{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026page=47","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026page=46","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026page=48","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026page=637"},"meta":{"pages":{"current_page":47,"next_page":48,"prev_page":46,"total_pages":637,"limit_value":10,"offset_value":460,"total_count":6361,"first_page?":false,"last_page?":false}},"data":[{"id":"d20aa889e8ea8129c93e6502_aspace_71c7d7454c1e9f95fae3fe36e1640277","type":"File","attributes":{"title":"Article, Times Leader (matted), 1988-12-15","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502_aspace_71c7d7454c1e9f95fae3fe36e1640277#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_71c7d7454c1e9f95fae3fe36e1640277","ref_ssm":["aspace_71c7d7454c1e9f95fae3fe36e1640277","aspace_71c7d7454c1e9f95fae3fe36e1640277"],"id":"d20aa889e8ea8129c93e6502_aspace_71c7d7454c1e9f95fae3fe36e1640277","title_filing_ssi":"Article, Times Leader (matted)","title_ssm":["Article, Times Leader (matted)"],"title_tesim":["Article, Times Leader (matted)"],"unitdate_other_ssim":["1988-12-15"],"normalized_date_ssm":["1988-12-15"],"normalized_title_ssm":["Article, Times Leader (matted), 1988-12-15"],"text":["Article, Times Leader (matted), 1988-12-15","Nola Perez Papers, 1969-2022","Biographical Information, 1985-2016","/repositories/3/archival_objects/9288","box 13","folder 2"],"component_level_isim":[2],"parent_ids_ssim":["d20aa889e8ea8129c93e6502","d20aa889e8ea8129c93e6502_aspace_8b5de6f64f0a18c25fa7a03288cf4184"],"parent_unittitles_ssm":["Nola Perez Papers, 1969-2022","Biographical Information, 1985-2016"],"parent_unittitles_tesim":["Nola Perez Papers, 1969-2022","Biographical Information, 1985-2016"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/9288"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Nola Perez Papers, 1969-2022"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":13,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"date_range_isim":[1988],"containers_ssim":["box 13","folder 2"],"_nest_path_":"/components#1/components#6","_nest_parent_":"d20aa889e8ea8129c93e6502_aspace_8b5de6f64f0a18c25fa7a03288cf4184","_root_":"d20aa889e8ea8129c93e6502","_version_":1870860591887810560,"timestamp":"2026-07-16T08:48:16.050Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d20aa889e8ea8129c93e6502","title_ssm":["Nola Perez Papers"],"title_tesim":["Nola Perez Papers"],"ead_ssi":"d20aa889e8ea8129c93e6502","unitdate_ssm":["1969-2022"],"unitdate_inclusive_ssm":["1969-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2016.006","/repositories/3/resources/78"],"text":["2016.006","/repositories/3/resources/78","Nola Perez Papers, 1969-2022","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. ","This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2016.006","/repositories/3/resources/78"],"normalized_date_ssm":["1969-2022"],"normalized_title_ssm":["Nola Perez Papers, 1969-2022"],"collection_title_tesim":["Nola Perez Papers, 1969-2022"],"collection_ssim":["Nola Perez Papers, 1969-2022"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Nola B. Perez, 2016-09-06."],"has_online_content_ssim":["false"],"extent_ssm":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"extent_tesim":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eNola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. \u003c/p\u003e\n","\u003cp\u003eDuring her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.\u003c/p\u003e\n","\u003cp\u003eIn the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.\u003c/p\u003e\n","\u003cp\u003eUpon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. "],"prefercite_html_tesm":["\u003cp\u003eNola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Nola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. \u003c/p\u003e\n","\u003cp\u003eSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1 \u0026#x2013; Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez\u003c/p\u003e\n","\u003cp\u003eSeries 2 \u0026#x2013; Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles\u003c/p\u003e\n","\u003cp\u003eSeries 3 \u0026#x2013; Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails\u003c/p\u003e\n","\u003cp\u003eSeries 4 \u0026#x2013; Critiques (arranged chronologically) include critical receptions of Nola Perez's work\u003c/p\u003e\n","\u003cp\u003eSeries 5 \u0026#x2013; Events (arranged alphabetically by subseries)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Book Signings and Poetry Readings (arranged chronologically) includes information and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"\u003c/p\u003e\n","\u003cp\u003eSeries 6 \u0026#x2013; Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation\u003c/p\u003e\n","\u003cp\u003eSeries 7 \u0026#x2013; Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career\u003c/p\u003e\n","\u003cp\u003eSeries 8 \u0026#x2013; Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Photographs (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Publications (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 5 \u0026#x2013; Workshops (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSeries 9 \u0026#x2013; Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events\u003c/p\u003e\n","\u003cp\u003eSeries 10 \u0026#x2013; Poetry (arranged chronologically) contains a collection of Nola's poetry\u003c/p\u003e\n","\u003cp\u003eSeries 11 \u0026#x2013; Publications (arranged alphabetically by type of publication)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Books (arranged chronologically by publication date; chronological files within each book published)\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Journals (arranged chronologically by publication date)\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website\u003c/p\u003e\n","\u003cp\u003eSeries 12 \u0026#x2013; Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia\u003c/p\u003e\n","\u003cp\u003eSeries 13 \u0026#x2013; Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop"],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":231,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860591887810560,"_root_":"d20aa889e8ea8129c93e6502","timestamp":"2026-07-16T08:48:16.050Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502_aspace_71c7d7454c1e9f95fae3fe36e1640277"}},{"id":"555bb06439f859dbc9dd94c8_aspace_6bede21f88a65a034e956b568a306858","type":"Series","attributes":{"title":"Artifacts, 1983–2008, undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/555bb06439f859dbc9dd94c8_aspace_6bede21f88a65a034e956b568a306858#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_6bede21f88a65a034e956b568a306858","ref_ssm":["aspace_6bede21f88a65a034e956b568a306858","aspace_6bede21f88a65a034e956b568a306858"],"id":"555bb06439f859dbc9dd94c8_aspace_6bede21f88a65a034e956b568a306858","title_filing_ssi":"Artifacts","title_ssm":["Artifacts"],"title_tesim":["Artifacts"],"unitdate_inclusive_ssm":["1983–2008","undated"],"normalized_date_ssm":["1983–2008, undated"],"normalized_title_ssm":["Artifacts, 1983–2008, undated"],"text":["Artifacts, 1983–2008, undated","Saviz Shafaie collection, 1979-2008","3","/repositories/4/archival_objects/78916"],"component_level_isim":[1],"parent_ids_ssim":["555bb06439f859dbc9dd94c8"],"parent_unittitles_ssm":["Saviz Shafaie collection, 1979-2008"],"parent_unittitles_tesim":["Saviz Shafaie collection, 1979-2008"],"parent_levels_ssm":["collection"],"unitid_ssm":["3","/repositories/4/archival_objects/78916"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Saviz Shafaie collection, 1979-2008"],"has_online_content_ssim":["false"],"child_component_count_isi":7,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":44,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be seured from the repository and the copyright holder."],"date_range_isim":[1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"_nest_path_":"/components#2","_nest_parent_":"555bb06439f859dbc9dd94c8","_root_":"555bb06439f859dbc9dd94c8","_version_":1870857827968352256,"timestamp":"2026-07-16T08:04:20.180Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"555bb06439f859dbc9dd94c8","title_ssm":["Saviz Shafaie collection"],"title_tesim":["Saviz Shafaie collection"],"ead_ssi":"555bb06439f859dbc9dd94c8","unitdate_ssm":["1979-2008"],"unitdate_inclusive_ssm":["1979-2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 132","/repositories/4/resources/248"],"text":["SC 132","/repositories/4/resources/248","Saviz Shafaie collection, 1979-2008","Gay political activists","LGBTQ+ activists","AIDS activists ","Sexism","LGBTQ+ people of colour","Gay poetry","The entire collection is open for research.","This collection is arranged in three series. \n I. Activism, 1981-2001 II. Photographs, 1979-1998 III.Artifacts, 2003-2008","Saviz Shafaie was born on August 30, 1950, into a political family. Shafaie grew up learning poetry and literature not just through books but through anecdotes heard from numerous \"uncles\" and \"aunts,\" as it was customary to call his parents' close family friends and contemporaries. This mix of politics, social activism, and art shaped his life. ","After finishing elementary and secondary school in Tehran, Shafaie enrolled in Shiraz University (formerly Pahlavi) to study National Development and Sociology. In 1972, he delivered a speech to present the results of a questionnaire and research he had done to study attitudes towards sexual orientation in Iran. The speech was socially important, as it marked the first serious discussion in Iran of same-sex relationships.","After graduating from Shiraz University, Shafaie moved to the United States in 1976 to continue his education. He enrolled at Syracuse University in the Master's Program in Sociology. During his time at Syracuse, Shafaie got involved in Iranian student groups and explored gay and lesbian issues to expand his own understanding. ","Shafaie was involved in the anti-Shah movement in the United States during and after the gathering movement against the Shah in 1977.  Although he was opposed to Iran's U.S.-backed monarchy, Shafaie was not in favor of an Islamic regime either. He was involved in organizing civil, intellectual, and political rights campaigns both before and after the 1979 Iranian revolution. Shafaie also spoke out against oppression and repression that occurred after the consolidation of power by the Islamic regime. ","Shafaie always remained a staunch opponent of U.S. intervention and policies, which opened other paths for Shafaie as he came in contact with activists surrounding the issues of Latin America. Shafaie became involved with activists who stood in solidarity with the Nicaraguan revolution, the movement in El Salvador, and those fighting against the U.S.-backed military junta in Chile. He became an active member of the Syracuse Peace Council and remained involved until his move to Orlando, Florida, in 1983. ","In Orlando, Shafaie quickly became involved with various movements. He became a founding member of the Florida Nuclear Freeze group and a member of the Florida Coalition for Peace and Justice. Shafaie also became instrumental in organizing anti-war activities, and a proponent of social justice causes in the city. Shafaie continued to be involved in organizing against the first U.S. war against Iraq in 1990 and also remained an opponent of U.S. aggressive and interventionist policies in the Middle East and elsewhere. ","Amidst other activism, Shafaie spent the majority of his time in Orlando fighting homophobia and sexism as well as promoting civil and equal rights for gays and lesbians. He was involved in gay and lesbian activism locally. He also became centrally involved in the Iranian organization HOMAN, an international coalition of Iranian gay and lesbian organizations. Shafaie was both a contributor and one of the forces behind the production and publication of HOMAN's magazine. ","Additionally, Shafaie raised the issue of also homophobia in papers presented at an Iranian Women's Studies conference and at several gatherings in Canada. Saviz Shafaie passed away from cancer on September 18th, 2000. ","The materials in this collection primarily relate to Shafaie's LGBT+ activism in Orlando, though there are mentions of Iranian activism as well.","Collection processed by and finding aid prepared by Kyle Messamore in 2013. Updated and processed by Kalynn Smith in 2017. Rehoused and new materials integrated and processed by Trinity Cruz in 2022.","This collection forms part of the LGBTQ History Museum of Central Florida Collection (CFM2021_22). Please see  The LGBTQ History Museum of Central Florida  for additional information.","Series I: Activism, 1981-2001 contains documents  related to Saviz Shafaie's activism through \"We the People Coalition,\" HOMAN, AIDS awareness, the University of Central Florida's GLBSU, and other LGBT and Iranian activist groups and materials such as ads, schedules, and newspapers clippings. ","Series II: Photographs, 1979-1998 contains photographs and related scrapbook-style materials taken of and by Shafaie at various LGBT activism events. ","Series III: Artifacts, 2003-2008, undated contains buttons, pins, a medical bracelet, and two poetry books related to Shafaie's LGBT and Iranian activism.","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be seured from the repository and the copyright holder.","Saviz Shafaie attended the University of Central Florida as a student seeking a master's in social work. Originally born and raised in Iran, he was an activist in both Iran and America, fleeing to exile in America upon the change in government in the late 70s. He was also an Iranian poet and a businessman; owning and operating Powerhouse Restaurant in Winter Park. Saviz remained an activist until his passing from cancer in the late 1990s. His mother donated his collection to the LGBT History Museum of Central Florida in 2010 as a gift. These materials, along with an addition, were transferred to the University of Central Florida Special Collections and University Archives in 2021. This collection houses various photos, artifacts, and clippings related to Shafaie's activism through \"We the People Coalition,\" HOMAN, AIDS awareness, the University of Central Florida's GLBSU, and other LGBT and Iranian activist groups.","UCF Special Collections","University of Central Florida. Gay, Lesbian, Bisexual Student Union","Shafāyī, Sāvīz, 1950-2000","English Persian Iranian languages"],"unitid_tesim":["SC 132","/repositories/4/resources/248"],"normalized_date_ssm":["1979-2008"],"normalized_title_ssm":["Saviz Shafaie collection, 1979-2008"],"collection_title_tesim":["Saviz Shafaie collection, 1979-2008"],"collection_ssim":["Saviz Shafaie collection, 1979-2008"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Shafāyī, Sāvīz, 1950-2000"],"creator_ssim":["Shafāyī, Sāvīz, 1950-2000"],"creator_persname_ssim":["Shafāyī, Sāvīz, 1950-2000"],"creators_ssim":["Shafāyī, Sāvīz, 1950-2000"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be seured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Maheen Shaghaghi, Saviz's mother, to the LGBTQ+ History Museum of Central Florida in 2010. Gifted by the LGBTQ+ History Museum of Central Florida to University of Central Florida Libraries, Special Collections \u0026 University Archives in 2021 (Accession no. CFM2021_22)."],"access_subjects_ssim":["Gay political activists","LGBTQ+ activists","AIDS activists ","Sexism","LGBTQ+ people of colour","Gay poetry"],"access_subjects_ssm":["Gay political activists","LGBTQ+ activists","AIDS activists ","Sexism","LGBTQ+ people of colour","Gay poetry"],"has_online_content_ssim":["false"],"extent_ssm":["1.25 Linear Feet 3 boxes"],"extent_tesim":["1.25 Linear Feet 3 boxes"],"genreform_ssim":["Gay poetry"],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in three series. \n\u003cul style=\"list-style-type: none\"\u003e\n   \u003cli\u003eI. Activism, 1981-2001\u003c/li\u003e\n   \u003cli\u003eII. Photographs, 1979-1998\u003c/li\u003e\n   \u003cli\u003eIII.Artifacts, 2003-2008\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in three series. \n I. Activism, 1981-2001 II. Photographs, 1979-1998 III.Artifacts, 2003-2008"],"bioghist_html_tesm":["\u003cp\u003eSaviz Shafaie was born on August 30, 1950, into a political family. Shafaie grew up learning poetry and literature not just through books but through anecdotes heard from numerous \"uncles\" and \"aunts,\" as it was customary to call his parents' close family friends and contemporaries. This mix of politics, social activism, and art shaped his life. \u003c/p\u003e\n","\u003cp\u003eAfter finishing elementary and secondary school in Tehran, Shafaie enrolled in Shiraz University (formerly Pahlavi) to study National Development and Sociology. In 1972, he delivered a speech to present the results of a questionnaire and research he had done to study attitudes towards sexual orientation in Iran. The speech was socially important, as it marked the first serious discussion in Iran of same-sex relationships.\u003c/p\u003e\n","\u003cp\u003eAfter graduating from Shiraz University, Shafaie moved to the United States in 1976 to continue his education. He enrolled at Syracuse University in the Master's Program in Sociology. During his time at Syracuse, Shafaie got involved in Iranian student groups and explored gay and lesbian issues to expand his own understanding. \u003c/p\u003e\n","\u003cp\u003eShafaie was involved in the anti-Shah movement in the United States during and after the gathering movement against the Shah in 1977.  Although he was opposed to Iran's U.S.-backed monarchy, Shafaie was not in favor of an Islamic regime either. He was involved in organizing civil, intellectual, and political rights campaigns both before and after the 1979 Iranian revolution. Shafaie also spoke out against oppression and repression that occurred after the consolidation of power by the Islamic regime. \u003c/p\u003e\n","\u003cp\u003eShafaie always remained a staunch opponent of U.S. intervention and policies, which opened other paths for Shafaie as he came in contact with activists surrounding the issues of Latin America. Shafaie became involved with activists who stood in solidarity with the Nicaraguan revolution, the movement in El Salvador, and those fighting against the U.S.-backed military junta in Chile. He became an active member of the Syracuse Peace Council and remained involved until his move to Orlando, Florida, in 1983. \u003c/p\u003e\n","\u003cp\u003eIn Orlando, Shafaie quickly became involved with various movements. He became a founding member of the Florida Nuclear Freeze group and a member of the Florida Coalition for Peace and Justice. Shafaie also became instrumental in organizing anti-war activities, and a proponent of social justice causes in the city. Shafaie continued to be involved in organizing against the first U.S. war against Iraq in 1990 and also remained an opponent of U.S. aggressive and interventionist policies in the Middle East and elsewhere. \u003c/p\u003e\n","\u003cp\u003eAmidst other activism, Shafaie spent the majority of his time in Orlando fighting homophobia and sexism as well as promoting civil and equal rights for gays and lesbians. He was involved in gay and lesbian activism locally. He also became centrally involved in the Iranian organization HOMAN, an international coalition of Iranian gay and lesbian organizations. Shafaie was both a contributor and one of the forces behind the production and publication of HOMAN's magazine. \u003c/p\u003e\n","\u003cp\u003eAdditionally, Shafaie raised the issue of also homophobia in papers presented at an Iranian Women's Studies conference and at several gatherings in Canada. Saviz Shafaie passed away from cancer on September 18th, 2000. \u003c/p\u003e\n","\u003cp\u003eThe materials in this collection primarily relate to Shafaie's LGBT+ activism in Orlando, though there are mentions of Iranian activism as well.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Saviz Shafaie was born on August 30, 1950, into a political family. Shafaie grew up learning poetry and literature not just through books but through anecdotes heard from numerous \"uncles\" and \"aunts,\" as it was customary to call his parents' close family friends and contemporaries. This mix of politics, social activism, and art shaped his life. ","After finishing elementary and secondary school in Tehran, Shafaie enrolled in Shiraz University (formerly Pahlavi) to study National Development and Sociology. In 1972, he delivered a speech to present the results of a questionnaire and research he had done to study attitudes towards sexual orientation in Iran. The speech was socially important, as it marked the first serious discussion in Iran of same-sex relationships.","After graduating from Shiraz University, Shafaie moved to the United States in 1976 to continue his education. He enrolled at Syracuse University in the Master's Program in Sociology. During his time at Syracuse, Shafaie got involved in Iranian student groups and explored gay and lesbian issues to expand his own understanding. ","Shafaie was involved in the anti-Shah movement in the United States during and after the gathering movement against the Shah in 1977.  Although he was opposed to Iran's U.S.-backed monarchy, Shafaie was not in favor of an Islamic regime either. He was involved in organizing civil, intellectual, and political rights campaigns both before and after the 1979 Iranian revolution. Shafaie also spoke out against oppression and repression that occurred after the consolidation of power by the Islamic regime. ","Shafaie always remained a staunch opponent of U.S. intervention and policies, which opened other paths for Shafaie as he came in contact with activists surrounding the issues of Latin America. Shafaie became involved with activists who stood in solidarity with the Nicaraguan revolution, the movement in El Salvador, and those fighting against the U.S.-backed military junta in Chile. He became an active member of the Syracuse Peace Council and remained involved until his move to Orlando, Florida, in 1983. ","In Orlando, Shafaie quickly became involved with various movements. He became a founding member of the Florida Nuclear Freeze group and a member of the Florida Coalition for Peace and Justice. Shafaie also became instrumental in organizing anti-war activities, and a proponent of social justice causes in the city. Shafaie continued to be involved in organizing against the first U.S. war against Iraq in 1990 and also remained an opponent of U.S. aggressive and interventionist policies in the Middle East and elsewhere. ","Amidst other activism, Shafaie spent the majority of his time in Orlando fighting homophobia and sexism as well as promoting civil and equal rights for gays and lesbians. He was involved in gay and lesbian activism locally. He also became centrally involved in the Iranian organization HOMAN, an international coalition of Iranian gay and lesbian organizations. Shafaie was both a contributor and one of the forces behind the production and publication of HOMAN's magazine. ","Additionally, Shafaie raised the issue of also homophobia in papers presented at an Iranian Women's Studies conference and at several gatherings in Canada. Saviz Shafaie passed away from cancer on September 18th, 2000. ","The materials in this collection primarily relate to Shafaie's LGBT+ activism in Orlando, though there are mentions of Iranian activism as well."],"prefercite_html_tesm":["\u003cp\u003eSaviz Shafaie collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Saviz Shafaie collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by and finding aid prepared by Kyle Messamore in 2013. Updated and processed by Kalynn Smith in 2017. Rehoused and new materials integrated and processed by Trinity Cruz in 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by and finding aid prepared by Kyle Messamore in 2013. Updated and processed by Kalynn Smith in 2017. Rehoused and new materials integrated and processed by Trinity Cruz in 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThis collection forms part of the LGBTQ History Museum of Central Florida Collection (CFM2021_22). Please see \u003ca href=\"https://floridalgbtqmuseum.org/\"\u003eThe LGBTQ History Museum of Central Florida\u003c/a\u003e for additional information.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["This collection forms part of the LGBTQ History Museum of Central Florida Collection (CFM2021_22). Please see  The LGBTQ History Museum of Central Florida  for additional information."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Activism, 1981-2001 contains documents  related to Saviz Shafaie's activism through \"We the People Coalition,\" HOMAN, AIDS awareness, the University of Central Florida's GLBSU, and other LGBT and Iranian activist groups and materials such as ads, schedules, and newspapers clippings. \u003c/p\u003e\n","\u003cp\u003eSeries II: Photographs, 1979-1998 contains photographs and related scrapbook-style materials taken of and by Shafaie at various LGBT activism events. \u003c/p\u003e\n","\u003cp\u003eSeries III: Artifacts, 2003-2008, undated contains buttons, pins, a medical bracelet, and two poetry books related to Shafaie's LGBT and Iranian activism.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Activism, 1981-2001 contains documents  related to Saviz Shafaie's activism through \"We the People Coalition,\" HOMAN, AIDS awareness, the University of Central Florida's GLBSU, and other LGBT and Iranian activist groups and materials such as ads, schedules, and newspapers clippings. ","Series II: Photographs, 1979-1998 contains photographs and related scrapbook-style materials taken of and by Shafaie at various LGBT activism events. ","Series III: Artifacts, 2003-2008, undated contains buttons, pins, a medical bracelet, and two poetry books related to Shafaie's LGBT and Iranian activism."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be seured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be seured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a183dfb671315bf446e3e4aa945c9c74\"\u003eSaviz Shafaie attended the University of Central Florida as a student seeking a master's in social work. Originally born and raised in Iran, he was an activist in both Iran and America, fleeing to exile in America upon the change in government in the late 70s. He was also an Iranian poet and a businessman; owning and operating Powerhouse Restaurant in Winter Park. Saviz remained an activist until his passing from cancer in the late 1990s. His mother donated his collection to the LGBT History Museum of Central Florida in 2010 as a gift. These materials, along with an addition, were transferred to the University of Central Florida Special Collections and University Archives in 2021. This collection houses various photos, artifacts, and clippings related to Shafaie's activism through \"We the People Coalition,\" HOMAN, AIDS awareness, the University of Central Florida's GLBSU, and other LGBT and Iranian activist groups.\u003c/abstract\u003e"],"abstract_tesim":["Saviz Shafaie attended the University of Central Florida as a student seeking a master's in social work. Originally born and raised in Iran, he was an activist in both Iran and America, fleeing to exile in America upon the change in government in the late 70s. He was also an Iranian poet and a businessman; owning and operating Powerhouse Restaurant in Winter Park. Saviz remained an activist until his passing from cancer in the late 1990s. His mother donated his collection to the LGBT History Museum of Central Florida in 2010 as a gift. These materials, along with an addition, were transferred to the University of Central Florida Special Collections and University Archives in 2021. This collection houses various photos, artifacts, and clippings related to Shafaie's activism through \"We the People Coalition,\" HOMAN, AIDS awareness, the University of Central Florida's GLBSU, and other LGBT and Iranian activist groups."],"names_coll_ssim":["University of Central Florida. Gay, Lesbian, Bisexual Student Union","Shafāyī, Sāvīz, 1950-2000"],"names_ssim":["UCF Special Collections","University of Central Florida. Gay, Lesbian, Bisexual Student Union","Shafāyī, Sāvīz, 1950-2000"],"corpname_ssim":["UCF Special Collections","University of Central Florida. Gay, Lesbian, Bisexual Student Union"],"persname_ssim":["Shafāyī, Sāvīz, 1950-2000"],"language_ssim":["English Persian Iranian languages"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":51,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857827968352256,"_root_":"555bb06439f859dbc9dd94c8","timestamp":"2026-07-16T08:04:20.180Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/555bb06439f859dbc9dd94c8_aspace_6bede21f88a65a034e956b568a306858"}},{"id":"eccf200246c0c0801ef714fb_aspace_46856","type":"Series","attributes":{"title":"Artist Books, 1945-2008","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/eccf200246c0c0801ef714fb_aspace_46856#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eSeries III holds books of materials compiled by the artist and professionally bound by UCF Libraries and Flying Horse Editions, the University of Central Florida press. The materials chronicle the artist's life from his childhood through his current work and are found thematically in the bound book collection. Most materials are photocopies, however, in some instances the artist has included original materials. A brief overview of each book's contents has been provided. Throughout this collection, many of the artist's colleagues are only referred to by their last names. A significant amount of material contained in this series is untitled and undated, however, in many cases exhibition locations, dates, and titles are provided.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/eccf200246c0c0801ef714fb_aspace_46856#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_46856","ref_ssm":["aspace_46856","aspace_46856"],"id":"eccf200246c0c0801ef714fb_aspace_46856","title_filing_ssi":"Artist Books","title_ssm":["Artist Books"],"title_tesim":["Artist Books"],"unitdate_inclusive_ssm":["1945-2008"],"normalized_date_ssm":["1945-2008"],"normalized_title_ssm":["Artist Books, 1945-2008"],"text":["Artist Books, 1945-2008","Walter Gaudnek Collection, 1945-2009","Series 3","/repositories/4/archival_objects/19909","Series III holds books of materials compiled by the artist and professionally bound by UCF Libraries and Flying Horse Editions, the University of Central Florida press. The materials chronicle the artist's life from his childhood through his current work and are found thematically in the bound book collection. Most materials are photocopies, however, in some instances the artist has included original materials. A brief overview of each book's contents has been provided. Throughout this collection, many of the artist's colleagues are only referred to by their last names. A significant amount of material contained in this series is untitled and undated, however, in many cases exhibition locations, dates, and titles are provided."],"component_level_isim":[1],"parent_ids_ssim":["eccf200246c0c0801ef714fb"],"parent_unittitles_ssm":["Walter Gaudnek Collection, 1945-2009"],"parent_unittitles_tesim":["Walter Gaudnek Collection, 1945-2009"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 3","/repositories/4/archival_objects/19909"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Walter Gaudnek Collection, 1945-2009"],"has_online_content_ssim":["false"],"child_component_count_isi":71,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":41,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"scopecontent_html_tesm":["\u003cp\u003eSeries III holds books of materials compiled by the artist and professionally bound by UCF Libraries and Flying Horse Editions, the University of Central Florida press. The materials chronicle the artist's life from his childhood through his current work and are found thematically in the bound book collection. Most materials are photocopies, however, in some instances the artist has included original materials. A brief overview of each book's contents has been provided. Throughout this collection, many of the artist's colleagues are only referred to by their last names. A significant amount of material contained in this series is untitled and undated, however, in many cases exhibition locations, dates, and titles are provided.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series III holds books of materials compiled by the artist and professionally bound by UCF Libraries and Flying Horse Editions, the University of Central Florida press. The materials chronicle the artist's life from his childhood through his current work and are found thematically in the bound book collection. Most materials are photocopies, however, in some instances the artist has included original materials. A brief overview of each book's contents has been provided. Throughout this collection, many of the artist's colleagues are only referred to by their last names. A significant amount of material contained in this series is untitled and undated, however, in many cases exhibition locations, dates, and titles are provided."],"_nest_path_":"/components#2","_nest_parent_":"eccf200246c0c0801ef714fb","_root_":"eccf200246c0c0801ef714fb","timestamp":"2026-04-21T03:53:25.929Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"eccf200246c0c0801ef714fb","title_ssm":["Walter Gaudnek Collection"],"title_tesim":["Walter Gaudnek Collection"],"ead_ssi":"eccf200246c0c0801ef714fb","unitdate_ssm":["1945-2009"],"unitdate_inclusive_ssm":["1945-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.053","/repositories/4/resources/88"],"text":["SC.053","/repositories/4/resources/88","Walter Gaudnek Collection, 1945-2009","University of Central Florida","Artists","The collection is open for research.","Walter Gaudnek, Ph.D., born in 1931 in Czechoslovakia is a self-proclaimed 'rebel artist'. Known for his blending of bold colors with philosophy, labyrinth installations, and personal mixtures of performance and art, Gaudnek has influenced generations with his stark look at world issues through these mediums. Gaudnek continues his work today both as an artist and an educator with the University of Central Florida's Art Department. Gaudnek's work is featured in permanent collections around the world, including the Gaudnek Studio in Altomünster, Germany (now the Gaudnek Museum) and at the University of Central Florida libraries.","News clippings were photocopied onto acid-free paper and metal clips replaced with plastic clips. Some materials were rehoused in acid-free folders while all of the manuscript material is held in boxes. Duplicates were removed and several pieces of art are stored in a climate controlled facility. Additional materials added as receieved.","Collection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.","Flying Horse Editions","University of Central Florida Office of the President Records , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","University of Central Florida Photograph Collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","Art that can be found in the John C. Hitt Library includes: Science and Humanities (1989) and Mapping the Florida Terrain (1989). ","The Gaudnek Collection includes manuscript materials, exhibition booklets, pamphlets, photographs, news articles, original artwork and posters. The collection is divided into six series.","\nSeries I: Exhibition Booklets, 1980-2005, are five art exhibition books in both English and German that focus on specific exhibitions by the artist. These books are what a patron could purchase or would receive with admission to an art exhibition. Exhibition booklets also appear in multiple bound books found in series III.","\nSeries II: Posters and Photographs, 1969-2007, comprises publicity posters and photographs used to promote various exhibitions.","\nSeries III: Artist Books, 1945-2008, are books that were specially bound by Flying Horse Press at the request of the artist and contains memorabilia either produced by or for the artist. The books are created according to themes and time periods important to the artist. Some compilation books have been created by third parties. The books cover a wide span of time, including Gaudnek's early years as an artist in college through to his more current work at the University of Central Florida.","\nSeries IV: Oversize Artist Books, 1962-2006, are bound by UCF Library contains \"Gaudnek Broadway Drawings\" dating from 1962-1968 and compiled in 2006. \"Elegy to New Orleans\" is another title compiled by Gaudnek which includes art and media photographs from the aftermath of Hurricane Katrina in New Orleans, Louisiana. Series also holds a title \"Walter Gaudnek Introspective Portraits\" compiled by University of Central Florida Professor Jagdish J. Chavda.","\nSeries V: Portfolios, 1961-2009, includes portfolios that are housed in individiual custom constructed from hard archival cover board. Portfolios contain Gaudnek's digital collage prints, signed and dated by the artist.","\nSeries VI: Miscellaneous, 1969-2007, holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The Walter Gaudnek Collection comprises manuscript materials, original works, posters, and photographs that chronicle the life and artistic development of Dr. Walter Gaudnek, a University of Central Florida art faculty member. Ranging from 1945 to the present, the collection focuses on the artist and gives voice to Gaudnek's fans and critics alike. World events such as the 1972 Olympic Games, the Holocaust, and the September 11th attacks are featured in the collection through his work both as a commissioned artist who is witness to the event (Munich Games) and as an artist expressing his deep emotions for human tragedy.","UCF Special Collections","Gaudnek, Walter, 1931-","English"],"unitid_tesim":["SC.053","/repositories/4/resources/88"],"normalized_date_ssm":["1945-2009"],"normalized_title_ssm":["Walter Gaudnek Collection, 1945-2009"],"collection_title_tesim":["Walter Gaudnek Collection, 1945-2009"],"collection_ssim":["Walter Gaudnek Collection, 1945-2009"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were transferred to the Special Collections and University Archives by Dr. Walter Gaudnek in 2004 (CFM2004_01), 2006, and 2007 (CFM2007_XX)."],"access_subjects_ssim":["University of Central Florida","Artists"],"access_subjects_ssm":["University of Central Florida","Artists"],"has_online_content_ssim":["false"],"extent_ssm":["7.25 Linear Feet 7 Boxes, 6 Portfolios, 1 Flat File"],"extent_tesim":["7.25 Linear Feet 7 Boxes, 6 Portfolios, 1 Flat File"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eWalter Gaudnek, Ph.D., born in 1931 in Czechoslovakia is a self-proclaimed 'rebel artist'. Known for his blending of bold colors with philosophy, labyrinth installations, and personal mixtures of performance and art, Gaudnek has influenced generations with his stark look at world issues through these mediums. Gaudnek continues his work today both as an artist and an educator with the University of Central Florida's Art Department. Gaudnek's work is featured in permanent collections around the world, including the Gaudnek Studio in Altom\u0026#xFC;nster, Germany (now the Gaudnek Museum) and at the University of Central Florida libraries.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Walter Gaudnek, Ph.D., born in 1931 in Czechoslovakia is a self-proclaimed 'rebel artist'. Known for his blending of bold colors with philosophy, labyrinth installations, and personal mixtures of performance and art, Gaudnek has influenced generations with his stark look at world issues through these mediums. Gaudnek continues his work today both as an artist and an educator with the University of Central Florida's Art Department. Gaudnek's work is featured in permanent collections around the world, including the Gaudnek Studio in Altomünster, Germany (now the Gaudnek Museum) and at the University of Central Florida libraries."],"prefercite_html_tesm":["\u003cp\u003eWalter Gaudnek Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Walter Gaudnek Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eNews clippings were photocopied onto acid-free paper and metal clips replaced with plastic clips. Some materials were rehoused in acid-free folders while all of the manuscript material is held in boxes. Duplicates were removed and several pieces of art are stored in a climate controlled facility. Additional materials added as receieved.\u003c/p\u003e","\u003cp\u003eCollection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["News clippings were photocopied onto acid-free paper and metal clips replaced with plastic clips. Some materials were rehoused in acid-free folders while all of the manuscript material is held in boxes. Duplicates were removed and several pieces of art are stored in a climate controlled facility. Additional materials added as receieved.","Collection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://flyinghorse.cah.ucf.edu\"\u003eFlying Horse Editions\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://library.ucf.edu/about/departments/special-collections-university-archives/university-archives/university-archives-collection-guides/#UniversityPresidentsRecords\"\u003eUniversity of Central Florida Office of the President Records\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/ead/UCFPhotographs\"\u003eUniversity of Central Florida Photograph Collection\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003eArt that can be found in the John C. Hitt Library includes: Science and Humanities (1989) and Mapping the Florida Terrain (1989). \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Flying Horse Editions","University of Central Florida Office of the President Records , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","University of Central Florida Photograph Collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","Art that can be found in the John C. Hitt Library includes: Science and Humanities (1989) and Mapping the Florida Terrain (1989). "],"scopecontent_html_tesm":["\u003cp\u003eThe Gaudnek Collection includes manuscript materials, exhibition booklets, pamphlets, photographs, news articles, original artwork and posters. The collection is divided into six series.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Exhibition Booklets, 1980-2005, are five art exhibition books in both English and German that focus on specific exhibitions by the artist. These books are what a patron could purchase or would receive with admission to an art exhibition. Exhibition booklets also appear in multiple bound books found in series III.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Posters and Photographs, 1969-2007, comprises publicity posters and photographs used to promote various exhibitions.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Artist Books, 1945-2008, are books that were specially bound by Flying Horse Press at the request of the artist and contains memorabilia either produced by or for the artist. The books are created according to themes and time periods important to the artist. Some compilation books have been created by third parties. The books cover a wide span of time, including Gaudnek's early years as an artist in college through to his more current work at the University of Central Florida.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Oversize Artist Books, 1962-2006, are bound by UCF Library contains \"Gaudnek Broadway Drawings\" dating from 1962-1968 and compiled in 2006. \"Elegy to New Orleans\" is another title compiled by Gaudnek which includes art and media photographs from the aftermath of Hurricane Katrina in New Orleans, Louisiana. Series also holds a title \"Walter Gaudnek Introspective Portraits\" compiled by University of Central Florida Professor Jagdish J. Chavda.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Portfolios, 1961-2009, includes portfolios that are housed in individiual custom constructed from hard archival cover board. Portfolios contain Gaudnek's digital collage prints, signed and dated by the artist.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Miscellaneous, 1969-2007, holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Gaudnek Collection includes manuscript materials, exhibition booklets, pamphlets, photographs, news articles, original artwork and posters. The collection is divided into six series.","\nSeries I: Exhibition Booklets, 1980-2005, are five art exhibition books in both English and German that focus on specific exhibitions by the artist. These books are what a patron could purchase or would receive with admission to an art exhibition. Exhibition booklets also appear in multiple bound books found in series III.","\nSeries II: Posters and Photographs, 1969-2007, comprises publicity posters and photographs used to promote various exhibitions.","\nSeries III: Artist Books, 1945-2008, are books that were specially bound by Flying Horse Press at the request of the artist and contains memorabilia either produced by or for the artist. The books are created according to themes and time periods important to the artist. Some compilation books have been created by third parties. The books cover a wide span of time, including Gaudnek's early years as an artist in college through to his more current work at the University of Central Florida.","\nSeries IV: Oversize Artist Books, 1962-2006, are bound by UCF Library contains \"Gaudnek Broadway Drawings\" dating from 1962-1968 and compiled in 2006. \"Elegy to New Orleans\" is another title compiled by Gaudnek which includes art and media photographs from the aftermath of Hurricane Katrina in New Orleans, Louisiana. Series also holds a title \"Walter Gaudnek Introspective Portraits\" compiled by University of Central Florida Professor Jagdish J. Chavda.","\nSeries V: Portfolios, 1961-2009, includes portfolios that are housed in individiual custom constructed from hard archival cover board. Portfolios contain Gaudnek's digital collage prints, signed and dated by the artist.","\nSeries VI: Miscellaneous, 1969-2007, holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4f11a3ccc45b185611fc52b134bae889\" label=\"Abstract\"\u003eThe Walter Gaudnek Collection comprises manuscript materials, original works, posters, and photographs that chronicle the life and artistic development of Dr. Walter Gaudnek, a University of Central Florida art faculty member. Ranging from 1945 to the present, the collection focuses on the artist and gives voice to Gaudnek's fans and critics alike. World events such as the 1972 Olympic Games, the Holocaust, and the September 11th attacks are featured in the collection through his work both as a commissioned artist who is witness to the event (Munich Games) and as an artist expressing his deep emotions for human tragedy.\u003c/abstract\u003e"],"abstract_tesim":["The Walter Gaudnek Collection comprises manuscript materials, original works, posters, and photographs that chronicle the life and artistic development of Dr. Walter Gaudnek, a University of Central Florida art faculty member. Ranging from 1945 to the present, the collection focuses on the artist and gives voice to Gaudnek's fans and critics alike. World events such as the 1972 Olympic Games, the Holocaust, and the September 11th attacks are featured in the collection through his work both as a commissioned artist who is witness to the event (Munich Games) and as an artist expressing his deep emotions for human tragedy."],"names_ssim":["UCF Special Collections","Gaudnek, Walter, 1931-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Gaudnek, Walter, 1931-"],"persname_ssim":["Gaudnek, Walter, 1931-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":412,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"eccf200246c0c0801ef714fb","timestamp":"2026-04-21T03:53:25.929Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/eccf200246c0c0801ef714fb_aspace_46856"}},{"id":"15012918ff98f34c66014167_aspace_da5d73dcb2b4628b68b06c975cad3c9e","type":"File","attributes":{"title":"Artist Candidate Information, bulk 1986-1988","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/15012918ff98f34c66014167_aspace_da5d73dcb2b4628b68b06c975cad3c9e#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eArtist resumes\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/15012918ff98f34c66014167_aspace_da5d73dcb2b4628b68b06c975cad3c9e#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_da5d73dcb2b4628b68b06c975cad3c9e","ref_ssm":["aspace_da5d73dcb2b4628b68b06c975cad3c9e","aspace_da5d73dcb2b4628b68b06c975cad3c9e"],"id":"15012918ff98f34c66014167_aspace_da5d73dcb2b4628b68b06c975cad3c9e","title_filing_ssi":"Artist Candidate Information","title_ssm":["Artist Candidate Information"],"title_tesim":["Artist Candidate Information"],"unitdate_bulk_ssim":["1986-1988"],"normalized_date_ssm":["bulk 1986-1988"],"normalized_title_ssm":["Artist Candidate Information, bulk 1986-1988"],"text":["Artist Candidate Information, bulk 1986-1988","Facilities Management, bulk 1962-2007","Various Garden Proposals and Ideas","/repositories/2/archival_objects/84755","box 7","folder 6","Artist resumes"],"component_level_isim":[2],"parent_ids_ssim":["15012918ff98f34c66014167","15012918ff98f34c66014167_aspace_96daae393bb0afeb02b026c05126f385"],"parent_unittitles_ssm":["Facilities Management, bulk 1962-2007","Various Garden Proposals and Ideas"],"parent_unittitles_tesim":["Facilities Management, bulk 1962-2007","Various Garden Proposals and Ideas"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/84755"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Facilities Management, bulk 1962-2007"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":125,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"date_range_isim":[1986,1987,1988],"containers_ssim":["box 7","folder 6"],"scopecontent_html_tesm":["\u003cp\u003eArtist resumes\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Artist resumes"],"_nest_path_":"/components#2/components#56","_nest_parent_":"15012918ff98f34c66014167_aspace_96daae393bb0afeb02b026c05126f385","_root_":"15012918ff98f34c66014167","_version_":1870841886359420928,"timestamp":"2026-07-16T03:50:57.064Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"15012918ff98f34c66014167","title_ssm":["Facilities Management"],"title_tesim":["Facilities Management"],"ead_ssi":"15012918ff98f34c66014167","unitdate_ssm":["1962-2007"],"unitdate_bulk_ssim":["1962-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA00006 ","/repositories/2/resources/214"],"text":["UA00006 ","/repositories/2/resources/214","Facilities Management, bulk 1962-2007","Florida Atlantic University -- History","University Archives","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","Logan McGraw, Anthony Moro, and 2022 Introduction to Archives Course HIS 3080 students","Facilities Management supports FAU by managing various physical assets on all campuses. This includes building maintenance, landscape and grounds maintenance, safety and security measures, space optimization, general building maintenance and repairs, utilities and energy management, environmental sustainability efforts, and compliance with federal and state regulations. Their work is crucial for creating a conducive learning and working environment supporting students, faculty, staff, visitors, and the local community. ","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.","Florida Atlantic University Libraries","English"],"unitid_tesim":["UA00006 ","/repositories/2/resources/214"],"normalized_date_ssm":["bulk 1962-2007"],"normalized_title_ssm":["Facilities Management, bulk 1962-2007"],"collection_title_tesim":["Facilities Management, bulk 1962-2007"],"collection_ssim":["Facilities Management, bulk 1962-2007"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"access_subjects_ssim":["Florida Atlantic University -- History","University Archives"],"access_subjects_ssm":["Florida Atlantic University -- History","University Archives"],"has_online_content_ssim":["false"],"extent_ssm":["12 Linear Feet"],"extent_tesim":["12 Linear Feet"],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"processinfo_html_tesm":["\u003cp\u003eLogan McGraw, Anthony Moro, and 2022 Introduction to Archives Course HIS 3080 students\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Logan McGraw, Anthony Moro, and 2022 Introduction to Archives Course HIS 3080 students"],"scopecontent_html_tesm":["\u003cp\u003e\u003cblockquote\u003eFacilities Management supports FAU by managing various physical assets on all campuses. This includes building maintenance, landscape and grounds maintenance, safety and security measures, space optimization, general building maintenance and repairs, utilities and energy management, environmental sustainability efforts, and compliance with federal and state regulations. Their work is crucial for creating a conducive learning and working environment supporting students, faculty, staff, visitors, and the local community. \u003c/blockquote\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Facilities Management supports FAU by managing various physical assets on all campuses. This includes building maintenance, landscape and grounds maintenance, safety and security measures, space optimization, general building maintenance and repairs, utilities and energy management, environmental sustainability efforts, and compliance with federal and state regulations. Their work is crucial for creating a conducive learning and working environment supporting students, faculty, staff, visitors, and the local community. "],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":726,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841886359420928,"_root_":"15012918ff98f34c66014167","timestamp":"2026-07-16T03:50:57.064Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/15012918ff98f34c66014167_aspace_da5d73dcb2b4628b68b06c975cad3c9e"}},{"id":"b1453870beef516d654c01ec_aspace_05042070eb26b7b477bd0b30179f97a5","type":"Item","attributes":{"title":"Artist postcards, undefined","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/b1453870beef516d654c01ec_aspace_05042070eb26b7b477bd0b30179f97a5#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eNineteen black and white artist postcards with image on front with name, artist statement and medium on back face. Sample artists include Keith Grachow, Patricia Lu, Jim Hall, Anita Kirchen, Milena Sasic, Pat Davis, etc.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b1453870beef516d654c01ec_aspace_05042070eb26b7b477bd0b30179f97a5#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_05042070eb26b7b477bd0b30179f97a5","ref_ssm":["aspace_05042070eb26b7b477bd0b30179f97a5","aspace_05042070eb26b7b477bd0b30179f97a5"],"id":"b1453870beef516d654c01ec_aspace_05042070eb26b7b477bd0b30179f97a5","title_filing_ssi":"Artist postcards","title_ssm":["Artist postcards"],"title_tesim":["Artist postcards"],"unitdate_inclusive_ssm":["undefined"],"normalized_date_ssm":["undefined"],"normalized_title_ssm":["Artist postcards, undefined"],"text":["Artist postcards, undefined","FAU University Galleries, 1973-2023, 1973-2023","Artist files","/repositories/2/archival_objects/70137","box 2","folder 19","Nineteen black and white artist postcards with image on front with name, artist statement and medium on back face. Sample artists include Keith Grachow, Patricia Lu, Jim Hall, Anita Kirchen, Milena Sasic, Pat Davis, etc."],"component_level_isim":[2],"parent_ids_ssim":["b1453870beef516d654c01ec","b1453870beef516d654c01ec_aspace_4b1193892001d1344408814c610fd18b"],"parent_unittitles_ssm":["FAU University Galleries, 1973-2023, 1973-2023","Artist files"],"parent_unittitles_tesim":["FAU University Galleries, 1973-2023, 1973-2023","Artist files"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/70137"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["FAU University Galleries, 1973-2023, 1973-2023"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":100,"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"containers_ssim":["box 2","folder 19"],"scopecontent_html_tesm":["\u003cp\u003eNineteen black and white artist postcards with image on front with name, artist statement and medium on back face. Sample artists include Keith Grachow, Patricia Lu, Jim Hall, Anita Kirchen, Milena Sasic, Pat Davis, etc.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Nineteen black and white artist postcards with image on front with name, artist statement and medium on back face. Sample artists include Keith Grachow, Patricia Lu, Jim Hall, Anita Kirchen, Milena Sasic, Pat Davis, etc."],"_nest_path_":"/components#2/components#1","_nest_parent_":"b1453870beef516d654c01ec_aspace_4b1193892001d1344408814c610fd18b","_root_":"b1453870beef516d654c01ec","_version_":1870841804578881536,"timestamp":"2026-07-16T03:49:39.084Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b1453870beef516d654c01ec","title_ssm":["FAU University Galleries, 1973-2023"],"title_tesim":["FAU University Galleries, 1973-2023"],"ead_ssi":"b1453870beef516d654c01ec","unitdate_ssm":["1973-2023"],"unitdate_inclusive_ssm":["1973-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA00026","/repositories/2/resources/182"],"text":["UA00026","/repositories/2/resources/182","FAU University Galleries, 1973-2023, 1973-2023","Florida","Art, Modern -- 20th century","Florida Atlantic University -- History","The University Galleries-FAU Collection documents the activities of the Ritter Gallery and the Schmidt Center Gallery between 1973 and 2009. It contains the initial proposal for the creation of the Ritter Gallery and documentation on the later development of the Schmidt Center Gallery. The bulk of the collection centers on the annual exhibition and programming schedule of and for student, faculty and general exhibitions. There is also information on earlier exhibition spaces in the S.E. Wimberly Library. Materials in the collection are a mix of text and images, and includes  correspondence, memoranda, letters, press releases, newspaper clippings, catalogs for faculty, student and general exhibitions, and related printed matter. There is also documentation on campus public art and artist files. Among other formats scattered throughout the collection are photographs, slides and  negatives.","Florida Atlantic University Libraries","English"],"unitid_tesim":["UA00026","/repositories/2/resources/182"],"normalized_date_ssm":["1973-2023"],"normalized_title_ssm":["FAU University Galleries, 1973-2023, 1973-2023"],"collection_title_tesim":["FAU University Galleries, 1973-2023, 1973-2023"],"collection_ssim":["FAU University Galleries, 1973-2023, 1973-2023"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"geogname_ssm":["Florida"],"geogname_ssim":["Florida"],"places_ssim":["Florida"],"access_subjects_ssim":["Art, Modern -- 20th century","Florida Atlantic University -- History"],"access_subjects_ssm":["Art, Modern -- 20th century","Florida Atlantic University -- History"],"has_online_content_ssim":["false"],"extent_ssm":["3 boxes"],"extent_tesim":["3 boxes"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"scopecontent_html_tesm":["\u003cp\u003eThe University Galleries-FAU Collection documents the activities of the Ritter Gallery and the Schmidt Center Gallery between 1973 and 2009. It contains the initial proposal for the creation of the Ritter Gallery and documentation on the later development of the Schmidt Center Gallery. The bulk of the collection centers on the annual exhibition and programming schedule of and for student, faculty and general exhibitions. There is also information on earlier exhibition spaces in the S.E. Wimberly Library. Materials in the collection are a mix of text and images, and includes  correspondence, memoranda, letters, press releases, newspaper clippings, catalogs for faculty, student and general exhibitions, and related printed matter. There is also documentation on campus public art and artist files. Among other formats scattered throughout the collection are photographs, slides and  negatives.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The University Galleries-FAU Collection documents the activities of the Ritter Gallery and the Schmidt Center Gallery between 1973 and 2009. It contains the initial proposal for the creation of the Ritter Gallery and documentation on the later development of the Schmidt Center Gallery. The bulk of the collection centers on the annual exhibition and programming schedule of and for student, faculty and general exhibitions. There is also information on earlier exhibition spaces in the S.E. Wimberly Library. Materials in the collection are a mix of text and images, and includes  correspondence, memoranda, letters, press releases, newspaper clippings, catalogs for faculty, student and general exhibitions, and related printed matter. There is also documentation on campus public art and artist files. Among other formats scattered throughout the collection are photographs, slides and  negatives."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":178,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841804578881536,"_root_":"b1453870beef516d654c01ec","timestamp":"2026-07-16T03:49:39.084Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b1453870beef516d654c01ec_aspace_05042070eb26b7b477bd0b30179f97a5"}},{"id":"6c2142414bfc36e4e62e8bcb","type":"collection","attributes":{"title":"Artists' Book Collection, 1980-2017","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/6c2142414bfc36e4e62e8bcb#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eArtists' books are a platform for personal expression created without censorship or outside influence. They are a medium of expression that employs the structure of a book as an inspiration while challenging the conventional contents of a printed volume. Artists' books are produced in limited numbers and are classified as works of art, typically produced by a single creator. The Artists' Book Collection features books from the 1970s to present day.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6c2142414bfc36e4e62e8bcb#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"6c2142414bfc36e4e62e8bcb","title_ssm":["Artists' Book Collection"],"title_tesim":["Artists' Book Collection"],"ead_ssi":"6c2142414bfc36e4e62e8bcb","unitdate_ssm":["1980-2017"],"unitdate_inclusive_ssm":["1980-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2017.SC.001","/repositories/2/resources/38"],"text":["2017.SC.001","/repositories/2/resources/38","Artists' Book Collection, 1980-2017","Sexual assault","Sexual harassment.","LGBTQ issues\t","Feminism and art--United States.","Feminism.","The collection is open and available for research.","Artists' books are a platform for personal expression created without censorship or outside influence. They are a medium of expression that employs the structure of a book as an inspiration while challenging the conventional contents of a printed volume. Artists' books are produced in limited numbers and are classified as works of art, typically produced by a single creator. The Artists' Book Collection features books from the 1970s to present day.","File Cabinet Bay: 5, TOP\nFile Cabinet Bay: 6, Drawer: 26-27","Florida Gulf Coast University Special Collections","English"],"unitid_tesim":["2017.SC.001","/repositories/2/resources/38"],"normalized_date_ssm":["1980-2017"],"normalized_title_ssm":["Artists' Book Collection, 1980-2017"],"collection_title_tesim":["Artists' Book Collection, 1980-2017"],"collection_ssim":["Artists' Book Collection, 1980-2017"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Sexual assault","Sexual harassment.","LGBTQ issues\t","Feminism and art--United States.","Feminism."],"geogname_ssim":["Sexual assault","Sexual harassment.","LGBTQ issues\t","Feminism and art--United States.","Feminism."],"places_ssim":["Sexual assault","Sexual harassment.","LGBTQ issues\t","Feminism and art--United States.","Feminism."],"has_online_content_ssim":["false"],"extent_ssm":["10 Linear Feet"],"extent_tesim":["10 Linear Feet"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open and available for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open and available for research."],"scopecontent_html_tesm":["\u003cp\u003eArtists' books are a platform for personal expression created without censorship or outside influence. They are a medium of expression that employs the structure of a book as an inspiration while challenging the conventional contents of a printed volume. Artists' books are produced in limited numbers and are classified as works of art, typically produced by a single creator. The Artists' Book Collection features books from the 1970s to present day.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Artists' books are a platform for personal expression created without censorship or outside influence. They are a medium of expression that employs the structure of a book as an inspiration while challenging the conventional contents of a printed volume. Artists' books are produced in limited numbers and are classified as works of art, typically produced by a single creator. The Artists' Book Collection features books from the 1970s to present day."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_30e967ba21b7ca14f316b993bb0479d3\"\u003eFile Cabinet Bay: 5, TOP\nFile Cabinet Bay: 6, Drawer: 26-27\u003c/physloc\u003e"],"physloc_tesim":["File Cabinet Bay: 5, TOP\nFile Cabinet Bay: 6, Drawer: 26-27"],"names_ssim":["Florida Gulf Coast University Special Collections"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":43,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879903204285612032,"_root_":"6c2142414bfc36e4e62e8bcb","timestamp":"2026-10-24T04:16:43.255Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6c2142414bfc36e4e62e8bcb","title_ssm":["Artists' Book Collection"],"title_tesim":["Artists' Book Collection"],"ead_ssi":"6c2142414bfc36e4e62e8bcb","unitdate_ssm":["1980-2017"],"unitdate_inclusive_ssm":["1980-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2017.SC.001","/repositories/2/resources/38"],"text":["2017.SC.001","/repositories/2/resources/38","Artists' Book Collection, 1980-2017","Sexual assault","Sexual harassment.","LGBTQ issues\t","Feminism and art--United States.","Feminism.","The collection is open and available for research.","Artists' books are a platform for personal expression created without censorship or outside influence. They are a medium of expression that employs the structure of a book as an inspiration while challenging the conventional contents of a printed volume. Artists' books are produced in limited numbers and are classified as works of art, typically produced by a single creator. The Artists' Book Collection features books from the 1970s to present day.","File Cabinet Bay: 5, TOP\nFile Cabinet Bay: 6, Drawer: 26-27","Florida Gulf Coast University Special Collections","English"],"unitid_tesim":["2017.SC.001","/repositories/2/resources/38"],"normalized_date_ssm":["1980-2017"],"normalized_title_ssm":["Artists' Book Collection, 1980-2017"],"collection_title_tesim":["Artists' Book Collection, 1980-2017"],"collection_ssim":["Artists' Book Collection, 1980-2017"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Sexual assault","Sexual harassment.","LGBTQ issues\t","Feminism and art--United States.","Feminism."],"geogname_ssim":["Sexual assault","Sexual harassment.","LGBTQ issues\t","Feminism and art--United States.","Feminism."],"places_ssim":["Sexual assault","Sexual harassment.","LGBTQ issues\t","Feminism and art--United States.","Feminism."],"has_online_content_ssim":["false"],"extent_ssm":["10 Linear Feet"],"extent_tesim":["10 Linear Feet"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open and available for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open and available for research."],"scopecontent_html_tesm":["\u003cp\u003eArtists' books are a platform for personal expression created without censorship or outside influence. They are a medium of expression that employs the structure of a book as an inspiration while challenging the conventional contents of a printed volume. Artists' books are produced in limited numbers and are classified as works of art, typically produced by a single creator. The Artists' Book Collection features books from the 1970s to present day.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Artists' books are a platform for personal expression created without censorship or outside influence. They are a medium of expression that employs the structure of a book as an inspiration while challenging the conventional contents of a printed volume. Artists' books are produced in limited numbers and are classified as works of art, typically produced by a single creator. The Artists' Book Collection features books from the 1970s to present day."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_30e967ba21b7ca14f316b993bb0479d3\"\u003eFile Cabinet Bay: 5, TOP\nFile Cabinet Bay: 6, Drawer: 26-27\u003c/physloc\u003e"],"physloc_tesim":["File Cabinet Bay: 5, TOP\nFile Cabinet Bay: 6, Drawer: 26-27"],"names_ssim":["Florida Gulf Coast University Special Collections"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":43,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879903204285612032,"_root_":"6c2142414bfc36e4e62e8bcb","timestamp":"2026-10-24T04:16:43.255Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6c2142414bfc36e4e62e8bcb"}},{"id":"5e17dda97e7549e9d9b40539_aspace_c778119d087e1fd9ed3d2c3573bf47b0","type":"File","attributes":{"title":"Art Papers (oversize), 1988","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_c778119d087e1fd9ed3d2c3573bf47b0#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_c778119d087e1fd9ed3d2c3573bf47b0","ref_ssm":["aspace_c778119d087e1fd9ed3d2c3573bf47b0","aspace_c778119d087e1fd9ed3d2c3573bf47b0"],"id":"5e17dda97e7549e9d9b40539_aspace_c778119d087e1fd9ed3d2c3573bf47b0","title_filing_ssi":"Art Papers (oversize)","title_ssm":["Art Papers (oversize)"],"title_tesim":["Art Papers (oversize)"],"unitdate_other_ssim":["1988"],"normalized_date_ssm":["1988"],"normalized_title_ssm":["Art Papers (oversize), 1988"],"text":["Art Papers (oversize), 1988","Dorothy Porter Wesley Collection, Circa 1788-2012","Printed Materials","Magazines, Circa 1929-2003","/repositories/2/archival_objects/6927","box 67"],"component_level_isim":[3],"parent_ids_ssim":["5e17dda97e7549e9d9b40539","5e17dda97e7549e9d9b40539_aspace_ced9b0ebeee47c9fad9a3053c0bdb162","5e17dda97e7549e9d9b40539_aspace_2a8b3076cdc0d4289f3479d82f299711"],"parent_unittitles_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012","Printed Materials","Magazines, Circa 1929-2003"],"parent_unittitles_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012","Printed Materials","Magazines, Circa 1929-2003"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/6927"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1452,"parent_access_restrict_tesm":["The Dorothy Porter Wesley Collection is open for research."],"date_range_isim":[1988],"containers_ssim":["box 67"],"_nest_path_":"/components#5/components#3/components#6","_nest_parent_":"5e17dda97e7549e9d9b40539_aspace_2a8b3076cdc0d4289f3479d82f299711","_root_":"5e17dda97e7549e9d9b40539","_version_":1871563605913108480,"timestamp":"2026-07-24T03:02:22.463Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5e17dda97e7549e9d9b40539","title_filing_ssi":"Wesley, Dorothy Porter Collection","title_ssm":["Dorothy Porter Wesley Collection"],"title_tesim":["Dorothy Porter Wesley Collection"],"ead_ssi":"5e17dda97e7549e9d9b40539","unitdate_ssm":["Circa 1788-2012"],"unitdate_inclusive_ssm":["Circa 1788-2012"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2003.6","/repositories/2/resources/20"],"text":["AARLCC.2003.6","/repositories/2/resources/20","Dorothy Porter Wesley Collection, Circa 1788-2012","Africa -- Research","Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art","The Dorothy Porter Wesley Collection is open for research.","View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.","The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets","Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.","The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.","Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".","The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.","AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970","English Portuguese German"],"unitid_tesim":["AARLCC.2003.6","/repositories/2/resources/20"],"normalized_date_ssm":["Circa 1788-2012"],"normalized_title_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_title_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Africa -- Research"],"geogname_ssim":["Africa -- Research"],"places_ssim":["Africa -- Research"],"acqinfo_ssim":["Broward County Library purchased the materials from Constance Porter Uzelac (daughter of Dorothy Porter Wesley) in December 2002 (Accession AARLCC-2003.6). Milan Uzelac donated accruals to AARLCC Special Collections on June 29, 2012 (Accession AARLCC-2012.12) and on May 12, 2022 (Accession AARLCC-2022.7)."],"access_subjects_ssim":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"access_subjects_ssm":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"has_online_content_ssim":["false"],"extent_ssm":["67 Hollinger Boxes","2800 Books"],"extent_tesim":["67 Hollinger Boxes","2800 Books"],"genreform_ssim":["Photographs","Sound recordings","Correspondence","Art"],"date_range_isim":[1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Dorothy Porter Wesley Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll37/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series and sub-series:\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries I. Correspondence\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. General Correspondence\u003c/p\u003e","\u003cp\u003eSub-series II. Family Correspondence\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries II. Professional Papers\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley professional papers\u003c/p\u003e","\u003cp\u003eSub-series II. Constance Porter Uzelac professional papers \u003c/p\u003e","\u003cp\u003eSub-series III. Charles Harris Wesley professional papers \u003c/p\u003e","\u003cp\u003eSub-series IV. Writings by Dorothy Porter Wesley\u003c/p\u003e","\u003cp\u003eSub-series V. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VI. Writings by James A. Porter\u003c/p\u003e","\u003cp\u003eSub-series VII. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VIII. Writings by Charles Harris Wesley \u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries III. Research Files\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley general research files\u003c/p\u003e","\u003cp\u003eSub-series II. Dorothy Porter Wesley Brazil research files\u003c/p\u003e","\u003cp\u003eSub-series III. Dorothy Porter Wesley illustrations\u003c/p\u003e","\u003cp\u003eSub-series IV. Constance Porter Uzelac research files\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries IV. Personal Papers\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries V. Photographs\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries VI. Printed Materials\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Calendars and Datebooks\u003c/p\u003e","\u003cp\u003eSub-series II. Catalogs\u003c/p\u003e","\u003cp\u003eSub-series III. General\u003c/p\u003e","\u003cp\u003eSub-series IV. Magazines\u003c/p\u003e","\u003cp\u003eSub-series V. Maps\u003c/p\u003e","\u003cp\u003eSub-series VI. Newspaper Clippings\u003c/p\u003e","\u003cp\u003eSub-series VII. Sheet Music\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries VII. Ephemera and Artwork\u003c/p\u003e\u003c/b\u003e","\u003cp\u003e\u003cb\u003eSeries VIII. Books and Pamphlets\u003c/b\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets"],"bioghist_html_tesm":["\u003cp\u003eDorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. \u003c/p\u003e\n","\u003cp\u003eShe graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. \u003c/p\u003e\n","\u003cp\u003eIn 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work, \u003cemph\u003eModern Negro Art\u003c/emph\u003e, proved to be one of the most informative sources to date on the creativity of the Black artists.\u003c/p\u003e\n","\u003cp\u003eIn 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.\u003c/p\u003e\n","\u003cp\u003eJames Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. \u003c/p\u003e\n","\u003cp\u003eCharles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. \u003c/p\u003e\n","\u003cp\u003eAfter her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.\u003c/p\u003e\n","\u003cp\u003eIn 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.\u003c/p\u003e\n","\u003cp\u003eThe book \u003ci\u003eWilliam Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874\u003c/i\u003e (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.\u003c/p\u003e\n","\u003cp\u003eIn 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012."],"prefercite_html_tesm":["\u003cp\u003eDorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Dorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\n\u003ca href=\"https://archives.yale.edu/repositories/11/resources/994\" target=\"_blank\"\u003ePart of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.\u003c/a\u003e\n\u003c/p\u003e","\u003cp\u003e\n\u003ca href=\"https://archives.libraries.emory.edu/repositories/7/resources/3255\" target=\"_blank\"\u003eDorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.\u003c/a\u003e\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University."],"scopecontent_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.\u003c/p\u003e\n","\u003cp\u003eCorrespondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.\u003c/p\u003e\n","\u003cp\u003eProfessional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.\u003c/p\u003e\n","\u003cp\u003eConstance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". \u003c/p\u003e\n","\u003cp\u003eThe collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.\u003c/p\u003e\n","\u003cp\u003eResearch files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.\u003c/p\u003e\n","\u003cp\u003ePrinted Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=DPW\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\"."],"abstract_html_tesm":["\u003cabstract id=\"aspace_559c404160acc20bdc75d09cde3325a4\"\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.\u003c/abstract\u003e"],"abstract_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets."],"names_ssim":["AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Wesley, Dorothy Porter, 1905-1995"],"persname_ssim":["Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"language_ssim":["English Portuguese German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1539,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871563605913108480,"_root_":"5e17dda97e7549e9d9b40539","timestamp":"2026-07-24T03:02:22.463Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_c778119d087e1fd9ed3d2c3573bf47b0"}},{"id":"35446ab608a6be492bc25e3c_aspace_73822","type":"File","attributes":{"title":"Arts, 1985-1990","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/35446ab608a6be492bc25e3c_aspace_73822#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_73822","ref_ssm":["aspace_73822","aspace_73822"],"id":"35446ab608a6be492bc25e3c_aspace_73822","title_filing_ssi":"Arts","title_ssm":["Arts"],"title_tesim":["Arts"],"unitdate_inclusive_ssm":["1985-1990"],"normalized_date_ssm":["1985-1990"],"normalized_title_ssm":["Arts, 1985-1990"],"text":["Arts, 1985-1990","George L. Stuart, Jr. Collection, 1952-1991, bulk 1979-1990","Senate Files, 1973-1991, Undated","Folder 5","/repositories/4/archival_objects/9611","box 3","folder 5"],"component_level_isim":[2],"parent_ids_ssim":["35446ab608a6be492bc25e3c","35446ab608a6be492bc25e3c_aspace_73767"],"parent_unittitles_ssm":["George L. Stuart, Jr. Collection, 1952-1991, bulk 1979-1990","Senate Files, 1973-1991, Undated"],"parent_unittitles_tesim":["George L. Stuart, Jr. Collection, 1952-1991, bulk 1979-1990","Senate Files, 1973-1991, Undated"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 5","/repositories/4/archival_objects/9611"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["George L. Stuart, Jr. Collection, 1952-1991, bulk 1979-1990"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":53,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1985,1986,1987,1988,1989,1990],"containers_ssim":["box 3","folder 5"],"_nest_path_":"/components#0/components#51","_nest_parent_":"35446ab608a6be492bc25e3c_aspace_73767","_root_":"35446ab608a6be492bc25e3c","_version_":1870858048617054208,"timestamp":"2026-07-16T08:07:50.495Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"35446ab608a6be492bc25e3c","title_ssm":["George L. Stuart, Jr. Collection"],"title_tesim":["George L. Stuart, Jr. Collection"],"ead_ssi":"35446ab608a6be492bc25e3c","unitdate_ssm":["1952-1991","1979-1990"],"unitdate_bulk_ssim":["1979-1990"],"unitdate_inclusive_ssm":["1952-1991"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.019","/repositories/4/resources/51"],"text":["SC.019","/repositories/4/resources/51","George L. Stuart, Jr. Collection, 1952-1991, bulk 1979-1990","Florida -- Politics and government","Orlando (Fla.)--Politics and Government","Democratic Party (U.S.) -- History -- 20th century","Political campaigns -- United States","City planning -- Florida -- Orlando","The entire collection is open for research.","The collection has been arranged alphabetically and/or chronologically through eight series.","George L. Stuart Jr. was born on January 13, 1946 in Orlando to George L. and Georgia V. Stuart. He graduated from Edgewater High School in 1964 and from the University of Florida with a degree in Economics and Political Science in 1968. Stuart married Roberta Elisabeth \"Betty\" Hixon (October 22, 1947 - January 6, 2016) of Pensacola in 1969 and together have four children: Ann Elisabeth Stuart-Samson, Kathryn Stuart, Caroline Stuart-Freas, and George L. Stuart III. In 1970, he graduated from Harvard with a Master's degree in Business Administration (MBA).","\nIn 1972, he was elected Orlando City Commissioner for District 2. As a Democrat, he ran successfully for the Florida State Senate for District 4 in a Campaign titled \"Clean Team.\" During his ten years in the Florida Senate, he served on the Senate Appropriations Committee and the Joint Committee of Information and Technology Resources and chaired the Senate Higher Education Committee and the Senate Committee on Natural Resources. In 1990, he ran unsuccessfully for Governor of the State of Florida.","\nIn 1991, Stuart became Secretary and Chief Executive Officer (CEO) of Florida's Department of Business and Professional Regulation. Four years later he went into partnership in the government relations business development and organizational consulting firm of Stuart/Cloud Enterprises Ltd.; he later formed his own management consulting firm George Stuart \u0026 Associates. From 1997-1999 he was a director of Leapfrog Smart Products Inc., and from 1999-2000, he was the CEO of DoctorSurf.com Inc. In 1999, Stuart became a Director of Eonnet Media, Inc. Since 2000, he has served as a director of GeoPharma Inc. Stuart became Managing Vice President of Nexia Strategy Corporation in 2005.","\nStuart's family business interests have included office supplies and farming; his affiliations include Kiwanis of Orlando, the Orlando Chamber of Commerce, the Boys Club and the Jaycees. Stuart has also served on the Board of Directors for the Uuniversity of Central Florida Foundation, on the Florida State Resource Recovery Council, on Florida's Commission on the Aging as Vice-Chairman of the Greater Orlando Aviation Authority from 1976-1977 and as President of the Florida Citrus Sports Association from 1978-1979.","\n1946: Born on January 13 to George L. and Georgia V. Stuart in Orlando, FL.","\n1964: Graduated from Edgewater High School in Orlando, FL.","\n1968: Graduated from the University of Florida with a degree in Economics and Political Science. Began working at George Stuart, Inc.","\n1969: Married Roberta Elisabeth \"Betty\" Hixon of Pensacola, FL on August 2.","\n1970: Graduated from Harvard with a MBA.","\n1972: Won first public election as District 2 City Commissioner.","\n1976: Senior Vice President and Treasurer of George Stuart, Inc.","\n1976-1977: Vice-Chairman of the Greater Orlando Aviation Authority.","\n1978: Elected to the State Senate District 4. Campaign titled \"Clean Team.\"","\n1978-1979: President of the Florida Citrus Sports Association.","\n1982: Re-elected to State Senate.","\n1986: Re-elected to State Senate. Hired by Drexel Burnham Lambert, Incorporated's Municipal Finance Department.","\n1990: Ran unsuccessfully as Governor for the State of Florida. Drexel Burnham Lambert, Inc. filed for bankruptcy.","\n1991: Became Secretary and CEO of Florida's Department of Business and Professional Regulation.","\n1995-1997: Became a partner in the government relations business development and organizational consulting firm of Stuart/Cloud Enterprises, Ltd.","\n1996: Ran unsuccessfully for Florida's District 7 seat in the United States House of Representatives.","\n1997-1999: Was a Director of Leapfrog Smart Products, Inc.","\n1999-2000: Was CEO of DoctorSurf.com, Inc.","\n1999-present: Became a Director of Eonnet Media, Inc.","\n2000-present: Became a Director of GeoPharma, Inc.","\n2005-present: Became Managing Vice President of Nexia Strategy Corporation.","\n2016: Stuart's wife, Betty, passes away at the age of 68 from brain cancer.","George L. Stuart Jr. Collection was originally located in room 150C at the John C. Hitt Library. A series level finding aid was created by Judith Beale and Andrea Booker in 2006 to provide a basic access point to the collection. David Benjamin and Burak Ogreten met early 2017 and decided that the collection had to be processed at a folder level rather than series level. Special Collections staff transferred the collection from room 150C to 501C. Burak assigned Kae Lorentz, John Settle, Joseph Kaminski, Courtney Toelle, and Steven Craig Trelstad to work on the collection. Processing started in August 2017 and ended on November 2018. Initially, there were 114 linear feet of materials (114 boxes) in the collection. After the processing completed, the total linear footage dropped to 85.25 linear feet (93 boxes and 1 flat file).","We did all the effort to keep the collection in the original order as it was received from the donor. Duplicate items have been removed from the collection. A few publications cataloged and added to Special Collections monograph collection. Publications that had no additional value to the collection sent to Government Documents and Acquisition Department for further evaluation.","Manuscript collection is divided into eight series; Senate Files, Campaign Files, City Commissioner Files, Correspondence, Multimedia Files, Personal Files, Photographs, and Memorabilia. Each series organized either in A to Z or a chronological order. Documents are housed in acid free folders and archival boxes; photographs and slides are housed in an archival clear sleeves; rubber bands, rusty staples and metal paper clips have been removed from the collection and replaced with plastic clips as needed; VHS tapes and audio cassettes are housed in new polypropylene storage cases; and memorabilia are placed in artifact trays.","Similar materials may be found in the  Lou Frey Papers , Special Collections and University Archives, University of Central Florida, Orlando, Florida","Series I: Senate Files, 1973-1991, Undated, documents Stuart's work in Florida's Senate. It includes bill information, reports and office files, which provide information on every subject in which the Senator was interested.","\nSeries II: Campaign Files, 1972-1990, Undated, contains materials that document the elections in which George L. Stuart, Jr. ran for public office. Advertising pamphlets, stickers, and speeches all show how a political campaign functions. The largest group of materials concerns the 1990 election when Stuart ran for Governor.","\nSeries III: City Commissioner Files, 1971-1978, Undated, holds a small number of materials concerning Stuart's years of service as an Orlando City Commissioner.","\nSeries IV: Correspondence, 1972-1990, contains correspondences Stuart exchanged with campaign staff, political colleagues, and constituents.","\nSeries V: Multimedia Files, 1972-1991, Undated, contains materials related to Stuart's political and personal career spread through various multimedia formats including magazines, newspapers, newspaper clippings, newsletters, video, audio, and digital.","\nSeries VI: Personal Files, 1952-1990, Undated, contains materials unrelated to Senator Stuart's political activities. It documents the Stuart family's farming and office supply businesses and holds family memorabilia.","\nSeries VII: Photographs, 1970-1990, Undated, contains photographs depicting Stuart's public relation visits while senator, on the campaign trail, or together with his family.","\nSeries VIII: Memorabilia, c. 1970-1990, Undated, contains items collected by Stuart during his political career or otherwise independently gathered.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","These papers document the political career of George L. Stuart from his election as Orlando City Commissioner in 1978 to his run for Governor in 1990. Most of the materials chronicle his activities as Florida Senator for District 4 from 1978-1989, and they include correspondence, news clippings, photographs reports, video and audiotape and memorabilia.","UCF Special Collections","Democratic Party (Fla.)","Democratic Party (U.S.)","Drexel Burnham Lambert Incorporated","Florida. Legislature. Senate","Stuart, George L., Jr., 1946-","English"],"unitid_tesim":["SC.019","/repositories/4/resources/51"],"normalized_date_ssm":["1952-1991, bulk 1979-1990"],"normalized_title_ssm":["George L. Stuart, Jr. Collection, 1952-1991, bulk 1979-1990"],"collection_title_tesim":["George L. Stuart, Jr. Collection, 1952-1991, bulk 1979-1990"],"collection_ssim":["George L. Stuart, Jr. Collection, 1952-1991, bulk 1979-1990"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida -- Politics and government"],"geogname_ssim":["Florida -- Politics and government"],"places_ssim":["Florida -- Politics and government"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["George L. Stuart, Jr. transferred these materials to the University of Central Florida Libraries, Special Collections and University Archives in 1991 (CFM1991_01)."],"access_subjects_ssim":["Orlando (Fla.)--Politics and Government","Democratic Party (U.S.) -- History -- 20th century","Political campaigns -- United States","City planning -- Florida -- Orlando"],"access_subjects_ssm":["Orlando (Fla.)--Politics and Government","Democratic Party (U.S.) -- History -- 20th century","Political campaigns -- United States","City planning -- Florida -- Orlando"],"has_online_content_ssim":["false"],"extent_ssm":["85.25 Linear Feet 93 Boxes, 1 Flat File"],"extent_tesim":["85.25 Linear Feet 93 Boxes, 1 Flat File"],"date_range_isim":[1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection has been arranged alphabetically and/or chronologically through eight series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection has been arranged alphabetically and/or chronologically through eight series."],"bioghist_html_tesm":["\u003cp\u003eGeorge L. Stuart Jr. was born on January 13, 1946 in Orlando to George L. and Georgia V. Stuart. He graduated from Edgewater High School in 1964 and from the University of Florida with a degree in Economics and Political Science in 1968. Stuart married Roberta Elisabeth \"Betty\" Hixon (October 22, 1947 - January 6, 2016) of Pensacola in 1969 and together have four children: Ann Elisabeth Stuart-Samson, Kathryn Stuart, Caroline Stuart-Freas, and George L. Stuart III. In 1970, he graduated from Harvard with a Master's degree in Business Administration (MBA).\u003c/p\u003e\n","\u003cp\u003e\nIn 1972, he was elected Orlando City Commissioner for District 2. As a Democrat, he ran successfully for the Florida State Senate for District 4 in a Campaign titled \"Clean Team.\" During his ten years in the Florida Senate, he served on the Senate Appropriations Committee and the Joint Committee of Information and Technology Resources and chaired the Senate Higher Education Committee and the Senate Committee on Natural Resources. In 1990, he ran unsuccessfully for Governor of the State of Florida.\u003c/p\u003e\n","\u003cp\u003e\nIn 1991, Stuart became Secretary and Chief Executive Officer (CEO) of Florida's Department of Business and Professional Regulation. Four years later he went into partnership in the government relations business development and organizational consulting firm of Stuart/Cloud Enterprises Ltd.; he later formed his own management consulting firm George Stuart \u0026amp; Associates. From 1997-1999 he was a director of Leapfrog Smart Products Inc., and from 1999-2000, he was the CEO of DoctorSurf.com Inc. In 1999, Stuart became a Director of Eonnet Media, Inc. Since 2000, he has served as a director of GeoPharma Inc. Stuart became Managing Vice President of Nexia Strategy Corporation in 2005.\u003c/p\u003e\n","\u003cp\u003e\nStuart's family business interests have included office supplies and farming; his affiliations include Kiwanis of Orlando, the Orlando Chamber of Commerce, the Boys Club and the Jaycees. Stuart has also served on the Board of Directors for the Uuniversity of Central Florida Foundation, on the Florida State Resource Recovery Council, on Florida's Commission on the Aging as Vice-Chairman of the Greater Orlando Aviation Authority from 1976-1977 and as President of the Florida Citrus Sports Association from 1978-1979.\u003c/p\u003e\n","\u003cp\u003e\n1946: Born on January 13 to George L. and Georgia V. Stuart in Orlando, FL.\u003c/p\u003e\n","\u003cp\u003e\n1964: Graduated from Edgewater High School in Orlando, FL.\u003c/p\u003e\n","\u003cp\u003e\n1968: Graduated from the University of Florida with a degree in Economics and Political Science. Began working at George Stuart, Inc.\u003c/p\u003e\n","\u003cp\u003e\n1969: Married Roberta Elisabeth \"Betty\" Hixon of Pensacola, FL on August 2.\u003c/p\u003e\n","\u003cp\u003e\n1970: Graduated from Harvard with a MBA.\u003c/p\u003e\n","\u003cp\u003e\n1972: Won first public election as District 2 City Commissioner.\u003c/p\u003e\n","\u003cp\u003e\n1976: Senior Vice President and Treasurer of George Stuart, Inc.\u003c/p\u003e\n","\u003cp\u003e\n1976-1977: Vice-Chairman of the Greater Orlando Aviation Authority.\u003c/p\u003e\n","\u003cp\u003e\n1978: Elected to the State Senate District 4. Campaign titled \"Clean Team.\"\u003c/p\u003e\n","\u003cp\u003e\n1978-1979: President of the Florida Citrus Sports Association.\u003c/p\u003e\n","\u003cp\u003e\n1982: Re-elected to State Senate.\u003c/p\u003e\n","\u003cp\u003e\n1986: Re-elected to State Senate. Hired by Drexel Burnham Lambert, Incorporated's Municipal Finance Department.\u003c/p\u003e\n","\u003cp\u003e\n1990: Ran unsuccessfully as Governor for the State of Florida. Drexel Burnham Lambert, Inc. filed for bankruptcy.\u003c/p\u003e\n","\u003cp\u003e\n1991: Became Secretary and CEO of Florida's Department of Business and Professional Regulation.\u003c/p\u003e\n","\u003cp\u003e\n1995-1997: Became a partner in the government relations business development and organizational consulting firm of Stuart/Cloud Enterprises, Ltd.\u003c/p\u003e\n","\u003cp\u003e\n1996: Ran unsuccessfully for Florida's District 7 seat in the United States House of Representatives.\u003c/p\u003e\n","\u003cp\u003e\n1997-1999: Was a Director of Leapfrog Smart Products, Inc.\u003c/p\u003e\n","\u003cp\u003e\n1999-2000: Was CEO of DoctorSurf.com, Inc.\u003c/p\u003e\n","\u003cp\u003e\n1999-present: Became a Director of Eonnet Media, Inc.\u003c/p\u003e\n","\u003cp\u003e\n2000-present: Became a Director of GeoPharma, Inc.\u003c/p\u003e\n","\u003cp\u003e\n2005-present: Became Managing Vice President of Nexia Strategy Corporation.\u003c/p\u003e\n","\u003cp\u003e\n2016: Stuart's wife, Betty, passes away at the age of 68 from brain cancer.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["George L. Stuart Jr. was born on January 13, 1946 in Orlando to George L. and Georgia V. Stuart. He graduated from Edgewater High School in 1964 and from the University of Florida with a degree in Economics and Political Science in 1968. Stuart married Roberta Elisabeth \"Betty\" Hixon (October 22, 1947 - January 6, 2016) of Pensacola in 1969 and together have four children: Ann Elisabeth Stuart-Samson, Kathryn Stuart, Caroline Stuart-Freas, and George L. Stuart III. In 1970, he graduated from Harvard with a Master's degree in Business Administration (MBA).","\nIn 1972, he was elected Orlando City Commissioner for District 2. As a Democrat, he ran successfully for the Florida State Senate for District 4 in a Campaign titled \"Clean Team.\" During his ten years in the Florida Senate, he served on the Senate Appropriations Committee and the Joint Committee of Information and Technology Resources and chaired the Senate Higher Education Committee and the Senate Committee on Natural Resources. In 1990, he ran unsuccessfully for Governor of the State of Florida.","\nIn 1991, Stuart became Secretary and Chief Executive Officer (CEO) of Florida's Department of Business and Professional Regulation. Four years later he went into partnership in the government relations business development and organizational consulting firm of Stuart/Cloud Enterprises Ltd.; he later formed his own management consulting firm George Stuart \u0026 Associates. From 1997-1999 he was a director of Leapfrog Smart Products Inc., and from 1999-2000, he was the CEO of DoctorSurf.com Inc. In 1999, Stuart became a Director of Eonnet Media, Inc. Since 2000, he has served as a director of GeoPharma Inc. Stuart became Managing Vice President of Nexia Strategy Corporation in 2005.","\nStuart's family business interests have included office supplies and farming; his affiliations include Kiwanis of Orlando, the Orlando Chamber of Commerce, the Boys Club and the Jaycees. Stuart has also served on the Board of Directors for the Uuniversity of Central Florida Foundation, on the Florida State Resource Recovery Council, on Florida's Commission on the Aging as Vice-Chairman of the Greater Orlando Aviation Authority from 1976-1977 and as President of the Florida Citrus Sports Association from 1978-1979.","\n1946: Born on January 13 to George L. and Georgia V. Stuart in Orlando, FL.","\n1964: Graduated from Edgewater High School in Orlando, FL.","\n1968: Graduated from the University of Florida with a degree in Economics and Political Science. Began working at George Stuart, Inc.","\n1969: Married Roberta Elisabeth \"Betty\" Hixon of Pensacola, FL on August 2.","\n1970: Graduated from Harvard with a MBA.","\n1972: Won first public election as District 2 City Commissioner.","\n1976: Senior Vice President and Treasurer of George Stuart, Inc.","\n1976-1977: Vice-Chairman of the Greater Orlando Aviation Authority.","\n1978: Elected to the State Senate District 4. Campaign titled \"Clean Team.\"","\n1978-1979: President of the Florida Citrus Sports Association.","\n1982: Re-elected to State Senate.","\n1986: Re-elected to State Senate. Hired by Drexel Burnham Lambert, Incorporated's Municipal Finance Department.","\n1990: Ran unsuccessfully as Governor for the State of Florida. Drexel Burnham Lambert, Inc. filed for bankruptcy.","\n1991: Became Secretary and CEO of Florida's Department of Business and Professional Regulation.","\n1995-1997: Became a partner in the government relations business development and organizational consulting firm of Stuart/Cloud Enterprises, Ltd.","\n1996: Ran unsuccessfully for Florida's District 7 seat in the United States House of Representatives.","\n1997-1999: Was a Director of Leapfrog Smart Products, Inc.","\n1999-2000: Was CEO of DoctorSurf.com, Inc.","\n1999-present: Became a Director of Eonnet Media, Inc.","\n2000-present: Became a Director of GeoPharma, Inc.","\n2005-present: Became Managing Vice President of Nexia Strategy Corporation.","\n2016: Stuart's wife, Betty, passes away at the age of 68 from brain cancer."],"prefercite_html_tesm":["\u003cp\u003eGeorge L. Stuart, Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["George L. Stuart, Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eGeorge L. Stuart Jr. Collection was originally located in room 150C at the John C. Hitt Library. A series level finding aid was created by Judith Beale and Andrea Booker in 2006 to provide a basic access point to the collection. David Benjamin and Burak Ogreten met early 2017 and decided that the collection had to be processed at a folder level rather than series level. Special Collections staff transferred the collection from room 150C to 501C. Burak assigned Kae Lorentz, John Settle, Joseph Kaminski, Courtney Toelle, and Steven Craig Trelstad to work on the collection. Processing started in August 2017 and ended on November 2018. Initially, there were 114 linear feet of materials (114 boxes) in the collection. After the processing completed, the total linear footage dropped to 85.25 linear feet (93 boxes and 1 flat file).\u003c/p\u003e","\u003cp\u003eWe did all the effort to keep the collection in the original order as it was received from the donor. Duplicate items have been removed from the collection. A few publications cataloged and added to Special Collections monograph collection. Publications that had no additional value to the collection sent to Government Documents and Acquisition Department for further evaluation.\u003c/p\u003e","\u003cp\u003eManuscript collection is divided into eight series; Senate Files, Campaign Files, City Commissioner Files, Correspondence, Multimedia Files, Personal Files, Photographs, and Memorabilia. Each series organized either in A to Z or a chronological order. Documents are housed in acid free folders and archival boxes; photographs and slides are housed in an archival clear sleeves; rubber bands, rusty staples and metal paper clips have been removed from the collection and replaced with plastic clips as needed; VHS tapes and audio cassettes are housed in new polypropylene storage cases; and memorabilia are placed in artifact trays.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["George L. Stuart Jr. Collection was originally located in room 150C at the John C. Hitt Library. A series level finding aid was created by Judith Beale and Andrea Booker in 2006 to provide a basic access point to the collection. David Benjamin and Burak Ogreten met early 2017 and decided that the collection had to be processed at a folder level rather than series level. Special Collections staff transferred the collection from room 150C to 501C. Burak assigned Kae Lorentz, John Settle, Joseph Kaminski, Courtney Toelle, and Steven Craig Trelstad to work on the collection. Processing started in August 2017 and ended on November 2018. Initially, there were 114 linear feet of materials (114 boxes) in the collection. After the processing completed, the total linear footage dropped to 85.25 linear feet (93 boxes and 1 flat file).","We did all the effort to keep the collection in the original order as it was received from the donor. Duplicate items have been removed from the collection. A few publications cataloged and added to Special Collections monograph collection. Publications that had no additional value to the collection sent to Government Documents and Acquisition Department for further evaluation.","Manuscript collection is divided into eight series; Senate Files, Campaign Files, City Commissioner Files, Correspondence, Multimedia Files, Personal Files, Photographs, and Memorabilia. Each series organized either in A to Z or a chronological order. Documents are housed in acid free folders and archival boxes; photographs and slides are housed in an archival clear sleeves; rubber bands, rusty staples and metal paper clips have been removed from the collection and replaced with plastic clips as needed; VHS tapes and audio cassettes are housed in new polypropylene storage cases; and memorabilia are placed in artifact trays."],"relatedmaterial_html_tesm":["\u003cp\u003eSimilar materials may be found in the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2002-01\"\u003eLou Frey Papers\u003c/extref\u003e, Special Collections and University Archives, University of Central Florida, Orlando, Florida\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Similar materials may be found in the  Lou Frey Papers , Special Collections and University Archives, University of Central Florida, Orlando, Florida"],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Senate Files, 1973-1991, Undated, documents Stuart's work in Florida's Senate. It includes bill information, reports and office files, which provide information on every subject in which the Senator was interested.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Campaign Files, 1972-1990, Undated, contains materials that document the elections in which George L. Stuart, Jr. ran for public office. Advertising pamphlets, stickers, and speeches all show how a political campaign functions. The largest group of materials concerns the 1990 election when Stuart ran for Governor.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: City Commissioner Files, 1971-1978, Undated, holds a small number of materials concerning Stuart's years of service as an Orlando City Commissioner.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Correspondence, 1972-1990, contains correspondences Stuart exchanged with campaign staff, political colleagues, and constituents.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Multimedia Files, 1972-1991, Undated, contains materials related to Stuart's political and personal career spread through various multimedia formats including magazines, newspapers, newspaper clippings, newsletters, video, audio, and digital.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Personal Files, 1952-1990, Undated, contains materials unrelated to Senator Stuart's political activities. It documents the Stuart family's farming and office supply businesses and holds family memorabilia.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Photographs, 1970-1990, Undated, contains photographs depicting Stuart's public relation visits while senator, on the campaign trail, or together with his family.\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Memorabilia, c. 1970-1990, Undated, contains items collected by Stuart during his political career or otherwise independently gathered.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Senate Files, 1973-1991, Undated, documents Stuart's work in Florida's Senate. It includes bill information, reports and office files, which provide information on every subject in which the Senator was interested.","\nSeries II: Campaign Files, 1972-1990, Undated, contains materials that document the elections in which George L. Stuart, Jr. ran for public office. Advertising pamphlets, stickers, and speeches all show how a political campaign functions. The largest group of materials concerns the 1990 election when Stuart ran for Governor.","\nSeries III: City Commissioner Files, 1971-1978, Undated, holds a small number of materials concerning Stuart's years of service as an Orlando City Commissioner.","\nSeries IV: Correspondence, 1972-1990, contains correspondences Stuart exchanged with campaign staff, political colleagues, and constituents.","\nSeries V: Multimedia Files, 1972-1991, Undated, contains materials related to Stuart's political and personal career spread through various multimedia formats including magazines, newspapers, newspaper clippings, newsletters, video, audio, and digital.","\nSeries VI: Personal Files, 1952-1990, Undated, contains materials unrelated to Senator Stuart's political activities. It documents the Stuart family's farming and office supply businesses and holds family memorabilia.","\nSeries VII: Photographs, 1970-1990, Undated, contains photographs depicting Stuart's public relation visits while senator, on the campaign trail, or together with his family.","\nSeries VIII: Memorabilia, c. 1970-1990, Undated, contains items collected by Stuart during his political career or otherwise independently gathered."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_58b9302c766ff03ea91ad9b6c739f4c9\" label=\"Abstract\"\u003eThese papers document the political career of George L. Stuart from his election as Orlando City Commissioner in 1978 to his run for Governor in 1990. Most of the materials chronicle his activities as Florida Senator for District 4 from 1978-1989, and they include correspondence, news clippings, photographs reports, video and audiotape and memorabilia.\u003c/abstract\u003e"],"abstract_tesim":["These papers document the political career of George L. Stuart from his election as Orlando City Commissioner in 1978 to his run for Governor in 1990. Most of the materials chronicle his activities as Florida Senator for District 4 from 1978-1989, and they include correspondence, news clippings, photographs reports, video and audiotape and memorabilia."],"names_coll_ssim":["Democratic Party (Fla.)","Democratic Party (U.S.)","Drexel Burnham Lambert Incorporated","Florida. Legislature. Senate","Stuart, George L., Jr., 1946-"],"names_ssim":["UCF Special Collections","Democratic Party (Fla.)","Democratic Party (U.S.)","Drexel Burnham Lambert Incorporated","Florida. Legislature. Senate","Stuart, George L., Jr., 1946-"],"corpname_ssim":["UCF Special Collections","Democratic Party (Fla.)","Democratic Party (U.S.)","Drexel Burnham Lambert Incorporated","Florida. Legislature. Senate"],"persname_ssim":["Stuart, George L., Jr., 1946-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2318,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858048617054208,"_root_":"35446ab608a6be492bc25e3c","timestamp":"2026-07-16T08:07:50.495Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/35446ab608a6be492bc25e3c_aspace_73822"}},{"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesI","type":"Series","attributes":{"title":"Artwork, 1881-2006, Undated.","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesI#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eSeries I contains various drawings, illustrations, paintings, and posters from many artists, but primarily from Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesI#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_SeriesI","ref_ssm":["aspace_SeriesI","aspace_SeriesI"],"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesI","title_filing_ssi":"Artwork","title_ssm":["Artwork"],"title_tesim":["Artwork"],"unitdate_inclusive_ssm":["1881-2006, Undated."],"normalized_date_ssm":["1881-2006, Undated."],"normalized_title_ssm":["Artwork, 1881-2006, Undated."],"text":["Artwork, 1881-2006, Undated.","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Series 1","/repositories/4/archival_objects/56612","Series I contains various drawings, illustrations, paintings, and posters from many artists, but primarily from Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain."],"component_level_isim":[1],"parent_ids_ssim":["2a6a6aa34a3c99c1b1b95ea9"],"parent_unittitles_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"parent_unittitles_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 1","/repositories/4/archival_objects/56612"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"scopecontent_html_tesm":["\u003cp\u003eSeries I contains various drawings, illustrations, paintings, and posters from many artists, but primarily from Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I contains various drawings, illustrations, paintings, and posters from many artists, but primarily from Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain."],"_nest_path_":"/components#0","_nest_parent_":"2a6a6aa34a3c99c1b1b95ea9","_root_":"2a6a6aa34a3c99c1b1b95ea9","_version_":1872035374829666304,"timestamp":"2026-07-29T08:00:56.373Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2a6a6aa34a3c99c1b1b95ea9","title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"ead_ssi":"2a6a6aa34a3c99c1b1b95ea9","unitdate_ssm":["1829-2006"],"unitdate_inclusive_ssm":["1829-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.113","/repositories/4/resources/225"],"text":["SC.113","/repositories/4/resources/225","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations","The entire collection is open for research.","This collection is itemized and arranged in alphabetical and chronological order.","Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.","Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.","A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog .","This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.","UCF Special Collections","Martin, Francis John, Jr.","The materials are written in English."],"unitid_tesim":["SC.113","/repositories/4/resources/225"],"normalized_date_ssm":["1829-2006"],"normalized_title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Martin, Francis John, Jr."],"creator_ssim":["Martin, Francis John, Jr."],"creator_persname_ssim":["Martin, Francis John, Jr."],"creators_ssim":["Martin, Francis John, Jr."],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Francis Martin Jr. donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2018 (CFM2018_15) and 2020 (CFM2020_02, CFM2020_03, CFM2020_16)."],"access_subjects_ssim":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"access_subjects_ssm":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"has_online_content_ssim":["false"],"extent_ssm":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"extent_tesim":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"genreform_ssim":["manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"date_range_isim":[1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is itemized and arranged in alphabetical and chronological order."],"bioghist_html_tesm":["\u003cp\u003eFrancis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners."],"prefercite_html_tesm":["\u003cp\u003eFred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMarlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eA small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online \u003cextref href=\"https://library.ucf.edu\"\u003eLibrary Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e\n","\u003cp\u003eSeries I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.\u003c/p\u003e\n","\u003cp\u003eSeries II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026amp; posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.\u003c/p\u003e\n","\u003cp\u003eSeries III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.\u003c/p\u003e\n","\u003cp\u003eSeries IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4a581e455cb123495b610919f342aacb\"\u003eThe Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.\u003c/abstract\u003e"],"abstract_tesim":["The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection."],"names_ssim":["UCF Special Collections","Martin, Francis John, Jr."],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Martin, Francis John, Jr."],"language_ssim":["The materials are written in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":459,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872035374829666304,"_root_":"2a6a6aa34a3c99c1b1b95ea9","timestamp":"2026-07-29T08:00:56.373Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesI"}},{"id":"bc3b405ad7bffa4e6aa102a4","type":"collection","attributes":{"title":"Asian male nude collection, 1939-2014, Date acquired: 07/00/2013","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/bc3b405ad7bffa4e6aa102a4#creator","type":"document_value","attributes":{"value":["Anonymous"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/bc3b405ad7bffa4e6aa102a4#abstract_or_scope","type":"document_value","attributes":{"value":["A collection of materials, including magazines, books, photographs and ephemera, that document the historical rarity of the Asian male nude."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/bc3b405ad7bffa4e6aa102a4#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"bc3b405ad7bffa4e6aa102a4","title_ssm":["Asian male nude collection"],"title_tesim":["Asian male nude collection"],"ead_ssi":"bc3b405ad7bffa4e6aa102a4","unitdate_ssm":["1939-2014","Date acquired: 07/00/2013"],"unitdate_inclusive_ssm":["1939-2014"],"unitdate_other_ssim":["Date acquired: 07/00/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2013-01","/repositories/2/resources/199"],"text":["MS-2013-01","/repositories/2/resources/199","Asian male nude collection, 1939-2014, Date acquired: 07/00/2013","Gay culture","Lesbian and gay experience","Photography, Erotic","Stereotypes (Social psychology) in art","Photography of the nude","Steretoypes (Social psychology) in advertising","Asian/Pacific Lesbians and Gays","Queer studies","Age Restriction. The material in this collection is restricted by age. Patron will be required to demonstrate by State Issued ID that they are of the proper age of consent (18+) to view this material.","The collection is arranged by series. Within each series, items are arranged by geographical location, then by date of publication. In the event of no date being provided, the items are arranged alphabetically by subject.","Gay Surfer Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.  ","LGBT Ephemera Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","The collection contains magazines, news clippings, photographs, ephemera, and audio/visual materials that document the historical rarity of the Asian male nude and the transition from the rarity of the Asian male nude to the more common proliferation of materials that can be found in later years. Even now when male Asian nudes are appearing with a limited frequency, the Asian body is portrayed in racial stereotypes, as being unworthy, lacking sexual endowment, or being submissive or passive. The collection illustrates the historical reality of this racial stereotype and the rarity of the nude Asian male in gay imagery in art as well as Western pornography. The gradual emergence from a near total absence from male imagery to the presently more widespread use of the Asian male nude is traced in detail. Also included in the collection are series on Asian body building, including martial arts, and Asian adult film stars Jordan Young and Brandon Lee.","Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","A collection of materials, including magazines, books, photographs and ephemera, that document the historical rarity of the Asian male nude.","USF Libraries - Tampa Special Collections","Anonymous","English"],"unitid_tesim":["MS-2013-01","/repositories/2/resources/199"],"normalized_date_ssm":["1939-2014, Date acquired: 07/00/2013"],"normalized_title_ssm":["Asian male nude collection, 1939-2014, Date acquired: 07/00/2013"],"collection_title_tesim":["Asian male nude collection, 1939-2014, Date acquired: 07/00/2013"],"collection_ssim":["Asian male nude collection, 1939-2014, Date acquired: 07/00/2013"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Anonymous"],"creator_ssim":["Anonymous"],"creator_persname_ssim":["Anonymous"],"creators_ssim":["Anonymous"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Anonymous","Donation"],"access_subjects_ssim":["Gay culture","Lesbian and gay experience","Photography, Erotic","Stereotypes (Social psychology) in art","Photography of the nude","Steretoypes (Social psychology) in advertising","Asian/Pacific Lesbians and Gays","Queer studies"],"access_subjects_ssm":["Gay culture","Lesbian and gay experience","Photography, Erotic","Stereotypes (Social psychology) in art","Photography of the nude","Steretoypes (Social psychology) in advertising","Asian/Pacific Lesbians and Gays","Queer studies"],"has_online_content_ssim":["false"],"extent_ssm":["29.04 Linear Feet","67 boxes"],"extent_tesim":["29.04 Linear Feet","67 boxes"],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eAge Restriction. The material in this collection is restricted by age. Patron will be required to demonstrate by State Issued ID that they are of the proper age of consent (18+) to view this material.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Age Restriction. The material in this collection is restricted by age. Patron will be required to demonstrate by State Issued ID that they are of the proper age of consent (18+) to view this material."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by series. Within each series, items are arranged by geographical location, then by date of publication. In the event of no date being provided, the items are arranged alphabetically by subject.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged by series. Within each series, items are arranged by geographical location, then by date of publication. In the event of no date being provided, the items are arranged alphabetically by subject."],"prefercite_html_tesm":["\u003cp\u003eAsian Male Nude Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Asian Male Nude Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eGay Surfer Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.  \u003c/p\u003e\n","\u003cp\u003eLGBT Ephemera Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Gay Surfer Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.  ","LGBT Ephemera Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. "],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains magazines, news clippings, photographs, ephemera, and audio/visual materials that document the historical rarity of the Asian male nude and the transition from the rarity of the Asian male nude to the more common proliferation of materials that can be found in later years. Even now when male Asian nudes are appearing with a limited frequency, the Asian body is portrayed in racial stereotypes, as being unworthy, lacking sexual endowment, or being submissive or passive. The collection illustrates the historical reality of this racial stereotype and the rarity of the nude Asian male in gay imagery in art as well as Western pornography. The gradual emergence from a near total absence from male imagery to the presently more widespread use of the Asian male nude is traced in detail. Also included in the collection are series on Asian body building, including martial arts, and Asian adult film stars Jordan Young and Brandon Lee.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains magazines, news clippings, photographs, ephemera, and audio/visual materials that document the historical rarity of the Asian male nude and the transition from the rarity of the Asian male nude to the more common proliferation of materials that can be found in later years. Even now when male Asian nudes are appearing with a limited frequency, the Asian body is portrayed in racial stereotypes, as being unworthy, lacking sexual endowment, or being submissive or passive. The collection illustrates the historical reality of this racial stereotype and the rarity of the nude Asian male in gay imagery in art as well as Western pornography. The gradual emergence from a near total absence from male imagery to the presently more widespread use of the Asian male nude is traced in detail. Also included in the collection are series on Asian body building, including martial arts, and Asian adult film stars Jordan Young and Brandon Lee."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6664ca4341de9df58678563f11c3afcb\" label=\"Abstract\"\u003eA collection of materials, including magazines, books, photographs and ephemera, that document the historical rarity of the Asian male nude.\u003c/abstract\u003e"],"abstract_tesim":["A collection of materials, including magazines, books, photographs and ephemera, that document the historical rarity of the Asian male nude."],"names_ssim":["USF Libraries - Tampa Special Collections","Anonymous"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Anonymous"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1709,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876026433506115584,"_root_":"bc3b405ad7bffa4e6aa102a4","timestamp":"2026-09-11T09:17:06.437Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"bc3b405ad7bffa4e6aa102a4","title_ssm":["Asian male nude collection"],"title_tesim":["Asian male nude collection"],"ead_ssi":"bc3b405ad7bffa4e6aa102a4","unitdate_ssm":["1939-2014","Date acquired: 07/00/2013"],"unitdate_inclusive_ssm":["1939-2014"],"unitdate_other_ssim":["Date acquired: 07/00/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2013-01","/repositories/2/resources/199"],"text":["MS-2013-01","/repositories/2/resources/199","Asian male nude collection, 1939-2014, Date acquired: 07/00/2013","Gay culture","Lesbian and gay experience","Photography, Erotic","Stereotypes (Social psychology) in art","Photography of the nude","Steretoypes (Social psychology) in advertising","Asian/Pacific Lesbians and Gays","Queer studies","Age Restriction. The material in this collection is restricted by age. Patron will be required to demonstrate by State Issued ID that they are of the proper age of consent (18+) to view this material.","The collection is arranged by series. Within each series, items are arranged by geographical location, then by date of publication. In the event of no date being provided, the items are arranged alphabetically by subject.","Gay Surfer Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.  ","LGBT Ephemera Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","The collection contains magazines, news clippings, photographs, ephemera, and audio/visual materials that document the historical rarity of the Asian male nude and the transition from the rarity of the Asian male nude to the more common proliferation of materials that can be found in later years. Even now when male Asian nudes are appearing with a limited frequency, the Asian body is portrayed in racial stereotypes, as being unworthy, lacking sexual endowment, or being submissive or passive. The collection illustrates the historical reality of this racial stereotype and the rarity of the nude Asian male in gay imagery in art as well as Western pornography. The gradual emergence from a near total absence from male imagery to the presently more widespread use of the Asian male nude is traced in detail. Also included in the collection are series on Asian body building, including martial arts, and Asian adult film stars Jordan Young and Brandon Lee.","Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","A collection of materials, including magazines, books, photographs and ephemera, that document the historical rarity of the Asian male nude.","USF Libraries - Tampa Special Collections","Anonymous","English"],"unitid_tesim":["MS-2013-01","/repositories/2/resources/199"],"normalized_date_ssm":["1939-2014, Date acquired: 07/00/2013"],"normalized_title_ssm":["Asian male nude collection, 1939-2014, Date acquired: 07/00/2013"],"collection_title_tesim":["Asian male nude collection, 1939-2014, Date acquired: 07/00/2013"],"collection_ssim":["Asian male nude collection, 1939-2014, Date acquired: 07/00/2013"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Anonymous"],"creator_ssim":["Anonymous"],"creator_persname_ssim":["Anonymous"],"creators_ssim":["Anonymous"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Anonymous","Donation"],"access_subjects_ssim":["Gay culture","Lesbian and gay experience","Photography, Erotic","Stereotypes (Social psychology) in art","Photography of the nude","Steretoypes (Social psychology) in advertising","Asian/Pacific Lesbians and Gays","Queer studies"],"access_subjects_ssm":["Gay culture","Lesbian and gay experience","Photography, Erotic","Stereotypes (Social psychology) in art","Photography of the nude","Steretoypes (Social psychology) in advertising","Asian/Pacific Lesbians and Gays","Queer studies"],"has_online_content_ssim":["false"],"extent_ssm":["29.04 Linear Feet","67 boxes"],"extent_tesim":["29.04 Linear Feet","67 boxes"],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eAge Restriction. The material in this collection is restricted by age. Patron will be required to demonstrate by State Issued ID that they are of the proper age of consent (18+) to view this material.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Age Restriction. The material in this collection is restricted by age. Patron will be required to demonstrate by State Issued ID that they are of the proper age of consent (18+) to view this material."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by series. Within each series, items are arranged by geographical location, then by date of publication. In the event of no date being provided, the items are arranged alphabetically by subject.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged by series. Within each series, items are arranged by geographical location, then by date of publication. In the event of no date being provided, the items are arranged alphabetically by subject."],"prefercite_html_tesm":["\u003cp\u003eAsian Male Nude Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Asian Male Nude Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eGay Surfer Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.  \u003c/p\u003e\n","\u003cp\u003eLGBT Ephemera Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Gay Surfer Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.  ","LGBT Ephemera Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. "],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains magazines, news clippings, photographs, ephemera, and audio/visual materials that document the historical rarity of the Asian male nude and the transition from the rarity of the Asian male nude to the more common proliferation of materials that can be found in later years. Even now when male Asian nudes are appearing with a limited frequency, the Asian body is portrayed in racial stereotypes, as being unworthy, lacking sexual endowment, or being submissive or passive. The collection illustrates the historical reality of this racial stereotype and the rarity of the nude Asian male in gay imagery in art as well as Western pornography. The gradual emergence from a near total absence from male imagery to the presently more widespread use of the Asian male nude is traced in detail. Also included in the collection are series on Asian body building, including martial arts, and Asian adult film stars Jordan Young and Brandon Lee.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains magazines, news clippings, photographs, ephemera, and audio/visual materials that document the historical rarity of the Asian male nude and the transition from the rarity of the Asian male nude to the more common proliferation of materials that can be found in later years. Even now when male Asian nudes are appearing with a limited frequency, the Asian body is portrayed in racial stereotypes, as being unworthy, lacking sexual endowment, or being submissive or passive. The collection illustrates the historical reality of this racial stereotype and the rarity of the nude Asian male in gay imagery in art as well as Western pornography. The gradual emergence from a near total absence from male imagery to the presently more widespread use of the Asian male nude is traced in detail. Also included in the collection are series on Asian body building, including martial arts, and Asian adult film stars Jordan Young and Brandon Lee."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6664ca4341de9df58678563f11c3afcb\" label=\"Abstract\"\u003eA collection of materials, including magazines, books, photographs and ephemera, that document the historical rarity of the Asian male nude.\u003c/abstract\u003e"],"abstract_tesim":["A collection of materials, including magazines, books, photographs and ephemera, that document the historical rarity of the Asian male nude."],"names_ssim":["USF Libraries - Tampa Special Collections","Anonymous"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Anonymous"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1709,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876026433506115584,"_root_":"bc3b405ad7bffa4e6aa102a4","timestamp":"2026-09-11T09:17:06.437Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/bc3b405ad7bffa4e6aa102a4"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"George L. Stuart, Jr. Collection, 1952-1991, bulk 1979-1990","value":"George L. Stuart, Jr. Collection, 1952-1991, bulk 1979-1990","hits":469},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=George+L.+Stuart%2C+Jr.+Collection%2C+1952-1991%2C+bulk+1979-1990\u0026f%5Bdate_range%5D%5B%5D=1988"}},{"attributes":{"label":"Southwest Florida Regional Planning Council Collection, 1920-2020","value":"Southwest Florida Regional Planning Council Collection, 1920-2020","hits":312},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Southwest+Florida+Regional+Planning+Council+Collection%2C+1920-2020\u0026f%5Bdate_range%5D%5B%5D=1988"}},{"attributes":{"label":"Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","value":"Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","hits":240},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Audubon+Society+Corkscrew+Swamp+Sanctuary+records%2C+1937-2019\u0026f%5Bdate_range%5D%5B%5D=1988"}},{"attributes":{"label":"Congressman Andrew P. \"Andy\" Ireland Papers, 1977-1993","value":"Congressman Andrew P. \"Andy\" Ireland Papers, 1977-1993","hits":187},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Congressman+Andrew+P.+%22Andy%22+Ireland+Papers%2C+1977-1993\u0026f%5Bdate_range%5D%5B%5D=1988"}},{"attributes":{"label":"Michael A. Spencer Bromeliad Research Collection, 1754-2014","value":"Michael A. Spencer Bromeliad Research Collection, 1754-2014","hits":160},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Michael+A.+Spencer+Bromeliad+Research+Collection%2C+1754-2014\u0026f%5Bdate_range%5D%5B%5D=1988"}},{"attributes":{"label":"Southwest Florida Map Collection, 1925-2017","value":"Southwest Florida Map Collection, 1925-2017","hits":159},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Southwest+Florida+Map+Collection%2C+1925-2017\u0026f%5Bdate_range%5D%5B%5D=1988"}},{"attributes":{"label":"Alex Haley Papers, Circa 1937-1993","value":"Alex Haley Papers, Circa 1937-1993","hits":146},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Alex+Haley+Papers%2C+Circa+1937-1993\u0026f%5Bdate_range%5D%5B%5D=1988"}},{"attributes":{"label":"Florida Bandmasters Association Records, 1936-2010","value":"Florida Bandmasters Association Records, 1936-2010","hits":143},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Florida+Bandmasters+Association+Records%2C+1936-2010\u0026f%5Bdate_range%5D%5B%5D=1988"}},{"attributes":{"label":"Dr. Edna Louise Saffy Papers, 1962-2013","value":"Dr. Edna Louise Saffy Papers, 1962-2013","hits":138},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Dr.+Edna+Louise+Saffy+Papers%2C+1962-2013\u0026f%5Bdate_range%5D%5B%5D=1988"}},{"attributes":{"label":"Niara Sudarkasa Collection, 1934-2006","value":"Niara Sudarkasa Collection, 1934-2006","hits":128},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Niara+Sudarkasa+Collection%2C+1934-2006\u0026f%5Bdate_range%5D%5B%5D=1988"}},{"attributes":{"label":"Dorothy Porter Wesley Collection, Circa 1788-2012","value":"Dorothy Porter Wesley Collection, Circa 1788-2012","hits":124},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Dorothy+Porter+Wesley+Collection%2C+Circa+1788-2012\u0026f%5Bdate_range%5D%5B%5D=1988"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/collection_ssim.json?f%5Bdate_range%5D%5B%5D=1988"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Florida Southern College","value":"Florida Southern College","hits":13},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Florida+Southern+College\u0026f%5Bdate_range%5D%5B%5D=1988"}},{"attributes":{"label":"University of South Florida ","value":"University of South Florida ","hits":5},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=University+of+South+Florida+\u0026f%5Bdate_range%5D%5B%5D=1988"}},{"attributes":{"label":"University of South Florida. Library. Special Collections Department","value":"University of South Florida. Library. Special Collections Department","hits":5},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=University+of+South+Florida.+Library.+Special+Collections+Department\u0026f%5Bdate_range%5D%5B%5D=1988"}},{"attributes":{"label":"University of Central Florida","value":"University of Central Florida","hits":4},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=University+of+Central+Florida\u0026f%5Bdate_range%5D%5B%5D=1988"}},{"attributes":{"label":"University of West Florida","value":"University of West Florida","hits":4},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=University+of+West+Florida\u0026f%5Bdate_range%5D%5B%5D=1988"}},{"attributes":{"label":"Anonymous","value":"Anonymous","hits":3},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Anonymous\u0026f%5Bdate_range%5D%5B%5D=1988"}},{"attributes":{"label":"Eastman Kodak Company","value":"Eastman Kodak Company","hits":3},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Eastman+Kodak+Company\u0026f%5Bdate_range%5D%5B%5D=1988"}},{"attributes":{"label":"Florida Audubon Society","value":"Florida Audubon Society","hits":3},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Florida+Audubon+Society\u0026f%5Bdate_range%5D%5B%5D=1988"}},{"attributes":{"label":"Mickler, Georgine, 1914-1998","value":"Mickler, Georgine, 1914-1998","hits":3},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Mickler%2C+Georgine%2C+1914-1998\u0026f%5Bdate_range%5D%5B%5D=1988"}},{"attributes":{"label":"Mickler, Thomas, 1912-1997","value":"Mickler, Thomas, 1912-1997","hits":3},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Mickler%2C+Thomas%2C+1912-1997\u0026f%5Bdate_range%5D%5B%5D=1988"}},{"attributes":{"label":"Southwest Florida Regional Planning Council","value":"Southwest Florida Regional Planning Council","hits":3},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Southwest+Florida+Regional+Planning+Council\u0026f%5Bdate_range%5D%5B%5D=1988"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/creator_ssim.json?f%5Bdate_range%5D%5B%5D=1988"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"1988","value":"1988","hits":6361},"links":{"remove":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988"}},{"attributes":{"label":"1987","value":"1987","hits":4716},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1987"}},{"attributes":{"label":"1989","value":"1989","hits":4521},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1989"}},{"attributes":{"label":"1986","value":"1986","hits":4268},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1986"}},{"attributes":{"label":"1985","value":"1985","hits":4008},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1985"}},{"attributes":{"label":"1990","value":"1990","hits":3817},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1990"}},{"attributes":{"label":"1984","value":"1984","hits":3723},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1984"}},{"attributes":{"label":"1983","value":"1983","hits":3517},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1983"}},{"attributes":{"label":"1982","value":"1982","hits":3329},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1982"}},{"attributes":{"label":"1991","value":"1991","hits":3270},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1991"}},{"attributes":{"label":"1981","value":"1981","hits":3199},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1981"}},{"attributes":{"label":"1992","value":"1992","hits":3042},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1992"}},{"attributes":{"label":"1980","value":"1980","hits":3023},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1980"}},{"attributes":{"label":"1993","value":"1993","hits":2824},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1993"}},{"attributes":{"label":"1979","value":"1979","hits":2785},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1979"}},{"attributes":{"label":"1978","value":"1978","hits":2659},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1978"}},{"attributes":{"label":"1994","value":"1994","hits":2637},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1994"}},{"attributes":{"label":"1977","value":"1977","hits":2526},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1977"}},{"attributes":{"label":"1995","value":"1995","hits":2498},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1995"}},{"attributes":{"label":"1976","value":"1976","hits":2399},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1976"}},{"attributes":{"label":"1996","value":"1996","hits":2354},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1996"}},{"attributes":{"label":"1975","value":"1975","hits":2299},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1975"}},{"attributes":{"label":"1997","value":"1997","hits":2234},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1997"}},{"attributes":{"label":"1974","value":"1974","hits":2207},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"1973","value":"1973","hits":2094},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1973"}},{"attributes":{"label":"1998","value":"1998","hits":2082},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1998"}},{"attributes":{"label":"1972","value":"1972","hits":1997},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1972"}},{"attributes":{"label":"1999","value":"1999","hits":1937},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1999"}},{"attributes":{"label":"1971","value":"1971","hits":1915},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1971"}},{"attributes":{"label":"1970","value":"1970","hits":1864},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1970"}},{"attributes":{"label":"2000","value":"2000","hits":1775},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=2000"}},{"attributes":{"label":"1969","value":"1969","hits":1747},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1969"}},{"attributes":{"label":"1968","value":"1968","hits":1693},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1968"}},{"attributes":{"label":"1967","value":"1967","hits":1644},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1967"}},{"attributes":{"label":"1966","value":"1966","hits":1603},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1966"}},{"attributes":{"label":"2001","value":"2001","hits":1591},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=2001"}},{"attributes":{"label":"1965","value":"1965","hits":1569},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1965"}},{"attributes":{"label":"1964","value":"1964","hits":1518},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1964"}},{"attributes":{"label":"2002","value":"2002","hits":1486},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=2002"}},{"attributes":{"label":"1963","value":"1963","hits":1478},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1963"}},{"attributes":{"label":"1962","value":"1962","hits":1450},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1962"}},{"attributes":{"label":"1961","value":"1961","hits":1411},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"1960","value":"1960","hits":1379},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1960"}},{"attributes":{"label":"2003","value":"2003","hits":1347},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=2003"}},{"attributes":{"label":"1959","value":"1959","hits":1315},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1959"}},{"attributes":{"label":"1958","value":"1958","hits":1280},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1958"}},{"attributes":{"label":"1957","value":"1957","hits":1251},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1957"}},{"attributes":{"label":"2004","value":"2004","hits":1232},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=2004"}},{"attributes":{"label":"1956","value":"1956","hits":1228},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1956"}},{"attributes":{"label":"1955","value":"1955","hits":1212},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1955"}},{"attributes":{"label":"1954","value":"1954","hits":1182},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1954"}},{"attributes":{"label":"1953","value":"1953","hits":1166},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1953"}},{"attributes":{"label":"2005","value":"2005","hits":1149},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=2005"}},{"attributes":{"label":"1952","value":"1952","hits":1148},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1952"}},{"attributes":{"label":"1951","value":"1951","hits":1131},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1951"}},{"attributes":{"label":"1950","value":"1950","hits":1116},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1950"}},{"attributes":{"label":"1949","value":"1949","hits":1077},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1949"}},{"attributes":{"label":"1948","value":"1948","hits":1050},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1948"}},{"attributes":{"label":"2006","value":"2006","hits":1046},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=2006"}},{"attributes":{"label":"1947","value":"1947","hits":1031},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1947"}},{"attributes":{"label":"1946","value":"1946","hits":1016},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1946"}},{"attributes":{"label":"1945","value":"1945","hits":993},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1945"}},{"attributes":{"label":"2007","value":"2007","hits":948},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=2007"}},{"attributes":{"label":"1944","value":"1944","hits":934},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1944"}},{"attributes":{"label":"1943","value":"1943","hits":893},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1943"}},{"attributes":{"label":"1942","value":"1942","hits":836},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1942"}},{"attributes":{"label":"2008","value":"2008","hits":835},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=2008"}},{"attributes":{"label":"1941","value":"1941","hits":763},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1941"}},{"attributes":{"label":"2009","value":"2009","hits":734},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=2009"}},{"attributes":{"label":"1940","value":"1940","hits":717},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1940"}},{"attributes":{"label":"1939","value":"1939","hits":662},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1939"}},{"attributes":{"label":"1938","value":"1938","hits":637},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1938"}},{"attributes":{"label":"1937","value":"1937","hits":613},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1937"}},{"attributes":{"label":"2010","value":"2010","hits":612},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=2010"}},{"attributes":{"label":"1936","value":"1936","hits":591},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1936"}},{"attributes":{"label":"1935","value":"1935","hits":576},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1935"}},{"attributes":{"label":"1934","value":"1934","hits":564},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1934"}},{"attributes":{"label":"1933","value":"1933","hits":554},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1933"}},{"attributes":{"label":"1932","value":"1932","hits":545},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1932"}},{"attributes":{"label":"1931","value":"1931","hits":534},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1931"}},{"attributes":{"label":"1930","value":"1930","hits":521},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1930"}},{"attributes":{"label":"2011","value":"2011","hits":505},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=2011"}},{"attributes":{"label":"1929","value":"1929","hits":493},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1929"}},{"attributes":{"label":"1928","value":"1928","hits":487},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1928"}},{"attributes":{"label":"1927","value":"1927","hits":476},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1927"}},{"attributes":{"label":"1926","value":"1926","hits":470},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1926"}},{"attributes":{"label":"1925","value":"1925","hits":462},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1925"}},{"attributes":{"label":"2012","value":"2012","hits":459},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=2012"}},{"attributes":{"label":"1924","value":"1924","hits":447},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1924"}},{"attributes":{"label":"1923","value":"1923","hits":443},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1923"}},{"attributes":{"label":"1922","value":"1922","hits":428},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1922"}},{"attributes":{"label":"1921","value":"1921","hits":411},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1921"}},{"attributes":{"label":"1920","value":"1920","hits":402},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1920"}},{"attributes":{"label":"2013","value":"2013","hits":396},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=2013"}},{"attributes":{"label":"1919","value":"1919","hits":375},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1919"}},{"attributes":{"label":"1918","value":"1918","hits":364},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1918"}},{"attributes":{"label":"1917","value":"1917","hits":361},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1917"}},{"attributes":{"label":"1916","value":"1916","hits":353},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1916"}},{"attributes":{"label":"1915","value":"1915","hits":346},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1915"}},{"attributes":{"label":"1914","value":"1914","hits":334},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bdate_range%5D%5B%5D=1914"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/date_range_isim.json?f%5Bdate_range%5D%5B%5D=1988"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"File","value":"File","hits":3713},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Blevel%5D%5B%5D=File"}},{"attributes":{"label":"Collection","value":"Collection","hits":1078},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Blevel%5D%5B%5D=Collection"}},{"attributes":{"label":"Item","value":"Item","hits":669},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Blevel%5D%5B%5D=Item"}},{"attributes":{"label":"Series","value":"Series","hits":307},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"Subseries","value":"Subseries","hits":260},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Blevel%5D%5B%5D=Subseries"}},{"attributes":{"label":"Sub-sub-series","value":"Sub-sub-series","hits":130},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Blevel%5D%5B%5D=Sub-sub-series"}},{"attributes":{"label":"Subgroup","value":"Subgroup","hits":127},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Blevel%5D%5B%5D=Subgroup"}},{"attributes":{"label":"Box","value":"Box","hits":36},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Blevel%5D%5B%5D=Box"}},{"attributes":{"label":"Record Group","value":"Record Group","hits":18},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Blevel%5D%5B%5D=Record+Group"}},{"attributes":{"label":"Folder","value":"Folder","hits":16},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Blevel%5D%5B%5D=Folder"}},{"attributes":{"label":"Folder ","value":"Folder ","hits":8},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Blevel%5D%5B%5D=Folder+"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/level_ssim.json?f%5Bdate_range%5D%5B%5D=1988"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"FSU Special Collections \u0026 Archives","value":"FSU Special Collections \u0026 Archives","hits":308},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bnames%5D%5B%5D=FSU+Special+Collections+%26+Archives"}},{"attributes":{"label":"USF Libraries - Tampa Special Collections","value":"USF Libraries - Tampa Special Collections","hits":199},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bnames%5D%5B%5D=USF+Libraries+-+Tampa+Special+Collections"}},{"attributes":{"label":"UCF Special Collections","value":"UCF Special Collections","hits":86},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bnames%5D%5B%5D=UCF+Special+Collections"}},{"attributes":{"label":"Florida Atlantic University Libraries","value":"Florida Atlantic University Libraries","hits":78},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bnames%5D%5B%5D=Florida+Atlantic+University+Libraries"}},{"attributes":{"label":"UCF University Archives","value":"UCF University Archives","hits":64},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bnames%5D%5B%5D=UCF+University+Archives"}},{"attributes":{"label":"FIU Special Collections","value":"FIU Special Collections","hits":56},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bnames%5D%5B%5D=FIU+Special+Collections"}},{"attributes":{"label":"University of Central Florida","value":"University of Central Florida","hits":48},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bnames%5D%5B%5D=University+of+Central+Florida"}},{"attributes":{"label":"USF Libraries - St. Petersburg Special Collections \u0026 University Archives","value":"USF Libraries - St. Petersburg Special Collections \u0026 University Archives","hits":45},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bnames%5D%5B%5D=USF+Libraries+-+St.+Petersburg+Special+Collections+%26+University+Archives"}},{"attributes":{"label":"Florida Technological University","value":"Florida Technological University","hits":39},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bnames%5D%5B%5D=Florida+Technological+University"}},{"attributes":{"label":"AARLCC Special Collections","value":"AARLCC Special Collections","hits":36},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bnames%5D%5B%5D=AARLCC+Special+Collections"}},{"attributes":{"label":"UWF University Archives and West Florida History Center","value":"UWF University Archives and West Florida History Center","hits":36},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bnames%5D%5B%5D=UWF+University+Archives+and+West+Florida+History+Center"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/names_ssim.json?f%5Bdate_range%5D%5B%5D=1988"}},{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"UCF Special Collections","value":"UCF Special Collections","hits":1487},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Brepository%5D%5B%5D=UCF+Special+Collections"}},{"attributes":{"label":"USF Libraries - Tampa Special Collections","value":"USF Libraries - Tampa Special Collections","hits":1071},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Brepository%5D%5B%5D=USF+Libraries+-+Tampa+Special+Collections"}},{"attributes":{"label":"AARLCC Special Collections","value":"AARLCC Special Collections","hits":604},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Brepository%5D%5B%5D=AARLCC+Special+Collections"}},{"attributes":{"label":"Florida Gulf Coast University Special Collections","value":"Florida Gulf Coast University Special Collections","hits":604},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Brepository%5D%5B%5D=Florida+Gulf+Coast+University+Special+Collections"}},{"attributes":{"label":"FSU Special Collections \u0026 Archives","value":"FSU Special Collections \u0026 Archives","hits":506},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Brepository%5D%5B%5D=FSU+Special+Collections+%26+Archives"}},{"attributes":{"label":"The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","value":"The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","hits":371},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Brepository%5D%5B%5D=The+Sarah+D.+and+L.+Kirk+McKay%2C+Jr.+Archives+Center+Manuscript+Collections"}},{"attributes":{"label":"Florida Atlantic University Libraries","value":"Florida Atlantic University Libraries","hits":361},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Brepository%5D%5B%5D=Florida+Atlantic+University+Libraries"}},{"attributes":{"label":"UNF Library Special Collections and University Archives","value":"UNF Library Special Collections and University Archives","hits":336},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Brepository%5D%5B%5D=UNF+Library+Special+Collections+and+University+Archives"}},{"attributes":{"label":"UCF University Archives","value":"UCF University Archives","hits":242},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Brepository%5D%5B%5D=UCF+University+Archives"}},{"attributes":{"label":"FIU Special Collections","value":"FIU Special Collections","hits":207},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Brepository%5D%5B%5D=FIU+Special+Collections"}},{"attributes":{"label":"USF Libraries - St. Petersburg Special Collections \u0026 University Archives","value":"USF Libraries - St. Petersburg Special Collections \u0026 University Archives","hits":122},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Brepository%5D%5B%5D=USF+Libraries+-+St.+Petersburg+Special+Collections+%26+University+Archives"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=1988"}},{"type":"facet","id":"geogname_ssim","attributes":{"label":"Places","items":[{"attributes":{"label":"Florida -- Politics and government","value":"Florida -- Politics and government","hits":23},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bplaces%5D%5B%5D=Florida+--+Politics+and+government"}},{"attributes":{"label":"Saint Petersburg (Fla.)","value":"Saint Petersburg (Fla.)","hits":21},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bplaces%5D%5B%5D=Saint+Petersburg+%28Fla.%29"}},{"attributes":{"label":"Florida","value":"Florida","hits":19},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bplaces%5D%5B%5D=Florida"}},{"attributes":{"label":"Tampa (Fla.)","value":"Tampa (Fla.)","hits":16},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bplaces%5D%5B%5D=Tampa+%28Fla.%29"}},{"attributes":{"label":"Community organization.","value":"Community organization.","hits":14},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bplaces%5D%5B%5D=Community+organization."}},{"attributes":{"label":"Orlando (Fla.)","value":"Orlando (Fla.)","hits":14},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bplaces%5D%5B%5D=Orlando+%28Fla.%29"}},{"attributes":{"label":"Fort Lauderdale (Fla.)","value":"Fort Lauderdale (Fla.)","hits":12},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bplaces%5D%5B%5D=Fort+Lauderdale+%28Fla.%29"}},{"attributes":{"label":"Hillsborough County (Fla.)","value":"Hillsborough County (Fla.)","hits":12},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bplaces%5D%5B%5D=Hillsborough+County+%28Fla.%29"}},{"attributes":{"label":"Ybor City (Tampa, Fla.)","value":"Ybor City (Tampa, Fla.)","hits":12},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bplaces%5D%5B%5D=Ybor+City+%28Tampa%2C+Fla.%29"}},{"attributes":{"label":"Fort Myers (Fla.)","value":"Fort Myers (Fla.)","hits":11},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bplaces%5D%5B%5D=Fort+Myers+%28Fla.%29"}},{"attributes":{"label":"Vero Beach (Fla.)","value":"Vero Beach (Fla.)","hits":11},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Bplaces%5D%5B%5D=Vero+Beach+%28Fla.%29"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/geogname_ssim.json?f%5Bdate_range%5D%5B%5D=1988"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":"Maps","value":"Maps","hits":170},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Maps\u0026f%5Bdate_range%5D%5B%5D=1988"}},{"attributes":{"label":"World War, 1939-1945","value":"World War, 1939-1945","hits":79},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=World+War%2C+1939-1945\u0026f%5Bdate_range%5D%5B%5D=1988"}},{"attributes":{"label":"Photographs","value":"Photographs","hits":70},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photographs\u0026f%5Bdate_range%5D%5B%5D=1988"}},{"attributes":{"label":"Developmental Regional Impact (DRI)","value":"Developmental Regional Impact (DRI)","hits":65},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Developmental+Regional+Impact+%28DRI%29\u0026f%5Bdate_range%5D%5B%5D=1988"}},{"attributes":{"label":"Correspondence","value":"Correspondence","hits":55},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Correspondence\u0026f%5Bdate_range%5D%5B%5D=1988"}},{"attributes":{"label":"Universities and colleges -- Florida","value":"Universities and colleges -- Florida","hits":47},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Universities+and+colleges+--+Florida\u0026f%5Bdate_range%5D%5B%5D=1988"}},{"attributes":{"label":"Florida Atlantic University -- History","value":"Florida Atlantic University -- History","hits":44},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Florida+Atlantic+University+--+History\u0026f%5Bdate_range%5D%5B%5D=1988"}},{"attributes":{"label":"University Archives","value":"University Archives","hits":42},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=University+Archives\u0026f%5Bdate_range%5D%5B%5D=1988"}},{"attributes":{"label":"Clippings (Books, newspapers, etc.)","value":"Clippings (Books, newspapers, etc.)","hits":40},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Clippings+%28Books%2C+newspapers%2C+etc.%29\u0026f%5Bdate_range%5D%5B%5D=1988"}},{"attributes":{"label":"Postcards.\t","value":"Postcards.\t","hits":39},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Postcards.%09\u0026f%5Bdate_range%5D%5B%5D=1988"}},{"attributes":{"label":"Report and studies","value":"Report and studies","hits":33},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Report+and+studies\u0026f%5Bdate_range%5D%5B%5D=1988"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/access_subjects_ssim.json?f%5Bdate_range%5D%5B%5D=1988"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026page=47\u0026search_field=all_fields"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026page=47\u0026search_field=keyword"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026page=47\u0026search_field=name"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026page=47\u0026search_field=place"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026page=47\u0026search_field=subject"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026page=47\u0026search_field=title"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026page=47\u0026search_field=container"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026page=47\u0026search_field=identifier"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026page=47\u0026sort=score+desc%2C+title_sort+asc"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026page=47\u0026sort=date_sort+asc"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026page=47\u0026sort=date_sort+desc"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026page=47\u0026sort=creator_sort+asc"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026page=47\u0026sort=creator_sort+desc"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026page=47\u0026sort=title_sort+asc"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026page=47\u0026sort=title_sort+desc"}}]}