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Ivy's oral history encompasses the majority of his collection and provides detail of his military training, time spent in the Army Air Corps, as a prisoner of war, and being discharged. His papers also include the first chapter of \u003cem\u003eOld Man in a Baseball Cap \u003c/em\u003eby Fred Rochlin. 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Army Air Forces. 385th Bombardment Group (H)","Prisoners of war--United States--History--20th century","This collection is open to all researchers.","Edwin Ivy was born in Waco, Texas on July 4, 1918, and grew up there. At the time of Pearl Harbor, Ivy was working for the War Department constructing Fort Hood in Killeen, Texas. As the war began he wanted to pilot planes and in preparation studied at Kelly Field in San Antonio. Unfortunately it did not work out so he turned to navigation instead. In 1943 he graduated from navigation school as a Second Lieutenant. Following graduation Ivy became a flight instructor at Kirkland Field in New Mexico but he wanted more. So he traveled to Lincoln, Nebraska for combat training with the 485th Heavy Bombardment Group and 831st Squadron in the Army Air Force. In April 1943 he and his unit traveled to Tunis, Tunisia before heading to Italy. He traveled throughout Italy on various missions before leaving to Lyon, France. After Lyon, he dropped bombs near the Ploesti oil fields in Romania (possibly Operation Tidal Wave; the time period and location matches up but Ivy does not specify any operation name).","On May 29, 1944, Ivy was over Vienna, Austria when his plane was shot down into enemy territory. Ivy and all his crew members safely parachuted out of the bailing aircraft and onto the soil. They surrendered to the Germans who took them to Stalag Luft III. He stayed there until December 1944 and then marched to Nuremberg and Moosberg, Germany where he was liberated in early May 1945. Once Ivy was liberated he stayed in Reims, France and returned to the United States at the end of 1945. A few months later he was discharged and worked for Charles Scribner's book publishing company in advertising and public relations in New York. 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Ivy and all his crew members safely parachuted out of the bailing aircraft and onto the soil. They surrendered to the Germans who took them to Stalag Luft III. He stayed there until December 1944 and then marched to Nuremberg and Moosberg, Germany where he was liberated in early May 1945. Once Ivy was liberated he stayed in Reims, France and returned to the United States at the end of 1945. A few months later he was discharged and worked for Charles Scribner's book publishing company in advertising and public relations in New York. He met his future wife there and later worked at Universal Atlas Cement Company.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Edwin Ivy was born in Waco, Texas on July 4, 1918, and grew up there. At the time of Pearl Harbor, Ivy was working for the War Department constructing Fort Hood in Killeen, Texas. 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Ivy and all his crew members safely parachuted out of the bailing aircraft and onto the soil. They surrendered to the Germans who took them to Stalag Luft III. He stayed there until December 1944 and then marched to Nuremberg and Moosberg, Germany where he was liberated in early May 1945. Once Ivy was liberated he stayed in Reims, France and returned to the United States at the end of 1945. A few months later he was discharged and worked for Charles Scribner's book publishing company in advertising and public relations in New York. He met his future wife there and later worked at Universal Atlas Cement Company."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Edwin Ivy Papers, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_00_0725\"\u003ehttp://purl.fcla.edu/fsu/WWII_00_0725\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Edwin Ivy Papers, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_00_0725 ."],"scopecontent_html_tesm":["\u003cp\u003eThe Edwin Ivy papers illustrate 2nd Lieutenant Ivy's service in the Army Air Corps in the 485th Heavy Bombardment Group, 831st Squadron, from 1942-1945 in Italy, France, and Austria where he was shot down and became a prisoner of war in Stalag Luft III. Ivy's oral history encompasses the majority of his collection and provides detail of his military training, time spent in the Army Air Corps, as a prisoner of war, and being discharged. His papers also include the first chapter of \u003cemph render=\"italic\"\u003eOld Man in a Baseball Cap \u003c/emph\u003eby Fred Rochlin. The chapter describes the significance of remembering the past and passing down experiences to others.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Edwin Ivy papers illustrate 2nd Lieutenant Ivy's service in the Army Air Corps in the 485th Heavy Bombardment Group, 831st Squadron, from 1942-1945 in Italy, France, and Austria where he was shot down and became a prisoner of war in Stalag Luft III. Ivy's oral history encompasses the majority of his collection and provides detail of his military training, time spent in the Army Air Corps, as a prisoner of war, and being discharged. His papers also include the first chapter of  Old Man in a Baseball Cap  by Fred Rochlin. The chapter describes the significance of remembering the past and passing down experiences to others."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_coll_ssim":["Stalag Luft III","International Committee of the Red Cross. Central Agency for Prisoners of War"],"names_ssim":["FSU Special Collections \u0026 Archives","Stalag Luft III","International Committee of the Red Cross. Central Agency for Prisoners of War","Ivy, Edwin, 1918-"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Stalag Luft III","International Committee of the Red Cross. 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Army Air Forces. 385th Bombardment Group (H)","Prisoners of war--United States--History--20th century","This collection is open to all researchers.","Edwin Ivy was born in Waco, Texas on July 4, 1918, and grew up there. At the time of Pearl Harbor, Ivy was working for the War Department constructing Fort Hood in Killeen, Texas. As the war began he wanted to pilot planes and in preparation studied at Kelly Field in San Antonio. Unfortunately it did not work out so he turned to navigation instead. In 1943 he graduated from navigation school as a Second Lieutenant. Following graduation Ivy became a flight instructor at Kirkland Field in New Mexico but he wanted more. So he traveled to Lincoln, Nebraska for combat training with the 485th Heavy Bombardment Group and 831st Squadron in the Army Air Force. In April 1943 he and his unit traveled to Tunis, Tunisia before heading to Italy. He traveled throughout Italy on various missions before leaving to Lyon, France. After Lyon, he dropped bombs near the Ploesti oil fields in Romania (possibly Operation Tidal Wave; the time period and location matches up but Ivy does not specify any operation name).","On May 29, 1944, Ivy was over Vienna, Austria when his plane was shot down into enemy territory. Ivy and all his crew members safely parachuted out of the bailing aircraft and onto the soil. They surrendered to the Germans who took them to Stalag Luft III. He stayed there until December 1944 and then marched to Nuremberg and Moosberg, Germany where he was liberated in early May 1945. Once Ivy was liberated he stayed in Reims, France and returned to the United States at the end of 1945. A few months later he was discharged and worked for Charles Scribner's book publishing company in advertising and public relations in New York. He met his future wife there and later worked at Universal Atlas Cement Company.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","The Edwin Ivy papers illustrate 2nd Lieutenant Ivy's service in the Army Air Corps in the 485th Heavy Bombardment Group, 831st Squadron, from 1942-1945 in Italy, France, and Austria where he was shot down and became a prisoner of war in Stalag Luft III. Ivy's oral history encompasses the majority of his collection and provides detail of his military training, time spent in the Army Air Corps, as a prisoner of war, and being discharged. His papers also include the first chapter of  Old Man in a Baseball Cap  by Fred Rochlin. The chapter describes the significance of remembering the past and passing down experiences to others.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Stalag Luft III","International Committee of the Red Cross. Central Agency for Prisoners of War","Ivy, Edwin, 1918-","English"],"unitid_tesim":["00.0725","/repositories/10/resources/404"],"normalized_date_ssm":["1941-2000, Date acquired: 10/16/2002, bulk 1941-1946"],"normalized_title_ssm":["Edwin Ivy papers, 1941-2000, Date acquired: 10/16/2002, bulk 1941-1946"],"collection_title_tesim":["Edwin Ivy papers, 1941-2000, Date acquired: 10/16/2002, bulk 1941-1946"],"collection_ssim":["Edwin Ivy papers, 1941-2000, Date acquired: 10/16/2002, bulk 1941-1946"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Ploiești (Romania)","Lyon (France)","Vienna (Austria)","Waco (Tex.)","Żagań (Poland)"],"geogname_ssim":["Ploiești (Romania)","Lyon (France)","Vienna (Austria)","Waco (Tex.)","Żagań (Poland)"],"creator_ssm":["Ivy, Edwin, 1918-"],"creator_ssim":["Ivy, Edwin, 1918-"],"creator_persname_ssim":["Ivy, Edwin, 1918-"],"creators_ssim":["Ivy, Edwin, 1918-"],"places_ssim":["Ploiești (Romania)","Lyon (France)","Vienna (Austria)","Waco (Tex.)","Żagań (Poland)"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["Donated"],"access_subjects_ssim":["B-24 (Bomber)","Flight schools--United States.","World War, 1939-1945--Aerial operations, American","World War, 1939-1945--France","World War, 1939-1945--Germany","World War, 1939-1945--Prisoners and prisons, American","Prisoners of war--Germany--History--20th century","World War, 1939-1945--Food supply","Reims (France)","World War, 1939-1945--Germany--Nuremberg","World War, 1939-1945--Austria","Fort Hood (Tex.)","Kelly Field (Tex.)","World War, 1939-1945--Campaigns--Italy","United States. Army Air Forces. 385th Bombardment Group (H)","Prisoners of war--United States--History--20th century"],"access_subjects_ssm":["B-24 (Bomber)","Flight schools--United States.","World War, 1939-1945--Aerial operations, American","World War, 1939-1945--France","World War, 1939-1945--Germany","World War, 1939-1945--Prisoners and prisons, American","Prisoners of war--Germany--History--20th century","World War, 1939-1945--Food supply","Reims (France)","World War, 1939-1945--Germany--Nuremberg","World War, 1939-1945--Austria","Fort Hood (Tex.)","Kelly Field (Tex.)","World War, 1939-1945--Campaigns--Italy","United States. Army Air Forces. 385th Bombardment Group (H)","Prisoners of war--United States--History--20th century"],"has_online_content_ssim":["false"],"extent_ssm":["1 folders"],"extent_tesim":["1 folders"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2002],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_html_tesm":["\u003cp\u003eEdwin Ivy was born in Waco, Texas on July 4, 1918, and grew up there. At the time of Pearl Harbor, Ivy was working for the War Department constructing Fort Hood in Killeen, Texas. 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Ivy and all his crew members safely parachuted out of the bailing aircraft and onto the soil. They surrendered to the Germans who took them to Stalag Luft III. He stayed there until December 1944 and then marched to Nuremberg and Moosberg, Germany where he was liberated in early May 1945. Once Ivy was liberated he stayed in Reims, France and returned to the United States at the end of 1945. A few months later he was discharged and worked for Charles Scribner's book publishing company in advertising and public relations in New York. He met his future wife there and later worked at Universal Atlas Cement Company.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Edwin Ivy was born in Waco, Texas on July 4, 1918, and grew up there. At the time of Pearl Harbor, Ivy was working for the War Department constructing Fort Hood in Killeen, Texas. As the war began he wanted to pilot planes and in preparation studied at Kelly Field in San Antonio. Unfortunately it did not work out so he turned to navigation instead. In 1943 he graduated from navigation school as a Second Lieutenant. Following graduation Ivy became a flight instructor at Kirkland Field in New Mexico but he wanted more. So he traveled to Lincoln, Nebraska for combat training with the 485th Heavy Bombardment Group and 831st Squadron in the Army Air Force. In April 1943 he and his unit traveled to Tunis, Tunisia before heading to Italy. He traveled throughout Italy on various missions before leaving to Lyon, France. After Lyon, he dropped bombs near the Ploesti oil fields in Romania (possibly Operation Tidal Wave; the time period and location matches up but Ivy does not specify any operation name).","On May 29, 1944, Ivy was over Vienna, Austria when his plane was shot down into enemy territory. Ivy and all his crew members safely parachuted out of the bailing aircraft and onto the soil. They surrendered to the Germans who took them to Stalag Luft III. He stayed there until December 1944 and then marched to Nuremberg and Moosberg, Germany where he was liberated in early May 1945. Once Ivy was liberated he stayed in Reims, France and returned to the United States at the end of 1945. A few months later he was discharged and worked for Charles Scribner's book publishing company in advertising and public relations in New York. He met his future wife there and later worked at Universal Atlas Cement Company."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Edwin Ivy Papers, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_00_0725\"\u003ehttp://purl.fcla.edu/fsu/WWII_00_0725\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Edwin Ivy Papers, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_00_0725 ."],"scopecontent_html_tesm":["\u003cp\u003eThe Edwin Ivy papers illustrate 2nd Lieutenant Ivy's service in the Army Air Corps in the 485th Heavy Bombardment Group, 831st Squadron, from 1942-1945 in Italy, France, and Austria where he was shot down and became a prisoner of war in Stalag Luft III. Ivy's oral history encompasses the majority of his collection and provides detail of his military training, time spent in the Army Air Corps, as a prisoner of war, and being discharged. His papers also include the first chapter of \u003cemph render=\"italic\"\u003eOld Man in a Baseball Cap \u003c/emph\u003eby Fred Rochlin. The chapter describes the significance of remembering the past and passing down experiences to others.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Edwin Ivy papers illustrate 2nd Lieutenant Ivy's service in the Army Air Corps in the 485th Heavy Bombardment Group, 831st Squadron, from 1942-1945 in Italy, France, and Austria where he was shot down and became a prisoner of war in Stalag Luft III. Ivy's oral history encompasses the majority of his collection and provides detail of his military training, time spent in the Army Air Corps, as a prisoner of war, and being discharged. His papers also include the first chapter of  Old Man in a Baseball Cap  by Fred Rochlin. The chapter describes the significance of remembering the past and passing down experiences to others."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_coll_ssim":["Stalag Luft III","International Committee of the Red Cross. Central Agency for Prisoners of War"],"names_ssim":["FSU Special Collections \u0026 Archives","Stalag Luft III","International Committee of the Red Cross. Central Agency for Prisoners of War","Ivy, Edwin, 1918-"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Stalag Luft III","International Committee of the Red Cross. 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Morrison Collection, Circa 1936-2021","Correspondence","/repositories/2/archival_objects/2306","box 2","folder 2"],"component_level_isim":[2],"parent_ids_ssim":["5bfec06960a94373aa1cd96c","5bfec06960a94373aa1cd96c_aspace_7b6daf101476f834374f098a005b76d7"],"parent_unittitles_ssm":["Samuel F. Morrison Collection, Circa 1936-2021","Correspondence"],"parent_unittitles_tesim":["Samuel F. Morrison Collection, Circa 1936-2021","Correspondence"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/2306"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Samuel F. Morrison Collection, Circa 1936-2021"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":35,"parent_access_terms_tesm":["The Samuel F. Morrison Collection is open for research."],"date_range_isim":[1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"containers_ssim":["box 2","folder 2"],"_nest_path_":"/components#0/components#33","_nest_parent_":"5bfec06960a94373aa1cd96c_aspace_7b6daf101476f834374f098a005b76d7","_root_":"5bfec06960a94373aa1cd96c","_version_":1876455835659403264,"timestamp":"2026-09-16T03:02:16.331Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5bfec06960a94373aa1cd96c","title_filing_ssi":"Morrison, Samuel F. Collection","title_ssm":["Samuel F. Morrison Collection"],"title_tesim":["Samuel F. Morrison Collection"],"ead_ssi":"5bfec06960a94373aa1cd96c","unitdate_ssm":["Circa 1936-2021"],"unitdate_inclusive_ssm":["Circa 1936-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2003.27","/repositories/2/resources/28"],"text":["AARLCC.2003.27","/repositories/2/resources/28","Samuel F. Morrison Collection, Circa 1936-2021","Morrison, Samuel F., 1936- -- Correspondence","African American librarians","Library directors","Public libraries -- Florida -- Fort Lauderdale","Public libraries -- Florida -- Frostproof","Photographs","Certificates","plaques (flat objects)","scrapbooks","Clippings","Ephemera","Periodicals","videocassettes","Sound recordings","The collection is arranged into 9 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Photographs and Scrapbooks, Series V. Printed Materials, Series VI. Awards, Series VII. Ephemera, Series VIII. Artwork, and Series IX. Audio-Visual Materials.","Samuel F. Morrison was born in Flagstaff, Arizona on December 19, 1936 to parents Travis Morrison (1909-1953) and Esther Porter (1919-circa 2000). He had one sister, Pearl Lorraine Morrison Pitts (1938-1964). His father divorced Esther and married his second wife Ruth Swain (1911-1990). Morrison was primarily raised in Phoenix, Arizona. His family moved several times due to his father's job at munitions plants. He graduated from Compton High School in Los Angeles, California in 1952. Morrison earned an associate degree from Compton Junior College in 1955. Morrison entered the United States Air Force and served from 1955 to 1959. For three of those years in the service, he was stationed in Morocco and helped manage the library on the Air Force base. In 1970, he received his bachelor's degree in English from California State University. Morrison earned a Master's degree in Library Science from the University of Illinois at Urbana–Champaign in 1972 and attended the John F. Kennedy School of Government at Harvard University completing coursework in 1989. ","From 1972-1974, Morrison worked as a library director at the Frostproof Living Learning Library Center in Frostproof, Florida. He built a library and initiated outreach services for the African American and Hispanic migrant communities. In 1974, Morrison became the assistant director of Broward County Library in Broward County, Florida and served as deputy director from 1976-1987. He assisted in the growth of Broward County Library from 2 branches to 25 branches during this time. He also managed the formation of the new Main Library branch in downtown Fort Lauderdale, Florida.","Morrison lead in the construction of the Chicago Public Library's Harold Washington Library Center and became the library's chief director from 1987 to 1990. In 1990, Morrison returned to Broward County as director of Broward County Library and worked in that position until his retirement in 2003. Under his leadership, Broward County Library was awarded \"Library of the Year\" in 1996 and grew to 38 branches. During his tenure as director, Morrison fundraised for the creation of the African American Research Library and Cultural Center, which serves as a public library as well as a special collections research center dedicated to the history and culture of the African diaspora. He attended the library's groundbreaking ceremony on October 23, 1999 and opening day on October 26, 2002.","Samuel F. Morrison actively participated in local and national organizations during his career. He served in the Fort Lauderdale Chapter of the NAACP, Urban League of Broward County, Florida Library Association (FLA), and American Library Association (ALA). He was president of the Florida Library Association in 1981. Morrison received awards and recognition including the FLA Lifetime Achievement Award, DEMCO/ALA Black Caucus Award for Excellence in Librarianship, Leadership Foundation Broward \"Leader of the Year\" Award, and the African American Achievers Award.","Morrison married Judith Moore in 1964 and divorced in 1985. He and his former wife had no children.\n ","This collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Samuel F. Morrison Collection in the Broward County Library Digital Archives.","The Samuel F. Morrison Collection is comprised of materials primarily dating from the 1970s to 2010s including correspondence, books, professional and personal papers, photographs, scrapbooks, plaques, ephemera, artwork, vinyl records, and VHS tapes. These materials document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the establishment of the Chicago Public Library's Harold Washington Library Center. The collection also contains materials related to Morrison's roles as director of the Frostproof Living Learning Library Center in Frostproof, Florida from 1972 to 1974, the assistant/deputy director of Broward County Library in Broward County, Florida from 1974 to 1987, the Chicago Public Library's Harold Washington Library Center's chief director from 1987 to 1990, and Director of the Broward County Library from 1990 to 2003. Also included are items related to Morrison's participation and leadership in local and national organizations.","Books from the Morrison collection were cataloged in the Broward County Library catalog with the prefix \"SFM\".","The Samuel F. Morrison Collection is open for research.","The Samuel F. Morrison Collection contains materials primarily dating from the 1970s to 2010s that document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the Chicago Public Library's Harold Washington Library Center.","AARLCC Special Collections","Broward County Library","African American Research Library and Cultural Center","Chicago Public Library. Harold Washington Library Center","Morrison, Samuel F., 1936-","English"],"unitid_tesim":["AARLCC.2003.27","/repositories/2/resources/28"],"normalized_date_ssm":["Circa 1936-2021"],"normalized_title_ssm":["Samuel F. Morrison Collection, Circa 1936-2021"],"collection_title_tesim":["Samuel F. Morrison Collection, Circa 1936-2021"],"collection_ssim":["Samuel F. Morrison Collection, Circa 1936-2021"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"access_terms_ssm":["The Samuel F. Morrison Collection is open for research."],"acqinfo_ssim":["Samuel F. Morrison donated the materials to the AARLCC Special Collections."],"access_subjects_ssim":["Morrison, Samuel F., 1936- -- Correspondence","African American librarians","Library directors","Public libraries -- Florida -- Fort Lauderdale","Public libraries -- Florida -- Frostproof","Photographs","Certificates","plaques (flat objects)","scrapbooks","Clippings","Ephemera","Periodicals","videocassettes","Sound recordings"],"access_subjects_ssm":["Morrison, Samuel F., 1936- -- Correspondence","African American librarians","Library directors","Public libraries -- Florida -- Fort Lauderdale","Public libraries -- Florida -- Frostproof","Photographs","Certificates","plaques (flat objects)","scrapbooks","Clippings","Ephemera","Periodicals","videocassettes","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["67 Hollinger Boxes"],"extent_tesim":["67 Hollinger Boxes"],"genreform_ssim":["Photographs","Certificates","plaques (flat objects)","scrapbooks","Clippings","Ephemera","Periodicals","videocassettes","Sound recordings"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 9 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Photographs and Scrapbooks, Series V. Printed Materials, Series VI. Awards, Series VII. Ephemera, Series VIII. Artwork, and Series IX. Audio-Visual Materials.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 9 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Photographs and Scrapbooks, Series V. Printed Materials, Series VI. Awards, Series VII. Ephemera, Series VIII. Artwork, and Series IX. Audio-Visual Materials."],"bioghist_html_tesm":["\u003cp\u003eSamuel F. Morrison was born in Flagstaff, Arizona on December 19, 1936 to parents Travis Morrison (1909-1953) and Esther Porter (1919-circa 2000). He had one sister, Pearl Lorraine Morrison Pitts (1938-1964). His father divorced Esther and married his second wife Ruth Swain (1911-1990). Morrison was primarily raised in Phoenix, Arizona. His family moved several times due to his father's job at munitions plants. He graduated from Compton High School in Los Angeles, California in 1952. Morrison earned an associate degree from Compton Junior College in 1955. Morrison entered the United States Air Force and served from 1955 to 1959. For three of those years in the service, he was stationed in Morocco and helped manage the library on the Air Force base. In 1970, he received his bachelor's degree in English from California State University. Morrison earned a Master's degree in Library Science from the University of Illinois at Urbana\u0026#x2013;Champaign in 1972 and attended the John F. Kennedy School of Government at Harvard University completing coursework in 1989. \u003c/p\u003e\n","\u003cp\u003eFrom 1972-1974, Morrison worked as a library director at the Frostproof Living Learning Library Center in Frostproof, Florida. He built a library and initiated outreach services for the African American and Hispanic migrant communities. In 1974, Morrison became the assistant director of Broward County Library in Broward County, Florida and served as deputy director from 1976-1987. He assisted in the growth of Broward County Library from 2 branches to 25 branches during this time. He also managed the formation of the new Main Library branch in downtown Fort Lauderdale, Florida.\u003c/p\u003e\n","\u003cp\u003eMorrison lead in the construction of the Chicago Public Library's Harold Washington Library Center and became the library's chief director from 1987 to 1990. In 1990, Morrison returned to Broward County as director of Broward County Library and worked in that position until his retirement in 2003. Under his leadership, Broward County Library was awarded \"Library of the Year\" in 1996 and grew to 38 branches. During his tenure as director, Morrison fundraised for the creation of the African American Research Library and Cultural Center, which serves as a public library as well as a special collections research center dedicated to the history and culture of the African diaspora. He attended the library's groundbreaking ceremony on October 23, 1999 and opening day on October 26, 2002.\u003c/p\u003e\n","\u003cp\u003eSamuel F. Morrison actively participated in local and national organizations during his career. He served in the Fort Lauderdale Chapter of the NAACP, Urban League of Broward County, Florida Library Association (FLA), and American Library Association (ALA). He was president of the Florida Library Association in 1981. Morrison received awards and recognition including the FLA Lifetime Achievement Award, DEMCO/ALA Black Caucus Award for Excellence in Librarianship, Leadership Foundation Broward \"Leader of the Year\" Award, and the African American Achievers Award.\u003c/p\u003e\n","\u003cp\u003eMorrison married Judith Moore in 1964 and divorced in 1985. He and his former wife had no children.\n \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Samuel F. Morrison was born in Flagstaff, Arizona on December 19, 1936 to parents Travis Morrison (1909-1953) and Esther Porter (1919-circa 2000). He had one sister, Pearl Lorraine Morrison Pitts (1938-1964). His father divorced Esther and married his second wife Ruth Swain (1911-1990). Morrison was primarily raised in Phoenix, Arizona. His family moved several times due to his father's job at munitions plants. He graduated from Compton High School in Los Angeles, California in 1952. Morrison earned an associate degree from Compton Junior College in 1955. Morrison entered the United States Air Force and served from 1955 to 1959. For three of those years in the service, he was stationed in Morocco and helped manage the library on the Air Force base. In 1970, he received his bachelor's degree in English from California State University. Morrison earned a Master's degree in Library Science from the University of Illinois at Urbana–Champaign in 1972 and attended the John F. Kennedy School of Government at Harvard University completing coursework in 1989. ","From 1972-1974, Morrison worked as a library director at the Frostproof Living Learning Library Center in Frostproof, Florida. He built a library and initiated outreach services for the African American and Hispanic migrant communities. In 1974, Morrison became the assistant director of Broward County Library in Broward County, Florida and served as deputy director from 1976-1987. He assisted in the growth of Broward County Library from 2 branches to 25 branches during this time. He also managed the formation of the new Main Library branch in downtown Fort Lauderdale, Florida.","Morrison lead in the construction of the Chicago Public Library's Harold Washington Library Center and became the library's chief director from 1987 to 1990. In 1990, Morrison returned to Broward County as director of Broward County Library and worked in that position until his retirement in 2003. Under his leadership, Broward County Library was awarded \"Library of the Year\" in 1996 and grew to 38 branches. During his tenure as director, Morrison fundraised for the creation of the African American Research Library and Cultural Center, which serves as a public library as well as a special collections research center dedicated to the history and culture of the African diaspora. He attended the library's groundbreaking ceremony on October 23, 1999 and opening day on October 26, 2002.","Samuel F. Morrison actively participated in local and national organizations during his career. He served in the Fort Lauderdale Chapter of the NAACP, Urban League of Broward County, Florida Library Association (FLA), and American Library Association (ALA). He was president of the Florida Library Association in 1981. Morrison received awards and recognition including the FLA Lifetime Achievement Award, DEMCO/ALA Black Caucus Award for Excellence in Librarianship, Leadership Foundation Broward \"Leader of the Year\" Award, and the African American Achievers Award.","Morrison married Judith Moore in 1964 and divorced in 1985. He and his former wife had no children.\n "],"prefercite_html_tesm":["\u003cp\u003eSamuel F. Morrison Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Samuel F. Morrison Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll26/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Samuel F. Morrison Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digitized Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Samuel F. Morrison Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Samuel F. Morrison Collection is comprised of materials primarily dating from the 1970s to 2010s including correspondence, books, professional and personal papers, photographs, scrapbooks, plaques, ephemera, artwork, vinyl records, and VHS tapes. These materials document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the establishment of the Chicago Public Library's Harold Washington Library Center. The collection also contains materials related to Morrison's roles as director of the Frostproof Living Learning Library Center in Frostproof, Florida from 1972 to 1974, the assistant/deputy director of Broward County Library in Broward County, Florida from 1974 to 1987, the Chicago Public Library's Harold Washington Library Center's chief director from 1987 to 1990, and Director of the Broward County Library from 1990 to 2003. Also included are items related to Morrison's participation and leadership in local and national organizations.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Samuel F. Morrison Collection is comprised of materials primarily dating from the 1970s to 2010s including correspondence, books, professional and personal papers, photographs, scrapbooks, plaques, ephemera, artwork, vinyl records, and VHS tapes. These materials document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the establishment of the Chicago Public Library's Harold Washington Library Center. The collection also contains materials related to Morrison's roles as director of the Frostproof Living Learning Library Center in Frostproof, Florida from 1972 to 1974, the assistant/deputy director of Broward County Library in Broward County, Florida from 1974 to 1987, the Chicago Public Library's Harold Washington Library Center's chief director from 1987 to 1990, and Director of the Broward County Library from 1990 to 2003. Also included are items related to Morrison's participation and leadership in local and national organizations."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default\" target=\"_blank\"\u003eBooks from the Morrison collection were cataloged in the Broward County Library catalog with the prefix \"SFM\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books from the Morrison collection were cataloged in the Broward County Library catalog with the prefix \"SFM\"."],"userestrict_html_tesm":["\u003cp\u003eThe Samuel F. Morrison Collection is open for research.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Samuel F. Morrison Collection is open for research."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e2606958532f5daaff3ca0844861a4b4\"\u003eThe Samuel F. Morrison Collection contains materials primarily dating from the 1970s to 2010s that document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the Chicago Public Library's Harold Washington Library Center.\u003c/abstract\u003e"],"abstract_tesim":["The Samuel F. Morrison Collection contains materials primarily dating from the 1970s to 2010s that document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the Chicago Public Library's Harold Washington Library Center."],"names_coll_ssim":["Broward County Library","African American Research Library and Cultural Center","Chicago Public Library. Harold Washington Library Center","Morrison, Samuel F., 1936-"],"names_ssim":["AARLCC Special Collections","Broward County Library","African American Research Library and Cultural Center","Chicago Public Library. Harold Washington Library Center","Morrison, Samuel F., 1936-"],"corpname_ssim":["AARLCC Special Collections","Broward County Library","African American Research Library and Cultural Center","Chicago Public Library. Harold Washington Library Center"],"persname_ssim":["Morrison, Samuel F., 1936-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":782,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455835659403264,"_root_":"5bfec06960a94373aa1cd96c","timestamp":"2026-09-16T03:02:16.331Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5bfec06960a94373aa1cd96c_aspace_19fe61ae6a061fdca83f57d65e8f9133"}},{"id":"826ec9e46b95f700555c74a0_aspace_cd97fa06e67be8c277f114fa09ee8996","type":"File","attributes":{"title":"Eggleston, Katherine, 1998","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/826ec9e46b95f700555c74a0_aspace_cd97fa06e67be8c277f114fa09ee8996#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_cd97fa06e67be8c277f114fa09ee8996","ref_ssm":["aspace_cd97fa06e67be8c277f114fa09ee8996","aspace_cd97fa06e67be8c277f114fa09ee8996"],"id":"826ec9e46b95f700555c74a0_aspace_cd97fa06e67be8c277f114fa09ee8996","title_filing_ssi":"Eggleston, Katherine","title_ssm":["Eggleston, Katherine"],"title_tesim":["Eggleston, Katherine"],"unitdate_other_ssim":["1998"],"normalized_date_ssm":["1998"],"normalized_title_ssm":["Eggleston, Katherine, 1998"],"text":["Eggleston, Katherine, 1998","Emridge \"E.J.\" Jones, Jr. Collection, Circa 1960-2002","Correspondence","General Correspondence, Circa 1994-2002","/repositories/2/archival_objects/8353","box 1","folder 7"],"component_level_isim":[3],"parent_ids_ssim":["826ec9e46b95f700555c74a0","826ec9e46b95f700555c74a0_aspace_6980c6f66877cc1110c15f30ad45edd0","826ec9e46b95f700555c74a0_aspace_7809aa371f78adb43738a49035dafd9f"],"parent_unittitles_ssm":["Emridge \"E.J.\" Jones, Jr. Collection, Circa 1960-2002","Correspondence","General Correspondence, Circa 1994-2002"],"parent_unittitles_tesim":["Emridge \"E.J.\" Jones, Jr. Collection, Circa 1960-2002","Correspondence","General Correspondence, Circa 1994-2002"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/8353"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Emridge \"E.J.\" Jones, Jr. Collection, Circa 1960-2002"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":9,"parent_access_terms_tesm":["The Emridge \"E.J.\" Jones, Jr. Collection is open for research."],"date_range_isim":[1998],"containers_ssim":["box 1","folder 7"],"_nest_path_":"/components#0/components#0/components#6","_nest_parent_":"826ec9e46b95f700555c74a0_aspace_7809aa371f78adb43738a49035dafd9f","_root_":"826ec9e46b95f700555c74a0","_version_":1870838762494230528,"timestamp":"2026-07-16T03:01:17.896Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"826ec9e46b95f700555c74a0","title_filing_ssi":"Jones, Emridge \"E.J.\" Jr. Collection","title_ssm":["Emridge \"E.J.\" Jones, Jr. Collection"],"title_tesim":["Emridge \"E.J.\" Jones, Jr. Collection"],"ead_ssi":"826ec9e46b95f700555c74a0","unitdate_ssm":["Circa 1960-2002"],"unitdate_inclusive_ssm":["Circa 1960-2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2006.2","/repositories/2/resources/253"],"text":["AARLCC.2006.2","/repositories/2/resources/253","Emridge \"E.J.\" Jones, Jr. Collection, Circa 1960-2002","Notated music","The collection is organized into eight series: Series I. Correspondence, Series II. Personal Papers, Series III. Professional Papers, Series IV. Photographs, Series V. Printed Materials, Series VI. Awards, Series VII. Objects, and Series VIII. Audio-Visual Materials.","Emridge \"E.J.\" Jones, Jr. was born on July 10, 1950, to parents Emridge Jones, Sr and Norma Brady Jones of Chicago, Illinois. He began performing in church as a child and learned to play the saxophone, piano, flute, and other instruments. He received his early education in Cook County, Illinois. He attended John Marshall Harlan High School where he graduated as an honor student. He earned his Bachelor of Science degree in Music Education from Florida Agricultural and Mechanical University in 1972 and did additional musical studies at Roosevelt University in Chicago, Illinois. He married Linda Houston in 1974, and they have two children, daughter Jemilah L. Jones and son Emridge Jones Ⅲ.","Emridge \"E.J.\" Jones Jr. blossomed into a master musician and created the professional contemporary jazz group called E.J. and Company that performed for audiences at clubs, events, and other venues. Their unique sound is funky, sensual, and rhythmic. He was also the President of New Rel J Records 1994 to 2002.","Jones worked with other musicians as a music producer to compose, arrange, and record music and performed with and opened for other national and international acts such as Maze ft. Frankie Beverly, Jimmy Bo Horne, Earth Wind and Fire, KC and The Sunshine Band, Kool and the Gang, Miami Sound Machine, Issac Hayes, George Benson, Olivia Newton-John, George Michaels, BB King, and many more.","In addition to his music career, Emridge \"E.J.\" Jones Jr. was a music instructor and band director for the Broward County School District and music director for Ashanti Cultural Arts, Incorporated. He participated in youth creation programs in the City of Lauderdale Lakes and various parks within Broward County youth activity organizations that included football, baseball, basketball, and other youth related leagues. Emridge \"E.J.\" Jones Jr. also tutored young people in music and consulted others in music business and legal matters that included copywrite, publishing and songwriting.","At the age of 51, he passed away from colon cancer in his home at Pompano, Florida, on February 23, 2002.","The Community Foundation of Broward created an endowment fund in Emridge \"E.J.\" Jones Jr. name that continues his legacy of uplifting young African American musicians and artists with scholarships to support their creative initiatives.","Throughout his lifetime he was recognized and received prestigious awards including Musician of the Year on February 15, 2002, and the JM Family Enterprises African-American Achiever of the Arts in 2001. He was also awarded the North Broward County Links Male Pillars of the Community Award in May 1996, and Outstanding Contribution to the Youth in our Community on August 12, 1994. Notably, November 18, 2001, was declared Emridge \"E.J.\" Jones Day.","E.J. \u0026 Company produced a 15-track album entitled \"Everything Happens in Time\" released in 1999 with famous tracks; \"Suki Suki' \"Ah Yeah\" and \"Amazing Grace\".","This collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Emridge \"E.J.\" Jones, Jr. Collection in the Broward County Library Digital Archives.","The Emridge \"E.J.\" Jones, Jr. Collection contains photographs, plaques, awards, newspaper clippings,  sheet music, correspondence to and from Emridge \"E.J.\" Jones Jr., a card, certificates, contracts, a yearbook, a membership card, proclamations, resume, adjudication forms, printed ephemera, one CD, a saxophone mouthpiece, coffee mug, license plate, oval shaped plate and sweater belonging to Emridge \"E.J.\" Jones Jr. of Pompano Beach, Florida.","The Emridge \"E.J.\" Jones, Jr. Collection is open for research.","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.2006.2","/repositories/2/resources/253"],"normalized_date_ssm":["Circa 1960-2002"],"normalized_title_ssm":["Emridge \"E.J.\" Jones, Jr. Collection, Circa 1960-2002"],"collection_title_tesim":["Emridge \"E.J.\" Jones, Jr. Collection, Circa 1960-2002"],"collection_ssim":["Emridge \"E.J.\" Jones, Jr. Collection, Circa 1960-2002"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"access_terms_ssm":["The Emridge \"E.J.\" Jones, Jr. Collection is open for research."],"access_subjects_ssim":["Notated music"],"access_subjects_ssm":["Notated music"],"has_online_content_ssim":["false"],"extent_ssm":["8 Hollinger Boxes"],"extent_tesim":["8 Hollinger Boxes"],"genreform_ssim":["Notated music"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into eight series: Series I. Correspondence, Series II. Personal Papers, Series III. Professional Papers, Series IV. Photographs, Series V. Printed Materials, Series VI. Awards, Series VII. Objects, and Series VIII. Audio-Visual Materials.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into eight series: Series I. Correspondence, Series II. Personal Papers, Series III. Professional Papers, Series IV. Photographs, Series V. Printed Materials, Series VI. Awards, Series VII. Objects, and Series VIII. Audio-Visual Materials."],"bioghist_html_tesm":["\u003cp\u003eEmridge \"E.J.\" Jones, Jr. was born on July 10, 1950, to parents Emridge Jones, Sr and Norma Brady Jones of Chicago, Illinois. He began performing in church as a child and learned to play the saxophone, piano, flute, and other instruments. He received his early education in Cook County, Illinois. He attended John Marshall Harlan High School where he graduated as an honor student. He earned his Bachelor of Science degree in Music Education from Florida Agricultural and Mechanical University in 1972 and did additional musical studies at Roosevelt University in Chicago, Illinois. He married Linda Houston in 1974, and they have two children, daughter Jemilah L. Jones and son Emridge Jones \u0026#x2162;.\u003c/p\u003e\n","\u003cp\u003eEmridge \"E.J.\" Jones Jr. blossomed into a master musician and created the professional contemporary jazz group called E.J. and Company that performed for audiences at clubs, events, and other venues. Their unique sound is funky, sensual, and rhythmic. He was also the President of New Rel J Records 1994 to 2002.\u003c/p\u003e\n","\u003cp\u003eJones worked with other musicians as a music producer to compose, arrange, and record music and performed with and opened for other national and international acts such as Maze ft. Frankie Beverly, Jimmy Bo Horne, Earth Wind and Fire, KC and The Sunshine Band, Kool and the Gang, Miami Sound Machine, Issac Hayes, George Benson, Olivia Newton-John, George Michaels, BB King, and many more.\u003c/p\u003e\n","\u003cp\u003eIn addition to his music career, Emridge \"E.J.\" Jones Jr. was a music instructor and band director for the Broward County School District and music director for Ashanti Cultural Arts, Incorporated. He participated in youth creation programs in the City of Lauderdale Lakes and various parks within Broward County youth activity organizations that included football, baseball, basketball, and other youth related leagues. Emridge \"E.J.\" Jones Jr. also tutored young people in music and consulted others in music business and legal matters that included copywrite, publishing and songwriting.\u003c/p\u003e\n","\u003cp\u003eAt the age of 51, he passed away from colon cancer in his home at Pompano, Florida, on February 23, 2002.\u003c/p\u003e\n","\u003cp\u003eThe Community Foundation of Broward created an endowment fund in Emridge \"E.J.\" Jones Jr. name that continues his legacy of uplifting young African American musicians and artists with scholarships to support their creative initiatives.\u003c/p\u003e\n","\u003cp\u003eThroughout his lifetime he was recognized and received prestigious awards including Musician of the Year on February 15, 2002, and the JM Family Enterprises African-American Achiever of the Arts in 2001. He was also awarded the North Broward County Links Male Pillars of the Community Award in May 1996, and Outstanding Contribution to the Youth in our Community on August 12, 1994. Notably, November 18, 2001, was declared Emridge \"E.J.\" Jones Day.\u003c/p\u003e\n","\u003cp\u003eE.J. \u0026amp; Company produced a 15-track album entitled \"Everything Happens in Time\" released in 1999 with famous tracks; \"Suki Suki' \"Ah Yeah\" and \"Amazing Grace\".\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Emridge \"E.J.\" Jones, Jr. was born on July 10, 1950, to parents Emridge Jones, Sr and Norma Brady Jones of Chicago, Illinois. He began performing in church as a child and learned to play the saxophone, piano, flute, and other instruments. He received his early education in Cook County, Illinois. He attended John Marshall Harlan High School where he graduated as an honor student. He earned his Bachelor of Science degree in Music Education from Florida Agricultural and Mechanical University in 1972 and did additional musical studies at Roosevelt University in Chicago, Illinois. He married Linda Houston in 1974, and they have two children, daughter Jemilah L. Jones and son Emridge Jones Ⅲ.","Emridge \"E.J.\" Jones Jr. blossomed into a master musician and created the professional contemporary jazz group called E.J. and Company that performed for audiences at clubs, events, and other venues. Their unique sound is funky, sensual, and rhythmic. He was also the President of New Rel J Records 1994 to 2002.","Jones worked with other musicians as a music producer to compose, arrange, and record music and performed with and opened for other national and international acts such as Maze ft. Frankie Beverly, Jimmy Bo Horne, Earth Wind and Fire, KC and The Sunshine Band, Kool and the Gang, Miami Sound Machine, Issac Hayes, George Benson, Olivia Newton-John, George Michaels, BB King, and many more.","In addition to his music career, Emridge \"E.J.\" Jones Jr. was a music instructor and band director for the Broward County School District and music director for Ashanti Cultural Arts, Incorporated. He participated in youth creation programs in the City of Lauderdale Lakes and various parks within Broward County youth activity organizations that included football, baseball, basketball, and other youth related leagues. Emridge \"E.J.\" Jones Jr. also tutored young people in music and consulted others in music business and legal matters that included copywrite, publishing and songwriting.","At the age of 51, he passed away from colon cancer in his home at Pompano, Florida, on February 23, 2002.","The Community Foundation of Broward created an endowment fund in Emridge \"E.J.\" Jones Jr. name that continues his legacy of uplifting young African American musicians and artists with scholarships to support their creative initiatives.","Throughout his lifetime he was recognized and received prestigious awards including Musician of the Year on February 15, 2002, and the JM Family Enterprises African-American Achiever of the Arts in 2001. He was also awarded the North Broward County Links Male Pillars of the Community Award in May 1996, and Outstanding Contribution to the Youth in our Community on August 12, 1994. Notably, November 18, 2001, was declared Emridge \"E.J.\" Jones Day.","E.J. \u0026 Company produced a 15-track album entitled \"Everything Happens in Time\" released in 1999 with famous tracks; \"Suki Suki' \"Ah Yeah\" and \"Amazing Grace\"."],"prefercite_html_tesm":["\u003cp\u003eEmridge \"E.J.\" Jones, Jr. Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Emridge \"E.J.\" Jones, Jr. Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll9/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Emridge \"E.J.\" Jones, Jr. Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Emridge \"E.J.\" Jones, Jr. Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Emridge \"E.J.\" Jones, Jr. Collection contains photographs, plaques, awards, newspaper clippings,  sheet music, correspondence to and from Emridge \"E.J.\" Jones Jr., a card, certificates, contracts, a yearbook, a membership card, proclamations, resume, adjudication forms, printed ephemera, one CD, a saxophone mouthpiece, coffee mug, license plate, oval shaped plate and sweater belonging to Emridge \"E.J.\" Jones Jr. of Pompano Beach, Florida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Emridge \"E.J.\" Jones, Jr. Collection contains photographs, plaques, awards, newspaper clippings,  sheet music, correspondence to and from Emridge \"E.J.\" Jones Jr., a card, certificates, contracts, a yearbook, a membership card, proclamations, resume, adjudication forms, printed ephemera, one CD, a saxophone mouthpiece, coffee mug, license plate, oval shaped plate and sweater belonging to Emridge \"E.J.\" Jones Jr. of Pompano Beach, Florida."],"userestrict_html_tesm":["\u003cp\u003eThe Emridge \"E.J.\" Jones, Jr. Collection is open for research.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Emridge \"E.J.\" Jones, Jr. Collection is open for research."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":164,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870838762494230528,"_root_":"826ec9e46b95f700555c74a0","timestamp":"2026-07-16T03:01:17.896Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/826ec9e46b95f700555c74a0_aspace_cd97fa06e67be8c277f114fa09ee8996"}},{"id":"adbe667f7776a646ea83b849_aspace_1154e876e1694ad027be3be25fdf09cd","type":"File","attributes":{"title":"Egmont Key Alliance, Inc., 1996-2005","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/adbe667f7776a646ea83b849_aspace_1154e876e1694ad027be3be25fdf09cd#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eFolder includes correspondence, meeting information, event advertisements, clippings, membership information, notes, and documents from the Florida State Parks 9th Annual CSO Meeting.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/adbe667f7776a646ea83b849_aspace_1154e876e1694ad027be3be25fdf09cd#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1154e876e1694ad027be3be25fdf09cd","ref_ssm":["aspace_1154e876e1694ad027be3be25fdf09cd","aspace_1154e876e1694ad027be3be25fdf09cd"],"id":"adbe667f7776a646ea83b849_aspace_1154e876e1694ad027be3be25fdf09cd","title_filing_ssi":"Egmont Key Alliance, Inc.","title_ssm":["Egmont Key Alliance, Inc."],"title_tesim":["Egmont Key Alliance, Inc."],"unitdate_inclusive_ssm":["1996-2005"],"normalized_date_ssm":["1996-2005"],"normalized_title_ssm":["Egmont Key Alliance, Inc., 1996-2005"],"text":["Egmont Key Alliance, Inc., 1996-2005","Sally Thompson collection, 1976-2019","Florida Files","The Earth Charter Community Summit-Environmental Lands Acquisition and Protection Program (ELAPP)","/repositories/2/archival_objects/171331","box 13","folder 4","A citizens support organization designated by the State of Florida Department of Natural Resources and Division of Parks and Recreation.","Folder includes correspondence, meeting information, event advertisements, clippings, membership information, notes, and documents from the Florida State Parks 9th Annual CSO Meeting."],"component_level_isim":[3],"parent_ids_ssim":["adbe667f7776a646ea83b849","adbe667f7776a646ea83b849_aspace_b0c560610905f1dbe288514141338ad3","adbe667f7776a646ea83b849_aspace_796119b5393f22f7df40179626c85940"],"parent_unittitles_ssm":["Sally Thompson collection, 1976-2019","Florida Files","The Earth Charter Community Summit-Environmental Lands Acquisition and Protection Program (ELAPP)"],"parent_unittitles_tesim":["Sally Thompson collection, 1976-2019","Florida Files","The Earth Charter Community Summit-Environmental Lands Acquisition and Protection Program (ELAPP)"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["/repositories/2/archival_objects/171331"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Sally Thompson collection, 1976-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":8,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":550,"date_range_isim":[1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"containers_ssim":["box 13","folder 4"],"bioghist_html_tesm":["\u003cp\u003eA citizens support organization designated by the State of Florida Department of Natural Resources and Division of Parks and Recreation.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["A citizens support organization designated by the State of Florida Department of Natural Resources and Division of Parks and Recreation."],"scopecontent_html_tesm":["\u003cp\u003eFolder includes correspondence, meeting information, event advertisements, clippings, membership information, notes, and documents from the Florida State Parks 9th Annual CSO Meeting.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Folder includes correspondence, meeting information, event advertisements, clippings, membership information, notes, and documents from the Florida State Parks 9th Annual CSO Meeting."],"_nest_path_":"/components#0/components#12/components#3","_nest_parent_":"adbe667f7776a646ea83b849_aspace_796119b5393f22f7df40179626c85940","_root_":"adbe667f7776a646ea83b849","_version_":1870863616778960896,"timestamp":"2026-07-16T09:36:20.762Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"adbe667f7776a646ea83b849","title_ssm":["Sally Thompson collection"],"title_tesim":["Sally Thompson collection"],"ead_ssi":"adbe667f7776a646ea83b849","unitdate_ssm":["1976-2019"],"unitdate_inclusive_ssm":["1976-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2022-10","/repositories/2/resources/617"],"text":["MS-2022-10","/repositories/2/resources/617","Sally Thompson collection, 1976-2019","Environmental policy","Environmental protection","Environmental protection -- Florida -- Tampa Bay","Conservationists -- Florida","Nature conservation -- Political aspects","Materials are arranged according to geographic location and arranged alphabetically within reginal series. Dates of folders sometimes reflect the original order of the creator's file date but itemized folder contents can be referenced for inclusive dates.","Sally Thompson holds a Bachelor's in English from Hollins University and a Master's in Public Administration from the University of South Florida (USF). Throughout her career in environmental policy across the Tampa Bay area, Thompson was the Grants Coordinator for the City of Tampa, an Adjunct Professor in Environmental Resource Management at USF, served on the Governing Board of the Southwest Florida Water Management District (SWFWMD), chaired the Tampa Greenways \u0026#38; Trails Citizens Advisory Committee, is a member emeritus of Florida Greenways \u0026#38; Trails Foundation, and serves on the Selection and General Committees of the Jan K. Platt Environmental Lands Acquisition and Protection Program (ELAPP). Thompson is a founding member of the Tampa Bay Conservancy and has also been involved in Board of Director roles for the Florida Aquarium and Keep Tampa Bay Beautiful. Thompson is currently self-employed as an environmental advisor and educator.","Materials in the collection include meeting agendas and minutes for government institutions and citizen environmental organizations, conference materials, pamphlets, flyers, publications, reports, photographs, maps, audiovisual material, correspondence, clippings, research files, and public awareness campaign fact sheets.","Publications related to the archival collection are cataloged individually and shelved in Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","Oversized graphic materials stored in a horizontal folder separate from the collection.","The Sally Thompson collection consists of professional papers covering Thompson's career in environmental advocacy, public administration, and education. This collection consists of organizational documents, reports, periodicals, public awareness campaign materials, and other items related to environmental and conservation advocacy in Florida, with attention to the Tampa Bay area. Topics of interest include green spaces, urban planning, environmental policy and legislation, citizen activism, wildlife conservation, energy, hydrology, land management, and restoration projects.","USF Libraries - Tampa Special Collections","Thompson, Sally","English"],"unitid_tesim":["MS-2022-10","/repositories/2/resources/617"],"normalized_date_ssm":["1976-2019"],"normalized_title_ssm":["Sally Thompson collection, 1976-2019"],"collection_title_tesim":["Sally Thompson collection, 1976-2019"],"collection_ssim":["Sally Thompson collection, 1976-2019"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Thompson, Sally"],"creator_ssim":["Thompson, Sally"],"creator_persname_ssim":["Thompson, Sally"],"creators_ssim":["Thompson, Sally"],"access_subjects_ssim":["Environmental policy","Environmental protection","Environmental protection -- Florida -- Tampa Bay","Conservationists -- Florida","Nature conservation -- Political aspects"],"access_subjects_ssm":["Environmental policy","Environmental protection","Environmental protection -- Florida -- Tampa Bay","Conservationists -- Florida","Nature conservation -- Political aspects"],"has_online_content_ssim":["false"],"extent_ssm":["89 boxes","1 folders","44.5 Linear Feet"],"extent_tesim":["89 boxes","1 folders","44.5 Linear Feet"],"date_range_isim":[1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged according to geographic location and arranged alphabetically within reginal series. Dates of folders sometimes reflect the original order of the creator's file date but itemized folder contents can be referenced for inclusive dates.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged according to geographic location and arranged alphabetically within reginal series. Dates of folders sometimes reflect the original order of the creator's file date but itemized folder contents can be referenced for inclusive dates."],"bioghist_html_tesm":["\u003cp\u003eSally Thompson holds a Bachelor's in English from Hollins University and a Master's in Public Administration from the University of South Florida (USF). Throughout her career in environmental policy across the Tampa Bay area, Thompson was the Grants Coordinator for the City of Tampa, an Adjunct Professor in Environmental Resource Management at USF, served on the Governing Board of the Southwest Florida Water Management District (SWFWMD), chaired the Tampa Greenways \u0026amp;#38; Trails Citizens Advisory Committee, is a member emeritus of Florida Greenways \u0026amp;#38; Trails Foundation, and serves on the Selection and General Committees of the Jan K. Platt Environmental Lands Acquisition and Protection Program (ELAPP). Thompson is a founding member of the Tampa Bay Conservancy and has also been involved in Board of Director roles for the Florida Aquarium and Keep Tampa Bay Beautiful. Thompson is currently self-employed as an environmental advisor and educator.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Sally Thompson holds a Bachelor's in English from Hollins University and a Master's in Public Administration from the University of South Florida (USF). Throughout her career in environmental policy across the Tampa Bay area, Thompson was the Grants Coordinator for the City of Tampa, an Adjunct Professor in Environmental Resource Management at USF, served on the Governing Board of the Southwest Florida Water Management District (SWFWMD), chaired the Tampa Greenways \u0026#38; Trails Citizens Advisory Committee, is a member emeritus of Florida Greenways \u0026#38; Trails Foundation, and serves on the Selection and General Committees of the Jan K. Platt Environmental Lands Acquisition and Protection Program (ELAPP). Thompson is a founding member of the Tampa Bay Conservancy and has also been involved in Board of Director roles for the Florida Aquarium and Keep Tampa Bay Beautiful. Thompson is currently self-employed as an environmental advisor and educator."],"prefercite_html_tesm":["\u003cp\u003eSally Thompson collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Sally Thompson collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eMaterials in the collection include meeting agendas and minutes for government institutions and citizen environmental organizations, conference materials, pamphlets, flyers, publications, reports, photographs, maps, audiovisual material, correspondence, clippings, research files, and public awareness campaign fact sheets.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Materials in the collection include meeting agendas and minutes for government institutions and citizen environmental organizations, conference materials, pamphlets, flyers, publications, reports, photographs, maps, audiovisual material, correspondence, clippings, research files, and public awareness campaign fact sheets."],"separatedmaterial_html_tesm":["\u003cp\u003ePublications related to the archival collection are cataloged individually and shelved in Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e","\u003cp\u003eOversized graphic materials stored in a horizontal folder separate from the collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Publications related to the archival collection are cataloged individually and shelved in Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","Oversized graphic materials stored in a horizontal folder separate from the collection."],"abstract_html_tesm":["\u003cabstract id=\"aspace_942288f0813d472c169711bd5a6bc750\"\u003eThe Sally Thompson collection consists of professional papers covering Thompson's career in environmental advocacy, public administration, and education. This collection consists of organizational documents, reports, periodicals, public awareness campaign materials, and other items related to environmental and conservation advocacy in Florida, with attention to the Tampa Bay area. Topics of interest include green spaces, urban planning, environmental policy and legislation, citizen activism, wildlife conservation, energy, hydrology, land management, and restoration projects.\u003c/abstract\u003e"],"abstract_tesim":["The Sally Thompson collection consists of professional papers covering Thompson's career in environmental advocacy, public administration, and education. This collection consists of organizational documents, reports, periodicals, public awareness campaign materials, and other items related to environmental and conservation advocacy in Florida, with attention to the Tampa Bay area. Topics of interest include green spaces, urban planning, environmental policy and legislation, citizen activism, wildlife conservation, energy, hydrology, land management, and restoration projects."],"names_ssim":["USF Libraries - Tampa Special Collections","Thompson, Sally"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Thompson, Sally"],"language_ssim":["English"],"total_component_count_is":3547,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863616778960896,"_root_":"adbe667f7776a646ea83b849","timestamp":"2026-07-16T09:36:20.762Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/adbe667f7776a646ea83b849_aspace_1154e876e1694ad027be3be25fdf09cd"}},{"id":"256e771e3cc0782aac349f80_aspace_5863ba270069f5c4dac2050cf93ca42f","type":"File","attributes":{"title":"Ego Records, January/February 1998, January/February 1998","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80_aspace_5863ba270069f5c4dac2050cf93ca42f#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5863ba270069f5c4dac2050cf93ca42f","ref_ssm":["aspace_5863ba270069f5c4dac2050cf93ca42f","aspace_5863ba270069f5c4dac2050cf93ca42f"],"id":"256e771e3cc0782aac349f80_aspace_5863ba270069f5c4dac2050cf93ca42f","title_filing_ssi":"Ego Records, January/February 1998","title_ssm":["Ego Records, January/February 1998"],"title_tesim":["Ego Records, January/February 1998"],"unitdate_inclusive_ssm":["January/February 1998"],"normalized_date_ssm":["January/February 1998"],"normalized_title_ssm":["Ego Records, January/February 1998, January/February 1998"],"text":["Ego Records, January/February 1998, January/February 1998","Zine Collection, 1973-2019","Riot Grrrl Zine Collection, 1989-1996","Reviews, Distro Catalogs and Miscellaneous Materials","/repositories/2/archival_objects/29210","Zines.","Poetry.","Reviews","box 1","folder 115"],"component_level_isim":[3],"parent_ids_ssim":["256e771e3cc0782aac349f80","256e771e3cc0782aac349f80_aspace_17302","256e771e3cc0782aac349f80_aspace_17992"],"parent_unittitles_ssm":["Zine Collection, 1973-2019","Riot Grrrl Zine Collection, 1989-1996","Reviews, Distro Catalogs and Miscellaneous Materials"],"parent_unittitles_tesim":["Zine Collection, 1973-2019","Riot Grrrl Zine Collection, 1989-1996","Reviews, Distro Catalogs and Miscellaneous Materials"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/29210"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["Zine Collection, 1973-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":140,"parent_access_restrict_tesm":["The collection is open for use."],"date_range_isim":[1998],"geogname_ssim":["Zines.","Poetry."],"geogname_ssm":["Zines.","Poetry."],"places_ssim":["Zines.","Poetry."],"access_subjects_ssim":["Reviews"],"access_subjects_ssm":["Reviews"],"containers_ssim":["box 1","folder 115"],"_nest_path_":"/components#0/components#3/components#46","_nest_parent_":"256e771e3cc0782aac349f80_aspace_17992","_root_":"256e771e3cc0782aac349f80","_version_":1870843569479090176,"timestamp":"2026-07-16T04:17:42.144Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"256e771e3cc0782aac349f80","title_ssm":["Zine Collection"],"title_tesim":["Zine Collection"],"ead_ssi":"256e771e3cc0782aac349f80","unitdate_ssm":["1973-2019"],"unitdate_inclusive_ssm":["1973-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/26","/repositories/2/resources/6"],"text":["02/01/26","/repositories/2/resources/6","Zine Collection, 1973-2019","Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art","The collection is open for use.","Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.","The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.","Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.","Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe","English"],"unitid_tesim":["02/01/26","/repositories/2/resources/6"],"normalized_date_ssm":["1973-2019"],"normalized_title_ssm":["Zine Collection, 1973-2019"],"collection_title_tesim":["Zine Collection, 1973-2019"],"collection_ssim":["Zine Collection, 1973-2019"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"geogname_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"places_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet"],"extent_tesim":["9 Linear Feet"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for use."],"arrangement_html_tesm":["\u003cp\u003eOrganized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020."],"scopecontent_html_tesm":["\u003cp\u003eThe Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5a0de4e8fb6224cb231f2eecf1aee4f4\" label=\"Abstract and Language Disclaimer\"\u003eZines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.\u003c/abstract\u003e"],"abstract_tesim":["Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience."],"names_ssim":["Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"persname_ssim":["Corley, Madison","Lewis, Chloe"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":447,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870843569479090176,"_root_":"256e771e3cc0782aac349f80","timestamp":"2026-07-16T04:17:42.144Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80_aspace_5863ba270069f5c4dac2050cf93ca42f"}},{"id":"eccf200246c0c0801ef714fb_aspace_46890","type":"Subseries","attributes":{"title":"Egyptian Picasso, 1998-2000","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/eccf200246c0c0801ef714fb_aspace_46890#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_46890","ref_ssm":["aspace_46890","aspace_46890"],"id":"eccf200246c0c0801ef714fb_aspace_46890","title_filing_ssi":"Egyptian Picasso","title_ssm":["Egyptian Picasso"],"title_tesim":["Egyptian Picasso"],"unitdate_inclusive_ssm":["1998-2000"],"normalized_date_ssm":["1998-2000"],"normalized_title_ssm":["Egyptian Picasso, 1998-2000"],"text":["Egyptian Picasso, 1998-2000","Walter Gaudnek Collection, 1945-2009","Artist Books, 1945-2008","Sub-Series 9","/repositories/4/archival_objects/20021"],"component_level_isim":[2],"parent_ids_ssim":["eccf200246c0c0801ef714fb","eccf200246c0c0801ef714fb_aspace_46856"],"parent_unittitles_ssm":["Walter Gaudnek Collection, 1945-2009","Artist Books, 1945-2008"],"parent_unittitles_tesim":["Walter Gaudnek Collection, 1945-2009","Artist Books, 1945-2008"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 9","/repositories/4/archival_objects/20021"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Walter Gaudnek Collection, 1945-2009"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":67,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1998,1999,2000],"_nest_path_":"/components#2/components#8","_nest_parent_":"eccf200246c0c0801ef714fb_aspace_46856","_root_":"eccf200246c0c0801ef714fb","timestamp":"2026-04-21T03:53:25.929Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"eccf200246c0c0801ef714fb","title_ssm":["Walter Gaudnek Collection"],"title_tesim":["Walter Gaudnek Collection"],"ead_ssi":"eccf200246c0c0801ef714fb","unitdate_ssm":["1945-2009"],"unitdate_inclusive_ssm":["1945-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.053","/repositories/4/resources/88"],"text":["SC.053","/repositories/4/resources/88","Walter Gaudnek Collection, 1945-2009","University of Central Florida","Artists","The collection is open for research.","Walter Gaudnek, Ph.D., born in 1931 in Czechoslovakia is a self-proclaimed 'rebel artist'. Known for his blending of bold colors with philosophy, labyrinth installations, and personal mixtures of performance and art, Gaudnek has influenced generations with his stark look at world issues through these mediums. Gaudnek continues his work today both as an artist and an educator with the University of Central Florida's Art Department. Gaudnek's work is featured in permanent collections around the world, including the Gaudnek Studio in Altomünster, Germany (now the Gaudnek Museum) and at the University of Central Florida libraries.","News clippings were photocopied onto acid-free paper and metal clips replaced with plastic clips. Some materials were rehoused in acid-free folders while all of the manuscript material is held in boxes. Duplicates were removed and several pieces of art are stored in a climate controlled facility. Additional materials added as receieved.","Collection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.","Flying Horse Editions","University of Central Florida Office of the President Records , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","University of Central Florida Photograph Collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","Art that can be found in the John C. Hitt Library includes: Science and Humanities (1989) and Mapping the Florida Terrain (1989). ","The Gaudnek Collection includes manuscript materials, exhibition booklets, pamphlets, photographs, news articles, original artwork and posters. The collection is divided into six series.","\nSeries I: Exhibition Booklets, 1980-2005, are five art exhibition books in both English and German that focus on specific exhibitions by the artist. These books are what a patron could purchase or would receive with admission to an art exhibition. Exhibition booklets also appear in multiple bound books found in series III.","\nSeries II: Posters and Photographs, 1969-2007, comprises publicity posters and photographs used to promote various exhibitions.","\nSeries III: Artist Books, 1945-2008, are books that were specially bound by Flying Horse Press at the request of the artist and contains memorabilia either produced by or for the artist. The books are created according to themes and time periods important to the artist. Some compilation books have been created by third parties. The books cover a wide span of time, including Gaudnek's early years as an artist in college through to his more current work at the University of Central Florida.","\nSeries IV: Oversize Artist Books, 1962-2006, are bound by UCF Library contains \"Gaudnek Broadway Drawings\" dating from 1962-1968 and compiled in 2006. \"Elegy to New Orleans\" is another title compiled by Gaudnek which includes art and media photographs from the aftermath of Hurricane Katrina in New Orleans, Louisiana. Series also holds a title \"Walter Gaudnek Introspective Portraits\" compiled by University of Central Florida Professor Jagdish J. Chavda.","\nSeries V: Portfolios, 1961-2009, includes portfolios that are housed in individiual custom constructed from hard archival cover board. Portfolios contain Gaudnek's digital collage prints, signed and dated by the artist.","\nSeries VI: Miscellaneous, 1969-2007, holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The Walter Gaudnek Collection comprises manuscript materials, original works, posters, and photographs that chronicle the life and artistic development of Dr. Walter Gaudnek, a University of Central Florida art faculty member. Ranging from 1945 to the present, the collection focuses on the artist and gives voice to Gaudnek's fans and critics alike. World events such as the 1972 Olympic Games, the Holocaust, and the September 11th attacks are featured in the collection through his work both as a commissioned artist who is witness to the event (Munich Games) and as an artist expressing his deep emotions for human tragedy.","UCF Special Collections","Gaudnek, Walter, 1931-","English"],"unitid_tesim":["SC.053","/repositories/4/resources/88"],"normalized_date_ssm":["1945-2009"],"normalized_title_ssm":["Walter Gaudnek Collection, 1945-2009"],"collection_title_tesim":["Walter Gaudnek Collection, 1945-2009"],"collection_ssim":["Walter Gaudnek Collection, 1945-2009"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were transferred to the Special Collections and University Archives by Dr. Walter Gaudnek in 2004 (CFM2004_01), 2006, and 2007 (CFM2007_XX)."],"access_subjects_ssim":["University of Central Florida","Artists"],"access_subjects_ssm":["University of Central Florida","Artists"],"has_online_content_ssim":["false"],"extent_ssm":["7.25 Linear Feet 7 Boxes, 6 Portfolios, 1 Flat File"],"extent_tesim":["7.25 Linear Feet 7 Boxes, 6 Portfolios, 1 Flat File"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eWalter Gaudnek, Ph.D., born in 1931 in Czechoslovakia is a self-proclaimed 'rebel artist'. Known for his blending of bold colors with philosophy, labyrinth installations, and personal mixtures of performance and art, Gaudnek has influenced generations with his stark look at world issues through these mediums. Gaudnek continues his work today both as an artist and an educator with the University of Central Florida's Art Department. Gaudnek's work is featured in permanent collections around the world, including the Gaudnek Studio in Altom\u0026#xFC;nster, Germany (now the Gaudnek Museum) and at the University of Central Florida libraries.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Walter Gaudnek, Ph.D., born in 1931 in Czechoslovakia is a self-proclaimed 'rebel artist'. Known for his blending of bold colors with philosophy, labyrinth installations, and personal mixtures of performance and art, Gaudnek has influenced generations with his stark look at world issues through these mediums. Gaudnek continues his work today both as an artist and an educator with the University of Central Florida's Art Department. Gaudnek's work is featured in permanent collections around the world, including the Gaudnek Studio in Altomünster, Germany (now the Gaudnek Museum) and at the University of Central Florida libraries."],"prefercite_html_tesm":["\u003cp\u003eWalter Gaudnek Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Walter Gaudnek Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eNews clippings were photocopied onto acid-free paper and metal clips replaced with plastic clips. Some materials were rehoused in acid-free folders while all of the manuscript material is held in boxes. Duplicates were removed and several pieces of art are stored in a climate controlled facility. Additional materials added as receieved.\u003c/p\u003e","\u003cp\u003eCollection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["News clippings were photocopied onto acid-free paper and metal clips replaced with plastic clips. Some materials were rehoused in acid-free folders while all of the manuscript material is held in boxes. Duplicates were removed and several pieces of art are stored in a climate controlled facility. Additional materials added as receieved.","Collection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://flyinghorse.cah.ucf.edu\"\u003eFlying Horse Editions\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://library.ucf.edu/about/departments/special-collections-university-archives/university-archives/university-archives-collection-guides/#UniversityPresidentsRecords\"\u003eUniversity of Central Florida Office of the President Records\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/ead/UCFPhotographs\"\u003eUniversity of Central Florida Photograph Collection\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003eArt that can be found in the John C. Hitt Library includes: Science and Humanities (1989) and Mapping the Florida Terrain (1989). \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Flying Horse Editions","University of Central Florida Office of the President Records , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","University of Central Florida Photograph Collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","Art that can be found in the John C. Hitt Library includes: Science and Humanities (1989) and Mapping the Florida Terrain (1989). "],"scopecontent_html_tesm":["\u003cp\u003eThe Gaudnek Collection includes manuscript materials, exhibition booklets, pamphlets, photographs, news articles, original artwork and posters. The collection is divided into six series.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Exhibition Booklets, 1980-2005, are five art exhibition books in both English and German that focus on specific exhibitions by the artist. These books are what a patron could purchase or would receive with admission to an art exhibition. Exhibition booklets also appear in multiple bound books found in series III.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Posters and Photographs, 1969-2007, comprises publicity posters and photographs used to promote various exhibitions.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Artist Books, 1945-2008, are books that were specially bound by Flying Horse Press at the request of the artist and contains memorabilia either produced by or for the artist. The books are created according to themes and time periods important to the artist. Some compilation books have been created by third parties. The books cover a wide span of time, including Gaudnek's early years as an artist in college through to his more current work at the University of Central Florida.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Oversize Artist Books, 1962-2006, are bound by UCF Library contains \"Gaudnek Broadway Drawings\" dating from 1962-1968 and compiled in 2006. \"Elegy to New Orleans\" is another title compiled by Gaudnek which includes art and media photographs from the aftermath of Hurricane Katrina in New Orleans, Louisiana. Series also holds a title \"Walter Gaudnek Introspective Portraits\" compiled by University of Central Florida Professor Jagdish J. Chavda.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Portfolios, 1961-2009, includes portfolios that are housed in individiual custom constructed from hard archival cover board. Portfolios contain Gaudnek's digital collage prints, signed and dated by the artist.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Miscellaneous, 1969-2007, holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Gaudnek Collection includes manuscript materials, exhibition booklets, pamphlets, photographs, news articles, original artwork and posters. The collection is divided into six series.","\nSeries I: Exhibition Booklets, 1980-2005, are five art exhibition books in both English and German that focus on specific exhibitions by the artist. These books are what a patron could purchase or would receive with admission to an art exhibition. Exhibition booklets also appear in multiple bound books found in series III.","\nSeries II: Posters and Photographs, 1969-2007, comprises publicity posters and photographs used to promote various exhibitions.","\nSeries III: Artist Books, 1945-2008, are books that were specially bound by Flying Horse Press at the request of the artist and contains memorabilia either produced by or for the artist. The books are created according to themes and time periods important to the artist. Some compilation books have been created by third parties. The books cover a wide span of time, including Gaudnek's early years as an artist in college through to his more current work at the University of Central Florida.","\nSeries IV: Oversize Artist Books, 1962-2006, are bound by UCF Library contains \"Gaudnek Broadway Drawings\" dating from 1962-1968 and compiled in 2006. \"Elegy to New Orleans\" is another title compiled by Gaudnek which includes art and media photographs from the aftermath of Hurricane Katrina in New Orleans, Louisiana. Series also holds a title \"Walter Gaudnek Introspective Portraits\" compiled by University of Central Florida Professor Jagdish J. Chavda.","\nSeries V: Portfolios, 1961-2009, includes portfolios that are housed in individiual custom constructed from hard archival cover board. Portfolios contain Gaudnek's digital collage prints, signed and dated by the artist.","\nSeries VI: Miscellaneous, 1969-2007, holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4f11a3ccc45b185611fc52b134bae889\" label=\"Abstract\"\u003eThe Walter Gaudnek Collection comprises manuscript materials, original works, posters, and photographs that chronicle the life and artistic development of Dr. Walter Gaudnek, a University of Central Florida art faculty member. Ranging from 1945 to the present, the collection focuses on the artist and gives voice to Gaudnek's fans and critics alike. World events such as the 1972 Olympic Games, the Holocaust, and the September 11th attacks are featured in the collection through his work both as a commissioned artist who is witness to the event (Munich Games) and as an artist expressing his deep emotions for human tragedy.\u003c/abstract\u003e"],"abstract_tesim":["The Walter Gaudnek Collection comprises manuscript materials, original works, posters, and photographs that chronicle the life and artistic development of Dr. Walter Gaudnek, a University of Central Florida art faculty member. Ranging from 1945 to the present, the collection focuses on the artist and gives voice to Gaudnek's fans and critics alike. World events such as the 1972 Olympic Games, the Holocaust, and the September 11th attacks are featured in the collection through his work both as a commissioned artist who is witness to the event (Munich Games) and as an artist expressing his deep emotions for human tragedy."],"names_ssim":["UCF Special Collections","Gaudnek, Walter, 1931-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Gaudnek, Walter, 1931-"],"persname_ssim":["Gaudnek, Walter, 1931-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":412,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"eccf200246c0c0801ef714fb","timestamp":"2026-04-21T03:53:25.929Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/eccf200246c0c0801ef714fb_aspace_46890"}},{"id":"be6ce791bcd745e39261598f","type":"collection","attributes":{"title":"Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/be6ce791bcd745e39261598f#abstract_or_scope","type":"document_value","attributes":{"value":["The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career. Her involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/be6ce791bcd745e39261598f#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"be6ce791bcd745e39261598f","title_ssm":["Eleanor Merritt [Darlington] Collection"],"title_tesim":["Eleanor Merritt [Darlington] Collection"],"ead_ssi":"be6ce791bcd745e39261598f","unitdate_ssm":["1950-2019","1990-2019"],"unitdate_bulk_ssim":["1990-2019"],"unitdate_inclusive_ssm":["1950-2019"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["A.2022.0004","/repositories/11/resources/1933"],"text":["A.2022.0004","/repositories/11/resources/1933","Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019","Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting.","This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.","The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.","All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.","The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. 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Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.\u003c/abstract\u003e"],"abstract_tesim":["The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists."],"names_ssim":["The John and Mable Ringling Museum of Art Archives"],"corpname_ssim":["The John and Mable Ringling Museum of Art Archives"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"be6ce791bcd745e39261598f","timestamp":"2026-04-21T02:41:46.838Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"be6ce791bcd745e39261598f","title_ssm":["Eleanor Merritt [Darlington] Collection"],"title_tesim":["Eleanor Merritt [Darlington] Collection"],"ead_ssi":"be6ce791bcd745e39261598f","unitdate_ssm":["1950-2019","1990-2019"],"unitdate_bulk_ssim":["1990-2019"],"unitdate_inclusive_ssm":["1950-2019"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["A.2022.0004","/repositories/11/resources/1933"],"text":["A.2022.0004","/repositories/11/resources/1933","Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019","Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting.","This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.","The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.","All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.","The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. 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For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals."],"prefercite_html_tesm":["\u003cp\u003eThe John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019.\u003c/p\u003e"],"prefercite_tesim":["The John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019."],"scopecontent_html_tesm":["\u003cp\u003eThe Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. 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Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.\u003c/abstract\u003e"],"abstract_tesim":["The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. 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