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The amount of material varies by event, as some may have several documents, photos, etc., while others may only have a single brochure or program.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d386688d8bf20548ba99ac5f#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"d386688d8bf20548ba99ac5f","title_ssm":["General Campus Events"],"title_tesim":["General Campus Events"],"ead_ssi":"d386688d8bf20548ba99ac5f","unitdate_ssm":["1921-2018"],"unitdate_inclusive_ssm":["1921-2018"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["CA9000","/repositories/4/resources/124"],"text":["CA9000","/repositories/4/resources/124","General Campus Events, 1921-2018","College speakers--Florida--Lakeland--Archives.","Florida Southern College--Music","Florida Southern College--Students.","Florida Southern College—History","Fine arts","Performing arts","Florida Southern College--Faculty.","Concert programs—Florida—Lakeland.","This collection is open for research. 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Florida Southern College, Roux Library, and McKay Archives do not promote the attitudes depicted in these materials, but they are included to document the historical record.","The materials in this record group cover a time period from the 1920s through 2010s. The amount of material varies by event, as some may have several documents, photos, etc., while others may only have a single brochure or program.","This collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). ","Please inquire if you have questions - archives@flsouthern.edu","The Florida Southern College Archives","Florida Southern College","English"],"unitid_tesim":["CA9000","/repositories/4/resources/124"],"normalized_date_ssm":["1921-2018"],"normalized_title_ssm":["General Campus Events, 1921-2018"],"collection_title_tesim":["General Campus Events, 1921-2018"],"collection_ssim":["General Campus Events, 1921-2018"],"repository_ssm":["The Florida Southern College Archives"],"repository_ssim":["The Florida Southern College Archives"],"geogname_ssm":["College speakers--Florida--Lakeland--Archives."],"geogname_ssim":["College speakers--Florida--Lakeland--Archives."],"creator_ssm":["Florida Southern College"],"creator_ssim":["Florida Southern College"],"creator_corpname_ssim":["Florida Southern College"],"creators_ssim":["Florida Southern College"],"places_ssim":["College speakers--Florida--Lakeland--Archives."],"access_terms_ssm":["This collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). ","Please inquire if you have questions - archives@flsouthern.edu"],"acqinfo_ssim":["These materials were generated by the college and transferred to the archives upon completion of their active status.\nThis is an active record group and new materials are added periodically."],"access_subjects_ssim":["Florida Southern College--Music","Florida Southern College--Students.","Florida Southern College—History","Fine arts","Performing arts","Florida Southern College--Faculty.","Concert programs—Florida—Lakeland."],"access_subjects_ssm":["Florida Southern College--Music","Florida Southern College--Students.","Florida Southern College—History","Fine arts","Performing arts","Florida Southern College--Faculty.","Concert programs—Florida—Lakeland."],"has_online_content_ssim":["false"],"extent_ssm":["1.67 Linear Feet 4 5 Inch Legal Standard Archival Containers"],"extent_tesim":["1.67 Linear Feet 4 5 Inch Legal Standard Archival Containers"],"genreform_ssim":["Concert programs—Florida—Lakeland."],"date_range_isim":[1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into series that reflect different types of events. 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While it is nowhere near exhaustive, this collection provides a sense of what life outside the classroom could involve. Of special note are concerts from world renowned groups such as Dave Matthews Band, FSC's role as a filming location in The Waterboy, hosting the Remnant Trust series of historic works, and community service events. "],"odd_html_tesm":["\u003cp\u003eThis collection may include materials that reflect certain cultural attitudes and opinions common during the time of their creation. Florida Southern College, Roux Library, and McKay Archives do not promote the attitudes depicted in these materials, but they are included to document the historical record.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["This collection may include materials that reflect certain cultural attitudes and opinions common during the time of their creation. 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","Please inquire if you have questions - archives@flsouthern.edu"],"names_ssim":["The Florida Southern College Archives","Florida Southern College"],"corpname_ssim":["The Florida Southern College Archives","Florida Southern College"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":119,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870846316165201920,"_root_":"d386688d8bf20548ba99ac5f","timestamp":"2026-07-16T05:01:21.668Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d386688d8bf20548ba99ac5f","title_ssm":["General Campus Events"],"title_tesim":["General Campus Events"],"ead_ssi":"d386688d8bf20548ba99ac5f","unitdate_ssm":["1921-2018"],"unitdate_inclusive_ssm":["1921-2018"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["CA9000","/repositories/4/resources/124"],"text":["CA9000","/repositories/4/resources/124","General Campus Events, 1921-2018","College speakers--Florida--Lakeland--Archives.","Florida Southern College--Music","Florida Southern College--Students.","Florida Southern College—History","Fine arts","Performing arts","Florida Southern College--Faculty.","Concert programs—Florida—Lakeland.","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials.","This collection is divided into series that reflect different types of events. The series are Academic Events; Awards Programs; Community Service; Concerts; Cultural Events; Fine Arts; Filming on Campus; Health; Lakeland Community; Miscellaneous/General; Pageants; Religious Events; and Social Events. Series and materials with the series are arranged alphabetically.","Throughout the years, Florida Southern College has developed or hosted events designed to enhance the cultural, intellectual, and spiritual life of the college community. Orientation programs, concerts, blood drives, etc. all work to bring the community together and demonstrate that we can all be part of something bigger than ourselves, if only for an afternoon or evening. ","\nThis collection highlights many of the events that have taken place on or around the FSC campus since the 1920s. These are events that do not fit into a specific or larger program, such as commencement, the Festival of Fine Arts, or Founders' Week. While it is nowhere near exhaustive, this collection provides a sense of what life outside the classroom could involve. Of special note are concerts from world renowned groups such as Dave Matthews Band, FSC's role as a filming location in The Waterboy, hosting the Remnant Trust series of historic works, and community service events. ","This collection may include materials that reflect certain cultural attitudes and opinions common during the time of their creation. Florida Southern College, Roux Library, and McKay Archives do not promote the attitudes depicted in these materials, but they are included to document the historical record.","The materials in this record group cover a time period from the 1920s through 2010s. The amount of material varies by event, as some may have several documents, photos, etc., while others may only have a single brochure or program.","This collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). ","Please inquire if you have questions - archives@flsouthern.edu","The Florida Southern College Archives","Florida Southern College","English"],"unitid_tesim":["CA9000","/repositories/4/resources/124"],"normalized_date_ssm":["1921-2018"],"normalized_title_ssm":["General Campus Events, 1921-2018"],"collection_title_tesim":["General Campus Events, 1921-2018"],"collection_ssim":["General Campus Events, 1921-2018"],"repository_ssm":["The Florida Southern College Archives"],"repository_ssim":["The Florida Southern College Archives"],"geogname_ssm":["College speakers--Florida--Lakeland--Archives."],"geogname_ssim":["College speakers--Florida--Lakeland--Archives."],"creator_ssm":["Florida Southern College"],"creator_ssim":["Florida Southern College"],"creator_corpname_ssim":["Florida Southern College"],"creators_ssim":["Florida Southern College"],"places_ssim":["College speakers--Florida--Lakeland--Archives."],"access_terms_ssm":["This collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). ","Please inquire if you have questions - archives@flsouthern.edu"],"acqinfo_ssim":["These materials were generated by the college and transferred to the archives upon completion of their active status.\nThis is an active record group and new materials are added periodically."],"access_subjects_ssim":["Florida Southern College--Music","Florida Southern College--Students.","Florida Southern College—History","Fine arts","Performing arts","Florida Southern College--Faculty.","Concert programs—Florida—Lakeland."],"access_subjects_ssm":["Florida Southern College--Music","Florida Southern College--Students.","Florida Southern College—History","Fine arts","Performing arts","Florida Southern College--Faculty.","Concert programs—Florida—Lakeland."],"has_online_content_ssim":["false"],"extent_ssm":["1.67 Linear Feet 4 5 Inch Legal Standard Archival Containers"],"extent_tesim":["1.67 Linear Feet 4 5 Inch Legal Standard Archival Containers"],"genreform_ssim":["Concert programs—Florida—Lakeland."],"date_range_isim":[1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into series that reflect different types of events. The series are Academic Events; Awards Programs; Community Service; Concerts; Cultural Events; Fine Arts; Filming on Campus; Health; Lakeland Community; Miscellaneous/General; Pageants; Religious Events; and Social Events. Series and materials with the series are arranged alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is divided into series that reflect different types of events. The series are Academic Events; Awards Programs; Community Service; Concerts; Cultural Events; Fine Arts; Filming on Campus; Health; Lakeland Community; Miscellaneous/General; Pageants; Religious Events; and Social Events. Series and materials with the series are arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003eThroughout the years, Florida Southern College has developed or hosted events designed to enhance the cultural, intellectual, and spiritual life of the college community. Orientation programs, concerts, blood drives, etc. all work to bring the community together and demonstrate that we can all be part of something bigger than ourselves, if only for an afternoon or evening. \u003c/p\u003e\n","\u003cp\u003e\nThis collection highlights many of the events that have taken place on or around the FSC campus since the 1920s. These are events that do not fit into a specific or larger program, such as commencement, the Festival of Fine Arts, or Founders' Week. While it is nowhere near exhaustive, this collection provides a sense of what life outside the classroom could involve. Of special note are concerts from world renowned groups such as Dave Matthews Band, FSC's role as a filming location in The Waterboy, hosting the Remnant Trust series of historic works, and community service events. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Throughout the years, Florida Southern College has developed or hosted events designed to enhance the cultural, intellectual, and spiritual life of the college community. Orientation programs, concerts, blood drives, etc. all work to bring the community together and demonstrate that we can all be part of something bigger than ourselves, if only for an afternoon or evening. ","\nThis collection highlights many of the events that have taken place on or around the FSC campus since the 1920s. These are events that do not fit into a specific or larger program, such as commencement, the Festival of Fine Arts, or Founders' Week. While it is nowhere near exhaustive, this collection provides a sense of what life outside the classroom could involve. Of special note are concerts from world renowned groups such as Dave Matthews Band, FSC's role as a filming location in The Waterboy, hosting the Remnant Trust series of historic works, and community service events. "],"odd_html_tesm":["\u003cp\u003eThis collection may include materials that reflect certain cultural attitudes and opinions common during the time of their creation. Florida Southern College, Roux Library, and McKay Archives do not promote the attitudes depicted in these materials, but they are included to document the historical record.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["This collection may include materials that reflect certain cultural attitudes and opinions common during the time of their creation. Florida Southern College, Roux Library, and McKay Archives do not promote the attitudes depicted in these materials, but they are included to document the historical record."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this record group cover a time period from the 1920s through 2010s. The amount of material varies by event, as some may have several documents, photos, etc., while others may only have a single brochure or program.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this record group cover a time period from the 1920s through 2010s. The amount of material varies by event, as some may have several documents, photos, etc., while others may only have a single brochure or program."],"userestrict_html_tesm":["\u003cp\u003eThis collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. 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","Please inquire if you have questions - archives@flsouthern.edu"],"names_ssim":["The Florida Southern College Archives","Florida Southern College"],"corpname_ssim":["The Florida Southern College Archives","Florida Southern College"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":119,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870846316165201920,"_root_":"d386688d8bf20548ba99ac5f","timestamp":"2026-07-16T05:01:21.668Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d386688d8bf20548ba99ac5f"}},{"id":"5e17dda97e7549e9d9b40539_aspace_ffd0457a7f30ca1e07173f8bd8cd076a","type":"Subseries","attributes":{"title":"General, Circa 1773-2009","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_ffd0457a7f30ca1e07173f8bd8cd076a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_ffd0457a7f30ca1e07173f8bd8cd076a","ref_ssm":["aspace_ffd0457a7f30ca1e07173f8bd8cd076a","aspace_ffd0457a7f30ca1e07173f8bd8cd076a"],"id":"5e17dda97e7549e9d9b40539_aspace_ffd0457a7f30ca1e07173f8bd8cd076a","title_filing_ssi":"General","title_ssm":["General"],"title_tesim":["General"],"unitdate_inclusive_ssm":["Circa 1773-2009"],"normalized_date_ssm":["Circa 1773-2009"],"normalized_title_ssm":["General, Circa 1773-2009"],"text":["General, Circa 1773-2009","Dorothy Porter Wesley Collection, Circa 1788-2012","Printed Materials","/repositories/2/archival_objects/5677"],"component_level_isim":[2],"parent_ids_ssim":["5e17dda97e7549e9d9b40539","5e17dda97e7549e9d9b40539_aspace_ced9b0ebeee47c9fad9a3053c0bdb162"],"parent_unittitles_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012","Printed Materials"],"parent_unittitles_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012","Printed Materials"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/5677"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"has_online_content_ssim":["false"],"child_component_count_isi":234,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":1210,"parent_access_restrict_tesm":["The Dorothy Porter Wesley Collection is open for research."],"date_range_isim":[1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"_nest_path_":"/components#5/components#2","_nest_parent_":"5e17dda97e7549e9d9b40539_aspace_ced9b0ebeee47c9fad9a3053c0bdb162","_root_":"5e17dda97e7549e9d9b40539","_version_":1871563605913108480,"timestamp":"2026-07-24T03:02:22.463Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5e17dda97e7549e9d9b40539","title_filing_ssi":"Wesley, Dorothy Porter Collection","title_ssm":["Dorothy Porter Wesley Collection"],"title_tesim":["Dorothy Porter Wesley Collection"],"ead_ssi":"5e17dda97e7549e9d9b40539","unitdate_ssm":["Circa 1788-2012"],"unitdate_inclusive_ssm":["Circa 1788-2012"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2003.6","/repositories/2/resources/20"],"text":["AARLCC.2003.6","/repositories/2/resources/20","Dorothy Porter Wesley Collection, Circa 1788-2012","Africa -- Research","Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art","The Dorothy Porter Wesley Collection is open for research.","View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.","The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets","Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.","The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.","Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".","The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.","AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970","English Portuguese German"],"unitid_tesim":["AARLCC.2003.6","/repositories/2/resources/20"],"normalized_date_ssm":["Circa 1788-2012"],"normalized_title_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_title_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Africa -- Research"],"geogname_ssim":["Africa -- Research"],"places_ssim":["Africa -- Research"],"acqinfo_ssim":["Broward County Library purchased the materials from Constance Porter Uzelac (daughter of Dorothy Porter Wesley) in December 2002 (Accession AARLCC-2003.6). Milan Uzelac donated accruals to AARLCC Special Collections on June 29, 2012 (Accession AARLCC-2012.12) and on May 12, 2022 (Accession AARLCC-2022.7)."],"access_subjects_ssim":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"access_subjects_ssm":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"has_online_content_ssim":["false"],"extent_ssm":["67 Hollinger Boxes","2800 Books"],"extent_tesim":["67 Hollinger Boxes","2800 Books"],"genreform_ssim":["Photographs","Sound recordings","Correspondence","Art"],"date_range_isim":[1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Dorothy Porter Wesley Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll37/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series and sub-series:\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries I. Correspondence\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. General Correspondence\u003c/p\u003e","\u003cp\u003eSub-series II. Family Correspondence\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries II. Professional Papers\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley professional papers\u003c/p\u003e","\u003cp\u003eSub-series II. Constance Porter Uzelac professional papers \u003c/p\u003e","\u003cp\u003eSub-series III. Charles Harris Wesley professional papers \u003c/p\u003e","\u003cp\u003eSub-series IV. Writings by Dorothy Porter Wesley\u003c/p\u003e","\u003cp\u003eSub-series V. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VI. Writings by James A. Porter\u003c/p\u003e","\u003cp\u003eSub-series VII. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VIII. Writings by Charles Harris Wesley \u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries III. Research Files\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley general research files\u003c/p\u003e","\u003cp\u003eSub-series II. Dorothy Porter Wesley Brazil research files\u003c/p\u003e","\u003cp\u003eSub-series III. Dorothy Porter Wesley illustrations\u003c/p\u003e","\u003cp\u003eSub-series IV. Constance Porter Uzelac research files\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries IV. Personal Papers\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries V. Photographs\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries VI. Printed Materials\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Calendars and Datebooks\u003c/p\u003e","\u003cp\u003eSub-series II. Catalogs\u003c/p\u003e","\u003cp\u003eSub-series III. General\u003c/p\u003e","\u003cp\u003eSub-series IV. Magazines\u003c/p\u003e","\u003cp\u003eSub-series V. Maps\u003c/p\u003e","\u003cp\u003eSub-series VI. Newspaper Clippings\u003c/p\u003e","\u003cp\u003eSub-series VII. Sheet Music\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries VII. Ephemera and Artwork\u003c/p\u003e\u003c/b\u003e","\u003cp\u003e\u003cb\u003eSeries VIII. Books and Pamphlets\u003c/b\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets"],"bioghist_html_tesm":["\u003cp\u003eDorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. \u003c/p\u003e\n","\u003cp\u003eShe graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. \u003c/p\u003e\n","\u003cp\u003eIn 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work, \u003cemph\u003eModern Negro Art\u003c/emph\u003e, proved to be one of the most informative sources to date on the creativity of the Black artists.\u003c/p\u003e\n","\u003cp\u003eIn 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.\u003c/p\u003e\n","\u003cp\u003eJames Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. \u003c/p\u003e\n","\u003cp\u003eCharles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. \u003c/p\u003e\n","\u003cp\u003eAfter her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.\u003c/p\u003e\n","\u003cp\u003eIn 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.\u003c/p\u003e\n","\u003cp\u003eThe book \u003ci\u003eWilliam Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874\u003c/i\u003e (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.\u003c/p\u003e\n","\u003cp\u003eIn 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012."],"prefercite_html_tesm":["\u003cp\u003eDorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Dorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\n\u003ca href=\"https://archives.yale.edu/repositories/11/resources/994\" target=\"_blank\"\u003ePart of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.\u003c/a\u003e\n\u003c/p\u003e","\u003cp\u003e\n\u003ca href=\"https://archives.libraries.emory.edu/repositories/7/resources/3255\" target=\"_blank\"\u003eDorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.\u003c/a\u003e\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University."],"scopecontent_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.\u003c/p\u003e\n","\u003cp\u003eCorrespondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.\u003c/p\u003e\n","\u003cp\u003eProfessional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.\u003c/p\u003e\n","\u003cp\u003eConstance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". \u003c/p\u003e\n","\u003cp\u003eThe collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.\u003c/p\u003e\n","\u003cp\u003eResearch files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.\u003c/p\u003e\n","\u003cp\u003ePrinted Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=DPW\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\"."],"abstract_html_tesm":["\u003cabstract id=\"aspace_559c404160acc20bdc75d09cde3325a4\"\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.\u003c/abstract\u003e"],"abstract_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets."],"names_ssim":["AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Wesley, Dorothy Porter, 1905-1995"],"persname_ssim":["Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"language_ssim":["English Portuguese German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1539,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871563605913108480,"_root_":"5e17dda97e7549e9d9b40539","timestamp":"2026-07-24T03:02:22.463Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_ffd0457a7f30ca1e07173f8bd8cd076a"}},{"id":"5e17dda97e7549e9d9b40539_aspace_3887dbace73022fdf7a953dd747b6dc8","type":"Subseries","attributes":{"title":"General, Circa 1884-1995","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_3887dbace73022fdf7a953dd747b6dc8#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_3887dbace73022fdf7a953dd747b6dc8","ref_ssm":["aspace_3887dbace73022fdf7a953dd747b6dc8","aspace_3887dbace73022fdf7a953dd747b6dc8"],"id":"5e17dda97e7549e9d9b40539_aspace_3887dbace73022fdf7a953dd747b6dc8","title_filing_ssi":"General","title_ssm":["General"],"title_tesim":["General"],"unitdate_inclusive_ssm":["Circa 1884-1995"],"normalized_date_ssm":["Circa 1884-1995"],"normalized_title_ssm":["General, Circa 1884-1995"],"text":["General, Circa 1884-1995","Dorothy Porter Wesley Collection, Circa 1788-2012","Personal Papers","/repositories/2/archival_objects/3964"],"component_level_isim":[2],"parent_ids_ssim":["5e17dda97e7549e9d9b40539","5e17dda97e7549e9d9b40539_aspace_8583b57fdcf402f7c5d6d44b4fc1f95a"],"parent_unittitles_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012","Personal Papers"],"parent_unittitles_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012","Personal Papers"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/3964"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"has_online_content_ssim":["false"],"child_component_count_isi":49,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":1075,"parent_access_restrict_tesm":["The Dorothy Porter Wesley Collection is open for research."],"date_range_isim":[1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"_nest_path_":"/components#3/components#0","_nest_parent_":"5e17dda97e7549e9d9b40539_aspace_8583b57fdcf402f7c5d6d44b4fc1f95a","_root_":"5e17dda97e7549e9d9b40539","_version_":1871563605913108480,"timestamp":"2026-07-24T03:02:22.463Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5e17dda97e7549e9d9b40539","title_filing_ssi":"Wesley, Dorothy Porter Collection","title_ssm":["Dorothy Porter Wesley Collection"],"title_tesim":["Dorothy Porter Wesley Collection"],"ead_ssi":"5e17dda97e7549e9d9b40539","unitdate_ssm":["Circa 1788-2012"],"unitdate_inclusive_ssm":["Circa 1788-2012"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2003.6","/repositories/2/resources/20"],"text":["AARLCC.2003.6","/repositories/2/resources/20","Dorothy Porter Wesley Collection, Circa 1788-2012","Africa -- Research","Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art","The Dorothy Porter Wesley Collection is open for research.","View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.","The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets","Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.","The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.","Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".","The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.","AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970","English Portuguese German"],"unitid_tesim":["AARLCC.2003.6","/repositories/2/resources/20"],"normalized_date_ssm":["Circa 1788-2012"],"normalized_title_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_title_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Africa -- Research"],"geogname_ssim":["Africa -- Research"],"places_ssim":["Africa -- Research"],"acqinfo_ssim":["Broward County Library purchased the materials from Constance Porter Uzelac (daughter of Dorothy Porter Wesley) in December 2002 (Accession AARLCC-2003.6). Milan Uzelac donated accruals to AARLCC Special Collections on June 29, 2012 (Accession AARLCC-2012.12) and on May 12, 2022 (Accession AARLCC-2022.7)."],"access_subjects_ssim":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"access_subjects_ssm":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"has_online_content_ssim":["false"],"extent_ssm":["67 Hollinger Boxes","2800 Books"],"extent_tesim":["67 Hollinger Boxes","2800 Books"],"genreform_ssim":["Photographs","Sound recordings","Correspondence","Art"],"date_range_isim":[1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Dorothy Porter Wesley Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll37/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series and sub-series:\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries I. Correspondence\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. General Correspondence\u003c/p\u003e","\u003cp\u003eSub-series II. Family Correspondence\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries II. Professional Papers\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley professional papers\u003c/p\u003e","\u003cp\u003eSub-series II. Constance Porter Uzelac professional papers \u003c/p\u003e","\u003cp\u003eSub-series III. Charles Harris Wesley professional papers \u003c/p\u003e","\u003cp\u003eSub-series IV. Writings by Dorothy Porter Wesley\u003c/p\u003e","\u003cp\u003eSub-series V. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VI. Writings by James A. Porter\u003c/p\u003e","\u003cp\u003eSub-series VII. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VIII. Writings by Charles Harris Wesley \u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries III. Research Files\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley general research files\u003c/p\u003e","\u003cp\u003eSub-series II. Dorothy Porter Wesley Brazil research files\u003c/p\u003e","\u003cp\u003eSub-series III. Dorothy Porter Wesley illustrations\u003c/p\u003e","\u003cp\u003eSub-series IV. Constance Porter Uzelac research files\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries IV. Personal Papers\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries V. Photographs\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries VI. Printed Materials\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Calendars and Datebooks\u003c/p\u003e","\u003cp\u003eSub-series II. Catalogs\u003c/p\u003e","\u003cp\u003eSub-series III. General\u003c/p\u003e","\u003cp\u003eSub-series IV. Magazines\u003c/p\u003e","\u003cp\u003eSub-series V. Maps\u003c/p\u003e","\u003cp\u003eSub-series VI. Newspaper Clippings\u003c/p\u003e","\u003cp\u003eSub-series VII. Sheet Music\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries VII. Ephemera and Artwork\u003c/p\u003e\u003c/b\u003e","\u003cp\u003e\u003cb\u003eSeries VIII. Books and Pamphlets\u003c/b\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets"],"bioghist_html_tesm":["\u003cp\u003eDorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. \u003c/p\u003e\n","\u003cp\u003eShe graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. \u003c/p\u003e\n","\u003cp\u003eIn 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work, \u003cemph\u003eModern Negro Art\u003c/emph\u003e, proved to be one of the most informative sources to date on the creativity of the Black artists.\u003c/p\u003e\n","\u003cp\u003eIn 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.\u003c/p\u003e\n","\u003cp\u003eJames Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. \u003c/p\u003e\n","\u003cp\u003eCharles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. \u003c/p\u003e\n","\u003cp\u003eAfter her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.\u003c/p\u003e\n","\u003cp\u003eIn 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.\u003c/p\u003e\n","\u003cp\u003eThe book \u003ci\u003eWilliam Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874\u003c/i\u003e (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.\u003c/p\u003e\n","\u003cp\u003eIn 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012."],"prefercite_html_tesm":["\u003cp\u003eDorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Dorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\n\u003ca href=\"https://archives.yale.edu/repositories/11/resources/994\" target=\"_blank\"\u003ePart of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.\u003c/a\u003e\n\u003c/p\u003e","\u003cp\u003e\n\u003ca href=\"https://archives.libraries.emory.edu/repositories/7/resources/3255\" target=\"_blank\"\u003eDorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.\u003c/a\u003e\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University."],"scopecontent_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.\u003c/p\u003e\n","\u003cp\u003eCorrespondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.\u003c/p\u003e\n","\u003cp\u003eProfessional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.\u003c/p\u003e\n","\u003cp\u003eConstance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". \u003c/p\u003e\n","\u003cp\u003eThe collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.\u003c/p\u003e\n","\u003cp\u003eResearch files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.\u003c/p\u003e\n","\u003cp\u003ePrinted Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=DPW\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\"."],"abstract_html_tesm":["\u003cabstract id=\"aspace_559c404160acc20bdc75d09cde3325a4\"\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.\u003c/abstract\u003e"],"abstract_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets."],"names_ssim":["AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Wesley, Dorothy Porter, 1905-1995"],"persname_ssim":["Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"language_ssim":["English Portuguese German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1539,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871563605913108480,"_root_":"5e17dda97e7549e9d9b40539","timestamp":"2026-07-24T03:02:22.463Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_3887dbace73022fdf7a953dd747b6dc8"}},{"id":"83d5a5ce1d016fce045a8af0_aspace_2aa1bd9cc6f92845e14fe4fe46668489","type":"Subseries","attributes":{"title":"General, Circa 1981-2019","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/83d5a5ce1d016fce045a8af0_aspace_2aa1bd9cc6f92845e14fe4fe46668489#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_2aa1bd9cc6f92845e14fe4fe46668489","ref_ssm":["aspace_2aa1bd9cc6f92845e14fe4fe46668489","aspace_2aa1bd9cc6f92845e14fe4fe46668489"],"id":"83d5a5ce1d016fce045a8af0_aspace_2aa1bd9cc6f92845e14fe4fe46668489","title_filing_ssi":"General","title_ssm":["General"],"title_tesim":["General"],"unitdate_inclusive_ssm":["Circa 1981-2019"],"normalized_date_ssm":["Circa 1981-2019"],"normalized_title_ssm":["General, Circa 1981-2019"],"text":["General, Circa 1981-2019","Julie Hunter Collection, 1961-2022","Professional Papers","/repositories/2/archival_objects/7863"],"component_level_isim":[2],"parent_ids_ssim":["83d5a5ce1d016fce045a8af0","83d5a5ce1d016fce045a8af0_aspace_2e477ac1f3b85fb072498122cd369c57"],"parent_unittitles_ssm":["Julie Hunter Collection, 1961-2022","Professional Papers"],"parent_unittitles_tesim":["Julie Hunter Collection, 1961-2022","Professional Papers"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/7863"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Julie Hunter Collection, 1961-2022"],"has_online_content_ssim":["false"],"child_component_count_isi":14,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":57,"parent_access_restrict_tesm":["Julie Hunter Collection is open for research."],"date_range_isim":[1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"_nest_path_":"/components#1/components#3","_nest_parent_":"83d5a5ce1d016fce045a8af0_aspace_2e477ac1f3b85fb072498122cd369c57","_root_":"83d5a5ce1d016fce045a8af0","_version_":1876455792462266368,"timestamp":"2026-09-16T03:01:35.141Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"83d5a5ce1d016fce045a8af0","title_filing_ssi":"Hunter, Julie Collection","title_ssm":["Julie Hunter Collection"],"title_tesim":["Julie Hunter Collection"],"ead_ssi":"83d5a5ce1d016fce045a8af0","unitdate_ssm":["1961-2022"],"unitdate_inclusive_ssm":["1961-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2021.16","/repositories/2/resources/182"],"text":["AARLCC.2021.16","/repositories/2/resources/182","Julie Hunter Collection, 1961-2022","Fort Lauderdale (Fla.)","Broward County (Fla.)","African American librarians","African American women","Hunter, Julie, 1937-2022 -- Correspondence","Library directors","Public libraries -- Florida -- Fort Lauderdale","Libraries and Black people","African American librarians","Photographs","Clippings","Programs","minutes (administrative records)","plaques (flat objects)","Certificates","Oral histories","Julie Hunter Collection is open for research.","The collection is arranged into 8 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Photographs, Series V. Printed Materials, Series VI. Audio-Visual Materials, Series VII. Awards, and Series VIII. Poster.","Julie Varner Hunter, a leader within the field of librarianship and civil rights, was born on April 5, 1937 in Summerville, South Carolina to parents John Varner, welder and grocery store owner, and Mildred Collins, a homemaker. She was one of eight children. Hunter experienced racism and Ku Klux Klan activities as a young girl such as cross burnings in neighborhood yards and KKK parades through town. She earned her Bachelor's degree in Mathematics with a minor in English from Claflin College (now Claflin University) in Orangeburg, South Carolina, graduating summa cum laude. She joined the student chapter of the National Association for the Advancement of Colored People (NAACP) and served as president. After college, she worked as a Field Director for the NAACP and organized youth groups in the South from 1960 to 1963. In 1964, Mrs. Hunter attended library school at Atlanta University (now known as Clark Atlanta University). In Atlanta, she met Roy Hunter a professor of Biology at Morehouse College. They married in 1966.","Julie worked as the director of Atlanta University's Trevor Arnett Library after receiving her Masters degree in library science. She furthered her leadership in librarianship by working as the deputy/acting Director of the Robert W. Woodruff Library of Atlanta University in Atlanta, Georgia; Assistant Director of DeKalb County Public Library system in Decatur, Georgia; and the first Director of the Auburn Avenue Research Library on African American Culture and History at the Atlanta-Fulton Public Library. In 1996, she was promoted to Director of the Atlanta-Fulton Public Library.","Based on her prior experiences at the Auburn Avenue Research Library, Samuel Morrison recruited Julie to become the second director of the African American Research Library and Cultural Center (AARLCC). Her appointment began in September 2002. Julie strengthened AARLCC's collections and programs, championing the preservation and access of Black history and culture in South Florida. She coordinated the Ashley Bryan Art Series Conference with children's book illustrator Ashley Bryan and librarian and educator, Dr. Henrietta M. Smith. The conference hosts an illustrator of African descent each year and the artist donates an illustration to AARLCC. Julie also oversaw the acquisition of archival collections such as the Esther Rolle Collection in 2005 which contains actress Esther Rolle's photographs, playbills, and an Emmy Award. She later worked as Assistant Library Director for Broward County Library system until 2013. ","After her retirement in 2013, Julie remained active in the community and libraries by serving in the Friends of AARLCC. She received the 2014 Lifetime Achievement Award from the Florida Library Association, honoring her 47 years of library service. Through her work in the NAACP and in librarianship, Julie Hunter championed the spread of knowledge to dismantle ignorance and promote well-being in American society. She passed away on July 13, 2022.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Julie Hunter Collection in the Broward County Library Digital Archives.","The collection contains personal and professional papers of Julie Hunter. Materials include correspondence to and from Julie Hunter, professional papers documenting her career at the Atlanta-Fulton Public Library, African American Research Library and Cultural Center, and Broward County Library, photographs, notes, certificates, plaques, newspaper clippings, audio-visual materials, and one framed poster.","AARLCC Special Collections","African American Research Library and Cultural Center","Broward County Library","Auburn Avenue Research Library on African-American Culture and History","Atlanta-Fulton Public Library","National Association for the Advancement of Colored People","English"],"unitid_tesim":["AARLCC.2021.16","/repositories/2/resources/182"],"normalized_date_ssm":["1961-2022"],"normalized_title_ssm":["Julie Hunter Collection, 1961-2022"],"collection_title_tesim":["Julie Hunter Collection, 1961-2022"],"collection_ssim":["Julie Hunter Collection, 1961-2022"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"geogname_ssim":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"places_ssim":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"access_subjects_ssim":["African American librarians","African American women","Hunter, Julie, 1937-2022 -- Correspondence","Library directors","Public libraries -- Florida -- Fort Lauderdale","Libraries and Black people","African American librarians","Photographs","Clippings","Programs","minutes (administrative records)","plaques (flat objects)","Certificates","Oral histories"],"access_subjects_ssm":["African American librarians","African American women","Hunter, Julie, 1937-2022 -- Correspondence","Library directors","Public libraries -- Florida -- Fort Lauderdale","Libraries and Black people","African American librarians","Photographs","Clippings","Programs","minutes (administrative records)","plaques (flat objects)","Certificates","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["9 Hollinger Boxes","2 Boxes (irregular size)"],"extent_tesim":["9 Hollinger Boxes","2 Boxes (irregular size)"],"genreform_ssim":["Photographs","Clippings","Programs","minutes (administrative records)","plaques (flat objects)","Certificates","Oral histories"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eJulie Hunter Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Julie Hunter Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 8 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Photographs, Series V. Printed Materials, Series VI. Audio-Visual Materials, Series VII. Awards, and Series VIII. Poster.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 8 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Photographs, Series V. Printed Materials, Series VI. Audio-Visual Materials, Series VII. Awards, and Series VIII. Poster."],"bioghist_html_tesm":["\u003cp\u003eJulie Varner Hunter, a leader within the field of librarianship and civil rights, was born on April 5, 1937 in Summerville, South Carolina to parents John Varner, welder and grocery store owner, and Mildred Collins, a homemaker. She was one of eight children. Hunter experienced racism and Ku Klux Klan activities as a young girl such as cross burnings in neighborhood yards and KKK parades through town. She earned her Bachelor's degree in Mathematics with a minor in English from Claflin College (now Claflin University) in Orangeburg, South Carolina, graduating summa cum laude. She joined the student chapter of the National Association for the Advancement of Colored People (NAACP) and served as president. After college, she worked as a Field Director for the NAACP and organized youth groups in the South from 1960 to 1963. In 1964, Mrs. Hunter attended library school at Atlanta University (now known as Clark Atlanta University). In Atlanta, she met Roy Hunter a professor of Biology at Morehouse College. They married in 1966.\u003c/p\u003e\n","\u003cp\u003eJulie worked as the director of Atlanta University's Trevor Arnett Library after receiving her Masters degree in library science. She furthered her leadership in librarianship by working as the deputy/acting Director of the Robert W. Woodruff Library of Atlanta University in Atlanta, Georgia; Assistant Director of DeKalb County Public Library system in Decatur, Georgia; and the first Director of the Auburn Avenue Research Library on African American Culture and History at the Atlanta-Fulton Public Library. In 1996, she was promoted to Director of the Atlanta-Fulton Public Library.\u003c/p\u003e\n","\u003cp\u003eBased on her prior experiences at the Auburn Avenue Research Library, Samuel Morrison recruited Julie to become the second director of the African American Research Library and Cultural Center (AARLCC). Her appointment began in September 2002. Julie strengthened AARLCC's collections and programs, championing the preservation and access of Black history and culture in South Florida. She coordinated the Ashley Bryan Art Series Conference with children's book illustrator Ashley Bryan and librarian and educator, Dr. Henrietta M. Smith. The conference hosts an illustrator of African descent each year and the artist donates an illustration to AARLCC. Julie also oversaw the acquisition of archival collections such as the Esther Rolle Collection in 2005 which contains actress Esther Rolle's photographs, playbills, and an Emmy Award. She later worked as Assistant Library Director for Broward County Library system until 2013. \u003c/p\u003e\n","\u003cp\u003eAfter her retirement in 2013, Julie remained active in the community and libraries by serving in the Friends of AARLCC. She received the 2014 Lifetime Achievement Award from the Florida Library Association, honoring her 47 years of library service. Through her work in the NAACP and in librarianship, Julie Hunter championed the spread of knowledge to dismantle ignorance and promote well-being in American society. She passed away on July 13, 2022.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Julie Varner Hunter, a leader within the field of librarianship and civil rights, was born on April 5, 1937 in Summerville, South Carolina to parents John Varner, welder and grocery store owner, and Mildred Collins, a homemaker. She was one of eight children. Hunter experienced racism and Ku Klux Klan activities as a young girl such as cross burnings in neighborhood yards and KKK parades through town. She earned her Bachelor's degree in Mathematics with a minor in English from Claflin College (now Claflin University) in Orangeburg, South Carolina, graduating summa cum laude. She joined the student chapter of the National Association for the Advancement of Colored People (NAACP) and served as president. After college, she worked as a Field Director for the NAACP and organized youth groups in the South from 1960 to 1963. In 1964, Mrs. Hunter attended library school at Atlanta University (now known as Clark Atlanta University). In Atlanta, she met Roy Hunter a professor of Biology at Morehouse College. They married in 1966.","Julie worked as the director of Atlanta University's Trevor Arnett Library after receiving her Masters degree in library science. She furthered her leadership in librarianship by working as the deputy/acting Director of the Robert W. Woodruff Library of Atlanta University in Atlanta, Georgia; Assistant Director of DeKalb County Public Library system in Decatur, Georgia; and the first Director of the Auburn Avenue Research Library on African American Culture and History at the Atlanta-Fulton Public Library. In 1996, she was promoted to Director of the Atlanta-Fulton Public Library.","Based on her prior experiences at the Auburn Avenue Research Library, Samuel Morrison recruited Julie to become the second director of the African American Research Library and Cultural Center (AARLCC). Her appointment began in September 2002. Julie strengthened AARLCC's collections and programs, championing the preservation and access of Black history and culture in South Florida. She coordinated the Ashley Bryan Art Series Conference with children's book illustrator Ashley Bryan and librarian and educator, Dr. Henrietta M. Smith. The conference hosts an illustrator of African descent each year and the artist donates an illustration to AARLCC. Julie also oversaw the acquisition of archival collections such as the Esther Rolle Collection in 2005 which contains actress Esther Rolle's photographs, playbills, and an Emmy Award. She later worked as Assistant Library Director for Broward County Library system until 2013. ","After her retirement in 2013, Julie remained active in the community and libraries by serving in the Friends of AARLCC. She received the 2014 Lifetime Achievement Award from the Florida Library Association, honoring her 47 years of library service. Through her work in the NAACP and in librarianship, Julie Hunter championed the spread of knowledge to dismantle ignorance and promote well-being in American society. She passed away on July 13, 2022."],"prefercite_html_tesm":["\u003cp\u003eJulie Hunter Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Julie Hunter Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll44\" target=\"_blank\"\u003eView a selection of digitized materials from the Julie Hunter Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Julie Hunter Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains personal and professional papers of Julie Hunter. Materials include correspondence to and from Julie Hunter, professional papers documenting her career at the Atlanta-Fulton Public Library, African American Research Library and Cultural Center, and Broward County Library, photographs, notes, certificates, plaques, newspaper clippings, audio-visual materials, and one framed poster.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains personal and professional papers of Julie Hunter. Materials include correspondence to and from Julie Hunter, professional papers documenting her career at the Atlanta-Fulton Public Library, African American Research Library and Cultural Center, and Broward County Library, photographs, notes, certificates, plaques, newspaper clippings, audio-visual materials, and one framed poster."],"names_coll_ssim":["African American Research Library and Cultural Center","Broward County Library","Auburn Avenue Research Library on African-American Culture and History","Atlanta-Fulton Public Library","National Association for the Advancement of Colored People"],"names_ssim":["AARLCC Special Collections","African American Research Library and Cultural Center","Broward County Library","Auburn Avenue Research Library on African-American Culture and History","Atlanta-Fulton Public Library","National Association for the Advancement of Colored People"],"corpname_ssim":["AARLCC Special Collections","African American Research Library and Cultural Center","Broward County Library","Auburn Avenue Research Library on African-American Culture and History","Atlanta-Fulton Public Library","National Association for the Advancement of Colored People"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":171,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455792462266368,"_root_":"83d5a5ce1d016fce045a8af0","timestamp":"2026-09-16T03:01:35.141Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/83d5a5ce1d016fce045a8af0_aspace_2aa1bd9cc6f92845e14fe4fe46668489"}},{"id":"a00ac4456d001c4f5b29b5b6_aspace_78a2c460fe7573ce5f32bbf66f8bb091","type":"Subseries","attributes":{"title":"General, Circa 1983-2004","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a00ac4456d001c4f5b29b5b6_aspace_78a2c460fe7573ce5f32bbf66f8bb091#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_78a2c460fe7573ce5f32bbf66f8bb091","ref_ssm":["aspace_78a2c460fe7573ce5f32bbf66f8bb091","aspace_78a2c460fe7573ce5f32bbf66f8bb091"],"id":"a00ac4456d001c4f5b29b5b6_aspace_78a2c460fe7573ce5f32bbf66f8bb091","title_filing_ssi":"General","title_ssm":["General"],"title_tesim":["General"],"unitdate_inclusive_ssm":["Circa 1983-2004"],"normalized_date_ssm":["Circa 1983-2004"],"normalized_title_ssm":["General, Circa 1983-2004"],"text":["General, Circa 1983-2004","Kitty Oliver Collection, Circa 1969-2016","Professional Papers","/repositories/2/archival_objects/7493"],"component_level_isim":[2],"parent_ids_ssim":["a00ac4456d001c4f5b29b5b6","a00ac4456d001c4f5b29b5b6_aspace_eca3a5bc77aefafd811512c1c020d6a5"],"parent_unittitles_ssm":["Kitty Oliver Collection, Circa 1969-2016","Professional Papers"],"parent_unittitles_tesim":["Kitty Oliver Collection, Circa 1969-2016","Professional Papers"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/7493"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Kitty Oliver Collection, Circa 1969-2016"],"has_online_content_ssim":["false"],"child_component_count_isi":10,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":29,"parent_access_restrict_tesm":["The Kitty Oliver Collection is open for research."],"date_range_isim":[1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"_nest_path_":"/components#2/components#0","_nest_parent_":"a00ac4456d001c4f5b29b5b6_aspace_eca3a5bc77aefafd811512c1c020d6a5","_root_":"a00ac4456d001c4f5b29b5b6","_version_":1876455827155451904,"timestamp":"2026-09-16T03:02:08.218Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a00ac4456d001c4f5b29b5b6","title_filing_ssi":"Oliver, Kitty Collection","title_ssm":["Kitty Oliver Collection"],"title_tesim":["Kitty Oliver Collection"],"ead_ssi":"a00ac4456d001c4f5b29b5b6","unitdate_ssm":["Circa 1969-2016"],"unitdate_inclusive_ssm":["Circa 1969-2016"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2004.1","/repositories/2/resources/22"],"text":["AARLCC.2004.1","/repositories/2/resources/22","Kitty Oliver Collection, Circa 1969-2016","African American women journalists -- Florida -- Miami-Dade County","University of Florida -- Alumni and alumnae","African Americans -- Race relations","African Americans -- Civil Rights -- Florida -- Broward County -- History","Correspondence","Oral histories","Photographs","Certificates","Clippings","The Kitty Oliver Collection is open for research.","The Kitty Oliver Collection contains eight series including: Series I. Correspondence, Series II: Personal Papers, Series III: Professional Papers, Series IV: Photographs, Series V. Printed Materials, Series VI. Awards, Series VII. Audio-Visual Materials, and Series VIII: Race and Change Project, 1999-2005.","Dr. Eloise \"Kitty\" Oliver is a veteran South Florida journalist, professor of creative nonfiction, memoir writing, oral history, and ethnic communication, and a professional jazz singer. Since the 1980s, she has produced landmark work as a cultural diversity researcher, documenting growing sociocultural conversions and multiculturalism that has become a reflection of contemporary American society.","Dr. Oliver was born on December 16, 1947 in Jacksonville, Florida. In 1965, Kitty Oliver was one of the first five Black freshmen to enroll at the University of Florida and live on campus after the passage of the Civil Rights Act of 1965. She graduated in 1969 with a Bachelor of Arts in English. During college, she met her Richard \"Ricky\" C. Oliver, Jr., who she married in 1969, and together they started a folk-rock musical group.","In 1971, Kitty Oliver started working one of the first Black reporters and columnists for the Miami Herald, covering Broward and Miami-Dade County. She chronicled the history of the Black community in South Florida, including Provident Hospital, Dr. Von Mizell and Dr. James Sistrunk, Eula Johnson, and Samuel Morrison.","Oliver left the Miami Herald in 1990 to pursue a Master of Fine Arts degree in Creative Writing at Florida International University and graduated in 1994. This led to her writing \"Multicolored Memories of a Black Southern Girl,\" a collection autobiographical essays about coming of age with integration and cultural diversity in Jacksonville and attending the University of Florida, working in South Florida, and her international travel.  ","After earning her M.A., she began the Race and Change Oral History Project, collecting oral histories of minority groups in Hollywood, Florida. She worked as a fulltime professor of Creative Writing and Multicultural Literature, Oral History Writing, and Ethnic Communication at Florida International University from 1994 to 1996 and at Florida Atlantic University's Broward Campuses from 1996 to 2006. During that time, she developed the Race and Change oral history methodology for cross-cultural research by students and communities. The work includes the Race and Change Project, the Kitty Oliver Oral Histories Archive, and the multimedia audio, webcast radio and television Race and Change Initiative with intergenerational stories. She donated her collection of 125 interviews to the African American Research Library and Cultural Center Special collections in 2004.","Oliver completed a Ph.D. in Comparative Studies from Florida Atlantic University in 2009, focusing on race and ethnic communication. Her degree included the creation of the 10-part public television documentary series \"Crossing Cultures, Changing Lives\" featuring  archival Race and Change Oral Histories narrators.","Dr. Kitty Oliver also specializes in books, television documentaries and literary performances which explore race and ethnic issues. Dr. Oliver conducts community oral history field work and is a member of the Oral History Association (OHA). Additionally, she serves as president of Kitty O. Enterprises, Inc. – which aids as a cultural diversity consulting firm located in Fort Lauderdale, Florida (Broward County).","Her major public television and video productions include the PBS documentary series \"Celebrate...the Cultural Connections\" and a 10-part series, \"Crossing Cultures/Changing Lives\", which premiered in Florida, Spring, 2008 on WBEC-TV (Beacon-TV). Dr. Oliver's contemporary work includes ongoing lecture series detailing her Race and Change project. Additionally, she produced a book entitled \"Race and Change in Hollywood, Florida (Voices of America)\" in 2000.","Dr. Kitty Oliver married Ricky Oliver in 1969, and they had two children, Kali and Brian Oliver. They divorced in 1989. Kitty Oliver married Arthur I. Musson, Jr. in 2018.","The Kitty Oliver Collection is open for research.","This collection received file level processing. This finding-aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Kitty Oliver Collection in the Broward County Library Digital Archives.","The Kitty Oliver Collection consists of correspondence, personal and professional papers, photographs, newspaper clippings, printed materials, and awards of South Florida journalist and educator Kitty Oliver. ","The collection also contains the Race and Change Project, a group of multiple oral history interviews with African-Americans, European-Americans, and immigrants regarding their memories growing up in Broward County, the United States, and other countries. Subjects include family and community lifestyle, race relations and societal change from the late 1920's through the aftermath of the Civil Rights Act of 1964 and desegregation. The collection contains audio and visual content of participants from the Race and Change Project including research composed by students taught by Kitty Oliver, and an essay written by Deborah Works entitled \"Historical Sketches and Rare Glimpses of the North Fork of the New River: a history of its natural and human environment\" (2001). The majority of Dr. Oliver's questionnaires, transcripts and interviews consist of ongoing research study of race and ethnic relations, geographical history and social change through the collection of oral histories of Whites, Blacks/African-Americans and immigrants of various Hispanic/Latinx, Caribbean and Asian backgrounds. Research sites include the South Florida cities of Hollywood, Fort Lauderdale, West Palm Beach, Miami, Opa-locka, Delray Beach and Boca Raton; North Fork and Liberia – historically significant Black/African-American communities; towns along Florida's landmark Lake Okeechobee; Stranahan High School in Fort Lauderdale; and Ghana, West Africa – where women who have experienced America's racial climate shared their stories.","Some materials from this collection were cataloged in the Broward County Library catalog with the prefix \"OLI\".","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.2004.1","/repositories/2/resources/22"],"normalized_date_ssm":["Circa 1969-2016"],"normalized_title_ssm":["Kitty Oliver Collection, Circa 1969-2016"],"collection_title_tesim":["Kitty Oliver Collection, Circa 1969-2016"],"collection_ssim":["Kitty Oliver Collection, Circa 1969-2016"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"acqinfo_ssim":["Dr. Kitty Oliver donated the materials to AARLCC Special Collections on January 29, 2004 (Accession AARLCC-2004.1). Accruals were made in 2005 (Accession AARLCC-2005.1) and on July 29, 2021 (Accession AARLCC-2021.13). An additional accrual was transferred from the Broward County Historical Archives to AARLCC Special Collections on August 28, 2024 (Accession AARLCC-2024.10)."],"access_subjects_ssim":["African American women journalists -- Florida -- Miami-Dade County","University of Florida -- Alumni and alumnae","African Americans -- Race relations","African Americans -- Civil Rights -- Florida -- Broward County -- History","Correspondence","Oral histories","Photographs","Certificates","Clippings"],"access_subjects_ssm":["African American women journalists -- Florida -- Miami-Dade County","University of Florida -- Alumni and alumnae","African Americans -- Race relations","African Americans -- Civil Rights -- Florida -- Broward County -- History","Correspondence","Oral histories","Photographs","Certificates","Clippings"],"has_online_content_ssim":["false"],"extent_ssm":["39 Hollinger Boxes"],"extent_tesim":["39 Hollinger Boxes"],"genreform_ssim":["Correspondence","Oral histories","Photographs","Certificates","Clippings"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThe Kitty Oliver Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Kitty Oliver Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Kitty Oliver Collection contains eight series including: Series I. Correspondence, Series II: Personal Papers, Series III: Professional Papers, Series IV: Photographs, Series V. Printed Materials, Series VI. Awards, Series VII. Audio-Visual Materials, and Series VIII: Race and Change Project, 1999-2005.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Kitty Oliver Collection contains eight series including: Series I. Correspondence, Series II: Personal Papers, Series III: Professional Papers, Series IV: Photographs, Series V. Printed Materials, Series VI. Awards, Series VII. Audio-Visual Materials, and Series VIII: Race and Change Project, 1999-2005."],"bioghist_html_tesm":["\u003cp\u003eDr. Eloise \"Kitty\" Oliver is a veteran South Florida journalist, professor of creative nonfiction, memoir writing, oral history, and ethnic communication, and a professional jazz singer. Since the 1980s, she has produced landmark work as a cultural diversity researcher, documenting growing sociocultural conversions and multiculturalism that has become a reflection of contemporary American society.\u003c/p\u003e\n","\u003cp\u003eDr. Oliver was born on December 16, 1947 in Jacksonville, Florida. In 1965, Kitty Oliver was one of the first five Black freshmen to enroll at the University of Florida and live on campus after the passage of the Civil Rights Act of 1965. She graduated in 1969 with a Bachelor of Arts in English. During college, she met her Richard \"Ricky\" C. Oliver, Jr., who she married in 1969, and together they started a folk-rock musical group.\u003c/p\u003e\n","\u003cp\u003eIn 1971, Kitty Oliver started working one of the first Black reporters and columnists for the Miami Herald, covering Broward and Miami-Dade County. She chronicled the history of the Black community in South Florida, including Provident Hospital, Dr. Von Mizell and Dr. James Sistrunk, Eula Johnson, and Samuel Morrison.\u003c/p\u003e\n","\u003cp\u003eOliver left the Miami Herald in 1990 to pursue a Master of Fine Arts degree in Creative Writing at Florida International University and graduated in 1994. This led to her writing \"Multicolored Memories of a Black Southern Girl,\" a collection autobiographical essays about coming of age with integration and cultural diversity in Jacksonville and attending the University of Florida, working in South Florida, and her international travel.  \u003c/p\u003e\n","\u003cp\u003eAfter earning her M.A., she began the Race and Change Oral History Project, collecting oral histories of minority groups in Hollywood, Florida. She worked as a fulltime professor of Creative Writing and Multicultural Literature, Oral History Writing, and Ethnic Communication at Florida International University from 1994 to 1996 and at Florida Atlantic University's Broward Campuses from 1996 to 2006. During that time, she developed the Race and Change oral history methodology for cross-cultural research by students and communities. The work includes the Race and Change Project, the Kitty Oliver Oral Histories Archive, and the multimedia audio, webcast radio and television Race and Change Initiative with intergenerational stories. She donated her collection of 125 interviews to the African American Research Library and Cultural Center Special collections in 2004.\u003c/p\u003e\n","\u003cp\u003eOliver completed a Ph.D. in Comparative Studies from Florida Atlantic University in 2009, focusing on race and ethnic communication. Her degree included the creation of the 10-part public television documentary series \"Crossing Cultures, Changing Lives\" featuring  archival Race and Change Oral Histories narrators.\u003c/p\u003e\n","\u003cp\u003eDr. Kitty Oliver also specializes in books, television documentaries and literary performances which explore race and ethnic issues. Dr. Oliver conducts community oral history field work and is a member of the Oral History Association (OHA). Additionally, she serves as president of Kitty O. Enterprises, Inc. \u0026#x2013; which aids as a cultural diversity consulting firm located in Fort Lauderdale, Florida (Broward County).\u003c/p\u003e\n","\u003cp\u003eHer major public television and video productions include the PBS documentary series \"Celebrate...the Cultural Connections\" and a 10-part series, \"Crossing Cultures/Changing Lives\", which premiered in Florida, Spring, 2008 on WBEC-TV (Beacon-TV). Dr. Oliver's contemporary work includes ongoing lecture series detailing her Race and Change project. Additionally, she produced a book entitled \"Race and Change in Hollywood, Florida (Voices of America)\" in 2000.\u003c/p\u003e\n","\u003cp\u003eDr. Kitty Oliver married Ricky Oliver in 1969, and they had two children, Kali and Brian Oliver. They divorced in 1989. Kitty Oliver married Arthur I. Musson, Jr. in 2018.\u003c/p\u003e\n","\u003cp\u003eThe Kitty Oliver Collection is open for research.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. Eloise \"Kitty\" Oliver is a veteran South Florida journalist, professor of creative nonfiction, memoir writing, oral history, and ethnic communication, and a professional jazz singer. Since the 1980s, she has produced landmark work as a cultural diversity researcher, documenting growing sociocultural conversions and multiculturalism that has become a reflection of contemporary American society.","Dr. Oliver was born on December 16, 1947 in Jacksonville, Florida. In 1965, Kitty Oliver was one of the first five Black freshmen to enroll at the University of Florida and live on campus after the passage of the Civil Rights Act of 1965. She graduated in 1969 with a Bachelor of Arts in English. During college, she met her Richard \"Ricky\" C. Oliver, Jr., who she married in 1969, and together they started a folk-rock musical group.","In 1971, Kitty Oliver started working one of the first Black reporters and columnists for the Miami Herald, covering Broward and Miami-Dade County. She chronicled the history of the Black community in South Florida, including Provident Hospital, Dr. Von Mizell and Dr. James Sistrunk, Eula Johnson, and Samuel Morrison.","Oliver left the Miami Herald in 1990 to pursue a Master of Fine Arts degree in Creative Writing at Florida International University and graduated in 1994. This led to her writing \"Multicolored Memories of a Black Southern Girl,\" a collection autobiographical essays about coming of age with integration and cultural diversity in Jacksonville and attending the University of Florida, working in South Florida, and her international travel.  ","After earning her M.A., she began the Race and Change Oral History Project, collecting oral histories of minority groups in Hollywood, Florida. She worked as a fulltime professor of Creative Writing and Multicultural Literature, Oral History Writing, and Ethnic Communication at Florida International University from 1994 to 1996 and at Florida Atlantic University's Broward Campuses from 1996 to 2006. During that time, she developed the Race and Change oral history methodology for cross-cultural research by students and communities. The work includes the Race and Change Project, the Kitty Oliver Oral Histories Archive, and the multimedia audio, webcast radio and television Race and Change Initiative with intergenerational stories. She donated her collection of 125 interviews to the African American Research Library and Cultural Center Special collections in 2004.","Oliver completed a Ph.D. in Comparative Studies from Florida Atlantic University in 2009, focusing on race and ethnic communication. Her degree included the creation of the 10-part public television documentary series \"Crossing Cultures, Changing Lives\" featuring  archival Race and Change Oral Histories narrators.","Dr. Kitty Oliver also specializes in books, television documentaries and literary performances which explore race and ethnic issues. Dr. Oliver conducts community oral history field work and is a member of the Oral History Association (OHA). Additionally, she serves as president of Kitty O. Enterprises, Inc. – which aids as a cultural diversity consulting firm located in Fort Lauderdale, Florida (Broward County).","Her major public television and video productions include the PBS documentary series \"Celebrate...the Cultural Connections\" and a 10-part series, \"Crossing Cultures/Changing Lives\", which premiered in Florida, Spring, 2008 on WBEC-TV (Beacon-TV). Dr. Oliver's contemporary work includes ongoing lecture series detailing her Race and Change project. Additionally, she produced a book entitled \"Race and Change in Hollywood, Florida (Voices of America)\" in 2000.","Dr. Kitty Oliver married Ricky Oliver in 1969, and they had two children, Kali and Brian Oliver. They divorced in 1989. Kitty Oliver married Arthur I. Musson, Jr. in 2018.","The Kitty Oliver Collection is open for research."],"prefercite_html_tesm":["\u003cp\u003eKitty Oliver Collection (AARLCC-2004.1), AALRCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Kitty Oliver Collection (AARLCC-2004.1), AALRCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding-aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding-aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/k-oliver1/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Kitty Oliver Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Kitty Oliver Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Kitty Oliver Collection consists of correspondence, personal and professional papers, photographs, newspaper clippings, printed materials, and awards of South Florida journalist and educator Kitty Oliver. \u003c/p\u003e\n","\u003cp\u003eThe collection also contains the Race and Change Project, a group of multiple oral history interviews with African-Americans, European-Americans, and immigrants regarding their memories growing up in Broward County, the United States, and other countries. Subjects include family and community lifestyle, race relations and societal change from the late 1920's through the aftermath of the Civil Rights Act of 1964 and desegregation. The collection contains audio and visual content of participants from the Race and Change Project including research composed by students taught by Kitty Oliver, and an essay written by Deborah Works entitled \"Historical Sketches and Rare Glimpses of the North Fork of the New River: a history of its natural and human environment\" (2001). The majority of Dr. Oliver's questionnaires, transcripts and interviews consist of ongoing research study of race and ethnic relations, geographical history and social change through the collection of oral histories of Whites, Blacks/African-Americans and immigrants of various Hispanic/Latinx, Caribbean and Asian backgrounds. Research sites include the South Florida cities of Hollywood, Fort Lauderdale, West Palm Beach, Miami, Opa-locka, Delray Beach and Boca Raton; North Fork and Liberia \u0026#x2013; historically significant Black/African-American communities; towns along Florida's landmark Lake Okeechobee; Stranahan High School in Fort Lauderdale; and Ghana, West Africa \u0026#x2013; where women who have experienced America's racial climate shared their stories.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Kitty Oliver Collection consists of correspondence, personal and professional papers, photographs, newspaper clippings, printed materials, and awards of South Florida journalist and educator Kitty Oliver. ","The collection also contains the Race and Change Project, a group of multiple oral history interviews with African-Americans, European-Americans, and immigrants regarding their memories growing up in Broward County, the United States, and other countries. Subjects include family and community lifestyle, race relations and societal change from the late 1920's through the aftermath of the Civil Rights Act of 1964 and desegregation. The collection contains audio and visual content of participants from the Race and Change Project including research composed by students taught by Kitty Oliver, and an essay written by Deborah Works entitled \"Historical Sketches and Rare Glimpses of the North Fork of the New River: a history of its natural and human environment\" (2001). The majority of Dr. Oliver's questionnaires, transcripts and interviews consist of ongoing research study of race and ethnic relations, geographical history and social change through the collection of oral histories of Whites, Blacks/African-Americans and immigrants of various Hispanic/Latinx, Caribbean and Asian backgrounds. Research sites include the South Florida cities of Hollywood, Fort Lauderdale, West Palm Beach, Miami, Opa-locka, Delray Beach and Boca Raton; North Fork and Liberia – historically significant Black/African-American communities; towns along Florida's landmark Lake Okeechobee; Stranahan High School in Fort Lauderdale; and Ghana, West Africa – where women who have experienced America's racial climate shared their stories."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default\" target=\"_blank\"\u003eSome materials from this collection were cataloged in the Broward County Library catalog with the prefix \"OLI\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Some materials from this collection were cataloged in the Broward County Library catalog with the prefix \"OLI\"."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":418,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455827155451904,"_root_":"a00ac4456d001c4f5b29b5b6","timestamp":"2026-09-16T03:02:08.218Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a00ac4456d001c4f5b29b5b6_aspace_78a2c460fe7573ce5f32bbf66f8bb091"}},{"id":"71b8a757b0f138dee122db24_aspace_fcda03530a9998bc86c954b8dbb12053","type":"File","attributes":{"title":"General Committee Information and Budget Requests, 1991-1992","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/71b8a757b0f138dee122db24_aspace_fcda03530a9998bc86c954b8dbb12053#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_fcda03530a9998bc86c954b8dbb12053","ref_ssm":["aspace_fcda03530a9998bc86c954b8dbb12053","aspace_fcda03530a9998bc86c954b8dbb12053"],"id":"71b8a757b0f138dee122db24_aspace_fcda03530a9998bc86c954b8dbb12053","title_filing_ssi":"General Committee Information and Budget Requests","title_ssm":["General Committee Information and Budget Requests"],"title_tesim":["General Committee Information and Budget Requests"],"unitdate_inclusive_ssm":["1991-1992"],"normalized_date_ssm":["1991-1992"],"normalized_title_ssm":["General Committee Information and Budget Requests, 1991-1992"],"text":["General Committee Information and Budget Requests, 1991-1992","Florida Bandmasters Association Records, 1936-2010","Financial Records","/repositories/2/archival_objects/40685","box 107","folder 4"],"component_level_isim":[2],"parent_ids_ssim":["71b8a757b0f138dee122db24","71b8a757b0f138dee122db24_aspace_03f601044e357e382a43701562a684b0"],"parent_unittitles_ssm":["Florida Bandmasters Association Records, 1936-2010","Financial Records"],"parent_unittitles_tesim":["Florida Bandmasters Association Records, 1936-2010","Financial Records"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/40685"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"collection_ssim":["Florida Bandmasters Association Records, 1936-2010"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2021,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials."],"parent_access_terms_tesm":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"date_range_isim":[1991,1992],"containers_ssim":["box 107","folder 4"],"_nest_path_":"/components#4/components#89","_nest_parent_":"71b8a757b0f138dee122db24_aspace_03f601044e357e382a43701562a684b0","_root_":"71b8a757b0f138dee122db24","_version_":1877102187519148032,"timestamp":"2026-09-23T06:15:45.471Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"71b8a757b0f138dee122db24","title_ssm":["Florida Bandmasters Association Records"],"title_tesim":["Florida Bandmasters Association Records"],"ead_ssi":"71b8a757b0f138dee122db24","unitdate_ssm":["1936-2010"],"unitdate_inclusive_ssm":["1936-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS1000","/repositories/2/resources/26"],"text":["MS1000","/repositories/2/resources/26","Florida Bandmasters Association Records, 1936-2010","Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.","The Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2","This collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.","The records have been arranged in eight series, six of which have been further arranged in subseries.","Series 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.","Series 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026 Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries – Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.","Series 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.","Series 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.","Series 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.","Series 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors.","Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487","The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association","English"],"unitid_tesim":["MS1000","/repositories/2/resources/26"],"normalized_date_ssm":["1936-2010"],"normalized_title_ssm":["Florida Bandmasters Association Records, 1936-2010"],"collection_title_tesim":["Florida Bandmasters Association Records, 1936-2010"],"collection_ssim":["Florida Bandmasters Association Records, 1936-2010"],"repository_ssm":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"creator_ssm":["Florida Bandmaster Association"],"creator_ssim":["Florida Bandmaster Association"],"creator_corpname_ssim":["Florida Bandmaster Association"],"creators_ssim":["Florida Bandmaster Association"],"access_terms_ssm":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"acqinfo_ssim":["Beginning in 1967, John J. Heney took on the role of FBA archivist and began to assemble what records he could collect from former FBA presidents, executive director Robert Lampi, and individual bandmasters. Heney made arrangements with the University of Florida to store the records, which he delivered in several installments through 1978. In 1988, because of a connection between an FBA member and Florida Southern College, the collection was returned to the FBA and moved to FSC."],"access_subjects_ssim":["Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs"],"access_subjects_ssm":["Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["60.5 Linear Feet"],"extent_tesim":["60.5 Linear Feet"],"genreform_ssim":["Correspondence","Photographs"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials."],"bioghist_html_tesm":["\u003cp\u003eThe Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2"],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.\u003c/p\u003e\n","\u003cp\u003eThe records have been arranged in eight series, six of which have been further arranged in subseries.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026amp; Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries \u0026#x2013; Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.\u003c/p\u003e\n","\u003cp\u003eSeries 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.\u003c/p\u003e\n","\u003cp\u003eSeries 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.\u003c/p\u003e\n","\u003cp\u003eSeries 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.","The records have been arranged in eight series, six of which have been further arranged in subseries.","Series 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.","Series 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026 Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries – Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.","Series 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.","Series 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.","Series 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.","Series 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"names_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association"],"corpname_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2839,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877102187519148032,"_root_":"71b8a757b0f138dee122db24","timestamp":"2026-09-23T06:15:45.471Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/71b8a757b0f138dee122db24_aspace_fcda03530a9998bc86c954b8dbb12053"}},{"id":"33eb7d7837b712c15c2083e3_aspace_7d998274cca48711fe43840d124fa112","type":"File","attributes":{"title":"General Correspondence, 1980-1993","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/33eb7d7837b712c15c2083e3_aspace_7d998274cca48711fe43840d124fa112#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_7d998274cca48711fe43840d124fa112","ref_ssm":["aspace_7d998274cca48711fe43840d124fa112","aspace_7d998274cca48711fe43840d124fa112"],"id":"33eb7d7837b712c15c2083e3_aspace_7d998274cca48711fe43840d124fa112","title_filing_ssi":"General Correspondence","title_ssm":["General Correspondence"],"title_tesim":["General Correspondence"],"unitdate_inclusive_ssm":["1980-1993"],"normalized_date_ssm":["1980-1993"],"normalized_title_ssm":["General Correspondence, 1980-1993"],"text":["General Correspondence, 1980-1993","Franklin Adams Collection, 1960-2019","Box 9","IWLA Florida Div.","/repositories/2/archival_objects/75512","box 9","folder 30"],"component_level_isim":[3],"parent_ids_ssim":["33eb7d7837b712c15c2083e3","33eb7d7837b712c15c2083e3_aspace_71a53572a968623b6c6cd91233aadb35","33eb7d7837b712c15c2083e3_aspace_e18d9b14eddc4394b22e283a71805187"],"parent_unittitles_ssm":["Franklin Adams Collection, 1960-2019","Box 9","IWLA Florida Div."],"parent_unittitles_tesim":["Franklin Adams Collection, 1960-2019","Box 9","IWLA Florida Div."],"parent_levels_ssm":["collection","Other level","Series"],"unitid_ssm":["/repositories/2/archival_objects/75512"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Franklin Adams Collection, 1960-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":325,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about\nthe copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"containers_ssim":["box 9","folder 30"],"_nest_path_":"/components#8/components#0/components#29","_nest_parent_":"33eb7d7837b712c15c2083e3_aspace_e18d9b14eddc4394b22e283a71805187","_root_":"33eb7d7837b712c15c2083e3","_version_":1870844419699113984,"timestamp":"2026-07-16T04:31:13.054Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"33eb7d7837b712c15c2083e3","title_ssm":["Franklin Adams Collection"],"title_tesim":["Franklin Adams Collection"],"ead_ssi":"33eb7d7837b712c15c2083e3","unitdate_ssm":["1960-2019"],"unitdate_inclusive_ssm":["1960-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC 9000","/repositories/2/resources/107"],"text":["SPC 9000","/repositories/2/resources/107","Franklin Adams Collection, 1960-2019","Big Cypress National Preserve","Everglades","Marco Island (Fla: island)","Wildlife at risk","Wildlife conservation","Urban development.","Florida panther","Conservation","Douglas, Marjory Stoneman","Izaac Walton League","Water conservation","Eco clubs","Environmental justice","Environmental policy","Petroleum--Prospecting","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","The materials in this collection are arranged in the following series':","Big Cypress Preservation Efforts;\nBig Cypress Swamp Advisory Committee on Oil Pads, Access Roads, Drilling \u0026 Seismic Exploration;\nBiographical Information;\nCollier DRI;\nCorrespondence;\nMarjory Stoneman Douglas;\nEnvironmental Confederation of SW Florida;\nEverglades Oil Drilling;\nFlorida Biodiversity Lawsuit;\nFlorida Conservation Foundation;\nFlorida Panther;\nFlorida Water Task Force;\nFlorida Wildlife Federation;\nFriends of the Everglades;\nIWLA Big Cypress Chapter History;\nIWLA Florida Division;\nKissimmee River Valley;\nMarco Island Litigation;\nMarshall, Arthur R. \"Art\";\nMosquito Control Spraying;\nRaccoon Point;\nWater!","Franklin B. Adams was born in Miami, FL, to G.B. and Lois Franklin Adams. He is a graduate of Miami Senior High School, Miami Dade Junior College (Now Miami-Dade College), and the U.S. Army Corps of Engineers Surveying and Mapping School. Mr. Adams is a Florida Master Naturalist. He served in the 841st Engineer Battalion of the U.S. Army Corps of Engineers. He has worked as a land surveyor, charter boat captain, and eco-guide in the Everglades City-Naples area of Florida. ","He has served as a member of numerous environmental and conservation organizations, which is the focus of this collection. Over the past fifty years, Franklin has served in leadership positions with the Friends of the Everglades; Big Cypress Nature Center; Florida Conservation Foundation; Izaak Walton League of America; Environmental Confederation of Southwest Florida; Florida Native Plant Society (founding member); Coalition to Save the Everglades; \"Water!;\" and the Florida Wildlife Federation. ","He worked to establish the Florida Wildlife Federation Southwest Florida Office, as well as the restoration of the Kissimmee-Okeechobee-Everglades system. He fought against the Miami Jetport and lobbied for the establishment of the Big Cypress National Preserve. He also worked to preserve the habitat of the Florida Panther and was a key figure in the protection of this endangered cat. ","Mr. Adams has received numerous awards over the years related to his conservation work. Among these are Izaak Walton League of America Cypress Chapter Service Award, National Wildlife Federation Conservation Achievement Award, and the National Wildlife Federation Hall of Fame Award.","\nFraklin Adams lives in the Naples area. To learn more about his background, please refer to the biographical series within this collection. ","The issues that Fraklin Adams worked on were also of interest to the U.S. Congressmen from the area. James A. Haley, as chairman of the House Interior Committee during thr 1970s, was instrumental in the creation of Big Cypress National Preserve. His papers (https://www.flsouthern.edu/getattachment/library/mckay-archives/finding-aids/HALEY-Finding-Aid.pdf.aspx?lang=en-US) are maintained at Florida Southern College and contain references to many of the same issues that Mr. Adams was involved with. \nMr. Haley's successor, Andy Ireland, also took interest in issues facing Florida's environment. His papers may also be found at Florida Southern College (https://www.flsouthern.edu/getattachment/library/McKay-Archives/Finding-Aids/Ireland-for-web-page.doc.aspx?lang=en-US)","***Please copy and past the URLs into your browser window to view the Haley and Ireland finding aids***","The materials in this collection reflect the subject's interest in environmental preservation. Mr. Adams served in a number of environmental interest organizations such as the Isaac Walton League of America (IWLA), The Florida Water Task Force, and the Florida Wildlife Federation, to give but a few examples. The bulk of the collection contains correspondence, news clippings, legal documents, and blueprints/aerial maps of affected lands.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about\nthe copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Franklin B. Adams","English"],"unitid_tesim":["SPC 9000","/repositories/2/resources/107"],"normalized_date_ssm":["1960-2019"],"normalized_title_ssm":["Franklin Adams Collection, 1960-2019"],"collection_title_tesim":["Franklin Adams Collection, 1960-2019"],"collection_ssim":["Franklin Adams Collection, 1960-2019"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Big Cypress National Preserve","Everglades","Marco Island (Fla: island)"],"geogname_ssim":["Big Cypress National Preserve","Everglades","Marco Island (Fla: island)"],"creator_ssm":["Franklin B. Adams"],"creator_ssim":["Franklin B. Adams"],"creator_persname_ssim":["Franklin B. Adams"],"creators_ssim":["Franklin B. Adams"],"places_ssim":["Big Cypress National Preserve","Everglades","Marco Island (Fla: island)"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about\nthe copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by Franklin Adams"],"access_subjects_ssim":["Wildlife at risk","Wildlife conservation","Urban development.","Florida panther","Conservation","Douglas, Marjory Stoneman","Izaac Walton League","Water conservation","Eco clubs","Environmental justice","Environmental policy","Petroleum--Prospecting"],"access_subjects_ssm":["Wildlife at risk","Wildlife conservation","Urban development.","Florida panther","Conservation","Douglas, Marjory Stoneman","Izaac Walton League","Water conservation","Eco clubs","Environmental justice","Environmental policy","Petroleum--Prospecting"],"has_online_content_ssim":["false"],"extent_ssm":["13.00 Linear Feet","12 boxes"],"extent_tesim":["13.00 Linear Feet","12 boxes"],"physfacet_tesim":["11 Banker boxes; 1 legal-size document case"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials in this collection are arranged in the following series':\u003c/p\u003e\n","\u003cp\u003eBig Cypress Preservation Efforts;\nBig Cypress Swamp Advisory Committee on Oil Pads, Access Roads, Drilling \u0026amp; Seismic Exploration;\nBiographical Information;\nCollier DRI;\nCorrespondence;\nMarjory Stoneman Douglas;\nEnvironmental Confederation of SW Florida;\nEverglades Oil Drilling;\nFlorida Biodiversity Lawsuit;\nFlorida Conservation Foundation;\nFlorida Panther;\nFlorida Water Task Force;\nFlorida Wildlife Federation;\nFriends of the Everglades;\nIWLA Big Cypress Chapter History;\nIWLA Florida Division;\nKissimmee River Valley;\nMarco Island Litigation;\nMarshall, Arthur R. \"Art\";\nMosquito Control Spraying;\nRaccoon Point;\nWater!\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials in this collection are arranged in the following series':","Big Cypress Preservation Efforts;\nBig Cypress Swamp Advisory Committee on Oil Pads, Access Roads, Drilling \u0026 Seismic Exploration;\nBiographical Information;\nCollier DRI;\nCorrespondence;\nMarjory Stoneman Douglas;\nEnvironmental Confederation of SW Florida;\nEverglades Oil Drilling;\nFlorida Biodiversity Lawsuit;\nFlorida Conservation Foundation;\nFlorida Panther;\nFlorida Water Task Force;\nFlorida Wildlife Federation;\nFriends of the Everglades;\nIWLA Big Cypress Chapter History;\nIWLA Florida Division;\nKissimmee River Valley;\nMarco Island Litigation;\nMarshall, Arthur R. \"Art\";\nMosquito Control Spraying;\nRaccoon Point;\nWater!"],"bioghist_html_tesm":["\u003cp\u003eFranklin B. Adams was born in Miami, FL, to G.B. and Lois Franklin Adams. He is a graduate of Miami Senior High School, Miami Dade Junior College (Now Miami-Dade College), and the U.S. Army Corps of Engineers Surveying and Mapping School. Mr. Adams is a Florida Master Naturalist. He served in the 841st Engineer Battalion of the U.S. Army Corps of Engineers. He has worked as a land surveyor, charter boat captain, and eco-guide in the Everglades City-Naples area of Florida. \u003c/p\u003e\n","\u003cp\u003eHe has served as a member of numerous environmental and conservation organizations, which is the focus of this collection. Over the past fifty years, Franklin has served in leadership positions with the Friends of the Everglades; Big Cypress Nature Center; Florida Conservation Foundation; Izaak Walton League of America; Environmental Confederation of Southwest Florida; Florida Native Plant Society (founding member); Coalition to Save the Everglades; \"Water!;\" and the Florida Wildlife Federation. \u003c/p\u003e\n","\u003cp\u003eHe worked to establish the Florida Wildlife Federation Southwest Florida Office, as well as the restoration of the Kissimmee-Okeechobee-Everglades system. He fought against the Miami Jetport and lobbied for the establishment of the Big Cypress National Preserve. He also worked to preserve the habitat of the Florida Panther and was a key figure in the protection of this endangered cat. \u003c/p\u003e\n","\u003cp\u003eMr. Adams has received numerous awards over the years related to his conservation work. Among these are Izaak Walton League of America Cypress Chapter Service Award, National Wildlife Federation Conservation Achievement Award, and the National Wildlife Federation Hall of Fame Award.\u003c/p\u003e\n","\u003cp\u003e\nFraklin Adams lives in the Naples area. To learn more about his background, please refer to the biographical series within this collection. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Franklin B. Adams was born in Miami, FL, to G.B. and Lois Franklin Adams. He is a graduate of Miami Senior High School, Miami Dade Junior College (Now Miami-Dade College), and the U.S. Army Corps of Engineers Surveying and Mapping School. Mr. Adams is a Florida Master Naturalist. He served in the 841st Engineer Battalion of the U.S. Army Corps of Engineers. He has worked as a land surveyor, charter boat captain, and eco-guide in the Everglades City-Naples area of Florida. ","He has served as a member of numerous environmental and conservation organizations, which is the focus of this collection. Over the past fifty years, Franklin has served in leadership positions with the Friends of the Everglades; Big Cypress Nature Center; Florida Conservation Foundation; Izaak Walton League of America; Environmental Confederation of Southwest Florida; Florida Native Plant Society (founding member); Coalition to Save the Everglades; \"Water!;\" and the Florida Wildlife Federation. ","He worked to establish the Florida Wildlife Federation Southwest Florida Office, as well as the restoration of the Kissimmee-Okeechobee-Everglades system. He fought against the Miami Jetport and lobbied for the establishment of the Big Cypress National Preserve. He also worked to preserve the habitat of the Florida Panther and was a key figure in the protection of this endangered cat. ","Mr. Adams has received numerous awards over the years related to his conservation work. Among these are Izaak Walton League of America Cypress Chapter Service Award, National Wildlife Federation Conservation Achievement Award, and the National Wildlife Federation Hall of Fame Award.","\nFraklin Adams lives in the Naples area. To learn more about his background, please refer to the biographical series within this collection. "],"odd_html_tesm":["\u003cp\u003eThe issues that Fraklin Adams worked on were also of interest to the U.S. Congressmen from the area. James A. Haley, as chairman of the House Interior Committee during thr 1970s, was instrumental in the creation of Big Cypress National Preserve. His papers (https://www.flsouthern.edu/getattachment/library/mckay-archives/finding-aids/HALEY-Finding-Aid.pdf.aspx?lang=en-US) are maintained at Florida Southern College and contain references to many of the same issues that Mr. Adams was involved with. \nMr. Haley's successor, Andy Ireland, also took interest in issues facing Florida's environment. His papers may also be found at Florida Southern College (https://www.flsouthern.edu/getattachment/library/McKay-Archives/Finding-Aids/Ireland-for-web-page.doc.aspx?lang=en-US)\u003c/p\u003e\n","\u003cp\u003e***Please copy and past the URLs into your browser window to view the Haley and Ireland finding aids***\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["The issues that Fraklin Adams worked on were also of interest to the U.S. Congressmen from the area. James A. Haley, as chairman of the House Interior Committee during thr 1970s, was instrumental in the creation of Big Cypress National Preserve. His papers (https://www.flsouthern.edu/getattachment/library/mckay-archives/finding-aids/HALEY-Finding-Aid.pdf.aspx?lang=en-US) are maintained at Florida Southern College and contain references to many of the same issues that Mr. Adams was involved with. \nMr. Haley's successor, Andy Ireland, also took interest in issues facing Florida's environment. His papers may also be found at Florida Southern College (https://www.flsouthern.edu/getattachment/library/McKay-Archives/Finding-Aids/Ireland-for-web-page.doc.aspx?lang=en-US)","***Please copy and past the URLs into your browser window to view the Haley and Ireland finding aids***"],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection reflect the subject's interest in environmental preservation. Mr. Adams served in a number of environmental interest organizations such as the Isaac Walton League of America (IWLA), The Florida Water Task Force, and the Florida Wildlife Federation, to give but a few examples. The bulk of the collection contains correspondence, news clippings, legal documents, and blueprints/aerial maps of affected lands.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection reflect the subject's interest in environmental preservation. Mr. Adams served in a number of environmental interest organizations such as the Isaac Walton League of America (IWLA), The Florida Water Task Force, and the Florida Wildlife Federation, to give but a few examples. The bulk of the collection contains correspondence, news clippings, legal documents, and blueprints/aerial maps of affected lands."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about\nthe copyright holder of materials found in our collections.\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about\nthe copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Franklin B. Adams"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Franklin B. Adams"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":424,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844419699113984,"_root_":"33eb7d7837b712c15c2083e3","timestamp":"2026-07-16T04:31:13.054Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/33eb7d7837b712c15c2083e3_aspace_7d998274cca48711fe43840d124fa112"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Southwest Florida Regional Planning Council Collection, 1920-2020","value":"Southwest Florida Regional Planning Council Collection, 1920-2020","hits":326},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Southwest+Florida+Regional+Planning+Council+Collection%2C+1920-2020\u0026f%5Bdate_range%5D%5B%5D=1992\u0026view=compact"}},{"attributes":{"label":"Sally Thompson collection, 1976-2019","value":"Sally Thompson collection, 1976-2019","hits":220},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Sally+Thompson+collection%2C+1976-2019\u0026f%5Bdate_range%5D%5B%5D=1992\u0026view=compact"}},{"attributes":{"label":"USF Athletics collection, bulk 1956-Present","value":"USF Athletics collection, bulk 1956-Present","hits":208},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=USF+Athletics+collection%2C+bulk+1956-Present\u0026f%5Bdate_range%5D%5B%5D=1992\u0026view=compact"}},{"attributes":{"label":"Dr. Edna Louise Saffy Papers, 1962-2013","value":"Dr. Edna Louise Saffy Papers, 1962-2013","hits":179},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Dr.+Edna+Louise+Saffy+Papers%2C+1962-2013\u0026f%5Bdate_range%5D%5B%5D=1992\u0026view=compact"}},{"attributes":{"label":"Florida Bandmasters Association Records, 1936-2010","value":"Florida Bandmasters Association Records, 1936-2010","hits":136},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Florida+Bandmasters+Association+Records%2C+1936-2010\u0026f%5Bdate_range%5D%5B%5D=1992\u0026view=compact"}},{"attributes":{"label":"Diana Estorino papers, 1975-2015, Date acquired: 00/00/2015, bulk 1987-1996","value":"Diana Estorino papers, 1975-2015, Date acquired: 00/00/2015, bulk 1987-1996","hits":131},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Diana+Estorino+papers%2C+1975-2015%2C+Date+acquired%3A+00%2F00%2F2015%2C+bulk+1987-1996\u0026f%5Bdate_range%5D%5B%5D=1992\u0026view=compact"}},{"attributes":{"label":"Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","value":"Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","hits":125},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Audubon+Society+Corkscrew+Swamp+Sanctuary+records%2C+1937-2019\u0026f%5Bdate_range%5D%5B%5D=1992\u0026view=compact"}},{"attributes":{"label":"Dorothy Porter Wesley Collection, Circa 1788-2012","value":"Dorothy Porter Wesley Collection, Circa 1788-2012","hits":106},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Dorothy+Porter+Wesley+Collection%2C+Circa+1788-2012\u0026f%5Bdate_range%5D%5B%5D=1992\u0026view=compact"}},{"attributes":{"label":"Democratic Women's Club of Florida, Inc. 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