{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1996\u0026page=522\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1996\u0026page=521\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1996\u0026page=523\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1996\u0026page=598\u0026view=compact"},"meta":{"pages":{"current_page":522,"next_page":523,"prev_page":521,"total_pages":598,"limit_value":10,"offset_value":5210,"total_count":5979,"first_page?":false,"last_page?":false}},"data":[{"id":"7a810d7561261a3999010a98_aspace_16c58ab03ed06320772003c452bf19a6","type":"Item","attributes":{"title":"\"The 14th Annual Great American Jazz Piano Competition, Presented by: WJCT \u0026 Continental Cablevision\", 1996-11-13","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/7a810d7561261a3999010a98_aspace_16c58ab03ed06320772003c452bf19a6#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_16c58ab03ed06320772003c452bf19a6","ref_ssm":["aspace_16c58ab03ed06320772003c452bf19a6","aspace_16c58ab03ed06320772003c452bf19a6"],"id":"7a810d7561261a3999010a98_aspace_16c58ab03ed06320772003c452bf19a6","title_filing_ssi":"\"The 14th Annual Great American Jazz Piano Competition, Presented by: WJCT \u0026 Continental Cablevision\"","title_ssm":["\"The 14th Annual Great American Jazz Piano Competition, Presented by: WJCT \u0026 Continental Cablevision\""],"title_tesim":["\"The 14th Annual Great American Jazz Piano Competition, Presented by: WJCT \u0026 Continental Cablevision\""],"unitdate_other_ssim":["1996-11-13"],"normalized_date_ssm":["1996-11-13"],"normalized_title_ssm":["\"The 14th Annual Great American Jazz Piano Competition, Presented by: WJCT \u0026 Continental Cablevision\", 1996-11-13"],"text":["\"The 14th Annual Great American Jazz Piano Competition, Presented by: WJCT \u0026 Continental Cablevision\", 1996-11-13","Jacksonville [FL] Jazz Festival Collection, 1981-2014","Programs","Jazz Piano Competition Programs","/repositories/3/archival_objects/8343","box 4","folder 29"],"component_level_isim":[3],"parent_ids_ssim":["7a810d7561261a3999010a98","7a810d7561261a3999010a98_aspace_31c5557bca097651bd7ff83ac415d377","7a810d7561261a3999010a98_aspace_e22e55266c3330061486e650415a76aa"],"parent_unittitles_ssm":["Jacksonville [FL] Jazz Festival Collection, 1981-2014","Programs","Jazz Piano Competition Programs"],"parent_unittitles_tesim":["Jacksonville [FL] Jazz Festival Collection, 1981-2014","Programs","Jazz Piano Competition Programs"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/3/archival_objects/8343"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Jacksonville [FL] Jazz Festival Collection, 1981-2014"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":146,"parent_access_restrict_tesm":["The collection is open for research by appointment only. 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After the 1984 concert the Festival was solely produced by WJCT and became known officially as the Jacksonville Jazz Festival. After a hiatus in 2001 and 2002 the City of Jacksonville once again sponsored the Festival in 2003 and has continued since. Over the years the event has included a piano competition, 5 km run, educational activities, talks, jazz jams, and multi-location concerts at various downtown venues. In 2020, due to the COVID-19 pandemic, the Festival was canceled.\n   ","The collection consists of the following series: ","Brochures/fliers, including promotional pamphlets, booklets, and flyers.","General Admission tickets.","Invitations to events during the Jacksonville Jazz Festival.","Media packets which include schedules, musician biographies, and musician photographs.","Newspaper articles/supplements about the Jacksonville Jazz Festival.","Official Stationery of the Jacksonville Jazz Festival with the logo.","Parking Passes for the Jacksonville Jazz Festival.","Photographs of events at the Jacksonville Jazz Festival.","Postcards with images from the commemorative posters.","Posters including the official commemorative posters and promotional posters with musician and venue information.","Programs, which are divided into two subseries: the Offical Programs with schedules and musician information, and the annual Jazz Piano Competion Programs.","Souvenirs and memorabilia, which are divided into subseries: Apparel (tee shirts and hats), Buttons/Pins, Cups/Cup Holders, Gift Bags, and   Lanyards (some with attached admission passes).","The series are arranged alphabetically; chronologically within each series/folder. 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Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","Jacksonville Jazz Festival","English"],"unitid_tesim":["2007.001","/repositories/3/resources/52"],"normalized_date_ssm":["1981-2014"],"normalized_title_ssm":["Jacksonville [FL] Jazz Festival Collection, 1981-2014"],"collection_title_tesim":["Jacksonville [FL] Jazz Festival Collection, 1981-2014"],"collection_ssim":["Jacksonville [FL] Jazz Festival Collection, 1981-2014"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"creator_ssm":["Jacksonville Jazz Festival"],"creator_ssim":["Jacksonville Jazz Festival"],"creator_corpname_ssim":["Jacksonville Jazz Festival"],"creators_ssim":["Jacksonville Jazz Festival"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). 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Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of the following series: \u003c/p\u003e\n","\u003cp\u003eBrochures/fliers, including promotional pamphlets, booklets, and flyers.\u003c/p\u003e\n","\u003cp\u003eGeneral Admission tickets.\u003c/p\u003e\n","\u003cp\u003eInvitations to events during the Jacksonville Jazz Festival.\u003c/p\u003e\n","\u003cp\u003eMedia packets which include schedules, musician biographies, and musician photographs.\u003c/p\u003e\n","\u003cp\u003eNewspaper articles/supplements about the Jacksonville Jazz Festival.\u003c/p\u003e\n","\u003cp\u003eOfficial Stationery of the Jacksonville Jazz Festival with the logo.\u003c/p\u003e\n","\u003cp\u003eParking Passes for the Jacksonville Jazz Festival.\u003c/p\u003e\n","\u003cp\u003ePhotographs of events at the Jacksonville Jazz Festival.\u003c/p\u003e\n","\u003cp\u003ePostcards with images from the commemorative posters.\u003c/p\u003e\n","\u003cp\u003ePosters including the official commemorative posters and promotional posters with musician and venue information.\u003c/p\u003e\n","\u003cp\u003ePrograms, which are divided into two subseries: the Offical Programs with schedules and musician information, and the annual Jazz Piano Competion Programs.\u003c/p\u003e\n","\u003cp\u003eSouvenirs and memorabilia, which are divided into subseries: Apparel (tee shirts and hats), Buttons/Pins, Cups/Cup Holders, Gift Bags, and   Lanyards (some with attached admission passes).\u003c/p\u003e\n","\u003cp\u003eThe series are arranged alphabetically; chronologically within each series/folder. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of the following series: ","Brochures/fliers, including promotional pamphlets, booklets, and flyers.","General Admission tickets.","Invitations to events during the Jacksonville Jazz Festival.","Media packets which include schedules, musician biographies, and musician photographs.","Newspaper articles/supplements about the Jacksonville Jazz Festival.","Official Stationery of the Jacksonville Jazz Festival with the logo.","Parking Passes for the Jacksonville Jazz Festival.","Photographs of events at the Jacksonville Jazz Festival.","Postcards with images from the commemorative posters.","Posters including the official commemorative posters and promotional posters with musician and venue information.","Programs, which are divided into two subseries: the Offical Programs with schedules and musician information, and the annual Jazz Piano Competion Programs.","Souvenirs and memorabilia, which are divided into subseries: Apparel (tee shirts and hats), Buttons/Pins, Cups/Cup Holders, Gift Bags, and   Lanyards (some with attached admission passes).","The series are arranged alphabetically; chronologically within each series/folder. "],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). 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Fisher collection, 1994-2016, Date acquired: 05/15/2014, bulk 1996-2000"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":127,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1996],"containers_ssim":["box 4","folder 5","object 2"],"abstract_html_tesm":["\u003cabstract id=\"aspace_76997ff65f3b5e295c30b9fe510848d4\"\u003eThe Buycott Handbook is an educational project of the Human Rights Task Force of Florida and Greater Tampa Bay Pride Organization.\u003c/abstract\u003e"],"abstract_tesim":["The Buycott Handbook is an educational project of the Human Rights Task Force of Florida and Greater Tampa Bay Pride Organization."],"_nest_path_":"/components#3/components#4/components#1","_nest_parent_":"3c7b643414a784c6f0ed50e0_aspace_141325","_root_":"3c7b643414a784c6f0ed50e0","_version_":1870862625403830272,"timestamp":"2026-07-16T09:20:35.366Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3c7b643414a784c6f0ed50e0","title_ssm":["Eunice M. Fisher collection"],"title_tesim":["Eunice M. Fisher collection"],"ead_ssi":"3c7b643414a784c6f0ed50e0","unitdate_ssm":["1994-2016","1996-2000","Date acquired: 05/15/2014"],"unitdate_bulk_ssim":["1996-2000"],"unitdate_inclusive_ssm":["1994-2016"],"unitdate_other_ssim":["Date acquired: 05/15/2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2014-03","/repositories/2/resources/223"],"text":["MS-2014-03","/repositories/2/resources/223","Eunice M. Fisher collection, 1994-2016, Date acquired: 05/15/2014, bulk 1996-2000","LGBTQ+ film festivals","Pride parades","Gay rights -- United States","Organized by subject then material type. Materials on the Community Center are arranged chronologically and then by subject. Individual folders organized alphabetically.","Born in 1936 in Milwaukee, WI, Eunice Fisher came into LGBT activism after her move to the Tampa Bay area in 1992. After becoming aware of the local LGBT community, Fisher became active in the Human Rights Task Force and the Gay and Lesbian Community Center of Tampa Bay, while working as a librarian at the Tampa-Hillsborough County Public Library. Fisher was married in 1968, but in 1988, she came out openly as a lesbian and her marriage ended. Fisher then became involved with Anne \"Mickie\" Howell and entered into a Holy Union with her. After four years together, Mickie died of lung cancer, and two years later, Fisher wrote her autobiography \"Christian AND Lesbian: A Life in Progress\" (2006). Fisher's LGBT activism has been influenced greatly by her Christian faith, which remains an important aspect of her life.","Fisher, Eunice M.  Christian and Lesbian: A Life in Progress . Rockford, Ill: RWG Press, 2006.","Stonewall , February 1996.","Note written by Justin M. White","published","Processed","Equality Florida Records, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Bobby Smith photograph collection, Special Collections Department,  Tampa Library, University of South Florida, Tampa, Florida.","Fisher, Eunice M.  Christian and Lesbian: A Life in Progress . Rockford, Ill: RWG Press, 2006.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","A collection of materials gathered by Eunice Fisher, who moved to the Tampa Bay area later in life and became involved in LGBT activism. These papers primarily concern the Gay and Lesbian Community Center of Tampa Bay and its affiliates, as well as Fisher's participation in her religious community.","USF Libraries - Tampa Special Collections","Fisher, Eunice M. 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After becoming aware of the local LGBT community, Fisher became active in the Human Rights Task Force and the Gay and Lesbian Community Center of Tampa Bay, while working as a librarian at the Tampa-Hillsborough County Public Library. Fisher was married in 1968, but in 1988, she came out openly as a lesbian and her marriage ended. Fisher then became involved with Anne \"Mickie\" Howell and entered into a Holy Union with her. After four years together, Mickie died of lung cancer, and two years later, Fisher wrote her autobiography \"Christian AND Lesbian: A Life in Progress\" (2006). Fisher's LGBT activism has been influenced greatly by her Christian faith, which remains an important aspect of her life.","Fisher, Eunice M.  Christian and Lesbian: A Life in Progress . Rockford, Ill: RWG Press, 2006.","Stonewall , February 1996.","Note written by Justin M. White"],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003eEunice M. Fisher collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Eunice M. Fisher collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"processinfo_html_tesm":["\u003cp\u003eProcessed\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed"],"relatedmaterial_html_tesm":["\u003cp\u003eEquality Florida Records, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eBobby Smith photograph collection, Special Collections Department,\u0026#xA0; Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e","\u003cp\u003eFisher, Eunice M. \u003cemph render=\"italic\"\u003eChristian and Lesbian: A Life in Progress\u003c/emph\u003e. Rockford, Ill: RWG Press, 2006.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Publications"],"relatedmaterial_tesim":["Equality Florida Records, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Bobby Smith photograph collection, Special Collections Department,  Tampa Library, University of South Florida, Tampa, Florida.","Fisher, Eunice M.  Christian and Lesbian: A Life in Progress . Rockford, Ill: RWG Press, 2006."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_46677c66f9215515a6b51e58b15d5303\" label=\"Abstract\"\u003eA collection of materials gathered by Eunice Fisher, who moved to the Tampa Bay area later in life and became involved in LGBT activism. These papers primarily concern the Gay and Lesbian Community Center of Tampa Bay and its affiliates, as well as Fisher's participation in her religious community.\u003c/abstract\u003e"],"abstract_tesim":["A collection of materials gathered by Eunice Fisher, who moved to the Tampa Bay area later in life and became involved in LGBT activism. These papers primarily concern the Gay and Lesbian Community Center of Tampa Bay and its affiliates, as well as Fisher's participation in her religious community."],"names_ssim":["USF Libraries - Tampa Special Collections","Fisher, Eunice M. (1936-)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Fisher, Eunice M. 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Additional accruals are expected."],"access_subjects_ssim":["Nonprofit organizations","annual reports","Newsletters","videotapes","Ephemera"],"access_subjects_ssm":["Nonprofit organizations","annual reports","Newsletters","videotapes","Ephemera"],"has_online_content_ssim":["false"],"extent_ssm":["4 Hollinger Boxes"],"extent_tesim":["4 Hollinger Boxes"],"physfacet_tesim":["4 Hollinger boxes and 1 oversized poster"],"genreform_ssim":["annual reports","Newsletters","videotapes","Ephemera"],"date_range_isim":[1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe Urban League of Broward County Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Urban League of Broward County Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized in four series: Series I. 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The opening of the Community Empowerment Center in 2012 in Fort Lauderdale, Florida provided a new dedicated space for administration offices, workshops, tutoring, and other activities hosted by the Urban League of Broward County."],"prefercite_html_tesm":["\u003cp\u003eUrban League of Broward County Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Urban League of Broward County Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Urban League of Broward County Collection includes annual reports, brochures, newsletters, VHS tapes, one poster, and printed ephemera dating from 1992 to 2015 about the Urban League of Broward County and the organization's activities to improve the community in Fort Lauderdale, Florida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Urban League of Broward County Collection includes annual reports, brochures, newsletters, VHS tapes, one poster, and printed ephemera dating from 1992 to 2015 about the Urban League of Broward County and the organization's activities to improve the community in Fort Lauderdale, Florida."],"names_coll_ssim":["Urban League of Broward County"],"names_ssim":["AARLCC Special Collections","Urban League of Broward County"],"corpname_ssim":["AARLCC Special Collections","Urban League of Broward County"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":83,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455800101142528,"_root_":"a571badcbb0eed97f6997bb8","timestamp":"2026-09-16T03:01:42.427Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a571badcbb0eed97f6997bb8_aspace_35303ba5bf5278e63177d5a4a0a4eb83"}},{"id":"66ff5ff30deb30c2cdee747b_aspace_b4551fa7d8b91eea65e37464def8c63d","type":"Item","attributes":{"title":"\"The African American Community Annual\" magazine, 1996","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/66ff5ff30deb30c2cdee747b_aspace_b4551fa7d8b91eea65e37464def8c63d#abstract_or_scope","type":"document_value","attributes":{"value":["\"Harvest the Spirit\""],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/66ff5ff30deb30c2cdee747b_aspace_b4551fa7d8b91eea65e37464def8c63d#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_b4551fa7d8b91eea65e37464def8c63d","ref_ssm":["aspace_b4551fa7d8b91eea65e37464def8c63d","aspace_b4551fa7d8b91eea65e37464def8c63d"],"id":"66ff5ff30deb30c2cdee747b_aspace_b4551fa7d8b91eea65e37464def8c63d","title_filing_ssi":"\"The African American Community Annual\" magazine","title_ssm":["\"The African American Community Annual\" magazine"],"title_tesim":["\"The African American Community Annual\" magazine"],"unitdate_other_ssim":["1996"],"normalized_date_ssm":["1996"],"normalized_title_ssm":["\"The African American Community Annual\" magazine, 1996"],"text":["\"The African American Community Annual\" magazine, 1996","Norman Jones, Jr., Black Heritage collection, bulk 1960s-2000s","/repositories/3/archival_objects/199379","box 5","\"Harvest the Spirit\""],"component_level_isim":[1],"parent_ids_ssim":["66ff5ff30deb30c2cdee747b"],"parent_unittitles_ssm":["Norman Jones, Jr., Black Heritage collection, bulk 1960s-2000s"],"parent_unittitles_tesim":["Norman Jones, Jr., Black Heritage collection, bulk 1960s-2000s"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/3/archival_objects/199379"],"repository_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"collection_ssim":["Norman Jones, Jr., Black Heritage collection, bulk 1960s-2000s"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":42,"parent_access_terms_tesm":["None. 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The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Norman Jones Jr. delivered these items to the Nelson Poynter Memorial Library at the conclusion of a lecture he offered on campus as part of a 2004 Black History Month program on February 17, 2005. The library received a subsequent accession of materials in the summer of 2005. Staff merged these accessions into a single collection."],"access_subjects_ssim":["Historiography","African Americans -- Florida","African Americans","African Americans -- History","Historic sites"],"access_subjects_ssm":["Historiography","African Americans -- Florida","African Americans","African Americans -- History","Historic sites"],"has_online_content_ssim":["false"],"extent_ssm":["5 boxes"],"extent_tesim":["5 boxes"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"bioghist_html_tesm":["\u003cp\u003eNorman Jones Jr. collected materials during his many travels. 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Collection represent how public history venues commemorate the legacies of African Americans."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright. 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Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art","The Dorothy Porter Wesley Collection is open for research.","View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.","The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets","Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.","The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.","Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".","The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.","AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970","English Portuguese German"],"unitid_tesim":["AARLCC.2003.6","/repositories/2/resources/20"],"normalized_date_ssm":["Circa 1788-2012"],"normalized_title_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_title_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Africa -- Research"],"geogname_ssim":["Africa -- Research"],"places_ssim":["Africa -- Research"],"acqinfo_ssim":["Broward County Library purchased the materials from Constance Porter Uzelac (daughter of Dorothy Porter Wesley) in December 2002 (Accession AARLCC-2003.6). Milan Uzelac donated accruals to AARLCC Special Collections on June 29, 2012 (Accession AARLCC-2012.12) and on May 12, 2022 (Accession AARLCC-2022.7)."],"access_subjects_ssim":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"access_subjects_ssm":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"has_online_content_ssim":["false"],"extent_ssm":["67 Hollinger Boxes","2800 Books"],"extent_tesim":["67 Hollinger Boxes","2800 Books"],"genreform_ssim":["Photographs","Sound recordings","Correspondence","Art"],"date_range_isim":[1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Dorothy Porter Wesley Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll37/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series and sub-series:\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries I. Correspondence\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. General Correspondence\u003c/p\u003e","\u003cp\u003eSub-series II. Family Correspondence\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries II. Professional Papers\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley professional papers\u003c/p\u003e","\u003cp\u003eSub-series II. Constance Porter Uzelac professional papers \u003c/p\u003e","\u003cp\u003eSub-series III. Charles Harris Wesley professional papers \u003c/p\u003e","\u003cp\u003eSub-series IV. Writings by Dorothy Porter Wesley\u003c/p\u003e","\u003cp\u003eSub-series V. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VI. Writings by James A. Porter\u003c/p\u003e","\u003cp\u003eSub-series VII. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VIII. Writings by Charles Harris Wesley \u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries III. Research Files\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley general research files\u003c/p\u003e","\u003cp\u003eSub-series II. Dorothy Porter Wesley Brazil research files\u003c/p\u003e","\u003cp\u003eSub-series III. Dorothy Porter Wesley illustrations\u003c/p\u003e","\u003cp\u003eSub-series IV. Constance Porter Uzelac research files\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries IV. Personal Papers\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries V. Photographs\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries VI. Printed Materials\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Calendars and Datebooks\u003c/p\u003e","\u003cp\u003eSub-series II. Catalogs\u003c/p\u003e","\u003cp\u003eSub-series III. General\u003c/p\u003e","\u003cp\u003eSub-series IV. Magazines\u003c/p\u003e","\u003cp\u003eSub-series V. Maps\u003c/p\u003e","\u003cp\u003eSub-series VI. Newspaper Clippings\u003c/p\u003e","\u003cp\u003eSub-series VII. Sheet Music\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries VII. Ephemera and Artwork\u003c/p\u003e\u003c/b\u003e","\u003cp\u003e\u003cb\u003eSeries VIII. Books and Pamphlets\u003c/b\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets"],"bioghist_html_tesm":["\u003cp\u003eDorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. \u003c/p\u003e\n","\u003cp\u003eShe graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. \u003c/p\u003e\n","\u003cp\u003eIn 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work, \u003cemph\u003eModern Negro Art\u003c/emph\u003e, proved to be one of the most informative sources to date on the creativity of the Black artists.\u003c/p\u003e\n","\u003cp\u003eIn 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.\u003c/p\u003e\n","\u003cp\u003eJames Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. \u003c/p\u003e\n","\u003cp\u003eCharles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. \u003c/p\u003e\n","\u003cp\u003eAfter her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.\u003c/p\u003e\n","\u003cp\u003eIn 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.\u003c/p\u003e\n","\u003cp\u003eThe book \u003ci\u003eWilliam Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874\u003c/i\u003e (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.\u003c/p\u003e\n","\u003cp\u003eIn 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012."],"prefercite_html_tesm":["\u003cp\u003eDorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Dorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\n\u003ca href=\"https://archives.yale.edu/repositories/11/resources/994\" target=\"_blank\"\u003ePart of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.\u003c/a\u003e\n\u003c/p\u003e","\u003cp\u003e\n\u003ca href=\"https://archives.libraries.emory.edu/repositories/7/resources/3255\" target=\"_blank\"\u003eDorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.\u003c/a\u003e\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University."],"scopecontent_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.\u003c/p\u003e\n","\u003cp\u003eCorrespondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.\u003c/p\u003e\n","\u003cp\u003eProfessional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.\u003c/p\u003e\n","\u003cp\u003eConstance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". \u003c/p\u003e\n","\u003cp\u003eThe collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.\u003c/p\u003e\n","\u003cp\u003eResearch files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.\u003c/p\u003e\n","\u003cp\u003ePrinted Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=DPW\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\"."],"abstract_html_tesm":["\u003cabstract id=\"aspace_559c404160acc20bdc75d09cde3325a4\"\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.\u003c/abstract\u003e"],"abstract_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets."],"names_ssim":["AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Wesley, Dorothy Porter, 1905-1995"],"persname_ssim":["Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"language_ssim":["English Portuguese German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1539,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871563605913108480,"_root_":"5e17dda97e7549e9d9b40539","timestamp":"2026-07-24T03:02:22.463Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_6e665f94b28a9c0bb3e556bb4e029968"}},{"id":"dc7c69eacee8cc7bca32aced_aspace_e3d30c297e32b40b7dad6b39060d6d1c","type":"File","attributes":{"title":"Theater Scrapbook Delta Psi (Drama Dept.), 1996","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/dc7c69eacee8cc7bca32aced_aspace_e3d30c297e32b40b7dad6b39060d6d1c#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_e3d30c297e32b40b7dad6b39060d6d1c","ref_ssm":["aspace_e3d30c297e32b40b7dad6b39060d6d1c","aspace_e3d30c297e32b40b7dad6b39060d6d1c"],"id":"dc7c69eacee8cc7bca32aced_aspace_e3d30c297e32b40b7dad6b39060d6d1c","title_filing_ssi":"Theater Scrapbook Delta Psi (Drama Dept.)","title_ssm":["Theater Scrapbook Delta Psi (Drama Dept.)"],"title_tesim":["Theater Scrapbook Delta Psi (Drama Dept.)"],"unitdate_other_ssim":["1996"],"normalized_date_ssm":["1996"],"normalized_title_ssm":["Theater Scrapbook Delta Psi (Drama Dept.), 1996"],"text":["Theater Scrapbook Delta Psi (Drama Dept.), 1996","Student Life and Theater Scrapbooks, 1961-2009","RG 70/Box 39","/repositories/2/archival_objects/585","English","box 39"],"component_level_isim":[1],"parent_ids_ssim":["dc7c69eacee8cc7bca32aced"],"parent_unittitles_ssm":["Student Life and Theater Scrapbooks, 1961-2009"],"parent_unittitles_tesim":["Student Life and Theater Scrapbooks, 1961-2009"],"parent_levels_ssm":["collection"],"unitid_ssm":["RG 70/Box 39","/repositories/2/archival_objects/585"],"repository_ssim":["Broward College Archives and Special Collections"],"collection_ssim":["Student Life and Theater Scrapbooks, 1961-2009"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":39,"parent_access_restrict_tesm":["Open for research. Certain materials may have restrictions due to fragility or privacy."],"parent_access_terms_tesm":["Responsibility for securing copyright permission rests with the researcher. 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Certain materials may have restrictions due to fragility or privacy.","The collection is arranged chronologically and thematically in 40 boxes. Each box contains one or more scrapbooks compiled by students, faculty, or campus organizations. Materials are grouped by academic year, student organization, or theatrical production, with original order maintained where discernible.","Broward Junior College, established in 1959 and later renamed Broward College, has served as a cornerstone of higher education in South Florida. The institution has fostered a vibrant campus culture through its academic programs, student organizations, and performing arts initiatives. Bailey Hall, the college's principal performing arts venue, has hosted decades of theatrical productions, concerts, and community events, reflecting the college's commitment to creative expression and cultural engagement.","Throughout its history, Broward College students have documented their experiences through scrapbooks, capturing the spirit of campus life, service projects, field trips, and dramatic performances. These materials offer insight into the evolving identity of the college and its role in shaping student leadership, artistic development, and community outreach.","This collection contains 40 scrapbooks documenting student life, academic programs, and theatrical productions at Broward Junior College (later Broward College) from 1961 to 2009. Materials include photographs, clippings, event programs, and ephemera related to student organizations, biology field trips, honors projects, and performances staged at Bailey Hall. The collection offers a vivid record of campus culture and the college's commitment to arts and community engagement.","Responsibility for securing copyright permission rests with the researcher. Reproduction is subject to material condition and institutional policy.","Broward College Archives and Special Collections ","English"],"unitid_tesim":["RG 70","/repositories/2/resources/4"],"normalized_date_ssm":["1961-2009"],"normalized_title_ssm":["Student Life and Theater Scrapbooks, 1961-2009"],"collection_title_tesim":["Student Life and Theater Scrapbooks, 1961-2009"],"collection_ssim":["Student Life and Theater Scrapbooks, 1961-2009"],"repository_ssm":["Broward College Archives and Special Collections"],"repository_ssim":["Broward College Archives and Special Collections"],"access_terms_ssm":["Responsibility for securing copyright permission rests with the researcher. 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Certain materials may have restrictions due to fragility or privacy.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open for research. Certain materials may have restrictions due to fragility or privacy."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically and thematically in 40 boxes. Each box contains one or more scrapbooks compiled by students, faculty, or campus organizations. Materials are grouped by academic year, student organization, or theatrical production, with original order maintained where discernible.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged chronologically and thematically in 40 boxes. Each box contains one or more scrapbooks compiled by students, faculty, or campus organizations. Materials are grouped by academic year, student organization, or theatrical production, with original order maintained where discernible."],"bioghist_html_tesm":["\u003cp\u003eBroward Junior College, established in 1959 and later renamed Broward College, has served as a cornerstone of higher education in South Florida. The institution has fostered a vibrant campus culture through its academic programs, student organizations, and performing arts initiatives. Bailey Hall, the college's principal performing arts venue, has hosted decades of theatrical productions, concerts, and community events, reflecting the college's commitment to creative expression and cultural engagement.\u003c/p\u003e\n","\u003cp\u003eThroughout its history, Broward College students have documented their experiences through scrapbooks, capturing the spirit of campus life, service projects, field trips, and dramatic performances. These materials offer insight into the evolving identity of the college and its role in shaping student leadership, artistic development, and community outreach.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Broward Junior College, established in 1959 and later renamed Broward College, has served as a cornerstone of higher education in South Florida. The institution has fostered a vibrant campus culture through its academic programs, student organizations, and performing arts initiatives. Bailey Hall, the college's principal performing arts venue, has hosted decades of theatrical productions, concerts, and community events, reflecting the college's commitment to creative expression and cultural engagement.","Throughout its history, Broward College students have documented their experiences through scrapbooks, capturing the spirit of campus life, service projects, field trips, and dramatic performances. These materials offer insight into the evolving identity of the college and its role in shaping student leadership, artistic development, and community outreach."],"prefercite_html_tesm":["\u003cp\u003eRecord Group 70, Theater Scrapbook, Broward College Archives.\u003c/p\u003e"],"prefercite_tesim":["Record Group 70, Theater Scrapbook, Broward College Archives."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains 40 scrapbooks documenting student life, academic programs, and theatrical productions at Broward Junior College (later Broward College) from 1961 to 2009. Materials include photographs, clippings, event programs, and ephemera related to student organizations, biology field trips, honors projects, and performances staged at Bailey Hall. The collection offers a vivid record of campus culture and the college's commitment to arts and community engagement.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains 40 scrapbooks documenting student life, academic programs, and theatrical productions at Broward Junior College (later Broward College) from 1961 to 2009. Materials include photographs, clippings, event programs, and ephemera related to student organizations, biology field trips, honors projects, and performances staged at Bailey Hall. The collection offers a vivid record of campus culture and the college's commitment to arts and community engagement."],"userestrict_html_tesm":["\u003cp\u003eResponsibility for securing copyright permission rests with the researcher. Reproduction is subject to material condition and institutional policy.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Responsibility for securing copyright permission rests with the researcher. Reproduction is subject to material condition and institutional policy."],"names_ssim":["Broward College Archives and Special Collections "],"corpname_ssim":["Broward College Archives and Special Collections "],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":40,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"dc7c69eacee8cc7bca32aced","timestamp":"2026-07-08T01:30:11.377Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/dc7c69eacee8cc7bca32aced_aspace_e3d30c297e32b40b7dad6b39060d6d1c"}},{"id":"8b33a8c5177804a4b9511a5f_aspace_1125375505b9ea838a26c88221c9afde","type":"Box","attributes":{"title":"Theater (Teatro) Flyers \u0026 Programs, 1909-2002","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8b33a8c5177804a4b9511a5f_aspace_1125375505b9ea838a26c88221c9afde#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1125375505b9ea838a26c88221c9afde","ref_ssm":["aspace_1125375505b9ea838a26c88221c9afde","aspace_1125375505b9ea838a26c88221c9afde"],"id":"8b33a8c5177804a4b9511a5f_aspace_1125375505b9ea838a26c88221c9afde","title_filing_ssi":"Theater (Teatro) Flyers \u0026 Programs","title_ssm":["Theater (Teatro) Flyers \u0026 Programs"],"title_tesim":["Theater (Teatro) Flyers \u0026 Programs"],"unitdate_inclusive_ssm":["1909-2002"],"normalized_date_ssm":["1909-2002"],"normalized_title_ssm":["Theater (Teatro) Flyers \u0026 Programs, 1909-2002"],"text":["Theater (Teatro) Flyers \u0026 Programs, 1909-2002","Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Ephemera","103","/repositories/2/archival_objects/181457","box 103"],"component_level_isim":[2],"parent_ids_ssim":["8b33a8c5177804a4b9511a5f","8b33a8c5177804a4b9511a5f_aspace_86440"],"parent_unittitles_ssm":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Ephemera"],"parent_unittitles_tesim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Ephemera"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["103","/repositories/2/archival_objects/181457"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"has_online_content_ssim":["false"],"child_component_count_isi":73,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":427,"parent_access_terms_tesm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"date_range_isim":[1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"containers_ssim":["box 103"],"_nest_path_":"/components#1/components#17","_nest_parent_":"8b33a8c5177804a4b9511a5f_aspace_86440","_root_":"8b33a8c5177804a4b9511a5f","_version_":1875301659078295552,"timestamp":"2026-09-03T09:17:07.659Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8b33a8c5177804a4b9511a5f","title_ssm":["Centro Asturiano de Tampa collection"],"title_tesim":["Centro Asturiano de Tampa collection"],"ead_ssi":"8b33a8c5177804a4b9511a5f","unitdate_ssm":["1902-2007","1902-1987","Date acquired: 00/00/1989"],"unitdate_bulk_ssim":["1902-1987"],"unitdate_inclusive_ssm":["1902-2007"],"unitdate_other_ssim":["Date acquired: 00/00/1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1989-02","/repositories/2/resources/542"],"text":["MS-1989-02","/repositories/2/resources/542","Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Tampa (Fla.) -- History","Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa","The Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records.","When Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Español, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Español to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.","On January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the  Tampa Morning Tribune  called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.","A central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.","The largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.","Note written by Paul Camp, 2006; Joe Tamargo, 2011.","Centro Asturiano De Tampa Membership Records Photograph Collection . Tampa, Florida: University of South Florida Libraries, 2003.","Centro Asturiano Library Collection,  Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Centro Español De Tampa Collection , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Cuban Club Records , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","The Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club.","None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information.","USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","English"],"unitid_tesim":["MS-1989-02","/repositories/2/resources/542"],"normalized_date_ssm":["1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"normalized_title_ssm":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"collection_title_tesim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"collection_ssim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Tampa (Fla.) -- History"],"geogname_ssim":["Tampa (Fla.) -- History"],"creator_ssm":["Centro Asturiano de Tampa"],"creator_ssim":["Centro Asturiano de Tampa"],"creator_corpname_ssim":["Centro Asturiano de Tampa"],"creators_ssim":["Centro Asturiano de Tampa"],"places_ssim":["Tampa (Fla.) -- History"],"access_terms_ssm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"acqinfo_ssim":["Centro Asturiano de Tampa","Donation"],"access_subjects_ssim":["Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa"],"access_subjects_ssm":["Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa"],"has_online_content_ssim":["false"],"extent_ssm":["164.7 Linear Feet","241 boxes"],"extent_tesim":["164.7 Linear Feet","241 boxes"],"genreform_ssim":["Playbills -- Florida -- Tampa"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"arrangement_html_tesm":["\u003cp\u003eThe Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records."],"bioghist_html_tesm":["\u003cp\u003eWhen Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Espa\u0026#xF1;ol, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Espa\u0026#xF1;ol to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.\u003c/p\u003e\n","\u003cp\u003eOn January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the \u003cemph render=\"italic\"\u003eTampa Morning Tribune\u003c/emph\u003e called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.\u003c/p\u003e\n","\u003cp\u003eA central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.\u003c/p\u003e\n","\u003cp\u003eThe largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.\u003c/p\u003e\n","\u003cp\u003eNote written by Paul Camp, 2006; Joe Tamargo, 2011.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["When Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Español, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Español to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.","On January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the  Tampa Morning Tribune  called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.","A central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.","The largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.","Note written by Paul Camp, 2006; Joe Tamargo, 2011."],"prefercite_html_tesm":["\u003cp\u003eCentro Asturiano de Tampa collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Centro Asturiano de Tampa collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Asturiano De Tampa Membership Records Photograph Collection\u003c/emph\u003e. Tampa, Florida: University of South Florida Libraries, 2003.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Asturiano Library Collection,\u003c/emph\u003e Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Espan\u0026#x303;ol De Tampa Collection\u003c/emph\u003e, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCuban Club Records\u003c/emph\u003e, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Centro Asturiano De Tampa Membership Records Photograph Collection . Tampa, Florida: University of South Florida Libraries, 2003.","Centro Asturiano Library Collection,  Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Centro Español De Tampa Collection , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Cuban Club Records , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. "],"scopecontent_html_tesm":["\u003cp\u003eThe Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at http://www.copyright.gov/for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"names_coll_ssim":["Centro Asturiano de Tampa"],"names_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1038,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1875301659078295552,"_root_":"8b33a8c5177804a4b9511a5f","timestamp":"2026-09-03T09:17:07.659Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8b33a8c5177804a4b9511a5f_aspace_1125375505b9ea838a26c88221c9afde"}},{"id":"b8bf361dc0d2b04552d16184_aspace_0cacf35c90bc6cedcb2503e0c757dc77","type":"File","attributes":{"title":"Theater Week, 1996","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b8bf361dc0d2b04552d16184_aspace_0cacf35c90bc6cedcb2503e0c757dc77#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_0cacf35c90bc6cedcb2503e0c757dc77","ref_ssm":["aspace_0cacf35c90bc6cedcb2503e0c757dc77","aspace_0cacf35c90bc6cedcb2503e0c757dc77"],"id":"b8bf361dc0d2b04552d16184_aspace_0cacf35c90bc6cedcb2503e0c757dc77","title_filing_ssi":"Theater Week","title_ssm":["Theater Week"],"title_tesim":["Theater Week"],"unitdate_other_ssim":["1996"],"normalized_date_ssm":["1996"],"normalized_title_ssm":["Theater Week, 1996"],"text":["Theater Week, 1996","Louis Miano Theater Collection, 1896-2017","Box 7","Series XLII: Magazines and Periodicals","/repositories/2/archival_objects/78952","box 7","folder 7","object 5"],"component_level_isim":[3],"parent_ids_ssim":["b8bf361dc0d2b04552d16184","b8bf361dc0d2b04552d16184_aspace_c1bdf43498b0305134f7b9c84b63bf0f","b8bf361dc0d2b04552d16184_aspace_fc0c0bcd102b309d5b511eaf387350e0"],"parent_unittitles_ssm":["Louis Miano Theater Collection, 1896-2017","Box 7","Series XLII: Magazines and Periodicals"],"parent_unittitles_tesim":["Louis Miano Theater Collection, 1896-2017","Box 7","Series XLII: Magazines and Periodicals"],"parent_levels_ssm":["collection","Other level","Series"],"unitid_ssm":["/repositories/2/archival_objects/78952"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Louis Miano Theater Collection, 1896-2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1030,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["The Louis Miano Theater Collection is owned by Florida International University. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"date_range_isim":[1996],"containers_ssim":["box 7","folder 7","object 5"],"_nest_path_":"/components#6/components#6/components#4","_nest_parent_":"b8bf361dc0d2b04552d16184_aspace_fc0c0bcd102b309d5b511eaf387350e0","_root_":"b8bf361dc0d2b04552d16184","_version_":1870844485139693568,"timestamp":"2026-07-16T04:32:15.452Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b8bf361dc0d2b04552d16184","title_ssm":["Louis Miano Theater Collection"],"title_tesim":["Louis Miano Theater Collection"],"ead_ssi":"b8bf361dc0d2b04552d16184","unitdate_ssm":["1896-2017"],"unitdate_inclusive_ssm":["1896-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9020","/repositories/2/resources/113"],"text":["SPC9020","/repositories/2/resources/113","Louis Miano Theater Collection, 1896-2017","Theater","Performing Arts","Performing Arts--Public Relations","Theaters - New York (State)","Theaters -- California","Theaters - South Florida","Theaters -- United Kingdom","Musical Theater","Advertising","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","The materials are arranged into the following series alphabetically based on the title of the performance:","1.\tAB – AL\n2.\tAM – AN\n3.\tAR – AU\n4.\tBA - BI\n5.\tBL - BO\n6.\tBR - BU\n7.\tCA\n8.\tCL - CI\n9.\tCO - CU\n10.\tDA - DE\n11.\tDI - DR\n12.\tEA - FA\n13.\tFE - FU\n14.\tGA - GO\n15.\tGR - GY\n16.\tHA - HE\n17.\tHI - HU\n18.\tI\n19.\tJ - K\n20.\tLA\n21.\tLE - LI\n22.\tLL - LU\n23.\tMAC - MAN\n24.\tMAR - MER\n25.\tMIC - MOO\n26.\tMOR - MYS\n27.\tN\n28.\tO\n29.\tPA - PI\n30.\tPL - PY\n31.\tRA - RI\n32.\tRO - RU\n33.\tSAC - SEX\n34.\tSHA - SLE\n35.\tSMA - STU\n36.\tSUB - SWE\n37.\tTAL - THO\n38.\tTHR - TOG\n39.\tTOM - TWE\n40.\tULY - WAL\n41.\tWEI - WIN\n42.\tWIT - ZOR","There are four more series arranged by type of material:\n1. Brochures\n2. Magazines\n3. Ephemera\n4. Audio","LANGUAGE WARNING: Some titles of plays, advertisements, and articles within the materials contain language that was common in the United States during the 20th century. Outdated language, slurs, and other terms that may be considered harmful or offensive are present.","personal correspondence and newspaper articles contain language that was common in the United States during the late-20th century. Outdated language and other terms that may be considered harmful or offensive are present.","The materials in this collection primarily consist of playbills, showbills, and programs that range from the mid-to-late 20th century and are primarily from the personal collection of Louis Miano. However, the contents are compiled from multiple collections of the same scope. There is a large collection of playbills, showbills, and programs from theater and opera in Miami and South Florida, as well as from across the United States and Europe. The collection also contains magazines, ephemera, and other materials related to musical theater in the United States and Europe.","The Louis Miano Theater Collection is owned by Florida International University. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","English Russian French"],"unitid_tesim":["SPC9020","/repositories/2/resources/113"],"normalized_date_ssm":["1896-2017"],"normalized_title_ssm":["Louis Miano Theater Collection, 1896-2017"],"collection_title_tesim":["Louis Miano Theater Collection, 1896-2017"],"collection_ssim":["Louis Miano Theater Collection, 1896-2017"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Theater","Performing Arts","Performing Arts--Public Relations","Theaters - New York (State)","Theaters -- California","Theaters - South Florida","Theaters -- United Kingdom","Musical Theater"],"geogname_ssim":["Theater","Performing Arts","Performing Arts--Public Relations","Theaters - New York (State)","Theaters -- California","Theaters - South Florida","Theaters -- United Kingdom","Musical Theater"],"places_ssim":["Theater","Performing Arts","Performing Arts--Public Relations","Theaters - New York (State)","Theaters -- California","Theaters - South Florida","Theaters -- United Kingdom","Musical Theater"],"access_terms_ssm":["The Louis Miano Theater Collection is owned by Florida International University. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by Louis Miano and others."],"access_subjects_ssim":["Advertising"],"access_subjects_ssm":["Advertising"],"has_online_content_ssim":["false"],"extent_ssm":["8.93 Linear Feet 7 Boxes\n1 Oversize Flat Box"],"extent_tesim":["8.93 Linear Feet 7 Boxes\n1 Oversize Flat Box"],"date_range_isim":[1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials are arranged into the following series alphabetically based on the title of the performance:\u003c/p\u003e\n","\u003cp\u003e1.\tAB \u0026#x2013; AL\n2.\tAM \u0026#x2013; AN\n3.\tAR \u0026#x2013; AU\n4.\tBA - BI\n5.\tBL - BO\n6.\tBR - BU\n7.\tCA\n8.\tCL - CI\n9.\tCO - CU\n10.\tDA - DE\n11.\tDI - DR\n12.\tEA - FA\n13.\tFE - FU\n14.\tGA - GO\n15.\tGR - GY\n16.\tHA - HE\n17.\tHI - HU\n18.\tI\n19.\tJ - K\n20.\tLA\n21.\tLE - LI\n22.\tLL - LU\n23.\tMAC - MAN\n24.\tMAR - MER\n25.\tMIC - MOO\n26.\tMOR - MYS\n27.\tN\n28.\tO\n29.\tPA - PI\n30.\tPL - PY\n31.\tRA - RI\n32.\tRO - RU\n33.\tSAC - SEX\n34.\tSHA - SLE\n35.\tSMA - STU\n36.\tSUB - SWE\n37.\tTAL - THO\n38.\tTHR - TOG\n39.\tTOM - TWE\n40.\tULY - WAL\n41.\tWEI - WIN\n42.\tWIT - ZOR\u003c/p\u003e\n","\u003cp\u003eThere are four more series arranged by type of material:\n1. Brochures\n2. Magazines\n3. Ephemera\n4. Audio\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials are arranged into the following series alphabetically based on the title of the performance:","1.\tAB – AL\n2.\tAM – AN\n3.\tAR – AU\n4.\tBA - BI\n5.\tBL - BO\n6.\tBR - BU\n7.\tCA\n8.\tCL - CI\n9.\tCO - CU\n10.\tDA - DE\n11.\tDI - DR\n12.\tEA - FA\n13.\tFE - FU\n14.\tGA - GO\n15.\tGR - GY\n16.\tHA - HE\n17.\tHI - HU\n18.\tI\n19.\tJ - K\n20.\tLA\n21.\tLE - LI\n22.\tLL - LU\n23.\tMAC - MAN\n24.\tMAR - MER\n25.\tMIC - MOO\n26.\tMOR - MYS\n27.\tN\n28.\tO\n29.\tPA - PI\n30.\tPL - PY\n31.\tRA - RI\n32.\tRO - RU\n33.\tSAC - SEX\n34.\tSHA - SLE\n35.\tSMA - STU\n36.\tSUB - SWE\n37.\tTAL - THO\n38.\tTHR - TOG\n39.\tTOM - TWE\n40.\tULY - WAL\n41.\tWEI - WIN\n42.\tWIT - ZOR","There are four more series arranged by type of material:\n1. Brochures\n2. Magazines\n3. Ephemera\n4. Audio"],"odd_html_tesm":["\u003cp\u003eLANGUAGE WARNING: Some titles of plays, advertisements, and articles within the materials contain language that was common in the United States during the 20th century. Outdated language, slurs, and other terms that may be considered harmful or offensive are present.\u003c/p\u003e\n","\u003cp\u003epersonal correspondence and newspaper articles contain language that was common in the United States during the late-20th century. Outdated language and other terms that may be considered harmful or offensive are present.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement"],"odd_tesim":["LANGUAGE WARNING: Some titles of plays, advertisements, and articles within the materials contain language that was common in the United States during the 20th century. Outdated language, slurs, and other terms that may be considered harmful or offensive are present.","personal correspondence and newspaper articles contain language that was common in the United States during the late-20th century. Outdated language and other terms that may be considered harmful or offensive are present."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection primarily consist of playbills, showbills, and programs that range from the mid-to-late 20th century and are primarily from the personal collection of Louis Miano. However, the contents are compiled from multiple collections of the same scope. There is a large collection of playbills, showbills, and programs from theater and opera in Miami and South Florida, as well as from across the United States and Europe. The collection also contains magazines, ephemera, and other materials related to musical theater in the United States and Europe.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection primarily consist of playbills, showbills, and programs that range from the mid-to-late 20th century and are primarily from the personal collection of Louis Miano. However, the contents are compiled from multiple collections of the same scope. There is a large collection of playbills, showbills, and programs from theater and opera in Miami and South Florida, as well as from across the United States and Europe. The collection also contains magazines, ephemera, and other materials related to musical theater in the United States and Europe."],"userestrict_html_tesm":["\u003cp\u003eThe Louis Miano Theater Collection is owned by Florida International University. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Louis Miano Theater Collection is owned by Florida International University. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Russian French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1032,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844485139693568,"_root_":"b8bf361dc0d2b04552d16184","timestamp":"2026-07-16T04:32:15.452Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b8bf361dc0d2b04552d16184_aspace_0cacf35c90bc6cedcb2503e0c757dc77"}},{"id":"d6251bfb060cf86083842565_aspace_9836a3a63c86d421433969bbb25f79bb","type":"File","attributes":{"title":"Theatre, 1994–1997","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d6251bfb060cf86083842565_aspace_9836a3a63c86d421433969bbb25f79bb#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9836a3a63c86d421433969bbb25f79bb","ref_ssm":["aspace_9836a3a63c86d421433969bbb25f79bb","aspace_9836a3a63c86d421433969bbb25f79bb"],"id":"d6251bfb060cf86083842565_aspace_9836a3a63c86d421433969bbb25f79bb","title_filing_ssi":"Theatre","title_ssm":["Theatre"],"title_tesim":["Theatre"],"unitdate_inclusive_ssm":["1994–1997"],"normalized_date_ssm":["1994–1997"],"normalized_title_ssm":["Theatre, 1994–1997"],"text":["Theatre, 1994–1997","Joe Benton UCF campus slides, 1994-1999","/repositories/2/archival_objects/75675","box 2","folder 9"],"component_level_isim":[1],"parent_ids_ssim":["d6251bfb060cf86083842565"],"parent_unittitles_ssm":["Joe Benton UCF campus slides, 1994-1999"],"parent_unittitles_tesim":["Joe Benton UCF campus slides, 1994-1999"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/75675"],"repository_ssim":["UCF University Archives"],"collection_ssim":["Joe Benton UCF campus slides, 1994-1999"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":23,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Copyright is held by the creator, Joe Benton. UCF may use these images for university publications at the discretion of Special Collections \u0026 University Archives staff. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1994,1995,1996,1997],"containers_ssim":["box 2","folder 9"],"_nest_path_":"/components#22","_nest_parent_":"d6251bfb060cf86083842565","_root_":"d6251bfb060cf86083842565","_version_":1870858728952037376,"timestamp":"2026-07-16T08:18:39.425Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d6251bfb060cf86083842565","title_ssm":["Joe Benton UCF campus slides"],"title_tesim":["Joe Benton UCF campus slides"],"ead_ssi":"d6251bfb060cf86083842565","unitdate_ssm":["1994-1999"],"unitdate_inclusive_ssm":["1994-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA27H","/repositories/2/resources/310"],"text":["UA27H","/repositories/2/resources/310","Joe Benton UCF campus slides, 1994-1999","Orlando (Fla.)","Universities and colleges -- Florida","Buildings","College students -- Florida -- Orlando","Universities and colleges -- Faculty","Photography","photographs","slides (photographs)","The entire collection is open for research.","This collection is arranged by topic.","Joseph \"Joe\" Benton is a photographer from Charleston, South Carolina. He previously worked for Southern Living Magazine and the Atlanta Journal-Constitution as a staff photographer before opening his own freelance business in 1983. Benton photographed stories for publications such as Time, Newsweek, and the New York Times and advertising campaigns for companies including Coca Cola, IBM, and The Home Depot. He also photographed marketing campaigns for colleges and universities nationwide, including the University of Central Florida (UCF). UCF employed Benton to capture photographs of the campus in the late 1990s. Benton is currently retired, residing in Charleston, South Carolina.  ","Collection processed by and finding aid prepared by Scott Galloway in 2019. Slides were sleeved properly. All materials were placed into acid-free folders and in an acid-free box. Approximately three versions of duplicate slides were kept, and all additional copies were recycled. Finding aid updated by Asmara Cortes-Caba in 2024.","For more information on Special Collections \u0026 University Archives, please see our website.","The Joe Benton UCF campus slides, 1994-1999 documents campus life at the University of Central Florida (UCF). It consists of slides depicting students, faculty, buildings, and programs held at UCF in the mid to late 1990s. These slides include scenes of students participating in sports such as basketball, soccer, volleyball, swimming, and football as well as academic programs, leisure activities, and studying. The Athletics folder contains basketball, soccer, volleyball, swimming and football. The Greek life folder contains UCF fraternities and sororities such as Pi Beta Phi, Delta Delta Delta, Sigma Phi Epsilon, Delta Gamma, and Zeta Theta Alpha. The Library and Millican Hall (Administration Building) folder contains pictures of the reflection pond if the respective building is in view. The Campus Scenes folder contains slides of the Flame of Hope, the Reflection Pond, ATMs, Parking Garages, Humanities and Fine Arts building (Colbourn Hall), the UCF Arena, and the Mathematical Science Building. The Computer Lab folder contains slides of the Institute of Simulation and Training (IST).","Copyright is held by the creator, Joe Benton. UCF may use these images for university publications at the discretion of Special Collections \u0026 University Archives staff. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Joe Benton UCF campus slides, 1994-1999 documents campus life at the University of Central Florida (UCF). It consists of slides depicting students, faculty, buildings, and programs held at UCF in the mid to late 1990s. These slides include scenes of students participating in sports such as basketball, soccer, volleyball, swimming, and football as well as academic programs, leisure activities, and studying.  \n\nJoseph \"Joe\" Benton is a photographer from Charleston, South Carolina. He previously worked for Southern Living Magazine and the Atlanta Journal-Constitution as a staff photographer before opening his own freelance business in 1983. Benton photographed stories for publications such as Time, Newsweek, and the New York Times and advertising campaigns for companies including Coca-Cola, IBM, and The Home Depot. He also photographed marketing campaigns for colleges and universities nationwide, including the University of Central Florida (UCF). UCF employed Benton to capture photographs of the campus in the late 1990s. Benton is currently retired, residing in Charleston, South Carolina.  ","UCF University Archives","University of Central Florida","University of Central Florida -- Buildings -- photographs","University of Central Florida -- Faculty -- photographs","University of Central Florida -- Buildings","Benton, Joe (Photographer)","English"],"unitid_tesim":["UA27H","/repositories/2/resources/310"],"normalized_date_ssm":["1994-1999"],"normalized_title_ssm":["Joe Benton UCF campus slides, 1994-1999"],"collection_title_tesim":["Joe Benton UCF campus slides, 1994-1999"],"collection_ssim":["Joe Benton UCF campus slides, 1994-1999"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"geogname_ssm":["Orlando (Fla.)"],"geogname_ssim":["Orlando (Fla.)"],"creator_ssm":["Benton, Joe (Photographer)"],"creator_ssim":["Benton, Joe (Photographer)"],"creator_persname_ssim":["Benton, Joe (Photographer)"],"creators_ssim":["Benton, Joe (Photographer)"],"places_ssim":["Orlando (Fla.)"],"access_terms_ssm":["Copyright is held by the creator, Joe Benton. UCF may use these images for university publications at the discretion of Special Collections \u0026 University Archives staff. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Transferred by Registrar's Office in 2013 (CFU2013_19)."],"access_subjects_ssim":["Universities and colleges -- Florida","Buildings","College students -- Florida -- Orlando","Universities and colleges -- Faculty","Photography","photographs","slides (photographs)"],"access_subjects_ssm":["Universities and colleges -- Florida","Buildings","College students -- Florida -- Orlando","Universities and colleges -- Faculty","Photography","photographs","slides (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet 2 boxes"],"extent_tesim":["1 Linear Feet 2 boxes"],"genreform_ssim":["photographs","slides (photographs)"],"date_range_isim":[1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by topic.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged by topic."],"bioghist_html_tesm":["\u003cp\u003eJoseph \"Joe\" Benton is a photographer from Charleston, South Carolina. He previously worked for Southern Living Magazine and the Atlanta Journal-Constitution as a staff photographer before opening his own freelance business in 1983. Benton photographed stories for publications such as Time, Newsweek, and the New York Times and advertising campaigns for companies including Coca Cola, IBM, and The Home Depot.\u0026#x202F;He also photographed marketing campaigns for colleges and universities nationwide, including the University of Central Florida (UCF).\u0026#x202F;UCF employed Benton to capture photographs of the campus in the late 1990s. Benton is currently retired, residing in Charleston, South Carolina. \u0026#x202F;\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Joseph \"Joe\" Benton is a photographer from Charleston, South Carolina. He previously worked for Southern Living Magazine and the Atlanta Journal-Constitution as a staff photographer before opening his own freelance business in 1983. Benton photographed stories for publications such as Time, Newsweek, and the New York Times and advertising campaigns for companies including Coca Cola, IBM, and The Home Depot. He also photographed marketing campaigns for colleges and universities nationwide, including the University of Central Florida (UCF). UCF employed Benton to capture photographs of the campus in the late 1990s. Benton is currently retired, residing in Charleston, South Carolina.  "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Joe Benton UCF campus slides, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Joe Benton UCF campus slides, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by and finding aid prepared by Scott Galloway in 2019. Slides were sleeved properly. All materials were placed into acid-free folders and in an acid-free box. Approximately three versions of duplicate slides were kept, and all additional copies were recycled. Finding aid updated by Asmara Cortes-Caba in 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by and finding aid prepared by Scott Galloway in 2019. Slides were sleeved properly. All materials were placed into acid-free folders and in an acid-free box. Approximately three versions of duplicate slides were kept, and all additional copies were recycled. Finding aid updated by Asmara Cortes-Caba in 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on Special Collections \u0026amp; University Archives, please see our website.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials "],"relatedmaterial_tesim":["For more information on Special Collections \u0026 University Archives, please see our website."],"scopecontent_html_tesm":["\u003cp\u003eThe Joe Benton UCF campus slides, 1994-1999\u0026#x202F;documents campus life at the University of Central Florida (UCF). It consists of slides\u0026#x202F;depicting students, faculty, buildings, and programs held at UCF in the mid to late 1990s.\u0026#x202F;These slides include scenes of students participating in sports such as basketball, soccer, volleyball, swimming, and football as well as academic programs, leisure activities, and studying. The Athletics folder contains basketball, soccer, volleyball, swimming and football. The Greek life folder contains UCF fraternities and sororities such as Pi Beta Phi, Delta Delta Delta, Sigma Phi Epsilon, Delta Gamma, and Zeta Theta Alpha. The Library and Millican Hall (Administration Building) folder contains pictures of the reflection pond if the respective building is in view. The Campus Scenes folder contains slides of the Flame of Hope, the Reflection Pond, ATMs, Parking Garages, Humanities and Fine Arts building (Colbourn Hall), the UCF Arena, and the Mathematical Science Building. The Computer Lab folder contains slides of the Institute of Simulation and Training (IST).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents "],"scopecontent_tesim":["The Joe Benton UCF campus slides, 1994-1999 documents campus life at the University of Central Florida (UCF). It consists of slides depicting students, faculty, buildings, and programs held at UCF in the mid to late 1990s. These slides include scenes of students participating in sports such as basketball, soccer, volleyball, swimming, and football as well as academic programs, leisure activities, and studying. The Athletics folder contains basketball, soccer, volleyball, swimming and football. The Greek life folder contains UCF fraternities and sororities such as Pi Beta Phi, Delta Delta Delta, Sigma Phi Epsilon, Delta Gamma, and Zeta Theta Alpha. The Library and Millican Hall (Administration Building) folder contains pictures of the reflection pond if the respective building is in view. The Campus Scenes folder contains slides of the Flame of Hope, the Reflection Pond, ATMs, Parking Garages, Humanities and Fine Arts building (Colbourn Hall), the UCF Arena, and the Mathematical Science Building. The Computer Lab folder contains slides of the Institute of Simulation and Training (IST)."],"userestrict_html_tesm":["\u003cp\u003eCopyright is held by the creator, Joe Benton. UCF may use these images for university publications at the discretion of Special Collections \u0026amp; University Archives staff. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Copyright is held by the creator, Joe Benton. UCF may use these images for university publications at the discretion of Special Collections \u0026 University Archives staff. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f2355945ac9548449b5f1b026b2a7d6d\" label=\"Abstract\"\u003eThe Joe Benton UCF campus slides, 1994-1999\u0026#x202F;documents campus life at the University of Central Florida (UCF). It consists of slides\u0026#x202F;depicting students, faculty, buildings, and programs held at UCF in the mid to late 1990s.\u0026#x202F;These slides include scenes of students participating in sports such as basketball, soccer, volleyball, swimming, and football as well as academic programs, leisure activities, and studying.  \n\nJoseph \"Joe\" Benton is a photographer from Charleston, South Carolina. He previously worked for Southern Living Magazine and the Atlanta Journal-Constitution as a staff photographer before opening his own freelance business in 1983. Benton photographed stories for publications such as Time, Newsweek, and the New York Times and advertising campaigns for companies including Coca-Cola, IBM, and The Home Depot.\u0026#x202F;He also photographed marketing campaigns for colleges and universities nationwide, including the University of Central Florida (UCF).\u0026#x202F;UCF employed Benton to capture photographs of the campus in the late 1990s. Benton is currently retired, residing in Charleston, South Carolina. \u0026#x202F;\u003c/abstract\u003e"],"abstract_tesim":["The Joe Benton UCF campus slides, 1994-1999 documents campus life at the University of Central Florida (UCF). It consists of slides depicting students, faculty, buildings, and programs held at UCF in the mid to late 1990s. These slides include scenes of students participating in sports such as basketball, soccer, volleyball, swimming, and football as well as academic programs, leisure activities, and studying.  \n\nJoseph \"Joe\" Benton is a photographer from Charleston, South Carolina. He previously worked for Southern Living Magazine and the Atlanta Journal-Constitution as a staff photographer before opening his own freelance business in 1983. Benton photographed stories for publications such as Time, Newsweek, and the New York Times and advertising campaigns for companies including Coca-Cola, IBM, and The Home Depot. He also photographed marketing campaigns for colleges and universities nationwide, including the University of Central Florida (UCF). UCF employed Benton to capture photographs of the campus in the late 1990s. Benton is currently retired, residing in Charleston, South Carolina.  "],"names_coll_ssim":["University of Central Florida","University of Central Florida -- Buildings -- photographs","University of Central Florida -- Faculty -- photographs","University of Central Florida -- Buildings"],"names_ssim":["UCF University Archives","University of Central Florida","University of Central Florida -- Buildings -- photographs","University of Central Florida -- Faculty -- photographs","University of Central Florida -- Buildings","Benton, Joe (Photographer)"],"corpname_ssim":["UCF University Archives","University of Central Florida","University of Central Florida -- Buildings -- photographs","University of Central Florida -- Faculty -- photographs","University of Central Florida -- Buildings"],"persname_ssim":["Benton, Joe (Photographer)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":24,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858728952037376,"_root_":"d6251bfb060cf86083842565","timestamp":"2026-07-16T08:18:39.425Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d6251bfb060cf86083842565_aspace_9836a3a63c86d421433969bbb25f79bb"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Southwest Florida Regional Planning Council Collection, 1920-2020","value":"Southwest Florida Regional Planning Council Collection, 1920-2020","hits":343},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Southwest+Florida+Regional+Planning+Council+Collection%2C+1920-2020\u0026f%5Bdate_range%5D%5B%5D=1996\u0026view=compact"}},{"attributes":{"label":"USF Athletics collection, bulk 1956-Present","value":"USF Athletics collection, bulk 1956-Present","hits":255},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=USF+Athletics+collection%2C+bulk+1956-Present\u0026f%5Bdate_range%5D%5B%5D=1996\u0026view=compact"}},{"attributes":{"label":"Sally Thompson collection, 1976-2019","value":"Sally Thompson collection, 1976-2019","hits":234},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Sally+Thompson+collection%2C+1976-2019\u0026f%5Bdate_range%5D%5B%5D=1996\u0026view=compact"}},{"attributes":{"label":"Dr. Edna Louise Saffy Papers, 1962-2013","value":"Dr. Edna Louise Saffy Papers, 1962-2013","hits":199},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Dr.+Edna+Louise+Saffy+Papers%2C+1962-2013\u0026f%5Bdate_range%5D%5B%5D=1996\u0026view=compact"}},{"attributes":{"label":"Susan Evans Papers, 1988-2021, bulk 1993-2011, 1995-2007","value":"Susan Evans Papers, 1988-2021, bulk 1993-2011, 1995-2007","hits":184},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Susan+Evans+Papers%2C+1988-2021%2C+bulk+1993-2011%2C+1995-2007\u0026f%5Bdate_range%5D%5B%5D=1996\u0026view=compact"}},{"attributes":{"label":"Democratic Women's Club of Florida, Inc. 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