{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1995\u0026page=176\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1995\u0026page=175\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1995\u0026page=177\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1995\u0026page=589\u0026view=compact"},"meta":{"pages":{"current_page":176,"next_page":177,"prev_page":175,"total_pages":589,"limit_value":10,"offset_value":1750,"total_count":5889,"first_page?":false,"last_page?":false}},"data":[{"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_c15a8298893bfa4ea22b38db8991b5ae","type":"Subseries","attributes":{"title":"Exhibition Catalogs, circa 1982-2005, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_c15a8298893bfa4ea22b38db8991b5ae#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_c15a8298893bfa4ea22b38db8991b5ae","ref_ssm":["aspace_c15a8298893bfa4ea22b38db8991b5ae","aspace_c15a8298893bfa4ea22b38db8991b5ae"],"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_c15a8298893bfa4ea22b38db8991b5ae","title_filing_ssi":"Exhibition Catalogs","title_ssm":["Exhibition Catalogs"],"title_tesim":["Exhibition Catalogs"],"unitdate_inclusive_ssm":["circa 1982-2005, Undated"],"normalized_date_ssm":["circa 1982-2005, Undated"],"normalized_title_ssm":["Exhibition Catalogs, circa 1982-2005, Undated"],"text":["Exhibition Catalogs, circa 1982-2005, Undated","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Personal Files, 1895-2005, Undated.","Sub-Series 5","/repositories/4/archival_objects/56622"],"component_level_isim":[2],"parent_ids_ssim":["2a6a6aa34a3c99c1b1b95ea9","2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesII"],"parent_unittitles_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Personal Files, 1895-2005, Undated."],"parent_unittitles_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Personal Files, 1895-2005, Undated."],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 5","/repositories/4/archival_objects/56622"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":16,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":185,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"_nest_path_":"/components#1/components#4","_nest_parent_":"2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesII","_root_":"2a6a6aa34a3c99c1b1b95ea9","_version_":1872035374829666304,"timestamp":"2026-07-29T08:00:56.373Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2a6a6aa34a3c99c1b1b95ea9","title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"ead_ssi":"2a6a6aa34a3c99c1b1b95ea9","unitdate_ssm":["1829-2006"],"unitdate_inclusive_ssm":["1829-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.113","/repositories/4/resources/225"],"text":["SC.113","/repositories/4/resources/225","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations","The entire collection is open for research.","This collection is itemized and arranged in alphabetical and chronological order.","Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.","Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.","A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog .","This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.","UCF Special Collections","Martin, Francis John, Jr.","The materials are written in English."],"unitid_tesim":["SC.113","/repositories/4/resources/225"],"normalized_date_ssm":["1829-2006"],"normalized_title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Martin, Francis John, Jr."],"creator_ssim":["Martin, Francis John, Jr."],"creator_persname_ssim":["Martin, Francis John, Jr."],"creators_ssim":["Martin, Francis John, Jr."],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Francis Martin Jr. donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2018 (CFM2018_15) and 2020 (CFM2020_02, CFM2020_03, CFM2020_16)."],"access_subjects_ssim":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"access_subjects_ssm":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"has_online_content_ssim":["false"],"extent_ssm":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"extent_tesim":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"genreform_ssim":["manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"date_range_isim":[1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is itemized and arranged in alphabetical and chronological order."],"bioghist_html_tesm":["\u003cp\u003eFrancis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners."],"prefercite_html_tesm":["\u003cp\u003eFred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMarlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eA small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online \u003cextref href=\"https://library.ucf.edu\"\u003eLibrary Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e\n","\u003cp\u003eSeries I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.\u003c/p\u003e\n","\u003cp\u003eSeries II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026amp; posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.\u003c/p\u003e\n","\u003cp\u003eSeries III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.\u003c/p\u003e\n","\u003cp\u003eSeries IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4a581e455cb123495b610919f342aacb\"\u003eThe Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.\u003c/abstract\u003e"],"abstract_tesim":["The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection."],"names_ssim":["UCF Special Collections","Martin, Francis John, Jr."],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Martin, Francis John, Jr."],"language_ssim":["The materials are written in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":459,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872035374829666304,"_root_":"2a6a6aa34a3c99c1b1b95ea9","timestamp":"2026-07-29T08:00:56.373Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_c15a8298893bfa4ea22b38db8991b5ae"}},{"id":"edc1f8792c912192f7c15d4d_aspace_b6548e668dd7fd32e3a0c42dfd87b444","type":"File","attributes":{"title":"Exhibition invitations, 1977-1998","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/edc1f8792c912192f7c15d4d_aspace_b6548e668dd7fd32e3a0c42dfd87b444#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_b6548e668dd7fd32e3a0c42dfd87b444","ref_ssm":["aspace_b6548e668dd7fd32e3a0c42dfd87b444","aspace_b6548e668dd7fd32e3a0c42dfd87b444"],"id":"edc1f8792c912192f7c15d4d_aspace_b6548e668dd7fd32e3a0c42dfd87b444","title_filing_ssi":"Exhibition invitations","title_ssm":["Exhibition invitations"],"title_tesim":["Exhibition invitations"],"unitdate_inclusive_ssm":["1977-1998"],"normalized_date_ssm":["1977-1998"],"normalized_title_ssm":["Exhibition invitations, 1977-1998"],"text":["Exhibition invitations, 1977-1998","Vivian D. and John H. Hewitt Collection, 1942-2020","Printed Materials","General","/repositories/2/archival_objects/1973","box 2","folder 34"],"component_level_isim":[3],"parent_ids_ssim":["edc1f8792c912192f7c15d4d","edc1f8792c912192f7c15d4d_aspace_7b0aefc7c01ebcb98486e690335da08d","edc1f8792c912192f7c15d4d_aspace_f8f1524cf23f70c8ade4a246c203ea83"],"parent_unittitles_ssm":["Vivian D. and John H. Hewitt Collection, 1942-2020","Printed Materials","General"],"parent_unittitles_tesim":["Vivian D. and John H. Hewitt Collection, 1942-2020","Printed Materials","General"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/1973"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Vivian D. and John H. Hewitt Collection, 1942-2020"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":88,"parent_access_restrict_tesm":["The Vivian D. and John H. Hewitt Collection is open for research."],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"containers_ssim":["box 2","folder 34"],"_nest_path_":"/components#2/components#2/components#9","_nest_parent_":"edc1f8792c912192f7c15d4d_aspace_f8f1524cf23f70c8ade4a246c203ea83","_root_":"edc1f8792c912192f7c15d4d","_version_":1876455832185470976,"timestamp":"2026-09-16T03:02:13.023Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"edc1f8792c912192f7c15d4d","title_filing_ssi":"Hewitt, Vivian D. and John H. Collection","title_ssm":["Vivian D. and John H. Hewitt Collection"],"title_tesim":["Vivian D. and John H. Hewitt Collection"],"ead_ssi":"edc1f8792c912192f7c15d4d","unitdate_ssm":["1942-2020"],"unitdate_inclusive_ssm":["1942-2020"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2004.7","/repositories/2/resources/48"],"text":["AARLCC.2004.7","/repositories/2/resources/48","Vivian D. and John H. Hewitt Collection, 1942-2020","African American art -- Collectors and collecting","Art, Haitian","African American librarians","African American librarians","Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art","The Vivian D. and John H. Hewitt Collection is open for research.","View a selection of digitized materials from the Vivian D. and John H. Hewitt Collection in the Broward County Library Digital Archives.","John Hamilton Hewitt Jr. and Vivian Davidson Hewitt married in December 1949 and collected art from the African Diaspora. Their art collection of over 500 pieces primarily contained African American and Haitian art. Portions of the collection that they amassed now reside at several major museums throughout the United States.","John Hamilton Hewitt Jr. was born in 1924 in New York City, New York. He attended Harvard College and New York University where he obtained his Master's degree in 1949. Hewitt was an instructor for the Department of English and co-chairman for the Division of Humanities at Morehouse College in Atlanta. Hewitt also held the post of reporter for the New York Amsterdam News; later on he became a medical writer for the Medical Tribune, and served as an editor for both Hospital Practice and Emergency Medicine. Hewitt wrote various articles in publications such as the New York History, the Massachusetts Review, Afro-Americans in New York Life and History, and the International Review of African American Art. He was a member of the American Medical Writers Association. John Hewitt passed away on February 25, 2000.","Vivian Ann Davidson was born on February 17, 1920 in New Castle, Pennsylvania. She earned a Bachelor's degree in Education from Geneva College in 1943 and a M.S. degree in library science from Carnegie-Mellon University in Pittsburg, Pennsylvania in 1944. Vivian Hewitt worked as a librarian in Pittsburg and Atlanta, Georgia. She was the first black woman to serve as a librarian in the city of Pittsburgh. From 1963 to 1983, she was the chief librarian at the Carnegie Endowment for International Peace. Vivian was the first African American president of the Special Libraries Association (1978-1979). She was awarded the Distinguished Alumni Citation from the University of Pittsburgh-Carnegie Library School Alumni Association, Merit Award from Carnegie Mellon University, and the L.H.D. from Geneva College. In addition to being recognized by her alma maters, she was recognized by the American Library Association, and in 1984 she was inducted into the organization's Hall of Fame. In 2016, Queen Elizabeth II of Great Britain bestowed the title of Dame upon Hewitt for her work in the service of humanity. In 2017, Hewitt received an Honorary Doctor of Humane Letters degree at Carnegie Mellon University's 120th Commencement. She passed away on May 29, 2022.","John and Vivian Hewitt had one son, John Hewitt III (1952-2022).","The Hewitts moved to New York in 1951. In the 1960s, the Hewitts collected primarily Haitian art. In the 1970s, the Hewitts began exhibiting their collection of art in their Sugar Hill, Harlem home and became enmeshed in New York's art community. J. Eugene Grigsby, Vivian Hewitt's cousin and internationally acclaimed artist, introduced the couple to many artists. At that time the couple began collecting art by African American artists as well.","In 1998, the Hewitts sold 58 of their major works to the Bank of America which resulted in a travelling exhibition of the pieces at 25 museums. In 2009, the Bank of America donated the collection to the Harvey B. Gantt Center for African-American Arts and Culture.","In 1998, Vivian Hewitt attended two fundraisers for the construction of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. In 2002, artwork from her collection was exhibited at AARLCC in \"Celebration and Vision: The Hewitt Collection of African-American Art.\" Also in 2002, Vivian Hewitt donated 14 pieces of Haitian art from their collection to the Broward County Library in memory of her husband, John H. Hewitt, Jr. Along with the art she also donated personal papers as well as books and other supporting materials. In 2022, in celebration of the 20th anniversary of the opening of the African American Research Library and Cultural Center, the library held an exhibit titled \"Collectors' Duet: The Lifelong Librarianship of Vivian D. Hewitt and Dorothy Porter Wesley.\"","The Vivian D. and John H. Hewitt Collection received file level processing by Afua Ferdnance and Emily Calderon in 2021. Additional materials were processed at the item level by Erin Purdy in April 2025. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The John and Vivian Hewitt Collection of African-American Art, Harvey B. Gantt Center for African-American Arts and Culture.","The Vivian D. and John H. Hewitt Collection contains 14 pieces of art created by 10 prominent Haitian artists dating from circa 1960 to 1985. The artists whose works reside in the collection are Luckner Lazard (1928-1998), Favrange Valcin (1947-2010), Luce Turnier (1924-1994), Hervé Télémaque (1937-2022), Jacques-Enguerrand Gourgue (1930-1996), Carlo Jean-Jacques (1943-1990), L. Janvier, Charles Obas (1927-1969), Alexandre Grégoire (1922-2001), and E. Paul.","The collection also contains materials that document the couple's collecting activities over the course of more than 50 years as well as the history of the artworks in their collection. These materials include correspondence belonging to Vivian D. and John H. Hewitt, publications such as exhibition catalogs, magazines, articles and newsletters, 63 books, newspaper clippings, auction lists, exhibition ephemera, brochures, typed manuscripts, maps, and two telephone directories.","Materials from this collection were cataloged in the Broward County Library catalog with the prefix \"HEW\".","The Vivian D. and John H. Hewitt Collection contains Haitian art and materials focusing on Black art, particulaly those representing the history and culture of Haiti.","AARLCC Special Collections","Hewitt, Vivian D.","Jacques Gourgue","Alexandre Gregoire","Carlo Jean-Jacques, 1943-1990","L. Janvier","Lucner Lazard, 1928-1998","Charles Obas, 1927-","Hervé Télémaque, 1937-","Luce Turnier, 1924-1994","Favrange Valcin, 1947-","The collection is primarily in English but includes materials in French, Haitian Creole, and German."],"unitid_tesim":["AARLCC.2004.7","/repositories/2/resources/48"],"normalized_date_ssm":["1942-2020"],"normalized_title_ssm":["Vivian D. and John H. Hewitt Collection, 1942-2020"],"collection_title_tesim":["Vivian D. and John H. Hewitt Collection, 1942-2020"],"collection_ssim":["Vivian D. and John H. Hewitt Collection, 1942-2020"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"acqinfo_ssim":["Vivian Davidson Hewitt donated the materials to the Broward County Library in memory of her husband, John H. Hewitt, Jr. in 2002 (Accession AARLCC-2004.7)."],"access_subjects_ssim":["African American art -- Collectors and collecting","Art, Haitian","African American librarians","African American librarians","Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art"],"access_subjects_ssm":["African American art -- Collectors and collecting","Art, Haitian","African American librarians","African American librarians","Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art"],"has_online_content_ssim":["false"],"extent_ssm":["4 Hollinger Boxes","14 Artwork","63 Books"],"extent_tesim":["4 Hollinger Boxes","14 Artwork","63 Books"],"genreform_ssim":["Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Vivian D. and John H. Hewitt Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/jandvhewitt/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Vivian D. and John H. Hewitt Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Vivian D. and John H. Hewitt Collection in the Broward County Library Digital Archives."],"bioghist_html_tesm":["\u003cp\u003eJohn Hamilton Hewitt Jr. and Vivian Davidson Hewitt married in December 1949 and collected art from the African Diaspora. Their art collection of over 500 pieces primarily contained African American and Haitian art. Portions of the collection that they amassed now reside at several major museums throughout the United States.\u003c/p\u003e\n","\u003cp\u003eJohn Hamilton Hewitt Jr. was born in 1924 in New York City, New York. He attended Harvard College and New York University where he obtained his Master's degree in 1949. Hewitt was an instructor for the Department of English and co-chairman for the Division of Humanities at Morehouse College in Atlanta. Hewitt also held the post of reporter for the New York Amsterdam News; later on he became a medical writer for the Medical Tribune, and served as an editor for both Hospital Practice and Emergency Medicine. Hewitt wrote various articles in publications such as the New York History, the Massachusetts Review, Afro-Americans in New York Life and History, and the International Review of African American Art. He was a member of the American Medical Writers Association. John Hewitt passed away on February 25, 2000.\u003c/p\u003e\n","\u003cp\u003eVivian Ann Davidson was born on February 17, 1920 in New Castle, Pennsylvania. She earned a Bachelor's degree in Education from Geneva College in 1943 and a M.S. degree in library science from Carnegie-Mellon University in Pittsburg, Pennsylvania in 1944. Vivian Hewitt worked as a librarian in Pittsburg and Atlanta, Georgia. She was the first black woman to serve as a librarian in the city of Pittsburgh. From 1963 to 1983, she was the chief librarian at the Carnegie Endowment for International Peace. Vivian was the first African American president of the Special Libraries Association (1978-1979). She was awarded the Distinguished Alumni Citation from the University of Pittsburgh-Carnegie Library School Alumni Association, Merit Award from Carnegie Mellon University, and the L.H.D. from Geneva College. In addition to being recognized by her alma maters, she was recognized by the American Library Association, and in 1984 she was inducted into the organization's Hall of Fame. In 2016, Queen Elizabeth II of Great Britain bestowed the title of Dame upon Hewitt for her work in the service of humanity. In 2017, Hewitt received an Honorary Doctor of Humane Letters degree at Carnegie Mellon University's 120th Commencement. She passed away on May 29, 2022.\u003c/p\u003e\n","\u003cp\u003eJohn and Vivian Hewitt had one son, John Hewitt III (1952-2022).\u003c/p\u003e\n","\u003cp\u003eThe Hewitts moved to New York in 1951. In the 1960s, the Hewitts collected primarily Haitian art. In the 1970s, the Hewitts began exhibiting their collection of art in their Sugar Hill, Harlem home and became enmeshed in New York's art community. J. Eugene Grigsby, Vivian Hewitt's cousin and internationally acclaimed artist, introduced the couple to many artists. At that time the couple began collecting art by African American artists as well.\u003c/p\u003e\n","\u003cp\u003eIn 1998, the Hewitts sold 58 of their major works to the Bank of America which resulted in a travelling exhibition of the pieces at 25 museums. In 2009, the Bank of America donated the collection to the Harvey B. Gantt Center for African-American Arts and Culture.\u003c/p\u003e\n","\u003cp\u003eIn 1998, Vivian Hewitt attended two fundraisers for the construction of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. In 2002, artwork from her collection was exhibited at AARLCC in \"Celebration and Vision: The Hewitt Collection of African-American Art.\" Also in 2002, Vivian Hewitt donated 14 pieces of Haitian art from their collection to the Broward County Library in memory of her husband, John H. Hewitt, Jr. Along with the art she also donated personal papers as well as books and other supporting materials. In 2022, in celebration of the 20th anniversary of the opening of the African American Research Library and Cultural Center, the library held an exhibit titled \"Collectors' Duet: The Lifelong Librarianship of Vivian D. Hewitt and Dorothy Porter Wesley.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["John Hamilton Hewitt Jr. and Vivian Davidson Hewitt married in December 1949 and collected art from the African Diaspora. Their art collection of over 500 pieces primarily contained African American and Haitian art. Portions of the collection that they amassed now reside at several major museums throughout the United States.","John Hamilton Hewitt Jr. was born in 1924 in New York City, New York. He attended Harvard College and New York University where he obtained his Master's degree in 1949. Hewitt was an instructor for the Department of English and co-chairman for the Division of Humanities at Morehouse College in Atlanta. Hewitt also held the post of reporter for the New York Amsterdam News; later on he became a medical writer for the Medical Tribune, and served as an editor for both Hospital Practice and Emergency Medicine. Hewitt wrote various articles in publications such as the New York History, the Massachusetts Review, Afro-Americans in New York Life and History, and the International Review of African American Art. He was a member of the American Medical Writers Association. John Hewitt passed away on February 25, 2000.","Vivian Ann Davidson was born on February 17, 1920 in New Castle, Pennsylvania. She earned a Bachelor's degree in Education from Geneva College in 1943 and a M.S. degree in library science from Carnegie-Mellon University in Pittsburg, Pennsylvania in 1944. Vivian Hewitt worked as a librarian in Pittsburg and Atlanta, Georgia. She was the first black woman to serve as a librarian in the city of Pittsburgh. From 1963 to 1983, she was the chief librarian at the Carnegie Endowment for International Peace. Vivian was the first African American president of the Special Libraries Association (1978-1979). She was awarded the Distinguished Alumni Citation from the University of Pittsburgh-Carnegie Library School Alumni Association, Merit Award from Carnegie Mellon University, and the L.H.D. from Geneva College. In addition to being recognized by her alma maters, she was recognized by the American Library Association, and in 1984 she was inducted into the organization's Hall of Fame. In 2016, Queen Elizabeth II of Great Britain bestowed the title of Dame upon Hewitt for her work in the service of humanity. In 2017, Hewitt received an Honorary Doctor of Humane Letters degree at Carnegie Mellon University's 120th Commencement. She passed away on May 29, 2022.","John and Vivian Hewitt had one son, John Hewitt III (1952-2022).","The Hewitts moved to New York in 1951. In the 1960s, the Hewitts collected primarily Haitian art. In the 1970s, the Hewitts began exhibiting their collection of art in their Sugar Hill, Harlem home and became enmeshed in New York's art community. J. Eugene Grigsby, Vivian Hewitt's cousin and internationally acclaimed artist, introduced the couple to many artists. At that time the couple began collecting art by African American artists as well.","In 1998, the Hewitts sold 58 of their major works to the Bank of America which resulted in a travelling exhibition of the pieces at 25 museums. In 2009, the Bank of America donated the collection to the Harvey B. Gantt Center for African-American Arts and Culture.","In 1998, Vivian Hewitt attended two fundraisers for the construction of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. In 2002, artwork from her collection was exhibited at AARLCC in \"Celebration and Vision: The Hewitt Collection of African-American Art.\" Also in 2002, Vivian Hewitt donated 14 pieces of Haitian art from their collection to the Broward County Library in memory of her husband, John H. Hewitt, Jr. Along with the art she also donated personal papers as well as books and other supporting materials. In 2022, in celebration of the 20th anniversary of the opening of the African American Research Library and Cultural Center, the library held an exhibit titled \"Collectors' Duet: The Lifelong Librarianship of Vivian D. Hewitt and Dorothy Porter Wesley.\""],"prefercite_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection, African-American Research Library and Cultural Center Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["The Vivian D. and John H. Hewitt Collection, African-American Research Library and Cultural Center Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection received file level processing by Afua Ferdnance and Emily Calderon in 2021. Additional materials were processed at the item level by Erin Purdy in April 2025. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Vivian D. and John H. Hewitt Collection received file level processing by Afua Ferdnance and Emily Calderon in 2021. Additional materials were processed at the item level by Erin Purdy in April 2025. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003eThe John and Vivian Hewitt Collection of African-American Art, Harvey B. Gantt Center for African-American Arts and Culture.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The John and Vivian Hewitt Collection of African-American Art, Harvey B. Gantt Center for African-American Arts and Culture."],"scopecontent_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection contains 14 pieces of art created by 10 prominent Haitian artists dating from circa 1960 to 1985. The artists whose works reside in the collection are Luckner Lazard (1928-1998), Favrange Valcin (1947-2010), Luce Turnier (1924-1994), Herv\u0026#xE9; T\u0026#xE9;l\u0026#xE9;maque (1937-2022), Jacques-Enguerrand Gourgue (1930-1996), Carlo Jean-Jacques (1943-1990), L. Janvier, Charles Obas (1927-1969), Alexandre Gr\u0026#xE9;goire (1922-2001), and E. Paul.\u003c/p\u003e\n","\u003cp\u003eThe collection also contains materials that document the couple's collecting activities over the course of more than 50 years as well as the history of the artworks in their collection. These materials include correspondence belonging to Vivian D. and John H. Hewitt, publications such as exhibition catalogs, magazines, articles and newsletters, 63 books, newspaper clippings, auction lists, exhibition ephemera, brochures, typed manuscripts, maps, and two telephone directories.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Vivian D. and John H. Hewitt Collection contains 14 pieces of art created by 10 prominent Haitian artists dating from circa 1960 to 1985. The artists whose works reside in the collection are Luckner Lazard (1928-1998), Favrange Valcin (1947-2010), Luce Turnier (1924-1994), Hervé Télémaque (1937-2022), Jacques-Enguerrand Gourgue (1930-1996), Carlo Jean-Jacques (1943-1990), L. Janvier, Charles Obas (1927-1969), Alexandre Grégoire (1922-2001), and E. Paul.","The collection also contains materials that document the couple's collecting activities over the course of more than 50 years as well as the history of the artworks in their collection. These materials include correspondence belonging to Vivian D. and John H. Hewitt, publications such as exhibition catalogs, magazines, articles and newsletters, 63 books, newspaper clippings, auction lists, exhibition ephemera, brochures, typed manuscripts, maps, and two telephone directories."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=HEW\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eMaterials from this collection were cataloged in the Broward County Library catalog with the prefix \"HEW\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Materials from this collection were cataloged in the Broward County Library catalog with the prefix \"HEW\"."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f20256a848bf64fa36b26feb824aee7d\"\u003eThe Vivian D. and John H. Hewitt Collection contains Haitian art and materials focusing on Black art, particulaly those representing the history and culture of Haiti.\u003c/abstract\u003e"],"abstract_tesim":["The Vivian D. and John H. Hewitt Collection contains Haitian art and materials focusing on Black art, particulaly those representing the history and culture of Haiti."],"names_ssim":["AARLCC Special Collections","Hewitt, Vivian D.","Jacques Gourgue","Alexandre Gregoire","Carlo Jean-Jacques, 1943-1990","L. Janvier","Lucner Lazard, 1928-1998","Charles Obas, 1927-","Hervé Télémaque, 1937-","Luce Turnier, 1924-1994","Favrange Valcin, 1947-"],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Hewitt, Vivian D."],"persname_ssim":["Hewitt, Vivian D.","Jacques Gourgue","Alexandre Gregoire","Carlo Jean-Jacques, 1943-1990","L. Janvier","Lucner Lazard, 1928-1998","Charles Obas, 1927-","Hervé Télémaque, 1937-","Luce Turnier, 1924-1994","Favrange Valcin, 1947-"],"language_ssim":["The collection is primarily in English but includes materials in French, Haitian Creole, and German."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":157,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455832185470976,"_root_":"edc1f8792c912192f7c15d4d","timestamp":"2026-09-16T03:02:13.023Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/edc1f8792c912192f7c15d4d_aspace_b6548e668dd7fd32e3a0c42dfd87b444"}},{"id":"1591d8e7ee24b2059ada233f_aspace_9fe66348c6ded4eef671f72ffa1e271d","type":"File","attributes":{"title":"Exhibitions – Tampa Museum of Art, 1992-2013","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1591d8e7ee24b2059ada233f_aspace_9fe66348c6ded4eef671f72ffa1e271d#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9fe66348c6ded4eef671f72ffa1e271d","ref_ssm":["aspace_9fe66348c6ded4eef671f72ffa1e271d","aspace_9fe66348c6ded4eef671f72ffa1e271d"],"id":"1591d8e7ee24b2059ada233f_aspace_9fe66348c6ded4eef671f72ffa1e271d","title_filing_ssi":"Exhibitions – Tampa Museum of Art ","title_ssm":["Exhibitions – Tampa Museum of Art "],"title_tesim":["Exhibitions – Tampa Museum of Art "],"unitdate_inclusive_ssm":["1992-2013"],"normalized_date_ssm":["1992-2013"],"normalized_title_ssm":["Exhibitions – Tampa Museum of Art, 1992-2013"],"text":["Exhibitions – Tampa Museum of Art, 1992-2013","Len Prince collection, 1990-2019","Records I","/repositories/2/archival_objects/147576","box 1","folder 10","Also includes an exhibit didactic and correspondence with Tampa Museum of Art about acquisitions."],"component_level_isim":[2],"parent_ids_ssim":["1591d8e7ee24b2059ada233f","1591d8e7ee24b2059ada233f_aspace_b1dc295bab8c42d70ce830737f4cddc0"],"parent_unittitles_ssm":["Len Prince collection, 1990-2019","Records I"],"parent_unittitles_tesim":["Len Prince collection, 1990-2019","Records I"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["/repositories/2/archival_objects/147576"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Len Prince collection, 1990-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":40,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"containers_ssim":["box 1","folder 10"],"odd_html_tesm":["\u003cp\u003eAlso includes an exhibit didactic and correspondence with Tampa Museum of Art about acquisitions.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Also includes an exhibit didactic and correspondence with Tampa Museum of Art about acquisitions."],"_nest_path_":"/components#0/components#9","_nest_parent_":"1591d8e7ee24b2059ada233f_aspace_b1dc295bab8c42d70ce830737f4cddc0","_root_":"1591d8e7ee24b2059ada233f","timestamp":"2026-07-11T04:48:23.160Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1591d8e7ee24b2059ada233f","title_ssm":["Len Prince collection"],"title_tesim":["Len Prince collection"],"ead_ssi":"1591d8e7ee24b2059ada233f","unitdate_ssm":["1990-2019"],"unitdate_inclusive_ssm":["1990-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2022-04","/repositories/2/resources/607"],"text":["MS-2022-04","/repositories/2/resources/607","Len Prince collection, 1990-2019","Photograph collections","Photography, Erotic","Photography of the nude","Photography","HIV/AIDS awareness","Gay artists","LGBTQ+ artists","Collection is arranged according to material type and chronology. When able, the donor's original order and file level labels were maintained.","Len Prince is an American photographer whose work includes portraiture, celebrity photography, fashion, nudes, still life, and botanicals. Prince was born in Detroit, Michigan in 1953 and has since lived and worked internationally. Prince has been working in photography since the age of nine and studied at the School of Visual Arts. Prince has collaborated with celebrities in fashion, theater, and film and is also known for his artistic partnership with Jessie Mann. Prince's photography has been featured in temporary exhibits and permanent collections of museums across the United States, including Florida institutions such as the Tampa Museum of Art, Florida Museum of Photographic Arts, and The John and Mable Ringling Museum of Art.","This collection includes original silver gelatin and polaroid prints by photographer Len Prince, as well as posters and other reproductions of original artwork. Also included are auction and sale records, magazine clippings, media, periodicals that include Prince's photographs, correspondence, exhibition files, biographical material, photographic slides, and related research materials.","Oversized materials are shelved separately. Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection is comprised of a series of original photographs and supporting documents tracing the career of Len Prince, an American photographer. Included are documents related to Prince's photographic exhibitions across galleries and museums of the United States, including marketing campaigns for A.I.D.S. awareness and relief fundraising. Clippings and periodicals showcase the use of Prince's photography in marketing campaigns and career highlights in both fine art and lifestyle magazines. Also included is correspondence with the artist, as well as buyers, dealers, and exhibitors of Prince's photographs. Cataloged alongside the archival materials are a series of books featuring Len Prince's photographs, as well as select catalogs of exhibits.","USF Libraries - Tampa Special Collections","Prince, Len , 1953-","English"],"unitid_tesim":["MS-2022-04","/repositories/2/resources/607"],"normalized_date_ssm":["1990-2019"],"normalized_title_ssm":["Len Prince collection, 1990-2019"],"collection_title_tesim":["Len Prince collection, 1990-2019"],"collection_ssim":["Len Prince collection, 1990-2019"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Photograph collections","Photography, Erotic","Photography of the nude","Photography","HIV/AIDS awareness","Gay artists","LGBTQ+ artists"],"access_subjects_ssm":["Photograph collections","Photography, Erotic","Photography of the nude","Photography","HIV/AIDS awareness","Gay artists","LGBTQ+ artists"],"has_online_content_ssim":["false"],"extent_ssm":["3 boxes","1.5 Linear Feet"],"extent_tesim":["3 boxes","1.5 Linear Feet"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged according to material type and chronology. When able, the donor's original order and file level labels were maintained.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged according to material type and chronology. When able, the donor's original order and file level labels were maintained."],"bioghist_html_tesm":["\u003cp\u003eLen Prince is an American photographer whose work includes portraiture, celebrity photography, fashion, nudes, still life, and botanicals. Prince was born in Detroit, Michigan in 1953 and has since lived and worked internationally. Prince has been working in photography since the age of nine and studied at the School of Visual Arts. Prince has collaborated with celebrities in fashion, theater, and film and is also known for his artistic partnership with Jessie Mann. Prince's photography has been featured in temporary exhibits and permanent collections of museums across the United States, including Florida institutions such as the Tampa Museum of Art, Florida Museum of Photographic Arts, and The John and Mable Ringling Museum of Art.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Len Prince is an American photographer whose work includes portraiture, celebrity photography, fashion, nudes, still life, and botanicals. Prince was born in Detroit, Michigan in 1953 and has since lived and worked internationally. Prince has been working in photography since the age of nine and studied at the School of Visual Arts. Prince has collaborated with celebrities in fashion, theater, and film and is also known for his artistic partnership with Jessie Mann. Prince's photography has been featured in temporary exhibits and permanent collections of museums across the United States, including Florida institutions such as the Tampa Museum of Art, Florida Museum of Photographic Arts, and The John and Mable Ringling Museum of Art."],"prefercite_html_tesm":["\u003cp\u003eLen Prince collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Len Prince collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes original silver gelatin and polaroid prints by photographer Len Prince, as well as posters and other reproductions of original artwork. Also included are auction and sale records, magazine clippings, media, periodicals that include Prince's photographs, correspondence, exhibition files, biographical material, photographic slides, and related research materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes original silver gelatin and polaroid prints by photographer Len Prince, as well as posters and other reproductions of original artwork. Also included are auction and sale records, magazine clippings, media, periodicals that include Prince's photographs, correspondence, exhibition files, biographical material, photographic slides, and related research materials."],"separatedmaterial_html_tesm":["\u003cp\u003eOversized materials are shelved separately. Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Oversized materials are shelved separately. Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_95660ce35e0a4fddf0de3cdb23b0a08b\"\u003eThis collection is comprised of a series of original photographs and supporting documents tracing the career of Len Prince, an American photographer. Included are documents related to Prince's photographic exhibitions across galleries and museums of the United States, including marketing campaigns for A.I.D.S. awareness and relief fundraising. Clippings and periodicals showcase the use of Prince's photography in marketing campaigns and career highlights in both fine art and lifestyle magazines. Also included is correspondence with the artist, as well as buyers, dealers, and exhibitors of Prince's photographs. Cataloged alongside the archival materials are a series of books featuring Len Prince's photographs, as well as select catalogs of exhibits.\u003c/abstract\u003e"],"abstract_tesim":["This collection is comprised of a series of original photographs and supporting documents tracing the career of Len Prince, an American photographer. Included are documents related to Prince's photographic exhibitions across galleries and museums of the United States, including marketing campaigns for A.I.D.S. awareness and relief fundraising. Clippings and periodicals showcase the use of Prince's photography in marketing campaigns and career highlights in both fine art and lifestyle magazines. Also included is correspondence with the artist, as well as buyers, dealers, and exhibitors of Prince's photographs. Cataloged alongside the archival materials are a series of books featuring Len Prince's photographs, as well as select catalogs of exhibits."],"names_ssim":["USF Libraries - Tampa Special Collections","Prince, Len , 1953-"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Prince, Len , 1953-"],"persname_ssim":["Prince, Len , 1953-"],"language_ssim":["English"],"total_component_count_is":147,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"1591d8e7ee24b2059ada233f","timestamp":"2026-07-11T04:48:23.160Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/1591d8e7ee24b2059ada233f_aspace_9fe66348c6ded4eef671f72ffa1e271d"}},{"id":"725898a1a41349eb30ec365d_aspace_ebf35ba324680a803b018bb75b8f50a8","type":"File","attributes":{"title":"Exiles (1 of 2), 1958-2005, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_ebf35ba324680a803b018bb75b8f50a8#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_ebf35ba324680a803b018bb75b8f50a8","ref_ssm":["aspace_ebf35ba324680a803b018bb75b8f50a8","aspace_ebf35ba324680a803b018bb75b8f50a8"],"id":"725898a1a41349eb30ec365d_aspace_ebf35ba324680a803b018bb75b8f50a8","title_filing_ssi":"Exiles (1 of 2)","title_ssm":["Exiles (1 of 2)"],"title_tesim":["Exiles (1 of 2)"],"unitdate_inclusive_ssm":["1958-2005, Undated"],"normalized_date_ssm":["1958-2005, Undated"],"normalized_title_ssm":["Exiles (1 of 2), 1958-2005, Undated"],"text":["Exiles (1 of 2), 1958-2005, Undated","José Guerra Alemán Collection, 1887-2013","Research Files, 1898-2012, Undated","Folder 5","/repositories/4/archival_objects/53990","box 8","folder 5"],"component_level_isim":[2],"parent_ids_ssim":["725898a1a41349eb30ec365d","725898a1a41349eb30ec365d_aspace_e0da8a351e89d497ae16650ae623f50e"],"parent_unittitles_ssm":["José Guerra Alemán Collection, 1887-2013","Research Files, 1898-2012, Undated"],"parent_unittitles_tesim":["José Guerra Alemán Collection, 1887-2013","Research Files, 1898-2012, Undated"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 5","/repositories/4/archival_objects/53990"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":112,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"date_range_isim":[1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"containers_ssim":["box 8","folder 5"],"_nest_path_":"/components#1/components#13","_nest_parent_":"725898a1a41349eb30ec365d_aspace_e0da8a351e89d497ae16650ae623f50e","_root_":"725898a1a41349eb30ec365d","_version_":1870857755411087360,"timestamp":"2026-07-16T08:03:10.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"725898a1a41349eb30ec365d","title_ssm":["José Guerra Alemán Collection"],"title_tesim":["José Guerra Alemán Collection"],"ead_ssi":"725898a1a41349eb30ec365d","unitdate_ssm":["1887-2013"],"unitdate_inclusive_ssm":["1887-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.098","/repositories/4/resources/204"],"text":["SC.098","/repositories/4/resources/204","José Guerra Alemán Collection, 1887-2013","Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs","Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints","The entire collection is open for research.","José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.","Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.","Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog.","This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"","Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.","The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.","UCF Special Collections","Guerra Alemán, José","English"],"unitid_tesim":["SC.098","/repositories/4/resources/204"],"normalized_date_ssm":["1887-2013"],"normalized_title_ssm":["José Guerra Alemán Collection, 1887-2013"],"collection_title_tesim":["José Guerra Alemán Collection, 1887-2013"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"geogname_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"creator_ssm":["Guerra Alemán, José"],"creator_ssim":["Guerra Alemán, José"],"creator_persname_ssim":["Guerra Alemán, José"],"creators_ssim":["Guerra Alemán, José"],"places_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"acqinfo_ssim":["The collection was donated by Carlos Guerra, José Guerra Alemán's son, to the University of Central Florida Libraries in 2014. (CFM2014_07)"],"access_subjects_ssim":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"access_subjects_ssm":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["17.5 Linear Feet 20 boxes, 1 Flat File"],"extent_tesim":["17.5 Linear Feet 20 boxes, 1 Flat File"],"genreform_ssim":["correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n was born to Jos\u0026#xE9; Guerra and Herminia Alem\u0026#xE1;n-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as Jos\u0026#xE9; Guerra Alem\u0026#xE1;n, his initials J.G.A. and his nickname Pep\u0026#xED;n. Many of his closest friends and family called him as Pep\u0026#xED;n. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.\u003c/p\u003e\n","\u003cp\u003eIn his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ej\u0026#xE9;rcito) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 Divisi\u0026#xF3;n de Infanter\u0026#xED;a) called Divisi\u0026#xF3;n Rel\u0026#xE1;mpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.\u003c/p\u003e\n","\u003cp\u003eOnce he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of \u0026#xC9;l Pa\u0026#xED;s, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.\u003c/p\u003e\n","\u003cp\u003eOne of those encounters, Jos\u0026#xE9; Guerra Alem\u0026#xE1;n climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with Jos\u0026#xE9; Garc\u0026#xED;a and Eduardo Hern\u0026#xE1;ndez (Guayo) in the same company. Jos\u0026#xE9; Guerra Alem\u0026#xE1;n directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.\u003c/p\u003e\n","\u003cp\u003eWith his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote A\u0026#xFA;n Hay Luna En Los Cerros, Ensayos (Las Mayor\u0026#xED;as Discriminadas): En Defensa de la Mujer, Barro y Cenizas (D\u0026#xED;alogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biograf\u0026#xED;a de su Abuelo el General Jos\u0026#xE9; Braulio Alem\u0026#xE1;n). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.\u003c/p\u003e\n","\u003cp\u003eUnderstanding where his family came from and knowing the other members of his family tree can provide a part of Jos\u0026#xE9; Guerra Alem\u0026#xE1;n's identity. Jose Guerra Alem\u0026#xE1;n's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named Jos\u0026#xE9; Braulio Guerra Alem\u0026#xE1;n fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, Jos\u0026#xE9; Manuel Alem\u0026#xE1;n, served in the Cuban government as Minister of Education during the presidency of Dr. Ram\u0026#xF3;n Grau San Martin, president of the Authentic Party (Partido Aut\u0026#xE9;ntico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.\u003c/p\u003e\n","\u003cp\u003eHe rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alem\u0026#xE1;n. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business."],"prefercite_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["José Guerra Alemán Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks collected by Jos\u0026#xE9; Guerra Alem\u0026#xE1;n can be found by performing a series search for \"Jos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection\" in the UCF Libraries catalog.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog."],"scopecontent_html_tesm":["\u003cp\u003eThis collection was arranged in seven series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alem\u0026#xE1;n took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alem\u0026#xE1;n used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. \u003c/p\u003e\n","\u003cp\u003e\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of Jos\u0026#xE9; G. Alem\u0026#xE1;n and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\""],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4d41ff341ce7470c0d40282c3f71dd8\"\u003eThe collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist Jos\u0026#xE9; Guerra Alem\u0026#xE1;n. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.\u003c/abstract\u003e"],"abstract_tesim":["The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita."],"names_ssim":["UCF Special Collections","Guerra Alemán, José"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Guerra Alemán, José"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":282,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857755411087360,"_root_":"725898a1a41349eb30ec365d","timestamp":"2026-07-16T08:03:10.972Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_ebf35ba324680a803b018bb75b8f50a8"}},{"id":"a0b8dca0cc27e719e79a099f_aspace_9f39a356fa4ee341e0ea880b23e929f2","type":"File","attributes":{"title":"Exotic and Invasive Plants, 1995-2006","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_9f39a356fa4ee341e0ea880b23e929f2#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eFolder includes clippings, correspondence about Melaleuca biocontrol, plant lists, and flyer.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_9f39a356fa4ee341e0ea880b23e929f2#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9f39a356fa4ee341e0ea880b23e929f2","ref_ssm":["aspace_9f39a356fa4ee341e0ea880b23e929f2","aspace_9f39a356fa4ee341e0ea880b23e929f2"],"id":"a0b8dca0cc27e719e79a099f_aspace_9f39a356fa4ee341e0ea880b23e929f2","title_filing_ssi":"Exotic and Invasive Plants","title_ssm":["Exotic and Invasive Plants"],"title_tesim":["Exotic and Invasive Plants"],"unitdate_inclusive_ssm":["1995-2006"],"normalized_date_ssm":["1995-2006"],"normalized_title_ssm":["Exotic and Invasive Plants, 1995-2006"],"text":["Exotic and Invasive Plants, 1995-2006","Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Subject Files","Exotic and Invasive Plants- Florida Audubon Society – Legislative Letter","/repositories/2/archival_objects/190998","box 33","folder 1","Folder includes clippings, correspondence about Melaleuca biocontrol, plant lists, and flyer."],"component_level_isim":[3],"parent_ids_ssim":["a0b8dca0cc27e719e79a099f","a0b8dca0cc27e719e79a099f_aspace_4c29981ab2b06aeb8893c7a0e3a6accb","a0b8dca0cc27e719e79a099f_aspace_117f6c39ed091f41f76e38412f260cf2"],"parent_unittitles_ssm":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Subject Files","Exotic and Invasive Plants- Florida Audubon Society – Legislative Letter"],"parent_unittitles_tesim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Subject Files","Exotic and Invasive Plants- Florida Audubon Society – Legislative Letter"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["/repositories/2/archival_objects/190998"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":809,"parent_access_restrict_tesm":["Until 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"containers_ssim":["box 33","folder 1"],"scopecontent_html_tesm":["\u003cp\u003eFolder includes clippings, correspondence about Melaleuca biocontrol, plant lists, and flyer.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Folder includes clippings, correspondence about Melaleuca biocontrol, plant lists, and flyer."],"_nest_path_":"/components#1/components#11/components#0","_nest_parent_":"a0b8dca0cc27e719e79a099f_aspace_117f6c39ed091f41f76e38412f260cf2","_root_":"a0b8dca0cc27e719e79a099f","_version_":1872946110924849152,"timestamp":"2026-08-08T09:16:41.949Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a0b8dca0cc27e719e79a099f","title_ssm":["Audubon Society Corkscrew Swamp Sanctuary records"],"title_tesim":["Audubon Society Corkscrew Swamp Sanctuary records"],"ead_ssi":"a0b8dca0cc27e719e79a099f","unitdate_ssm":["1937-2019"],"unitdate_inclusive_ssm":["1937-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2020-03","/repositories/2/resources/583"],"text":["MS-2020-03","/repositories/2/resources/583","Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Ecology -- Florida","Conservationists -- Florida","Birds -- Habitat -- Florida","Birds -- Migration","Good.","Until 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society.","This collection is divided into four series: Corkscrew Swamp Sanctuary records, subject files, photographs and slides, and oversized material. The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically.","Audubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns.","The Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record.","This collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings.","Maps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. Rainey Wildlife Sanctuary and Platte River.","USF Libraries - Tampa Special Collections","Ed Carlson","English"],"unitid_tesim":["MS-2020-03","/repositories/2/resources/583"],"normalized_date_ssm":["1937-2019"],"normalized_title_ssm":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"collection_title_tesim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"collection_ssim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Ed Carlson"],"creator_ssim":["Ed Carlson"],"creator_persname_ssim":["Ed Carlson"],"creators_ssim":["Ed Carlson"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Ecology -- Florida","Conservationists -- Florida","Birds -- Habitat -- Florida","Birds -- Migration"],"access_subjects_ssm":["Ecology -- Florida","Conservationists -- Florida","Birds -- Habitat -- Florida","Birds -- Migration"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good."],"extent_ssm":["51 Linear Feet","96 boxes"],"extent_tesim":["51 Linear Feet","96 boxes"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eUntil 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Until 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into four series: Corkscrew Swamp Sanctuary records, subject files, photographs and slides, and oversized material. The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is divided into four series: Corkscrew Swamp Sanctuary records, subject files, photographs and slides, and oversized material. The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003eAudubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns.\u003c/p\u003e"],"bioghist_heading_ssm":["Content Description"],"bioghist_tesim":["Audubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns."],"odd_html_tesm":["\u003cp\u003eThe Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record.\u003c/p\u003e"],"odd_heading_ssm":["Cataloged Publications"],"odd_tesim":["The Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings."],"separatedmaterial_html_tesm":["\u003cp\u003eMaps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Maps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bf60a5a83f90c49360b71829ac95b658\"\u003eThe Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. Rainey Wildlife Sanctuary and Platte River.\u003c/abstract\u003e"],"abstract_tesim":["The Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. 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Thompson is a founding member of the Tampa Bay Conservancy and has also been involved in Board of Director roles for the Florida Aquarium and Keep Tampa Bay Beautiful. Thompson is currently self-employed as an environmental advisor and educator."],"prefercite_html_tesm":["\u003cp\u003eSally Thompson collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Sally Thompson collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eMaterials in the collection include meeting agendas and minutes for government institutions and citizen environmental organizations, conference materials, pamphlets, flyers, publications, reports, photographs, maps, audiovisual material, correspondence, clippings, research files, and public awareness campaign fact sheets.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Materials in the collection include meeting agendas and minutes for government institutions and citizen environmental organizations, conference materials, pamphlets, flyers, publications, reports, photographs, maps, audiovisual material, correspondence, clippings, research files, and public awareness campaign fact sheets."],"separatedmaterial_html_tesm":["\u003cp\u003ePublications related to the archival collection are cataloged individually and shelved in Environment and Natural History Collection. 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Photographs in the collection showcase LGBTQ+ cultural life, businesses, sports teams, activism, entertainment, social events, organizations, bars and clubs, religious organizations, and HIV/AIDS care and memorial services in the greater Tampa Bay area. Some photographs in the collection are national and international events, such as Pride celebrations and the Gay Games.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of photographs donated by Metro Wellness Health, a Tampa Bay area nonprofit health care provider specializing in care for LGBTQ+ and/or HIV/AIDS patients. Photographs in the collection showcase LGBTQ+ cultural life, businesses, sports teams, activism, entertainment, social events, organizations, bars and clubs, religious organizations, and HIV/AIDS care and memorial services in the greater Tampa Bay area. Some photographs in the collection are national and international events, such as Pride celebrations and the Gay Games."],"names_coll_ssim":["Equality Florida","Metropolitan Community Church of Tampa","Human Rights Task Force"],"names_ssim":["USF Libraries - Tampa Special Collections","Equality Florida","Metropolitan Community Church of Tampa","Human Rights Task Force","Metro Wellness Health"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Equality Florida","Metropolitan Community Church of Tampa","Human Rights Task Force"],"persname_ssim":["Metro Wellness Health"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":429,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870862868785659904,"_root_":"48a9f1794d187ec2c3be69a2","timestamp":"2026-07-16T09:24:27.472Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/48a9f1794d187ec2c3be69a2_aspace_5dc4b7112a4ce6122b945af70dc4c700"}},{"id":"110f96e930660839ef16aac1_aspace_7a48c253cdb972e4d3019b42ded5b6e3","type":"File","attributes":{"title":"Ex-Prisoner of War Veterans' Association Related Papers, 1974-1999","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/110f96e930660839ef16aac1_aspace_7a48c253cdb972e4d3019b42ded5b6e3#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis folder contains miscellaneous papers related to former prisoner of war veterans' activities including news, brochures, graphic materials, letters, and gatherings.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/110f96e930660839ef16aac1_aspace_7a48c253cdb972e4d3019b42ded5b6e3#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_7a48c253cdb972e4d3019b42ded5b6e3","ref_ssm":["aspace_7a48c253cdb972e4d3019b42ded5b6e3","aspace_7a48c253cdb972e4d3019b42ded5b6e3"],"id":"110f96e930660839ef16aac1_aspace_7a48c253cdb972e4d3019b42ded5b6e3","title_filing_ssi":"Ex-Prisoner of War Veterans' Association Related Papers","title_ssm":["Ex-Prisoner of War Veterans' Association Related Papers"],"title_tesim":["Ex-Prisoner of War Veterans' Association Related Papers"],"unitdate_inclusive_ssm":["1974-1999"],"normalized_date_ssm":["1974-1999"],"normalized_title_ssm":["Ex-Prisoner of War Veterans' Association Related Papers, 1974-1999"],"text":["Ex-Prisoner of War Veterans' Association Related Papers, 1974-1999","William Edward McKee Sr. collection, 1942-1996, Date acquired: 2020-12-05, Date accessioned: 2020-12-09, bulk 1943-1945","/repositories/10/archival_objects/191048","20.0010 - Box 5","folder 010","This folder contains miscellaneous papers related to former prisoner of war veterans' activities including news, brochures, graphic materials, letters, and gatherings."],"component_level_isim":[1],"parent_ids_ssim":["110f96e930660839ef16aac1"],"parent_unittitles_ssm":["William Edward McKee Sr. collection, 1942-1996, Date acquired: 2020-12-05, Date accessioned: 2020-12-09, bulk 1943-1945"],"parent_unittitles_tesim":["William Edward McKee Sr. collection, 1942-1996, Date acquired: 2020-12-05, Date accessioned: 2020-12-09, bulk 1943-1945"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/10/archival_objects/191048"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["William Edward McKee Sr. collection, 1942-1996, Date acquired: 2020-12-05, Date accessioned: 2020-12-09, bulk 1943-1945"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":56,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"containers_ssim":["20.0010 - Box 5","folder 010"],"scopecontent_html_tesm":["\u003cp\u003eThis folder contains miscellaneous papers related to former prisoner of war veterans' activities including news, brochures, graphic materials, letters, and gatherings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This folder contains miscellaneous papers related to former prisoner of war veterans' activities including news, brochures, graphic materials, letters, and gatherings."],"_nest_path_":"/components#55","_nest_parent_":"110f96e930660839ef16aac1","_root_":"110f96e930660839ef16aac1","_version_":1870857692171468800,"timestamp":"2026-07-16T08:02:10.673Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"110f96e930660839ef16aac1","title_filing_ssi":"McKee Sr., William Edward  collection","title_ssm":["William Edward McKee Sr. collection"],"title_tesim":["William Edward McKee Sr. collection"],"ead_ssi":"110f96e930660839ef16aac1","unitdate_ssm":["1942-1996","1943-1945","Date acquired: 2020-12-05","Date accessioned: 2020-12-09"],"unitdate_bulk_ssim":["1943-1945"],"unitdate_inclusive_ssm":["1942-1996"],"unitdate_other_ssim":["Date acquired: 2020-12-05","Date accessioned: 2020-12-09"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["20.0010","/repositories/10/resources/1811"],"text":["20.0010","/repositories/10/resources/1811","William Edward McKee Sr. collection, 1942-1996, Date acquired: 2020-12-05, Date accessioned: 2020-12-09, bulk 1943-1945","World War, 1939-1945 ---Prisoners and Prisons, German","United States. Army Air Forces. Bomber Command, 8th","World War, 1939-1945--England","World War, 1939-1945--Aerial operations","World War, 1939-1945--Campaigns--Europe","Prisoners of war--Germany","Knit goods--Handbooks, manuals, etc","Knitting -- Patterns","Holocaust survivors","This collection is open to all researchers.","William Edward McKee Sr. was born on February 18, 1924 in New Rochelle, NY. He graduated New Rochelle High School.  Prior to joining the U.S. Army, he worked as a civilian courier for the U.S. Army.  He entered service with the U.S. Army Air Corps on February 16, 1943 and attended Basic training in Miami Beach, FL, Armament training at Buckley and Lowry Fields in Colorado, and gunnery school at Kingman Field, AZ. Mckee Sr. was assigned to the 324th Squadron, 91st Bombardment Group, and was sent to England on December 31, 1943.  The B-17 on which McKee Sr. served was combat damaged and crashed into the North Sea on March 29, 1944 on Mckee Sr's seven mission.  The entire crew was rescued by the German Navy.  McKee Sr. became as prisoner of war at Luft Stalag 17B near Krems, Austria. He was liberated in Bramall, Bavaria on May 3, 1945 by the 13th U.S. Armored Division and returned to the U.S. on June 12, 1945.  After the war, Mckee Sr. worked as a civilian fireman at Fr. Slocum, NY. He devoted the remainder of his life to lobbying for recognition and compensation of former U.S. prisoners of war.","Mckee Sr. passed away on January 16, 1996 and is buried in Arlington National Cemetery, Arlington, VA.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","This collection relates to William Edward McKee Sr. who served as a sergeant with the 324th Squadron, 91st Heavy Bombardment Group, 8th Air Force in Europe during World War II.   McKee Sr. was shot down along with the crew of the B-17 bomber on March 29, 1944.  The entire crew survived and then became German prisoners of war at Luft Stalag 17B. Mckee Sr. received the Air Medal and Purple Heart Medal. This collection includes letters, documents, photographs, prisoner of war memorabilia, and memoirs.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","United States. Army Air Forces. Air Force, 8th","United States. Army Air Forces. Bombardment Group, 91st","Stalag XVII B Krems-Gneixendorf","McKee, William Edward, Sr., 1924-1996","Bush, George, 1924-2018","Reagan, Ronald","English"],"unitid_tesim":["20.0010","/repositories/10/resources/1811"],"normalized_date_ssm":["1942-1996, Date acquired: 2020-12-05, Date accessioned: 2020-12-09, bulk 1943-1945"],"normalized_title_ssm":["William Edward McKee Sr. collection, 1942-1996, Date acquired: 2020-12-05, Date accessioned: 2020-12-09, bulk 1943-1945"],"collection_title_tesim":["William Edward McKee Sr. collection, 1942-1996, Date acquired: 2020-12-05, Date accessioned: 2020-12-09, bulk 1943-1945"],"collection_ssim":["William Edward McKee Sr. collection, 1942-1996, Date acquired: 2020-12-05, Date accessioned: 2020-12-09, bulk 1943-1945"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["World War, 1939-1945 ---Prisoners and Prisons, German"],"geogname_ssim":["World War, 1939-1945 ---Prisoners and Prisons, German"],"creator_ssm":["McKee, William Edward, Sr., 1924-1996"],"creator_ssim":["McKee, William Edward, Sr., 1924-1996"],"creator_persname_ssim":["McKee, William Edward, Sr., 1924-1996"],"creators_ssim":["McKee, William Edward, Sr., 1924-1996"],"places_ssim":["World War, 1939-1945 ---Prisoners and Prisons, German"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["This collection was donated by the son of William Edward McKee Sr., William E. McKee Jr. on December 5, 2020."],"access_subjects_ssim":["United States. Army Air Forces. Bomber Command, 8th","World War, 1939-1945--England","World War, 1939-1945--Aerial operations","World War, 1939-1945--Campaigns--Europe","Prisoners of war--Germany","Knit goods--Handbooks, manuals, etc","Knitting -- Patterns","Holocaust survivors"],"access_subjects_ssm":["United States. Army Air Forces. Bomber Command, 8th","World War, 1939-1945--England","World War, 1939-1945--Aerial operations","World War, 1939-1945--Campaigns--Europe","Prisoners of war--Germany","Knit goods--Handbooks, manuals, etc","Knitting -- Patterns","Holocaust survivors"],"has_online_content_ssim":["false"],"extent_ssm":["5.5 Linear Feet 6 half boxes, 1 OS box (31.5x23.5\")"],"extent_tesim":["5.5 Linear Feet 6 half boxes, 1 OS box (31.5x23.5\")"],"date_range_isim":[1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_html_tesm":["\u003cp\u003eWilliam Edward McKee Sr. was born on February 18, 1924 in New Rochelle, NY. He graduated New Rochelle High School.  Prior to joining the U.S. Army, he worked as a civilian courier for the U.S. Army.  He entered service with the U.S. Army Air Corps on February 16, 1943 and attended Basic training in Miami Beach, FL, Armament training at Buckley and Lowry Fields in Colorado, and gunnery school at Kingman Field, AZ. Mckee Sr. was assigned to the 324th Squadron, 91st Bombardment Group, and was sent to England on December 31, 1943.  The B-17 on which McKee Sr. served was combat damaged and crashed into the North Sea on March 29, 1944 on Mckee Sr's seven mission.  The entire crew was rescued by the German Navy.  McKee Sr. became as prisoner of war at Luft Stalag 17B near Krems, Austria. He was liberated in Bramall, Bavaria on May 3, 1945 by the 13th U.S. Armored Division and returned to the U.S. on June 12, 1945.  After the war, Mckee Sr. worked as a civilian fireman at Fr. Slocum, NY. He devoted the remainder of his life to lobbying for recognition and compensation of former U.S. prisoners of war.\u003c/p\u003e\n","\u003cp\u003eMckee Sr. passed away on January 16, 1996 and is buried in Arlington National Cemetery, Arlington, VA.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["William Edward McKee Sr. was born on February 18, 1924 in New Rochelle, NY. He graduated New Rochelle High School.  Prior to joining the U.S. Army, he worked as a civilian courier for the U.S. Army.  He entered service with the U.S. Army Air Corps on February 16, 1943 and attended Basic training in Miami Beach, FL, Armament training at Buckley and Lowry Fields in Colorado, and gunnery school at Kingman Field, AZ. Mckee Sr. was assigned to the 324th Squadron, 91st Bombardment Group, and was sent to England on December 31, 1943.  The B-17 on which McKee Sr. served was combat damaged and crashed into the North Sea on March 29, 1944 on Mckee Sr's seven mission.  The entire crew was rescued by the German Navy.  McKee Sr. became as prisoner of war at Luft Stalag 17B near Krems, Austria. He was liberated in Bramall, Bavaria on May 3, 1945 by the 13th U.S. Armored Division and returned to the U.S. on June 12, 1945.  After the war, Mckee Sr. worked as a civilian fireman at Fr. Slocum, NY. He devoted the remainder of his life to lobbying for recognition and compensation of former U.S. prisoners of war.","Mckee Sr. passed away on January 16, 1996 and is buried in Arlington National Cemetery, Arlington, VA."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], William Edward McKee Sr. collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-20-2010\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], William Edward McKee Sr. collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-20-2010"],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to William Edward McKee Sr. who served as a sergeant with the 324th Squadron, 91st Heavy Bombardment Group, 8th Air Force in Europe during World War II.   McKee Sr. was shot down along with the crew of the B-17 bomber on March 29, 1944.  The entire crew survived and then became German prisoners of war at Luft Stalag 17B. Mckee Sr. received the Air Medal and Purple Heart Medal. This collection includes letters, documents, photographs, prisoner of war memorabilia, and memoirs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection relates to William Edward McKee Sr. who served as a sergeant with the 324th Squadron, 91st Heavy Bombardment Group, 8th Air Force in Europe during World War II.   McKee Sr. was shot down along with the crew of the B-17 bomber on March 29, 1944.  The entire crew survived and then became German prisoners of war at Luft Stalag 17B. Mckee Sr. received the Air Medal and Purple Heart Medal. This collection includes letters, documents, photographs, prisoner of war memorabilia, and memoirs."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_coll_ssim":["United States. Army Air Forces. Air Force, 8th","United States. Army Air Forces. Bombardment Group, 91st","Stalag XVII B Krems-Gneixendorf","Bush, George, 1924-2018","Reagan, Ronald"],"names_ssim":["FSU Special Collections \u0026 Archives","United States. Army Air Forces. Air Force, 8th","United States. Army Air Forces. Bombardment Group, 91st","Stalag XVII B Krems-Gneixendorf","McKee, William Edward, Sr., 1924-1996","Bush, George, 1924-2018","Reagan, Ronald"],"corpname_ssim":["FSU Special Collections \u0026 Archives","United States. Army Air Forces. Air Force, 8th","United States. Army Air Forces. Bombardment Group, 91st","Stalag XVII B Krems-Gneixendorf"],"persname_ssim":["McKee, William Edward, Sr., 1924-1996","Bush, George, 1924-2018","Reagan, Ronald"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":95,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857692171468800,"_root_":"110f96e930660839ef16aac1","timestamp":"2026-07-16T08:02:10.673Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/110f96e930660839ef16aac1_aspace_7a48c253cdb972e4d3019b42ded5b6e3"}},{"id":"a00ac4456d001c4f5b29b5b6_aspace_faacfba2f0a94a4f1da2315ca758bb36","type":"File","attributes":{"title":"\"Eye-On-U Productions presents 'Heroes, a Triumph of Spirit - The Women' \" press release, 1995","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a00ac4456d001c4f5b29b5b6_aspace_faacfba2f0a94a4f1da2315ca758bb36#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_faacfba2f0a94a4f1da2315ca758bb36","ref_ssm":["aspace_faacfba2f0a94a4f1da2315ca758bb36","aspace_faacfba2f0a94a4f1da2315ca758bb36"],"id":"a00ac4456d001c4f5b29b5b6_aspace_faacfba2f0a94a4f1da2315ca758bb36","title_filing_ssi":"\"Eye-On-U Productions presents 'Heroes, a Triumph of Spirit - The Women' \" press release","title_ssm":["\"Eye-On-U Productions presents 'Heroes, a Triumph of Spirit - The Women' \" press release"],"title_tesim":["\"Eye-On-U Productions presents 'Heroes, a Triumph of Spirit - The Women' \" press release"],"unitdate_other_ssim":["1995"],"normalized_date_ssm":["1995"],"normalized_title_ssm":["\"Eye-On-U Productions presents 'Heroes, a Triumph of Spirit - The Women' \" press release, 1995"],"text":["\"Eye-On-U Productions presents 'Heroes, a Triumph of Spirit - The Women' \" press release, 1995","Kitty Oliver Collection, Circa 1969-2016","Printed Materials","/repositories/2/archival_objects/7556","box 2","folder 80"],"component_level_isim":[2],"parent_ids_ssim":["a00ac4456d001c4f5b29b5b6","a00ac4456d001c4f5b29b5b6_aspace_6a44d48b965dac5259acb623043e06fa"],"parent_unittitles_ssm":["Kitty Oliver Collection, Circa 1969-2016","Printed Materials"],"parent_unittitles_tesim":["Kitty Oliver Collection, Circa 1969-2016","Printed Materials"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/7556"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Kitty Oliver Collection, Circa 1969-2016"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":98,"parent_access_restrict_tesm":["The Kitty Oliver Collection is open for research."],"date_range_isim":[1995],"containers_ssim":["box 2","folder 80"],"_nest_path_":"/components#4/components#1","_nest_parent_":"a00ac4456d001c4f5b29b5b6_aspace_6a44d48b965dac5259acb623043e06fa","_root_":"a00ac4456d001c4f5b29b5b6","_version_":1876455827155451904,"timestamp":"2026-09-16T03:02:08.218Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a00ac4456d001c4f5b29b5b6","title_filing_ssi":"Oliver, Kitty Collection","title_ssm":["Kitty Oliver Collection"],"title_tesim":["Kitty Oliver Collection"],"ead_ssi":"a00ac4456d001c4f5b29b5b6","unitdate_ssm":["Circa 1969-2016"],"unitdate_inclusive_ssm":["Circa 1969-2016"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2004.1","/repositories/2/resources/22"],"text":["AARLCC.2004.1","/repositories/2/resources/22","Kitty Oliver Collection, Circa 1969-2016","African American women journalists -- Florida -- Miami-Dade County","University of Florida -- Alumni and alumnae","African Americans -- Race relations","African Americans -- Civil Rights -- Florida -- Broward County -- History","Correspondence","Oral histories","Photographs","Certificates","Clippings","The Kitty Oliver Collection is open for research.","The Kitty Oliver Collection contains eight series including: Series I. Correspondence, Series II: Personal Papers, Series III: Professional Papers, Series IV: Photographs, Series V. Printed Materials, Series VI. Awards, Series VII. Audio-Visual Materials, and Series VIII: Race and Change Project, 1999-2005.","Dr. Eloise \"Kitty\" Oliver is a veteran South Florida journalist, professor of creative nonfiction, memoir writing, oral history, and ethnic communication, and a professional jazz singer. Since the 1980s, she has produced landmark work as a cultural diversity researcher, documenting growing sociocultural conversions and multiculturalism that has become a reflection of contemporary American society.","Dr. Oliver was born on December 16, 1947 in Jacksonville, Florida. In 1965, Kitty Oliver was one of the first five Black freshmen to enroll at the University of Florida and live on campus after the passage of the Civil Rights Act of 1965. She graduated in 1969 with a Bachelor of Arts in English. During college, she met her Richard \"Ricky\" C. Oliver, Jr., who she married in 1969, and together they started a folk-rock musical group.","In 1971, Kitty Oliver started working one of the first Black reporters and columnists for the Miami Herald, covering Broward and Miami-Dade County. She chronicled the history of the Black community in South Florida, including Provident Hospital, Dr. Von Mizell and Dr. James Sistrunk, Eula Johnson, and Samuel Morrison.","Oliver left the Miami Herald in 1990 to pursue a Master of Fine Arts degree in Creative Writing at Florida International University and graduated in 1994. This led to her writing \"Multicolored Memories of a Black Southern Girl,\" a collection autobiographical essays about coming of age with integration and cultural diversity in Jacksonville and attending the University of Florida, working in South Florida, and her international travel.  ","After earning her M.A., she began the Race and Change Oral History Project, collecting oral histories of minority groups in Hollywood, Florida. She worked as a fulltime professor of Creative Writing and Multicultural Literature, Oral History Writing, and Ethnic Communication at Florida International University from 1994 to 1996 and at Florida Atlantic University's Broward Campuses from 1996 to 2006. During that time, she developed the Race and Change oral history methodology for cross-cultural research by students and communities. The work includes the Race and Change Project, the Kitty Oliver Oral Histories Archive, and the multimedia audio, webcast radio and television Race and Change Initiative with intergenerational stories. She donated her collection of 125 interviews to the African American Research Library and Cultural Center Special collections in 2004.","Oliver completed a Ph.D. in Comparative Studies from Florida Atlantic University in 2009, focusing on race and ethnic communication. Her degree included the creation of the 10-part public television documentary series \"Crossing Cultures, Changing Lives\" featuring  archival Race and Change Oral Histories narrators.","Dr. Kitty Oliver also specializes in books, television documentaries and literary performances which explore race and ethnic issues. Dr. Oliver conducts community oral history field work and is a member of the Oral History Association (OHA). Additionally, she serves as president of Kitty O. Enterprises, Inc. – which aids as a cultural diversity consulting firm located in Fort Lauderdale, Florida (Broward County).","Her major public television and video productions include the PBS documentary series \"Celebrate...the Cultural Connections\" and a 10-part series, \"Crossing Cultures/Changing Lives\", which premiered in Florida, Spring, 2008 on WBEC-TV (Beacon-TV). Dr. Oliver's contemporary work includes ongoing lecture series detailing her Race and Change project. Additionally, she produced a book entitled \"Race and Change in Hollywood, Florida (Voices of America)\" in 2000.","Dr. Kitty Oliver married Ricky Oliver in 1969, and they had two children, Kali and Brian Oliver. They divorced in 1989. Kitty Oliver married Arthur I. Musson, Jr. in 2018.","The Kitty Oliver Collection is open for research.","This collection received file level processing. This finding-aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Kitty Oliver Collection in the Broward County Library Digital Archives.","The Kitty Oliver Collection consists of correspondence, personal and professional papers, photographs, newspaper clippings, printed materials, and awards of South Florida journalist and educator Kitty Oliver. ","The collection also contains the Race and Change Project, a group of multiple oral history interviews with African-Americans, European-Americans, and immigrants regarding their memories growing up in Broward County, the United States, and other countries. Subjects include family and community lifestyle, race relations and societal change from the late 1920's through the aftermath of the Civil Rights Act of 1964 and desegregation. The collection contains audio and visual content of participants from the Race and Change Project including research composed by students taught by Kitty Oliver, and an essay written by Deborah Works entitled \"Historical Sketches and Rare Glimpses of the North Fork of the New River: a history of its natural and human environment\" (2001). The majority of Dr. Oliver's questionnaires, transcripts and interviews consist of ongoing research study of race and ethnic relations, geographical history and social change through the collection of oral histories of Whites, Blacks/African-Americans and immigrants of various Hispanic/Latinx, Caribbean and Asian backgrounds. Research sites include the South Florida cities of Hollywood, Fort Lauderdale, West Palm Beach, Miami, Opa-locka, Delray Beach and Boca Raton; North Fork and Liberia – historically significant Black/African-American communities; towns along Florida's landmark Lake Okeechobee; Stranahan High School in Fort Lauderdale; and Ghana, West Africa – where women who have experienced America's racial climate shared their stories.","Some materials from this collection were cataloged in the Broward County Library catalog with the prefix \"OLI\".","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.2004.1","/repositories/2/resources/22"],"normalized_date_ssm":["Circa 1969-2016"],"normalized_title_ssm":["Kitty Oliver Collection, Circa 1969-2016"],"collection_title_tesim":["Kitty Oliver Collection, Circa 1969-2016"],"collection_ssim":["Kitty Oliver Collection, Circa 1969-2016"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"acqinfo_ssim":["Dr. Kitty Oliver donated the materials to AARLCC Special Collections on January 29, 2004 (Accession AARLCC-2004.1). Accruals were made in 2005 (Accession AARLCC-2005.1) and on July 29, 2021 (Accession AARLCC-2021.13). An additional accrual was transferred from the Broward County Historical Archives to AARLCC Special Collections on August 28, 2024 (Accession AARLCC-2024.10)."],"access_subjects_ssim":["African American women journalists -- Florida -- Miami-Dade County","University of Florida -- Alumni and alumnae","African Americans -- Race relations","African Americans -- Civil Rights -- Florida -- Broward County -- History","Correspondence","Oral histories","Photographs","Certificates","Clippings"],"access_subjects_ssm":["African American women journalists -- Florida -- Miami-Dade County","University of Florida -- Alumni and alumnae","African Americans -- Race relations","African Americans -- Civil Rights -- Florida -- Broward County -- History","Correspondence","Oral histories","Photographs","Certificates","Clippings"],"has_online_content_ssim":["false"],"extent_ssm":["39 Hollinger Boxes"],"extent_tesim":["39 Hollinger Boxes"],"genreform_ssim":["Correspondence","Oral histories","Photographs","Certificates","Clippings"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThe Kitty Oliver Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Kitty Oliver Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Kitty Oliver Collection contains eight series including: Series I. Correspondence, Series II: Personal Papers, Series III: Professional Papers, Series IV: Photographs, Series V. Printed Materials, Series VI. Awards, Series VII. Audio-Visual Materials, and Series VIII: Race and Change Project, 1999-2005.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Kitty Oliver Collection contains eight series including: Series I. Correspondence, Series II: Personal Papers, Series III: Professional Papers, Series IV: Photographs, Series V. Printed Materials, Series VI. Awards, Series VII. Audio-Visual Materials, and Series VIII: Race and Change Project, 1999-2005."],"bioghist_html_tesm":["\u003cp\u003eDr. Eloise \"Kitty\" Oliver is a veteran South Florida journalist, professor of creative nonfiction, memoir writing, oral history, and ethnic communication, and a professional jazz singer. Since the 1980s, she has produced landmark work as a cultural diversity researcher, documenting growing sociocultural conversions and multiculturalism that has become a reflection of contemporary American society.\u003c/p\u003e\n","\u003cp\u003eDr. Oliver was born on December 16, 1947 in Jacksonville, Florida. In 1965, Kitty Oliver was one of the first five Black freshmen to enroll at the University of Florida and live on campus after the passage of the Civil Rights Act of 1965. She graduated in 1969 with a Bachelor of Arts in English. During college, she met her Richard \"Ricky\" C. Oliver, Jr., who she married in 1969, and together they started a folk-rock musical group.\u003c/p\u003e\n","\u003cp\u003eIn 1971, Kitty Oliver started working one of the first Black reporters and columnists for the Miami Herald, covering Broward and Miami-Dade County. She chronicled the history of the Black community in South Florida, including Provident Hospital, Dr. Von Mizell and Dr. James Sistrunk, Eula Johnson, and Samuel Morrison.\u003c/p\u003e\n","\u003cp\u003eOliver left the Miami Herald in 1990 to pursue a Master of Fine Arts degree in Creative Writing at Florida International University and graduated in 1994. This led to her writing \"Multicolored Memories of a Black Southern Girl,\" a collection autobiographical essays about coming of age with integration and cultural diversity in Jacksonville and attending the University of Florida, working in South Florida, and her international travel.  \u003c/p\u003e\n","\u003cp\u003eAfter earning her M.A., she began the Race and Change Oral History Project, collecting oral histories of minority groups in Hollywood, Florida. She worked as a fulltime professor of Creative Writing and Multicultural Literature, Oral History Writing, and Ethnic Communication at Florida International University from 1994 to 1996 and at Florida Atlantic University's Broward Campuses from 1996 to 2006. During that time, she developed the Race and Change oral history methodology for cross-cultural research by students and communities. The work includes the Race and Change Project, the Kitty Oliver Oral Histories Archive, and the multimedia audio, webcast radio and television Race and Change Initiative with intergenerational stories. She donated her collection of 125 interviews to the African American Research Library and Cultural Center Special collections in 2004.\u003c/p\u003e\n","\u003cp\u003eOliver completed a Ph.D. in Comparative Studies from Florida Atlantic University in 2009, focusing on race and ethnic communication. Her degree included the creation of the 10-part public television documentary series \"Crossing Cultures, Changing Lives\" featuring  archival Race and Change Oral Histories narrators.\u003c/p\u003e\n","\u003cp\u003eDr. Kitty Oliver also specializes in books, television documentaries and literary performances which explore race and ethnic issues. Dr. Oliver conducts community oral history field work and is a member of the Oral History Association (OHA). Additionally, she serves as president of Kitty O. Enterprises, Inc. \u0026#x2013; which aids as a cultural diversity consulting firm located in Fort Lauderdale, Florida (Broward County).\u003c/p\u003e\n","\u003cp\u003eHer major public television and video productions include the PBS documentary series \"Celebrate...the Cultural Connections\" and a 10-part series, \"Crossing Cultures/Changing Lives\", which premiered in Florida, Spring, 2008 on WBEC-TV (Beacon-TV). Dr. Oliver's contemporary work includes ongoing lecture series detailing her Race and Change project. Additionally, she produced a book entitled \"Race and Change in Hollywood, Florida (Voices of America)\" in 2000.\u003c/p\u003e\n","\u003cp\u003eDr. Kitty Oliver married Ricky Oliver in 1969, and they had two children, Kali and Brian Oliver. They divorced in 1989. Kitty Oliver married Arthur I. Musson, Jr. in 2018.\u003c/p\u003e\n","\u003cp\u003eThe Kitty Oliver Collection is open for research.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. Eloise \"Kitty\" Oliver is a veteran South Florida journalist, professor of creative nonfiction, memoir writing, oral history, and ethnic communication, and a professional jazz singer. Since the 1980s, she has produced landmark work as a cultural diversity researcher, documenting growing sociocultural conversions and multiculturalism that has become a reflection of contemporary American society.","Dr. Oliver was born on December 16, 1947 in Jacksonville, Florida. In 1965, Kitty Oliver was one of the first five Black freshmen to enroll at the University of Florida and live on campus after the passage of the Civil Rights Act of 1965. She graduated in 1969 with a Bachelor of Arts in English. During college, she met her Richard \"Ricky\" C. Oliver, Jr., who she married in 1969, and together they started a folk-rock musical group.","In 1971, Kitty Oliver started working one of the first Black reporters and columnists for the Miami Herald, covering Broward and Miami-Dade County. She chronicled the history of the Black community in South Florida, including Provident Hospital, Dr. Von Mizell and Dr. James Sistrunk, Eula Johnson, and Samuel Morrison.","Oliver left the Miami Herald in 1990 to pursue a Master of Fine Arts degree in Creative Writing at Florida International University and graduated in 1994. This led to her writing \"Multicolored Memories of a Black Southern Girl,\" a collection autobiographical essays about coming of age with integration and cultural diversity in Jacksonville and attending the University of Florida, working in South Florida, and her international travel.  ","After earning her M.A., she began the Race and Change Oral History Project, collecting oral histories of minority groups in Hollywood, Florida. She worked as a fulltime professor of Creative Writing and Multicultural Literature, Oral History Writing, and Ethnic Communication at Florida International University from 1994 to 1996 and at Florida Atlantic University's Broward Campuses from 1996 to 2006. During that time, she developed the Race and Change oral history methodology for cross-cultural research by students and communities. The work includes the Race and Change Project, the Kitty Oliver Oral Histories Archive, and the multimedia audio, webcast radio and television Race and Change Initiative with intergenerational stories. She donated her collection of 125 interviews to the African American Research Library and Cultural Center Special collections in 2004.","Oliver completed a Ph.D. in Comparative Studies from Florida Atlantic University in 2009, focusing on race and ethnic communication. Her degree included the creation of the 10-part public television documentary series \"Crossing Cultures, Changing Lives\" featuring  archival Race and Change Oral Histories narrators.","Dr. Kitty Oliver also specializes in books, television documentaries and literary performances which explore race and ethnic issues. Dr. Oliver conducts community oral history field work and is a member of the Oral History Association (OHA). Additionally, she serves as president of Kitty O. Enterprises, Inc. – which aids as a cultural diversity consulting firm located in Fort Lauderdale, Florida (Broward County).","Her major public television and video productions include the PBS documentary series \"Celebrate...the Cultural Connections\" and a 10-part series, \"Crossing Cultures/Changing Lives\", which premiered in Florida, Spring, 2008 on WBEC-TV (Beacon-TV). Dr. Oliver's contemporary work includes ongoing lecture series detailing her Race and Change project. Additionally, she produced a book entitled \"Race and Change in Hollywood, Florida (Voices of America)\" in 2000.","Dr. Kitty Oliver married Ricky Oliver in 1969, and they had two children, Kali and Brian Oliver. They divorced in 1989. Kitty Oliver married Arthur I. Musson, Jr. in 2018.","The Kitty Oliver Collection is open for research."],"prefercite_html_tesm":["\u003cp\u003eKitty Oliver Collection (AARLCC-2004.1), AALRCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Kitty Oliver Collection (AARLCC-2004.1), AALRCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding-aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding-aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/k-oliver1/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Kitty Oliver Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Kitty Oliver Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Kitty Oliver Collection consists of correspondence, personal and professional papers, photographs, newspaper clippings, printed materials, and awards of South Florida journalist and educator Kitty Oliver. \u003c/p\u003e\n","\u003cp\u003eThe collection also contains the Race and Change Project, a group of multiple oral history interviews with African-Americans, European-Americans, and immigrants regarding their memories growing up in Broward County, the United States, and other countries. Subjects include family and community lifestyle, race relations and societal change from the late 1920's through the aftermath of the Civil Rights Act of 1964 and desegregation. The collection contains audio and visual content of participants from the Race and Change Project including research composed by students taught by Kitty Oliver, and an essay written by Deborah Works entitled \"Historical Sketches and Rare Glimpses of the North Fork of the New River: a history of its natural and human environment\" (2001). The majority of Dr. Oliver's questionnaires, transcripts and interviews consist of ongoing research study of race and ethnic relations, geographical history and social change through the collection of oral histories of Whites, Blacks/African-Americans and immigrants of various Hispanic/Latinx, Caribbean and Asian backgrounds. Research sites include the South Florida cities of Hollywood, Fort Lauderdale, West Palm Beach, Miami, Opa-locka, Delray Beach and Boca Raton; North Fork and Liberia \u0026#x2013; historically significant Black/African-American communities; towns along Florida's landmark Lake Okeechobee; Stranahan High School in Fort Lauderdale; and Ghana, West Africa \u0026#x2013; where women who have experienced America's racial climate shared their stories.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Kitty Oliver Collection consists of correspondence, personal and professional papers, photographs, newspaper clippings, printed materials, and awards of South Florida journalist and educator Kitty Oliver. ","The collection also contains the Race and Change Project, a group of multiple oral history interviews with African-Americans, European-Americans, and immigrants regarding their memories growing up in Broward County, the United States, and other countries. Subjects include family and community lifestyle, race relations and societal change from the late 1920's through the aftermath of the Civil Rights Act of 1964 and desegregation. The collection contains audio and visual content of participants from the Race and Change Project including research composed by students taught by Kitty Oliver, and an essay written by Deborah Works entitled \"Historical Sketches and Rare Glimpses of the North Fork of the New River: a history of its natural and human environment\" (2001). The majority of Dr. Oliver's questionnaires, transcripts and interviews consist of ongoing research study of race and ethnic relations, geographical history and social change through the collection of oral histories of Whites, Blacks/African-Americans and immigrants of various Hispanic/Latinx, Caribbean and Asian backgrounds. Research sites include the South Florida cities of Hollywood, Fort Lauderdale, West Palm Beach, Miami, Opa-locka, Delray Beach and Boca Raton; North Fork and Liberia – historically significant Black/African-American communities; towns along Florida's landmark Lake Okeechobee; Stranahan High School in Fort Lauderdale; and Ghana, West Africa – where women who have experienced America's racial climate shared their stories."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default\" target=\"_blank\"\u003eSome materials from this collection were cataloged in the Broward County Library catalog with the prefix \"OLI\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Some materials from this collection were cataloged in the Broward County Library catalog with the prefix \"OLI\"."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":418,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455827155451904,"_root_":"a00ac4456d001c4f5b29b5b6","timestamp":"2026-09-16T03:02:08.218Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a00ac4456d001c4f5b29b5b6_aspace_faacfba2f0a94a4f1da2315ca758bb36"}},{"id":"a0b8dca0cc27e719e79a099f_aspace_b70c0b7c021a9887a1c5b1bdc55d6354","type":"File","attributes":{"title":"Facilities, 1981-2011","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_b70c0b7c021a9887a1c5b1bdc55d6354#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eFolder includes correspondence and expenditure documents related to facilities maintenance.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_b70c0b7c021a9887a1c5b1bdc55d6354#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_b70c0b7c021a9887a1c5b1bdc55d6354","ref_ssm":["aspace_b70c0b7c021a9887a1c5b1bdc55d6354","aspace_b70c0b7c021a9887a1c5b1bdc55d6354"],"id":"a0b8dca0cc27e719e79a099f_aspace_b70c0b7c021a9887a1c5b1bdc55d6354","title_filing_ssi":"Facilities","title_ssm":["Facilities"],"title_tesim":["Facilities"],"unitdate_inclusive_ssm":["1981-2011"],"normalized_date_ssm":["1981-2011"],"normalized_title_ssm":["Facilities, 1981-2011"],"text":["Facilities, 1981-2011","Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Corkscrew Swamp Sanctuary Records","Equipment-Field Notebooks I","/repositories/2/archival_objects/198547","box 9","folder 3","Folder includes correspondence and expenditure documents related to facilities maintenance."],"component_level_isim":[3],"parent_ids_ssim":["a0b8dca0cc27e719e79a099f","a0b8dca0cc27e719e79a099f_aspace_e321b62174c707b70994a33f9c213e29","a0b8dca0cc27e719e79a099f_aspace_4b9622aa3b4725b22fa3ecd188115d32"],"parent_unittitles_ssm":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Corkscrew Swamp Sanctuary Records","Equipment-Field Notebooks I"],"parent_unittitles_tesim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Corkscrew Swamp Sanctuary Records","Equipment-Field Notebooks I"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["/repositories/2/archival_objects/198547"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":177,"parent_access_restrict_tesm":["Until 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"containers_ssim":["box 9","folder 3"],"scopecontent_html_tesm":["\u003cp\u003eFolder includes correspondence and expenditure documents related to facilities maintenance.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Folder includes correspondence and expenditure documents related to facilities maintenance."],"_nest_path_":"/components#0/components#8/components#2","_nest_parent_":"a0b8dca0cc27e719e79a099f_aspace_4b9622aa3b4725b22fa3ecd188115d32","_root_":"a0b8dca0cc27e719e79a099f","_version_":1872946110924849152,"timestamp":"2026-08-08T09:16:41.949Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a0b8dca0cc27e719e79a099f","title_ssm":["Audubon Society Corkscrew Swamp Sanctuary records"],"title_tesim":["Audubon Society Corkscrew Swamp Sanctuary records"],"ead_ssi":"a0b8dca0cc27e719e79a099f","unitdate_ssm":["1937-2019"],"unitdate_inclusive_ssm":["1937-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2020-03","/repositories/2/resources/583"],"text":["MS-2020-03","/repositories/2/resources/583","Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Ecology -- Florida","Conservationists -- Florida","Birds -- Habitat -- Florida","Birds -- Migration","Good.","Until 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society.","This collection is divided into four series: Corkscrew Swamp Sanctuary records, subject files, photographs and slides, and oversized material. The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically.","Audubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns.","The Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record.","This collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings.","Maps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. Rainey Wildlife Sanctuary and Platte River.","USF Libraries - Tampa Special Collections","Ed Carlson","English"],"unitid_tesim":["MS-2020-03","/repositories/2/resources/583"],"normalized_date_ssm":["1937-2019"],"normalized_title_ssm":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"collection_title_tesim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"collection_ssim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Ed Carlson"],"creator_ssim":["Ed Carlson"],"creator_persname_ssim":["Ed Carlson"],"creators_ssim":["Ed Carlson"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Ecology -- Florida","Conservationists -- Florida","Birds -- Habitat -- Florida","Birds -- Migration"],"access_subjects_ssm":["Ecology -- Florida","Conservationists -- Florida","Birds -- Habitat -- Florida","Birds -- Migration"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good."],"extent_ssm":["51 Linear Feet","96 boxes"],"extent_tesim":["51 Linear Feet","96 boxes"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eUntil 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Until 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into four series: Corkscrew Swamp Sanctuary records, subject files, photographs and slides, and oversized material. The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is divided into four series: Corkscrew Swamp Sanctuary records, subject files, photographs and slides, and oversized material. The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003eAudubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns.\u003c/p\u003e"],"bioghist_heading_ssm":["Content Description"],"bioghist_tesim":["Audubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns."],"odd_html_tesm":["\u003cp\u003eThe Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record.\u003c/p\u003e"],"odd_heading_ssm":["Cataloged Publications"],"odd_tesim":["The Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings."],"separatedmaterial_html_tesm":["\u003cp\u003eMaps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Maps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bf60a5a83f90c49360b71829ac95b658\"\u003eThe Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. Rainey Wildlife Sanctuary and Platte River.\u003c/abstract\u003e"],"abstract_tesim":["The Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. Rainey Wildlife Sanctuary and Platte River."],"names_ssim":["USF Libraries - Tampa Special Collections","Ed Carlson"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Ed Carlson"],"language_ssim":["English"],"total_component_count_is":2704,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872946110924849152,"_root_":"a0b8dca0cc27e719e79a099f","timestamp":"2026-08-08T09:16:41.949Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_b70c0b7c021a9887a1c5b1bdc55d6354"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Southwest Florida Regional Planning Council Collection, 1920-2020","value":"Southwest Florida Regional Planning Council Collection, 1920-2020","hits":347},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Southwest+Florida+Regional+Planning+Council+Collection%2C+1920-2020\u0026f%5Bdate_range%5D%5B%5D=1995\u0026view=compact"}},{"attributes":{"label":"USF Athletics collection, bulk 1956-Present","value":"USF Athletics collection, bulk 1956-Present","hits":245},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=USF+Athletics+collection%2C+bulk+1956-Present\u0026f%5Bdate_range%5D%5B%5D=1995\u0026view=compact"}},{"attributes":{"label":"Susan Evans Papers, 1988-2021, bulk 1993-2011, 1995-2007","value":"Susan Evans Papers, 1988-2021, bulk 1993-2011, 1995-2007","hits":203},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Susan+Evans+Papers%2C+1988-2021%2C+bulk+1993-2011%2C+1995-2007\u0026f%5Bdate_range%5D%5B%5D=1995\u0026view=compact"}},{"attributes":{"label":"Sally Thompson collection, 1976-2019","value":"Sally Thompson collection, 1976-2019","hits":196},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Sally+Thompson+collection%2C+1976-2019\u0026f%5Bdate_range%5D%5B%5D=1995\u0026view=compact"}},{"attributes":{"label":"Dr. Edna Louise Saffy Papers, 1962-2013","value":"Dr. Edna Louise Saffy Papers, 1962-2013","hits":161},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Dr.+Edna+Louise+Saffy+Papers%2C+1962-2013\u0026f%5Bdate_range%5D%5B%5D=1995\u0026view=compact"}},{"attributes":{"label":"Edith \"Edie\" Daly / Women's Energy Bank collection, 1973-2014, Date acquired: 2006, bulk 1990-1998","value":"Edith \"Edie\" Daly / Women's Energy Bank collection, 1973-2014, Date acquired: 2006, bulk 1990-1998","hits":148},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Edith+%22Edie%22+Daly+%2F+Women%27s+Energy+Bank+collection%2C+1973-2014%2C+Date+acquired%3A+2006%2C+bulk+1990-1998\u0026f%5Bdate_range%5D%5B%5D=1995\u0026view=compact"}},{"attributes":{"label":"Democratic Women's Club of Florida, Inc. 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