{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1997\u0026page=176","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1997\u0026page=175","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1997\u0026page=177","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1997\u0026page=603"},"meta":{"pages":{"current_page":176,"next_page":177,"prev_page":175,"total_pages":603,"limit_value":10,"offset_value":1750,"total_count":6023,"first_page?":false,"last_page?":false}},"data":[{"id":"fd587b31c24e83b44fd6f735","type":"collection","attributes":{"title":"Edwin Ivy papers, 1941-2000, Date acquired: 10/16/2002, bulk 1941-1946","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/fd587b31c24e83b44fd6f735#creator","type":"document_value","attributes":{"value":["Ivy, Edwin, 1918-"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/fd587b31c24e83b44fd6f735#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Edwin Ivy papers illustrate 2nd Lieutenant Ivy's service in the Army Air Corps in the 485th Heavy Bombardment Group, 831st Squadron, from 1942-1945 in Italy, France, and Austria where he was shot down and became a prisoner of war in Stalag Luft III. Ivy's oral history encompasses the majority of his collection and provides detail of his military training, time spent in the Army Air Corps, as a prisoner of war, and being discharged. His papers also include the first chapter of \u003cem\u003eOld Man in a Baseball Cap \u003c/em\u003eby Fred Rochlin. 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Army Air Forces. 385th Bombardment Group (H)","Prisoners of war--United States--History--20th century","This collection is open to all researchers.","Edwin Ivy was born in Waco, Texas on July 4, 1918, and grew up there. At the time of Pearl Harbor, Ivy was working for the War Department constructing Fort Hood in Killeen, Texas. As the war began he wanted to pilot planes and in preparation studied at Kelly Field in San Antonio. Unfortunately it did not work out so he turned to navigation instead. In 1943 he graduated from navigation school as a Second Lieutenant. Following graduation Ivy became a flight instructor at Kirkland Field in New Mexico but he wanted more. So he traveled to Lincoln, Nebraska for combat training with the 485th Heavy Bombardment Group and 831st Squadron in the Army Air Force. In April 1943 he and his unit traveled to Tunis, Tunisia before heading to Italy. He traveled throughout Italy on various missions before leaving to Lyon, France. After Lyon, he dropped bombs near the Ploesti oil fields in Romania (possibly Operation Tidal Wave; the time period and location matches up but Ivy does not specify any operation name).","On May 29, 1944, Ivy was over Vienna, Austria when his plane was shot down into enemy territory. Ivy and all his crew members safely parachuted out of the bailing aircraft and onto the soil. They surrendered to the Germans who took them to Stalag Luft III. He stayed there until December 1944 and then marched to Nuremberg and Moosberg, Germany where he was liberated in early May 1945. Once Ivy was liberated he stayed in Reims, France and returned to the United States at the end of 1945. A few months later he was discharged and worked for Charles Scribner's book publishing company in advertising and public relations in New York. He met his future wife there and later worked at Universal Atlas Cement Company.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","The Edwin Ivy papers illustrate 2nd Lieutenant Ivy's service in the Army Air Corps in the 485th Heavy Bombardment Group, 831st Squadron, from 1942-1945 in Italy, France, and Austria where he was shot down and became a prisoner of war in Stalag Luft III. Ivy's oral history encompasses the majority of his collection and provides detail of his military training, time spent in the Army Air Corps, as a prisoner of war, and being discharged. His papers also include the first chapter of  Old Man in a Baseball Cap  by Fred Rochlin. The chapter describes the significance of remembering the past and passing down experiences to others.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Stalag Luft III","International Committee of the Red Cross. 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Ivy and all his crew members safely parachuted out of the bailing aircraft and onto the soil. They surrendered to the Germans who took them to Stalag Luft III. He stayed there until December 1944 and then marched to Nuremberg and Moosberg, Germany where he was liberated in early May 1945. Once Ivy was liberated he stayed in Reims, France and returned to the United States at the end of 1945. A few months later he was discharged and worked for Charles Scribner's book publishing company in advertising and public relations in New York. He met his future wife there and later worked at Universal Atlas Cement Company.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Edwin Ivy was born in Waco, Texas on July 4, 1918, and grew up there. At the time of Pearl Harbor, Ivy was working for the War Department constructing Fort Hood in Killeen, Texas. As the war began he wanted to pilot planes and in preparation studied at Kelly Field in San Antonio. Unfortunately it did not work out so he turned to navigation instead. In 1943 he graduated from navigation school as a Second Lieutenant. Following graduation Ivy became a flight instructor at Kirkland Field in New Mexico but he wanted more. So he traveled to Lincoln, Nebraska for combat training with the 485th Heavy Bombardment Group and 831st Squadron in the Army Air Force. In April 1943 he and his unit traveled to Tunis, Tunisia before heading to Italy. He traveled throughout Italy on various missions before leaving to Lyon, France. After Lyon, he dropped bombs near the Ploesti oil fields in Romania (possibly Operation Tidal Wave; the time period and location matches up but Ivy does not specify any operation name).","On May 29, 1944, Ivy was over Vienna, Austria when his plane was shot down into enemy territory. Ivy and all his crew members safely parachuted out of the bailing aircraft and onto the soil. They surrendered to the Germans who took them to Stalag Luft III. He stayed there until December 1944 and then marched to Nuremberg and Moosberg, Germany where he was liberated in early May 1945. Once Ivy was liberated he stayed in Reims, France and returned to the United States at the end of 1945. A few months later he was discharged and worked for Charles Scribner's book publishing company in advertising and public relations in New York. He met his future wife there and later worked at Universal Atlas Cement Company."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Edwin Ivy Papers, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_00_0725\"\u003ehttp://purl.fcla.edu/fsu/WWII_00_0725\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Edwin Ivy Papers, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_00_0725 ."],"scopecontent_html_tesm":["\u003cp\u003eThe Edwin Ivy papers illustrate 2nd Lieutenant Ivy's service in the Army Air Corps in the 485th Heavy Bombardment Group, 831st Squadron, from 1942-1945 in Italy, France, and Austria where he was shot down and became a prisoner of war in Stalag Luft III. Ivy's oral history encompasses the majority of his collection and provides detail of his military training, time spent in the Army Air Corps, as a prisoner of war, and being discharged. His papers also include the first chapter of \u003cemph render=\"italic\"\u003eOld Man in a Baseball Cap \u003c/emph\u003eby Fred Rochlin. The chapter describes the significance of remembering the past and passing down experiences to others.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Edwin Ivy papers illustrate 2nd Lieutenant Ivy's service in the Army Air Corps in the 485th Heavy Bombardment Group, 831st Squadron, from 1942-1945 in Italy, France, and Austria where he was shot down and became a prisoner of war in Stalag Luft III. Ivy's oral history encompasses the majority of his collection and provides detail of his military training, time spent in the Army Air Corps, as a prisoner of war, and being discharged. His papers also include the first chapter of  Old Man in a Baseball Cap  by Fred Rochlin. The chapter describes the significance of remembering the past and passing down experiences to others."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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Army Air Forces. 385th Bombardment Group (H)","Prisoners of war--United States--History--20th century","This collection is open to all researchers.","Edwin Ivy was born in Waco, Texas on July 4, 1918, and grew up there. At the time of Pearl Harbor, Ivy was working for the War Department constructing Fort Hood in Killeen, Texas. As the war began he wanted to pilot planes and in preparation studied at Kelly Field in San Antonio. Unfortunately it did not work out so he turned to navigation instead. In 1943 he graduated from navigation school as a Second Lieutenant. Following graduation Ivy became a flight instructor at Kirkland Field in New Mexico but he wanted more. So he traveled to Lincoln, Nebraska for combat training with the 485th Heavy Bombardment Group and 831st Squadron in the Army Air Force. In April 1943 he and his unit traveled to Tunis, Tunisia before heading to Italy. He traveled throughout Italy on various missions before leaving to Lyon, France. After Lyon, he dropped bombs near the Ploesti oil fields in Romania (possibly Operation Tidal Wave; the time period and location matches up but Ivy does not specify any operation name).","On May 29, 1944, Ivy was over Vienna, Austria when his plane was shot down into enemy territory. Ivy and all his crew members safely parachuted out of the bailing aircraft and onto the soil. They surrendered to the Germans who took them to Stalag Luft III. He stayed there until December 1944 and then marched to Nuremberg and Moosberg, Germany where he was liberated in early May 1945. Once Ivy was liberated he stayed in Reims, France and returned to the United States at the end of 1945. A few months later he was discharged and worked for Charles Scribner's book publishing company in advertising and public relations in New York. He met his future wife there and later worked at Universal Atlas Cement Company.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","The Edwin Ivy papers illustrate 2nd Lieutenant Ivy's service in the Army Air Corps in the 485th Heavy Bombardment Group, 831st Squadron, from 1942-1945 in Italy, France, and Austria where he was shot down and became a prisoner of war in Stalag Luft III. Ivy's oral history encompasses the majority of his collection and provides detail of his military training, time spent in the Army Air Corps, as a prisoner of war, and being discharged. His papers also include the first chapter of  Old Man in a Baseball Cap  by Fred Rochlin. The chapter describes the significance of remembering the past and passing down experiences to others.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Stalag Luft III","International Committee of the Red Cross. 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Ivy and all his crew members safely parachuted out of the bailing aircraft and onto the soil. They surrendered to the Germans who took them to Stalag Luft III. He stayed there until December 1944 and then marched to Nuremberg and Moosberg, Germany where he was liberated in early May 1945. Once Ivy was liberated he stayed in Reims, France and returned to the United States at the end of 1945. A few months later he was discharged and worked for Charles Scribner's book publishing company in advertising and public relations in New York. He met his future wife there and later worked at Universal Atlas Cement Company.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Edwin Ivy was born in Waco, Texas on July 4, 1918, and grew up there. At the time of Pearl Harbor, Ivy was working for the War Department constructing Fort Hood in Killeen, Texas. 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Ivy and all his crew members safely parachuted out of the bailing aircraft and onto the soil. They surrendered to the Germans who took them to Stalag Luft III. He stayed there until December 1944 and then marched to Nuremberg and Moosberg, Germany where he was liberated in early May 1945. Once Ivy was liberated he stayed in Reims, France and returned to the United States at the end of 1945. A few months later he was discharged and worked for Charles Scribner's book publishing company in advertising and public relations in New York. He met his future wife there and later worked at Universal Atlas Cement Company."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Edwin Ivy Papers, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_00_0725\"\u003ehttp://purl.fcla.edu/fsu/WWII_00_0725\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Edwin Ivy Papers, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_00_0725 ."],"scopecontent_html_tesm":["\u003cp\u003eThe Edwin Ivy papers illustrate 2nd Lieutenant Ivy's service in the Army Air Corps in the 485th Heavy Bombardment Group, 831st Squadron, from 1942-1945 in Italy, France, and Austria where he was shot down and became a prisoner of war in Stalag Luft III. Ivy's oral history encompasses the majority of his collection and provides detail of his military training, time spent in the Army Air Corps, as a prisoner of war, and being discharged. His papers also include the first chapter of \u003cemph render=\"italic\"\u003eOld Man in a Baseball Cap \u003c/emph\u003eby Fred Rochlin. The chapter describes the significance of remembering the past and passing down experiences to others.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Edwin Ivy papers illustrate 2nd Lieutenant Ivy's service in the Army Air Corps in the 485th Heavy Bombardment Group, 831st Squadron, from 1942-1945 in Italy, France, and Austria where he was shot down and became a prisoner of war in Stalag Luft III. Ivy's oral history encompasses the majority of his collection and provides detail of his military training, time spent in the Army Air Corps, as a prisoner of war, and being discharged. His papers also include the first chapter of  Old Man in a Baseball Cap  by Fred Rochlin. The chapter describes the significance of remembering the past and passing down experiences to others."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_coll_ssim":["Stalag Luft III","International Committee of the Red Cross. Central Agency for Prisoners of War"],"names_ssim":["FSU Special Collections \u0026 Archives","Stalag Luft III","International Committee of the Red Cross. Central Agency for Prisoners of War","Ivy, Edwin, 1918-"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Stalag Luft III","International Committee of the Red Cross. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"containers_ssim":["box 2","folder 41"],"scopecontent_html_tesm":["\u003cp\u003ePacket of various forms from the Office of Equal Opportunity Programs, Florida Atlantic University\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Packet of various forms from the Office of Equal Opportunity Programs, Florida Atlantic University"],"_nest_path_":"/components#6/components#11","_nest_parent_":"eb6a6a5d90312bb9355a16aa_aspace_ef9d08423fb29cb3c0e9a27c90d514ad","_root_":"eb6a6a5d90312bb9355a16aa","timestamp":"2026-04-21T17:28:34.370Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"eb6a6a5d90312bb9355a16aa","title_ssm":["Office of Equal Opportunity Programs at Florida Atlantic University"],"title_tesim":["Office of Equal Opportunity Programs at Florida Atlantic University"],"ead_ssi":"eb6a6a5d90312bb9355a16aa","unitdate_ssm":["1980-1990"],"unitdate_bulk_ssim":["1980-1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA00025","/repositories/2/resources/176"],"text":["UA00025","/repositories/2/resources/176","Office of Equal Opportunity Programs at Florida Atlantic University, bulk 1980-1990","Florida","Florida Atlantic University -- History","University Archives","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","The Office of Equal Opportunity Programs Collections at Florida Atlantic University consists of documentation produced and received by the office spanning an approximate date range of thirty years. Starting in 1965, under the legal expectations of the 1964 Civil Rights Act, this collection centers on the overall desegregation plans of and for Florida Atlantic University. Most of the documentation predominantly focuses on the office's work during Dr. Gwendolyn G. High's tenure, aspects include FAU's ongoing participation in the State University System's Florida's Plan for Equal Access and Equal Opportunity in Public Higher Education, annual Salary Surveys, and the creation of Minority Student Services. Items include memoranda, reports, letters, handbills, news clippings, posters, newsletters and an audio recording pertaining to minority issues at Florida Atlantic University.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.","Florida Atlantic University Libraries","English"],"unitid_tesim":["UA00025","/repositories/2/resources/176"],"normalized_date_ssm":["bulk 1980-1990"],"normalized_title_ssm":["Office of Equal Opportunity Programs at Florida Atlantic University, bulk 1980-1990"],"collection_title_tesim":["Office of Equal Opportunity Programs at Florida Atlantic University, bulk 1980-1990"],"collection_ssim":["Office of Equal Opportunity Programs at Florida Atlantic University, bulk 1980-1990"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"geogname_ssm":["Florida"],"geogname_ssim":["Florida"],"places_ssim":["Florida"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). 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Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"access_subjects_ssim":["Florida Atlantic University -- History","University Archives"],"access_subjects_ssm":["Florida Atlantic University -- History","University Archives"],"has_online_content_ssim":["false"],"extent_ssm":["3 boxes"],"extent_tesim":["3 boxes"],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. 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In addition, selected materials are digitized and available electronically through the Digital Library."],"scopecontent_html_tesm":["\u003cp\u003eThe Office of Equal Opportunity Programs Collections at Florida Atlantic University consists of documentation produced and received by the office spanning an approximate date range of thirty years. Starting in 1965, under the legal expectations of the 1964 Civil Rights Act, this collection centers on the overall desegregation plans of and for Florida Atlantic University. Most of the documentation predominantly focuses on the office's work during Dr. Gwendolyn G. High's tenure, aspects include FAU's ongoing participation in the State University System's Florida's Plan for Equal Access and Equal Opportunity in Public Higher Education, annual Salary Surveys, and the creation of Minority Student Services. Items include memoranda, reports, letters, handbills, news clippings, posters, newsletters and an audio recording pertaining to minority issues at Florida Atlantic University.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Office of Equal Opportunity Programs Collections at Florida Atlantic University consists of documentation produced and received by the office spanning an approximate date range of thirty years. Starting in 1965, under the legal expectations of the 1964 Civil Rights Act, this collection centers on the overall desegregation plans of and for Florida Atlantic University. Most of the documentation predominantly focuses on the office's work during Dr. Gwendolyn G. High's tenure, aspects include FAU's ongoing participation in the State University System's Florida's Plan for Equal Access and Equal Opportunity in Public Higher Education, annual Salary Surveys, and the creation of Minority Student Services. Items include memoranda, reports, letters, handbills, news clippings, posters, newsletters and an audio recording pertaining to minority issues at Florida Atlantic University."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. 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Morrison Collection, Circa 1936-2021","Correspondence","/repositories/2/archival_objects/2306","box 2","folder 2"],"component_level_isim":[2],"parent_ids_ssim":["5bfec06960a94373aa1cd96c","5bfec06960a94373aa1cd96c_aspace_7b6daf101476f834374f098a005b76d7"],"parent_unittitles_ssm":["Samuel F. Morrison Collection, Circa 1936-2021","Correspondence"],"parent_unittitles_tesim":["Samuel F. Morrison Collection, Circa 1936-2021","Correspondence"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/2306"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Samuel F. Morrison Collection, Circa 1936-2021"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":35,"parent_access_terms_tesm":["The Samuel F. Morrison Collection is open for research."],"date_range_isim":[1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"containers_ssim":["box 2","folder 2"],"_nest_path_":"/components#0/components#33","_nest_parent_":"5bfec06960a94373aa1cd96c_aspace_7b6daf101476f834374f098a005b76d7","_root_":"5bfec06960a94373aa1cd96c","_version_":1876455835659403264,"timestamp":"2026-09-16T03:02:16.331Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5bfec06960a94373aa1cd96c","title_filing_ssi":"Morrison, Samuel F. Collection","title_ssm":["Samuel F. Morrison Collection"],"title_tesim":["Samuel F. Morrison Collection"],"ead_ssi":"5bfec06960a94373aa1cd96c","unitdate_ssm":["Circa 1936-2021"],"unitdate_inclusive_ssm":["Circa 1936-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2003.27","/repositories/2/resources/28"],"text":["AARLCC.2003.27","/repositories/2/resources/28","Samuel F. Morrison Collection, Circa 1936-2021","Morrison, Samuel F., 1936- -- Correspondence","African American librarians","Library directors","Public libraries -- Florida -- Fort Lauderdale","Public libraries -- Florida -- Frostproof","Photographs","Certificates","plaques (flat objects)","scrapbooks","Clippings","Ephemera","Periodicals","videocassettes","Sound recordings","The collection is arranged into 9 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Photographs and Scrapbooks, Series V. Printed Materials, Series VI. Awards, Series VII. Ephemera, Series VIII. Artwork, and Series IX. Audio-Visual Materials.","Samuel F. Morrison was born in Flagstaff, Arizona on December 19, 1936 to parents Travis Morrison (1909-1953) and Esther Porter (1919-circa 2000). He had one sister, Pearl Lorraine Morrison Pitts (1938-1964). His father divorced Esther and married his second wife Ruth Swain (1911-1990). Morrison was primarily raised in Phoenix, Arizona. His family moved several times due to his father's job at munitions plants. He graduated from Compton High School in Los Angeles, California in 1952. Morrison earned an associate degree from Compton Junior College in 1955. Morrison entered the United States Air Force and served from 1955 to 1959. For three of those years in the service, he was stationed in Morocco and helped manage the library on the Air Force base. In 1970, he received his bachelor's degree in English from California State University. Morrison earned a Master's degree in Library Science from the University of Illinois at Urbana–Champaign in 1972 and attended the John F. Kennedy School of Government at Harvard University completing coursework in 1989. ","From 1972-1974, Morrison worked as a library director at the Frostproof Living Learning Library Center in Frostproof, Florida. He built a library and initiated outreach services for the African American and Hispanic migrant communities. In 1974, Morrison became the assistant director of Broward County Library in Broward County, Florida and served as deputy director from 1976-1987. He assisted in the growth of Broward County Library from 2 branches to 25 branches during this time. He also managed the formation of the new Main Library branch in downtown Fort Lauderdale, Florida.","Morrison lead in the construction of the Chicago Public Library's Harold Washington Library Center and became the library's chief director from 1987 to 1990. In 1990, Morrison returned to Broward County as director of Broward County Library and worked in that position until his retirement in 2003. Under his leadership, Broward County Library was awarded \"Library of the Year\" in 1996 and grew to 38 branches. During his tenure as director, Morrison fundraised for the creation of the African American Research Library and Cultural Center, which serves as a public library as well as a special collections research center dedicated to the history and culture of the African diaspora. He attended the library's groundbreaking ceremony on October 23, 1999 and opening day on October 26, 2002.","Samuel F. Morrison actively participated in local and national organizations during his career. He served in the Fort Lauderdale Chapter of the NAACP, Urban League of Broward County, Florida Library Association (FLA), and American Library Association (ALA). He was president of the Florida Library Association in 1981. Morrison received awards and recognition including the FLA Lifetime Achievement Award, DEMCO/ALA Black Caucus Award for Excellence in Librarianship, Leadership Foundation Broward \"Leader of the Year\" Award, and the African American Achievers Award.","Morrison married Judith Moore in 1964 and divorced in 1985. He and his former wife had no children.\n ","This collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Samuel F. Morrison Collection in the Broward County Library Digital Archives.","The Samuel F. Morrison Collection is comprised of materials primarily dating from the 1970s to 2010s including correspondence, books, professional and personal papers, photographs, scrapbooks, plaques, ephemera, artwork, vinyl records, and VHS tapes. These materials document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the establishment of the Chicago Public Library's Harold Washington Library Center. The collection also contains materials related to Morrison's roles as director of the Frostproof Living Learning Library Center in Frostproof, Florida from 1972 to 1974, the assistant/deputy director of Broward County Library in Broward County, Florida from 1974 to 1987, the Chicago Public Library's Harold Washington Library Center's chief director from 1987 to 1990, and Director of the Broward County Library from 1990 to 2003. Also included are items related to Morrison's participation and leadership in local and national organizations.","Books from the Morrison collection were cataloged in the Broward County Library catalog with the prefix \"SFM\".","The Samuel F. Morrison Collection is open for research.","The Samuel F. Morrison Collection contains materials primarily dating from the 1970s to 2010s that document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the Chicago Public Library's Harold Washington Library Center.","AARLCC Special Collections","Broward County Library","African American Research Library and Cultural Center","Chicago Public Library. Harold Washington Library Center","Morrison, Samuel F., 1936-","English"],"unitid_tesim":["AARLCC.2003.27","/repositories/2/resources/28"],"normalized_date_ssm":["Circa 1936-2021"],"normalized_title_ssm":["Samuel F. Morrison Collection, Circa 1936-2021"],"collection_title_tesim":["Samuel F. Morrison Collection, Circa 1936-2021"],"collection_ssim":["Samuel F. Morrison Collection, Circa 1936-2021"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"access_terms_ssm":["The Samuel F. Morrison Collection is open for research."],"acqinfo_ssim":["Samuel F. Morrison donated the materials to the AARLCC Special Collections."],"access_subjects_ssim":["Morrison, Samuel F., 1936- -- Correspondence","African American librarians","Library directors","Public libraries -- Florida -- Fort Lauderdale","Public libraries -- Florida -- Frostproof","Photographs","Certificates","plaques (flat objects)","scrapbooks","Clippings","Ephemera","Periodicals","videocassettes","Sound recordings"],"access_subjects_ssm":["Morrison, Samuel F., 1936- -- Correspondence","African American librarians","Library directors","Public libraries -- Florida -- Fort Lauderdale","Public libraries -- Florida -- Frostproof","Photographs","Certificates","plaques (flat objects)","scrapbooks","Clippings","Ephemera","Periodicals","videocassettes","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["67 Hollinger Boxes"],"extent_tesim":["67 Hollinger Boxes"],"genreform_ssim":["Photographs","Certificates","plaques (flat objects)","scrapbooks","Clippings","Ephemera","Periodicals","videocassettes","Sound recordings"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 9 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Photographs and Scrapbooks, Series V. Printed Materials, Series VI. Awards, Series VII. Ephemera, Series VIII. Artwork, and Series IX. Audio-Visual Materials.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 9 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Photographs and Scrapbooks, Series V. Printed Materials, Series VI. Awards, Series VII. Ephemera, Series VIII. Artwork, and Series IX. Audio-Visual Materials."],"bioghist_html_tesm":["\u003cp\u003eSamuel F. Morrison was born in Flagstaff, Arizona on December 19, 1936 to parents Travis Morrison (1909-1953) and Esther Porter (1919-circa 2000). He had one sister, Pearl Lorraine Morrison Pitts (1938-1964). His father divorced Esther and married his second wife Ruth Swain (1911-1990). Morrison was primarily raised in Phoenix, Arizona. His family moved several times due to his father's job at munitions plants. He graduated from Compton High School in Los Angeles, California in 1952. Morrison earned an associate degree from Compton Junior College in 1955. Morrison entered the United States Air Force and served from 1955 to 1959. For three of those years in the service, he was stationed in Morocco and helped manage the library on the Air Force base. In 1970, he received his bachelor's degree in English from California State University. Morrison earned a Master's degree in Library Science from the University of Illinois at Urbana\u0026#x2013;Champaign in 1972 and attended the John F. Kennedy School of Government at Harvard University completing coursework in 1989. \u003c/p\u003e\n","\u003cp\u003eFrom 1972-1974, Morrison worked as a library director at the Frostproof Living Learning Library Center in Frostproof, Florida. He built a library and initiated outreach services for the African American and Hispanic migrant communities. In 1974, Morrison became the assistant director of Broward County Library in Broward County, Florida and served as deputy director from 1976-1987. He assisted in the growth of Broward County Library from 2 branches to 25 branches during this time. He also managed the formation of the new Main Library branch in downtown Fort Lauderdale, Florida.\u003c/p\u003e\n","\u003cp\u003eMorrison lead in the construction of the Chicago Public Library's Harold Washington Library Center and became the library's chief director from 1987 to 1990. In 1990, Morrison returned to Broward County as director of Broward County Library and worked in that position until his retirement in 2003. Under his leadership, Broward County Library was awarded \"Library of the Year\" in 1996 and grew to 38 branches. During his tenure as director, Morrison fundraised for the creation of the African American Research Library and Cultural Center, which serves as a public library as well as a special collections research center dedicated to the history and culture of the African diaspora. He attended the library's groundbreaking ceremony on October 23, 1999 and opening day on October 26, 2002.\u003c/p\u003e\n","\u003cp\u003eSamuel F. Morrison actively participated in local and national organizations during his career. He served in the Fort Lauderdale Chapter of the NAACP, Urban League of Broward County, Florida Library Association (FLA), and American Library Association (ALA). He was president of the Florida Library Association in 1981. Morrison received awards and recognition including the FLA Lifetime Achievement Award, DEMCO/ALA Black Caucus Award for Excellence in Librarianship, Leadership Foundation Broward \"Leader of the Year\" Award, and the African American Achievers Award.\u003c/p\u003e\n","\u003cp\u003eMorrison married Judith Moore in 1964 and divorced in 1985. He and his former wife had no children.\n \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Samuel F. Morrison was born in Flagstaff, Arizona on December 19, 1936 to parents Travis Morrison (1909-1953) and Esther Porter (1919-circa 2000). He had one sister, Pearl Lorraine Morrison Pitts (1938-1964). His father divorced Esther and married his second wife Ruth Swain (1911-1990). Morrison was primarily raised in Phoenix, Arizona. His family moved several times due to his father's job at munitions plants. He graduated from Compton High School in Los Angeles, California in 1952. Morrison earned an associate degree from Compton Junior College in 1955. Morrison entered the United States Air Force and served from 1955 to 1959. For three of those years in the service, he was stationed in Morocco and helped manage the library on the Air Force base. In 1970, he received his bachelor's degree in English from California State University. Morrison earned a Master's degree in Library Science from the University of Illinois at Urbana–Champaign in 1972 and attended the John F. Kennedy School of Government at Harvard University completing coursework in 1989. ","From 1972-1974, Morrison worked as a library director at the Frostproof Living Learning Library Center in Frostproof, Florida. He built a library and initiated outreach services for the African American and Hispanic migrant communities. In 1974, Morrison became the assistant director of Broward County Library in Broward County, Florida and served as deputy director from 1976-1987. He assisted in the growth of Broward County Library from 2 branches to 25 branches during this time. He also managed the formation of the new Main Library branch in downtown Fort Lauderdale, Florida.","Morrison lead in the construction of the Chicago Public Library's Harold Washington Library Center and became the library's chief director from 1987 to 1990. In 1990, Morrison returned to Broward County as director of Broward County Library and worked in that position until his retirement in 2003. Under his leadership, Broward County Library was awarded \"Library of the Year\" in 1996 and grew to 38 branches. During his tenure as director, Morrison fundraised for the creation of the African American Research Library and Cultural Center, which serves as a public library as well as a special collections research center dedicated to the history and culture of the African diaspora. He attended the library's groundbreaking ceremony on October 23, 1999 and opening day on October 26, 2002.","Samuel F. Morrison actively participated in local and national organizations during his career. He served in the Fort Lauderdale Chapter of the NAACP, Urban League of Broward County, Florida Library Association (FLA), and American Library Association (ALA). He was president of the Florida Library Association in 1981. Morrison received awards and recognition including the FLA Lifetime Achievement Award, DEMCO/ALA Black Caucus Award for Excellence in Librarianship, Leadership Foundation Broward \"Leader of the Year\" Award, and the African American Achievers Award.","Morrison married Judith Moore in 1964 and divorced in 1985. He and his former wife had no children.\n "],"prefercite_html_tesm":["\u003cp\u003eSamuel F. Morrison Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Samuel F. Morrison Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll26/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Samuel F. Morrison Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digitized Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Samuel F. Morrison Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Samuel F. Morrison Collection is comprised of materials primarily dating from the 1970s to 2010s including correspondence, books, professional and personal papers, photographs, scrapbooks, plaques, ephemera, artwork, vinyl records, and VHS tapes. These materials document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the establishment of the Chicago Public Library's Harold Washington Library Center. The collection also contains materials related to Morrison's roles as director of the Frostproof Living Learning Library Center in Frostproof, Florida from 1972 to 1974, the assistant/deputy director of Broward County Library in Broward County, Florida from 1974 to 1987, the Chicago Public Library's Harold Washington Library Center's chief director from 1987 to 1990, and Director of the Broward County Library from 1990 to 2003. Also included are items related to Morrison's participation and leadership in local and national organizations.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Samuel F. Morrison Collection is comprised of materials primarily dating from the 1970s to 2010s including correspondence, books, professional and personal papers, photographs, scrapbooks, plaques, ephemera, artwork, vinyl records, and VHS tapes. These materials document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the establishment of the Chicago Public Library's Harold Washington Library Center. The collection also contains materials related to Morrison's roles as director of the Frostproof Living Learning Library Center in Frostproof, Florida from 1972 to 1974, the assistant/deputy director of Broward County Library in Broward County, Florida from 1974 to 1987, the Chicago Public Library's Harold Washington Library Center's chief director from 1987 to 1990, and Director of the Broward County Library from 1990 to 2003. Also included are items related to Morrison's participation and leadership in local and national organizations."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default\" target=\"_blank\"\u003eBooks from the Morrison collection were cataloged in the Broward County Library catalog with the prefix \"SFM\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books from the Morrison collection were cataloged in the Broward County Library catalog with the prefix \"SFM\"."],"userestrict_html_tesm":["\u003cp\u003eThe Samuel F. Morrison Collection is open for research.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Samuel F. Morrison Collection is open for research."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e2606958532f5daaff3ca0844861a4b4\"\u003eThe Samuel F. Morrison Collection contains materials primarily dating from the 1970s to 2010s that document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the Chicago Public Library's Harold Washington Library Center.\u003c/abstract\u003e"],"abstract_tesim":["The Samuel F. Morrison Collection contains materials primarily dating from the 1970s to 2010s that document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the Chicago Public Library's Harold Washington Library Center."],"names_coll_ssim":["Broward County Library","African American Research Library and Cultural Center","Chicago Public Library. Harold Washington Library Center","Morrison, Samuel F., 1936-"],"names_ssim":["AARLCC Special Collections","Broward County Library","African American Research Library and Cultural Center","Chicago Public Library. Harold Washington Library Center","Morrison, Samuel F., 1936-"],"corpname_ssim":["AARLCC Special Collections","Broward County Library","African American Research Library and Cultural Center","Chicago Public Library. Harold Washington Library Center"],"persname_ssim":["Morrison, Samuel F., 1936-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":782,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455835659403264,"_root_":"5bfec06960a94373aa1cd96c","timestamp":"2026-09-16T03:02:16.331Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5bfec06960a94373aa1cd96c_aspace_19fe61ae6a061fdca83f57d65e8f9133"}},{"id":"adbe667f7776a646ea83b849_aspace_1154e876e1694ad027be3be25fdf09cd","type":"File","attributes":{"title":"Egmont Key Alliance, Inc., 1996-2005","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/adbe667f7776a646ea83b849_aspace_1154e876e1694ad027be3be25fdf09cd#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eFolder includes correspondence, meeting information, event advertisements, clippings, membership information, notes, and documents from the Florida State Parks 9th Annual CSO Meeting.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/adbe667f7776a646ea83b849_aspace_1154e876e1694ad027be3be25fdf09cd#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1154e876e1694ad027be3be25fdf09cd","ref_ssm":["aspace_1154e876e1694ad027be3be25fdf09cd","aspace_1154e876e1694ad027be3be25fdf09cd"],"id":"adbe667f7776a646ea83b849_aspace_1154e876e1694ad027be3be25fdf09cd","title_filing_ssi":"Egmont Key Alliance, Inc.","title_ssm":["Egmont Key Alliance, Inc."],"title_tesim":["Egmont Key Alliance, Inc."],"unitdate_inclusive_ssm":["1996-2005"],"normalized_date_ssm":["1996-2005"],"normalized_title_ssm":["Egmont Key Alliance, Inc., 1996-2005"],"text":["Egmont Key Alliance, Inc., 1996-2005","Sally Thompson collection, 1976-2019","Florida Files","The Earth Charter Community Summit-Environmental Lands Acquisition and Protection Program (ELAPP)","/repositories/2/archival_objects/171331","box 13","folder 4","A citizens support organization designated by the State of Florida Department of Natural Resources and Division of Parks and Recreation.","Folder includes correspondence, meeting information, event advertisements, clippings, membership information, notes, and documents from the Florida State Parks 9th Annual CSO Meeting."],"component_level_isim":[3],"parent_ids_ssim":["adbe667f7776a646ea83b849","adbe667f7776a646ea83b849_aspace_b0c560610905f1dbe288514141338ad3","adbe667f7776a646ea83b849_aspace_796119b5393f22f7df40179626c85940"],"parent_unittitles_ssm":["Sally Thompson collection, 1976-2019","Florida Files","The Earth Charter Community Summit-Environmental Lands Acquisition and Protection Program (ELAPP)"],"parent_unittitles_tesim":["Sally Thompson collection, 1976-2019","Florida Files","The Earth Charter Community Summit-Environmental Lands Acquisition and Protection Program (ELAPP)"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["/repositories/2/archival_objects/171331"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Sally Thompson collection, 1976-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":8,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":550,"date_range_isim":[1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"containers_ssim":["box 13","folder 4"],"bioghist_html_tesm":["\u003cp\u003eA citizens support organization designated by the State of Florida Department of Natural Resources and Division of Parks and Recreation.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["A citizens support organization designated by the State of Florida Department of Natural Resources and Division of Parks and Recreation."],"scopecontent_html_tesm":["\u003cp\u003eFolder includes correspondence, meeting information, event advertisements, clippings, membership information, notes, and documents from the Florida State Parks 9th Annual CSO Meeting.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Folder includes correspondence, meeting information, event advertisements, clippings, membership information, notes, and documents from the Florida State Parks 9th Annual CSO Meeting."],"_nest_path_":"/components#0/components#12/components#3","_nest_parent_":"adbe667f7776a646ea83b849_aspace_796119b5393f22f7df40179626c85940","_root_":"adbe667f7776a646ea83b849","_version_":1870863616778960896,"timestamp":"2026-07-16T09:36:20.762Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"adbe667f7776a646ea83b849","title_ssm":["Sally Thompson collection"],"title_tesim":["Sally Thompson collection"],"ead_ssi":"adbe667f7776a646ea83b849","unitdate_ssm":["1976-2019"],"unitdate_inclusive_ssm":["1976-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2022-10","/repositories/2/resources/617"],"text":["MS-2022-10","/repositories/2/resources/617","Sally Thompson collection, 1976-2019","Environmental policy","Environmental protection","Environmental protection -- Florida -- Tampa Bay","Conservationists -- Florida","Nature conservation -- Political aspects","Materials are arranged according to geographic location and arranged alphabetically within reginal series. Dates of folders sometimes reflect the original order of the creator's file date but itemized folder contents can be referenced for inclusive dates.","Sally Thompson holds a Bachelor's in English from Hollins University and a Master's in Public Administration from the University of South Florida (USF). Throughout her career in environmental policy across the Tampa Bay area, Thompson was the Grants Coordinator for the City of Tampa, an Adjunct Professor in Environmental Resource Management at USF, served on the Governing Board of the Southwest Florida Water Management District (SWFWMD), chaired the Tampa Greenways \u0026#38; Trails Citizens Advisory Committee, is a member emeritus of Florida Greenways \u0026#38; Trails Foundation, and serves on the Selection and General Committees of the Jan K. Platt Environmental Lands Acquisition and Protection Program (ELAPP). Thompson is a founding member of the Tampa Bay Conservancy and has also been involved in Board of Director roles for the Florida Aquarium and Keep Tampa Bay Beautiful. Thompson is currently self-employed as an environmental advisor and educator.","Materials in the collection include meeting agendas and minutes for government institutions and citizen environmental organizations, conference materials, pamphlets, flyers, publications, reports, photographs, maps, audiovisual material, correspondence, clippings, research files, and public awareness campaign fact sheets.","Publications related to the archival collection are cataloged individually and shelved in Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","Oversized graphic materials stored in a horizontal folder separate from the collection.","The Sally Thompson collection consists of professional papers covering Thompson's career in environmental advocacy, public administration, and education. This collection consists of organizational documents, reports, periodicals, public awareness campaign materials, and other items related to environmental and conservation advocacy in Florida, with attention to the Tampa Bay area. Topics of interest include green spaces, urban planning, environmental policy and legislation, citizen activism, wildlife conservation, energy, hydrology, land management, and restoration projects.","USF Libraries - Tampa Special Collections","Thompson, Sally","English"],"unitid_tesim":["MS-2022-10","/repositories/2/resources/617"],"normalized_date_ssm":["1976-2019"],"normalized_title_ssm":["Sally Thompson collection, 1976-2019"],"collection_title_tesim":["Sally Thompson collection, 1976-2019"],"collection_ssim":["Sally Thompson collection, 1976-2019"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Thompson, Sally"],"creator_ssim":["Thompson, Sally"],"creator_persname_ssim":["Thompson, Sally"],"creators_ssim":["Thompson, Sally"],"access_subjects_ssim":["Environmental policy","Environmental protection","Environmental protection -- Florida -- Tampa Bay","Conservationists -- Florida","Nature conservation -- Political aspects"],"access_subjects_ssm":["Environmental policy","Environmental protection","Environmental protection -- Florida -- Tampa Bay","Conservationists -- Florida","Nature conservation -- Political aspects"],"has_online_content_ssim":["false"],"extent_ssm":["89 boxes","1 folders","44.5 Linear Feet"],"extent_tesim":["89 boxes","1 folders","44.5 Linear Feet"],"date_range_isim":[1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged according to geographic location and arranged alphabetically within reginal series. Dates of folders sometimes reflect the original order of the creator's file date but itemized folder contents can be referenced for inclusive dates.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged according to geographic location and arranged alphabetically within reginal series. Dates of folders sometimes reflect the original order of the creator's file date but itemized folder contents can be referenced for inclusive dates."],"bioghist_html_tesm":["\u003cp\u003eSally Thompson holds a Bachelor's in English from Hollins University and a Master's in Public Administration from the University of South Florida (USF). Throughout her career in environmental policy across the Tampa Bay area, Thompson was the Grants Coordinator for the City of Tampa, an Adjunct Professor in Environmental Resource Management at USF, served on the Governing Board of the Southwest Florida Water Management District (SWFWMD), chaired the Tampa Greenways \u0026amp;#38; Trails Citizens Advisory Committee, is a member emeritus of Florida Greenways \u0026amp;#38; Trails Foundation, and serves on the Selection and General Committees of the Jan K. Platt Environmental Lands Acquisition and Protection Program (ELAPP). Thompson is a founding member of the Tampa Bay Conservancy and has also been involved in Board of Director roles for the Florida Aquarium and Keep Tampa Bay Beautiful. Thompson is currently self-employed as an environmental advisor and educator.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Sally Thompson holds a Bachelor's in English from Hollins University and a Master's in Public Administration from the University of South Florida (USF). Throughout her career in environmental policy across the Tampa Bay area, Thompson was the Grants Coordinator for the City of Tampa, an Adjunct Professor in Environmental Resource Management at USF, served on the Governing Board of the Southwest Florida Water Management District (SWFWMD), chaired the Tampa Greenways \u0026#38; Trails Citizens Advisory Committee, is a member emeritus of Florida Greenways \u0026#38; Trails Foundation, and serves on the Selection and General Committees of the Jan K. Platt Environmental Lands Acquisition and Protection Program (ELAPP). Thompson is a founding member of the Tampa Bay Conservancy and has also been involved in Board of Director roles for the Florida Aquarium and Keep Tampa Bay Beautiful. Thompson is currently self-employed as an environmental advisor and educator."],"prefercite_html_tesm":["\u003cp\u003eSally Thompson collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Sally Thompson collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eMaterials in the collection include meeting agendas and minutes for government institutions and citizen environmental organizations, conference materials, pamphlets, flyers, publications, reports, photographs, maps, audiovisual material, correspondence, clippings, research files, and public awareness campaign fact sheets.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Materials in the collection include meeting agendas and minutes for government institutions and citizen environmental organizations, conference materials, pamphlets, flyers, publications, reports, photographs, maps, audiovisual material, correspondence, clippings, research files, and public awareness campaign fact sheets."],"separatedmaterial_html_tesm":["\u003cp\u003ePublications related to the archival collection are cataloged individually and shelved in Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e","\u003cp\u003eOversized graphic materials stored in a horizontal folder separate from the collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Publications related to the archival collection are cataloged individually and shelved in Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","Oversized graphic materials stored in a horizontal folder separate from the collection."],"abstract_html_tesm":["\u003cabstract id=\"aspace_942288f0813d472c169711bd5a6bc750\"\u003eThe Sally Thompson collection consists of professional papers covering Thompson's career in environmental advocacy, public administration, and education. This collection consists of organizational documents, reports, periodicals, public awareness campaign materials, and other items related to environmental and conservation advocacy in Florida, with attention to the Tampa Bay area. Topics of interest include green spaces, urban planning, environmental policy and legislation, citizen activism, wildlife conservation, energy, hydrology, land management, and restoration projects.\u003c/abstract\u003e"],"abstract_tesim":["The Sally Thompson collection consists of professional papers covering Thompson's career in environmental advocacy, public administration, and education. This collection consists of organizational documents, reports, periodicals, public awareness campaign materials, and other items related to environmental and conservation advocacy in Florida, with attention to the Tampa Bay area. Topics of interest include green spaces, urban planning, environmental policy and legislation, citizen activism, wildlife conservation, energy, hydrology, land management, and restoration projects."],"names_ssim":["USF Libraries - Tampa Special Collections","Thompson, Sally"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Thompson, Sally"],"language_ssim":["English"],"total_component_count_is":3547,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863616778960896,"_root_":"adbe667f7776a646ea83b849","timestamp":"2026-07-16T09:36:20.762Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/adbe667f7776a646ea83b849_aspace_1154e876e1694ad027be3be25fdf09cd"}},{"id":"adbe667f7776a646ea83b849_aspace_e8f8835c77557fb294c9453bb93f1738","type":"Item","attributes":{"title":"Egmont Key Notes v.5:no.1, Special Edition, 1997-10","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/adbe667f7776a646ea83b849_aspace_e8f8835c77557fb294c9453bb93f1738#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_e8f8835c77557fb294c9453bb93f1738","ref_ssm":["aspace_e8f8835c77557fb294c9453bb93f1738","aspace_e8f8835c77557fb294c9453bb93f1738"],"id":"adbe667f7776a646ea83b849_aspace_e8f8835c77557fb294c9453bb93f1738","title_filing_ssi":"Egmont Key Notes v.5:no.1, Special Edition ","title_ssm":["Egmont Key Notes v.5:no.1, Special Edition "],"title_tesim":["Egmont Key Notes v.5:no.1, Special Edition "],"unitdate_other_ssim":["1997-10"],"normalized_date_ssm":["1997-10"],"normalized_title_ssm":["Egmont Key Notes v.5:no.1, Special Edition, 1997-10"],"text":["Egmont Key Notes v.5:no.1, Special Edition, 1997-10","Sally Thompson collection, 1976-2019","Florida Files","The Earth Charter Community Summit-Environmental Lands Acquisition and Protection Program (ELAPP)","Egmont Key Alliance, Inc., 1996-2005","/repositories/2/archival_objects/171333","box 13","folder 4","object 2"],"component_level_isim":[4],"parent_ids_ssim":["adbe667f7776a646ea83b849","adbe667f7776a646ea83b849_aspace_b0c560610905f1dbe288514141338ad3","adbe667f7776a646ea83b849_aspace_796119b5393f22f7df40179626c85940","adbe667f7776a646ea83b849_aspace_1154e876e1694ad027be3be25fdf09cd"],"parent_unittitles_ssm":["Sally Thompson collection, 1976-2019","Florida Files","The Earth Charter Community Summit-Environmental Lands Acquisition and Protection Program (ELAPP)","Egmont Key Alliance, Inc., 1996-2005"],"parent_unittitles_tesim":["Sally Thompson collection, 1976-2019","Florida Files","The Earth Charter Community Summit-Environmental Lands Acquisition and Protection Program (ELAPP)","Egmont Key Alliance, Inc., 1996-2005"],"parent_levels_ssm":["collection","Series","Box","File"],"unitid_ssm":["/repositories/2/archival_objects/171333"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Sally Thompson collection, 1976-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":552,"date_range_isim":[1997],"containers_ssim":["box 13","folder 4","object 2"],"_nest_path_":"/components#0/components#12/components#3/components#1","_nest_parent_":"adbe667f7776a646ea83b849_aspace_1154e876e1694ad027be3be25fdf09cd","_root_":"adbe667f7776a646ea83b849","_version_":1870863616778960896,"timestamp":"2026-07-16T09:36:20.762Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"adbe667f7776a646ea83b849","title_ssm":["Sally Thompson collection"],"title_tesim":["Sally Thompson collection"],"ead_ssi":"adbe667f7776a646ea83b849","unitdate_ssm":["1976-2019"],"unitdate_inclusive_ssm":["1976-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2022-10","/repositories/2/resources/617"],"text":["MS-2022-10","/repositories/2/resources/617","Sally Thompson collection, 1976-2019","Environmental policy","Environmental protection","Environmental protection -- Florida -- Tampa Bay","Conservationists -- Florida","Nature conservation -- Political aspects","Materials are arranged according to geographic location and arranged alphabetically within reginal series. Dates of folders sometimes reflect the original order of the creator's file date but itemized folder contents can be referenced for inclusive dates.","Sally Thompson holds a Bachelor's in English from Hollins University and a Master's in Public Administration from the University of South Florida (USF). Throughout her career in environmental policy across the Tampa Bay area, Thompson was the Grants Coordinator for the City of Tampa, an Adjunct Professor in Environmental Resource Management at USF, served on the Governing Board of the Southwest Florida Water Management District (SWFWMD), chaired the Tampa Greenways \u0026#38; Trails Citizens Advisory Committee, is a member emeritus of Florida Greenways \u0026#38; Trails Foundation, and serves on the Selection and General Committees of the Jan K. Platt Environmental Lands Acquisition and Protection Program (ELAPP). Thompson is a founding member of the Tampa Bay Conservancy and has also been involved in Board of Director roles for the Florida Aquarium and Keep Tampa Bay Beautiful. Thompson is currently self-employed as an environmental advisor and educator.","Materials in the collection include meeting agendas and minutes for government institutions and citizen environmental organizations, conference materials, pamphlets, flyers, publications, reports, photographs, maps, audiovisual material, correspondence, clippings, research files, and public awareness campaign fact sheets.","Publications related to the archival collection are cataloged individually and shelved in Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","Oversized graphic materials stored in a horizontal folder separate from the collection.","The Sally Thompson collection consists of professional papers covering Thompson's career in environmental advocacy, public administration, and education. This collection consists of organizational documents, reports, periodicals, public awareness campaign materials, and other items related to environmental and conservation advocacy in Florida, with attention to the Tampa Bay area. Topics of interest include green spaces, urban planning, environmental policy and legislation, citizen activism, wildlife conservation, energy, hydrology, land management, and restoration projects.","USF Libraries - Tampa Special Collections","Thompson, Sally","English"],"unitid_tesim":["MS-2022-10","/repositories/2/resources/617"],"normalized_date_ssm":["1976-2019"],"normalized_title_ssm":["Sally Thompson collection, 1976-2019"],"collection_title_tesim":["Sally Thompson collection, 1976-2019"],"collection_ssim":["Sally Thompson collection, 1976-2019"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Thompson, Sally"],"creator_ssim":["Thompson, Sally"],"creator_persname_ssim":["Thompson, Sally"],"creators_ssim":["Thompson, Sally"],"access_subjects_ssim":["Environmental policy","Environmental protection","Environmental protection -- Florida -- Tampa Bay","Conservationists -- Florida","Nature conservation -- Political aspects"],"access_subjects_ssm":["Environmental policy","Environmental protection","Environmental protection -- Florida -- Tampa Bay","Conservationists -- Florida","Nature conservation -- Political aspects"],"has_online_content_ssim":["false"],"extent_ssm":["89 boxes","1 folders","44.5 Linear Feet"],"extent_tesim":["89 boxes","1 folders","44.5 Linear Feet"],"date_range_isim":[1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged according to geographic location and arranged alphabetically within reginal series. Dates of folders sometimes reflect the original order of the creator's file date but itemized folder contents can be referenced for inclusive dates.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged according to geographic location and arranged alphabetically within reginal series. Dates of folders sometimes reflect the original order of the creator's file date but itemized folder contents can be referenced for inclusive dates."],"bioghist_html_tesm":["\u003cp\u003eSally Thompson holds a Bachelor's in English from Hollins University and a Master's in Public Administration from the University of South Florida (USF). Throughout her career in environmental policy across the Tampa Bay area, Thompson was the Grants Coordinator for the City of Tampa, an Adjunct Professor in Environmental Resource Management at USF, served on the Governing Board of the Southwest Florida Water Management District (SWFWMD), chaired the Tampa Greenways \u0026amp;#38; Trails Citizens Advisory Committee, is a member emeritus of Florida Greenways \u0026amp;#38; Trails Foundation, and serves on the Selection and General Committees of the Jan K. Platt Environmental Lands Acquisition and Protection Program (ELAPP). Thompson is a founding member of the Tampa Bay Conservancy and has also been involved in Board of Director roles for the Florida Aquarium and Keep Tampa Bay Beautiful. Thompson is currently self-employed as an environmental advisor and educator.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Sally Thompson holds a Bachelor's in English from Hollins University and a Master's in Public Administration from the University of South Florida (USF). Throughout her career in environmental policy across the Tampa Bay area, Thompson was the Grants Coordinator for the City of Tampa, an Adjunct Professor in Environmental Resource Management at USF, served on the Governing Board of the Southwest Florida Water Management District (SWFWMD), chaired the Tampa Greenways \u0026#38; Trails Citizens Advisory Committee, is a member emeritus of Florida Greenways \u0026#38; Trails Foundation, and serves on the Selection and General Committees of the Jan K. Platt Environmental Lands Acquisition and Protection Program (ELAPP). Thompson is a founding member of the Tampa Bay Conservancy and has also been involved in Board of Director roles for the Florida Aquarium and Keep Tampa Bay Beautiful. Thompson is currently self-employed as an environmental advisor and educator."],"prefercite_html_tesm":["\u003cp\u003eSally Thompson collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Sally Thompson collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eMaterials in the collection include meeting agendas and minutes for government institutions and citizen environmental organizations, conference materials, pamphlets, flyers, publications, reports, photographs, maps, audiovisual material, correspondence, clippings, research files, and public awareness campaign fact sheets.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Materials in the collection include meeting agendas and minutes for government institutions and citizen environmental organizations, conference materials, pamphlets, flyers, publications, reports, photographs, maps, audiovisual material, correspondence, clippings, research files, and public awareness campaign fact sheets."],"separatedmaterial_html_tesm":["\u003cp\u003ePublications related to the archival collection are cataloged individually and shelved in Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e","\u003cp\u003eOversized graphic materials stored in a horizontal folder separate from the collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Publications related to the archival collection are cataloged individually and shelved in Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","Oversized graphic materials stored in a horizontal folder separate from the collection."],"abstract_html_tesm":["\u003cabstract id=\"aspace_942288f0813d472c169711bd5a6bc750\"\u003eThe Sally Thompson collection consists of professional papers covering Thompson's career in environmental advocacy, public administration, and education. This collection consists of organizational documents, reports, periodicals, public awareness campaign materials, and other items related to environmental and conservation advocacy in Florida, with attention to the Tampa Bay area. Topics of interest include green spaces, urban planning, environmental policy and legislation, citizen activism, wildlife conservation, energy, hydrology, land management, and restoration projects.\u003c/abstract\u003e"],"abstract_tesim":["The Sally Thompson collection consists of professional papers covering Thompson's career in environmental advocacy, public administration, and education. This collection consists of organizational documents, reports, periodicals, public awareness campaign materials, and other items related to environmental and conservation advocacy in Florida, with attention to the Tampa Bay area. Topics of interest include green spaces, urban planning, environmental policy and legislation, citizen activism, wildlife conservation, energy, hydrology, land management, and restoration projects."],"names_ssim":["USF Libraries - Tampa Special Collections","Thompson, Sally"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Thompson, Sally"],"language_ssim":["English"],"total_component_count_is":3547,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863616778960896,"_root_":"adbe667f7776a646ea83b849","timestamp":"2026-07-16T09:36:20.762Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/adbe667f7776a646ea83b849_aspace_e8f8835c77557fb294c9453bb93f1738"}},{"id":"256e771e3cc0782aac349f80_aspace_d5ce1514bedacb3acb597da26284c320","type":"File","attributes":{"title":"Ego Records (Update), Apr./May 1997, Apr./May 1997","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80_aspace_d5ce1514bedacb3acb597da26284c320#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_d5ce1514bedacb3acb597da26284c320","ref_ssm":["aspace_d5ce1514bedacb3acb597da26284c320","aspace_d5ce1514bedacb3acb597da26284c320"],"id":"256e771e3cc0782aac349f80_aspace_d5ce1514bedacb3acb597da26284c320","title_filing_ssi":"Ego Records (Update), Apr./May 1997","title_ssm":["Ego Records (Update), Apr./May 1997"],"title_tesim":["Ego Records (Update), Apr./May 1997"],"unitdate_inclusive_ssm":["Apr./May 1997"],"normalized_date_ssm":["Apr./May 1997"],"normalized_title_ssm":["Ego Records (Update), Apr./May 1997, Apr./May 1997"],"text":["Ego Records (Update), Apr./May 1997, Apr./May 1997","Zine Collection, 1973-2019","Riot Grrrl Zine Collection, 1989-1996","Reviews, Distro Catalogs and Miscellaneous Materials","/repositories/2/archival_objects/29211","Zines.","Music.","Catalogs","box 1","folder 116"],"component_level_isim":[3],"parent_ids_ssim":["256e771e3cc0782aac349f80","256e771e3cc0782aac349f80_aspace_17302","256e771e3cc0782aac349f80_aspace_17992"],"parent_unittitles_ssm":["Zine Collection, 1973-2019","Riot Grrrl Zine Collection, 1989-1996","Reviews, Distro Catalogs and Miscellaneous Materials"],"parent_unittitles_tesim":["Zine Collection, 1973-2019","Riot Grrrl Zine Collection, 1989-1996","Reviews, Distro Catalogs and Miscellaneous Materials"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/29211"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["Zine Collection, 1973-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":141,"parent_access_restrict_tesm":["The collection is open for use."],"date_range_isim":[1997],"geogname_ssim":["Zines."],"geogname_ssm":["Zines."],"places_ssim":["Zines."],"access_subjects_ssim":["Music.","Catalogs"],"access_subjects_ssm":["Music.","Catalogs"],"containers_ssim":["box 1","folder 116"],"_nest_path_":"/components#0/components#3/components#47","_nest_parent_":"256e771e3cc0782aac349f80_aspace_17992","_root_":"256e771e3cc0782aac349f80","_version_":1870843569479090176,"timestamp":"2026-07-16T04:17:42.144Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"256e771e3cc0782aac349f80","title_ssm":["Zine Collection"],"title_tesim":["Zine Collection"],"ead_ssi":"256e771e3cc0782aac349f80","unitdate_ssm":["1973-2019"],"unitdate_inclusive_ssm":["1973-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/26","/repositories/2/resources/6"],"text":["02/01/26","/repositories/2/resources/6","Zine Collection, 1973-2019","Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art","The collection is open for use.","Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.","The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.","Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.","Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe","English"],"unitid_tesim":["02/01/26","/repositories/2/resources/6"],"normalized_date_ssm":["1973-2019"],"normalized_title_ssm":["Zine Collection, 1973-2019"],"collection_title_tesim":["Zine Collection, 1973-2019"],"collection_ssim":["Zine Collection, 1973-2019"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"geogname_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"places_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet"],"extent_tesim":["9 Linear Feet"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for use."],"arrangement_html_tesm":["\u003cp\u003eOrganized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020."],"scopecontent_html_tesm":["\u003cp\u003eThe Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5a0de4e8fb6224cb231f2eecf1aee4f4\" label=\"Abstract and Language Disclaimer\"\u003eZines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.\u003c/abstract\u003e"],"abstract_tesim":["Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience."],"names_ssim":["Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"persname_ssim":["Corley, Madison","Lewis, Chloe"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":447,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870843569479090176,"_root_":"256e771e3cc0782aac349f80","timestamp":"2026-07-16T04:17:42.144Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80_aspace_d5ce1514bedacb3acb597da26284c320"}},{"id":"1591d8e7ee24b2059ada233f_aspace_7ded336744acf6eae3a09cdf7d04debb","type":"Item","attributes":{"title":"Eiffel Tower – Elevator Mid Floor View, 1997","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1591d8e7ee24b2059ada233f_aspace_7ded336744acf6eae3a09cdf7d04debb#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_7ded336744acf6eae3a09cdf7d04debb","ref_ssm":["aspace_7ded336744acf6eae3a09cdf7d04debb","aspace_7ded336744acf6eae3a09cdf7d04debb"],"id":"1591d8e7ee24b2059ada233f_aspace_7ded336744acf6eae3a09cdf7d04debb","title_filing_ssi":"Eiffel Tower – Elevator Mid Floor View","title_ssm":["Eiffel Tower – Elevator Mid Floor View"],"title_tesim":["Eiffel Tower – Elevator Mid Floor View"],"unitdate_other_ssim":["1997"],"normalized_date_ssm":["1997"],"normalized_title_ssm":["Eiffel Tower – Elevator Mid Floor View, 1997"],"text":["Eiffel Tower – Elevator Mid Floor View, 1997","Len Prince collection, 1990-2019","Original Photographs","/repositories/2/archival_objects/147701","box 3","object 23","Signed by Len Prince."],"component_level_isim":[2],"parent_ids_ssim":["1591d8e7ee24b2059ada233f","1591d8e7ee24b2059ada233f_aspace_77b2a3e5dd1bbbde4e35313d83754d3a"],"parent_unittitles_ssm":["Len Prince collection, 1990-2019","Original Photographs"],"parent_unittitles_tesim":["Len Prince collection, 1990-2019","Original Photographs"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["/repositories/2/archival_objects/147701"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Len Prince collection, 1990-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":128,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1997],"containers_ssim":["box 3","object 23"],"odd_html_tesm":["\u003cp\u003eSigned by Len Prince.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Signed by Len Prince."],"_nest_path_":"/components#2/components#22","_nest_parent_":"1591d8e7ee24b2059ada233f_aspace_77b2a3e5dd1bbbde4e35313d83754d3a","_root_":"1591d8e7ee24b2059ada233f","timestamp":"2026-07-11T04:48:23.160Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1591d8e7ee24b2059ada233f","title_ssm":["Len Prince collection"],"title_tesim":["Len Prince collection"],"ead_ssi":"1591d8e7ee24b2059ada233f","unitdate_ssm":["1990-2019"],"unitdate_inclusive_ssm":["1990-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2022-04","/repositories/2/resources/607"],"text":["MS-2022-04","/repositories/2/resources/607","Len Prince collection, 1990-2019","Photograph collections","Photography, Erotic","Photography of the nude","Photography","HIV/AIDS awareness","Gay artists","LGBTQ+ artists","Collection is arranged according to material type and chronology. When able, the donor's original order and file level labels were maintained.","Len Prince is an American photographer whose work includes portraiture, celebrity photography, fashion, nudes, still life, and botanicals. Prince was born in Detroit, Michigan in 1953 and has since lived and worked internationally. Prince has been working in photography since the age of nine and studied at the School of Visual Arts. Prince has collaborated with celebrities in fashion, theater, and film and is also known for his artistic partnership with Jessie Mann. Prince's photography has been featured in temporary exhibits and permanent collections of museums across the United States, including Florida institutions such as the Tampa Museum of Art, Florida Museum of Photographic Arts, and The John and Mable Ringling Museum of Art.","This collection includes original silver gelatin and polaroid prints by photographer Len Prince, as well as posters and other reproductions of original artwork. Also included are auction and sale records, magazine clippings, media, periodicals that include Prince's photographs, correspondence, exhibition files, biographical material, photographic slides, and related research materials.","Oversized materials are shelved separately. Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection is comprised of a series of original photographs and supporting documents tracing the career of Len Prince, an American photographer. Included are documents related to Prince's photographic exhibitions across galleries and museums of the United States, including marketing campaigns for A.I.D.S. awareness and relief fundraising. Clippings and periodicals showcase the use of Prince's photography in marketing campaigns and career highlights in both fine art and lifestyle magazines. Also included is correspondence with the artist, as well as buyers, dealers, and exhibitors of Prince's photographs. Cataloged alongside the archival materials are a series of books featuring Len Prince's photographs, as well as select catalogs of exhibits.","USF Libraries - Tampa Special Collections","Prince, Len , 1953-","English"],"unitid_tesim":["MS-2022-04","/repositories/2/resources/607"],"normalized_date_ssm":["1990-2019"],"normalized_title_ssm":["Len Prince collection, 1990-2019"],"collection_title_tesim":["Len Prince collection, 1990-2019"],"collection_ssim":["Len Prince collection, 1990-2019"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Photograph collections","Photography, Erotic","Photography of the nude","Photography","HIV/AIDS awareness","Gay artists","LGBTQ+ artists"],"access_subjects_ssm":["Photograph collections","Photography, Erotic","Photography of the nude","Photography","HIV/AIDS awareness","Gay artists","LGBTQ+ artists"],"has_online_content_ssim":["false"],"extent_ssm":["3 boxes","1.5 Linear Feet"],"extent_tesim":["3 boxes","1.5 Linear Feet"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged according to material type and chronology. When able, the donor's original order and file level labels were maintained.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged according to material type and chronology. When able, the donor's original order and file level labels were maintained."],"bioghist_html_tesm":["\u003cp\u003eLen Prince is an American photographer whose work includes portraiture, celebrity photography, fashion, nudes, still life, and botanicals. Prince was born in Detroit, Michigan in 1953 and has since lived and worked internationally. Prince has been working in photography since the age of nine and studied at the School of Visual Arts. Prince has collaborated with celebrities in fashion, theater, and film and is also known for his artistic partnership with Jessie Mann. Prince's photography has been featured in temporary exhibits and permanent collections of museums across the United States, including Florida institutions such as the Tampa Museum of Art, Florida Museum of Photographic Arts, and The John and Mable Ringling Museum of Art.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Len Prince is an American photographer whose work includes portraiture, celebrity photography, fashion, nudes, still life, and botanicals. Prince was born in Detroit, Michigan in 1953 and has since lived and worked internationally. Prince has been working in photography since the age of nine and studied at the School of Visual Arts. Prince has collaborated with celebrities in fashion, theater, and film and is also known for his artistic partnership with Jessie Mann. Prince's photography has been featured in temporary exhibits and permanent collections of museums across the United States, including Florida institutions such as the Tampa Museum of Art, Florida Museum of Photographic Arts, and The John and Mable Ringling Museum of Art."],"prefercite_html_tesm":["\u003cp\u003eLen Prince collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Len Prince collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes original silver gelatin and polaroid prints by photographer Len Prince, as well as posters and other reproductions of original artwork. Also included are auction and sale records, magazine clippings, media, periodicals that include Prince's photographs, correspondence, exhibition files, biographical material, photographic slides, and related research materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes original silver gelatin and polaroid prints by photographer Len Prince, as well as posters and other reproductions of original artwork. Also included are auction and sale records, magazine clippings, media, periodicals that include Prince's photographs, correspondence, exhibition files, biographical material, photographic slides, and related research materials."],"separatedmaterial_html_tesm":["\u003cp\u003eOversized materials are shelved separately. Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Oversized materials are shelved separately. Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_95660ce35e0a4fddf0de3cdb23b0a08b\"\u003eThis collection is comprised of a series of original photographs and supporting documents tracing the career of Len Prince, an American photographer. Included are documents related to Prince's photographic exhibitions across galleries and museums of the United States, including marketing campaigns for A.I.D.S. awareness and relief fundraising. Clippings and periodicals showcase the use of Prince's photography in marketing campaigns and career highlights in both fine art and lifestyle magazines. Also included is correspondence with the artist, as well as buyers, dealers, and exhibitors of Prince's photographs. Cataloged alongside the archival materials are a series of books featuring Len Prince's photographs, as well as select catalogs of exhibits.\u003c/abstract\u003e"],"abstract_tesim":["This collection is comprised of a series of original photographs and supporting documents tracing the career of Len Prince, an American photographer. Included are documents related to Prince's photographic exhibitions across galleries and museums of the United States, including marketing campaigns for A.I.D.S. awareness and relief fundraising. Clippings and periodicals showcase the use of Prince's photography in marketing campaigns and career highlights in both fine art and lifestyle magazines. Also included is correspondence with the artist, as well as buyers, dealers, and exhibitors of Prince's photographs. Cataloged alongside the archival materials are a series of books featuring Len Prince's photographs, as well as select catalogs of exhibits."],"names_ssim":["USF Libraries - Tampa Special Collections","Prince, Len , 1953-"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Prince, Len , 1953-"],"persname_ssim":["Prince, Len , 1953-"],"language_ssim":["English"],"total_component_count_is":147,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"1591d8e7ee24b2059ada233f","timestamp":"2026-07-11T04:48:23.160Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/1591d8e7ee24b2059ada233f_aspace_7ded336744acf6eae3a09cdf7d04debb"}},{"id":"1e210d3d5b491a8ea50fb53f_aspace_41067","type":"File","attributes":{"title":"Eighth Annual Festival, 1997","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1e210d3d5b491a8ea50fb53f_aspace_41067#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_41067","ref_ssm":["aspace_41067","aspace_41067"],"id":"1e210d3d5b491a8ea50fb53f_aspace_41067","title_filing_ssi":"Eighth Annual Festival","title_ssm":["Eighth Annual Festival"],"title_tesim":["Eighth Annual Festival"],"unitdate_other_ssim":["1997"],"normalized_date_ssm":["1997"],"normalized_title_ssm":["Eighth Annual Festival, 1997"],"text":["Eighth Annual Festival, 1997","Collected Materials on the Zora Neale Hurston Festival, 1989-2017","Festivals, 1990-2017.","Folder 8","/repositories/4/archival_objects/8496","box 1","folder 8"],"component_level_isim":[2],"parent_ids_ssim":["1e210d3d5b491a8ea50fb53f","1e210d3d5b491a8ea50fb53f_aspace_41058"],"parent_unittitles_ssm":["Collected Materials on the Zora Neale Hurston Festival, 1989-2017","Festivals, 1990-2017."],"parent_unittitles_tesim":["Collected Materials on the Zora Neale Hurston Festival, 1989-2017","Festivals, 1990-2017."],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 8","/repositories/4/archival_objects/8496"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Collected Materials on the Zora Neale Hurston Festival, 1989-2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":9,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1997],"containers_ssim":["box 1","folder 8"],"_nest_path_":"/components#0/components#7","_nest_parent_":"1e210d3d5b491a8ea50fb53f_aspace_41058","_root_":"1e210d3d5b491a8ea50fb53f","_version_":1870857951396233216,"timestamp":"2026-07-16T08:06:17.890Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1e210d3d5b491a8ea50fb53f","title_ssm":["Collected Materials on the Zora Neale Hurston Festival"],"title_tesim":["Collected Materials on the Zora Neale Hurston Festival"],"ead_ssi":"1e210d3d5b491a8ea50fb53f","unitdate_ssm":["1989-2017"],"unitdate_inclusive_ssm":["1989-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.074","/repositories/4/resources/44"],"text":["SC.074","/repositories/4/resources/44","Collected Materials on the Zora Neale Hurston Festival, 1989-2017","Eatonville (Fla.)","African American women","The entire collection is open for research.","The collection is divided into two series, each organized chronologically and then alphabetically.","The Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel  Their Eyes Were Watching God  which was set in Eatonville. Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, workshops, museum exhibitions, historical tours, stage performances, arts education programming, an academic humanities- based conference, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. Numerous celebrity guest speakers have been featured at the festival including Alice Walker, Maya Angelou, Pearl Cleage, Danny Glover and Deborah Willis. ","The Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. As of 2024, the festival's sponsors include Orange County Government through the Arts \u0026 Cultural Affairs Program, University of Central Florida, Florida Humanities, the town of Eatonville, Florida, Florida Division of Arts and Culture, and The World Conference of Mayors, Inc. The festival continues to operate and maintain its goals of perpetuating the memory and legacy of Zora Neale Hurston and preserving the Eatonville community.  ","Collection processed by Ryan Groves, Lindsay Mazziotto, and Courtney Toelle; finding aid prepared by Ryan Groves, Lindsay Mazziotto, and Courtney Toelle.\t ","University of Central Florida Libraries collected these materials in 2007.","The collection is divided into three series, each organized chronologically.","\nThe Zora Neale Hurston Festivals collected materials contain documents spanning the festivals inception in 1989 until 2017. The first series of documents primarily contain programs printed for each year's festival. While there is not a complete set, the collection currently contains programs from 1990 to 2017. The second series contains materials concerning the African American Community in Eatonville with a particular focus on cultural programming. The third series contains magazine articles, newspaper clippings, and brochures that illustrate the growing programs and projects of the Association to Preserve the Eatonville Community. These include student and teacher workshops, art exhibitions, and publications that resulted from the growing influence of Zora Neale Hurston's work.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The collection contains documents related to the festival bearing the name of the late poet, writer, anthropologist, and folklorist Zora Neale Hurston. Since 1990, the Zora Neale Hurston Festival has attracted individuals from across the country in academic and artistic disciplines wishing to celebrate Zora Neale Hurston and African American culture as a whole. The following folders contain the programs from festival years 1990 to 2017. In addition to its annual festival, the Association to Preserve Eatonville, Inc. has expanded its focus and community activities to inform and celebrate the life and work of Zora Neale Hurston and Eatonville.","UCF Special Collections","University of Central Florida. Library","Association to Preserve the Eatonville Community (Eatonville, Fla.)","Hurston, Zora Neale (1891-1960)","English"],"unitid_tesim":["SC.074","/repositories/4/resources/44"],"normalized_date_ssm":["1989-2017"],"normalized_title_ssm":["Collected Materials on the Zora Neale Hurston Festival, 1989-2017"],"collection_title_tesim":["Collected Materials on the Zora Neale Hurston Festival, 1989-2017"],"collection_ssim":["Collected Materials on the Zora Neale Hurston Festival, 1989-2017"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Eatonville (Fla.)"],"geogname_ssim":["Eatonville (Fla.)"],"creator_ssm":["University of Central Florida. Library"],"creator_ssim":["University of Central Florida. Library"],"creator_corpname_ssim":["University of Central Florida. Library"],"creators_ssim":["University of Central Florida. Library"],"places_ssim":["Eatonville (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["University of Central Florida Libraries collected these materials in 2007 (CFM2007_05)."],"access_subjects_ssim":["African American women"],"access_subjects_ssm":["African American women"],"has_online_content_ssim":["false"],"extent_ssm":["0.6 Linear Feet 1 Box"],"extent_tesim":["0.6 Linear Feet 1 Box"],"date_range_isim":[1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into two series, each organized chronologically and then alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is divided into two series, each organized chronologically and then alphabetically."],"bioghist_html_tesm":["\u003cp\u003eThe Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel \u003cemph render=\"italic\"\u003eTheir Eyes Were Watching God\u003c/emph\u003e which was set in Eatonville. Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, workshops, museum exhibitions, historical tours, stage performances, arts education programming, an academic humanities- based conference, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. Numerous celebrity guest speakers have been featured at the festival including Alice Walker, Maya Angelou, Pearl Cleage, Danny Glover and Deborah Willis. \u003c/p\u003e\n","\u003cp\u003eThe Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. As of 2024, the festival's sponsors include Orange County Government through the Arts \u0026amp; Cultural Affairs Program, University of Central Florida, Florida Humanities, the town of Eatonville, Florida, Florida Division of Arts and Culture, and The World Conference of Mayors, Inc. The festival continues to operate and maintain its goals of perpetuating the memory and legacy of Zora Neale Hurston and preserving the Eatonville community.  \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel  Their Eyes Were Watching God  which was set in Eatonville. Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, workshops, museum exhibitions, historical tours, stage performances, arts education programming, an academic humanities- based conference, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. Numerous celebrity guest speakers have been featured at the festival including Alice Walker, Maya Angelou, Pearl Cleage, Danny Glover and Deborah Willis. ","The Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. As of 2024, the festival's sponsors include Orange County Government through the Arts \u0026 Cultural Affairs Program, University of Central Florida, Florida Humanities, the town of Eatonville, Florida, Florida Division of Arts and Culture, and The World Conference of Mayors, Inc. The festival continues to operate and maintain its goals of perpetuating the memory and legacy of Zora Neale Hurston and preserving the Eatonville community.  "],"prefercite_html_tesm":["\u003cp\u003eCollected Materials on the Zora Neale Hurston Festival, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collected Materials on the Zora Neale Hurston Festival, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Ryan Groves, Lindsay Mazziotto, and Courtney Toelle; finding aid prepared by Ryan Groves, Lindsay Mazziotto, and Courtney Toelle.\t \u003c/p\u003e","\u003cp\u003eUniversity of Central Florida Libraries collected these materials in 2007.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Ryan Groves, Lindsay Mazziotto, and Courtney Toelle; finding aid prepared by Ryan Groves, Lindsay Mazziotto, and Courtney Toelle.\t ","University of Central Florida Libraries collected these materials in 2007."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is divided into three series, each organized chronologically.\u003c/p\u003e\n","\u003cp\u003e\nThe Zora Neale Hurston Festivals collected materials contain documents spanning the festivals inception in 1989 until 2017. The first series of documents primarily contain programs printed for each year's festival. While there is not a complete set, the collection currently contains programs from 1990 to 2017. The second series contains materials concerning the African American Community in Eatonville with a particular focus on cultural programming. The third series contains magazine articles, newspaper clippings, and brochures that illustrate the growing programs and projects of the Association to Preserve the Eatonville Community. These include student and teacher workshops, art exhibitions, and publications that resulted from the growing influence of Zora Neale Hurston's work.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is divided into three series, each organized chronologically.","\nThe Zora Neale Hurston Festivals collected materials contain documents spanning the festivals inception in 1989 until 2017. The first series of documents primarily contain programs printed for each year's festival. While there is not a complete set, the collection currently contains programs from 1990 to 2017. The second series contains materials concerning the African American Community in Eatonville with a particular focus on cultural programming. The third series contains magazine articles, newspaper clippings, and brochures that illustrate the growing programs and projects of the Association to Preserve the Eatonville Community. These include student and teacher workshops, art exhibitions, and publications that resulted from the growing influence of Zora Neale Hurston's work."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_574cb50e400f77b5ecb97515777b9ea3\" label=\"Abstract\"\u003eThe collection contains documents related to the festival bearing the name of the late poet, writer, anthropologist, and folklorist Zora Neale Hurston. Since 1990, the Zora Neale Hurston Festival has attracted individuals from across the country in academic and artistic disciplines wishing to celebrate Zora Neale Hurston and African American culture as a whole. The following folders contain the programs from festival years 1990 to 2017. In addition to its annual festival, the Association to Preserve Eatonville, Inc. has expanded its focus and community activities to inform and celebrate the life and work of Zora Neale Hurston and Eatonville.\u003c/abstract\u003e"],"abstract_tesim":["The collection contains documents related to the festival bearing the name of the late poet, writer, anthropologist, and folklorist Zora Neale Hurston. Since 1990, the Zora Neale Hurston Festival has attracted individuals from across the country in academic and artistic disciplines wishing to celebrate Zora Neale Hurston and African American culture as a whole. The following folders contain the programs from festival years 1990 to 2017. In addition to its annual festival, the Association to Preserve Eatonville, Inc. has expanded its focus and community activities to inform and celebrate the life and work of Zora Neale Hurston and Eatonville."],"names_coll_ssim":["Association to Preserve the Eatonville Community (Eatonville, Fla.)","Hurston, Zora Neale (1891-1960)"],"names_ssim":["UCF Special Collections","University of Central Florida. Library","Association to Preserve the Eatonville Community (Eatonville, Fla.)","Hurston, Zora Neale (1891-1960)"],"corpname_ssim":["UCF Special Collections","University of Central Florida. Library","Association to Preserve the Eatonville Community (Eatonville, Fla.)"],"persname_ssim":["Hurston, Zora Neale (1891-1960)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":59,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857951396233216,"_root_":"1e210d3d5b491a8ea50fb53f","timestamp":"2026-07-16T08:06:17.890Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/1e210d3d5b491a8ea50fb53f_aspace_41067"}},{"id":"be6ce791bcd745e39261598f","type":"collection","attributes":{"title":"Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/be6ce791bcd745e39261598f#abstract_or_scope","type":"document_value","attributes":{"value":["The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career. Her involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/be6ce791bcd745e39261598f#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"be6ce791bcd745e39261598f","title_ssm":["Eleanor Merritt [Darlington] Collection"],"title_tesim":["Eleanor Merritt [Darlington] Collection"],"ead_ssi":"be6ce791bcd745e39261598f","unitdate_ssm":["1950-2019","1990-2019"],"unitdate_bulk_ssim":["1990-2019"],"unitdate_inclusive_ssm":["1950-2019"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["A.2022.0004","/repositories/11/resources/1933"],"text":["A.2022.0004","/repositories/11/resources/1933","Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019","Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting.","This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.","The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.","All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.","The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.","The John and Mable Ringling Museum of Art Archives","English"],"unitid_tesim":["A.2022.0004","/repositories/11/resources/1933"],"normalized_date_ssm":["1950-2019, bulk 1990-2019"],"normalized_title_ssm":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"collection_title_tesim":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"collection_ssim":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"repository_ssm":["The John and Mable Ringling Museum of Art Archives"],"repository_ssim":["The John and Mable Ringling Museum of Art Archives"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"access_subjects_ssim":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"access_subjects_ssm":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"has_online_content_ssim":["false"],"extent_ssm":["5.3 Linear Feet 17 Boxes"],"extent_tesim":["5.3 Linear Feet 17 Boxes"],"genreform_ssim":["Painting."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals."],"prefercite_html_tesm":["\u003cp\u003eThe John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019.\u003c/p\u003e"],"prefercite_tesim":["The John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019."],"scopecontent_html_tesm":["\u003cp\u003eThe Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.\u003c/p\u003e\n","\u003cp\u003eThe collection is arranged by subject in chronological order spanning from 1950 \u0026#x2013; 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. \u003c/p\u003e\n","\u003cp\u003eMerritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0d3e798eb2a8cee06c3eebf554d917ee\"\u003eThe Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.\u003c/abstract\u003e"],"abstract_tesim":["The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists."],"names_ssim":["The John and Mable Ringling Museum of Art Archives"],"corpname_ssim":["The John and Mable Ringling Museum of Art Archives"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"be6ce791bcd745e39261598f","timestamp":"2026-04-21T02:41:46.838Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"be6ce791bcd745e39261598f","title_ssm":["Eleanor Merritt [Darlington] Collection"],"title_tesim":["Eleanor Merritt [Darlington] Collection"],"ead_ssi":"be6ce791bcd745e39261598f","unitdate_ssm":["1950-2019","1990-2019"],"unitdate_bulk_ssim":["1990-2019"],"unitdate_inclusive_ssm":["1950-2019"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["A.2022.0004","/repositories/11/resources/1933"],"text":["A.2022.0004","/repositories/11/resources/1933","Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019","Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting.","This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.","The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.","All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.","The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.","The John and Mable Ringling Museum of Art Archives","English"],"unitid_tesim":["A.2022.0004","/repositories/11/resources/1933"],"normalized_date_ssm":["1950-2019, bulk 1990-2019"],"normalized_title_ssm":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"collection_title_tesim":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"collection_ssim":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"repository_ssm":["The John and Mable Ringling Museum of Art Archives"],"repository_ssim":["The John and Mable Ringling Museum of Art Archives"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"access_subjects_ssim":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"access_subjects_ssm":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"has_online_content_ssim":["false"],"extent_ssm":["5.3 Linear Feet 17 Boxes"],"extent_tesim":["5.3 Linear Feet 17 Boxes"],"genreform_ssim":["Painting."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals."],"prefercite_html_tesm":["\u003cp\u003eThe John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019.\u003c/p\u003e"],"prefercite_tesim":["The John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019."],"scopecontent_html_tesm":["\u003cp\u003eThe Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.\u003c/p\u003e\n","\u003cp\u003eThe collection is arranged by subject in chronological order spanning from 1950 \u0026#x2013; 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. \u003c/p\u003e\n","\u003cp\u003eMerritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0d3e798eb2a8cee06c3eebf554d917ee\"\u003eThe Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.\u003c/abstract\u003e"],"abstract_tesim":["The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. 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The majority of the cartoon collection relates to Florida and Jacksonville and were published in the Florida Times-Union Newspaper.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information.","UNF Library Special Collections and University Archives","Florida Times-Union.","English"],"unitid_tesim":["2014.001","/repositories/3/resources/67"],"normalized_date_ssm":["1980-2010"],"normalized_title_ssm":["Edward H. Gamble Collection, 1980-2010"],"collection_title_tesim":["Edward H. Gamble Collection, 1980-2010"],"collection_ssim":["Edward H. 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