{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026page=182","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026page=181","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026page=183","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026page=649"},"meta":{"pages":{"current_page":182,"next_page":183,"prev_page":181,"total_pages":649,"limit_value":10,"offset_value":1810,"total_count":6487,"first_page?":false,"last_page?":false}},"data":[{"id":"3eaf7d3e1313dea94138c2f5","type":"collection","attributes":{"title":"Dr. Walter Wadepuhl Faculty Papers Collection, 1781-1989","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/3eaf7d3e1313dea94138c2f5#creator","type":"document_value","attributes":{"value":["Walter Wadepuhl"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/3eaf7d3e1313dea94138c2f5#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cblockquote\u003eDr. Walter Wadepuhl (1895-1989) is well-known for his scholarship on German poets Johann Wolfgang von Goethe and Heinrich Heine. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2011, Kerline Dameus, Jaclyn M. Nowak, and Teresa Van Dyke processed this collection.","Dr. Walter Wadepuhl (1895-1989) is well-known for his scholarship on German poets Johann Wolfgang von Goethe and Heinrich Heine. Born in Germany in 1895, he immigrated to the United States at the age of twelve. He held a Master of Arts degree from Columbia University and a Ph.D. from the University of Wisconsin. Dr. Wadepuhl was head of the Department of Languages and Comparative Literature at Elmhurst College where he also taught German for nineteen years. 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It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"access_subjects_ssim":["University Archives -- Faculty Papers","University Archives","Florida Atlantic University -- History"],"access_subjects_ssm":["University Archives -- Faculty Papers","University Archives","Florida Atlantic University -- History"],"has_online_content_ssim":["false"],"extent_ssm":["19.00 Linear Feet"],"extent_tesim":["19.00 Linear Feet"],"date_range_isim":[1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. 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Nowak, and Teresa Van Dyke processed this collection."],"scopecontent_html_tesm":["\u003cblockquote\u003eDr. Walter Wadepuhl (1895-1989) is well-known for his scholarship on German poets Johann Wolfgang von Goethe and Heinrich Heine. Born in Germany in 1895, he immigrated to the United States at the age of twelve. He held a Master of Arts degree from Columbia University and a Ph.D. from the University of Wisconsin. Dr. Wadepuhl was head of the Department of Languages and Comparative Literature at Elmhurst College where he also taught German for nineteen years. In 1964, he was appointed Distinguished Visiting Professor of German at Florida Atlantic University. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Grierson served as a navigator in the Royal Canadian Air Force and was awarded the Distinguished Flying Cross and the Air Force Cross. After the war he accepted a position at the University of Florida's Citrus Research and Education Center in Lake Alfred, Florida. Beginning in 1952 Grierson served\nthe University of Florida's Citrus Research and Education Center for thirty years. He also taught evening classes at Florida Southern College in the 1950s and 1960s. Dr. Grierson officially retired at the end of 1982. Following his retirement, Grierson and his wife left Florida to participate in a two-year U.S. Aide Project to assist in the domestic distribution and marketing of food in Jamaica. While in Jamaica, Grierson was the project leader for fruits and vegetables.","William Grierson was an innovator in fresh citrus fruit research and harvesting. 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Grierson published many scholarly journal articles\nand papers and is recognized for his work worldwide.","Because of his dedication to citrus research and education, as well as his numerous scholarly accomplishments, Grierson was awarded the title of Professor Emeritus by the University of Florida. After his retirement, Grierson continued to publish articles regarding the citrus industry as well as the effect of global warming and climate change. Dr. William Grierson was inducted into the Florida Citrus Hall of Fame in 1995. He passed away on\nAugust 26, 2011, in Winter Haven, Florida.","The bound materials are logbooks used by the experiment stations. Please see Box 9 Folder 1 for an explanation of their use and significance","This collection has been processed at a basic level in an effort to make this\ncollection available in the shortest amount of time. 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For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Dr. William Grierson Papers are owned by Florida Southern College. This\ncollection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"names_ssim":["Thomas B. Mack Florida Citrus Archives","Grierson, William"],"corpname_ssim":["Thomas B. 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Du Da was, in Alatalo's words, \"a place to play\" for artists interested in book art or mail art. Issues often included collaborative projects with (often pseudonymous) artists, and throughout its history Du Da experimented with different formats. Ruminations on age, maturity, responsibility, and the law. A truncated version of Henny Penny's \"The Sky is Falling\" story is followed by a series of descriptions of criminal cases involving rape and/or sex involving an underage participant.\" -- from Printed Matter, Inc."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6c2142414bfc36e4e62e8bcb_aspace_fac9ec583817972cab5ac728a947ef45#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_fac9ec583817972cab5ac728a947ef45","ref_ssm":["aspace_fac9ec583817972cab5ac728a947ef45","aspace_fac9ec583817972cab5ac728a947ef45"],"id":"6c2142414bfc36e4e62e8bcb_aspace_fac9ec583817972cab5ac728a947ef45","title_filing_ssi":"\"Du Da: Vol. 5, No. 2\" by Sally Alatalo","title_ssm":["\"Du Da: Vol. 5, No. 2\" by Sally Alatalo"],"title_tesim":["\"Du Da: Vol. 5, No. 2\" by Sally Alatalo"],"unitdate_other_ssim":["1989"],"normalized_date_ssm":["1989"],"normalized_title_ssm":["\"Du Da: Vol. 5, No. 2\" by Sally Alatalo, 1989"],"text":["\"Du Da: Vol. 5, No. 2\" by Sally Alatalo, 1989","Artists' Book Collection, 1980-2017","/repositories/2/archival_objects/28539","Artists' books","Periodicals","English","drawer 26","\"Sally Alatalo's Du Da (variously also titled Chicago Dada, DoDa, doo da, do dah, and Duz) was a (loosely) tri-quarterly publication which ran from the late 1980s to early 1990s. Du Da was, in Alatalo's words, \"a place to play\" for artists interested in book art or mail art. Issues often included collaborative projects with (often pseudonymous) artists, and throughout its history Du Da experimented with different formats.\n\nRuminations on age, maturity, responsibility, and the law. A truncated version of Henny Penny's \"The Sky is Falling\" story is followed by a series of descriptions of criminal cases involving rape and/or sex involving an underage participant.\" -- from Printed Matter, Inc.","Spiral-bound, offset printed, paperback, 18 pages\n10 x 15 cm (closed)"],"component_level_isim":[1],"parent_ids_ssim":["6c2142414bfc36e4e62e8bcb"],"parent_unittitles_ssm":["Artists' Book Collection, 1980-2017"],"parent_unittitles_tesim":["Artists' Book Collection, 1980-2017"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/28539"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["Artists' Book Collection, 1980-2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1,"parent_access_restrict_tesm":["The collection is open and available for research."],"date_range_isim":[1989],"geogname_ssim":["Artists' books"],"geogname_ssm":["Artists' books"],"places_ssim":["Artists' books"],"access_subjects_ssim":["Periodicals"],"access_subjects_ssm":["Periodicals"],"language_ssim":["English"],"containers_ssim":["drawer 26"],"abstract_html_tesm":["\u003cabstract id=\"aspace_00969c5c8b21cb478ef48a53c217991d\" label=\"Description\"\u003e\"Sally Alatalo's Du Da (variously also titled Chicago Dada, DoDa, doo da, do dah, and Duz) was a (loosely) tri-quarterly publication which ran from the late 1980s to early 1990s. Du Da was, in Alatalo's words, \"a place to play\" for artists interested in book art or mail art. Issues often included collaborative projects with (often pseudonymous) artists, and throughout its history Du Da experimented with different formats.\n\nRuminations on age, maturity, responsibility, and the law. A truncated version of Henny Penny's \"The Sky is Falling\" story is followed by a series of descriptions of criminal cases involving rape and/or sex involving an underage participant.\" -- from Printed Matter, Inc.\u003c/abstract\u003e"],"abstract_tesim":["\"Sally Alatalo's Du Da (variously also titled Chicago Dada, DoDa, doo da, do dah, and Duz) was a (loosely) tri-quarterly publication which ran from the late 1980s to early 1990s. Du Da was, in Alatalo's words, \"a place to play\" for artists interested in book art or mail art. Issues often included collaborative projects with (often pseudonymous) artists, and throughout its history Du Da experimented with different formats.\n\nRuminations on age, maturity, responsibility, and the law. A truncated version of Henny Penny's \"The Sky is Falling\" story is followed by a series of descriptions of criminal cases involving rape and/or sex involving an underage participant.\" -- from Printed Matter, Inc."],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_4f92c00977393330097f235a1234d880\"\u003eSpiral-bound, offset printed, paperback, 18 pages\n10 x 15 cm (closed)\u003c/materialspec\u003e"],"materialspec_tesim":["Spiral-bound, offset printed, paperback, 18 pages\n10 x 15 cm (closed)"],"_nest_path_":"/components#0","_nest_parent_":"6c2142414bfc36e4e62e8bcb","_root_":"6c2142414bfc36e4e62e8bcb","_version_":1879903204285612032,"timestamp":"2026-10-24T04:16:43.255Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6c2142414bfc36e4e62e8bcb","title_ssm":["Artists' Book Collection"],"title_tesim":["Artists' Book Collection"],"ead_ssi":"6c2142414bfc36e4e62e8bcb","unitdate_ssm":["1980-2017"],"unitdate_inclusive_ssm":["1980-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2017.SC.001","/repositories/2/resources/38"],"text":["2017.SC.001","/repositories/2/resources/38","Artists' Book Collection, 1980-2017","Sexual assault","Sexual harassment.","LGBTQ issues\t","Feminism and art--United States.","Feminism.","The collection is open and available for research.","Artists' books are a platform for personal expression created without censorship or outside influence. They are a medium of expression that employs the structure of a book as an inspiration while challenging the conventional contents of a printed volume. Artists' books are produced in limited numbers and are classified as works of art, typically produced by a single creator. The Artists' Book Collection features books from the 1970s to present day.","File Cabinet Bay: 5, TOP\nFile Cabinet Bay: 6, Drawer: 26-27","Florida Gulf Coast University Special Collections","English"],"unitid_tesim":["2017.SC.001","/repositories/2/resources/38"],"normalized_date_ssm":["1980-2017"],"normalized_title_ssm":["Artists' Book Collection, 1980-2017"],"collection_title_tesim":["Artists' Book Collection, 1980-2017"],"collection_ssim":["Artists' Book Collection, 1980-2017"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Sexual assault","Sexual harassment.","LGBTQ issues\t","Feminism and art--United States.","Feminism."],"geogname_ssim":["Sexual assault","Sexual harassment.","LGBTQ issues\t","Feminism and art--United States.","Feminism."],"places_ssim":["Sexual assault","Sexual harassment.","LGBTQ issues\t","Feminism and art--United States.","Feminism."],"has_online_content_ssim":["false"],"extent_ssm":["10 Linear Feet"],"extent_tesim":["10 Linear Feet"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open and available for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open and available for research."],"scopecontent_html_tesm":["\u003cp\u003eArtists' books are a platform for personal expression created without censorship or outside influence. They are a medium of expression that employs the structure of a book as an inspiration while challenging the conventional contents of a printed volume. Artists' books are produced in limited numbers and are classified as works of art, typically produced by a single creator. The Artists' Book Collection features books from the 1970s to present day.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Artists' books are a platform for personal expression created without censorship or outside influence. They are a medium of expression that employs the structure of a book as an inspiration while challenging the conventional contents of a printed volume. Artists' books are produced in limited numbers and are classified as works of art, typically produced by a single creator. The Artists' Book Collection features books from the 1970s to present day."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_30e967ba21b7ca14f316b993bb0479d3\"\u003eFile Cabinet Bay: 5, TOP\nFile Cabinet Bay: 6, Drawer: 26-27\u003c/physloc\u003e"],"physloc_tesim":["File Cabinet Bay: 5, TOP\nFile Cabinet Bay: 6, Drawer: 26-27"],"names_ssim":["Florida Gulf Coast University Special Collections"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":43,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879903204285612032,"_root_":"6c2142414bfc36e4e62e8bcb","timestamp":"2026-10-24T04:16:43.255Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6c2142414bfc36e4e62e8bcb_aspace_fac9ec583817972cab5ac728a947ef45"}},{"id":"a0b8dca0cc27e719e79a099f_aspace_0fb12b87992de1683fad4b108979e7ee","type":"File","attributes":{"title":"Dunstan, Frank M., 1980-1992","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_0fb12b87992de1683fad4b108979e7ee#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eFolder includes correspondence.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_0fb12b87992de1683fad4b108979e7ee#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_0fb12b87992de1683fad4b108979e7ee","ref_ssm":["aspace_0fb12b87992de1683fad4b108979e7ee","aspace_0fb12b87992de1683fad4b108979e7ee"],"id":"a0b8dca0cc27e719e79a099f_aspace_0fb12b87992de1683fad4b108979e7ee","title_filing_ssi":"Dunstan, Frank M.","title_ssm":["Dunstan, Frank M."],"title_tesim":["Dunstan, Frank M."],"unitdate_inclusive_ssm":["1980-1992"],"normalized_date_ssm":["1980-1992"],"normalized_title_ssm":["Dunstan, Frank M., 1980-1992"],"text":["Dunstan, Frank M., 1980-1992","Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Subject Files","Deltona Corporation – Clippings- England, Cynthia","/repositories/2/archival_objects/191467","box 31","folder 5","Folder includes correspondence."],"component_level_isim":[3],"parent_ids_ssim":["a0b8dca0cc27e719e79a099f","a0b8dca0cc27e719e79a099f_aspace_4c29981ab2b06aeb8893c7a0e3a6accb","a0b8dca0cc27e719e79a099f_aspace_e73c1fc0fe8bcea27abd274dc777370c"],"parent_unittitles_ssm":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Subject Files","Deltona Corporation – Clippings- England, Cynthia"],"parent_unittitles_tesim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Subject Files","Deltona Corporation – Clippings- England, Cynthia"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["/repositories/2/archival_objects/191467"],"repository_ssim":["USF Libraries - 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The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically.","Audubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns.","The Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record.","This collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings.","Maps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. Rainey Wildlife Sanctuary and Platte River.","USF Libraries - Tampa Special Collections","Ed Carlson","English"],"unitid_tesim":["MS-2020-03","/repositories/2/resources/583"],"normalized_date_ssm":["1937-2019"],"normalized_title_ssm":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"collection_title_tesim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"collection_ssim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Ed Carlson"],"creator_ssim":["Ed Carlson"],"creator_persname_ssim":["Ed Carlson"],"creators_ssim":["Ed Carlson"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Ecology -- Florida","Conservationists -- Florida","Birds -- Habitat -- Florida","Birds -- Migration"],"access_subjects_ssm":["Ecology -- Florida","Conservationists -- Florida","Birds -- Habitat -- Florida","Birds -- Migration"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good."],"extent_ssm":["51 Linear Feet","96 boxes"],"extent_tesim":["51 Linear Feet","96 boxes"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eUntil 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Until 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into four series: Corkscrew Swamp Sanctuary records, subject files, photographs and slides, and oversized material. 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It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns.\u003c/p\u003e"],"bioghist_heading_ssm":["Content Description"],"bioghist_tesim":["Audubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. 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Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Maps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. 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