{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026page=212\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026page=211\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026page=213\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026page=649\u0026view=compact"},"meta":{"pages":{"current_page":212,"next_page":213,"prev_page":211,"total_pages":649,"limit_value":10,"offset_value":2110,"total_count":6487,"first_page?":false,"last_page?":false}},"data":[{"id":"d708aa3104bd5d4ccbcc4efd_aspace_39030b4414a9241487bb5fbb733b4d37","type":"File","attributes":{"title":"Ferris, William, Circa 1979-1989","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d708aa3104bd5d4ccbcc4efd_aspace_39030b4414a9241487bb5fbb733b4d37#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_39030b4414a9241487bb5fbb733b4d37","ref_ssm":["aspace_39030b4414a9241487bb5fbb733b4d37","aspace_39030b4414a9241487bb5fbb733b4d37"],"id":"d708aa3104bd5d4ccbcc4efd_aspace_39030b4414a9241487bb5fbb733b4d37","title_filing_ssi":"Ferris, William ","title_ssm":["Ferris, William "],"title_tesim":["Ferris, William "],"unitdate_inclusive_ssm":["Circa 1979-1989"],"normalized_date_ssm":["Circa 1979-1989"],"normalized_title_ssm":["Ferris, William, Circa 1979-1989"],"text":["Ferris, William, Circa 1979-1989","Alex Haley Papers, Circa 1937-1993","Correspondence, Circa 1937-1991","/repositories/2/archival_objects/12862","box 4","folder 9"],"component_level_isim":[2],"parent_ids_ssim":["d708aa3104bd5d4ccbcc4efd","d708aa3104bd5d4ccbcc4efd_aspace_b2ccf39b09814044dd6c4ce0d1dad356"],"parent_unittitles_ssm":["Alex Haley Papers, Circa 1937-1993","Correspondence, Circa 1937-1991"],"parent_unittitles_tesim":["Alex Haley Papers, Circa 1937-1993","Correspondence, Circa 1937-1991"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/12862"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Alex Haley Papers, Circa 1937-1993"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":57,"parent_access_restrict_tesm":["The Alex Haley Papers are open for research."],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"containers_ssim":["box 4","folder 9"],"_nest_path_":"/components#0/components#55","_nest_parent_":"d708aa3104bd5d4ccbcc4efd_aspace_b2ccf39b09814044dd6c4ce0d1dad356","_root_":"d708aa3104bd5d4ccbcc4efd","_version_":1876455837540548608,"timestamp":"2026-09-16T03:02:18.127Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d708aa3104bd5d4ccbcc4efd","title_filing_ssi":"Haley, Alex Papers","title_ssm":["Alex Haley Papers"],"title_tesim":["Alex Haley Papers"],"ead_ssi":"d708aa3104bd5d4ccbcc4efd","unitdate_ssm":["Circa 1937-1993"],"unitdate_inclusive_ssm":["Circa 1937-1993"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2004.3","/repositories/2/resources/46"],"text":["AARLCC.2004.3","/repositories/2/resources/46","Alex Haley Papers, Circa 1937-1993","Gambia","African American authors","American literature","financial records","Correspondence","Photographs","Programs","Clippings","Sound recordings","The Alex Haley Papers are open for research.","The collection is organized in nine series: Series I. Correspondence, Series II. Writings by Alex Haley, Series III. Writings by Others, Series IV. Professional Papers, Series V: Personal Papers, Series VI: Photographs, Series VII. Business Files, Series VIII. Printed Materials, and Series IX. Awards.","Alex Murray Palmer Haley was born on August 11, 1921 in Ithaca, New York. He lived with his maternal grandmother in Henning, Tennessee. As a young adult, Haley entered the U.S. Coast Guard in 1939 and was in active service for 20 years. He began his career in writing by composing his shipmates' love letters to their sweethearts.During this time Haley created  \"The Seafarer\", which became the official Coast Guard newsletter. Haley later attained the title of Chief Petty Officer which he kept until his retirement and was the first  Chief Journalist in the Coast Guard, the rating having been expressly created for him in recognition of his literary ability.","After his time in the service, Haley became a journalist and wrote for the Saturday Evening Post, Readers' Digest and Playboy Magazine. He interviewed notable figures such as Muhammad Ali, Martin Luther King Jr., Miles Davis, and the head of the Nazi American Party, George Lincoln Rockwell, in 1962. His interview of Malcolm X was followed by the book The Autobiography of Malcolm X in 1965.","While growing up in Tennessee, Haley's childhood was filled with stories of his African ancestor, Kunta Kinte, and how he came to the United States.  It was from these oral histories that Haley decided to research his African roots. Haley succeeded in locating the origin of Kunta Kinte, in the village of Juffure in Gambia.","Haley spent years of research to complete the book ROOTS: The Saga of an American Family in 1976. The book describes Haley's ancestors coming from Africa to North America as slaves and their descendants. ROOTS gained Haley international success, he won a Pulitzer Prize, and the book was printed in countless languages and sold around the world. In 1977 ROOTS the mini-series was the third highest rated television program of all time, and generated an increasing interest in genealogical research throughout the United States.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\n Books and vinyl records from this collection were cataloged in the Broward County Library catalog with the prefix \"HAL\".","Select materials from the Alex Haley Papers are available on the Broward County Library Digital Archives.","The Alex Haley papers consists of manuscripts including those from his time with the Saturday Evening Post, Boy's Life Magazine and  Kiwanis Magazine; correspondence, photographs, newspaper clippings, business files, awards, and other materials documenting Alex Haley's literary career. The papers also include fan mail during the popularity of the book and the subsequent television series \"Roots\", and photographs in Gambia.","AARLCC Special Collections","United States. Coast Guard","Haley, Alex","Haley, Alex. Roots","Wonder, Stevie","English"],"unitid_tesim":["AARLCC.2004.3","/repositories/2/resources/46"],"normalized_date_ssm":["Circa 1937-1993"],"normalized_title_ssm":["Alex Haley Papers, Circa 1937-1993"],"collection_title_tesim":["Alex Haley Papers, Circa 1937-1993"],"collection_ssim":["Alex Haley Papers, Circa 1937-1993"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Gambia"],"geogname_ssim":["Gambia"],"creator_ssm":["Haley, Alex"],"creator_ssim":["Haley, Alex"],"creator_persname_ssim":["Haley, Alex"],"creators_ssim":["Haley, Alex"],"places_ssim":["Gambia"],"acqinfo_ssim":["The Alex Haley Papers was purchased by Broward County Library on September 26, 2001 from the Heritage Book Shop Inc. The Heritage Bindery acquired the papers from the Alex Haley estate auction in 1992."],"access_subjects_ssim":["African American authors","American literature","financial records","Correspondence","Photographs","Programs","Clippings","Sound recordings"],"access_subjects_ssm":["African American authors","American literature","financial records","Correspondence","Photographs","Programs","Clippings","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["45 Hollinger Boxes","17 Books","2 Vinyl records"],"extent_tesim":["45 Hollinger Boxes","17 Books","2 Vinyl records"],"genreform_ssim":["Correspondence","Photographs","Programs","Clippings","Sound recordings"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"accessrestrict_html_tesm":["\u003cp\u003eThe Alex Haley Papers are open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Alex Haley Papers are open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized in nine series: Series I. Correspondence, Series II. Writings by Alex Haley, Series III. Writings by Others, Series IV. Professional Papers, Series V: Personal Papers, Series VI: Photographs, Series VII. Business Files, Series VIII. Printed Materials, and Series IX. Awards.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized in nine series: Series I. Correspondence, Series II. Writings by Alex Haley, Series III. Writings by Others, Series IV. Professional Papers, Series V: Personal Papers, Series VI: Photographs, Series VII. Business Files, Series VIII. Printed Materials, and Series IX. Awards."],"bioghist_html_tesm":["\u003cp\u003eAlex Murray Palmer Haley was born on August 11, 1921 in Ithaca, New York. He lived with his maternal grandmother in Henning, Tennessee. As a young adult, Haley entered the U.S. Coast Guard in 1939 and was in active service for 20 years. He began his career in writing by composing his shipmates' love letters to their sweethearts.During this time Haley created  \"The Seafarer\", which became the official Coast Guard newsletter. Haley later attained the title of Chief Petty Officer which he kept until his retirement and was the first  Chief Journalist in the Coast Guard, the rating having been expressly created for him in recognition of his literary ability.\u003c/p\u003e\n","\u003cp\u003eAfter his time in the service, Haley became a journalist and wrote for the Saturday Evening Post, Readers' Digest and Playboy Magazine. He interviewed notable figures such as Muhammad Ali, Martin Luther King Jr., Miles Davis, and the head of the Nazi American Party, George Lincoln Rockwell, in 1962. His interview of Malcolm X was followed by the book The Autobiography of Malcolm X in 1965.\u003c/p\u003e\n","\u003cp\u003eWhile growing up in Tennessee, Haley's childhood was filled with stories of his African ancestor, Kunta Kinte, and how he came to the United States.  It was from these oral histories that Haley decided to research his African roots. Haley succeeded in locating the origin of Kunta Kinte, in the village of Juffure in Gambia.\u003c/p\u003e\n","\u003cp\u003eHaley spent years of research to complete the book ROOTS: The Saga of an American Family in 1976. The book describes Haley's ancestors coming from Africa to North America as slaves and their descendants. ROOTS gained Haley international success, he won a Pulitzer Prize, and the book was printed in countless languages and sold around the world. In 1977 ROOTS the mini-series was the third highest rated television program of all time, and generated an increasing interest in genealogical research throughout the United States.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Alex Murray Palmer Haley was born on August 11, 1921 in Ithaca, New York. He lived with his maternal grandmother in Henning, Tennessee. As a young adult, Haley entered the U.S. Coast Guard in 1939 and was in active service for 20 years. He began his career in writing by composing his shipmates' love letters to their sweethearts.During this time Haley created  \"The Seafarer\", which became the official Coast Guard newsletter. Haley later attained the title of Chief Petty Officer which he kept until his retirement and was the first  Chief Journalist in the Coast Guard, the rating having been expressly created for him in recognition of his literary ability.","After his time in the service, Haley became a journalist and wrote for the Saturday Evening Post, Readers' Digest and Playboy Magazine. He interviewed notable figures such as Muhammad Ali, Martin Luther King Jr., Miles Davis, and the head of the Nazi American Party, George Lincoln Rockwell, in 1962. His interview of Malcolm X was followed by the book The Autobiography of Malcolm X in 1965.","While growing up in Tennessee, Haley's childhood was filled with stories of his African ancestor, Kunta Kinte, and how he came to the United States.  It was from these oral histories that Haley decided to research his African roots. Haley succeeded in locating the origin of Kunta Kinte, in the village of Juffure in Gambia.","Haley spent years of research to complete the book ROOTS: The Saga of an American Family in 1976. The book describes Haley's ancestors coming from Africa to North America as slaves and their descendants. ROOTS gained Haley international success, he won a Pulitzer Prize, and the book was printed in countless languages and sold around the world. In 1977 ROOTS the mini-series was the third highest rated television program of all time, and generated an increasing interest in genealogical research throughout the United States."],"prefercite_html_tesm":["\u003cp\u003eAlex Haley Papers, African-American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Alex Haley Papers, African-American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\n\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default\" target=\"_blank\"\u003eBooks and vinyl records from this collection were cataloged in the Broward County Library catalog with the prefix \"HAL\".\u003c/a\u003e\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\n Books and vinyl records from this collection were cataloged in the Broward County Library catalog with the prefix \"HAL\"."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/alexhaley\"\u003eSelect materials from the Alex Haley Papers are available on the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["Select materials from the Alex Haley Papers are available on the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Alex Haley papers consists of manuscripts including those from his time with the Saturday Evening Post, Boy's Life Magazine and  Kiwanis Magazine; correspondence, photographs, newspaper clippings, business files, awards, and other materials documenting Alex Haley's literary career. The papers also include fan mail during the popularity of the book and the subsequent television series \"Roots\", and photographs in Gambia.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Alex Haley papers consists of manuscripts including those from his time with the Saturday Evening Post, Boy's Life Magazine and  Kiwanis Magazine; correspondence, photographs, newspaper clippings, business files, awards, and other materials documenting Alex Haley's literary career. The papers also include fan mail during the popularity of the book and the subsequent television series \"Roots\", and photographs in Gambia."],"names_coll_ssim":["United States. Coast Guard","Haley, Alex. Roots","Wonder, Stevie"],"names_ssim":["AARLCC Special Collections","United States. Coast Guard","Haley, Alex","Haley, Alex. Roots","Wonder, Stevie"],"corpname_ssim":["AARLCC Special Collections","United States. Coast Guard"],"persname_ssim":["Haley, Alex","Haley, Alex. Roots","Wonder, Stevie"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":647,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455837540548608,"_root_":"d708aa3104bd5d4ccbcc4efd","timestamp":"2026-09-16T03:02:18.127Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d708aa3104bd5d4ccbcc4efd_aspace_39030b4414a9241487bb5fbb733b4d37"}},{"id":"71b8a757b0f138dee122db24_aspace_9a0030d75d0dd63d8a7141ed321d6b28","type":"File","attributes":{"title":"Festival Entry Instructions, 1987-1989","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/71b8a757b0f138dee122db24_aspace_9a0030d75d0dd63d8a7141ed321d6b28#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9a0030d75d0dd63d8a7141ed321d6b28","ref_ssm":["aspace_9a0030d75d0dd63d8a7141ed321d6b28","aspace_9a0030d75d0dd63d8a7141ed321d6b28"],"id":"71b8a757b0f138dee122db24_aspace_9a0030d75d0dd63d8a7141ed321d6b28","title_filing_ssi":"Festival Entry Instructions","title_ssm":["Festival Entry Instructions"],"title_tesim":["Festival Entry Instructions"],"unitdate_inclusive_ssm":["1987-1989"],"normalized_date_ssm":["1987-1989"],"normalized_title_ssm":["Festival Entry Instructions, 1987-1989"],"text":["Festival Entry Instructions, 1987-1989","Florida Bandmasters Association Records, 1936-2010","Contests and Other Events","Contests","/repositories/2/archival_objects/39583","box 46","folder 12"],"component_level_isim":[3],"parent_ids_ssim":["71b8a757b0f138dee122db24","71b8a757b0f138dee122db24_aspace_d5fa145e78631057f66174abb968874c","71b8a757b0f138dee122db24_aspace_7594e1f4bea4b4db76ba09c0614f184d"],"parent_unittitles_ssm":["Florida Bandmasters Association Records, 1936-2010","Contests and Other Events","Contests"],"parent_unittitles_tesim":["Florida Bandmasters Association Records, 1936-2010","Contests and Other Events","Contests"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/39583"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"collection_ssim":["Florida Bandmasters Association Records, 1936-2010"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":915,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials."],"parent_access_terms_tesm":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"date_range_isim":[1987,1988,1989],"containers_ssim":["box 46","folder 12"],"_nest_path_":"/components#2/components#0/components#431","_nest_parent_":"71b8a757b0f138dee122db24_aspace_7594e1f4bea4b4db76ba09c0614f184d","_root_":"71b8a757b0f138dee122db24","_version_":1877102187519148032,"timestamp":"2026-09-23T06:15:45.471Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"71b8a757b0f138dee122db24","title_ssm":["Florida Bandmasters Association Records"],"title_tesim":["Florida Bandmasters Association Records"],"ead_ssi":"71b8a757b0f138dee122db24","unitdate_ssm":["1936-2010"],"unitdate_inclusive_ssm":["1936-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS1000","/repositories/2/resources/26"],"text":["MS1000","/repositories/2/resources/26","Florida Bandmasters Association Records, 1936-2010","Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.","The Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2","This collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.","The records have been arranged in eight series, six of which have been further arranged in subseries.","Series 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.","Series 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026 Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries – Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.","Series 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.","Series 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.","Series 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.","Series 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors.","Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487","The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association","English"],"unitid_tesim":["MS1000","/repositories/2/resources/26"],"normalized_date_ssm":["1936-2010"],"normalized_title_ssm":["Florida Bandmasters Association Records, 1936-2010"],"collection_title_tesim":["Florida Bandmasters Association Records, 1936-2010"],"collection_ssim":["Florida Bandmasters Association Records, 1936-2010"],"repository_ssm":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"creator_ssm":["Florida Bandmaster Association"],"creator_ssim":["Florida Bandmaster Association"],"creator_corpname_ssim":["Florida Bandmaster Association"],"creators_ssim":["Florida Bandmaster Association"],"access_terms_ssm":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"acqinfo_ssim":["Beginning in 1967, John J. Heney took on the role of FBA archivist and began to assemble what records he could collect from former FBA presidents, executive director Robert Lampi, and individual bandmasters. Heney made arrangements with the University of Florida to store the records, which he delivered in several installments through 1978. In 1988, because of a connection between an FBA member and Florida Southern College, the collection was returned to the FBA and moved to FSC."],"access_subjects_ssim":["Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs"],"access_subjects_ssm":["Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["60.5 Linear Feet"],"extent_tesim":["60.5 Linear Feet"],"genreform_ssim":["Correspondence","Photographs"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials."],"bioghist_html_tesm":["\u003cp\u003eThe Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2"],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.\u003c/p\u003e\n","\u003cp\u003eThe records have been arranged in eight series, six of which have been further arranged in subseries.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026amp; Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries \u0026#x2013; Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.\u003c/p\u003e\n","\u003cp\u003eSeries 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.\u003c/p\u003e\n","\u003cp\u003eSeries 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.\u003c/p\u003e\n","\u003cp\u003eSeries 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.","The records have been arranged in eight series, six of which have been further arranged in subseries.","Series 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.","Series 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026 Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries – Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.","Series 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.","Series 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.","Series 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.","Series 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"names_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association"],"corpname_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2839,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877102187519148032,"_root_":"71b8a757b0f138dee122db24","timestamp":"2026-09-23T06:15:45.471Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/71b8a757b0f138dee122db24_aspace_9a0030d75d0dd63d8a7141ed321d6b28"}},{"id":"1e210d3d5b491a8ea50fb53f_aspace_41078","type":"File","attributes":{"title":"Festival Foundation, 1989-1992","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1e210d3d5b491a8ea50fb53f_aspace_41078#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_41078","ref_ssm":["aspace_41078","aspace_41078"],"id":"1e210d3d5b491a8ea50fb53f_aspace_41078","title_filing_ssi":"Festival Foundation","title_ssm":["Festival Foundation"],"title_tesim":["Festival Foundation"],"unitdate_inclusive_ssm":["1989-1992"],"normalized_date_ssm":["1989-1992"],"normalized_title_ssm":["Festival Foundation, 1989-1992"],"text":["Festival Foundation, 1989-1992","Collected Materials on the Zora Neale Hurston Festival, 1989-2017","Contributing Events and Publications, 1989-2006.","Folder 43","/repositories/4/archival_objects/8483","box 1","folder 43"],"component_level_isim":[2],"parent_ids_ssim":["1e210d3d5b491a8ea50fb53f","1e210d3d5b491a8ea50fb53f_aspace_41076"],"parent_unittitles_ssm":["Collected Materials on the Zora Neale Hurston Festival, 1989-2017","Contributing Events and Publications, 1989-2006."],"parent_unittitles_tesim":["Collected Materials on the Zora Neale Hurston Festival, 1989-2017","Contributing Events and Publications, 1989-2006."],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 43","/repositories/4/archival_objects/8483"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Collected Materials on the Zora Neale Hurston Festival, 1989-2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":45,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1989,1990,1991,1992],"containers_ssim":["box 1","folder 43"],"_nest_path_":"/components#2/components#0","_nest_parent_":"1e210d3d5b491a8ea50fb53f_aspace_41076","_root_":"1e210d3d5b491a8ea50fb53f","_version_":1870857951396233216,"timestamp":"2026-07-16T08:06:17.890Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1e210d3d5b491a8ea50fb53f","title_ssm":["Collected Materials on the Zora Neale Hurston Festival"],"title_tesim":["Collected Materials on the Zora Neale Hurston Festival"],"ead_ssi":"1e210d3d5b491a8ea50fb53f","unitdate_ssm":["1989-2017"],"unitdate_inclusive_ssm":["1989-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.074","/repositories/4/resources/44"],"text":["SC.074","/repositories/4/resources/44","Collected Materials on the Zora Neale Hurston Festival, 1989-2017","Eatonville (Fla.)","African American women","The entire collection is open for research.","The collection is divided into two series, each organized chronologically and then alphabetically.","The Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel  Their Eyes Were Watching God  which was set in Eatonville. Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, workshops, museum exhibitions, historical tours, stage performances, arts education programming, an academic humanities- based conference, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. Numerous celebrity guest speakers have been featured at the festival including Alice Walker, Maya Angelou, Pearl Cleage, Danny Glover and Deborah Willis. ","The Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. As of 2024, the festival's sponsors include Orange County Government through the Arts \u0026 Cultural Affairs Program, University of Central Florida, Florida Humanities, the town of Eatonville, Florida, Florida Division of Arts and Culture, and The World Conference of Mayors, Inc. The festival continues to operate and maintain its goals of perpetuating the memory and legacy of Zora Neale Hurston and preserving the Eatonville community.  ","Collection processed by Ryan Groves, Lindsay Mazziotto, and Courtney Toelle; finding aid prepared by Ryan Groves, Lindsay Mazziotto, and Courtney Toelle.\t ","University of Central Florida Libraries collected these materials in 2007.","The collection is divided into three series, each organized chronologically.","\nThe Zora Neale Hurston Festivals collected materials contain documents spanning the festivals inception in 1989 until 2017. The first series of documents primarily contain programs printed for each year's festival. While there is not a complete set, the collection currently contains programs from 1990 to 2017. The second series contains materials concerning the African American Community in Eatonville with a particular focus on cultural programming. The third series contains magazine articles, newspaper clippings, and brochures that illustrate the growing programs and projects of the Association to Preserve the Eatonville Community. These include student and teacher workshops, art exhibitions, and publications that resulted from the growing influence of Zora Neale Hurston's work.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The collection contains documents related to the festival bearing the name of the late poet, writer, anthropologist, and folklorist Zora Neale Hurston. Since 1990, the Zora Neale Hurston Festival has attracted individuals from across the country in academic and artistic disciplines wishing to celebrate Zora Neale Hurston and African American culture as a whole. The following folders contain the programs from festival years 1990 to 2017. In addition to its annual festival, the Association to Preserve Eatonville, Inc. has expanded its focus and community activities to inform and celebrate the life and work of Zora Neale Hurston and Eatonville.","UCF Special Collections","University of Central Florida. Library","Association to Preserve the Eatonville Community (Eatonville, Fla.)","Hurston, Zora Neale (1891-1960)","English"],"unitid_tesim":["SC.074","/repositories/4/resources/44"],"normalized_date_ssm":["1989-2017"],"normalized_title_ssm":["Collected Materials on the Zora Neale Hurston Festival, 1989-2017"],"collection_title_tesim":["Collected Materials on the Zora Neale Hurston Festival, 1989-2017"],"collection_ssim":["Collected Materials on the Zora Neale Hurston Festival, 1989-2017"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Eatonville (Fla.)"],"geogname_ssim":["Eatonville (Fla.)"],"creator_ssm":["University of Central Florida. Library"],"creator_ssim":["University of Central Florida. Library"],"creator_corpname_ssim":["University of Central Florida. Library"],"creators_ssim":["University of Central Florida. Library"],"places_ssim":["Eatonville (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["University of Central Florida Libraries collected these materials in 2007 (CFM2007_05)."],"access_subjects_ssim":["African American women"],"access_subjects_ssm":["African American women"],"has_online_content_ssim":["false"],"extent_ssm":["0.6 Linear Feet 1 Box"],"extent_tesim":["0.6 Linear Feet 1 Box"],"date_range_isim":[1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into two series, each organized chronologically and then alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is divided into two series, each organized chronologically and then alphabetically."],"bioghist_html_tesm":["\u003cp\u003eThe Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel \u003cemph render=\"italic\"\u003eTheir Eyes Were Watching God\u003c/emph\u003e which was set in Eatonville. Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, workshops, museum exhibitions, historical tours, stage performances, arts education programming, an academic humanities- based conference, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. Numerous celebrity guest speakers have been featured at the festival including Alice Walker, Maya Angelou, Pearl Cleage, Danny Glover and Deborah Willis. \u003c/p\u003e\n","\u003cp\u003eThe Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. As of 2024, the festival's sponsors include Orange County Government through the Arts \u0026amp; Cultural Affairs Program, University of Central Florida, Florida Humanities, the town of Eatonville, Florida, Florida Division of Arts and Culture, and The World Conference of Mayors, Inc. The festival continues to operate and maintain its goals of perpetuating the memory and legacy of Zora Neale Hurston and preserving the Eatonville community.  \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel  Their Eyes Were Watching God  which was set in Eatonville. Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, workshops, museum exhibitions, historical tours, stage performances, arts education programming, an academic humanities- based conference, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. Numerous celebrity guest speakers have been featured at the festival including Alice Walker, Maya Angelou, Pearl Cleage, Danny Glover and Deborah Willis. ","The Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. As of 2024, the festival's sponsors include Orange County Government through the Arts \u0026 Cultural Affairs Program, University of Central Florida, Florida Humanities, the town of Eatonville, Florida, Florida Division of Arts and Culture, and The World Conference of Mayors, Inc. The festival continues to operate and maintain its goals of perpetuating the memory and legacy of Zora Neale Hurston and preserving the Eatonville community.  "],"prefercite_html_tesm":["\u003cp\u003eCollected Materials on the Zora Neale Hurston Festival, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collected Materials on the Zora Neale Hurston Festival, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Ryan Groves, Lindsay Mazziotto, and Courtney Toelle; finding aid prepared by Ryan Groves, Lindsay Mazziotto, and Courtney Toelle.\t \u003c/p\u003e","\u003cp\u003eUniversity of Central Florida Libraries collected these materials in 2007.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Ryan Groves, Lindsay Mazziotto, and Courtney Toelle; finding aid prepared by Ryan Groves, Lindsay Mazziotto, and Courtney Toelle.\t ","University of Central Florida Libraries collected these materials in 2007."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is divided into three series, each organized chronologically.\u003c/p\u003e\n","\u003cp\u003e\nThe Zora Neale Hurston Festivals collected materials contain documents spanning the festivals inception in 1989 until 2017. The first series of documents primarily contain programs printed for each year's festival. While there is not a complete set, the collection currently contains programs from 1990 to 2017. The second series contains materials concerning the African American Community in Eatonville with a particular focus on cultural programming. The third series contains magazine articles, newspaper clippings, and brochures that illustrate the growing programs and projects of the Association to Preserve the Eatonville Community. These include student and teacher workshops, art exhibitions, and publications that resulted from the growing influence of Zora Neale Hurston's work.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is divided into three series, each organized chronologically.","\nThe Zora Neale Hurston Festivals collected materials contain documents spanning the festivals inception in 1989 until 2017. The first series of documents primarily contain programs printed for each year's festival. While there is not a complete set, the collection currently contains programs from 1990 to 2017. The second series contains materials concerning the African American Community in Eatonville with a particular focus on cultural programming. The third series contains magazine articles, newspaper clippings, and brochures that illustrate the growing programs and projects of the Association to Preserve the Eatonville Community. These include student and teacher workshops, art exhibitions, and publications that resulted from the growing influence of Zora Neale Hurston's work."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_574cb50e400f77b5ecb97515777b9ea3\" label=\"Abstract\"\u003eThe collection contains documents related to the festival bearing the name of the late poet, writer, anthropologist, and folklorist Zora Neale Hurston. Since 1990, the Zora Neale Hurston Festival has attracted individuals from across the country in academic and artistic disciplines wishing to celebrate Zora Neale Hurston and African American culture as a whole. The following folders contain the programs from festival years 1990 to 2017. In addition to its annual festival, the Association to Preserve Eatonville, Inc. has expanded its focus and community activities to inform and celebrate the life and work of Zora Neale Hurston and Eatonville.\u003c/abstract\u003e"],"abstract_tesim":["The collection contains documents related to the festival bearing the name of the late poet, writer, anthropologist, and folklorist Zora Neale Hurston. Since 1990, the Zora Neale Hurston Festival has attracted individuals from across the country in academic and artistic disciplines wishing to celebrate Zora Neale Hurston and African American culture as a whole. The following folders contain the programs from festival years 1990 to 2017. In addition to its annual festival, the Association to Preserve Eatonville, Inc. has expanded its focus and community activities to inform and celebrate the life and work of Zora Neale Hurston and Eatonville."],"names_coll_ssim":["Association to Preserve the Eatonville Community (Eatonville, Fla.)","Hurston, Zora Neale (1891-1960)"],"names_ssim":["UCF Special Collections","University of Central Florida. Library","Association to Preserve the Eatonville Community (Eatonville, Fla.)","Hurston, Zora Neale (1891-1960)"],"corpname_ssim":["UCF Special Collections","University of Central Florida. Library","Association to Preserve the Eatonville Community (Eatonville, Fla.)"],"persname_ssim":["Hurston, Zora Neale (1891-1960)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":59,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857951396233216,"_root_":"1e210d3d5b491a8ea50fb53f","timestamp":"2026-07-16T08:06:17.890Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/1e210d3d5b491a8ea50fb53f_aspace_41078"}},{"id":"8e87cad770c4897fd823a47e_aspace_98fec3c4f3e820a2a7dd1ada243d08f2","type":"File","attributes":{"title":"Festival II: Beverly Wolff \u0026 Friends, 1989-03-30","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8e87cad770c4897fd823a47e_aspace_98fec3c4f3e820a2a7dd1ada243d08f2#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_98fec3c4f3e820a2a7dd1ada243d08f2","ref_ssm":["aspace_98fec3c4f3e820a2a7dd1ada243d08f2","aspace_98fec3c4f3e820a2a7dd1ada243d08f2"],"id":"8e87cad770c4897fd823a47e_aspace_98fec3c4f3e820a2a7dd1ada243d08f2","title_filing_ssi":"Festival II: Beverly Wolff \u0026 Friends ","title_ssm":["Festival II: Beverly Wolff \u0026 Friends "],"title_tesim":["Festival II: Beverly Wolff \u0026 Friends "],"unitdate_other_ssim":["1989-03-30"],"normalized_date_ssm":["1989-03-30"],"normalized_title_ssm":["Festival II: Beverly Wolff \u0026 Friends, 1989-03-30"],"text":["Festival II: Beverly Wolff \u0026 Friends, 1989-03-30","Festival of Fine Arts, 1970-2025","Box 10","/repositories/4/archival_objects/6478","folder 17"],"component_level_isim":[2],"parent_ids_ssim":["8e87cad770c4897fd823a47e","8e87cad770c4897fd823a47e_aspace_b239d0ce002ebf8850e56d7a60ae6264"],"parent_unittitles_ssm":["Festival of Fine Arts, 1970-2025","Box 10"],"parent_unittitles_tesim":["Festival of Fine Arts, 1970-2025","Box 10"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["/repositories/4/archival_objects/6478"],"repository_ssim":["The Florida Southern College Archives"],"collection_ssim":["Festival of Fine Arts, 1970-2025"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":453,"parent_access_restrict_tesm":["This collection is open for research. 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This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. 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You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. 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Diederich's papers constitute over 130 boxes (143 linear feet); they include Diederich's telegraphs and telexes, his reporter's notepads, and his interview notes, as well as historical documents, such as Central American and Caribbean newspapers and political posters and booklets. The papers also include his private correspondence, which reveals the many challenges encountered by journalists who work in Latin America and the Caribbean. The media collection contains over 20,000 slides and photos that document Diederich's travels. It also includes videotapes and audio cassettes with Diederich's many interviews with Central American and Caribbean leaders.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. 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","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Diederich, Bernard","English Spanish; Castilian"],"unitid_tesim":["SPC7010","/repositories/2/resources/73"],"normalized_date_ssm":["1945-2010"],"normalized_title_ssm":["Bernard Diederich Collection, 1945-2010"],"collection_title_tesim":["Bernard Diederich Collection, 1945-2010"],"collection_ssim":["Bernard Diederich Collection, 1945-2010"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Diederich, Bernard"],"creator_ssim":["Diederich, Bernard"],"creator_persname_ssim":["Diederich, Bernard"],"creators_ssim":["Diederich, Bernard"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. 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","For more information please visit: https://library.fiu.edu/find/copyright/general"],"access_subjects_ssim":["Haiti--Politics and government."],"access_subjects_ssm":["Haiti--Politics and government."],"has_online_content_ssim":["false"],"extent_ssm":["128.00 boxes"],"extent_tesim":["128.00 boxes"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"scopecontent_html_tesm":["\u003cp\u003eThe Bernard Diederich Collection includes both papers and media. 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Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Diederich, Bernard"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Diederich, Bernard"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3574,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844751514697728,"_root_":"976011b2d2f0d067aaa03413","timestamp":"2026-07-16T04:36:29.456Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/976011b2d2f0d067aaa03413_aspace_73130"}},{"id":"cfa3e4446ebff94a3f0c01d2_aspace_b1ed61fd5c90a921b1595977adcad60f","type":"File","attributes":{"title":"FGCU before campus photos, Parties/Anniversaries, 1994 Christmas, Logo, Alico Site Selection with Ben Hill Griffin, 1989-2000","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/cfa3e4446ebff94a3f0c01d2_aspace_b1ed61fd5c90a921b1595977adcad60f#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_b1ed61fd5c90a921b1595977adcad60f","ref_ssm":["aspace_b1ed61fd5c90a921b1595977adcad60f","aspace_b1ed61fd5c90a921b1595977adcad60f"],"id":"cfa3e4446ebff94a3f0c01d2_aspace_b1ed61fd5c90a921b1595977adcad60f","title_filing_ssi":"FGCU before campus photos, Parties/Anniversaries, 1994 Christmas, Logo, Alico Site Selection with Ben Hill Griffin ","title_ssm":["FGCU before campus photos, Parties/Anniversaries, 1994 Christmas, Logo, Alico Site Selection with Ben Hill Griffin "],"title_tesim":["FGCU before campus photos, Parties/Anniversaries, 1994 Christmas, Logo, Alico Site Selection with Ben Hill Griffin "],"unitdate_inclusive_ssm":["1989-2000"],"normalized_date_ssm":["1989-2000"],"normalized_title_ssm":["FGCU before campus photos, Parties/Anniversaries, 1994 Christmas, Logo, Alico Site Selection with Ben Hill Griffin, 1989-2000"],"text":["FGCU before campus photos, Parties/Anniversaries, 1994 Christmas, Logo, Alico Site Selection with Ben Hill Griffin, 1989-2000","Susan Evans Papers, 1988-2021, bulk 1993-2011, 1995-2007","FGCU Events, 1979-2008","Separation Sheet (Howard and Jason IV Photograph), 1982-1999","/repositories/3/archival_objects/43048","English","box 24","folder 16"],"component_level_isim":[3],"parent_ids_ssim":["cfa3e4446ebff94a3f0c01d2","cfa3e4446ebff94a3f0c01d2_aspace_9ecd7521e7d5fd393338fa58dedb2062","cfa3e4446ebff94a3f0c01d2_aspace_40144a1385b79a7d1a754c3a1130f95f"],"parent_unittitles_ssm":["Susan Evans Papers, 1988-2021, bulk 1993-2011, 1995-2007","FGCU Events, 1979-2008","Separation Sheet (Howard and Jason IV Photograph), 1982-1999"],"parent_unittitles_tesim":["Susan Evans Papers, 1988-2021, bulk 1993-2011, 1995-2007","FGCU Events, 1979-2008","Separation Sheet (Howard and Jason IV Photograph), 1982-1999"],"parent_levels_ssm":["collection","Series","File"],"unitid_ssm":["/repositories/3/archival_objects/43048"],"repository_ssim":["Florida Gulf Coast University Archives"],"collection_ssim":["Susan Evans Papers, 1988-2021, bulk 1993-2011, 1995-2007"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1087,"parent_access_restrict_tesm":["The collection is open for research."],"date_range_isim":[1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"language_ssim":["English"],"containers_ssim":["box 24","folder 16"],"_nest_path_":"/components#6/components#102/components#0","_nest_parent_":"cfa3e4446ebff94a3f0c01d2_aspace_40144a1385b79a7d1a754c3a1130f95f","_root_":"cfa3e4446ebff94a3f0c01d2","timestamp":"2026-05-05T01:53:10.751Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"cfa3e4446ebff94a3f0c01d2","title_filing_ssi":"Susan Evans","title_ssm":["Susan Evans Papers"],"title_tesim":["Susan Evans Papers"],"ead_ssi":"cfa3e4446ebff94a3f0c01d2","unitdate_ssm":["1988-2021","1993-2011","1995-2007"],"unitdate_bulk_ssim":["1993-2011","1995-2007"],"unitdate_inclusive_ssm":["1988-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01.19.01","/repositories/3/resources/88"],"text":["01.19.01","/repositories/3/resources/88","Susan Evans Papers, 1988-2021, bulk 1993-2011, 1995-2007","FGCU opening","Florida Gulf Coast University","Records -- Management","The collection is open for research.","Arrangement of materials consist of eleven Series, Athletics, Campus Planning, History, Early Years, Presidential Search, Events, FGCU Early Years - Event Photographs, FGCU VHS Collection, Charlotte County Site Selection, Football Feasibility Study, FGCU News Article Releases. 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Materials for some of the Series were organized by the dates provided and available.","Susan Evans is a Florida native and began working for Florida Gulf Coast University on October 1, 1993, making her the institution's founding staff member at FGCU. Her commitment to Florida Gulf Coast University lasted through four Presidents and several interim Presidents. Evans worked as a University Lobbyist from 1993-2000, then as the Chief of Staff for over 15 years, and Vice President for two years. Evans worked as a corporate secretary to the FGCU Board of Trustees, as well as a committee member for the 2016 FGCU Presidential Search. Evans retired from Florida Gulf Coast University in 2021.","The Susan Evans Papers include various materials surrounding her long serving term, such as items from Florida Gulf Coast University founding, campus planning, history, and athletics. Forms of media included text, photographs, VHS tapes, physical objects and letters. Topics and subjects range from University Groundbreaking to Susan Evans's time as a Vice President. The first part of this collection includes Series Athletics, Campus Planning, History and one Sub-Series Objects and Ephemera. The second part of her collection includes Series Early Years, Presidential Search, Events, FGCU Early Years Event Photography. The third and last part of this collection is, FGCU VHS Collection, Charlotte County Site Selection, Football Feasibility Study, FGCU News Article Releases.","Range: 1B: Section: 3: Shelf: 2-6\nRange: 1B: Section: 4: Shelf: 1-6\nRange: 1B: Section: 5: Shelf: 1-6\nRange: 2A: Section: 5: Shelf: 1-2\nRange: 2A: Section: 6: Shelf: 1-6","Florida Gulf Coast University Archives","English"],"unitid_tesim":["01.19.01","/repositories/3/resources/88"],"normalized_date_ssm":["1988-2021, bulk 1993-2011, 1995-2007"],"normalized_title_ssm":["Susan Evans Papers, 1988-2021, bulk 1993-2011, 1995-2007"],"collection_title_tesim":["Susan Evans Papers, 1988-2021, bulk 1993-2011, 1995-2007"],"collection_ssim":["Susan Evans Papers, 1988-2021, bulk 1993-2011, 1995-2007"],"repository_ssm":["Florida Gulf Coast University Archives"],"repository_ssim":["Florida Gulf Coast University Archives"],"geogname_ssm":["FGCU opening","Florida Gulf Coast University"],"geogname_ssim":["FGCU opening","Florida Gulf Coast University"],"places_ssim":["FGCU opening","Florida Gulf Coast University"],"access_subjects_ssim":["Records -- Management"],"access_subjects_ssm":["Records -- Management"],"has_online_content_ssim":["false"],"extent_ssm":["53 Linear Feet"],"extent_tesim":["53 Linear Feet"],"date_range_isim":[1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eArrangement of materials consist of eleven Series, Athletics, Campus Planning, History, Early Years, Presidential Search, Events, FGCU Early Years - Event Photographs, FGCU VHS Collection, Charlotte County Site Selection, Football Feasibility Study, FGCU News Article Releases. Each Series has its own sub-series as well with various documents and information. The first three Series in The Collection Athletics, Campus Planning, and History is organized chronologically within each series, including the bulk dates of 1993-2011 for those materials in the collection. The other four Series Early Years, Presidential Search, Events, and FGCU Early Years Event Photographs are organized by the rules of Archival More Product, Less Process. Therefore, not in chronological order, the material was processed in the way the collection was obtained from Susan Evans, including bulk dates of 1995-2007. Then 1988-2021 for Susan Evans time in office and employed by Florida Gulf Coast University. The third part and last four Series in the Collection also utilized the MPLP processing style. Material was processed in the way it was originally obtained. 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Evans retired from Florida Gulf Coast University in 2021."],"scopecontent_html_tesm":["\u003cp\u003eThe Susan Evans Papers include various materials surrounding her long serving term, such as items from Florida Gulf Coast University founding, campus planning, history, and athletics. Forms of media included text, photographs, VHS tapes, physical objects and letters. Topics and subjects range from University Groundbreaking to Susan Evans's time as a Vice President. The first part of this collection includes Series Athletics, Campus Planning, History and one Sub-Series Objects and Ephemera. The second part of her collection includes Series Early Years, Presidential Search, Events, FGCU Early Years Event Photography. 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The third and last part of this collection is, FGCU VHS Collection, Charlotte County Site Selection, Football Feasibility Study, FGCU News Article Releases."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_51e3242f2f0dbb16d95b935ce1d51627\"\u003eRange: 1B: Section: 3: Shelf: 2-6\nRange: 1B: Section: 4: Shelf: 1-6\nRange: 1B: Section: 5: Shelf: 1-6\nRange: 2A: Section: 5: Shelf: 1-2\nRange: 2A: Section: 6: Shelf: 1-6\u003c/physloc\u003e"],"physloc_tesim":["Range: 1B: Section: 3: Shelf: 2-6\nRange: 1B: Section: 4: Shelf: 1-6\nRange: 1B: Section: 5: Shelf: 1-6\nRange: 2A: Section: 5: Shelf: 1-2\nRange: 2A: Section: 6: Shelf: 1-6"],"names_ssim":["Florida Gulf Coast University Archives"],"corpname_ssim":["Florida Gulf Coast University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1680,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"cfa3e4446ebff94a3f0c01d2","timestamp":"2026-05-05T01:53:10.751Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/cfa3e4446ebff94a3f0c01d2_aspace_b1ed61fd5c90a921b1595977adcad60f"}},{"id":"cfa3e4446ebff94a3f0c01d2_aspace_9ecd7521e7d5fd393338fa58dedb2062","type":"Series","attributes":{"title":"FGCU Events, 1979-2008","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/cfa3e4446ebff94a3f0c01d2_aspace_9ecd7521e7d5fd393338fa58dedb2062#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eMaterials in this series stem from 1979 - 2008 and come from the office of Board of Relations at Florida Gulf Coast University. 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The material topics range from Florida's 10th university legislative action, pre-FGCU campus and university, to development, legislative decisions, commencement, convocation, etc."],"_nest_path_":"/components#6","_nest_parent_":"cfa3e4446ebff94a3f0c01d2","_root_":"cfa3e4446ebff94a3f0c01d2","timestamp":"2026-05-05T01:53:10.751Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"cfa3e4446ebff94a3f0c01d2","title_filing_ssi":"Susan Evans","title_ssm":["Susan Evans Papers"],"title_tesim":["Susan Evans Papers"],"ead_ssi":"cfa3e4446ebff94a3f0c01d2","unitdate_ssm":["1988-2021","1993-2011","1995-2007"],"unitdate_bulk_ssim":["1993-2011","1995-2007"],"unitdate_inclusive_ssm":["1988-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01.19.01","/repositories/3/resources/88"],"text":["01.19.01","/repositories/3/resources/88","Susan Evans Papers, 1988-2021, bulk 1993-2011, 1995-2007","FGCU opening","Florida Gulf Coast University","Records -- Management","The collection is open for research.","Arrangement of materials consist of eleven Series, Athletics, Campus Planning, History, Early Years, Presidential Search, Events, FGCU Early Years - Event Photographs, FGCU VHS Collection, Charlotte County Site Selection, Football Feasibility Study, FGCU News Article Releases. Each Series has its own sub-series as well with various documents and information. The first three Series in The Collection Athletics, Campus Planning, and History is organized chronologically within each series, including the bulk dates of 1993-2011 for those materials in the collection. The other four Series Early Years, Presidential Search, Events, and FGCU Early Years Event Photographs are organized by the rules of Archival More Product, Less Process. Therefore, not in chronological order, the material was processed in the way the collection was obtained from Susan Evans, including bulk dates of 1995-2007. Then 1988-2021 for Susan Evans time in office and employed by Florida Gulf Coast University. The third part and last four Series in the Collection also utilized the MPLP processing style. Material was processed in the way it was originally obtained. 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