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FTMA was then later affiliated with Music Teacher Association in 1953.","\nFour years later in 1938, the association gained the recognition that they sought out for; High School Credit, it was announced with a statement as followed \"Credit may now be offered for adequate private instruction\" on the Florida school bulletin. They did not have a set plan on how exactly the teacher would be certified to their competence, it was until 1954 that they had a Model Plan.","\nA meeting on September of 1955 was initiated to talk about creating a local music teacher association. These meetings consisted of writing up and sending applications for people to join the organization, as well as creating by-laws and code of ethics that had to be submitted for approval prior to the official meeting. In October of 1955, fifteen music teachers met up to organize the Music Teachers of Volusia County. During the meeting the purpose of creating the organization was discussed. Francis Stevenson had been encouraged by the president of Florida State Music Teacher Association, Merle Sargent of Miami; she urged him of the importance of the formation of a local organization, and the local organization was formed.","\nVolusia County Music Teacher Association (VCMTA) is comprised of 21 professional music teachers throughout Volusia County organized in 1955, the association is affiliated with Music Teachers National Association and Florida State Music Teachers Association.","\nThe primary objective of the Volusia County Music Teachers Association is to provide musical growth and enrichment for its members and their students. By sponsoring events that improve and expand the opportunities for students and their teachers, VCMTA can increase public awareness of quality music education, thus making a contribution to the cultural life of the entire community.","The collection was processed in 2015. Materials were arranged in chronological order and then placed into pH neutral folders and boxes. Photographs were placed in polyster sleeves. Files in Binders were put in pH folders. Metal clips and staples have been removed and replaced with plastic clips.","Volusia County Music Teachers Association","Florida State Music Teachers Association, 1934-2013 .","Series I: Organization Files, 1955-2015, consists of files such as correspondence to the organization, meeting notes, minutes, as well as photographs from events and recitals, a few scrapbooks with photographs, news clippings and recital pamphlets, yearbooks dating back to the first year that it was organized.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Volusia County Music Teacher Association is an organization that is focused on the enrichment of music studies and opportunities for its members and music students. The collection is comprised of correspondence, meetings, minutes, news clippings, photographs, scrapbooks, and yearbooks from the organization.","UCF Special Collections","Volusia County Music Teachers Association","English"],"unitid_tesim":["SC.090","/repositories/4/resources/178"],"normalized_date_ssm":["1955-2015"],"normalized_title_ssm":["Volusia County Music Teachers Association, 1955-2015"],"collection_title_tesim":["Volusia County Music Teachers Association, 1955-2015"],"collection_ssim":["Volusia County Music Teachers Association, 1955-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida","Volusia County (Fla.)"],"geogname_ssim":["Florida","Volusia County (Fla.)"],"creator_ssm":["Volusia County Music Teachers Association"],"creator_ssim":["Volusia County Music Teachers Association"],"creator_corpname_ssim":["Volusia County Music Teachers Association"],"creators_ssim":["Volusia County Music Teachers Association"],"places_ssim":["Florida","Volusia County (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The Volusia County Music Association donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2011 (CFM2011_03). Additional materials were donated in 2015 (CFM2015_02)."],"access_subjects_ssim":["Music teachers -- United States","Societies"],"access_subjects_ssm":["Music teachers -- United States","Societies"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet 3 Boxes"],"extent_tesim":["1.5 Linear Feet 3 Boxes"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe records are arranged in alphabetical order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The records are arranged in alphabetical order."],"bioghist_html_tesm":["\u003cp\u003eThere had been interest in creating the Florida Music Teacher Association (FMTA) since 1918 due to Mrs. Byrd, she wanted to create a state organization for her fellow teachers. The reason for a state organization was to seek official recognition and high-school credit for adequate private instruction.\u003c/p\u003e\n","\u003cp\u003e\nThe idea for establishing the FMTA was kept alive for over a decade yet nothing was done to progress it until after about fourteen years. In 1932, the idea for the state organization was revived by the president of the Jacksonville Music Teacher Association, Mrs. Lloyd Jones, she appointed a committee to study the most advisable way to accomplish the idea and form the State Music Teacher Association.\u003c/p\u003e\n","\u003cp\u003e\nAfter a failed attempt in 1933, finally on March of 1934 there was an organizational meeting that was held in Jacksonville, the association had finally been found with over one-hundred members. FTMA was then later affiliated with Music Teacher Association in 1953.\u003c/p\u003e\n","\u003cp\u003e\nFour years later in 1938, the association gained the recognition that they sought out for; High School Credit, it was announced with a statement as followed \"Credit may now be offered for adequate private instruction\" on the Florida school bulletin. They did not have a set plan on how exactly the teacher would be certified to their competence, it was until 1954 that they had a Model Plan.\u003c/p\u003e\n","\u003cp\u003e\nA meeting on September of 1955 was initiated to talk about creating a local music teacher association. These meetings consisted of writing up and sending applications for people to join the organization, as well as creating by-laws and code of ethics that had to be submitted for approval prior to the official meeting. In October of 1955, fifteen music teachers met up to organize the Music Teachers of Volusia County. During the meeting the purpose of creating the organization was discussed. Francis Stevenson had been encouraged by the president of Florida State Music Teacher Association, Merle Sargent of Miami; she urged him of the importance of the formation of a local organization, and the local organization was formed.\u003c/p\u003e\n","\u003cp\u003e\nVolusia County Music Teacher Association (VCMTA) is comprised of 21 professional music teachers throughout Volusia County organized in 1955, the association is affiliated with Music Teachers National Association and Florida State Music Teachers Association.\u003c/p\u003e\n","\u003cp\u003e\nThe primary objective of the Volusia County Music Teachers Association is to provide musical growth and enrichment for its members and their students. By sponsoring events that improve and expand the opportunities for students and their teachers, VCMTA can increase public awareness of quality music education, thus making a contribution to the cultural life of the entire community.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["There had been interest in creating the Florida Music Teacher Association (FMTA) since 1918 due to Mrs. Byrd, she wanted to create a state organization for her fellow teachers. The reason for a state organization was to seek official recognition and high-school credit for adequate private instruction.","\nThe idea for establishing the FMTA was kept alive for over a decade yet nothing was done to progress it until after about fourteen years. In 1932, the idea for the state organization was revived by the president of the Jacksonville Music Teacher Association, Mrs. Lloyd Jones, she appointed a committee to study the most advisable way to accomplish the idea and form the State Music Teacher Association.","\nAfter a failed attempt in 1933, finally on March of 1934 there was an organizational meeting that was held in Jacksonville, the association had finally been found with over one-hundred members. FTMA was then later affiliated with Music Teacher Association in 1953.","\nFour years later in 1938, the association gained the recognition that they sought out for; High School Credit, it was announced with a statement as followed \"Credit may now be offered for adequate private instruction\" on the Florida school bulletin. They did not have a set plan on how exactly the teacher would be certified to their competence, it was until 1954 that they had a Model Plan.","\nA meeting on September of 1955 was initiated to talk about creating a local music teacher association. These meetings consisted of writing up and sending applications for people to join the organization, as well as creating by-laws and code of ethics that had to be submitted for approval prior to the official meeting. In October of 1955, fifteen music teachers met up to organize the Music Teachers of Volusia County. During the meeting the purpose of creating the organization was discussed. Francis Stevenson had been encouraged by the president of Florida State Music Teacher Association, Merle Sargent of Miami; she urged him of the importance of the formation of a local organization, and the local organization was formed.","\nVolusia County Music Teacher Association (VCMTA) is comprised of 21 professional music teachers throughout Volusia County organized in 1955, the association is affiliated with Music Teachers National Association and Florida State Music Teachers Association.","\nThe primary objective of the Volusia County Music Teachers Association is to provide musical growth and enrichment for its members and their students. By sponsoring events that improve and expand the opportunities for students and their teachers, VCMTA can increase public awareness of quality music education, thus making a contribution to the cultural life of the entire community."],"prefercite_html_tesm":["\u003cp\u003eThe Volusia County Music Teachers Association, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["The Volusia County Music Teachers Association, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eThe collection was processed in 2015. Materials were arranged in chronological order and then placed into pH neutral folders and boxes. Photographs were placed in polyster sleeves. Files in Binders were put in pH folders. Metal clips and staples have been removed and replaced with plastic clips.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was processed in 2015. Materials were arranged in chronological order and then placed into pH neutral folders and boxes. Photographs were placed in polyster sleeves. Files in Binders were put in pH folders. Metal clips and staples have been removed and replaced with plastic clips."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://www.vcmta.org/\"\u003eVolusia County Music Teachers Association\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1979-01\"\u003eFlorida State Music Teachers Association, 1934-2013\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Volusia County Music Teachers Association","Florida State Music Teachers Association, 1934-2013 ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Organization Files, 1955-2015, consists of files such as correspondence to the organization, meeting notes, minutes, as well as photographs from events and recitals, a few scrapbooks with photographs, news clippings and recital pamphlets, yearbooks dating back to the first year that it was organized.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Organization Files, 1955-2015, consists of files such as correspondence to the organization, meeting notes, minutes, as well as photographs from events and recitals, a few scrapbooks with photographs, news clippings and recital pamphlets, yearbooks dating back to the first year that it was organized."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_cee5a7b39f7e2429e8d9b744c888d3a4\" label=\"Abstract\"\u003eVolusia County Music Teacher Association is an organization that is focused on the enrichment of music studies and opportunities for its members and music students. The collection is comprised of correspondence, meetings, minutes, news clippings, photographs, scrapbooks, and yearbooks from the organization.\u003c/abstract\u003e"],"abstract_tesim":["Volusia County Music Teacher Association is an organization that is focused on the enrichment of music studies and opportunities for its members and music students. The collection is comprised of correspondence, meetings, minutes, news clippings, photographs, scrapbooks, and yearbooks from the organization."],"names_coll_ssim":["Volusia County Music Teachers Association"],"names_ssim":["UCF Special Collections","Volusia County Music Teachers Association"],"corpname_ssim":["UCF Special Collections","Volusia County Music Teachers Association"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":22,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857666918612992,"_root_":"b7cc11bd2ebdc55f95a3022b","timestamp":"2026-07-16T08:01:46.592Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b7cc11bd2ebdc55f95a3022b_aspace_58709"}},{"id":"a3cad8b0e4c1856a88f091b6","type":"collection","attributes":{"title":"Yellowback Press collection, 1981-1995","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/a3cad8b0e4c1856a88f091b6#creator","type":"document_value","attributes":{"value":["O'Gara, Gil"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a3cad8b0e4c1856a88f091b6#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe collection contains files from the Yellowback Library, including items on Children's Literature, authors, correspondence, newspaper clippings, popular culture, artists and illustrators, and some legal documents.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a3cad8b0e4c1856a88f091b6#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"a3cad8b0e4c1856a88f091b6","title_ssm":["Yellowback Press collection"],"title_tesim":["Yellowback Press collection"],"ead_ssi":"a3cad8b0e4c1856a88f091b6","unitdate_ssm":["1981-1995"],"unitdate_inclusive_ssm":["1981-1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2013-16","/repositories/2/resources/396"],"text":["MS-2013-16","/repositories/2/resources/396","Yellowback Press collection, 1981-1995","Periodicals","Collectors and collecting","Book collecting","The collection is arranged into three series.","Series 1 focuses on the authors and artists who created these characters and series.","Series 2 contains articles on characters, series, and adaptations of the written works.","Series 3 is a collection of paperwork dealing with the business of books and book collecting.","The Yellowback Press, also more commonly referred to as the Yellowback Library, is a monthly magazine begun in 1981 by Gil O'Gara. The magazine's main focus is collections and collecting, especially titles such as the Hardy Boys, Nancy Drew, and Tom Swift, among other juvenile series literature. The magazine operates out of Des Moines, Iowa.","The magazine is comprised of articles about series, advertisements about books for sale, and queries about sought-after volumes.","Z990 .Y442 1989-1993","Z990 .Y44","The collection contains files from the Yellowback Library, including items on Children's Literature, authors, correspondence, newspaper clippings, popular culture, artists and illustrators, and some legal documents.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","O'Gara, Gil","English"],"unitid_tesim":["MS-2013-16","/repositories/2/resources/396"],"normalized_date_ssm":["1981-1995"],"normalized_title_ssm":["Yellowback Press collection, 1981-1995"],"collection_title_tesim":["Yellowback Press collection, 1981-1995"],"collection_ssim":["Yellowback Press collection, 1981-1995"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["O'Gara, Gil"],"creator_ssim":["O'Gara, Gil"],"creator_persname_ssim":["O'Gara, Gil"],"creators_ssim":["O'Gara, Gil"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Gil O'Gara","Donation"],"access_subjects_ssim":["Periodicals","Collectors and collecting","Book collecting"],"access_subjects_ssm":["Periodicals","Collectors and collecting","Book collecting"],"has_online_content_ssim":["false"],"extent_ssm":["1.33 Linear Feet","1 boxes"],"extent_tesim":["1.33 Linear Feet","1 boxes"],"date_range_isim":[1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into three series.\u003c/p\u003e\n","\u003cp\u003eSeries 1 focuses on the authors and artists who created these characters and series.\u003c/p\u003e\n","\u003cp\u003eSeries 2 contains articles on characters, series, and adaptations of the written works.\u003c/p\u003e\n","\u003cp\u003eSeries 3 is a collection of paperwork dealing with the business of books and book collecting.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into three series.","Series 1 focuses on the authors and artists who created these characters and series.","Series 2 contains articles on characters, series, and adaptations of the written works.","Series 3 is a collection of paperwork dealing with the business of books and book collecting."],"bioghist_html_tesm":["\u003cp\u003eThe Yellowback Press, also more commonly referred to as the Yellowback Library, is a monthly magazine begun in 1981 by Gil O'Gara. The magazine's main focus is collections and collecting, especially titles such as the Hardy Boys, Nancy Drew, and Tom Swift, among other juvenile series literature. The magazine operates out of Des Moines, Iowa.\u003c/p\u003e\n","\u003cp\u003eThe magazine is comprised of articles about series, advertisements about books for sale, and queries about sought-after volumes.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Yellowback Press, also more commonly referred to as the Yellowback Library, is a monthly magazine begun in 1981 by Gil O'Gara. The magazine's main focus is collections and collecting, especially titles such as the Hardy Boys, Nancy Drew, and Tom Swift, among other juvenile series literature. The magazine operates out of Des Moines, Iowa.","The magazine is comprised of articles about series, advertisements about books for sale, and queries about sought-after volumes."],"prefercite_html_tesm":["\u003cp\u003eYellowback Press Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Yellowback Press Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eZ990 .Y442 1989-1993\u003c/p\u003e\n","\u003cp\u003eZ990 .Y44\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Z990 .Y442 1989-1993","Z990 .Y44"],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains files from the Yellowback Library, including items on Children's Literature, authors, correspondence, newspaper clippings, popular culture, artists and illustrators, and some legal documents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains files from the Yellowback Library, including items on Children's Literature, authors, correspondence, newspaper clippings, popular culture, artists and illustrators, and some legal documents."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","O'Gara, Gil"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["O'Gara, Gil"],"language_ssim":["English"],"descrules_ssm":["other_unmapped"],"total_component_count_is":60,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870862950138380288,"_root_":"a3cad8b0e4c1856a88f091b6","timestamp":"2026-07-16T09:25:45.062Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a3cad8b0e4c1856a88f091b6","title_ssm":["Yellowback Press collection"],"title_tesim":["Yellowback Press collection"],"ead_ssi":"a3cad8b0e4c1856a88f091b6","unitdate_ssm":["1981-1995"],"unitdate_inclusive_ssm":["1981-1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2013-16","/repositories/2/resources/396"],"text":["MS-2013-16","/repositories/2/resources/396","Yellowback Press collection, 1981-1995","Periodicals","Collectors and collecting","Book collecting","The collection is arranged into three series.","Series 1 focuses on the authors and artists who created these characters and series.","Series 2 contains articles on characters, series, and adaptations of the written works.","Series 3 is a collection of paperwork dealing with the business of books and book collecting.","The Yellowback Press, also more commonly referred to as the Yellowback Library, is a monthly magazine begun in 1981 by Gil O'Gara. The magazine's main focus is collections and collecting, especially titles such as the Hardy Boys, Nancy Drew, and Tom Swift, among other juvenile series literature. The magazine operates out of Des Moines, Iowa.","The magazine is comprised of articles about series, advertisements about books for sale, and queries about sought-after volumes.","Z990 .Y442 1989-1993","Z990 .Y44","The collection contains files from the Yellowback Library, including items on Children's Literature, authors, correspondence, newspaper clippings, popular culture, artists and illustrators, and some legal documents.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","O'Gara, Gil","English"],"unitid_tesim":["MS-2013-16","/repositories/2/resources/396"],"normalized_date_ssm":["1981-1995"],"normalized_title_ssm":["Yellowback Press collection, 1981-1995"],"collection_title_tesim":["Yellowback Press collection, 1981-1995"],"collection_ssim":["Yellowback Press collection, 1981-1995"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["O'Gara, Gil"],"creator_ssim":["O'Gara, Gil"],"creator_persname_ssim":["O'Gara, Gil"],"creators_ssim":["O'Gara, Gil"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Gil O'Gara","Donation"],"access_subjects_ssim":["Periodicals","Collectors and collecting","Book collecting"],"access_subjects_ssm":["Periodicals","Collectors and collecting","Book collecting"],"has_online_content_ssim":["false"],"extent_ssm":["1.33 Linear Feet","1 boxes"],"extent_tesim":["1.33 Linear Feet","1 boxes"],"date_range_isim":[1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into three series.\u003c/p\u003e\n","\u003cp\u003eSeries 1 focuses on the authors and artists who created these characters and series.\u003c/p\u003e\n","\u003cp\u003eSeries 2 contains articles on characters, series, and adaptations of the written works.\u003c/p\u003e\n","\u003cp\u003eSeries 3 is a collection of paperwork dealing with the business of books and book collecting.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into three series.","Series 1 focuses on the authors and artists who created these characters and series.","Series 2 contains articles on characters, series, and adaptations of the written works.","Series 3 is a collection of paperwork dealing with the business of books and book collecting."],"bioghist_html_tesm":["\u003cp\u003eThe Yellowback Press, also more commonly referred to as the Yellowback Library, is a monthly magazine begun in 1981 by Gil O'Gara. 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The magazine operates out of Des Moines, Iowa.","The magazine is comprised of articles about series, advertisements about books for sale, and queries about sought-after volumes."],"prefercite_html_tesm":["\u003cp\u003eYellowback Press Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Yellowback Press Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eZ990 .Y442 1989-1993\u003c/p\u003e\n","\u003cp\u003eZ990 .Y44\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Z990 .Y442 1989-1993","Z990 .Y44"],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains files from the Yellowback Library, including items on Children's Literature, authors, correspondence, newspaper clippings, popular culture, artists and illustrators, and some legal documents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains files from the Yellowback Library, including items on Children's Literature, authors, correspondence, newspaper clippings, popular culture, artists and illustrators, and some legal documents."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","O'Gara, Gil"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["O'Gara, Gil"],"language_ssim":["English"],"descrules_ssm":["other_unmapped"],"total_component_count_is":60,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870862950138380288,"_root_":"a3cad8b0e4c1856a88f091b6","timestamp":"2026-07-16T09:25:45.062Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a3cad8b0e4c1856a88f091b6"}},{"id":"485bd2c7e0a4ff965354291d","type":"collection","attributes":{"title":"Ye Mystic Krewe of Gasparilla records, 1917-2006","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/485bd2c7e0a4ff965354291d#creator","type":"document_value","attributes":{"value":["Ye Mystic Krewe of Gasparilla (Organization)"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/485bd2c7e0a4ff965354291d#abstract_or_scope","type":"document_value","attributes":{"value":["Collection primarily consists of Gasparilla brochures and programs."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/485bd2c7e0a4ff965354291d#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"485bd2c7e0a4ff965354291d","title_ssm":["Ye Mystic Krewe of Gasparilla records"],"title_tesim":["Ye Mystic Krewe of Gasparilla records"],"ead_ssi":"485bd2c7e0a4ff965354291d","unitdate_ssm":["1917-2006"],"unitdate_inclusive_ssm":["1917-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2005-13","/repositories/2/resources/572"],"text":["MS-2005-13","/repositories/2/resources/572","Ye Mystic Krewe of Gasparilla records, 1917-2006","Ybor City (Tampa, Fla.)","Tampa (Fla.)","Tampa (Fla.) -- History","None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","Alphabetical","Ye Mystic Krewe of Gasparilla, a civic organization based on the legend of the pirate Jose Gaspar, began as a suggestion from George W. Hardee when the city of Tampa wanted to enhance their May Festival. In 1904, the group dressed up as pirates and invaded the city during the May Festival Parade. The invasion was a success and the Gasparilla Pirate Festival continues annually as one of the country's largest outdoor celebrations.","Assorted materials include invitations, tickets, awards, and biographical sketches of the nominees for the Gasparilla Pirate Festival's king, queen, courtiers, and maids.","None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","Collection primarily consists of Gasparilla brochures and programs.","USF Libraries - Tampa Special Collections","Ye Mystic Krewe of Gasparilla (Organization)","English"],"unitid_tesim":["MS-2005-13","/repositories/2/resources/572"],"normalized_date_ssm":["1917-2006"],"normalized_title_ssm":["Ye Mystic Krewe of Gasparilla records, 1917-2006"],"collection_title_tesim":["Ye Mystic Krewe of Gasparilla records, 1917-2006"],"collection_ssim":["Ye Mystic Krewe of Gasparilla records, 1917-2006"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Ybor City (Tampa, Fla.)","Tampa (Fla.)","Tampa (Fla.) -- History"],"geogname_ssim":["Ybor City (Tampa, Fla.)","Tampa (Fla.)","Tampa (Fla.) -- History"],"creator_ssm":["Ye Mystic Krewe of Gasparilla (Organization)"],"creator_ssim":["Ye Mystic Krewe of Gasparilla (Organization)"],"creator_corpname_ssim":["Ye Mystic Krewe of Gasparilla (Organization)"],"creators_ssim":["Ye Mystic Krewe of Gasparilla (Organization)"],"places_ssim":["Ybor City (Tampa, Fla.)","Tampa (Fla.)","Tampa (Fla.) -- History"],"access_terms_ssm":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Henry B. 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The invasion was a success and the Gasparilla Pirate Festival continues annually as one of the country's largest outdoor celebrations."],"prefercite_html_tesm":["\u003cp\u003eYe Mystic Krewe of Gasparilla records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Ye Mystic Krewe of Gasparilla records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eAssorted materials include invitations, tickets, awards, and biographical sketches of the nominees for the Gasparilla Pirate Festival's king, queen, courtiers, and maids.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Assorted materials include invitations, tickets, awards, and biographical sketches of the nominees for the Gasparilla Pirate Festival's king, queen, courtiers, and maids."],"userestrict_html_tesm":["\u003cp\u003e\u003cspan style=\"font-family: Verdana, Arial, sans-serif; font-size: 10.8108px;\"\u003eNone.\u0026#xA0; The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/span\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_59311c51eaaf882ddf573f728095c6c5\" label=\"Abstract\"\u003eCollection primarily consists of Gasparilla brochures and programs.\u003c/abstract\u003e"],"abstract_tesim":["Collection primarily consists of Gasparilla brochures and programs."],"names_ssim":["USF Libraries - Tampa Special Collections","Ye Mystic Krewe of Gasparilla (Organization)"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Ye Mystic Krewe of Gasparilla (Organization)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":38,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"485bd2c7e0a4ff965354291d","timestamp":"2026-07-09T04:59:18.995Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"485bd2c7e0a4ff965354291d","title_ssm":["Ye Mystic Krewe of Gasparilla records"],"title_tesim":["Ye Mystic Krewe of Gasparilla records"],"ead_ssi":"485bd2c7e0a4ff965354291d","unitdate_ssm":["1917-2006"],"unitdate_inclusive_ssm":["1917-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2005-13","/repositories/2/resources/572"],"text":["MS-2005-13","/repositories/2/resources/572","Ye Mystic Krewe of Gasparilla records, 1917-2006","Ybor City (Tampa, Fla.)","Tampa (Fla.)","Tampa (Fla.) -- History","None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","Alphabetical","Ye Mystic Krewe of Gasparilla, a civic organization based on the legend of the pirate Jose Gaspar, began as a suggestion from George W. 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The invasion was a success and the Gasparilla Pirate Festival continues annually as one of the country's largest outdoor celebrations.","Assorted materials include invitations, tickets, awards, and biographical sketches of the nominees for the Gasparilla Pirate Festival's king, queen, courtiers, and maids.","None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","Collection primarily consists of Gasparilla brochures and programs.","USF Libraries - Tampa Special Collections","Ye Mystic Krewe of Gasparilla (Organization)","English"],"unitid_tesim":["MS-2005-13","/repositories/2/resources/572"],"normalized_date_ssm":["1917-2006"],"normalized_title_ssm":["Ye Mystic Krewe of Gasparilla records, 1917-2006"],"collection_title_tesim":["Ye Mystic Krewe of Gasparilla records, 1917-2006"],"collection_ssim":["Ye Mystic Krewe of Gasparilla records, 1917-2006"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Ybor City (Tampa, Fla.)","Tampa (Fla.)","Tampa (Fla.) -- History"],"geogname_ssim":["Ybor City (Tampa, Fla.)","Tampa (Fla.)","Tampa (Fla.) -- History"],"creator_ssm":["Ye Mystic Krewe of Gasparilla (Organization)"],"creator_ssim":["Ye Mystic Krewe of Gasparilla (Organization)"],"creator_corpname_ssim":["Ye Mystic Krewe of Gasparilla (Organization)"],"creators_ssim":["Ye Mystic Krewe of Gasparilla (Organization)"],"places_ssim":["Ybor City (Tampa, Fla.)","Tampa (Fla.)","Tampa (Fla.) -- History"],"access_terms_ssm":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Henry B. Plant Museum","Acquired."],"has_online_content_ssim":["false"],"extent_ssm":["2.02 Linear Feet","4 boxes"],"extent_tesim":["2.02 Linear Feet","4 boxes"],"date_range_isim":[1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"arrangement_html_tesm":["\u003cp\u003eAlphabetical\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetical"],"bioghist_html_tesm":["\u003cp\u003eYe Mystic Krewe of Gasparilla, a civic organization based on the legend of the pirate Jose Gaspar, began as a suggestion from George W. 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The invasion was a success and the Gasparilla Pirate Festival continues annually as one of the country's largest outdoor celebrations."],"prefercite_html_tesm":["\u003cp\u003eYe Mystic Krewe of Gasparilla records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Ye Mystic Krewe of Gasparilla records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eAssorted materials include invitations, tickets, awards, and biographical sketches of the nominees for the Gasparilla Pirate Festival's king, queen, courtiers, and maids.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Assorted materials include invitations, tickets, awards, and biographical sketches of the nominees for the Gasparilla Pirate Festival's king, queen, courtiers, and maids."],"userestrict_html_tesm":["\u003cp\u003e\u003cspan style=\"font-family: Verdana, Arial, sans-serif; font-size: 10.8108px;\"\u003eNone.\u0026#xA0; The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/span\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_59311c51eaaf882ddf573f728095c6c5\" label=\"Abstract\"\u003eCollection primarily consists of Gasparilla brochures and programs.\u003c/abstract\u003e"],"abstract_tesim":["Collection primarily consists of Gasparilla brochures and programs."],"names_ssim":["USF Libraries - Tampa Special Collections","Ye Mystic Krewe of Gasparilla (Organization)"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Ye Mystic Krewe of Gasparilla (Organization)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":38,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"485bd2c7e0a4ff965354291d","timestamp":"2026-07-09T04:59:18.995Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/485bd2c7e0a4ff965354291d"}},{"id":"05176a8238a411947dafe2de_aspace_16506","type":"File","attributes":{"title":"Yokohama Presentation Photographs, 1990","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/05176a8238a411947dafe2de_aspace_16506#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_16506","ref_ssm":["aspace_16506","aspace_16506"],"id":"05176a8238a411947dafe2de_aspace_16506","title_filing_ssi":"Yokohama Presentation Photographs","title_ssm":["Yokohama Presentation Photographs"],"title_tesim":["Yokohama Presentation Photographs"],"unitdate_other_ssim":["1990"],"normalized_date_ssm":["1990"],"normalized_title_ssm":["Yokohama Presentation Photographs, 1990"],"text":["Yokohama Presentation Photographs, 1990","George and Anne Millay Collection, 1959-2006","Wet 'n Wild, 1974-2005.","Parks Files, 1974-2005","Japan, 1990","Folder 21","/repositories/4/archival_objects/36783","box 4","folder 21"],"component_level_isim":[4],"parent_ids_ssim":["05176a8238a411947dafe2de","05176a8238a411947dafe2de_aspace_16275","05176a8238a411947dafe2de_aspace_16376","05176a8238a411947dafe2de_aspace_16503"],"parent_unittitles_ssm":["George and Anne Millay Collection, 1959-2006","Wet 'n Wild, 1974-2005.","Parks Files, 1974-2005","Japan, 1990"],"parent_unittitles_tesim":["George and Anne Millay Collection, 1959-2006","Wet 'n Wild, 1974-2005.","Parks Files, 1974-2005","Japan, 1990"],"parent_levels_ssm":["collection","Series","Subseries","Subseries"],"unitid_ssm":["Folder 21","/repositories/4/archival_objects/36783"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["George and Anne Millay Collection, 1959-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":180,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1990],"containers_ssim":["box 4","folder 21"],"_nest_path_":"/components#0/components#2/components#4/components#1","_nest_parent_":"05176a8238a411947dafe2de_aspace_16503","_root_":"05176a8238a411947dafe2de","timestamp":"2026-07-09T03:02:51.250Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"05176a8238a411947dafe2de","title_ssm":["George and Anne Millay Collection"],"title_tesim":["George and Anne Millay Collection"],"ead_ssi":"05176a8238a411947dafe2de","unitdate_ssm":["1959-2006"],"unitdate_inclusive_ssm":["1959-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.079","/repositories/4/resources/154"],"text":["SC.079","/repositories/4/resources/154","George and Anne Millay Collection, 1959-2006","Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)","Amusement parks","Water parks","Marine aquariums","Public aquariums","Tourism","Blueprints","Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings","The entire collection is open for research.","The papers are arranged in five series by topic.","George Millay was born on 4th July 1929. While his Father was in the navy, George's family lived at Pearl Harbor, and he witnessed the 1941 attack. George himself served in the navy for more than three years as a weather forecaster; for part of the time he was on the USS Bairoko. After graduating from the University of California, Los Angeles with a degree in meteorology in 1955, George Millay worked for a stockbroking firm until 1960. He married Anne Real in 1963; they eventually had three sons and a daughter.","\nIn 1958, Millay opened the Reef restaurant in Los Angeles with David Tallichet. He planned to create a submarine bar there so that customers could view sea creatures while enjoying cocktails. The plan failed because the water in the harbor was too cloudy. However, his interest in marine life introduced him to Dr. Kenneth Norris, curator at Marineland. Together with Milton Shedd and David DeMott, they organized the Marine Park Corporation to create a marine park in San Diego. Sea World opened in 1964 and expanded in 1970 with a park in Ohio followed by the Orlando park in 1972. Sea World Inc. opened an amusement park in Valencia California on 29th May 1971 in partnership with Newhall Land and Farming. Officially named \"Magic Mountain\", the park was designated \"Tragic Mountain\" by a reporter who was injured there. Sea World did not make a profit on the venture and sold out to its partner late in 1971. Millay resigned from Sea World Inc in 1974 because of a disagreement with his partners over how the company should develop.","\nGeorge Millay had spent a lot of time at Sea World in Orlando, and he thought that families would enjoy water activities as a break from the Florida heat. He pulled together ideas from a water playground at the Toronto World's Fair, a flume near Sacramento and a wave pool in Alabama, added a children's playgound, restrooms, gift shop and snack bar to create a new concept. He formed the Leisure Marine Corporation to develop his idea. Initially, the company ran the Seven Seas park in Arlington, TX, for a season, but the venture did not develop further. Wet 'n Wild eventually became a reality in Orlando, where it opened in 1977. The company took over the failing Seven Seas park and redeveloped it into the second Wet 'n Wild in 1983 followed by Las Vegas in 1985. Additional sites opened in Garland, TX, Brazil and Mexico. Wet 'n Wild was named the Best of Aquatics for 2003 by Aquatics International magazine.","\nMillay retired from Wet 'n Wild in 1998, but he continued to work on new projects. He designed and patented a system for moving visitors down into the center of a circular aquarium so that everyone had a good view of the fish. Millay partnered with William Watts and David Powell in creating a company named Sea Venture to sell the system. At the time of his death in 2006, no examples of the system had been sold.","\nGeorge Millay received Lifetime Achievement Awards from the International Association of Amusement Parks and Attractions and the Themed Entertainment Association, and he was named the Father of the Waterpark Industry by the World Waterpark Association. Tim O'Brien wrote Millay's biography entitled The Wave Maker in 2004.","Collection processed by Judith Beale; finding aid prepared by Judith Beale. Materials received in 2010 processed and added to the collection in 2016 by Suphi Burak Ogreten. ","Materials were removed from binders. Some smaller items were removed from frames. One photograph was digitized, as it was stuck to glass, then removed from the glass. Photographs and slides were sleeved. Faxes were photocopied and traced in pencil to make them clearer. Audiocassettes and slides were removed from their cases because the foam was disintegrating. Plaques and awards were wrapped and documents were placed in pH neutral folders and boxes.","Other collections include Harrison \"Buzz\" Price Papers and the Al Turner, Splash Magazine Collection may be found by searching our online  Library Catalog .","Series I: Wet 'n Wild, 1974-2005 holds correspondence, minutes, advertising materials, photographs, memorabilia, news clippings, reports and plans concerning all aspects of the founding and management of the Wet 'n Wild Parks.","\nSeries II: Sea World, 1959-2004 contains correspondence, news clippings, scrapbooks, photographs, reports and memorabilia documenting all aspects of the founding and management of Sea World, Inc.","\nSeries III: Sea Venture, 1998-2004 contains correspondence, plans, photographs and contracts concerning the patenting and marketing of George Millay's system for transporting visitors down into a doughnut-shaped aquarium.","\nSeries IV: Personal, 1965-2006 holds photographs, audio, video, correspondence, memorabilia and brochures that document projects, accolades and memorials. The series includes resources used in Millay's biography and a file on the opening of Disney World.","\nSeries V: Additional Materials, 1965-1999 includes newspaper and magazine clippings, photographs, pamphlets, correspondence, annual reports, proposals, and various ephemera related to the Wet'n Wild, Sea World, and Seven Seas parks.","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","George Millay founded both Sea World and Wet 'n Wild for which he was named Father of the Waterpark Industry. This collection of correspondence, photographs, memorabilia, news clippings, reports and audio visual materials documents the complicated and not always successful process of building a new waterpark. In addition to materials concerning Sea World and Wet 'n Wild, the collection contains information on George Millay's other projects and his personal achievements.","UCF Special Collections","Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World","Millay, Anne, 1934-2006","Millay, George","English"],"unitid_tesim":["SC.079","/repositories/4/resources/154"],"normalized_date_ssm":["1959-2006"],"normalized_title_ssm":["George and Anne Millay Collection, 1959-2006"],"collection_title_tesim":["George and Anne Millay Collection, 1959-2006"],"collection_ssim":["George and Anne Millay Collection, 1959-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)"],"geogname_ssim":["Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)"],"creator_ssm":["Millay, Anne, 1934-2006"],"creator_ssim":["Millay, Anne, 1934-2006"],"creator_persname_ssim":["Millay, Anne, 1934-2006"],"creators_ssim":["Millay, Anne, 1934-2006"],"places_ssim":["Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The Millay family donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2007 (CFM2007_15) and 2010 (CFM2010_04)."],"access_subjects_ssim":["Amusement parks","Water parks","Marine aquariums","Public aquariums","Tourism","Blueprints","Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings"],"access_subjects_ssm":["Amusement parks","Water parks","Marine aquariums","Public aquariums","Tourism","Blueprints","Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings"],"has_online_content_ssim":["false"],"extent_ssm":["21.25 Linear Feet 22 Boxes, 8 Flat Files, 5 Framed Items"],"extent_tesim":["21.25 Linear Feet 22 Boxes, 8 Flat Files, 5 Framed Items"],"genreform_ssim":["Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings"],"date_range_isim":[1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe papers are arranged in five series by topic.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The papers are arranged in five series by topic."],"bioghist_html_tesm":["\u003cp\u003eGeorge Millay was born on 4th July 1929. While his Father was in the navy, George's family lived at Pearl Harbor, and he witnessed the 1941 attack. George himself served in the navy for more than three years as a weather forecaster; for part of the time he was on the USS Bairoko. After graduating from the University of California, Los Angeles with a degree in meteorology in 1955, George Millay worked for a stockbroking firm until 1960. He married Anne Real in 1963; they eventually had three sons and a daughter.\u003c/p\u003e\n","\u003cp\u003e\nIn 1958, Millay opened the Reef restaurant in Los Angeles with David Tallichet. He planned to create a submarine bar there so that customers could view sea creatures while enjoying cocktails. The plan failed because the water in the harbor was too cloudy. However, his interest in marine life introduced him to Dr. Kenneth Norris, curator at Marineland. Together with Milton Shedd and David DeMott, they organized the Marine Park Corporation to create a marine park in San Diego. Sea World opened in 1964 and expanded in 1970 with a park in Ohio followed by the Orlando park in 1972. Sea World Inc. opened an amusement park in Valencia California on 29th May 1971 in partnership with Newhall Land and Farming. Officially named \"Magic Mountain\", the park was designated \"Tragic Mountain\" by a reporter who was injured there. Sea World did not make a profit on the venture and sold out to its partner late in 1971. Millay resigned from Sea World Inc in 1974 because of a disagreement with his partners over how the company should develop.\u003c/p\u003e\n","\u003cp\u003e\nGeorge Millay had spent a lot of time at Sea World in Orlando, and he thought that families would enjoy water activities as a break from the Florida heat. He pulled together ideas from a water playground at the Toronto World's Fair, a flume near Sacramento and a wave pool in Alabama, added a children's playgound, restrooms, gift shop and snack bar to create a new concept. He formed the Leisure Marine Corporation to develop his idea. Initially, the company ran the Seven Seas park in Arlington, TX, for a season, but the venture did not develop further. Wet 'n Wild eventually became a reality in Orlando, where it opened in 1977. The company took over the failing Seven Seas park and redeveloped it into the second Wet 'n Wild in 1983 followed by Las Vegas in 1985. Additional sites opened in Garland, TX, Brazil and Mexico. Wet 'n Wild was named the Best of Aquatics for 2003 by Aquatics International magazine.\u003c/p\u003e\n","\u003cp\u003e\nMillay retired from Wet 'n Wild in 1998, but he continued to work on new projects. He designed and patented a system for moving visitors down into the center of a circular aquarium so that everyone had a good view of the fish. Millay partnered with William Watts and David Powell in creating a company named Sea Venture to sell the system. At the time of his death in 2006, no examples of the system had been sold.\u003c/p\u003e\n","\u003cp\u003e\nGeorge Millay received Lifetime Achievement Awards from the International Association of Amusement Parks and Attractions and the Themed Entertainment Association, and he was named the Father of the Waterpark Industry by the World Waterpark Association. Tim O'Brien wrote Millay's biography entitled The Wave Maker in 2004.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["George Millay was born on 4th July 1929. While his Father was in the navy, George's family lived at Pearl Harbor, and he witnessed the 1941 attack. George himself served in the navy for more than three years as a weather forecaster; for part of the time he was on the USS Bairoko. After graduating from the University of California, Los Angeles with a degree in meteorology in 1955, George Millay worked for a stockbroking firm until 1960. He married Anne Real in 1963; they eventually had three sons and a daughter.","\nIn 1958, Millay opened the Reef restaurant in Los Angeles with David Tallichet. He planned to create a submarine bar there so that customers could view sea creatures while enjoying cocktails. The plan failed because the water in the harbor was too cloudy. However, his interest in marine life introduced him to Dr. Kenneth Norris, curator at Marineland. Together with Milton Shedd and David DeMott, they organized the Marine Park Corporation to create a marine park in San Diego. Sea World opened in 1964 and expanded in 1970 with a park in Ohio followed by the Orlando park in 1972. Sea World Inc. opened an amusement park in Valencia California on 29th May 1971 in partnership with Newhall Land and Farming. Officially named \"Magic Mountain\", the park was designated \"Tragic Mountain\" by a reporter who was injured there. Sea World did not make a profit on the venture and sold out to its partner late in 1971. Millay resigned from Sea World Inc in 1974 because of a disagreement with his partners over how the company should develop.","\nGeorge Millay had spent a lot of time at Sea World in Orlando, and he thought that families would enjoy water activities as a break from the Florida heat. He pulled together ideas from a water playground at the Toronto World's Fair, a flume near Sacramento and a wave pool in Alabama, added a children's playgound, restrooms, gift shop and snack bar to create a new concept. He formed the Leisure Marine Corporation to develop his idea. Initially, the company ran the Seven Seas park in Arlington, TX, for a season, but the venture did not develop further. Wet 'n Wild eventually became a reality in Orlando, where it opened in 1977. The company took over the failing Seven Seas park and redeveloped it into the second Wet 'n Wild in 1983 followed by Las Vegas in 1985. Additional sites opened in Garland, TX, Brazil and Mexico. Wet 'n Wild was named the Best of Aquatics for 2003 by Aquatics International magazine.","\nMillay retired from Wet 'n Wild in 1998, but he continued to work on new projects. He designed and patented a system for moving visitors down into the center of a circular aquarium so that everyone had a good view of the fish. Millay partnered with William Watts and David Powell in creating a company named Sea Venture to sell the system. At the time of his death in 2006, no examples of the system had been sold.","\nGeorge Millay received Lifetime Achievement Awards from the International Association of Amusement Parks and Attractions and the Themed Entertainment Association, and he was named the Father of the Waterpark Industry by the World Waterpark Association. Tim O'Brien wrote Millay's biography entitled The Wave Maker in 2004."],"prefercite_html_tesm":["\u003cp\u003eGeorge and Anne Millay Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["George and Anne Millay Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Judith Beale; finding aid prepared by Judith Beale. Materials received in 2010 processed and added to the collection in 2016 by Suphi Burak Ogreten. \u003c/p\u003e","\u003cp\u003eMaterials were removed from binders. Some smaller items were removed from frames. One photograph was digitized, as it was stuck to glass, then removed from the glass. Photographs and slides were sleeved. Faxes were photocopied and traced in pencil to make them clearer. Audiocassettes and slides were removed from their cases because the foam was disintegrating. Plaques and awards were wrapped and documents were placed in pH neutral folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Judith Beale; finding aid prepared by Judith Beale. Materials received in 2010 processed and added to the collection in 2016 by Suphi Burak Ogreten. ","Materials were removed from binders. Some smaller items were removed from frames. One photograph was digitized, as it was stuck to glass, then removed from the glass. Photographs and slides were sleeved. Faxes were photocopied and traced in pencil to make them clearer. Audiocassettes and slides were removed from their cases because the foam was disintegrating. Plaques and awards were wrapped and documents were placed in pH neutral folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eOther collections include Harrison \"Buzz\" Price Papers and the Al Turner, Splash Magazine Collection may be found by searching our online \u003cextref href=\"https://library.ucf.edu\"\u003eLibrary Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other collections include Harrison \"Buzz\" Price Papers and the Al Turner, Splash Magazine Collection may be found by searching our online  Library Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Wet 'n Wild, 1974-2005 holds correspondence, minutes, advertising materials, photographs, memorabilia, news clippings, reports and plans concerning all aspects of the founding and management of the Wet 'n Wild Parks.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Sea World, 1959-2004 contains correspondence, news clippings, scrapbooks, photographs, reports and memorabilia documenting all aspects of the founding and management of Sea World, Inc.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Sea Venture, 1998-2004 contains correspondence, plans, photographs and contracts concerning the patenting and marketing of George Millay's system for transporting visitors down into a doughnut-shaped aquarium.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal, 1965-2006 holds photographs, audio, video, correspondence, memorabilia and brochures that document projects, accolades and memorials. The series includes resources used in Millay's biography and a file on the opening of Disney World.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Additional Materials, 1965-1999 includes newspaper and magazine clippings, photographs, pamphlets, correspondence, annual reports, proposals, and various ephemera related to the Wet'n Wild, Sea World, and Seven Seas parks.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Wet 'n Wild, 1974-2005 holds correspondence, minutes, advertising materials, photographs, memorabilia, news clippings, reports and plans concerning all aspects of the founding and management of the Wet 'n Wild Parks.","\nSeries II: Sea World, 1959-2004 contains correspondence, news clippings, scrapbooks, photographs, reports and memorabilia documenting all aspects of the founding and management of Sea World, Inc.","\nSeries III: Sea Venture, 1998-2004 contains correspondence, plans, photographs and contracts concerning the patenting and marketing of George Millay's system for transporting visitors down into a doughnut-shaped aquarium.","\nSeries IV: Personal, 1965-2006 holds photographs, audio, video, correspondence, memorabilia and brochures that document projects, accolades and memorials. The series includes resources used in Millay's biography and a file on the opening of Disney World.","\nSeries V: Additional Materials, 1965-1999 includes newspaper and magazine clippings, photographs, pamphlets, correspondence, annual reports, proposals, and various ephemera related to the Wet'n Wild, Sea World, and Seven Seas parks."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e2b9aba5ed67fc882ac4591fdb37c3fb\" label=\"Abstract\"\u003eGeorge Millay founded both Sea World and Wet 'n Wild for which he was named Father of the Waterpark Industry. This collection of correspondence, photographs, memorabilia, news clippings, reports and audio visual materials documents the complicated and not always successful process of building a new waterpark. In addition to materials concerning Sea World and Wet 'n Wild, the collection contains information on George Millay's other projects and his personal achievements.\u003c/abstract\u003e"],"abstract_tesim":["George Millay founded both Sea World and Wet 'n Wild for which he was named Father of the Waterpark Industry. This collection of correspondence, photographs, memorabilia, news clippings, reports and audio visual materials documents the complicated and not always successful process of building a new waterpark. In addition to materials concerning Sea World and Wet 'n Wild, the collection contains information on George Millay's other projects and his personal achievements."],"names_coll_ssim":["Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World","Millay, George","Millay, Anne, 1934-2006"],"names_ssim":["UCF Special Collections","Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World","Millay, Anne, 1934-2006","Millay, George"],"corpname_ssim":["UCF Special Collections","Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World"],"persname_ssim":["Millay, Anne, 1934-2006","Millay, George"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":680,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"05176a8238a411947dafe2de","timestamp":"2026-07-09T03:02:51.250Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/05176a8238a411947dafe2de_aspace_16506"}},{"id":"cfa3e4446ebff94a3f0c01d2_aspace_929150aeb0ae9533828642473ecdb006","type":"File","attributes":{"title":"Young Author's Conference, 1988-1996","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/cfa3e4446ebff94a3f0c01d2_aspace_929150aeb0ae9533828642473ecdb006#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_929150aeb0ae9533828642473ecdb006","ref_ssm":["aspace_929150aeb0ae9533828642473ecdb006","aspace_929150aeb0ae9533828642473ecdb006"],"id":"cfa3e4446ebff94a3f0c01d2_aspace_929150aeb0ae9533828642473ecdb006","title_filing_ssi":"Young Author's Conference","title_ssm":["Young Author's Conference"],"title_tesim":["Young Author's Conference"],"unitdate_inclusive_ssm":["1988-1996"],"normalized_date_ssm":["1988-1996"],"normalized_title_ssm":["Young Author's Conference, 1988-1996"],"text":["Young Author's Conference, 1988-1996","Susan Evans Papers, 1988-2021, bulk 1993-2011, 1995-2007","FGCU Events, 1979-2008","/repositories/3/archival_objects/42950","English","box 22","folder 37"],"component_level_isim":[2],"parent_ids_ssim":["cfa3e4446ebff94a3f0c01d2","cfa3e4446ebff94a3f0c01d2_aspace_9ecd7521e7d5fd393338fa58dedb2062"],"parent_unittitles_ssm":["Susan Evans Papers, 1988-2021, bulk 1993-2011, 1995-2007","FGCU Events, 1979-2008"],"parent_unittitles_tesim":["Susan Evans Papers, 1988-2021, bulk 1993-2011, 1995-2007","FGCU Events, 1979-2008"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/42950"],"repository_ssim":["Florida Gulf Coast University Archives"],"collection_ssim":["Susan Evans Papers, 1988-2021, bulk 1993-2011, 1995-2007"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1020,"parent_access_restrict_tesm":["The collection is open for research."],"date_range_isim":[1988,1989,1990,1991,1992,1993,1994,1995,1996],"language_ssim":["English"],"containers_ssim":["box 22","folder 37"],"_nest_path_":"/components#6/components#36","_nest_parent_":"cfa3e4446ebff94a3f0c01d2_aspace_9ecd7521e7d5fd393338fa58dedb2062","_root_":"cfa3e4446ebff94a3f0c01d2","timestamp":"2026-05-05T01:53:10.751Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"cfa3e4446ebff94a3f0c01d2","title_filing_ssi":"Susan Evans","title_ssm":["Susan Evans Papers"],"title_tesim":["Susan Evans Papers"],"ead_ssi":"cfa3e4446ebff94a3f0c01d2","unitdate_ssm":["1988-2021","1993-2011","1995-2007"],"unitdate_bulk_ssim":["1993-2011","1995-2007"],"unitdate_inclusive_ssm":["1988-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01.19.01","/repositories/3/resources/88"],"text":["01.19.01","/repositories/3/resources/88","Susan Evans Papers, 1988-2021, bulk 1993-2011, 1995-2007","FGCU opening","Florida Gulf Coast University","Records -- Management","The collection is open for research.","Arrangement of materials consist of eleven Series, Athletics, Campus Planning, History, Early Years, Presidential Search, Events, FGCU Early Years - Event Photographs, FGCU VHS Collection, Charlotte County Site Selection, Football Feasibility Study, FGCU News Article Releases. Each Series has its own sub-series as well with various documents and information. The first three Series in The Collection Athletics, Campus Planning, and History is organized chronologically within each series, including the bulk dates of 1993-2011 for those materials in the collection. The other four Series Early Years, Presidential Search, Events, and FGCU Early Years Event Photographs are organized by the rules of Archival More Product, Less Process. Therefore, not in chronological order, the material was processed in the way the collection was obtained from Susan Evans, including bulk dates of 1995-2007. Then 1988-2021 for Susan Evans time in office and employed by Florida Gulf Coast University. The third part and last four Series in the Collection also utilized the MPLP processing style. Material was processed in the way it was originally obtained. Materials for some of the Series were organized by the dates provided and available.","Susan Evans is a Florida native and began working for Florida Gulf Coast University on October 1, 1993, making her the institution's founding staff member at FGCU. Her commitment to Florida Gulf Coast University lasted through four Presidents and several interim Presidents. Evans worked as a University Lobbyist from 1993-2000, then as the Chief of Staff for over 15 years, and Vice President for two years. Evans worked as a corporate secretary to the FGCU Board of Trustees, as well as a committee member for the 2016 FGCU Presidential Search. Evans retired from Florida Gulf Coast University in 2021.","The Susan Evans Papers include various materials surrounding her long serving term, such as items from Florida Gulf Coast University founding, campus planning, history, and athletics. Forms of media included text, photographs, VHS tapes, physical objects and letters. Topics and subjects range from University Groundbreaking to Susan Evans's time as a Vice President. The first part of this collection includes Series Athletics, Campus Planning, History and one Sub-Series Objects and Ephemera. The second part of her collection includes Series Early Years, Presidential Search, Events, FGCU Early Years Event Photography. The third and last part of this collection is, FGCU VHS Collection, Charlotte County Site Selection, Football Feasibility Study, FGCU News Article Releases.","Range: 1B: Section: 3: Shelf: 2-6\nRange: 1B: Section: 4: Shelf: 1-6\nRange: 1B: Section: 5: Shelf: 1-6\nRange: 2A: Section: 5: Shelf: 1-2\nRange: 2A: Section: 6: Shelf: 1-6","Florida Gulf Coast University Archives","English"],"unitid_tesim":["01.19.01","/repositories/3/resources/88"],"normalized_date_ssm":["1988-2021, bulk 1993-2011, 1995-2007"],"normalized_title_ssm":["Susan Evans Papers, 1988-2021, bulk 1993-2011, 1995-2007"],"collection_title_tesim":["Susan Evans Papers, 1988-2021, bulk 1993-2011, 1995-2007"],"collection_ssim":["Susan Evans Papers, 1988-2021, bulk 1993-2011, 1995-2007"],"repository_ssm":["Florida Gulf Coast University Archives"],"repository_ssim":["Florida Gulf Coast University Archives"],"geogname_ssm":["FGCU opening","Florida Gulf Coast University"],"geogname_ssim":["FGCU opening","Florida Gulf Coast University"],"places_ssim":["FGCU opening","Florida Gulf Coast University"],"access_subjects_ssim":["Records -- Management"],"access_subjects_ssm":["Records -- Management"],"has_online_content_ssim":["false"],"extent_ssm":["53 Linear Feet"],"extent_tesim":["53 Linear Feet"],"date_range_isim":[1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eArrangement of materials consist of eleven Series, Athletics, Campus Planning, History, Early Years, Presidential Search, Events, FGCU Early Years - Event Photographs, FGCU VHS Collection, Charlotte County Site Selection, Football Feasibility Study, FGCU News Article Releases. Each Series has its own sub-series as well with various documents and information. The first three Series in The Collection Athletics, Campus Planning, and History is organized chronologically within each series, including the bulk dates of 1993-2011 for those materials in the collection. The other four Series Early Years, Presidential Search, Events, and FGCU Early Years Event Photographs are organized by the rules of Archival More Product, Less Process. Therefore, not in chronological order, the material was processed in the way the collection was obtained from Susan Evans, including bulk dates of 1995-2007. Then 1988-2021 for Susan Evans time in office and employed by Florida Gulf Coast University. The third part and last four Series in the Collection also utilized the MPLP processing style. Material was processed in the way it was originally obtained. Materials for some of the Series were organized by the dates provided and available.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arrangement of materials consist of eleven Series, Athletics, Campus Planning, History, Early Years, Presidential Search, Events, FGCU Early Years - Event Photographs, FGCU VHS Collection, Charlotte County Site Selection, Football Feasibility Study, FGCU News Article Releases. Each Series has its own sub-series as well with various documents and information. The first three Series in The Collection Athletics, Campus Planning, and History is organized chronologically within each series, including the bulk dates of 1993-2011 for those materials in the collection. The other four Series Early Years, Presidential Search, Events, and FGCU Early Years Event Photographs are organized by the rules of Archival More Product, Less Process. Therefore, not in chronological order, the material was processed in the way the collection was obtained from Susan Evans, including bulk dates of 1995-2007. Then 1988-2021 for Susan Evans time in office and employed by Florida Gulf Coast University. The third part and last four Series in the Collection also utilized the MPLP processing style. Material was processed in the way it was originally obtained. Materials for some of the Series were organized by the dates provided and available."],"bioghist_html_tesm":["\u003cp\u003eSusan Evans is a Florida native and began working for Florida Gulf Coast University on October 1, 1993, making her the institution's founding staff member at FGCU. Her commitment to Florida Gulf Coast University lasted through four Presidents and several interim Presidents. Evans worked as a University Lobbyist from 1993-2000, then as the Chief of Staff for over 15 years, and Vice President for two years. Evans worked as a corporate secretary to the FGCU Board of Trustees, as well as a committee member for the 2016 FGCU Presidential Search. Evans retired from Florida Gulf Coast University in 2021.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Susan Evans is a Florida native and began working for Florida Gulf Coast University on October 1, 1993, making her the institution's founding staff member at FGCU. Her commitment to Florida Gulf Coast University lasted through four Presidents and several interim Presidents. Evans worked as a University Lobbyist from 1993-2000, then as the Chief of Staff for over 15 years, and Vice President for two years. Evans worked as a corporate secretary to the FGCU Board of Trustees, as well as a committee member for the 2016 FGCU Presidential Search. Evans retired from Florida Gulf Coast University in 2021."],"scopecontent_html_tesm":["\u003cp\u003eThe Susan Evans Papers include various materials surrounding her long serving term, such as items from Florida Gulf Coast University founding, campus planning, history, and athletics. Forms of media included text, photographs, VHS tapes, physical objects and letters. Topics and subjects range from University Groundbreaking to Susan Evans's time as a Vice President. The first part of this collection includes Series Athletics, Campus Planning, History and one Sub-Series Objects and Ephemera. The second part of her collection includes Series Early Years, Presidential Search, Events, FGCU Early Years Event Photography. The third and last part of this collection is, FGCU VHS Collection, Charlotte County Site Selection, Football Feasibility Study, FGCU News Article Releases.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Susan Evans Papers include various materials surrounding her long serving term, such as items from Florida Gulf Coast University founding, campus planning, history, and athletics. Forms of media included text, photographs, VHS tapes, physical objects and letters. Topics and subjects range from University Groundbreaking to Susan Evans's time as a Vice President. The first part of this collection includes Series Athletics, Campus Planning, History and one Sub-Series Objects and Ephemera. The second part of her collection includes Series Early Years, Presidential Search, Events, FGCU Early Years Event Photography. The third and last part of this collection is, FGCU VHS Collection, Charlotte County Site Selection, Football Feasibility Study, FGCU News Article Releases."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_51e3242f2f0dbb16d95b935ce1d51627\"\u003eRange: 1B: Section: 3: Shelf: 2-6\nRange: 1B: Section: 4: Shelf: 1-6\nRange: 1B: Section: 5: Shelf: 1-6\nRange: 2A: Section: 5: Shelf: 1-2\nRange: 2A: Section: 6: Shelf: 1-6\u003c/physloc\u003e"],"physloc_tesim":["Range: 1B: Section: 3: Shelf: 2-6\nRange: 1B: Section: 4: Shelf: 1-6\nRange: 1B: Section: 5: Shelf: 1-6\nRange: 2A: Section: 5: Shelf: 1-2\nRange: 2A: Section: 6: Shelf: 1-6"],"names_ssim":["Florida Gulf Coast University Archives"],"corpname_ssim":["Florida Gulf Coast University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1680,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"cfa3e4446ebff94a3f0c01d2","timestamp":"2026-05-05T01:53:10.751Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/cfa3e4446ebff94a3f0c01d2_aspace_929150aeb0ae9533828642473ecdb006"}},{"id":"a0b8dca0cc27e719e79a099f_aspace_66f2186e775a1aa9e5eef42520df8f61","type":"File","attributes":{"title":"Youngquist Property, 1983-2008","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_66f2186e775a1aa9e5eef42520df8f61#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eFolder includes mitigation meeting notes and aerial prints.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_66f2186e775a1aa9e5eef42520df8f61#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_66f2186e775a1aa9e5eef42520df8f61","ref_ssm":["aspace_66f2186e775a1aa9e5eef42520df8f61","aspace_66f2186e775a1aa9e5eef42520df8f61"],"id":"a0b8dca0cc27e719e79a099f_aspace_66f2186e775a1aa9e5eef42520df8f61","title_filing_ssi":"Youngquist Property","title_ssm":["Youngquist Property"],"title_tesim":["Youngquist Property"],"unitdate_inclusive_ssm":["1983-2008"],"normalized_date_ssm":["1983-2008"],"normalized_title_ssm":["Youngquist Property, 1983-2008"],"text":["Youngquist Property, 1983-2008","Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Corkscrew Swamp Sanctuary Records","Weather Data, 1992-Youngquist Property","/repositories/2/archival_objects/198332","box 21","folder 14","Folder includes mitigation meeting notes and aerial prints."],"component_level_isim":[3],"parent_ids_ssim":["a0b8dca0cc27e719e79a099f","a0b8dca0cc27e719e79a099f_aspace_e321b62174c707b70994a33f9c213e29","a0b8dca0cc27e719e79a099f_aspace_1cac2636a61b0add27fea61adf63a056"],"parent_unittitles_ssm":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Corkscrew Swamp Sanctuary Records","Weather Data, 1992-Youngquist Property"],"parent_unittitles_tesim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Corkscrew Swamp Sanctuary Records","Weather Data, 1992-Youngquist Property"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["/repositories/2/archival_objects/198332"],"repository_ssim":["USF Libraries - 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The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically.","Audubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns.","The Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record.","This collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings.","Maps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. 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It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns.\u003c/p\u003e"],"bioghist_heading_ssm":["Content Description"],"bioghist_tesim":["Audubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. 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Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bf60a5a83f90c49360b71829ac95b658\"\u003eThe Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. Rainey Wildlife Sanctuary and Platte River.\u003c/abstract\u003e"],"abstract_tesim":["The Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. 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The year and number code assigned to each box denotes the year in which papers were filed by Gibbons' office. Years on documents within the box may not reflect the year of filing.","Sam M. Gibbons was born in Tampa Florida in 1920. His tenure in law school was interrupted by World War II, when he volunteered for the Army, and later for duty as a paratrooper in the 101st Airborne Division. He served with distinction and in 1951 Gibbons was elected to the Florida House of Representatives, where he drafted the bill founding the University of South Florida in Hillsborough County. He founded USF's Foundation and served as its first president, expanded the City of Tampa by annexing suburbs, founded the Southwest Florida Water Management District, and began programs to save the state money and prevent corruption. He joined the Florida Senate in 1958, serving one term before being elected to the U.S. House of Representatives in 1962.  Gibbons died in Tampa in 2012.","As a member of Congress, Gibbons became known as a moderate democrat interested in free trade and tax reform. He joined Congress in time to vote for the land mark civil rights bill, Medicare, President Johnson's War on Poverty, and to vote for the Gulf of Tonkin Resolution giving the president the power to wage war in Vietnam, a vote he came to regret. He funneled Urban Renewal funds into Tampa's crumbling inner city. In 1969, he joined the influential Ways and Means Committee, where he would sit until his retirement in 1996, spending much attention on the Subcommittee on Trade. He put his free trade beliefs into action with the Caribbean Basin Initiative (CBI), passing two versions in the 1980s. He retired in 1996 after a stormy stint as the voice of opposition to the new Republican majority. During and after his career, he repeatedly called for the U.S. to lift its trade embargo against Cuba.","Primarily covers his years in the U.S. House of Representatives, 1962-1996.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Gibbons, Sam M. (Sam Melville), 1920-2012","English"],"unitid_tesim":["MS-1996-02","/repositories/2/resources/378"],"normalized_date_ssm":["1940-2000, 1996, bulk 1960-1996"],"normalized_title_ssm":["Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996"],"collection_title_tesim":["Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996"],"collection_ssim":["Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Florida -- Politics and government","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History"],"geogname_ssim":["Florida -- Politics and government","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History"],"creator_ssm":["Gibbons, Sam M. (Sam Melville), 1920-2012"],"creator_ssim":["Gibbons, Sam M. (Sam Melville), 1920-2012"],"creator_persname_ssim":["Gibbons, Sam M. 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(Sam Melville), 1920-2012"],"places_ssim":["Florida -- Politics and government","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Sam Gibbons and Gibbons family, U.S. House of Representatives","Donation."],"access_subjects_ssim":["University of South Florida -- History"],"access_subjects_ssm":["University of South Florida -- History"],"has_online_content_ssim":["false"],"extent_ssm":["504.02 Linear Feet","370 boxes"],"extent_tesim":["504.02 Linear Feet","370 boxes"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eNo restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No restrictions."],"arrangement_html_tesm":["\u003cp\u003eChronologically, broken up by committee and subject. The year and number code assigned to each box denotes the year in which papers were filed by Gibbons' office. Years on documents within the box may not reflect the year of filing.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Chronologically, broken up by committee and subject. The year and number code assigned to each box denotes the year in which papers were filed by Gibbons' office. Years on documents within the box may not reflect the year of filing."],"bioghist_html_tesm":["\u003cp\u003eSam M. Gibbons was born in Tampa Florida in 1920. His tenure in law school was interrupted by World War II, when he volunteered for the Army, and later for duty as a paratrooper in the 101st Airborne Division. He served with distinction and in 1951 Gibbons was elected to the Florida House of Representatives, where he drafted the bill founding the University of South Florida in Hillsborough County. He founded USF's Foundation and served as its first president, expanded the City of Tampa by annexing suburbs, founded the Southwest Florida Water Management District, and began programs to save the state money and prevent corruption. He joined the Florida Senate in 1958, serving one term before being elected to the U.S. House of Representatives in 1962.\u0026#xA0; Gibbons died in Tampa in 2012.\u003c/p\u003e\n","\u003cp\u003eAs a member of Congress, Gibbons became known as a moderate democrat interested in free trade and tax reform. He joined Congress in time to vote for the land mark civil rights bill, Medicare, President Johnson's War on Poverty, and to vote for the Gulf of Tonkin Resolution giving the president the power to wage war in Vietnam, a vote he came to regret. He funneled Urban Renewal funds into Tampa's crumbling inner city. In 1969, he joined the influential Ways and Means Committee, where he would sit until his retirement in 1996, spending much attention on the Subcommittee on Trade. He put his free trade beliefs into action with the Caribbean Basin Initiative (CBI), passing two versions in the 1980s. He retired in 1996 after a stormy stint as the voice of opposition to the new Republican majority. During and after his career, he repeatedly called for the U.S. to lift its trade embargo against Cuba.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Sam M. Gibbons was born in Tampa Florida in 1920. His tenure in law school was interrupted by World War II, when he volunteered for the Army, and later for duty as a paratrooper in the 101st Airborne Division. He served with distinction and in 1951 Gibbons was elected to the Florida House of Representatives, where he drafted the bill founding the University of South Florida in Hillsborough County. He founded USF's Foundation and served as its first president, expanded the City of Tampa by annexing suburbs, founded the Southwest Florida Water Management District, and began programs to save the state money and prevent corruption. He joined the Florida Senate in 1958, serving one term before being elected to the U.S. House of Representatives in 1962.  Gibbons died in Tampa in 2012.","As a member of Congress, Gibbons became known as a moderate democrat interested in free trade and tax reform. He joined Congress in time to vote for the land mark civil rights bill, Medicare, President Johnson's War on Poverty, and to vote for the Gulf of Tonkin Resolution giving the president the power to wage war in Vietnam, a vote he came to regret. He funneled Urban Renewal funds into Tampa's crumbling inner city. In 1969, he joined the influential Ways and Means Committee, where he would sit until his retirement in 1996, spending much attention on the Subcommittee on Trade. He put his free trade beliefs into action with the Caribbean Basin Initiative (CBI), passing two versions in the 1980s. He retired in 1996 after a stormy stint as the voice of opposition to the new Republican majority. During and after his career, he repeatedly called for the U.S. to lift its trade embargo against Cuba."],"scopecontent_html_tesm":["\u003cp\u003ePrimarily covers his years in the U.S. House of Representatives, 1962-1996.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Primarily covers his years in the U.S. House of Representatives, 1962-1996."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Gibbons, Sam M. (Sam Melville), 1920-2012"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Gibbons, Sam M. (Sam Melville), 1920-2012"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8166,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881013055886721024,"_root_":"65675f74ccda9442057b96d0","timestamp":"2026-11-05T10:17:19.988Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/65675f74ccda9442057b96d0_aspace_51425eb78ed6ee157b34ee94c1b54f06"}},{"id":"256e771e3cc0782aac349f80","type":"collection","attributes":{"title":"Zine Collection, 1973-2019","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80#abstract_or_scope","type":"document_value","attributes":{"value":["Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"256e771e3cc0782aac349f80","title_ssm":["Zine Collection"],"title_tesim":["Zine Collection"],"ead_ssi":"256e771e3cc0782aac349f80","unitdate_ssm":["1973-2019"],"unitdate_inclusive_ssm":["1973-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/26","/repositories/2/resources/6"],"text":["02/01/26","/repositories/2/resources/6","Zine Collection, 1973-2019","Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art","The collection is open for use.","Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.","The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.","Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.","Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe","English"],"unitid_tesim":["02/01/26","/repositories/2/resources/6"],"normalized_date_ssm":["1973-2019"],"normalized_title_ssm":["Zine Collection, 1973-2019"],"collection_title_tesim":["Zine Collection, 1973-2019"],"collection_ssim":["Zine Collection, 1973-2019"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"geogname_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"places_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet"],"extent_tesim":["9 Linear Feet"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for use."],"arrangement_html_tesm":["\u003cp\u003eOrganized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020."],"scopecontent_html_tesm":["\u003cp\u003eThe Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5a0de4e8fb6224cb231f2eecf1aee4f4\" label=\"Abstract and Language Disclaimer\"\u003eZines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.\u003c/abstract\u003e"],"abstract_tesim":["Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience."],"names_ssim":["Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"persname_ssim":["Corley, Madison","Lewis, Chloe"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":447,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870843569479090176,"_root_":"256e771e3cc0782aac349f80","timestamp":"2026-07-16T04:17:42.144Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"256e771e3cc0782aac349f80","title_ssm":["Zine Collection"],"title_tesim":["Zine Collection"],"ead_ssi":"256e771e3cc0782aac349f80","unitdate_ssm":["1973-2019"],"unitdate_inclusive_ssm":["1973-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/26","/repositories/2/resources/6"],"text":["02/01/26","/repositories/2/resources/6","Zine Collection, 1973-2019","Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art","The collection is open for use.","Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.","The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.","Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.","Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe","English"],"unitid_tesim":["02/01/26","/repositories/2/resources/6"],"normalized_date_ssm":["1973-2019"],"normalized_title_ssm":["Zine Collection, 1973-2019"],"collection_title_tesim":["Zine Collection, 1973-2019"],"collection_ssim":["Zine Collection, 1973-2019"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"geogname_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"places_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet"],"extent_tesim":["9 Linear Feet"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for use."],"arrangement_html_tesm":["\u003cp\u003eOrganized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020."],"scopecontent_html_tesm":["\u003cp\u003eThe Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5a0de4e8fb6224cb231f2eecf1aee4f4\" label=\"Abstract and Language Disclaimer\"\u003eZines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.\u003c/abstract\u003e"],"abstract_tesim":["Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. 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