{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1994\u0026page=395","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1994\u0026page=394","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1994\u0026page=396","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1994\u0026page=580"},"meta":{"pages":{"current_page":395,"next_page":396,"prev_page":394,"total_pages":580,"limit_value":10,"offset_value":3940,"total_count":5792,"first_page?":false,"last_page?":false}},"data":[{"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesII","type":"Series","attributes":{"title":"Personal Files, 1895-2005, Undated.","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesII#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eSeries II contains correspondence mainly to the Kemble family concerning Edward W. 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Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. 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Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"scopecontent_html_tesm":["\u003cp\u003eSeries II contains correspondence mainly to the Kemble family concerning Edward W. 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Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. 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He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.","Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.","A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog .","This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. 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Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Francis Martin Jr. donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2018 (CFM2018_15) and 2020 (CFM2020_02, CFM2020_03, CFM2020_16)."],"access_subjects_ssim":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"access_subjects_ssm":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"has_online_content_ssim":["false"],"extent_ssm":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"extent_tesim":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"genreform_ssim":["manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"date_range_isim":[1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is itemized and arranged in alphabetical and chronological order."],"bioghist_html_tesm":["\u003cp\u003eFrancis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners."],"prefercite_html_tesm":["\u003cp\u003eFred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMarlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eA small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online \u003cextref href=\"https://library.ucf.edu\"\u003eLibrary Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e\n","\u003cp\u003eSeries I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.\u003c/p\u003e\n","\u003cp\u003eSeries II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026amp; posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.\u003c/p\u003e\n","\u003cp\u003eSeries III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.\u003c/p\u003e\n","\u003cp\u003eSeries IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4a581e455cb123495b610919f342aacb\"\u003eThe Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.\u003c/abstract\u003e"],"abstract_tesim":["The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection."],"names_ssim":["UCF Special Collections","Martin, Francis John, Jr."],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Martin, Francis John, Jr."],"language_ssim":["The materials are written in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":459,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872035374829666304,"_root_":"2a6a6aa34a3c99c1b1b95ea9","timestamp":"2026-07-29T08:00:56.373Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesII"}},{"id":"236a3c88b766327883b2e155_aspace_5dbb28d34a5754be60933b8120ba5670","type":"Series","attributes":{"title":"Personal Files, 1910–2015","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_5dbb28d34a5754be60933b8120ba5670#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_5dbb28d34a5754be60933b8120ba5670#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5dbb28d34a5754be60933b8120ba5670","ref_ssm":["aspace_5dbb28d34a5754be60933b8120ba5670","aspace_5dbb28d34a5754be60933b8120ba5670"],"id":"236a3c88b766327883b2e155_aspace_5dbb28d34a5754be60933b8120ba5670","title_filing_ssi":"Personal Files","title_ssm":["Personal Files"],"title_tesim":["Personal Files"],"unitdate_inclusive_ssm":["1910–2015"],"normalized_date_ssm":["1910–2015"],"normalized_title_ssm":["Personal Files, 1910–2015"],"text":["Personal Files, 1910–2015","Joy Postle papers, 1910-2015","/repositories/4/archival_objects/87634","/repositories/4/archival_objects/91131","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"component_level_isim":[1],"parent_ids_ssim":["236a3c88b766327883b2e155"],"parent_unittitles_ssm":["Joy Postle papers, 1910-2015"],"parent_unittitles_tesim":["Joy Postle papers, 1910-2015"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/4/archival_objects/87634","/repositories/4/archival_objects/91131"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Joy Postle papers, 1910-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":11,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":394,"parent_access_restrict_tesm":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"scopecontent_html_tesm":["\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"_nest_path_":"/components#3","_nest_parent_":"236a3c88b766327883b2e155","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_5dbb28d34a5754be60933b8120ba5670"}},{"id":"1bd2b3a5aa54c3d8f9586e86_aspace_seriesI","type":"Series","attributes":{"title":"Personal Files, 1990-2013, Undated.","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/1bd2b3a5aa54c3d8f9586e86_aspace_seriesI#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003ePersonal Files include identification cards, business cards, correspondences, as well as newspaper clippings. Within this collection also exists the \"Doris Leeper Collection - Art Services 2000 Research,\" these folders do also contain quite a bit of photographs.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1bd2b3a5aa54c3d8f9586e86_aspace_seriesI#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_seriesI","ref_ssm":["aspace_seriesI","aspace_seriesI"],"id":"1bd2b3a5aa54c3d8f9586e86_aspace_seriesI","title_filing_ssi":"Personal Files","title_ssm":["Personal Files"],"title_tesim":["Personal Files"],"unitdate_inclusive_ssm":["1990-2013, Undated."],"normalized_date_ssm":["1990-2013, Undated."],"normalized_title_ssm":["Personal Files, 1990-2013, Undated."],"text":["Personal Files, 1990-2013, Undated.","Beth Urban Collection on Doris Leeper, Circa 1930-2013","Series 1","/repositories/4/archival_objects/55762","Personal Files include identification cards, business cards, correspondences, as well as newspaper clippings. Within this collection also exists the \"Doris Leeper Collection - Art Services 2000 Research,\" these folders do also contain quite a bit of photographs."],"component_level_isim":[1],"parent_ids_ssim":["1bd2b3a5aa54c3d8f9586e86"],"parent_unittitles_ssm":["Beth Urban Collection on Doris Leeper, Circa 1930-2013"],"parent_unittitles_tesim":["Beth Urban Collection on Doris Leeper, Circa 1930-2013"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 1","/repositories/4/archival_objects/55762"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Beth Urban Collection on Doris Leeper, Circa 1930-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":10,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"scopecontent_html_tesm":["\u003cp\u003ePersonal Files include identification cards, business cards, correspondences, as well as newspaper clippings. Within this collection also exists the \"Doris Leeper Collection - Art Services 2000 Research,\" these folders do also contain quite a bit of photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Personal Files include identification cards, business cards, correspondences, as well as newspaper clippings. Within this collection also exists the \"Doris Leeper Collection - Art Services 2000 Research,\" these folders do also contain quite a bit of photographs."],"_nest_path_":"/components#0","_nest_parent_":"1bd2b3a5aa54c3d8f9586e86","_root_":"1bd2b3a5aa54c3d8f9586e86","_version_":1870857766114951168,"timestamp":"2026-07-16T08:03:21.192Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1bd2b3a5aa54c3d8f9586e86","title_ssm":["Beth Urban Collection on Doris Leeper"],"title_tesim":["Beth Urban Collection on Doris Leeper"],"ead_ssi":"1bd2b3a5aa54c3d8f9586e86","unitdate_ssm":["Circa 1930-2013"],"unitdate_inclusive_ssm":["Circa 1930-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.117","/repositories/4/resources/217"],"text":["SC.117","/repositories/4/resources/217","Beth Urban Collection on Doris Leeper, Circa 1930-2013","Art -- Exhibitions","Art -- Florida","Artists -- Florida -- Biography","correspondence","newsletters","Pamphlets","photographs","videodiscs (video recording disks)","newspapers","portraits","The entire collection is open for research.","Doris \"Doc\" Leeper was an internationally known artist and environmental activist. Leeper was the founder of the Atlantic Center of the Arts, which resides in New Smyrna Beach, FL, and she was also crucial to the creation of Canaveral National Seashore and the Spruce Creek Preserve. In 1999, Doris Leeper was inducted into the Florida Artists Hall of Fame; like artists Tennessee Williams and Ernest Hemingway.","Leeper was born on April 4th, 1929 in Charlotte, North Carolina. She grew up in Charlotte where she graduated from high school with an honors degree in 1947. This led to her admittance to Duke University for a pre-med track - this is where Leeper acquired the nickname \"Doc\". After some push from mentor and professor Charles Sibley, Leeper switched her major to Art History, which she graduated with honors in 1951. Post-graduation, Leeper moved to Atlanta to work in screen printing and work on her art during off-time.","Leeper moved to Eldora, Florida in 1960 after visiting a few years prior and falling in love with naturalistic aesthetic of the area. Once in Eldora, Leeper really began her push for environmental change; starting with voting \"no\" for the addition of a paved road in Eldora. She continued to push for environmental action to happen along the coast - pushing for the creation of the Canaveral National Seashore. After a long fight, where President Richard Nixon refused to sign into law any more National Parks, President Gerald Ford signed the Canaveral National Seashore into law on January 1st, 1975.","Leeper then moved her focus on the idea of creating an Interdisciplinary Artist Residency. She created the Atlantic Center of the Arts in 1977 - where artists from all backgrounds came to mentor other artists. During the build, her focus on environmentalism was still front and center. Leeper told friend and architect Will Miller to cut down as few trees and to disrupt as little nature as possible. Miller did exactly that, creating a haven for artists to feel connected to nature and themselves. Leeper's art was one-of-a-kind, focusing on using spray paints instead of acrylic or oil, or the use of conventional brushes. Most of her art work is so unique it is not able to be restored due to the process of her art style. She, later in her career, migrated more towards sculptures, focusing on harsh-dramatic lines.","Leeper received an Honorary Doctorate in Humanities from Stetson University on May 11th, 1997. She also received an Honorary Doctorate in Fine Arts from her Alma Mater, Duke University, on May 18th, 1997. A few years later in 1999, Leeper was placed in the Florida Artists Hall of Fame - with artists like Ray Charles and Ernest Hemingway. In 1990, Leeper discovered a lump in her breast that quickly disappeared before obtaining a biopsy. In 1993, that lump returned, and it was confirmed to be cancerous. Leeper pushed on throughout the rest of her life, ensuring that she wouldn't let cancer bring her down. Leeper died just after her 71st birthday on April 11th, 2000.","Doris Leeper: A Retrospective, 1995","The First Decade: Atlantic Center for the Arts, 1987","The Second Decade: 1987-1997, [199?]","Doris Leeper Papers","Series I: Personal Files, 1990-2010, Undated, contains identification cards, business cards, awards, and correspondence. This collection also houses newspaper clippings describing Leeper's artwork and remembering her after her death. There is also a sub-series; Doris Leeper Collection - Art Services 2000 Research, which is art research documents, documenting her art and appraisal values.","Series II: Publications, 1975-2013, Undated, holds various publications that tie to Doris Leeper's artwork as well as her awards. There is a sub-series; Atlantic Center for the Arts, which houses brochures for events, celebrations, and memberships, as well as a lecture.","Series III: Photographs, Circa 1930-1998, Undated, this series houses photographs that range from Doris Leeper's youth up until just a few years prior to her death. There are professional portraits, photographs of Leeper's artwork, as well as home photographs.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Beth Urban Collection on Doris Leeper consists of personal files, publications and photographs that highlight Leeper's artwork, the Atlantic Center for the Arts, as well as her personal life. This collection highlights Leeper's life from a very early age through her continued impact many years after her passing.","UCF Special Collections","Atlantic Center for the Arts (New Smyrna Beach, Fla.)","Leeper, Doris, 1929-2000","The materials are written in English"],"unitid_tesim":["SC.117","/repositories/4/resources/217"],"normalized_date_ssm":["Circa 1930-2013"],"normalized_title_ssm":["Beth Urban Collection on Doris Leeper, Circa 1930-2013"],"collection_title_tesim":["Beth Urban Collection on Doris Leeper, Circa 1930-2013"],"collection_ssim":["Beth Urban Collection on Doris Leeper, Circa 1930-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Beth Urban donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2019 (CFM2019_09)."],"access_subjects_ssim":["Art -- Exhibitions","Art -- Florida","Artists -- Florida -- Biography","correspondence","newsletters","Pamphlets","photographs","videodiscs (video recording disks)","newspapers","portraits"],"access_subjects_ssm":["Art -- Exhibitions","Art -- Florida","Artists -- Florida -- Biography","correspondence","newsletters","Pamphlets","photographs","videodiscs (video recording disks)","newspapers","portraits"],"has_online_content_ssim":["false"],"extent_ssm":["1.75 Linear Feet 4 Boxes"],"extent_tesim":["1.75 Linear Feet 4 Boxes"],"genreform_ssim":["correspondence","newsletters","Pamphlets","photographs","videodiscs (video recording disks)","newspapers","portraits"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eDoris \"Doc\" Leeper was an internationally known artist and environmental activist. Leeper was the founder of the Atlantic Center of the Arts, which resides in New Smyrna Beach, FL, and she was also crucial to the creation of Canaveral National Seashore and the Spruce Creek Preserve. In 1999, Doris Leeper was inducted into the Florida Artists Hall of Fame; like artists Tennessee Williams and Ernest Hemingway.\u003c/p\u003e\n","\u003cp\u003eLeeper was born on April 4th, 1929 in Charlotte, North Carolina. She grew up in Charlotte where she graduated from high school with an honors degree in 1947. This led to her admittance to Duke University for a pre-med track - this is where Leeper acquired the nickname \"Doc\". After some push from mentor and professor Charles Sibley, Leeper switched her major to Art History, which she graduated with honors in 1951. Post-graduation, Leeper moved to Atlanta to work in screen printing and work on her art during off-time.\u003c/p\u003e\n","\u003cp\u003eLeeper moved to Eldora, Florida in 1960 after visiting a few years prior and falling in love with naturalistic aesthetic of the area. Once in Eldora, Leeper really began her push for environmental change; starting with voting \"no\" for the addition of a paved road in Eldora. She continued to push for environmental action to happen along the coast - pushing for the creation of the Canaveral National Seashore. After a long fight, where President Richard Nixon refused to sign into law any more National Parks, President Gerald Ford signed the Canaveral National Seashore into law on January 1st, 1975.\u003c/p\u003e\n","\u003cp\u003eLeeper then moved her focus on the idea of creating an Interdisciplinary Artist Residency. She created the Atlantic Center of the Arts in 1977 - where artists from all backgrounds came to mentor other artists. During the build, her focus on environmentalism was still front and center. Leeper told friend and architect Will Miller to cut down as few trees and to disrupt as little nature as possible. Miller did exactly that, creating a haven for artists to feel connected to nature and themselves. Leeper's art was one-of-a-kind, focusing on using spray paints instead of acrylic or oil, or the use of conventional brushes. Most of her art work is so unique it is not able to be restored due to the process of her art style. She, later in her career, migrated more towards sculptures, focusing on harsh-dramatic lines.\u003c/p\u003e\n","\u003cp\u003eLeeper received an Honorary Doctorate in Humanities from Stetson University on May 11th, 1997. She also received an Honorary Doctorate in Fine Arts from her Alma Mater, Duke University, on May 18th, 1997. A few years later in 1999, Leeper was placed in the Florida Artists Hall of Fame - with artists like Ray Charles and Ernest Hemingway. In 1990, Leeper discovered a lump in her breast that quickly disappeared before obtaining a biopsy. In 1993, that lump returned, and it was confirmed to be cancerous. Leeper pushed on throughout the rest of her life, ensuring that she wouldn't let cancer bring her down. Leeper died just after her 71st birthday on April 11th, 2000.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Doris \"Doc\" Leeper was an internationally known artist and environmental activist. Leeper was the founder of the Atlantic Center of the Arts, which resides in New Smyrna Beach, FL, and she was also crucial to the creation of Canaveral National Seashore and the Spruce Creek Preserve. In 1999, Doris Leeper was inducted into the Florida Artists Hall of Fame; like artists Tennessee Williams and Ernest Hemingway.","Leeper was born on April 4th, 1929 in Charlotte, North Carolina. She grew up in Charlotte where she graduated from high school with an honors degree in 1947. This led to her admittance to Duke University for a pre-med track - this is where Leeper acquired the nickname \"Doc\". After some push from mentor and professor Charles Sibley, Leeper switched her major to Art History, which she graduated with honors in 1951. Post-graduation, Leeper moved to Atlanta to work in screen printing and work on her art during off-time.","Leeper moved to Eldora, Florida in 1960 after visiting a few years prior and falling in love with naturalistic aesthetic of the area. Once in Eldora, Leeper really began her push for environmental change; starting with voting \"no\" for the addition of a paved road in Eldora. She continued to push for environmental action to happen along the coast - pushing for the creation of the Canaveral National Seashore. After a long fight, where President Richard Nixon refused to sign into law any more National Parks, President Gerald Ford signed the Canaveral National Seashore into law on January 1st, 1975.","Leeper then moved her focus on the idea of creating an Interdisciplinary Artist Residency. She created the Atlantic Center of the Arts in 1977 - where artists from all backgrounds came to mentor other artists. During the build, her focus on environmentalism was still front and center. Leeper told friend and architect Will Miller to cut down as few trees and to disrupt as little nature as possible. Miller did exactly that, creating a haven for artists to feel connected to nature and themselves. Leeper's art was one-of-a-kind, focusing on using spray paints instead of acrylic or oil, or the use of conventional brushes. Most of her art work is so unique it is not able to be restored due to the process of her art style. She, later in her career, migrated more towards sculptures, focusing on harsh-dramatic lines.","Leeper received an Honorary Doctorate in Humanities from Stetson University on May 11th, 1997. She also received an Honorary Doctorate in Fine Arts from her Alma Mater, Duke University, on May 18th, 1997. A few years later in 1999, Leeper was placed in the Florida Artists Hall of Fame - with artists like Ray Charles and Ernest Hemingway. In 1990, Leeper discovered a lump in her breast that quickly disappeared before obtaining a biopsy. In 1993, that lump returned, and it was confirmed to be cancerous. Leeper pushed on throughout the rest of her life, ensuring that she wouldn't let cancer bring her down. Leeper died just after her 71st birthday on April 11th, 2000."],"prefercite_html_tesm":["\u003cp\u003eBeth Urban Collection on Doris Leeper, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Beth Urban Collection on Doris Leeper, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990258927300306596\" show=\"new\"\u003eDoris Leeper: A Retrospective, 1995\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990289293970306596\" show=\"new\"\u003eThe First Decade: Atlantic Center for the Arts, 1987\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990299590550306596\" show=\"new\"\u003eThe Second Decade: 1987-1997, [199?]\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2003-04\" show=\"new\"\u003eDoris Leeper Papers\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Doris Leeper: A Retrospective, 1995","The First Decade: Atlantic Center for the Arts, 1987","The Second Decade: 1987-1997, [199?]","Doris Leeper Papers"],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Personal Files, 1990-2010, Undated, contains identification cards, business cards, awards, and correspondence. This collection also houses newspaper clippings describing Leeper's artwork and remembering her after her death. There is also a sub-series; Doris Leeper Collection - Art Services 2000 Research, which is art research documents, documenting her art and appraisal values.\u003c/p\u003e\n","\u003cp\u003eSeries II: Publications, 1975-2013, Undated, holds various publications that tie to Doris Leeper's artwork as well as her awards. There is a sub-series; Atlantic Center for the Arts, which houses brochures for events, celebrations, and memberships, as well as a lecture.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, Circa 1930-1998, Undated, this series houses photographs that range from Doris Leeper's youth up until just a few years prior to her death. There are professional portraits, photographs of Leeper's artwork, as well as home photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["Series I: Personal Files, 1990-2010, Undated, contains identification cards, business cards, awards, and correspondence. This collection also houses newspaper clippings describing Leeper's artwork and remembering her after her death. There is also a sub-series; Doris Leeper Collection - Art Services 2000 Research, which is art research documents, documenting her art and appraisal values.","Series II: Publications, 1975-2013, Undated, holds various publications that tie to Doris Leeper's artwork as well as her awards. There is a sub-series; Atlantic Center for the Arts, which houses brochures for events, celebrations, and memberships, as well as a lecture.","Series III: Photographs, Circa 1930-1998, Undated, this series houses photographs that range from Doris Leeper's youth up until just a few years prior to her death. There are professional portraits, photographs of Leeper's artwork, as well as home photographs."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e91330cd1bdee9022869c5487bfc88aa\"\u003eThe Beth Urban Collection on Doris Leeper consists of personal files, publications and photographs that highlight Leeper's artwork, the Atlantic Center for the Arts, as well as her personal life. This collection highlights Leeper's life from a very early age through her continued impact many years after her passing.\u003c/abstract\u003e"],"abstract_tesim":["The Beth Urban Collection on Doris Leeper consists of personal files, publications and photographs that highlight Leeper's artwork, the Atlantic Center for the Arts, as well as her personal life. This collection highlights Leeper's life from a very early age through her continued impact many years after her passing."],"names_coll_ssim":["Atlantic Center for the Arts (New Smyrna Beach, Fla.)","Leeper, Doris, 1929-2000"],"names_ssim":["UCF Special Collections","Atlantic Center for the Arts (New Smyrna Beach, Fla.)","Leeper, Doris, 1929-2000"],"corpname_ssim":["UCF Special Collections","Atlantic Center for the Arts (New Smyrna Beach, Fla.)"],"persname_ssim":["Leeper, Doris, 1929-2000"],"language_ssim":["The materials are written in English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":32,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857766114951168,"_root_":"1bd2b3a5aa54c3d8f9586e86","timestamp":"2026-07-16T08:03:21.192Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/1bd2b3a5aa54c3d8f9586e86_aspace_seriesI"}},{"id":"b7498bda986ffa25b8231833_aspace_2d8cf72a84a67730f78cbf064ecf31f4","type":"File","attributes":{"title":"Personal: Kleinberg, Howard - Correspondence \u0026 Research Notes - Discrimination Article in Miami Herald, 1993-1997","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b7498bda986ffa25b8231833_aspace_2d8cf72a84a67730f78cbf064ecf31f4#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_2d8cf72a84a67730f78cbf064ecf31f4","ref_ssm":["aspace_2d8cf72a84a67730f78cbf064ecf31f4","aspace_2d8cf72a84a67730f78cbf064ecf31f4"],"id":"b7498bda986ffa25b8231833_aspace_2d8cf72a84a67730f78cbf064ecf31f4","title_filing_ssi":"Personal: Kleinberg, Howard - Correspondence \u0026 Research Notes - Discrimination Article in Miami Herald","title_ssm":["Personal: Kleinberg, Howard - Correspondence \u0026 Research Notes - Discrimination Article in Miami Herald"],"title_tesim":["Personal: Kleinberg, Howard - Correspondence \u0026 Research Notes - Discrimination Article in Miami Herald"],"unitdate_inclusive_ssm":["1993-1997"],"normalized_date_ssm":["1993-1997"],"normalized_title_ssm":["Personal: Kleinberg, Howard - Correspondence \u0026 Research Notes - Discrimination Article in Miami Herald, 1993-1997"],"text":["Personal: Kleinberg, Howard - Correspondence \u0026 Research Notes - Discrimination Article in Miami Herald, 1993-1997","Burnett Roth Collection, 1930-2001","Box 7","Folder 6","/repositories/2/archival_objects/83727","folder 6"],"component_level_isim":[2],"parent_ids_ssim":["b7498bda986ffa25b8231833","b7498bda986ffa25b8231833_aspace_32864"],"parent_unittitles_ssm":["Burnett Roth Collection, 1930-2001","Box 7"],"parent_unittitles_tesim":["Burnett Roth Collection, 1930-2001","Box 7"],"parent_levels_ssm":["collection","Other level"],"unitid_ssm":["Folder 6","/repositories/2/archival_objects/83727"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Burnett Roth Collection, 1930-2001"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":148,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"date_range_isim":[1993,1994,1995,1996,1997],"containers_ssim":["folder 6"],"_nest_path_":"/components#6/components#5","_nest_parent_":"b7498bda986ffa25b8231833_aspace_32864","_root_":"b7498bda986ffa25b8231833","timestamp":"2026-04-30T02:02:49.362Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b7498bda986ffa25b8231833","title_ssm":["Burnett Roth Collection"],"title_tesim":["Burnett Roth Collection"],"ead_ssi":"b7498bda986ffa25b8231833","unitdate_ssm":["1930-2001"],"unitdate_inclusive_ssm":["1930-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC5025","/repositories/2/resources/27"],"text":["SPC5025","/repositories/2/resources/27","Burnett Roth Collection, 1930-2001","Miami Beach","Jewish - Arab Relations","Jewish Leadership","Jewish Nationalism","Jewish veterans","Civil rights movement - US","civil rights workers","Anti-Defamation League","Jewish Lawyers","The collection is open for research.","Burnett Roth was born June 13, 1912 in Newark, New Jersey (due to the hospital in his family's home of Daytona being closed during the summer). He was raised in Daytona and Orlando, and he graduated from Orlando High School in 1930. In 1934 he graduated from the University of Florida with a degree in law. He subsequently attented the New York University (NYU) School of International Finance. He was briefly employed by the NRA (National Recovery Act of the New Deal) and the Resettlement Administration. He moved to Miami in 1936 to practice law. As one of only a few hundred Jews in the Miami area during the late 1930s, he experienced and witnessed a surge of anti-semitism. He enlisted in the Army in 1942 and had risen to the rank of Master Sergeant at the time of his discharge in 1945. He was stationed at Camp Blanding, Florida for the duration. \nDuring the 1950s Mr. Roth was a member of the Miami Beach City Commission, as well as serving for a period of time as Vice-Mayor. He served as president of the Miami and Miami Beach Districts of the Zionist Organization and its Emergency Council. He was the Florida State Commander of the Jewish War Veterans of the United States; President of the Sholem Lodge of B'nai B'rith, and General Counsel for the Florida Committee for Public Education and Religious Liberty. He also served as president of the United Cerebral Palsy of Dade County. However, while he was a member of many organizations, the bulk of this collection reflects his work with the Anti-Defamation League of B'Nai B'Rith. ","\nThe Anti-Defamation League (ADL) was founded in September 1913 by Sigmund Livingston. Its sole purpose was \"to stop, by appeals to reason and conscience and, if necessary, by appeals to law, the defamation of the Jewish people.\" The ADL is an international nonprofit Jewish organization that has stated that its primary purpose is \"to secure justice and fair treatment to all citizens alike, and to put an end forever to unjust and unfair discrimination against and ridicule of any sect or body of citizens.\" Burnett Roth, who became an active member of the ADL, was a lawyer and activist who resided in South Florida. While practicing law, Roth became an active member in equal rights amongst not just the Jewish community, but African Americans and all races as well. The mentality was all races regardless of background should not be segregated nor discriminated against. He passed away on July 8, 2008 at the age of 96.","Please note that this collection contains materials that may reflect outdated, biased, offensive, and possibly violent views and opinions. In addition, some of the materials may relate to violent or graphic events and are preserved for their historical significance.","This collection contains correspondence, memos, court dockets, news clippings, and meeting notes related to the Anti-defamation League (ADL). Mr. Roth was member of the National Board of Trustees of the B'Nai B'Rith Foundation of the United States; Vice-Chairman of the National Civil Rights Committee; Chairman of the Florida Regional Board of the ADL. His relationship with the ADL began in 1931 and continued through the 1990s. Additionally, this collection contains correspondence, photos, clippings, and ephemera from Burnett Roth's personal life. This includes material related to his education, military service during World War II, his career as an attorney in Miami, business ventures, and political offices. Some material related to his immediate family is included. Of special interest are notes compiled by Mr. Roth for an intended book about the history of Jewry in Florida.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","English"],"unitid_tesim":["SPC5025","/repositories/2/resources/27"],"normalized_date_ssm":["1930-2001"],"normalized_title_ssm":["Burnett Roth Collection, 1930-2001"],"collection_title_tesim":["Burnett Roth Collection, 1930-2001"],"collection_ssim":["Burnett Roth Collection, 1930-2001"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Miami Beach"],"geogname_ssim":["Miami Beach"],"places_ssim":["Miami Beach"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["Jewish - Arab Relations","Jewish Leadership","Jewish Nationalism","Jewish veterans","Civil rights movement - US","civil rights workers","Anti-Defamation League","Jewish Lawyers"],"access_subjects_ssm":["Jewish - Arab Relations","Jewish Leadership","Jewish Nationalism","Jewish veterans","Civil rights movement - US","civil rights workers","Anti-Defamation League","Jewish Lawyers"],"has_online_content_ssim":["false"],"extent_ssm":["11 boxes 7 Banker File Boxes\n2 Tall Legal Size Document Cases\n1 Small Flat Box\n1 Large Flat Box"],"extent_tesim":["11 boxes 7 Banker File Boxes\n2 Tall Legal Size Document Cases\n1 Small Flat Box\n1 Large Flat Box"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eBurnett Roth was born June 13, 1912 in Newark, New Jersey (due to the hospital in his family's home of Daytona being closed during the summer). He was raised in Daytona and Orlando, and he graduated from Orlando High School in 1930. In 1934 he graduated from the University of Florida with a degree in law. He subsequently attented the New York University (NYU) School of International Finance. He was briefly employed by the NRA (National Recovery Act of the New Deal) and the Resettlement Administration. He moved to Miami in 1936 to practice law. As one of only a few hundred Jews in the Miami area during the late 1930s, he experienced and witnessed a surge of anti-semitism. He enlisted in the Army in 1942 and had risen to the rank of Master Sergeant at the time of his discharge in 1945. He was stationed at Camp Blanding, Florida for the duration. \nDuring the 1950s Mr. Roth was a member of the Miami Beach City Commission, as well as serving for a period of time as Vice-Mayor. He served as president of the Miami and Miami Beach Districts of the Zionist Organization and its Emergency Council. He was the Florida State Commander of the Jewish War Veterans of the United States; President of the Sholem Lodge of B'nai B'rith, and General Counsel for the Florida Committee for Public Education and Religious Liberty. He also served as president of the United Cerebral Palsy of Dade County. However, while he was a member of many organizations, the bulk of this collection reflects his work with the Anti-Defamation League of B'Nai B'Rith. \u003c/p\u003e\n","\u003cp\u003e\nThe Anti-Defamation League (ADL) was founded in September 1913 by Sigmund Livingston. Its sole purpose was \"to stop, by appeals to reason and conscience and, if necessary, by appeals to law, the defamation of the Jewish people.\" The ADL is an international nonprofit Jewish organization that has stated that its primary purpose is \"to secure justice and fair treatment to all citizens alike, and to put an end forever to unjust and unfair discrimination against and ridicule of any sect or body of citizens.\" Burnett Roth, who became an active member of the ADL, was a lawyer and activist who resided in South Florida. While practicing law, Roth became an active member in equal rights amongst not just the Jewish community, but African Americans and all races as well. The mentality was all races regardless of background should not be segregated nor discriminated against. He passed away on July 8, 2008 at the age of 96.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Burnett Roth was born June 13, 1912 in Newark, New Jersey (due to the hospital in his family's home of Daytona being closed during the summer). He was raised in Daytona and Orlando, and he graduated from Orlando High School in 1930. In 1934 he graduated from the University of Florida with a degree in law. He subsequently attented the New York University (NYU) School of International Finance. He was briefly employed by the NRA (National Recovery Act of the New Deal) and the Resettlement Administration. He moved to Miami in 1936 to practice law. As one of only a few hundred Jews in the Miami area during the late 1930s, he experienced and witnessed a surge of anti-semitism. He enlisted in the Army in 1942 and had risen to the rank of Master Sergeant at the time of his discharge in 1945. He was stationed at Camp Blanding, Florida for the duration. \nDuring the 1950s Mr. Roth was a member of the Miami Beach City Commission, as well as serving for a period of time as Vice-Mayor. He served as president of the Miami and Miami Beach Districts of the Zionist Organization and its Emergency Council. He was the Florida State Commander of the Jewish War Veterans of the United States; President of the Sholem Lodge of B'nai B'rith, and General Counsel for the Florida Committee for Public Education and Religious Liberty. He also served as president of the United Cerebral Palsy of Dade County. However, while he was a member of many organizations, the bulk of this collection reflects his work with the Anti-Defamation League of B'Nai B'Rith. ","\nThe Anti-Defamation League (ADL) was founded in September 1913 by Sigmund Livingston. Its sole purpose was \"to stop, by appeals to reason and conscience and, if necessary, by appeals to law, the defamation of the Jewish people.\" The ADL is an international nonprofit Jewish organization that has stated that its primary purpose is \"to secure justice and fair treatment to all citizens alike, and to put an end forever to unjust and unfair discrimination against and ridicule of any sect or body of citizens.\" Burnett Roth, who became an active member of the ADL, was a lawyer and activist who resided in South Florida. While practicing law, Roth became an active member in equal rights amongst not just the Jewish community, but African Americans and all races as well. The mentality was all races regardless of background should not be segregated nor discriminated against. He passed away on July 8, 2008 at the age of 96."],"odd_html_tesm":["\u003cp\u003ePlease note that this collection contains materials that may reflect outdated, biased, offensive, and possibly violent views and opinions. In addition, some of the materials may relate to violent or graphic events and are preserved for their historical significance.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Notice"],"odd_tesim":["Please note that this collection contains materials that may reflect outdated, biased, offensive, and possibly violent views and opinions. In addition, some of the materials may relate to violent or graphic events and are preserved for their historical significance."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains correspondence, memos, court dockets, news clippings, and meeting notes related to the Anti-defamation League (ADL). Mr. Roth was member of the National Board of Trustees of the B'Nai B'Rith Foundation of the United States; Vice-Chairman of the National Civil Rights Committee; Chairman of the Florida Regional Board of the ADL. His relationship with the ADL began in 1931 and continued through the 1990s. Additionally, this collection contains correspondence, photos, clippings, and ephemera from Burnett Roth's personal life. This includes material related to his education, military service during World War II, his career as an attorney in Miami, business ventures, and political offices. Some material related to his immediate family is included. Of special interest are notes compiled by Mr. Roth for an intended book about the history of Jewry in Florida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains correspondence, memos, court dockets, news clippings, and meeting notes related to the Anti-defamation League (ADL). Mr. Roth was member of the National Board of Trustees of the B'Nai B'Rith Foundation of the United States; Vice-Chairman of the National Civil Rights Committee; Chairman of the Florida Regional Board of the ADL. His relationship with the ADL began in 1931 and continued through the 1990s. Additionally, this collection contains correspondence, photos, clippings, and ephemera from Burnett Roth's personal life. This includes material related to his education, military service during World War II, his career as an attorney in Miami, business ventures, and political offices. Some material related to his immediate family is included. Of special interest are notes compiled by Mr. Roth for an intended book about the history of Jewry in Florida."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":194,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"b7498bda986ffa25b8231833","timestamp":"2026-04-30T02:02:49.362Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b7498bda986ffa25b8231833_aspace_2d8cf72a84a67730f78cbf064ecf31f4"}},{"id":"d0c0ec0d01fac02c27f7a38e_aspace_1f713dd90aaee92e9fa3bf55ef705587","type":"File","attributes":{"title":"Personal Mementos, 1979-1997","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d0c0ec0d01fac02c27f7a38e_aspace_1f713dd90aaee92e9fa3bf55ef705587#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1f713dd90aaee92e9fa3bf55ef705587","ref_ssm":["aspace_1f713dd90aaee92e9fa3bf55ef705587","aspace_1f713dd90aaee92e9fa3bf55ef705587"],"id":"d0c0ec0d01fac02c27f7a38e_aspace_1f713dd90aaee92e9fa3bf55ef705587","title_filing_ssi":"Personal Mementos","title_ssm":["Personal Mementos"],"title_tesim":["Personal Mementos"],"unitdate_inclusive_ssm":["1979-1997"],"normalized_date_ssm":["1979-1997"],"normalized_title_ssm":["Personal Mementos, 1979-1997"],"text":["Personal Mementos, 1979-1997","Melodie Moorehead Papers, 1970-2021","Box 1","/repositories/2/archival_objects/77599","box 1","folder 1"],"component_level_isim":[2],"parent_ids_ssim":["d0c0ec0d01fac02c27f7a38e","d0c0ec0d01fac02c27f7a38e_aspace_fe1fe83c023e2c941714aa15aacc4e59"],"parent_unittitles_ssm":["Melodie Moorehead Papers, 1970-2021","Box 1"],"parent_unittitles_tesim":["Melodie Moorehead Papers, 1970-2021","Box 1"],"parent_levels_ssm":["collection","Other level"],"unitid_ssm":["/repositories/2/archival_objects/77599"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Melodie Moorehead Papers, 1970-2021"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["The Melodie Moorehead Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"containers_ssim":["box 1","folder 1"],"_nest_path_":"/components#0/components#0","_nest_parent_":"d0c0ec0d01fac02c27f7a38e_aspace_fe1fe83c023e2c941714aa15aacc4e59","_root_":"d0c0ec0d01fac02c27f7a38e","_version_":1879179292500295680,"timestamp":"2026-10-16T04:30:27.180Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d0c0ec0d01fac02c27f7a38e","title_ssm":["Melodie Moorehead Papers"],"title_tesim":["Melodie Moorehead Papers"],"ead_ssi":"d0c0ec0d01fac02c27f7a38e","unitdate_ssm":["1970-2021"],"unitdate_inclusive_ssm":["1970-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9015","/repositories/2/resources/111"],"text":["SPC9015","/repositories/2/resources/111","Melodie Moorehead Papers, 1970-2021","Lesbian Activists","Lesbians","LGBT community centers","Sexual minorities","Gay activists","Gay liberation movement","Gay rights","Gay community","Gay counselors","Gay press publications","Gay psychologists","Gay social workers","Lesbian Community","Lesbian Culture","South Florida Gay Community","Lesbian psychotherapists","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","The materials in this collection are arranged as follows:","Personal Mementos\nCorrespondence Between Moorehead, Kunst, Rockway, and Others\nGraduate Seminar (Compiled by Moorehead)\nPublicity\n1970s-1980s Gay Rights Activism \nBiography\nTransperience and Mental Health Advocacy \nPhotography\nNewspapers\nMagazines\nNewspaper Clippings\nAudio\nEphemera","Dr. Melodie Kay Moorehead, born on Father's Day, June 19, 1949 in Utica, NY, was reared in Miami-Dade County, Florida where she began kindergarten. Subsequentially, she graduated from Miami Central High School, where she was a Silver Knight nominee in music and went on to become a professional musician working her way through school from the age of 18 until 1983, when she completed her PhD from the Union Institute. Following licensure as a psychologist she later became a Fellow and Board Certified, in Clinical Health Psychology, by the American Board of Professional Psychology (ABPP). She is a lifetime member of the American Psychological Association (APA), American Society for Metabolic and Bariatric Surgery (ASMBS), Internation Federation for the Surgery of Obesity and Metabolic Disorders (IFSO) and holds membership in Daughters of the American Revolution (DAR). Melodie also graduated from, Miami Dade Junior College – North Campus, and Florida Atlantic University (FAU), with a double major, completing that coursework in 1971.  ","Before her involvement with Human Rights work, she had many high-profile musical engagements as a drummer and vocalist. She contracted with a show band called Your Father's Mustache and played the \"Washboard\" and other percussion instruments at the age of 18 at the Hilton Plaza, Miami Beach. During her 1968 and 69 engagement there, the space also hosted Jackie Gleason's weekly television show, as well as the Headquarters for Richard Nixon's 1968 National Convention. Nightly, Nixon's staff were in front row attendance for the nightclub show and would send the young Melodie cold milk to the stage as they sent alcoholic beverages to other members of the band. When he won the election, Nixon's head writer invited Melodie to attend the Inaugural Ball, which she attended with her mother, Laura Joyce Gillett Moorehead Williams. Later Melodie, still an undergraduate, received an invitation from President Nixon's staff to transfer to Georgetown University and study law as a proper introduction to Washington politics. She humbly state: \"I want to become a doctor and help people.\"   ","Returning to her intentioned life's mission, she completed the MA degree, in Psychology, from Lone Mountain College  (today, University of San Francisco), in 1977. It was at this period of time she petitioned FAU to confer her undergraduate degree. It had been withheld by the institution due to administrative rules. She won her petition, which helps explains why her MA diploma was conferred a year before her BA. The irony here perhaps was that Dr. Shwartz, who headed the Department of Sociology at FAU, had offered her a full scholarship to the MA program and to a prestigious doctoral program in return for her teaching at FAU for 5 years. Again, she humbly and politely declined. ","Instead, Melodie toured with another musical group, which ultimately led to her coming to terms with her same-sex feelings, which had amounted to a lifetime of tumult. Following her own personal paradigmatic shift and owning her sense of \"gay identity,\" Melodie entered psychotherapy with Dr. Theodore Aidman, the first president and founder of the Dade County Psychological Association (Dr. Aidman ultimately served as mentor throughout Melodie's MA and PhD programs; her MA thesis was based on Dr. Adman's work, \"Transcending One's Self-Fulfilling Prophecy.\"). Melodie soon committed herself to a new career in the field of psychology working within the gay community. ","Dr. Alan Rockway, Mr. Robert \"Bob\" Kunst, and Mr. Bob Basker co-authored the 1976 Miami Gay Rights Ordinance. This Ordinance was repealed through the efforts of Anita Bryant and others the following year.  Before the 1976 Ordinance was repealed and before meeting the authors, Melodie was invited to be interview by Channel 10 News WPLG anchored by Ann Bishop, a popular local journalist. A news crew came to Melodie's Coconut Grove studio apartment, rented monthly for $175.00, to help put a face on what \"Gay\" looked like and to introduce that face to the community. People were expected to soon go to the polls to vote \"For\" or \"Against\" the repeal of the ordinance after the new law was on record for a few months without incident. The news crew stayed inside Melodie's apartment for 4 hours attempting to learn how she felt discriminated against. At the time, she could not come up with a direct sense of discrimination to report. Melodie is first to say, \"I was very naïve.\"","By 1977, Melodie had contributed a chapter in a volume titled Now What? to help parents understand their gay child; Dr. Virginia Pendergrass, a clinical psychologist at FIU, was also among the contributors and she, with the Center for Dialog, often put workshops together where Melodie also presented. ","It was during her Master's level training with the Gestalt Institute of Miami, Dr. Calvin Leonard, then Dean of the University of Miami School of Continuing Education, suggested that she meet directly with Dr. Rockway and Mr. Kunst of the Transperience Center. It was at this meeting when Melodie learned the Transperience Center was only a few doors down from where she lived. The two men began telling her of the $55,000 grant they had written through the federal Comprehensive Employment and Training Act (CETA) to fund five positions at the Transperience Center. They asked her to take a position as the Community Outreach Coordinator and Mental Health Counselor for the Transperience Center that they directed. She accepted the position after securing her credentials. The Transperience Center was a community health center for people living in alternative lifestyles. The grant was awarded and, following the repeal of the \"Gay Rights Ordinance,\" the grant was terminated following protests from ultra conservative groups. The trio Moorehead, Rockway, and Kunst then created a new organization, Congress United for Rights and Equality (CURE), and they filed a lawsuit through the Department of Labor for the grant's termination. Going to Federal Court twice without a judge discharging the case, the trio did not have the necessary funds to continue this fight. The gay community, even on the national scale, had not yet mobilized enough to assist. The trio ended up on food stamps for six months and Melodie conducted her last counseling session on the floor of the Transperience Center, as their rented furniture had been repossessed. ","It was during this downtrodden time that Melodie came to better understand  the many faces of discrimination. Kunst even asked Moorehead, \"Do you feel discrimination now?\" She replied \"Yes!,\" and then he asked: \"Are you ready to collect signatures?\" She then committed to collecting 18,000 of the  needed signatures to place an offensive effort to get Human Rights (Gay Rights) on the November 1978 ballot. The trio worked together to get certified registered voters' signatures to place three new ordinances onto the Dade County ballot that banned discrimination in housing, employment, transportation, and support equality for gays and others living alternative lifestyles, including heterosexuals. Throughout the late 1970s and early 1980s, the trio organized to pass equality ordinances and promote media awareness to protect individual rights.  ","Melodie relocated to Fort Lauderdale and began her PhD program in 1980. This relocation was picked up by the local press as Melodie met with every County Commissioner in Broward County regarding Gay Rights. It was not until the passage of the Eckart Bill, which called for the Privacy Rights of citizens in Florida, that Melodie shifted her focus to fully establishing herself in healthcare. By this time, she had learned the great need for culturally sensitive service in the mental health and medical field. Melodie routinely provided services for HTLV-3, later known as AIDS services, to individuals in and out of hospital settings. ","With unanticipated turn of events, by the mid-1980s the then Dr. Moorehead began working with other groups of very often discriminated people struggling with the disease of morbid and super obesity. Her talents and training were recognized and her work evolved to lecturing both nationally and internationally as an invited speaker while maintaining a longstanding private practice and holding staff privileges and responsivities for decades in Broward's hospital system. In 2002 Dr. Moorehead was awarded the Golden Circle of Excellence Award from what now is called ASMBS. She was the first woman and non-surgeon to receive this honor.","During the height of her career, a then-hospitalized Dr. John Graves, who served as the Board of Trustees President of what is today the Stonewall National Museum, Archives, and Library, asked her to serve as president of the decades-old organization. Knowing that this lovely, generous man was terminally ill, she agreed to his request. By 2004 she was at the helm of Stonewall and personally funded a trip to Washington, D.C., where, among her achievements as president, she signed a contract with the United States Holocaust Memorial Museum to bring its historic exhibition, \"Nazi Persecution of the Homosexual 1933-45,\" to South Florida. The exhibition was presented at the Fort Lauderdale main library. ","Finally, Dr. Moorehead closed her Professional Association and successfully retired her South Florida 50-year career in mental health. She did so only after providing two years of face-to-face isolation protocol support during the Covid-19 pandemic and lockdown in a long-term care facility.  Residents were mandated to remain in their closed rooms while family visitation was prohibited. As of Fall 2025, she retains her licensure and board certification and remains active in licensing professionals and programs worldwide in the use of The Bariatric Analysis and Reporting Outcome System (BAROS) and the Moorehead-Ardelt Quality of Life Questionnaire II (MAII) of which she holds copyright.","Dr. Moorehead encourages all who visit this bio sketch to enjoy the archives and share what you learn with others so that history does not have to repeat itself again. Biography compiled by Dr. Melodie Kay Moorehead","LANGUAGE WARNING: Some personal correspondence and newspaper articles contain language that was common in the United States during the late-20th century. Outdated language and other terms that may be considered harmful or offensive are present.","The materials in this collection reflect the subject's participation in Lesbian, Gay, Bisexual, Transgender (LGBT) activism and interest in psychotherapy for the LGBT community. The bulk of the collection contains correspondence, news clippings, interviews with Moorehead, autobiographical information, and photos.","Please note: this collection includes some images that portray nudity in both sexual and non-sexual contexts.","The Melodie Moorehead Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","English"],"unitid_tesim":["SPC9015","/repositories/2/resources/111"],"normalized_date_ssm":["1970-2021"],"normalized_title_ssm":["Melodie Moorehead Papers, 1970-2021"],"collection_title_tesim":["Melodie Moorehead Papers, 1970-2021"],"collection_ssim":["Melodie Moorehead Papers, 1970-2021"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Lesbian Activists","Lesbians","LGBT community centers","Sexual minorities","Gay activists","Gay liberation movement","Gay rights","Gay community","Gay counselors","Gay press publications","Gay psychologists","Gay social workers"],"geogname_ssim":["Lesbian Activists","Lesbians","LGBT community centers","Sexual minorities","Gay activists","Gay liberation movement","Gay rights","Gay community","Gay counselors","Gay press publications","Gay psychologists","Gay social workers"],"places_ssim":["Lesbian Activists","Lesbians","LGBT community centers","Sexual minorities","Gay activists","Gay liberation movement","Gay rights","Gay community","Gay counselors","Gay press publications","Gay psychologists","Gay social workers"],"access_terms_ssm":["The Melodie Moorehead Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by the Melodie Moorehead Archives"],"access_subjects_ssim":["Lesbian Community","Lesbian Culture","South Florida Gay Community","Lesbian psychotherapists"],"access_subjects_ssm":["Lesbian Community","Lesbian Culture","South Florida Gay Community","Lesbian psychotherapists"],"has_online_content_ssim":["false"],"extent_ssm":["1 boxes 1 Legal Size Document Case 1 Large Flat Newspaper Box"],"extent_tesim":["1 boxes 1 Legal Size Document Case 1 Large Flat Newspaper Box"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials in this collection are arranged as follows:\u003c/p\u003e\n","\u003cp\u003ePersonal Mementos\nCorrespondence Between Moorehead, Kunst, Rockway, and Others\nGraduate Seminar (Compiled by Moorehead)\nPublicity\n1970s-1980s Gay Rights Activism \nBiography\nTransperience and Mental Health Advocacy \nPhotography\nNewspapers\nMagazines\nNewspaper Clippings\nAudio\nEphemera\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials in this collection are arranged as follows:","Personal Mementos\nCorrespondence Between Moorehead, Kunst, Rockway, and Others\nGraduate Seminar (Compiled by Moorehead)\nPublicity\n1970s-1980s Gay Rights Activism \nBiography\nTransperience and Mental Health Advocacy \nPhotography\nNewspapers\nMagazines\nNewspaper Clippings\nAudio\nEphemera"],"bioghist_html_tesm":["\u003cp\u003eDr. Melodie Kay Moorehead, born on Father's Day, June 19, 1949 in Utica, NY, was reared in Miami-Dade County, Florida where she began kindergarten. Subsequentially, she graduated from Miami Central High School, where she was a Silver Knight nominee in music and went on to become a professional musician working her way through school from the age of 18 until 1983, when she completed her PhD from the Union Institute. Following licensure as a psychologist she later became a Fellow and Board Certified, in Clinical Health Psychology, by the American Board of Professional Psychology (ABPP). She is a lifetime member of the American Psychological Association (APA), American Society for Metabolic and Bariatric Surgery (ASMBS), Internation Federation for the Surgery of Obesity and Metabolic Disorders (IFSO) and holds membership in Daughters of the American Revolution (DAR). Melodie also graduated from, Miami Dade Junior College \u0026#x2013; North Campus, and Florida Atlantic University (FAU), with a double major, completing that coursework in 1971.  \u003c/p\u003e\n","\u003cp\u003eBefore her involvement with Human Rights work, she had many high-profile musical engagements as a drummer and vocalist. She contracted with a show band called Your Father's Mustache and played the \"Washboard\" and other percussion instruments at the age of 18 at the Hilton Plaza, Miami Beach. During her 1968 and 69 engagement there, the space also hosted Jackie Gleason's weekly television show, as well as the Headquarters for Richard Nixon's 1968 National Convention. Nightly, Nixon's staff were in front row attendance for the nightclub show and would send the young Melodie cold milk to the stage as they sent alcoholic beverages to other members of the band. When he won the election, Nixon's head writer invited Melodie to attend the Inaugural Ball, which she attended with her mother, Laura Joyce Gillett Moorehead Williams. Later Melodie, still an undergraduate, received an invitation from President Nixon's staff to transfer to Georgetown University and study law as a proper introduction to Washington politics. She humbly state: \"I want to become a doctor and help people.\"   \u003c/p\u003e\n","\u003cp\u003eReturning to her intentioned life's mission, she completed the MA degree, in Psychology, from Lone Mountain College  (today, University of San Francisco), in 1977. It was at this period of time she petitioned FAU to confer her undergraduate degree. It had been withheld by the institution due to administrative rules. She won her petition, which helps explains why her MA diploma was conferred a year before her BA. The irony here perhaps was that Dr. Shwartz, who headed the Department of Sociology at FAU, had offered her a full scholarship to the MA program and to a prestigious doctoral program in return for her teaching at FAU for 5 years. Again, she humbly and politely declined. \u003c/p\u003e\n","\u003cp\u003eInstead, Melodie toured with another musical group, which ultimately led to her coming to terms with her same-sex feelings, which had amounted to a lifetime of tumult. Following her own personal paradigmatic shift and owning her sense of \"gay identity,\" Melodie entered psychotherapy with Dr. Theodore Aidman, the first president and founder of the Dade County Psychological Association (Dr. Aidman ultimately served as mentor throughout Melodie's MA and PhD programs; her MA thesis was based on Dr. Adman's work, \"Transcending One's Self-Fulfilling Prophecy.\"). Melodie soon committed herself to a new career in the field of psychology working within the gay community. \u003c/p\u003e\n","\u003cp\u003eDr. Alan Rockway, Mr. Robert \"Bob\" Kunst, and Mr. Bob Basker co-authored the 1976 Miami Gay Rights Ordinance. This Ordinance was repealed through the efforts of Anita Bryant and others the following year.  Before the 1976 Ordinance was repealed and before meeting the authors, Melodie was invited to be interview by Channel 10 News WPLG anchored by Ann Bishop, a popular local journalist. A news crew came to Melodie's Coconut Grove studio apartment, rented monthly for $175.00, to help put a face on what \"Gay\" looked like and to introduce that face to the community. People were expected to soon go to the polls to vote \"For\" or \"Against\" the repeal of the ordinance after the new law was on record for a few months without incident. The news crew stayed inside Melodie's apartment for 4 hours attempting to learn how she felt discriminated against. At the time, she could not come up with a direct sense of discrimination to report. Melodie is first to say, \"I was very na\u0026#xEF;ve.\"\u003c/p\u003e\n","\u003cp\u003eBy 1977, Melodie had contributed a chapter in a volume titled Now What? to help parents understand their gay child; Dr. Virginia Pendergrass, a clinical psychologist at FIU, was also among the contributors and she, with the Center for Dialog, often put workshops together where Melodie also presented. \u003c/p\u003e\n","\u003cp\u003eIt was during her Master's level training with the Gestalt Institute of Miami, Dr. Calvin Leonard, then Dean of the University of Miami School of Continuing Education, suggested that she meet directly with Dr. Rockway and Mr. Kunst of the Transperience Center. It was at this meeting when Melodie learned the Transperience Center was only a few doors down from where she lived. The two men began telling her of the $55,000 grant they had written through the federal Comprehensive Employment and Training Act (CETA) to fund five positions at the Transperience Center. They asked her to take a position as the Community Outreach Coordinator and Mental Health Counselor for the Transperience Center that they directed. She accepted the position after securing her credentials. The Transperience Center was a community health center for people living in alternative lifestyles. The grant was awarded and, following the repeal of the \"Gay Rights Ordinance,\" the grant was terminated following protests from ultra conservative groups. The trio Moorehead, Rockway, and Kunst then created a new organization, Congress United for Rights and Equality (CURE), and they filed a lawsuit through the Department of Labor for the grant's termination. Going to Federal Court twice without a judge discharging the case, the trio did not have the necessary funds to continue this fight. The gay community, even on the national scale, had not yet mobilized enough to assist. The trio ended up on food stamps for six months and Melodie conducted her last counseling session on the floor of the Transperience Center, as their rented furniture had been repossessed. \u003c/p\u003e\n","\u003cp\u003eIt was during this downtrodden time that Melodie came to better understand  the many faces of discrimination. Kunst even asked Moorehead, \"Do you feel discrimination now?\" She replied \"Yes!,\" and then he asked: \"Are you ready to collect signatures?\" She then committed to collecting 18,000 of the  needed signatures to place an offensive effort to get Human Rights (Gay Rights) on the November 1978 ballot. The trio worked together to get certified registered voters' signatures to place three new ordinances onto the Dade County ballot that banned discrimination in housing, employment, transportation, and support equality for gays and others living alternative lifestyles, including heterosexuals. Throughout the late 1970s and early 1980s, the trio organized to pass equality ordinances and promote media awareness to protect individual rights.  \u003c/p\u003e\n","\u003cp\u003eMelodie relocated to Fort Lauderdale and began her PhD program in 1980. This relocation was picked up by the local press as Melodie met with every County Commissioner in Broward County regarding Gay Rights. It was not until the passage of the Eckart Bill, which called for the Privacy Rights of citizens in Florida, that Melodie shifted her focus to fully establishing herself in healthcare. By this time, she had learned the great need for culturally sensitive service in the mental health and medical field. Melodie routinely provided services for HTLV-3, later known as AIDS services, to individuals in and out of hospital settings. \u003c/p\u003e\n","\u003cp\u003eWith unanticipated turn of events, by the mid-1980s the then Dr. Moorehead began working with other groups of very often discriminated people struggling with the disease of morbid and super obesity. Her talents and training were recognized and her work evolved to lecturing both nationally and internationally as an invited speaker while maintaining a longstanding private practice and holding staff privileges and responsivities for decades in Broward's hospital system. In 2002 Dr. Moorehead was awarded the Golden Circle of Excellence Award from what now is called ASMBS. She was the first woman and non-surgeon to receive this honor.\u003c/p\u003e\n","\u003cp\u003eDuring the height of her career, a then-hospitalized Dr. John Graves, who served as the Board of Trustees President of what is today the Stonewall National Museum, Archives, and Library, asked her to serve as president of the decades-old organization. Knowing that this lovely, generous man was terminally ill, she agreed to his request. By 2004 she was at the helm of Stonewall and personally funded a trip to Washington, D.C., where, among her achievements as president, she signed a contract with the United States Holocaust Memorial Museum to bring its historic exhibition, \"Nazi Persecution of the Homosexual 1933-45,\" to South Florida. The exhibition was presented at the Fort Lauderdale main library. \u003c/p\u003e\n","\u003cp\u003eFinally, Dr. Moorehead closed her Professional Association and successfully retired her South Florida 50-year career in mental health. She did so only after providing two years of face-to-face isolation protocol support during the Covid-19 pandemic and lockdown in a long-term care facility.  Residents were mandated to remain in their closed rooms while family visitation was prohibited. As of Fall 2025, she retains her licensure and board certification and remains active in licensing professionals and programs worldwide in the use of The Bariatric Analysis and Reporting Outcome System (BAROS) and the Moorehead-Ardelt Quality of Life Questionnaire II (MAII) of which she holds copyright.\u003c/p\u003e\n","\u003cp\u003eDr. Moorehead encourages all who visit this bio sketch to enjoy the archives and share what you learn with others so that history does not have to repeat itself again. Biography compiled by Dr. Melodie Kay Moorehead\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. Melodie Kay Moorehead, born on Father's Day, June 19, 1949 in Utica, NY, was reared in Miami-Dade County, Florida where she began kindergarten. Subsequentially, she graduated from Miami Central High School, where she was a Silver Knight nominee in music and went on to become a professional musician working her way through school from the age of 18 until 1983, when she completed her PhD from the Union Institute. Following licensure as a psychologist she later became a Fellow and Board Certified, in Clinical Health Psychology, by the American Board of Professional Psychology (ABPP). She is a lifetime member of the American Psychological Association (APA), American Society for Metabolic and Bariatric Surgery (ASMBS), Internation Federation for the Surgery of Obesity and Metabolic Disorders (IFSO) and holds membership in Daughters of the American Revolution (DAR). Melodie also graduated from, Miami Dade Junior College – North Campus, and Florida Atlantic University (FAU), with a double major, completing that coursework in 1971.  ","Before her involvement with Human Rights work, she had many high-profile musical engagements as a drummer and vocalist. She contracted with a show band called Your Father's Mustache and played the \"Washboard\" and other percussion instruments at the age of 18 at the Hilton Plaza, Miami Beach. During her 1968 and 69 engagement there, the space also hosted Jackie Gleason's weekly television show, as well as the Headquarters for Richard Nixon's 1968 National Convention. Nightly, Nixon's staff were in front row attendance for the nightclub show and would send the young Melodie cold milk to the stage as they sent alcoholic beverages to other members of the band. When he won the election, Nixon's head writer invited Melodie to attend the Inaugural Ball, which she attended with her mother, Laura Joyce Gillett Moorehead Williams. Later Melodie, still an undergraduate, received an invitation from President Nixon's staff to transfer to Georgetown University and study law as a proper introduction to Washington politics. She humbly state: \"I want to become a doctor and help people.\"   ","Returning to her intentioned life's mission, she completed the MA degree, in Psychology, from Lone Mountain College  (today, University of San Francisco), in 1977. It was at this period of time she petitioned FAU to confer her undergraduate degree. It had been withheld by the institution due to administrative rules. She won her petition, which helps explains why her MA diploma was conferred a year before her BA. The irony here perhaps was that Dr. Shwartz, who headed the Department of Sociology at FAU, had offered her a full scholarship to the MA program and to a prestigious doctoral program in return for her teaching at FAU for 5 years. Again, she humbly and politely declined. ","Instead, Melodie toured with another musical group, which ultimately led to her coming to terms with her same-sex feelings, which had amounted to a lifetime of tumult. Following her own personal paradigmatic shift and owning her sense of \"gay identity,\" Melodie entered psychotherapy with Dr. Theodore Aidman, the first president and founder of the Dade County Psychological Association (Dr. Aidman ultimately served as mentor throughout Melodie's MA and PhD programs; her MA thesis was based on Dr. Adman's work, \"Transcending One's Self-Fulfilling Prophecy.\"). Melodie soon committed herself to a new career in the field of psychology working within the gay community. ","Dr. Alan Rockway, Mr. Robert \"Bob\" Kunst, and Mr. Bob Basker co-authored the 1976 Miami Gay Rights Ordinance. This Ordinance was repealed through the efforts of Anita Bryant and others the following year.  Before the 1976 Ordinance was repealed and before meeting the authors, Melodie was invited to be interview by Channel 10 News WPLG anchored by Ann Bishop, a popular local journalist. A news crew came to Melodie's Coconut Grove studio apartment, rented monthly for $175.00, to help put a face on what \"Gay\" looked like and to introduce that face to the community. People were expected to soon go to the polls to vote \"For\" or \"Against\" the repeal of the ordinance after the new law was on record for a few months without incident. The news crew stayed inside Melodie's apartment for 4 hours attempting to learn how she felt discriminated against. At the time, she could not come up with a direct sense of discrimination to report. Melodie is first to say, \"I was very naïve.\"","By 1977, Melodie had contributed a chapter in a volume titled Now What? to help parents understand their gay child; Dr. Virginia Pendergrass, a clinical psychologist at FIU, was also among the contributors and she, with the Center for Dialog, often put workshops together where Melodie also presented. ","It was during her Master's level training with the Gestalt Institute of Miami, Dr. Calvin Leonard, then Dean of the University of Miami School of Continuing Education, suggested that she meet directly with Dr. Rockway and Mr. Kunst of the Transperience Center. It was at this meeting when Melodie learned the Transperience Center was only a few doors down from where she lived. The two men began telling her of the $55,000 grant they had written through the federal Comprehensive Employment and Training Act (CETA) to fund five positions at the Transperience Center. They asked her to take a position as the Community Outreach Coordinator and Mental Health Counselor for the Transperience Center that they directed. She accepted the position after securing her credentials. The Transperience Center was a community health center for people living in alternative lifestyles. The grant was awarded and, following the repeal of the \"Gay Rights Ordinance,\" the grant was terminated following protests from ultra conservative groups. The trio Moorehead, Rockway, and Kunst then created a new organization, Congress United for Rights and Equality (CURE), and they filed a lawsuit through the Department of Labor for the grant's termination. Going to Federal Court twice without a judge discharging the case, the trio did not have the necessary funds to continue this fight. The gay community, even on the national scale, had not yet mobilized enough to assist. The trio ended up on food stamps for six months and Melodie conducted her last counseling session on the floor of the Transperience Center, as their rented furniture had been repossessed. ","It was during this downtrodden time that Melodie came to better understand  the many faces of discrimination. Kunst even asked Moorehead, \"Do you feel discrimination now?\" She replied \"Yes!,\" and then he asked: \"Are you ready to collect signatures?\" She then committed to collecting 18,000 of the  needed signatures to place an offensive effort to get Human Rights (Gay Rights) on the November 1978 ballot. The trio worked together to get certified registered voters' signatures to place three new ordinances onto the Dade County ballot that banned discrimination in housing, employment, transportation, and support equality for gays and others living alternative lifestyles, including heterosexuals. Throughout the late 1970s and early 1980s, the trio organized to pass equality ordinances and promote media awareness to protect individual rights.  ","Melodie relocated to Fort Lauderdale and began her PhD program in 1980. This relocation was picked up by the local press as Melodie met with every County Commissioner in Broward County regarding Gay Rights. It was not until the passage of the Eckart Bill, which called for the Privacy Rights of citizens in Florida, that Melodie shifted her focus to fully establishing herself in healthcare. By this time, she had learned the great need for culturally sensitive service in the mental health and medical field. Melodie routinely provided services for HTLV-3, later known as AIDS services, to individuals in and out of hospital settings. ","With unanticipated turn of events, by the mid-1980s the then Dr. Moorehead began working with other groups of very often discriminated people struggling with the disease of morbid and super obesity. Her talents and training were recognized and her work evolved to lecturing both nationally and internationally as an invited speaker while maintaining a longstanding private practice and holding staff privileges and responsivities for decades in Broward's hospital system. In 2002 Dr. Moorehead was awarded the Golden Circle of Excellence Award from what now is called ASMBS. She was the first woman and non-surgeon to receive this honor.","During the height of her career, a then-hospitalized Dr. John Graves, who served as the Board of Trustees President of what is today the Stonewall National Museum, Archives, and Library, asked her to serve as president of the decades-old organization. Knowing that this lovely, generous man was terminally ill, she agreed to his request. By 2004 she was at the helm of Stonewall and personally funded a trip to Washington, D.C., where, among her achievements as president, she signed a contract with the United States Holocaust Memorial Museum to bring its historic exhibition, \"Nazi Persecution of the Homosexual 1933-45,\" to South Florida. The exhibition was presented at the Fort Lauderdale main library. ","Finally, Dr. Moorehead closed her Professional Association and successfully retired her South Florida 50-year career in mental health. She did so only after providing two years of face-to-face isolation protocol support during the Covid-19 pandemic and lockdown in a long-term care facility.  Residents were mandated to remain in their closed rooms while family visitation was prohibited. As of Fall 2025, she retains her licensure and board certification and remains active in licensing professionals and programs worldwide in the use of The Bariatric Analysis and Reporting Outcome System (BAROS) and the Moorehead-Ardelt Quality of Life Questionnaire II (MAII) of which she holds copyright.","Dr. Moorehead encourages all who visit this bio sketch to enjoy the archives and share what you learn with others so that history does not have to repeat itself again. Biography compiled by Dr. Melodie Kay Moorehead"],"odd_html_tesm":["\u003cp\u003eLANGUAGE WARNING: Some personal correspondence and newspaper articles contain language that was common in the United States during the late-20th century. Outdated language and other terms that may be considered harmful or offensive are present.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement"],"odd_tesim":["LANGUAGE WARNING: Some personal correspondence and newspaper articles contain language that was common in the United States during the late-20th century. Outdated language and other terms that may be considered harmful or offensive are present."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection reflect the subject's participation in Lesbian, Gay, Bisexual, Transgender (LGBT) activism and interest in psychotherapy for the LGBT community. The bulk of the collection contains correspondence, news clippings, interviews with Moorehead, autobiographical information, and photos.\u003c/p\u003e\n","\u003cp\u003ePlease note: this collection includes some images that portray nudity in both sexual and non-sexual contexts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection reflect the subject's participation in Lesbian, Gay, Bisexual, Transgender (LGBT) activism and interest in psychotherapy for the LGBT community. The bulk of the collection contains correspondence, news clippings, interviews with Moorehead, autobiographical information, and photos.","Please note: this collection includes some images that portray nudity in both sexual and non-sexual contexts."],"userestrict_html_tesm":["\u003cp\u003eThe Melodie Moorehead Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Melodie Moorehead Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":15,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879179292500295680,"_root_":"d0c0ec0d01fac02c27f7a38e","timestamp":"2026-10-16T04:30:27.180Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d0c0ec0d01fac02c27f7a38e_aspace_1f713dd90aaee92e9fa3bf55ef705587"}},{"id":"fafcc9b08d1fb399539f9724_aspace_44349399a4679db2323edd557604707b","type":"File","attributes":{"title":"Personal Papers, 1946-1999","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/fafcc9b08d1fb399539f9724_aspace_44349399a4679db2323edd557604707b#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis folder contains personal papers of Rives including wills, property sale papers, certificates of appreciation from various civic organizations, and financial documents.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/fafcc9b08d1fb399539f9724_aspace_44349399a4679db2323edd557604707b#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_44349399a4679db2323edd557604707b","ref_ssm":["aspace_44349399a4679db2323edd557604707b","aspace_44349399a4679db2323edd557604707b"],"id":"fafcc9b08d1fb399539f9724_aspace_44349399a4679db2323edd557604707b","title_filing_ssi":"Personal Papers","title_ssm":["Personal Papers"],"title_tesim":["Personal Papers"],"unitdate_inclusive_ssm":["1946-1999"],"normalized_date_ssm":["1946-1999"],"normalized_title_ssm":["Personal Papers, 1946-1999"],"text":["Personal Papers, 1946-1999","Howard P. Rives collection, 1942-2005, Date accessioned: 2000-07-13","022","/repositories/10/archival_objects/190481","00.0614 - Box 1","folder 022","This folder contains personal papers of Rives including wills, property sale papers, certificates of appreciation from various civic organizations, and financial documents."],"component_level_isim":[1],"parent_ids_ssim":["fafcc9b08d1fb399539f9724"],"parent_unittitles_ssm":["Howard P. Rives collection, 1942-2005, Date accessioned: 2000-07-13"],"parent_unittitles_tesim":["Howard P. Rives collection, 1942-2005, Date accessioned: 2000-07-13"],"parent_levels_ssm":["collection"],"unitid_ssm":["022","/repositories/10/archival_objects/190481"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Howard P. Rives collection, 1942-2005, Date accessioned: 2000-07-13"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":22,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"date_range_isim":[1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"containers_ssim":["00.0614 - Box 1","folder 022"],"scopecontent_html_tesm":["\u003cp\u003eThis folder contains personal papers of Rives including wills, property sale papers, certificates of appreciation from various civic organizations, and financial documents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This folder contains personal papers of Rives including wills, property sale papers, certificates of appreciation from various civic organizations, and financial documents."],"_nest_path_":"/components#21","_nest_parent_":"fafcc9b08d1fb399539f9724","_root_":"fafcc9b08d1fb399539f9724","timestamp":"2026-04-21T06:47:16.257Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"fafcc9b08d1fb399539f9724","title_filing_ssi":"Rives, Howard P. collection","title_ssm":["Howard P. Rives collection"],"title_tesim":["Howard P. Rives collection"],"ead_ssi":"fafcc9b08d1fb399539f9724","unitdate_ssm":["1942-2005","Date accessioned: 2000-07-13"],"unitdate_inclusive_ssm":["1942-2005"],"unitdate_other_ssim":["Date accessioned: 2000-07-13"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["00.0614","/repositories/10/resources/1772"],"text":["00.0614","/repositories/10/resources/1772","Howard P. Rives collection, 1942-2005, Date accessioned: 2000-07-13","Siegfried Line (Germany)","Fort Benning (Ga.)","Camp Blanding (Fla.)","World War, 1939-1945--Campaigns--Saar River Valley (France and Germany)","World War, 1939-1945--Campaigns--Luxembourg","United States. Army. Army, 3rd","World War, 1939-1945--Campaigns--Europe","World War, 1939-1945--Campaigns--Europe","This collection is open to all researchers.","Howard P. Rives was born on September 20, 1923, in Shelbyville, Ky and moved to  Clearwater, FL in 1924 with his parents. Growing up in Dunedin, FL, he enrolled in local schools and Florida Military Academy, which was then located in St. Petersburg on the site of Stetson Law College. His freshman year of college was at The Citadel in 1941 and then the University of Florida in 1942.\n \nRives joined the U.S. Army in November 1942. After basic training at Camp Wheeler, Ga., he attended and graduated on September 3, 1943 from Officer Candidate School at Fort Benning, GA as a Second lieutenant of Infantry at 19. On his 20th birthday, he reported to Company D, 301st Infantry, Regiment, 94th Infantry Division. Assigned as a machine gun platoon leader, he landed in France, September 1, 1944 with the Division. Thereafter, leading that unit in the campaigns of France, Ardennes, Rhineland and Central Europe, he earned the Combat Infantry Badge, Silver Star Medal, Bronze Star Medal, and Purple Heart Medal. The 94th Division spearheaded General George S. Patton's \"Ghost Corps\" dash by the 3rd Army to the Rhine and the capture of Ludwigshafen. The 94th was assigned occupation duties in Czechoslovakia at the end of the war in the ETO. Rives began terminal leave as a captain in February 1946 and entered law school. He continued serving in the U.S. Army Reserves until 1958 at the rank of Major.  \nHe graduated from the University of Florida College of Law in January 1949, entered practice in Clearwater with Alfred P. Marshall, who was appointed to the office of circuit judge in 1957 by Governor Collins.\n \nAfter several partnerships, Rives formed the firm of Rives \u0026 Rives with his son Howard P. Rives III. He left private practice after 37 years to be a circuit judge for 20 years in January 1985, with his son taking over the firm.\n \nRives served as president of the Clearwater Bar; four years as a member of the Board of Governors of The Florida Bar; eight years as an officer, board member and as president of The Florida Bar Foundation; 12 years as a city attorney for one or more municipalities of Pinellas County; an appointed term as an assistant state attorney; in community service as vice president of the Clearwater Chamber of Commerce; more than 50 years as a member of The Rotary Club of Clearwater; a board member and president of The Morton Plant Hospital Foundation; a member of The Donald Roebling Society; a deacon of Peace Memorial Presbyterian Church; a deacon and life elder of the First Presbyterian Church of Dunedin; more than a 50-year member of Clearwater Lodge 127 F \u0026 AM; a past member of Tampa Consistory Scottish Rite and Egypt Temple Shrine; 12 years as a director of Sun Banks in Pinellas County; a Paul Harris Fellow of Rotary; a member of The Paul Tulane Society of Tulane University; a co-trustee of The John T. and Winifred M. Hayward Foundation; a life member of The 94th Combat Infantry Division Association; charter member of the Clearwater Chapter, Sons of the American Revolution, and recipient of their Silver Good Citizenship Medal, as well as the 17th recipient of The Medal of Honor from The National Society of The Daughters of The American Revolution.\n \nRives passed June 5, 2005, at Morton Plant Hospital, Clearwater, FL and is buried in Serenity Gardens Memorial Park, Largo, FL. He was married 39 years to Browder Walker Rives.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","This collection relates to Howard P. Rives who served as a First Lieutenant with the Heavy Weapons Platoon, Company D, 1st Battalion, 301st Infantry Regiment, 94th Infantry Division in the European Theater of Operations. Rives received the Silver Star Medal and Purple Heart Medal. The collection contains military personnel records, 94th Infantry Division Veterans' Association papers, veteran reunion papers, correspondence between veterans of the 94th Division, and personal accounts of veterans.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","United States. Army. Infantry Division, 94th","94th Infantry Division Association (U.S.)","Rives, Howard P., 1923-2005","English"],"unitid_tesim":["00.0614","/repositories/10/resources/1772"],"normalized_date_ssm":["1942-2005, Date accessioned: 2000-07-13"],"normalized_title_ssm":["Howard P. Rives collection, 1942-2005, Date accessioned: 2000-07-13"],"collection_title_tesim":["Howard P. Rives collection, 1942-2005, Date accessioned: 2000-07-13"],"collection_ssim":["Howard P. Rives collection, 1942-2005, Date accessioned: 2000-07-13"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Siegfried Line (Germany)","Fort Benning (Ga.)","Camp Blanding (Fla.)"],"geogname_ssim":["Siegfried Line (Germany)","Fort Benning (Ga.)","Camp Blanding (Fla.)"],"creator_ssm":["Rives, Howard P., 1923-2005"],"creator_ssim":["Rives, Howard P., 1923-2005"],"creator_persname_ssim":["Rives, Howard P., 1923-2005"],"creators_ssim":["Rives, Howard P., 1923-2005"],"places_ssim":["Siegfried Line (Germany)","Fort Benning (Ga.)","Camp Blanding (Fla.)"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"access_subjects_ssim":["World War, 1939-1945--Campaigns--Saar River Valley (France and Germany)","World War, 1939-1945--Campaigns--Luxembourg","United States. Army. Army, 3rd","World War, 1939-1945--Campaigns--Europe","World War, 1939-1945--Campaigns--Europe"],"access_subjects_ssm":["World War, 1939-1945--Campaigns--Saar River Valley (France and Germany)","World War, 1939-1945--Campaigns--Luxembourg","United States. Army. Army, 3rd","World War, 1939-1945--Campaigns--Europe","World War, 1939-1945--Campaigns--Europe"],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet","1 folders"],"extent_tesim":["1 Linear Feet","1 folders"],"dimensions_tesim":["Oversize folder"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_html_tesm":["\u003cp\u003eHoward P. Rives was born on September 20, 1923, in Shelbyville, Ky and moved to  Clearwater, FL in 1924 with his parents. Growing up in Dunedin, FL, he enrolled in local schools and Florida Military Academy, which was then located in St. Petersburg on the site of Stetson Law College. His freshman year of college was at The Citadel in 1941 and then the University of Florida in 1942.\n\u003cbr\u003e\u003cbr\u003e\nRives joined the U.S. Army in November 1942. After basic training at Camp Wheeler, Ga., he attended and graduated on September 3, 1943 from Officer Candidate School at Fort Benning, GA as a Second lieutenant of Infantry at 19. On his 20th birthday, he reported to Company D, 301st Infantry, Regiment, 94th Infantry Division. Assigned as a machine gun platoon leader, he landed in France, September 1, 1944 with the Division. Thereafter, leading that unit in the campaigns of France, Ardennes, Rhineland and Central Europe, he earned the Combat Infantry Badge, Silver Star Medal, Bronze Star Medal, and Purple Heart Medal. The 94th Division spearheaded General George S. Patton's \"Ghost Corps\" dash by the 3rd Army to the Rhine and the capture of Ludwigshafen. The 94th was assigned occupation duties in Czechoslovakia at the end of the war in the ETO. Rives began terminal leave as a captain in February 1946 and entered law school. He continued serving in the U.S. Army Reserves until 1958 at the rank of Major.  \nHe graduated from the University of Florida College of Law in January 1949, entered practice in Clearwater with Alfred P. Marshall, who was appointed to the office of circuit judge in 1957 by Governor Collins.\n\u003cbr\u003e\u003cbr\u003e\nAfter several partnerships, Rives formed the firm of Rives \u0026amp; Rives with his son Howard P. Rives III. He left private practice after 37 years to be a circuit judge for 20 years in January 1985, with his son taking over the firm.\n\u003cbr\u003e\u003cbr\u003e\nRives served as president of the Clearwater Bar; four years as a member of the Board of Governors of The Florida Bar; eight years as an officer, board member and as president of The Florida Bar Foundation; 12 years as a city attorney for one or more municipalities of Pinellas County; an appointed term as an assistant state attorney; in community service as vice president of the Clearwater Chamber of Commerce; more than 50 years as a member of The Rotary Club of Clearwater; a board member and president of The Morton Plant Hospital Foundation; a member of The Donald Roebling Society; a deacon of Peace Memorial Presbyterian Church; a deacon and life elder of the First Presbyterian Church of Dunedin; more than a 50-year member of Clearwater Lodge 127 F \u0026amp; AM; a past member of Tampa Consistory Scottish Rite and Egypt Temple Shrine; 12 years as a director of Sun Banks in Pinellas County; a Paul Harris Fellow of Rotary; a member of The Paul Tulane Society of Tulane University; a co-trustee of The John T. and Winifred M. Hayward Foundation; a life member of The 94th Combat Infantry Division Association; charter member of the Clearwater Chapter, Sons of the American Revolution, and recipient of their Silver Good Citizenship Medal, as well as the 17th recipient of The Medal of Honor from The National Society of The Daughters of The American Revolution.\n\u003cbr\u003e\u003cbr\u003e\nRives passed June 5, 2005, at Morton Plant Hospital, Clearwater, FL and is buried in Serenity Gardens Memorial Park, Largo, FL. He was married 39 years to Browder Walker Rives.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Howard P. Rives was born on September 20, 1923, in Shelbyville, Ky and moved to  Clearwater, FL in 1924 with his parents. Growing up in Dunedin, FL, he enrolled in local schools and Florida Military Academy, which was then located in St. Petersburg on the site of Stetson Law College. His freshman year of college was at The Citadel in 1941 and then the University of Florida in 1942.\n \nRives joined the U.S. Army in November 1942. After basic training at Camp Wheeler, Ga., he attended and graduated on September 3, 1943 from Officer Candidate School at Fort Benning, GA as a Second lieutenant of Infantry at 19. On his 20th birthday, he reported to Company D, 301st Infantry, Regiment, 94th Infantry Division. Assigned as a machine gun platoon leader, he landed in France, September 1, 1944 with the Division. Thereafter, leading that unit in the campaigns of France, Ardennes, Rhineland and Central Europe, he earned the Combat Infantry Badge, Silver Star Medal, Bronze Star Medal, and Purple Heart Medal. The 94th Division spearheaded General George S. Patton's \"Ghost Corps\" dash by the 3rd Army to the Rhine and the capture of Ludwigshafen. The 94th was assigned occupation duties in Czechoslovakia at the end of the war in the ETO. Rives began terminal leave as a captain in February 1946 and entered law school. He continued serving in the U.S. Army Reserves until 1958 at the rank of Major.  \nHe graduated from the University of Florida College of Law in January 1949, entered practice in Clearwater with Alfred P. Marshall, who was appointed to the office of circuit judge in 1957 by Governor Collins.\n \nAfter several partnerships, Rives formed the firm of Rives \u0026 Rives with his son Howard P. Rives III. He left private practice after 37 years to be a circuit judge for 20 years in January 1985, with his son taking over the firm.\n \nRives served as president of the Clearwater Bar; four years as a member of the Board of Governors of The Florida Bar; eight years as an officer, board member and as president of The Florida Bar Foundation; 12 years as a city attorney for one or more municipalities of Pinellas County; an appointed term as an assistant state attorney; in community service as vice president of the Clearwater Chamber of Commerce; more than 50 years as a member of The Rotary Club of Clearwater; a board member and president of The Morton Plant Hospital Foundation; a member of The Donald Roebling Society; a deacon of Peace Memorial Presbyterian Church; a deacon and life elder of the First Presbyterian Church of Dunedin; more than a 50-year member of Clearwater Lodge 127 F \u0026 AM; a past member of Tampa Consistory Scottish Rite and Egypt Temple Shrine; 12 years as a director of Sun Banks in Pinellas County; a Paul Harris Fellow of Rotary; a member of The Paul Tulane Society of Tulane University; a co-trustee of The John T. and Winifred M. Hayward Foundation; a life member of The 94th Combat Infantry Division Association; charter member of the Clearwater Chapter, Sons of the American Revolution, and recipient of their Silver Good Citizenship Medal, as well as the 17th recipient of The Medal of Honor from The National Society of The Daughters of The American Revolution.\n \nRives passed June 5, 2005, at Morton Plant Hospital, Clearwater, FL and is buried in Serenity Gardens Memorial Park, Largo, FL. He was married 39 years to Browder Walker Rives."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Howard P. Rives collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-00-0614\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Howard P. Rives collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-00-0614"],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to Howard P. Rives who served as a First Lieutenant with the Heavy Weapons Platoon, Company D, 1st Battalion, 301st Infantry Regiment, 94th Infantry Division in the European Theater of Operations. Rives received the Silver Star Medal and Purple Heart Medal. The collection contains military personnel records, 94th Infantry Division Veterans' Association papers, veteran reunion papers, correspondence between veterans of the 94th Division, and personal accounts of veterans.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection relates to Howard P. Rives who served as a First Lieutenant with the Heavy Weapons Platoon, Company D, 1st Battalion, 301st Infantry Regiment, 94th Infantry Division in the European Theater of Operations. Rives received the Silver Star Medal and Purple Heart Medal. The collection contains military personnel records, 94th Infantry Division Veterans' Association papers, veteran reunion papers, correspondence between veterans of the 94th Division, and personal accounts of veterans."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_coll_ssim":["United States. Army. Infantry Division, 94th","94th Infantry Division Association (U.S.)","Rives, Howard P., 1923-2005"],"names_ssim":["FSU Special Collections \u0026 Archives","United States. Army. Infantry Division, 94th","94th Infantry Division Association (U.S.)","Rives, Howard P., 1923-2005"],"corpname_ssim":["FSU Special Collections \u0026 Archives","United States. Army. Infantry Division, 94th","94th Infantry Division Association (U.S.)"],"persname_ssim":["Rives, Howard P., 1923-2005"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":27,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"fafcc9b08d1fb399539f9724","timestamp":"2026-04-21T06:47:16.257Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/fafcc9b08d1fb399539f9724_aspace_44349399a4679db2323edd557604707b"}},{"id":"f2719d6ab605a057b8ab0e9c_aspace_fa378cebaaf395975fb97b88f49a4181","type":"Subseries","attributes":{"title":"Personal Papers, 1985-1997, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f2719d6ab605a057b8ab0e9c_aspace_fa378cebaaf395975fb97b88f49a4181#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_fa378cebaaf395975fb97b88f49a4181","ref_ssm":["aspace_fa378cebaaf395975fb97b88f49a4181","aspace_fa378cebaaf395975fb97b88f49a4181"],"id":"f2719d6ab605a057b8ab0e9c_aspace_fa378cebaaf395975fb97b88f49a4181","title_filing_ssi":"Personal Papers","title_ssm":["Personal Papers"],"title_tesim":["Personal Papers"],"unitdate_inclusive_ssm":["1985-1997"],"unitdate_other_ssim":["Undated"],"normalized_date_ssm":["1985-1997, Undated"],"normalized_title_ssm":["Personal Papers, 1985-1997, Undated"],"text":["Personal Papers, 1985-1997, Undated","Southeastern Fisheries Association Collection, 1952-2018","SFA (Southeastern Fisheries Association), 1962-2009, Undated","/repositories/3/archival_objects/9762","box 16","folder 2"],"component_level_isim":[2],"parent_ids_ssim":["f2719d6ab605a057b8ab0e9c","f2719d6ab605a057b8ab0e9c_aspace_4e5df38b7a04c06d5758d0137f45e7bf"],"parent_unittitles_ssm":["Southeastern Fisheries Association Collection, 1952-2018","SFA (Southeastern Fisheries Association), 1962-2009, Undated"],"parent_unittitles_tesim":["Southeastern Fisheries Association Collection, 1952-2018","SFA (Southeastern Fisheries Association), 1962-2009, Undated"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/9762"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Southeastern Fisheries Association Collection, 1952-2018"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":187,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment"],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information."],"date_range_isim":[1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"containers_ssim":["box 16","folder 2"],"_nest_path_":"/components#4/components#8","_nest_parent_":"f2719d6ab605a057b8ab0e9c_aspace_4e5df38b7a04c06d5758d0137f45e7bf","_root_":"f2719d6ab605a057b8ab0e9c","timestamp":"2026-07-10T03:27:52.463Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f2719d6ab605a057b8ab0e9c","title_ssm":["Southeastern Fisheries Association Collection"],"title_tesim":["Southeastern Fisheries Association Collection"],"ead_ssi":"f2719d6ab605a057b8ab0e9c","unitdate_ssm":["1952-2018"],"unitdate_inclusive_ssm":["1952-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2021.001","/repositories/3/resources/85"],"text":["2021.001","/repositories/3/resources/85","Southeastern Fisheries Association Collection, 1952-2018","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment","The Southeastern Fisheries Association (SFA) was founded in 1952 and is based in Tallahassee, Florida. Since its inception, SFA has been dedicated to supporting the interests of the commercial fishing industry in the southeastern United States, with a focus on Florida. Through advocacy and collaboration, the association works to address key issues affecting fisheries management and promote sustainable practices within the industry. \n \nSFA played a large role in the historic 1994 Florida case that approved Amendment 3, also known as the Net Ban. This ban limited the use of entangling nets in Florida waters and had a significant impact on commercial fishermen and consumers of seafood. Members of SFA challenged the amendment through the legal system to try and prevent the implementation of such a ban, but on July 1st, 1995, the use of gill and trammel nets in Florida waters were ultimately outlawed. For years to come, members of SFA would continue to fight the net ban in Florida and to try and prevent similar outcomes in the rest of the southeast. Documents in this collection show their efforts. ","In addition to their other lobbying work, the SFA focused on the Magnuson-Stevens Act, also referred to as the Magnuson Act. The act was a precursor to the Net Ban and affected the fishing community for decades. Originally passed in 1976, its primary objective was to prevent overfishing. Federally declared a \"fishing disaster\" for the harm it caused to the fishing industry in the Northeast United States, many commercial fishermen, like most members of the SFA, strongly opposed this act for its lack of protection, transparency, and it's extremely stringent rules, as reflected throughout this collection. ","SFA was involved in many outreach programs throughout the southeast region that involved activities like education, trade, conservation, and various other efforts. Robert P. Jones, donor of this collection, served as president of SFA from 1964 to 2018. Throughout his 54 years of leadership, Jones' engagement with seafood industry stakeholders has been foundational to the organization's influence on both the commercial fishing culture and seafood production in the United States. ","The Southeastern Fisheries Association remains active today, dedicated to supporting, safeguarding, and advancing the commercial fishing industry across the southeastern United States. It represents harvesters, packers, processors, distributors, and restaurants focused on preserving fishery resources, the livelihoods of fishermen, and the wellbeing of fishing communities. Here you can find a link to their website for more information on their organization:  SFA Website","This collection is home to a selection of documents from the Southeastern Fisheries Association (SFA), the oldest affiliation representing the commercial seafood and fishing industries throughout the southeastern United States. This collection provides insight into various plights and activities within the fishing and seafood industry. Most importantly, the collection details the 1995 Net Ban, it's effects on the industry, as well as SFA. ","\nSeries in this collection include the following:","Series 1-- Environment and Conservation (arranged alphabetically by sub-series)","Sub-series 1 – Correspondence (arranged chronologically) is comprised of correspondence relating to SFA's involvement and interest in the environment and conservation throughout the 1980s and 90s.  ","Sub-series 2 – Newspapers and Information (arranged chronologically) contains newspaper clippings and informational sheets regarding the environment and conservation in the 1980s and 90s.  ","Sub-series 3 – Papers (arranged chronologically) houses research and writings relating to costal habitats and marine animals.  ","Sub-series 4 – Sea Stat Publications (arranged chronologically) are a series of publications called Sea Stats providing a summary of information and statistics on the marine organisms common in Florida waters.  \n \nSeries 2 — Net Ban (arranged alphabetically by sub-series)","Sub-series 1 – Correspondence (arranged chronologically) contains written communication from a wide variety of personnel within the SFA, fishing industry, and legal system, pertaining to the Net Ban.  ","Sub-series 2 — Fox Files (arranged alphabetically by sub-series) is a reading file put together by members of SFA regarding Dr. William Fox who served as director of NOAA's National Marine Fisheries Service in the 1990s. This sub-series contains documents including correspondence, reports, legal histories, and more, all pertaining to Dr. Fox.  ","Sub-series 3 – Industry in Net Ban (arranged alphabetically by sub-series) contains materials that show the impact of the net ban on the fishing and seafood industry. ","\nSub-sub series 1: Coast Guard (arranged chronologically) contains information and correspondence on the coast guards' impact on the industry at the time of the net ban.  ","Sub-sub series 2: Correspondence (arranged chronologically) includes written communication that reflects the implementation and effects of the net ban on the seafood and fishing industries. ","Sub-sub series 3: Information and Research (arranged chronologically) houses informative content regarding the industries and how they were affected by the net ban. ","Sub-sub series 4: TEDS/BRDS (arranged alphabetically by sub-series) contains materials like correspondences, newspapers, papers, and information pertaining to Turtle Excluder Devices (TEDS) and By-catch Reduction Devices (BRDS), which greatly impacted the \t\t\tindustries.  ","Sub-sub series 5: UGA/Sea Grant (arranged alphabetically by sub-series) is comprised of items like correspondence, papers, and releases pertaining to the University of Georgia (UGA), their program \"Sea Grant\" and its impact during the net ban as well as its \t\t\t\tinfluence on TEDS.  ","Sub-series 4 – Information, Facts, and Petitions (arranged chronologically) houses items like flyers, informative pamphlets, statistics, and more, all pertaining to the net ban.  ","Sub-series 5 – King Mackerel (arranged chronologically) contains newspaper cuttings relating to the decline of king mackerel harvesting due to the net ban. ","Sub-series 6 – Legal / Finances (arranged alphabetically by sub-series) pertains to the financial aspect of the SFA's legal defense for the net ban lawsuit. This sub-series contains information including bills and summaries, legal defense fund tracking, legal fees correspondence, and a miscellaneous section comprised of handwritten notes on the subject.  ","Sub-series 7 – Magnuson (arranged chronologically) contains information and correspondence related to the Magnuson-Stevens Fishery Conservation and Management Act, first passed in 1976, which strived to prevent overfishing.","Sub-series 8 – Marketing (arranged chronologically) includes marketing materials, like bumper stickers.  ","Sub-series 9 – Political Cartoons (arranged chronologically) is comprised of illustrations created for and by the SFA to represent ongoing political activities related to their organization.  ","Sub-series 10 – Presentations Concerning the Net Ban (arranged chronologically) houses various presentation slides, print outs, and speeches related to the implementation and impact of the net ban.  ","Sub-series 11 – Publications, Papers, and Reports (arranged chronologically) includes numerous printed issues that relate to the net ban.  ","Sub-series 12 – Related Organizations (arranged alphabetically by sub-series) houses information of various organizations that played a role in the net ban controversy.  ","\nSub-sub series 1: FCA (arranged chronologically) holds publications, info and miscellaneous material related to the Florida Conservation Association (FCA)."," Sub-sub series 2: MFC (arranged alphabetically by sub-series) houses materials like correspondence, papers, releases, and meeting minutes related to the Marine Fisheries Commission (MFC).  "," Sub-sub series 3: NOAA (arranged chronologically) contains information and correspondence related to the National Oceanic and Atmospheric Administration(NOAA).  ","Sub-sub series 4: SOS (arranged alphabetically by sub-series) includes correspondence, information, and publications related to the Save Our Sealife (SOS) organization.  ","Sub-sub series 5: Various Related Organizations (arranged alphabetically by  \t\t\t\torganization) contains information of related organizations such as the Florida Fisheries Alliance (FFA), FL League of Anglers, Friends of the Environment (F.O.E), Florida Fish and Wildlife Conservation Commission (FWC), National Marine Fisheries Service (NMFS), People for the Ethical Treatment of Animals (PETA), Sports Fishing Institute (SFI), and the Small County Coalition. "," \nSeries 3 -- Newspaper Clippings (arranged chronologically) holds newspaper clippings that members of the SFA collected from 1981 to 1998 pertaining to topics broadly related to the net ban and the organization. \n \nSeries 4 -- Seafood and Fishing Industry Topics (arranged alphabetically by sub-series)","Sub-series 1 – Correspondence (arranged chronologically) is comprised of correspondence relating to the SFA's involvement in the seafood and fishing industries.  ","Sub-series 2 – Derelict Vessel Removal (arranged chronologically) contains papers and correspondence relating to the state of Florida's Derelict Vessel Removal program in 1982, which aimed to remove wrecked or abandoned boating vessels from Florida waters.  ","Sub-series 3 – Domestic Shrimping Industry (arranged chronologically) consists of reports, correspondence, and information relating to SFA's involvement in the shrimp industry. The sub-series also touches on the topic of TEDs and their effect on the industry without the mention of the net ban.  ","Sub-series 4 – HACCP (arranged chronologically) contains training schedules, correspondence, and documents on the development of the Hazard Analysis and Critical Control Point (HACCP) program, a science-based food safety management system that helps identify and control potential food safety hazards, within the SFA and their affiliates.","Sub-series 5 – Information and Fact Sheets (arranged chronologically) holds statistical information, pamphlets, and flyers about the seafood and fishing industries. ","Sub-series 6 – Jellyfish Project (arranged alphabetically by sub-series) consists of correspondence, financial information, photos, reports, and information relating to the fishing, processing, and international export of jellyfish to Asia in an effort to boost economic growth and sustain other marine populations. ","Sub-series 7 – Legal (arranged chronologically) holds congressional records and bills relating to the seafood and fishing industries. ","Sub-series 8 – Mexus-Gulf (arranged alphabetically by sub-series) is comprised of correspondence, info, research, and reports relating to meetings between Mexican and United States officials and businessmen discussing the improvement of the bilateral fisheries cooperation, primarily in the 1980s.","Sub-series 9 – NAFTA and Trade (arranged chronologically) houses statistics, correspondence, and reports pertaining to the North American Free Trade Agreement (NAFTA) and other trade ventures relating to the SFA and the seafood and fishing industries. ","Sub-series 10 – Papers and Reports (arranged chronologically) contains economic reports on seafood consumption, fisheries management reports, State of Florida legislative papers concerning these industries, and various other topics. ","Sub-series 11 – Presentations (arranged chronologically) holds written speeches on various topics within the seafood and commercial fishing industries.  \n \nSeries 5 – Southeastern Fisheries Association (arranged alphabetically by sub-series) ","Sub-series 1 – Children's Education Program: Marine Gang (arranged chronologically) contains materials from 1986-1988 that include educational materials, event pamphlets, program and concept papers, contact cards, correspondence, and news clippings from SFA's Marine Gang program, which aimed to educate children about fisheries and marine environments. ","Sub-series 2 – Cookbooks (arranged chronologically) holds recipes created and curated by SFA members. ","Sub-series 3 – Correspondence (arranged chronologically) includes written communication relating to the general operations and conversations from employees of SFA.","Sub-series 4 – Hotlines (arranged chronologically) contains the Southeastern Fisheries Association's newsletter entitled Hotlines, ranging from 1964-2001. ","Sub-series 5 – Legal (arranged chronologically) is comprised of legal documents pertaining to the SFA organization. ","Sub-series 6 – Meeting Minutes (arranged chronologically) houses official written records of SFA meetings from 1987-2009. ","Sub-series 7 – Members and Budget (arranged chronologically) includes tracking sheets of SFA member donations, dues, and financial budgets. ","Sub-series 8 – Ocean Committee (arranged chronologically) contains project plans, agendas, contacts, information, and conference programs relating to Florida's coastal management. ","Sub-series 9 – Personal Papers (arranged chronologically) includes photos, memoirs, and letters from members and affiliates of SFA. ","Sub-series 10 -- Poetry (arranged chronologically) is comprised of works of poetry written or collected by members of SFA.  ","Sub-series 11 – President's Reports (arranged chronologically) includes the SFA 45th annual meeting yearly review from 1996 and 1997, as well as a handwritten note on these reports. \n \nSeries 6 – Media; This series consists of VHS tapes and DVDs and has not yet been fully processed at this time. There are approximately 168 VHS tapes and 2 DVDs. These seem to contain content such as interviews, news show clips, informational training videos, seafood processing and harvesting, and various other forms of media. ","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information.","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2021.001","/repositories/3/resources/85"],"normalized_date_ssm":["1952-2018"],"normalized_title_ssm":["Southeastern Fisheries Association Collection, 1952-2018"],"collection_title_tesim":["Southeastern Fisheries Association Collection, 1952-2018"],"collection_ssim":["Southeastern Fisheries Association Collection, 1952-2018"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information."],"acqinfo_ssim":["The collection was acquired through donation from Robert P. Jones, 03/04/2021."],"has_online_content_ssim":["false"],"extent_ssm":["6.67 Linear Feet"],"extent_tesim":["6.67 Linear Feet"],"date_range_isim":[1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment"],"bioghist_html_tesm":["\u003cp\u003eThe Southeastern Fisheries Association (SFA) was founded in 1952 and is based in Tallahassee, Florida. Since its inception, SFA has been dedicated to supporting the interests of the commercial fishing industry in the southeastern United States, with a focus on Florida. Through advocacy and collaboration, the association works to address key issues affecting fisheries management and promote sustainable practices within the industry. \n \nSFA played a large role in the historic 1994 Florida case that approved Amendment 3, also known as the Net Ban. This ban limited the use of entangling nets in Florida waters and had a significant impact on commercial fishermen and consumers of seafood. Members of SFA challenged the amendment through the legal system to try and prevent the implementation of such a ban, but on July 1st, 1995, the use of gill and trammel nets in Florida waters were ultimately outlawed. For years to come, members of SFA would continue to fight the net ban in Florida and to try and prevent similar outcomes in the rest of the southeast. Documents in this collection show their efforts. \u003c/p\u003e\n","\u003cp\u003eIn addition to their other lobbying work, the SFA focused on the Magnuson-Stevens Act, also referred to as the Magnuson Act. The act was a precursor to the Net Ban and affected the fishing community for decades. Originally passed in 1976, its primary objective was to prevent overfishing. Federally declared a \"fishing disaster\" for the harm it caused to the fishing industry in the Northeast United States, many commercial fishermen, like most members of the SFA, strongly opposed this act for its lack of protection, transparency, and it's extremely stringent rules, as reflected throughout this collection. \u003c/p\u003e\n","\u003cp\u003eSFA was involved in many outreach programs throughout the southeast region that involved activities like education, trade, conservation, and various other efforts. Robert P. Jones, donor of this collection, served as president of SFA from 1964 to 2018. Throughout his 54 years of leadership, Jones' engagement with seafood industry stakeholders has been foundational to the organization's influence on both the commercial fishing culture and seafood production in the United States. \u003c/p\u003e\n","\u003cp\u003eThe Southeastern Fisheries Association remains active today, dedicated to supporting, safeguarding, and advancing the commercial fishing industry across the southeastern United States. It represents harvesters, packers, processors, distributors, and restaurants focused on preserving fishery resources, the livelihoods of fishermen, and the wellbeing of fishing communities. Here you can find a link to their website for more information on their organization: \u003cextref href=\"https://www.sfaonline.org/\"\u003eSFA Website\u003c/extref\u003e \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Southeastern Fisheries Association (SFA) was founded in 1952 and is based in Tallahassee, Florida. Since its inception, SFA has been dedicated to supporting the interests of the commercial fishing industry in the southeastern United States, with a focus on Florida. Through advocacy and collaboration, the association works to address key issues affecting fisheries management and promote sustainable practices within the industry. \n \nSFA played a large role in the historic 1994 Florida case that approved Amendment 3, also known as the Net Ban. This ban limited the use of entangling nets in Florida waters and had a significant impact on commercial fishermen and consumers of seafood. Members of SFA challenged the amendment through the legal system to try and prevent the implementation of such a ban, but on July 1st, 1995, the use of gill and trammel nets in Florida waters were ultimately outlawed. For years to come, members of SFA would continue to fight the net ban in Florida and to try and prevent similar outcomes in the rest of the southeast. Documents in this collection show their efforts. ","In addition to their other lobbying work, the SFA focused on the Magnuson-Stevens Act, also referred to as the Magnuson Act. The act was a precursor to the Net Ban and affected the fishing community for decades. Originally passed in 1976, its primary objective was to prevent overfishing. Federally declared a \"fishing disaster\" for the harm it caused to the fishing industry in the Northeast United States, many commercial fishermen, like most members of the SFA, strongly opposed this act for its lack of protection, transparency, and it's extremely stringent rules, as reflected throughout this collection. ","SFA was involved in many outreach programs throughout the southeast region that involved activities like education, trade, conservation, and various other efforts. Robert P. Jones, donor of this collection, served as president of SFA from 1964 to 2018. Throughout his 54 years of leadership, Jones' engagement with seafood industry stakeholders has been foundational to the organization's influence on both the commercial fishing culture and seafood production in the United States. ","The Southeastern Fisheries Association remains active today, dedicated to supporting, safeguarding, and advancing the commercial fishing industry across the southeastern United States. It represents harvesters, packers, processors, distributors, and restaurants focused on preserving fishery resources, the livelihoods of fishermen, and the wellbeing of fishing communities. Here you can find a link to their website for more information on their organization:  SFA Website"],"prefercite_html_tesm":["\u003cp\u003eSoutheastern Fisheries Association Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Southeastern Fisheries Association Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is home to a selection of documents from the Southeastern Fisheries Association (SFA), the oldest affiliation representing the commercial seafood and fishing industries throughout the southeastern United States. This collection provides insight into various plights and activities within the fishing and seafood industry. Most importantly, the collection details the 1995 Net Ban, it's effects on the industry, as well as SFA. \u003c/p\u003e\n","\u003cp\u003e\nSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1-- Environment and Conservation\u0026#xA0;(arranged alphabetically by sub-series)\u003c/p\u003e\n","\u003cp\u003eSub-series 1 \u0026#x2013; Correspondence (arranged chronologically) is comprised of correspondence relating to SFA's involvement and interest in the environment and conservation throughout the 1980s and 90s.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 2 \u0026#x2013; Newspapers and Information (arranged chronologically) contains newspaper clippings and informational sheets regarding the environment and conservation in the 1980s and 90s.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 3 \u0026#x2013; Papers (arranged chronologically) houses research and writings relating to costal habitats and marine animals.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 4 \u0026#x2013; Sea Stat Publications (arranged chronologically) are a series of publications called Sea Stats providing a summary of information and statistics on the marine organisms common in Florida waters.\u0026#xA0;\u0026#xA0;\n\u0026#xA0;\nSeries 2 \u0026#x2014; Net Ban\u0026#xA0;(arranged alphabetically by sub-series)\u003c/p\u003e\n","\u003cp\u003eSub-series 1 \u0026#x2013; Correspondence (arranged chronologically) contains written communication from a wide variety of personnel within the SFA, fishing industry, and legal system, pertaining to the Net Ban.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 2 \u0026#x2014; Fox Files (arranged alphabetically by sub-series) is a reading file put together by members of SFA regarding Dr. William Fox who served as director of NOAA's National Marine Fisheries Service in the 1990s. This sub-series contains documents including correspondence, reports, legal histories, and more, all pertaining to Dr. Fox.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 3 \u0026#x2013; Industry in Net Ban (arranged alphabetically by sub-series) contains materials that show the impact of the net ban on the fishing and seafood industry.\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003e\nSub-sub series 1: Coast Guard (arranged chronologically) contains information and correspondence on the coast guards' impact on the industry at the time of the net ban.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-sub series 2: Correspondence (arranged chronologically) includes written communication that reflects the implementation and effects of the net ban on the seafood and fishing industries. \u003c/p\u003e\n","\u003cp\u003eSub-sub series 3: Information and Research (arranged chronologically) houses informative content regarding the industries and how they were affected by the net ban. \u003c/p\u003e\n","\u003cp\u003eSub-sub series 4: TEDS/BRDS (arranged alphabetically by sub-series) contains materials like correspondences, newspapers, papers, and information pertaining to Turtle Excluder Devices (TEDS) and By-catch Reduction Devices (BRDS), which greatly impacted the \t\t\tindustries.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-sub series 5: UGA/Sea Grant (arranged alphabetically by sub-series) is comprised of items like correspondence, papers, and releases pertaining to the University of Georgia (UGA), their program \"Sea Grant\" and its impact during the net ban as well as its \t\t\t\tinfluence on TEDS.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 4 \u0026#x2013; Information, Facts, and Petitions (arranged chronologically) houses items like flyers, informative pamphlets, statistics, and more, all pertaining to the net ban.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 5 \u0026#x2013; King Mackerel (arranged chronologically) contains newspaper cuttings relating to the decline of king mackerel harvesting due to the net ban.\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 6 \u0026#x2013; Legal / Finances (arranged alphabetically by sub-series) pertains to the financial aspect of the SFA's legal defense for the net ban lawsuit. This sub-series contains information including bills and summaries, legal defense fund tracking, legal fees correspondence, and a miscellaneous section comprised of handwritten notes on the subject.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 7 \u0026#x2013; Magnuson (arranged chronologically) contains information and correspondence related to the Magnuson-Stevens Fishery Conservation and Management Act, first passed in 1976, which strived to prevent overfishing.\u003c/p\u003e\n","\u003cp\u003eSub-series 8 \u0026#x2013; Marketing (arranged chronologically) includes marketing materials, like bumper stickers.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 9 \u0026#x2013; Political Cartoons (arranged chronologically) is comprised of illustrations created for and by the SFA to represent ongoing political activities related to their organization.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 10 \u0026#x2013; Presentations Concerning the Net Ban (arranged chronologically) houses various presentation slides, print outs, and speeches related to the implementation and impact of the net ban.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 11 \u0026#x2013; Publications, Papers, and Reports (arranged chronologically) includes numerous printed issues that relate to the net ban.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 12 \u0026#x2013; Related Organizations (arranged alphabetically by sub-series) houses information of various organizations that played a role in the net ban controversy.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003e\nSub-sub series 1: FCA (arranged chronologically) holds publications, info and miscellaneous material related to the Florida Conservation Association (FCA).\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0;Sub-sub series 2: MFC (arranged alphabetically by sub-series) houses materials like correspondence, papers, releases, and meeting minutes related to the Marine Fisheries Commission (MFC).\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0;Sub-sub series 3: NOAA (arranged chronologically) contains information and correspondence related to the National Oceanic and Atmospheric Administration(NOAA).\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-sub series 4: SOS (arranged alphabetically by sub-series) includes correspondence, information, and publications related to the Save Our Sealife (SOS) organization.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-sub series 5: Various Related Organizations (arranged alphabetically by  \t\t\t\torganization) contains information of related organizations such as the Florida Fisheries Alliance (FFA), FL League of Anglers, Friends of the Environment (F.O.E), Florida Fish and Wildlife Conservation Commission (FWC), National Marine Fisheries Service (NMFS), People for the Ethical Treatment of Animals (PETA), Sports Fishing Institute (SFI), and the Small County Coalition. \u003c/p\u003e\n","\u003cp\u003e\u0026#xA0;\nSeries 3 -- Newspaper Clippings (arranged chronologically) holds newspaper clippings that members of the SFA collected from 1981 to 1998 pertaining to topics broadly related to the net ban and the organization. \n\u0026#xA0;\nSeries 4 -- Seafood and Fishing Industry Topics\u0026#xA0;(arranged alphabetically by sub-series)\u003c/p\u003e\n","\u003cp\u003eSub-series 1 \u0026#x2013; Correspondence (arranged chronologically) is comprised of correspondence relating to the SFA's involvement in the seafood and fishing industries.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 2 \u0026#x2013; Derelict Vessel Removal (arranged chronologically) contains papers and correspondence relating to the state of Florida's Derelict Vessel Removal program in 1982, which aimed to remove wrecked or abandoned boating vessels from Florida waters.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 3 \u0026#x2013; Domestic Shrimping Industry (arranged chronologically) consists of reports, correspondence, and information relating to SFA's involvement in the shrimp industry. The sub-series also touches on the topic of TEDs and their effect on the industry without the mention of the net ban.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 4 \u0026#x2013; HACCP (arranged chronologically) contains training schedules, correspondence, and documents on the development of the Hazard Analysis and Critical Control Point (HACCP) program, a science-based food safety management system that helps identify and control potential food safety hazards, within the SFA and their affiliates.\u003c/p\u003e\n","\u003cp\u003eSub-series 5 \u0026#x2013; Information and Fact Sheets (arranged chronologically) holds statistical information, pamphlets, and flyers about the seafood and fishing industries.\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 6 \u0026#x2013; Jellyfish Project (arranged alphabetically by sub-series) consists of correspondence, financial information, photos, reports, and information relating to the fishing, processing, and international export of jellyfish to Asia in an effort to boost economic growth and sustain other marine populations.\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 7 \u0026#x2013; Legal (arranged chronologically) holds congressional records and bills relating to the seafood and fishing industries.\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 8 \u0026#x2013; Mexus-Gulf (arranged alphabetically by sub-series) is comprised of correspondence, info, research, and reports relating to meetings between Mexican and United States officials and businessmen discussing the improvement of the bilateral fisheries cooperation, primarily in the 1980s.\u003c/p\u003e\n","\u003cp\u003eSub-series 9 \u0026#x2013; NAFTA and Trade (arranged chronologically) houses statistics, correspondence, and reports pertaining to the North American Free Trade Agreement (NAFTA) and other trade ventures relating to the SFA and the seafood and fishing industries.\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 10 \u0026#x2013; Papers and Reports (arranged chronologically) contains economic reports on seafood consumption, fisheries management reports, State of Florida legislative papers concerning these industries, and various other topics.\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 11 \u0026#x2013; Presentations (arranged chronologically) holds written speeches on various topics within the seafood and commercial fishing industries.\u0026#xA0;\u0026#xA0;\n\u0026#xA0;\nSeries 5 \u0026#x2013; Southeastern Fisheries Association (arranged alphabetically by sub-series)\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 1 \u0026#x2013; Children's Education Program: Marine Gang (arranged chronologically) contains materials from 1986-1988 that include educational materials, event pamphlets, program and concept papers, contact cards, correspondence, and news clippings from SFA's Marine Gang program, which aimed to educate children about fisheries and marine environments.\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 2 \u0026#x2013; Cookbooks (arranged chronologically) holds recipes created and curated by SFA members.\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 3 \u0026#x2013; Correspondence (arranged chronologically) includes written communication relating to the general operations and conversations from employees of SFA.\u003c/p\u003e\n","\u003cp\u003eSub-series 4 \u0026#x2013; Hotlines (arranged chronologically) contains the Southeastern Fisheries Association's newsletter entitled Hotlines, ranging from 1964-2001.\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 5 \u0026#x2013; Legal (arranged chronologically) is comprised of legal documents pertaining to the SFA organization.\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 6 \u0026#x2013; Meeting Minutes (arranged chronologically) houses official written records of SFA meetings from 1987-2009.\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 7 \u0026#x2013; Members and Budget\u0026#xA0;(arranged chronologically) includes tracking sheets of SFA member donations, dues, and financial budgets. \u003c/p\u003e\n","\u003cp\u003eSub-series 8 \u0026#x2013; Ocean Committee (arranged chronologically) contains project plans, agendas, contacts, information, and conference programs relating to Florida's coastal management.\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 9 \u0026#x2013; Personal Papers (arranged chronologically) includes photos, memoirs, and letters from members and affiliates of SFA.\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 10 -- Poetry (arranged chronologically) is comprised of works of poetry written or collected by members of SFA.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 11 \u0026#x2013; President's Reports (arranged chronologically) includes the SFA 45th annual meeting yearly review from 1996 and 1997, as well as a handwritten note on these reports.\u0026#xA0;\n\u0026#xA0;\nSeries 6 \u0026#x2013; Media; This series consists of VHS tapes and DVDs and has not yet been fully processed at this time. There are approximately 168 VHS tapes and 2 DVDs. These seem to contain content such as interviews, news show clips, informational training videos, seafood processing and harvesting, and various other forms of media. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is home to a selection of documents from the Southeastern Fisheries Association (SFA), the oldest affiliation representing the commercial seafood and fishing industries throughout the southeastern United States. This collection provides insight into various plights and activities within the fishing and seafood industry. Most importantly, the collection details the 1995 Net Ban, it's effects on the industry, as well as SFA. ","\nSeries in this collection include the following:","Series 1-- Environment and Conservation (arranged alphabetically by sub-series)","Sub-series 1 – Correspondence (arranged chronologically) is comprised of correspondence relating to SFA's involvement and interest in the environment and conservation throughout the 1980s and 90s.  ","Sub-series 2 – Newspapers and Information (arranged chronologically) contains newspaper clippings and informational sheets regarding the environment and conservation in the 1980s and 90s.  ","Sub-series 3 – Papers (arranged chronologically) houses research and writings relating to costal habitats and marine animals.  ","Sub-series 4 – Sea Stat Publications (arranged chronologically) are a series of publications called Sea Stats providing a summary of information and statistics on the marine organisms common in Florida waters.  \n \nSeries 2 — Net Ban (arranged alphabetically by sub-series)","Sub-series 1 – Correspondence (arranged chronologically) contains written communication from a wide variety of personnel within the SFA, fishing industry, and legal system, pertaining to the Net Ban.  ","Sub-series 2 — Fox Files (arranged alphabetically by sub-series) is a reading file put together by members of SFA regarding Dr. William Fox who served as director of NOAA's National Marine Fisheries Service in the 1990s. This sub-series contains documents including correspondence, reports, legal histories, and more, all pertaining to Dr. Fox.  ","Sub-series 3 – Industry in Net Ban (arranged alphabetically by sub-series) contains materials that show the impact of the net ban on the fishing and seafood industry. ","\nSub-sub series 1: Coast Guard (arranged chronologically) contains information and correspondence on the coast guards' impact on the industry at the time of the net ban.  ","Sub-sub series 2: Correspondence (arranged chronologically) includes written communication that reflects the implementation and effects of the net ban on the seafood and fishing industries. ","Sub-sub series 3: Information and Research (arranged chronologically) houses informative content regarding the industries and how they were affected by the net ban. ","Sub-sub series 4: TEDS/BRDS (arranged alphabetically by sub-series) contains materials like correspondences, newspapers, papers, and information pertaining to Turtle Excluder Devices (TEDS) and By-catch Reduction Devices (BRDS), which greatly impacted the \t\t\tindustries.  ","Sub-sub series 5: UGA/Sea Grant (arranged alphabetically by sub-series) is comprised of items like correspondence, papers, and releases pertaining to the University of Georgia (UGA), their program \"Sea Grant\" and its impact during the net ban as well as its \t\t\t\tinfluence on TEDS.  ","Sub-series 4 – Information, Facts, and Petitions (arranged chronologically) houses items like flyers, informative pamphlets, statistics, and more, all pertaining to the net ban.  ","Sub-series 5 – King Mackerel (arranged chronologically) contains newspaper cuttings relating to the decline of king mackerel harvesting due to the net ban. ","Sub-series 6 – Legal / Finances (arranged alphabetically by sub-series) pertains to the financial aspect of the SFA's legal defense for the net ban lawsuit. This sub-series contains information including bills and summaries, legal defense fund tracking, legal fees correspondence, and a miscellaneous section comprised of handwritten notes on the subject.  ","Sub-series 7 – Magnuson (arranged chronologically) contains information and correspondence related to the Magnuson-Stevens Fishery Conservation and Management Act, first passed in 1976, which strived to prevent overfishing.","Sub-series 8 – Marketing (arranged chronologically) includes marketing materials, like bumper stickers.  ","Sub-series 9 – Political Cartoons (arranged chronologically) is comprised of illustrations created for and by the SFA to represent ongoing political activities related to their organization.  ","Sub-series 10 – Presentations Concerning the Net Ban (arranged chronologically) houses various presentation slides, print outs, and speeches related to the implementation and impact of the net ban.  ","Sub-series 11 – Publications, Papers, and Reports (arranged chronologically) includes numerous printed issues that relate to the net ban.  ","Sub-series 12 – Related Organizations (arranged alphabetically by sub-series) houses information of various organizations that played a role in the net ban controversy.  ","\nSub-sub series 1: FCA (arranged chronologically) holds publications, info and miscellaneous material related to the Florida Conservation Association (FCA)."," Sub-sub series 2: MFC (arranged alphabetically by sub-series) houses materials like correspondence, papers, releases, and meeting minutes related to the Marine Fisheries Commission (MFC).  "," Sub-sub series 3: NOAA (arranged chronologically) contains information and correspondence related to the National Oceanic and Atmospheric Administration(NOAA).  ","Sub-sub series 4: SOS (arranged alphabetically by sub-series) includes correspondence, information, and publications related to the Save Our Sealife (SOS) organization.  ","Sub-sub series 5: Various Related Organizations (arranged alphabetically by  \t\t\t\torganization) contains information of related organizations such as the Florida Fisheries Alliance (FFA), FL League of Anglers, Friends of the Environment (F.O.E), Florida Fish and Wildlife Conservation Commission (FWC), National Marine Fisheries Service (NMFS), People for the Ethical Treatment of Animals (PETA), Sports Fishing Institute (SFI), and the Small County Coalition. "," \nSeries 3 -- Newspaper Clippings (arranged chronologically) holds newspaper clippings that members of the SFA collected from 1981 to 1998 pertaining to topics broadly related to the net ban and the organization. \n \nSeries 4 -- Seafood and Fishing Industry Topics (arranged alphabetically by sub-series)","Sub-series 1 – Correspondence (arranged chronologically) is comprised of correspondence relating to the SFA's involvement in the seafood and fishing industries.  ","Sub-series 2 – Derelict Vessel Removal (arranged chronologically) contains papers and correspondence relating to the state of Florida's Derelict Vessel Removal program in 1982, which aimed to remove wrecked or abandoned boating vessels from Florida waters.  ","Sub-series 3 – Domestic Shrimping Industry (arranged chronologically) consists of reports, correspondence, and information relating to SFA's involvement in the shrimp industry. The sub-series also touches on the topic of TEDs and their effect on the industry without the mention of the net ban.  ","Sub-series 4 – HACCP (arranged chronologically) contains training schedules, correspondence, and documents on the development of the Hazard Analysis and Critical Control Point (HACCP) program, a science-based food safety management system that helps identify and control potential food safety hazards, within the SFA and their affiliates.","Sub-series 5 – Information and Fact Sheets (arranged chronologically) holds statistical information, pamphlets, and flyers about the seafood and fishing industries. ","Sub-series 6 – Jellyfish Project (arranged alphabetically by sub-series) consists of correspondence, financial information, photos, reports, and information relating to the fishing, processing, and international export of jellyfish to Asia in an effort to boost economic growth and sustain other marine populations. ","Sub-series 7 – Legal (arranged chronologically) holds congressional records and bills relating to the seafood and fishing industries. ","Sub-series 8 – Mexus-Gulf (arranged alphabetically by sub-series) is comprised of correspondence, info, research, and reports relating to meetings between Mexican and United States officials and businessmen discussing the improvement of the bilateral fisheries cooperation, primarily in the 1980s.","Sub-series 9 – NAFTA and Trade (arranged chronologically) houses statistics, correspondence, and reports pertaining to the North American Free Trade Agreement (NAFTA) and other trade ventures relating to the SFA and the seafood and fishing industries. ","Sub-series 10 – Papers and Reports (arranged chronologically) contains economic reports on seafood consumption, fisheries management reports, State of Florida legislative papers concerning these industries, and various other topics. ","Sub-series 11 – Presentations (arranged chronologically) holds written speeches on various topics within the seafood and commercial fishing industries.  \n \nSeries 5 – Southeastern Fisheries Association (arranged alphabetically by sub-series) ","Sub-series 1 – Children's Education Program: Marine Gang (arranged chronologically) contains materials from 1986-1988 that include educational materials, event pamphlets, program and concept papers, contact cards, correspondence, and news clippings from SFA's Marine Gang program, which aimed to educate children about fisheries and marine environments. ","Sub-series 2 – Cookbooks (arranged chronologically) holds recipes created and curated by SFA members. ","Sub-series 3 – Correspondence (arranged chronologically) includes written communication relating to the general operations and conversations from employees of SFA.","Sub-series 4 – Hotlines (arranged chronologically) contains the Southeastern Fisheries Association's newsletter entitled Hotlines, ranging from 1964-2001. ","Sub-series 5 – Legal (arranged chronologically) is comprised of legal documents pertaining to the SFA organization. ","Sub-series 6 – Meeting Minutes (arranged chronologically) houses official written records of SFA meetings from 1987-2009. ","Sub-series 7 – Members and Budget (arranged chronologically) includes tracking sheets of SFA member donations, dues, and financial budgets. ","Sub-series 8 – Ocean Committee (arranged chronologically) contains project plans, agendas, contacts, information, and conference programs relating to Florida's coastal management. ","Sub-series 9 – Personal Papers (arranged chronologically) includes photos, memoirs, and letters from members and affiliates of SFA. ","Sub-series 10 -- Poetry (arranged chronologically) is comprised of works of poetry written or collected by members of SFA.  ","Sub-series 11 – President's Reports (arranged chronologically) includes the SFA 45th annual meeting yearly review from 1996 and 1997, as well as a handwritten note on these reports. \n \nSeries 6 – Media; This series consists of VHS tapes and DVDs and has not yet been fully processed at this time. There are approximately 168 VHS tapes and 2 DVDs. These seem to contain content such as interviews, news show clips, informational training videos, seafood processing and harvesting, and various other forms of media. "],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information."],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":190,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f2719d6ab605a057b8ab0e9c","timestamp":"2026-07-10T03:27:52.463Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f2719d6ab605a057b8ab0e9c_aspace_fa378cebaaf395975fb97b88f49a4181"}},{"id":"d460d79853a24559cb2d53c8_aspace_8d659dd65595394fd828f0ea202247a4","type":"Series","attributes":{"title":"Personal papers, Circa 1940-1997","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/d460d79853a24559cb2d53c8_aspace_8d659dd65595394fd828f0ea202247a4#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Personal Papers Series contains handwritten notes, correspondence, and parts of mailers.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d460d79853a24559cb2d53c8_aspace_8d659dd65595394fd828f0ea202247a4#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_8d659dd65595394fd828f0ea202247a4","ref_ssm":["aspace_8d659dd65595394fd828f0ea202247a4","aspace_8d659dd65595394fd828f0ea202247a4"],"id":"d460d79853a24559cb2d53c8_aspace_8d659dd65595394fd828f0ea202247a4","title_filing_ssi":"Personal papers","title_ssm":["Personal papers"],"title_tesim":["Personal papers"],"unitdate_inclusive_ssm":["Circa 1940-1997"],"normalized_date_ssm":["Circa 1940-1997"],"normalized_title_ssm":["Personal papers, Circa 1940-1997"],"text":["Personal papers, Circa 1940-1997","Moe Katz Collection, Circa 1920-2000","/repositories/4/archival_objects/19889","The Personal Papers Series contains handwritten notes, correspondence, and parts of mailers."],"component_level_isim":[1],"parent_ids_ssim":["d460d79853a24559cb2d53c8"],"parent_unittitles_ssm":["Moe Katz Collection, Circa 1920-2000"],"parent_unittitles_tesim":["Moe Katz Collection, Circa 1920-2000"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/4/archival_objects/19889"],"repository_ssim":["Broward County Historical Archives"],"collection_ssim":["Moe Katz Collection, Circa 1920-2000"],"has_online_content_ssim":["false"],"child_component_count_isi":9,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":21,"parent_access_restrict_tesm":["The Moe Katz Collection is open for research."],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"scopecontent_html_tesm":["\u003cp\u003eThe Personal Papers Series contains handwritten notes, correspondence, and parts of mailers.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Personal Papers Series contains handwritten notes, correspondence, and parts of mailers."],"_nest_path_":"/components#2","_nest_parent_":"d460d79853a24559cb2d53c8","_root_":"d460d79853a24559cb2d53c8","_version_":1873196199756955648,"timestamp":"2026-08-11T03:31:45.297Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d460d79853a24559cb2d53c8","title_filing_ssi":"Katz, Moe Collection","title_ssm":["Moe Katz Collection"],"title_tesim":["Moe Katz Collection"],"ead_ssi":"d460d79853a24559cb2d53c8","unitdate_ssm":["Circa 1920-2000"],"unitdate_inclusive_ssm":["Circa 1920-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BCHA.1981.8","/repositories/4/resources/183"],"text":["BCHA.1981.8","/repositories/4/resources/183","Moe Katz Collection, Circa 1920-2000","Fort Lauderdale (Fla.)","Real estate agents -- United States","Real estate business -- United States","Real estate appraisers","Jewish bankers","Synagogues -- History","Jewish cemeteries","The Moe Katz Collection is open for research.","The Moe Katz Collection is digitized and partially available on the Broward County Library Digital Archives .","The Moe Katz Collection is organized into four series: Series I. Financial Papers, Series II. Newspaper Clippings, Series III. Personal Papers, and Series IV. Photographs","Moe Katz was born in New York on June 27, 1900. A realtor, Katz moved with his brother Mack (known as Max), a clothing retailer, and sister-in-law, Sayde, from New York City to Daytona, Florida, in 1922. Two years later, the Katz family moved to Fort Lauderdale, Florida. Moe Katz received the first Florida real estate license in 1924 and joined the Chamber of Commerce in 1925. His involvement in property appraising and real estate led him to join the Board of Directors of First Federal saving and Loan Association of Broward County in 1935. Soon after, he became the First Federal's Chief Appraiser and Executive Vice President. For more than 50 years, Katz was an active member of the Fort Lauderdale's Board of Realtors. ","Katz quest for a place of Jewish worship began with the Lauderdale Hebrew Congregation in 1925. He also acquired blocks of the Evergreen Cemetery, the oldest cemetery in Fort Lauderdale, for the purpose of apportioning plots for Jewish burials. In 1937, Katz established the first synagogue in Broward County, Temple Emanu-El, a Reform Jewish temple. He became its first president. Katz also joined other organizations such as the city's Planning and Zoning Board, the Board of Trustees of the Fort Lauderdale Historical Society, and the Fort Lauderdale Easter Seal Rehabilitation Clinic Elks, Masons, and Shriners. In 1980, he was honored by the National Conference of Christians and Jews for his service to the community. Moe Katz died on June 26, 1982, in Fort Lauderdale, Florida.","The Moe Katz collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The Moe Katz Collection includes bills, financial deeds related to Temple Emanu-el and the Jewish section of Fort Lauderdale's Evergreen cemetery, newspapers clippings, personal papers and photographs."," Broward County Historical Archives","English"],"unitid_tesim":["BCHA.1981.8","/repositories/4/resources/183"],"normalized_date_ssm":["Circa 1920-2000"],"normalized_title_ssm":["Moe Katz Collection, Circa 1920-2000"],"collection_title_tesim":["Moe Katz Collection, Circa 1920-2000"],"collection_ssim":["Moe Katz Collection, Circa 1920-2000"],"repository_ssm":["Broward County Historical Archives"],"repository_ssim":["Broward County Historical Archives"],"geogname_ssm":["Fort Lauderdale (Fla.)"],"geogname_ssim":["Fort Lauderdale (Fla.)"],"places_ssim":["Fort Lauderdale (Fla.)"],"acqinfo_ssim":["The Katz family donated the materials to the Broward County Historical Commission as part of the Broward County Pioneer Days program in 1981 (Accession BCHA-1981.8)."],"access_subjects_ssim":["Real estate agents -- United States","Real estate business -- United States","Real estate appraisers","Jewish bankers","Synagogues -- History","Jewish cemeteries"],"access_subjects_ssm":["Real estate agents -- United States","Real estate business -- United States","Real estate appraisers","Jewish bankers","Synagogues -- History","Jewish cemeteries"],"has_online_content_ssim":["false"],"extent_ssm":["1 Half Hollinger Box","1 Oversize folder"],"extent_tesim":["1 Half Hollinger Box","1 Oversize folder"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThe Moe Katz Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Moe Katz Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/moekatz\"\u003eThe Moe Katz Collection is digitized and partially available on the Broward County Library Digital Archives\u003c/a\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["The Moe Katz Collection is digitized and partially available on the Broward County Library Digital Archives ."],"arrangement_html_tesm":["\u003cp\u003eThe Moe Katz Collection is organized into four series: Series I. Financial Papers, Series II. Newspaper Clippings, Series III. Personal Papers, and Series IV. Photographs\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Moe Katz Collection is organized into four series: Series I. Financial Papers, Series II. Newspaper Clippings, Series III. Personal Papers, and Series IV. Photographs"],"bioghist_html_tesm":["\u003cp\u003eMoe Katz was born in New York on June 27, 1900. A realtor, Katz moved with his brother Mack (known as Max), a clothing retailer, and sister-in-law, Sayde, from New York City to Daytona, Florida, in 1922. Two years later, the Katz family moved to Fort Lauderdale, Florida. Moe Katz received the first Florida real estate license in 1924 and joined the Chamber of Commerce in 1925. His involvement in property appraising and real estate led him to join the Board of Directors of First Federal saving and Loan Association of Broward County in 1935. Soon after, he became the First Federal's Chief Appraiser and Executive Vice President. For more than 50 years, Katz was an active member of the Fort Lauderdale's Board of Realtors. \u003c/p\u003e\n","\u003cp\u003eKatz quest for a place of Jewish worship began with the Lauderdale Hebrew Congregation in 1925. He also acquired blocks of the Evergreen Cemetery, the oldest cemetery in Fort Lauderdale, for the purpose of apportioning plots for Jewish burials. In 1937, Katz established the first synagogue in Broward County, Temple Emanu-El, a Reform Jewish temple. He became its first president. Katz also joined other organizations such as the city's Planning and Zoning Board, the Board of Trustees of the Fort Lauderdale Historical Society, and the Fort Lauderdale Easter Seal Rehabilitation Clinic Elks, Masons, and Shriners. In 1980, he was honored by the National Conference of Christians and Jews for his service to the community. Moe Katz died on June 26, 1982, in Fort Lauderdale, Florida.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Moe Katz was born in New York on June 27, 1900. A realtor, Katz moved with his brother Mack (known as Max), a clothing retailer, and sister-in-law, Sayde, from New York City to Daytona, Florida, in 1922. Two years later, the Katz family moved to Fort Lauderdale, Florida. Moe Katz received the first Florida real estate license in 1924 and joined the Chamber of Commerce in 1925. His involvement in property appraising and real estate led him to join the Board of Directors of First Federal saving and Loan Association of Broward County in 1935. Soon after, he became the First Federal's Chief Appraiser and Executive Vice President. For more than 50 years, Katz was an active member of the Fort Lauderdale's Board of Realtors. ","Katz quest for a place of Jewish worship began with the Lauderdale Hebrew Congregation in 1925. He also acquired blocks of the Evergreen Cemetery, the oldest cemetery in Fort Lauderdale, for the purpose of apportioning plots for Jewish burials. In 1937, Katz established the first synagogue in Broward County, Temple Emanu-El, a Reform Jewish temple. He became its first president. Katz also joined other organizations such as the city's Planning and Zoning Board, the Board of Trustees of the Fort Lauderdale Historical Society, and the Fort Lauderdale Easter Seal Rehabilitation Clinic Elks, Masons, and Shriners. In 1980, he was honored by the National Conference of Christians and Jews for his service to the community. Moe Katz died on June 26, 1982, in Fort Lauderdale, Florida."],"prefercite_html_tesm":["\u003cp\u003eMoe Katz Collection, Broward County Historical Archives, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Moe Katz Collection, Broward County Historical Archives, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Moe Katz collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Moe Katz collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Moe Katz Collection includes bills, financial deeds related to Temple Emanu-el and the Jewish section of Fort Lauderdale's Evergreen cemetery, newspapers clippings, personal papers and photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Moe Katz Collection includes bills, financial deeds related to Temple Emanu-el and the Jewish section of Fort Lauderdale's Evergreen cemetery, newspapers clippings, personal papers and photographs."],"names_ssim":[" Broward County Historical Archives"],"corpname_ssim":[" Broward County Historical Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":32,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1873196199756955648,"_root_":"d460d79853a24559cb2d53c8","timestamp":"2026-08-11T03:31:45.297Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d460d79853a24559cb2d53c8_aspace_8d659dd65595394fd828f0ea202247a4"}},{"id":"b3e4025e67698b63bebebf69_aspace_0b5b89c1ef725513dc3ade72373f018d","type":"Sub-sub-series","attributes":{"title":"Personal Photographs, 1966-2002","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b3e4025e67698b63bebebf69_aspace_0b5b89c1ef725513dc3ade72373f018d#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_0b5b89c1ef725513dc3ade72373f018d","ref_ssm":["aspace_0b5b89c1ef725513dc3ade72373f018d","aspace_0b5b89c1ef725513dc3ade72373f018d"],"id":"b3e4025e67698b63bebebf69_aspace_0b5b89c1ef725513dc3ade72373f018d","title_filing_ssi":"Personal Photographs","title_ssm":["Personal Photographs"],"title_tesim":["Personal Photographs"],"unitdate_inclusive_ssm":["1966-2002"],"normalized_date_ssm":["1966-2002"],"normalized_title_ssm":["Personal Photographs, 1966-2002"],"text":["Personal Photographs, 1966-2002","Dr. Edna Louise Saffy Papers, 1962-2013","Photographs","Personal, 1966-2002","/repositories/3/archival_objects/7607","box 58","folder 44"],"component_level_isim":[3],"parent_ids_ssim":["b3e4025e67698b63bebebf69","b3e4025e67698b63bebebf69_aspace_912aa98b6804c34fd949dbca76e7062b","b3e4025e67698b63bebebf69_aspace_18a39bb4892db0408acee53bfbd2108b"],"parent_unittitles_ssm":["Dr. Edna Louise Saffy Papers, 1962-2013","Photographs","Personal, 1966-2002"],"parent_unittitles_tesim":["Dr. Edna Louise Saffy Papers, 1962-2013","Photographs","Personal, 1966-2002"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/3/archival_objects/7607"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Dr. Edna Louise Saffy Papers, 1962-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Sub-sub-series"],"level_ssim":["Sub-sub-series"],"sort_isi":673,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact \nlib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"date_range_isim":[1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"containers_ssim":["box 58","folder 44"],"_nest_path_":"/components#29/components#2/components#4","_nest_parent_":"b3e4025e67698b63bebebf69_aspace_18a39bb4892db0408acee53bfbd2108b","_root_":"b3e4025e67698b63bebebf69","_version_":1870860599051681792,"timestamp":"2026-07-16T08:48:22.881Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b3e4025e67698b63bebebf69","title_ssm":["Dr. Edna Louise Saffy Papers"],"title_tesim":["Dr. Edna Louise Saffy Papers"],"ead_ssi":"b3e4025e67698b63bebebf69","unitdate_ssm":["1962-2013"],"unitdate_inclusive_ssm":["1962-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2013.003","/repositories/3/resources/66"],"text":["2013.003","/repositories/3/resources/66","Dr. Edna Louise Saffy Papers, 1962-2013","Florida -- Politics and Government -- 20th century","Clinton, Bill, 1946 -- Presidential campaigns -- Florida","College teachers -- Florida -- Jacksonville (Fla.)","Democratic Party (Fla.)","Human rights workers -- Florida -- Jacksonville (Fla.)","Political activists -- Florida -- Jacksonville (Fla.)","Women's rights -- Florida","The collection is open for research by appointment only. Please contact \nlib-special@unf.edu to schedule an appointment.","\tDr. Edna Louise Saffy, human rights advocate and Jacksonville native was born on March 9, 1935. She attended college at the University of Florida where she received several degrees, including the Master's and Doctorate of Philosophy degrees. She was a professor of Rhetoric and Public Address at University of Florida and Florida State College at Jacksonville, where she was elected Professor Emeritus following her retirement in December 2007. ","\nDr. Saffy was a founder of the National Organization for Women chapters in Jacksonville and Gainesville, as well as founder of the Jacksonville Women's Network. She was named \"A Woman of Courage and Vision\" by the Mayor's Commission on the Status of Women and the recipient of a Lifetime EVE Award by the Florida Times Union.\n    \n    As a humanitarian and activist, she served on numerous local, state, and national committees, including the John F. Kennedy Center Committee for the Performing Arts during the Clinton Administration, the Advisory Committee on LaVilla Cultural Heritage District, American Arab Institute, Duval County Democratic Executive Committee, and the Jacksonville Human Rights Commission. \n    \n    Dr. Saffy was also politically active. She led a 1975 march in Tallahassee in support of the Equal Rights Amendment. She served as a Florida delegate to the International Women's Conference and as a Florida State delegate in six Democratic National Conventions. She was also the president of the Florida Women's Political Caucus. Dr. Saffy died June 20, 2010.","This collection contains awards, correspondence, memorabilia, printed materials, photographs, personal papers, and writings. Many printed materials and photographs relate to politics and political activism. There are numerous photographs and newspaper clippings, as well as Dr. Saffy's dissertation. The collection contains many memorabilia items, particularly from various political events, and there are two large portraits of Dr. Edna Louise Saffy.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2013.003","/repositories/3/resources/66"],"normalized_date_ssm":["1962-2013"],"normalized_title_ssm":["Dr. Edna Louise Saffy Papers, 1962-2013"],"collection_title_tesim":["Dr. Edna Louise Saffy Papers, 1962-2013"],"collection_ssim":["Dr. Edna Louise Saffy Papers, 1962-2013"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"geogname_ssm":["Florida -- Politics and Government -- 20th century"],"geogname_ssim":["Florida -- Politics and Government -- 20th century"],"places_ssim":["Florida -- Politics and Government -- 20th century"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Dr. Grady Johnson, 2013."],"access_subjects_ssim":["Clinton, Bill, 1946 -- Presidential campaigns -- Florida","College teachers -- Florida -- Jacksonville (Fla.)","Democratic Party (Fla.)","Human rights workers -- Florida -- Jacksonville (Fla.)","Political activists -- Florida -- Jacksonville (Fla.)","Women's rights -- Florida"],"access_subjects_ssm":["Clinton, Bill, 1946 -- Presidential campaigns -- Florida","College teachers -- Florida -- Jacksonville (Fla.)","Democratic Party (Fla.)","Human rights workers -- Florida -- Jacksonville (Fla.)","Political activists -- Florida -- Jacksonville (Fla.)","Women's rights -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["36.00 Linear Feet"],"extent_tesim":["36.00 Linear Feet"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact \nlib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact \nlib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003e\tDr. Edna Louise Saffy, human rights advocate and Jacksonville native was born on March 9, 1935. She attended college at the University of Florida where she received several degrees, including the Master's and Doctorate of Philosophy degrees. She was a professor of Rhetoric and Public Address at University of Florida and Florida State College at Jacksonville, where she was elected Professor Emeritus following her retirement in December 2007. \u003c/p\u003e\n","\u003cp\u003e\nDr. Saffy was a founder of the National Organization for Women chapters in Jacksonville and Gainesville, as well as founder of the Jacksonville Women's Network. She was named \"A Woman of Courage and Vision\" by the Mayor's Commission on the Status of Women and the recipient of a Lifetime EVE Award by the Florida Times Union.\n    \n    As a humanitarian and activist, she served on numerous local, state, and national committees, including the John F. Kennedy Center Committee for the Performing Arts during the Clinton Administration, the Advisory Committee on LaVilla Cultural Heritage District, American Arab Institute, Duval County Democratic Executive Committee, and the Jacksonville Human Rights Commission. \n    \n    Dr. Saffy was also politically active. She led a 1975 march in Tallahassee in support of the Equal Rights Amendment. She served as a Florida delegate to the International Women's Conference and as a Florida State delegate in six Democratic National Conventions. She was also the president of the Florida Women's Political Caucus. Dr. Saffy died June 20, 2010.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\tDr. Edna Louise Saffy, human rights advocate and Jacksonville native was born on March 9, 1935. She attended college at the University of Florida where she received several degrees, including the Master's and Doctorate of Philosophy degrees. She was a professor of Rhetoric and Public Address at University of Florida and Florida State College at Jacksonville, where she was elected Professor Emeritus following her retirement in December 2007. ","\nDr. Saffy was a founder of the National Organization for Women chapters in Jacksonville and Gainesville, as well as founder of the Jacksonville Women's Network. She was named \"A Woman of Courage and Vision\" by the Mayor's Commission on the Status of Women and the recipient of a Lifetime EVE Award by the Florida Times Union.\n    \n    As a humanitarian and activist, she served on numerous local, state, and national committees, including the John F. Kennedy Center Committee for the Performing Arts during the Clinton Administration, the Advisory Committee on LaVilla Cultural Heritage District, American Arab Institute, Duval County Democratic Executive Committee, and the Jacksonville Human Rights Commission. \n    \n    Dr. Saffy was also politically active. She led a 1975 march in Tallahassee in support of the Equal Rights Amendment. She served as a Florida delegate to the International Women's Conference and as a Florida State delegate in six Democratic National Conventions. She was also the president of the Florida Women's Political Caucus. Dr. Saffy died June 20, 2010."],"prefercite_html_tesm":["\u003cp\u003eDr. Edna Louise Saffy Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Dr. Edna Louise Saffy Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains awards, correspondence, memorabilia, printed materials, photographs, personal papers, and writings. Many printed materials and photographs relate to politics and political activism. There are numerous photographs and newspaper clippings, as well as Dr. Saffy's dissertation. The collection contains many memorabilia items, particularly from various political events, and there are two large portraits of Dr. Edna Louise Saffy.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains awards, correspondence, memorabilia, printed materials, photographs, personal papers, and writings. Many printed materials and photographs relate to politics and political activism. There are numerous photographs and newspaper clippings, as well as Dr. Saffy's dissertation. The collection contains many memorabilia items, particularly from various political events, and there are two large portraits of Dr. Edna Louise Saffy."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":748,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860599051681792,"_root_":"b3e4025e67698b63bebebf69","timestamp":"2026-07-16T08:48:22.881Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b3e4025e67698b63bebebf69_aspace_0b5b89c1ef725513dc3ade72373f018d"}},{"id":"a00ac4456d001c4f5b29b5b6_aspace_ae104beb9db60446e3fe6b624d156d03","type":"Subseries","attributes":{"title":"Personal Photographs, Circa 1964-1994","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a00ac4456d001c4f5b29b5b6_aspace_ae104beb9db60446e3fe6b624d156d03#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_ae104beb9db60446e3fe6b624d156d03","ref_ssm":["aspace_ae104beb9db60446e3fe6b624d156d03","aspace_ae104beb9db60446e3fe6b624d156d03"],"id":"a00ac4456d001c4f5b29b5b6_aspace_ae104beb9db60446e3fe6b624d156d03","title_filing_ssi":"Personal Photographs","title_ssm":["Personal Photographs"],"title_tesim":["Personal Photographs"],"unitdate_inclusive_ssm":["Circa 1964-1994"],"normalized_date_ssm":["Circa 1964-1994"],"normalized_title_ssm":["Personal Photographs, Circa 1964-1994"],"text":["Personal Photographs, Circa 1964-1994","Kitty Oliver Collection, Circa 1969-2016","Photographs","/repositories/2/archival_objects/7514"],"component_level_isim":[2],"parent_ids_ssim":["a00ac4456d001c4f5b29b5b6","a00ac4456d001c4f5b29b5b6_aspace_0899e4bad08df51c8a1657a9f955227a"],"parent_unittitles_ssm":["Kitty Oliver Collection, Circa 1969-2016","Photographs"],"parent_unittitles_tesim":["Kitty Oliver Collection, Circa 1969-2016","Photographs"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/7514"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Kitty Oliver Collection, Circa 1969-2016"],"has_online_content_ssim":["false"],"child_component_count_isi":16,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":55,"parent_access_restrict_tesm":["The Kitty Oliver Collection is open for research."],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"_nest_path_":"/components#3/components#0","_nest_parent_":"a00ac4456d001c4f5b29b5b6_aspace_0899e4bad08df51c8a1657a9f955227a","_root_":"a00ac4456d001c4f5b29b5b6","_version_":1876455827155451904,"timestamp":"2026-09-16T03:02:08.218Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a00ac4456d001c4f5b29b5b6","title_filing_ssi":"Oliver, Kitty Collection","title_ssm":["Kitty Oliver Collection"],"title_tesim":["Kitty Oliver Collection"],"ead_ssi":"a00ac4456d001c4f5b29b5b6","unitdate_ssm":["Circa 1969-2016"],"unitdate_inclusive_ssm":["Circa 1969-2016"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2004.1","/repositories/2/resources/22"],"text":["AARLCC.2004.1","/repositories/2/resources/22","Kitty Oliver Collection, Circa 1969-2016","African American women journalists -- Florida -- Miami-Dade County","University of Florida -- Alumni and alumnae","African Americans -- Race relations","African Americans -- Civil Rights -- Florida -- Broward County -- History","Correspondence","Oral histories","Photographs","Certificates","Clippings","The Kitty Oliver Collection is open for research.","The Kitty Oliver Collection contains eight series including: Series I. Correspondence, Series II: Personal Papers, Series III: Professional Papers, Series IV: Photographs, Series V. Printed Materials, Series VI. Awards, Series VII. Audio-Visual Materials, and Series VIII: Race and Change Project, 1999-2005.","Dr. Eloise \"Kitty\" Oliver is a veteran South Florida journalist, professor of creative nonfiction, memoir writing, oral history, and ethnic communication, and a professional jazz singer. Since the 1980s, she has produced landmark work as a cultural diversity researcher, documenting growing sociocultural conversions and multiculturalism that has become a reflection of contemporary American society.","Dr. Oliver was born on December 16, 1947 in Jacksonville, Florida. In 1965, Kitty Oliver was one of the first five Black freshmen to enroll at the University of Florida and live on campus after the passage of the Civil Rights Act of 1965. She graduated in 1969 with a Bachelor of Arts in English. During college, she met her Richard \"Ricky\" C. Oliver, Jr., who she married in 1969, and together they started a folk-rock musical group.","In 1971, Kitty Oliver started working one of the first Black reporters and columnists for the Miami Herald, covering Broward and Miami-Dade County. She chronicled the history of the Black community in South Florida, including Provident Hospital, Dr. Von Mizell and Dr. James Sistrunk, Eula Johnson, and Samuel Morrison.","Oliver left the Miami Herald in 1990 to pursue a Master of Fine Arts degree in Creative Writing at Florida International University and graduated in 1994. This led to her writing \"Multicolored Memories of a Black Southern Girl,\" a collection autobiographical essays about coming of age with integration and cultural diversity in Jacksonville and attending the University of Florida, working in South Florida, and her international travel.  ","After earning her M.A., she began the Race and Change Oral History Project, collecting oral histories of minority groups in Hollywood, Florida. She worked as a fulltime professor of Creative Writing and Multicultural Literature, Oral History Writing, and Ethnic Communication at Florida International University from 1994 to 1996 and at Florida Atlantic University's Broward Campuses from 1996 to 2006. During that time, she developed the Race and Change oral history methodology for cross-cultural research by students and communities. The work includes the Race and Change Project, the Kitty Oliver Oral Histories Archive, and the multimedia audio, webcast radio and television Race and Change Initiative with intergenerational stories. She donated her collection of 125 interviews to the African American Research Library and Cultural Center Special collections in 2004.","Oliver completed a Ph.D. in Comparative Studies from Florida Atlantic University in 2009, focusing on race and ethnic communication. Her degree included the creation of the 10-part public television documentary series \"Crossing Cultures, Changing Lives\" featuring  archival Race and Change Oral Histories narrators.","Dr. Kitty Oliver also specializes in books, television documentaries and literary performances which explore race and ethnic issues. Dr. Oliver conducts community oral history field work and is a member of the Oral History Association (OHA). Additionally, she serves as president of Kitty O. Enterprises, Inc. – which aids as a cultural diversity consulting firm located in Fort Lauderdale, Florida (Broward County).","Her major public television and video productions include the PBS documentary series \"Celebrate...the Cultural Connections\" and a 10-part series, \"Crossing Cultures/Changing Lives\", which premiered in Florida, Spring, 2008 on WBEC-TV (Beacon-TV). Dr. Oliver's contemporary work includes ongoing lecture series detailing her Race and Change project. Additionally, she produced a book entitled \"Race and Change in Hollywood, Florida (Voices of America)\" in 2000.","Dr. Kitty Oliver married Ricky Oliver in 1969, and they had two children, Kali and Brian Oliver. They divorced in 1989. Kitty Oliver married Arthur I. Musson, Jr. in 2018.","The Kitty Oliver Collection is open for research.","This collection received file level processing. This finding-aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Kitty Oliver Collection in the Broward County Library Digital Archives.","The Kitty Oliver Collection consists of correspondence, personal and professional papers, photographs, newspaper clippings, printed materials, and awards of South Florida journalist and educator Kitty Oliver. ","The collection also contains the Race and Change Project, a group of multiple oral history interviews with African-Americans, European-Americans, and immigrants regarding their memories growing up in Broward County, the United States, and other countries. Subjects include family and community lifestyle, race relations and societal change from the late 1920's through the aftermath of the Civil Rights Act of 1964 and desegregation. The collection contains audio and visual content of participants from the Race and Change Project including research composed by students taught by Kitty Oliver, and an essay written by Deborah Works entitled \"Historical Sketches and Rare Glimpses of the North Fork of the New River: a history of its natural and human environment\" (2001). The majority of Dr. Oliver's questionnaires, transcripts and interviews consist of ongoing research study of race and ethnic relations, geographical history and social change through the collection of oral histories of Whites, Blacks/African-Americans and immigrants of various Hispanic/Latinx, Caribbean and Asian backgrounds. Research sites include the South Florida cities of Hollywood, Fort Lauderdale, West Palm Beach, Miami, Opa-locka, Delray Beach and Boca Raton; North Fork and Liberia – historically significant Black/African-American communities; towns along Florida's landmark Lake Okeechobee; Stranahan High School in Fort Lauderdale; and Ghana, West Africa – where women who have experienced America's racial climate shared their stories.","Some materials from this collection were cataloged in the Broward County Library catalog with the prefix \"OLI\".","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.2004.1","/repositories/2/resources/22"],"normalized_date_ssm":["Circa 1969-2016"],"normalized_title_ssm":["Kitty Oliver Collection, Circa 1969-2016"],"collection_title_tesim":["Kitty Oliver Collection, Circa 1969-2016"],"collection_ssim":["Kitty Oliver Collection, Circa 1969-2016"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"acqinfo_ssim":["Dr. Kitty Oliver donated the materials to AARLCC Special Collections on January 29, 2004 (Accession AARLCC-2004.1). Accruals were made in 2005 (Accession AARLCC-2005.1) and on July 29, 2021 (Accession AARLCC-2021.13). An additional accrual was transferred from the Broward County Historical Archives to AARLCC Special Collections on August 28, 2024 (Accession AARLCC-2024.10)."],"access_subjects_ssim":["African American women journalists -- Florida -- Miami-Dade County","University of Florida -- Alumni and alumnae","African Americans -- Race relations","African Americans -- Civil Rights -- Florida -- Broward County -- History","Correspondence","Oral histories","Photographs","Certificates","Clippings"],"access_subjects_ssm":["African American women journalists -- Florida -- Miami-Dade County","University of Florida -- Alumni and alumnae","African Americans -- Race relations","African Americans -- Civil Rights -- Florida -- Broward County -- History","Correspondence","Oral histories","Photographs","Certificates","Clippings"],"has_online_content_ssim":["false"],"extent_ssm":["39 Hollinger Boxes"],"extent_tesim":["39 Hollinger Boxes"],"genreform_ssim":["Correspondence","Oral histories","Photographs","Certificates","Clippings"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThe Kitty Oliver Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Kitty Oliver Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Kitty Oliver Collection contains eight series including: Series I. Correspondence, Series II: Personal Papers, Series III: Professional Papers, Series IV: Photographs, Series V. Printed Materials, Series VI. Awards, Series VII. Audio-Visual Materials, and Series VIII: Race and Change Project, 1999-2005.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Kitty Oliver Collection contains eight series including: Series I. Correspondence, Series II: Personal Papers, Series III: Professional Papers, Series IV: Photographs, Series V. Printed Materials, Series VI. Awards, Series VII. Audio-Visual Materials, and Series VIII: Race and Change Project, 1999-2005."],"bioghist_html_tesm":["\u003cp\u003eDr. Eloise \"Kitty\" Oliver is a veteran South Florida journalist, professor of creative nonfiction, memoir writing, oral history, and ethnic communication, and a professional jazz singer. Since the 1980s, she has produced landmark work as a cultural diversity researcher, documenting growing sociocultural conversions and multiculturalism that has become a reflection of contemporary American society.\u003c/p\u003e\n","\u003cp\u003eDr. Oliver was born on December 16, 1947 in Jacksonville, Florida. In 1965, Kitty Oliver was one of the first five Black freshmen to enroll at the University of Florida and live on campus after the passage of the Civil Rights Act of 1965. She graduated in 1969 with a Bachelor of Arts in English. During college, she met her Richard \"Ricky\" C. Oliver, Jr., who she married in 1969, and together they started a folk-rock musical group.\u003c/p\u003e\n","\u003cp\u003eIn 1971, Kitty Oliver started working one of the first Black reporters and columnists for the Miami Herald, covering Broward and Miami-Dade County. She chronicled the history of the Black community in South Florida, including Provident Hospital, Dr. Von Mizell and Dr. James Sistrunk, Eula Johnson, and Samuel Morrison.\u003c/p\u003e\n","\u003cp\u003eOliver left the Miami Herald in 1990 to pursue a Master of Fine Arts degree in Creative Writing at Florida International University and graduated in 1994. This led to her writing \"Multicolored Memories of a Black Southern Girl,\" a collection autobiographical essays about coming of age with integration and cultural diversity in Jacksonville and attending the University of Florida, working in South Florida, and her international travel.  \u003c/p\u003e\n","\u003cp\u003eAfter earning her M.A., she began the Race and Change Oral History Project, collecting oral histories of minority groups in Hollywood, Florida. She worked as a fulltime professor of Creative Writing and Multicultural Literature, Oral History Writing, and Ethnic Communication at Florida International University from 1994 to 1996 and at Florida Atlantic University's Broward Campuses from 1996 to 2006. During that time, she developed the Race and Change oral history methodology for cross-cultural research by students and communities. The work includes the Race and Change Project, the Kitty Oliver Oral Histories Archive, and the multimedia audio, webcast radio and television Race and Change Initiative with intergenerational stories. She donated her collection of 125 interviews to the African American Research Library and Cultural Center Special collections in 2004.\u003c/p\u003e\n","\u003cp\u003eOliver completed a Ph.D. in Comparative Studies from Florida Atlantic University in 2009, focusing on race and ethnic communication. Her degree included the creation of the 10-part public television documentary series \"Crossing Cultures, Changing Lives\" featuring  archival Race and Change Oral Histories narrators.\u003c/p\u003e\n","\u003cp\u003eDr. Kitty Oliver also specializes in books, television documentaries and literary performances which explore race and ethnic issues. Dr. Oliver conducts community oral history field work and is a member of the Oral History Association (OHA). Additionally, she serves as president of Kitty O. Enterprises, Inc. \u0026#x2013; which aids as a cultural diversity consulting firm located in Fort Lauderdale, Florida (Broward County).\u003c/p\u003e\n","\u003cp\u003eHer major public television and video productions include the PBS documentary series \"Celebrate...the Cultural Connections\" and a 10-part series, \"Crossing Cultures/Changing Lives\", which premiered in Florida, Spring, 2008 on WBEC-TV (Beacon-TV). Dr. Oliver's contemporary work includes ongoing lecture series detailing her Race and Change project. Additionally, she produced a book entitled \"Race and Change in Hollywood, Florida (Voices of America)\" in 2000.\u003c/p\u003e\n","\u003cp\u003eDr. Kitty Oliver married Ricky Oliver in 1969, and they had two children, Kali and Brian Oliver. They divorced in 1989. Kitty Oliver married Arthur I. Musson, Jr. in 2018.\u003c/p\u003e\n","\u003cp\u003eThe Kitty Oliver Collection is open for research.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. Eloise \"Kitty\" Oliver is a veteran South Florida journalist, professor of creative nonfiction, memoir writing, oral history, and ethnic communication, and a professional jazz singer. Since the 1980s, she has produced landmark work as a cultural diversity researcher, documenting growing sociocultural conversions and multiculturalism that has become a reflection of contemporary American society.","Dr. Oliver was born on December 16, 1947 in Jacksonville, Florida. In 1965, Kitty Oliver was one of the first five Black freshmen to enroll at the University of Florida and live on campus after the passage of the Civil Rights Act of 1965. She graduated in 1969 with a Bachelor of Arts in English. During college, she met her Richard \"Ricky\" C. Oliver, Jr., who she married in 1969, and together they started a folk-rock musical group.","In 1971, Kitty Oliver started working one of the first Black reporters and columnists for the Miami Herald, covering Broward and Miami-Dade County. She chronicled the history of the Black community in South Florida, including Provident Hospital, Dr. Von Mizell and Dr. James Sistrunk, Eula Johnson, and Samuel Morrison.","Oliver left the Miami Herald in 1990 to pursue a Master of Fine Arts degree in Creative Writing at Florida International University and graduated in 1994. This led to her writing \"Multicolored Memories of a Black Southern Girl,\" a collection autobiographical essays about coming of age with integration and cultural diversity in Jacksonville and attending the University of Florida, working in South Florida, and her international travel.  ","After earning her M.A., she began the Race and Change Oral History Project, collecting oral histories of minority groups in Hollywood, Florida. She worked as a fulltime professor of Creative Writing and Multicultural Literature, Oral History Writing, and Ethnic Communication at Florida International University from 1994 to 1996 and at Florida Atlantic University's Broward Campuses from 1996 to 2006. During that time, she developed the Race and Change oral history methodology for cross-cultural research by students and communities. The work includes the Race and Change Project, the Kitty Oliver Oral Histories Archive, and the multimedia audio, webcast radio and television Race and Change Initiative with intergenerational stories. She donated her collection of 125 interviews to the African American Research Library and Cultural Center Special collections in 2004.","Oliver completed a Ph.D. in Comparative Studies from Florida Atlantic University in 2009, focusing on race and ethnic communication. Her degree included the creation of the 10-part public television documentary series \"Crossing Cultures, Changing Lives\" featuring  archival Race and Change Oral Histories narrators.","Dr. Kitty Oliver also specializes in books, television documentaries and literary performances which explore race and ethnic issues. Dr. Oliver conducts community oral history field work and is a member of the Oral History Association (OHA). Additionally, she serves as president of Kitty O. Enterprises, Inc. – which aids as a cultural diversity consulting firm located in Fort Lauderdale, Florida (Broward County).","Her major public television and video productions include the PBS documentary series \"Celebrate...the Cultural Connections\" and a 10-part series, \"Crossing Cultures/Changing Lives\", which premiered in Florida, Spring, 2008 on WBEC-TV (Beacon-TV). Dr. Oliver's contemporary work includes ongoing lecture series detailing her Race and Change project. Additionally, she produced a book entitled \"Race and Change in Hollywood, Florida (Voices of America)\" in 2000.","Dr. Kitty Oliver married Ricky Oliver in 1969, and they had two children, Kali and Brian Oliver. They divorced in 1989. Kitty Oliver married Arthur I. Musson, Jr. in 2018.","The Kitty Oliver Collection is open for research."],"prefercite_html_tesm":["\u003cp\u003eKitty Oliver Collection (AARLCC-2004.1), AALRCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Kitty Oliver Collection (AARLCC-2004.1), AALRCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding-aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding-aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/k-oliver1/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Kitty Oliver Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Kitty Oliver Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Kitty Oliver Collection consists of correspondence, personal and professional papers, photographs, newspaper clippings, printed materials, and awards of South Florida journalist and educator Kitty Oliver. \u003c/p\u003e\n","\u003cp\u003eThe collection also contains the Race and Change Project, a group of multiple oral history interviews with African-Americans, European-Americans, and immigrants regarding their memories growing up in Broward County, the United States, and other countries. Subjects include family and community lifestyle, race relations and societal change from the late 1920's through the aftermath of the Civil Rights Act of 1964 and desegregation. The collection contains audio and visual content of participants from the Race and Change Project including research composed by students taught by Kitty Oliver, and an essay written by Deborah Works entitled \"Historical Sketches and Rare Glimpses of the North Fork of the New River: a history of its natural and human environment\" (2001). The majority of Dr. Oliver's questionnaires, transcripts and interviews consist of ongoing research study of race and ethnic relations, geographical history and social change through the collection of oral histories of Whites, Blacks/African-Americans and immigrants of various Hispanic/Latinx, Caribbean and Asian backgrounds. Research sites include the South Florida cities of Hollywood, Fort Lauderdale, West Palm Beach, Miami, Opa-locka, Delray Beach and Boca Raton; North Fork and Liberia \u0026#x2013; historically significant Black/African-American communities; towns along Florida's landmark Lake Okeechobee; Stranahan High School in Fort Lauderdale; and Ghana, West Africa \u0026#x2013; where women who have experienced America's racial climate shared their stories.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Kitty Oliver Collection consists of correspondence, personal and professional papers, photographs, newspaper clippings, printed materials, and awards of South Florida journalist and educator Kitty Oliver. ","The collection also contains the Race and Change Project, a group of multiple oral history interviews with African-Americans, European-Americans, and immigrants regarding their memories growing up in Broward County, the United States, and other countries. Subjects include family and community lifestyle, race relations and societal change from the late 1920's through the aftermath of the Civil Rights Act of 1964 and desegregation. The collection contains audio and visual content of participants from the Race and Change Project including research composed by students taught by Kitty Oliver, and an essay written by Deborah Works entitled \"Historical Sketches and Rare Glimpses of the North Fork of the New River: a history of its natural and human environment\" (2001). The majority of Dr. Oliver's questionnaires, transcripts and interviews consist of ongoing research study of race and ethnic relations, geographical history and social change through the collection of oral histories of Whites, Blacks/African-Americans and immigrants of various Hispanic/Latinx, Caribbean and Asian backgrounds. Research sites include the South Florida cities of Hollywood, Fort Lauderdale, West Palm Beach, Miami, Opa-locka, Delray Beach and Boca Raton; North Fork and Liberia – historically significant Black/African-American communities; towns along Florida's landmark Lake Okeechobee; Stranahan High School in Fort Lauderdale; and Ghana, West Africa – where women who have experienced America's racial climate shared their stories."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default\" target=\"_blank\"\u003eSome materials from this collection were cataloged in the Broward County Library catalog with the prefix \"OLI\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Some materials from this collection were cataloged in the Broward County Library catalog with the prefix \"OLI\"."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":418,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455827155451904,"_root_":"a00ac4456d001c4f5b29b5b6","timestamp":"2026-09-16T03:02:08.218Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a00ac4456d001c4f5b29b5b6_aspace_ae104beb9db60446e3fe6b624d156d03"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Southwest Florida Regional Planning Council Collection, 1920-2020","value":"Southwest Florida Regional Planning Council Collection, 1920-2020","hits":322},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Southwest+Florida+Regional+Planning+Council+Collection%2C+1920-2020\u0026f%5Bdate_range%5D%5B%5D=1994"}},{"attributes":{"label":"Sally Thompson collection, 1976-2019","value":"Sally Thompson collection, 1976-2019","hits":209},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Sally+Thompson+collection%2C+1976-2019\u0026f%5Bdate_range%5D%5B%5D=1994"}},{"attributes":{"label":"USF Athletics collection, bulk 1956-Present","value":"USF Athletics collection, bulk 1956-Present","hits":208},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=USF+Athletics+collection%2C+bulk+1956-Present\u0026f%5Bdate_range%5D%5B%5D=1994"}},{"attributes":{"label":"Susan Evans Papers, 1988-2021, bulk 1993-2011, 1995-2007","value":"Susan Evans Papers, 1988-2021, bulk 1993-2011, 1995-2007","hits":171},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Susan+Evans+Papers%2C+1988-2021%2C+bulk+1993-2011%2C+1995-2007\u0026f%5Bdate_range%5D%5B%5D=1994"}},{"attributes":{"label":"Dr. Edna Louise Saffy Papers, 1962-2013","value":"Dr. Edna Louise Saffy Papers, 1962-2013","hits":151},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Dr.+Edna+Louise+Saffy+Papers%2C+1962-2013\u0026f%5Bdate_range%5D%5B%5D=1994"}},{"attributes":{"label":"Democratic Women's Club of Florida, Inc. 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