{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1987\u0026page=375","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1987\u0026page=374","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1987\u0026page=376","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1987\u0026page=655"},"meta":{"pages":{"current_page":375,"next_page":376,"prev_page":374,"total_pages":655,"limit_value":10,"offset_value":3740,"total_count":6549,"first_page?":false,"last_page?":false}},"data":[{"id":"d708aa3104bd5d4ccbcc4efd_aspace_9aa7dcbe0c4c673eaa0d3207327723d6","type":"File","attributes":{"title":"Mills, Peggy, Circa 1987-1988","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d708aa3104bd5d4ccbcc4efd_aspace_9aa7dcbe0c4c673eaa0d3207327723d6#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9aa7dcbe0c4c673eaa0d3207327723d6","ref_ssm":["aspace_9aa7dcbe0c4c673eaa0d3207327723d6","aspace_9aa7dcbe0c4c673eaa0d3207327723d6"],"id":"d708aa3104bd5d4ccbcc4efd_aspace_9aa7dcbe0c4c673eaa0d3207327723d6","title_filing_ssi":"Mills, Peggy","title_ssm":["Mills, Peggy"],"title_tesim":["Mills, Peggy"],"unitdate_inclusive_ssm":["Circa 1987-1988"],"normalized_date_ssm":["Circa 1987-1988"],"normalized_title_ssm":["Mills, Peggy, Circa 1987-1988"],"text":["Mills, Peggy, Circa 1987-1988","Alex Haley Papers, Circa 1937-1993","Correspondence, Circa 1937-1991","/repositories/2/archival_objects/13479","box 10","folder 6"],"component_level_isim":[2],"parent_ids_ssim":["d708aa3104bd5d4ccbcc4efd","d708aa3104bd5d4ccbcc4efd_aspace_b2ccf39b09814044dd6c4ce0d1dad356"],"parent_unittitles_ssm":["Alex Haley Papers, Circa 1937-1993","Correspondence, Circa 1937-1991"],"parent_unittitles_tesim":["Alex Haley Papers, Circa 1937-1993","Correspondence, Circa 1937-1991"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/13479"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Alex Haley Papers, Circa 1937-1993"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":146,"parent_access_restrict_tesm":["The Alex Haley Papers are open for research."],"date_range_isim":[1987,1988],"containers_ssim":["box 10","folder 6"],"_nest_path_":"/components#0/components#144","_nest_parent_":"d708aa3104bd5d4ccbcc4efd_aspace_b2ccf39b09814044dd6c4ce0d1dad356","_root_":"d708aa3104bd5d4ccbcc4efd","_version_":1876455837540548608,"timestamp":"2026-09-16T03:02:18.127Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d708aa3104bd5d4ccbcc4efd","title_filing_ssi":"Haley, Alex Papers","title_ssm":["Alex Haley Papers"],"title_tesim":["Alex Haley Papers"],"ead_ssi":"d708aa3104bd5d4ccbcc4efd","unitdate_ssm":["Circa 1937-1993"],"unitdate_inclusive_ssm":["Circa 1937-1993"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2004.3","/repositories/2/resources/46"],"text":["AARLCC.2004.3","/repositories/2/resources/46","Alex Haley Papers, Circa 1937-1993","Gambia","African American authors","American literature","financial records","Correspondence","Photographs","Programs","Clippings","Sound recordings","The Alex Haley Papers are open for research.","The collection is organized in nine series: Series I. Correspondence, Series II. Writings by Alex Haley, Series III. Writings by Others, Series IV. Professional Papers, Series V: Personal Papers, Series VI: Photographs, Series VII. Business Files, Series VIII. Printed Materials, and Series IX. Awards.","Alex Murray Palmer Haley was born on August 11, 1921 in Ithaca, New York. He lived with his maternal grandmother in Henning, Tennessee. As a young adult, Haley entered the U.S. Coast Guard in 1939 and was in active service for 20 years. He began his career in writing by composing his shipmates' love letters to their sweethearts.During this time Haley created  \"The Seafarer\", which became the official Coast Guard newsletter. Haley later attained the title of Chief Petty Officer which he kept until his retirement and was the first  Chief Journalist in the Coast Guard, the rating having been expressly created for him in recognition of his literary ability.","After his time in the service, Haley became a journalist and wrote for the Saturday Evening Post, Readers' Digest and Playboy Magazine. He interviewed notable figures such as Muhammad Ali, Martin Luther King Jr., Miles Davis, and the head of the Nazi American Party, George Lincoln Rockwell, in 1962. His interview of Malcolm X was followed by the book The Autobiography of Malcolm X in 1965.","While growing up in Tennessee, Haley's childhood was filled with stories of his African ancestor, Kunta Kinte, and how he came to the United States.  It was from these oral histories that Haley decided to research his African roots. Haley succeeded in locating the origin of Kunta Kinte, in the village of Juffure in Gambia.","Haley spent years of research to complete the book ROOTS: The Saga of an American Family in 1976. The book describes Haley's ancestors coming from Africa to North America as slaves and their descendants. ROOTS gained Haley international success, he won a Pulitzer Prize, and the book was printed in countless languages and sold around the world. In 1977 ROOTS the mini-series was the third highest rated television program of all time, and generated an increasing interest in genealogical research throughout the United States.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\n Books and vinyl records from this collection were cataloged in the Broward County Library catalog with the prefix \"HAL\".","Select materials from the Alex Haley Papers are available on the Broward County Library Digital Archives.","The Alex Haley papers consists of manuscripts including those from his time with the Saturday Evening Post, Boy's Life Magazine and  Kiwanis Magazine; correspondence, photographs, newspaper clippings, business files, awards, and other materials documenting Alex Haley's literary career. The papers also include fan mail during the popularity of the book and the subsequent television series \"Roots\", and photographs in Gambia.","AARLCC Special Collections","United States. Coast Guard","Haley, Alex","Haley, Alex. Roots","Wonder, Stevie","English"],"unitid_tesim":["AARLCC.2004.3","/repositories/2/resources/46"],"normalized_date_ssm":["Circa 1937-1993"],"normalized_title_ssm":["Alex Haley Papers, Circa 1937-1993"],"collection_title_tesim":["Alex Haley Papers, Circa 1937-1993"],"collection_ssim":["Alex Haley Papers, Circa 1937-1993"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Gambia"],"geogname_ssim":["Gambia"],"creator_ssm":["Haley, Alex"],"creator_ssim":["Haley, Alex"],"creator_persname_ssim":["Haley, Alex"],"creators_ssim":["Haley, Alex"],"places_ssim":["Gambia"],"acqinfo_ssim":["The Alex Haley Papers was purchased by Broward County Library on September 26, 2001 from the Heritage Book Shop Inc. The Heritage Bindery acquired the papers from the Alex Haley estate auction in 1992."],"access_subjects_ssim":["African American authors","American literature","financial records","Correspondence","Photographs","Programs","Clippings","Sound recordings"],"access_subjects_ssm":["African American authors","American literature","financial records","Correspondence","Photographs","Programs","Clippings","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["45 Hollinger Boxes","17 Books","2 Vinyl records"],"extent_tesim":["45 Hollinger Boxes","17 Books","2 Vinyl records"],"genreform_ssim":["Correspondence","Photographs","Programs","Clippings","Sound recordings"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"accessrestrict_html_tesm":["\u003cp\u003eThe Alex Haley Papers are open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Alex Haley Papers are open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized in nine series: Series I. Correspondence, Series II. Writings by Alex Haley, Series III. Writings by Others, Series IV. Professional Papers, Series V: Personal Papers, Series VI: Photographs, Series VII. Business Files, Series VIII. Printed Materials, and Series IX. Awards.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized in nine series: Series I. Correspondence, Series II. Writings by Alex Haley, Series III. Writings by Others, Series IV. Professional Papers, Series V: Personal Papers, Series VI: Photographs, Series VII. Business Files, Series VIII. Printed Materials, and Series IX. Awards."],"bioghist_html_tesm":["\u003cp\u003eAlex Murray Palmer Haley was born on August 11, 1921 in Ithaca, New York. He lived with his maternal grandmother in Henning, Tennessee. As a young adult, Haley entered the U.S. Coast Guard in 1939 and was in active service for 20 years. He began his career in writing by composing his shipmates' love letters to their sweethearts.During this time Haley created  \"The Seafarer\", which became the official Coast Guard newsletter. Haley later attained the title of Chief Petty Officer which he kept until his retirement and was the first  Chief Journalist in the Coast Guard, the rating having been expressly created for him in recognition of his literary ability.\u003c/p\u003e\n","\u003cp\u003eAfter his time in the service, Haley became a journalist and wrote for the Saturday Evening Post, Readers' Digest and Playboy Magazine. He interviewed notable figures such as Muhammad Ali, Martin Luther King Jr., Miles Davis, and the head of the Nazi American Party, George Lincoln Rockwell, in 1962. His interview of Malcolm X was followed by the book The Autobiography of Malcolm X in 1965.\u003c/p\u003e\n","\u003cp\u003eWhile growing up in Tennessee, Haley's childhood was filled with stories of his African ancestor, Kunta Kinte, and how he came to the United States.  It was from these oral histories that Haley decided to research his African roots. Haley succeeded in locating the origin of Kunta Kinte, in the village of Juffure in Gambia.\u003c/p\u003e\n","\u003cp\u003eHaley spent years of research to complete the book ROOTS: The Saga of an American Family in 1976. The book describes Haley's ancestors coming from Africa to North America as slaves and their descendants. ROOTS gained Haley international success, he won a Pulitzer Prize, and the book was printed in countless languages and sold around the world. In 1977 ROOTS the mini-series was the third highest rated television program of all time, and generated an increasing interest in genealogical research throughout the United States.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Alex Murray Palmer Haley was born on August 11, 1921 in Ithaca, New York. He lived with his maternal grandmother in Henning, Tennessee. As a young adult, Haley entered the U.S. Coast Guard in 1939 and was in active service for 20 years. He began his career in writing by composing his shipmates' love letters to their sweethearts.During this time Haley created  \"The Seafarer\", which became the official Coast Guard newsletter. Haley later attained the title of Chief Petty Officer which he kept until his retirement and was the first  Chief Journalist in the Coast Guard, the rating having been expressly created for him in recognition of his literary ability.","After his time in the service, Haley became a journalist and wrote for the Saturday Evening Post, Readers' Digest and Playboy Magazine. He interviewed notable figures such as Muhammad Ali, Martin Luther King Jr., Miles Davis, and the head of the Nazi American Party, George Lincoln Rockwell, in 1962. His interview of Malcolm X was followed by the book The Autobiography of Malcolm X in 1965.","While growing up in Tennessee, Haley's childhood was filled with stories of his African ancestor, Kunta Kinte, and how he came to the United States.  It was from these oral histories that Haley decided to research his African roots. Haley succeeded in locating the origin of Kunta Kinte, in the village of Juffure in Gambia.","Haley spent years of research to complete the book ROOTS: The Saga of an American Family in 1976. The book describes Haley's ancestors coming from Africa to North America as slaves and their descendants. ROOTS gained Haley international success, he won a Pulitzer Prize, and the book was printed in countless languages and sold around the world. In 1977 ROOTS the mini-series was the third highest rated television program of all time, and generated an increasing interest in genealogical research throughout the United States."],"prefercite_html_tesm":["\u003cp\u003eAlex Haley Papers, African-American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Alex Haley Papers, African-American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\n\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default\" target=\"_blank\"\u003eBooks and vinyl records from this collection were cataloged in the Broward County Library catalog with the prefix \"HAL\".\u003c/a\u003e\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\n Books and vinyl records from this collection were cataloged in the Broward County Library catalog with the prefix \"HAL\"."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/alexhaley\"\u003eSelect materials from the Alex Haley Papers are available on the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["Select materials from the Alex Haley Papers are available on the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Alex Haley papers consists of manuscripts including those from his time with the Saturday Evening Post, Boy's Life Magazine and  Kiwanis Magazine; correspondence, photographs, newspaper clippings, business files, awards, and other materials documenting Alex Haley's literary career. The papers also include fan mail during the popularity of the book and the subsequent television series \"Roots\", and photographs in Gambia.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Alex Haley papers consists of manuscripts including those from his time with the Saturday Evening Post, Boy's Life Magazine and  Kiwanis Magazine; correspondence, photographs, newspaper clippings, business files, awards, and other materials documenting Alex Haley's literary career. The papers also include fan mail during the popularity of the book and the subsequent television series \"Roots\", and photographs in Gambia."],"names_coll_ssim":["United States. Coast Guard","Haley, Alex. Roots","Wonder, Stevie"],"names_ssim":["AARLCC Special Collections","United States. Coast Guard","Haley, Alex","Haley, Alex. Roots","Wonder, Stevie"],"corpname_ssim":["AARLCC Special Collections","United States. Coast Guard"],"persname_ssim":["Haley, Alex","Haley, Alex. Roots","Wonder, Stevie"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":647,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455837540548608,"_root_":"d708aa3104bd5d4ccbcc4efd","timestamp":"2026-09-16T03:02:18.127Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d708aa3104bd5d4ccbcc4efd_aspace_9aa7dcbe0c4c673eaa0d3207327723d6"}},{"id":"c62033b9da482f42de6f1d29_aspace_fd904464735d7799ed5a24953ad48267","type":"File","attributes":{"title":"Mi-My, 1987, 2003–2006, 2011–2012","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/c62033b9da482f42de6f1d29_aspace_fd904464735d7799ed5a24953ad48267#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_fd904464735d7799ed5a24953ad48267","ref_ssm":["aspace_fd904464735d7799ed5a24953ad48267","aspace_fd904464735d7799ed5a24953ad48267"],"id":"c62033b9da482f42de6f1d29_aspace_fd904464735d7799ed5a24953ad48267","title_filing_ssi":"Mi-My","title_ssm":["Mi-My"],"title_tesim":["Mi-My"],"unitdate_inclusive_ssm":["1987","2003–2006","2011–2012"],"normalized_date_ssm":["1987, 2003–2006, 2011–2012"],"normalized_title_ssm":["Mi-My, 1987, 2003–2006, 2011–2012"],"text":["Mi-My, 1987, 2003–2006, 2011–2012","Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010","Series I: Florida, 1900–2013","Brochures \u0026 Presskits","/repositories/4/archival_objects/89353","box 56","folder 3"],"component_level_isim":[3],"parent_ids_ssim":["c62033b9da482f42de6f1d29","c62033b9da482f42de6f1d29_aspace_83107027ba2e547fbc24aa88f01d15e8","c62033b9da482f42de6f1d29_aspace_b77e8c2bd63a0bd2de4d7e04b0a26d38"],"parent_unittitles_ssm":["Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010","Series I: Florida, 1900–2013","Brochures \u0026 Presskits"],"parent_unittitles_tesim":["Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010","Series I: Florida, 1900–2013","Brochures \u0026 Presskits"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/89353"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":546,"parent_access_restrict_tesm":["The entire collection is open for research. This minimally processed collection may require further processing and is subject to change."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1987,2003,2004,2005,2006,2011,2012],"containers_ssim":["box 56","folder 3"],"_nest_path_":"/components#0/components#3/components#23","_nest_parent_":"c62033b9da482f42de6f1d29_aspace_b77e8c2bd63a0bd2de4d7e04b0a26d38","_root_":"c62033b9da482f42de6f1d29","_version_":1879011331377463296,"timestamp":"2026-10-14T08:00:46.958Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"c62033b9da482f42de6f1d29","title_ssm":["Robert H. Brown tourism collection"],"title_tesim":["Robert H. Brown tourism collection"],"ead_ssi":"c62033b9da482f42de6f1d29","unitdate_ssm":["1900-2013","1970-2010"],"unitdate_bulk_ssim":["1970-2010"],"unitdate_inclusive_ssm":["1900-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 169","/repositories/4/resources/323"],"text":["SC 169","/repositories/4/resources/323","Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010","Walt Disney World (Fla.) -- Guidebooks","Busch Gardens (Tampa, Fla.)","Disneyland (Calif.)","Walt Disney World (Fla.)","Tourism -- Florida","Amusement parks -- Florida","Amusement parks","Tourism -- United States","Advertising -- Tourism","Resorts -- Florida","brochures","fliers (printed matter)","Guidebooks","picture postcards","postcards","maps (documents)","press kits ","The entire collection is open for research. This minimally processed collection may require further processing and is subject to change.","The collection is arranged into two series: \n I. Florida, 1900-2013  II. United States, 1962-2012 ","Robert Hugh Brown grew up in Miami, Florida. He developed a fascination for roadside attractions while touring the state of Florida extensively. In the 1990s, Brown created \"Florida's Lost Tourist Attractions,\" or Lostparks.com, a website dedicated to documenting the many attractions that sprang up and later fell by the wayside following the opening of Walt Disney World. Of his work on the website, Brown writes, \"Tourist attractions have a way of springing up on the Florida roadside... only to wither and die when they just can't quite sustain the magic. You will find no historical marker to mark their passing, no footnote in the history book, only the occasional exotic plant, or shopping center, or oddly named road.\" His research for the website led him to collect thousands of brochures, postcards, flyers, and other ephemera detailing Florida tourism.  ","In 1997, Brown created a travel website for The Mining Company (later known as About.com or Dotdash), a digital media company, writing about theme parks around the world and the amusement park industry. As a result, he also collected materials from attractions located across the United States, the United Kingdom, and Germany. Brown worked as an actor in film, television, and theater productions. He was a cast member of Second Thought Improv and On the Edge Improvisational Theatre. As of 2024, Brown is retired and currently resides in Ocoee, Florida. ","Processed by and finding aid prepared by Sofia Arias in 2024. Additional processing by Simone DeLuque in 2025.","Other materials related to theme parks and the tourism industry can be found in the  Disney Ephemera collection , the  George and Anne Millay collection , and the  Al Turner, Splash Magazine collection .","The Robert H. Brown Tourism Collection, 1900-2013 (bulk 1970-2010), documents tourism in and around Florida during the twentieth century. It chiefly consists of postcards, brochures, and guidebooks relating to the tourism and theme park industries, as well as press kits and other promotional materials. This collection provides insight into the marketing and promotion of tourist attractions in and around Florida. Many of the attractions documented are no longer in existence or are in decline after the opening of the Walt Disney World Resort in 1971, offering a glimpse at the tourist landscape of Florida prior to and immediately after the resort's domination of Central Florida tourism. ","Series I: Florida, 1900-2013, contains postcards, brochures, flyers, presskits, visitor's guides, maps, and other tourist papers related to theme parks and attractions in the state of Florida. Subseries 1 chiefly contains postcards organized alphabetically by city location, then by subject. Subseries 2 contains postcards from established tourist attractions, arranged alphabetically in boxes and binder sleeves as they were originally received. Subseries 3 contains vertical files of various Florida attractions in original order. Subseries 4 contains brochures and presskits, arranged alphabetically. This series does not contain material for the Walt Disney World resort, which can be found in Series II.","Series II: United States, 1962-2012, contains collected postcards, brochures, and tourist papers related to theme parks and attractions outside of the state of Florida. Subseries 1 contains vertical files of various American attractions in original order. Subseries 2 and 3 are arranged by like item, then alphabetically. Also of interest is the Disney subseries, which contains records relating to Walt Disney World and Disneyland, as well as financial reports for the Walt Disney Company. The AAA subseries contains guidebooks for the state of Florida and beyond, as well as a number of Rand McNally guides.","Books donated with the Robert H. Brown tourism collection have been cataloged individually. Please search the Library Catalog using the series Robert H. Brown tourism collection.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Robert H. Brown Tourism Collection, 1900-2013 (bulk 1970-2010), documents tourism in and around Florida during the twentieth century. It chiefly consists of postcards, brochures, and guidebooks relating to the tourism and theme park industries, as well as press kits and other promotional materials. This collection provides insight into the marketing and promotion of tourist attractions in and around Florida. Many of the attractions documented are no longer in existence or are in decline after the opening of the Walt Disney World Resort in 1971, offering a glimpse at the tourist landscape of Florida prior to and immediately after the resort's domination of Central Florida tourism. \n\nRobert Hugh Brown grew up in Miami, Florida. He developed a fascination for roadside attractions while touring the state of Florida extensively. In the 1990s, Brown created \"Florida's Lost Tourist Attractions,\" or Lostparks.com, a website dedicated to documenting the many attractions that sprang up and later fell by the wayside following the opening of Walt Disney World. His research for the website led him to collect thousands of brochures, postcards, flyers, and other ephemera detailing Florida tourism. As of 2024, Brown is retired and currently resides in Ocoee, Florida.","UCF Special Collections","Walt Disney Company","Six Flags Theme Parks Inc","Brown, Robert H. (Robert Hugh)","English"],"unitid_tesim":["SC 169","/repositories/4/resources/323"],"normalized_date_ssm":["1900-2013, bulk 1970-2010"],"normalized_title_ssm":["Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010"],"collection_title_tesim":["Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010"],"collection_ssim":["Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Walt Disney World (Fla.) -- Guidebooks","Busch Gardens (Tampa, Fla.)","Disneyland (Calif.)","Walt Disney World (Fla.)"],"geogname_ssim":["Walt Disney World (Fla.) -- Guidebooks","Busch Gardens (Tampa, Fla.)","Disneyland (Calif.)","Walt Disney World (Fla.)"],"creator_ssm":["Brown, Robert H. (Robert Hugh)"],"creator_ssim":["Brown, Robert H. (Robert Hugh)"],"creator_persname_ssim":["Brown, Robert H. (Robert Hugh)"],"creators_ssim":["Brown, Robert H. (Robert Hugh)"],"places_ssim":["Walt Disney World (Fla.) -- Guidebooks","Busch Gardens (Tampa, Fla.)","Disneyland (Calif.)","Walt Disney World (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of Robert H. Brown in 2023 (Accession no. CFM2023_06)."],"access_subjects_ssim":["Tourism -- Florida","Amusement parks -- Florida","Amusement parks","Tourism -- United States","Advertising -- Tourism","Resorts -- Florida","brochures","fliers (printed matter)","Guidebooks","picture postcards","postcards","maps (documents)","press kits "],"access_subjects_ssm":["Tourism -- Florida","Amusement parks -- Florida","Amusement parks","Tourism -- United States","Advertising -- Tourism","Resorts -- Florida","brochures","fliers (printed matter)","Guidebooks","picture postcards","postcards","maps (documents)","press kits "],"has_online_content_ssim":["false"],"extent_ssm":["39.6 Linear Feet 97 boxes; 2 flat files; 2 flash drives"],"extent_tesim":["39.6 Linear Feet 97 boxes; 2 flat files; 2 flash drives"],"genreform_ssim":["brochures","fliers (printed matter)","Guidebooks","picture postcards","postcards","maps (documents)","press kits "],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research. This minimally processed collection may require further processing and is subject to change.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research. This minimally processed collection may require further processing and is subject to change."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series: \n\u003cul style=\"list-style-type: none\"\u003e\n   \u003cli\u003eI. Florida, 1900-2013 \u003c/li\u003e\n   \u003cli\u003eII. United States, 1962-2012 \u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into two series: \n I. Florida, 1900-2013  II. United States, 1962-2012 "],"bioghist_html_tesm":["\u003cp\u003eRobert Hugh Brown grew up in Miami, Florida. He developed a fascination for roadside attractions while touring the state of Florida extensively. In the 1990s, Brown created \"Florida's Lost Tourist Attractions,\" or Lostparks.com, a website dedicated to documenting the many attractions that sprang up and later fell by the wayside following the opening of Walt Disney World. Of his work on the website, Brown writes, \"Tourist attractions have a way of springing up on the Florida roadside... only to wither and die when they just can't quite sustain the magic. You will find no historical marker to mark their passing, no footnote in the history book, only the occasional exotic plant, or shopping center, or oddly named road.\" His research for the website led him to collect thousands of brochures, postcards, flyers, and other ephemera detailing Florida tourism.  \u003c/p\u003e\n","\u003cp\u003eIn 1997, Brown created a travel website for The Mining Company (later known as About.com or Dotdash), a digital media company, writing about theme parks around the world and the amusement park industry. As a result, he also collected materials from attractions located across the United States, the United Kingdom, and Germany. Brown worked as an actor in film, television, and theater productions. He was a cast member of Second Thought Improv and On the Edge Improvisational Theatre. As of 2024, Brown is retired and currently resides in Ocoee, Florida. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Robert Hugh Brown grew up in Miami, Florida. He developed a fascination for roadside attractions while touring the state of Florida extensively. In the 1990s, Brown created \"Florida's Lost Tourist Attractions,\" or Lostparks.com, a website dedicated to documenting the many attractions that sprang up and later fell by the wayside following the opening of Walt Disney World. Of his work on the website, Brown writes, \"Tourist attractions have a way of springing up on the Florida roadside... only to wither and die when they just can't quite sustain the magic. You will find no historical marker to mark their passing, no footnote in the history book, only the occasional exotic plant, or shopping center, or oddly named road.\" His research for the website led him to collect thousands of brochures, postcards, flyers, and other ephemera detailing Florida tourism.  ","In 1997, Brown created a travel website for The Mining Company (later known as About.com or Dotdash), a digital media company, writing about theme parks around the world and the amusement park industry. As a result, he also collected materials from attractions located across the United States, the United Kingdom, and Germany. Brown worked as an actor in film, television, and theater productions. He was a cast member of Second Thought Improv and On the Edge Improvisational Theatre. As of 2024, Brown is retired and currently resides in Ocoee, Florida. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Robert H. Brown tourism collection, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Robert H. Brown tourism collection, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Sofia Arias in 2024. Additional processing by Simone DeLuque in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Sofia Arias in 2024. Additional processing by Simone DeLuque in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eOther materials related to theme parks and the tourism industry can be found in the \u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/21\"\u003eDisney Ephemera collection\u003c/extref\u003e, the \u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/154\"\u003eGeorge and Anne Millay collection\u003c/extref\u003e, and the \u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/9\"\u003eAl Turner, Splash Magazine collection\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other materials related to theme parks and the tourism industry can be found in the  Disney Ephemera collection , the  George and Anne Millay collection , and the  Al Turner, Splash Magazine collection ."],"scopecontent_html_tesm":["\u003cp\u003eThe Robert H. Brown Tourism Collection, 1900-2013 (bulk 1970-2010), documents tourism in and around Florida during the twentieth century. It chiefly consists of postcards, brochures, and guidebooks relating to the tourism and theme park industries, as well as press kits and other promotional materials. This collection provides insight into the marketing and promotion of tourist attractions in and around Florida. Many of the attractions documented are no longer in existence or are in decline after the opening of the Walt Disney World Resort in 1971, offering a glimpse at the tourist landscape of Florida prior to and immediately after the resort's domination of Central Florida tourism. \u003c/p\u003e\n","\u003cp\u003eSeries I: Florida, 1900-2013, contains postcards, brochures, flyers, presskits, visitor's guides, maps, and other tourist papers related to theme parks and attractions in the state of Florida. Subseries 1 chiefly contains postcards organized alphabetically by city location, then by subject. Subseries 2 contains postcards from established tourist attractions, arranged alphabetically in boxes and binder sleeves as they were originally received. Subseries 3 contains vertical files of various Florida attractions in original order. Subseries 4 contains brochures and presskits, arranged alphabetically. This series does not contain material for the Walt Disney World resort, which can be found in Series II.\u003c/p\u003e\n","\u003cp\u003eSeries II: United States, 1962-2012, contains collected postcards, brochures, and tourist papers related to theme parks and attractions outside of the state of Florida. Subseries 1 contains vertical files of various American attractions in original order. Subseries 2 and 3 are arranged by like item, then alphabetically. Also of interest is the Disney subseries, which contains records relating to Walt Disney World and Disneyland, as well as financial reports for the Walt Disney Company. The AAA subseries contains guidebooks for the state of Florida and beyond, as well as a number of Rand McNally guides.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Robert H. Brown Tourism Collection, 1900-2013 (bulk 1970-2010), documents tourism in and around Florida during the twentieth century. It chiefly consists of postcards, brochures, and guidebooks relating to the tourism and theme park industries, as well as press kits and other promotional materials. This collection provides insight into the marketing and promotion of tourist attractions in and around Florida. Many of the attractions documented are no longer in existence or are in decline after the opening of the Walt Disney World Resort in 1971, offering a glimpse at the tourist landscape of Florida prior to and immediately after the resort's domination of Central Florida tourism. ","Series I: Florida, 1900-2013, contains postcards, brochures, flyers, presskits, visitor's guides, maps, and other tourist papers related to theme parks and attractions in the state of Florida. Subseries 1 chiefly contains postcards organized alphabetically by city location, then by subject. Subseries 2 contains postcards from established tourist attractions, arranged alphabetically in boxes and binder sleeves as they were originally received. Subseries 3 contains vertical files of various Florida attractions in original order. Subseries 4 contains brochures and presskits, arranged alphabetically. This series does not contain material for the Walt Disney World resort, which can be found in Series II.","Series II: United States, 1962-2012, contains collected postcards, brochures, and tourist papers related to theme parks and attractions outside of the state of Florida. Subseries 1 contains vertical files of various American attractions in original order. Subseries 2 and 3 are arranged by like item, then alphabetically. Also of interest is the Disney subseries, which contains records relating to Walt Disney World and Disneyland, as well as financial reports for the Walt Disney Company. The AAA subseries contains guidebooks for the state of Florida and beyond, as well as a number of Rand McNally guides."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks donated with the Robert H. Brown tourism collection have been cataloged individually. Please search the Library Catalog using the series Robert H. Brown tourism collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books donated with the Robert H. Brown tourism collection have been cataloged individually. Please search the Library Catalog using the series Robert H. Brown tourism collection."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_21cfff8d77476940979232257b1d9959\"\u003eThe Robert H. Brown Tourism Collection, 1900-2013 (bulk 1970-2010), documents tourism in and around Florida during the twentieth century. It chiefly consists of postcards, brochures, and guidebooks relating to the tourism and theme park industries, as well as press kits and other promotional materials. This collection provides insight into the marketing and promotion of tourist attractions in and around Florida. Many of the attractions documented are no longer in existence or are in decline after the opening of the Walt Disney World Resort in 1971, offering a glimpse at the tourist landscape of Florida prior to and immediately after the resort's domination of Central Florida tourism. \n\nRobert Hugh Brown grew up in Miami, Florida. He developed a fascination for roadside attractions while touring the state of Florida extensively. In the 1990s, Brown created \"Florida's Lost Tourist Attractions,\" or Lostparks.com, a website dedicated to documenting the many attractions that sprang up and later fell by the wayside following the opening of Walt Disney World. His research for the website led him to collect thousands of brochures, postcards, flyers, and other ephemera detailing Florida tourism. As of 2024, Brown is retired and currently resides in Ocoee, Florida.\u003c/abstract\u003e"],"abstract_tesim":["The Robert H. Brown Tourism Collection, 1900-2013 (bulk 1970-2010), documents tourism in and around Florida during the twentieth century. It chiefly consists of postcards, brochures, and guidebooks relating to the tourism and theme park industries, as well as press kits and other promotional materials. This collection provides insight into the marketing and promotion of tourist attractions in and around Florida. Many of the attractions documented are no longer in existence or are in decline after the opening of the Walt Disney World Resort in 1971, offering a glimpse at the tourist landscape of Florida prior to and immediately after the resort's domination of Central Florida tourism. \n\nRobert Hugh Brown grew up in Miami, Florida. He developed a fascination for roadside attractions while touring the state of Florida extensively. In the 1990s, Brown created \"Florida's Lost Tourist Attractions,\" or Lostparks.com, a website dedicated to documenting the many attractions that sprang up and later fell by the wayside following the opening of Walt Disney World. His research for the website led him to collect thousands of brochures, postcards, flyers, and other ephemera detailing Florida tourism. As of 2024, Brown is retired and currently resides in Ocoee, Florida."],"names_coll_ssim":["Walt Disney Company","Six Flags Theme Parks Inc"],"names_ssim":["UCF Special Collections","Walt Disney Company","Six Flags Theme Parks Inc","Brown, Robert H. (Robert Hugh)"],"corpname_ssim":["UCF Special Collections","Walt Disney Company","Six Flags Theme Parks Inc"],"persname_ssim":["Brown, Robert H. (Robert Hugh)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":922,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879011331377463296,"_root_":"c62033b9da482f42de6f1d29","timestamp":"2026-10-14T08:00:46.958Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/c62033b9da482f42de6f1d29_aspace_fd904464735d7799ed5a24953ad48267"}},{"id":"7066de5bc77f318f91269ffe","type":"collection","attributes":{"title":"Mindy Colton collection, 1986-2009","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/7066de5bc77f318f91269ffe#creator","type":"document_value","attributes":{"value":["Colton, Mindy Z."],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/7066de5bc77f318f91269ffe#abstract_or_scope","type":"document_value","attributes":{"value":["The Mindy Colton collection, 1986-2009, features samples of Mindy Colton's graphic designs during her seventeen-year career at the University of Central Florida (UCF). While serving As Director and Designer of Publications, Colton oversaw various design projects for UCF, including academic factbooks, annual reports, posters, calendars, advertising campaigns, and event invitations, made for students, faculty, staff, and the public. Her work frequently features not only graphic design, but also her own artwork. Mindy Zimmerman Colton was born in New York City and studied at the Art Students League of New York and attended the High School of Music and Art in NYC. Colton attended Parsons School of Design and received a Bachelor of Fine Arts from Washington University School of Fine Art in St. Louis. She received her M.A. from the University of Central Florida. From 1987 to 2002, Colton worked at UCF as the Director and Designer of Publications. During her seventeen-year tenure at UCF, she oversaw the design and graphics for all UCF publications, crafting a consistent visual identity for the university. After leaving UCF, Colton focused on her fine arts career, developing a passion for bronze sculpture. Colton has exhibited widely, won multiple awards, and received six grants supporting her artistic work."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/7066de5bc77f318f91269ffe#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"7066de5bc77f318f91269ffe","title_ssm":["Mindy Colton collection"],"title_tesim":["Mindy Colton collection"],"ead_ssi":"7066de5bc77f318f91269ffe","unitdate_ssm":["1986-2009"],"unitdate_inclusive_ssm":["1986-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA21H","/repositories/2/resources/380"],"text":["UA21H","/repositories/2/resources/380","Mindy Colton collection, 1986-2009","Posters","Advertising","Graphic arts","College publications","Advertising campaigns","advertisements","The entire collection is open for research.","This collection is organized in four series as follows: \n I. Personal, 1990-2009 II. University Publications, 1987-2002 III. University Reports, 1986-2002 IV. Events Promotion, 1988-2003 \nMaterials are arranged by chronological date within their series.","Mindy Zimmerman Colton was born in New York City (NYC) to Dr. Louis Zimmerman and Helen Helfstein Zimmerman. At age five, her parents enrolled her in children's art classes at the Metropolitan Museum of Art. She later studied at the Art Students League of New York and attended the High School of Music and Art in NYC (now the Fiorello La Guardia High School for Music and Art and Performing Arts) until she was sixteen years old.  \n \nColton attended Parsons School of Design and received a Bachelor of Fine Arts from Washington University School of Fine Art in St. Louis. She received her M.A. from the University of Central Florida (UCF) and studied abroad in San Miguel de Allendé, Mexico. From 1987 to 2002, Colton worked at UCF as the Director and Designer of Publications. During her seventeen-year tenure at UCF, she oversaw the design and graphics for all UCF publications, crafting a consistent visual identity for the university. Her work won multiple CASE Advancement Awards and Bronze Quill Awards, including a CASE Advancement Award in Merit for the 2000-2001 UCF Football advertising campaign \"Time Has Come for UCF.\"  ","After leaving UCF, Colton focused on her fine arts career, developing a passion for bronze sculpture. Her multimedia work consists of large outdoor sculptures — often of horses — including  Renewal , showcased at EPCOT's Flower and Garden Invitational Sculpture Exhibit and bought by the city of Casselberry in 2014.  Wind Dancer , a life-size sculpture of Pegasus, was purchased by UCF in 2007 and is still displayed today. Colton has exhibited widely, won multiple awards, and received six grants supporting her artistic work. She has said herself, \"I strive for my works to intrigue the viewer, invite a closer look, and exhibit strength, determination, and vulnerability.\" As of 2026, Colton resides in Orlando, Florida.","Processed by and finding aid prepared by Ava Botwin in 2026.","Other materials related to advertising and marketing at UCF can be found in the  UCF Audio, Visual, and Multi-Media Collection.","The Mindy Colton collection, 1986-2009, features samples of Mindy Colton's graphic designs during her seventeen-year career at the University of Central Florida (UCF). While serving As Director and Designer of Publications, Colton oversaw various design projects for UCF, including academic factbooks, annual reports, posters, calendars, advertising campaigns, and event invitations, made for students, faculty, staff, and the public. Her work frequently features not only graphic design, but also her own artwork.  ","This collection offers a glimpse into how UCF advertised and marketed its academic programs and tracks to prospective students from the late 1980s through the early 2000s. Additionally, it records many campus events, both academic and not, as well as annual and fiscal reports, which document expectations and summaries of the university's academic year.   ","Series I: Personal, 1990-2009 contains collected material that highlight Colton's achievements or feature her artwork in them.  ","Series II: University Publications, 1987-2002 consists of printed publications produced by UCF, such as fact books, brochures, branded folders, and awards. ","Series III: Reports, 1986-2000, contains annual reports, financial or fiscal reports, President's reports, and untitled reports about the university.  ","Series IV: Events Publications, 1988-2003 consists of advertising materials created for specific events held at or by UCF. The General subseries includes both on and off-campus events tied to the university. The Football subseries consist of invitations and advertisements for UCF football games. This subseries also holds materials related to 'The Time Is Now', UCF's advertising campaign to join its first NCAA college football conference in 2000. The Music subseries chiefly consist of audition posters for the UCF School of Music. ","Issues of  Emphasis  magazine donated with the Mindy Colton collection have been cataloged individually under the call number LD1772.F9120 E47.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Mindy Colton collection, 1986-2009, features samples of Mindy Colton's graphic designs during her seventeen-year career at the University of Central Florida (UCF). While serving As Director and Designer of Publications, Colton oversaw various design projects for UCF, including academic factbooks, annual reports, posters, calendars, advertising campaigns, and event invitations, made for students, faculty, staff, and the public. Her work frequently features not only graphic design, but also her own artwork. \n\nMindy Zimmerman Colton was born in New York City and studied at the Art Students League of New York and attended the High School of Music and Art in NYC. Colton attended Parsons School of Design and received a Bachelor of Fine Arts from Washington University School of Fine Art in St. Louis. She received her M.A. from the University of Central Florida. From 1987 to 2002, Colton worked at UCF as the Director and Designer of Publications. During her seventeen-year tenure at UCF, she oversaw the design and graphics for all UCF publications, crafting a consistent visual identity for the university. After leaving UCF, Colton focused on her fine arts career, developing a passion for bronze sculpture. Colton has exhibited widely, won multiple awards, and received six grants supporting her artistic work.","UCF University Archives","UCF Knights (Football team)","University of Central Florida. Communications and Marketing","Colton, Mindy Z.","English"],"unitid_tesim":["UA21H","/repositories/2/resources/380"],"normalized_date_ssm":["1986-2009"],"normalized_title_ssm":["Mindy Colton collection, 1986-2009"],"collection_title_tesim":["Mindy Colton collection, 1986-2009"],"collection_ssim":["Mindy Colton collection, 1986-2009"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["Colton, Mindy Z."],"creator_ssim":["Colton, Mindy Z."],"creator_persname_ssim":["Colton, Mindy Z."],"creators_ssim":["Colton, Mindy Z."],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of Mindy Colton in 2025 (Accession no. CFU2025_03)."],"access_subjects_ssim":["Posters","Advertising","Graphic arts","College publications","Advertising campaigns","advertisements"],"access_subjects_ssm":["Posters","Advertising","Graphic arts","College publications","Advertising campaigns","advertisements"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet 3 boxes, 5 flat files"],"extent_tesim":["1.5 Linear Feet 3 boxes, 5 flat files"],"genreform_ssim":["advertisements"],"date_range_isim":[1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized in four series as follows: \n\u003cul style=\"list-style-type: none\"\u003e\n \u003cli\u003eI. Personal, 1990-2009\u003c/li\u003e\n \u003cli\u003eII. University Publications, 1987-2002\u003c/li\u003e\n \u003cli\u003eIII. University Reports, 1986-2002\u003c/li\u003e\n  \u003cli\u003eIV. Events Promotion, 1988-2003\u003c/li\u003e\n\u003c/ul\u003e\nMaterials are arranged by chronological date within their series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized in four series as follows: \n I. Personal, 1990-2009 II. University Publications, 1987-2002 III. University Reports, 1986-2002 IV. Events Promotion, 1988-2003 \nMaterials are arranged by chronological date within their series."],"bioghist_html_tesm":["\u003cp\u003eMindy Zimmerman Colton was born in New York City (NYC) to Dr. Louis Zimmerman and Helen Helfstein Zimmerman. At age five, her parents enrolled her in children's art classes at the Metropolitan Museum of Art. She later studied at the Art Students League of New York and attended the High School of Music and Art in NYC (now the Fiorello La Guardia High School for Music and Art and Performing Arts) until she was sixteen years old.  \n \nColton attended Parsons School of Design and received a Bachelor of Fine Arts from Washington University School of Fine Art in St. Louis. She received her M.A. from the University of Central Florida (UCF) and studied abroad in San Miguel de Allend\u0026#xE9;, Mexico. From 1987 to 2002, Colton worked at UCF as the Director and Designer of Publications. During her seventeen-year tenure at UCF, she oversaw the design and graphics for all UCF publications, crafting a consistent visual identity for the university. Her work won multiple CASE Advancement Awards and Bronze Quill Awards, including a CASE Advancement Award in Merit for the 2000-2001 UCF Football advertising campaign \"Time Has Come for UCF.\"  \u003c/p\u003e\n","\u003cp\u003eAfter leaving UCF, Colton focused on her fine arts career, developing a passion for bronze sculpture. Her multimedia work consists of large outdoor sculptures \u0026#x2014; often of horses \u0026#x2014; including \u003cemph render=\"italic\"\u003eRenewal\u003c/emph\u003e, showcased at EPCOT's Flower and Garden Invitational Sculpture Exhibit and bought by the city of Casselberry in 2014. \u003cemph render=\"italic\"\u003eWind Dancer\u003c/emph\u003e, a life-size sculpture of Pegasus, was purchased by UCF in 2007 and is still displayed today. Colton has exhibited widely, won multiple awards, and received six grants supporting her artistic work. She has said herself, \"I strive for my works to intrigue the viewer, invite a closer look, and exhibit strength, determination, and vulnerability.\" As of 2026, Colton resides in Orlando, Florida.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Mindy Zimmerman Colton was born in New York City (NYC) to Dr. Louis Zimmerman and Helen Helfstein Zimmerman. At age five, her parents enrolled her in children's art classes at the Metropolitan Museum of Art. She later studied at the Art Students League of New York and attended the High School of Music and Art in NYC (now the Fiorello La Guardia High School for Music and Art and Performing Arts) until she was sixteen years old.  \n \nColton attended Parsons School of Design and received a Bachelor of Fine Arts from Washington University School of Fine Art in St. Louis. She received her M.A. from the University of Central Florida (UCF) and studied abroad in San Miguel de Allendé, Mexico. From 1987 to 2002, Colton worked at UCF as the Director and Designer of Publications. During her seventeen-year tenure at UCF, she oversaw the design and graphics for all UCF publications, crafting a consistent visual identity for the university. Her work won multiple CASE Advancement Awards and Bronze Quill Awards, including a CASE Advancement Award in Merit for the 2000-2001 UCF Football advertising campaign \"Time Has Come for UCF.\"  ","After leaving UCF, Colton focused on her fine arts career, developing a passion for bronze sculpture. Her multimedia work consists of large outdoor sculptures — often of horses — including  Renewal , showcased at EPCOT's Flower and Garden Invitational Sculpture Exhibit and bought by the city of Casselberry in 2014.  Wind Dancer , a life-size sculpture of Pegasus, was purchased by UCF in 2007 and is still displayed today. Colton has exhibited widely, won multiple awards, and received six grants supporting her artistic work. She has said herself, \"I strive for my works to intrigue the viewer, invite a closer look, and exhibit strength, determination, and vulnerability.\" As of 2026, Colton resides in Orlando, Florida."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Mindy Colton collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Mindy Colton collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Ava Botwin in 2026.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Ava Botwin in 2026."],"relatedmaterial_html_tesm":["\u003cp\u003eOther materials related to advertising and marketing at UCF can be found in the \u003cextref href=\"http://purl.flvc.org/ucf/ead/UCFAVMM\"\u003eUCF Audio, Visual, and Multi-Media Collection.\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other materials related to advertising and marketing at UCF can be found in the  UCF Audio, Visual, and Multi-Media Collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Mindy Colton collection, 1986-2009, features samples of Mindy Colton's graphic designs during her seventeen-year career at the University of Central Florida (UCF). While serving As Director and Designer of Publications, Colton oversaw various design projects for UCF, including academic factbooks, annual reports, posters, calendars, advertising campaigns, and event invitations, made for students, faculty, staff, and the public. Her work frequently features not only graphic design, but also her own artwork.  \u003c/p\u003e\n","\u003cp\u003eThis collection offers a glimpse into how UCF advertised and marketed its academic programs and tracks to prospective students from the late 1980s through the early 2000s. Additionally, it records many campus events, both academic and not, as well as annual and fiscal reports, which document expectations and summaries of the university's academic year.   \u003c/p\u003e\n","\u003cp\u003eSeries I: Personal, 1990-2009 contains collected material that highlight Colton's achievements or feature her artwork in them.  \u003c/p\u003e\n","\u003cp\u003eSeries II: University Publications, 1987-2002 consists of printed publications produced by UCF, such as fact books, brochures, branded folders, and awards. \u003c/p\u003e\n","\u003cp\u003eSeries III: Reports, 1986-2000, contains annual reports, financial or fiscal reports, President's reports, and untitled reports about the university.  \u003c/p\u003e\n","\u003cp\u003eSeries IV: Events Publications, 1988-2003 consists of advertising materials created for specific events held at or by UCF. The General subseries includes both on and off-campus events tied to the university. The Football subseries consist of invitations and advertisements for UCF football games. This subseries also holds materials related to 'The Time Is Now', UCF's advertising campaign to join its first NCAA college football conference in 2000. The Music subseries chiefly consist of audition posters for the UCF School of Music. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Mindy Colton collection, 1986-2009, features samples of Mindy Colton's graphic designs during her seventeen-year career at the University of Central Florida (UCF). While serving As Director and Designer of Publications, Colton oversaw various design projects for UCF, including academic factbooks, annual reports, posters, calendars, advertising campaigns, and event invitations, made for students, faculty, staff, and the public. Her work frequently features not only graphic design, but also her own artwork.  ","This collection offers a glimpse into how UCF advertised and marketed its academic programs and tracks to prospective students from the late 1980s through the early 2000s. Additionally, it records many campus events, both academic and not, as well as annual and fiscal reports, which document expectations and summaries of the university's academic year.   ","Series I: Personal, 1990-2009 contains collected material that highlight Colton's achievements or feature her artwork in them.  ","Series II: University Publications, 1987-2002 consists of printed publications produced by UCF, such as fact books, brochures, branded folders, and awards. ","Series III: Reports, 1986-2000, contains annual reports, financial or fiscal reports, President's reports, and untitled reports about the university.  ","Series IV: Events Publications, 1988-2003 consists of advertising materials created for specific events held at or by UCF. The General subseries includes both on and off-campus events tied to the university. The Football subseries consist of invitations and advertisements for UCF football games. This subseries also holds materials related to 'The Time Is Now', UCF's advertising campaign to join its first NCAA college football conference in 2000. The Music subseries chiefly consist of audition posters for the UCF School of Music. "],"separatedmaterial_html_tesm":["\u003cp\u003eIssues of \u003cemph render=\"italic\"\u003eEmphasis\u003c/emph\u003e magazine donated with the Mindy Colton collection have been cataloged individually under the call number LD1772.F9120 E47.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Issues of  Emphasis  magazine donated with the Mindy Colton collection have been cataloged individually under the call number LD1772.F9120 E47."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_65f3252de156dd9b20de1be61b64c62b\"\u003eThe Mindy Colton collection, 1986-2009, features samples of Mindy Colton's graphic designs during her seventeen-year career at the University of Central Florida (UCF). While serving As Director and Designer of Publications, Colton oversaw various design projects for UCF, including academic factbooks, annual reports, posters, calendars, advertising campaigns, and event invitations, made for students, faculty, staff, and the public. Her work frequently features not only graphic design, but also her own artwork. \n\nMindy Zimmerman Colton was born in New York City and studied at the Art Students League of New York and attended the High School of Music and Art in NYC. Colton attended Parsons School of Design and received a Bachelor of Fine Arts from Washington University School of Fine Art in St. Louis. She received her M.A. from the University of Central Florida. From 1987 to 2002, Colton worked at UCF as the Director and Designer of Publications. During her seventeen-year tenure at UCF, she oversaw the design and graphics for all UCF publications, crafting a consistent visual identity for the university. After leaving UCF, Colton focused on her fine arts career, developing a passion for bronze sculpture. Colton has exhibited widely, won multiple awards, and received six grants supporting her artistic work.\u003c/abstract\u003e"],"abstract_tesim":["The Mindy Colton collection, 1986-2009, features samples of Mindy Colton's graphic designs during her seventeen-year career at the University of Central Florida (UCF). While serving As Director and Designer of Publications, Colton oversaw various design projects for UCF, including academic factbooks, annual reports, posters, calendars, advertising campaigns, and event invitations, made for students, faculty, staff, and the public. Her work frequently features not only graphic design, but also her own artwork. \n\nMindy Zimmerman Colton was born in New York City and studied at the Art Students League of New York and attended the High School of Music and Art in NYC. Colton attended Parsons School of Design and received a Bachelor of Fine Arts from Washington University School of Fine Art in St. Louis. She received her M.A. from the University of Central Florida. From 1987 to 2002, Colton worked at UCF as the Director and Designer of Publications. During her seventeen-year tenure at UCF, she oversaw the design and graphics for all UCF publications, crafting a consistent visual identity for the university. After leaving UCF, Colton focused on her fine arts career, developing a passion for bronze sculpture. Colton has exhibited widely, won multiple awards, and received six grants supporting her artistic work."],"names_coll_ssim":["UCF Knights (Football team)","University of Central Florida. Communications and Marketing","Colton, Mindy Z."],"names_ssim":["UCF University Archives","UCF Knights (Football team)","University of Central Florida. Communications and Marketing","Colton, Mindy Z."],"corpname_ssim":["UCF University Archives","UCF Knights (Football team)","University of Central Florida. Communications and Marketing"],"persname_ssim":["Colton, Mindy Z."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":78,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858748673654784,"_root_":"7066de5bc77f318f91269ffe","timestamp":"2026-07-16T08:18:58.232Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"7066de5bc77f318f91269ffe","title_ssm":["Mindy Colton collection"],"title_tesim":["Mindy Colton collection"],"ead_ssi":"7066de5bc77f318f91269ffe","unitdate_ssm":["1986-2009"],"unitdate_inclusive_ssm":["1986-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA21H","/repositories/2/resources/380"],"text":["UA21H","/repositories/2/resources/380","Mindy Colton collection, 1986-2009","Posters","Advertising","Graphic arts","College publications","Advertising campaigns","advertisements","The entire collection is open for research.","This collection is organized in four series as follows: \n I. Personal, 1990-2009 II. University Publications, 1987-2002 III. University Reports, 1986-2002 IV. Events Promotion, 1988-2003 \nMaterials are arranged by chronological date within their series.","Mindy Zimmerman Colton was born in New York City (NYC) to Dr. Louis Zimmerman and Helen Helfstein Zimmerman. At age five, her parents enrolled her in children's art classes at the Metropolitan Museum of Art. She later studied at the Art Students League of New York and attended the High School of Music and Art in NYC (now the Fiorello La Guardia High School for Music and Art and Performing Arts) until she was sixteen years old.  \n \nColton attended Parsons School of Design and received a Bachelor of Fine Arts from Washington University School of Fine Art in St. Louis. She received her M.A. from the University of Central Florida (UCF) and studied abroad in San Miguel de Allendé, Mexico. From 1987 to 2002, Colton worked at UCF as the Director and Designer of Publications. During her seventeen-year tenure at UCF, she oversaw the design and graphics for all UCF publications, crafting a consistent visual identity for the university. Her work won multiple CASE Advancement Awards and Bronze Quill Awards, including a CASE Advancement Award in Merit for the 2000-2001 UCF Football advertising campaign \"Time Has Come for UCF.\"  ","After leaving UCF, Colton focused on her fine arts career, developing a passion for bronze sculpture. Her multimedia work consists of large outdoor sculptures — often of horses — including  Renewal , showcased at EPCOT's Flower and Garden Invitational Sculpture Exhibit and bought by the city of Casselberry in 2014.  Wind Dancer , a life-size sculpture of Pegasus, was purchased by UCF in 2007 and is still displayed today. Colton has exhibited widely, won multiple awards, and received six grants supporting her artistic work. She has said herself, \"I strive for my works to intrigue the viewer, invite a closer look, and exhibit strength, determination, and vulnerability.\" As of 2026, Colton resides in Orlando, Florida.","Processed by and finding aid prepared by Ava Botwin in 2026.","Other materials related to advertising and marketing at UCF can be found in the  UCF Audio, Visual, and Multi-Media Collection.","The Mindy Colton collection, 1986-2009, features samples of Mindy Colton's graphic designs during her seventeen-year career at the University of Central Florida (UCF). While serving As Director and Designer of Publications, Colton oversaw various design projects for UCF, including academic factbooks, annual reports, posters, calendars, advertising campaigns, and event invitations, made for students, faculty, staff, and the public. Her work frequently features not only graphic design, but also her own artwork.  ","This collection offers a glimpse into how UCF advertised and marketed its academic programs and tracks to prospective students from the late 1980s through the early 2000s. Additionally, it records many campus events, both academic and not, as well as annual and fiscal reports, which document expectations and summaries of the university's academic year.   ","Series I: Personal, 1990-2009 contains collected material that highlight Colton's achievements or feature her artwork in them.  ","Series II: University Publications, 1987-2002 consists of printed publications produced by UCF, such as fact books, brochures, branded folders, and awards. ","Series III: Reports, 1986-2000, contains annual reports, financial or fiscal reports, President's reports, and untitled reports about the university.  ","Series IV: Events Publications, 1988-2003 consists of advertising materials created for specific events held at or by UCF. The General subseries includes both on and off-campus events tied to the university. The Football subseries consist of invitations and advertisements for UCF football games. This subseries also holds materials related to 'The Time Is Now', UCF's advertising campaign to join its first NCAA college football conference in 2000. The Music subseries chiefly consist of audition posters for the UCF School of Music. ","Issues of  Emphasis  magazine donated with the Mindy Colton collection have been cataloged individually under the call number LD1772.F9120 E47.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Mindy Colton collection, 1986-2009, features samples of Mindy Colton's graphic designs during her seventeen-year career at the University of Central Florida (UCF). While serving As Director and Designer of Publications, Colton oversaw various design projects for UCF, including academic factbooks, annual reports, posters, calendars, advertising campaigns, and event invitations, made for students, faculty, staff, and the public. Her work frequently features not only graphic design, but also her own artwork. \n\nMindy Zimmerman Colton was born in New York City and studied at the Art Students League of New York and attended the High School of Music and Art in NYC. Colton attended Parsons School of Design and received a Bachelor of Fine Arts from Washington University School of Fine Art in St. Louis. She received her M.A. from the University of Central Florida. From 1987 to 2002, Colton worked at UCF as the Director and Designer of Publications. During her seventeen-year tenure at UCF, she oversaw the design and graphics for all UCF publications, crafting a consistent visual identity for the university. After leaving UCF, Colton focused on her fine arts career, developing a passion for bronze sculpture. Colton has exhibited widely, won multiple awards, and received six grants supporting her artistic work.","UCF University Archives","UCF Knights (Football team)","University of Central Florida. Communications and Marketing","Colton, Mindy Z.","English"],"unitid_tesim":["UA21H","/repositories/2/resources/380"],"normalized_date_ssm":["1986-2009"],"normalized_title_ssm":["Mindy Colton collection, 1986-2009"],"collection_title_tesim":["Mindy Colton collection, 1986-2009"],"collection_ssim":["Mindy Colton collection, 1986-2009"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["Colton, Mindy Z."],"creator_ssim":["Colton, Mindy Z."],"creator_persname_ssim":["Colton, Mindy Z."],"creators_ssim":["Colton, Mindy Z."],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of Mindy Colton in 2025 (Accession no. CFU2025_03)."],"access_subjects_ssim":["Posters","Advertising","Graphic arts","College publications","Advertising campaigns","advertisements"],"access_subjects_ssm":["Posters","Advertising","Graphic arts","College publications","Advertising campaigns","advertisements"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet 3 boxes, 5 flat files"],"extent_tesim":["1.5 Linear Feet 3 boxes, 5 flat files"],"genreform_ssim":["advertisements"],"date_range_isim":[1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized in four series as follows: \n\u003cul style=\"list-style-type: none\"\u003e\n \u003cli\u003eI. Personal, 1990-2009\u003c/li\u003e\n \u003cli\u003eII. University Publications, 1987-2002\u003c/li\u003e\n \u003cli\u003eIII. University Reports, 1986-2002\u003c/li\u003e\n  \u003cli\u003eIV. Events Promotion, 1988-2003\u003c/li\u003e\n\u003c/ul\u003e\nMaterials are arranged by chronological date within their series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized in four series as follows: \n I. Personal, 1990-2009 II. University Publications, 1987-2002 III. University Reports, 1986-2002 IV. Events Promotion, 1988-2003 \nMaterials are arranged by chronological date within their series."],"bioghist_html_tesm":["\u003cp\u003eMindy Zimmerman Colton was born in New York City (NYC) to Dr. Louis Zimmerman and Helen Helfstein Zimmerman. At age five, her parents enrolled her in children's art classes at the Metropolitan Museum of Art. She later studied at the Art Students League of New York and attended the High School of Music and Art in NYC (now the Fiorello La Guardia High School for Music and Art and Performing Arts) until she was sixteen years old.  \n \nColton attended Parsons School of Design and received a Bachelor of Fine Arts from Washington University School of Fine Art in St. Louis. She received her M.A. from the University of Central Florida (UCF) and studied abroad in San Miguel de Allend\u0026#xE9;, Mexico. From 1987 to 2002, Colton worked at UCF as the Director and Designer of Publications. During her seventeen-year tenure at UCF, she oversaw the design and graphics for all UCF publications, crafting a consistent visual identity for the university. Her work won multiple CASE Advancement Awards and Bronze Quill Awards, including a CASE Advancement Award in Merit for the 2000-2001 UCF Football advertising campaign \"Time Has Come for UCF.\"  \u003c/p\u003e\n","\u003cp\u003eAfter leaving UCF, Colton focused on her fine arts career, developing a passion for bronze sculpture. Her multimedia work consists of large outdoor sculptures \u0026#x2014; often of horses \u0026#x2014; including \u003cemph render=\"italic\"\u003eRenewal\u003c/emph\u003e, showcased at EPCOT's Flower and Garden Invitational Sculpture Exhibit and bought by the city of Casselberry in 2014. \u003cemph render=\"italic\"\u003eWind Dancer\u003c/emph\u003e, a life-size sculpture of Pegasus, was purchased by UCF in 2007 and is still displayed today. Colton has exhibited widely, won multiple awards, and received six grants supporting her artistic work. She has said herself, \"I strive for my works to intrigue the viewer, invite a closer look, and exhibit strength, determination, and vulnerability.\" As of 2026, Colton resides in Orlando, Florida.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Mindy Zimmerman Colton was born in New York City (NYC) to Dr. Louis Zimmerman and Helen Helfstein Zimmerman. At age five, her parents enrolled her in children's art classes at the Metropolitan Museum of Art. She later studied at the Art Students League of New York and attended the High School of Music and Art in NYC (now the Fiorello La Guardia High School for Music and Art and Performing Arts) until she was sixteen years old.  \n \nColton attended Parsons School of Design and received a Bachelor of Fine Arts from Washington University School of Fine Art in St. Louis. She received her M.A. from the University of Central Florida (UCF) and studied abroad in San Miguel de Allendé, Mexico. From 1987 to 2002, Colton worked at UCF as the Director and Designer of Publications. During her seventeen-year tenure at UCF, she oversaw the design and graphics for all UCF publications, crafting a consistent visual identity for the university. Her work won multiple CASE Advancement Awards and Bronze Quill Awards, including a CASE Advancement Award in Merit for the 2000-2001 UCF Football advertising campaign \"Time Has Come for UCF.\"  ","After leaving UCF, Colton focused on her fine arts career, developing a passion for bronze sculpture. Her multimedia work consists of large outdoor sculptures — often of horses — including  Renewal , showcased at EPCOT's Flower and Garden Invitational Sculpture Exhibit and bought by the city of Casselberry in 2014.  Wind Dancer , a life-size sculpture of Pegasus, was purchased by UCF in 2007 and is still displayed today. Colton has exhibited widely, won multiple awards, and received six grants supporting her artistic work. She has said herself, \"I strive for my works to intrigue the viewer, invite a closer look, and exhibit strength, determination, and vulnerability.\" As of 2026, Colton resides in Orlando, Florida."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Mindy Colton collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Mindy Colton collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Ava Botwin in 2026.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Ava Botwin in 2026."],"relatedmaterial_html_tesm":["\u003cp\u003eOther materials related to advertising and marketing at UCF can be found in the \u003cextref href=\"http://purl.flvc.org/ucf/ead/UCFAVMM\"\u003eUCF Audio, Visual, and Multi-Media Collection.\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other materials related to advertising and marketing at UCF can be found in the  UCF Audio, Visual, and Multi-Media Collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Mindy Colton collection, 1986-2009, features samples of Mindy Colton's graphic designs during her seventeen-year career at the University of Central Florida (UCF). While serving As Director and Designer of Publications, Colton oversaw various design projects for UCF, including academic factbooks, annual reports, posters, calendars, advertising campaigns, and event invitations, made for students, faculty, staff, and the public. Her work frequently features not only graphic design, but also her own artwork.  \u003c/p\u003e\n","\u003cp\u003eThis collection offers a glimpse into how UCF advertised and marketed its academic programs and tracks to prospective students from the late 1980s through the early 2000s. Additionally, it records many campus events, both academic and not, as well as annual and fiscal reports, which document expectations and summaries of the university's academic year.   \u003c/p\u003e\n","\u003cp\u003eSeries I: Personal, 1990-2009 contains collected material that highlight Colton's achievements or feature her artwork in them.  \u003c/p\u003e\n","\u003cp\u003eSeries II: University Publications, 1987-2002 consists of printed publications produced by UCF, such as fact books, brochures, branded folders, and awards. \u003c/p\u003e\n","\u003cp\u003eSeries III: Reports, 1986-2000, contains annual reports, financial or fiscal reports, President's reports, and untitled reports about the university.  \u003c/p\u003e\n","\u003cp\u003eSeries IV: Events Publications, 1988-2003 consists of advertising materials created for specific events held at or by UCF. The General subseries includes both on and off-campus events tied to the university. The Football subseries consist of invitations and advertisements for UCF football games. This subseries also holds materials related to 'The Time Is Now', UCF's advertising campaign to join its first NCAA college football conference in 2000. The Music subseries chiefly consist of audition posters for the UCF School of Music. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Mindy Colton collection, 1986-2009, features samples of Mindy Colton's graphic designs during her seventeen-year career at the University of Central Florida (UCF). While serving As Director and Designer of Publications, Colton oversaw various design projects for UCF, including academic factbooks, annual reports, posters, calendars, advertising campaigns, and event invitations, made for students, faculty, staff, and the public. Her work frequently features not only graphic design, but also her own artwork.  ","This collection offers a glimpse into how UCF advertised and marketed its academic programs and tracks to prospective students from the late 1980s through the early 2000s. Additionally, it records many campus events, both academic and not, as well as annual and fiscal reports, which document expectations and summaries of the university's academic year.   ","Series I: Personal, 1990-2009 contains collected material that highlight Colton's achievements or feature her artwork in them.  ","Series II: University Publications, 1987-2002 consists of printed publications produced by UCF, such as fact books, brochures, branded folders, and awards. ","Series III: Reports, 1986-2000, contains annual reports, financial or fiscal reports, President's reports, and untitled reports about the university.  ","Series IV: Events Publications, 1988-2003 consists of advertising materials created for specific events held at or by UCF. The General subseries includes both on and off-campus events tied to the university. The Football subseries consist of invitations and advertisements for UCF football games. This subseries also holds materials related to 'The Time Is Now', UCF's advertising campaign to join its first NCAA college football conference in 2000. The Music subseries chiefly consist of audition posters for the UCF School of Music. "],"separatedmaterial_html_tesm":["\u003cp\u003eIssues of \u003cemph render=\"italic\"\u003eEmphasis\u003c/emph\u003e magazine donated with the Mindy Colton collection have been cataloged individually under the call number LD1772.F9120 E47.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Issues of  Emphasis  magazine donated with the Mindy Colton collection have been cataloged individually under the call number LD1772.F9120 E47."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_65f3252de156dd9b20de1be61b64c62b\"\u003eThe Mindy Colton collection, 1986-2009, features samples of Mindy Colton's graphic designs during her seventeen-year career at the University of Central Florida (UCF). While serving As Director and Designer of Publications, Colton oversaw various design projects for UCF, including academic factbooks, annual reports, posters, calendars, advertising campaigns, and event invitations, made for students, faculty, staff, and the public. Her work frequently features not only graphic design, but also her own artwork. \n\nMindy Zimmerman Colton was born in New York City and studied at the Art Students League of New York and attended the High School of Music and Art in NYC. Colton attended Parsons School of Design and received a Bachelor of Fine Arts from Washington University School of Fine Art in St. Louis. She received her M.A. from the University of Central Florida. From 1987 to 2002, Colton worked at UCF as the Director and Designer of Publications. During her seventeen-year tenure at UCF, she oversaw the design and graphics for all UCF publications, crafting a consistent visual identity for the university. After leaving UCF, Colton focused on her fine arts career, developing a passion for bronze sculpture. Colton has exhibited widely, won multiple awards, and received six grants supporting her artistic work.\u003c/abstract\u003e"],"abstract_tesim":["The Mindy Colton collection, 1986-2009, features samples of Mindy Colton's graphic designs during her seventeen-year career at the University of Central Florida (UCF). While serving As Director and Designer of Publications, Colton oversaw various design projects for UCF, including academic factbooks, annual reports, posters, calendars, advertising campaigns, and event invitations, made for students, faculty, staff, and the public. Her work frequently features not only graphic design, but also her own artwork. \n\nMindy Zimmerman Colton was born in New York City and studied at the Art Students League of New York and attended the High School of Music and Art in NYC. Colton attended Parsons School of Design and received a Bachelor of Fine Arts from Washington University School of Fine Art in St. Louis. She received her M.A. from the University of Central Florida. From 1987 to 2002, Colton worked at UCF as the Director and Designer of Publications. During her seventeen-year tenure at UCF, she oversaw the design and graphics for all UCF publications, crafting a consistent visual identity for the university. After leaving UCF, Colton focused on her fine arts career, developing a passion for bronze sculpture. Colton has exhibited widely, won multiple awards, and received six grants supporting her artistic work."],"names_coll_ssim":["UCF Knights (Football team)","University of Central Florida. Communications and Marketing","Colton, Mindy Z."],"names_ssim":["UCF University Archives","UCF Knights (Football team)","University of Central Florida. Communications and Marketing","Colton, Mindy Z."],"corpname_ssim":["UCF University Archives","UCF Knights (Football team)","University of Central Florida. Communications and Marketing"],"persname_ssim":["Colton, Mindy Z."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":78,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858748673654784,"_root_":"7066de5bc77f318f91269ffe","timestamp":"2026-07-16T08:18:58.232Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/7066de5bc77f318f91269ffe"}},{"id":"5e17dda97e7549e9d9b40539_aspace_b321d9d61bb5f00f8ca05d404f4c2480","type":"File","attributes":{"title":"Miner Normal School - \"The Varsity\" newsletter, 1986-1987","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_b321d9d61bb5f00f8ca05d404f4c2480#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_b321d9d61bb5f00f8ca05d404f4c2480","ref_ssm":["aspace_b321d9d61bb5f00f8ca05d404f4c2480","aspace_b321d9d61bb5f00f8ca05d404f4c2480"],"id":"5e17dda97e7549e9d9b40539_aspace_b321d9d61bb5f00f8ca05d404f4c2480","title_filing_ssi":"Miner Normal School - \"The Varsity\" newsletter","title_ssm":["Miner Normal School - \"The Varsity\" newsletter"],"title_tesim":["Miner Normal School - \"The Varsity\" newsletter"],"unitdate_inclusive_ssm":["1986-1987"],"normalized_date_ssm":["1986-1987"],"normalized_title_ssm":["Miner Normal School - \"The Varsity\" newsletter, 1986-1987"],"text":["Miner Normal School - \"The Varsity\" newsletter, 1986-1987","Dorothy Porter Wesley Collection, Circa 1788-2012","Professional Papers","Dorothy Porter Wesley professional papers, Circa 1902-2002","/repositories/2/archival_objects/4238","box 17","folder 301"],"component_level_isim":[3],"parent_ids_ssim":["5e17dda97e7549e9d9b40539","5e17dda97e7549e9d9b40539_aspace_5fad3c940d5d32bd28317ccb4d6a73d7","5e17dda97e7549e9d9b40539_aspace_9b8b502731c101c3baab82aa3bb5fc2e"],"parent_unittitles_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012","Professional Papers","Dorothy Porter Wesley professional papers, Circa 1902-2002"],"parent_unittitles_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012","Professional Papers","Dorothy Porter Wesley professional papers, Circa 1902-2002"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/4238"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":310,"parent_access_restrict_tesm":["The Dorothy Porter Wesley Collection is open for research."],"date_range_isim":[1986,1987],"containers_ssim":["box 17","folder 301"],"_nest_path_":"/components#1/components#0/components#114","_nest_parent_":"5e17dda97e7549e9d9b40539_aspace_9b8b502731c101c3baab82aa3bb5fc2e","_root_":"5e17dda97e7549e9d9b40539","_version_":1871563605913108480,"timestamp":"2026-07-24T03:02:22.463Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5e17dda97e7549e9d9b40539","title_filing_ssi":"Wesley, Dorothy Porter Collection","title_ssm":["Dorothy Porter Wesley Collection"],"title_tesim":["Dorothy Porter Wesley Collection"],"ead_ssi":"5e17dda97e7549e9d9b40539","unitdate_ssm":["Circa 1788-2012"],"unitdate_inclusive_ssm":["Circa 1788-2012"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2003.6","/repositories/2/resources/20"],"text":["AARLCC.2003.6","/repositories/2/resources/20","Dorothy Porter Wesley Collection, Circa 1788-2012","Africa -- Research","Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art","The Dorothy Porter Wesley Collection is open for research.","View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.","The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets","Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.","The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.","Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".","The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.","AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970","English Portuguese German"],"unitid_tesim":["AARLCC.2003.6","/repositories/2/resources/20"],"normalized_date_ssm":["Circa 1788-2012"],"normalized_title_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_title_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Africa -- Research"],"geogname_ssim":["Africa -- Research"],"places_ssim":["Africa -- Research"],"acqinfo_ssim":["Broward County Library purchased the materials from Constance Porter Uzelac (daughter of Dorothy Porter Wesley) in December 2002 (Accession AARLCC-2003.6). Milan Uzelac donated accruals to AARLCC Special Collections on June 29, 2012 (Accession AARLCC-2012.12) and on May 12, 2022 (Accession AARLCC-2022.7)."],"access_subjects_ssim":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"access_subjects_ssm":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"has_online_content_ssim":["false"],"extent_ssm":["67 Hollinger Boxes","2800 Books"],"extent_tesim":["67 Hollinger Boxes","2800 Books"],"genreform_ssim":["Photographs","Sound recordings","Correspondence","Art"],"date_range_isim":[1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Dorothy Porter Wesley Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll37/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series and sub-series:\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries I. Correspondence\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. General Correspondence\u003c/p\u003e","\u003cp\u003eSub-series II. Family Correspondence\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries II. Professional Papers\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley professional papers\u003c/p\u003e","\u003cp\u003eSub-series II. Constance Porter Uzelac professional papers \u003c/p\u003e","\u003cp\u003eSub-series III. Charles Harris Wesley professional papers \u003c/p\u003e","\u003cp\u003eSub-series IV. Writings by Dorothy Porter Wesley\u003c/p\u003e","\u003cp\u003eSub-series V. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VI. Writings by James A. Porter\u003c/p\u003e","\u003cp\u003eSub-series VII. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VIII. Writings by Charles Harris Wesley \u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries III. Research Files\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley general research files\u003c/p\u003e","\u003cp\u003eSub-series II. Dorothy Porter Wesley Brazil research files\u003c/p\u003e","\u003cp\u003eSub-series III. Dorothy Porter Wesley illustrations\u003c/p\u003e","\u003cp\u003eSub-series IV. Constance Porter Uzelac research files\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries IV. Personal Papers\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries V. Photographs\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries VI. Printed Materials\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Calendars and Datebooks\u003c/p\u003e","\u003cp\u003eSub-series II. Catalogs\u003c/p\u003e","\u003cp\u003eSub-series III. General\u003c/p\u003e","\u003cp\u003eSub-series IV. Magazines\u003c/p\u003e","\u003cp\u003eSub-series V. Maps\u003c/p\u003e","\u003cp\u003eSub-series VI. Newspaper Clippings\u003c/p\u003e","\u003cp\u003eSub-series VII. Sheet Music\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries VII. Ephemera and Artwork\u003c/p\u003e\u003c/b\u003e","\u003cp\u003e\u003cb\u003eSeries VIII. Books and Pamphlets\u003c/b\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets"],"bioghist_html_tesm":["\u003cp\u003eDorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. \u003c/p\u003e\n","\u003cp\u003eShe graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. \u003c/p\u003e\n","\u003cp\u003eIn 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work, \u003cemph\u003eModern Negro Art\u003c/emph\u003e, proved to be one of the most informative sources to date on the creativity of the Black artists.\u003c/p\u003e\n","\u003cp\u003eIn 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.\u003c/p\u003e\n","\u003cp\u003eJames Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. \u003c/p\u003e\n","\u003cp\u003eCharles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. \u003c/p\u003e\n","\u003cp\u003eAfter her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.\u003c/p\u003e\n","\u003cp\u003eIn 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.\u003c/p\u003e\n","\u003cp\u003eThe book \u003ci\u003eWilliam Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874\u003c/i\u003e (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.\u003c/p\u003e\n","\u003cp\u003eIn 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012."],"prefercite_html_tesm":["\u003cp\u003eDorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Dorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\n\u003ca href=\"https://archives.yale.edu/repositories/11/resources/994\" target=\"_blank\"\u003ePart of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.\u003c/a\u003e\n\u003c/p\u003e","\u003cp\u003e\n\u003ca href=\"https://archives.libraries.emory.edu/repositories/7/resources/3255\" target=\"_blank\"\u003eDorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.\u003c/a\u003e\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University."],"scopecontent_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.\u003c/p\u003e\n","\u003cp\u003eCorrespondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.\u003c/p\u003e\n","\u003cp\u003eProfessional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.\u003c/p\u003e\n","\u003cp\u003eConstance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". \u003c/p\u003e\n","\u003cp\u003eThe collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.\u003c/p\u003e\n","\u003cp\u003eResearch files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.\u003c/p\u003e\n","\u003cp\u003ePrinted Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=DPW\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\"."],"abstract_html_tesm":["\u003cabstract id=\"aspace_559c404160acc20bdc75d09cde3325a4\"\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.\u003c/abstract\u003e"],"abstract_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets."],"names_ssim":["AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Wesley, Dorothy Porter, 1905-1995"],"persname_ssim":["Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"language_ssim":["English Portuguese German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1539,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871563605913108480,"_root_":"5e17dda97e7549e9d9b40539","timestamp":"2026-07-24T03:02:22.463Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_b321d9d61bb5f00f8ca05d404f4c2480"}},{"id":"5e17dda97e7549e9d9b40539_aspace_3f885a9b794a2f82029b3775d8f0ce68","type":"File","attributes":{"title":"Minority students and racial divisions, Circa 1981-1990","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_3f885a9b794a2f82029b3775d8f0ce68#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_3f885a9b794a2f82029b3775d8f0ce68","ref_ssm":["aspace_3f885a9b794a2f82029b3775d8f0ce68","aspace_3f885a9b794a2f82029b3775d8f0ce68"],"id":"5e17dda97e7549e9d9b40539_aspace_3f885a9b794a2f82029b3775d8f0ce68","title_filing_ssi":"Minority students and racial divisions","title_ssm":["Minority students and racial divisions"],"title_tesim":["Minority students and racial divisions"],"unitdate_inclusive_ssm":["Circa 1981-1990"],"normalized_date_ssm":["Circa 1981-1990"],"normalized_title_ssm":["Minority students and racial divisions, Circa 1981-1990"],"text":["Minority students and racial divisions, Circa 1981-1990","Dorothy Porter Wesley Collection, Circa 1788-2012","Research Files","Dorothy Porter Wesley, Circa 1760-2000","General Research Files, Circa 1760-2000","/repositories/2/archival_objects/5243","box 37","folder 812"],"component_level_isim":[4],"parent_ids_ssim":["5e17dda97e7549e9d9b40539","5e17dda97e7549e9d9b40539_aspace_1571a54c27a10bca175f2df337fb743a","5e17dda97e7549e9d9b40539_aspace_a298a495456596ad78317c99fed94fdb","5e17dda97e7549e9d9b40539_aspace_d375208a4fb8f6ae61f4cf54138dd0c8"],"parent_unittitles_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012","Research Files","Dorothy Porter Wesley, Circa 1760-2000","General Research Files, Circa 1760-2000"],"parent_unittitles_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012","Research Files","Dorothy Porter Wesley, Circa 1760-2000","General Research Files, Circa 1760-2000"],"parent_levels_ssm":["collection","Series","Subseries","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/5243"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":832,"parent_access_restrict_tesm":["The Dorothy Porter Wesley Collection is open for research."],"date_range_isim":[1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"containers_ssim":["box 37","folder 812"],"_nest_path_":"/components#2/components#0/components#0/components#395","_nest_parent_":"5e17dda97e7549e9d9b40539_aspace_d375208a4fb8f6ae61f4cf54138dd0c8","_root_":"5e17dda97e7549e9d9b40539","_version_":1871563605913108480,"timestamp":"2026-07-24T03:02:22.463Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5e17dda97e7549e9d9b40539","title_filing_ssi":"Wesley, Dorothy Porter Collection","title_ssm":["Dorothy Porter Wesley Collection"],"title_tesim":["Dorothy Porter Wesley Collection"],"ead_ssi":"5e17dda97e7549e9d9b40539","unitdate_ssm":["Circa 1788-2012"],"unitdate_inclusive_ssm":["Circa 1788-2012"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2003.6","/repositories/2/resources/20"],"text":["AARLCC.2003.6","/repositories/2/resources/20","Dorothy Porter Wesley Collection, Circa 1788-2012","Africa -- Research","Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art","The Dorothy Porter Wesley Collection is open for research.","View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.","The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets","Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.","The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.","Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".","The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.","AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970","English Portuguese German"],"unitid_tesim":["AARLCC.2003.6","/repositories/2/resources/20"],"normalized_date_ssm":["Circa 1788-2012"],"normalized_title_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_title_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Africa -- Research"],"geogname_ssim":["Africa -- Research"],"places_ssim":["Africa -- Research"],"acqinfo_ssim":["Broward County Library purchased the materials from Constance Porter Uzelac (daughter of Dorothy Porter Wesley) in December 2002 (Accession AARLCC-2003.6). Milan Uzelac donated accruals to AARLCC Special Collections on June 29, 2012 (Accession AARLCC-2012.12) and on May 12, 2022 (Accession AARLCC-2022.7)."],"access_subjects_ssim":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"access_subjects_ssm":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"has_online_content_ssim":["false"],"extent_ssm":["67 Hollinger Boxes","2800 Books"],"extent_tesim":["67 Hollinger Boxes","2800 Books"],"genreform_ssim":["Photographs","Sound recordings","Correspondence","Art"],"date_range_isim":[1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Dorothy Porter Wesley Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll37/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series and sub-series:\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries I. Correspondence\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. General Correspondence\u003c/p\u003e","\u003cp\u003eSub-series II. Family Correspondence\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries II. Professional Papers\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley professional papers\u003c/p\u003e","\u003cp\u003eSub-series II. Constance Porter Uzelac professional papers \u003c/p\u003e","\u003cp\u003eSub-series III. Charles Harris Wesley professional papers \u003c/p\u003e","\u003cp\u003eSub-series IV. Writings by Dorothy Porter Wesley\u003c/p\u003e","\u003cp\u003eSub-series V. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VI. Writings by James A. Porter\u003c/p\u003e","\u003cp\u003eSub-series VII. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VIII. Writings by Charles Harris Wesley \u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries III. Research Files\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley general research files\u003c/p\u003e","\u003cp\u003eSub-series II. Dorothy Porter Wesley Brazil research files\u003c/p\u003e","\u003cp\u003eSub-series III. Dorothy Porter Wesley illustrations\u003c/p\u003e","\u003cp\u003eSub-series IV. Constance Porter Uzelac research files\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries IV. Personal Papers\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries V. Photographs\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries VI. Printed Materials\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Calendars and Datebooks\u003c/p\u003e","\u003cp\u003eSub-series II. Catalogs\u003c/p\u003e","\u003cp\u003eSub-series III. General\u003c/p\u003e","\u003cp\u003eSub-series IV. Magazines\u003c/p\u003e","\u003cp\u003eSub-series V. Maps\u003c/p\u003e","\u003cp\u003eSub-series VI. Newspaper Clippings\u003c/p\u003e","\u003cp\u003eSub-series VII. Sheet Music\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries VII. Ephemera and Artwork\u003c/p\u003e\u003c/b\u003e","\u003cp\u003e\u003cb\u003eSeries VIII. Books and Pamphlets\u003c/b\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets"],"bioghist_html_tesm":["\u003cp\u003eDorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. \u003c/p\u003e\n","\u003cp\u003eShe graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. \u003c/p\u003e\n","\u003cp\u003eIn 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work, \u003cemph\u003eModern Negro Art\u003c/emph\u003e, proved to be one of the most informative sources to date on the creativity of the Black artists.\u003c/p\u003e\n","\u003cp\u003eIn 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.\u003c/p\u003e\n","\u003cp\u003eJames Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. \u003c/p\u003e\n","\u003cp\u003eCharles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. \u003c/p\u003e\n","\u003cp\u003eAfter her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.\u003c/p\u003e\n","\u003cp\u003eIn 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.\u003c/p\u003e\n","\u003cp\u003eThe book \u003ci\u003eWilliam Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874\u003c/i\u003e (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.\u003c/p\u003e\n","\u003cp\u003eIn 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012."],"prefercite_html_tesm":["\u003cp\u003eDorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Dorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\n\u003ca href=\"https://archives.yale.edu/repositories/11/resources/994\" target=\"_blank\"\u003ePart of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.\u003c/a\u003e\n\u003c/p\u003e","\u003cp\u003e\n\u003ca href=\"https://archives.libraries.emory.edu/repositories/7/resources/3255\" target=\"_blank\"\u003eDorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.\u003c/a\u003e\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University."],"scopecontent_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.\u003c/p\u003e\n","\u003cp\u003eCorrespondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.\u003c/p\u003e\n","\u003cp\u003eProfessional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.\u003c/p\u003e\n","\u003cp\u003eConstance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". \u003c/p\u003e\n","\u003cp\u003eThe collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.\u003c/p\u003e\n","\u003cp\u003eResearch files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.\u003c/p\u003e\n","\u003cp\u003ePrinted Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=DPW\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\"."],"abstract_html_tesm":["\u003cabstract id=\"aspace_559c404160acc20bdc75d09cde3325a4\"\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.\u003c/abstract\u003e"],"abstract_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets."],"names_ssim":["AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Wesley, Dorothy Porter, 1905-1995"],"persname_ssim":["Wesley, Dorothy Porter, 1905-1995","Porter, James A. 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Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact"],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"total_component_count_is":234,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841817683984384,"_root_":"a36198184e7d5dde60404612","timestamp":"2026-07-16T03:49:51.579Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a36198184e7d5dde60404612_aspace_38ac39b2c5b533735e5e60ca437f007c"}},{"id":"a5ba771381bd55a02803efce_aspace_305042ead6ad55c249947b6c3e275221","type":"Series","attributes":{"title":"Minority Women's Coalition, 1984-1998","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a5ba771381bd55a02803efce_aspace_305042ead6ad55c249947b6c3e275221#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_305042ead6ad55c249947b6c3e275221","ref_ssm":["aspace_305042ead6ad55c249947b6c3e275221","aspace_305042ead6ad55c249947b6c3e275221"],"id":"a5ba771381bd55a02803efce_aspace_305042ead6ad55c249947b6c3e275221","title_filing_ssi":"Minority Women's Coalition","title_ssm":["Minority Women's Coalition"],"title_tesim":["Minority Women's Coalition"],"unitdate_inclusive_ssm":["1984-1998"],"normalized_date_ssm":["1984-1998"],"normalized_title_ssm":["Minority Women's Coalition, 1984-1998"],"text":["Minority Women's Coalition, 1984-1998","Grace Brooks Solomon Papers, 1963-2005","/repositories/3/archival_objects/9506","box 1","box 3"],"component_level_isim":[1],"parent_ids_ssim":["a5ba771381bd55a02803efce"],"parent_unittitles_ssm":["Grace Brooks Solomon Papers, 1963-2005"],"parent_unittitles_tesim":["Grace Brooks Solomon Papers, 1963-2005"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/3/archival_objects/9506"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Grace Brooks Solomon Papers, 1963-2005"],"has_online_content_ssim":["false"],"child_component_count_isi":6,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":8,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information."],"date_range_isim":[1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"containers_ssim":["box 1","box 3"],"_nest_path_":"/components#1","_nest_parent_":"a5ba771381bd55a02803efce","_root_":"a5ba771381bd55a02803efce","_version_":1870860597237645312,"timestamp":"2026-07-16T08:48:21.161Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a5ba771381bd55a02803efce","title_ssm":["Grace Brooks Solomon Papers"],"title_tesim":["Grace Brooks Solomon Papers"],"ead_ssi":"a5ba771381bd55a02803efce","unitdate_ssm":["1963-2005"],"unitdate_inclusive_ssm":["1963-2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2017.007","/repositories/3/resources/80"],"text":["2017.007","/repositories/3/resources/80","Grace Brooks Solomon Papers, 1963-2005","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","Grace Brooks Solomon, the youngest child of Sallie Adams and Henry Pickens Brooks, was born in 1915 in Jacksonville, Florida. Her formative years transpired within the confines of this city, where she commenced her educational journey at Edward Waters College. As her pursuit of knowledge unfolded, Solomon extended her academic endeavors to Bethune-Cookman College and the Tuskegee Institute, culminating in the attainment of a Bachelor of Science in Education. Subsequently, she further honed her intellectual skills at Atlanta University, obtaining a degree in Library Science. A career in education ensued, with Solomon notably assuming the role of librarian at Rufus E. Payne Elementary School.","Concurrently, her husband, James H. Solomon, imparted his knowledge as an instructor of upholstery at New Stanton Senior High School. A testament to their shared endeavors, James H. Solomon constructed the familial residence that would house many generations to come. Solomon's extended family, inclusive of the McGraths, converges in Alexandria, Virginia, contributing to the broader context of Grace Brooks Solomon's heritage.","Of equal prominence within the family lineage is Sallye B. Mathis, Grace's older sister. A trailblazing figure in the city's history, Mathis was one of Jacksonville's first Black women to serve on the city council. In parallel with her sister, Mathis dedicated a significant portion of her life to the field of education. In 1977, she founded the Minority Women's Coalition (MWC), an organization subsequently presided over by Grace Solomon in 1987 following her sister's passing in 1982. Grace, prior to assuming the presidency, served as the Residential Agent for the MWC.","The articulated objectives of the MWC, as described in its bylaws, underscores its commitment to fostering the holistic development of women, both educationally and professionally, while also encouraging civic engagement. Central to the MWC's mission is the enhancement of educational opportunities through an annual scholarship awards program and the provision of emergency assistance to vulnerable families facing existential threats. ","During her tenure as president in the late 1980s and 1990s, Grace Solomon directed her efforts towards improving racial disparities within the Jacksonville education system. Simultaneously, she emerged as a prominent figure in commemorating the legacy of Sallye B. Mathis, through her leadership in advocating for the renaming of an elementary school in her sister's honor. Grace Brooks Solomon passed at the age of 95 on September 11th, 2010. Her life stands as a testament to a legacy marked by an unwavering commitment to education, civic duty, and the advancement of minority women.","See also: Sallye Brooks Mathis Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.","This collection is home to the personal papers of Grace Brooks Solomon, a political activist in Jacksonville, Florida, most notably known for her work during her presidency of the Minority Women's Coalition. These papers provide insight into the professional career and personal life of Grace Brooks Solomon as well as her efforts to memorialize her sister, former Jacksonville City Council Member, Sallye Brooks Mathis. Furthermore, this collection grants a look into the many racial issues and desegregation efforts made by women of color as well as school board members in Florida during the 1980s and 90s.","Series in this collection include the following:","Series 1 — Education Issues (arranged alphabetically by sub-series)","Sub-Series 1 — Desegregation and Race (arranged chronologically) includes documents pertaining to racial and desegregation issues in schools.","Sub-Series 2 — Northside (arranged chronologically) contains documents pertaining to education concerns on the Northside of Jacksonville.","\nSub-Series 3 — Quality Education (arranged chronologically) includes materials concerning parent, teacher, and community involvement in schools, correspondence, and testing.","Series 2 — Minority Women's Coalition (arranged alphabetically by sub-series).","Sub-Series 1 — Community Outreach (arranged chronologically) relates to the efforts made by the MWC to maintain civic engagement.","Sub-Series 2 — Correspondence (arranged chronologically) is comprised of a variety of correspondence received and sent by Grace Solomon as well as other members of the MWC.","Sub-Series 3 — Financial Records (arranged chronologically) contains records that deal with the MWC's financial history.","Sub-Series 4 — Legal Documents (arranged chronologically) consists of the MWC's legal reports and records.","Sub-Series 5 — Meeting Records (arranged chronologically) includes journals and notes detailing MWC meetings.","Sub-Series 6 — Organizational Records (arranged chronologically) are comprised of contact information and addresses of former members of the MWC and affiliated services.","Series 3 — Miscellaneous (arranged chronologically) consists of flyers, poems, notes regarding the NAACP and a pamphlet.","Series 4 — News Clippings (arranged chronologically) is comprised of various topics such as black history, schools, and church.","Series 5 — Personal (arranged alphabetically by sub-series).","Sub-Series 1 — Correspondence (arranged chronologically) contains holiday and birthday cards to and from people believed to be related to Grace Solomon as well as letters addressed to Solomon.","Sub-Series 2 — Photos (arranged chronologically and by person/family) includes photo prints and negatives of the Solomon and McGrath family, friends, and unknown peoples.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information.","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2017.007","/repositories/3/resources/80"],"normalized_date_ssm":["1963-2005"],"normalized_title_ssm":["Grace Brooks Solomon Papers, 1963-2005"],"collection_title_tesim":["Grace Brooks Solomon Papers, 1963-2005"],"collection_ssim":["Grace Brooks Solomon Papers, 1963-2005"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information."],"acqinfo_ssim":["The collection was acquired through donation from Brooke M. Stephens, 2017-07-27 and 2018-12-18."],"has_online_content_ssim":["false"],"extent_ssm":["2.58 Linear Feet"],"extent_tesim":["2.58 Linear Feet"],"date_range_isim":[1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eGrace Brooks Solomon, the youngest child of Sallie Adams and Henry Pickens Brooks, was born in 1915 in Jacksonville, Florida. Her formative years transpired within the confines of this city, where she commenced her educational journey at Edward Waters College. As her pursuit of knowledge unfolded, Solomon extended her academic endeavors to Bethune-Cookman College and the Tuskegee Institute, culminating in the attainment of a Bachelor of Science in Education. Subsequently, she further honed her intellectual skills at Atlanta University, obtaining a degree in Library Science. A career in education ensued, with Solomon notably assuming the role of librarian at Rufus E. Payne Elementary School.\u003c/p\u003e\n","\u003cp\u003eConcurrently, her husband, James H. Solomon, imparted his knowledge as an instructor of upholstery at New Stanton Senior High School. A testament to their shared endeavors, James H. Solomon constructed the familial residence that would house many generations to come. Solomon's extended family, inclusive of the McGraths, converges in Alexandria, Virginia, contributing to the broader context of Grace Brooks Solomon's heritage.\u003c/p\u003e\n","\u003cp\u003eOf equal prominence within the family lineage is Sallye B. Mathis, Grace's older sister. A trailblazing figure in the city's history, Mathis was one of Jacksonville's first Black women to serve on the city council. In parallel with her sister, Mathis dedicated a significant portion of her life to the field of education. In 1977, she founded the Minority Women's Coalition (MWC), an organization subsequently presided over by Grace Solomon in 1987 following her sister's passing in 1982. Grace, prior to assuming the presidency, served as the Residential Agent for the MWC.\u003c/p\u003e\n","\u003cp\u003eThe articulated objectives of the MWC, as described in its bylaws, underscores its commitment to fostering the holistic development of women, both educationally and professionally, while also encouraging civic engagement. Central to the MWC's mission is the enhancement of educational opportunities through an annual scholarship awards program and the provision of emergency assistance to vulnerable families facing existential threats. \u003c/p\u003e\n","\u003cp\u003eDuring her tenure as president in the late 1980s and 1990s, Grace Solomon directed her efforts towards improving racial disparities within the Jacksonville education system. Simultaneously, she emerged as a prominent figure in commemorating the legacy of Sallye B. Mathis, through her leadership in advocating for the renaming of an elementary school in her sister's honor. Grace Brooks Solomon passed at the age of 95 on September 11th, 2010. Her life stands as a testament to a legacy marked by an unwavering commitment to education, civic duty, and the advancement of minority women.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Grace Brooks Solomon, the youngest child of Sallie Adams and Henry Pickens Brooks, was born in 1915 in Jacksonville, Florida. Her formative years transpired within the confines of this city, where she commenced her educational journey at Edward Waters College. As her pursuit of knowledge unfolded, Solomon extended her academic endeavors to Bethune-Cookman College and the Tuskegee Institute, culminating in the attainment of a Bachelor of Science in Education. Subsequently, she further honed her intellectual skills at Atlanta University, obtaining a degree in Library Science. A career in education ensued, with Solomon notably assuming the role of librarian at Rufus E. Payne Elementary School.","Concurrently, her husband, James H. Solomon, imparted his knowledge as an instructor of upholstery at New Stanton Senior High School. A testament to their shared endeavors, James H. Solomon constructed the familial residence that would house many generations to come. Solomon's extended family, inclusive of the McGraths, converges in Alexandria, Virginia, contributing to the broader context of Grace Brooks Solomon's heritage.","Of equal prominence within the family lineage is Sallye B. Mathis, Grace's older sister. A trailblazing figure in the city's history, Mathis was one of Jacksonville's first Black women to serve on the city council. In parallel with her sister, Mathis dedicated a significant portion of her life to the field of education. In 1977, she founded the Minority Women's Coalition (MWC), an organization subsequently presided over by Grace Solomon in 1987 following her sister's passing in 1982. Grace, prior to assuming the presidency, served as the Residential Agent for the MWC.","The articulated objectives of the MWC, as described in its bylaws, underscores its commitment to fostering the holistic development of women, both educationally and professionally, while also encouraging civic engagement. Central to the MWC's mission is the enhancement of educational opportunities through an annual scholarship awards program and the provision of emergency assistance to vulnerable families facing existential threats. ","During her tenure as president in the late 1980s and 1990s, Grace Solomon directed her efforts towards improving racial disparities within the Jacksonville education system. Simultaneously, she emerged as a prominent figure in commemorating the legacy of Sallye B. Mathis, through her leadership in advocating for the renaming of an elementary school in her sister's honor. Grace Brooks Solomon passed at the age of 95 on September 11th, 2010. Her life stands as a testament to a legacy marked by an unwavering commitment to education, civic duty, and the advancement of minority women."],"prefercite_html_tesm":["\u003cp\u003eGrace Brooks Solomon Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Grace Brooks Solomon Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also: Sallye Brooks Mathis Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["See also: Sallye Brooks Mathis Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is home to the personal papers of Grace Brooks Solomon, a political activist in Jacksonville, Florida, most notably known for her work during her presidency of the Minority Women's Coalition. These papers provide insight into the professional career and personal life of Grace Brooks Solomon as well as her efforts to memorialize her sister, former Jacksonville City Council Member, Sallye Brooks Mathis. Furthermore, this collection grants a look into the many racial issues and desegregation efforts made by women of color as well as school board members in Florida during the 1980s and 90s.\u003c/p\u003e\n","\u003cp\u003eSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1 \u0026#x2014; Education Issues (arranged alphabetically by sub-series)\u003c/p\u003e\n","\u003cp\u003eSub-Series 1 \u0026#x2014; Desegregation and Race (arranged chronologically) includes documents pertaining to racial and desegregation issues in schools.\u003c/p\u003e\n","\u003cp\u003eSub-Series 2 \u0026#x2014; Northside (arranged chronologically) contains documents pertaining to education concerns on the Northside of Jacksonville.\u003c/p\u003e\n","\u003cp\u003e\nSub-Series 3 \u0026#x2014; Quality Education (arranged chronologically) includes materials concerning parent, teacher, and community involvement in schools, correspondence, and testing.\u003c/p\u003e\n","\u003cp\u003eSeries 2 \u0026#x2014; Minority Women's Coalition (arranged alphabetically by sub-series).\u003c/p\u003e\n","\u003cp\u003eSub-Series 1 \u0026#x2014; Community Outreach (arranged chronologically) relates to the efforts made by the MWC to maintain civic engagement.\u003c/p\u003e\n","\u003cp\u003eSub-Series 2 \u0026#x2014; Correspondence (arranged chronologically) is comprised of a variety of correspondence received and sent by Grace Solomon as well as other members of the MWC.\u003c/p\u003e\n","\u003cp\u003eSub-Series 3 \u0026#x2014; Financial Records (arranged chronologically) contains records that deal with the MWC's financial history.\u003c/p\u003e\n","\u003cp\u003eSub-Series 4 \u0026#x2014; Legal Documents (arranged chronologically) consists of the MWC's legal reports and records.\u003c/p\u003e\n","\u003cp\u003eSub-Series 5 \u0026#x2014; Meeting Records (arranged chronologically) includes journals and notes detailing MWC meetings.\u003c/p\u003e\n","\u003cp\u003eSub-Series 6 \u0026#x2014; Organizational Records (arranged chronologically) are comprised of contact information and addresses of former members of the MWC and affiliated services.\u003c/p\u003e\n","\u003cp\u003eSeries 3 \u0026#x2014; Miscellaneous (arranged chronologically) consists of flyers, poems, notes regarding the NAACP and a pamphlet.\u003c/p\u003e\n","\u003cp\u003eSeries 4 \u0026#x2014; News Clippings (arranged chronologically) is comprised of various topics such as black history, schools, and church.\u003c/p\u003e\n","\u003cp\u003eSeries 5 \u0026#x2014; Personal (arranged alphabetically by sub-series).\u003c/p\u003e\n","\u003cp\u003eSub-Series 1 \u0026#x2014; Correspondence (arranged chronologically) contains holiday and birthday cards to and from people believed to be related to Grace Solomon as well as letters addressed to Solomon.\u003c/p\u003e\n","\u003cp\u003eSub-Series 2 \u0026#x2014; Photos (arranged chronologically and by person/family) includes photo prints and negatives of the Solomon and McGrath family, friends, and unknown peoples.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is home to the personal papers of Grace Brooks Solomon, a political activist in Jacksonville, Florida, most notably known for her work during her presidency of the Minority Women's Coalition. These papers provide insight into the professional career and personal life of Grace Brooks Solomon as well as her efforts to memorialize her sister, former Jacksonville City Council Member, Sallye Brooks Mathis. Furthermore, this collection grants a look into the many racial issues and desegregation efforts made by women of color as well as school board members in Florida during the 1980s and 90s.","Series in this collection include the following:","Series 1 — Education Issues (arranged alphabetically by sub-series)","Sub-Series 1 — Desegregation and Race (arranged chronologically) includes documents pertaining to racial and desegregation issues in schools.","Sub-Series 2 — Northside (arranged chronologically) contains documents pertaining to education concerns on the Northside of Jacksonville.","\nSub-Series 3 — Quality Education (arranged chronologically) includes materials concerning parent, teacher, and community involvement in schools, correspondence, and testing.","Series 2 — Minority Women's Coalition (arranged alphabetically by sub-series).","Sub-Series 1 — Community Outreach (arranged chronologically) relates to the efforts made by the MWC to maintain civic engagement.","Sub-Series 2 — Correspondence (arranged chronologically) is comprised of a variety of correspondence received and sent by Grace Solomon as well as other members of the MWC.","Sub-Series 3 — Financial Records (arranged chronologically) contains records that deal with the MWC's financial history.","Sub-Series 4 — Legal Documents (arranged chronologically) consists of the MWC's legal reports and records.","Sub-Series 5 — Meeting Records (arranged chronologically) includes journals and notes detailing MWC meetings.","Sub-Series 6 — Organizational Records (arranged chronologically) are comprised of contact information and addresses of former members of the MWC and affiliated services.","Series 3 — Miscellaneous (arranged chronologically) consists of flyers, poems, notes regarding the NAACP and a pamphlet.","Series 4 — News Clippings (arranged chronologically) is comprised of various topics such as black history, schools, and church.","Series 5 — Personal (arranged alphabetically by sub-series).","Sub-Series 1 — Correspondence (arranged chronologically) contains holiday and birthday cards to and from people believed to be related to Grace Solomon as well as letters addressed to Solomon.","Sub-Series 2 — Photos (arranged chronologically and by person/family) includes photo prints and negatives of the Solomon and McGrath family, friends, and unknown peoples."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information."],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":43,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860597237645312,"_root_":"a5ba771381bd55a02803efce","timestamp":"2026-07-16T08:48:21.161Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a5ba771381bd55a02803efce_aspace_305042ead6ad55c249947b6c3e275221"}},{"id":"b7cc11bd2ebdc55f95a3022b_aspace_58696","type":"File","attributes":{"title":"Minutes., 1955-1997","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b7cc11bd2ebdc55f95a3022b_aspace_58696#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_58696","ref_ssm":["aspace_58696","aspace_58696"],"id":"b7cc11bd2ebdc55f95a3022b_aspace_58696","title_filing_ssi":"Minutes.","title_ssm":["Minutes."],"title_tesim":["Minutes."],"unitdate_inclusive_ssm":["1955-1997"],"normalized_date_ssm":["1955-1997"],"normalized_title_ssm":["Minutes., 1955-1997"],"text":["Minutes., 1955-1997","Volusia County Music Teachers Association, 1955-2015","Organizational Files, 1955-2015","Folder 3","/repositories/4/archival_objects/43360","box 1","folder 3"],"component_level_isim":[2],"parent_ids_ssim":["b7cc11bd2ebdc55f95a3022b","b7cc11bd2ebdc55f95a3022b_aspace_58692"],"parent_unittitles_ssm":["Volusia County Music Teachers Association, 1955-2015","Organizational Files, 1955-2015"],"parent_unittitles_tesim":["Volusia County Music Teachers Association, 1955-2015","Organizational Files, 1955-2015"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 3","/repositories/4/archival_objects/43360"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Volusia County Music Teachers Association, 1955-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":4,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"containers_ssim":["box 1","folder 3"],"_nest_path_":"/components#0/components#2","_nest_parent_":"b7cc11bd2ebdc55f95a3022b_aspace_58692","_root_":"b7cc11bd2ebdc55f95a3022b","_version_":1870857666918612992,"timestamp":"2026-07-16T08:01:46.592Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b7cc11bd2ebdc55f95a3022b","title_ssm":["Volusia County Music Teachers Association"],"title_tesim":["Volusia County Music Teachers Association"],"ead_ssi":"b7cc11bd2ebdc55f95a3022b","unitdate_ssm":["1955-2015"],"unitdate_inclusive_ssm":["1955-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.090","/repositories/4/resources/178"],"text":["SC.090","/repositories/4/resources/178","Volusia County Music Teachers Association, 1955-2015","Florida","Volusia County (Fla.)","Music teachers -- United States","Societies","The entire collection is open for research.","The records are arranged in alphabetical order.","There had been interest in creating the Florida Music Teacher Association (FMTA) since 1918 due to Mrs. Byrd, she wanted to create a state organization for her fellow teachers. The reason for a state organization was to seek official recognition and high-school credit for adequate private instruction.","\nThe idea for establishing the FMTA was kept alive for over a decade yet nothing was done to progress it until after about fourteen years. In 1932, the idea for the state organization was revived by the president of the Jacksonville Music Teacher Association, Mrs. Lloyd Jones, she appointed a committee to study the most advisable way to accomplish the idea and form the State Music Teacher Association.","\nAfter a failed attempt in 1933, finally on March of 1934 there was an organizational meeting that was held in Jacksonville, the association had finally been found with over one-hundred members. FTMA was then later affiliated with Music Teacher Association in 1953.","\nFour years later in 1938, the association gained the recognition that they sought out for; High School Credit, it was announced with a statement as followed \"Credit may now be offered for adequate private instruction\" on the Florida school bulletin. They did not have a set plan on how exactly the teacher would be certified to their competence, it was until 1954 that they had a Model Plan.","\nA meeting on September of 1955 was initiated to talk about creating a local music teacher association. These meetings consisted of writing up and sending applications for people to join the organization, as well as creating by-laws and code of ethics that had to be submitted for approval prior to the official meeting. In October of 1955, fifteen music teachers met up to organize the Music Teachers of Volusia County. During the meeting the purpose of creating the organization was discussed. Francis Stevenson had been encouraged by the president of Florida State Music Teacher Association, Merle Sargent of Miami; she urged him of the importance of the formation of a local organization, and the local organization was formed.","\nVolusia County Music Teacher Association (VCMTA) is comprised of 21 professional music teachers throughout Volusia County organized in 1955, the association is affiliated with Music Teachers National Association and Florida State Music Teachers Association.","\nThe primary objective of the Volusia County Music Teachers Association is to provide musical growth and enrichment for its members and their students. By sponsoring events that improve and expand the opportunities for students and their teachers, VCMTA can increase public awareness of quality music education, thus making a contribution to the cultural life of the entire community.","The collection was processed in 2015. Materials were arranged in chronological order and then placed into pH neutral folders and boxes. Photographs were placed in polyster sleeves. Files in Binders were put in pH folders. Metal clips and staples have been removed and replaced with plastic clips.","Volusia County Music Teachers Association","Florida State Music Teachers Association, 1934-2013 .","Series I: Organization Files, 1955-2015, consists of files such as correspondence to the organization, meeting notes, minutes, as well as photographs from events and recitals, a few scrapbooks with photographs, news clippings and recital pamphlets, yearbooks dating back to the first year that it was organized.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Volusia County Music Teacher Association is an organization that is focused on the enrichment of music studies and opportunities for its members and music students. The collection is comprised of correspondence, meetings, minutes, news clippings, photographs, scrapbooks, and yearbooks from the organization.","UCF Special Collections","Volusia County Music Teachers Association","English"],"unitid_tesim":["SC.090","/repositories/4/resources/178"],"normalized_date_ssm":["1955-2015"],"normalized_title_ssm":["Volusia County Music Teachers Association, 1955-2015"],"collection_title_tesim":["Volusia County Music Teachers Association, 1955-2015"],"collection_ssim":["Volusia County Music Teachers Association, 1955-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida","Volusia County (Fla.)"],"geogname_ssim":["Florida","Volusia County (Fla.)"],"creator_ssm":["Volusia County Music Teachers Association"],"creator_ssim":["Volusia County Music Teachers Association"],"creator_corpname_ssim":["Volusia County Music Teachers Association"],"creators_ssim":["Volusia County Music Teachers Association"],"places_ssim":["Florida","Volusia County (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The Volusia County Music Association donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2011 (CFM2011_03). Additional materials were donated in 2015 (CFM2015_02)."],"access_subjects_ssim":["Music teachers -- United States","Societies"],"access_subjects_ssm":["Music teachers -- United States","Societies"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet 3 Boxes"],"extent_tesim":["1.5 Linear Feet 3 Boxes"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe records are arranged in alphabetical order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The records are arranged in alphabetical order."],"bioghist_html_tesm":["\u003cp\u003eThere had been interest in creating the Florida Music Teacher Association (FMTA) since 1918 due to Mrs. Byrd, she wanted to create a state organization for her fellow teachers. The reason for a state organization was to seek official recognition and high-school credit for adequate private instruction.\u003c/p\u003e\n","\u003cp\u003e\nThe idea for establishing the FMTA was kept alive for over a decade yet nothing was done to progress it until after about fourteen years. In 1932, the idea for the state organization was revived by the president of the Jacksonville Music Teacher Association, Mrs. Lloyd Jones, she appointed a committee to study the most advisable way to accomplish the idea and form the State Music Teacher Association.\u003c/p\u003e\n","\u003cp\u003e\nAfter a failed attempt in 1933, finally on March of 1934 there was an organizational meeting that was held in Jacksonville, the association had finally been found with over one-hundred members. FTMA was then later affiliated with Music Teacher Association in 1953.\u003c/p\u003e\n","\u003cp\u003e\nFour years later in 1938, the association gained the recognition that they sought out for; High School Credit, it was announced with a statement as followed \"Credit may now be offered for adequate private instruction\" on the Florida school bulletin. They did not have a set plan on how exactly the teacher would be certified to their competence, it was until 1954 that they had a Model Plan.\u003c/p\u003e\n","\u003cp\u003e\nA meeting on September of 1955 was initiated to talk about creating a local music teacher association. These meetings consisted of writing up and sending applications for people to join the organization, as well as creating by-laws and code of ethics that had to be submitted for approval prior to the official meeting. In October of 1955, fifteen music teachers met up to organize the Music Teachers of Volusia County. During the meeting the purpose of creating the organization was discussed. Francis Stevenson had been encouraged by the president of Florida State Music Teacher Association, Merle Sargent of Miami; she urged him of the importance of the formation of a local organization, and the local organization was formed.\u003c/p\u003e\n","\u003cp\u003e\nVolusia County Music Teacher Association (VCMTA) is comprised of 21 professional music teachers throughout Volusia County organized in 1955, the association is affiliated with Music Teachers National Association and Florida State Music Teachers Association.\u003c/p\u003e\n","\u003cp\u003e\nThe primary objective of the Volusia County Music Teachers Association is to provide musical growth and enrichment for its members and their students. By sponsoring events that improve and expand the opportunities for students and their teachers, VCMTA can increase public awareness of quality music education, thus making a contribution to the cultural life of the entire community.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["There had been interest in creating the Florida Music Teacher Association (FMTA) since 1918 due to Mrs. Byrd, she wanted to create a state organization for her fellow teachers. The reason for a state organization was to seek official recognition and high-school credit for adequate private instruction.","\nThe idea for establishing the FMTA was kept alive for over a decade yet nothing was done to progress it until after about fourteen years. In 1932, the idea for the state organization was revived by the president of the Jacksonville Music Teacher Association, Mrs. Lloyd Jones, she appointed a committee to study the most advisable way to accomplish the idea and form the State Music Teacher Association.","\nAfter a failed attempt in 1933, finally on March of 1934 there was an organizational meeting that was held in Jacksonville, the association had finally been found with over one-hundred members. FTMA was then later affiliated with Music Teacher Association in 1953.","\nFour years later in 1938, the association gained the recognition that they sought out for; High School Credit, it was announced with a statement as followed \"Credit may now be offered for adequate private instruction\" on the Florida school bulletin. They did not have a set plan on how exactly the teacher would be certified to their competence, it was until 1954 that they had a Model Plan.","\nA meeting on September of 1955 was initiated to talk about creating a local music teacher association. These meetings consisted of writing up and sending applications for people to join the organization, as well as creating by-laws and code of ethics that had to be submitted for approval prior to the official meeting. In October of 1955, fifteen music teachers met up to organize the Music Teachers of Volusia County. During the meeting the purpose of creating the organization was discussed. Francis Stevenson had been encouraged by the president of Florida State Music Teacher Association, Merle Sargent of Miami; she urged him of the importance of the formation of a local organization, and the local organization was formed.","\nVolusia County Music Teacher Association (VCMTA) is comprised of 21 professional music teachers throughout Volusia County organized in 1955, the association is affiliated with Music Teachers National Association and Florida State Music Teachers Association.","\nThe primary objective of the Volusia County Music Teachers Association is to provide musical growth and enrichment for its members and their students. By sponsoring events that improve and expand the opportunities for students and their teachers, VCMTA can increase public awareness of quality music education, thus making a contribution to the cultural life of the entire community."],"prefercite_html_tesm":["\u003cp\u003eThe Volusia County Music Teachers Association, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["The Volusia County Music Teachers Association, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eThe collection was processed in 2015. Materials were arranged in chronological order and then placed into pH neutral folders and boxes. Photographs were placed in polyster sleeves. Files in Binders were put in pH folders. Metal clips and staples have been removed and replaced with plastic clips.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was processed in 2015. Materials were arranged in chronological order and then placed into pH neutral folders and boxes. Photographs were placed in polyster sleeves. Files in Binders were put in pH folders. Metal clips and staples have been removed and replaced with plastic clips."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://www.vcmta.org/\"\u003eVolusia County Music Teachers Association\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1979-01\"\u003eFlorida State Music Teachers Association, 1934-2013\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Volusia County Music Teachers Association","Florida State Music Teachers Association, 1934-2013 ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Organization Files, 1955-2015, consists of files such as correspondence to the organization, meeting notes, minutes, as well as photographs from events and recitals, a few scrapbooks with photographs, news clippings and recital pamphlets, yearbooks dating back to the first year that it was organized.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Organization Files, 1955-2015, consists of files such as correspondence to the organization, meeting notes, minutes, as well as photographs from events and recitals, a few scrapbooks with photographs, news clippings and recital pamphlets, yearbooks dating back to the first year that it was organized."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_cee5a7b39f7e2429e8d9b744c888d3a4\" label=\"Abstract\"\u003eVolusia County Music Teacher Association is an organization that is focused on the enrichment of music studies and opportunities for its members and music students. The collection is comprised of correspondence, meetings, minutes, news clippings, photographs, scrapbooks, and yearbooks from the organization.\u003c/abstract\u003e"],"abstract_tesim":["Volusia County Music Teacher Association is an organization that is focused on the enrichment of music studies and opportunities for its members and music students. The collection is comprised of correspondence, meetings, minutes, news clippings, photographs, scrapbooks, and yearbooks from the organization."],"names_coll_ssim":["Volusia County Music Teachers Association"],"names_ssim":["UCF Special Collections","Volusia County Music Teachers Association"],"corpname_ssim":["UCF Special Collections","Volusia County Music Teachers Association"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":22,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857666918612992,"_root_":"b7cc11bd2ebdc55f95a3022b","timestamp":"2026-07-16T08:01:46.592Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b7cc11bd2ebdc55f95a3022b_aspace_58696"}},{"id":"6f3b5db6405c2d66149b5875_aspace_62903","type":"File","attributes":{"title":"Minutes, 1962-2003","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6f3b5db6405c2d66149b5875_aspace_62903#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_62903","ref_ssm":["aspace_62903","aspace_62903"],"id":"6f3b5db6405c2d66149b5875_aspace_62903","title_filing_ssi":"Minutes","title_ssm":["Minutes"],"title_tesim":["Minutes"],"unitdate_inclusive_ssm":["1962-2003"],"normalized_date_ssm":["1962-2003"],"normalized_title_ssm":["Minutes, 1962-2003"],"text":["Minutes, 1962-2003","Democratic Women's Club of Florida, Inc. Collection, 1945-2023","Collection Additions, 1945-2023","2012-2016 Additions, 1945-2015","Region V, 1945-2015, Undated","Folder 4-6","/repositories/4/archival_objects/6890","box 17","folder 4-6"],"component_level_isim":[4],"parent_ids_ssim":["6f3b5db6405c2d66149b5875","6f3b5db6405c2d66149b5875_aspace_62781","6f3b5db6405c2d66149b5875_aspace_67865","6f3b5db6405c2d66149b5875_aspace_62892"],"parent_unittitles_ssm":["Democratic Women's Club of Florida, Inc. Collection, 1945-2023","Collection Additions, 1945-2023","2012-2016 Additions, 1945-2015","Region V, 1945-2015, Undated"],"parent_unittitles_tesim":["Democratic Women's Club of Florida, Inc. Collection, 1945-2023","Collection Additions, 1945-2023","2012-2016 Additions, 1945-2015","Region V, 1945-2015, Undated"],"parent_levels_ssm":["collection","Series","Subseries","Subseries"],"unitid_ssm":["Folder 4-6","/repositories/4/archival_objects/6890"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Democratic Women's Club of Florida, Inc. Collection, 1945-2023"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":273,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"containers_ssim":["box 17","folder 4-6"],"_nest_path_":"/components#9/components#0/components#5/components#7","_nest_parent_":"6f3b5db6405c2d66149b5875_aspace_62892","_root_":"6f3b5db6405c2d66149b5875","_version_":1870857995672354816,"timestamp":"2026-07-16T08:07:00.081Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6f3b5db6405c2d66149b5875","title_ssm":["Democratic Women's Club of Florida, Inc. Collection"],"title_tesim":["Democratic Women's Club of Florida, Inc. Collection"],"ead_ssi":"6f3b5db6405c2d66149b5875","unitdate_ssm":["1945-2023"],"unitdate_inclusive_ssm":["1945-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 081","/repositories/4/resources/36"],"text":["SC 081","/repositories/4/resources/36","Democratic Women's Club of Florida, Inc. Collection, 1945-2023","Charlotte County (Fla.)","Florida","Women -- Political activity","Women -- Societies and clubs","Political campaigns -- United States","Political participation","Political clubs","administrative reports","The entire collection is open for research.","The collection is arranged in ten series by administrative unit, from state level, to region level, down to club level. The files are arranged alphabetically within each series. Additions to the collection are processed with same arrangement starting over. beginning with the next consecutive box.","The Democratic Women's Club of Florida, Inc., (DWCF) began in 1956 as an organization for women to cooperate together in electing Democrats to local, state, and federal offices. The DWCF started as a small organization with a handful of members, but experienced large growth in the 1970s and 1980s. In 1972, the DWCF received its charter, qualifying it as a corporation. Today, the organization supports almost forty clubs throughout Florida and has been affiliated with the National Federation of Democratic Women (NFDW) since 1980. Florida is recognized as a Full Member State under the NFDW because it has a statewide Democratic Women's club organization; however, the NFDW does not directly influence the DWCF in its operations.","\nThe DWCF has a Board of Directors consisting of a president, secretary, treasurer, and supporting officers overseeing nine regions. These regions have changed in number and composition over time, but they are led by Councils consisting of a Chair, Vice Chair, Secretary/Treasurer and Immediate Past Chair. These regional councils support the local clubs who campaign for Democratic representatives at all levels of government and encourage voter registration and qualified Democratic women to run for public office. The Clubs elect their own president, secretary, treasurer, and supporting officers.","Collecton processed by Heather K. Black, Suphi Burak Ogreten, and John Settle; finding aid prepared by Heather K. Black, Suphi Burak Ogreten, and John Settle.","Documents were removed from original folders and placed in acid-free folders. Photographs were placed in polyester sleeves. Four large scrapbooks were wrapped and tied in acid-free paper.","2022 addition processed by Adam Hunt.","2023 addition processed by Asmara Cortes-Caba.  ","Other collections concerning women and politics include the  Beatrice B. Ettinger Papers, Phyllis J. Hudson Collection  and the  Lynda Van Scoyoc Women's Political Caucus Collection.","Series I: State, 1957-2006 contains materials on the operations of the Democratic Women's Club of Florida, Inc. The materials include quarterly reports, annual convention information, chronological files detailing the procedures of the club, meeting minutes, club handbooks, photographs, and scrapbooks.","\nSeries II: Region IV, 1983-1985 contains one scrapbook documenting two years of this region's activities.","\nSeries III: Region V, 1974-2002 contains correspondence, bylaws, files of the regional chair, quarterly reports from each individual club in the region, regional reports, \"The Democratic Woman\" newsletter, meeting minutes, newspaper clippings, and treasury reports.","\nSeries IV: Region VI, 1971-1995 contains club and region quarterly reports, meeting minutes, membership lists, newsletters, correspondence, one president's files, and treasury and secretary files and reports.","\nSeries V: Region VII, 1977-1994 contains materials on the administration of the DWCF, such as the function of its special committees, guidelines for creating budgets and new clubs, and the importance of membership. This series also contains meeting minutes, correspondence, and treasurer's information.","\nSeries VI: Boca-Delray-Boynton Club, 1996-2000 contains convention planning information, a grievance folder, meeting minutes, and the treasurer's report.","\nSeries VII: Charlotte County Club, includes chronological files, minutes and meeting information, photographs, scrapbooks and information on Florida House in Washington D.C., which provides hospitality to Floridians visiting the capital.","\nSeries VIII: Santa Rosa County Club, 1976 holds the club charter from 1976.","\nSeries IX: St. Lucie County Club, 1997-2001 contains meeting minutes and supplemental materials.","\nSeries X: Collection Additions, 1945-2023 contains additional materials received from Democratic Women's Club of Florida Inc. in 2012, 2014, 2015, 2016, 2017, 2018, 2020, 2022, and 2023. The addition received in 2023 primarily consists of quarterly reports from state officers, committee chairs, and club presidents from all thirteen regions. Additional materials also include programs for state conferences and county club events, state president reports as well as state budgets, plans, and proposals, documents and newspaper clippings collected by multiple county clubs, memorabilia relating to the 2020 presidential campaign and the Democratic Party collected by clubs, and a club scrapbook for the St. John's County club.   ","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Democratic Women's Club of Florida, Inc. campaigns for Democratic representatives at all levels of government and encourages voter registration and qualified Democratic women to run for public office. This collection of bylaws, campaign items, correspondence, meeting minutes, newsletters, newspaper clippings, photographs, and scrapbooks documents the organization's activities, policies, and procedures.","UCF Special Collections","Democratic Women's Club of Florida","Florida House (Washington, D.C.)","English"],"unitid_tesim":["SC 081","/repositories/4/resources/36"],"normalized_date_ssm":["1945-2023"],"normalized_title_ssm":["Democratic Women's Club of Florida, Inc. Collection, 1945-2023"],"collection_title_tesim":["Democratic Women's Club of Florida, Inc. Collection, 1945-2023"],"collection_ssim":["Democratic Women's Club of Florida, Inc. 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Additional materials were donated in 2012 (CFM2012_05), 2014 (CFM2014_06, CFM2014_10), 2015 (CFM2015_07), 2016 (CFM2016_08), 2017 (CFM2017_03), 2017 (CFM2017_14), 2018 (CFM2018_17), 2020 (CFM2020_04), 2022 (CFM2022_10), and 2023 (CFM2023_03)."],"access_subjects_ssim":["Women -- Political activity","Women -- Societies and clubs","Political campaigns -- United States","Political participation","Political clubs","administrative reports"],"access_subjects_ssm":["Women -- Political activity","Women -- Societies and clubs","Political campaigns -- United States","Political participation","Political clubs","administrative reports"],"has_online_content_ssim":["false"],"extent_ssm":["45.48 Linear Feet 48 Boxes, 38 Scrapbooks, 1 Flat File","776 Megabytes 2 flash drives"],"extent_tesim":["45.48 Linear Feet 48 Boxes, 38 Scrapbooks, 1 Flat File","776 Megabytes 2 flash drives"],"genreform_ssim":["administrative reports"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in ten series by administrative unit, from state level, to region level, down to club level. The files are arranged alphabetically within each series. Additions to the collection are processed with same arrangement starting over. beginning with the next consecutive box.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged in ten series by administrative unit, from state level, to region level, down to club level. The files are arranged alphabetically within each series. Additions to the collection are processed with same arrangement starting over. beginning with the next consecutive box."],"bioghist_html_tesm":["\u003cp\u003eThe Democratic Women's Club of Florida, Inc., (DWCF) began in 1956 as an organization for women to cooperate together in electing Democrats to local, state, and federal offices. The DWCF started as a small organization with a handful of members, but experienced large growth in the 1970s and 1980s. In 1972, the DWCF received its charter, qualifying it as a corporation. Today, the organization supports almost forty clubs throughout Florida and has been affiliated with the National Federation of Democratic Women (NFDW) since 1980. Florida is recognized as a Full Member State under the NFDW because it has a statewide Democratic Women's club organization; however, the NFDW does not directly influence the DWCF in its operations.\u003c/p\u003e\n","\u003cp\u003e\nThe DWCF has a Board of Directors consisting of a president, secretary, treasurer, and supporting officers overseeing nine regions. These regions have changed in number and composition over time, but they are led by Councils consisting of a Chair, Vice Chair, Secretary/Treasurer and Immediate Past Chair. These regional councils support the local clubs who campaign for Democratic representatives at all levels of government and encourage voter registration and qualified Democratic women to run for public office. The Clubs elect their own president, secretary, treasurer, and supporting officers.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Democratic Women's Club of Florida, Inc., (DWCF) began in 1956 as an organization for women to cooperate together in electing Democrats to local, state, and federal offices. The DWCF started as a small organization with a handful of members, but experienced large growth in the 1970s and 1980s. In 1972, the DWCF received its charter, qualifying it as a corporation. Today, the organization supports almost forty clubs throughout Florida and has been affiliated with the National Federation of Democratic Women (NFDW) since 1980. Florida is recognized as a Full Member State under the NFDW because it has a statewide Democratic Women's club organization; however, the NFDW does not directly influence the DWCF in its operations.","\nThe DWCF has a Board of Directors consisting of a president, secretary, treasurer, and supporting officers overseeing nine regions. These regions have changed in number and composition over time, but they are led by Councils consisting of a Chair, Vice Chair, Secretary/Treasurer and Immediate Past Chair. These regional councils support the local clubs who campaign for Democratic representatives at all levels of government and encourage voter registration and qualified Democratic women to run for public office. The Clubs elect their own president, secretary, treasurer, and supporting officers."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Democratic Women's Club of Florida, Inc. collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Democratic Women's Club of Florida, Inc. collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollecton processed by Heather K. Black, Suphi Burak Ogreten, and John Settle; finding aid prepared by Heather K. Black, Suphi Burak Ogreten, and John Settle.\u003c/p\u003e","\u003cp\u003eDocuments were removed from original folders and placed in acid-free folders. Photographs were placed in polyester sleeves. Four large scrapbooks were wrapped and tied in acid-free paper.\u003c/p\u003e","\u003cp\u003e2022 addition processed by Adam Hunt.\u003c/p\u003e","\u003cp\u003e2023 addition processed by Asmara Cortes-Caba.  \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collecton processed by Heather K. Black, Suphi Burak Ogreten, and John Settle; finding aid prepared by Heather K. Black, Suphi Burak Ogreten, and John Settle.","Documents were removed from original folders and placed in acid-free folders. Photographs were placed in polyester sleeves. Four large scrapbooks were wrapped and tied in acid-free paper.","2022 addition processed by Adam Hunt.","2023 addition processed by Asmara Cortes-Caba.  "],"relatedmaterial_html_tesm":["\u003cp\u003eOther collections concerning women and politics include the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2002-02\"\u003eBeatrice B. Ettinger Papers,\u003c/extref\u003e \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2005-02\"\u003ePhyllis J. Hudson Collection\u003c/extref\u003e and the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2005-15\"\u003eLynda Van Scoyoc Women's Political Caucus Collection.\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other collections concerning women and politics include the  Beatrice B. Ettinger Papers, Phyllis J. Hudson Collection  and the  Lynda Van Scoyoc Women's Political Caucus Collection."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: State, 1957-2006 contains materials on the operations of the Democratic Women's Club of Florida, Inc. The materials include quarterly reports, annual convention information, chronological files detailing the procedures of the club, meeting minutes, club handbooks, photographs, and scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Region IV, 1983-1985 contains one scrapbook documenting two years of this region's activities.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Region V, 1974-2002 contains correspondence, bylaws, files of the regional chair, quarterly reports from each individual club in the region, regional reports, \"The Democratic Woman\" newsletter, meeting minutes, newspaper clippings, and treasury reports.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Region VI, 1971-1995 contains club and region quarterly reports, meeting minutes, membership lists, newsletters, correspondence, one president's files, and treasury and secretary files and reports.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Region VII, 1977-1994 contains materials on the administration of the DWCF, such as the function of its special committees, guidelines for creating budgets and new clubs, and the importance of membership. This series also contains meeting minutes, correspondence, and treasurer's information.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Boca-Delray-Boynton Club, 1996-2000 contains convention planning information, a grievance folder, meeting minutes, and the treasurer's report.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Charlotte County Club, includes chronological files, minutes and meeting information, photographs, scrapbooks and information on Florida House in Washington D.C., which provides hospitality to Floridians visiting the capital.\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Santa Rosa County Club, 1976 holds the club charter from 1976.\u003c/p\u003e\n","\u003cp\u003e\nSeries IX: St. Lucie County Club, 1997-2001 contains meeting minutes and supplemental materials.\u003c/p\u003e\n","\u003cp\u003e\nSeries X: Collection Additions, 1945-2023 contains additional materials received from Democratic Women's Club of Florida Inc. in 2012, 2014, 2015, 2016, 2017, 2018, 2020, 2022, and 2023. The addition received in 2023 primarily consists of quarterly reports from state officers, committee chairs, and club presidents from all thirteen regions. Additional materials also include programs for state conferences and county club events, state president reports as well as state budgets, plans, and proposals, documents and newspaper clippings collected by multiple county clubs, memorabilia relating to the 2020 presidential campaign and the Democratic Party collected by clubs, and a club scrapbook for the St. John's County club.   \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: State, 1957-2006 contains materials on the operations of the Democratic Women's Club of Florida, Inc. The materials include quarterly reports, annual convention information, chronological files detailing the procedures of the club, meeting minutes, club handbooks, photographs, and scrapbooks.","\nSeries II: Region IV, 1983-1985 contains one scrapbook documenting two years of this region's activities.","\nSeries III: Region V, 1974-2002 contains correspondence, bylaws, files of the regional chair, quarterly reports from each individual club in the region, regional reports, \"The Democratic Woman\" newsletter, meeting minutes, newspaper clippings, and treasury reports.","\nSeries IV: Region VI, 1971-1995 contains club and region quarterly reports, meeting minutes, membership lists, newsletters, correspondence, one president's files, and treasury and secretary files and reports.","\nSeries V: Region VII, 1977-1994 contains materials on the administration of the DWCF, such as the function of its special committees, guidelines for creating budgets and new clubs, and the importance of membership. This series also contains meeting minutes, correspondence, and treasurer's information.","\nSeries VI: Boca-Delray-Boynton Club, 1996-2000 contains convention planning information, a grievance folder, meeting minutes, and the treasurer's report.","\nSeries VII: Charlotte County Club, includes chronological files, minutes and meeting information, photographs, scrapbooks and information on Florida House in Washington D.C., which provides hospitality to Floridians visiting the capital.","\nSeries VIII: Santa Rosa County Club, 1976 holds the club charter from 1976.","\nSeries IX: St. Lucie County Club, 1997-2001 contains meeting minutes and supplemental materials.","\nSeries X: Collection Additions, 1945-2023 contains additional materials received from Democratic Women's Club of Florida Inc. in 2012, 2014, 2015, 2016, 2017, 2018, 2020, 2022, and 2023. The addition received in 2023 primarily consists of quarterly reports from state officers, committee chairs, and club presidents from all thirteen regions. Additional materials also include programs for state conferences and county club events, state president reports as well as state budgets, plans, and proposals, documents and newspaper clippings collected by multiple county clubs, memorabilia relating to the 2020 presidential campaign and the Democratic Party collected by clubs, and a club scrapbook for the St. John's County club.   "],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_34aa931c9ed01cb6aacb26122c584d31\" label=\"Abstract\"\u003eThe Democratic Women's Club of Florida, Inc. campaigns for Democratic representatives at all levels of government and encourages voter registration and qualified Democratic women to run for public office. This collection of bylaws, campaign items, correspondence, meeting minutes, newsletters, newspaper clippings, photographs, and scrapbooks documents the organization's activities, policies, and procedures.\u003c/abstract\u003e"],"abstract_tesim":["The Democratic Women's Club of Florida, Inc. campaigns for Democratic representatives at all levels of government and encourages voter registration and qualified Democratic women to run for public office. This collection of bylaws, campaign items, correspondence, meeting minutes, newsletters, newspaper clippings, photographs, and scrapbooks documents the organization's activities, policies, and procedures."],"names_coll_ssim":["Florida House (Washington, D.C.)"],"names_ssim":["UCF Special Collections","Democratic Women's Club of Florida","Florida House (Washington, D.C.)"],"corpname_ssim":["UCF Special Collections","Democratic Women's Club of Florida","Florida House (Washington, D.C.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":744,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857995672354816,"_root_":"6f3b5db6405c2d66149b5875","timestamp":"2026-07-16T08:07:00.081Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6f3b5db6405c2d66149b5875_aspace_62903"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"George L. 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