{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1990\u0026page=113","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1990\u0026page=112","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1990\u0026page=114","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1990\u0026page=666"},"meta":{"pages":{"current_page":113,"next_page":114,"prev_page":112,"total_pages":666,"limit_value":10,"offset_value":1120,"total_count":6652,"first_page?":false,"last_page?":false}},"data":[{"id":"71b8a757b0f138dee122db24_aspace_92373953df8144b4f750d93c8da9d3f5","type":"File","attributes":{"title":"Change Requests – North, 1990","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/71b8a757b0f138dee122db24_aspace_92373953df8144b4f750d93c8da9d3f5#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_92373953df8144b4f750d93c8da9d3f5","ref_ssm":["aspace_92373953df8144b4f750d93c8da9d3f5","aspace_92373953df8144b4f750d93c8da9d3f5"],"id":"71b8a757b0f138dee122db24_aspace_92373953df8144b4f750d93c8da9d3f5","title_filing_ssi":"Change Requests – North","title_ssm":["Change Requests – North"],"title_tesim":["Change Requests – North"],"unitdate_other_ssim":["1990"],"normalized_date_ssm":["1990"],"normalized_title_ssm":["Change Requests – North, 1990"],"text":["Change Requests – North, 1990","Florida Bandmasters Association Records, 1936-2010","Contests and Other Events","Contests","/repositories/2/archival_objects/39717","box 53","folder 8"],"component_level_isim":[3],"parent_ids_ssim":["71b8a757b0f138dee122db24","71b8a757b0f138dee122db24_aspace_d5fa145e78631057f66174abb968874c","71b8a757b0f138dee122db24_aspace_7594e1f4bea4b4db76ba09c0614f184d"],"parent_unittitles_ssm":["Florida Bandmasters Association Records, 1936-2010","Contests and Other Events","Contests"],"parent_unittitles_tesim":["Florida Bandmasters Association Records, 1936-2010","Contests and Other Events","Contests"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/39717"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"collection_ssim":["Florida Bandmasters Association Records, 1936-2010"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1049,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials."],"parent_access_terms_tesm":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"date_range_isim":[1990],"containers_ssim":["box 53","folder 8"],"_nest_path_":"/components#2/components#0/components#565","_nest_parent_":"71b8a757b0f138dee122db24_aspace_7594e1f4bea4b4db76ba09c0614f184d","_root_":"71b8a757b0f138dee122db24","_version_":1877102187519148032,"timestamp":"2026-09-23T06:15:45.471Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"71b8a757b0f138dee122db24","title_ssm":["Florida Bandmasters Association Records"],"title_tesim":["Florida Bandmasters Association Records"],"ead_ssi":"71b8a757b0f138dee122db24","unitdate_ssm":["1936-2010"],"unitdate_inclusive_ssm":["1936-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS1000","/repositories/2/resources/26"],"text":["MS1000","/repositories/2/resources/26","Florida Bandmasters Association Records, 1936-2010","Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.","The Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2","This collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.","The records have been arranged in eight series, six of which have been further arranged in subseries.","Series 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.","Series 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026 Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries – Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.","Series 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.","Series 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.","Series 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.","Series 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors.","Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487","The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association","English"],"unitid_tesim":["MS1000","/repositories/2/resources/26"],"normalized_date_ssm":["1936-2010"],"normalized_title_ssm":["Florida Bandmasters Association Records, 1936-2010"],"collection_title_tesim":["Florida Bandmasters Association Records, 1936-2010"],"collection_ssim":["Florida Bandmasters Association Records, 1936-2010"],"repository_ssm":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"creator_ssm":["Florida Bandmaster Association"],"creator_ssim":["Florida Bandmaster Association"],"creator_corpname_ssim":["Florida Bandmaster Association"],"creators_ssim":["Florida Bandmaster Association"],"access_terms_ssm":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"acqinfo_ssim":["Beginning in 1967, John J. Heney took on the role of FBA archivist and began to assemble what records he could collect from former FBA presidents, executive director Robert Lampi, and individual bandmasters. Heney made arrangements with the University of Florida to store the records, which he delivered in several installments through 1978. In 1988, because of a connection between an FBA member and Florida Southern College, the collection was returned to the FBA and moved to FSC."],"access_subjects_ssim":["Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs"],"access_subjects_ssm":["Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["60.5 Linear Feet"],"extent_tesim":["60.5 Linear Feet"],"genreform_ssim":["Correspondence","Photographs"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials."],"bioghist_html_tesm":["\u003cp\u003eThe Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2"],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.\u003c/p\u003e\n","\u003cp\u003eThe records have been arranged in eight series, six of which have been further arranged in subseries.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026amp; Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries \u0026#x2013; Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.\u003c/p\u003e\n","\u003cp\u003eSeries 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.\u003c/p\u003e\n","\u003cp\u003eSeries 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.\u003c/p\u003e\n","\u003cp\u003eSeries 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.","The records have been arranged in eight series, six of which have been further arranged in subseries.","Series 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.","Series 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026 Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries – Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.","Series 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.","Series 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.","Series 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.","Series 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"names_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association"],"corpname_ssim":["The Sarah D. and L. 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Kirk McKay, Jr. Archives Center Manuscript Collections"],"collection_ssim":["Florida Bandmasters Association Records, 1936-2010"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1059,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials."],"parent_access_terms_tesm":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"date_range_isim":[1990],"containers_ssim":["box 53","folder 18"],"_nest_path_":"/components#2/components#0/components#575","_nest_parent_":"71b8a757b0f138dee122db24_aspace_7594e1f4bea4b4db76ba09c0614f184d","_root_":"71b8a757b0f138dee122db24","_version_":1877102187519148032,"timestamp":"2026-09-23T06:15:45.471Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"71b8a757b0f138dee122db24","title_ssm":["Florida Bandmasters Association Records"],"title_tesim":["Florida Bandmasters Association Records"],"ead_ssi":"71b8a757b0f138dee122db24","unitdate_ssm":["1936-2010"],"unitdate_inclusive_ssm":["1936-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS1000","/repositories/2/resources/26"],"text":["MS1000","/repositories/2/resources/26","Florida Bandmasters Association Records, 1936-2010","Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.","The Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2","This collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.","The records have been arranged in eight series, six of which have been further arranged in subseries.","Series 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.","Series 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026 Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries – Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.","Series 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.","Series 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.","Series 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.","Series 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors.","Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487","The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association","English"],"unitid_tesim":["MS1000","/repositories/2/resources/26"],"normalized_date_ssm":["1936-2010"],"normalized_title_ssm":["Florida Bandmasters Association Records, 1936-2010"],"collection_title_tesim":["Florida Bandmasters Association Records, 1936-2010"],"collection_ssim":["Florida Bandmasters Association Records, 1936-2010"],"repository_ssm":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"creator_ssm":["Florida Bandmaster Association"],"creator_ssim":["Florida Bandmaster Association"],"creator_corpname_ssim":["Florida Bandmaster Association"],"creators_ssim":["Florida Bandmaster Association"],"access_terms_ssm":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"acqinfo_ssim":["Beginning in 1967, John J. Heney took on the role of FBA archivist and began to assemble what records he could collect from former FBA presidents, executive director Robert Lampi, and individual bandmasters. Heney made arrangements with the University of Florida to store the records, which he delivered in several installments through 1978. In 1988, because of a connection between an FBA member and Florida Southern College, the collection was returned to the FBA and moved to FSC."],"access_subjects_ssim":["Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs"],"access_subjects_ssm":["Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["60.5 Linear Feet"],"extent_tesim":["60.5 Linear Feet"],"genreform_ssim":["Correspondence","Photographs"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials."],"bioghist_html_tesm":["\u003cp\u003eThe Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2"],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.\u003c/p\u003e\n","\u003cp\u003eThe records have been arranged in eight series, six of which have been further arranged in subseries.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026amp; Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries \u0026#x2013; Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.\u003c/p\u003e\n","\u003cp\u003eSeries 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.\u003c/p\u003e\n","\u003cp\u003eSeries 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.\u003c/p\u003e\n","\u003cp\u003eSeries 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.","The records have been arranged in eight series, six of which have been further arranged in subseries.","Series 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.","Series 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026 Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries – Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.","Series 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.","Series 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.","Series 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.","Series 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"names_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association"],"corpname_ssim":["The Sarah D. and L. 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Photographs, 1987-1991","Florida Southern College Buildings \u0026 Grounds, 1922-2024","Box 10","Off-Campus Property","/repositories/4/archival_objects/1319","folder 16"],"component_level_isim":[3],"parent_ids_ssim":["61657dca6e05f30cb549ce7a","61657dca6e05f30cb549ce7a_aspace_bc6ac3ac377296247971a794ca8eaf8e","61657dca6e05f30cb549ce7a_aspace_15a43eb42fae6d03a8a413da227e3351"],"parent_unittitles_ssm":["Florida Southern College Buildings \u0026 Grounds, 1922-2024","Box 10","Off-Campus Property"],"parent_unittitles_tesim":["Florida Southern College Buildings \u0026 Grounds, 1922-2024","Box 10","Off-Campus Property"],"parent_levels_ssm":["collection","Box ","Series"],"unitid_ssm":["/repositories/4/archival_objects/1319"],"repository_ssim":["The Florida Southern College Archives"],"collection_ssim":["Florida Southern College Buildings \u0026 Grounds, 1922-2024"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":413,"parent_access_restrict_tesm":["This collection is open for research. 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For security reasons, the archives reserves the right to restrict access to certain materials related to buildings in active use. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital material","The files in this collection are arranged in the following series. 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Raulerson was originally three separate buildings: Carter, Walbridge, and Hawkins (the Three Seminars). The Thad Buckner Building was the original (1945) E.T. Roux Library. Joseph-Reynolds Hall was originally the Women's Residence. Ordway was briefly known as the J. William Horsey building. Additional newspaper articles and photographs make exist in Digital format.","The files in this collection were generated by the college and include built structures as well as some physical features (gardens and monuments) on property related to the Lakeland campus after 1922. Additionally, there are some files about property owned or formerly owned by FSC that is not part of the main campus in Lakeland.","This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions -archives@flsouthern.edu.","The Florida Southern College Archives","Florida Southern College","English"],"unitid_tesim":["CA6000","/repositories/4/resources/39"],"normalized_date_ssm":["1922-2024"],"normalized_title_ssm":["Florida Southern College Buildings \u0026 Grounds, 1922-2024"],"collection_title_tesim":["Florida Southern College Buildings \u0026 Grounds, 1922-2024"],"collection_ssim":["Florida Southern College Buildings \u0026 Grounds, 1922-2024"],"repository_ssm":["The Florida Southern College Archives"],"repository_ssim":["The Florida Southern College Archives"],"creator_ssm":["Florida Southern College"],"creator_ssim":["Florida Southern College"],"creator_corpname_ssim":["Florida Southern College"],"creators_ssim":["Florida Southern College"],"access_terms_ssm":["This collection is protected by copyright and/or related rights. 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Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital material"],"arrangement_html_tesm":["\u003cp\u003eThe files in this collection are arranged in the following series. 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Additional newspaper articles and photographs make exist in Digital format."],"scopecontent_html_tesm":["\u003cp\u003eThe files in this collection were generated by the college and include built structures as well as some physical features (gardens and monuments) on property related to the Lakeland campus after 1922. Additionally, there are some files about property owned or formerly owned by FSC that is not part of the main campus in Lakeland.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The files in this collection were generated by the college and include built structures as well as some physical features (gardens and monuments) on property related to the Lakeland campus after 1922. Additionally, there are some files about property owned or formerly owned by FSC that is not part of the main campus in Lakeland."],"userestrict_html_tesm":["\u003cp\u003eThis collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions -archives@flsouthern.edu.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions -archives@flsouthern.edu."],"names_ssim":["The Florida Southern College Archives","Florida Southern College"],"corpname_ssim":["The Florida Southern College Archives","Florida Southern College"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":565,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1873201808878338048,"_root_":"61657dca6e05f30cb549ce7a","timestamp":"2026-08-11T05:00:54.566Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/61657dca6e05f30cb549ce7a_aspace_d6c933d35939c38dd728c1f70930a957"}},{"id":"dfc344db585a517403bd2901_aspace_f7a540f7968a0934b2a18b18f5f72d56","type":"File","attributes":{"title":"Chapter eight, 1990-1991","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/dfc344db585a517403bd2901_aspace_f7a540f7968a0934b2a18b18f5f72d56#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_f7a540f7968a0934b2a18b18f5f72d56","ref_ssm":["aspace_f7a540f7968a0934b2a18b18f5f72d56","aspace_f7a540f7968a0934b2a18b18f5f72d56"],"id":"dfc344db585a517403bd2901_aspace_f7a540f7968a0934b2a18b18f5f72d56","title_filing_ssi":"Chapter eight","title_ssm":["Chapter eight"],"title_tesim":["Chapter eight"],"unitdate_inclusive_ssm":["1990-1991"],"normalized_date_ssm":["1990-1991"],"normalized_title_ssm":["Chapter eight, 1990-1991"],"text":["Chapter eight, 1990-1991","Edward Villella Collection, 1990-1992","Original version, 1990-1991","/repositories/3/archival_objects/37035","box 1","folder 9"],"component_level_isim":[2],"parent_ids_ssim":["dfc344db585a517403bd2901","dfc344db585a517403bd2901_aspace_04984e7158cacb943a4049c06472f9c5"],"parent_unittitles_ssm":["Edward Villella Collection, 1990-1992","Original version, 1990-1991"],"parent_unittitles_tesim":["Edward Villella Collection, 1990-1992","Original version, 1990-1991"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/37035"],"repository_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"collection_ssim":["Edward Villella Collection, 1990-1992"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":10,"parent_access_restrict_tesm":["The Edward Villella Collection is open for research."],"parent_access_terms_tesm":["Access to collections in the Broward County Library Special Collections is not authorization to publish. 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Original Version, Series II. First Edit, Series III. Second Edit, Series IV. Editorial Additions, and Series V. Galleys","Edward Villella is a second-generation Italian American born on October 1, 1936 in Queens, New York City to his parents Mildred and Joseph. He also has a sister, Carolyn.","Villella grew up in Bayside, Queens. When he was a boy, he played typical street games, but got injured. As a result, his mother took him to his sister's ballet classes as a way to be able to watch him. When his mother enrolled his sister in George Balanchine's School of American Ballet in Manhattan, Villella also began formal dance training at the School. Villella later attended the High School of Performing Arts in Manhattan. He then matriculated at State University of New York (SUNY) Maritime College (formerly New York Maritime Academy). In 1957 he completed his studies there and earned his degree in marine science.","In the fall of 1957, Villella signed as a dancer in George Ballanchine's company, the New York City Ballet. In 1958 he became a soloist, and in 1960, a principal dancer. George Balanchine created feature roles for Villella in many of his ballets. Pivotal performances for which Villella is most known were for the ballets \"Tarantella\" and \"Prodigal Son.\"","In 1962 Villella married another New York City Ballet dancer, Janet Greschsler. Together they had one son, Roddy, in 1969. They later divorced. In 1980, Villella married former figure skater Linda Carbonetto, who had a daughter, Lauren, by a previous marriage. Together they had a daughter, Crista.","In 1975, while dancing at the White House for President Gerald Ford, Villella incurred a hip injury that impeded his professional career. He formally remained a principal dancer for the New York City Ballet until 1979. Although he retired from dancing in ballets, Villella continued working in the dance industry. He taught and directed ballet at Eglevsky Ballet and other companies. In 1986, he became the founding artistic director of Miami City Ballet and served in that position until 2012. Villella continued the tradition of training dancers in the neoclassical discipline in the tradition of Balanchine. He incorporated Balanchine's ballets into The Miami City Ballet's repertoire during his tenure there.","Villella received an Emmy award for the 1975 CBS television production of Harlequinade. In 1997 he received a Kennedy Center honor as well as the National Medal of Arts. He was inducted into the American Academy of Arts and Sciences in 2009.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The Edward Villella Collection contains computer printouts as well as photocopies of pre-publication draft variances, some with handwritten editorial marks, of Villella's autobiography \"Prodigal Son,\" published by Simon and Schuster in 1992. The collection also includes correspondence between the editors and the author, as well as handwritten notes.","Access to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library.","Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library","New York City Ballet","Miami City Ballet","Villella, Edward, 1936-","Kaplan, Larry","Hodgman, George (George Arnett) (1959-01-30-2019-07-20)","Balanchine, George (1904-01-22-1983-04-30)","English"],"unitid_tesim":["BIENES.1996.4","/repositories/3/resources/515"],"normalized_date_ssm":["1990-1992"],"normalized_title_ssm":["Edward Villella Collection, 1990-1992"],"collection_title_tesim":["Edward Villella Collection, 1990-1992"],"collection_ssim":["Edward Villella Collection, 1990-1992"],"repository_ssm":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"repository_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"creator_ssm":["Villella, Edward, 1936-","Kaplan, Larry","Hodgman, George (George Arnett) (1959-01-30-2019-07-20)"],"creator_ssim":["Villella, Edward, 1936-","Kaplan, Larry","Hodgman, George (George Arnett) (1959-01-30-2019-07-20)"],"creator_persname_ssim":["Villella, Edward, 1936-","Kaplan, Larry","Hodgman, George (George Arnett) (1959-01-30-2019-07-20)"],"creators_ssim":["Villella, Edward, 1936-","Kaplan, Larry","Hodgman, George (George Arnett) (1959-01-30-2019-07-20)"],"access_terms_ssm":["Access to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library."],"acqinfo_ssim":["Edward Villella donated the materials to the Bienes Museum of the Modern Book via Michael Bienes on November 20, 1996 (Accession BIENES-1996.4)."],"access_subjects_ssim":["Ballet dancers -- United States -- Biography","Italian Americans -- New York (State) -- New York -- Biography"],"access_subjects_ssm":["Ballet dancers -- United States -- Biography","Italian Americans -- New York (State) -- New York -- Biography"],"has_online_content_ssim":["false"],"extent_ssm":["3 Hollinger Boxes"],"extent_tesim":["3 Hollinger Boxes"],"date_range_isim":[1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003eThe Edward Villella Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Edward Villella Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Edward Villella Collection is organized into five series: Series I. Original Version, Series II. First Edit, Series III. Second Edit, Series IV. Editorial Additions, and Series V. Galleys\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Edward Villella Collection is organized into five series: Series I. Original Version, Series II. First Edit, Series III. Second Edit, Series IV. Editorial Additions, and Series V. Galleys"],"bioghist_html_tesm":["\u003cp\u003eEdward Villella is a second-generation Italian American born on October 1, 1936 in Queens, New York City to his parents Mildred and Joseph. He also has a sister, Carolyn.\u003c/p\u003e\n","\u003cp\u003eVillella grew up in Bayside, Queens. When he was a boy, he played typical street games, but got injured. As a result, his mother took him to his sister's ballet classes as a way to be able to watch him. When his mother enrolled his sister in George Balanchine's School of American Ballet in Manhattan, Villella also began formal dance training at the School. 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Together they had a daughter, Crista.\u003c/p\u003e\n","\u003cp\u003eIn 1975, while dancing at the White House for President Gerald Ford, Villella incurred a hip injury that impeded his professional career. He formally remained a principal dancer for the New York City Ballet until 1979. Although he retired from dancing in ballets, Villella continued working in the dance industry. He taught and directed ballet at Eglevsky Ballet and other companies. In 1986, he became the founding artistic director of Miami City Ballet and served in that position until 2012. Villella continued the tradition of training dancers in the neoclassical discipline in the tradition of Balanchine. He incorporated Balanchine's ballets into The Miami City Ballet's repertoire during his tenure there.\u003c/p\u003e\n","\u003cp\u003eVillella received an Emmy award for the 1975 CBS television production of Harlequinade. In 1997 he received a Kennedy Center honor as well as the National Medal of Arts. He was inducted into the American Academy of Arts and Sciences in 2009.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Edward Villella is a second-generation Italian American born on October 1, 1936 in Queens, New York City to his parents Mildred and Joseph. He also has a sister, Carolyn.","Villella grew up in Bayside, Queens. When he was a boy, he played typical street games, but got injured. As a result, his mother took him to his sister's ballet classes as a way to be able to watch him. When his mother enrolled his sister in George Balanchine's School of American Ballet in Manhattan, Villella also began formal dance training at the School. Villella later attended the High School of Performing Arts in Manhattan. He then matriculated at State University of New York (SUNY) Maritime College (formerly New York Maritime Academy). In 1957 he completed his studies there and earned his degree in marine science.","In the fall of 1957, Villella signed as a dancer in George Ballanchine's company, the New York City Ballet. In 1958 he became a soloist, and in 1960, a principal dancer. George Balanchine created feature roles for Villella in many of his ballets. Pivotal performances for which Villella is most known were for the ballets \"Tarantella\" and \"Prodigal Son.\"","In 1962 Villella married another New York City Ballet dancer, Janet Greschsler. Together they had one son, Roddy, in 1969. They later divorced. In 1980, Villella married former figure skater Linda Carbonetto, who had a daughter, Lauren, by a previous marriage. Together they had a daughter, Crista.","In 1975, while dancing at the White House for President Gerald Ford, Villella incurred a hip injury that impeded his professional career. He formally remained a principal dancer for the New York City Ballet until 1979. 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He was inducted into the American Academy of Arts and Sciences in 2009."],"prefercite_html_tesm":["\u003cp\u003eEdward Villella Collection, Bienes Museum of the Modern Book, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Edward Villella Collection, Bienes Museum of the Modern Book, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. 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Although he retired from dancing in ballets, Villella continued working in the dance industry. He taught and directed ballet at Eglevsky Ballet and other companies. In 1986, he became the founding artistic director of Miami City Ballet and served in that position until 2012. Villella continued the tradition of training dancers in the neoclassical discipline in the tradition of Balanchine. He incorporated Balanchine's ballets into The Miami City Ballet's repertoire during his tenure there.","Villella received an Emmy award for the 1975 CBS television production of Harlequinade. In 1997 he received a Kennedy Center honor as well as the National Medal of Arts. He was inducted into the American Academy of Arts and Sciences in 2009.","This collection received file level processing. 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In 1957 he completed his studies there and earned his degree in marine science.","In the fall of 1957, Villella signed as a dancer in George Ballanchine's company, the New York City Ballet. In 1958 he became a soloist, and in 1960, a principal dancer. George Balanchine created feature roles for Villella in many of his ballets. Pivotal performances for which Villella is most known were for the ballets \"Tarantella\" and \"Prodigal Son.\"","In 1962 Villella married another New York City Ballet dancer, Janet Greschsler. Together they had one son, Roddy, in 1969. They later divorced. In 1980, Villella married former figure skater Linda Carbonetto, who had a daughter, Lauren, by a previous marriage. Together they had a daughter, Crista.","In 1975, while dancing at the White House for President Gerald Ford, Villella incurred a hip injury that impeded his professional career. He formally remained a principal dancer for the New York City Ballet until 1979. Although he retired from dancing in ballets, Villella continued working in the dance industry. He taught and directed ballet at Eglevsky Ballet and other companies. In 1986, he became the founding artistic director of Miami City Ballet and served in that position until 2012. Villella continued the tradition of training dancers in the neoclassical discipline in the tradition of Balanchine. He incorporated Balanchine's ballets into The Miami City Ballet's repertoire during his tenure there.","Villella received an Emmy award for the 1975 CBS television production of Harlequinade. In 1997 he received a Kennedy Center honor as well as the National Medal of Arts. He was inducted into the American Academy of Arts and Sciences in 2009."],"prefercite_html_tesm":["\u003cp\u003eEdward Villella Collection, Bienes Museum of the Modern Book, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Edward Villella Collection, Bienes Museum of the Modern Book, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Edward Villella Collection contains computer printouts as well as photocopies of pre-publication draft variances, some with handwritten editorial marks, of Villella's autobiography \"Prodigal Son,\" published by Simon and Schuster in 1992. The collection also includes correspondence between the editors and the author, as well as handwritten notes.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Edward Villella Collection contains computer printouts as well as photocopies of pre-publication draft variances, some with handwritten editorial marks, of Villella's autobiography \"Prodigal Son,\" published by Simon and Schuster in 1992. The collection also includes correspondence between the editors and the author, as well as handwritten notes."],"userestrict_html_tesm":["\u003cp\u003eAccess to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Access to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library."],"names_coll_ssim":["New York City Ballet","Miami City Ballet","Villella, Edward, 1936-","Kaplan, Larry","Balanchine, George (1904-01-22-1983-04-30)","Hodgman, George (George Arnett) (1959-01-30-2019-07-20)"],"names_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library","New York City Ballet","Miami City Ballet","Villella, Edward, 1936-","Kaplan, Larry","Hodgman, George (George Arnett) (1959-01-30-2019-07-20)","Balanchine, George (1904-01-22-1983-04-30)"],"corpname_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library","New York City Ballet","Miami City Ballet"],"persname_ssim":["Villella, Edward, 1936-","Kaplan, Larry","Hodgman, George (George Arnett) (1959-01-30-2019-07-20)","Balanchine, George (1904-01-22-1983-04-30)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":102,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1873557587257982976,"_root_":"dfc344db585a517403bd2901","timestamp":"2026-08-15T03:15:51.275Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/dfc344db585a517403bd2901_aspace_71e6a82d0e5b6732d056c389dc33a898"}},{"id":"dfc344db585a517403bd2901_aspace_2c017bbbb120b1113ff4c0aa2a7dab26","type":"File","attributes":{"title":"Chapter fifteen, 1990-1991","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/dfc344db585a517403bd2901_aspace_2c017bbbb120b1113ff4c0aa2a7dab26#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_2c017bbbb120b1113ff4c0aa2a7dab26","ref_ssm":["aspace_2c017bbbb120b1113ff4c0aa2a7dab26","aspace_2c017bbbb120b1113ff4c0aa2a7dab26"],"id":"dfc344db585a517403bd2901_aspace_2c017bbbb120b1113ff4c0aa2a7dab26","title_filing_ssi":"Chapter fifteen","title_ssm":["Chapter fifteen"],"title_tesim":["Chapter fifteen"],"unitdate_inclusive_ssm":["1990-1991"],"normalized_date_ssm":["1990-1991"],"normalized_title_ssm":["Chapter fifteen, 1990-1991"],"text":["Chapter fifteen, 1990-1991","Edward Villella Collection, 1990-1992","Original version, 1990-1991","/repositories/3/archival_objects/37042","box 1","folder 16"],"component_level_isim":[2],"parent_ids_ssim":["dfc344db585a517403bd2901","dfc344db585a517403bd2901_aspace_04984e7158cacb943a4049c06472f9c5"],"parent_unittitles_ssm":["Edward Villella Collection, 1990-1992","Original version, 1990-1991"],"parent_unittitles_tesim":["Edward Villella Collection, 1990-1992","Original version, 1990-1991"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/37042"],"repository_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"collection_ssim":["Edward Villella Collection, 1990-1992"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":17,"parent_access_restrict_tesm":["The Edward Villella Collection is open for research."],"parent_access_terms_tesm":["Access to collections in the Broward County Library Special Collections is not authorization to publish. 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Original Version, Series II. First Edit, Series III. Second Edit, Series IV. Editorial Additions, and Series V. Galleys","Edward Villella is a second-generation Italian American born on October 1, 1936 in Queens, New York City to his parents Mildred and Joseph. He also has a sister, Carolyn.","Villella grew up in Bayside, Queens. When he was a boy, he played typical street games, but got injured. As a result, his mother took him to his sister's ballet classes as a way to be able to watch him. When his mother enrolled his sister in George Balanchine's School of American Ballet in Manhattan, Villella also began formal dance training at the School. Villella later attended the High School of Performing Arts in Manhattan. He then matriculated at State University of New York (SUNY) Maritime College (formerly New York Maritime Academy). 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This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The Edward Villella Collection contains computer printouts as well as photocopies of pre-publication draft variances, some with handwritten editorial marks, of Villella's autobiography \"Prodigal Son,\" published by Simon and Schuster in 1992. The collection also includes correspondence between the editors and the author, as well as handwritten notes.","Access to collections in the Broward County Library Special Collections is not authorization to publish. 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Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library."],"acqinfo_ssim":["Edward Villella donated the materials to the Bienes Museum of the Modern Book via Michael Bienes on November 20, 1996 (Accession BIENES-1996.4)."],"access_subjects_ssim":["Ballet dancers -- United States -- Biography","Italian Americans -- New York (State) -- New York -- Biography"],"access_subjects_ssm":["Ballet dancers -- United States -- Biography","Italian Americans -- New York (State) -- New York -- Biography"],"has_online_content_ssim":["false"],"extent_ssm":["3 Hollinger Boxes"],"extent_tesim":["3 Hollinger Boxes"],"date_range_isim":[1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003eThe Edward Villella Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Edward Villella Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Edward Villella Collection is organized into five series: Series I. Original Version, Series II. First Edit, Series III. Second Edit, Series IV. Editorial Additions, and Series V. Galleys\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Edward Villella Collection is organized into five series: Series I. Original Version, Series II. First Edit, Series III. Second Edit, Series IV. Editorial Additions, and Series V. Galleys"],"bioghist_html_tesm":["\u003cp\u003eEdward Villella is a second-generation Italian American born on October 1, 1936 in Queens, New York City to his parents Mildred and Joseph. He also has a sister, Carolyn.\u003c/p\u003e\n","\u003cp\u003eVillella grew up in Bayside, Queens. When he was a boy, he played typical street games, but got injured. As a result, his mother took him to his sister's ballet classes as a way to be able to watch him. When his mother enrolled his sister in George Balanchine's School of American Ballet in Manhattan, Villella also began formal dance training at the School. Villella later attended the High School of Performing Arts in Manhattan. He then matriculated at State University of New York (SUNY) Maritime College (formerly New York Maritime Academy). In 1957 he completed his studies there and earned his degree in marine science.\u003c/p\u003e\n","\u003cp\u003eIn the fall of 1957, Villella signed as a dancer in George Ballanchine's company, the New York City Ballet. In 1958 he became a soloist, and in 1960, a principal dancer. George Balanchine created feature roles for Villella in many of his ballets. Pivotal performances for which Villella is most known were for the ballets \"Tarantella\" and \"Prodigal Son.\"\u003c/p\u003e\n","\u003cp\u003eIn 1962 Villella married another New York City Ballet dancer, Janet Greschsler. Together they had one son, Roddy, in 1969. They later divorced. In 1980, Villella married former figure skater Linda Carbonetto, who had a daughter, Lauren, by a previous marriage. Together they had a daughter, Crista.\u003c/p\u003e\n","\u003cp\u003eIn 1975, while dancing at the White House for President Gerald Ford, Villella incurred a hip injury that impeded his professional career. He formally remained a principal dancer for the New York City Ballet until 1979. Although he retired from dancing in ballets, Villella continued working in the dance industry. He taught and directed ballet at Eglevsky Ballet and other companies. In 1986, he became the founding artistic director of Miami City Ballet and served in that position until 2012. Villella continued the tradition of training dancers in the neoclassical discipline in the tradition of Balanchine. He incorporated Balanchine's ballets into The Miami City Ballet's repertoire during his tenure there.\u003c/p\u003e\n","\u003cp\u003eVillella received an Emmy award for the 1975 CBS television production of Harlequinade. In 1997 he received a Kennedy Center honor as well as the National Medal of Arts. He was inducted into the American Academy of Arts and Sciences in 2009.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Edward Villella is a second-generation Italian American born on October 1, 1936 in Queens, New York City to his parents Mildred and Joseph. He also has a sister, Carolyn.","Villella grew up in Bayside, Queens. When he was a boy, he played typical street games, but got injured. As a result, his mother took him to his sister's ballet classes as a way to be able to watch him. When his mother enrolled his sister in George Balanchine's School of American Ballet in Manhattan, Villella also began formal dance training at the School. Villella later attended the High School of Performing Arts in Manhattan. He then matriculated at State University of New York (SUNY) Maritime College (formerly New York Maritime Academy). In 1957 he completed his studies there and earned his degree in marine science.","In the fall of 1957, Villella signed as a dancer in George Ballanchine's company, the New York City Ballet. In 1958 he became a soloist, and in 1960, a principal dancer. George Balanchine created feature roles for Villella in many of his ballets. Pivotal performances for which Villella is most known were for the ballets \"Tarantella\" and \"Prodigal Son.\"","In 1962 Villella married another New York City Ballet dancer, Janet Greschsler. Together they had one son, Roddy, in 1969. They later divorced. In 1980, Villella married former figure skater Linda Carbonetto, who had a daughter, Lauren, by a previous marriage. Together they had a daughter, Crista.","In 1975, while dancing at the White House for President Gerald Ford, Villella incurred a hip injury that impeded his professional career. He formally remained a principal dancer for the New York City Ballet until 1979. Although he retired from dancing in ballets, Villella continued working in the dance industry. He taught and directed ballet at Eglevsky Ballet and other companies. In 1986, he became the founding artistic director of Miami City Ballet and served in that position until 2012. Villella continued the tradition of training dancers in the neoclassical discipline in the tradition of Balanchine. He incorporated Balanchine's ballets into The Miami City Ballet's repertoire during his tenure there.","Villella received an Emmy award for the 1975 CBS television production of Harlequinade. In 1997 he received a Kennedy Center honor as well as the National Medal of Arts. He was inducted into the American Academy of Arts and Sciences in 2009."],"prefercite_html_tesm":["\u003cp\u003eEdward Villella Collection, Bienes Museum of the Modern Book, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Edward Villella Collection, Bienes Museum of the Modern Book, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Edward Villella Collection contains computer printouts as well as photocopies of pre-publication draft variances, some with handwritten editorial marks, of Villella's autobiography \"Prodigal Son,\" published by Simon and Schuster in 1992. The collection also includes correspondence between the editors and the author, as well as handwritten notes.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Edward Villella Collection contains computer printouts as well as photocopies of pre-publication draft variances, some with handwritten editorial marks, of Villella's autobiography \"Prodigal Son,\" published by Simon and Schuster in 1992. The collection also includes correspondence between the editors and the author, as well as handwritten notes."],"userestrict_html_tesm":["\u003cp\u003eAccess to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Access to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library."],"names_coll_ssim":["New York City Ballet","Miami City Ballet","Villella, Edward, 1936-","Kaplan, Larry","Balanchine, George (1904-01-22-1983-04-30)","Hodgman, George (George Arnett) (1959-01-30-2019-07-20)"],"names_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library","New York City Ballet","Miami City Ballet","Villella, Edward, 1936-","Kaplan, Larry","Hodgman, George (George Arnett) (1959-01-30-2019-07-20)","Balanchine, George (1904-01-22-1983-04-30)"],"corpname_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library","New York City Ballet","Miami City Ballet"],"persname_ssim":["Villella, Edward, 1936-","Kaplan, Larry","Hodgman, George (George Arnett) (1959-01-30-2019-07-20)","Balanchine, George (1904-01-22-1983-04-30)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":102,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1873557587257982976,"_root_":"dfc344db585a517403bd2901","timestamp":"2026-08-15T03:15:51.275Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/dfc344db585a517403bd2901_aspace_fde49918f69e3a63a069dc3d220faa56"}},{"id":"dfc344db585a517403bd2901_aspace_6edbc6b860319162a6ddca729063a53e","type":"File","attributes":{"title":"Chapter fourteen, 1990-1991","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/dfc344db585a517403bd2901_aspace_6edbc6b860319162a6ddca729063a53e#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_6edbc6b860319162a6ddca729063a53e","ref_ssm":["aspace_6edbc6b860319162a6ddca729063a53e","aspace_6edbc6b860319162a6ddca729063a53e"],"id":"dfc344db585a517403bd2901_aspace_6edbc6b860319162a6ddca729063a53e","title_filing_ssi":"Chapter fourteen","title_ssm":["Chapter fourteen"],"title_tesim":["Chapter fourteen"],"unitdate_inclusive_ssm":["1990-1991"],"normalized_date_ssm":["1990-1991"],"normalized_title_ssm":["Chapter fourteen, 1990-1991"],"text":["Chapter fourteen, 1990-1991","Edward Villella Collection, 1990-1992","Original version, 1990-1991","/repositories/3/archival_objects/37041","box 1","folder 15"],"component_level_isim":[2],"parent_ids_ssim":["dfc344db585a517403bd2901","dfc344db585a517403bd2901_aspace_04984e7158cacb943a4049c06472f9c5"],"parent_unittitles_ssm":["Edward Villella Collection, 1990-1992","Original version, 1990-1991"],"parent_unittitles_tesim":["Edward Villella Collection, 1990-1992","Original version, 1990-1991"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/37041"],"repository_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"collection_ssim":["Edward Villella Collection, 1990-1992"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":16,"parent_access_restrict_tesm":["The Edward Villella Collection is open for research."],"parent_access_terms_tesm":["Access to collections in the Broward County Library Special Collections is not authorization to publish. 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Original Version, Series II. First Edit, Series III. Second Edit, Series IV. Editorial Additions, and Series V. Galleys","Edward Villella is a second-generation Italian American born on October 1, 1936 in Queens, New York City to his parents Mildred and Joseph. He also has a sister, Carolyn.","Villella grew up in Bayside, Queens. When he was a boy, he played typical street games, but got injured. As a result, his mother took him to his sister's ballet classes as a way to be able to watch him. When his mother enrolled his sister in George Balanchine's School of American Ballet in Manhattan, Villella also began formal dance training at the School. Villella later attended the High School of Performing Arts in Manhattan. He then matriculated at State University of New York (SUNY) Maritime College (formerly New York Maritime Academy). In 1957 he completed his studies there and earned his degree in marine science.","In the fall of 1957, Villella signed as a dancer in George Ballanchine's company, the New York City Ballet. In 1958 he became a soloist, and in 1960, a principal dancer. George Balanchine created feature roles for Villella in many of his ballets. Pivotal performances for which Villella is most known were for the ballets \"Tarantella\" and \"Prodigal Son.\"","In 1962 Villella married another New York City Ballet dancer, Janet Greschsler. Together they had one son, Roddy, in 1969. They later divorced. In 1980, Villella married former figure skater Linda Carbonetto, who had a daughter, Lauren, by a previous marriage. Together they had a daughter, Crista.","In 1975, while dancing at the White House for President Gerald Ford, Villella incurred a hip injury that impeded his professional career. He formally remained a principal dancer for the New York City Ballet until 1979. Although he retired from dancing in ballets, Villella continued working in the dance industry. He taught and directed ballet at Eglevsky Ballet and other companies. In 1986, he became the founding artistic director of Miami City Ballet and served in that position until 2012. Villella continued the tradition of training dancers in the neoclassical discipline in the tradition of Balanchine. He incorporated Balanchine's ballets into The Miami City Ballet's repertoire during his tenure there.","Villella received an Emmy award for the 1975 CBS television production of Harlequinade. In 1997 he received a Kennedy Center honor as well as the National Medal of Arts. He was inducted into the American Academy of Arts and Sciences in 2009.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The Edward Villella Collection contains computer printouts as well as photocopies of pre-publication draft variances, some with handwritten editorial marks, of Villella's autobiography \"Prodigal Son,\" published by Simon and Schuster in 1992. The collection also includes correspondence between the editors and the author, as well as handwritten notes.","Access to collections in the Broward County Library Special Collections is not authorization to publish. 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In 1957 he completed his studies there and earned his degree in marine science.","In the fall of 1957, Villella signed as a dancer in George Ballanchine's company, the New York City Ballet. In 1958 he became a soloist, and in 1960, a principal dancer. George Balanchine created feature roles for Villella in many of his ballets. Pivotal performances for which Villella is most known were for the ballets \"Tarantella\" and \"Prodigal Son.\"","In 1962 Villella married another New York City Ballet dancer, Janet Greschsler. Together they had one son, Roddy, in 1969. They later divorced. In 1980, Villella married former figure skater Linda Carbonetto, who had a daughter, Lauren, by a previous marriage. Together they had a daughter, Crista.","In 1975, while dancing at the White House for President Gerald Ford, Villella incurred a hip injury that impeded his professional career. He formally remained a principal dancer for the New York City Ballet until 1979. Although he retired from dancing in ballets, Villella continued working in the dance industry. He taught and directed ballet at Eglevsky Ballet and other companies. In 1986, he became the founding artistic director of Miami City Ballet and served in that position until 2012. Villella continued the tradition of training dancers in the neoclassical discipline in the tradition of Balanchine. He incorporated Balanchine's ballets into The Miami City Ballet's repertoire during his tenure there.","Villella received an Emmy award for the 1975 CBS television production of Harlequinade. In 1997 he received a Kennedy Center honor as well as the National Medal of Arts. He was inducted into the American Academy of Arts and Sciences in 2009."],"prefercite_html_tesm":["\u003cp\u003eEdward Villella Collection, Bienes Museum of the Modern Book, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Edward Villella Collection, Bienes Museum of the Modern Book, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. 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