{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1997\u0026page=258","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1997\u0026page=257","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1997\u0026page=259","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1997\u0026page=603"},"meta":{"pages":{"current_page":258,"next_page":259,"prev_page":257,"total_pages":603,"limit_value":10,"offset_value":2570,"total_count":6023,"first_page?":false,"last_page?":false}},"data":[{"id":"cfc95d7f733d790136ba73f5","type":"collection","attributes":{"title":"Harry Harrison collection, 1964-2004, Date acquired: 00/00/2003","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/cfc95d7f733d790136ba73f5#creator","type":"document_value","attributes":{"value":["Harrison, Harry (1925-2012)"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/cfc95d7f733d790136ba73f5#abstract_or_scope","type":"document_value","attributes":{"value":["The papers of science fiction writer Harry Harrison, who was probably best known for his Stainless Steel Rat character. The collection primarily consists of typescripts, setting copies, and copyedited proofs of many of Harrison's published and unpublished works as well as a small amount of correspondence. "],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/cfc95d7f733d790136ba73f5#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"cfc95d7f733d790136ba73f5","title_ssm":["Harry Harrison collection"],"title_tesim":["Harry Harrison collection"],"ead_ssi":"cfc95d7f733d790136ba73f5","unitdate_ssm":["1964-2004","Date acquired: 00/00/2003"],"unitdate_inclusive_ssm":["1964-2004"],"unitdate_other_ssim":["Date acquired: 00/00/2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2003-08","/repositories/2/resources/439"],"text":["MS-2003-08","/repositories/2/resources/439","Harry Harrison collection, 1964-2004, Date acquired: 00/00/2003","Science fiction -- American","Fantasy fiction -- American","Speculative fiction","The collection is organized into eleven alphabetically arranged series: Anthologies, Books, Comics, Correspondence, Courses, Essays, Lectures, Novelettes, Posters, Unpublished Manuscripts, and Videos.","Harry Harrison (1925 - 2012) was born Henry Maxwell Dempsey to Henry Leo and Ria (Kirjassoff) Harrison.  During the Depression, the elder Harrison worked intermittently as a newspaper compositor and proof-reader.  He first introduced Harry to science fiction as a seven-year-old, giving him a copy of the large-format pulp magazine Amazing Stories.  At the age of thirteen, Harry became a founding member of the Queens Chapter of the Science Fiction League; at the age of fifteen, he wrote his first fan letter, published in the Fall 1940 issue of Captain Future.","Upon graduating from Forest Hills High School (NY), Harrison was drafted into the U.S. Army Air Corps.  In 1944, while stationed in Laredo, Texas, he began studying the international language Esperanto, a lifelong pursuit and an influence on his later writings.  Discharged in 1946, Harrison eventually began studying art, attending the Manhattan Cartoonists and Illustrators School. The young illustrator teamed up with Wally Wood, and the two garnered the attention of Bill Gaines at E.C. Comics. Wood and Harrison persuaded Gaines to create a science fiction comic, and the editor responded with Weird Science.","Harrison's gradual move from illustration to writing began in the early 1950s when he was a member of the legendary New York Hydra Club (1946-1957/58),  founded in Frederick Pohl's Greenwich Village apartment.  During this period, Harrison developed an illness that limited his drawing abilities.  Using a typewriter, he wrote a short story called \"I Walk through the Rocks,\" which he sold to fellow Hydra member Damon Knight for $100.  Worlds Beyond published the story under the title \"Rock Diver\" in February 1951.  Harrison's second science fiction story, published under the pseudonym Felix Boyd, appeared in the September 1953 issue of  Rocket Stories.","In June 1954, Harrison married Joan Merkler, a dress designer and ballet dancer.  Harrison worked as an art director, a freelance comics script-writer and editor until the mid-1950s, when the scandal of Congressional hearings focused on Bill Gaines resulted in backlash, censoring, and the demise of E.C. Comics.  Harrison moved his family to Cuautla (Morelos) Mexico in 1956, so that he could work on Deathworld, his first full-length science fiction novel.  In August of the following year, Harrison published the short story, \"The Stainless Steel Rat,\" in John W. Campbell's Astounding Science Fiction.  This work introduced Harrison's most famous character, James Boliver, alias 'Slippery Jim' DiGriz.  Campbell's positive reception buoyed Harrison into writing more science fiction stories.  He rapidly became one of \"Campbell's writers,\" a group writers  now equated with the Golden Age of American science fiction.","During the early 1960s, Deathworld, Planet of the Damned and Vendetta for the Saint appeared in serialized form.  A novel he provisionally entitled If You Can Read This, You're Too Damn Close appeared in Frederick Pohl's Galaxy as \"Starsloggers\" and in Michael Moorcock's New Worlds under the title \"Bill, the Galactic Hero.\"  In 1965, he published his first short story collection, Two Tales and Eight Tomorrows, with an introduction by Brian Aldiss.  The two writers became lifelong friends and collaborators on over 20 science fiction anthologies.  Their most famous collaboration, the Best SF Series, was published consistently from 1967-1976.","During the late 1960s, the Harrisons returned to the United States, residing in San Diego, California.  Harrison's novels Plague from Space, The Technicolor Time Machine, Captive Universe, Spaceship Medic and Make Room! Make Room! appeared in print.  The latter formed the basis of the 1973 film, Soylent Green, for which Harrison received a \"Best Dramatic Presentation\" Nebula Award (1973).","In the 1970s, Harrison taught science fiction at San Diego State College and contributed to two college texts: A Science Fiction Reader (1973) and Science Fiction Novellas (1975).  During the decade, he edited 25 science fiction anthologies, including one in honor of his mentor-patron, John W. Campbell, who died in 1971.  Two years later, he and Brian Aldiss honored Campbell by establishing the John W. Campbell Memorial Award, an annual international juried award for the best science fiction novel.","Throughout the 1980s and 1990s, Harrison published his West of Eden trilogy, the first part of his Stars and Stripes Forever trilogy, five Bill, the Galactic Hero novels, and a number of short stories.  During this period, he formed collaborations with Tom Shippey, Jack Cohen, Robert E. Myers, and Marvin Minsky.  The first full-length study of Harrison's work, Harry Harrison by Leon Stover, appeared in 1990.","A prolific author, editor, fan, critic and historian of science fiction, Harrison's professional career spans more than five decades. He was the first president of the World SF (1978-80) and was nominated for three Nebula Awards and two Hugo Awards.  In 2001, Harrison celebrated his 50th anniversary as a science fiction writer by publishing 50 in 50, an anthology of his finest short stories.  He was inducted into the SF Hall of Fame in 2003.","Note written by ","published","This collection primarily consists of typescripts, setting copies, and copyedited proofs of many of Harrison's published and unpublished works as well as a small amount of correspondence.  Coverage of short stories dates from 1964-1987; coverage of novels dates from 1996-2002; correspondence dates from 1972-2004.  Editorial notation is prevalent throughout the collection.","None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","The papers of science fiction writer Harry Harrison, who was probably best known for his Stainless Steel Rat character. The collection primarily consists of typescripts, setting copies, and copyedited proofs of many of Harrison's published and unpublished works as well as a small amount of correspondence. ","USF Libraries - Tampa Special Collections","Harrison, Harry (1925-2012)","English"],"unitid_tesim":["MS-2003-08","/repositories/2/resources/439"],"normalized_date_ssm":["1964-2004, Date acquired: 00/00/2003"],"normalized_title_ssm":["Harry Harrison collection, 1964-2004, Date acquired: 00/00/2003"],"collection_title_tesim":["Harry Harrison collection, 1964-2004, Date acquired: 00/00/2003"],"collection_ssim":["Harry Harrison collection, 1964-2004, Date acquired: 00/00/2003"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Harrison, Harry (1925-2012)"],"creator_ssim":["Harrison, Harry (1925-2012)"],"creator_persname_ssim":["Harrison, Harry (1925-2012)"],"creators_ssim":["Harrison, Harry (1925-2012)"],"access_terms_ssm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Harry Harrison and David Merkler","Donation."],"access_subjects_ssim":["Science fiction -- American","Fantasy fiction -- American","Speculative fiction"],"access_subjects_ssm":["Science fiction -- American","Fantasy fiction -- American","Speculative fiction"],"has_online_content_ssim":["false"],"extent_ssm":["10.00 Linear Feet","17 boxes"],"extent_tesim":["10.00 Linear Feet","17 boxes"],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into eleven alphabetically arranged series: Anthologies, Books, Comics, Correspondence, Courses, Essays, Lectures, Novelettes, Posters, Unpublished Manuscripts, and Videos.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is organized into eleven alphabetically arranged series: Anthologies, Books, Comics, Correspondence, Courses, Essays, Lectures, Novelettes, Posters, Unpublished Manuscripts, and Videos."],"bioghist_html_tesm":["\u003cp\u003eHarry Harrison (1925 - 2012) was born Henry Maxwell Dempsey to Henry Leo and Ria (Kirjassoff) Harrison.  During the Depression, the elder Harrison worked intermittently as a newspaper compositor and proof-reader.  He first introduced Harry to science fiction as a seven-year-old, giving him a copy of the large-format pulp magazine Amazing Stories.  At the age of thirteen, Harry became a founding member of the Queens Chapter of the Science Fiction League; at the age of fifteen, he wrote his first fan letter, published in the Fall 1940 issue of Captain Future.\u003c/p\u003e\n","\u003cp\u003eUpon graduating from Forest Hills High School (NY), Harrison was drafted into the U.S. Army Air Corps.  In 1944, while stationed in Laredo, Texas, he began studying the international language Esperanto, a lifelong pursuit and an influence on his later writings.  Discharged in 1946, Harrison eventually began studying art, attending the Manhattan Cartoonists and Illustrators School. The young illustrator teamed up with Wally Wood, and the two garnered the attention of Bill Gaines at E.C. Comics. Wood and Harrison persuaded Gaines to create a science fiction comic, and the editor responded with Weird Science.\u003c/p\u003e\n","\u003cp\u003eHarrison's gradual move from illustration to writing began in the early 1950s when he was a member of the legendary New York Hydra Club (1946-1957/58),  founded in Frederick Pohl's Greenwich Village apartment.  During this period, Harrison developed an illness that limited his drawing abilities.  Using a typewriter, he wrote a short story called \"I Walk through the Rocks,\" which he sold to fellow Hydra member Damon Knight for $100.  Worlds Beyond published the story under the title \"Rock Diver\" in February 1951.  Harrison's second science fiction story, published under the pseudonym Felix Boyd, appeared in the September 1953 issue of  Rocket Stories.\u003c/p\u003e\n","\u003cp\u003eIn June 1954, Harrison married Joan Merkler, a dress designer and ballet dancer.  Harrison worked as an art director, a freelance comics script-writer and editor until the mid-1950s, when the scandal of Congressional hearings focused on Bill Gaines resulted in backlash, censoring, and the demise of E.C. Comics.  Harrison moved his family to Cuautla (Morelos) Mexico in 1956, so that he could work on Deathworld, his first full-length science fiction novel.  In August of the following year, Harrison published the short story, \"The Stainless Steel Rat,\" in John W. Campbell's Astounding Science Fiction.  This work introduced Harrison's most famous character, James Boliver, alias 'Slippery Jim' DiGriz.  Campbell's positive reception buoyed Harrison into writing more science fiction stories.  He rapidly became one of \"Campbell's writers,\" a group writers  now equated with the Golden Age of American science fiction.\u003c/p\u003e\n","\u003cp\u003eDuring the early 1960s, Deathworld, Planet of the Damned and Vendetta for the Saint appeared in serialized form.  A novel he provisionally entitled If You Can Read This, You're Too Damn Close appeared in Frederick Pohl's Galaxy as \"Starsloggers\" and in Michael Moorcock's New Worlds under the title \"Bill, the Galactic Hero.\"  In 1965, he published his first short story collection, Two Tales and Eight Tomorrows, with an introduction by Brian Aldiss.  The two writers became lifelong friends and collaborators on over 20 science fiction anthologies.  Their most famous collaboration, the Best SF Series, was published consistently from 1967-1976.\u003c/p\u003e\n","\u003cp\u003eDuring the late 1960s, the Harrisons returned to the United States, residing in San Diego, California.  Harrison's novels Plague from Space, The Technicolor Time Machine, Captive Universe, Spaceship Medic and Make Room! Make Room! appeared in print.  The latter formed the basis of the 1973 film, Soylent Green, for which Harrison received a \"Best Dramatic Presentation\" Nebula Award (1973).\u003c/p\u003e\n","\u003cp\u003eIn the 1970s, Harrison taught science fiction at San Diego State College and contributed to two college texts: A Science Fiction Reader (1973) and Science Fiction Novellas (1975).  During the decade, he edited 25 science fiction anthologies, including one in honor of his mentor-patron, John W. Campbell, who died in 1971.  Two years later, he and Brian Aldiss honored Campbell by establishing the John W. Campbell Memorial Award, an annual international juried award for the best science fiction novel.\u003c/p\u003e\n","\u003cp\u003eThroughout the 1980s and 1990s, Harrison published his West of Eden trilogy, the first part of his Stars and Stripes Forever trilogy, five Bill, the Galactic Hero novels, and a number of short stories.  During this period, he formed collaborations with Tom Shippey, Jack Cohen, Robert E. Myers, and Marvin Minsky.  The first full-length study of Harrison's work, Harry Harrison by Leon Stover, appeared in 1990.\u003c/p\u003e\n","\u003cp\u003eA prolific author, editor, fan, critic and historian of science fiction, Harrison's professional career spans more than five decades. He was the first president of the World SF (1978-80) and was nominated for three Nebula Awards and two Hugo Awards.  In 2001, Harrison celebrated his 50th anniversary as a science fiction writer by publishing 50 in 50, an anthology of his finest short stories.  He was inducted into the SF Hall of Fame in 2003.\u003c/p\u003e\n","\u003cp\u003eNote written by \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Harry Harrison (1925 - 2012) was born Henry Maxwell Dempsey to Henry Leo and Ria (Kirjassoff) Harrison.  During the Depression, the elder Harrison worked intermittently as a newspaper compositor and proof-reader.  He first introduced Harry to science fiction as a seven-year-old, giving him a copy of the large-format pulp magazine Amazing Stories.  At the age of thirteen, Harry became a founding member of the Queens Chapter of the Science Fiction League; at the age of fifteen, he wrote his first fan letter, published in the Fall 1940 issue of Captain Future.","Upon graduating from Forest Hills High School (NY), Harrison was drafted into the U.S. Army Air Corps.  In 1944, while stationed in Laredo, Texas, he began studying the international language Esperanto, a lifelong pursuit and an influence on his later writings.  Discharged in 1946, Harrison eventually began studying art, attending the Manhattan Cartoonists and Illustrators School. The young illustrator teamed up with Wally Wood, and the two garnered the attention of Bill Gaines at E.C. Comics. Wood and Harrison persuaded Gaines to create a science fiction comic, and the editor responded with Weird Science.","Harrison's gradual move from illustration to writing began in the early 1950s when he was a member of the legendary New York Hydra Club (1946-1957/58),  founded in Frederick Pohl's Greenwich Village apartment.  During this period, Harrison developed an illness that limited his drawing abilities.  Using a typewriter, he wrote a short story called \"I Walk through the Rocks,\" which he sold to fellow Hydra member Damon Knight for $100.  Worlds Beyond published the story under the title \"Rock Diver\" in February 1951.  Harrison's second science fiction story, published under the pseudonym Felix Boyd, appeared in the September 1953 issue of  Rocket Stories.","In June 1954, Harrison married Joan Merkler, a dress designer and ballet dancer.  Harrison worked as an art director, a freelance comics script-writer and editor until the mid-1950s, when the scandal of Congressional hearings focused on Bill Gaines resulted in backlash, censoring, and the demise of E.C. Comics.  Harrison moved his family to Cuautla (Morelos) Mexico in 1956, so that he could work on Deathworld, his first full-length science fiction novel.  In August of the following year, Harrison published the short story, \"The Stainless Steel Rat,\" in John W. Campbell's Astounding Science Fiction.  This work introduced Harrison's most famous character, James Boliver, alias 'Slippery Jim' DiGriz.  Campbell's positive reception buoyed Harrison into writing more science fiction stories.  He rapidly became one of \"Campbell's writers,\" a group writers  now equated with the Golden Age of American science fiction.","During the early 1960s, Deathworld, Planet of the Damned and Vendetta for the Saint appeared in serialized form.  A novel he provisionally entitled If You Can Read This, You're Too Damn Close appeared in Frederick Pohl's Galaxy as \"Starsloggers\" and in Michael Moorcock's New Worlds under the title \"Bill, the Galactic Hero.\"  In 1965, he published his first short story collection, Two Tales and Eight Tomorrows, with an introduction by Brian Aldiss.  The two writers became lifelong friends and collaborators on over 20 science fiction anthologies.  Their most famous collaboration, the Best SF Series, was published consistently from 1967-1976.","During the late 1960s, the Harrisons returned to the United States, residing in San Diego, California.  Harrison's novels Plague from Space, The Technicolor Time Machine, Captive Universe, Spaceship Medic and Make Room! Make Room! appeared in print.  The latter formed the basis of the 1973 film, Soylent Green, for which Harrison received a \"Best Dramatic Presentation\" Nebula Award (1973).","In the 1970s, Harrison taught science fiction at San Diego State College and contributed to two college texts: A Science Fiction Reader (1973) and Science Fiction Novellas (1975).  During the decade, he edited 25 science fiction anthologies, including one in honor of his mentor-patron, John W. Campbell, who died in 1971.  Two years later, he and Brian Aldiss honored Campbell by establishing the John W. Campbell Memorial Award, an annual international juried award for the best science fiction novel.","Throughout the 1980s and 1990s, Harrison published his West of Eden trilogy, the first part of his Stars and Stripes Forever trilogy, five Bill, the Galactic Hero novels, and a number of short stories.  During this period, he formed collaborations with Tom Shippey, Jack Cohen, Robert E. Myers, and Marvin Minsky.  The first full-length study of Harrison's work, Harry Harrison by Leon Stover, appeared in 1990.","A prolific author, editor, fan, critic and historian of science fiction, Harrison's professional career spans more than five decades. He was the first president of the World SF (1978-80) and was nominated for three Nebula Awards and two Hugo Awards.  In 2001, Harrison celebrated his 50th anniversary as a science fiction writer by publishing 50 in 50, an anthology of his finest short stories.  He was inducted into the SF Hall of Fame in 2003.","Note written by "],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003eHarry Harrison Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Harry Harrison Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection primarily consists of typescripts, setting copies, and copyedited proofs of many of Harrison's published and unpublished works as well as a small amount of correspondence.\u0026#xA0; Coverage of short stories dates from 1964-1987; coverage of novels dates from 1996-2002; correspondence dates from 1972-2004.\u0026#xA0; Editorial notation is prevalent throughout the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection primarily consists of typescripts, setting copies, and copyedited proofs of many of Harrison's published and unpublished works as well as a small amount of correspondence.  Coverage of short stories dates from 1964-1987; coverage of novels dates from 1996-2002; correspondence dates from 1972-2004.  Editorial notation is prevalent throughout the collection."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_64c0cb274364750baf6307962fdbc5a1\"\u003eThe papers of science fiction writer Harry Harrison, who was probably best known for his Stainless Steel Rat character. The collection primarily consists of typescripts, setting copies, and copyedited proofs of many of Harrison's published and unpublished works as well as a small amount of correspondence.\u0026#xA0;\u003c/abstract\u003e"],"abstract_tesim":["The papers of science fiction writer Harry Harrison, who was probably best known for his Stainless Steel Rat character. The collection primarily consists of typescripts, setting copies, and copyedited proofs of many of Harrison's published and unpublished works as well as a small amount of correspondence. "],"names_ssim":["USF Libraries - Tampa Special Collections","Harrison, Harry (1925-2012)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Harrison, Harry (1925-2012)"],"persname_ssim":["Harrison, Harry (1925-2012)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":124,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863117407223808,"_root_":"cfc95d7f733d790136ba73f5","timestamp":"2026-07-16T09:28:24.581Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"cfc95d7f733d790136ba73f5","title_ssm":["Harry Harrison collection"],"title_tesim":["Harry Harrison collection"],"ead_ssi":"cfc95d7f733d790136ba73f5","unitdate_ssm":["1964-2004","Date acquired: 00/00/2003"],"unitdate_inclusive_ssm":["1964-2004"],"unitdate_other_ssim":["Date acquired: 00/00/2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2003-08","/repositories/2/resources/439"],"text":["MS-2003-08","/repositories/2/resources/439","Harry Harrison collection, 1964-2004, Date acquired: 00/00/2003","Science fiction -- American","Fantasy fiction -- American","Speculative fiction","The collection is organized into eleven alphabetically arranged series: Anthologies, Books, Comics, Correspondence, Courses, Essays, Lectures, Novelettes, Posters, Unpublished Manuscripts, and Videos.","Harry Harrison (1925 - 2012) was born Henry Maxwell Dempsey to Henry Leo and Ria (Kirjassoff) Harrison.  During the Depression, the elder Harrison worked intermittently as a newspaper compositor and proof-reader.  He first introduced Harry to science fiction as a seven-year-old, giving him a copy of the large-format pulp magazine Amazing Stories.  At the age of thirteen, Harry became a founding member of the Queens Chapter of the Science Fiction League; at the age of fifteen, he wrote his first fan letter, published in the Fall 1940 issue of Captain Future.","Upon graduating from Forest Hills High School (NY), Harrison was drafted into the U.S. Army Air Corps.  In 1944, while stationed in Laredo, Texas, he began studying the international language Esperanto, a lifelong pursuit and an influence on his later writings.  Discharged in 1946, Harrison eventually began studying art, attending the Manhattan Cartoonists and Illustrators School. The young illustrator teamed up with Wally Wood, and the two garnered the attention of Bill Gaines at E.C. Comics. Wood and Harrison persuaded Gaines to create a science fiction comic, and the editor responded with Weird Science.","Harrison's gradual move from illustration to writing began in the early 1950s when he was a member of the legendary New York Hydra Club (1946-1957/58),  founded in Frederick Pohl's Greenwich Village apartment.  During this period, Harrison developed an illness that limited his drawing abilities.  Using a typewriter, he wrote a short story called \"I Walk through the Rocks,\" which he sold to fellow Hydra member Damon Knight for $100.  Worlds Beyond published the story under the title \"Rock Diver\" in February 1951.  Harrison's second science fiction story, published under the pseudonym Felix Boyd, appeared in the September 1953 issue of  Rocket Stories.","In June 1954, Harrison married Joan Merkler, a dress designer and ballet dancer.  Harrison worked as an art director, a freelance comics script-writer and editor until the mid-1950s, when the scandal of Congressional hearings focused on Bill Gaines resulted in backlash, censoring, and the demise of E.C. Comics.  Harrison moved his family to Cuautla (Morelos) Mexico in 1956, so that he could work on Deathworld, his first full-length science fiction novel.  In August of the following year, Harrison published the short story, \"The Stainless Steel Rat,\" in John W. Campbell's Astounding Science Fiction.  This work introduced Harrison's most famous character, James Boliver, alias 'Slippery Jim' DiGriz.  Campbell's positive reception buoyed Harrison into writing more science fiction stories.  He rapidly became one of \"Campbell's writers,\" a group writers  now equated with the Golden Age of American science fiction.","During the early 1960s, Deathworld, Planet of the Damned and Vendetta for the Saint appeared in serialized form.  A novel he provisionally entitled If You Can Read This, You're Too Damn Close appeared in Frederick Pohl's Galaxy as \"Starsloggers\" and in Michael Moorcock's New Worlds under the title \"Bill, the Galactic Hero.\"  In 1965, he published his first short story collection, Two Tales and Eight Tomorrows, with an introduction by Brian Aldiss.  The two writers became lifelong friends and collaborators on over 20 science fiction anthologies.  Their most famous collaboration, the Best SF Series, was published consistently from 1967-1976.","During the late 1960s, the Harrisons returned to the United States, residing in San Diego, California.  Harrison's novels Plague from Space, The Technicolor Time Machine, Captive Universe, Spaceship Medic and Make Room! Make Room! appeared in print.  The latter formed the basis of the 1973 film, Soylent Green, for which Harrison received a \"Best Dramatic Presentation\" Nebula Award (1973).","In the 1970s, Harrison taught science fiction at San Diego State College and contributed to two college texts: A Science Fiction Reader (1973) and Science Fiction Novellas (1975).  During the decade, he edited 25 science fiction anthologies, including one in honor of his mentor-patron, John W. Campbell, who died in 1971.  Two years later, he and Brian Aldiss honored Campbell by establishing the John W. Campbell Memorial Award, an annual international juried award for the best science fiction novel.","Throughout the 1980s and 1990s, Harrison published his West of Eden trilogy, the first part of his Stars and Stripes Forever trilogy, five Bill, the Galactic Hero novels, and a number of short stories.  During this period, he formed collaborations with Tom Shippey, Jack Cohen, Robert E. Myers, and Marvin Minsky.  The first full-length study of Harrison's work, Harry Harrison by Leon Stover, appeared in 1990.","A prolific author, editor, fan, critic and historian of science fiction, Harrison's professional career spans more than five decades. He was the first president of the World SF (1978-80) and was nominated for three Nebula Awards and two Hugo Awards.  In 2001, Harrison celebrated his 50th anniversary as a science fiction writer by publishing 50 in 50, an anthology of his finest short stories.  He was inducted into the SF Hall of Fame in 2003.","Note written by ","published","This collection primarily consists of typescripts, setting copies, and copyedited proofs of many of Harrison's published and unpublished works as well as a small amount of correspondence.  Coverage of short stories dates from 1964-1987; coverage of novels dates from 1996-2002; correspondence dates from 1972-2004.  Editorial notation is prevalent throughout the collection.","None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","The papers of science fiction writer Harry Harrison, who was probably best known for his Stainless Steel Rat character. The collection primarily consists of typescripts, setting copies, and copyedited proofs of many of Harrison's published and unpublished works as well as a small amount of correspondence. ","USF Libraries - Tampa Special Collections","Harrison, Harry (1925-2012)","English"],"unitid_tesim":["MS-2003-08","/repositories/2/resources/439"],"normalized_date_ssm":["1964-2004, Date acquired: 00/00/2003"],"normalized_title_ssm":["Harry Harrison collection, 1964-2004, Date acquired: 00/00/2003"],"collection_title_tesim":["Harry Harrison collection, 1964-2004, Date acquired: 00/00/2003"],"collection_ssim":["Harry Harrison collection, 1964-2004, Date acquired: 00/00/2003"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Harrison, Harry (1925-2012)"],"creator_ssim":["Harrison, Harry (1925-2012)"],"creator_persname_ssim":["Harrison, Harry (1925-2012)"],"creators_ssim":["Harrison, Harry (1925-2012)"],"access_terms_ssm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Harry Harrison and David Merkler","Donation."],"access_subjects_ssim":["Science fiction -- American","Fantasy fiction -- American","Speculative fiction"],"access_subjects_ssm":["Science fiction -- American","Fantasy fiction -- American","Speculative fiction"],"has_online_content_ssim":["false"],"extent_ssm":["10.00 Linear Feet","17 boxes"],"extent_tesim":["10.00 Linear Feet","17 boxes"],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into eleven alphabetically arranged series: Anthologies, Books, Comics, Correspondence, Courses, Essays, Lectures, Novelettes, Posters, Unpublished Manuscripts, and Videos.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is organized into eleven alphabetically arranged series: Anthologies, Books, Comics, Correspondence, Courses, Essays, Lectures, Novelettes, Posters, Unpublished Manuscripts, and Videos."],"bioghist_html_tesm":["\u003cp\u003eHarry Harrison (1925 - 2012) was born Henry Maxwell Dempsey to Henry Leo and Ria (Kirjassoff) Harrison.  During the Depression, the elder Harrison worked intermittently as a newspaper compositor and proof-reader.  He first introduced Harry to science fiction as a seven-year-old, giving him a copy of the large-format pulp magazine Amazing Stories.  At the age of thirteen, Harry became a founding member of the Queens Chapter of the Science Fiction League; at the age of fifteen, he wrote his first fan letter, published in the Fall 1940 issue of Captain Future.\u003c/p\u003e\n","\u003cp\u003eUpon graduating from Forest Hills High School (NY), Harrison was drafted into the U.S. Army Air Corps.  In 1944, while stationed in Laredo, Texas, he began studying the international language Esperanto, a lifelong pursuit and an influence on his later writings.  Discharged in 1946, Harrison eventually began studying art, attending the Manhattan Cartoonists and Illustrators School. The young illustrator teamed up with Wally Wood, and the two garnered the attention of Bill Gaines at E.C. Comics. Wood and Harrison persuaded Gaines to create a science fiction comic, and the editor responded with Weird Science.\u003c/p\u003e\n","\u003cp\u003eHarrison's gradual move from illustration to writing began in the early 1950s when he was a member of the legendary New York Hydra Club (1946-1957/58),  founded in Frederick Pohl's Greenwich Village apartment.  During this period, Harrison developed an illness that limited his drawing abilities.  Using a typewriter, he wrote a short story called \"I Walk through the Rocks,\" which he sold to fellow Hydra member Damon Knight for $100.  Worlds Beyond published the story under the title \"Rock Diver\" in February 1951.  Harrison's second science fiction story, published under the pseudonym Felix Boyd, appeared in the September 1953 issue of  Rocket Stories.\u003c/p\u003e\n","\u003cp\u003eIn June 1954, Harrison married Joan Merkler, a dress designer and ballet dancer.  Harrison worked as an art director, a freelance comics script-writer and editor until the mid-1950s, when the scandal of Congressional hearings focused on Bill Gaines resulted in backlash, censoring, and the demise of E.C. Comics.  Harrison moved his family to Cuautla (Morelos) Mexico in 1956, so that he could work on Deathworld, his first full-length science fiction novel.  In August of the following year, Harrison published the short story, \"The Stainless Steel Rat,\" in John W. Campbell's Astounding Science Fiction.  This work introduced Harrison's most famous character, James Boliver, alias 'Slippery Jim' DiGriz.  Campbell's positive reception buoyed Harrison into writing more science fiction stories.  He rapidly became one of \"Campbell's writers,\" a group writers  now equated with the Golden Age of American science fiction.\u003c/p\u003e\n","\u003cp\u003eDuring the early 1960s, Deathworld, Planet of the Damned and Vendetta for the Saint appeared in serialized form.  A novel he provisionally entitled If You Can Read This, You're Too Damn Close appeared in Frederick Pohl's Galaxy as \"Starsloggers\" and in Michael Moorcock's New Worlds under the title \"Bill, the Galactic Hero.\"  In 1965, he published his first short story collection, Two Tales and Eight Tomorrows, with an introduction by Brian Aldiss.  The two writers became lifelong friends and collaborators on over 20 science fiction anthologies.  Their most famous collaboration, the Best SF Series, was published consistently from 1967-1976.\u003c/p\u003e\n","\u003cp\u003eDuring the late 1960s, the Harrisons returned to the United States, residing in San Diego, California.  Harrison's novels Plague from Space, The Technicolor Time Machine, Captive Universe, Spaceship Medic and Make Room! Make Room! appeared in print.  The latter formed the basis of the 1973 film, Soylent Green, for which Harrison received a \"Best Dramatic Presentation\" Nebula Award (1973).\u003c/p\u003e\n","\u003cp\u003eIn the 1970s, Harrison taught science fiction at San Diego State College and contributed to two college texts: A Science Fiction Reader (1973) and Science Fiction Novellas (1975).  During the decade, he edited 25 science fiction anthologies, including one in honor of his mentor-patron, John W. Campbell, who died in 1971.  Two years later, he and Brian Aldiss honored Campbell by establishing the John W. Campbell Memorial Award, an annual international juried award for the best science fiction novel.\u003c/p\u003e\n","\u003cp\u003eThroughout the 1980s and 1990s, Harrison published his West of Eden trilogy, the first part of his Stars and Stripes Forever trilogy, five Bill, the Galactic Hero novels, and a number of short stories.  During this period, he formed collaborations with Tom Shippey, Jack Cohen, Robert E. Myers, and Marvin Minsky.  The first full-length study of Harrison's work, Harry Harrison by Leon Stover, appeared in 1990.\u003c/p\u003e\n","\u003cp\u003eA prolific author, editor, fan, critic and historian of science fiction, Harrison's professional career spans more than five decades. He was the first president of the World SF (1978-80) and was nominated for three Nebula Awards and two Hugo Awards.  In 2001, Harrison celebrated his 50th anniversary as a science fiction writer by publishing 50 in 50, an anthology of his finest short stories.  He was inducted into the SF Hall of Fame in 2003.\u003c/p\u003e\n","\u003cp\u003eNote written by \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Harry Harrison (1925 - 2012) was born Henry Maxwell Dempsey to Henry Leo and Ria (Kirjassoff) Harrison.  During the Depression, the elder Harrison worked intermittently as a newspaper compositor and proof-reader.  He first introduced Harry to science fiction as a seven-year-old, giving him a copy of the large-format pulp magazine Amazing Stories.  At the age of thirteen, Harry became a founding member of the Queens Chapter of the Science Fiction League; at the age of fifteen, he wrote his first fan letter, published in the Fall 1940 issue of Captain Future.","Upon graduating from Forest Hills High School (NY), Harrison was drafted into the U.S. Army Air Corps.  In 1944, while stationed in Laredo, Texas, he began studying the international language Esperanto, a lifelong pursuit and an influence on his later writings.  Discharged in 1946, Harrison eventually began studying art, attending the Manhattan Cartoonists and Illustrators School. The young illustrator teamed up with Wally Wood, and the two garnered the attention of Bill Gaines at E.C. Comics. Wood and Harrison persuaded Gaines to create a science fiction comic, and the editor responded with Weird Science.","Harrison's gradual move from illustration to writing began in the early 1950s when he was a member of the legendary New York Hydra Club (1946-1957/58),  founded in Frederick Pohl's Greenwich Village apartment.  During this period, Harrison developed an illness that limited his drawing abilities.  Using a typewriter, he wrote a short story called \"I Walk through the Rocks,\" which he sold to fellow Hydra member Damon Knight for $100.  Worlds Beyond published the story under the title \"Rock Diver\" in February 1951.  Harrison's second science fiction story, published under the pseudonym Felix Boyd, appeared in the September 1953 issue of  Rocket Stories.","In June 1954, Harrison married Joan Merkler, a dress designer and ballet dancer.  Harrison worked as an art director, a freelance comics script-writer and editor until the mid-1950s, when the scandal of Congressional hearings focused on Bill Gaines resulted in backlash, censoring, and the demise of E.C. Comics.  Harrison moved his family to Cuautla (Morelos) Mexico in 1956, so that he could work on Deathworld, his first full-length science fiction novel.  In August of the following year, Harrison published the short story, \"The Stainless Steel Rat,\" in John W. Campbell's Astounding Science Fiction.  This work introduced Harrison's most famous character, James Boliver, alias 'Slippery Jim' DiGriz.  Campbell's positive reception buoyed Harrison into writing more science fiction stories.  He rapidly became one of \"Campbell's writers,\" a group writers  now equated with the Golden Age of American science fiction.","During the early 1960s, Deathworld, Planet of the Damned and Vendetta for the Saint appeared in serialized form.  A novel he provisionally entitled If You Can Read This, You're Too Damn Close appeared in Frederick Pohl's Galaxy as \"Starsloggers\" and in Michael Moorcock's New Worlds under the title \"Bill, the Galactic Hero.\"  In 1965, he published his first short story collection, Two Tales and Eight Tomorrows, with an introduction by Brian Aldiss.  The two writers became lifelong friends and collaborators on over 20 science fiction anthologies.  Their most famous collaboration, the Best SF Series, was published consistently from 1967-1976.","During the late 1960s, the Harrisons returned to the United States, residing in San Diego, California.  Harrison's novels Plague from Space, The Technicolor Time Machine, Captive Universe, Spaceship Medic and Make Room! Make Room! appeared in print.  The latter formed the basis of the 1973 film, Soylent Green, for which Harrison received a \"Best Dramatic Presentation\" Nebula Award (1973).","In the 1970s, Harrison taught science fiction at San Diego State College and contributed to two college texts: A Science Fiction Reader (1973) and Science Fiction Novellas (1975).  During the decade, he edited 25 science fiction anthologies, including one in honor of his mentor-patron, John W. Campbell, who died in 1971.  Two years later, he and Brian Aldiss honored Campbell by establishing the John W. Campbell Memorial Award, an annual international juried award for the best science fiction novel.","Throughout the 1980s and 1990s, Harrison published his West of Eden trilogy, the first part of his Stars and Stripes Forever trilogy, five Bill, the Galactic Hero novels, and a number of short stories.  During this period, he formed collaborations with Tom Shippey, Jack Cohen, Robert E. Myers, and Marvin Minsky.  The first full-length study of Harrison's work, Harry Harrison by Leon Stover, appeared in 1990.","A prolific author, editor, fan, critic and historian of science fiction, Harrison's professional career spans more than five decades. He was the first president of the World SF (1978-80) and was nominated for three Nebula Awards and two Hugo Awards.  In 2001, Harrison celebrated his 50th anniversary as a science fiction writer by publishing 50 in 50, an anthology of his finest short stories.  He was inducted into the SF Hall of Fame in 2003.","Note written by "],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003eHarry Harrison Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Harry Harrison Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection primarily consists of typescripts, setting copies, and copyedited proofs of many of Harrison's published and unpublished works as well as a small amount of correspondence.\u0026#xA0; Coverage of short stories dates from 1964-1987; coverage of novels dates from 1996-2002; correspondence dates from 1972-2004.\u0026#xA0; Editorial notation is prevalent throughout the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection primarily consists of typescripts, setting copies, and copyedited proofs of many of Harrison's published and unpublished works as well as a small amount of correspondence.  Coverage of short stories dates from 1964-1987; coverage of novels dates from 1996-2002; correspondence dates from 1972-2004.  Editorial notation is prevalent throughout the collection."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_64c0cb274364750baf6307962fdbc5a1\"\u003eThe papers of science fiction writer Harry Harrison, who was probably best known for his Stainless Steel Rat character. The collection primarily consists of typescripts, setting copies, and copyedited proofs of many of Harrison's published and unpublished works as well as a small amount of correspondence.\u0026#xA0;\u003c/abstract\u003e"],"abstract_tesim":["The papers of science fiction writer Harry Harrison, who was probably best known for his Stainless Steel Rat character. The collection primarily consists of typescripts, setting copies, and copyedited proofs of many of Harrison's published and unpublished works as well as a small amount of correspondence. "],"names_ssim":["USF Libraries - Tampa Special Collections","Harrison, Harry (1925-2012)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Harrison, Harry (1925-2012)"],"persname_ssim":["Harrison, Harry (1925-2012)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":124,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863117407223808,"_root_":"cfc95d7f733d790136ba73f5","timestamp":"2026-07-16T09:28:24.581Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/cfc95d7f733d790136ba73f5"}},{"id":"ed077e60eb73ac6816605368_aspace_5eaf0ad78284802614567c90701ea29f","type":"File","attributes":{"title":"Harvesting (1 of 2), 1967-2002","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ed077e60eb73ac6816605368_aspace_5eaf0ad78284802614567c90701ea29f#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5eaf0ad78284802614567c90701ea29f","ref_ssm":["aspace_5eaf0ad78284802614567c90701ea29f","aspace_5eaf0ad78284802614567c90701ea29f"],"id":"ed077e60eb73ac6816605368_aspace_5eaf0ad78284802614567c90701ea29f","title_filing_ssi":"Harvesting (1 of 2)","title_ssm":["Harvesting (1 of 2)"],"title_tesim":["Harvesting (1 of 2)"],"unitdate_inclusive_ssm":["1967-2002"],"normalized_date_ssm":["1967-2002"],"normalized_title_ssm":["Harvesting (1 of 2), 1967-2002"],"text":["Harvesting (1 of 2), 1967-2002","Glenn Coppock Collection, 1949-2007","Press Clippings","/repositories/3/archival_objects/25323","box 1","folder 16"],"component_level_isim":[2],"parent_ids_ssim":["ed077e60eb73ac6816605368","ed077e60eb73ac6816605368_aspace_a56711347e2eac7cd086f120d2b3cde0"],"parent_unittitles_ssm":["Glenn Coppock Collection, 1949-2007","Press Clippings"],"parent_unittitles_tesim":["Glenn Coppock Collection, 1949-2007","Press Clippings"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/25323"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"collection_ssim":["Glenn Coppock Collection, 1949-2007"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":18,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"containers_ssim":["box 1","folder 16"],"_nest_path_":"/components#1/components#4","_nest_parent_":"ed077e60eb73ac6816605368_aspace_a56711347e2eac7cd086f120d2b3cde0","_root_":"ed077e60eb73ac6816605368","_version_":1870852009075146752,"timestamp":"2026-07-16T06:31:50.851Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ed077e60eb73ac6816605368","title_ssm":["Glenn Coppock Collection"],"title_tesim":["Glenn Coppock Collection"],"ead_ssi":"ed077e60eb73ac6816605368","unitdate_ssm":["1949-2007"],"unitdate_inclusive_ssm":["1949-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["CIT5050","/repositories/3/resources/134"],"text":["CIT5050","/repositories/3/resources/134","Glenn Coppock Collection, 1949-2007","Citrus fruits--Harvesting--Florida","Citrus fruits--Harvesting--Florida","Agricultural chemicals--Florida","Citrus fruit industry--Florida--History.","Engineering drawings--Florida","Photographs","Slides (photographs)","Newspaper clippings","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials.","Glenn Coppock was a professional researcher and a mechanical engineer who focused on new technologies for harvesting citrus fruits.  He was heavily involved in the Citrus Processors' Association, the American Society of Association Executives (ASAE), and the Florida Citrus Commission.","This collection contains comprehensive information relating to the development of mechanical harvesting machinery and the process of invention and marketing.  It has detailed records of various designs for machinery, as well as the abscission chemicals used to make mechanical harvesting easier.  It also contains photographs of machinery in use.","This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Thomas B. Mack Florida Citrus Archives","English"],"unitid_tesim":["CIT5050","/repositories/3/resources/134"],"normalized_date_ssm":["1949-2007"],"normalized_title_ssm":["Glenn Coppock Collection, 1949-2007"],"collection_title_tesim":["Glenn Coppock Collection, 1949-2007"],"collection_ssim":["Glenn Coppock Collection, 1949-2007"],"repository_ssm":["Thomas B. Mack Florida Citrus Archives"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"access_terms_ssm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["This collection was donated by Debbie DeWitte in 2012."],"access_subjects_ssim":["Citrus fruits--Harvesting--Florida","Citrus fruits--Harvesting--Florida","Agricultural chemicals--Florida","Citrus fruit industry--Florida--History.","Engineering drawings--Florida","Photographs","Slides (photographs)","Newspaper clippings"],"access_subjects_ssm":["Citrus fruits--Harvesting--Florida","Citrus fruits--Harvesting--Florida","Agricultural chemicals--Florida","Citrus fruit industry--Florida--History.","Engineering drawings--Florida","Photographs","Slides (photographs)","Newspaper clippings"],"has_online_content_ssim":["false"],"extent_ssm":[".92 Linear Feet 4 Legal Standard Archival Document Containers"],"extent_tesim":[".92 Linear Feet 4 Legal Standard Archival Document Containers"],"genreform_ssim":["Engineering drawings--Florida","Photographs","Slides (photographs)","Newspaper clippings"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. 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He was heavily involved in the Citrus Processors' Association, the American Society of Association Executives (ASAE), and the Florida Citrus Commission.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Glenn Coppock was a professional researcher and a mechanical engineer who focused on new technologies for harvesting citrus fruits.  He was heavily involved in the Citrus Processors' Association, the American Society of Association Executives (ASAE), and the Florida Citrus Commission."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains comprehensive information relating to the development of mechanical harvesting machinery and the process of invention and marketing.  It has detailed records of various designs for machinery, as well as the abscission chemicals used to make mechanical harvesting easier.  It also contains photographs of machinery in use.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains comprehensive information relating to the development of mechanical harvesting machinery and the process of invention and marketing.  It has detailed records of various designs for machinery, as well as the abscission chemicals used to make mechanical harvesting easier.  It also contains photographs of machinery in use."],"userestrict_html_tesm":["\u003cp\u003eThis collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. 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Morrison Collection, Circa 1936-2021","Morrison, Samuel F., 1936- -- Correspondence","African American librarians","Library directors","Public libraries -- Florida -- Fort Lauderdale","Public libraries -- Florida -- Frostproof","Photographs","Certificates","plaques (flat objects)","scrapbooks","Clippings","Ephemera","Periodicals","videocassettes","Sound recordings","The collection is arranged into 9 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Photographs and Scrapbooks, Series V. Printed Materials, Series VI. Awards, Series VII. Ephemera, Series VIII. Artwork, and Series IX. Audio-Visual Materials.","Samuel F. Morrison was born in Flagstaff, Arizona on December 19, 1936 to parents Travis Morrison (1909-1953) and Esther Porter (1919-circa 2000). He had one sister, Pearl Lorraine Morrison Pitts (1938-1964). His father divorced Esther and married his second wife Ruth Swain (1911-1990). Morrison was primarily raised in Phoenix, Arizona. His family moved several times due to his father's job at munitions plants. He graduated from Compton High School in Los Angeles, California in 1952. Morrison earned an associate degree from Compton Junior College in 1955. Morrison entered the United States Air Force and served from 1955 to 1959. For three of those years in the service, he was stationed in Morocco and helped manage the library on the Air Force base. In 1970, he received his bachelor's degree in English from California State University. Morrison earned a Master's degree in Library Science from the University of Illinois at Urbana–Champaign in 1972 and attended the John F. Kennedy School of Government at Harvard University completing coursework in 1989. ","From 1972-1974, Morrison worked as a library director at the Frostproof Living Learning Library Center in Frostproof, Florida. He built a library and initiated outreach services for the African American and Hispanic migrant communities. In 1974, Morrison became the assistant director of Broward County Library in Broward County, Florida and served as deputy director from 1976-1987. He assisted in the growth of Broward County Library from 2 branches to 25 branches during this time. He also managed the formation of the new Main Library branch in downtown Fort Lauderdale, Florida.","Morrison lead in the construction of the Chicago Public Library's Harold Washington Library Center and became the library's chief director from 1987 to 1990. In 1990, Morrison returned to Broward County as director of Broward County Library and worked in that position until his retirement in 2003. Under his leadership, Broward County Library was awarded \"Library of the Year\" in 1996 and grew to 38 branches. During his tenure as director, Morrison fundraised for the creation of the African American Research Library and Cultural Center, which serves as a public library as well as a special collections research center dedicated to the history and culture of the African diaspora. He attended the library's groundbreaking ceremony on October 23, 1999 and opening day on October 26, 2002.","Samuel F. Morrison actively participated in local and national organizations during his career. He served in the Fort Lauderdale Chapter of the NAACP, Urban League of Broward County, Florida Library Association (FLA), and American Library Association (ALA). He was president of the Florida Library Association in 1981. Morrison received awards and recognition including the FLA Lifetime Achievement Award, DEMCO/ALA Black Caucus Award for Excellence in Librarianship, Leadership Foundation Broward \"Leader of the Year\" Award, and the African American Achievers Award.","Morrison married Judith Moore in 1964 and divorced in 1985. He and his former wife had no children.\n ","This collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Samuel F. Morrison Collection in the Broward County Library Digital Archives.","The Samuel F. Morrison Collection is comprised of materials primarily dating from the 1970s to 2010s including correspondence, books, professional and personal papers, photographs, scrapbooks, plaques, ephemera, artwork, vinyl records, and VHS tapes. These materials document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the establishment of the Chicago Public Library's Harold Washington Library Center. The collection also contains materials related to Morrison's roles as director of the Frostproof Living Learning Library Center in Frostproof, Florida from 1972 to 1974, the assistant/deputy director of Broward County Library in Broward County, Florida from 1974 to 1987, the Chicago Public Library's Harold Washington Library Center's chief director from 1987 to 1990, and Director of the Broward County Library from 1990 to 2003. Also included are items related to Morrison's participation and leadership in local and national organizations.","Books from the Morrison collection were cataloged in the Broward County Library catalog with the prefix \"SFM\".","The Samuel F. Morrison Collection is open for research.","The Samuel F. Morrison Collection contains materials primarily dating from the 1970s to 2010s that document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the Chicago Public Library's Harold Washington Library Center.","AARLCC Special Collections","Broward County Library","African American Research Library and Cultural Center","Chicago Public Library. Harold Washington Library Center","Morrison, Samuel F., 1936-","English"],"unitid_tesim":["AARLCC.2003.27","/repositories/2/resources/28"],"normalized_date_ssm":["Circa 1936-2021"],"normalized_title_ssm":["Samuel F. Morrison Collection, Circa 1936-2021"],"collection_title_tesim":["Samuel F. Morrison Collection, Circa 1936-2021"],"collection_ssim":["Samuel F. Morrison Collection, Circa 1936-2021"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"access_terms_ssm":["The Samuel F. Morrison Collection is open for research."],"acqinfo_ssim":["Samuel F. Morrison donated the materials to the AARLCC Special Collections."],"access_subjects_ssim":["Morrison, Samuel F., 1936- -- Correspondence","African American librarians","Library directors","Public libraries -- Florida -- Fort Lauderdale","Public libraries -- Florida -- Frostproof","Photographs","Certificates","plaques (flat objects)","scrapbooks","Clippings","Ephemera","Periodicals","videocassettes","Sound recordings"],"access_subjects_ssm":["Morrison, Samuel F., 1936- -- Correspondence","African American librarians","Library directors","Public libraries -- Florida -- Fort Lauderdale","Public libraries -- Florida -- Frostproof","Photographs","Certificates","plaques (flat objects)","scrapbooks","Clippings","Ephemera","Periodicals","videocassettes","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["67 Hollinger Boxes"],"extent_tesim":["67 Hollinger Boxes"],"genreform_ssim":["Photographs","Certificates","plaques (flat objects)","scrapbooks","Clippings","Ephemera","Periodicals","videocassettes","Sound recordings"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 9 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Photographs and Scrapbooks, Series V. Printed Materials, Series VI. Awards, Series VII. Ephemera, Series VIII. Artwork, and Series IX. Audio-Visual Materials.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 9 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Photographs and Scrapbooks, Series V. Printed Materials, Series VI. Awards, Series VII. Ephemera, Series VIII. Artwork, and Series IX. Audio-Visual Materials."],"bioghist_html_tesm":["\u003cp\u003eSamuel F. Morrison was born in Flagstaff, Arizona on December 19, 1936 to parents Travis Morrison (1909-1953) and Esther Porter (1919-circa 2000). He had one sister, Pearl Lorraine Morrison Pitts (1938-1964). His father divorced Esther and married his second wife Ruth Swain (1911-1990). Morrison was primarily raised in Phoenix, Arizona. His family moved several times due to his father's job at munitions plants. He graduated from Compton High School in Los Angeles, California in 1952. Morrison earned an associate degree from Compton Junior College in 1955. Morrison entered the United States Air Force and served from 1955 to 1959. For three of those years in the service, he was stationed in Morocco and helped manage the library on the Air Force base. In 1970, he received his bachelor's degree in English from California State University. Morrison earned a Master's degree in Library Science from the University of Illinois at Urbana\u0026#x2013;Champaign in 1972 and attended the John F. Kennedy School of Government at Harvard University completing coursework in 1989. \u003c/p\u003e\n","\u003cp\u003eFrom 1972-1974, Morrison worked as a library director at the Frostproof Living Learning Library Center in Frostproof, Florida. He built a library and initiated outreach services for the African American and Hispanic migrant communities. In 1974, Morrison became the assistant director of Broward County Library in Broward County, Florida and served as deputy director from 1976-1987. He assisted in the growth of Broward County Library from 2 branches to 25 branches during this time. He also managed the formation of the new Main Library branch in downtown Fort Lauderdale, Florida.\u003c/p\u003e\n","\u003cp\u003eMorrison lead in the construction of the Chicago Public Library's Harold Washington Library Center and became the library's chief director from 1987 to 1990. In 1990, Morrison returned to Broward County as director of Broward County Library and worked in that position until his retirement in 2003. Under his leadership, Broward County Library was awarded \"Library of the Year\" in 1996 and grew to 38 branches. During his tenure as director, Morrison fundraised for the creation of the African American Research Library and Cultural Center, which serves as a public library as well as a special collections research center dedicated to the history and culture of the African diaspora. He attended the library's groundbreaking ceremony on October 23, 1999 and opening day on October 26, 2002.\u003c/p\u003e\n","\u003cp\u003eSamuel F. Morrison actively participated in local and national organizations during his career. He served in the Fort Lauderdale Chapter of the NAACP, Urban League of Broward County, Florida Library Association (FLA), and American Library Association (ALA). He was president of the Florida Library Association in 1981. Morrison received awards and recognition including the FLA Lifetime Achievement Award, DEMCO/ALA Black Caucus Award for Excellence in Librarianship, Leadership Foundation Broward \"Leader of the Year\" Award, and the African American Achievers Award.\u003c/p\u003e\n","\u003cp\u003eMorrison married Judith Moore in 1964 and divorced in 1985. He and his former wife had no children.\n \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Samuel F. Morrison was born in Flagstaff, Arizona on December 19, 1936 to parents Travis Morrison (1909-1953) and Esther Porter (1919-circa 2000). He had one sister, Pearl Lorraine Morrison Pitts (1938-1964). His father divorced Esther and married his second wife Ruth Swain (1911-1990). Morrison was primarily raised in Phoenix, Arizona. His family moved several times due to his father's job at munitions plants. He graduated from Compton High School in Los Angeles, California in 1952. Morrison earned an associate degree from Compton Junior College in 1955. Morrison entered the United States Air Force and served from 1955 to 1959. For three of those years in the service, he was stationed in Morocco and helped manage the library on the Air Force base. In 1970, he received his bachelor's degree in English from California State University. Morrison earned a Master's degree in Library Science from the University of Illinois at Urbana–Champaign in 1972 and attended the John F. Kennedy School of Government at Harvard University completing coursework in 1989. ","From 1972-1974, Morrison worked as a library director at the Frostproof Living Learning Library Center in Frostproof, Florida. He built a library and initiated outreach services for the African American and Hispanic migrant communities. In 1974, Morrison became the assistant director of Broward County Library in Broward County, Florida and served as deputy director from 1976-1987. He assisted in the growth of Broward County Library from 2 branches to 25 branches during this time. He also managed the formation of the new Main Library branch in downtown Fort Lauderdale, Florida.","Morrison lead in the construction of the Chicago Public Library's Harold Washington Library Center and became the library's chief director from 1987 to 1990. In 1990, Morrison returned to Broward County as director of Broward County Library and worked in that position until his retirement in 2003. Under his leadership, Broward County Library was awarded \"Library of the Year\" in 1996 and grew to 38 branches. During his tenure as director, Morrison fundraised for the creation of the African American Research Library and Cultural Center, which serves as a public library as well as a special collections research center dedicated to the history and culture of the African diaspora. He attended the library's groundbreaking ceremony on October 23, 1999 and opening day on October 26, 2002.","Samuel F. Morrison actively participated in local and national organizations during his career. He served in the Fort Lauderdale Chapter of the NAACP, Urban League of Broward County, Florida Library Association (FLA), and American Library Association (ALA). He was president of the Florida Library Association in 1981. Morrison received awards and recognition including the FLA Lifetime Achievement Award, DEMCO/ALA Black Caucus Award for Excellence in Librarianship, Leadership Foundation Broward \"Leader of the Year\" Award, and the African American Achievers Award.","Morrison married Judith Moore in 1964 and divorced in 1985. He and his former wife had no children.\n "],"prefercite_html_tesm":["\u003cp\u003eSamuel F. Morrison Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Samuel F. Morrison Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll26/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Samuel F. Morrison Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digitized Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Samuel F. Morrison Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Samuel F. Morrison Collection is comprised of materials primarily dating from the 1970s to 2010s including correspondence, books, professional and personal papers, photographs, scrapbooks, plaques, ephemera, artwork, vinyl records, and VHS tapes. These materials document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the establishment of the Chicago Public Library's Harold Washington Library Center. The collection also contains materials related to Morrison's roles as director of the Frostproof Living Learning Library Center in Frostproof, Florida from 1972 to 1974, the assistant/deputy director of Broward County Library in Broward County, Florida from 1974 to 1987, the Chicago Public Library's Harold Washington Library Center's chief director from 1987 to 1990, and Director of the Broward County Library from 1990 to 2003. Also included are items related to Morrison's participation and leadership in local and national organizations.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Samuel F. Morrison Collection is comprised of materials primarily dating from the 1970s to 2010s including correspondence, books, professional and personal papers, photographs, scrapbooks, plaques, ephemera, artwork, vinyl records, and VHS tapes. These materials document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the establishment of the Chicago Public Library's Harold Washington Library Center. The collection also contains materials related to Morrison's roles as director of the Frostproof Living Learning Library Center in Frostproof, Florida from 1972 to 1974, the assistant/deputy director of Broward County Library in Broward County, Florida from 1974 to 1987, the Chicago Public Library's Harold Washington Library Center's chief director from 1987 to 1990, and Director of the Broward County Library from 1990 to 2003. Also included are items related to Morrison's participation and leadership in local and national organizations."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default\" target=\"_blank\"\u003eBooks from the Morrison collection were cataloged in the Broward County Library catalog with the prefix \"SFM\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books from the Morrison collection were cataloged in the Broward County Library catalog with the prefix \"SFM\"."],"userestrict_html_tesm":["\u003cp\u003eThe Samuel F. Morrison Collection is open for research.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Samuel F. Morrison Collection is open for research."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e2606958532f5daaff3ca0844861a4b4\"\u003eThe Samuel F. Morrison Collection contains materials primarily dating from the 1970s to 2010s that document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the Chicago Public Library's Harold Washington Library Center.\u003c/abstract\u003e"],"abstract_tesim":["The Samuel F. Morrison Collection contains materials primarily dating from the 1970s to 2010s that document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the Chicago Public Library's Harold Washington Library Center."],"names_coll_ssim":["Broward County Library","African American Research Library and Cultural Center","Chicago Public Library. Harold Washington Library Center","Morrison, Samuel F., 1936-"],"names_ssim":["AARLCC Special Collections","Broward County Library","African American Research Library and Cultural Center","Chicago Public Library. Harold Washington Library Center","Morrison, Samuel F., 1936-"],"corpname_ssim":["AARLCC Special Collections","Broward County Library","African American Research Library and Cultural Center","Chicago Public Library. Harold Washington Library Center"],"persname_ssim":["Morrison, Samuel F., 1936-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":782,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455835659403264,"_root_":"5bfec06960a94373aa1cd96c","timestamp":"2026-09-16T03:02:16.331Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5bfec06960a94373aa1cd96c_aspace_134330da63953e07c6ba8d9324698eaa"}},{"id":"8a73df5bac3fcd9650e65378_aspace_1eee2fef5df536a3535667f4423da09a","type":"File","attributes":{"title":"Hasterlik Family Correspondence and Papers, 1996- 2004","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378_aspace_1eee2fef5df536a3535667f4423da09a#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis folder contains a book written by Heimito von Doderer which includes photographs from the Hasterlik family, including a photograph which shows Heimito and Auguste \"Gusti\" Hasterlik together shortly after their marriage. There is a letter from Steven Spielberg to Giulia Koritsconer about the Hasterlik controbution to the Spielberg Foundation Holocaust Video Tape Project. There is correspondence between Barbara Hass and the United States Holocaust Museum about the Hasterlik-Hine colletion. There is a letter from Mac Heine to Giulia detailing family events during World War II. There is a newsletter about Chris Raetz receiving the Avanti Award, which includes a photograph of him. There are copies of the documents which were awarded to Robert Koritschoner by the Selective Service System. There is a photograph of Giulia Koritschoner from 2004 and an interview with Edith Cory-King. There is a note written by Richard C. McCall, a mentee of Gerald Hine, describing his experiences studying under Gerald. There are 39 book plates belonging to Robert Koritschoner, in addition to a list of Robert's posessions which was found among his papers.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378_aspace_1eee2fef5df536a3535667f4423da09a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1eee2fef5df536a3535667f4423da09a","ref_ssm":["aspace_1eee2fef5df536a3535667f4423da09a","aspace_1eee2fef5df536a3535667f4423da09a"],"id":"8a73df5bac3fcd9650e65378_aspace_1eee2fef5df536a3535667f4423da09a","title_filing_ssi":"Hasterlik Family Correspondence and Papers","title_ssm":["Hasterlik Family Correspondence and Papers"],"title_tesim":["Hasterlik Family Correspondence and Papers"],"unitdate_inclusive_ssm":["1996- 2004"],"normalized_date_ssm":["1996- 2004"],"normalized_title_ssm":["Hasterlik Family Correspondence and Papers, 1996- 2004"],"text":["Hasterlik Family Correspondence and Papers, 1996- 2004","Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04","007","/repositories/10/archival_objects/180847","98.0729 Box 9","folder 007","This folder contains a book written by Heimito von Doderer which includes photographs from the Hasterlik family, including a photograph which shows Heimito and Auguste \"Gusti\" Hasterlik together shortly after their marriage. There is a letter from Steven Spielberg to Giulia Koritsconer about the Hasterlik controbution to the Spielberg Foundation Holocaust Video Tape Project. There is correspondence between Barbara Hass and the United States Holocaust Museum about the Hasterlik-Hine colletion. There is a letter from Mac Heine to Giulia detailing family events during World War II. There is a newsletter about Chris Raetz receiving the Avanti Award, which includes a photograph of him. There are copies of the documents which were awarded to Robert Koritschoner by the Selective Service System. There is a photograph of Giulia Koritschoner from 2004 and an interview with Edith Cory-King. There is a note written by Richard C. McCall, a mentee of Gerald Hine, describing his experiences studying under Gerald. There are 39 book plates belonging to Robert Koritschoner, in addition to a list of Robert's posessions which was found among his papers."],"component_level_isim":[1],"parent_ids_ssim":["8a73df5bac3fcd9650e65378"],"parent_unittitles_ssm":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"parent_unittitles_tesim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"parent_levels_ssm":["collection"],"unitid_ssm":["007","/repositories/10/archival_objects/180847"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":109,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"date_range_isim":[1996,1997,1998,1999,2000,2001,2002,2003,2004],"containers_ssim":["98.0729 Box 9","folder 007"],"scopecontent_html_tesm":["\u003cp\u003eThis folder contains a book written by Heimito von Doderer which includes photographs from the Hasterlik family, including a photograph which shows Heimito and Auguste \"Gusti\" Hasterlik together shortly after their marriage. There is a letter from Steven Spielberg to Giulia Koritsconer about the Hasterlik controbution to the Spielberg Foundation Holocaust Video Tape Project. There is correspondence between Barbara Hass and the United States Holocaust Museum about the Hasterlik-Hine colletion. There is a letter from Mac Heine to Giulia detailing family events during World War II. There is a newsletter about Chris Raetz receiving the Avanti Award, which includes a photograph of him. There are copies of the documents which were awarded to Robert Koritschoner by the Selective Service System. There is a photograph of Giulia Koritschoner from 2004 and an interview with Edith Cory-King. There is a note written by Richard C. McCall, a mentee of Gerald Hine, describing his experiences studying under Gerald. There are 39 book plates belonging to Robert Koritschoner, in addition to a list of Robert's posessions which was found among his papers.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This folder contains a book written by Heimito von Doderer which includes photographs from the Hasterlik family, including a photograph which shows Heimito and Auguste \"Gusti\" Hasterlik together shortly after their marriage. There is a letter from Steven Spielberg to Giulia Koritsconer about the Hasterlik controbution to the Spielberg Foundation Holocaust Video Tape Project. There is correspondence between Barbara Hass and the United States Holocaust Museum about the Hasterlik-Hine colletion. There is a letter from Mac Heine to Giulia detailing family events during World War II. There is a newsletter about Chris Raetz receiving the Avanti Award, which includes a photograph of him. There are copies of the documents which were awarded to Robert Koritschoner by the Selective Service System. There is a photograph of Giulia Koritschoner from 2004 and an interview with Edith Cory-King. There is a note written by Richard C. McCall, a mentee of Gerald Hine, describing his experiences studying under Gerald. There are 39 book plates belonging to Robert Koritschoner, in addition to a list of Robert's posessions which was found among his papers."],"_nest_path_":"/components#108","_nest_parent_":"8a73df5bac3fcd9650e65378","_root_":"8a73df5bac3fcd9650e65378","timestamp":"2026-05-21T02:46:35.829Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8a73df5bac3fcd9650e65378","title_filing_ssi":"Hasterlik-Hine collection","title_ssm":["Hasterlik-Hine collection"],"title_tesim":["Hasterlik-Hine collection"],"ead_ssi":"8a73df5bac3fcd9650e65378","unitdate_ssm":["1700-2000","Date accessioned: 2019-12-04"],"unitdate_inclusive_ssm":["1700-2000"],"unitdate_other_ssim":["Date accessioned: 2019-12-04"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["98.0729","/repositories/10/resources/110"],"text":["98.0729","/repositories/10/resources/110","Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04","World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards.","This collection is open to all researchers.","Giulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado.  \nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless. \nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as Ällägg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna. \nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life. \nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of… all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna. \nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal. \nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you… about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things…\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll","The Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates.","FSU Special Collections \u0026 Archives","Christansen","Hine, Giulia, 1925-2015","Hasterlik, Paul","English German"],"unitid_tesim":["98.0729","/repositories/10/resources/110"],"normalized_date_ssm":["1700-2000, Date accessioned: 2019-12-04"],"normalized_title_ssm":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"collection_title_tesim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"collection_ssim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Hine, Giulia, 1925-2015","Christansen","Hasterlik, Paul"],"creator_ssim":["Hine, Giulia, 1925-2015","Christansen","Hasterlik, Paul"],"creator_persname_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul"],"creator_famname_ssim":["Christansen"],"creators_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul","Christansen"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"access_subjects_ssim":["World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards."],"access_subjects_ssm":["World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards."],"has_online_content_ssim":["false"],"extent_ssm":["15.5 Linear Feet 18 boxes, 13 1LF boxes and 5 .5LF boxes"],"extent_tesim":["15.5 Linear Feet 18 boxes, 13 1LF boxes and 5 .5LF boxes"],"genreform_ssim":["Personal correspondence","Postcards."],"date_range_isim":[1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Giulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado.  \nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless. \nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as Ällägg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna. \nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life. \nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of… all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna. \nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal. \nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you… about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things…\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Hasterlik-Hine collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_98_0729\"\u003ehttp://purl.fcla.edu/fsu/WWII_98_0729\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Hasterlik-Hine collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_98_0729 ."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll\" target=\"_blank\"\u003ehttps://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Link to selected digitized materials from this collection."],"relatedmaterial_tesim":["https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll"],"scopecontent_html_tesm":["\u003cp\u003eThe Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"names_ssim":["FSU Special Collections \u0026 Archives","Christansen","Hine, Giulia, 1925-2015","Hasterlik, Paul"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Christansen","Hasterlik, Paul"],"famname_ssim":["Christansen"],"persname_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul"],"language_ssim":["English German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":169,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"8a73df5bac3fcd9650e65378","timestamp":"2026-05-21T02:46:35.829Z","bioghist_html_tesm":["\u003cp\u003eGiulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado. \u003cbr\u003e\u003cbr\u003e\nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless.\u003cbr\u003e\u003cbr\u003e\nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as \u0026#xC4;ll\u0026#xE4;gg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna.\u003cbr\u003e\u003cbr\u003e\nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life.\u003cbr\u003e\u003cbr\u003e\nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of\u0026#x2026; all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna.\u003cbr\u003e\u003cbr\u003e\nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal.\u003cbr\u003e\u003cbr\u003e\nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you\u0026#x2026; about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things\u0026#x2026;\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90.\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378_aspace_1eee2fef5df536a3535667f4423da09a"}},{"id":"8a73df5bac3fcd9650e65378_aspace_5d7cd9f357ff2d3afddf089badf17971","type":"File","attributes":{"title":"Hasterlik Family Documents, 1997-1998","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378_aspace_5d7cd9f357ff2d3afddf089badf17971#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis folder contains a copy of a playbill in which Elizabeth Raetz, Giulia Koritschoner's granddaughter, played Anne Frank; correspondnece between Giulia and Elizabeth; a copy of a collection of poetry written by Margrit Wolf, Giulia Koritschoner's childhood friend from Switzerland; a family tree of the King and Koritschoner families; brochures regarding the Isle of Portland in England; correspondence between Giulia Koritschoner and Edith Cory-King; pamphlets from 1998 for the Institute on World War II and the Human Experience and correspondence between Barbara Hass and William Oldson.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378_aspace_5d7cd9f357ff2d3afddf089badf17971#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5d7cd9f357ff2d3afddf089badf17971","ref_ssm":["aspace_5d7cd9f357ff2d3afddf089badf17971","aspace_5d7cd9f357ff2d3afddf089badf17971"],"id":"8a73df5bac3fcd9650e65378_aspace_5d7cd9f357ff2d3afddf089badf17971","title_filing_ssi":"Hasterlik Family Documents","title_ssm":["Hasterlik Family Documents"],"title_tesim":["Hasterlik Family Documents"],"unitdate_inclusive_ssm":["1997-1998"],"normalized_date_ssm":["1997-1998"],"normalized_title_ssm":["Hasterlik Family Documents, 1997-1998"],"text":["Hasterlik Family Documents, 1997-1998","Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04","009","/repositories/10/archival_objects/180886","98.0729 Box 13","folder 009","This folder contains a copy of a playbill in which Elizabeth Raetz, Giulia Koritschoner's granddaughter, played Anne Frank; correspondnece between Giulia and Elizabeth; a copy of a collection of poetry written by Margrit Wolf, Giulia Koritschoner's childhood friend from Switzerland; a family tree of the King and Koritschoner families; brochures regarding the Isle of Portland in England; correspondence between Giulia Koritschoner and Edith Cory-King; pamphlets from 1998 for the Institute on World War II and the Human Experience and correspondence between Barbara Hass and William Oldson."],"component_level_isim":[1],"parent_ids_ssim":["8a73df5bac3fcd9650e65378"],"parent_unittitles_ssm":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"parent_unittitles_tesim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"parent_levels_ssm":["collection"],"unitid_ssm":["009","/repositories/10/archival_objects/180886"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":148,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"date_range_isim":[1997,1998],"containers_ssim":["98.0729 Box 13","folder 009"],"scopecontent_html_tesm":["\u003cp\u003eThis folder contains a copy of a playbill in which Elizabeth Raetz, Giulia Koritschoner's granddaughter, played Anne Frank; correspondnece between Giulia and Elizabeth; a copy of a collection of poetry written by Margrit Wolf, Giulia Koritschoner's childhood friend from Switzerland; a family tree of the King and Koritschoner families; brochures regarding the Isle of Portland in England; correspondence between Giulia Koritschoner and Edith Cory-King; pamphlets from 1998 for the Institute on World War II and the Human Experience and correspondence between Barbara Hass and William Oldson.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This folder contains a copy of a playbill in which Elizabeth Raetz, Giulia Koritschoner's granddaughter, played Anne Frank; correspondnece between Giulia and Elizabeth; a copy of a collection of poetry written by Margrit Wolf, Giulia Koritschoner's childhood friend from Switzerland; a family tree of the King and Koritschoner families; brochures regarding the Isle of Portland in England; correspondence between Giulia Koritschoner and Edith Cory-King; pamphlets from 1998 for the Institute on World War II and the Human Experience and correspondence between Barbara Hass and William Oldson."],"_nest_path_":"/components#147","_nest_parent_":"8a73df5bac3fcd9650e65378","_root_":"8a73df5bac3fcd9650e65378","timestamp":"2026-05-21T02:46:35.829Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8a73df5bac3fcd9650e65378","title_filing_ssi":"Hasterlik-Hine collection","title_ssm":["Hasterlik-Hine collection"],"title_tesim":["Hasterlik-Hine collection"],"ead_ssi":"8a73df5bac3fcd9650e65378","unitdate_ssm":["1700-2000","Date accessioned: 2019-12-04"],"unitdate_inclusive_ssm":["1700-2000"],"unitdate_other_ssim":["Date accessioned: 2019-12-04"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["98.0729","/repositories/10/resources/110"],"text":["98.0729","/repositories/10/resources/110","Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04","World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards.","This collection is open to all researchers.","Giulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado.  \nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless. \nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as Ällägg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna. \nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life. \nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of… all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna. \nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal. \nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you… about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things…\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll","The Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates.","FSU Special Collections \u0026 Archives","Christansen","Hine, Giulia, 1925-2015","Hasterlik, Paul","English German"],"unitid_tesim":["98.0729","/repositories/10/resources/110"],"normalized_date_ssm":["1700-2000, Date accessioned: 2019-12-04"],"normalized_title_ssm":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"collection_title_tesim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"collection_ssim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Hine, Giulia, 1925-2015","Christansen","Hasterlik, Paul"],"creator_ssim":["Hine, Giulia, 1925-2015","Christansen","Hasterlik, Paul"],"creator_persname_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul"],"creator_famname_ssim":["Christansen"],"creators_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul","Christansen"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"access_subjects_ssim":["World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards."],"access_subjects_ssm":["World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards."],"has_online_content_ssim":["false"],"extent_ssm":["15.5 Linear Feet 18 boxes, 13 1LF boxes and 5 .5LF boxes"],"extent_tesim":["15.5 Linear Feet 18 boxes, 13 1LF boxes and 5 .5LF boxes"],"genreform_ssim":["Personal correspondence","Postcards."],"date_range_isim":[1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Giulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado.  \nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless. \nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as Ällägg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna. \nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life. \nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of… all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna. \nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal. \nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you… about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things…\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Hasterlik-Hine collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_98_0729\"\u003ehttp://purl.fcla.edu/fsu/WWII_98_0729\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Hasterlik-Hine collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_98_0729 ."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll\" target=\"_blank\"\u003ehttps://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Link to selected digitized materials from this collection."],"relatedmaterial_tesim":["https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll"],"scopecontent_html_tesm":["\u003cp\u003eThe Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"names_ssim":["FSU Special Collections \u0026 Archives","Christansen","Hine, Giulia, 1925-2015","Hasterlik, Paul"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Christansen","Hasterlik, Paul"],"famname_ssim":["Christansen"],"persname_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul"],"language_ssim":["English German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":169,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"8a73df5bac3fcd9650e65378","timestamp":"2026-05-21T02:46:35.829Z","bioghist_html_tesm":["\u003cp\u003eGiulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado. \u003cbr\u003e\u003cbr\u003e\nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless.\u003cbr\u003e\u003cbr\u003e\nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as \u0026#xC4;ll\u0026#xE4;gg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna.\u003cbr\u003e\u003cbr\u003e\nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life.\u003cbr\u003e\u003cbr\u003e\nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of\u0026#x2026; all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna.\u003cbr\u003e\u003cbr\u003e\nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal.\u003cbr\u003e\u003cbr\u003e\nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you\u0026#x2026; about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things\u0026#x2026;\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90.\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378_aspace_5d7cd9f357ff2d3afddf089badf17971"}},{"id":"8a73df5bac3fcd9650e65378","type":"collection","attributes":{"title":"Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378#creator","type":"document_value","attributes":{"value":["Hine, Giulia, 1925-2015"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"8a73df5bac3fcd9650e65378","title_filing_ssi":"Hasterlik-Hine collection","title_ssm":["Hasterlik-Hine collection"],"title_tesim":["Hasterlik-Hine collection"],"ead_ssi":"8a73df5bac3fcd9650e65378","unitdate_ssm":["1700-2000","Date accessioned: 2019-12-04"],"unitdate_inclusive_ssm":["1700-2000"],"unitdate_other_ssim":["Date accessioned: 2019-12-04"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["98.0729","/repositories/10/resources/110"],"text":["98.0729","/repositories/10/resources/110","Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04","World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards.","This collection is open to all researchers.","Giulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado.  \nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless. \nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as Ällägg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna. \nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life. \nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of… all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna. \nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal. \nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you… about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things…\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll","The Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates.","FSU Special Collections \u0026 Archives","Christansen","Hine, Giulia, 1925-2015","Hasterlik, Paul","English German"],"unitid_tesim":["98.0729","/repositories/10/resources/110"],"normalized_date_ssm":["1700-2000, Date accessioned: 2019-12-04"],"normalized_title_ssm":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"collection_title_tesim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"collection_ssim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Hine, Giulia, 1925-2015","Christansen","Hasterlik, Paul"],"creator_ssim":["Hine, Giulia, 1925-2015","Christansen","Hasterlik, Paul"],"creator_persname_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul"],"creator_famname_ssim":["Christansen"],"creators_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul","Christansen"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"access_subjects_ssim":["World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal 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literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards."],"has_online_content_ssim":["false"],"extent_ssm":["15.5 Linear Feet 18 boxes, 13 1LF boxes and 5 .5LF boxes"],"extent_tesim":["15.5 Linear Feet 18 boxes, 13 1LF boxes and 5 .5LF boxes"],"genreform_ssim":["Personal correspondence","Postcards."],"date_range_isim":[1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Giulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado.  \nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless. \nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as Ällägg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna. \nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life. \nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of… all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna. \nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal. \nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you… about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things…\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Hasterlik-Hine collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_98_0729\"\u003ehttp://purl.fcla.edu/fsu/WWII_98_0729\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Hasterlik-Hine collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_98_0729 ."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll\" target=\"_blank\"\u003ehttps://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Link to selected digitized materials from this collection."],"relatedmaterial_tesim":["https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll"],"scopecontent_html_tesm":["\u003cp\u003eThe Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"names_ssim":["FSU Special Collections \u0026 Archives","Christansen","Hine, Giulia, 1925-2015","Hasterlik, Paul"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Christansen","Hasterlik, Paul"],"famname_ssim":["Christansen"],"persname_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul"],"language_ssim":["English German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":169,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"8a73df5bac3fcd9650e65378","timestamp":"2026-05-21T02:46:35.829Z","bioghist_html_tesm":["\u003cp\u003eGiulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado. \u003cbr\u003e\u003cbr\u003e\nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless.\u003cbr\u003e\u003cbr\u003e\nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as \u0026#xC4;ll\u0026#xE4;gg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna.\u003cbr\u003e\u003cbr\u003e\nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life.\u003cbr\u003e\u003cbr\u003e\nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of\u0026#x2026; all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna.\u003cbr\u003e\u003cbr\u003e\nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal.\u003cbr\u003e\u003cbr\u003e\nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you\u0026#x2026; about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things\u0026#x2026;\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90.\u003c/p\u003e"],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8a73df5bac3fcd9650e65378","title_filing_ssi":"Hasterlik-Hine collection","title_ssm":["Hasterlik-Hine collection"],"title_tesim":["Hasterlik-Hine collection"],"ead_ssi":"8a73df5bac3fcd9650e65378","unitdate_ssm":["1700-2000","Date accessioned: 2019-12-04"],"unitdate_inclusive_ssm":["1700-2000"],"unitdate_other_ssim":["Date accessioned: 2019-12-04"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["98.0729","/repositories/10/resources/110"],"text":["98.0729","/repositories/10/resources/110","Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04","World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards.","This collection is open to all researchers.","Giulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado.  \nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless. \nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as Ällägg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna. \nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life. \nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of… all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna. \nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal. \nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you… about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things…\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll","The Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates.","FSU Special Collections \u0026 Archives","Christansen","Hine, Giulia, 1925-2015","Hasterlik, Paul","English German"],"unitid_tesim":["98.0729","/repositories/10/resources/110"],"normalized_date_ssm":["1700-2000, Date accessioned: 2019-12-04"],"normalized_title_ssm":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"collection_title_tesim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"collection_ssim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Hine, Giulia, 1925-2015","Christansen","Hasterlik, Paul"],"creator_ssim":["Hine, Giulia, 1925-2015","Christansen","Hasterlik, Paul"],"creator_persname_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul"],"creator_famname_ssim":["Christansen"],"creators_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul","Christansen"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"access_subjects_ssim":["World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards."],"access_subjects_ssm":["World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards."],"has_online_content_ssim":["false"],"extent_ssm":["15.5 Linear Feet 18 boxes, 13 1LF boxes and 5 .5LF boxes"],"extent_tesim":["15.5 Linear Feet 18 boxes, 13 1LF boxes and 5 .5LF boxes"],"genreform_ssim":["Personal correspondence","Postcards."],"date_range_isim":[1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Giulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado.  \nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless. \nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as Ällägg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna. \nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life. \nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of… all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna. \nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal. \nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you… about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things…\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Hasterlik-Hine collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_98_0729\"\u003ehttp://purl.fcla.edu/fsu/WWII_98_0729\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Hasterlik-Hine collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_98_0729 ."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll\" target=\"_blank\"\u003ehttps://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Link to selected digitized materials from this collection."],"relatedmaterial_tesim":["https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll"],"scopecontent_html_tesm":["\u003cp\u003eThe Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"names_ssim":["FSU Special Collections \u0026 Archives","Christansen","Hine, Giulia, 1925-2015","Hasterlik, Paul"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Christansen","Hasterlik, Paul"],"famname_ssim":["Christansen"],"persname_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul"],"language_ssim":["English German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":169,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"8a73df5bac3fcd9650e65378","timestamp":"2026-05-21T02:46:35.829Z","bioghist_html_tesm":["\u003cp\u003eGiulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado. \u003cbr\u003e\u003cbr\u003e\nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless.\u003cbr\u003e\u003cbr\u003e\nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as \u0026#xC4;ll\u0026#xE4;gg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna.\u003cbr\u003e\u003cbr\u003e\nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life.\u003cbr\u003e\u003cbr\u003e\nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of\u0026#x2026; all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna.\u003cbr\u003e\u003cbr\u003e\nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal.\u003cbr\u003e\u003cbr\u003e\nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you\u0026#x2026; about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things\u0026#x2026;\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90.\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378"}},{"id":"8a73df5bac3fcd9650e65378_aspace_06afd59e9c639377b29853acd04533fe","type":"File","attributes":{"title":"Hasterlik Photographs, 1900-2000","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378_aspace_06afd59e9c639377b29853acd04533fe#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis folder contains two portfolios which contain photographs of the Hasterlik-Hine family. This includes photographs of unidentified family members, in addition to landscape photographs which have handwritten notes in German on the back of them.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378_aspace_06afd59e9c639377b29853acd04533fe#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_06afd59e9c639377b29853acd04533fe","ref_ssm":["aspace_06afd59e9c639377b29853acd04533fe","aspace_06afd59e9c639377b29853acd04533fe"],"id":"8a73df5bac3fcd9650e65378_aspace_06afd59e9c639377b29853acd04533fe","title_filing_ssi":"Hasterlik Photographs","title_ssm":["Hasterlik Photographs"],"title_tesim":["Hasterlik Photographs"],"unitdate_inclusive_ssm":["1900-2000"],"normalized_date_ssm":["1900-2000"],"normalized_title_ssm":["Hasterlik Photographs, 1900-2000"],"text":["Hasterlik Photographs, 1900-2000","Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04","004","/repositories/10/archival_objects/180897","98.0729 Box 15","folder 004","This folder contains two portfolios which contain photographs of the Hasterlik-Hine family. This includes photographs of unidentified family members, in addition to landscape photographs which have handwritten notes in German on the back of them."],"component_level_isim":[1],"parent_ids_ssim":["8a73df5bac3fcd9650e65378"],"parent_unittitles_ssm":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"parent_unittitles_tesim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"parent_levels_ssm":["collection"],"unitid_ssm":["004","/repositories/10/archival_objects/180897"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":159,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"containers_ssim":["98.0729 Box 15","folder 004"],"scopecontent_html_tesm":["\u003cp\u003eThis folder contains two portfolios which contain photographs of the Hasterlik-Hine family. This includes photographs of unidentified family members, in addition to landscape photographs which have handwritten notes in German on the back of them.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This folder contains two portfolios which contain photographs of the Hasterlik-Hine family. This includes photographs of unidentified family members, in addition to landscape photographs which have handwritten notes in German on the back of them."],"_nest_path_":"/components#158","_nest_parent_":"8a73df5bac3fcd9650e65378","_root_":"8a73df5bac3fcd9650e65378","timestamp":"2026-05-21T02:46:35.829Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8a73df5bac3fcd9650e65378","title_filing_ssi":"Hasterlik-Hine collection","title_ssm":["Hasterlik-Hine collection"],"title_tesim":["Hasterlik-Hine collection"],"ead_ssi":"8a73df5bac3fcd9650e65378","unitdate_ssm":["1700-2000","Date accessioned: 2019-12-04"],"unitdate_inclusive_ssm":["1700-2000"],"unitdate_other_ssim":["Date accessioned: 2019-12-04"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["98.0729","/repositories/10/resources/110"],"text":["98.0729","/repositories/10/resources/110","Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04","World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards.","This collection is open to all researchers.","Giulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado.  \nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless. \nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as Ällägg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna. \nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life. \nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of… all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna. \nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal. \nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you… about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things…\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll","The Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates.","FSU Special Collections \u0026 Archives","Christansen","Hine, Giulia, 1925-2015","Hasterlik, Paul","English German"],"unitid_tesim":["98.0729","/repositories/10/resources/110"],"normalized_date_ssm":["1700-2000, Date accessioned: 2019-12-04"],"normalized_title_ssm":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"collection_title_tesim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"collection_ssim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Hine, Giulia, 1925-2015","Christansen","Hasterlik, Paul"],"creator_ssim":["Hine, Giulia, 1925-2015","Christansen","Hasterlik, Paul"],"creator_persname_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul"],"creator_famname_ssim":["Christansen"],"creators_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul","Christansen"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"access_subjects_ssim":["World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards."],"access_subjects_ssm":["World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards."],"has_online_content_ssim":["false"],"extent_ssm":["15.5 Linear Feet 18 boxes, 13 1LF boxes and 5 .5LF boxes"],"extent_tesim":["15.5 Linear Feet 18 boxes, 13 1LF boxes and 5 .5LF boxes"],"genreform_ssim":["Personal correspondence","Postcards."],"date_range_isim":[1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Giulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado.  \nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless. \nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as Ällägg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna. \nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life. \nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of… all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna. \nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal. \nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you… about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things…\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Hasterlik-Hine collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_98_0729\"\u003ehttp://purl.fcla.edu/fsu/WWII_98_0729\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Hasterlik-Hine collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_98_0729 ."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll\" target=\"_blank\"\u003ehttps://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Link to selected digitized materials from this collection."],"relatedmaterial_tesim":["https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll"],"scopecontent_html_tesm":["\u003cp\u003eThe Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"names_ssim":["FSU Special Collections \u0026 Archives","Christansen","Hine, Giulia, 1925-2015","Hasterlik, Paul"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Christansen","Hasterlik, Paul"],"famname_ssim":["Christansen"],"persname_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul"],"language_ssim":["English German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":169,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"8a73df5bac3fcd9650e65378","timestamp":"2026-05-21T02:46:35.829Z","bioghist_html_tesm":["\u003cp\u003eGiulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado. \u003cbr\u003e\u003cbr\u003e\nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless.\u003cbr\u003e\u003cbr\u003e\nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as \u0026#xC4;ll\u0026#xE4;gg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna.\u003cbr\u003e\u003cbr\u003e\nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life.\u003cbr\u003e\u003cbr\u003e\nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of\u0026#x2026; all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna.\u003cbr\u003e\u003cbr\u003e\nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal.\u003cbr\u003e\u003cbr\u003e\nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you\u0026#x2026; about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things\u0026#x2026;\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90.\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378_aspace_06afd59e9c639377b29853acd04533fe"}},{"id":"0f59153486ac7d4774c52575_aspace_6531e7cae4c06267e2bd8a8dab4418a2","type":"File","attributes":{"title":"Hastings, Selina, \"Sir Gawain and the Loathly Lady\", 1997","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/0f59153486ac7d4774c52575_aspace_6531e7cae4c06267e2bd8a8dab4418a2#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eArticle on Men and Romance\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/0f59153486ac7d4774c52575_aspace_6531e7cae4c06267e2bd8a8dab4418a2#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_6531e7cae4c06267e2bd8a8dab4418a2","ref_ssm":["aspace_6531e7cae4c06267e2bd8a8dab4418a2","aspace_6531e7cae4c06267e2bd8a8dab4418a2"],"id":"0f59153486ac7d4774c52575_aspace_6531e7cae4c06267e2bd8a8dab4418a2","title_filing_ssi":"Hastings, Selina, \"Sir Gawain and the Loathly Lady\"","title_ssm":["Hastings, Selina, \"Sir Gawain and the Loathly Lady\""],"title_tesim":["Hastings, Selina, \"Sir Gawain and the Loathly Lady\""],"unitdate_other_ssim":["1997"],"normalized_date_ssm":["1997"],"normalized_title_ssm":["Hastings, Selina, \"Sir Gawain and the Loathly Lady\", 1997"],"text":["Hastings, Selina, \"Sir Gawain and the Loathly Lady\", 1997","Marsha Gontarski Collection, undated","78.0","/repositories/10/archival_objects/180193","box 1","folder 78","Article on Men and Romance"],"component_level_isim":[1],"parent_ids_ssim":["0f59153486ac7d4774c52575"],"parent_unittitles_ssm":["Marsha Gontarski Collection, undated"],"parent_unittitles_tesim":["Marsha Gontarski Collection, undated"],"parent_levels_ssm":["collection"],"unitid_ssm":["78.0","/repositories/10/archival_objects/180193"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Marsha Gontarski Collection, undated"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":78,"parent_access_restrict_tesm":["This collection is open to all researchers.","This collection may be accessed at the Claude Pepper Library."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"date_range_isim":[1997],"containers_ssim":["box 1","folder 78"],"scopecontent_html_tesm":["\u003cp\u003eArticle on Men and Romance\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Article on Men and Romance"],"_nest_path_":"/components#77","_nest_parent_":"0f59153486ac7d4774c52575","_root_":"0f59153486ac7d4774c52575","_version_":1870859401664921600,"timestamp":"2026-07-16T08:29:20.973Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"0f59153486ac7d4774c52575","title_ssm":["Marsha Gontarski Collection"],"title_tesim":["Marsha Gontarski Collection"],"ead_ssi":"0f59153486ac7d4774c52575","unitdate_ssm":["undated"],"unitdate_other_ssim":["undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2018-001","/repositories/10/resources/76"],"text":["MSS 2018-001","/repositories/10/resources/76","Marsha Gontarski Collection, undated","Children's literature","This collection is open to all researchers.","This collection may be accessed at the Claude Pepper Library.","unarranged","Artifacts, newsclippings, and ephemera related to children's literature.","For works of children's literature donated by Gontarski, see also the Marsha Gontarski Children's Literature Collection:  https://bit.ly/3RkmA5t","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["MSS 2018-001","/repositories/10/resources/76"],"normalized_date_ssm":["undated"],"normalized_title_ssm":["Marsha Gontarski Collection, undated"],"collection_title_tesim":["Marsha Gontarski Collection, undated"],"collection_ssim":["Marsha Gontarski Collection, undated"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["Marsha Gontarski"],"access_subjects_ssim":["Children's literature"],"access_subjects_ssm":["Children's literature"],"has_online_content_ssim":["false"],"extent_ssm":["5.00 Linear Feet"],"extent_tesim":["5.00 Linear Feet"],"genreform_ssim":["Children's literature"],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e\n","\u003cp\u003eThis collection may be accessed at the Claude Pepper Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers.","This collection may be accessed at the Claude Pepper Library."],"arrangement_html_tesm":["\u003cp\u003eunarranged\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["unarranged"],"prefercite_html_tesm":["\u003cp\u003eMarsha Gontarski Collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/MSS_2018-001\"\u003ehttp://purl.fcla.edu/fsu/MSS_2018-001\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["Marsha Gontarski Collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/MSS_2018-001"],"scopecontent_html_tesm":["\u003cp\u003eArtifacts, newsclippings, and ephemera related to children's literature.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Artifacts, newsclippings, and ephemera related to children's literature."],"separatedmaterial_html_tesm":["\u003cp\u003eFor works of children's literature donated by Gontarski, see also the Marsha Gontarski Children's Literature Collection: \u003cextref href=\"https://bit.ly/3RkmA5t\"\u003ehttps://bit.ly/3RkmA5t\u003c/extref\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["For works of children's literature donated by Gontarski, see also the Marsha Gontarski Children's Literature Collection:  https://bit.ly/3RkmA5t"],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. 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