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During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. ","This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2016.006","/repositories/3/resources/78"],"normalized_date_ssm":["1969-2022"],"normalized_title_ssm":["Nola Perez Papers, 1969-2022"],"collection_title_tesim":["Nola Perez Papers, 1969-2022"],"collection_ssim":["Nola Perez Papers, 1969-2022"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Nola B. Perez, 2016-09-06."],"has_online_content_ssim":["false"],"extent_ssm":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"extent_tesim":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eNola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. \u003c/p\u003e\n","\u003cp\u003eDuring her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.\u003c/p\u003e\n","\u003cp\u003eIn the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.\u003c/p\u003e\n","\u003cp\u003eUpon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. "],"prefercite_html_tesm":["\u003cp\u003eNola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Nola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. \u003c/p\u003e\n","\u003cp\u003eSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1 \u0026#x2013; Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez\u003c/p\u003e\n","\u003cp\u003eSeries 2 \u0026#x2013; Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles\u003c/p\u003e\n","\u003cp\u003eSeries 3 \u0026#x2013; Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails\u003c/p\u003e\n","\u003cp\u003eSeries 4 \u0026#x2013; Critiques (arranged chronologically) include critical receptions of Nola Perez's work\u003c/p\u003e\n","\u003cp\u003eSeries 5 \u0026#x2013; Events (arranged alphabetically by subseries)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Book Signings and Poetry Readings (arranged chronologically) includes information and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"\u003c/p\u003e\n","\u003cp\u003eSeries 6 \u0026#x2013; Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation\u003c/p\u003e\n","\u003cp\u003eSeries 7 \u0026#x2013; Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career\u003c/p\u003e\n","\u003cp\u003eSeries 8 \u0026#x2013; Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Photographs (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Publications (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 5 \u0026#x2013; Workshops (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSeries 9 \u0026#x2013; Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events\u003c/p\u003e\n","\u003cp\u003eSeries 10 \u0026#x2013; Poetry (arranged chronologically) contains a collection of Nola's poetry\u003c/p\u003e\n","\u003cp\u003eSeries 11 \u0026#x2013; Publications (arranged alphabetically by type of publication)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Books (arranged chronologically by publication date; chronological files within each book published)\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Journals (arranged chronologically by publication date)\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website\u003c/p\u003e\n","\u003cp\u003eSeries 12 \u0026#x2013; Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia\u003c/p\u003e\n","\u003cp\u003eSeries 13 \u0026#x2013; Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop"],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":231,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860591887810560,"_root_":"d20aa889e8ea8129c93e6502","timestamp":"2026-07-16T08:48:16.050Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502_aspace_95fcd6c8450ecce4e8ff1b6e6470ae1c"}},{"id":"cfa3e4446ebff94a3f0c01d2_aspace_9c765307d313bbf45c8ab3bc143f17d4","type":"File","attributes":{"title":"Summaries and Budget Information, 1996","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/cfa3e4446ebff94a3f0c01d2_aspace_9c765307d313bbf45c8ab3bc143f17d4#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9c765307d313bbf45c8ab3bc143f17d4","ref_ssm":["aspace_9c765307d313bbf45c8ab3bc143f17d4","aspace_9c765307d313bbf45c8ab3bc143f17d4"],"id":"cfa3e4446ebff94a3f0c01d2_aspace_9c765307d313bbf45c8ab3bc143f17d4","title_filing_ssi":"Summaries and Budget Information","title_ssm":["Summaries and Budget Information"],"title_tesim":["Summaries and Budget Information"],"unitdate_other_ssim":["1996"],"normalized_date_ssm":["1996"],"normalized_title_ssm":["Summaries and Budget Information, 1996"],"text":["Summaries and Budget Information, 1996","Susan Evans Papers, 1988-2021, bulk 1993-2011, 1995-2007","Campus Planning, 1991-2000","FGCU Campus Space, Furniture, and Equipment Study, 1996","/repositories/3/archival_objects/40351","English","box 9","folder 1"],"component_level_isim":[3],"parent_ids_ssim":["cfa3e4446ebff94a3f0c01d2","cfa3e4446ebff94a3f0c01d2_aspace_df2027182b0a826b18d576cc21005cd7","cfa3e4446ebff94a3f0c01d2_aspace_3028a7d6bff3a0821047fac39d0d8857"],"parent_unittitles_ssm":["Susan Evans Papers, 1988-2021, bulk 1993-2011, 1995-2007","Campus Planning, 1991-2000","FGCU Campus Space, Furniture, and Equipment Study, 1996"],"parent_unittitles_tesim":["Susan Evans Papers, 1988-2021, bulk 1993-2011, 1995-2007","Campus Planning, 1991-2000","FGCU Campus Space, Furniture, and Equipment Study, 1996"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/3/archival_objects/40351"],"repository_ssim":["Florida Gulf Coast University Archives"],"collection_ssim":["Susan Evans Papers, 1988-2021, bulk 1993-2011, 1995-2007"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":164,"parent_access_restrict_tesm":["The collection is open for research."],"date_range_isim":[1996],"language_ssim":["English"],"containers_ssim":["box 9","folder 1"],"_nest_path_":"/components#1/components#14/components#0","_nest_parent_":"cfa3e4446ebff94a3f0c01d2_aspace_3028a7d6bff3a0821047fac39d0d8857","_root_":"cfa3e4446ebff94a3f0c01d2","timestamp":"2026-05-05T01:53:10.751Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"cfa3e4446ebff94a3f0c01d2","title_filing_ssi":"Susan Evans","title_ssm":["Susan Evans Papers"],"title_tesim":["Susan Evans Papers"],"ead_ssi":"cfa3e4446ebff94a3f0c01d2","unitdate_ssm":["1988-2021","1993-2011","1995-2007"],"unitdate_bulk_ssim":["1993-2011","1995-2007"],"unitdate_inclusive_ssm":["1988-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01.19.01","/repositories/3/resources/88"],"text":["01.19.01","/repositories/3/resources/88","Susan Evans Papers, 1988-2021, bulk 1993-2011, 1995-2007","FGCU opening","Florida Gulf Coast University","Records -- Management","The collection is open for research.","Arrangement of materials consist of eleven Series, Athletics, Campus Planning, History, Early Years, Presidential Search, Events, FGCU Early Years - Event Photographs, FGCU VHS Collection, Charlotte County Site Selection, Football Feasibility Study, FGCU News Article Releases. Each Series has its own sub-series as well with various documents and information. The first three Series in The Collection Athletics, Campus Planning, and History is organized chronologically within each series, including the bulk dates of 1993-2011 for those materials in the collection. The other four Series Early Years, Presidential Search, Events, and FGCU Early Years Event Photographs are organized by the rules of Archival More Product, Less Process. Therefore, not in chronological order, the material was processed in the way the collection was obtained from Susan Evans, including bulk dates of 1995-2007. Then 1988-2021 for Susan Evans time in office and employed by Florida Gulf Coast University. The third part and last four Series in the Collection also utilized the MPLP processing style. Material was processed in the way it was originally obtained. Materials for some of the Series were organized by the dates provided and available.","Susan Evans is a Florida native and began working for Florida Gulf Coast University on October 1, 1993, making her the institution's founding staff member at FGCU. Her commitment to Florida Gulf Coast University lasted through four Presidents and several interim Presidents. Evans worked as a University Lobbyist from 1993-2000, then as the Chief of Staff for over 15 years, and Vice President for two years. Evans worked as a corporate secretary to the FGCU Board of Trustees, as well as a committee member for the 2016 FGCU Presidential Search. Evans retired from Florida Gulf Coast University in 2021.","The Susan Evans Papers include various materials surrounding her long serving term, such as items from Florida Gulf Coast University founding, campus planning, history, and athletics. Forms of media included text, photographs, VHS tapes, physical objects and letters. Topics and subjects range from University Groundbreaking to Susan Evans's time as a Vice President. The first part of this collection includes Series Athletics, Campus Planning, History and one Sub-Series Objects and Ephemera. The second part of her collection includes Series Early Years, Presidential Search, Events, FGCU Early Years Event Photography. The third and last part of this collection is, FGCU VHS Collection, Charlotte County Site Selection, Football Feasibility Study, FGCU News Article Releases.","Range: 1B: Section: 3: Shelf: 2-6\nRange: 1B: Section: 4: Shelf: 1-6\nRange: 1B: Section: 5: Shelf: 1-6\nRange: 2A: Section: 5: Shelf: 1-2\nRange: 2A: Section: 6: Shelf: 1-6","Florida Gulf Coast University Archives","English"],"unitid_tesim":["01.19.01","/repositories/3/resources/88"],"normalized_date_ssm":["1988-2021, bulk 1993-2011, 1995-2007"],"normalized_title_ssm":["Susan Evans Papers, 1988-2021, bulk 1993-2011, 1995-2007"],"collection_title_tesim":["Susan Evans Papers, 1988-2021, bulk 1993-2011, 1995-2007"],"collection_ssim":["Susan Evans Papers, 1988-2021, bulk 1993-2011, 1995-2007"],"repository_ssm":["Florida Gulf Coast University Archives"],"repository_ssim":["Florida Gulf Coast University Archives"],"geogname_ssm":["FGCU opening","Florida Gulf Coast University"],"geogname_ssim":["FGCU opening","Florida Gulf Coast University"],"places_ssim":["FGCU opening","Florida Gulf Coast University"],"access_subjects_ssim":["Records -- Management"],"access_subjects_ssm":["Records -- Management"],"has_online_content_ssim":["false"],"extent_ssm":["53 Linear Feet"],"extent_tesim":["53 Linear Feet"],"date_range_isim":[1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eArrangement of materials consist of eleven Series, Athletics, Campus Planning, History, Early Years, Presidential Search, Events, FGCU Early Years - Event Photographs, FGCU VHS Collection, Charlotte County Site Selection, Football Feasibility Study, FGCU News Article Releases. Each Series has its own sub-series as well with various documents and information. The first three Series in The Collection Athletics, Campus Planning, and History is organized chronologically within each series, including the bulk dates of 1993-2011 for those materials in the collection. The other four Series Early Years, Presidential Search, Events, and FGCU Early Years Event Photographs are organized by the rules of Archival More Product, Less Process. Therefore, not in chronological order, the material was processed in the way the collection was obtained from Susan Evans, including bulk dates of 1995-2007. Then 1988-2021 for Susan Evans time in office and employed by Florida Gulf Coast University. The third part and last four Series in the Collection also utilized the MPLP processing style. Material was processed in the way it was originally obtained. Materials for some of the Series were organized by the dates provided and available.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arrangement of materials consist of eleven Series, Athletics, Campus Planning, History, Early Years, Presidential Search, Events, FGCU Early Years - Event Photographs, FGCU VHS Collection, Charlotte County Site Selection, Football Feasibility Study, FGCU News Article Releases. Each Series has its own sub-series as well with various documents and information. The first three Series in The Collection Athletics, Campus Planning, and History is organized chronologically within each series, including the bulk dates of 1993-2011 for those materials in the collection. The other four Series Early Years, Presidential Search, Events, and FGCU Early Years Event Photographs are organized by the rules of Archival More Product, Less Process. Therefore, not in chronological order, the material was processed in the way the collection was obtained from Susan Evans, including bulk dates of 1995-2007. Then 1988-2021 for Susan Evans time in office and employed by Florida Gulf Coast University. The third part and last four Series in the Collection also utilized the MPLP processing style. Material was processed in the way it was originally obtained. Materials for some of the Series were organized by the dates provided and available."],"bioghist_html_tesm":["\u003cp\u003eSusan Evans is a Florida native and began working for Florida Gulf Coast University on October 1, 1993, making her the institution's founding staff member at FGCU. Her commitment to Florida Gulf Coast University lasted through four Presidents and several interim Presidents. Evans worked as a University Lobbyist from 1993-2000, then as the Chief of Staff for over 15 years, and Vice President for two years. Evans worked as a corporate secretary to the FGCU Board of Trustees, as well as a committee member for the 2016 FGCU Presidential Search. Evans retired from Florida Gulf Coast University in 2021.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Susan Evans is a Florida native and began working for Florida Gulf Coast University on October 1, 1993, making her the institution's founding staff member at FGCU. Her commitment to Florida Gulf Coast University lasted through four Presidents and several interim Presidents. Evans worked as a University Lobbyist from 1993-2000, then as the Chief of Staff for over 15 years, and Vice President for two years. Evans worked as a corporate secretary to the FGCU Board of Trustees, as well as a committee member for the 2016 FGCU Presidential Search. Evans retired from Florida Gulf Coast University in 2021."],"scopecontent_html_tesm":["\u003cp\u003eThe Susan Evans Papers include various materials surrounding her long serving term, such as items from Florida Gulf Coast University founding, campus planning, history, and athletics. Forms of media included text, photographs, VHS tapes, physical objects and letters. Topics and subjects range from University Groundbreaking to Susan Evans's time as a Vice President. The first part of this collection includes Series Athletics, Campus Planning, History and one Sub-Series Objects and Ephemera. The second part of her collection includes Series Early Years, Presidential Search, Events, FGCU Early Years Event Photography. The third and last part of this collection is, FGCU VHS Collection, Charlotte County Site Selection, Football Feasibility Study, FGCU News Article Releases.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Susan Evans Papers include various materials surrounding her long serving term, such as items from Florida Gulf Coast University founding, campus planning, history, and athletics. Forms of media included text, photographs, VHS tapes, physical objects and letters. Topics and subjects range from University Groundbreaking to Susan Evans's time as a Vice President. The first part of this collection includes Series Athletics, Campus Planning, History and one Sub-Series Objects and Ephemera. The second part of her collection includes Series Early Years, Presidential Search, Events, FGCU Early Years Event Photography. The third and last part of this collection is, FGCU VHS Collection, Charlotte County Site Selection, Football Feasibility Study, FGCU News Article Releases."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_51e3242f2f0dbb16d95b935ce1d51627\"\u003eRange: 1B: Section: 3: Shelf: 2-6\nRange: 1B: Section: 4: Shelf: 1-6\nRange: 1B: Section: 5: Shelf: 1-6\nRange: 2A: Section: 5: Shelf: 1-2\nRange: 2A: Section: 6: Shelf: 1-6\u003c/physloc\u003e"],"physloc_tesim":["Range: 1B: Section: 3: Shelf: 2-6\nRange: 1B: Section: 4: Shelf: 1-6\nRange: 1B: Section: 5: Shelf: 1-6\nRange: 2A: Section: 5: Shelf: 1-2\nRange: 2A: Section: 6: Shelf: 1-6"],"names_ssim":["Florida Gulf Coast University Archives"],"corpname_ssim":["Florida Gulf Coast University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1680,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"cfa3e4446ebff94a3f0c01d2","timestamp":"2026-05-05T01:53:10.751Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/cfa3e4446ebff94a3f0c01d2_aspace_9c765307d313bbf45c8ab3bc143f17d4"}},{"id":"8d964efa464c4f8b717f7b0a_aspace_de3d1c585c5f369f89caaa859092560c","type":"File","attributes":{"title":"Summaries of Major Accomplishments of Support Provided to and Educational Excellence Activities of the Association to Preserve the Eatonville Community, 1988–2000","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8d964efa464c4f8b717f7b0a_aspace_de3d1c585c5f369f89caaa859092560c#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_de3d1c585c5f369f89caaa859092560c","ref_ssm":["aspace_de3d1c585c5f369f89caaa859092560c","aspace_de3d1c585c5f369f89caaa859092560c"],"id":"8d964efa464c4f8b717f7b0a_aspace_de3d1c585c5f369f89caaa859092560c","title_filing_ssi":"Summaries of Major Accomplishments of Support Provided to and Educational Excellence Activities of the Association to Preserve the Eatonville Community","title_ssm":["Summaries of Major Accomplishments of Support Provided to and Educational Excellence Activities of the Association to Preserve the Eatonville Community"],"title_tesim":["Summaries of Major Accomplishments of Support Provided to and Educational Excellence Activities of the Association to Preserve the Eatonville Community"],"unitdate_inclusive_ssm":["1988–2000"],"normalized_date_ssm":["1988–2000"],"normalized_title_ssm":["Summaries of Major Accomplishments of Support Provided to and Educational Excellence Activities of the Association to Preserve the Eatonville Community, 1988–2000"],"text":["Summaries of Major Accomplishments of Support Provided to and Educational Excellence Activities of the Association to Preserve the Eatonville Community, 1988–2000","University of Central Florida ZORA! Academic Conference records, 1988-2004","Planning, 1988-2004","/repositories/2/archival_objects/74981","box 1","folder 1"],"component_level_isim":[2],"parent_ids_ssim":["8d964efa464c4f8b717f7b0a","8d964efa464c4f8b717f7b0a_aspace_7152d5670151662ec860a84df68fd790"],"parent_unittitles_ssm":["University of Central Florida ZORA! Academic Conference records, 1988-2004","Planning, 1988-2004"],"parent_unittitles_tesim":["University of Central Florida ZORA! Academic Conference records, 1988-2004","Planning, 1988-2004"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/74981"],"repository_ssim":["UCF University Archives"],"collection_ssim":["University of Central Florida ZORA! Academic Conference records, 1988-2004"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"containers_ssim":["box 1","folder 1"],"_nest_path_":"/components#0/components#0","_nest_parent_":"8d964efa464c4f8b717f7b0a_aspace_7152d5670151662ec860a84df68fd790","_root_":"8d964efa464c4f8b717f7b0a","timestamp":"2026-07-10T03:11:41.409Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8d964efa464c4f8b717f7b0a","title_ssm":["University of Central Florida ZORA! Academic Conference records"],"title_tesim":["University of Central Florida ZORA! Academic Conference records"],"ead_ssi":"8d964efa464c4f8b717f7b0a","unitdate_ssm":["1988-2004"],"unitdate_inclusive_ssm":["1988-2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA28G","/repositories/2/resources/303"],"text":["UA28G","/repositories/2/resources/303","University of Central Florida ZORA! Academic Conference records, 1988-2004","Eatonville (Fla.)","Women and literature -- Florida -- History -- 20th Century -- Congresses","African Americans in literature -- Congresses","reports","agendas (administrative records)","letters (correspondence)","The entire collection is open for research.","The collection is arranged into one series, Planning, 1988-2004.","The Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel  Their Eyes Were Watching God . Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. ","The Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF. ","Processed by Mary Rubin in 2019. Finding aid prepared by Asmara Cortes-Caba in 2024.","Further information about the Zora Neale Hurston Festival of the Arts may be found in the   Collected Materials on the Zora Neale Hurston Festival.","The University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival.  ","Series I: Planning, 1988-2004, contains documents relating to the planning of the Zora Neale Hurston Festival and UCF professor Kristin Congdon's role as a member of the festival's planning committee and festival collaborator on behalf of UCF. Documents include reports, proposals, notes, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. Much of the correspondence was written by Kristin Congdon to other members of the planning committee such as N.Y. Nathiri, the Executive Director of PEC. The series also contains newspaper clippings and brochures from PEC featuring the history of Eatonville and its connection to Zora Neale Hurston. ","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival. \n\nThe Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel  Their Eyes Were Watching God . Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. \n\nThe Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF.","UCF University Archives","University of Central Florida. College of Arts and Humanities","Academic Conference of the Zora Neale Hurston Festival of the Arts","Association to Preserve the Eatonville Community (Eatonville, Fla.)","Hurston, Zora Neale (1891-1960)","Congdon, Kristin G.","English"],"unitid_tesim":["UA28G","/repositories/2/resources/303"],"normalized_date_ssm":["1988-2004"],"normalized_title_ssm":["University of Central Florida ZORA! Academic Conference records, 1988-2004"],"collection_title_tesim":["University of Central Florida ZORA! 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Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Transferred by Kristin Congdon (Accession No. CFU2006_47)."],"access_subjects_ssim":["Women and literature -- Florida -- History -- 20th Century -- Congresses","African Americans in literature -- Congresses","reports","agendas (administrative records)","letters (correspondence)"],"access_subjects_ssm":["Women and literature -- Florida -- History -- 20th Century -- Congresses","African Americans in literature -- Congresses","reports","agendas (administrative records)","letters (correspondence)"],"has_online_content_ssim":["false"],"extent_ssm":["2.1 Linear Feet (1 box, 1 flat file)"],"extent_tesim":["2.1 Linear Feet (1 box, 1 flat file)"],"genreform_ssim":["reports","agendas (administrative records)","letters (correspondence)"],"date_range_isim":[1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into one series, Planning, 1988-2004.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into one series, Planning, 1988-2004."],"bioghist_html_tesm":["\u003cp\u003eThe Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel \u003cemph render=\"italic\"\u003eTheir Eyes Were Watching God\u003c/emph\u003e. Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. \u003c/p\u003e\n","\u003cp\u003eThe Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF. \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel  Their Eyes Were Watching God . Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. ","The Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], University of Central Florida ZORA! Academic Conference records, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], University of Central Florida ZORA! Academic Conference records, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Mary Rubin in 2019. Finding aid prepared by Asmara Cortes-Caba in 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Mary Rubin in 2019. Finding aid prepared by Asmara Cortes-Caba in 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eFurther information about the Zora Neale Hurston Festival of the Arts may be found in the \u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/44\"\u003e Collected Materials on the Zora Neale Hurston Festival.\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials "],"relatedmaterial_tesim":["Further information about the Zora Neale Hurston Festival of the Arts may be found in the   Collected Materials on the Zora Neale Hurston Festival."],"scopecontent_html_tesm":["\u003cp\u003eThe University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival.  \u003c/p\u003e\n","\u003cp\u003eSeries I: Planning, 1988-2004, contains documents relating to the planning of the Zora Neale Hurston Festival and UCF professor Kristin Congdon's role as a member of the festival's planning committee and festival collaborator on behalf of UCF. Documents include reports, proposals, notes, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. Much of the correspondence was written by Kristin Congdon to other members of the planning committee such as N.Y. Nathiri, the Executive Director of PEC. The series also contains newspaper clippings and brochures from PEC featuring the history of Eatonville and its connection to Zora Neale Hurston. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents "],"scopecontent_tesim":["The University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival.  ","Series I: Planning, 1988-2004, contains documents relating to the planning of the Zora Neale Hurston Festival and UCF professor Kristin Congdon's role as a member of the festival's planning committee and festival collaborator on behalf of UCF. Documents include reports, proposals, notes, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. Much of the correspondence was written by Kristin Congdon to other members of the planning committee such as N.Y. Nathiri, the Executive Director of PEC. The series also contains newspaper clippings and brochures from PEC featuring the history of Eatonville and its connection to Zora Neale Hurston. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d77ea98ffb9c538fd7c594cbfee27eac\" label=\"Abstract\"\u003eThe University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival. \n\nThe Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel \u003cemph render=\"italic\"\u003eTheir Eyes Were Watching God\u003c/emph\u003e. Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. \n\nThe Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF.\u003c/abstract\u003e"],"abstract_tesim":["The University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival. \n\nThe Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel  Their Eyes Were Watching God . Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. \n\nThe Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF."],"names_coll_ssim":["Academic Conference of the Zora Neale Hurston Festival of the Arts","Association to Preserve the Eatonville Community (Eatonville, Fla.)","Hurston, Zora Neale (1891-1960)","Congdon, Kristin G."],"names_ssim":["UCF University Archives","University of Central Florida. College of Arts and Humanities","Academic Conference of the Zora Neale Hurston Festival of the Arts","Association to Preserve the Eatonville Community (Eatonville, Fla.)","Hurston, Zora Neale (1891-1960)","Congdon, Kristin G."],"corpname_ssim":["UCF University Archives","University of Central Florida. 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Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], University of Central Florida ZORA! Academic Conference records, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], University of Central Florida ZORA! Academic Conference records, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Mary Rubin in 2019. 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Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  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Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival.  ","Series I: Planning, 1988-2004, contains documents relating to the planning of the Zora Neale Hurston Festival and UCF professor Kristin Congdon's role as a member of the festival's planning committee and festival collaborator on behalf of UCF. Documents include reports, proposals, notes, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. Much of the correspondence was written by Kristin Congdon to other members of the planning committee such as N.Y. Nathiri, the Executive Director of PEC. The series also contains newspaper clippings and brochures from PEC featuring the history of Eatonville and its connection to Zora Neale Hurston. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d77ea98ffb9c538fd7c594cbfee27eac\" label=\"Abstract\"\u003eThe University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival. \n\nThe Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel \u003cemph render=\"italic\"\u003eTheir Eyes Were Watching God\u003c/emph\u003e. Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. \n\nThe Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF.\u003c/abstract\u003e"],"abstract_tesim":["The University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival. \n\nThe Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel  Their Eyes Were Watching God . 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As of 2023, the festival continues to operate and maintains its partnership with UCF."],"names_coll_ssim":["Academic Conference of the Zora Neale Hurston Festival of the Arts","Association to Preserve the Eatonville Community (Eatonville, Fla.)","Hurston, Zora Neale (1891-1960)","Congdon, Kristin G."],"names_ssim":["UCF University Archives","University of Central Florida. College of Arts and Humanities","Academic Conference of the Zora Neale Hurston Festival of the Arts","Association to Preserve the Eatonville Community (Eatonville, Fla.)","Hurston, Zora Neale (1891-1960)","Congdon, Kristin G."],"corpname_ssim":["UCF University Archives","University of Central Florida. 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