{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026page=207\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026page=206\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026page=208\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026page=649\u0026view=compact"},"meta":{"pages":{"current_page":207,"next_page":208,"prev_page":206,"total_pages":649,"limit_value":10,"offset_value":2060,"total_count":6487,"first_page?":false,"last_page?":false}},"data":[{"id":"d708aa3104bd5d4ccbcc4efd_aspace_fb3b32a8e68b69bf981ed1fdfaa7f7a2","type":"File","attributes":{"title":"Family reunions, 1989","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d708aa3104bd5d4ccbcc4efd_aspace_fb3b32a8e68b69bf981ed1fdfaa7f7a2#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_fb3b32a8e68b69bf981ed1fdfaa7f7a2","ref_ssm":["aspace_fb3b32a8e68b69bf981ed1fdfaa7f7a2","aspace_fb3b32a8e68b69bf981ed1fdfaa7f7a2"],"id":"d708aa3104bd5d4ccbcc4efd_aspace_fb3b32a8e68b69bf981ed1fdfaa7f7a2","title_filing_ssi":"Family reunions ","title_ssm":["Family reunions "],"title_tesim":["Family reunions "],"unitdate_other_ssim":["1989"],"normalized_date_ssm":["1989"],"normalized_title_ssm":["Family reunions, 1989"],"text":["Family reunions, 1989","Alex Haley Papers, Circa 1937-1993","Printed Materials, Circa 1973-1990","/repositories/2/archival_objects/14151","box 42","folder 2"],"component_level_isim":[2],"parent_ids_ssim":["d708aa3104bd5d4ccbcc4efd","d708aa3104bd5d4ccbcc4efd_aspace_0423abd5d3f08576a05189e1c8dfbc86"],"parent_unittitles_ssm":["Alex Haley Papers, Circa 1937-1993","Printed Materials, Circa 1973-1990"],"parent_unittitles_tesim":["Alex Haley Papers, Circa 1937-1993","Printed Materials, Circa 1973-1990"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/14151"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Alex Haley Papers, Circa 1937-1993"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":590,"parent_access_restrict_tesm":["The Alex Haley Papers are open for research."],"date_range_isim":[1989],"containers_ssim":["box 42","folder 2"],"_nest_path_":"/components#7/components#35","_nest_parent_":"d708aa3104bd5d4ccbcc4efd_aspace_0423abd5d3f08576a05189e1c8dfbc86","_root_":"d708aa3104bd5d4ccbcc4efd","_version_":1876455837540548608,"timestamp":"2026-09-16T03:02:18.127Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d708aa3104bd5d4ccbcc4efd","title_filing_ssi":"Haley, Alex Papers","title_ssm":["Alex Haley Papers"],"title_tesim":["Alex Haley Papers"],"ead_ssi":"d708aa3104bd5d4ccbcc4efd","unitdate_ssm":["Circa 1937-1993"],"unitdate_inclusive_ssm":["Circa 1937-1993"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2004.3","/repositories/2/resources/46"],"text":["AARLCC.2004.3","/repositories/2/resources/46","Alex Haley Papers, Circa 1937-1993","Gambia","African American authors","American literature","financial records","Correspondence","Photographs","Programs","Clippings","Sound recordings","The Alex Haley Papers are open for research.","The collection is organized in nine series: Series I. Correspondence, Series II. Writings by Alex Haley, Series III. Writings by Others, Series IV. Professional Papers, Series V: Personal Papers, Series VI: Photographs, Series VII. Business Files, Series VIII. Printed Materials, and Series IX. Awards.","Alex Murray Palmer Haley was born on August 11, 1921 in Ithaca, New York. He lived with his maternal grandmother in Henning, Tennessee. As a young adult, Haley entered the U.S. Coast Guard in 1939 and was in active service for 20 years. He began his career in writing by composing his shipmates' love letters to their sweethearts.During this time Haley created  \"The Seafarer\", which became the official Coast Guard newsletter. Haley later attained the title of Chief Petty Officer which he kept until his retirement and was the first  Chief Journalist in the Coast Guard, the rating having been expressly created for him in recognition of his literary ability.","After his time in the service, Haley became a journalist and wrote for the Saturday Evening Post, Readers' Digest and Playboy Magazine. He interviewed notable figures such as Muhammad Ali, Martin Luther King Jr., Miles Davis, and the head of the Nazi American Party, George Lincoln Rockwell, in 1962. His interview of Malcolm X was followed by the book The Autobiography of Malcolm X in 1965.","While growing up in Tennessee, Haley's childhood was filled with stories of his African ancestor, Kunta Kinte, and how he came to the United States.  It was from these oral histories that Haley decided to research his African roots. Haley succeeded in locating the origin of Kunta Kinte, in the village of Juffure in Gambia.","Haley spent years of research to complete the book ROOTS: The Saga of an American Family in 1976. The book describes Haley's ancestors coming from Africa to North America as slaves and their descendants. ROOTS gained Haley international success, he won a Pulitzer Prize, and the book was printed in countless languages and sold around the world. In 1977 ROOTS the mini-series was the third highest rated television program of all time, and generated an increasing interest in genealogical research throughout the United States.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\n Books and vinyl records from this collection were cataloged in the Broward County Library catalog with the prefix \"HAL\".","Select materials from the Alex Haley Papers are available on the Broward County Library Digital Archives.","The Alex Haley papers consists of manuscripts including those from his time with the Saturday Evening Post, Boy's Life Magazine and  Kiwanis Magazine; correspondence, photographs, newspaper clippings, business files, awards, and other materials documenting Alex Haley's literary career. The papers also include fan mail during the popularity of the book and the subsequent television series \"Roots\", and photographs in Gambia.","AARLCC Special Collections","United States. Coast Guard","Haley, Alex","Haley, Alex. Roots","Wonder, Stevie","English"],"unitid_tesim":["AARLCC.2004.3","/repositories/2/resources/46"],"normalized_date_ssm":["Circa 1937-1993"],"normalized_title_ssm":["Alex Haley Papers, Circa 1937-1993"],"collection_title_tesim":["Alex Haley Papers, Circa 1937-1993"],"collection_ssim":["Alex Haley Papers, Circa 1937-1993"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Gambia"],"geogname_ssim":["Gambia"],"creator_ssm":["Haley, Alex"],"creator_ssim":["Haley, Alex"],"creator_persname_ssim":["Haley, Alex"],"creators_ssim":["Haley, Alex"],"places_ssim":["Gambia"],"acqinfo_ssim":["The Alex Haley Papers was purchased by Broward County Library on September 26, 2001 from the Heritage Book Shop Inc. The Heritage Bindery acquired the papers from the Alex Haley estate auction in 1992."],"access_subjects_ssim":["African American authors","American literature","financial records","Correspondence","Photographs","Programs","Clippings","Sound recordings"],"access_subjects_ssm":["African American authors","American literature","financial records","Correspondence","Photographs","Programs","Clippings","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["45 Hollinger Boxes","17 Books","2 Vinyl records"],"extent_tesim":["45 Hollinger Boxes","17 Books","2 Vinyl records"],"genreform_ssim":["Correspondence","Photographs","Programs","Clippings","Sound recordings"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"accessrestrict_html_tesm":["\u003cp\u003eThe Alex Haley Papers are open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Alex Haley Papers are open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized in nine series: Series I. Correspondence, Series II. Writings by Alex Haley, Series III. Writings by Others, Series IV. Professional Papers, Series V: Personal Papers, Series VI: Photographs, Series VII. Business Files, Series VIII. Printed Materials, and Series IX. Awards.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized in nine series: Series I. Correspondence, Series II. Writings by Alex Haley, Series III. Writings by Others, Series IV. Professional Papers, Series V: Personal Papers, Series VI: Photographs, Series VII. Business Files, Series VIII. Printed Materials, and Series IX. Awards."],"bioghist_html_tesm":["\u003cp\u003eAlex Murray Palmer Haley was born on August 11, 1921 in Ithaca, New York. He lived with his maternal grandmother in Henning, Tennessee. As a young adult, Haley entered the U.S. Coast Guard in 1939 and was in active service for 20 years. He began his career in writing by composing his shipmates' love letters to their sweethearts.During this time Haley created  \"The Seafarer\", which became the official Coast Guard newsletter. Haley later attained the title of Chief Petty Officer which he kept until his retirement and was the first  Chief Journalist in the Coast Guard, the rating having been expressly created for him in recognition of his literary ability.\u003c/p\u003e\n","\u003cp\u003eAfter his time in the service, Haley became a journalist and wrote for the Saturday Evening Post, Readers' Digest and Playboy Magazine. He interviewed notable figures such as Muhammad Ali, Martin Luther King Jr., Miles Davis, and the head of the Nazi American Party, George Lincoln Rockwell, in 1962. His interview of Malcolm X was followed by the book The Autobiography of Malcolm X in 1965.\u003c/p\u003e\n","\u003cp\u003eWhile growing up in Tennessee, Haley's childhood was filled with stories of his African ancestor, Kunta Kinte, and how he came to the United States.  It was from these oral histories that Haley decided to research his African roots. Haley succeeded in locating the origin of Kunta Kinte, in the village of Juffure in Gambia.\u003c/p\u003e\n","\u003cp\u003eHaley spent years of research to complete the book ROOTS: The Saga of an American Family in 1976. The book describes Haley's ancestors coming from Africa to North America as slaves and their descendants. ROOTS gained Haley international success, he won a Pulitzer Prize, and the book was printed in countless languages and sold around the world. In 1977 ROOTS the mini-series was the third highest rated television program of all time, and generated an increasing interest in genealogical research throughout the United States.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Alex Murray Palmer Haley was born on August 11, 1921 in Ithaca, New York. He lived with his maternal grandmother in Henning, Tennessee. As a young adult, Haley entered the U.S. Coast Guard in 1939 and was in active service for 20 years. He began his career in writing by composing his shipmates' love letters to their sweethearts.During this time Haley created  \"The Seafarer\", which became the official Coast Guard newsletter. Haley later attained the title of Chief Petty Officer which he kept until his retirement and was the first  Chief Journalist in the Coast Guard, the rating having been expressly created for him in recognition of his literary ability.","After his time in the service, Haley became a journalist and wrote for the Saturday Evening Post, Readers' Digest and Playboy Magazine. He interviewed notable figures such as Muhammad Ali, Martin Luther King Jr., Miles Davis, and the head of the Nazi American Party, George Lincoln Rockwell, in 1962. His interview of Malcolm X was followed by the book The Autobiography of Malcolm X in 1965.","While growing up in Tennessee, Haley's childhood was filled with stories of his African ancestor, Kunta Kinte, and how he came to the United States.  It was from these oral histories that Haley decided to research his African roots. Haley succeeded in locating the origin of Kunta Kinte, in the village of Juffure in Gambia.","Haley spent years of research to complete the book ROOTS: The Saga of an American Family in 1976. The book describes Haley's ancestors coming from Africa to North America as slaves and their descendants. ROOTS gained Haley international success, he won a Pulitzer Prize, and the book was printed in countless languages and sold around the world. In 1977 ROOTS the mini-series was the third highest rated television program of all time, and generated an increasing interest in genealogical research throughout the United States."],"prefercite_html_tesm":["\u003cp\u003eAlex Haley Papers, African-American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Alex Haley Papers, African-American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\n\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default\" target=\"_blank\"\u003eBooks and vinyl records from this collection were cataloged in the Broward County Library catalog with the prefix \"HAL\".\u003c/a\u003e\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\n Books and vinyl records from this collection were cataloged in the Broward County Library catalog with the prefix \"HAL\"."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/alexhaley\"\u003eSelect materials from the Alex Haley Papers are available on the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["Select materials from the Alex Haley Papers are available on the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Alex Haley papers consists of manuscripts including those from his time with the Saturday Evening Post, Boy's Life Magazine and  Kiwanis Magazine; correspondence, photographs, newspaper clippings, business files, awards, and other materials documenting Alex Haley's literary career. The papers also include fan mail during the popularity of the book and the subsequent television series \"Roots\", and photographs in Gambia.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Alex Haley papers consists of manuscripts including those from his time with the Saturday Evening Post, Boy's Life Magazine and  Kiwanis Magazine; correspondence, photographs, newspaper clippings, business files, awards, and other materials documenting Alex Haley's literary career. The papers also include fan mail during the popularity of the book and the subsequent television series \"Roots\", and photographs in Gambia."],"names_coll_ssim":["United States. Coast Guard","Haley, Alex. Roots","Wonder, Stevie"],"names_ssim":["AARLCC Special Collections","United States. Coast Guard","Haley, Alex","Haley, Alex. Roots","Wonder, Stevie"],"corpname_ssim":["AARLCC Special Collections","United States. Coast Guard"],"persname_ssim":["Haley, Alex","Haley, Alex. Roots","Wonder, Stevie"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":647,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455837540548608,"_root_":"d708aa3104bd5d4ccbcc4efd","timestamp":"2026-09-16T03:02:18.127Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d708aa3104bd5d4ccbcc4efd_aspace_fb3b32a8e68b69bf981ed1fdfaa7f7a2"}},{"id":"236a3c88b766327883b2e155_aspace_f726b17dc4374e27b341f488448b3a52","type":"File","attributes":{"title":"Farewell to Joy, 1989 October 8","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_f726b17dc4374e27b341f488448b3a52#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_f726b17dc4374e27b341f488448b3a52","ref_ssm":["aspace_f726b17dc4374e27b341f488448b3a52","aspace_f726b17dc4374e27b341f488448b3a52"],"id":"236a3c88b766327883b2e155_aspace_f726b17dc4374e27b341f488448b3a52","title_filing_ssi":"Farewell to Joy","title_ssm":["Farewell to Joy"],"title_tesim":["Farewell to Joy"],"unitdate_inclusive_ssm":["1989 October 8"],"normalized_date_ssm":["1989 October 8"],"normalized_title_ssm":["Farewell to Joy, 1989 October 8"],"text":["Farewell to Joy, 1989 October 8","Joy Postle papers, 1910-2015","Personal Files, 1910–2015","Memorial","/repositories/4/archival_objects/87963","/repositories/4/archival_objects/91296","box 8","folder 104"],"component_level_isim":[3],"parent_ids_ssim":["236a3c88b766327883b2e155","236a3c88b766327883b2e155_aspace_5dbb28d34a5754be60933b8120ba5670","236a3c88b766327883b2e155_aspace_69c9988507b36a6cd141936be7d9aee3"],"parent_unittitles_ssm":["Joy Postle papers, 1910-2015","Personal Files, 1910–2015","Memorial"],"parent_unittitles_tesim":["Joy Postle papers, 1910-2015","Personal Files, 1910–2015","Memorial"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/87963","/repositories/4/archival_objects/91296"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Joy Postle papers, 1910-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":420,"parent_access_restrict_tesm":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1989],"containers_ssim":["box 8","folder 104"],"_nest_path_":"/components#3/components#8/components#0","_nest_parent_":"236a3c88b766327883b2e155_aspace_69c9988507b36a6cd141936be7d9aee3","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_f726b17dc4374e27b341f488448b3a52"}},{"id":"5e3bbf735cc1bfaad29d7a9c_aspace_a27df70be57710c0ec8f5860bfad53b7","type":"File","attributes":{"title":"FAS - Board Meeting Minutes, 1989","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5e3bbf735cc1bfaad29d7a9c_aspace_a27df70be57710c0ec8f5860bfad53b7#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_a27df70be57710c0ec8f5860bfad53b7","ref_ssm":["aspace_a27df70be57710c0ec8f5860bfad53b7","aspace_a27df70be57710c0ec8f5860bfad53b7"],"id":"5e3bbf735cc1bfaad29d7a9c_aspace_a27df70be57710c0ec8f5860bfad53b7","title_filing_ssi":"FAS - Board Meeting Minutes","title_ssm":["FAS - Board Meeting Minutes"],"title_tesim":["FAS - Board Meeting Minutes"],"unitdate_other_ssim":["1989"],"normalized_date_ssm":["1989"],"normalized_title_ssm":["FAS - Board Meeting Minutes, 1989"],"text":["FAS - Board Meeting Minutes, 1989","Florida Audubon Society Maitland records, 1900-2000","Box 89 - Cabinet 24, Drawer 2","Folder 5","/repositories/2/archival_objects/175805","box 89","folder 5"],"component_level_isim":[2],"parent_ids_ssim":["5e3bbf735cc1bfaad29d7a9c","5e3bbf735cc1bfaad29d7a9c_aspace_d60bb2369fc4bfe836e7cc12dc3f114d"],"parent_unittitles_ssm":["Florida Audubon Society Maitland records, 1900-2000","Box 89 - Cabinet 24, Drawer 2"],"parent_unittitles_tesim":["Florida Audubon Society Maitland records, 1900-2000","Box 89 - Cabinet 24, Drawer 2"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["Folder 5","/repositories/2/archival_objects/175805"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Florida Audubon Society Maitland records, 1900-2000"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1773,"parent_access_restrict_tesm":["Until 2034, USF Libraries must provide 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibitions or or activity is the Florida Audubon Society."],"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1989],"containers_ssim":["box 89","folder 5"],"_nest_path_":"/components#82/components#4","_nest_parent_":"5e3bbf735cc1bfaad29d7a9c_aspace_d60bb2369fc4bfe836e7cc12dc3f114d","_root_":"5e3bbf735cc1bfaad29d7a9c","_version_":1870863566723088384,"timestamp":"2026-07-16T09:35:32.977Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5e3bbf735cc1bfaad29d7a9c","title_ssm":["Florida Audubon Society Maitland records"],"title_tesim":["Florida Audubon Society Maitland records"],"ead_ssi":"5e3bbf735cc1bfaad29d7a9c","unitdate_ssm":["1900-2000"],"unitdate_inclusive_ssm":["1900-2000"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["MS-2023-04","/repositories/2/resources/621"],"text":["MS-2023-04","/repositories/2/resources/621","Florida Audubon Society Maitland records, 1900-2000","Until 2034, USF Libraries must provide 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibitions or or activity is the Florida Audubon Society.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-2023-04","/repositories/2/resources/621"],"normalized_date_ssm":["1900-2000"],"normalized_title_ssm":["Florida Audubon Society Maitland records, 1900-2000"],"collection_title_tesim":["Florida Audubon Society Maitland records, 1900-2000"],"collection_ssim":["Florida Audubon Society Maitland records, 1900-2000"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"has_online_content_ssim":["false"],"extent_ssm":["102 boxes"],"extent_tesim":["102 boxes"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eUntil 2034, USF Libraries must provide 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibitions or or activity is the Florida Audubon Society.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Until 2034, USF Libraries must provide 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibitions or or activity is the Florida Audubon Society."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - 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In 2010 Algonquin Hall was renamed to Nations North Residence Hall, Modoc no longer exists, Humanities Building was renamed to  the Arts and Letters Building, Biological Science was renamed to  the Behavioral Sciences Building.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1e1ebf3cf92a6e608c7e3905#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"1e1ebf3cf92a6e608c7e3905","title_ssm":["FAU Aerial Photograph Collection"],"title_tesim":["FAU Aerial Photograph Collection"],"ead_ssi":"1e1ebf3cf92a6e608c7e3905","unitdate_ssm":["1962-2000","Date acquired: 01/01/2007"],"unitdate_inclusive_ssm":["1962-2000"],"unitdate_other_ssim":["Date acquired: 01/01/2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UAP0004","/repositories/2/resources/81"],"text":["UAP0004","/repositories/2/resources/81","FAU Aerial Photograph Collection, 1962-2000, Date acquired: 01/01/2007","University Archives -- Photography ","University Archives","Florida Atlantic University -- History","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","Content type","Upon the retirement of Ms. Adelaide Snyder, Vice President for University Relations and Advancement, in 1990, her files were inherited by Ms. Elfriede Lynch, Assistant Vice President for University Relations. Included in Ms. Snyder's files were Florida Atlantic University photographs.","In 2010, Leslie Siegel processed this collection. Annaleah Morse and Amy Donne added materials to this collection in 2018.","The aerial photographs in this collection document the construction of buildings and the changing landscape on FAU Campuses and surrounding Boca Raton area. The aerials photographs show the overall growth of the campus of Florida Atlantic University. In 2010 Algonquin Hall was renamed to Nations North Residence Hall, Modoc no longer exists, Humanities Building was renamed to  the Arts and Letters Building, Biological Science was renamed to  the Behavioral Sciences Building.","Aerial photographs larger than 8X10 inches are housed in over sized flat storage boxes. Additional materials were added to this collection in 2018. In this series, a selection of photographs from each box were described to provide a sample of the content within each respective box. In the Additional materials series, there are 125 3x5 photographs; 54 contact sheets; 4 CDs; 131 35mm negatives; 51 8x11 photographs; 49 5x7 photographs; 125 4x6 photographs; other photographs of varying sizes.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["UAP0004","/repositories/2/resources/81"],"normalized_date_ssm":["1962-2000, Date acquired: 01/01/2007"],"normalized_title_ssm":["FAU Aerial Photograph Collection, 1962-2000, Date acquired: 01/01/2007"],"collection_title_tesim":["FAU Aerial Photograph Collection, 1962-2000, Date acquired: 01/01/2007"],"collection_ssim":["FAU Aerial Photograph Collection, 1962-2000, Date acquired: 01/01/2007"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"acqinfo_ssim":["This collection was transferred to the University Archives by Ms. Elfriede Lynch upon her retirement in 2007."],"access_subjects_ssim":["University Archives -- Photography ","University Archives","Florida Atlantic University -- History"],"access_subjects_ssm":["University Archives -- Photography ","University Archives","Florida Atlantic University -- History"],"has_online_content_ssim":["false"],"extent_ssm":["10.00 boxes"],"extent_tesim":["10.00 boxes"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"arrangement_html_tesm":["\u003cp\u003eContent type\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Content type"],"custodhist_html_tesm":["\u003cp\u003eUpon the retirement of Ms. Adelaide Snyder, Vice President for University Relations and Advancement, in 1990, her files were inherited by Ms. Elfriede Lynch, Assistant Vice President for University Relations. Included in Ms. Snyder's files were Florida Atlantic University photographs.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Upon the retirement of Ms. Adelaide Snyder, Vice President for University Relations and Advancement, in 1990, her files were inherited by Ms. Elfriede Lynch, Assistant Vice President for University Relations. Included in Ms. Snyder's files were Florida Atlantic University photographs."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; University Archives; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; University Archives; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2010, Leslie Siegel processed this collection. Annaleah Morse and Amy Donne added materials to this collection in 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2010, Leslie Siegel processed this collection. Annaleah Morse and Amy Donne added materials to this collection in 2018."],"scopecontent_html_tesm":["\u003cp\u003eThe aerial photographs in this collection document the construction of buildings and the changing landscape on FAU Campuses and surrounding Boca Raton area. The aerials photographs show the overall growth of the campus of Florida Atlantic University. In 2010 Algonquin Hall was renamed to Nations North Residence Hall, Modoc no longer exists, Humanities Building was renamed to\u0026#xA0; the Arts and Letters Building, Biological Science was renamed to\u0026#xA0; the Behavioral Sciences Building.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The aerial photographs in this collection document the construction of buildings and the changing landscape on FAU Campuses and surrounding Boca Raton area. The aerials photographs show the overall growth of the campus of Florida Atlantic University. In 2010 Algonquin Hall was renamed to Nations North Residence Hall, Modoc no longer exists, Humanities Building was renamed to  the Arts and Letters Building, Biological Science was renamed to  the Behavioral Sciences Building."],"separatedmaterial_html_tesm":["\u003cp\u003eAerial photographs larger than 8X10 inches are housed in over sized flat storage boxes. Additional materials were added to this collection in 2018. In this series, a selection of photographs from each box were described to provide a sample of the content within each respective box. In the Additional materials series, there are 125 3x5 photographs; 54 contact sheets; 4 CDs; 131 35mm negatives; 51 8x11 photographs; 49 5x7 photographs; 125 4x6 photographs; other photographs of varying sizes.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Aerial photographs larger than 8X10 inches are housed in over sized flat storage boxes. Additional materials were added to this collection in 2018. In this series, a selection of photographs from each box were described to provide a sample of the content within each respective box. In the Additional materials series, there are 125 3x5 photographs; 54 contact sheets; 4 CDs; 131 35mm negatives; 51 8x11 photographs; 49 5x7 photographs; 125 4x6 photographs; other photographs of varying sizes."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":98,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842130883149824,"_root_":"1e1ebf3cf92a6e608c7e3905","timestamp":"2026-07-16T03:54:50.271Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1e1ebf3cf92a6e608c7e3905","title_ssm":["FAU Aerial Photograph Collection"],"title_tesim":["FAU Aerial Photograph Collection"],"ead_ssi":"1e1ebf3cf92a6e608c7e3905","unitdate_ssm":["1962-2000","Date acquired: 01/01/2007"],"unitdate_inclusive_ssm":["1962-2000"],"unitdate_other_ssim":["Date acquired: 01/01/2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UAP0004","/repositories/2/resources/81"],"text":["UAP0004","/repositories/2/resources/81","FAU Aerial Photograph Collection, 1962-2000, Date acquired: 01/01/2007","University Archives -- Photography ","University Archives","Florida Atlantic University -- History","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","Content type","Upon the retirement of Ms. Adelaide Snyder, Vice President for University Relations and Advancement, in 1990, her files were inherited by Ms. Elfriede Lynch, Assistant Vice President for University Relations. Included in Ms. Snyder's files were Florida Atlantic University photographs.","In 2010, Leslie Siegel processed this collection. Annaleah Morse and Amy Donne added materials to this collection in 2018.","The aerial photographs in this collection document the construction of buildings and the changing landscape on FAU Campuses and surrounding Boca Raton area. The aerials photographs show the overall growth of the campus of Florida Atlantic University. In 2010 Algonquin Hall was renamed to Nations North Residence Hall, Modoc no longer exists, Humanities Building was renamed to  the Arts and Letters Building, Biological Science was renamed to  the Behavioral Sciences Building.","Aerial photographs larger than 8X10 inches are housed in over sized flat storage boxes. Additional materials were added to this collection in 2018. In this series, a selection of photographs from each box were described to provide a sample of the content within each respective box. In the Additional materials series, there are 125 3x5 photographs; 54 contact sheets; 4 CDs; 131 35mm negatives; 51 8x11 photographs; 49 5x7 photographs; 125 4x6 photographs; other photographs of varying sizes.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"acqinfo_ssim":["This collection was transferred to the University Archives by Ms. Elfriede Lynch upon her retirement in 2007."],"access_subjects_ssim":["University Archives -- Photography ","University Archives","Florida Atlantic University -- History"],"access_subjects_ssm":["University Archives -- Photography ","University Archives","Florida Atlantic University -- History"],"has_online_content_ssim":["false"],"extent_ssm":["10.00 boxes"],"extent_tesim":["10.00 boxes"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. 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Included in Ms. Snyder's files were Florida Atlantic University photographs.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Upon the retirement of Ms. Adelaide Snyder, Vice President for University Relations and Advancement, in 1990, her files were inherited by Ms. Elfriede Lynch, Assistant Vice President for University Relations. Included in Ms. Snyder's files were Florida Atlantic University photographs."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; University Archives; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; University Archives; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2010, Leslie Siegel processed this collection. Annaleah Morse and Amy Donne added materials to this collection in 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2010, Leslie Siegel processed this collection. Annaleah Morse and Amy Donne added materials to this collection in 2018."],"scopecontent_html_tesm":["\u003cp\u003eThe aerial photographs in this collection document the construction of buildings and the changing landscape on FAU Campuses and surrounding Boca Raton area. The aerials photographs show the overall growth of the campus of Florida Atlantic University. In 2010 Algonquin Hall was renamed to Nations North Residence Hall, Modoc no longer exists, Humanities Building was renamed to\u0026#xA0; the Arts and Letters Building, Biological Science was renamed to\u0026#xA0; the Behavioral Sciences Building.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The aerial photographs in this collection document the construction of buildings and the changing landscape on FAU Campuses and surrounding Boca Raton area. The aerials photographs show the overall growth of the campus of Florida Atlantic University. In 2010 Algonquin Hall was renamed to Nations North Residence Hall, Modoc no longer exists, Humanities Building was renamed to  the Arts and Letters Building, Biological Science was renamed to  the Behavioral Sciences Building."],"separatedmaterial_html_tesm":["\u003cp\u003eAerial photographs larger than 8X10 inches are housed in over sized flat storage boxes. Additional materials were added to this collection in 2018. In this series, a selection of photographs from each box were described to provide a sample of the content within each respective box. In the Additional materials series, there are 125 3x5 photographs; 54 contact sheets; 4 CDs; 131 35mm negatives; 51 8x11 photographs; 49 5x7 photographs; 125 4x6 photographs; other photographs of varying sizes.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Aerial photographs larger than 8X10 inches are housed in over sized flat storage boxes. Additional materials were added to this collection in 2018. In this series, a selection of photographs from each box were described to provide a sample of the content within each respective box. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). 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Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":98,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842130883149824,"_root_":"1e1ebf3cf92a6e608c7e3905","timestamp":"2026-07-16T03:54:50.271Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/1e1ebf3cf92a6e608c7e3905"}},{"id":"1848a91d0e928cdd93b3413a","type":"collection","attributes":{"title":"FAU Alumni Association Events and Portraits, 1977-2001","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/1848a91d0e928cdd93b3413a#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection contains FAU Alumni Association events and portraits. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","Content type","This collection contains FAU Alumni Association events and portraits. A selection of photographs from each box was described to provide a sample of the collection. To see more photographs, please contact lysca@fau.edu to make an appointment.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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