{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1991\u0026page=319\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1991\u0026page=318\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1991\u0026page=320\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1991\u0026page=600\u0026view=compact"},"meta":{"pages":{"current_page":319,"next_page":320,"prev_page":318,"total_pages":600,"limit_value":10,"offset_value":3180,"total_count":5994,"first_page?":false,"last_page?":false}},"data":[{"id":"efd46fa5141b8bb7e0709eb9_aspace_f258152303698340d9e851d351d1ef81","type":"File","attributes":{"title":"Manuscript, 1991","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/efd46fa5141b8bb7e0709eb9_aspace_f258152303698340d9e851d351d1ef81#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_f258152303698340d9e851d351d1ef81","ref_ssm":["aspace_f258152303698340d9e851d351d1ef81","aspace_f258152303698340d9e851d351d1ef81"],"id":"efd46fa5141b8bb7e0709eb9_aspace_f258152303698340d9e851d351d1ef81","title_filing_ssi":"Manuscript","title_ssm":["Manuscript"],"title_tesim":["Manuscript"],"unitdate_other_ssim":["1991"],"normalized_date_ssm":["1991"],"normalized_title_ssm":["Manuscript, 1991"],"text":["Manuscript, 1991","Connie May Fowler Collection, 1990-1998","Manuscripts, 1990-1997","Sugar Cage, 1991","/repositories/3/archival_objects/4463","Box 5","folder 39"],"component_level_isim":[3],"parent_ids_ssim":["efd46fa5141b8bb7e0709eb9","efd46fa5141b8bb7e0709eb9_aspace_0b8875ec686c127b8e800412788364a2","efd46fa5141b8bb7e0709eb9_aspace_4fd3db0df63f68b34c483719ae8bd7a7"],"parent_unittitles_ssm":["Connie May Fowler Collection, 1990-1998","Manuscripts, 1990-1997","Sugar Cage, 1991"],"parent_unittitles_tesim":["Connie May Fowler Collection, 1990-1998","Manuscripts, 1990-1997","Sugar Cage, 1991"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/3/archival_objects/4463"],"repository_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"collection_ssim":["Connie May Fowler Collection, 1990-1998"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":47,"parent_access_restrict_tesm":["The Connie May Fowler collection is open for research."],"date_range_isim":[1991],"containers_ssim":["Box 5","folder 39"],"_nest_path_":"/components#0/components#6/components#4","_nest_parent_":"efd46fa5141b8bb7e0709eb9_aspace_4fd3db0df63f68b34c483719ae8bd7a7","_root_":"efd46fa5141b8bb7e0709eb9","_version_":1870839700249378816,"timestamp":"2026-07-16T03:16:12.239Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"efd46fa5141b8bb7e0709eb9","title_filing_ssi":"Fowler, Connie May Collection","title_ssm":["Connie May Fowler Collection"],"title_tesim":["Connie May Fowler Collection"],"ead_ssi":"efd46fa5141b8bb7e0709eb9","unitdate_ssm":["1990-1998"],"unitdate_inclusive_ssm":["1990-1998"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["BIENES.1997.4","/repositories/3/resources/180"],"text":["BIENES.1997.4","/repositories/3/resources/180","Connie May Fowler Collection, 1990-1998","Southern States","American fiction","Domestic fiction, American","Historical fiction, American","African American women -- Fiction","American literature","American literature -- Southern States","African Americans -- Fiction","African American women in literature","Interracial friendship in literature","Race relations in literature","Haitian Americans","Manuscripts","The Connie May Fowler collection is open for research.","View a selection of digitized materials from the Connie May Fowler Collection in the Broward County Library Digital Archives.","The collection is arranged into five series: Series I: Manuscripts, Series II: Newspaper articles, Interviews, Speeches, Series III: Writing by others, Series IV: Correspondence, and Series V: Audiovisual materials.","Connie May Fowler (C. M. Fowler) was born in North Carolina on January 3, 1960 and lived in Florida, Vermont and Mexico. She is an American novelist, essayist, memoirist, screenwriter, poet, and teacher. She earned her Bachelor of Arts degree at Tampa University, a Master of Arts degree in the University of Kansas, and became a core faculty member at Vermont College of Fine Arts (VCFA).C. M. Fowler is the author of 8 books: How Clarissa Burden Learned How to Fly; Sugar Cage; River of Hidden Dreams; The problem with Murmur Lee; Remembering Blue; Before Women Had Wings; A Million Fragile Bones; and, When Katie Wakes. Her work has been translated in 18 languages and is published worldwide. Fowler explores in her novels Southern themes such as interracial connections and relationships between black and white women with a Floridian background. Fowler's inspiration in her novels is based on her family life and experience lived in Central Florida. ","She is the recipient of the Chatauqua South Library Award, the 1996 Southern Book Critics Circle Award, and the Francis Buck Award from the League of American Pen Women. Three of her novels have been Dublin International Literary Award nominees. She also directs the the Vermont College of Fine Arts Novel retreat held each May in Montpellier, Vermont. For ten years, she directed various writing conferences in Florida, including the St-Augustine Writers Conference. From 1997-2003 she directed the Connie May Fowler Women Wings Foundation, an organization that served at risk women and children. From 2003–2007, she was the Irving Bacheller Professor of Creative Writing at Rollins College and directed their author series \"Winter With the Writers.\"","The Connie May Fowler Collection documents the career of Florida novelist Connie May Fowler from 1990 to 1998. The collection is comprised of manuscripts, prepress proofs, galleys, newspapers articles, correspondence, interviews, speeches, a VHS cassette, and a teleplay script. The materials highlight some of Fowler's work such as \"Sugar Cage\", \"Ave Erzulie\", \"Before Women had Wings\", \"Sparrow Hunter\", \"River of Hidden Dreams\", \"Onedia Looney\", and \"Listening For Light\". The collection also contains a manuscript of \"Charms For Easy Life\" by the author Kaye Gibbons.","The collection is comprised of manuscripts, prepress proofs, galleys, newspapers articles, correspondence, interviews, speeches, and scripts documenting the career of Connie May Fowler, an American novelist, essayist, memoirist, screenwriter, poet, and teacher","Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library","English"],"unitid_tesim":["BIENES.1997.4","/repositories/3/resources/180"],"normalized_date_ssm":["1990-1998"],"normalized_title_ssm":["Connie May Fowler Collection, 1990-1998"],"collection_title_tesim":["Connie May Fowler Collection, 1990-1998"],"collection_ssim":["Connie May Fowler Collection, 1990-1998"],"repository_ssm":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"repository_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"geogname_ssm":["Southern States"],"geogname_ssim":["Southern States"],"places_ssim":["Southern States"],"acqinfo_ssim":["Connie May Fowler donated the collection to the Bienes Museum of the Modern Book on February 11, 1997. She donated an accrual on July 31, 1997."],"access_subjects_ssim":["American fiction","Domestic fiction, American","Historical fiction, American","African American women -- Fiction","American literature","American literature -- Southern States","African Americans -- Fiction","African American women in literature","Interracial friendship in literature","Race relations in literature","Haitian Americans","Manuscripts"],"access_subjects_ssm":["American fiction","Domestic fiction, American","Historical fiction, American","African American women -- Fiction","American literature","American literature -- Southern States","African Americans -- Fiction","African American women in literature","Interracial friendship in literature","Race relations in literature","Haitian Americans","Manuscripts"],"has_online_content_ssim":["false"],"extent_ssm":["7 Hollinger Boxes","4.08 Linear Feet (7 containers)"],"extent_tesim":["7 Hollinger Boxes","4.08 Linear Feet (7 containers)"],"genreform_ssim":["Manuscripts"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998],"accessrestrict_html_tesm":["\u003cp\u003eThe Connie May Fowler collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Connie May Fowler collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll36\" target=\"_blank\"\u003eView a selection of digitized materials from the Connie May Fowler Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Connie May Fowler Collection in the Broward County Library Digital Archives."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series: Series I: Manuscripts, Series II: Newspaper articles, Interviews, Speeches, Series III: Writing by others, Series IV: Correspondence, and Series V: Audiovisual materials.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series: Series I: Manuscripts, Series II: Newspaper articles, Interviews, Speeches, Series III: Writing by others, Series IV: Correspondence, and Series V: Audiovisual materials."],"bioghist_html_tesm":["\u003cp\u003eConnie May Fowler (C. M. Fowler) was born in North Carolina on January 3, 1960 and lived in Florida, Vermont and Mexico. She is an American novelist, essayist, memoirist, screenwriter, poet, and teacher. She earned her Bachelor of Arts degree at Tampa University, a Master of Arts degree in the University of Kansas, and became a core faculty member at Vermont College of Fine Arts (VCFA).C. M. Fowler is the author of 8 books: How Clarissa Burden Learned How to Fly; Sugar Cage; River of Hidden Dreams; The problem with Murmur Lee; Remembering Blue; Before Women Had Wings; A Million Fragile Bones; and, When Katie Wakes. Her work has been translated in 18 languages and is published worldwide. Fowler explores in her novels Southern themes such as interracial connections and relationships between black and white women with a Floridian background. 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Fowler explores in her novels Southern themes such as interracial connections and relationships between black and white women with a Floridian background. Fowler's inspiration in her novels is based on her family life and experience lived in Central Florida. ","She is the recipient of the Chatauqua South Library Award, the 1996 Southern Book Critics Circle Award, and the Francis Buck Award from the League of American Pen Women. Three of her novels have been Dublin International Literary Award nominees. She also directs the the Vermont College of Fine Arts Novel retreat held each May in Montpellier, Vermont. For ten years, she directed various writing conferences in Florida, including the St-Augustine Writers Conference. From 1997-2003 she directed the Connie May Fowler Women Wings Foundation, an organization that served at risk women and children. From 2003–2007, she was the Irving Bacheller Professor of Creative Writing at Rollins College and directed their author series \"Winter With the Writers.\""],"prefercite_html_tesm":["\u003cp\u003eConnie May Fowler Collection, The Bienes Museum of Modern Book, Broward County Library\u003c/p\u003e"],"prefercite_tesim":["Connie May Fowler Collection, The Bienes Museum of Modern Book, Broward County Library"],"scopecontent_html_tesm":["\u003cp\u003eThe Connie May Fowler Collection documents the career of Florida novelist Connie May Fowler from 1990 to 1998. The collection is comprised of manuscripts, prepress proofs, galleys, newspapers articles, correspondence, interviews, speeches, a VHS cassette, and a teleplay script. The materials highlight some of Fowler's work such as \"Sugar Cage\", \"Ave Erzulie\", \"Before Women had Wings\", \"Sparrow Hunter\", \"River of Hidden Dreams\", \"Onedia Looney\", and \"Listening For Light\". The collection also contains a manuscript of \"Charms For Easy Life\" by the author Kaye Gibbons.\u003c/p\u003e","\u003cp\u003eThe collection is comprised of manuscripts, prepress proofs, galleys, newspapers articles, correspondence, interviews, speeches, and scripts documenting the career of Connie May Fowler, an American novelist, essayist, memoirist, screenwriter, poet, and teacher\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Abstract"],"scopecontent_tesim":["The Connie May Fowler Collection documents the career of Florida novelist Connie May Fowler from 1990 to 1998. The collection is comprised of manuscripts, prepress proofs, galleys, newspapers articles, correspondence, interviews, speeches, a VHS cassette, and a teleplay script. The materials highlight some of Fowler's work such as \"Sugar Cage\", \"Ave Erzulie\", \"Before Women had Wings\", \"Sparrow Hunter\", \"River of Hidden Dreams\", \"Onedia Looney\", and \"Listening For Light\". The collection also contains a manuscript of \"Charms For Easy Life\" by the author Kaye Gibbons.","The collection is comprised of manuscripts, prepress proofs, galleys, newspapers articles, correspondence, interviews, speeches, and scripts documenting the career of Connie May Fowler, an American novelist, essayist, memoirist, screenwriter, poet, and teacher"],"names_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"corpname_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":130,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870839700249378816,"_root_":"efd46fa5141b8bb7e0709eb9","timestamp":"2026-07-16T03:16:12.239Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/efd46fa5141b8bb7e0709eb9_aspace_f258152303698340d9e851d351d1ef81"}},{"id":"9e802b8377973d098ec4d4ec_aspace_9132d8ea1da7d74af11fbbacd294ae77","type":"File","attributes":{"title":"Manuscript and Biographical Information, 1945-2002","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/9e802b8377973d098ec4d4ec_aspace_9132d8ea1da7d74af11fbbacd294ae77#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis folder includes a lost letter, biographical information beginning from Helen B. Strzelczyk's enrollment into the WAAC on February 9, 1943, memoirs pertaining to her time in New Guinea and Quezon and a copy of correspondence to the Institute on WWII and the Human Experience.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/9e802b8377973d098ec4d4ec_aspace_9132d8ea1da7d74af11fbbacd294ae77#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9132d8ea1da7d74af11fbbacd294ae77","ref_ssm":["aspace_9132d8ea1da7d74af11fbbacd294ae77","aspace_9132d8ea1da7d74af11fbbacd294ae77"],"id":"9e802b8377973d098ec4d4ec_aspace_9132d8ea1da7d74af11fbbacd294ae77","title_filing_ssi":"Manuscript and Biographical Information","title_ssm":["Manuscript and Biographical Information"],"title_tesim":["Manuscript and Biographical Information"],"unitdate_inclusive_ssm":["1945-2002"],"normalized_date_ssm":["1945-2002"],"normalized_title_ssm":["Manuscript and Biographical Information, 1945-2002"],"text":["Manuscript and Biographical Information, 1945-2002","Helen B. Strzelczyk papers, June 1943-November 1945, Date accessioned: 2020-01-13","002","/repositories/10/archival_objects/184665","02.0065 - Box 1","folder 002","This folder includes a lost letter, biographical information beginning from Helen B. Strzelczyk's enrollment into the WAAC on February 9, 1943, memoirs pertaining to her time in New Guinea and Quezon and a copy of correspondence to the Institute on WWII and the Human Experience."],"component_level_isim":[1],"parent_ids_ssim":["9e802b8377973d098ec4d4ec"],"parent_unittitles_ssm":["Helen B. Strzelczyk papers, June 1943-November 1945, Date accessioned: 2020-01-13"],"parent_unittitles_tesim":["Helen B. Strzelczyk papers, June 1943-November 1945, Date accessioned: 2020-01-13"],"parent_levels_ssm":["collection"],"unitid_ssm":["002","/repositories/10/archival_objects/184665"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Helen B. 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Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"containers_ssim":["02.0065 - Box 1","folder 002"],"scopecontent_html_tesm":["\u003cp\u003eThis folder includes a lost letter, biographical information beginning from Helen B. Strzelczyk's enrollment into the WAAC on February 9, 1943, memoirs pertaining to her time in New Guinea and Quezon and a copy of correspondence to the Institute on WWII and the Human Experience.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This folder includes a lost letter, biographical information beginning from Helen B. Strzelczyk's enrollment into the WAAC on February 9, 1943, memoirs pertaining to her time in New Guinea and Quezon and a copy of correspondence to the Institute on WWII and the Human Experience."],"_nest_path_":"/components#1","_nest_parent_":"9e802b8377973d098ec4d4ec","_root_":"9e802b8377973d098ec4d4ec","timestamp":"2026-04-21T06:01:06.265Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"9e802b8377973d098ec4d4ec","title_filing_ssi":"Strzelczyk, Helen B. papers","title_ssm":["Helen B. Strzelczyk papers"],"title_tesim":["Helen B. Strzelczyk papers"],"ead_ssi":"9e802b8377973d098ec4d4ec","unitdate_ssm":["June 1943-November 1945","Date accessioned: 2020-01-13"],"unitdate_inclusive_ssm":["June 1943-November 1945"],"unitdate_other_ssim":["Date accessioned: 2020-01-13"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02.0065","/repositories/10/resources/1588"],"text":["02.0065","/repositories/10/resources/1588","Helen B. Strzelczyk papers, June 1943-November 1945, Date accessioned: 2020-01-13","Admiralty Islands (Papua New Guinea)","World War, 1939-1945","Air bases","Air bases, American","WWII -- (1939-1945)","World War, 1939-1945--Women--United States","World War, 1939-1945--Women","World War, 1939-1945--United States","World War, 1939-1945--United States","World War, 1939-1945--Philippines","World War, 1939-1945--Pacific Area","World War, 1939-1945--Campaigns--New Guinea","World War, 1939-1945--Campaigns--Pacific Area","World War, 1939-1945--Campaigns--Pacific Ocean","World War, 1939-1945--Campaigns--Philippines","World War, 1939-1945 -- United States","Women--United States","This collection is open to all researchers.","Helen B. Strzelczyk served with the United States Women's Army Corps during World War II in the Pacific Theater between June 1943 and November 1945. She was stationed in Oro Bay, New Guinea from September 1944-April 7, 1945. She worked for the Signal Branch Supply Division USASOS General Depot, otherwise referred to as \"The Pentagon,\" in Procurement. She was in chage of the Requisition Typing subsection. She was then transferred to the Philippines. After arriving in Manila on April 25, 1945, she was stationed in Quezon City. Additional items and information on Strzelcyzk can be found at the Pritzer Military Museum and Library: (http://www.pritzkermilitary.org/files/6015/2149/0009/Strzelczyk_Finding_Aid_Feb_2018.pdf).","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","This collection relates to Technician 3 Helen B. Strzelczyk who served with the United States Women's Army Corps during World War II in the Pacific Theater between June 1943 and November 1945. This collection includes a photocopy of a scrapbook, diaries and notebooks during Helen B. Strzelczyk's time in basic training and in serving in the WAAC, as well as several souvenirs during her time of service. Souvenirs include photographs taken in Old Bay, New Guinea and Manila, Philippines; Japanese issued Manila currency, newspapers, pamphlets and postcards. This collection also includes letters to Helen B. Strzelczyk from friends, co-workers, and other military members. Additional identification information and government issued documents are included in this collection.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Strzelczyk, Helen B., 1921-","English"],"unitid_tesim":["02.0065","/repositories/10/resources/1588"],"normalized_date_ssm":["June 1943-November 1945, Date accessioned: 2020-01-13"],"normalized_title_ssm":["Helen B. Strzelczyk papers, June 1943-November 1945, Date accessioned: 2020-01-13"],"collection_title_tesim":["Helen B. Strzelczyk papers, June 1943-November 1945, Date accessioned: 2020-01-13"],"collection_ssim":["Helen B. 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Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["This collection was donated by David Gregory to the Institute on World War II and the Human Experience. The collection was acquired in 2002."],"access_subjects_ssim":["World War, 1939-1945","Air bases","Air bases, American","WWII -- (1939-1945)","World War, 1939-1945--Women--United States","World War, 1939-1945--Women","World War, 1939-1945--United States","World War, 1939-1945--United States","World War, 1939-1945--Philippines","World War, 1939-1945--Pacific Area","World War, 1939-1945--Campaigns--New Guinea","World War, 1939-1945--Campaigns--Pacific Area","World War, 1939-1945--Campaigns--Pacific Ocean","World War, 1939-1945--Campaigns--Philippines","World War, 1939-1945 -- United States","Women--United States"],"access_subjects_ssm":["World War, 1939-1945","Air bases","Air bases, American","WWII -- (1939-1945)","World War, 1939-1945--Women--United States","World War, 1939-1945--Women","World War, 1939-1945--United States","World War, 1939-1945--United States","World War, 1939-1945--Philippines","World War, 1939-1945--Pacific Area","World War, 1939-1945--Campaigns--New Guinea","World War, 1939-1945--Campaigns--Pacific Area","World War, 1939-1945--Campaigns--Pacific Ocean","World War, 1939-1945--Campaigns--Philippines","World War, 1939-1945 -- United States","Women--United States"],"has_online_content_ssim":["false"],"extent_ssm":["3.75 Linear Feet 2 full boxes, 1 OS box","1 folders One oversize folder contained in oversize photograph box 5."],"extent_tesim":["3.75 Linear Feet 2 full boxes, 1 OS box","1 folders One oversize folder contained in oversize photograph box 5."],"date_range_isim":[1943,1944,1945],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_html_tesm":["\u003cp\u003eHelen B. Strzelczyk served with the United States Women's Army Corps during World War II in the Pacific Theater between June 1943 and November 1945. She was stationed in Oro Bay, New Guinea from September 1944-April 7, 1945. She worked for the Signal Branch Supply Division USASOS General Depot, otherwise referred to as \"The Pentagon,\" in Procurement. She was in chage of the Requisition Typing subsection. She was then transferred to the Philippines. After arriving in Manila on April 25, 1945, she was stationed in Quezon City. Additional items and information on Strzelcyzk can be found at the Pritzer Military Museum and Library: (http://www.pritzkermilitary.org/files/6015/2149/0009/Strzelczyk_Finding_Aid_Feb_2018.pdf).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Helen B. Strzelczyk served with the United States Women's Army Corps during World War II in the Pacific Theater between June 1943 and November 1945. She was stationed in Oro Bay, New Guinea from September 1944-April 7, 1945. She worked for the Signal Branch Supply Division USASOS General Depot, otherwise referred to as \"The Pentagon,\" in Procurement. She was in chage of the Requisition Typing subsection. She was then transferred to the Philippines. After arriving in Manila on April 25, 1945, she was stationed in Quezon City. Additional items and information on Strzelcyzk can be found at the Pritzer Military Museum and Library: (http://www.pritzkermilitary.org/files/6015/2149/0009/Strzelczyk_Finding_Aid_Feb_2018.pdf)."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Helen B. Strzelczyk papers, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-02-1965\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Helen B. Strzelczyk papers, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-02-1965"],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to Technician 3 Helen B. Strzelczyk who served with the United States Women's Army Corps during World War II in the Pacific Theater between June 1943 and November 1945. This collection includes a photocopy of a scrapbook, diaries and notebooks during Helen B. Strzelczyk's time in basic training and in serving in the WAAC, as well as several souvenirs during her time of service. Souvenirs include photographs taken in Old Bay, New Guinea and Manila, Philippines; Japanese issued Manila currency, newspapers, pamphlets and postcards. This collection also includes letters to Helen B. Strzelczyk from friends, co-workers, and other military members. Additional identification information and government issued documents are included in this collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection relates to Technician 3 Helen B. Strzelczyk who served with the United States Women's Army Corps during World War II in the Pacific Theater between June 1943 and November 1945. This collection includes a photocopy of a scrapbook, diaries and notebooks during Helen B. Strzelczyk's time in basic training and in serving in the WAAC, as well as several souvenirs during her time of service. Souvenirs include photographs taken in Old Bay, New Guinea and Manila, Philippines; Japanese issued Manila currency, newspapers, pamphlets and postcards. This collection also includes letters to Helen B. Strzelczyk from friends, co-workers, and other military members. Additional identification information and government issued documents are included in this collection."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives","Strzelczyk, Helen B., 1921-"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"persname_ssim":["Strzelczyk, Helen B., 1921-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":31,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"9e802b8377973d098ec4d4ec","timestamp":"2026-04-21T06:01:06.265Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9e802b8377973d098ec4d4ec_aspace_9132d8ea1da7d74af11fbbacd294ae77"}},{"id":"725898a1a41349eb30ec365d_aspace_c169fb1b4abcdaaa416e683d4329daa8","type":"Series","attributes":{"title":"Manuscripts, 1915-2013, Undated","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_c169fb1b4abcdaaa416e683d4329daa8#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe series includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_c169fb1b4abcdaaa416e683d4329daa8#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_c169fb1b4abcdaaa416e683d4329daa8","ref_ssm":["aspace_c169fb1b4abcdaaa416e683d4329daa8","aspace_c169fb1b4abcdaaa416e683d4329daa8"],"id":"725898a1a41349eb30ec365d_aspace_c169fb1b4abcdaaa416e683d4329daa8","title_filing_ssi":"Manuscripts","title_ssm":["Manuscripts"],"title_tesim":["Manuscripts"],"unitdate_inclusive_ssm":["1915-2013, Undated"],"normalized_date_ssm":["1915-2013, Undated"],"normalized_title_ssm":["Manuscripts, 1915-2013, Undated"],"text":["Manuscripts, 1915-2013, Undated","José Guerra Alemán Collection, 1887-2013","1","/repositories/4/archival_objects/53875","The series includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works."],"component_level_isim":[1],"parent_ids_ssim":["725898a1a41349eb30ec365d"],"parent_unittitles_ssm":["José Guerra Alemán Collection, 1887-2013"],"parent_unittitles_tesim":["José Guerra Alemán Collection, 1887-2013"],"parent_levels_ssm":["collection"],"unitid_ssm":["1","/repositories/4/archival_objects/53875"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"scopecontent_html_tesm":["\u003cp\u003eThe series includes notes that Alem\u0026#xE1;n took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The series includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works."],"_nest_path_":"/components#0","_nest_parent_":"725898a1a41349eb30ec365d","_root_":"725898a1a41349eb30ec365d","_version_":1870857755411087360,"timestamp":"2026-07-16T08:03:10.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"725898a1a41349eb30ec365d","title_ssm":["José Guerra Alemán Collection"],"title_tesim":["José Guerra Alemán Collection"],"ead_ssi":"725898a1a41349eb30ec365d","unitdate_ssm":["1887-2013"],"unitdate_inclusive_ssm":["1887-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.098","/repositories/4/resources/204"],"text":["SC.098","/repositories/4/resources/204","José Guerra Alemán Collection, 1887-2013","Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs","Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints","The entire collection is open for research.","José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.","Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.","Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog.","This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"","Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.","The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.","UCF Special Collections","Guerra Alemán, José","English"],"unitid_tesim":["SC.098","/repositories/4/resources/204"],"normalized_date_ssm":["1887-2013"],"normalized_title_ssm":["José Guerra Alemán Collection, 1887-2013"],"collection_title_tesim":["José Guerra Alemán Collection, 1887-2013"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"geogname_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"creator_ssm":["Guerra Alemán, José"],"creator_ssim":["Guerra Alemán, José"],"creator_persname_ssim":["Guerra Alemán, José"],"creators_ssim":["Guerra Alemán, José"],"places_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"acqinfo_ssim":["The collection was donated by Carlos Guerra, José Guerra Alemán's son, to the University of Central Florida Libraries in 2014. (CFM2014_07)"],"access_subjects_ssim":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"access_subjects_ssm":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["17.5 Linear Feet 20 boxes, 1 Flat File"],"extent_tesim":["17.5 Linear Feet 20 boxes, 1 Flat File"],"genreform_ssim":["correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n was born to Jos\u0026#xE9; Guerra and Herminia Alem\u0026#xE1;n-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as Jos\u0026#xE9; Guerra Alem\u0026#xE1;n, his initials J.G.A. and his nickname Pep\u0026#xED;n. Many of his closest friends and family called him as Pep\u0026#xED;n. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.\u003c/p\u003e\n","\u003cp\u003eIn his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ej\u0026#xE9;rcito) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 Divisi\u0026#xF3;n de Infanter\u0026#xED;a) called Divisi\u0026#xF3;n Rel\u0026#xE1;mpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.\u003c/p\u003e\n","\u003cp\u003eOnce he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of \u0026#xC9;l Pa\u0026#xED;s, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.\u003c/p\u003e\n","\u003cp\u003eOne of those encounters, Jos\u0026#xE9; Guerra Alem\u0026#xE1;n climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with Jos\u0026#xE9; Garc\u0026#xED;a and Eduardo Hern\u0026#xE1;ndez (Guayo) in the same company. Jos\u0026#xE9; Guerra Alem\u0026#xE1;n directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.\u003c/p\u003e\n","\u003cp\u003eWith his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote A\u0026#xFA;n Hay Luna En Los Cerros, Ensayos (Las Mayor\u0026#xED;as Discriminadas): En Defensa de la Mujer, Barro y Cenizas (D\u0026#xED;alogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biograf\u0026#xED;a de su Abuelo el General Jos\u0026#xE9; Braulio Alem\u0026#xE1;n). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.\u003c/p\u003e\n","\u003cp\u003eUnderstanding where his family came from and knowing the other members of his family tree can provide a part of Jos\u0026#xE9; Guerra Alem\u0026#xE1;n's identity. Jose Guerra Alem\u0026#xE1;n's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named Jos\u0026#xE9; Braulio Guerra Alem\u0026#xE1;n fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, Jos\u0026#xE9; Manuel Alem\u0026#xE1;n, served in the Cuban government as Minister of Education during the presidency of Dr. Ram\u0026#xF3;n Grau San Martin, president of the Authentic Party (Partido Aut\u0026#xE9;ntico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.\u003c/p\u003e\n","\u003cp\u003eHe rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alem\u0026#xE1;n. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business."],"prefercite_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["José Guerra Alemán Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks collected by Jos\u0026#xE9; Guerra Alem\u0026#xE1;n can be found by performing a series search for \"Jos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection\" in the UCF Libraries catalog.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog."],"scopecontent_html_tesm":["\u003cp\u003eThis collection was arranged in seven series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alem\u0026#xE1;n took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alem\u0026#xE1;n used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. \u003c/p\u003e\n","\u003cp\u003e\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of Jos\u0026#xE9; G. Alem\u0026#xE1;n and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\""],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4d41ff341ce7470c0d40282c3f71dd8\"\u003eThe collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist Jos\u0026#xE9; Guerra Alem\u0026#xE1;n. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.\u003c/abstract\u003e"],"abstract_tesim":["The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita."],"names_ssim":["UCF Special Collections","Guerra Alemán, José"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Guerra Alemán, José"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":282,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857755411087360,"_root_":"725898a1a41349eb30ec365d","timestamp":"2026-07-16T08:03:10.972Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_c169fb1b4abcdaaa416e683d4329daa8"}},{"id":"327a719ef39dc0daf945bfe2_aspace_seriesI","type":"Series","attributes":{"title":"Manuscripts, 1989-1991, undated","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/327a719ef39dc0daf945bfe2_aspace_seriesI#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eContains 11 manuscripts and manuscript corrections. Manuscripts are of various books and chapters, ranging from manuscripts of the book “Forgotten Dawn” as well as “Into the Unknown.”\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/327a719ef39dc0daf945bfe2_aspace_seriesI#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_seriesI","ref_ssm":["aspace_seriesI","aspace_seriesI"],"id":"327a719ef39dc0daf945bfe2_aspace_seriesI","title_filing_ssi":"Manuscripts","title_ssm":["Manuscripts"],"title_tesim":["Manuscripts"],"unitdate_inclusive_ssm":["1989-1991"],"unitdate_other_ssim":["undated"],"normalized_date_ssm":["1989-1991, undated"],"normalized_title_ssm":["Manuscripts, 1989-1991, undated"],"text":["Manuscripts, 1989-1991, undated","Into the Unknown: The X-1 Story Research files, 1942-2013, bulk 1942-1955","1","/repositories/4/archival_objects/55058","Contains 11 manuscripts and manuscript corrections. Manuscripts are of various books and chapters, ranging from manuscripts of the book “Forgotten Dawn” as well as “Into the Unknown.”"],"component_level_isim":[1],"parent_ids_ssim":["327a719ef39dc0daf945bfe2"],"parent_unittitles_ssm":["Into the Unknown: The X-1 Story Research files, 1942-2013, bulk 1942-1955"],"parent_unittitles_tesim":["Into the Unknown: The X-1 Story Research files, 1942-2013, bulk 1942-1955"],"parent_levels_ssm":["collection"],"unitid_ssm":["1","/repositories/4/archival_objects/55058"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Into the Unknown: The X-1 Story Research files, 1942-2013, bulk 1942-1955"],"extent_ssm":["0.75 Linear Feet"],"extent_tesim":["0.75 Linear Feet"],"has_online_content_ssim":["false"],"child_component_count_isi":11,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1989,1990,1991],"scopecontent_html_tesm":["\u003cp\u003eContains 11 manuscripts and manuscript corrections. Manuscripts are of various books and chapters, ranging from manuscripts of the book \u0026#x93;Forgotten Dawn\u0026#x94; as well as \u0026#x93;Into the Unknown.\u0026#x94;\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Contains 11 manuscripts and manuscript corrections. Manuscripts are of various books and chapters, ranging from manuscripts of the book “Forgotten Dawn” as well as “Into the Unknown.”"],"_nest_path_":"/components#0","_nest_parent_":"327a719ef39dc0daf945bfe2","_root_":"327a719ef39dc0daf945bfe2","_version_":1878014774349922304,"timestamp":"2026-10-03T08:00:56.124Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"327a719ef39dc0daf945bfe2","title_ssm":["Into the Unknown: The X-1 Story Research files"],"title_tesim":["Into the Unknown: The X-1 Story Research files"],"ead_ssi":"327a719ef39dc0daf945bfe2","unitdate_ssm":["1942-2013","1942-1955"],"unitdate_bulk_ssim":["1942-1955"],"unitdate_inclusive_ssm":["1942-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC116","/repositories/4/resources/216"],"text":["SC116","/repositories/4/resources/216","Into the Unknown: The X-1 Story Research files, 1942-2013, bulk 1942-1955","High-speed aeronautics","Bell X-1 (Supersonic plane)","Supersonic planes","manuscripts (documents)","newspaper clippings","interviews","photographs","audiocassettes","VHS","The entire collection is open for research.","This collection is arranged by material type.","Louis C. Rotundo was born on October 28, 1949. He graduated from the University of Central Florida (UCF) in 1975 and then worked for United States Senator Lawton Childes as an aide. Rotundo served as a lobbyist for the State of Florida and was employed by UCF from 1980 to 1988 as Special Assistant to the Director of the Florida Solar Energy Center (FSEC) and Special Assistant to the President of UCF from 1984 to 1987. After departing from UCF in 1988, Rotundo worked as the Principal of Louis Rotundo and Associates, a Central Florida based company that specializes in lobbying and consulting.","Processed and finding aid prepared by Alexander S. Jerome. Finding aid revised for consistency by Chloe Lanham in 2026.","For more information on Special Collections \u0026 University Archives, please see our  website .","This collection contains the files that Louis Rotundo used for the research of his book,  Into the Unknown: The X-1 Story . The book \"describes the complete history of the world's first supersonic aircraft, the Bell X-1.\" Materials consist of manuscripts, reports, interview transcripts, news clippings, photographs, and multimedia. This collection provides insight into the history of the X-1 plane and the work of Louis Rotundo.","Series I: Manuscripts, 1989-1991, undated contains 11 manuscripts including  Forgotten Dawn  and  Into the Unknown . ","Series II: Research files, 1943-2013, undated contains 73 research files used by the author when writing Into the Unknown. Research files include reports, interview notes and transcripts, and news clippings.  ","Series III: Photographs, 1942-1995, undated contains 302 photographs, broken up into 8 subseries, including photographs of the Pinecastle Army Airfield tests and Muroc tests. Photographs also depict Bell company employees and aircrafts. ","Series IV: Multimedia files, 1946-2003, undated contains 27 multimedia, including VHS tapes, audio cassettes, floppy disks, and film. Media contains documentaries on the X-1 and other X-Planes, and interviews with individuals that worked on the X-1 project. ","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","This collection contains the files that Louis Rotundo used for the research of his book, Into the Unknown: The X-1 Story. The book \"describes the complete history of the world's first supersonic aircraft, the Bell X-1.\" Materials consist of manuscripts, reports, interview transcripts, news clippings, photographs, and multimedia. This collection provides insight into the history of the X-1 plane and the work of Louis Rotundo.\n\nLouis C. Rotundo was born on October 28, 1949. He graduated from the University of Central Florida (UCF) in 1975 and then worked for United States Senator Lawton Childes as an aide. Rotundo served as a lobbyist for the State of Florida and was employed by UCF from 1980 to 1988 as Special Assistant to the Director of the Florida Solar Energy Center (FSEC) and Special Assistant to the President of UCF from 1984 to 1987. After departing from UCF in 1988, Rotundo worked as the Principal of Louis Rotundo and Associates, a Central Florida based company that specializes in lobbying and consulting.","UCF Special Collections","United States. Air Force","United States. Army","United States. National Aeronautics and Space Administration","Rotundo, Louis C.","English"],"unitid_tesim":["SC116","/repositories/4/resources/216"],"normalized_date_ssm":["1942-2013, bulk 1942-1955"],"normalized_title_ssm":["Into the Unknown: The X-1 Story Research files, 1942-2013, bulk 1942-1955"],"collection_title_tesim":["Into the Unknown: The X-1 Story Research files, 1942-2013, bulk 1942-1955"],"collection_ssim":["Into the Unknown: The X-1 Story Research files, 1942-2013, bulk 1942-1955"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Rotundo, Louis C."],"creator_ssim":["Rotundo, Louis C."],"creator_persname_ssim":["Rotundo, Louis C."],"creators_ssim":["Rotundo, Louis C."],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Donated by Louis C. Rotundo in 2019 (Accession no. CFM2019_08)."],"access_subjects_ssim":["High-speed aeronautics","Bell X-1 (Supersonic plane)","Supersonic planes","manuscripts (documents)","newspaper clippings","interviews","photographs","audiocassettes","VHS"],"access_subjects_ssm":["High-speed aeronautics","Bell X-1 (Supersonic plane)","Supersonic planes","manuscripts (documents)","newspaper clippings","interviews","photographs","audiocassettes","VHS"],"has_online_content_ssim":["false"],"extent_ssm":["8.25 Linear Feet 15 Boxes"],"extent_tesim":["8.25 Linear Feet 15 Boxes"],"genreform_ssim":["manuscripts (documents)","newspaper clippings","interviews","photographs","audiocassettes","VHS"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by material type.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged by material type."],"bioghist_html_tesm":["\u003cp\u003eLouis C. Rotundo was born on October 28, 1949. He graduated from the University of Central Florida (UCF) in 1975 and then worked for United States Senator Lawton Childes as an aide. Rotundo served as a lobbyist for the State of Florida and was employed by UCF from 1980 to 1988 as Special Assistant to the Director of the Florida Solar Energy Center (FSEC) and Special Assistant to the President of UCF from 1984 to 1987. After departing from UCF in 1988, Rotundo worked as the Principal of Louis Rotundo and Associates, a Central Florida based company that specializes in lobbying and consulting.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Louis C. Rotundo was born on October 28, 1949. He graduated from the University of Central Florida (UCF) in 1975 and then worked for United States Senator Lawton Childes as an aide. Rotundo served as a lobbyist for the State of Florida and was employed by UCF from 1980 to 1988 as Special Assistant to the Director of the Florida Solar Energy Center (FSEC) and Special Assistant to the President of UCF from 1984 to 1987. After departing from UCF in 1988, Rotundo worked as the Principal of Louis Rotundo and Associates, a Central Florida based company that specializes in lobbying and consulting."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Into the Unknown: The X-1 Story Research files, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Into the Unknown: The X-1 Story Research files, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed and finding aid prepared by Alexander S. Jerome. Finding aid revised for consistency by Chloe Lanham in 2026.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed and finding aid prepared by Alexander S. Jerome. Finding aid revised for consistency by Chloe Lanham in 2026."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on Special Collections \u0026amp; University Archives, please see our \u003cextref href=\"https://library.ucf.edu/about/departments/special-collections-university-archives/\"\u003ewebsite\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["For more information on Special Collections \u0026 University Archives, please see our  website ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the files that Louis Rotundo used for the research of his book, \u003cemph render=\"italic\"\u003eInto the Unknown: The X-1 Story\u003c/emph\u003e. The book \"describes the complete history of the world's first supersonic aircraft, the Bell X-1.\" Materials consist of manuscripts, reports, interview transcripts, news clippings, photographs, and multimedia. This collection provides insight into the history of the X-1 plane and the work of Louis Rotundo.\u003c/p\u003e\n","\u003cp\u003eSeries I: Manuscripts, 1989-1991, undated contains 11 manuscripts including \u003cemph render=\"italic\"\u003eForgotten Dawn\u003c/emph\u003e and \u003cemph render=\"italic\"\u003eInto the Unknown\u003c/emph\u003e. \u003c/p\u003e\n","\u003cp\u003eSeries II: Research files, 1943-2013, undated contains 73 research files used by the author when writing Into the Unknown. Research files include reports, interview notes and transcripts, and news clippings.  \u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1942-1995, undated contains 302 photographs, broken up into 8 subseries, including photographs of the Pinecastle Army Airfield tests and Muroc tests. Photographs also depict Bell company employees and aircrafts. \u003c/p\u003e\n","\u003cp\u003eSeries IV: Multimedia files, 1946-2003, undated contains 27 multimedia, including VHS tapes, audio cassettes, floppy disks, and film. Media contains documentaries on the X-1 and other X-Planes, and interviews with individuals that worked on the X-1 project. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains the files that Louis Rotundo used for the research of his book,  Into the Unknown: The X-1 Story . The book \"describes the complete history of the world's first supersonic aircraft, the Bell X-1.\" Materials consist of manuscripts, reports, interview transcripts, news clippings, photographs, and multimedia. This collection provides insight into the history of the X-1 plane and the work of Louis Rotundo.","Series I: Manuscripts, 1989-1991, undated contains 11 manuscripts including  Forgotten Dawn  and  Into the Unknown . ","Series II: Research files, 1943-2013, undated contains 73 research files used by the author when writing Into the Unknown. Research files include reports, interview notes and transcripts, and news clippings.  ","Series III: Photographs, 1942-1995, undated contains 302 photographs, broken up into 8 subseries, including photographs of the Pinecastle Army Airfield tests and Muroc tests. Photographs also depict Bell company employees and aircrafts. ","Series IV: Multimedia files, 1946-2003, undated contains 27 multimedia, including VHS tapes, audio cassettes, floppy disks, and film. Media contains documentaries on the X-1 and other X-Planes, and interviews with individuals that worked on the X-1 project. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_712b66cac3d836f1c027b0b6c1fbb1e4\" label=\"Abstract\"\u003eThis collection contains the files that Louis Rotundo used for the research of his book, Into the Unknown: The X-1 Story. The book \"describes the complete history of the world's first supersonic aircraft, the Bell X-1.\" Materials consist of manuscripts, reports, interview transcripts, news clippings, photographs, and multimedia. This collection provides insight into the history of the X-1 plane and the work of Louis Rotundo.\n\nLouis C. Rotundo was born on October 28, 1949. He graduated from the University of Central Florida (UCF) in 1975 and then worked for United States Senator Lawton Childes as an aide. Rotundo served as a lobbyist for the State of Florida and was employed by UCF from 1980 to 1988 as Special Assistant to the Director of the Florida Solar Energy Center (FSEC) and Special Assistant to the President of UCF from 1984 to 1987. After departing from UCF in 1988, Rotundo worked as the Principal of Louis Rotundo and Associates, a Central Florida based company that specializes in lobbying and consulting.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains the files that Louis Rotundo used for the research of his book, Into the Unknown: The X-1 Story. The book \"describes the complete history of the world's first supersonic aircraft, the Bell X-1.\" Materials consist of manuscripts, reports, interview transcripts, news clippings, photographs, and multimedia. This collection provides insight into the history of the X-1 plane and the work of Louis Rotundo.\n\nLouis C. Rotundo was born on October 28, 1949. He graduated from the University of Central Florida (UCF) in 1975 and then worked for United States Senator Lawton Childes as an aide. Rotundo served as a lobbyist for the State of Florida and was employed by UCF from 1980 to 1988 as Special Assistant to the Director of the Florida Solar Energy Center (FSEC) and Special Assistant to the President of UCF from 1984 to 1987. After departing from UCF in 1988, Rotundo worked as the Principal of Louis Rotundo and Associates, a Central Florida based company that specializes in lobbying and consulting."],"names_coll_ssim":["United States. Air Force","United States. Army","United States. National Aeronautics and Space Administration"],"names_ssim":["UCF Special Collections","United States. Air Force","United States. Army","United States. National Aeronautics and Space Administration","Rotundo, Louis C."],"corpname_ssim":["UCF Special Collections","United States. Air Force","United States. Army","United States. 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M. Fowler) was born in North Carolina on January 3, 1960 and lived in Florida, Vermont and Mexico. She is an American novelist, essayist, memoirist, screenwriter, poet, and teacher. She earned her Bachelor of Arts degree at Tampa University, a Master of Arts degree in the University of Kansas, and became a core faculty member at Vermont College of Fine Arts (VCFA).C. M. Fowler is the author of 8 books: How Clarissa Burden Learned How to Fly; Sugar Cage; River of Hidden Dreams; The problem with Murmur Lee; Remembering Blue; Before Women Had Wings; A Million Fragile Bones; and, When Katie Wakes. Her work has been translated in 18 languages and is published worldwide. Fowler explores in her novels Southern themes such as interracial connections and relationships between black and white women with a Floridian background. 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From 2003\u0026#x2013;2007, she was the Irving Bacheller Professor of Creative Writing at Rollins College and directed their author series \"Winter With the Writers.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Connie May Fowler (C. M. Fowler) was born in North Carolina on January 3, 1960 and lived in Florida, Vermont and Mexico. She is an American novelist, essayist, memoirist, screenwriter, poet, and teacher. She earned her Bachelor of Arts degree at Tampa University, a Master of Arts degree in the University of Kansas, and became a core faculty member at Vermont College of Fine Arts (VCFA).C. M. Fowler is the author of 8 books: How Clarissa Burden Learned How to Fly; Sugar Cage; River of Hidden Dreams; The problem with Murmur Lee; Remembering Blue; Before Women Had Wings; A Million Fragile Bones; and, When Katie Wakes. Her work has been translated in 18 languages and is published worldwide. Fowler explores in her novels Southern themes such as interracial connections and relationships between black and white women with a Floridian background. Fowler's inspiration in her novels is based on her family life and experience lived in Central Florida. ","She is the recipient of the Chatauqua South Library Award, the 1996 Southern Book Critics Circle Award, and the Francis Buck Award from the League of American Pen Women. Three of her novels have been Dublin International Literary Award nominees. She also directs the the Vermont College of Fine Arts Novel retreat held each May in Montpellier, Vermont. For ten years, she directed various writing conferences in Florida, including the St-Augustine Writers Conference. From 1997-2003 she directed the Connie May Fowler Women Wings Foundation, an organization that served at risk women and children. From 2003–2007, she was the Irving Bacheller Professor of Creative Writing at Rollins College and directed their author series \"Winter With the Writers.\""],"prefercite_html_tesm":["\u003cp\u003eConnie May Fowler Collection, The Bienes Museum of Modern Book, Broward County Library\u003c/p\u003e"],"prefercite_tesim":["Connie May Fowler Collection, The Bienes Museum of Modern Book, Broward County Library"],"scopecontent_html_tesm":["\u003cp\u003eThe Connie May Fowler Collection documents the career of Florida novelist Connie May Fowler from 1990 to 1998. The collection is comprised of manuscripts, prepress proofs, galleys, newspapers articles, correspondence, interviews, speeches, a VHS cassette, and a teleplay script. The materials highlight some of Fowler's work such as \"Sugar Cage\", \"Ave Erzulie\", \"Before Women had Wings\", \"Sparrow Hunter\", \"River of Hidden Dreams\", \"Onedia Looney\", and \"Listening For Light\". The collection also contains a manuscript of \"Charms For Easy Life\" by the author Kaye Gibbons.\u003c/p\u003e","\u003cp\u003eThe collection is comprised of manuscripts, prepress proofs, galleys, newspapers articles, correspondence, interviews, speeches, and scripts documenting the career of Connie May Fowler, an American novelist, essayist, memoirist, screenwriter, poet, and teacher\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Abstract"],"scopecontent_tesim":["The Connie May Fowler Collection documents the career of Florida novelist Connie May Fowler from 1990 to 1998. The collection is comprised of manuscripts, prepress proofs, galleys, newspapers articles, correspondence, interviews, speeches, a VHS cassette, and a teleplay script. The materials highlight some of Fowler's work such as \"Sugar Cage\", \"Ave Erzulie\", \"Before Women had Wings\", \"Sparrow Hunter\", \"River of Hidden Dreams\", \"Onedia Looney\", and \"Listening For Light\". The collection also contains a manuscript of \"Charms For Easy Life\" by the author Kaye Gibbons.","The collection is comprised of manuscripts, prepress proofs, galleys, newspapers articles, correspondence, interviews, speeches, and scripts documenting the career of Connie May Fowler, an American novelist, essayist, memoirist, screenwriter, poet, and teacher"],"names_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"corpname_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":130,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870839700249378816,"_root_":"efd46fa5141b8bb7e0709eb9","timestamp":"2026-07-16T03:16:12.239Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/efd46fa5141b8bb7e0709eb9_aspace_b2e78e6cfbdc8aa601eabd6dab4c74c7"}},{"id":"efd46fa5141b8bb7e0709eb9_aspace_d55ae86c3079ecdf94989c0b9851a1bf","type":"File","attributes":{"title":"Manuscript: Typescript (Part 2 of 2), 1991","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/efd46fa5141b8bb7e0709eb9_aspace_d55ae86c3079ecdf94989c0b9851a1bf#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_d55ae86c3079ecdf94989c0b9851a1bf","ref_ssm":["aspace_d55ae86c3079ecdf94989c0b9851a1bf","aspace_d55ae86c3079ecdf94989c0b9851a1bf"],"id":"efd46fa5141b8bb7e0709eb9_aspace_d55ae86c3079ecdf94989c0b9851a1bf","title_filing_ssi":"Manuscript: Typescript (Part 2 of 2)","title_ssm":["Manuscript: Typescript (Part 2 of 2)"],"title_tesim":["Manuscript: Typescript (Part 2 of 2)"],"unitdate_other_ssim":["1991"],"normalized_date_ssm":["1991"],"normalized_title_ssm":["Manuscript: Typescript (Part 2 of 2), 1991"],"text":["Manuscript: Typescript (Part 2 of 2), 1991","Connie May Fowler Collection, 1990-1998","Manuscripts, 1990-1997","Sugar Cage, 1991","/repositories/3/archival_objects/4471","Box 6","folder 47"],"component_level_isim":[3],"parent_ids_ssim":["efd46fa5141b8bb7e0709eb9","efd46fa5141b8bb7e0709eb9_aspace_0b8875ec686c127b8e800412788364a2","efd46fa5141b8bb7e0709eb9_aspace_4fd3db0df63f68b34c483719ae8bd7a7"],"parent_unittitles_ssm":["Connie May Fowler Collection, 1990-1998","Manuscripts, 1990-1997","Sugar Cage, 1991"],"parent_unittitles_tesim":["Connie May Fowler Collection, 1990-1998","Manuscripts, 1990-1997","Sugar Cage, 1991"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/3/archival_objects/4471"],"repository_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"collection_ssim":["Connie May Fowler Collection, 1990-1998"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":55,"parent_access_restrict_tesm":["The Connie May Fowler collection is open for research."],"date_range_isim":[1991],"containers_ssim":["Box 6","folder 47"],"_nest_path_":"/components#0/components#6/components#12","_nest_parent_":"efd46fa5141b8bb7e0709eb9_aspace_4fd3db0df63f68b34c483719ae8bd7a7","_root_":"efd46fa5141b8bb7e0709eb9","_version_":1870839700249378816,"timestamp":"2026-07-16T03:16:12.239Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"efd46fa5141b8bb7e0709eb9","title_filing_ssi":"Fowler, Connie May Collection","title_ssm":["Connie May Fowler Collection"],"title_tesim":["Connie May Fowler Collection"],"ead_ssi":"efd46fa5141b8bb7e0709eb9","unitdate_ssm":["1990-1998"],"unitdate_inclusive_ssm":["1990-1998"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["BIENES.1997.4","/repositories/3/resources/180"],"text":["BIENES.1997.4","/repositories/3/resources/180","Connie May Fowler Collection, 1990-1998","Southern States","American fiction","Domestic fiction, American","Historical fiction, American","African American women -- Fiction","American literature","American literature -- Southern States","African Americans -- Fiction","African American women in literature","Interracial friendship in literature","Race relations in literature","Haitian Americans","Manuscripts","The Connie May Fowler collection is open for research.","View a selection of digitized materials from the Connie May Fowler Collection in the Broward County Library Digital Archives.","The collection is arranged into five series: Series I: Manuscripts, Series II: Newspaper articles, Interviews, Speeches, Series III: Writing by others, Series IV: Correspondence, and Series V: Audiovisual materials.","Connie May Fowler (C. M. Fowler) was born in North Carolina on January 3, 1960 and lived in Florida, Vermont and Mexico. She is an American novelist, essayist, memoirist, screenwriter, poet, and teacher. She earned her Bachelor of Arts degree at Tampa University, a Master of Arts degree in the University of Kansas, and became a core faculty member at Vermont College of Fine Arts (VCFA).C. M. Fowler is the author of 8 books: How Clarissa Burden Learned How to Fly; Sugar Cage; River of Hidden Dreams; The problem with Murmur Lee; Remembering Blue; Before Women Had Wings; A Million Fragile Bones; and, When Katie Wakes. Her work has been translated in 18 languages and is published worldwide. Fowler explores in her novels Southern themes such as interracial connections and relationships between black and white women with a Floridian background. Fowler's inspiration in her novels is based on her family life and experience lived in Central Florida. ","She is the recipient of the Chatauqua South Library Award, the 1996 Southern Book Critics Circle Award, and the Francis Buck Award from the League of American Pen Women. Three of her novels have been Dublin International Literary Award nominees. She also directs the the Vermont College of Fine Arts Novel retreat held each May in Montpellier, Vermont. For ten years, she directed various writing conferences in Florida, including the St-Augustine Writers Conference. From 1997-2003 she directed the Connie May Fowler Women Wings Foundation, an organization that served at risk women and children. From 2003–2007, she was the Irving Bacheller Professor of Creative Writing at Rollins College and directed their author series \"Winter With the Writers.\"","The Connie May Fowler Collection documents the career of Florida novelist Connie May Fowler from 1990 to 1998. The collection is comprised of manuscripts, prepress proofs, galleys, newspapers articles, correspondence, interviews, speeches, a VHS cassette, and a teleplay script. The materials highlight some of Fowler's work such as \"Sugar Cage\", \"Ave Erzulie\", \"Before Women had Wings\", \"Sparrow Hunter\", \"River of Hidden Dreams\", \"Onedia Looney\", and \"Listening For Light\". The collection also contains a manuscript of \"Charms For Easy Life\" by the author Kaye Gibbons.","The collection is comprised of manuscripts, prepress proofs, galleys, newspapers articles, correspondence, interviews, speeches, and scripts documenting the career of Connie May Fowler, an American novelist, essayist, memoirist, screenwriter, poet, and teacher","Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library","English"],"unitid_tesim":["BIENES.1997.4","/repositories/3/resources/180"],"normalized_date_ssm":["1990-1998"],"normalized_title_ssm":["Connie May Fowler Collection, 1990-1998"],"collection_title_tesim":["Connie May Fowler Collection, 1990-1998"],"collection_ssim":["Connie May Fowler Collection, 1990-1998"],"repository_ssm":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"repository_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"geogname_ssm":["Southern States"],"geogname_ssim":["Southern States"],"places_ssim":["Southern States"],"acqinfo_ssim":["Connie May Fowler donated the collection to the Bienes Museum of the Modern Book on February 11, 1997. She donated an accrual on July 31, 1997."],"access_subjects_ssim":["American fiction","Domestic fiction, American","Historical fiction, American","African American women -- Fiction","American literature","American literature -- Southern States","African Americans -- Fiction","African American women in literature","Interracial friendship in literature","Race relations in literature","Haitian Americans","Manuscripts"],"access_subjects_ssm":["American fiction","Domestic fiction, American","Historical fiction, American","African American women -- Fiction","American literature","American literature -- Southern States","African Americans -- Fiction","African American women in literature","Interracial friendship in literature","Race relations in literature","Haitian Americans","Manuscripts"],"has_online_content_ssim":["false"],"extent_ssm":["7 Hollinger Boxes","4.08 Linear Feet (7 containers)"],"extent_tesim":["7 Hollinger Boxes","4.08 Linear Feet (7 containers)"],"genreform_ssim":["Manuscripts"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998],"accessrestrict_html_tesm":["\u003cp\u003eThe Connie May Fowler collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Connie May Fowler collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll36\" target=\"_blank\"\u003eView a selection of digitized materials from the Connie May Fowler Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Connie May Fowler Collection in the Broward County Library Digital Archives."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series: Series I: Manuscripts, Series II: Newspaper articles, Interviews, Speeches, Series III: Writing by others, Series IV: Correspondence, and Series V: Audiovisual materials.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series: Series I: Manuscripts, Series II: Newspaper articles, Interviews, Speeches, Series III: Writing by others, Series IV: Correspondence, and Series V: Audiovisual materials."],"bioghist_html_tesm":["\u003cp\u003eConnie May Fowler (C. M. Fowler) was born in North Carolina on January 3, 1960 and lived in Florida, Vermont and Mexico. She is an American novelist, essayist, memoirist, screenwriter, poet, and teacher. She earned her Bachelor of Arts degree at Tampa University, a Master of Arts degree in the University of Kansas, and became a core faculty member at Vermont College of Fine Arts (VCFA).C. M. Fowler is the author of 8 books: How Clarissa Burden Learned How to Fly; Sugar Cage; River of Hidden Dreams; The problem with Murmur Lee; Remembering Blue; Before Women Had Wings; A Million Fragile Bones; and, When Katie Wakes. Her work has been translated in 18 languages and is published worldwide. Fowler explores in her novels Southern themes such as interracial connections and relationships between black and white women with a Floridian background. Fowler's inspiration in her novels is based on her family life and experience lived in Central Florida. \u003c/p\u003e\n","\u003cp\u003eShe is the recipient of the Chatauqua South Library Award, the 1996 Southern Book Critics Circle Award, and the Francis Buck Award from the League of American Pen Women. Three of her novels have been Dublin International Literary Award nominees. She also directs the the Vermont College of Fine Arts Novel retreat held each May in Montpellier, Vermont. For ten years, she directed various writing conferences in Florida, including the St-Augustine Writers Conference. From 1997-2003 she directed the Connie May Fowler Women Wings Foundation, an organization that served at risk women and children. From 2003\u0026#x2013;2007, she was the Irving Bacheller Professor of Creative Writing at Rollins College and directed their author series \"Winter With the Writers.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Connie May Fowler (C. M. Fowler) was born in North Carolina on January 3, 1960 and lived in Florida, Vermont and Mexico. She is an American novelist, essayist, memoirist, screenwriter, poet, and teacher. She earned her Bachelor of Arts degree at Tampa University, a Master of Arts degree in the University of Kansas, and became a core faculty member at Vermont College of Fine Arts (VCFA).C. M. Fowler is the author of 8 books: How Clarissa Burden Learned How to Fly; Sugar Cage; River of Hidden Dreams; The problem with Murmur Lee; Remembering Blue; Before Women Had Wings; A Million Fragile Bones; and, When Katie Wakes. Her work has been translated in 18 languages and is published worldwide. Fowler explores in her novels Southern themes such as interracial connections and relationships between black and white women with a Floridian background. Fowler's inspiration in her novels is based on her family life and experience lived in Central Florida. ","She is the recipient of the Chatauqua South Library Award, the 1996 Southern Book Critics Circle Award, and the Francis Buck Award from the League of American Pen Women. Three of her novels have been Dublin International Literary Award nominees. She also directs the the Vermont College of Fine Arts Novel retreat held each May in Montpellier, Vermont. For ten years, she directed various writing conferences in Florida, including the St-Augustine Writers Conference. From 1997-2003 she directed the Connie May Fowler Women Wings Foundation, an organization that served at risk women and children. From 2003–2007, she was the Irving Bacheller Professor of Creative Writing at Rollins College and directed their author series \"Winter With the Writers.\""],"prefercite_html_tesm":["\u003cp\u003eConnie May Fowler Collection, The Bienes Museum of Modern Book, Broward County Library\u003c/p\u003e"],"prefercite_tesim":["Connie May Fowler Collection, The Bienes Museum of Modern Book, Broward County Library"],"scopecontent_html_tesm":["\u003cp\u003eThe Connie May Fowler Collection documents the career of Florida novelist Connie May Fowler from 1990 to 1998. The collection is comprised of manuscripts, prepress proofs, galleys, newspapers articles, correspondence, interviews, speeches, a VHS cassette, and a teleplay script. The materials highlight some of Fowler's work such as \"Sugar Cage\", \"Ave Erzulie\", \"Before Women had Wings\", \"Sparrow Hunter\", \"River of Hidden Dreams\", \"Onedia Looney\", and \"Listening For Light\". The collection also contains a manuscript of \"Charms For Easy Life\" by the author Kaye Gibbons.\u003c/p\u003e","\u003cp\u003eThe collection is comprised of manuscripts, prepress proofs, galleys, newspapers articles, correspondence, interviews, speeches, and scripts documenting the career of Connie May Fowler, an American novelist, essayist, memoirist, screenwriter, poet, and teacher\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Abstract"],"scopecontent_tesim":["The Connie May Fowler Collection documents the career of Florida novelist Connie May Fowler from 1990 to 1998. The collection is comprised of manuscripts, prepress proofs, galleys, newspapers articles, correspondence, interviews, speeches, a VHS cassette, and a teleplay script. The materials highlight some of Fowler's work such as \"Sugar Cage\", \"Ave Erzulie\", \"Before Women had Wings\", \"Sparrow Hunter\", \"River of Hidden Dreams\", \"Onedia Looney\", and \"Listening For Light\". The collection also contains a manuscript of \"Charms For Easy Life\" by the author Kaye Gibbons.","The collection is comprised of manuscripts, prepress proofs, galleys, newspapers articles, correspondence, interviews, speeches, and scripts documenting the career of Connie May Fowler, an American novelist, essayist, memoirist, screenwriter, poet, and teacher"],"names_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"corpname_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":130,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870839700249378816,"_root_":"efd46fa5141b8bb7e0709eb9","timestamp":"2026-07-16T03:16:12.239Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/efd46fa5141b8bb7e0709eb9_aspace_d55ae86c3079ecdf94989c0b9851a1bf"}},{"id":"377018d2c691025d88612f9e_aspace_186252e505ed73a3478836f2c3afe1dd","type":"File","attributes":{"title":"\"Man who owns broadway\", 1991","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/377018d2c691025d88612f9e_aspace_186252e505ed73a3478836f2c3afe1dd#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_186252e505ed73a3478836f2c3afe1dd","ref_ssm":["aspace_186252e505ed73a3478836f2c3afe1dd","aspace_186252e505ed73a3478836f2c3afe1dd"],"id":"377018d2c691025d88612f9e_aspace_186252e505ed73a3478836f2c3afe1dd","title_filing_ssi":"\"Man who owns broadway\"","title_ssm":["\"Man who owns broadway\""],"title_tesim":["\"Man who owns broadway\""],"unitdate_inclusive_ssm":["1991"],"normalized_date_ssm":["1991"],"normalized_title_ssm":["\"Man who owns broadway\", 1991"],"text":["\"Man who owns broadway\", 1991","Burt Szabo music collection, 1955-2017","/repositories/2/archival_objects/79594","/repositories/2/archival_objects/82856","box 19","folder 9"],"component_level_isim":[1],"parent_ids_ssim":["377018d2c691025d88612f9e"],"parent_unittitles_ssm":["Burt Szabo music collection, 1955-2017"],"parent_unittitles_tesim":["Burt Szabo music collection, 1955-2017"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/79594","/repositories/2/archival_objects/82856"],"repository_ssim":["UCF University Archives"],"collection_ssim":["Burt Szabo music collection, 1955-2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":630,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1991],"containers_ssim":["box 19","folder 9"],"_nest_path_":"/components#629","_nest_parent_":"377018d2c691025d88612f9e","_root_":"377018d2c691025d88612f9e","_version_":1870858782767054848,"timestamp":"2026-07-16T08:19:30.734Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"377018d2c691025d88612f9e","title_ssm":["Burt Szabo music collection"],"title_tesim":["Burt Szabo music collection"],"ead_ssi":"377018d2c691025d88612f9e","unitdate_ssm":["1955-2017"],"unitdate_inclusive_ssm":["1955-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA21G","/repositories/2/resources/332"],"text":["UA21G","/repositories/2/resources/332","Burt Szabo music collection, 1955-2017","Barbershop quartets","sheet music","The entire collection is open for research.","The collection is arranged in the original order that it was received.","Albert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  ","A strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. ","Processed by and finding aid prepared by Simone DeLuque in 2025.","For more information on Special Collections \u0026 University Archives, please see our website.","The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022.","UCF University Archives","Szabo, Burt","English"],"unitid_tesim":["UA21G","/repositories/2/resources/332"],"normalized_date_ssm":["1955-2017"],"normalized_title_ssm":["Burt Szabo music collection, 1955-2017"],"collection_title_tesim":["Burt Szabo music collection, 1955-2017"],"collection_ssim":["Burt Szabo music collection, 1955-2017"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["Szabo, Burt"],"creator_ssim":["Szabo, Burt"],"creator_persname_ssim":["Szabo, Burt"],"creators_ssim":["Szabo, Burt"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of David Schreier in 2018 (Accession no. CFU2018_47)."],"access_subjects_ssim":["Barbershop quartets","sheet music"],"access_subjects_ssm":["Barbershop quartets","sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["11.8 Linear Feet 30 boxes"],"extent_tesim":["11.8 Linear Feet 30 boxes"],"genreform_ssim":["sheet music"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in the original order that it was received.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in the original order that it was received."],"bioghist_html_tesm":["\u003cp\u003eAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. 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His publications, such as the \u003cemph render=\"italic\"\u003eBarbershop Arranging Manual\u003c/emph\u003e and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Albert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  ","A strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Burt Szabo music collection, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Burt Szabo music collection, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Simone DeLuque in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Simone DeLuque in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on Special Collections \u0026amp; University Archives, please see our website.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on Special Collections \u0026 University Archives, please see our website."],"scopecontent_html_tesm":["\u003cp\u003eThe Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_47ef4f2c9d3944ef54170a551f97a3e7\"\u003eThe Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the \u003cemph render=\"italic\"\u003eBarbershop Arranging Manual\u003c/emph\u003e and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022.\u003c/abstract\u003e"],"abstract_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. 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