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M. Fowler) was born in North Carolina on January 3, 1960 and lived in Florida, Vermont and Mexico. She is an American novelist, essayist, memoirist, screenwriter, poet, and teacher. She earned her Bachelor of Arts degree at Tampa University, a Master of Arts degree in the University of Kansas, and became a core faculty member at Vermont College of Fine Arts (VCFA).C. M. Fowler is the author of 8 books: How Clarissa Burden Learned How to Fly; Sugar Cage; River of Hidden Dreams; The problem with Murmur Lee; Remembering Blue; Before Women Had Wings; A Million Fragile Bones; and, When Katie Wakes. Her work has been translated in 18 languages and is published worldwide. Fowler explores in her novels Southern themes such as interracial connections and relationships between black and white women with a Floridian background. Fowler's inspiration in her novels is based on her family life and experience lived in Central Florida. 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M. Fowler) was born in North Carolina on January 3, 1960 and lived in Florida, Vermont and Mexico. She is an American novelist, essayist, memoirist, screenwriter, poet, and teacher. She earned her Bachelor of Arts degree at Tampa University, a Master of Arts degree in the University of Kansas, and became a core faculty member at Vermont College of Fine Arts (VCFA).C. M. Fowler is the author of 8 books: How Clarissa Burden Learned How to Fly; Sugar Cage; River of Hidden Dreams; The problem with Murmur Lee; Remembering Blue; Before Women Had Wings; A Million Fragile Bones; and, When Katie Wakes. Her work has been translated in 18 languages and is published worldwide. Fowler explores in her novels Southern themes such as interracial connections and relationships between black and white women with a Floridian background. Fowler's inspiration in her novels is based on her family life and experience lived in Central Florida. \u003c/p\u003e\n","\u003cp\u003eShe is the recipient of the Chatauqua South Library Award, the 1996 Southern Book Critics Circle Award, and the Francis Buck Award from the League of American Pen Women. Three of her novels have been Dublin International Literary Award nominees. She also directs the the Vermont College of Fine Arts Novel retreat held each May in Montpellier, Vermont. For ten years, she directed various writing conferences in Florida, including the St-Augustine Writers Conference. From 1997-2003 she directed the Connie May Fowler Women Wings Foundation, an organization that served at risk women and children. 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Fowler explores in her novels Southern themes such as interracial connections and relationships between black and white women with a Floridian background. Fowler's inspiration in her novels is based on her family life and experience lived in Central Florida. ","She is the recipient of the Chatauqua South Library Award, the 1996 Southern Book Critics Circle Award, and the Francis Buck Award from the League of American Pen Women. Three of her novels have been Dublin International Literary Award nominees. She also directs the the Vermont College of Fine Arts Novel retreat held each May in Montpellier, Vermont. For ten years, she directed various writing conferences in Florida, including the St-Augustine Writers Conference. From 1997-2003 she directed the Connie May Fowler Women Wings Foundation, an organization that served at risk women and children. From 2003–2007, she was the Irving Bacheller Professor of Creative Writing at Rollins College and directed their author series \"Winter With the Writers.\""],"prefercite_html_tesm":["\u003cp\u003eConnie May Fowler Collection, The Bienes Museum of Modern Book, Broward County Library\u003c/p\u003e"],"prefercite_tesim":["Connie May Fowler Collection, The Bienes Museum of Modern Book, Broward County Library"],"scopecontent_html_tesm":["\u003cp\u003eThe Connie May Fowler Collection documents the career of Florida novelist Connie May Fowler from 1990 to 1998. The collection is comprised of manuscripts, prepress proofs, galleys, newspapers articles, correspondence, interviews, speeches, a VHS cassette, and a teleplay script. The materials highlight some of Fowler's work such as \"Sugar Cage\", \"Ave Erzulie\", \"Before Women had Wings\", \"Sparrow Hunter\", \"River of Hidden Dreams\", \"Onedia Looney\", and \"Listening For Light\". The collection also contains a manuscript of \"Charms For Easy Life\" by the author Kaye Gibbons.\u003c/p\u003e","\u003cp\u003eThe collection is comprised of manuscripts, prepress proofs, galleys, newspapers articles, correspondence, interviews, speeches, and scripts documenting the career of Connie May Fowler, an American novelist, essayist, memoirist, screenwriter, poet, and teacher\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Abstract"],"scopecontent_tesim":["The Connie May Fowler Collection documents the career of Florida novelist Connie May Fowler from 1990 to 1998. The collection is comprised of manuscripts, prepress proofs, galleys, newspapers articles, correspondence, interviews, speeches, a VHS cassette, and a teleplay script. The materials highlight some of Fowler's work such as \"Sugar Cage\", \"Ave Erzulie\", \"Before Women had Wings\", \"Sparrow Hunter\", \"River of Hidden Dreams\", \"Onedia Looney\", and \"Listening For Light\". The collection also contains a manuscript of \"Charms For Easy Life\" by the author Kaye Gibbons.","The collection is comprised of manuscripts, prepress proofs, galleys, newspapers articles, correspondence, interviews, speeches, and scripts documenting the career of Connie May Fowler, an American novelist, essayist, memoirist, screenwriter, poet, and teacher"],"names_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"corpname_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":130,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870839700249378816,"_root_":"efd46fa5141b8bb7e0709eb9","timestamp":"2026-07-16T03:16:12.239Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/efd46fa5141b8bb7e0709eb9_aspace_4fd3db0df63f68b34c483719ae8bd7a7"}},{"id":"8d964efa464c4f8b717f7b0a_aspace_de3d1c585c5f369f89caaa859092560c","type":"File","attributes":{"title":"Summaries of Major Accomplishments of Support Provided to and Educational Excellence Activities of the Association to Preserve the Eatonville Community, 1988–2000","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8d964efa464c4f8b717f7b0a_aspace_de3d1c585c5f369f89caaa859092560c#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_de3d1c585c5f369f89caaa859092560c","ref_ssm":["aspace_de3d1c585c5f369f89caaa859092560c","aspace_de3d1c585c5f369f89caaa859092560c"],"id":"8d964efa464c4f8b717f7b0a_aspace_de3d1c585c5f369f89caaa859092560c","title_filing_ssi":"Summaries of Major Accomplishments of Support Provided to and Educational Excellence Activities of the Association to Preserve the Eatonville Community","title_ssm":["Summaries of Major Accomplishments of Support Provided to and Educational Excellence Activities of the Association to Preserve the Eatonville Community"],"title_tesim":["Summaries of Major Accomplishments of Support Provided to and Educational Excellence Activities of the Association to Preserve the Eatonville Community"],"unitdate_inclusive_ssm":["1988–2000"],"normalized_date_ssm":["1988–2000"],"normalized_title_ssm":["Summaries of Major Accomplishments of Support Provided to and Educational Excellence Activities of the Association to Preserve the Eatonville Community, 1988–2000"],"text":["Summaries of Major Accomplishments of Support Provided to and Educational Excellence Activities of the Association to Preserve the Eatonville Community, 1988–2000","University of Central Florida ZORA! Academic Conference records, 1988-2004","Planning, 1988-2004","/repositories/2/archival_objects/74981","box 1","folder 1"],"component_level_isim":[2],"parent_ids_ssim":["8d964efa464c4f8b717f7b0a","8d964efa464c4f8b717f7b0a_aspace_7152d5670151662ec860a84df68fd790"],"parent_unittitles_ssm":["University of Central Florida ZORA! Academic Conference records, 1988-2004","Planning, 1988-2004"],"parent_unittitles_tesim":["University of Central Florida ZORA! Academic Conference records, 1988-2004","Planning, 1988-2004"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/74981"],"repository_ssim":["UCF University Archives"],"collection_ssim":["University of Central Florida ZORA! 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Academic Conference records"],"ead_ssi":"8d964efa464c4f8b717f7b0a","unitdate_ssm":["1988-2004"],"unitdate_inclusive_ssm":["1988-2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA28G","/repositories/2/resources/303"],"text":["UA28G","/repositories/2/resources/303","University of Central Florida ZORA! Academic Conference records, 1988-2004","Eatonville (Fla.)","Women and literature -- Florida -- History -- 20th Century -- Congresses","African Americans in literature -- Congresses","reports","agendas (administrative records)","letters (correspondence)","The entire collection is open for research.","The collection is arranged into one series, Planning, 1988-2004.","The Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel  Their Eyes Were Watching God . Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. ","The Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF. ","Processed by Mary Rubin in 2019. Finding aid prepared by Asmara Cortes-Caba in 2024.","Further information about the Zora Neale Hurston Festival of the Arts may be found in the   Collected Materials on the Zora Neale Hurston Festival.","The University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival.  ","Series I: Planning, 1988-2004, contains documents relating to the planning of the Zora Neale Hurston Festival and UCF professor Kristin Congdon's role as a member of the festival's planning committee and festival collaborator on behalf of UCF. Documents include reports, proposals, notes, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. Much of the correspondence was written by Kristin Congdon to other members of the planning committee such as N.Y. Nathiri, the Executive Director of PEC. The series also contains newspaper clippings and brochures from PEC featuring the history of Eatonville and its connection to Zora Neale Hurston. ","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival. \n\nThe Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel  Their Eyes Were Watching God . Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. \n\nThe Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF.","UCF University Archives","University of Central Florida. College of Arts and Humanities","Academic Conference of the Zora Neale Hurston Festival of the Arts","Association to Preserve the Eatonville Community (Eatonville, Fla.)","Hurston, Zora Neale (1891-1960)","Congdon, Kristin G.","English"],"unitid_tesim":["UA28G","/repositories/2/resources/303"],"normalized_date_ssm":["1988-2004"],"normalized_title_ssm":["University of Central Florida ZORA! Academic Conference records, 1988-2004"],"collection_title_tesim":["University of Central Florida ZORA! 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Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel \u003cemph render=\"italic\"\u003eTheir Eyes Were Watching God\u003c/emph\u003e. Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. \u003c/p\u003e\n","\u003cp\u003eThe Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF. \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel  Their Eyes Were Watching God . Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. ","The Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], University of Central Florida ZORA! Academic Conference records, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], University of Central Florida ZORA! Academic Conference records, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Mary Rubin in 2019. Finding aid prepared by Asmara Cortes-Caba in 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Mary Rubin in 2019. Finding aid prepared by Asmara Cortes-Caba in 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eFurther information about the Zora Neale Hurston Festival of the Arts may be found in the \u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/44\"\u003e Collected Materials on the Zora Neale Hurston Festival.\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials "],"relatedmaterial_tesim":["Further information about the Zora Neale Hurston Festival of the Arts may be found in the   Collected Materials on the Zora Neale Hurston Festival."],"scopecontent_html_tesm":["\u003cp\u003eThe University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival.  \u003c/p\u003e\n","\u003cp\u003eSeries I: Planning, 1988-2004, contains documents relating to the planning of the Zora Neale Hurston Festival and UCF professor Kristin Congdon's role as a member of the festival's planning committee and festival collaborator on behalf of UCF. Documents include reports, proposals, notes, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. Much of the correspondence was written by Kristin Congdon to other members of the planning committee such as N.Y. Nathiri, the Executive Director of PEC. The series also contains newspaper clippings and brochures from PEC featuring the history of Eatonville and its connection to Zora Neale Hurston. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents "],"scopecontent_tesim":["The University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival.  ","Series I: Planning, 1988-2004, contains documents relating to the planning of the Zora Neale Hurston Festival and UCF professor Kristin Congdon's role as a member of the festival's planning committee and festival collaborator on behalf of UCF. Documents include reports, proposals, notes, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. Much of the correspondence was written by Kristin Congdon to other members of the planning committee such as N.Y. Nathiri, the Executive Director of PEC. The series also contains newspaper clippings and brochures from PEC featuring the history of Eatonville and its connection to Zora Neale Hurston. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d77ea98ffb9c538fd7c594cbfee27eac\" label=\"Abstract\"\u003eThe University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival. \n\nThe Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel \u003cemph render=\"italic\"\u003eTheir Eyes Were Watching God\u003c/emph\u003e. Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. \n\nThe Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF.\u003c/abstract\u003e"],"abstract_tesim":["The University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival. \n\nThe Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel  Their Eyes Were Watching God . Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. \n\nThe Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF."],"names_coll_ssim":["Academic Conference of the Zora Neale Hurston Festival of the Arts","Association to Preserve the Eatonville Community (Eatonville, Fla.)","Hurston, Zora Neale (1891-1960)","Congdon, Kristin G."],"names_ssim":["UCF University Archives","University of Central Florida. College of Arts and Humanities","Academic Conference of the Zora Neale Hurston Festival of the Arts","Association to Preserve the Eatonville Community (Eatonville, Fla.)","Hurston, Zora Neale (1891-1960)","Congdon, Kristin G."],"corpname_ssim":["UCF University Archives","University of Central Florida. 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Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel  Their Eyes Were Watching God . Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. ","The Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF. ","Processed by Mary Rubin in 2019. Finding aid prepared by Asmara Cortes-Caba in 2024.","Further information about the Zora Neale Hurston Festival of the Arts may be found in the   Collected Materials on the Zora Neale Hurston Festival.","The University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival.  ","Series I: Planning, 1988-2004, contains documents relating to the planning of the Zora Neale Hurston Festival and UCF professor Kristin Congdon's role as a member of the festival's planning committee and festival collaborator on behalf of UCF. Documents include reports, proposals, notes, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. Much of the correspondence was written by Kristin Congdon to other members of the planning committee such as N.Y. Nathiri, the Executive Director of PEC. The series also contains newspaper clippings and brochures from PEC featuring the history of Eatonville and its connection to Zora Neale Hurston. ","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. 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Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel  Their Eyes Were Watching God . Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. \n\nThe Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF.","UCF University Archives","University of Central Florida. College of Arts and Humanities","Academic Conference of the Zora Neale Hurston Festival of the Arts","Association to Preserve the Eatonville Community (Eatonville, Fla.)","Hurston, Zora Neale (1891-1960)","Congdon, Kristin G.","English"],"unitid_tesim":["UA28G","/repositories/2/resources/303"],"normalized_date_ssm":["1988-2004"],"normalized_title_ssm":["University of Central Florida ZORA! Academic Conference records, 1988-2004"],"collection_title_tesim":["University of Central Florida ZORA! 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Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel \u003cemph render=\"italic\"\u003eTheir Eyes Were Watching God\u003c/emph\u003e. Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. 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Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel  Their Eyes Were Watching God . Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. ","The Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], University of Central Florida ZORA! Academic Conference records, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], University of Central Florida ZORA! Academic Conference records, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Mary Rubin in 2019. Finding aid prepared by Asmara Cortes-Caba in 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Mary Rubin in 2019. Finding aid prepared by Asmara Cortes-Caba in 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eFurther information about the Zora Neale Hurston Festival of the Arts may be found in the \u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/44\"\u003e Collected Materials on the Zora Neale Hurston Festival.\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials "],"relatedmaterial_tesim":["Further information about the Zora Neale Hurston Festival of the Arts may be found in the   Collected Materials on the Zora Neale Hurston Festival."],"scopecontent_html_tesm":["\u003cp\u003eThe University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival.  \u003c/p\u003e\n","\u003cp\u003eSeries I: Planning, 1988-2004, contains documents relating to the planning of the Zora Neale Hurston Festival and UCF professor Kristin Congdon's role as a member of the festival's planning committee and festival collaborator on behalf of UCF. Documents include reports, proposals, notes, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. Much of the correspondence was written by Kristin Congdon to other members of the planning committee such as N.Y. Nathiri, the Executive Director of PEC. The series also contains newspaper clippings and brochures from PEC featuring the history of Eatonville and its connection to Zora Neale Hurston. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents "],"scopecontent_tesim":["The University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival.  ","Series I: Planning, 1988-2004, contains documents relating to the planning of the Zora Neale Hurston Festival and UCF professor Kristin Congdon's role as a member of the festival's planning committee and festival collaborator on behalf of UCF. Documents include reports, proposals, notes, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. Much of the correspondence was written by Kristin Congdon to other members of the planning committee such as N.Y. Nathiri, the Executive Director of PEC. The series also contains newspaper clippings and brochures from PEC featuring the history of Eatonville and its connection to Zora Neale Hurston. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d77ea98ffb9c538fd7c594cbfee27eac\" label=\"Abstract\"\u003eThe University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival. \n\nThe Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel \u003cemph render=\"italic\"\u003eTheir Eyes Were Watching God\u003c/emph\u003e. Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. \n\nThe Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF.\u003c/abstract\u003e"],"abstract_tesim":["The University of Central Florida ZORA! Academic Conference records, 1988-2004, pertain to the planning of the Academic Conference of the Zora Neale Hurston Festival of the Arts, sponsored by the University of Central Florida's College of Arts and Humanities. The collection documents UCF's collaboration with the Association to Preserve the Eatonville Community (PEC) in planning humanities programming for the Zora Neale Hurston Festival. It chiefly consists of reports, proposals, notes, newspaper clippings, brochures, memos, letters, emails, meeting agendas, programs, calls for papers, and abstracts. This collection provides insight into the various themes of the Zora Festival from 1991 to 2004 and the academics who presented and participated in these festivals.  It also highlights the accomplishments of PEC in preserving the history of Eatonville and Zora Neale Hurston through the festival. \n\nThe Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel  Their Eyes Were Watching God . Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, museum exhibitions, theatrical productions, arts education programming, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. \n\nThe Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. Since 1990, the University of Central Florida (UCF) has frequently collaborated with PEC to plan and host the Academic Conference of the Zora Neale Hurston Festival of the Arts.  Kristin Congdon, a UCF professor, was heavily involved in planning for the festival and the festival's academic conference. As of 2023, the festival continues to operate and maintains its partnership with UCF."],"names_coll_ssim":["Academic Conference of the Zora Neale Hurston Festival of the Arts","Association to Preserve the Eatonville Community (Eatonville, Fla.)","Hurston, Zora Neale (1891-1960)","Congdon, Kristin G."],"names_ssim":["UCF University Archives","University of Central Florida. College of Arts and Humanities","Academic Conference of the Zora Neale Hurston Festival of the Arts","Association to Preserve the Eatonville Community (Eatonville, Fla.)","Hurston, Zora Neale (1891-1960)","Congdon, Kristin G."],"corpname_ssim":["UCF University Archives","University of Central Florida. 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Please inquire with the College Archivist if you have questions 863-616-6487"],"date_range_isim":[1991],"containers_ssim":["box 68","folder 7"],"_nest_path_":"/components#2/components#2/components#77","_nest_parent_":"71b8a757b0f138dee122db24_aspace_26486330ff9ecf468e771376c218301a","_root_":"71b8a757b0f138dee122db24","_version_":1877102187519148032,"timestamp":"2026-09-23T06:15:45.471Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"71b8a757b0f138dee122db24","title_ssm":["Florida Bandmasters Association Records"],"title_tesim":["Florida Bandmasters Association Records"],"ead_ssi":"71b8a757b0f138dee122db24","unitdate_ssm":["1936-2010"],"unitdate_inclusive_ssm":["1936-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS1000","/repositories/2/resources/26"],"text":["MS1000","/repositories/2/resources/26","Florida Bandmasters Association Records, 1936-2010","Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.","The Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2","This collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.","The records have been arranged in eight series, six of which have been further arranged in subseries.","Series 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.","Series 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026 Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries – Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.","Series 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.","Series 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.","Series 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.","Series 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors.","Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487","The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association","English"],"unitid_tesim":["MS1000","/repositories/2/resources/26"],"normalized_date_ssm":["1936-2010"],"normalized_title_ssm":["Florida Bandmasters Association Records, 1936-2010"],"collection_title_tesim":["Florida Bandmasters Association Records, 1936-2010"],"collection_ssim":["Florida Bandmasters Association Records, 1936-2010"],"repository_ssm":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"creator_ssm":["Florida Bandmaster Association"],"creator_ssim":["Florida Bandmaster Association"],"creator_corpname_ssim":["Florida Bandmaster Association"],"creators_ssim":["Florida Bandmaster Association"],"access_terms_ssm":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"acqinfo_ssim":["Beginning in 1967, John J. Heney took on the role of FBA archivist and began to assemble what records he could collect from former FBA presidents, executive director Robert Lampi, and individual bandmasters. Heney made arrangements with the University of Florida to store the records, which he delivered in several installments through 1978. In 1988, because of a connection between an FBA member and Florida Southern College, the collection was returned to the FBA and moved to FSC."],"access_subjects_ssim":["Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs"],"access_subjects_ssm":["Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["60.5 Linear Feet"],"extent_tesim":["60.5 Linear Feet"],"genreform_ssim":["Correspondence","Photographs"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials."],"bioghist_html_tesm":["\u003cp\u003eThe Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2"],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.\u003c/p\u003e\n","\u003cp\u003eThe records have been arranged in eight series, six of which have been further arranged in subseries.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026amp; Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries \u0026#x2013; Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.\u003c/p\u003e\n","\u003cp\u003eSeries 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.\u003c/p\u003e\n","\u003cp\u003eSeries 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.\u003c/p\u003e\n","\u003cp\u003eSeries 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.","The records have been arranged in eight series, six of which have been further arranged in subseries.","Series 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.","Series 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026 Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries – Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.","Series 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.","Series 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.","Series 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.","Series 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"names_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association"],"corpname_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2839,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877102187519148032,"_root_":"71b8a757b0f138dee122db24","timestamp":"2026-09-23T06:15:45.471Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/71b8a757b0f138dee122db24_aspace_ec9bf09826549314faafa95934d45e49"}},{"id":"27369c77877e52a2084a08b3_aspace_b630f9a7ead73332d64ede20dd76690d","type":"Item","attributes":{"title":"Summer Festival Theatre: Summer '87; ; Benefit Concert;, bulk 1987-1991","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/27369c77877e52a2084a08b3_aspace_b630f9a7ead73332d64ede20dd76690d#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eBrochure with order form the plays performed during Summer 1987 at the University Theatre, \"Appointment with Death\" by Agatha Christie performed June 19-July 12, 1987, \"Picnic\" by William Inge performed June 26- July 5, 1987, \"Agnes of God\" by John Pielmeier performed June 24-July 9, 1987, Qty: 3; Program for the three (3) summer plays: \"Appointment with Death\" by Agatha Christie, directed by Jean-Louis Baldet performed at the University Theatre on June 19-July 12, 1987; \"Picnic\" by William Inge, directed Joe Conaway performed at the University Theatre on June 26-July 10, 1987, \"Agnes of God\" by John Pielmeier, directed by Francine Thomas performed at the University Theatre on June 24-July 9, 1987; Program for the benefit concert for the Raddock Family Eminent Scholar Chair for the Study of the Holocaust, performed by the Hawthorne Quartet preformed December 17, 1991 at the University Theatre, Boca Raton, Florida\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/27369c77877e52a2084a08b3_aspace_b630f9a7ead73332d64ede20dd76690d#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_b630f9a7ead73332d64ede20dd76690d","ref_ssm":["aspace_b630f9a7ead73332d64ede20dd76690d","aspace_b630f9a7ead73332d64ede20dd76690d"],"id":"27369c77877e52a2084a08b3_aspace_b630f9a7ead73332d64ede20dd76690d","title_filing_ssi":"Summer Festival Theatre: Summer '87; ; Benefit Concert;","title_ssm":["Summer Festival Theatre: Summer '87; ; Benefit Concert;"],"title_tesim":["Summer Festival Theatre: Summer '87; ; Benefit Concert;"],"unitdate_bulk_ssim":["1987-1991"],"normalized_date_ssm":["bulk 1987-1991"],"normalized_title_ssm":["Summer Festival Theatre: Summer '87; ; Benefit Concert;, bulk 1987-1991"],"text":["Summer Festival Theatre: Summer '87; ; Benefit Concert;, bulk 1987-1991","FAU Student Pamphlets, bulk 1962-2010","Office of the Provost","/repositories/2/archival_objects/71358","box 3","folder 21","Brochure with order form the plays performed during Summer 1987 at the University Theatre, \"Appointment with Death\" by Agatha Christie performed June 19-July 12, 1987, \"Picnic\" by William Inge performed June 26- July 5, 1987, \"Agnes of God\" by John Pielmeier performed June 24-July 9, 1987, Qty: 3; Program for the three (3) summer plays: \"Appointment with Death\" by Agatha Christie, directed by Jean-Louis Baldet performed at the University Theatre on June 19-July 12, 1987; \"Picnic\" by William Inge, directed Joe Conaway performed at the University Theatre on June 26-July 10, 1987, \"Agnes of God\" by John Pielmeier, directed by Francine Thomas performed at the University Theatre on June 24-July 9, 1987; Program for the benefit concert for the Raddock Family Eminent Scholar Chair for the Study of the Holocaust, performed by the Hawthorne Quartet preformed December 17, 1991 at the University Theatre, Boca Raton, Florida"],"component_level_isim":[2],"parent_ids_ssim":["27369c77877e52a2084a08b3","27369c77877e52a2084a08b3_aspace_47b0d4d01dc41d6530a45d5c59dfe9a9"],"parent_unittitles_ssm":["FAU Student Pamphlets, bulk 1962-2010","Office of the Provost"],"parent_unittitles_tesim":["FAU Student Pamphlets, bulk 1962-2010","Office of the Provost"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/71358"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["FAU Student Pamphlets, bulk 1962-2010"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":81,"parent_access_restrict_tesm":["The collection is open for research. If publishing photographs, the researcher must fill out the University Archives Permission to Publish form. In addition, it is the researcher's responsibility to obtain permission from the copyright holder to publish a photograph that is copyrighted. Florida Atlantic University Archives requests that it be credited as being the repository of the photograph."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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