in 1976 to continue his education. He enrolled at Syracuse University in the Master's Program in Sociology. During his time at Syracuse, Shafaie got involved in Iranian student groups and explored gay and lesbian issues to expand his own understanding. ","Shafaie was involved in the anti-Shah movement in the United States during and after the gathering movement against the Shah in 1977.  Although he was opposed to Iran's U.S.-backed monarchy, Shafaie was not in favor of an Islamic regime either. He was involved in organizing civil, intellectual, and political rights campaigns both before and after the 1979 Iranian revolution. Shafaie also spoke out against oppression and repression that occurred after the consolidation of power by the Islamic regime. ","Shafaie always remained a staunch opponent of U.S. intervention and policies, which opened other paths for Shafaie as he came in contact with activists surrounding the issues of Latin America. Shafaie became involved with activists who stood in solidarity with the Nicaraguan revolution, the movement in El Salvador, and those fighting against the U.S.-backed military junta in Chile. He became an active member of the Syracuse Peace Council and remained involved until his move to Orlando, Florida, in 1983. ","In Orlando, Shafaie quickly became involved with various movements. He became a founding member of the Florida Nuclear Freeze group and a member of the Florida Coalition for Peace and Justice. Shafaie also became instrumental in organizing anti-war activities, and a proponent of social justice causes in the city. Shafaie continued to be involved in organizing against the first U.S. war against Iraq in 1990 and also remained an opponent of U.S. aggressive and interventionist policies in the Middle East and elsewhere. ","Amidst other activism, Shafaie spent the majority of his time in Orlando fighting homophobia and sexism as well as promoting civil and equal rights for gays and lesbians. He was involved in gay and lesbian activism locally. He also became centrally involved in the Iranian organization HOMAN, an international coalition of Iranian gay and lesbian organizations. Shafaie was both a contributor and one of the forces behind the production and publication of HOMAN's magazine. ","Additionally, Shafaie raised the issue of also homophobia in papers presented at an Iranian Women's Studies conference and at several gatherings in Canada. Saviz Shafaie passed away from cancer on September 18th, 2000. ","The materials in this collection primarily relate to Shafaie's LGBT+ activism in Orlando, though there are mentions of Iranian activism as well.","Collection processed by and finding aid prepared by Kyle Messamore in 2013. Updated and processed by Kalynn Smith in 2017. Rehoused and new materials integrated and processed by Trinity Cruz in 2022.","This collection forms part of the LGBTQ History Museum of Central Florida Collection (CFM2021_22). Please see  The LGBTQ History Museum of Central Florida  for additional information.","Series I: Activism, 1981-2001 contains documents  related to Saviz Shafaie's activism through \"We the People Coalition,\" HOMAN, AIDS awareness, the University of Central Florida's GLBSU, and other LGBT and Iranian activist groups and materials such as ads, schedules, and newspapers clippings. ","Series II: Photographs, 1979-1998 contains photographs and related scrapbook-style materials taken of and by Shafaie at various LGBT activism events. ","Series III: Artifacts, 2003-2008, undated contains buttons, pins, a medical bracelet, and two poetry books related to Shafaie's LGBT and Iranian activism.","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be seured from the repository and the copyright holder.","Saviz Shafaie attended the University of Central Florida as a student seeking a master's in social work. Originally born and raised in Iran, he was an activist in both Iran and America, fleeing to exile in America upon the change in government in the late 70s. He was also an Iranian poet and a businessman; owning and operating Powerhouse Restaurant in Winter Park. Saviz remained an activist until his passing from cancer in the late 1990s. His mother donated his collection to the LGBT History Museum of Central Florida in 2010 as a gift. These materials, along with an addition, were transferred to the University of Central Florida Special Collections and University Archives in 2021. This collection houses various photos, artifacts, and clippings related to Shafaie's activism through \"We the People Coalition,\" HOMAN, AIDS awareness, the University of Central Florida's GLBSU, and other LGBT and Iranian activist groups.","UCF Special Collections","University of Central Florida. Gay, Lesbian, Bisexual Student Union","Shafāyī, Sāvīz, 1950-2000","English Persian Iranian languages"],"unitid_tesim":["SC 132","/repositories/4/resources/248"],"normalized_date_ssm":["1979-2008"],"normalized_title_ssm":["Saviz Shafaie collection, 1979-2008"],"collection_title_tesim":["Saviz Shafaie collection, 1979-2008"],"collection_ssim":["Saviz Shafaie collection, 1979-2008"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Shafāyī, Sāvīz, 1950-2000"],"creator_ssim":["Shafāyī, Sāvīz, 1950-2000"],"creator_persname_ssim":["Shafāyī, Sāvīz, 1950-2000"],"creators_ssim":["Shafāyī, Sāvīz, 1950-2000"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be seured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Maheen Shaghaghi, Saviz's mother, to the LGBTQ+ History Museum of Central Florida in 2010. Gifted by the LGBTQ+ History Museum of Central Florida to University of Central Florida Libraries, Special Collections \u0026 University Archives in 2021 (Accession no. CFM2021_22)."],"access_subjects_ssim":["Gay political activists","LGBTQ+ activists","AIDS activists ","Sexism","LGBTQ+ people of colour","Gay poetry"],"access_subjects_ssm":["Gay political activists","LGBTQ+ activists","AIDS activists ","Sexism","LGBTQ+ people of colour","Gay poetry"],"has_online_content_ssim":["false"],"extent_ssm":["1.25 Linear Feet 3 boxes"],"extent_tesim":["1.25 Linear Feet 3 boxes"],"genreform_ssim":["Gay poetry"],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in three series. \n\u003cul style=\"list-style-type: none\"\u003e\n   \u003cli\u003eI. Activism, 1981-2001\u003c/li\u003e\n   \u003cli\u003eII. Photographs, 1979-1998\u003c/li\u003e\n   \u003cli\u003eIII.Artifacts, 2003-2008\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in three series. \n I. Activism, 1981-2001 II. Photographs, 1979-1998 III.Artifacts, 2003-2008"],"bioghist_html_tesm":["\u003cp\u003eSaviz Shafaie was born on August 30, 1950, into a political family. Shafaie grew up learning poetry and literature not just through books but through anecdotes heard from numerous \"uncles\" and \"aunts,\" as it was customary to call his parents' close family friends and contemporaries. This mix of politics, social activism, and art shaped his life. \u003c/p\u003e\n","\u003cp\u003eAfter finishing elementary and secondary school in Tehran, Shafaie enrolled in Shiraz University (formerly Pahlavi) to study National Development and Sociology. In 1972, he delivered a speech to present the results of a questionnaire and research he had done to study attitudes towards sexual orientation in Iran. The speech was socially important, as it marked the first serious discussion in Iran of same-sex relationships.\u003c/p\u003e\n","\u003cp\u003eAfter graduating from Shiraz University, Shafaie moved to the United States in 1976 to continue his education. He enrolled at Syracuse University in the Master's Program in Sociology. During his time at Syracuse, Shafaie got involved in Iranian student groups and explored gay and lesbian issues to expand his own understanding. \u003c/p\u003e\n","\u003cp\u003eShafaie was involved in the anti-Shah movement in the United States during and after the gathering movement against the Shah in 1977.  Although he was opposed to Iran's U.S.-backed monarchy, Shafaie was not in favor of an Islamic regime either. He was involved in organizing civil, intellectual, and political rights campaigns both before and after the 1979 Iranian revolution. Shafaie also spoke out against oppression and repression that occurred after the consolidation of power by the Islamic regime. \u003c/p\u003e\n","\u003cp\u003eShafaie always remained a staunch opponent of U.S. intervention and policies, which opened other paths for Shafaie as he came in contact with activists surrounding the issues of Latin America. Shafaie became involved with activists who stood in solidarity with the Nicaraguan revolution, the movement in El Salvador, and those fighting against the U.S.-backed military junta in Chile. He became an active member of the Syracuse Peace Council and remained involved until his move to Orlando, Florida, in 1983. \u003c/p\u003e\n","\u003cp\u003eIn Orlando, Shafaie quickly became involved with various movements. He became a founding member of the Florida Nuclear Freeze group and a member of the Florida Coalition for Peace and Justice. Shafaie also became instrumental in organizing anti-war activities, and a proponent of social justice causes in the city. Shafaie continued to be involved in organizing against the first U.S. war against Iraq in 1990 and also remained an opponent of U.S. aggressive and interventionist policies in the Middle East and elsewhere. \u003c/p\u003e\n","\u003cp\u003eAmidst other activism, Shafaie spent the majority of his time in Orlando fighting homophobia and sexism as well as promoting civil and equal rights for gays and lesbians. He was involved in gay and lesbian activism locally. He also became centrally involved in the Iranian organization HOMAN, an international coalition of Iranian gay and lesbian organizations. Shafaie was both a contributor and one of the forces behind the production and publication of HOMAN's magazine. \u003c/p\u003e\n","\u003cp\u003eAdditionally, Shafaie raised the issue of also homophobia in papers presented at an Iranian Women's Studies conference and at several gatherings in Canada. Saviz Shafaie passed away from cancer on September 18th, 2000. \u003c/p\u003e\n","\u003cp\u003eThe materials in this collection primarily relate to Shafaie's LGBT+ activism in Orlando, though there are mentions of Iranian activism as well.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Saviz Shafaie was born on August 30, 1950, into a political family. Shafaie grew up learning poetry and literature not just through books but through anecdotes heard from numerous \"uncles\" and \"aunts,\" as it was customary to call his parents' close family friends and contemporaries. This mix of politics, social activism, and art shaped his life. ","After finishing elementary and secondary school in Tehran, Shafaie enrolled in Shiraz University (formerly Pahlavi) to study National Development and Sociology. In 1972, he delivered a speech to present the results of a questionnaire and research he had done to study attitudes towards sexual orientation in Iran. The speech was socially important, as it marked the first serious discussion in Iran of same-sex relationships.","After graduating from Shiraz University, Shafaie moved to the United States in 1976 to continue his education. He enrolled at Syracuse University in the Master's Program in Sociology. During his time at Syracuse, Shafaie got involved in Iranian student groups and explored gay and lesbian issues to expand his own understanding. ","Shafaie was involved in the anti-Shah movement in the United States during and after the gathering movement against the Shah in 1977.  Although he was opposed to Iran's U.S.-backed monarchy, Shafaie was not in favor of an Islamic regime either. He was involved in organizing civil, intellectual, and political rights campaigns both before and after the 1979 Iranian revolution. Shafaie also spoke out against oppression and repression that occurred after the consolidation of power by the Islamic regime. ","Shafaie always remained a staunch opponent of U.S. intervention and policies, which opened other paths for Shafaie as he came in contact with activists surrounding the issues of Latin America. Shafaie became involved with activists who stood in solidarity with the Nicaraguan revolution, the movement in El Salvador, and those fighting against the U.S.-backed military junta in Chile. He became an active member of the Syracuse Peace Council and remained involved until his move to Orlando, Florida, in 1983. ","In Orlando, Shafaie quickly became involved with various movements. He became a founding member of the Florida Nuclear Freeze group and a member of the Florida Coalition for Peace and Justice. Shafaie also became instrumental in organizing anti-war activities, and a proponent of social justice causes in the city. Shafaie continued to be involved in organizing against the first U.S. war against Iraq in 1990 and also remained an opponent of U.S. aggressive and interventionist policies in the Middle East and elsewhere. ","Amidst other activism, Shafaie spent the majority of his time in Orlando fighting homophobia and sexism as well as promoting civil and equal rights for gays and lesbians. He was involved in gay and lesbian activism locally. He also became centrally involved in the Iranian organization HOMAN, an international coalition of Iranian gay and lesbian organizations. Shafaie was both a contributor and one of the forces behind the production and publication of HOMAN's magazine. ","Additionally, Shafaie raised the issue of also homophobia in papers presented at an Iranian Women's Studies conference and at several gatherings in Canada. Saviz Shafaie passed away from cancer on September 18th, 2000. ","The materials in this collection primarily relate to Shafaie's LGBT+ activism in Orlando, though there are mentions of Iranian activism as well."],"prefercite_html_tesm":["\u003cp\u003eSaviz Shafaie collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Saviz Shafaie collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by and finding aid prepared by Kyle Messamore in 2013. Updated and processed by Kalynn Smith in 2017. Rehoused and new materials integrated and processed by Trinity Cruz in 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by and finding aid prepared by Kyle Messamore in 2013. Updated and processed by Kalynn Smith in 2017. Rehoused and new materials integrated and processed by Trinity Cruz in 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThis collection forms part of the LGBTQ History Museum of Central Florida Collection (CFM2021_22). Please see \u003ca href=\"https://floridalgbtqmuseum.org/\"\u003eThe LGBTQ History Museum of Central Florida\u003c/a\u003e for additional information.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["This collection forms part of the LGBTQ History Museum of Central Florida Collection (CFM2021_22). Please see  The LGBTQ History Museum of Central Florida  for additional information."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Activism, 1981-2001 contains documents  related to Saviz Shafaie's activism through \"We the People Coalition,\" HOMAN, AIDS awareness, the University of Central Florida's GLBSU, and other LGBT and Iranian activist groups and materials such as ads, schedules, and newspapers clippings. \u003c/p\u003e\n","\u003cp\u003eSeries II: Photographs, 1979-1998 contains photographs and related scrapbook-style materials taken of and by Shafaie at various LGBT activism events. \u003c/p\u003e\n","\u003cp\u003eSeries III: Artifacts, 2003-2008, undated contains buttons, pins, a medical bracelet, and two poetry books related to Shafaie's LGBT and Iranian activism.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Activism, 1981-2001 contains documents  related to Saviz Shafaie's activism through \"We the People Coalition,\" HOMAN, AIDS awareness, the University of Central Florida's GLBSU, and other LGBT and Iranian activist groups and materials such as ads, schedules, and newspapers clippings. ","Series II: Photographs, 1979-1998 contains photographs and related scrapbook-style materials taken of and by Shafaie at various LGBT activism events. ","Series III: Artifacts, 2003-2008, undated contains buttons, pins, a medical bracelet, and two poetry books related to Shafaie's LGBT and Iranian activism."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be seured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be seured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a183dfb671315bf446e3e4aa945c9c74\"\u003eSaviz Shafaie attended the University of Central Florida as a student seeking a master's in social work. Originally born and raised in Iran, he was an activist in both Iran and America, fleeing to exile in America upon the change in government in the late 70s. He was also an Iranian poet and a businessman; owning and operating Powerhouse Restaurant in Winter Park. Saviz remained an activist until his passing from cancer in the late 1990s. His mother donated his collection to the LGBT History Museum of Central Florida in 2010 as a gift. These materials, along with an addition, were transferred to the University of Central Florida Special Collections and University Archives in 2021. This collection houses various photos, artifacts, and clippings related to Shafaie's activism through \"We the People Coalition,\" HOMAN, AIDS awareness, the University of Central Florida's GLBSU, and other LGBT and Iranian activist groups.\u003c/abstract\u003e"],"abstract_tesim":["Saviz Shafaie attended the University of Central Florida as a student seeking a master's in social work. Originally born and raised in Iran, he was an activist in both Iran and America, fleeing to exile in America upon the change in government in the late 70s. He was also an Iranian poet and a businessman; owning and operating Powerhouse Restaurant in Winter Park. Saviz remained an activist until his passing from cancer in the late 1990s. His mother donated his collection to the LGBT History Museum of Central Florida in 2010 as a gift. These materials, along with an addition, were transferred to the University of Central Florida Special Collections and University Archives in 2021. This collection houses various photos, artifacts, and clippings related to Shafaie's activism through \"We the People Coalition,\" HOMAN, AIDS awareness, the University of Central Florida's GLBSU, and other LGBT and Iranian activist groups."],"names_coll_ssim":["University of Central Florida. Gay, Lesbian, Bisexual Student Union","Shafāyī, Sāvīz, 1950-2000"],"names_ssim":["UCF Special Collections","University of Central Florida. Gay, Lesbian, Bisexual Student Union","Shafāyī, Sāvīz, 1950-2000"],"corpname_ssim":["UCF Special Collections","University of Central Florida. Gay, Lesbian, Bisexual Student Union"],"persname_ssim":["Shafāyī, Sāvīz, 1950-2000"],"language_ssim":["English Persian Iranian languages"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":51,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857827968352256,"_root_":"555bb06439f859dbc9dd94c8","timestamp":"2026-07-16T08:04:20.180Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/555bb06439f859dbc9dd94c8_aspace_6bede21f88a65a034e956b568a306858"}},{"id":"eccf200246c0c0801ef714fb_aspace_46856","type":"Series","attributes":{"title":"Artist Books, 1945-2008","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/eccf200246c0c0801ef714fb_aspace_46856#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eSeries III holds books of materials compiled by the artist and professionally bound by UCF Libraries and Flying Horse Editions, the University of Central Florida press. The materials chronicle the artist's life from his childhood through his current work and are found thematically in the bound book collection. Most materials are photocopies, however, in some instances the artist has included original materials. A brief overview of each book's contents has been provided. Throughout this collection, many of the artist's colleagues are only referred to by their last names. A significant amount of material contained in this series is untitled and undated, however, in many cases exhibition locations, dates, and titles are provided.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/eccf200246c0c0801ef714fb_aspace_46856#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_46856","ref_ssm":["aspace_46856","aspace_46856"],"id":"eccf200246c0c0801ef714fb_aspace_46856","title_filing_ssi":"Artist Books","title_ssm":["Artist Books"],"title_tesim":["Artist Books"],"unitdate_inclusive_ssm":["1945-2008"],"normalized_date_ssm":["1945-2008"],"normalized_title_ssm":["Artist Books, 1945-2008"],"text":["Artist Books, 1945-2008","Walter Gaudnek Collection, 1945-2009","Series 3","/repositories/4/archival_objects/19909","Series III holds books of materials compiled by the artist and professionally bound by UCF Libraries and Flying Horse Editions, the University of Central Florida press. The materials chronicle the artist's life from his childhood through his current work and are found thematically in the bound book collection. Most materials are photocopies, however, in some instances the artist has included original materials. A brief overview of each book's contents has been provided. Throughout this collection, many of the artist's colleagues are only referred to by their last names. A significant amount of material contained in this series is untitled and undated, however, in many cases exhibition locations, dates, and titles are provided."],"component_level_isim":[1],"parent_ids_ssim":["eccf200246c0c0801ef714fb"],"parent_unittitles_ssm":["Walter Gaudnek Collection, 1945-2009"],"parent_unittitles_tesim":["Walter Gaudnek Collection, 1945-2009"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 3","/repositories/4/archival_objects/19909"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Walter Gaudnek Collection, 1945-2009"],"has_online_content_ssim":["false"],"child_component_count_isi":71,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":41,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"scopecontent_html_tesm":["\u003cp\u003eSeries III holds books of materials compiled by the artist and professionally bound by UCF Libraries and Flying Horse Editions, the University of Central Florida press. The materials chronicle the artist's life from his childhood through his current work and are found thematically in the bound book collection. Most materials are photocopies, however, in some instances the artist has included original materials. A brief overview of each book's contents has been provided. Throughout this collection, many of the artist's colleagues are only referred to by their last names. A significant amount of material contained in this series is untitled and undated, however, in many cases exhibition locations, dates, and titles are provided.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series III holds books of materials compiled by the artist and professionally bound by UCF Libraries and Flying Horse Editions, the University of Central Florida press. The materials chronicle the artist's life from his childhood through his current work and are found thematically in the bound book collection. Most materials are photocopies, however, in some instances the artist has included original materials. A brief overview of each book's contents has been provided. Throughout this collection, many of the artist's colleagues are only referred to by their last names. A significant amount of material contained in this series is untitled and undated, however, in many cases exhibition locations, dates, and titles are provided."],"_nest_path_":"/components#2","_nest_parent_":"eccf200246c0c0801ef714fb","_root_":"eccf200246c0c0801ef714fb","timestamp":"2026-04-21T03:53:25.929Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"eccf200246c0c0801ef714fb","title_ssm":["Walter Gaudnek Collection"],"title_tesim":["Walter Gaudnek Collection"],"ead_ssi":"eccf200246c0c0801ef714fb","unitdate_ssm":["1945-2009"],"unitdate_inclusive_ssm":["1945-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.053","/repositories/4/resources/88"],"text":["SC.053","/repositories/4/resources/88","Walter Gaudnek Collection, 1945-2009","University of Central Florida","Artists","The collection is open for research.","Walter Gaudnek, Ph.D., born in 1931 in Czechoslovakia is a self-proclaimed 'rebel artist'. Known for his blending of bold colors with philosophy, labyrinth installations, and personal mixtures of performance and art, Gaudnek has influenced generations with his stark look at world issues through these mediums. Gaudnek continues his work today both as an artist and an educator with the University of Central Florida's Art Department. Gaudnek's work is featured in permanent collections around the world, including the Gaudnek Studio in Altomünster, Germany (now the Gaudnek Museum) and at the University of Central Florida libraries.","News clippings were photocopied onto acid-free paper and metal clips replaced with plastic clips. Some materials were rehoused in acid-free folders while all of the manuscript material is held in boxes. Duplicates were removed and several pieces of art are stored in a climate controlled facility. Additional materials added as receieved.","Collection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.","Flying Horse Editions","University of Central Florida Office of the President Records , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","University of Central Florida Photograph Collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","Art that can be found in the John C. Hitt Library includes: Science and Humanities (1989) and Mapping the Florida Terrain (1989). ","The Gaudnek Collection includes manuscript materials, exhibition booklets, pamphlets, photographs, news articles, original artwork and posters. The collection is divided into six series.","\nSeries I: Exhibition Booklets, 1980-2005, are five art exhibition books in both English and German that focus on specific exhibitions by the artist. These books are what a patron could purchase or would receive with admission to an art exhibition. Exhibition booklets also appear in multiple bound books found in series III.","\nSeries II: Posters and Photographs, 1969-2007, comprises publicity posters and photographs used to promote various exhibitions.","\nSeries III: Artist Books, 1945-2008, are books that were specially bound by Flying Horse Press at the request of the artist and contains memorabilia either produced by or for the artist. The books are created according to themes and time periods important to the artist. Some compilation books have been created by third parties. The books cover a wide span of time, including Gaudnek's early years as an artist in college through to his more current work at the University of Central Florida.","\nSeries IV: Oversize Artist Books, 1962-2006, are bound by UCF Library contains \"Gaudnek Broadway Drawings\" dating from 1962-1968 and compiled in 2006. \"Elegy to New Orleans\" is another title compiled by Gaudnek which includes art and media photographs from the aftermath of Hurricane Katrina in New Orleans, Louisiana. Series also holds a title \"Walter Gaudnek Introspective Portraits\" compiled by University of Central Florida Professor Jagdish J. Chavda.","\nSeries V: Portfolios, 1961-2009, includes portfolios that are housed in individiual custom constructed from hard archival cover board. Portfolios contain Gaudnek's digital collage prints, signed and dated by the artist.","\nSeries VI: Miscellaneous, 1969-2007, holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The Walter Gaudnek Collection comprises manuscript materials, original works, posters, and photographs that chronicle the life and artistic development of Dr. Walter Gaudnek, a University of Central Florida art faculty member. Ranging from 1945 to the present, the collection focuses on the artist and gives voice to Gaudnek's fans and critics alike. World events such as the 1972 Olympic Games, the Holocaust, and the September 11th attacks are featured in the collection through his work both as a commissioned artist who is witness to the event (Munich Games) and as an artist expressing his deep emotions for human tragedy.","UCF Special Collections","Gaudnek, Walter, 1931-","English"],"unitid_tesim":["SC.053","/repositories/4/resources/88"],"normalized_date_ssm":["1945-2009"],"normalized_title_ssm":["Walter Gaudnek Collection, 1945-2009"],"collection_title_tesim":["Walter Gaudnek Collection, 1945-2009"],"collection_ssim":["Walter Gaudnek Collection, 1945-2009"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were transferred to the Special Collections and University Archives by Dr. Walter Gaudnek in 2004 (CFM2004_01), 2006, and 2007 (CFM2007_XX)."],"access_subjects_ssim":["University of Central Florida","Artists"],"access_subjects_ssm":["University of Central Florida","Artists"],"has_online_content_ssim":["false"],"extent_ssm":["7.25 Linear Feet 7 Boxes, 6 Portfolios, 1 Flat File"],"extent_tesim":["7.25 Linear Feet 7 Boxes, 6 Portfolios, 1 Flat File"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eWalter Gaudnek, Ph.D., born in 1931 in Czechoslovakia is a self-proclaimed 'rebel artist'. Known for his blending of bold colors with philosophy, labyrinth installations, and personal mixtures of performance and art, Gaudnek has influenced generations with his stark look at world issues through these mediums. Gaudnek continues his work today both as an artist and an educator with the University of Central Florida's Art Department. Gaudnek's work is featured in permanent collections around the world, including the Gaudnek Studio in Altom\u0026#xFC;nster, Germany (now the Gaudnek Museum) and at the University of Central Florida libraries.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Walter Gaudnek, Ph.D., born in 1931 in Czechoslovakia is a self-proclaimed 'rebel artist'. Known for his blending of bold colors with philosophy, labyrinth installations, and personal mixtures of performance and art, Gaudnek has influenced generations with his stark look at world issues through these mediums. Gaudnek continues his work today both as an artist and an educator with the University of Central Florida's Art Department. Gaudnek's work is featured in permanent collections around the world, including the Gaudnek Studio in Altomünster, Germany (now the Gaudnek Museum) and at the University of Central Florida libraries."],"prefercite_html_tesm":["\u003cp\u003eWalter Gaudnek Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Walter Gaudnek Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eNews clippings were photocopied onto acid-free paper and metal clips replaced with plastic clips. Some materials were rehoused in acid-free folders while all of the manuscript material is held in boxes. Duplicates were removed and several pieces of art are stored in a climate controlled facility. Additional materials added as receieved.\u003c/p\u003e","\u003cp\u003eCollection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["News clippings were photocopied onto acid-free paper and metal clips replaced with plastic clips. Some materials were rehoused in acid-free folders while all of the manuscript material is held in boxes. Duplicates were removed and several pieces of art are stored in a climate controlled facility. Additional materials added as receieved.","Collection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://flyinghorse.cah.ucf.edu\"\u003eFlying Horse Editions\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://library.ucf.edu/about/departments/special-collections-university-archives/university-archives/university-archives-collection-guides/#UniversityPresidentsRecords\"\u003eUniversity of Central Florida Office of the President Records\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/ead/UCFPhotographs\"\u003eUniversity of Central Florida Photograph Collection\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003eArt that can be found in the John C. Hitt Library includes: Science and Humanities (1989) and Mapping the Florida Terrain (1989). \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Flying Horse Editions","University of Central Florida Office of the President Records , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","University of Central Florida Photograph Collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","Art that can be found in the John C. Hitt Library includes: Science and Humanities (1989) and Mapping the Florida Terrain (1989). "],"scopecontent_html_tesm":["\u003cp\u003eThe Gaudnek Collection includes manuscript materials, exhibition booklets, pamphlets, photographs, news articles, original artwork and posters. The collection is divided into six series.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Exhibition Booklets, 1980-2005, are five art exhibition books in both English and German that focus on specific exhibitions by the artist. These books are what a patron could purchase or would receive with admission to an art exhibition. Exhibition booklets also appear in multiple bound books found in series III.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Posters and Photographs, 1969-2007, comprises publicity posters and photographs used to promote various exhibitions.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Artist Books, 1945-2008, are books that were specially bound by Flying Horse Press at the request of the artist and contains memorabilia either produced by or for the artist. The books are created according to themes and time periods important to the artist. Some compilation books have been created by third parties. The books cover a wide span of time, including Gaudnek's early years as an artist in college through to his more current work at the University of Central Florida.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Oversize Artist Books, 1962-2006, are bound by UCF Library contains \"Gaudnek Broadway Drawings\" dating from 1962-1968 and compiled in 2006. \"Elegy to New Orleans\" is another title compiled by Gaudnek which includes art and media photographs from the aftermath of Hurricane Katrina in New Orleans, Louisiana. Series also holds a title \"Walter Gaudnek Introspective Portraits\" compiled by University of Central Florida Professor Jagdish J. Chavda.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Portfolios, 1961-2009, includes portfolios that are housed in individiual custom constructed from hard archival cover board. Portfolios contain Gaudnek's digital collage prints, signed and dated by the artist.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Miscellaneous, 1969-2007, holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Gaudnek Collection includes manuscript materials, exhibition booklets, pamphlets, photographs, news articles, original artwork and posters. The collection is divided into six series.","\nSeries I: Exhibition Booklets, 1980-2005, are five art exhibition books in both English and German that focus on specific exhibitions by the artist. These books are what a patron could purchase or would receive with admission to an art exhibition. Exhibition booklets also appear in multiple bound books found in series III.","\nSeries II: Posters and Photographs, 1969-2007, comprises publicity posters and photographs used to promote various exhibitions.","\nSeries III: Artist Books, 1945-2008, are books that were specially bound by Flying Horse Press at the request of the artist and contains memorabilia either produced by or for the artist. The books are created according to themes and time periods important to the artist. Some compilation books have been created by third parties. The books cover a wide span of time, including Gaudnek's early years as an artist in college through to his more current work at the University of Central Florida.","\nSeries IV: Oversize Artist Books, 1962-2006, are bound by UCF Library contains \"Gaudnek Broadway Drawings\" dating from 1962-1968 and compiled in 2006. \"Elegy to New Orleans\" is another title compiled by Gaudnek which includes art and media photographs from the aftermath of Hurricane Katrina in New Orleans, Louisiana. Series also holds a title \"Walter Gaudnek Introspective Portraits\" compiled by University of Central Florida Professor Jagdish J. Chavda.","\nSeries V: Portfolios, 1961-2009, includes portfolios that are housed in individiual custom constructed from hard archival cover board. Portfolios contain Gaudnek's digital collage prints, signed and dated by the artist.","\nSeries VI: Miscellaneous, 1969-2007, holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4f11a3ccc45b185611fc52b134bae889\" label=\"Abstract\"\u003eThe Walter Gaudnek Collection comprises manuscript materials, original works, posters, and photographs that chronicle the life and artistic development of Dr. Walter Gaudnek, a University of Central Florida art faculty member. Ranging from 1945 to the present, the collection focuses on the artist and gives voice to Gaudnek's fans and critics alike. World events such as the 1972 Olympic Games, the Holocaust, and the September 11th attacks are featured in the collection through his work both as a commissioned artist who is witness to the event (Munich Games) and as an artist expressing his deep emotions for human tragedy.\u003c/abstract\u003e"],"abstract_tesim":["The Walter Gaudnek Collection comprises manuscript materials, original works, posters, and photographs that chronicle the life and artistic development of Dr. Walter Gaudnek, a University of Central Florida art faculty member. Ranging from 1945 to the present, the collection focuses on the artist and gives voice to Gaudnek's fans and critics alike. World events such as the 1972 Olympic Games, the Holocaust, and the September 11th attacks are featured in the collection through his work both as a commissioned artist who is witness to the event (Munich Games) and as an artist expressing his deep emotions for human tragedy."],"names_ssim":["UCF Special Collections","Gaudnek, Walter, 1931-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Gaudnek, Walter, 1931-"],"persname_ssim":["Gaudnek, Walter, 1931-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":412,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"eccf200246c0c0801ef714fb","timestamp":"2026-04-21T03:53:25.929Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/eccf200246c0c0801ef714fb_aspace_46856"}},{"id":"b1453870beef516d654c01ec_aspace_05042070eb26b7b477bd0b30179f97a5","type":"Item","attributes":{"title":"Artist postcards, undefined","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/b1453870beef516d654c01ec_aspace_05042070eb26b7b477bd0b30179f97a5#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eNineteen black and white artist postcards with image on front with name, artist statement and medium on back face. Sample artists include Keith Grachow, Patricia Lu, Jim Hall, Anita Kirchen, Milena Sasic, Pat Davis, etc.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b1453870beef516d654c01ec_aspace_05042070eb26b7b477bd0b30179f97a5#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_05042070eb26b7b477bd0b30179f97a5","ref_ssm":["aspace_05042070eb26b7b477bd0b30179f97a5","aspace_05042070eb26b7b477bd0b30179f97a5"],"id":"b1453870beef516d654c01ec_aspace_05042070eb26b7b477bd0b30179f97a5","title_filing_ssi":"Artist postcards","title_ssm":["Artist postcards"],"title_tesim":["Artist postcards"],"unitdate_inclusive_ssm":["undefined"],"normalized_date_ssm":["undefined"],"normalized_title_ssm":["Artist postcards, undefined"],"text":["Artist postcards, undefined","FAU University Galleries, 1973-2023, 1973-2023","Artist files","/repositories/2/archival_objects/70137","box 2","folder 19","Nineteen black and white artist postcards with image on front with name, artist statement and medium on back face. Sample artists include Keith Grachow, Patricia Lu, Jim Hall, Anita Kirchen, Milena Sasic, Pat Davis, etc."],"component_level_isim":[2],"parent_ids_ssim":["b1453870beef516d654c01ec","b1453870beef516d654c01ec_aspace_4b1193892001d1344408814c610fd18b"],"parent_unittitles_ssm":["FAU University Galleries, 1973-2023, 1973-2023","Artist files"],"parent_unittitles_tesim":["FAU University Galleries, 1973-2023, 1973-2023","Artist files"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/70137"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["FAU University Galleries, 1973-2023, 1973-2023"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":100,"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"containers_ssim":["box 2","folder 19"],"scopecontent_html_tesm":["\u003cp\u003eNineteen black and white artist postcards with image on front with name, artist statement and medium on back face. Sample artists include Keith Grachow, Patricia Lu, Jim Hall, Anita Kirchen, Milena Sasic, Pat Davis, etc.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Nineteen black and white artist postcards with image on front with name, artist statement and medium on back face. Sample artists include Keith Grachow, Patricia Lu, Jim Hall, Anita Kirchen, Milena Sasic, Pat Davis, etc."],"_nest_path_":"/components#2/components#1","_nest_parent_":"b1453870beef516d654c01ec_aspace_4b1193892001d1344408814c610fd18b","_root_":"b1453870beef516d654c01ec","_version_":1870841804578881536,"timestamp":"2026-07-16T03:49:39.084Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b1453870beef516d654c01ec","title_ssm":["FAU University Galleries, 1973-2023"],"title_tesim":["FAU University Galleries, 1973-2023"],"ead_ssi":"b1453870beef516d654c01ec","unitdate_ssm":["1973-2023"],"unitdate_inclusive_ssm":["1973-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA00026","/repositories/2/resources/182"],"text":["UA00026","/repositories/2/resources/182","FAU University Galleries, 1973-2023, 1973-2023","Florida","Art, Modern -- 20th century","Florida Atlantic University -- History","The University Galleries-FAU Collection documents the activities of the Ritter Gallery and the Schmidt Center Gallery between 1973 and 2009. It contains the initial proposal for the creation of the Ritter Gallery and documentation on the later development of the Schmidt Center Gallery. The bulk of the collection centers on the annual exhibition and programming schedule of and for student, faculty and general exhibitions. There is also information on earlier exhibition spaces in the S.E. Wimberly Library. Materials in the collection are a mix of text and images, and includes  correspondence, memoranda, letters, press releases, newspaper clippings, catalogs for faculty, student and general exhibitions, and related printed matter. There is also documentation on campus public art and artist files. Among other formats scattered throughout the collection are photographs, slides and  negatives.","Florida Atlantic University Libraries","English"],"unitid_tesim":["UA00026","/repositories/2/resources/182"],"normalized_date_ssm":["1973-2023"],"normalized_title_ssm":["FAU University Galleries, 1973-2023, 1973-2023"],"collection_title_tesim":["FAU University Galleries, 1973-2023, 1973-2023"],"collection_ssim":["FAU University Galleries, 1973-2023, 1973-2023"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"geogname_ssm":["Florida"],"geogname_ssim":["Florida"],"places_ssim":["Florida"],"access_subjects_ssim":["Art, Modern -- 20th century","Florida Atlantic University -- History"],"access_subjects_ssm":["Art, Modern -- 20th century","Florida Atlantic University -- History"],"has_online_content_ssim":["false"],"extent_ssm":["3 boxes"],"extent_tesim":["3 boxes"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"scopecontent_html_tesm":["\u003cp\u003eThe University Galleries-FAU Collection documents the activities of the Ritter Gallery and the Schmidt Center Gallery between 1973 and 2009. It contains the initial proposal for the creation of the Ritter Gallery and documentation on the later development of the Schmidt Center Gallery. The bulk of the collection centers on the annual exhibition and programming schedule of and for student, faculty and general exhibitions. There is also information on earlier exhibition spaces in the S.E. Wimberly Library. Materials in the collection are a mix of text and images, and includes  correspondence, memoranda, letters, press releases, newspaper clippings, catalogs for faculty, student and general exhibitions, and related printed matter. There is also documentation on campus public art and artist files. Among other formats scattered throughout the collection are photographs, slides and  negatives.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The University Galleries-FAU Collection documents the activities of the Ritter Gallery and the Schmidt Center Gallery between 1973 and 2009. It contains the initial proposal for the creation of the Ritter Gallery and documentation on the later development of the Schmidt Center Gallery. The bulk of the collection centers on the annual exhibition and programming schedule of and for student, faculty and general exhibitions. There is also information on earlier exhibition spaces in the S.E. Wimberly Library. Materials in the collection are a mix of text and images, and includes  correspondence, memoranda, letters, press releases, newspaper clippings, catalogs for faculty, student and general exhibitions, and related printed matter. There is also documentation on campus public art and artist files. Among other formats scattered throughout the collection are photographs, slides and  negatives."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":178,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841804578881536,"_root_":"b1453870beef516d654c01ec","timestamp":"2026-07-16T03:49:39.084Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b1453870beef516d654c01ec_aspace_05042070eb26b7b477bd0b30179f97a5"}},{"id":"6c2142414bfc36e4e62e8bcb","type":"collection","attributes":{"title":"Artists' Book Collection, 1980-2017","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/6c2142414bfc36e4e62e8bcb#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eArtists' books are a platform for personal expression created without censorship or outside influence. They are a medium of expression that employs the structure of a book as an inspiration while challenging the conventional contents of a printed volume. Artists' books are produced in limited numbers and are classified as works of art, typically produced by a single creator. The Artists' Book Collection features books from the 1970s to present day.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6c2142414bfc36e4e62e8bcb#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"6c2142414bfc36e4e62e8bcb","title_ssm":["Artists' Book Collection"],"title_tesim":["Artists' Book Collection"],"ead_ssi":"6c2142414bfc36e4e62e8bcb","unitdate_ssm":["1980-2017"],"unitdate_inclusive_ssm":["1980-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2017.SC.001","/repositories/2/resources/38"],"text":["2017.SC.001","/repositories/2/resources/38","Artists' Book Collection, 1980-2017","Sexual assault","Sexual harassment.","LGBTQ issues\t","Feminism and art--United States.","Feminism.","The collection is open and available for research.","Artists' books are a platform for personal expression created without censorship or outside influence. They are a medium of expression that employs the structure of a book as an inspiration while challenging the conventional contents of a printed volume. Artists' books are produced in limited numbers and are classified as works of art, typically produced by a single creator. 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He has had exhibitions at the Museum der Moderne in Salzburg, Museum Ludwig in Budapest, Betonsalon in Paris, and Muzeum Sztuki/Galeria Potocki in Krakow, Poland.  In 2013, he was awared the Otto Breicha/Rupertinum Preis fur Fotografie award and in 2012 the Kunstpreis furkunstlerishe Fotographie by the Republic of Austria. ","The donor of this collection wishes to remain anonymous.","Note written by unknown"],"prefercite_html_tesm":["\u003cp\u003eMatthias Herrmann Collection of Self Photographs, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Matthias Herrmann Collection of Self Photographs, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eAsian Male Nude Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eGay Surfer Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eLGBT Ephemera Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Asian Male Nude Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Gay Surfer Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","LGBT Ephemera Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. 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Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. 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Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"scopecontent_html_tesm":["\u003cp\u003eSeries I contains various drawings, illustrations, paintings, and posters from many artists, but primarily from Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I contains various drawings, illustrations, paintings, and posters from many artists, but primarily from Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain."],"_nest_path_":"/components#0","_nest_parent_":"2a6a6aa34a3c99c1b1b95ea9","_root_":"2a6a6aa34a3c99c1b1b95ea9","_version_":1872035374829666304,"timestamp":"2026-07-29T08:00:56.373Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2a6a6aa34a3c99c1b1b95ea9","title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"ead_ssi":"2a6a6aa34a3c99c1b1b95ea9","unitdate_ssm":["1829-2006"],"unitdate_inclusive_ssm":["1829-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.113","/repositories/4/resources/225"],"text":["SC.113","/repositories/4/resources/225","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations","The entire collection is open for research.","This collection is itemized and arranged in alphabetical and chronological order.","Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.","Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.","A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog .","This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.","UCF Special Collections","Martin, Francis John, Jr.","The materials are written in English."],"unitid_tesim":["SC.113","/repositories/4/resources/225"],"normalized_date_ssm":["1829-2006"],"normalized_title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Martin, Francis John, Jr."],"creator_ssim":["Martin, Francis John, Jr."],"creator_persname_ssim":["Martin, Francis John, Jr."],"creators_ssim":["Martin, Francis John, Jr."],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Francis Martin Jr. donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2018 (CFM2018_15) and 2020 (CFM2020_02, CFM2020_03, CFM2020_16)."],"access_subjects_ssim":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"access_subjects_ssm":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"has_online_content_ssim":["false"],"extent_ssm":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"extent_tesim":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"genreform_ssim":["manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"date_range_isim":[1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is itemized and arranged in alphabetical and chronological order."],"bioghist_html_tesm":["\u003cp\u003eFrancis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners."],"prefercite_html_tesm":["\u003cp\u003eFred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMarlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eA small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online \u003cextref href=\"https://library.ucf.edu\"\u003eLibrary Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e\n","\u003cp\u003eSeries I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.\u003c/p\u003e\n","\u003cp\u003eSeries II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026amp; posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.\u003c/p\u003e\n","\u003cp\u003eSeries III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.\u003c/p\u003e\n","\u003cp\u003eSeries IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4a581e455cb123495b610919f342aacb\"\u003eThe Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.\u003c/abstract\u003e"],"abstract_tesim":["The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection."],"names_ssim":["UCF Special Collections","Martin, Francis John, Jr."],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Martin, Francis John, Jr."],"language_ssim":["The materials are written in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":459,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872035374829666304,"_root_":"2a6a6aa34a3c99c1b1b95ea9","timestamp":"2026-07-29T08:00:56.373Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesI"}},{"id":"a0b8dca0cc27e719e79a099f_aspace_8f9656a0bc4fdfdc1b72c587b4a2b702","type":"File","attributes":{"title":"Artwork – David Williamson, 1998","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_8f9656a0bc4fdfdc1b72c587b4a2b702#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eFolder includes color artwork and licensing agreement with Corkscrew Swamp Sanctuary.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_8f9656a0bc4fdfdc1b72c587b4a2b702#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_8f9656a0bc4fdfdc1b72c587b4a2b702","ref_ssm":["aspace_8f9656a0bc4fdfdc1b72c587b4a2b702","aspace_8f9656a0bc4fdfdc1b72c587b4a2b702"],"id":"a0b8dca0cc27e719e79a099f_aspace_8f9656a0bc4fdfdc1b72c587b4a2b702","title_filing_ssi":"Artwork – David Williamson","title_ssm":["Artwork – David Williamson"],"title_tesim":["Artwork – David Williamson"],"unitdate_other_ssim":["1998"],"normalized_date_ssm":["1998"],"normalized_title_ssm":["Artwork – David Williamson, 1998"],"text":["Artwork – David Williamson, 1998","Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Corkscrew Swamp Sanctuary Records","Activity Reports II-Boardwalk Construction","/repositories/2/archival_objects/197959","box 2","folder 11","Folder includes color artwork and licensing agreement with Corkscrew Swamp Sanctuary."],"component_level_isim":[3],"parent_ids_ssim":["a0b8dca0cc27e719e79a099f","a0b8dca0cc27e719e79a099f_aspace_e321b62174c707b70994a33f9c213e29","a0b8dca0cc27e719e79a099f_aspace_c4825ce6fc406425420a77591eaba13d"],"parent_unittitles_ssm":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Corkscrew Swamp Sanctuary Records","Activity Reports II-Boardwalk Construction"],"parent_unittitles_tesim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Corkscrew Swamp Sanctuary Records","Activity Reports II-Boardwalk Construction"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["/repositories/2/archival_objects/197959"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":36,"parent_access_restrict_tesm":["Until 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1998],"containers_ssim":["box 2","folder 11"],"scopecontent_html_tesm":["\u003cp\u003eFolder includes color artwork and licensing agreement with Corkscrew Swamp Sanctuary.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Folder includes color artwork and licensing agreement with Corkscrew Swamp Sanctuary."],"_nest_path_":"/components#0/components#1/components#10","_nest_parent_":"a0b8dca0cc27e719e79a099f_aspace_c4825ce6fc406425420a77591eaba13d","_root_":"a0b8dca0cc27e719e79a099f","_version_":1872946110924849152,"timestamp":"2026-08-08T09:16:41.949Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a0b8dca0cc27e719e79a099f","title_ssm":["Audubon Society Corkscrew Swamp Sanctuary records"],"title_tesim":["Audubon Society Corkscrew Swamp Sanctuary records"],"ead_ssi":"a0b8dca0cc27e719e79a099f","unitdate_ssm":["1937-2019"],"unitdate_inclusive_ssm":["1937-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2020-03","/repositories/2/resources/583"],"text":["MS-2020-03","/repositories/2/resources/583","Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Ecology -- Florida","Conservationists -- Florida","Birds -- Habitat -- Florida","Birds -- Migration","Good.","Until 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society.","This collection is divided into four series: Corkscrew Swamp Sanctuary records, subject files, photographs and slides, and oversized material. The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically.","Audubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns.","The Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record.","This collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings.","Maps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. 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It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns.\u003c/p\u003e"],"bioghist_heading_ssm":["Content Description"],"bioghist_tesim":["Audubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns."],"odd_html_tesm":["\u003cp\u003eThe Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record.\u003c/p\u003e"],"odd_heading_ssm":["Cataloged Publications"],"odd_tesim":["The Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings."],"separatedmaterial_html_tesm":["\u003cp\u003eMaps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Maps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bf60a5a83f90c49360b71829ac95b658\"\u003eThe Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. 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