{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1990\u0026page=443\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1990\u0026page=442\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1990\u0026page=444\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1990\u0026page=666\u0026view=compact"},"meta":{"pages":{"current_page":443,"next_page":444,"prev_page":442,"total_pages":666,"limit_value":10,"offset_value":4420,"total_count":6652,"first_page?":false,"last_page?":false}},"data":[{"id":"377018d2c691025d88612f9e_aspace_a69596d77526b162f662b9527afae793","type":"File","attributes":{"title":"\"Nobody knows, nobody cares\", 1990","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/377018d2c691025d88612f9e_aspace_a69596d77526b162f662b9527afae793#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_a69596d77526b162f662b9527afae793","ref_ssm":["aspace_a69596d77526b162f662b9527afae793","aspace_a69596d77526b162f662b9527afae793"],"id":"377018d2c691025d88612f9e_aspace_a69596d77526b162f662b9527afae793","title_filing_ssi":"\"Nobody knows, nobody cares\"","title_ssm":["\"Nobody knows, nobody cares\""],"title_tesim":["\"Nobody knows, nobody cares\""],"unitdate_inclusive_ssm":["1990"],"normalized_date_ssm":["1990"],"normalized_title_ssm":["\"Nobody knows, nobody cares\", 1990"],"text":["\"Nobody knows, nobody cares\", 1990","Burt Szabo music collection, 1955-2017","/repositories/2/archival_objects/79659","/repositories/2/archival_objects/82921","box 20","folder 22"],"component_level_isim":[1],"parent_ids_ssim":["377018d2c691025d88612f9e"],"parent_unittitles_ssm":["Burt Szabo music collection, 1955-2017"],"parent_unittitles_tesim":["Burt Szabo music collection, 1955-2017"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/79659","/repositories/2/archival_objects/82921"],"repository_ssim":["UCF University Archives"],"collection_ssim":["Burt Szabo music collection, 1955-2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":695,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. 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","Processed by and finding aid prepared by Simone DeLuque in 2025.","For more information on Special Collections \u0026 University Archives, please see our website.","The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. 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His publications, such as the \u003cemph render=\"italic\"\u003eBarbershop Arranging Manual\u003c/emph\u003e and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Albert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  ","A strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Burt Szabo music collection, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Burt Szabo music collection, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Simone DeLuque in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Simone DeLuque in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on Special Collections \u0026amp; University Archives, please see our website.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on Special Collections \u0026 University Archives, please see our website."],"scopecontent_html_tesm":["\u003cp\u003eThe Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_47ef4f2c9d3944ef54170a551f97a3e7\"\u003eThe Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the \u003cemph render=\"italic\"\u003eBarbershop Arranging Manual\u003c/emph\u003e and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022.\u003c/abstract\u003e"],"abstract_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022."],"names_ssim":["UCF University Archives","Szabo, Burt"],"corpname_ssim":["UCF University Archives"],"names_coll_ssim":["Szabo, Burt"],"persname_ssim":["Szabo, Burt"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1087,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858782767054848,"_root_":"377018d2c691025d88612f9e","timestamp":"2026-07-16T08:19:30.734Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/377018d2c691025d88612f9e_aspace_a69596d77526b162f662b9527afae793"}},{"id":"d20aa889e8ea8129c93e6502","type":"collection","attributes":{"title":"Nola Perez Papers, 1969-2022","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. \u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"d20aa889e8ea8129c93e6502","title_ssm":["Nola Perez Papers"],"title_tesim":["Nola Perez Papers"],"ead_ssi":"d20aa889e8ea8129c93e6502","unitdate_ssm":["1969-2022"],"unitdate_inclusive_ssm":["1969-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2016.006","/repositories/3/resources/78"],"text":["2016.006","/repositories/3/resources/78","Nola Perez Papers, 1969-2022","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. ","This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2016.006","/repositories/3/resources/78"],"normalized_date_ssm":["1969-2022"],"normalized_title_ssm":["Nola Perez Papers, 1969-2022"],"collection_title_tesim":["Nola Perez Papers, 1969-2022"],"collection_ssim":["Nola Perez Papers, 1969-2022"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Nola B. Perez, 2016-09-06."],"has_online_content_ssim":["false"],"extent_ssm":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"extent_tesim":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eNola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. \u003c/p\u003e\n","\u003cp\u003eDuring her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.\u003c/p\u003e\n","\u003cp\u003eIn the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.\u003c/p\u003e\n","\u003cp\u003eUpon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. "],"prefercite_html_tesm":["\u003cp\u003eNola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Nola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. \u003c/p\u003e\n","\u003cp\u003eSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1 \u0026#x2013; Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez\u003c/p\u003e\n","\u003cp\u003eSeries 2 \u0026#x2013; Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles\u003c/p\u003e\n","\u003cp\u003eSeries 3 \u0026#x2013; Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails\u003c/p\u003e\n","\u003cp\u003eSeries 4 \u0026#x2013; Critiques (arranged chronologically) include critical receptions of Nola Perez's work\u003c/p\u003e\n","\u003cp\u003eSeries 5 \u0026#x2013; Events (arranged alphabetically by subseries)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Book Signings and Poetry Readings (arranged chronologically) includes information and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"\u003c/p\u003e\n","\u003cp\u003eSeries 6 \u0026#x2013; Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation\u003c/p\u003e\n","\u003cp\u003eSeries 7 \u0026#x2013; Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career\u003c/p\u003e\n","\u003cp\u003eSeries 8 \u0026#x2013; Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Photographs (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Publications (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 5 \u0026#x2013; Workshops (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSeries 9 \u0026#x2013; Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events\u003c/p\u003e\n","\u003cp\u003eSeries 10 \u0026#x2013; Poetry (arranged chronologically) contains a collection of Nola's poetry\u003c/p\u003e\n","\u003cp\u003eSeries 11 \u0026#x2013; Publications (arranged alphabetically by type of publication)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Books (arranged chronologically by publication date; chronological files within each book published)\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Journals (arranged chronologically by publication date)\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website\u003c/p\u003e\n","\u003cp\u003eSeries 12 \u0026#x2013; Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia\u003c/p\u003e\n","\u003cp\u003eSeries 13 \u0026#x2013; Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop"],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":231,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860591887810560,"_root_":"d20aa889e8ea8129c93e6502","timestamp":"2026-07-16T08:48:16.050Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d20aa889e8ea8129c93e6502","title_ssm":["Nola Perez Papers"],"title_tesim":["Nola Perez Papers"],"ead_ssi":"d20aa889e8ea8129c93e6502","unitdate_ssm":["1969-2022"],"unitdate_inclusive_ssm":["1969-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2016.006","/repositories/3/resources/78"],"text":["2016.006","/repositories/3/resources/78","Nola Perez Papers, 1969-2022","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. ","This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2016.006","/repositories/3/resources/78"],"normalized_date_ssm":["1969-2022"],"normalized_title_ssm":["Nola Perez Papers, 1969-2022"],"collection_title_tesim":["Nola Perez Papers, 1969-2022"],"collection_ssim":["Nola Perez Papers, 1969-2022"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Nola B. Perez, 2016-09-06."],"has_online_content_ssim":["false"],"extent_ssm":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"extent_tesim":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eNola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. \u003c/p\u003e\n","\u003cp\u003eDuring her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.\u003c/p\u003e\n","\u003cp\u003eIn the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.\u003c/p\u003e\n","\u003cp\u003eUpon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. "],"prefercite_html_tesm":["\u003cp\u003eNola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Nola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. \u003c/p\u003e\n","\u003cp\u003eSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1 \u0026#x2013; Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez\u003c/p\u003e\n","\u003cp\u003eSeries 2 \u0026#x2013; Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles\u003c/p\u003e\n","\u003cp\u003eSeries 3 \u0026#x2013; Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails\u003c/p\u003e\n","\u003cp\u003eSeries 4 \u0026#x2013; Critiques (arranged chronologically) include critical receptions of Nola Perez's work\u003c/p\u003e\n","\u003cp\u003eSeries 5 \u0026#x2013; Events (arranged alphabetically by subseries)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Book Signings and Poetry Readings (arranged chronologically) includes information and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"\u003c/p\u003e\n","\u003cp\u003eSeries 6 \u0026#x2013; Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation\u003c/p\u003e\n","\u003cp\u003eSeries 7 \u0026#x2013; Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career\u003c/p\u003e\n","\u003cp\u003eSeries 8 \u0026#x2013; Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Photographs (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Publications (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 5 \u0026#x2013; Workshops (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSeries 9 \u0026#x2013; Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events\u003c/p\u003e\n","\u003cp\u003eSeries 10 \u0026#x2013; Poetry (arranged chronologically) contains a collection of Nola's poetry\u003c/p\u003e\n","\u003cp\u003eSeries 11 \u0026#x2013; Publications (arranged alphabetically by type of publication)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Books (arranged chronologically by publication date; chronological files within each book published)\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Journals (arranged chronologically by publication date)\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website\u003c/p\u003e\n","\u003cp\u003eSeries 12 \u0026#x2013; Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia\u003c/p\u003e\n","\u003cp\u003eSeries 13 \u0026#x2013; Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop"],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). 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In 1981, she returned to her home state of Florida where she opened a women's bookstore on Madeira Beach.  Within a year, she co-founded the lesbian, feminist organization Women's Energy Bank (WEB), which hosts monthly meetings (\"Salons\") for its female membership and produces the monthly publication  Womyn's Words . As a member of a number of activist organizations, including Old Lesbians Organizing for Change (OLOC), Southerners on New Ground (SONG), and Women in Black, Daly's work towards world peace has taken her to Europe, Asia, and beyond. Edie Daly also served on the University of South Florida's Women's Studies Advisory Board. She and her wife, Jackie Mirkin, were together for 26 years, and they worked for peace and justice in Gulfport, Florida and around the world until Mirkin's passing in 2023. 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Our priorities are winning economic equality and securing it with an amendment to the U.S. Constitution that will guarantee equal rights for women; championing abortion rights, reproductive freedom and other women's health issues; opposing racism; fighting bigotry against the LGBTQIA community; and ending violence against women\" (https://now.org/).","Collection consists of two series reflecting two seperate accessions. The first accession series: general organizational records, legal and social advocacy, programs and public events, and other NOW chapters and affiliates. Second accession series includes: general organization records, electoral advocacy, and legal and social advocacy. ","\nThe general organizational records, advocacy files, agendas, meeting minutes, clippings, and program files illustrate the local NOW chapter's involvement in a variety of issues. Issues include advocacy for reproductive rights and criminal justice reform, preventing sexual harassment and violence towards women, and supporting the passage of the proposed Equal Rights Amendment. Materials date from the late 1970s through the late 1990s.","None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","Collection includes research and subject files from the leadership of Pinellas County's National Organization of Women chapter.","USF Libraries - St. Petersburg Special Collections \u0026 University Archives","National Organization for Women ","Oestreich, Sandy ","Hainisch, May","English"],"unitid_tesim":["SP-MS-2003-004","/repositories/3/resources/702"],"normalized_date_ssm":["bulk 1970s-2000s"],"normalized_title_ssm":["Pinellas County National Organization for Women (NOW) papers, bulk 1970s-2000s"],"collection_title_tesim":["Pinellas County National Organization for Women (NOW) papers, bulk 1970s-2000s"],"collection_ssim":["Pinellas County National Organization for Women (NOW) papers, bulk 1970s-2000s"],"repository_ssm":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"repository_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"geogname_ssm":["Pinellas County (Fla.)"],"geogname_ssim":["Pinellas County (Fla.)"],"creator_ssm":["Oestreich, Sandy ","Hainisch, May"],"creator_ssim":["Oestreich, Sandy ","Hainisch, May"],"creator_persname_ssim":["Oestreich, Sandy ","Hainisch, May"],"creators_ssim":["Oestreich, Sandy ","Hainisch, May"],"places_ssim":["Pinellas County (Fla.)"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Sandy Oestreich and May Hainisch, two longstanding members of the Pinellas County Chapter of the National Organization for Women (NOW), donated a variety of research and subject files from their leadership of the Pinellas NOW chapter to the Special Collections and Archives."],"access_subjects_ssim":["Women","Feminism","LGBTQ+ advocacy","African Americans -- Civil Rights -- Florida","Women's rights","Reproductive rights","Social justice","Political advocacy"],"access_subjects_ssm":["Women","Feminism","LGBTQ+ advocacy","African Americans -- Civil Rights -- Florida","Women's rights","Reproductive rights","Social justice","Political advocacy"],"has_online_content_ssim":["false"],"extent_ssm":["9 boxes"],"extent_tesim":["9 boxes"],"physfacet_tesim":["8 document boxes and 1 oversized box"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eNone.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["None."],"bioghist_html_tesm":["\u003cp\u003eNational Organization of Women is a \"multi-issue, multi-strategy organization that takes a holistic approach to women's rights. Our priorities are winning economic equality and securing it with an amendment to the U.S. Constitution that will guarantee equal rights for women; championing abortion rights, reproductive freedom and other women's health issues; opposing racism; fighting bigotry against the LGBTQIA community; and ending violence against women\" (https://now.org/).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["National Organization of Women is a \"multi-issue, multi-strategy organization that takes a holistic approach to women's rights. Our priorities are winning economic equality and securing it with an amendment to the U.S. Constitution that will guarantee equal rights for women; championing abortion rights, reproductive freedom and other women's health issues; opposing racism; fighting bigotry against the LGBTQIA community; and ending violence against women\" (https://now.org/)."],"prefercite_html_tesm":["\u003cp\u003ePinellas County Chapter Papers, National Organization for Women (NOW) 1973-2004, Nelson Poynter Memorial Library Special Collections and University Archives, University of South Florida, St. Petersburg, FL.\u003c/p\u003e"],"prefercite_tesim":["Pinellas County Chapter Papers, National Organization for Women (NOW) 1973-2004, Nelson Poynter Memorial Library Special Collections and University Archives, University of South Florida, St. Petersburg, FL."],"scopecontent_html_tesm":["\u003cp\u003eCollection consists of two series reflecting two seperate accessions. The first accession series: general organizational records, legal and social advocacy, programs and public events, and other NOW chapters and affiliates. Second accession series includes: general organization records, electoral advocacy, and legal and social advocacy. \u003c/p\u003e\n","\u003cp\u003e\nThe general organizational records, advocacy files, agendas, meeting minutes, clippings, and program files illustrate the local NOW chapter's involvement in a variety of issues. Issues include advocacy for reproductive rights and criminal justice reform, preventing sexual harassment and violence towards women, and supporting the passage of the proposed Equal Rights Amendment. Materials date from the late 1970s through the late 1990s.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection consists of two series reflecting two seperate accessions. The first accession series: general organizational records, legal and social advocacy, programs and public events, and other NOW chapters and affiliates. Second accession series includes: general organization records, electoral advocacy, and legal and social advocacy. ","\nThe general organizational records, advocacy files, agendas, meeting minutes, clippings, and program files illustrate the local NOW chapter's involvement in a variety of issues. Issues include advocacy for reproductive rights and criminal justice reform, preventing sexual harassment and violence towards women, and supporting the passage of the proposed Equal Rights Amendment. Materials date from the late 1970s through the late 1990s."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_def8b7460025f0ea38229646102c27ec\"\u003eCollection includes research and subject files from the leadership of Pinellas County's National Organization of Women chapter.\u003c/abstract\u003e"],"abstract_tesim":["Collection includes research and subject files from the leadership of Pinellas County's National Organization of Women chapter."],"names_coll_ssim":["National Organization for Women ","Oestreich, Sandy ","Hainisch, May"],"names_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives","National Organization for Women ","Oestreich, Sandy ","Hainisch, May"],"corpname_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives","National Organization for Women "],"persname_ssim":["Oestreich, Sandy ","Hainisch, May"],"language_ssim":["English"],"total_component_count_is":84,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879830485534769152,"_root_":"25086f63d8e4c420b97444e6","timestamp":"2026-10-23T09:00:53.251Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/25086f63d8e4c420b97444e6_aspace_a5e4028fbbe28310175bf566158ffeb3"}},{"id":"bfd41a7c19618933042e1aeb_aspace_130586","type":"File","attributes":{"title":"\"No on One\" at City Side bar, 1990-1991","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/bfd41a7c19618933042e1aeb_aspace_130586#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_130586","ref_ssm":["aspace_130586","aspace_130586"],"id":"bfd41a7c19618933042e1aeb_aspace_130586","title_filing_ssi":"\"No on One\" at City Side bar","title_ssm":["\"No on One\" at City Side bar"],"title_tesim":["\"No on One\" at City Side bar"],"unitdate_inclusive_ssm":["1990-1991"],"normalized_date_ssm":["1990-1991"],"normalized_title_ssm":["\"No on One\" at City Side bar, 1990-1991"],"text":["\"No on One\" at City Side bar, 1990-1991","Rex Maniscalco collection, 1980-2002, bulk 1990-2002","Social life and customs","Folder 44","/repositories/2/archival_objects/52977","box 7","folder 44"],"component_level_isim":[2],"parent_ids_ssim":["bfd41a7c19618933042e1aeb","bfd41a7c19618933042e1aeb_aspace_130523"],"parent_unittitles_ssm":["Rex Maniscalco collection, 1980-2002, bulk 1990-2002","Social life and customs"],"parent_unittitles_tesim":["Rex Maniscalco collection, 1980-2002, bulk 1990-2002","Social life and customs"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["Folder 44","/repositories/2/archival_objects/52977"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Rex Maniscalco collection, 1980-2002, bulk 1990-2002"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":138,"parent_access_terms_tesm":["No restrictions.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1990,1991],"containers_ssim":["box 7","folder 44"],"_nest_path_":"/components#6/components#43","_nest_parent_":"bfd41a7c19618933042e1aeb_aspace_130523","_root_":"bfd41a7c19618933042e1aeb","_version_":1871677752741986304,"timestamp":"2026-07-25T09:16:41.370Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"bfd41a7c19618933042e1aeb","title_ssm":["Rex Maniscalco collection"],"title_tesim":["Rex Maniscalco collection"],"ead_ssi":"bfd41a7c19618933042e1aeb","unitdate_ssm":["1980-2002","1990-2002"],"unitdate_bulk_ssim":["1990-2002"],"unitdate_inclusive_ssm":["1980-2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2009-02","/repositories/2/resources/324"],"text":["MS-2009-02","/repositories/2/resources/324","Rex Maniscalco collection, 1980-2002, bulk 1990-2002","LGBTQ+ film festivals","Gay and lesbian dance parties","LGBTQ+ movement","Gay community","Queer community ","Queer culture","LGBTQ+ activists","LGBTQ+ advocacy","LGBTQ+ communities","Series by format and subseries by subject (events, social life and customs, organizations). This collection is organized into three series with subsequent and corresponding subseries. Contained within this collection were film negatives not accompanied by developed images. These negatives remain unprocessed. Negatives that were included in envelopes alongside developed images were processed in tandem with photographs and housed in two Hollinger boxes as a series. Within  Series: Negatives , folders correspond with the images processed into subseries within photo boxes, more specifically, events, social life and customs, organizations. Additionally, Rex's personal photographs, which include travel, family, and other miscellaneous events such as the Renaissance Festival, the filming of a Burt Reynolds movie in Tampa, and Yankee training, remain unprocessed but available in photo albums.","Most remembered for saying, \"Ah one-a, ah two-a, ah-Cheeze-a\", Rex Maniscalco was Tampa's GLBT photographer and community documentarian. An Ybor City native, Rex Maniscalco was around to experience and participate in the emergence of a visible LGBT community in the Tampa area. From the early Pride picnics and festivals to the beginnings of Equality Florida, Rex was there, camera in hand, to document the people who have been instrumental in creating LGBT community and culture. Inspired by a traveling exhibition of the history of the LGBT movement, Rex undertook the task of capturing gay history in the making through his camera and video recordings. Moved by the stories of hidden lives told by Bobbie Smith and Kay Thompson, he began the Rainbow in Sunshine Project in January of 2007 to offer a photographic history of gay lives and activism in Tampa, Florida. He was a part of the GLBT \u0026 Hillsborough Democratic Executive Community and active in the Hillsborough County GLBTA Democratic caucus. 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This collection also contains video recordings of major political events and organizations in Tampa including County Commission and City Council vote to include sexual orientation in the city's human rights ordinance in 1991, the 1993 March on Washington, organizational meetings of the Human Rights Task Force. Maniscalco's collection also includes video recordings of local and national talk shows and television shows.","Oversized graphic materials stored in a horizontal folder separate from the collection.","No restrictions.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","This collection is comprised of photographs and video footage of the LGBTQ+ community taken by Rex Maniscalco from the 1980s to 2000s, as well as documents from Tampa Bay LGBTQ+ culture, civil rights, and community organizations.","USF Libraries - Tampa Special Collections","Human Rights Task Force","Equality Florida","Metropolitan Community Church of Tampa","Maniscalco, Rex (1956-2009)","English"],"unitid_tesim":["MS-2009-02","/repositories/2/resources/324"],"normalized_date_ssm":["1980-2002, bulk 1990-2002"],"normalized_title_ssm":["Rex Maniscalco collection, 1980-2002, bulk 1990-2002"],"collection_title_tesim":["Rex Maniscalco collection, 1980-2002, bulk 1990-2002"],"collection_ssim":["Rex Maniscalco collection, 1980-2002, bulk 1990-2002"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Maniscalco, Rex (1956-2009)"],"creator_ssim":["Maniscalco, Rex (1956-2009)"],"creator_persname_ssim":["Maniscalco, Rex (1956-2009)"],"creators_ssim":["Maniscalco, Rex (1956-2009)"],"access_terms_ssm":["No restrictions.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Mark Bias and Carrie West","Donation."],"access_subjects_ssim":["LGBTQ+ film festivals","Gay and lesbian dance parties","LGBTQ+ movement","Gay community","Queer community ","Queer culture","LGBTQ+ activists","LGBTQ+ advocacy","LGBTQ+ communities"],"access_subjects_ssm":["LGBTQ+ film festivals","Gay and lesbian dance parties","LGBTQ+ movement","Gay community","Queer community ","Queer culture","LGBTQ+ activists","LGBTQ+ advocacy","LGBTQ+ communities"],"has_online_content_ssim":["false"],"extent_ssm":["21 boxes","14.43 Linear Feet","1 folders Oversized graphic materials stored in a horizontal folder separate from the collection."],"extent_tesim":["21 boxes","14.43 Linear Feet","1 folders Oversized graphic materials stored in a horizontal folder separate from the collection."],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"arrangement_html_tesm":["\u003cp\u003eSeries by format and subseries by subject (events, social life and customs, organizations). This collection is organized into three series with subsequent and corresponding subseries. Contained within this collection were film negatives not accompanied by developed images. These negatives remain unprocessed. Negatives that were included in envelopes alongside developed images were processed in tandem with photographs and housed in two Hollinger boxes as a series. Within \u003cemph render=\"italic\"\u003eSeries: Negatives\u003c/emph\u003e, folders correspond with the images processed into subseries within photo boxes, more specifically, events, social life and customs, organizations. Additionally, Rex's personal photographs, which include travel, family, and other miscellaneous events such as the Renaissance Festival, the filming of a Burt Reynolds movie in Tampa, and Yankee training, remain unprocessed but available in photo albums.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Series by format and subseries by subject (events, social life and customs, organizations). This collection is organized into three series with subsequent and corresponding subseries. Contained within this collection were film negatives not accompanied by developed images. These negatives remain unprocessed. Negatives that were included in envelopes alongside developed images were processed in tandem with photographs and housed in two Hollinger boxes as a series. Within  Series: Negatives , folders correspond with the images processed into subseries within photo boxes, more specifically, events, social life and customs, organizations. Additionally, Rex's personal photographs, which include travel, family, and other miscellaneous events such as the Renaissance Festival, the filming of a Burt Reynolds movie in Tampa, and Yankee training, remain unprocessed but available in photo albums."],"bioghist_html_tesm":["\u003cp\u003eMost remembered for saying, \"Ah one-a, ah two-a, ah-Cheeze-a\", Rex Maniscalco was Tampa's GLBT photographer and community documentarian. An Ybor City native, Rex Maniscalco was around to experience and participate in the emergence of a visible LGBT community in the Tampa area. From the early Pride picnics and festivals to the beginnings of Equality Florida, Rex was there, camera in hand, to document the people who have been instrumental in creating LGBT community and culture. Inspired by a traveling exhibition of the history of the LGBT movement, Rex undertook the task of capturing gay history in the making through his camera and video recordings. Moved by the stories of hidden lives told by Bobbie Smith and Kay Thompson, he began the Rainbow in Sunshine Project in January of 2007 to offer a photographic history of gay lives and activism in Tampa, Florida. He was a part of the GLBT \u0026amp; Hillsborough Democratic Executive Community and active in the Hillsborough County GLBTA Democratic caucus. Rex Maniscalco passed away April 4, 2009 at the age of 57\u003c/p\u003e\n","\u003cp\u003eNote written by CW, 2015.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Most remembered for saying, \"Ah one-a, ah two-a, ah-Cheeze-a\", Rex Maniscalco was Tampa's GLBT photographer and community documentarian. An Ybor City native, Rex Maniscalco was around to experience and participate in the emergence of a visible LGBT community in the Tampa area. From the early Pride picnics and festivals to the beginnings of Equality Florida, Rex was there, camera in hand, to document the people who have been instrumental in creating LGBT community and culture. Inspired by a traveling exhibition of the history of the LGBT movement, Rex undertook the task of capturing gay history in the making through his camera and video recordings. Moved by the stories of hidden lives told by Bobbie Smith and Kay Thompson, he began the Rainbow in Sunshine Project in January of 2007 to offer a photographic history of gay lives and activism in Tampa, Florida. He was a part of the GLBT \u0026 Hillsborough Democratic Executive Community and active in the Hillsborough County GLBTA Democratic caucus. Rex Maniscalco passed away April 4, 2009 at the age of 57","Note written by CW, 2015."],"processinfo_html_tesm":["\u003cp\u003ePartially processed.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Partially processed."],"relatedmaterial_html_tesm":["\u003cp\u003eBobby Smith Photograph Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Bobby Smith Photograph Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains photographs, negatives, and VHS recordings pertaining to Tampa GLBT culture and community and reflects the growing national visibility of gay and lesbian lives throughout the 1990s and early 2000s more generally. This collection is comprised of photographs of the LGBT community taken by Rex Maniscalco from the 1980s to 2000s. Captured in the images within this collection are Tampa Bay's early Pride picnics to full scale Pride Festivals in downtown Tampa and Ybor City, the Tampa Gay and Lesbian Film Festival, the Tampa AIDS walk, other major gay events such as Southern Decadence in New Orleans, LA and Beach Fest in Daytona, protests and rallies, and many other social gatherings and political events. This collection also contains video recordings of major political events and organizations in Tampa including County Commission and City Council vote to include sexual orientation in the city's human rights ordinance in 1991, the 1993 March on Washington, organizational meetings of the Human Rights Task Force. Maniscalco's collection also includes video recordings of local and national talk shows and television shows.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains photographs, negatives, and VHS recordings pertaining to Tampa GLBT culture and community and reflects the growing national visibility of gay and lesbian lives throughout the 1990s and early 2000s more generally. This collection is comprised of photographs of the LGBT community taken by Rex Maniscalco from the 1980s to 2000s. Captured in the images within this collection are Tampa Bay's early Pride picnics to full scale Pride Festivals in downtown Tampa and Ybor City, the Tampa Gay and Lesbian Film Festival, the Tampa AIDS walk, other major gay events such as Southern Decadence in New Orleans, LA and Beach Fest in Daytona, protests and rallies, and many other social gatherings and political events. This collection also contains video recordings of major political events and organizations in Tampa including County Commission and City Council vote to include sexual orientation in the city's human rights ordinance in 1991, the 1993 March on Washington, organizational meetings of the Human Rights Task Force. Maniscalco's collection also includes video recordings of local and national talk shows and television shows."],"separatedmaterial_html_tesm":["\u003cp\u003eOversized graphic materials stored in a horizontal folder separate from the collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Oversized graphic materials stored in a horizontal folder separate from the collection."],"userestrict_html_tesm":["\u003cp\u003eNo restrictions.\u0026#xA0; The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["No restrictions.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_2725e9e7269d2febf9372c22418f4cc3\"\u003eThis collection is comprised of photographs and video footage of the LGBTQ+ community taken by Rex Maniscalco from the 1980s to 2000s, as well as documents from Tampa Bay LGBTQ+ culture, civil rights, and community organizations.\u003c/abstract\u003e"],"abstract_tesim":["This collection is comprised of photographs and video footage of the LGBTQ+ community taken by Rex Maniscalco from the 1980s to 2000s, as well as documents from Tampa Bay LGBTQ+ culture, civil rights, and community organizations."],"names_coll_ssim":["Human Rights Task Force","Equality Florida","Metropolitan Community Church of Tampa"],"names_ssim":["USF Libraries - Tampa Special Collections","Human Rights Task Force","Equality Florida","Metropolitan Community Church of Tampa","Maniscalco, Rex (1956-2009)"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Human Rights Task Force","Equality Florida","Metropolitan Community Church of Tampa"],"persname_ssim":["Maniscalco, Rex (1956-2009)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":642,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871677752741986304,"_root_":"bfd41a7c19618933042e1aeb","timestamp":"2026-07-25T09:16:41.370Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/bfd41a7c19618933042e1aeb_aspace_130586"}},{"id":"dd1185e4a432441cb5a55467_aspace_615655035dabb1e3e98ee4546dc41fb8","type":"File","attributes":{"title":"Noontime Knowledge, 1989–1990","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/dd1185e4a432441cb5a55467_aspace_615655035dabb1e3e98ee4546dc41fb8#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_615655035dabb1e3e98ee4546dc41fb8","ref_ssm":["aspace_615655035dabb1e3e98ee4546dc41fb8","aspace_615655035dabb1e3e98ee4546dc41fb8"],"id":"dd1185e4a432441cb5a55467_aspace_615655035dabb1e3e98ee4546dc41fb8","title_filing_ssi":"Noontime Knowledge","title_ssm":["Noontime Knowledge"],"title_tesim":["Noontime Knowledge"],"unitdate_inclusive_ssm":["1989–1990"],"normalized_date_ssm":["1989–1990"],"normalized_title_ssm":["Noontime Knowledge, 1989–1990"],"text":["Noontime Knowledge, 1989–1990","Beatrice B. Ettinger papers, 1962-2015","Council for Continuing Education for Women, 1964–1997","Programs, 1968–1997","/repositories/4/archival_objects/91847","box 6","folder 14"],"component_level_isim":[3],"parent_ids_ssim":["dd1185e4a432441cb5a55467","dd1185e4a432441cb5a55467_aspace_28429a92c847549f23b797d6de1e74b6","dd1185e4a432441cb5a55467_aspace_970b6daf83908e44167b6888dfab2925"],"parent_unittitles_ssm":["Beatrice B. Ettinger papers, 1962-2015","Council for Continuing Education for Women, 1964–1997","Programs, 1968–1997"],"parent_unittitles_tesim":["Beatrice B. Ettinger papers, 1962-2015","Council for Continuing Education for Women, 1964–1997","Programs, 1968–1997"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/91847"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Beatrice B. Ettinger papers, 1962-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":79,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder"],"date_range_isim":[1989,1990],"containers_ssim":["box 6","folder 14"],"_nest_path_":"/components#0/components#37/components#34","_nest_parent_":"dd1185e4a432441cb5a55467_aspace_970b6daf83908e44167b6888dfab2925","_root_":"dd1185e4a432441cb5a55467","_version_":1874753310664163328,"timestamp":"2026-08-28T08:01:21.975Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"dd1185e4a432441cb5a55467","title_ssm":["Beatrice B. Ettinger papers"],"title_tesim":["Beatrice B. Ettinger papers"],"ead_ssi":"dd1185e4a432441cb5a55467","unitdate_ssm":["1962-2015"],"unitdate_inclusive_ssm":["1962-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC37","/repositories/4/resources/38"],"text":["SC37","/repositories/4/resources/38","Beatrice B. Ettinger papers, 1962-2015","Adult Education of Women","Women -- Education","Hotels","Equal Rights Amendments","Feminism -- United States","Feminism","International Women's Decade, 1976-1985","International Women's Year, 1975","Women's rights -- United States","Feminism and education","Equal Rights Amendments -- United States","photographs","scrapbooks","The entire collection is open for research.","The collection is arranged into three series by topic, then arranged alphabetically within each series.","Beatrice \"Bea\" Bornstein Ettinger was born in Paterson, New Jersey, on June 21, 1917. In 1932, she moved to Orlando, Florida with her parents at age 15. She graduated from the University of Miami and the University of Miami Law School. Ettinger was active in a variety of organizations, serving as Vice President of the Florida League of Women Voters, Director of Region IV of the National Displaced Homemaker Network, and Secretary of Learning Institute for Elders. Ettinger was instrumental in establishing the Central Florida Educational Consortium for Women. Her achievements were honored by the local community as Orlando's Outstanding Woman of the Year in 1977, Woman of Achievement in 1979 and Community Leader of the Year in 1981. She was nominated for the Florida Women's Hall of Fame in 1982 and 1984. \n \nIn 1966, a group of women met to start the Council for Continuing Education for Women in Orlando, an organization that offered educational and career opportunities for women. It was run by volunteers until 1974, when it cooperated with the Valencia Community College to establish the Center for Continuing Education for Women. The Center created and sponsored programs on a variety of topics designed to assist women who wanted to further their education and possibly return to the workforce. Ettinger was president of the Council and directed the Center until 1986, when Connie Fisher became Director. In 1991, the Council moved from Valencia Community College and entered into a new agreement with the University of Central Florida, where it continued with its work in association with the Women's Studies Program. Ettinger passed away in 2015.","Collection processed by Judith Beale; finding aid prepared by Judith Beale. Duplications were removed, news clippings were photocopied onto acid free paper and the materials were rehoused. Rehoused and additional materials processed by Ava Botwin in 2026.","Similar materials may be found in the  Phyllis J. Hudson Papers  and the  Lynda Van Scoyoc Papers .","Series I: Council for Continuing Education for Women, 1964-1997 is the largest series and fully documents the Council's activities and that of the Center that it sponsored. Its programs included Displaced Homemaker, Florida Women in Agriculture and Women in Citrus. The Center received awards from Walt Disney World in 1975, 1979, 1981, 1984 and 1986 when it received the \"Spirit of Epcot\" Award. Financial Aid for Career Training Inc. worked with the Center and provided loans for women to improve their skills so that they could return to the work force.","\nSeries II: Other Organizations, 1971-1988 holds materials concerning various other organizations in which Ettinger had an interest. Most of these organizations concern women and education, such as, the Central Florida Educational Consortium for Women. However, political and community organizations, such as, the League of Women Voters and the Jewish Community Center are also represented here.","\nSeries III: Personal, 1969-1994 contains documents of a more personal nature and includes Ettinger's date book, certificates, the documents prepared for her nomination to the Florida Women's Hall of Fame and information about her relationship with Valencia Community College.","Series IV: Additional Materials, 1962-2015, contains additional papers and photographs relating to Ettinger's personal achievements and involvement in various Florida organizations.","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder","The Beatrice B. Ettinger papers contain correspondence, leaflets, posters, minutes and reports that show women's position in society in the 1970s and 1980s. Continuing Education is the focus of these papers since Ettinger accumulated many of the materials between 1970 and 1992 when she was President of the Council for Continuing Education for Women. This organization established a Center that was based first at Valencia Community College and later at the University of Central Florida. Ettinger also collected documents concerning other organizations in which she was interested that fostered women's intellectual and political growth, such as, the Central Florida Women's Resource Center Inc. and the League of Women Voters. Additional materials provide some personal information about Mrs. Ettinger.","UCF Special Collections","Central Florida Educational Consortium for Women","Central Florida Women's Resource Center","Council for Continuing Education for Women of Central Florida","Florida League of Women Voters","Valencia Community College","Center for Women's Medicine at Florida Hospital","University of Central Florida","Ettinger, Beatrice B., 1917-2015","English"],"unitid_tesim":["SC37","/repositories/4/resources/38"],"normalized_date_ssm":["1962-2015"],"normalized_title_ssm":["Beatrice B. Ettinger papers, 1962-2015"],"collection_title_tesim":["Beatrice B. Ettinger papers, 1962-2015"],"collection_ssim":["Beatrice B. Ettinger papers, 1962-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Ettinger, Beatrice B., 1917-2015"],"creator_ssim":["Ettinger, Beatrice B., 1917-2015"],"creator_persname_ssim":["Ettinger, Beatrice B., 1917-2015"],"creators_ssim":["Ettinger, Beatrice B., 1917-2015"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder"],"acqinfo_ssim":["Beatrice B. Ettinger donated these materials to the University of Central Florida Libraries Special Collections Department in 2002 (CFM2002_02). Additional materials gifted by Marilyn Crotty, Bea's daughter, in 2026 (CFM2026_04)."],"access_subjects_ssim":["Adult Education of Women","Women -- Education","Hotels","Equal Rights Amendments","Feminism -- United States","Feminism","International Women's Decade, 1976-1985","International Women's Year, 1975","Women's rights -- United States","Feminism and education","Equal Rights Amendments -- United States","photographs","scrapbooks"],"access_subjects_ssm":["Adult Education of Women","Women -- Education","Hotels","Equal Rights Amendments","Feminism -- United States","Feminism","International Women's Decade, 1976-1985","International Women's Year, 1975","Women's rights -- United States","Feminism and education","Equal Rights Amendments -- United States","photographs","scrapbooks"],"has_online_content_ssim":["false"],"extent_ssm":["10.2 Linear Feet 17 boxes, 5 flat files"],"extent_tesim":["10.2 Linear Feet 17 boxes, 5 flat files"],"genreform_ssim":["photographs","scrapbooks"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into three series by topic, then arranged alphabetically within each series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into three series by topic, then arranged alphabetically within each series."],"bioghist_html_tesm":["\u003cp\u003eBeatrice \"Bea\" Bornstein Ettinger was born in Paterson, New Jersey, on June 21, 1917. In 1932, she moved to Orlando, Florida with her parents at age 15. She graduated from the University of Miami and the University of Miami Law School. Ettinger was active in a variety of organizations, serving as Vice President of the Florida League of Women Voters, Director of Region IV of the National Displaced Homemaker Network, and Secretary of Learning Institute for Elders. Ettinger was instrumental in establishing the Central Florida Educational Consortium for Women. Her achievements were honored by the local community as Orlando's Outstanding Woman of the Year in 1977, Woman of Achievement in 1979 and Community Leader of the Year in 1981. She was nominated for the Florida Women's Hall of Fame in 1982 and 1984. \n \nIn 1966, a group of women met to start the Council for Continuing Education for Women in Orlando, an organization that offered educational and career opportunities for women. It was run by volunteers until 1974, when it cooperated with the Valencia Community College to establish the Center for Continuing Education for Women. The Center created and sponsored programs on a variety of topics designed to assist women who wanted to further their education and possibly return to the workforce. Ettinger was president of the Council and directed the Center until 1986, when Connie Fisher became Director. In 1991, the Council moved from Valencia Community College and entered into a new agreement with the University of Central Florida, where it continued with its work in association with the Women's Studies Program. Ettinger passed away in 2015.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Beatrice \"Bea\" Bornstein Ettinger was born in Paterson, New Jersey, on June 21, 1917. In 1932, she moved to Orlando, Florida with her parents at age 15. She graduated from the University of Miami and the University of Miami Law School. Ettinger was active in a variety of organizations, serving as Vice President of the Florida League of Women Voters, Director of Region IV of the National Displaced Homemaker Network, and Secretary of Learning Institute for Elders. Ettinger was instrumental in establishing the Central Florida Educational Consortium for Women. Her achievements were honored by the local community as Orlando's Outstanding Woman of the Year in 1977, Woman of Achievement in 1979 and Community Leader of the Year in 1981. She was nominated for the Florida Women's Hall of Fame in 1982 and 1984. \n \nIn 1966, a group of women met to start the Council for Continuing Education for Women in Orlando, an organization that offered educational and career opportunities for women. It was run by volunteers until 1974, when it cooperated with the Valencia Community College to establish the Center for Continuing Education for Women. The Center created and sponsored programs on a variety of topics designed to assist women who wanted to further their education and possibly return to the workforce. Ettinger was president of the Council and directed the Center until 1986, when Connie Fisher became Director. In 1991, the Council moved from Valencia Community College and entered into a new agreement with the University of Central Florida, where it continued with its work in association with the Women's Studies Program. Ettinger passed away in 2015."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Beatrice B. Ettinger Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Beatrice B. Ettinger Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Judith Beale; finding aid prepared by Judith Beale. Duplications were removed, news clippings were photocopied onto acid free paper and the materials were rehoused. Rehoused and additional materials processed by Ava Botwin in 2026.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Judith Beale; finding aid prepared by Judith Beale. Duplications were removed, news clippings were photocopied onto acid free paper and the materials were rehoused. Rehoused and additional materials processed by Ava Botwin in 2026."],"relatedmaterial_html_tesm":["\u003cp\u003eSimilar materials may be found in the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2005-02\"\u003ePhyllis J. Hudson Papers\u003c/extref\u003e and the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2005-15\"\u003eLynda Van Scoyoc Papers\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Similar materials may be found in the  Phyllis J. Hudson Papers  and the  Lynda Van Scoyoc Papers ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Council for Continuing Education for Women, 1964-1997 is the largest series and fully documents the Council's activities and that of the Center that it sponsored. Its programs included Displaced Homemaker, Florida Women in Agriculture and Women in Citrus. The Center received awards from Walt Disney World in 1975, 1979, 1981, 1984 and 1986 when it received the \"Spirit of Epcot\" Award. Financial Aid for Career Training Inc. worked with the Center and provided loans for women to improve their skills so that they could return to the work force.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Other Organizations, 1971-1988 holds materials concerning various other organizations in which Ettinger had an interest. Most of these organizations concern women and education, such as, the Central Florida Educational Consortium for Women. However, political and community organizations, such as, the League of Women Voters and the Jewish Community Center are also represented here.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Personal, 1969-1994 contains documents of a more personal nature and includes Ettinger's date book, certificates, the documents prepared for her nomination to the Florida Women's Hall of Fame and information about her relationship with Valencia Community College.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Additional Materials, 1962-2015, contains additional papers and photographs relating to Ettinger's personal achievements and involvement in various Florida organizations.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Council for Continuing Education for Women, 1964-1997 is the largest series and fully documents the Council's activities and that of the Center that it sponsored. Its programs included Displaced Homemaker, Florida Women in Agriculture and Women in Citrus. The Center received awards from Walt Disney World in 1975, 1979, 1981, 1984 and 1986 when it received the \"Spirit of Epcot\" Award. Financial Aid for Career Training Inc. worked with the Center and provided loans for women to improve their skills so that they could return to the work force.","\nSeries II: Other Organizations, 1971-1988 holds materials concerning various other organizations in which Ettinger had an interest. Most of these organizations concern women and education, such as, the Central Florida Educational Consortium for Women. However, political and community organizations, such as, the League of Women Voters and the Jewish Community Center are also represented here.","\nSeries III: Personal, 1969-1994 contains documents of a more personal nature and includes Ettinger's date book, certificates, the documents prepared for her nomination to the Florida Women's Hall of Fame and information about her relationship with Valencia Community College.","Series IV: Additional Materials, 1962-2015, contains additional papers and photographs relating to Ettinger's personal achievements and involvement in various Florida organizations."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder"],"abstract_html_tesm":["\u003cabstract id=\"aspace_a2224d4bedac95e53f407a622a6fe541\"\u003eThe Beatrice B. Ettinger papers contain correspondence, leaflets, posters, minutes and reports that show women's position in society in the 1970s and 1980s. Continuing Education is the focus of these papers since Ettinger accumulated many of the materials between 1970 and 1992 when she was President of the Council for Continuing Education for Women. This organization established a Center that was based first at Valencia Community College and later at the University of Central Florida. Ettinger also collected documents concerning other organizations in which she was interested that fostered women's intellectual and political growth, such as, the Central Florida Women's Resource Center Inc. and the League of Women Voters. Additional materials provide some personal information about Mrs. Ettinger.\u003c/abstract\u003e"],"abstract_tesim":["The Beatrice B. Ettinger papers contain correspondence, leaflets, posters, minutes and reports that show women's position in society in the 1970s and 1980s. Continuing Education is the focus of these papers since Ettinger accumulated many of the materials between 1970 and 1992 when she was President of the Council for Continuing Education for Women. This organization established a Center that was based first at Valencia Community College and later at the University of Central Florida. Ettinger also collected documents concerning other organizations in which she was interested that fostered women's intellectual and political growth, such as, the Central Florida Women's Resource Center Inc. and the League of Women Voters. Additional materials provide some personal information about Mrs. Ettinger."],"names_coll_ssim":["Central Florida Educational Consortium for Women","Central Florida Women's Resource Center","Council for Continuing Education for Women of Central Florida","Florida League of Women Voters","Valencia Community College","Center for Women's Medicine at Florida Hospital","University of Central Florida","Ettinger, Beatrice B., 1917-2015"],"names_ssim":["UCF Special Collections","Central Florida Educational Consortium for Women","Central Florida Women's Resource Center","Council for Continuing Education for Women of Central Florida","Florida League of Women Voters","Valencia Community College","Center for Women's Medicine at Florida Hospital","University of Central Florida","Ettinger, Beatrice B., 1917-2015"],"corpname_ssim":["UCF Special Collections","Central Florida Educational Consortium for Women","Central Florida Women's Resource Center","Council for Continuing Education for Women of Central Florida","Florida League of Women Voters","Valencia Community College","Center for Women's Medicine at Florida Hospital","University of Central Florida"],"persname_ssim":["Ettinger, Beatrice B., 1917-2015"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":200,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1874753310664163328,"_root_":"dd1185e4a432441cb5a55467","timestamp":"2026-08-28T08:01:21.975Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/dd1185e4a432441cb5a55467_aspace_615655035dabb1e3e98ee4546dc41fb8"}},{"id":"83f92d0a0a882d51dcaee274_aspace_af4561b5a3147e0e3e4ebd720d57d642","type":"File","attributes":{"title":"NOPC Agenda Item, 1990-1998","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/83f92d0a0a882d51dcaee274_aspace_af4561b5a3147e0e3e4ebd720d57d642#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_af4561b5a3147e0e3e4ebd720d57d642","ref_ssm":["aspace_af4561b5a3147e0e3e4ebd720d57d642","aspace_af4561b5a3147e0e3e4ebd720d57d642"],"id":"83f92d0a0a882d51dcaee274_aspace_af4561b5a3147e0e3e4ebd720d57d642","title_filing_ssi":"NOPC Agenda Item","title_ssm":["NOPC Agenda Item"],"title_tesim":["NOPC Agenda Item"],"unitdate_inclusive_ssm":["1990-1998"],"normalized_date_ssm":["1990-1998"],"normalized_title_ssm":["NOPC Agenda Item, 1990-1998"],"text":["NOPC Agenda Item, 1990-1998","Southwest Florida Regional Planning Council Collection, 1920-2020","Cypress Lake Center, Cypress Trace","Modification, 1985-2019","/repositories/2/archival_objects/34413","Notice Of Proposed Change (NOPC)","English","box 26","folder 16"],"component_level_isim":[3],"parent_ids_ssim":["83f92d0a0a882d51dcaee274","83f92d0a0a882d51dcaee274_aspace_f2a705b8f5c31eca0e34cc57663677df","83f92d0a0a882d51dcaee274_aspace_40a92bfa79b6a23bd947a14790bb69f0"],"parent_unittitles_ssm":["Southwest Florida Regional Planning Council Collection, 1920-2020","Cypress Lake Center, Cypress Trace","Modification, 1985-2019"],"parent_unittitles_tesim":["Southwest Florida Regional Planning Council Collection, 1920-2020","Cypress Lake Center, Cypress Trace","Modification, 1985-2019"],"parent_levels_ssm":["collection","Series","Subgroup"],"unitid_ssm":["/repositories/2/archival_objects/34413"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["Southwest Florida Regional Planning Council Collection, 1920-2020"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":932,"parent_access_restrict_tesm":["The collection is open for use by the 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