{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1995\u0026page=408","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1995\u0026page=407","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1995\u0026page=409","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1995\u0026page=589"},"meta":{"pages":{"current_page":408,"next_page":409,"prev_page":407,"total_pages":589,"limit_value":10,"offset_value":4070,"total_count":5889,"first_page?":false,"last_page?":false}},"data":[{"id":"725898a1a41349eb30ec365d_aspace_be69d6b0e10bb11fc945713384dde515","type":"Subseries","attributes":{"title":"Photographs, Circa 1900-Circa 2000","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_be69d6b0e10bb11fc945713384dde515#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_be69d6b0e10bb11fc945713384dde515","ref_ssm":["aspace_be69d6b0e10bb11fc945713384dde515","aspace_be69d6b0e10bb11fc945713384dde515"],"id":"725898a1a41349eb30ec365d_aspace_be69d6b0e10bb11fc945713384dde515","title_filing_ssi":"Photographs","title_ssm":["Photographs"],"title_tesim":["Photographs"],"unitdate_inclusive_ssm":["Circa 1900-Circa 2000"],"normalized_date_ssm":["Circa 1900-Circa 2000"],"normalized_title_ssm":["Photographs, Circa 1900-Circa 2000"],"text":["Photographs, Circa 1900-Circa 2000","José Guerra Alemán Collection, 1887-2013","Visual Materials, Circa 1900-Circa 2000","1","/repositories/4/archival_objects/54112"],"component_level_isim":[2],"parent_ids_ssim":["725898a1a41349eb30ec365d","725898a1a41349eb30ec365d_aspace_7c7243b4d414f992a8def17111639498"],"parent_unittitles_ssm":["José Guerra Alemán Collection, 1887-2013","Visual Materials, Circa 1900-Circa 2000"],"parent_unittitles_tesim":["José Guerra Alemán Collection, 1887-2013","Visual Materials, Circa 1900-Circa 2000"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["1","/repositories/4/archival_objects/54112"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":13,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":233,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"_nest_path_":"/components#4/components#0","_nest_parent_":"725898a1a41349eb30ec365d_aspace_7c7243b4d414f992a8def17111639498","_root_":"725898a1a41349eb30ec365d","_version_":1870857755411087360,"timestamp":"2026-07-16T08:03:10.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"725898a1a41349eb30ec365d","title_ssm":["José Guerra Alemán Collection"],"title_tesim":["José Guerra Alemán Collection"],"ead_ssi":"725898a1a41349eb30ec365d","unitdate_ssm":["1887-2013"],"unitdate_inclusive_ssm":["1887-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.098","/repositories/4/resources/204"],"text":["SC.098","/repositories/4/resources/204","José Guerra Alemán Collection, 1887-2013","Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs","Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints","The entire collection is open for research.","José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.","Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.","Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog.","This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"","Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.","The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.","UCF Special Collections","Guerra Alemán, José","English"],"unitid_tesim":["SC.098","/repositories/4/resources/204"],"normalized_date_ssm":["1887-2013"],"normalized_title_ssm":["José Guerra Alemán Collection, 1887-2013"],"collection_title_tesim":["José Guerra Alemán Collection, 1887-2013"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"geogname_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"creator_ssm":["Guerra Alemán, José"],"creator_ssim":["Guerra Alemán, José"],"creator_persname_ssim":["Guerra Alemán, José"],"creators_ssim":["Guerra Alemán, José"],"places_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"acqinfo_ssim":["The collection was donated by Carlos Guerra, José Guerra Alemán's son, to the University of Central Florida Libraries in 2014. (CFM2014_07)"],"access_subjects_ssim":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"access_subjects_ssm":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["17.5 Linear Feet 20 boxes, 1 Flat File"],"extent_tesim":["17.5 Linear Feet 20 boxes, 1 Flat File"],"genreform_ssim":["correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n was born to Jos\u0026#xE9; Guerra and Herminia Alem\u0026#xE1;n-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as Jos\u0026#xE9; Guerra Alem\u0026#xE1;n, his initials J.G.A. and his nickname Pep\u0026#xED;n. Many of his closest friends and family called him as Pep\u0026#xED;n. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.\u003c/p\u003e\n","\u003cp\u003eIn his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ej\u0026#xE9;rcito) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 Divisi\u0026#xF3;n de Infanter\u0026#xED;a) called Divisi\u0026#xF3;n Rel\u0026#xE1;mpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.\u003c/p\u003e\n","\u003cp\u003eOnce he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of \u0026#xC9;l Pa\u0026#xED;s, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.\u003c/p\u003e\n","\u003cp\u003eOne of those encounters, Jos\u0026#xE9; Guerra Alem\u0026#xE1;n climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with Jos\u0026#xE9; Garc\u0026#xED;a and Eduardo Hern\u0026#xE1;ndez (Guayo) in the same company. Jos\u0026#xE9; Guerra Alem\u0026#xE1;n directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.\u003c/p\u003e\n","\u003cp\u003eWith his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote A\u0026#xFA;n Hay Luna En Los Cerros, Ensayos (Las Mayor\u0026#xED;as Discriminadas): En Defensa de la Mujer, Barro y Cenizas (D\u0026#xED;alogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biograf\u0026#xED;a de su Abuelo el General Jos\u0026#xE9; Braulio Alem\u0026#xE1;n). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.\u003c/p\u003e\n","\u003cp\u003eUnderstanding where his family came from and knowing the other members of his family tree can provide a part of Jos\u0026#xE9; Guerra Alem\u0026#xE1;n's identity. Jose Guerra Alem\u0026#xE1;n's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named Jos\u0026#xE9; Braulio Guerra Alem\u0026#xE1;n fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, Jos\u0026#xE9; Manuel Alem\u0026#xE1;n, served in the Cuban government as Minister of Education during the presidency of Dr. Ram\u0026#xF3;n Grau San Martin, president of the Authentic Party (Partido Aut\u0026#xE9;ntico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.\u003c/p\u003e\n","\u003cp\u003eHe rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alem\u0026#xE1;n. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business."],"prefercite_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["José Guerra Alemán Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks collected by Jos\u0026#xE9; Guerra Alem\u0026#xE1;n can be found by performing a series search for \"Jos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection\" in the UCF Libraries catalog.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog."],"scopecontent_html_tesm":["\u003cp\u003eThis collection was arranged in seven series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alem\u0026#xE1;n took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alem\u0026#xE1;n used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. \u003c/p\u003e\n","\u003cp\u003e\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of Jos\u0026#xE9; G. Alem\u0026#xE1;n and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\""],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4d41ff341ce7470c0d40282c3f71dd8\"\u003eThe collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist Jos\u0026#xE9; Guerra Alem\u0026#xE1;n. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.\u003c/abstract\u003e"],"abstract_tesim":["The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita."],"names_ssim":["UCF Special Collections","Guerra Alemán, José"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Guerra Alemán, José"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":282,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857755411087360,"_root_":"725898a1a41349eb30ec365d","timestamp":"2026-07-16T08:03:10.972Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_be69d6b0e10bb11fc945713384dde515"}},{"id":"3aa44c844434bb72164107fe_aspace_7e86ca2cbd30c5d73d1cb2cf74320e82","type":"Series","attributes":{"title":"Photographs, Circa 1922-2000","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3aa44c844434bb72164107fe_aspace_7e86ca2cbd30c5d73d1cb2cf74320e82#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_7e86ca2cbd30c5d73d1cb2cf74320e82","ref_ssm":["aspace_7e86ca2cbd30c5d73d1cb2cf74320e82","aspace_7e86ca2cbd30c5d73d1cb2cf74320e82"],"id":"3aa44c844434bb72164107fe_aspace_7e86ca2cbd30c5d73d1cb2cf74320e82","title_filing_ssi":"Photographs","title_ssm":["Photographs"],"title_tesim":["Photographs"],"unitdate_inclusive_ssm":["Circa 1922-2000"],"normalized_date_ssm":["Circa 1922-2000"],"normalized_title_ssm":["Photographs, Circa 1922-2000"],"text":["Photographs, Circa 1922-2000","Joseph Z. Smith Collection, Circa 1922-2000","/repositories/4/archival_objects/7637","folder 1"],"component_level_isim":[1],"parent_ids_ssim":["3aa44c844434bb72164107fe"],"parent_unittitles_ssm":["Joseph Z. Smith Collection, Circa 1922-2000"],"parent_unittitles_tesim":["Joseph Z. Smith Collection, Circa 1922-2000"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/4/archival_objects/7637"],"repository_ssim":["Broward County Historical Archives"],"collection_ssim":["Joseph Z. Smith Collection, Circa 1922-2000"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["Collection is open for research."],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"containers_ssim":["folder 1"],"_nest_path_":"/components#0","_nest_parent_":"3aa44c844434bb72164107fe","_root_":"3aa44c844434bb72164107fe","timestamp":"2026-04-21T02:12:13.626Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3aa44c844434bb72164107fe","title_filing_ssi":"Smith, Joseph Z. Collection","title_ssm":["Joseph Z. Smith Collection"],"title_tesim":["Joseph Z. Smith Collection"],"ead_ssi":"3aa44c844434bb72164107fe","unitdate_ssm":["Circa 1922-2000"],"unitdate_inclusive_ssm":["Circa 1922-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BCHA.2000.12","/repositories/4/resources/199"],"text":["BCHA.2000.12","/repositories/4/resources/199","Joseph Z. Smith Collection, Circa 1922-2000","Bahamian Americans","Collection is open for research.","Reverend Joseph Zepheniah \"Papa\" Smith was born on May 16th, 1903 on Long Island, Bahamas who became Bishop and local entrepeneur for the local black community. After a being an educator in the Bahamas he came to work on Flager's railroad. He became part of Fort Lauderdale's Church of God at 211 N.W. 5th Avenue and was recruited to the ministry by the church's founder Bishop J.H. Curry. He married Anna Stirrup in 1922 and had nine children together. He was licensed to pastor \"Colored Churches\" in in Del Ray, Deerfield, Pahokee, Fort Myers, St. Petersburg, Daytona and Dania. After becoming a Bishop in 1942 he was overseer of all Colored Church of God congregations in Indiana, Michigan and Illinois. In 1948 he joined one of the 12 member State of Florida Bishop's Councilman of the Colored Work. His position in church, community, and business affairs lead to cooperation with figures such as Dr. Von. D. Mizell, Sylvia Aldridge, and Sheriff Walter Clark.","The Joseph Z. Smith Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The Joseph Z. Smith Collection documents Bishop Joseph Z. Smith's career in the Church of God and community organizing and contains 16 photographs of Bishop Joseph Z. Smith and his family and associates and a biographical description."," Broward County Historical Archives","English"],"unitid_tesim":["BCHA.2000.12","/repositories/4/resources/199"],"normalized_date_ssm":["Circa 1922-2000"],"normalized_title_ssm":["Joseph Z. Smith Collection, Circa 1922-2000"],"collection_title_tesim":["Joseph Z. Smith Collection, Circa 1922-2000"],"collection_ssim":["Joseph Z. Smith Collection, Circa 1922-2000"],"repository_ssm":["Broward County Historical Archives"],"repository_ssim":["Broward County Historical Archives"],"access_subjects_ssim":["Bahamian Americans"],"access_subjects_ssm":["Bahamian Americans"],"has_online_content_ssim":["false"],"extent_ssm":["1 Folder"],"extent_tesim":["1 Folder"],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eReverend Joseph Zepheniah \"Papa\" Smith was born on May 16th, 1903 on Long Island, Bahamas who became Bishop and local entrepeneur for the local black community. After a being an educator in the Bahamas he came to work on Flager's railroad. He became part of Fort Lauderdale's Church of God at 211 N.W. 5th Avenue and was recruited to the ministry by the church's founder Bishop J.H. Curry. He married Anna Stirrup in 1922 and had nine children together. He was licensed to pastor \"Colored Churches\" in in Del Ray, Deerfield, Pahokee, Fort Myers, St. Petersburg, Daytona and Dania. After becoming a Bishop in 1942 he was overseer of all Colored Church of God congregations in Indiana, Michigan and Illinois. In 1948 he joined one of the 12 member State of Florida Bishop's Councilman of the Colored Work. His position in church, community, and business affairs lead to cooperation with figures such as Dr. Von. D. Mizell, Sylvia Aldridge, and Sheriff Walter Clark.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Reverend Joseph Zepheniah \"Papa\" Smith was born on May 16th, 1903 on Long Island, Bahamas who became Bishop and local entrepeneur for the local black community. After a being an educator in the Bahamas he came to work on Flager's railroad. He became part of Fort Lauderdale's Church of God at 211 N.W. 5th Avenue and was recruited to the ministry by the church's founder Bishop J.H. Curry. He married Anna Stirrup in 1922 and had nine children together. He was licensed to pastor \"Colored Churches\" in in Del Ray, Deerfield, Pahokee, Fort Myers, St. Petersburg, Daytona and Dania. After becoming a Bishop in 1942 he was overseer of all Colored Church of God congregations in Indiana, Michigan and Illinois. In 1948 he joined one of the 12 member State of Florida Bishop's Councilman of the Colored Work. His position in church, community, and business affairs lead to cooperation with figures such as Dr. Von. D. Mizell, Sylvia Aldridge, and Sheriff Walter Clark."],"prefercite_html_tesm":["\u003cp\u003eJoseph Z. Smith Collection, Broward County Historical Archives, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Joseph Z. Smith Collection, Broward County Historical Archives, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Joseph Z. Smith Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Joseph Z. Smith Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Joseph Z. Smith Collection documents Bishop Joseph Z. Smith's career in the Church of God and community organizing and contains 16 photographs of Bishop Joseph Z. Smith and his family and associates and a biographical description.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Joseph Z. Smith Collection documents Bishop Joseph Z. Smith's career in the Church of God and community organizing and contains 16 photographs of Bishop Joseph Z. Smith and his family and associates and a biographical description."],"names_ssim":[" Broward County Historical Archives"],"corpname_ssim":[" Broward County Historical Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"3aa44c844434bb72164107fe","timestamp":"2026-04-21T02:12:13.626Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3aa44c844434bb72164107fe_aspace_7e86ca2cbd30c5d73d1cb2cf74320e82"}},{"id":"1bd2b3a5aa54c3d8f9586e86_aspace_seriesIII","type":"Series","attributes":{"title":"Photographs, Circa 1930-1998, Undated.","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/1bd2b3a5aa54c3d8f9586e86_aspace_seriesIII#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003ePhotographs contain images of her artwork, professional portraiture of Leeper, as well as many personal photographs.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1bd2b3a5aa54c3d8f9586e86_aspace_seriesIII#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_seriesIII","ref_ssm":["aspace_seriesIII","aspace_seriesIII"],"id":"1bd2b3a5aa54c3d8f9586e86_aspace_seriesIII","title_filing_ssi":"Photographs","title_ssm":["Photographs"],"title_tesim":["Photographs"],"unitdate_inclusive_ssm":["Circa 1930-1998, Undated."],"normalized_date_ssm":["Circa 1930-1998, Undated."],"normalized_title_ssm":["Photographs, Circa 1930-1998, Undated."],"text":["Photographs, Circa 1930-1998, Undated.","Beth Urban Collection on Doris Leeper, Circa 1930-2013","Series 3","/repositories/4/archival_objects/55764","Photographs contain images of her artwork, professional portraiture of Leeper, as well as many personal photographs."],"component_level_isim":[1],"parent_ids_ssim":["1bd2b3a5aa54c3d8f9586e86"],"parent_unittitles_ssm":["Beth Urban Collection on Doris Leeper, Circa 1930-2013"],"parent_unittitles_tesim":["Beth Urban Collection on Doris Leeper, Circa 1930-2013"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 3","/repositories/4/archival_objects/55764"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Beth Urban Collection on Doris Leeper, Circa 1930-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":7,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":25,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"scopecontent_html_tesm":["\u003cp\u003ePhotographs contain images of her artwork, professional portraiture of Leeper, as well as many personal photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Photographs contain images of her artwork, professional portraiture of Leeper, as well as many personal photographs."],"_nest_path_":"/components#2","_nest_parent_":"1bd2b3a5aa54c3d8f9586e86","_root_":"1bd2b3a5aa54c3d8f9586e86","_version_":1870857766114951168,"timestamp":"2026-07-16T08:03:21.192Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1bd2b3a5aa54c3d8f9586e86","title_ssm":["Beth Urban Collection on Doris Leeper"],"title_tesim":["Beth Urban Collection on Doris Leeper"],"ead_ssi":"1bd2b3a5aa54c3d8f9586e86","unitdate_ssm":["Circa 1930-2013"],"unitdate_inclusive_ssm":["Circa 1930-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.117","/repositories/4/resources/217"],"text":["SC.117","/repositories/4/resources/217","Beth Urban Collection on Doris Leeper, Circa 1930-2013","Art -- Exhibitions","Art -- Florida","Artists -- Florida -- Biography","correspondence","newsletters","Pamphlets","photographs","videodiscs (video recording disks)","newspapers","portraits","The entire collection is open for research.","Doris \"Doc\" Leeper was an internationally known artist and environmental activist. Leeper was the founder of the Atlantic Center of the Arts, which resides in New Smyrna Beach, FL, and she was also crucial to the creation of Canaveral National Seashore and the Spruce Creek Preserve. In 1999, Doris Leeper was inducted into the Florida Artists Hall of Fame; like artists Tennessee Williams and Ernest Hemingway.","Leeper was born on April 4th, 1929 in Charlotte, North Carolina. She grew up in Charlotte where she graduated from high school with an honors degree in 1947. This led to her admittance to Duke University for a pre-med track - this is where Leeper acquired the nickname \"Doc\". After some push from mentor and professor Charles Sibley, Leeper switched her major to Art History, which she graduated with honors in 1951. Post-graduation, Leeper moved to Atlanta to work in screen printing and work on her art during off-time.","Leeper moved to Eldora, Florida in 1960 after visiting a few years prior and falling in love with naturalistic aesthetic of the area. Once in Eldora, Leeper really began her push for environmental change; starting with voting \"no\" for the addition of a paved road in Eldora. She continued to push for environmental action to happen along the coast - pushing for the creation of the Canaveral National Seashore. After a long fight, where President Richard Nixon refused to sign into law any more National Parks, President Gerald Ford signed the Canaveral National Seashore into law on January 1st, 1975.","Leeper then moved her focus on the idea of creating an Interdisciplinary Artist Residency. She created the Atlantic Center of the Arts in 1977 - where artists from all backgrounds came to mentor other artists. During the build, her focus on environmentalism was still front and center. Leeper told friend and architect Will Miller to cut down as few trees and to disrupt as little nature as possible. Miller did exactly that, creating a haven for artists to feel connected to nature and themselves. Leeper's art was one-of-a-kind, focusing on using spray paints instead of acrylic or oil, or the use of conventional brushes. Most of her art work is so unique it is not able to be restored due to the process of her art style. She, later in her career, migrated more towards sculptures, focusing on harsh-dramatic lines.","Leeper received an Honorary Doctorate in Humanities from Stetson University on May 11th, 1997. She also received an Honorary Doctorate in Fine Arts from her Alma Mater, Duke University, on May 18th, 1997. A few years later in 1999, Leeper was placed in the Florida Artists Hall of Fame - with artists like Ray Charles and Ernest Hemingway. In 1990, Leeper discovered a lump in her breast that quickly disappeared before obtaining a biopsy. In 1993, that lump returned, and it was confirmed to be cancerous. Leeper pushed on throughout the rest of her life, ensuring that she wouldn't let cancer bring her down. Leeper died just after her 71st birthday on April 11th, 2000.","Doris Leeper: A Retrospective, 1995","The First Decade: Atlantic Center for the Arts, 1987","The Second Decade: 1987-1997, [199?]","Doris Leeper Papers","Series I: Personal Files, 1990-2010, Undated, contains identification cards, business cards, awards, and correspondence. This collection also houses newspaper clippings describing Leeper's artwork and remembering her after her death. There is also a sub-series; Doris Leeper Collection - Art Services 2000 Research, which is art research documents, documenting her art and appraisal values.","Series II: Publications, 1975-2013, Undated, holds various publications that tie to Doris Leeper's artwork as well as her awards. There is a sub-series; Atlantic Center for the Arts, which houses brochures for events, celebrations, and memberships, as well as a lecture.","Series III: Photographs, Circa 1930-1998, Undated, this series houses photographs that range from Doris Leeper's youth up until just a few years prior to her death. There are professional portraits, photographs of Leeper's artwork, as well as home photographs.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Beth Urban Collection on Doris Leeper consists of personal files, publications and photographs that highlight Leeper's artwork, the Atlantic Center for the Arts, as well as her personal life. This collection highlights Leeper's life from a very early age through her continued impact many years after her passing.","UCF Special Collections","Atlantic Center for the Arts (New Smyrna Beach, Fla.)","Leeper, Doris, 1929-2000","The materials are written in English"],"unitid_tesim":["SC.117","/repositories/4/resources/217"],"normalized_date_ssm":["Circa 1930-2013"],"normalized_title_ssm":["Beth Urban Collection on Doris Leeper, Circa 1930-2013"],"collection_title_tesim":["Beth Urban Collection on Doris Leeper, Circa 1930-2013"],"collection_ssim":["Beth Urban Collection on Doris Leeper, Circa 1930-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Beth Urban donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2019 (CFM2019_09)."],"access_subjects_ssim":["Art -- Exhibitions","Art -- Florida","Artists -- Florida -- Biography","correspondence","newsletters","Pamphlets","photographs","videodiscs (video recording disks)","newspapers","portraits"],"access_subjects_ssm":["Art -- Exhibitions","Art -- Florida","Artists -- Florida -- Biography","correspondence","newsletters","Pamphlets","photographs","videodiscs (video recording disks)","newspapers","portraits"],"has_online_content_ssim":["false"],"extent_ssm":["1.75 Linear Feet 4 Boxes"],"extent_tesim":["1.75 Linear Feet 4 Boxes"],"genreform_ssim":["correspondence","newsletters","Pamphlets","photographs","videodiscs (video recording disks)","newspapers","portraits"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eDoris \"Doc\" Leeper was an internationally known artist and environmental activist. Leeper was the founder of the Atlantic Center of the Arts, which resides in New Smyrna Beach, FL, and she was also crucial to the creation of Canaveral National Seashore and the Spruce Creek Preserve. In 1999, Doris Leeper was inducted into the Florida Artists Hall of Fame; like artists Tennessee Williams and Ernest Hemingway.\u003c/p\u003e\n","\u003cp\u003eLeeper was born on April 4th, 1929 in Charlotte, North Carolina. She grew up in Charlotte where she graduated from high school with an honors degree in 1947. This led to her admittance to Duke University for a pre-med track - this is where Leeper acquired the nickname \"Doc\". After some push from mentor and professor Charles Sibley, Leeper switched her major to Art History, which she graduated with honors in 1951. Post-graduation, Leeper moved to Atlanta to work in screen printing and work on her art during off-time.\u003c/p\u003e\n","\u003cp\u003eLeeper moved to Eldora, Florida in 1960 after visiting a few years prior and falling in love with naturalistic aesthetic of the area. Once in Eldora, Leeper really began her push for environmental change; starting with voting \"no\" for the addition of a paved road in Eldora. She continued to push for environmental action to happen along the coast - pushing for the creation of the Canaveral National Seashore. After a long fight, where President Richard Nixon refused to sign into law any more National Parks, President Gerald Ford signed the Canaveral National Seashore into law on January 1st, 1975.\u003c/p\u003e\n","\u003cp\u003eLeeper then moved her focus on the idea of creating an Interdisciplinary Artist Residency. She created the Atlantic Center of the Arts in 1977 - where artists from all backgrounds came to mentor other artists. During the build, her focus on environmentalism was still front and center. Leeper told friend and architect Will Miller to cut down as few trees and to disrupt as little nature as possible. Miller did exactly that, creating a haven for artists to feel connected to nature and themselves. Leeper's art was one-of-a-kind, focusing on using spray paints instead of acrylic or oil, or the use of conventional brushes. Most of her art work is so unique it is not able to be restored due to the process of her art style. She, later in her career, migrated more towards sculptures, focusing on harsh-dramatic lines.\u003c/p\u003e\n","\u003cp\u003eLeeper received an Honorary Doctorate in Humanities from Stetson University on May 11th, 1997. She also received an Honorary Doctorate in Fine Arts from her Alma Mater, Duke University, on May 18th, 1997. A few years later in 1999, Leeper was placed in the Florida Artists Hall of Fame - with artists like Ray Charles and Ernest Hemingway. In 1990, Leeper discovered a lump in her breast that quickly disappeared before obtaining a biopsy. In 1993, that lump returned, and it was confirmed to be cancerous. Leeper pushed on throughout the rest of her life, ensuring that she wouldn't let cancer bring her down. Leeper died just after her 71st birthday on April 11th, 2000.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Doris \"Doc\" Leeper was an internationally known artist and environmental activist. Leeper was the founder of the Atlantic Center of the Arts, which resides in New Smyrna Beach, FL, and she was also crucial to the creation of Canaveral National Seashore and the Spruce Creek Preserve. In 1999, Doris Leeper was inducted into the Florida Artists Hall of Fame; like artists Tennessee Williams and Ernest Hemingway.","Leeper was born on April 4th, 1929 in Charlotte, North Carolina. She grew up in Charlotte where she graduated from high school with an honors degree in 1947. This led to her admittance to Duke University for a pre-med track - this is where Leeper acquired the nickname \"Doc\". After some push from mentor and professor Charles Sibley, Leeper switched her major to Art History, which she graduated with honors in 1951. Post-graduation, Leeper moved to Atlanta to work in screen printing and work on her art during off-time.","Leeper moved to Eldora, Florida in 1960 after visiting a few years prior and falling in love with naturalistic aesthetic of the area. Once in Eldora, Leeper really began her push for environmental change; starting with voting \"no\" for the addition of a paved road in Eldora. She continued to push for environmental action to happen along the coast - pushing for the creation of the Canaveral National Seashore. After a long fight, where President Richard Nixon refused to sign into law any more National Parks, President Gerald Ford signed the Canaveral National Seashore into law on January 1st, 1975.","Leeper then moved her focus on the idea of creating an Interdisciplinary Artist Residency. She created the Atlantic Center of the Arts in 1977 - where artists from all backgrounds came to mentor other artists. During the build, her focus on environmentalism was still front and center. Leeper told friend and architect Will Miller to cut down as few trees and to disrupt as little nature as possible. Miller did exactly that, creating a haven for artists to feel connected to nature and themselves. Leeper's art was one-of-a-kind, focusing on using spray paints instead of acrylic or oil, or the use of conventional brushes. Most of her art work is so unique it is not able to be restored due to the process of her art style. She, later in her career, migrated more towards sculptures, focusing on harsh-dramatic lines.","Leeper received an Honorary Doctorate in Humanities from Stetson University on May 11th, 1997. She also received an Honorary Doctorate in Fine Arts from her Alma Mater, Duke University, on May 18th, 1997. A few years later in 1999, Leeper was placed in the Florida Artists Hall of Fame - with artists like Ray Charles and Ernest Hemingway. In 1990, Leeper discovered a lump in her breast that quickly disappeared before obtaining a biopsy. In 1993, that lump returned, and it was confirmed to be cancerous. Leeper pushed on throughout the rest of her life, ensuring that she wouldn't let cancer bring her down. Leeper died just after her 71st birthday on April 11th, 2000."],"prefercite_html_tesm":["\u003cp\u003eBeth Urban Collection on Doris Leeper, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Beth Urban Collection on Doris Leeper, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990258927300306596\" show=\"new\"\u003eDoris Leeper: A Retrospective, 1995\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990289293970306596\" show=\"new\"\u003eThe First Decade: Atlantic Center for the Arts, 1987\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990299590550306596\" show=\"new\"\u003eThe Second Decade: 1987-1997, [199?]\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2003-04\" show=\"new\"\u003eDoris Leeper Papers\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Doris Leeper: A Retrospective, 1995","The First Decade: Atlantic Center for the Arts, 1987","The Second Decade: 1987-1997, [199?]","Doris Leeper Papers"],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Personal Files, 1990-2010, Undated, contains identification cards, business cards, awards, and correspondence. This collection also houses newspaper clippings describing Leeper's artwork and remembering her after her death. There is also a sub-series; Doris Leeper Collection - Art Services 2000 Research, which is art research documents, documenting her art and appraisal values.\u003c/p\u003e\n","\u003cp\u003eSeries II: Publications, 1975-2013, Undated, holds various publications that tie to Doris Leeper's artwork as well as her awards. There is a sub-series; Atlantic Center for the Arts, which houses brochures for events, celebrations, and memberships, as well as a lecture.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, Circa 1930-1998, Undated, this series houses photographs that range from Doris Leeper's youth up until just a few years prior to her death. There are professional portraits, photographs of Leeper's artwork, as well as home photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["Series I: Personal Files, 1990-2010, Undated, contains identification cards, business cards, awards, and correspondence. This collection also houses newspaper clippings describing Leeper's artwork and remembering her after her death. There is also a sub-series; Doris Leeper Collection - Art Services 2000 Research, which is art research documents, documenting her art and appraisal values.","Series II: Publications, 1975-2013, Undated, holds various publications that tie to Doris Leeper's artwork as well as her awards. There is a sub-series; Atlantic Center for the Arts, which houses brochures for events, celebrations, and memberships, as well as a lecture.","Series III: Photographs, Circa 1930-1998, Undated, this series houses photographs that range from Doris Leeper's youth up until just a few years prior to her death. There are professional portraits, photographs of Leeper's artwork, as well as home photographs."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e91330cd1bdee9022869c5487bfc88aa\"\u003eThe Beth Urban Collection on Doris Leeper consists of personal files, publications and photographs that highlight Leeper's artwork, the Atlantic Center for the Arts, as well as her personal life. This collection highlights Leeper's life from a very early age through her continued impact many years after her passing.\u003c/abstract\u003e"],"abstract_tesim":["The Beth Urban Collection on Doris Leeper consists of personal files, publications and photographs that highlight Leeper's artwork, the Atlantic Center for the Arts, as well as her personal life. This collection highlights Leeper's life from a very early age through her continued impact many years after her passing."],"names_coll_ssim":["Atlantic Center for the Arts (New Smyrna Beach, Fla.)","Leeper, Doris, 1929-2000"],"names_ssim":["UCF Special Collections","Atlantic Center for the Arts (New Smyrna Beach, Fla.)","Leeper, Doris, 1929-2000"],"corpname_ssim":["UCF Special Collections","Atlantic Center for the Arts (New Smyrna Beach, Fla.)"],"persname_ssim":["Leeper, Doris, 1929-2000"],"language_ssim":["The materials are written in English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":32,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857766114951168,"_root_":"1bd2b3a5aa54c3d8f9586e86","timestamp":"2026-07-16T08:03:21.192Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/1bd2b3a5aa54c3d8f9586e86_aspace_seriesIII"}},{"id":"05176a8238a411947dafe2de_aspace_16580","type":"File","attributes":{"title":"Photographs, circa 1983-circa 1995","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/05176a8238a411947dafe2de_aspace_16580#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_16580","ref_ssm":["aspace_16580","aspace_16580"],"id":"05176a8238a411947dafe2de_aspace_16580","title_filing_ssi":"Photographs","title_ssm":["Photographs"],"title_tesim":["Photographs"],"unitdate_inclusive_ssm":["circa 1983-circa 1995"],"normalized_date_ssm":["circa 1983-circa 1995"],"normalized_title_ssm":["Photographs, circa 1983-circa 1995"],"text":["Photographs, circa 1983-circa 1995","George and Anne Millay Collection, 1959-2006","Wet 'n Wild, 1974-2005.","Parks Files, 1974-2005","Texas, 1975-2003","Arlington, 1975-2003","Box 5: Folder 23; Box 19, Folder 9","/repositories/4/archival_objects/37220","box 5","folder 23","box 19","folder 9"],"component_level_isim":[5],"parent_ids_ssim":["05176a8238a411947dafe2de","05176a8238a411947dafe2de_aspace_16275","05176a8238a411947dafe2de_aspace_16376","05176a8238a411947dafe2de_aspace_16534","05176a8238a411947dafe2de_aspace_16547"],"parent_unittitles_ssm":["George and Anne Millay Collection, 1959-2006","Wet 'n Wild, 1974-2005.","Parks Files, 1974-2005","Texas, 1975-2003","Arlington, 1975-2003"],"parent_unittitles_tesim":["George and Anne Millay Collection, 1959-2006","Wet 'n Wild, 1974-2005.","Parks Files, 1974-2005","Texas, 1975-2003","Arlington, 1975-2003"],"parent_levels_ssm":["collection","Series","Subseries","Subseries","Subseries"],"unitid_ssm":["Box 5: Folder 23; Box 19, Folder 9","/repositories/4/archival_objects/37220"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["George and Anne Millay Collection, 1959-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":233,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"containers_ssim":["box 5","folder 23","box 19","folder 9"],"_nest_path_":"/components#0/components#2/components#9/components#4/components#19","_nest_parent_":"05176a8238a411947dafe2de_aspace_16547","_root_":"05176a8238a411947dafe2de","timestamp":"2026-07-09T03:02:51.250Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"05176a8238a411947dafe2de","title_ssm":["George and Anne Millay Collection"],"title_tesim":["George and Anne Millay Collection"],"ead_ssi":"05176a8238a411947dafe2de","unitdate_ssm":["1959-2006"],"unitdate_inclusive_ssm":["1959-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.079","/repositories/4/resources/154"],"text":["SC.079","/repositories/4/resources/154","George and Anne Millay Collection, 1959-2006","Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)","Amusement parks","Water parks","Marine aquariums","Public aquariums","Tourism","Blueprints","Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings","The entire collection is open for research.","The papers are arranged in five series by topic.","George Millay was born on 4th July 1929. While his Father was in the navy, George's family lived at Pearl Harbor, and he witnessed the 1941 attack. George himself served in the navy for more than three years as a weather forecaster; for part of the time he was on the USS Bairoko. After graduating from the University of California, Los Angeles with a degree in meteorology in 1955, George Millay worked for a stockbroking firm until 1960. He married Anne Real in 1963; they eventually had three sons and a daughter.","\nIn 1958, Millay opened the Reef restaurant in Los Angeles with David Tallichet. He planned to create a submarine bar there so that customers could view sea creatures while enjoying cocktails. The plan failed because the water in the harbor was too cloudy. However, his interest in marine life introduced him to Dr. Kenneth Norris, curator at Marineland. Together with Milton Shedd and David DeMott, they organized the Marine Park Corporation to create a marine park in San Diego. Sea World opened in 1964 and expanded in 1970 with a park in Ohio followed by the Orlando park in 1972. Sea World Inc. opened an amusement park in Valencia California on 29th May 1971 in partnership with Newhall Land and Farming. Officially named \"Magic Mountain\", the park was designated \"Tragic Mountain\" by a reporter who was injured there. Sea World did not make a profit on the venture and sold out to its partner late in 1971. Millay resigned from Sea World Inc in 1974 because of a disagreement with his partners over how the company should develop.","\nGeorge Millay had spent a lot of time at Sea World in Orlando, and he thought that families would enjoy water activities as a break from the Florida heat. He pulled together ideas from a water playground at the Toronto World's Fair, a flume near Sacramento and a wave pool in Alabama, added a children's playgound, restrooms, gift shop and snack bar to create a new concept. He formed the Leisure Marine Corporation to develop his idea. Initially, the company ran the Seven Seas park in Arlington, TX, for a season, but the venture did not develop further. Wet 'n Wild eventually became a reality in Orlando, where it opened in 1977. The company took over the failing Seven Seas park and redeveloped it into the second Wet 'n Wild in 1983 followed by Las Vegas in 1985. Additional sites opened in Garland, TX, Brazil and Mexico. Wet 'n Wild was named the Best of Aquatics for 2003 by Aquatics International magazine.","\nMillay retired from Wet 'n Wild in 1998, but he continued to work on new projects. He designed and patented a system for moving visitors down into the center of a circular aquarium so that everyone had a good view of the fish. Millay partnered with William Watts and David Powell in creating a company named Sea Venture to sell the system. At the time of his death in 2006, no examples of the system had been sold.","\nGeorge Millay received Lifetime Achievement Awards from the International Association of Amusement Parks and Attractions and the Themed Entertainment Association, and he was named the Father of the Waterpark Industry by the World Waterpark Association. Tim O'Brien wrote Millay's biography entitled The Wave Maker in 2004.","Collection processed by Judith Beale; finding aid prepared by Judith Beale. Materials received in 2010 processed and added to the collection in 2016 by Suphi Burak Ogreten. ","Materials were removed from binders. Some smaller items were removed from frames. One photograph was digitized, as it was stuck to glass, then removed from the glass. Photographs and slides were sleeved. Faxes were photocopied and traced in pencil to make them clearer. Audiocassettes and slides were removed from their cases because the foam was disintegrating. Plaques and awards were wrapped and documents were placed in pH neutral folders and boxes.","Other collections include Harrison \"Buzz\" Price Papers and the Al Turner, Splash Magazine Collection may be found by searching our online  Library Catalog .","Series I: Wet 'n Wild, 1974-2005 holds correspondence, minutes, advertising materials, photographs, memorabilia, news clippings, reports and plans concerning all aspects of the founding and management of the Wet 'n Wild Parks.","\nSeries II: Sea World, 1959-2004 contains correspondence, news clippings, scrapbooks, photographs, reports and memorabilia documenting all aspects of the founding and management of Sea World, Inc.","\nSeries III: Sea Venture, 1998-2004 contains correspondence, plans, photographs and contracts concerning the patenting and marketing of George Millay's system for transporting visitors down into a doughnut-shaped aquarium.","\nSeries IV: Personal, 1965-2006 holds photographs, audio, video, correspondence, memorabilia and brochures that document projects, accolades and memorials. The series includes resources used in Millay's biography and a file on the opening of Disney World.","\nSeries V: Additional Materials, 1965-1999 includes newspaper and magazine clippings, photographs, pamphlets, correspondence, annual reports, proposals, and various ephemera related to the Wet'n Wild, Sea World, and Seven Seas parks.","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","George Millay founded both Sea World and Wet 'n Wild for which he was named Father of the Waterpark Industry. This collection of correspondence, photographs, memorabilia, news clippings, reports and audio visual materials documents the complicated and not always successful process of building a new waterpark. In addition to materials concerning Sea World and Wet 'n Wild, the collection contains information on George Millay's other projects and his personal achievements.","UCF Special Collections","Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World","Millay, Anne, 1934-2006","Millay, George","English"],"unitid_tesim":["SC.079","/repositories/4/resources/154"],"normalized_date_ssm":["1959-2006"],"normalized_title_ssm":["George and Anne Millay Collection, 1959-2006"],"collection_title_tesim":["George and Anne Millay Collection, 1959-2006"],"collection_ssim":["George and Anne Millay Collection, 1959-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)"],"geogname_ssim":["Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)"],"creator_ssm":["Millay, Anne, 1934-2006"],"creator_ssim":["Millay, Anne, 1934-2006"],"creator_persname_ssim":["Millay, Anne, 1934-2006"],"creators_ssim":["Millay, Anne, 1934-2006"],"places_ssim":["Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The Millay family donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2007 (CFM2007_15) and 2010 (CFM2010_04)."],"access_subjects_ssim":["Amusement parks","Water parks","Marine aquariums","Public aquariums","Tourism","Blueprints","Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings"],"access_subjects_ssm":["Amusement parks","Water parks","Marine aquariums","Public aquariums","Tourism","Blueprints","Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings"],"has_online_content_ssim":["false"],"extent_ssm":["21.25 Linear Feet 22 Boxes, 8 Flat Files, 5 Framed Items"],"extent_tesim":["21.25 Linear Feet 22 Boxes, 8 Flat Files, 5 Framed Items"],"genreform_ssim":["Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings"],"date_range_isim":[1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe papers are arranged in five series by topic.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The papers are arranged in five series by topic."],"bioghist_html_tesm":["\u003cp\u003eGeorge Millay was born on 4th July 1929. While his Father was in the navy, George's family lived at Pearl Harbor, and he witnessed the 1941 attack. George himself served in the navy for more than three years as a weather forecaster; for part of the time he was on the USS Bairoko. After graduating from the University of California, Los Angeles with a degree in meteorology in 1955, George Millay worked for a stockbroking firm until 1960. He married Anne Real in 1963; they eventually had three sons and a daughter.\u003c/p\u003e\n","\u003cp\u003e\nIn 1958, Millay opened the Reef restaurant in Los Angeles with David Tallichet. He planned to create a submarine bar there so that customers could view sea creatures while enjoying cocktails. The plan failed because the water in the harbor was too cloudy. However, his interest in marine life introduced him to Dr. Kenneth Norris, curator at Marineland. Together with Milton Shedd and David DeMott, they organized the Marine Park Corporation to create a marine park in San Diego. Sea World opened in 1964 and expanded in 1970 with a park in Ohio followed by the Orlando park in 1972. Sea World Inc. opened an amusement park in Valencia California on 29th May 1971 in partnership with Newhall Land and Farming. Officially named \"Magic Mountain\", the park was designated \"Tragic Mountain\" by a reporter who was injured there. Sea World did not make a profit on the venture and sold out to its partner late in 1971. Millay resigned from Sea World Inc in 1974 because of a disagreement with his partners over how the company should develop.\u003c/p\u003e\n","\u003cp\u003e\nGeorge Millay had spent a lot of time at Sea World in Orlando, and he thought that families would enjoy water activities as a break from the Florida heat. He pulled together ideas from a water playground at the Toronto World's Fair, a flume near Sacramento and a wave pool in Alabama, added a children's playgound, restrooms, gift shop and snack bar to create a new concept. He formed the Leisure Marine Corporation to develop his idea. Initially, the company ran the Seven Seas park in Arlington, TX, for a season, but the venture did not develop further. Wet 'n Wild eventually became a reality in Orlando, where it opened in 1977. The company took over the failing Seven Seas park and redeveloped it into the second Wet 'n Wild in 1983 followed by Las Vegas in 1985. Additional sites opened in Garland, TX, Brazil and Mexico. Wet 'n Wild was named the Best of Aquatics for 2003 by Aquatics International magazine.\u003c/p\u003e\n","\u003cp\u003e\nMillay retired from Wet 'n Wild in 1998, but he continued to work on new projects. He designed and patented a system for moving visitors down into the center of a circular aquarium so that everyone had a good view of the fish. Millay partnered with William Watts and David Powell in creating a company named Sea Venture to sell the system. At the time of his death in 2006, no examples of the system had been sold.\u003c/p\u003e\n","\u003cp\u003e\nGeorge Millay received Lifetime Achievement Awards from the International Association of Amusement Parks and Attractions and the Themed Entertainment Association, and he was named the Father of the Waterpark Industry by the World Waterpark Association. Tim O'Brien wrote Millay's biography entitled The Wave Maker in 2004.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["George Millay was born on 4th July 1929. While his Father was in the navy, George's family lived at Pearl Harbor, and he witnessed the 1941 attack. George himself served in the navy for more than three years as a weather forecaster; for part of the time he was on the USS Bairoko. After graduating from the University of California, Los Angeles with a degree in meteorology in 1955, George Millay worked for a stockbroking firm until 1960. He married Anne Real in 1963; they eventually had three sons and a daughter.","\nIn 1958, Millay opened the Reef restaurant in Los Angeles with David Tallichet. He planned to create a submarine bar there so that customers could view sea creatures while enjoying cocktails. The plan failed because the water in the harbor was too cloudy. However, his interest in marine life introduced him to Dr. Kenneth Norris, curator at Marineland. Together with Milton Shedd and David DeMott, they organized the Marine Park Corporation to create a marine park in San Diego. Sea World opened in 1964 and expanded in 1970 with a park in Ohio followed by the Orlando park in 1972. Sea World Inc. opened an amusement park in Valencia California on 29th May 1971 in partnership with Newhall Land and Farming. Officially named \"Magic Mountain\", the park was designated \"Tragic Mountain\" by a reporter who was injured there. Sea World did not make a profit on the venture and sold out to its partner late in 1971. Millay resigned from Sea World Inc in 1974 because of a disagreement with his partners over how the company should develop.","\nGeorge Millay had spent a lot of time at Sea World in Orlando, and he thought that families would enjoy water activities as a break from the Florida heat. He pulled together ideas from a water playground at the Toronto World's Fair, a flume near Sacramento and a wave pool in Alabama, added a children's playgound, restrooms, gift shop and snack bar to create a new concept. He formed the Leisure Marine Corporation to develop his idea. Initially, the company ran the Seven Seas park in Arlington, TX, for a season, but the venture did not develop further. Wet 'n Wild eventually became a reality in Orlando, where it opened in 1977. The company took over the failing Seven Seas park and redeveloped it into the second Wet 'n Wild in 1983 followed by Las Vegas in 1985. Additional sites opened in Garland, TX, Brazil and Mexico. Wet 'n Wild was named the Best of Aquatics for 2003 by Aquatics International magazine.","\nMillay retired from Wet 'n Wild in 1998, but he continued to work on new projects. He designed and patented a system for moving visitors down into the center of a circular aquarium so that everyone had a good view of the fish. Millay partnered with William Watts and David Powell in creating a company named Sea Venture to sell the system. At the time of his death in 2006, no examples of the system had been sold.","\nGeorge Millay received Lifetime Achievement Awards from the International Association of Amusement Parks and Attractions and the Themed Entertainment Association, and he was named the Father of the Waterpark Industry by the World Waterpark Association. Tim O'Brien wrote Millay's biography entitled The Wave Maker in 2004."],"prefercite_html_tesm":["\u003cp\u003eGeorge and Anne Millay Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["George and Anne Millay Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Judith Beale; finding aid prepared by Judith Beale. Materials received in 2010 processed and added to the collection in 2016 by Suphi Burak Ogreten. \u003c/p\u003e","\u003cp\u003eMaterials were removed from binders. Some smaller items were removed from frames. One photograph was digitized, as it was stuck to glass, then removed from the glass. Photographs and slides were sleeved. Faxes were photocopied and traced in pencil to make them clearer. Audiocassettes and slides were removed from their cases because the foam was disintegrating. Plaques and awards were wrapped and documents were placed in pH neutral folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Judith Beale; finding aid prepared by Judith Beale. Materials received in 2010 processed and added to the collection in 2016 by Suphi Burak Ogreten. ","Materials were removed from binders. Some smaller items were removed from frames. One photograph was digitized, as it was stuck to glass, then removed from the glass. Photographs and slides were sleeved. Faxes were photocopied and traced in pencil to make them clearer. Audiocassettes and slides were removed from their cases because the foam was disintegrating. Plaques and awards were wrapped and documents were placed in pH neutral folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eOther collections include Harrison \"Buzz\" Price Papers and the Al Turner, Splash Magazine Collection may be found by searching our online \u003cextref href=\"https://library.ucf.edu\"\u003eLibrary Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other collections include Harrison \"Buzz\" Price Papers and the Al Turner, Splash Magazine Collection may be found by searching our online  Library Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Wet 'n Wild, 1974-2005 holds correspondence, minutes, advertising materials, photographs, memorabilia, news clippings, reports and plans concerning all aspects of the founding and management of the Wet 'n Wild Parks.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Sea World, 1959-2004 contains correspondence, news clippings, scrapbooks, photographs, reports and memorabilia documenting all aspects of the founding and management of Sea World, Inc.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Sea Venture, 1998-2004 contains correspondence, plans, photographs and contracts concerning the patenting and marketing of George Millay's system for transporting visitors down into a doughnut-shaped aquarium.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal, 1965-2006 holds photographs, audio, video, correspondence, memorabilia and brochures that document projects, accolades and memorials. The series includes resources used in Millay's biography and a file on the opening of Disney World.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Additional Materials, 1965-1999 includes newspaper and magazine clippings, photographs, pamphlets, correspondence, annual reports, proposals, and various ephemera related to the Wet'n Wild, Sea World, and Seven Seas parks.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Wet 'n Wild, 1974-2005 holds correspondence, minutes, advertising materials, photographs, memorabilia, news clippings, reports and plans concerning all aspects of the founding and management of the Wet 'n Wild Parks.","\nSeries II: Sea World, 1959-2004 contains correspondence, news clippings, scrapbooks, photographs, reports and memorabilia documenting all aspects of the founding and management of Sea World, Inc.","\nSeries III: Sea Venture, 1998-2004 contains correspondence, plans, photographs and contracts concerning the patenting and marketing of George Millay's system for transporting visitors down into a doughnut-shaped aquarium.","\nSeries IV: Personal, 1965-2006 holds photographs, audio, video, correspondence, memorabilia and brochures that document projects, accolades and memorials. The series includes resources used in Millay's biography and a file on the opening of Disney World.","\nSeries V: Additional Materials, 1965-1999 includes newspaper and magazine clippings, photographs, pamphlets, correspondence, annual reports, proposals, and various ephemera related to the Wet'n Wild, Sea World, and Seven Seas parks."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e2b9aba5ed67fc882ac4591fdb37c3fb\" label=\"Abstract\"\u003eGeorge Millay founded both Sea World and Wet 'n Wild for which he was named Father of the Waterpark Industry. This collection of correspondence, photographs, memorabilia, news clippings, reports and audio visual materials documents the complicated and not always successful process of building a new waterpark. In addition to materials concerning Sea World and Wet 'n Wild, the collection contains information on George Millay's other projects and his personal achievements.\u003c/abstract\u003e"],"abstract_tesim":["George Millay founded both Sea World and Wet 'n Wild for which he was named Father of the Waterpark Industry. This collection of correspondence, photographs, memorabilia, news clippings, reports and audio visual materials documents the complicated and not always successful process of building a new waterpark. In addition to materials concerning Sea World and Wet 'n Wild, the collection contains information on George Millay's other projects and his personal achievements."],"names_coll_ssim":["Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World","Millay, George","Millay, Anne, 1934-2006"],"names_ssim":["UCF Special Collections","Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World","Millay, Anne, 1934-2006","Millay, George"],"corpname_ssim":["UCF Special Collections","Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World"],"persname_ssim":["Millay, Anne, 1934-2006","Millay, George"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":680,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"05176a8238a411947dafe2de","timestamp":"2026-07-09T03:02:51.250Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/05176a8238a411947dafe2de_aspace_16580"}},{"id":"028f3ba81a755744d614ce0a_aspace_00fd0472a175f07a0a74d8ce22cce8e0","type":"File","attributes":{"title":"Photographs - Clubfest, 1995","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/028f3ba81a755744d614ce0a_aspace_00fd0472a175f07a0a74d8ce22cce8e0#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_00fd0472a175f07a0a74d8ce22cce8e0","ref_ssm":["aspace_00fd0472a175f07a0a74d8ce22cce8e0","aspace_00fd0472a175f07a0a74d8ce22cce8e0"],"id":"028f3ba81a755744d614ce0a_aspace_00fd0472a175f07a0a74d8ce22cce8e0","title_filing_ssi":"Photographs - Clubfest ","title_ssm":["Photographs - Clubfest "],"title_tesim":["Photographs - Clubfest "],"unitdate_other_ssim":["1995"],"normalized_date_ssm":["1995"],"normalized_title_ssm":["Photographs - Clubfest, 1995"],"text":["Photographs - Clubfest, 1995","Public Relations, 1922-2010","Box 3: Photographs","/repositories/4/archival_objects/15719","folder 6"],"component_level_isim":[2],"parent_ids_ssim":["028f3ba81a755744d614ce0a","028f3ba81a755744d614ce0a_aspace_0054a7c5cec3b3dc6ba2edad85b15ac3"],"parent_unittitles_ssm":["Public Relations, 1922-2010","Box 3: Photographs"],"parent_unittitles_tesim":["Public Relations, 1922-2010","Box 3: Photographs"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["/repositories/4/archival_objects/15719"],"repository_ssim":["The Florida Southern College Archives"],"collection_ssim":["Public Relations, 1922-2010"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":39,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials"],"parent_access_terms_tesm":["The Public Relations records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"date_range_isim":[1995],"containers_ssim":["folder 6"],"_nest_path_":"/components#2/components#5","_nest_parent_":"028f3ba81a755744d614ce0a_aspace_0054a7c5cec3b3dc6ba2edad85b15ac3","_root_":"028f3ba81a755744d614ce0a","timestamp":"2026-07-10T02:17:33.904Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"028f3ba81a755744d614ce0a","title_ssm":["Public Relations"],"title_tesim":["Public Relations"],"ead_ssi":"028f3ba81a755744d614ce0a","unitdate_ssm":["1922-2010"],"unitdate_inclusive_ssm":["1922-2010"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["CA10045","/repositories/4/resources/82"],"text":["CA10045","/repositories/4/resources/82","Public Relations, 1922-2010","Public relations—Colleges—Florida—Lakeland.","College publications—Florida—Lakeland.","News releases—Florida—Lakeland.","Newspaper clippings—Florida—Lakeland.","College students—Florida—Lakeland—Photographs.","College sports—Florida—Lakeland—Photographs.","Florida Southern College--History.","College yearbooks—Florida—Lakeland.","College administrators—Florida—Lakeland—Photographs.","College departments - United States - history","Photographs—Florida—Lakeland.","Slides (photographs)","Photographs.","Newspaper clippings","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials","This collection has not been fully processed. It has only been processed to a minimum standard so as to make it available to researchers. While effort has been made to place materials in a logical order, some materials may be out of order.","This collection may include materials that reflect certain cultural attitudes and opinions common during the time of their creation. Florida Southern College, Roux Library, and McKay Archives do not promote the attitudes depicted in these materials, but they are included to document the historical record.","This record group contains materials produced and used by the Florida Southern College Public Relations Department and its predecessors. Materials include photographs, many of which were also used to illustrate The Interlachen yearbook and other college publications. Photographs include buildings, students, faculty and staff, and dignitaries and visitors to the campus. In addition to photographs, the collection includes news releases produced by the college and news articles relevant to the college. Several large, bound albums are present, and these contain news articles dating back to 1922 and the college's arrival in Lakeland.","The Public Relations records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","The Florida Southern College Archives","Florida Southern College","English"],"unitid_tesim":["CA10045","/repositories/4/resources/82"],"normalized_date_ssm":["1922-2010"],"normalized_title_ssm":["Public Relations, 1922-2010"],"collection_title_tesim":["Public Relations, 1922-2010"],"collection_ssim":["Public Relations, 1922-2010"],"repository_ssm":["The Florida Southern College Archives"],"repository_ssim":["The Florida Southern College Archives"],"geogname_ssm":["Public relations—Colleges—Florida—Lakeland.","College publications—Florida—Lakeland.","News releases—Florida—Lakeland.","Newspaper clippings—Florida—Lakeland.","College students—Florida—Lakeland—Photographs.","College sports—Florida—Lakeland—Photographs."],"geogname_ssim":["Public relations—Colleges—Florida—Lakeland.","College publications—Florida—Lakeland.","News releases—Florida—Lakeland.","Newspaper clippings—Florida—Lakeland.","College students—Florida—Lakeland—Photographs.","College sports—Florida—Lakeland—Photographs."],"creator_ssm":["Florida Southern College"],"creator_ssim":["Florida Southern College"],"creator_corpname_ssim":["Florida Southern College"],"creators_ssim":["Florida Southern College"],"places_ssim":["Public relations—Colleges—Florida—Lakeland.","College publications—Florida—Lakeland.","News releases—Florida—Lakeland.","Newspaper clippings—Florida—Lakeland.","College students—Florida—Lakeland—Photographs.","College sports—Florida—Lakeland—Photographs."],"access_terms_ssm":["The Public Relations records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["These materials were generated by the college and transferred to the archives upon completion of their active status.\nThis is an active record group and new materials are added periodically."],"access_subjects_ssim":["Florida Southern College--History.","College yearbooks—Florida—Lakeland.","College administrators—Florida—Lakeland—Photographs.","College departments - United States - history","Photographs—Florida—Lakeland.","Slides (photographs)","Photographs.","Newspaper clippings"],"access_subjects_ssm":["Florida Southern College--History.","College yearbooks—Florida—Lakeland.","College administrators—Florida—Lakeland—Photographs.","College departments - United States - history","Photographs—Florida—Lakeland.","Slides (photographs)","Photographs.","Newspaper clippings"],"has_online_content_ssim":["false"],"extent_ssm":["44 Linear Feet"],"extent_tesim":["44 Linear Feet"],"genreform_ssim":["Photographs—Florida—Lakeland.","Slides (photographs)","Photographs.","Newspaper clippings"],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials"],"arrangement_html_tesm":["\u003cp\u003eThis collection has not been fully processed. It has only been processed to a minimum standard so as to make it available to researchers. While effort has been made to place materials in a logical order, some materials may be out of order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection has not been fully processed. It has only been processed to a minimum standard so as to make it available to researchers. While effort has been made to place materials in a logical order, some materials may be out of order."],"odd_html_tesm":["\u003cp\u003eThis collection may include materials that reflect certain cultural attitudes and opinions common during the time of their creation. Florida Southern College, Roux Library, and McKay Archives do not promote the attitudes depicted in these materials, but they are included to document the historical record.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["This collection may include materials that reflect certain cultural attitudes and opinions common during the time of their creation. Florida Southern College, Roux Library, and McKay Archives do not promote the attitudes depicted in these materials, but they are included to document the historical record."],"scopecontent_html_tesm":["\u003cp\u003eThis record group contains materials produced and used by the Florida Southern College Public Relations Department and its predecessors. Materials include photographs, many of which were also used to illustrate The Interlachen yearbook and other college publications. Photographs include buildings, students, faculty and staff, and dignitaries and visitors to the campus. In addition to photographs, the collection includes news releases produced by the college and news articles relevant to the college. Several large, bound albums are present, and these contain news articles dating back to 1922 and the college's arrival in Lakeland.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This record group contains materials produced and used by the Florida Southern College Public Relations Department and its predecessors. Materials include photographs, many of which were also used to illustrate The Interlachen yearbook and other college publications. Photographs include buildings, students, faculty and staff, and dignitaries and visitors to the campus. In addition to photographs, the collection includes news releases produced by the college and news articles relevant to the college. Several large, bound albums are present, and these contain news articles dating back to 1922 and the college's arrival in Lakeland."],"userestrict_html_tesm":["\u003cp\u003eThe Public Relations records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Public Relations records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"names_ssim":["The Florida Southern College Archives","Florida Southern College"],"corpname_ssim":["The Florida Southern College Archives","Florida Southern College"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"028f3ba81a755744d614ce0a","timestamp":"2026-07-10T02:17:33.904Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/028f3ba81a755744d614ce0a_aspace_00fd0472a175f07a0a74d8ce22cce8e0"}},{"id":"92a2ac3c8501a02880a110a6","type":"collection","attributes":{"title":"Photographs from Paul Perone, 1989–2002 (bulk 1999–2002)","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/92a2ac3c8501a02880a110a6#creator","type":"document_value","attributes":{"value":["Perone, Paul"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/92a2ac3c8501a02880a110a6#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection includes an extensive set of photographs and images curated by Paul Perone, documenting faculty and staff portraits, student life, institutional events, and community engagements. The images depict academic programs, ceremonies, performances, conferences, and outreach campaigns from Broward College's campuses between 1989 and 2002. Several boxes contain themed images—such as Bailey Hall performances, Downtown Campus development, and events like Chili Cookoffs, Student Life awards, and film festivals. Earlier and undated photos also include staff portraits and marketing sessions. Some missing boxes noted in the original inventory (Boxes 1, 4, 5, 8, and 12) were never transferred to the archives.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/92a2ac3c8501a02880a110a6#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"92a2ac3c8501a02880a110a6","title_ssm":["Photographs from Paul Perone"],"title_tesim":["Photographs from Paul Perone"],"ead_ssi":"92a2ac3c8501a02880a110a6","unitdate_ssm":["1989–2002 (bulk 1999–2002)"],"unitdate_inclusive_ssm":["1989–2002 (bulk 1999–2002)"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG 801","/repositories/2/resources/20"],"text":["RG 801","/repositories/2/resources/20","Photographs from Paul Perone, 1989–2002 (bulk 1999–2002)","Broward College--Photographs","College Students--Florida--Photographs","Universities and colleges--Employees--Photographs","Activity programs in education--Florida--Photographs","Open for research. Certain materials may have restrictions due to fragility or privacy.","Arranged by photograph category and chronological series. Series include \"People,\" \"Models,\" and \"Events.\" Within each series, files are organized in approximate chronological order by event or subject with accompanying identification text.","Paul Perone served as Coordinator of Enrollment Management Marketing \u0026 Communication at Broward College from 1997 to 2015, after a decade of professional experience in communications and publicity for the Caldwell Theatre Company. A Broward College alumnus, he contributed to the College's outreach by documenting student events, faculty milestones, and community programs through photography, visual design, and marketing materials. His photographic work captures more than two decades of student and institutional life, providing a lasting visual record of the college's faculty, facilities, celebrations, partnerships, and public image. The donated photographs preserved in the Archives reflect his enduring dedication to representing academic achievement, diversity, and Broward College's cultural identity.","This collection includes an extensive set of photographs and images curated by Paul Perone, documenting faculty and staff portraits, student life, institutional events, and community engagements. The images depict academic programs, ceremonies, performances, conferences, and outreach campaigns from Broward College's campuses between 1989 and 2002. Several boxes contain themed images—such as Bailey Hall performances, Downtown Campus development, and events like Chili Cookoffs, Student Life awards, and film festivals. Earlier and undated photos also include staff portraits and marketing sessions. Some missing boxes noted in the original inventory (Boxes 1, 4, 5, 8, and 12) were never transferred to the archives.","Responsibility for securing copyright permission rests with the researcher. Reproduction is subject to material condition and institutional policy.","Broward College Archives and Special Collections ","Perone, Paul","English"],"unitid_tesim":["RG 801","/repositories/2/resources/20"],"normalized_date_ssm":["1989–2002 (bulk 1999–2002)"],"normalized_title_ssm":["Photographs from Paul Perone, 1989–2002 (bulk 1999–2002)"],"collection_title_tesim":["Photographs from Paul Perone, 1989–2002 (bulk 1999–2002)"],"collection_ssim":["Photographs from Paul Perone, 1989–2002 (bulk 1999–2002)"],"repository_ssm":["Broward College Archives and Special Collections"],"repository_ssim":["Broward College Archives and Special Collections"],"creator_ssm":["Perone, Paul"],"creator_ssim":["Perone, Paul"],"creator_persname_ssim":["Perone, Paul"],"creators_ssim":["Perone, Paul"],"access_terms_ssm":["Responsibility for securing copyright permission rests with the researcher. Reproduction is subject to material condition and institutional policy."],"access_subjects_ssim":["Broward College--Photographs","College Students--Florida--Photographs","Universities and colleges--Employees--Photographs","Activity programs in education--Florida--Photographs"],"access_subjects_ssm":["Broward College--Photographs","College Students--Florida--Photographs","Universities and colleges--Employees--Photographs","Activity programs in education--Florida--Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet 10 boxes: approximately 165 files: photographs, negatives, and event documentation. BOXES 1-4-5-8-12 are missing from collection. They \r\nwere never transferred."],"extent_tesim":["1 Linear Feet 10 boxes: approximately 165 files: photographs, negatives, and event documentation. BOXES 1-4-5-8-12 are missing from collection. They \r\nwere never transferred."],"date_range_isim":[1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"accessrestrict_html_tesm":["\u003cp\u003eOpen for research. Certain materials may have restrictions due to fragility or privacy.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open for research. Certain materials may have restrictions due to fragility or privacy."],"arrangement_html_tesm":["\u003cp\u003eArranged by photograph category and chronological series. Series include \"People,\" \"Models,\" and \"Events.\" Within each series, files are organized in approximate chronological order by event or subject with accompanying identification text.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by photograph category and chronological series. Series include \"People,\" \"Models,\" and \"Events.\" Within each series, files are organized in approximate chronological order by event or subject with accompanying identification text."],"bioghist_html_tesm":["\u003cp\u003ePaul Perone served as Coordinator of Enrollment Management Marketing \u0026amp; Communication at Broward College from 1997 to 2015, after a decade of professional experience in communications and publicity for the Caldwell Theatre Company. A Broward College alumnus, he contributed to the College's outreach by documenting student events, faculty milestones, and community programs through photography, visual design, and marketing materials. His photographic work captures more than two decades of student and institutional life, providing a lasting visual record of the college's faculty, facilities, celebrations, partnerships, and public image. The donated photographs preserved in the Archives reflect his enduring dedication to representing academic achievement, diversity, and Broward College's cultural identity.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Paul Perone served as Coordinator of Enrollment Management Marketing \u0026 Communication at Broward College from 1997 to 2015, after a decade of professional experience in communications and publicity for the Caldwell Theatre Company. A Broward College alumnus, he contributed to the College's outreach by documenting student events, faculty milestones, and community programs through photography, visual design, and marketing materials. His photographic work captures more than two decades of student and institutional life, providing a lasting visual record of the college's faculty, facilities, celebrations, partnerships, and public image. The donated photographs preserved in the Archives reflect his enduring dedication to representing academic achievement, diversity, and Broward College's cultural identity."],"prefercite_html_tesm":["\u003cp\u003eRecord Group 801, Photographs from Paul Perone (People, Models, and Events), Broward College Archives.\u003c/p\u003e"],"prefercite_tesim":["Record Group 801, Photographs from Paul Perone (People, Models, and Events), Broward College Archives."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes an extensive set of photographs and images curated by Paul Perone, documenting faculty and staff portraits, student life, institutional events, and community engagements. The images depict academic programs, ceremonies, performances, conferences, and outreach campaigns from Broward College's campuses between 1989 and 2002. Several boxes contain themed images\u0026#x2014;such as Bailey Hall performances, Downtown Campus development, and events like Chili Cookoffs, Student Life awards, and film festivals. Earlier and undated photos also include staff portraits and marketing sessions. Some missing boxes noted in the original inventory (Boxes 1, 4, 5, 8, and 12) were never transferred to the archives.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes an extensive set of photographs and images curated by Paul Perone, documenting faculty and staff portraits, student life, institutional events, and community engagements. The images depict academic programs, ceremonies, performances, conferences, and outreach campaigns from Broward College's campuses between 1989 and 2002. Several boxes contain themed images—such as Bailey Hall performances, Downtown Campus development, and events like Chili Cookoffs, Student Life awards, and film festivals. Earlier and undated photos also include staff portraits and marketing sessions. Some missing boxes noted in the original inventory (Boxes 1, 4, 5, 8, and 12) were never transferred to the archives."],"userestrict_html_tesm":["\u003cp\u003eResponsibility for securing copyright permission rests with the researcher. Reproduction is subject to material condition and institutional policy.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Responsibility for securing copyright permission rests with the researcher. Reproduction is subject to material condition and institutional policy."],"names_ssim":["Broward College Archives and Special Collections ","Perone, Paul"],"corpname_ssim":["Broward College Archives and Special Collections "],"persname_ssim":["Perone, Paul"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":107,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"92a2ac3c8501a02880a110a6","timestamp":"2026-07-09T01:28:05.219Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"92a2ac3c8501a02880a110a6","title_ssm":["Photographs from Paul Perone"],"title_tesim":["Photographs from Paul Perone"],"ead_ssi":"92a2ac3c8501a02880a110a6","unitdate_ssm":["1989–2002 (bulk 1999–2002)"],"unitdate_inclusive_ssm":["1989–2002 (bulk 1999–2002)"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG 801","/repositories/2/resources/20"],"text":["RG 801","/repositories/2/resources/20","Photographs from Paul Perone, 1989–2002 (bulk 1999–2002)","Broward College--Photographs","College Students--Florida--Photographs","Universities and colleges--Employees--Photographs","Activity programs in education--Florida--Photographs","Open for research. Certain materials may have restrictions due to fragility or privacy.","Arranged by photograph category and chronological series. Series include \"People,\" \"Models,\" and \"Events.\" Within each series, files are organized in approximate chronological order by event or subject with accompanying identification text.","Paul Perone served as Coordinator of Enrollment Management Marketing \u0026 Communication at Broward College from 1997 to 2015, after a decade of professional experience in communications and publicity for the Caldwell Theatre Company. A Broward College alumnus, he contributed to the College's outreach by documenting student events, faculty milestones, and community programs through photography, visual design, and marketing materials. His photographic work captures more than two decades of student and institutional life, providing a lasting visual record of the college's faculty, facilities, celebrations, partnerships, and public image. The donated photographs preserved in the Archives reflect his enduring dedication to representing academic achievement, diversity, and Broward College's cultural identity.","This collection includes an extensive set of photographs and images curated by Paul Perone, documenting faculty and staff portraits, student life, institutional events, and community engagements. The images depict academic programs, ceremonies, performances, conferences, and outreach campaigns from Broward College's campuses between 1989 and 2002. Several boxes contain themed images—such as Bailey Hall performances, Downtown Campus development, and events like Chili Cookoffs, Student Life awards, and film festivals. Earlier and undated photos also include staff portraits and marketing sessions. Some missing boxes noted in the original inventory (Boxes 1, 4, 5, 8, and 12) were never transferred to the archives.","Responsibility for securing copyright permission rests with the researcher. Reproduction is subject to material condition and institutional policy.","Broward College Archives and Special Collections ","Perone, Paul","English"],"unitid_tesim":["RG 801","/repositories/2/resources/20"],"normalized_date_ssm":["1989–2002 (bulk 1999–2002)"],"normalized_title_ssm":["Photographs from Paul Perone, 1989–2002 (bulk 1999–2002)"],"collection_title_tesim":["Photographs from Paul Perone, 1989–2002 (bulk 1999–2002)"],"collection_ssim":["Photographs from Paul Perone, 1989–2002 (bulk 1999–2002)"],"repository_ssm":["Broward College Archives and Special Collections"],"repository_ssim":["Broward College Archives and Special Collections"],"creator_ssm":["Perone, Paul"],"creator_ssim":["Perone, Paul"],"creator_persname_ssim":["Perone, Paul"],"creators_ssim":["Perone, Paul"],"access_terms_ssm":["Responsibility for securing copyright permission rests with the researcher. Reproduction is subject to material condition and institutional policy."],"access_subjects_ssim":["Broward College--Photographs","College Students--Florida--Photographs","Universities and colleges--Employees--Photographs","Activity programs in education--Florida--Photographs"],"access_subjects_ssm":["Broward College--Photographs","College Students--Florida--Photographs","Universities and colleges--Employees--Photographs","Activity programs in education--Florida--Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet 10 boxes: approximately 165 files: photographs, negatives, and event documentation. BOXES 1-4-5-8-12 are missing from collection. They \r\nwere never transferred."],"extent_tesim":["1 Linear Feet 10 boxes: approximately 165 files: photographs, negatives, and event documentation. BOXES 1-4-5-8-12 are missing from collection. They \r\nwere never transferred."],"date_range_isim":[1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"accessrestrict_html_tesm":["\u003cp\u003eOpen for research. Certain materials may have restrictions due to fragility or privacy.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open for research. Certain materials may have restrictions due to fragility or privacy."],"arrangement_html_tesm":["\u003cp\u003eArranged by photograph category and chronological series. Series include \"People,\" \"Models,\" and \"Events.\" Within each series, files are organized in approximate chronological order by event or subject with accompanying identification text.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by photograph category and chronological series. Series include \"People,\" \"Models,\" and \"Events.\" Within each series, files are organized in approximate chronological order by event or subject with accompanying identification text."],"bioghist_html_tesm":["\u003cp\u003ePaul Perone served as Coordinator of Enrollment Management Marketing \u0026amp; Communication at Broward College from 1997 to 2015, after a decade of professional experience in communications and publicity for the Caldwell Theatre Company. A Broward College alumnus, he contributed to the College's outreach by documenting student events, faculty milestones, and community programs through photography, visual design, and marketing materials. His photographic work captures more than two decades of student and institutional life, providing a lasting visual record of the college's faculty, facilities, celebrations, partnerships, and public image. The donated photographs preserved in the Archives reflect his enduring dedication to representing academic achievement, diversity, and Broward College's cultural identity.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Paul Perone served as Coordinator of Enrollment Management Marketing \u0026 Communication at Broward College from 1997 to 2015, after a decade of professional experience in communications and publicity for the Caldwell Theatre Company. A Broward College alumnus, he contributed to the College's outreach by documenting student events, faculty milestones, and community programs through photography, visual design, and marketing materials. His photographic work captures more than two decades of student and institutional life, providing a lasting visual record of the college's faculty, facilities, celebrations, partnerships, and public image. The donated photographs preserved in the Archives reflect his enduring dedication to representing academic achievement, diversity, and Broward College's cultural identity."],"prefercite_html_tesm":["\u003cp\u003eRecord Group 801, Photographs from Paul Perone (People, Models, and Events), Broward College Archives.\u003c/p\u003e"],"prefercite_tesim":["Record Group 801, Photographs from Paul Perone (People, Models, and Events), Broward College Archives."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes an extensive set of photographs and images curated by Paul Perone, documenting faculty and staff portraits, student life, institutional events, and community engagements. The images depict academic programs, ceremonies, performances, conferences, and outreach campaigns from Broward College's campuses between 1989 and 2002. Several boxes contain themed images\u0026#x2014;such as Bailey Hall performances, Downtown Campus development, and events like Chili Cookoffs, Student Life awards, and film festivals. Earlier and undated photos also include staff portraits and marketing sessions. Some missing boxes noted in the original inventory (Boxes 1, 4, 5, 8, and 12) were never transferred to the archives.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes an extensive set of photographs and images curated by Paul Perone, documenting faculty and staff portraits, student life, institutional events, and community engagements. The images depict academic programs, ceremonies, performances, conferences, and outreach campaigns from Broward College's campuses between 1989 and 2002. Several boxes contain themed images—such as Bailey Hall performances, Downtown Campus development, and events like Chili Cookoffs, Student Life awards, and film festivals. Earlier and undated photos also include staff portraits and marketing sessions. Some missing boxes noted in the original inventory (Boxes 1, 4, 5, 8, and 12) were never transferred to the archives."],"userestrict_html_tesm":["\u003cp\u003eResponsibility for securing copyright permission rests with the researcher. Reproduction is subject to material condition and institutional policy.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Responsibility for securing copyright permission rests with the researcher. Reproduction is subject to material condition and institutional policy."],"names_ssim":["Broward College Archives and Special Collections ","Perone, Paul"],"corpname_ssim":["Broward College Archives and Special Collections "],"persname_ssim":["Perone, Paul"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":107,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"92a2ac3c8501a02880a110a6","timestamp":"2026-07-09T01:28:05.219Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/92a2ac3c8501a02880a110a6"}},{"id":"f19d3cab491fea57c15e117d_aspace_154886","type":"Box","attributes":{"title":"Photographs I, 1928-1995","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f19d3cab491fea57c15e117d_aspace_154886#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_154886","ref_ssm":["aspace_154886","aspace_154886"],"id":"f19d3cab491fea57c15e117d_aspace_154886","title_filing_ssi":"Photographs I","title_ssm":["Photographs I"],"title_tesim":["Photographs I"],"unitdate_inclusive_ssm":["1928-1995"],"normalized_date_ssm":["1928-1995"],"normalized_title_ssm":["Photographs I, 1928-1995"],"text":["Photographs I, 1928-1995","USF University Archives - USF Sarasota-Manatee, 1972-2016","Box 13","/repositories/2/archival_objects/105517","box 13"],"component_level_isim":[1],"parent_ids_ssim":["f19d3cab491fea57c15e117d"],"parent_unittitles_ssm":["USF University Archives - USF Sarasota-Manatee, 1972-2016"],"parent_unittitles_tesim":["USF University Archives - USF Sarasota-Manatee, 1972-2016"],"parent_levels_ssm":["collection"],"unitid_ssm":["Box 13","/repositories/2/archival_objects/105517"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["USF University Archives - USF Sarasota-Manatee, 1972-2016"],"has_online_content_ssim":["false"],"child_component_count_isi":15,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":130,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"containers_ssim":["box 13"],"_nest_path_":"/components#12","_nest_parent_":"f19d3cab491fea57c15e117d","_root_":"f19d3cab491fea57c15e117d","timestamp":"2026-07-11T03:29:19.149Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f19d3cab491fea57c15e117d","title_ssm":["USF University Archives - USF Sarasota-Manatee"],"title_tesim":["USF University Archives - USF Sarasota-Manatee"],"ead_ssi":"f19d3cab491fea57c15e117d","unitdate_ssm":["1972-2016"],"unitdate_inclusive_ssm":["1972-2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2017-05","/repositories/2/resources/16"],"text":["MS-2017-05","/repositories/2/resources/16","USF University Archives - USF Sarasota-Manatee, 1972-2016","The collection was transferred for storage at the USF Libraries - Tampa campus in 2017.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection includes papers and photographs from the University of South Florida Sarasota-Manatee campus. Items range from 1974 to 2016.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-2017-05","/repositories/2/resources/16"],"normalized_date_ssm":["1972-2016"],"normalized_title_ssm":["USF University Archives - USF Sarasota-Manatee, 1972-2016"],"collection_title_tesim":["USF University Archives - USF Sarasota-Manatee, 1972-2016"],"collection_ssim":["USF University Archives - USF Sarasota-Manatee, 1972-2016"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"has_online_content_ssim":["false"],"extent_ssm":["4.34 Linear Feet","12 boxes"],"extent_tesim":["4.34 Linear Feet","12 boxes"],"date_range_isim":[1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"custodhist_html_tesm":["\u003cp\u003eThe collection was transferred for storage at the USF Libraries - Tampa campus in 2017.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was transferred for storage at the USF Libraries - Tampa campus in 2017."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_c501de8b1a31b9deb10addd5817bb5b7\"\u003eThis collection includes papers and photographs from the University of South Florida Sarasota-Manatee campus. Items range from 1974 to 2016.\u003c/abstract\u003e"],"abstract_tesim":["This collection includes papers and photographs from the University of South Florida Sarasota-Manatee campus. Items range from 1974 to 2016."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"total_component_count_is":210,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f19d3cab491fea57c15e117d","timestamp":"2026-07-11T03:29:19.149Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f19d3cab491fea57c15e117d_aspace_154886"}},{"id":"f19d3cab491fea57c15e117d_aspace_154713","type":"Box","attributes":{"title":"Photographs II, 1990-2003","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f19d3cab491fea57c15e117d_aspace_154713#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_154713","ref_ssm":["aspace_154713","aspace_154713"],"id":"f19d3cab491fea57c15e117d_aspace_154713","title_filing_ssi":"Photographs II","title_ssm":["Photographs II"],"title_tesim":["Photographs II"],"unitdate_inclusive_ssm":["1990-2003"],"normalized_date_ssm":["1990-2003"],"normalized_title_ssm":["Photographs II, 1990-2003"],"text":["Photographs II, 1990-2003","USF University Archives - USF Sarasota-Manatee, 1972-2016","Box 14","/repositories/2/archival_objects/105665","box 14"],"component_level_isim":[1],"parent_ids_ssim":["f19d3cab491fea57c15e117d"],"parent_unittitles_ssm":["USF University Archives - USF Sarasota-Manatee, 1972-2016"],"parent_unittitles_tesim":["USF University Archives - USF Sarasota-Manatee, 1972-2016"],"parent_levels_ssm":["collection"],"unitid_ssm":["Box 14","/repositories/2/archival_objects/105665"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["USF University Archives - USF Sarasota-Manatee, 1972-2016"],"has_online_content_ssim":["false"],"child_component_count_isi":13,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":146,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"containers_ssim":["box 14"],"_nest_path_":"/components#13","_nest_parent_":"f19d3cab491fea57c15e117d","_root_":"f19d3cab491fea57c15e117d","timestamp":"2026-07-11T03:29:19.149Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f19d3cab491fea57c15e117d","title_ssm":["USF University Archives - USF Sarasota-Manatee"],"title_tesim":["USF University Archives - USF Sarasota-Manatee"],"ead_ssi":"f19d3cab491fea57c15e117d","unitdate_ssm":["1972-2016"],"unitdate_inclusive_ssm":["1972-2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2017-05","/repositories/2/resources/16"],"text":["MS-2017-05","/repositories/2/resources/16","USF University Archives - USF Sarasota-Manatee, 1972-2016","The collection was transferred for storage at the USF Libraries - Tampa campus in 2017.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection includes papers and photographs from the University of South Florida Sarasota-Manatee campus. Items range from 1974 to 2016.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-2017-05","/repositories/2/resources/16"],"normalized_date_ssm":["1972-2016"],"normalized_title_ssm":["USF University Archives - USF Sarasota-Manatee, 1972-2016"],"collection_title_tesim":["USF University Archives - USF Sarasota-Manatee, 1972-2016"],"collection_ssim":["USF University Archives - USF Sarasota-Manatee, 1972-2016"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"has_online_content_ssim":["false"],"extent_ssm":["4.34 Linear Feet","12 boxes"],"extent_tesim":["4.34 Linear Feet","12 boxes"],"date_range_isim":[1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"custodhist_html_tesm":["\u003cp\u003eThe collection was transferred for storage at the USF Libraries - Tampa campus in 2017.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was transferred for storage at the USF Libraries - Tampa campus in 2017."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_c501de8b1a31b9deb10addd5817bb5b7\"\u003eThis collection includes papers and photographs from the University of South Florida Sarasota-Manatee campus. Items range from 1974 to 2016.\u003c/abstract\u003e"],"abstract_tesim":["This collection includes papers and photographs from the University of South Florida Sarasota-Manatee campus. Items range from 1974 to 2016."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"total_component_count_is":210,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f19d3cab491fea57c15e117d","timestamp":"2026-07-11T03:29:19.149Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f19d3cab491fea57c15e117d_aspace_154713"}},{"id":"b3e4025e67698b63bebebf69_aspace_cc858a1e401cdaa8b6374b8484506738","type":"Series","attributes":{"title":"Photographs Oversize, 1979-1997","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b3e4025e67698b63bebebf69_aspace_cc858a1e401cdaa8b6374b8484506738#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_cc858a1e401cdaa8b6374b8484506738","ref_ssm":["aspace_cc858a1e401cdaa8b6374b8484506738","aspace_cc858a1e401cdaa8b6374b8484506738"],"id":"b3e4025e67698b63bebebf69_aspace_cc858a1e401cdaa8b6374b8484506738","title_filing_ssi":"Photographs Oversize","title_ssm":["Photographs Oversize"],"title_tesim":["Photographs Oversize"],"unitdate_inclusive_ssm":["1979-1997"],"normalized_date_ssm":["1979-1997"],"normalized_title_ssm":["Photographs Oversize, 1979-1997"],"text":["Photographs Oversize, 1979-1997","Dr. Edna Louise Saffy Papers, 1962-2013","/repositories/3/archival_objects/7612","This series contains oversize and mounted photographs."],"component_level_isim":[1],"parent_ids_ssim":["b3e4025e67698b63bebebf69"],"parent_unittitles_ssm":["Dr. Edna Louise Saffy Papers, 1962-2013"],"parent_unittitles_tesim":["Dr. Edna Louise Saffy Papers, 1962-2013"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/3/archival_objects/7612"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Dr. Edna Louise Saffy Papers, 1962-2013"],"physdesc_tesim":["This series contains oversize and mounted photographs."],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":678,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact \nlib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"_nest_path_":"/components#30","_nest_parent_":"b3e4025e67698b63bebebf69","_root_":"b3e4025e67698b63bebebf69","_version_":1870860599051681792,"timestamp":"2026-07-16T08:48:22.881Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b3e4025e67698b63bebebf69","title_ssm":["Dr. Edna Louise Saffy Papers"],"title_tesim":["Dr. Edna Louise Saffy Papers"],"ead_ssi":"b3e4025e67698b63bebebf69","unitdate_ssm":["1962-2013"],"unitdate_inclusive_ssm":["1962-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2013.003","/repositories/3/resources/66"],"text":["2013.003","/repositories/3/resources/66","Dr. Edna Louise Saffy Papers, 1962-2013","Florida -- Politics and Government -- 20th century","Clinton, Bill, 1946 -- Presidential campaigns -- Florida","College teachers -- Florida -- Jacksonville (Fla.)","Democratic Party (Fla.)","Human rights workers -- Florida -- Jacksonville (Fla.)","Political activists -- Florida -- Jacksonville (Fla.)","Women's rights -- Florida","The collection is open for research by appointment only. Please contact \nlib-special@unf.edu to schedule an appointment.","\tDr. Edna Louise Saffy, human rights advocate and Jacksonville native was born on March 9, 1935. She attended college at the University of Florida where she received several degrees, including the Master's and Doctorate of Philosophy degrees. She was a professor of Rhetoric and Public Address at University of Florida and Florida State College at Jacksonville, where she was elected Professor Emeritus following her retirement in December 2007. ","\nDr. Saffy was a founder of the National Organization for Women chapters in Jacksonville and Gainesville, as well as founder of the Jacksonville Women's Network. She was named \"A Woman of Courage and Vision\" by the Mayor's Commission on the Status of Women and the recipient of a Lifetime EVE Award by the Florida Times Union.\n    \n    As a humanitarian and activist, she served on numerous local, state, and national committees, including the John F. Kennedy Center Committee for the Performing Arts during the Clinton Administration, the Advisory Committee on LaVilla Cultural Heritage District, American Arab Institute, Duval County Democratic Executive Committee, and the Jacksonville Human Rights Commission. \n    \n    Dr. Saffy was also politically active. She led a 1975 march in Tallahassee in support of the Equal Rights Amendment. She served as a Florida delegate to the International Women's Conference and as a Florida State delegate in six Democratic National Conventions. She was also the president of the Florida Women's Political Caucus. Dr. Saffy died June 20, 2010.","This collection contains awards, correspondence, memorabilia, printed materials, photographs, personal papers, and writings. Many printed materials and photographs relate to politics and political activism. There are numerous photographs and newspaper clippings, as well as Dr. Saffy's dissertation. The collection contains many memorabilia items, particularly from various political events, and there are two large portraits of Dr. Edna Louise Saffy.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. 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