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Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. He is an American businessman and collector and founded the Wolfsonian Museum in Miami Beach and Genoa, Italy. ","Collector: In 1986 Wolfson established The Wolfsonian Foundation, a research center and museum in Miami Beach, and began publishing The Journal of Decorative and Propaganda Art, a journal fostering scholarship in late 19th- and early 20th-century design. In the same year he acquired the Mackenzie Castle in Genoa to house his collection. ","In 1997 he donated his collection, estimated at 80,000 objects, and the state-of-the-art museum to Florida International University. It was the basis for the Wolfsonian Museum-FIU, a research center and museum. In downtown Miami, the new Michael Wolfson Jr. Study Centre provides access to a collection of decorative, design and propaganda arts of the period 1885 to 1945. 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These included the Concert Lecture Series, the Fine Arts Series, the BandConcerts, Drama Productions, and the Concert Choir.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Festival of Fine Arts was formed in the 1970-1971 academic year as a combination of previosuly seperate events. These included the Concert Lecture Series, the Fine Arts Series, the BandConcerts, Drama Productions, and the Concert Choir."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection reflect the history of the Festval of Fine Arts. Included are playbills, photographs, and other ephemera related to the production of these programs. Some biographical information for guest artists is included.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection reflect the history of the Festval of Fine Arts. Included are playbills, photographs, and other ephemera related to the production of these programs. Some biographical information for guest artists is included."],"userestrict_html_tesm":["\u003cp\u003eThe Festival of Fine Arts records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Festival of Fine Arts records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"names_ssim":["The Florida Southern College Archives","Florida Southern College"],"corpname_ssim":["The Florida Southern College Archives","Florida Southern College"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1144,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870846336524353536,"_root_":"8e87cad770c4897fd823a47e","timestamp":"2026-07-16T05:01:41.074Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8e87cad770c4897fd823a47e_aspace_b8092e824b0b48322dd7538aecdef0b4"}},{"id":"b3e4025e67698b63bebebf69_aspace_f0ab7d243996631d13056b35ab271388","type":"Sub-sub-series","attributes":{"title":"Ritz Theater/LaVilla Cultural and Heritage Association, 1986-2001","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b3e4025e67698b63bebebf69_aspace_f0ab7d243996631d13056b35ab271388#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_f0ab7d243996631d13056b35ab271388","ref_ssm":["aspace_f0ab7d243996631d13056b35ab271388","aspace_f0ab7d243996631d13056b35ab271388"],"id":"b3e4025e67698b63bebebf69_aspace_f0ab7d243996631d13056b35ab271388","title_filing_ssi":"Ritz Theater/LaVilla Cultural and Heritage Association","title_ssm":["Ritz Theater/LaVilla Cultural and Heritage Association"],"title_tesim":["Ritz Theater/LaVilla Cultural and Heritage Association"],"unitdate_inclusive_ssm":["1986-2001"],"normalized_date_ssm":["1986-2001"],"normalized_title_ssm":["Ritz Theater/LaVilla Cultural and Heritage Association, 1986-2001"],"text":["Ritz Theater/LaVilla Cultural and Heritage Association, 1986-2001","Dr. Edna Louise Saffy Papers, 1962-2013","Organizations Cultural/Activist; Clara White Mission; Community Connections \"Week Without Violence\"; The Cultural Council of Greater Jacksonville; Jacksonville Community Council; Jessie Ball DuPont Fund; Karples Manuscript Library; Nuclear Freeze; Ritz Theater/LaVilla Cultural and Heritage Association; Uptown Civitan, 1982-2008","/repositories/3/archival_objects/7450","box 48","folder 9"],"component_level_isim":[2],"parent_ids_ssim":["b3e4025e67698b63bebebf69","b3e4025e67698b63bebebf69_aspace_14c91272615bd97d73890aca8420d32c"],"parent_unittitles_ssm":["Dr. Edna Louise Saffy Papers, 1962-2013","Organizations Cultural/Activist; Clara White Mission; Community Connections \"Week Without Violence\"; The Cultural Council of Greater Jacksonville; Jacksonville Community Council; Jessie Ball DuPont Fund; Karples Manuscript Library; Nuclear Freeze; Ritz Theater/LaVilla Cultural and Heritage Association; Uptown Civitan, 1982-2008"],"parent_unittitles_tesim":["Dr. Edna Louise Saffy Papers, 1962-2013","Organizations Cultural/Activist; Clara White Mission; Community Connections \"Week Without Violence\"; The Cultural Council of Greater Jacksonville; Jacksonville Community Council; Jessie Ball DuPont Fund; Karples Manuscript Library; Nuclear Freeze; Ritz Theater/LaVilla Cultural and Heritage Association; Uptown Civitan, 1982-2008"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/7450"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Dr. Edna Louise Saffy Papers, 1962-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Sub-sub-series"],"level_ssim":["Sub-sub-series"],"sort_isi":509,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact \nlib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"date_range_isim":[1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"containers_ssim":["box 48","folder 9"],"_nest_path_":"/components#23/components#8","_nest_parent_":"b3e4025e67698b63bebebf69_aspace_14c91272615bd97d73890aca8420d32c","_root_":"b3e4025e67698b63bebebf69","_version_":1870860599051681792,"timestamp":"2026-07-16T08:48:22.881Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b3e4025e67698b63bebebf69","title_ssm":["Dr. Edna Louise Saffy Papers"],"title_tesim":["Dr. Edna Louise Saffy Papers"],"ead_ssi":"b3e4025e67698b63bebebf69","unitdate_ssm":["1962-2013"],"unitdate_inclusive_ssm":["1962-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2013.003","/repositories/3/resources/66"],"text":["2013.003","/repositories/3/resources/66","Dr. Edna Louise Saffy Papers, 1962-2013","Florida -- Politics and Government -- 20th century","Clinton, Bill, 1946 -- Presidential campaigns -- Florida","College teachers -- Florida -- Jacksonville (Fla.)","Democratic Party (Fla.)","Human rights workers -- Florida -- Jacksonville (Fla.)","Political activists -- Florida -- Jacksonville (Fla.)","Women's rights -- Florida","The collection is open for research by appointment only. Please contact \nlib-special@unf.edu to schedule an appointment.","\tDr. Edna Louise Saffy, human rights advocate and Jacksonville native was born on March 9, 1935. She attended college at the University of Florida where she received several degrees, including the Master's and Doctorate of Philosophy degrees. She was a professor of Rhetoric and Public Address at University of Florida and Florida State College at Jacksonville, where she was elected Professor Emeritus following her retirement in December 2007. ","\nDr. Saffy was a founder of the National Organization for Women chapters in Jacksonville and Gainesville, as well as founder of the Jacksonville Women's Network. She was named \"A Woman of Courage and Vision\" by the Mayor's Commission on the Status of Women and the recipient of a Lifetime EVE Award by the Florida Times Union.\n    \n    As a humanitarian and activist, she served on numerous local, state, and national committees, including the John F. Kennedy Center Committee for the Performing Arts during the Clinton Administration, the Advisory Committee on LaVilla Cultural Heritage District, American Arab Institute, Duval County Democratic Executive Committee, and the Jacksonville Human Rights Commission. \n    \n    Dr. Saffy was also politically active. She led a 1975 march in Tallahassee in support of the Equal Rights Amendment. She served as a Florida delegate to the International Women's Conference and as a Florida State delegate in six Democratic National Conventions. She was also the president of the Florida Women's Political Caucus. Dr. Saffy died June 20, 2010.","This collection contains awards, correspondence, memorabilia, printed materials, photographs, personal papers, and writings. Many printed materials and photographs relate to politics and political activism. There are numerous photographs and newspaper clippings, as well as Dr. Saffy's dissertation. The collection contains many memorabilia items, particularly from various political events, and there are two large portraits of Dr. Edna Louise Saffy.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2013.003","/repositories/3/resources/66"],"normalized_date_ssm":["1962-2013"],"normalized_title_ssm":["Dr. Edna Louise Saffy Papers, 1962-2013"],"collection_title_tesim":["Dr. Edna Louise Saffy Papers, 1962-2013"],"collection_ssim":["Dr. Edna Louise Saffy Papers, 1962-2013"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"geogname_ssm":["Florida -- Politics and Government -- 20th century"],"geogname_ssim":["Florida -- Politics and Government -- 20th century"],"places_ssim":["Florida -- Politics and Government -- 20th century"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Dr. Grady Johnson, 2013."],"access_subjects_ssim":["Clinton, Bill, 1946 -- Presidential campaigns -- Florida","College teachers -- Florida -- Jacksonville (Fla.)","Democratic Party (Fla.)","Human rights workers -- Florida -- Jacksonville (Fla.)","Political activists -- Florida -- Jacksonville (Fla.)","Women's rights -- Florida"],"access_subjects_ssm":["Clinton, Bill, 1946 -- Presidential campaigns -- Florida","College teachers -- Florida -- Jacksonville (Fla.)","Democratic Party (Fla.)","Human rights workers -- Florida -- Jacksonville (Fla.)","Political activists -- Florida -- Jacksonville (Fla.)","Women's rights -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["36.00 Linear Feet"],"extent_tesim":["36.00 Linear Feet"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact \nlib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact \nlib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003e\tDr. Edna Louise Saffy, human rights advocate and Jacksonville native was born on March 9, 1935. She attended college at the University of Florida where she received several degrees, including the Master's and Doctorate of Philosophy degrees. She was a professor of Rhetoric and Public Address at University of Florida and Florida State College at Jacksonville, where she was elected Professor Emeritus following her retirement in December 2007. \u003c/p\u003e\n","\u003cp\u003e\nDr. Saffy was a founder of the National Organization for Women chapters in Jacksonville and Gainesville, as well as founder of the Jacksonville Women's Network. She was named \"A Woman of Courage and Vision\" by the Mayor's Commission on the Status of Women and the recipient of a Lifetime EVE Award by the Florida Times Union.\n    \n    As a humanitarian and activist, she served on numerous local, state, and national committees, including the John F. Kennedy Center Committee for the Performing Arts during the Clinton Administration, the Advisory Committee on LaVilla Cultural Heritage District, American Arab Institute, Duval County Democratic Executive Committee, and the Jacksonville Human Rights Commission. \n    \n    Dr. Saffy was also politically active. She led a 1975 march in Tallahassee in support of the Equal Rights Amendment. She served as a Florida delegate to the International Women's Conference and as a Florida State delegate in six Democratic National Conventions. She was also the president of the Florida Women's Political Caucus. Dr. Saffy died June 20, 2010.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\tDr. Edna Louise Saffy, human rights advocate and Jacksonville native was born on March 9, 1935. She attended college at the University of Florida where she received several degrees, including the Master's and Doctorate of Philosophy degrees. She was a professor of Rhetoric and Public Address at University of Florida and Florida State College at Jacksonville, where she was elected Professor Emeritus following her retirement in December 2007. ","\nDr. Saffy was a founder of the National Organization for Women chapters in Jacksonville and Gainesville, as well as founder of the Jacksonville Women's Network. She was named \"A Woman of Courage and Vision\" by the Mayor's Commission on the Status of Women and the recipient of a Lifetime EVE Award by the Florida Times Union.\n    \n    As a humanitarian and activist, she served on numerous local, state, and national committees, including the John F. Kennedy Center Committee for the Performing Arts during the Clinton Administration, the Advisory Committee on LaVilla Cultural Heritage District, American Arab Institute, Duval County Democratic Executive Committee, and the Jacksonville Human Rights Commission. \n    \n    Dr. Saffy was also politically active. She led a 1975 march in Tallahassee in support of the Equal Rights Amendment. She served as a Florida delegate to the International Women's Conference and as a Florida State delegate in six Democratic National Conventions. She was also the president of the Florida Women's Political Caucus. Dr. Saffy died June 20, 2010."],"prefercite_html_tesm":["\u003cp\u003eDr. Edna Louise Saffy Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Dr. Edna Louise Saffy Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains awards, correspondence, memorabilia, printed materials, photographs, personal papers, and writings. Many printed materials and photographs relate to politics and political activism. There are numerous photographs and newspaper clippings, as well as Dr. Saffy's dissertation. The collection contains many memorabilia items, particularly from various political events, and there are two large portraits of Dr. Edna Louise Saffy.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains awards, correspondence, memorabilia, printed materials, photographs, personal papers, and writings. Many printed materials and photographs relate to politics and political activism. There are numerous photographs and newspaper clippings, as well as Dr. Saffy's dissertation. The collection contains many memorabilia items, particularly from various political events, and there are two large portraits of Dr. Edna Louise Saffy."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":748,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860599051681792,"_root_":"b3e4025e67698b63bebebf69","timestamp":"2026-07-16T08:48:22.881Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b3e4025e67698b63bebebf69_aspace_f0ab7d243996631d13056b35ab271388"}},{"id":"4674dbbf638dff3316591cb2_aspace_55131","type":"File","attributes":{"title":"R.L. Fraiser, 1977-2005","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4674dbbf638dff3316591cb2_aspace_55131#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_55131","ref_ssm":["aspace_55131","aspace_55131"],"id":"4674dbbf638dff3316591cb2_aspace_55131","title_filing_ssi":"R.L. Fraiser","title_ssm":["R.L. Fraiser"],"title_tesim":["R.L. Fraiser"],"unitdate_inclusive_ssm":["1977-2005"],"normalized_date_ssm":["1977-2005"],"normalized_title_ssm":["R.L. Fraiser, 1977-2005"],"text":["R.L. Fraiser, 1977-2005","Michael A. Spencer Bromeliad Research Collection, 1754-2014","Personal Files, 1863-2014.","Correspondence., 1977-2005.","Folder 8","/repositories/4/archival_objects/32950","box 181","folder 8"],"component_level_isim":[3],"parent_ids_ssim":["4674dbbf638dff3316591cb2","4674dbbf638dff3316591cb2_aspace_55084","4674dbbf638dff3316591cb2_aspace_55118"],"parent_unittitles_ssm":["Michael A. Spencer Bromeliad Research Collection, 1754-2014","Personal Files, 1863-2014.","Correspondence., 1977-2005."],"parent_unittitles_tesim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014","Personal Files, 1863-2014.","Correspondence., 1977-2005."],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 8","/repositories/4/archival_objects/32950"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":3585,"parent_access_restrict_tesm":["The entire collection is open for research except for the following:\n\n  Boxes 180-181: Personal correspondence\n  Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"\n"],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"containers_ssim":["box 181","folder 8"],"_nest_path_":"/components#7/components#5/components#11","_nest_parent_":"4674dbbf638dff3316591cb2_aspace_55118","_root_":"4674dbbf638dff3316591cb2","timestamp":"2026-07-11T02:53:59.490Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4674dbbf638dff3316591cb2","title_ssm":["Michael A. Spencer Bromeliad Research Collection"],"title_tesim":["Michael A. Spencer Bromeliad Research Collection"],"ead_ssi":"4674dbbf638dff3316591cb2","unitdate_ssm":["1754-2014"],"unitdate_inclusive_ssm":["1754-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 068","/repositories/4/resources/148"],"text":["SC 068","/repositories/4/resources/148","Michael A. Spencer Bromeliad Research Collection, 1754-2014","Marineland (Fla.)","Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)","The entire collection is open for research except for the following:\n Boxes 180-181: Personal correspondence Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"","The collection is divided into eight series by type of file.","Michael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004.","Materials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023.","A large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library  Online Catalog .  Michael A. Spencer Collection on Julian Nally ,  Michael A. Spencer Collection on Theodore Mead ,  Michael A. Spencer Collection on Henry Nehrling  and the  Henry Nehrling Papers  are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the  Harry P. Leu Gardens . The  Henry Nehrling Collection  and the  Theodore L. Mead Collection  are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the  Smithsonian Institution Archives .","Series I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.","\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.","\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.","\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.","\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.","\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.","\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.","\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here.","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder.","Michael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here.","UCF Special Collections","Bromeliad Society","Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991","English"],"unitid_tesim":["SC 068","/repositories/4/resources/148"],"normalized_date_ssm":["1754-2014"],"normalized_title_ssm":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"collection_title_tesim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"collection_ssim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Marineland (Fla.)"],"geogname_ssim":["Marineland (Fla.)"],"creator_ssm":["Spencer, Michael A."],"creator_ssim":["Spencer, Michael A."],"creator_persname_ssim":["Spencer, Michael A."],"creators_ssim":["Spencer, Michael A."],"places_ssim":["Marineland (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"acqinfo_ssim":["Some of these materials were donated to and others were purchased by the University of Central Florida Libraries, Special Collections and University Archives from Michael A. Spencer in 2006 (CFM2006_09), 2011 (CFM2011_02), 2012 (CFM2012_10), and 2014 (CFM2014_01)."],"access_subjects_ssim":["Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"access_subjects_ssm":["Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["130 Linear Feet 259 boxes, 2 flat files"],"extent_tesim":["130 Linear Feet 259 boxes, 2 flat files"],"genreform_ssim":["botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"date_range_isim":[1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research except for the following:\n\u003cul\u003e\n  \u003cli\u003eBoxes 180-181: Personal correspondence\u003c/li\u003e\n  \u003cli\u003eBoxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research except for the following:\n Boxes 180-181: Personal correspondence Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\""],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into eight series by type of file.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is divided into eight series by type of file."],"bioghist_html_tesm":["\u003cp\u003eMichael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Michael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004."],"prefercite_html_tesm":["\u003cp\u003eMichael A. Spencer Bromeliad Research Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Michael A. Spencer Bromeliad Research Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eA large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e. \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08c\"\u003eMichael A. Spencer Collection on Julian Nally\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08b\"\u003eMichael A. Spencer Collection on Theodore Mead\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08a\"\u003eMichael A. Spencer Collection on Henry Nehrling\u003c/extref\u003e and the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1999-03\"\u003eHenry Nehrling Papers\u003c/extref\u003e are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the \u003cextref href=\"http://www.leugardens.org/\"\u003eHarry P. Leu Gardens\u003c/extref\u003e. The \u003cextref href=\"https://aspace.rollins.edu/repositories/2/resources/4\"\u003eHenry Nehrling Collection\u003c/extref\u003e and the \u003cextref href=\"https://aspace.rollins.edu/repositories/2/resources/97\"\u003eTheodore L. Mead Collection\u003c/extref\u003e are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the \u003cextref href=\"http://siarchives.si.edu/\"\u003eSmithsonian Institution Archives\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library  Online Catalog .  Michael A. Spencer Collection on Julian Nally ,  Michael A. Spencer Collection on Theodore Mead ,  Michael A. Spencer Collection on Henry Nehrling  and the  Henry Nehrling Papers  are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the  Harry P. Leu Gardens . The  Henry Nehrling Collection  and the  Theodore L. Mead Collection  are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the  Smithsonian Institution Archives ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.","\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.","\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.","\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.","\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.","\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.","\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.","\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_8e33310d6b1a70e4d88f1e2d3043cf71\" label=\"Abstract\"\u003eMichael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here.\u003c/abstract\u003e"],"abstract_tesim":["Michael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here."],"names_coll_ssim":["Bromeliad Society","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"names_ssim":["UCF Special Collections","Bromeliad Society","Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"corpname_ssim":["UCF Special Collections","Bromeliad Society"],"persname_ssim":["Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3662,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"4674dbbf638dff3316591cb2","timestamp":"2026-07-11T02:53:59.490Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4674dbbf638dff3316591cb2_aspace_55131"}},{"id":"d049b8f1d279e90b99a77f6a_aspace_181dba3d97ff3b1cecb8203472732a54","type":"Item","attributes":{"title":"RM_43-49, 1981, 1983-1984, 1986","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d049b8f1d279e90b99a77f6a_aspace_181dba3d97ff3b1cecb8203472732a54#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_181dba3d97ff3b1cecb8203472732a54","ref_ssm":["aspace_181dba3d97ff3b1cecb8203472732a54","aspace_181dba3d97ff3b1cecb8203472732a54"],"id":"d049b8f1d279e90b99a77f6a_aspace_181dba3d97ff3b1cecb8203472732a54","title_filing_ssi":"RM_43-49","title_ssm":["RM_43-49"],"title_tesim":["RM_43-49"],"unitdate_inclusive_ssm":["1981, 1983-1984, 1986"],"normalized_date_ssm":["1981, 1983-1984, 1986"],"normalized_title_ssm":["RM_43-49, 1981, 1983-1984, 1986"],"text":["RM_43-49, 1981, 1983-1984, 1986","UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987.","Home Movie Archives, Circa 1920-1989, Undated","Rowe, Miriam Collection, Circa 1950s-1986","/repositories/4/archival_objects/54917","Reel 251","The complied film is 24 minutes and 45 seconds in length. The footage is dated from 1981, 1983 through 1984, and 1986. The content features a family relaxing in their living room, a landscaping project, a beachside view, the family at a beach, and a family arriving in a neighborhood, tractors removing brush, and the family in the final stages of moving."],"component_level_isim":[3],"parent_ids_ssim":["d049b8f1d279e90b99a77f6a","d049b8f1d279e90b99a77f6a_aspace_seriesI","d049b8f1d279e90b99a77f6a_aspace_6d209f0214764715b41166f7af90e860"],"parent_unittitles_ssm":["UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987.","Home Movie Archives, Circa 1920-1989, Undated","Rowe, Miriam Collection, Circa 1950s-1986"],"parent_unittitles_tesim":["UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987.","Home Movie Archives, Circa 1920-1989, Undated","Rowe, Miriam Collection, Circa 1950s-1986"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/54917"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987."],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":383,"parent_access_restrict_tesm":["The entire collection is open for research. Curatorial Permission is required for reels 9, 24, 204, 205, 206, 207, 208, 209, 210, 297 due to their content."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1981,1982,1983,1984,1985,1986],"containers_ssim":["Reel 251"],"odd_html_tesm":["\u003cp\u003eThe complied film is 24 minutes and 45 seconds in length. The footage is dated from 1981, 1983 through 1984, and 1986. The content features a family relaxing in their living room, a landscaping project, a beachside view, the family at a beach, and a family arriving in a neighborhood, tractors removing brush, and the family in the final stages of moving.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["The complied film is 24 minutes and 45 seconds in length. The footage is dated from 1981, 1983 through 1984, and 1986. The content features a family relaxing in their living room, a landscaping project, a beachside view, the family at a beach, and a family arriving in a neighborhood, tractors removing brush, and the family in the final stages of moving."],"_nest_path_":"/components#0/components#44/components#9","_nest_parent_":"d049b8f1d279e90b99a77f6a_aspace_6d209f0214764715b41166f7af90e860","_root_":"d049b8f1d279e90b99a77f6a","timestamp":"2026-04-21T03:15:10.318Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d049b8f1d279e90b99a77f6a","title_ssm":["UCF Home Movie Archives"],"title_tesim":["UCF Home Movie Archives"],"ead_ssi":"d049b8f1d279e90b99a77f6a","unitdate_ssm":["Circa 1920-1989, Circa 2010-2014, Undated.","1950-1987."],"unitdate_bulk_ssim":["1950-1987."],"unitdate_inclusive_ssm":["Circa 1920-1989, Circa 2010-2014, Undated."],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.101","/repositories/4/resources/213"],"text":["SC.101","/repositories/4/resources/213","UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987.","Midway Islands","North America","Hawaii","South America","Europe","Asia","Australia","Africa","Universities and colleges -- Florida","Tourism","Amusement parks","Zoo animals","Wildlife-related recreation","Sculpture","Historic sites","Art and architecture","New York World's Fair (1964-1965 : New York, N.Y.)","United States -- Navy","Cold War","Vietnam War, 1961-1975","Birthday parties","Holidays","Proms","Weddings","Commencement ceremonies","Hunting","Fishing","Amateur films","Festivals","motion pictures (visual works)","8mm (photographic film size)","DVDs","VHS","short subjects","Super 8","The entire collection is open for research. Curatorial Permission is required for reels 9, 24, 204, 205, 206, 207, 208, 209, 210, 297 due to their content.","The first arrangement and description of the archives contents was completed in 2015. The collection is housed on a protected drive and on discs. Presently, the archive is arranged based on the donor in alphabetical order and each film is numerically ordered.","The collection contains 8mm, Super 8mm, and 16mm film reels donated by 54 donors from 2010-2014. The footage of the reels may or may not be listed in chronological order.","As part of the Special Collections and University Archives, the Home Movie Archive seeks to collect 8mm, Super 8mm, and 16mm home movies, captured mostly from late 1930s through the end of the 1980s, which have cultural, historical, scientific, or artistic significance, with a focus on Central Florida and its residents.","The aim of creating a Home Movie Archive is to ensure that the valuable social and historical information, captured by ordinary citizens, be preserved as part of the Special Collections and University Archives permanent holdings-a non-circulating collection whose use is confined to the Special Collections reading/research room.","The UCF Libraries will administer, permanently house, preserve, inventory, process, maintain, and make available a Home Movie Archive to the public, researchers, and scholars, in accordance with the UCF Libraries' established policies and procedures.","Most of the footage was donated during the University of Central Florida Film Department's Home Movie Day events from 2010 through 2013 with individual donations thereafter until 2014. Some of the reels were repaired by the UCF Film Department; more information regarding those repairs can be found in the administrative records. The films were digitized on discs and onto a Western Digital My Book Studio II Dual-drive Storage System with RAID from 2011 to 2013. The UCF Film Department transferred the collection to the UCF Library Special Collections on March 3, 2014.","A supplementary guide was created by David D. Morton in 2015; additions to the guide were integrated by Angie Villafane Martinez, John Settle, and Steven Craig Trelstad from 2017 to 2019. Reels 142 (LN_01), 143 (LN_02), 148 (MB_01), and 150 (MB_04) have vinegar syndrome and are being kept separate from the rest of the collection.","For more information on Special Collections, please see our  website .","Series I: Home Movie Archive, c. 1920-1989, Undated. The series is arranged into one series and 54 subseries with each subseries named after the donors (Last Name, First Name) and is alphabetically listed.","\nSeries II: Public Access Materials, c. 1920-1989, c. 2010-2014, Undated. The series contains the digitized formats of the footage featured in Series I for public research purposes. Also contains supplementary materials such as posters from the University of Central Florida Film Department's Home Movie Day event. The series is arranged with the digitized versions (as well as other formats) of the footage in a box and the posters stored in a flat file. ","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Home Move Archive houses films created by individuals that mostly depict their family interactions, ceremonies, celebrations, and vacations. Others depict famous moments in history such as the opening day of Walt Disney World or the 1964 World's Fair. The origins of the footage in the collection span across North America, South America, Europe, Africa, and Asia.","UCF Special Collections","Florida Technological University","University of Central Florida","The materials are written in English"],"unitid_tesim":["SC.101","/repositories/4/resources/213"],"normalized_date_ssm":["Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987."],"normalized_title_ssm":["UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987."],"collection_title_tesim":["UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987."],"collection_ssim":["UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987."],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Midway Islands","North America","Hawaii","South America","Europe","Asia","Australia","Africa"],"geogname_ssim":["Midway Islands","North America","Hawaii","South America","Europe","Asia","Australia","Africa"],"places_ssim":["Midway Islands","North America","Hawaii","South America","Europe","Asia","Australia","Africa"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Various donors donated the materials to the University of Central Film Department from 2010-2013; their names are used to differentiate their films in the collection. the UCF Film Department transferred these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2014."],"access_subjects_ssim":["Universities and colleges -- Florida","Tourism","Amusement parks","Zoo animals","Wildlife-related recreation","Sculpture","Historic sites","Art and architecture","New York World's Fair (1964-1965 : New York, N.Y.)","United States -- Navy","Cold War","Vietnam War, 1961-1975","Birthday parties","Holidays","Proms","Weddings","Commencement ceremonies","Hunting","Fishing","Amateur films","Festivals","motion pictures (visual works)","8mm (photographic film size)","DVDs","VHS","short subjects","Super 8"],"access_subjects_ssm":["Universities and colleges -- Florida","Tourism","Amusement parks","Zoo animals","Wildlife-related recreation","Sculpture","Historic sites","Art and architecture","New York World's Fair (1964-1965 : New York, N.Y.)","United States -- Navy","Cold War","Vietnam War, 1961-1975","Birthday parties","Holidays","Proms","Weddings","Commencement ceremonies","Hunting","Fishing","Amateur films","Festivals","motion pictures (visual works)","8mm (photographic film size)","DVDs","VHS","short subjects","Super 8"],"has_online_content_ssim":["false"],"extent_ssm":["23.65 Linear Feet 278 8mm Film Reels, 19 Super 8mm Film Reels; 9 16mm Film Reels, 1 Box, and 1 Flat File"],"extent_tesim":["23.65 Linear Feet 278 8mm Film Reels, 19 Super 8mm Film Reels; 9 16mm Film Reels, 1 Box, and 1 Flat File"],"genreform_ssim":["motion pictures (visual works)","8mm (photographic film size)","DVDs","VHS","short subjects","Super 8"],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research. Curatorial Permission is required for reels 9, 24, 204, 205, 206, 207, 208, 209, 210, 297 due to their content.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research. Curatorial Permission is required for reels 9, 24, 204, 205, 206, 207, 208, 209, 210, 297 due to their content."],"arrangement_html_tesm":["\u003cp\u003eThe first arrangement and description of the archives contents was completed in 2015. The collection is housed on a protected drive and on discs. Presently, the archive is arranged based on the donor in alphabetical order and each film is numerically ordered.\u003c/p\u003e\n","\u003cp\u003eThe collection contains 8mm, Super 8mm, and 16mm film reels donated by 54 donors from 2010-2014. The footage of the reels may or may not be listed in chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The first arrangement and description of the archives contents was completed in 2015. The collection is housed on a protected drive and on discs. Presently, the archive is arranged based on the donor in alphabetical order and each film is numerically ordered.","The collection contains 8mm, Super 8mm, and 16mm film reels donated by 54 donors from 2010-2014. The footage of the reels may or may not be listed in chronological order."],"bioghist_html_tesm":["\u003cp\u003eAs part of the Special Collections and University Archives, the Home Movie Archive seeks to collect 8mm, Super 8mm, and 16mm home movies, captured mostly from late 1930s through the end of the 1980s, which have cultural, historical, scientific, or artistic significance, with a focus on Central Florida and its residents.\u003c/p\u003e\n","\u003cp\u003eThe aim of creating a Home Movie Archive is to ensure that the valuable social and historical information, captured by ordinary citizens, be preserved as part of the Special Collections and University Archives permanent holdings-a non-circulating collection whose use is confined to the Special Collections reading/research room.\u003c/p\u003e\n","\u003cp\u003eThe UCF Libraries will administer, permanently house, preserve, inventory, process, maintain, and make available a Home Movie Archive to the public, researchers, and scholars, in accordance with the UCF Libraries' established policies and procedures.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["As part of the Special Collections and University Archives, the Home Movie Archive seeks to collect 8mm, Super 8mm, and 16mm home movies, captured mostly from late 1930s through the end of the 1980s, which have cultural, historical, scientific, or artistic significance, with a focus on Central Florida and its residents.","The aim of creating a Home Movie Archive is to ensure that the valuable social and historical information, captured by ordinary citizens, be preserved as part of the Special Collections and University Archives permanent holdings-a non-circulating collection whose use is confined to the Special Collections reading/research room.","The UCF Libraries will administer, permanently house, preserve, inventory, process, maintain, and make available a Home Movie Archive to the public, researchers, and scholars, in accordance with the UCF Libraries' established policies and procedures."],"prefercite_html_tesm":["\u003cp\u003eUCF Home Movie Archives, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["UCF Home Movie Archives, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMost of the footage was donated during the University of Central Florida Film Department's Home Movie Day events from 2010 through 2013 with individual donations thereafter until 2014. Some of the reels were repaired by the UCF Film Department; more information regarding those repairs can be found in the administrative records. The films were digitized on discs and onto a Western Digital My Book Studio II Dual-drive Storage System with RAID from 2011 to 2013. The UCF Film Department transferred the collection to the UCF Library Special Collections on March 3, 2014.\u003c/p\u003e","\u003cp\u003eA supplementary guide was created by David D. Morton in 2015; additions to the guide were integrated by Angie Villafane Martinez, John Settle, and Steven Craig Trelstad from 2017 to 2019. Reels 142 (LN_01), 143 (LN_02), 148 (MB_01), and 150 (MB_04) have vinegar syndrome and are being kept separate from the rest of the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["Most of the footage was donated during the University of Central Florida Film Department's Home Movie Day events from 2010 through 2013 with individual donations thereafter until 2014. Some of the reels were repaired by the UCF Film Department; more information regarding those repairs can be found in the administrative records. The films were digitized on discs and onto a Western Digital My Book Studio II Dual-drive Storage System with RAID from 2011 to 2013. The UCF Film Department transferred the collection to the UCF Library Special Collections on March 3, 2014.","A supplementary guide was created by David D. Morton in 2015; additions to the guide were integrated by Angie Villafane Martinez, John Settle, and Steven Craig Trelstad from 2017 to 2019. Reels 142 (LN_01), 143 (LN_02), 148 (MB_01), and 150 (MB_04) have vinegar syndrome and are being kept separate from the rest of the collection."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on Special Collections, please see our \u003cextref href=\"https://library.ucf.edu/about/departments/special-collections-university-archives/\" show=\"new\" actuate=\"onrequest\"\u003ewebsite\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["For more information on Special Collections, please see our  website ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Home Movie Archive, c. 1920-1989, Undated. The series is arranged into one series and 54 subseries with each subseries named after the donors (Last Name, First Name) and is alphabetically listed.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Public Access Materials, c. 1920-1989, c. 2010-2014, Undated. The series contains the digitized formats of the footage featured in Series I for public research purposes. Also contains supplementary materials such as posters from the University of Central Florida Film Department's Home Movie Day event. The series is arranged with the digitized versions (as well as other formats) of the footage in a box and the posters stored in a flat file. \u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["Series I: Home Movie Archive, c. 1920-1989, Undated. The series is arranged into one series and 54 subseries with each subseries named after the donors (Last Name, First Name) and is alphabetically listed.","\nSeries II: Public Access Materials, c. 1920-1989, c. 2010-2014, Undated. The series contains the digitized formats of the footage featured in Series I for public research purposes. Also contains supplementary materials such as posters from the University of Central Florida Film Department's Home Movie Day event. The series is arranged with the digitized versions (as well as other formats) of the footage in a box and the posters stored in a flat file. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6f7085fc2c24f2c91a7dd90d8b5a701a\"\u003eThe Home Move Archive houses films created by individuals that mostly depict their family interactions, ceremonies, celebrations, and vacations. Others depict famous moments in history such as the opening day of Walt Disney World or the 1964 World's Fair. The origins of the footage in the collection span across North America, South America, Europe, Africa, and Asia.\u003c/abstract\u003e"],"abstract_tesim":["The Home Move Archive houses films created by individuals that mostly depict their family interactions, ceremonies, celebrations, and vacations. Others depict famous moments in history such as the opening day of Walt Disney World or the 1964 World's Fair. The origins of the footage in the collection span across North America, South America, Europe, Africa, and Asia."],"names_coll_ssim":["Florida Technological University","University of Central Florida"],"names_ssim":["UCF Special Collections","Florida Technological University","University of Central Florida"],"corpname_ssim":["UCF Special Collections","Florida Technological University","University of Central Florida"],"language_ssim":["The materials are written in English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":481,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"d049b8f1d279e90b99a77f6a","timestamp":"2026-04-21T03:15:10.318Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d049b8f1d279e90b99a77f6a_aspace_181dba3d97ff3b1cecb8203472732a54"}},{"id":"4cad6a8e1fb73ffc7f9b49f0_aspace_efb450479e1071fefc865013f2f8fe2a","type":"Sub-sub-series","attributes":{"title":"Roads and Transportation, 1985-2009","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4cad6a8e1fb73ffc7f9b49f0_aspace_efb450479e1071fefc865013f2f8fe2a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_efb450479e1071fefc865013f2f8fe2a","ref_ssm":["aspace_efb450479e1071fefc865013f2f8fe2a","aspace_efb450479e1071fefc865013f2f8fe2a"],"id":"4cad6a8e1fb73ffc7f9b49f0_aspace_efb450479e1071fefc865013f2f8fe2a","title_filing_ssi":"Roads and Transportation","title_ssm":["Roads and Transportation"],"title_tesim":["Roads and Transportation"],"unitdate_inclusive_ssm":["1985-2009"],"normalized_date_ssm":["1985-2009"],"normalized_title_ssm":["Roads and Transportation, 1985-2009"],"text":["Roads and Transportation, 1985-2009","Edward H. Gamble Collection, 1980-2010","Newspaper Editorial Cartoons, 1980-2010","Local Subjects (Jacksonville, Florida), 1980-2010","/repositories/3/archival_objects/7668","box 8","folder 1"],"component_level_isim":[3],"parent_ids_ssim":["4cad6a8e1fb73ffc7f9b49f0","4cad6a8e1fb73ffc7f9b49f0_aspace_4447b31a9198230292609fb2ec67bf88","4cad6a8e1fb73ffc7f9b49f0_aspace_e627ce2d4acf968abddc946f62c7f492"],"parent_unittitles_ssm":["Edward H. Gamble Collection, 1980-2010","Newspaper Editorial Cartoons, 1980-2010","Local Subjects (Jacksonville, Florida), 1980-2010"],"parent_unittitles_tesim":["Edward H. Gamble Collection, 1980-2010","Newspaper Editorial Cartoons, 1980-2010","Local Subjects (Jacksonville, Florida), 1980-2010"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/3/archival_objects/7668"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Edward H. Gamble Collection, 1980-2010"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Sub-sub-series"],"level_ssim":["Sub-sub-series"],"sort_isi":35,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information."],"date_range_isim":[1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"containers_ssim":["box 8","folder 1"],"_nest_path_":"/components#0/components#2/components#16","_nest_parent_":"4cad6a8e1fb73ffc7f9b49f0_aspace_e627ce2d4acf968abddc946f62c7f492","_root_":"4cad6a8e1fb73ffc7f9b49f0","_version_":1870860561902731264,"timestamp":"2026-07-16T08:47:47.463Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4cad6a8e1fb73ffc7f9b49f0","title_ssm":["Edward H. Gamble Collection"],"title_tesim":["Edward H. Gamble Collection"],"ead_ssi":"4cad6a8e1fb73ffc7f9b49f0","unitdate_ssm":["1980-2010"],"unitdate_inclusive_ssm":["1980-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2014.001","/repositories/3/resources/67"],"text":["2014.001","/repositories/3/resources/67","Edward H. Gamble Collection, 1980-2010","United States -- Politics and Government -- 20th century -- Caricatures and Cartoons","United States -- Politics and Government -- 21st century -- Caricatures and Cartoons","United States -- Social Life and Customs -- Caricatures and Cartoons","Cartoonists -- Tennessee -- Morristown -- Archives","Political Satire, American -- History -- 20th century -- Caricatures and Cartoons","Political Satire, American -- History -- 21st century -- Caricatures and Cartoons","Newspapers -- Caricatures and Cartoons","Political Cartoons","Politicians -- United States -- Caricatures and Cartoons","Wit and Humor, Pictorial","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","Ed Gamble is a nationally syndicated political cartoonist whose work has appeared in numerous national and international publications, including the New York Times, the Washington Post, the Los Angeles Times, LeMonde (France), Der Spiegel (Germany), and the Independent (England). Born on May 12, 1943, in Morristown, Tennessee, his father, James Vernon Gamble, had a political career, while his mother, Anna Hill, was a newspaper columnist. Gamble was married to Saundra Lancaster on June 28, 1964.","Gamble was awarded a bachelor's degree in political science from the University of South Florida in 1970 and did graduate work at the University of Tennessee between 1971 and 1972. His professional career includes work as a reporter, sports editor, sports cartoonist, and political cartoonist. He was editorial cartoonist for the Nashville Banner in Nashville, Tennessee, from 1972 to 1980 and for the Florida Times-Union in Jacksonville, Florida, from 1980 to 2010.","In addition to appearing in magazines and newspapers, Gamble's cartoons are permanently displayed at the Texas Depository in Dallas, Texas, and at the Ford, Carter, Nixon, Reagan, and Bush Presidential Museums. His work has also been featured in several books: A Peek at the Great Society, 1965; A Cartoon History of the Reagan Years, 1988; and You Get Two for the Price of One, 1995. The Gambles currently reside in the Mandarin area of Jacksonville, Florida.","The collection contains original political cartoons, personal letters, and ephemera. The majority of the cartoon collection relates to Florida and Jacksonville and were published in the Florida Times-Union Newspaper.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information.","UNF Library Special Collections and University Archives","Florida Times-Union.","English"],"unitid_tesim":["2014.001","/repositories/3/resources/67"],"normalized_date_ssm":["1980-2010"],"normalized_title_ssm":["Edward H. Gamble Collection, 1980-2010"],"collection_title_tesim":["Edward H. Gamble Collection, 1980-2010"],"collection_ssim":["Edward H. Gamble Collection, 1980-2010"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"geogname_ssm":["United States -- Politics and Government -- 20th century -- Caricatures and Cartoons","United States -- Politics and Government -- 21st century -- Caricatures and Cartoons","United States -- Social Life and Customs -- Caricatures and Cartoons"],"geogname_ssim":["United States -- Politics and Government -- 20th century -- Caricatures and Cartoons","United States -- Politics and Government -- 21st century -- Caricatures and Cartoons","United States -- Social Life and Customs -- Caricatures and Cartoons"],"creator_ssm":["Florida Times-Union."],"creator_ssim":["Florida Times-Union."],"creator_corpname_ssim":["Florida Times-Union."],"creators_ssim":["Florida Times-Union."],"places_ssim":["United States -- Politics and Government -- 20th century -- Caricatures and Cartoons","United States -- Politics and Government -- 21st century -- Caricatures and Cartoons","United States -- Social Life and Customs -- Caricatures and Cartoons"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information."],"acqinfo_ssim":["The collection was acquired through donation from Edward H. Gamble, February 2014."],"access_subjects_ssim":["Cartoonists -- Tennessee -- Morristown -- Archives","Political Satire, American -- History -- 20th century -- Caricatures and Cartoons","Political Satire, American -- History -- 21st century -- Caricatures and Cartoons","Newspapers -- Caricatures and Cartoons","Political Cartoons","Politicians -- United States -- Caricatures and Cartoons","Wit and Humor, Pictorial"],"access_subjects_ssm":["Cartoonists -- Tennessee -- Morristown -- Archives","Political Satire, American -- History -- 20th century -- Caricatures and Cartoons","Political Satire, American -- History -- 21st century -- Caricatures and Cartoons","Newspapers -- Caricatures and Cartoons","Political Cartoons","Politicians -- United States -- Caricatures and Cartoons","Wit and Humor, Pictorial"],"has_online_content_ssim":["false"],"extent_ssm":["9.00 Linear Feet"],"extent_tesim":["9.00 Linear Feet"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eEd Gamble is a nationally syndicated political cartoonist whose work has appeared in numerous national and international publications, including the New York Times, the Washington Post, the Los Angeles Times, LeMonde (France), Der Spiegel (Germany), and the Independent (England). Born on May 12, 1943, in Morristown, Tennessee, his father, James Vernon Gamble, had a political career, while his mother, Anna Hill, was a newspaper columnist. Gamble was married to Saundra Lancaster on June 28, 1964.\u003c/p\u003e\n","\u003cp\u003eGamble was awarded a bachelor's degree in political science from the University of South Florida in 1970 and did graduate work at the University of Tennessee between 1971 and 1972. His professional career includes work as a reporter, sports editor, sports cartoonist, and political cartoonist. He was editorial cartoonist for the Nashville Banner in Nashville, Tennessee, from 1972 to 1980 and for the Florida Times-Union in Jacksonville, Florida, from 1980 to 2010.\u003c/p\u003e\n","\u003cp\u003eIn addition to appearing in magazines and newspapers, Gamble's cartoons are permanently displayed at the Texas Depository in Dallas, Texas, and at the Ford, Carter, Nixon, Reagan, and Bush Presidential Museums. His work has also been featured in several books: A Peek at the Great Society, 1965; A Cartoon History of the Reagan Years, 1988; and You Get Two for the Price of One, 1995. The Gambles currently reside in the Mandarin area of Jacksonville, Florida.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Ed Gamble is a nationally syndicated political cartoonist whose work has appeared in numerous national and international publications, including the New York Times, the Washington Post, the Los Angeles Times, LeMonde (France), Der Spiegel (Germany), and the Independent (England). Born on May 12, 1943, in Morristown, Tennessee, his father, James Vernon Gamble, had a political career, while his mother, Anna Hill, was a newspaper columnist. Gamble was married to Saundra Lancaster on June 28, 1964.","Gamble was awarded a bachelor's degree in political science from the University of South Florida in 1970 and did graduate work at the University of Tennessee between 1971 and 1972. His professional career includes work as a reporter, sports editor, sports cartoonist, and political cartoonist. He was editorial cartoonist for the Nashville Banner in Nashville, Tennessee, from 1972 to 1980 and for the Florida Times-Union in Jacksonville, Florida, from 1980 to 2010.","In addition to appearing in magazines and newspapers, Gamble's cartoons are permanently displayed at the Texas Depository in Dallas, Texas, and at the Ford, Carter, Nixon, Reagan, and Bush Presidential Museums. His work has also been featured in several books: A Peek at the Great Society, 1965; A Cartoon History of the Reagan Years, 1988; and You Get Two for the Price of One, 1995. The Gambles currently reside in the Mandarin area of Jacksonville, Florida."],"prefercite_html_tesm":["\u003cp\u003eEdward H. Gamble Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Edward H. Gamble Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains original political cartoons, personal letters, and ephemera. The majority of the cartoon collection relates to Florida and Jacksonville and were published in the Florida Times-Union Newspaper.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains original political cartoons, personal letters, and ephemera. The majority of the cartoon collection relates to Florida and Jacksonville and were published in the Florida Times-Union Newspaper."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information."],"names_coll_ssim":["Florida Times-Union."],"names_ssim":["UNF Library Special Collections and University Archives","Florida Times-Union."],"corpname_ssim":["UNF Library Special Collections and University Archives","Florida Times-Union."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":68,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860561902731264,"_root_":"4cad6a8e1fb73ffc7f9b49f0","timestamp":"2026-07-16T08:47:47.463Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4cad6a8e1fb73ffc7f9b49f0_aspace_efb450479e1071fefc865013f2f8fe2a"}},{"id":"a0b8dca0cc27e719e79a099f_aspace_53d02dc69f5b1797a153aec5cdf34401","type":"File","attributes":{"title":"Road Signs, 1979-2008","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_53d02dc69f5b1797a153aec5cdf34401#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eFolder includes correspondence, regulations, and map.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_53d02dc69f5b1797a153aec5cdf34401#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_53d02dc69f5b1797a153aec5cdf34401","ref_ssm":["aspace_53d02dc69f5b1797a153aec5cdf34401","aspace_53d02dc69f5b1797a153aec5cdf34401"],"id":"a0b8dca0cc27e719e79a099f_aspace_53d02dc69f5b1797a153aec5cdf34401","title_filing_ssi":"Road Signs","title_ssm":["Road Signs"],"title_tesim":["Road Signs"],"unitdate_inclusive_ssm":["1979-2008"],"normalized_date_ssm":["1979-2008"],"normalized_title_ssm":["Road Signs, 1979-2008"],"text":["Road Signs, 1979-2008","Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Corkscrew Swamp Sanctuary Records","Publications and Reports, L-W-Road Signs","/repositories/2/archival_objects/198568","box 16","folder 7","Folder includes correspondence, regulations, and map."],"component_level_isim":[3],"parent_ids_ssim":["a0b8dca0cc27e719e79a099f","a0b8dca0cc27e719e79a099f_aspace_e321b62174c707b70994a33f9c213e29","a0b8dca0cc27e719e79a099f_aspace_7243c40f088ccc0d8f9504e6e812b064"],"parent_unittitles_ssm":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Corkscrew Swamp Sanctuary Records","Publications and Reports, L-W-Road Signs"],"parent_unittitles_tesim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Corkscrew Swamp Sanctuary Records","Publications and Reports, L-W-Road Signs"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["/repositories/2/archival_objects/198568"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":370,"parent_access_restrict_tesm":["Until 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"containers_ssim":["box 16","folder 7"],"scopecontent_html_tesm":["\u003cp\u003eFolder includes correspondence, regulations, and map.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Folder includes correspondence, regulations, and map."],"_nest_path_":"/components#0/components#15/components#6","_nest_parent_":"a0b8dca0cc27e719e79a099f_aspace_7243c40f088ccc0d8f9504e6e812b064","_root_":"a0b8dca0cc27e719e79a099f","_version_":1872946110924849152,"timestamp":"2026-08-08T09:16:41.949Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a0b8dca0cc27e719e79a099f","title_ssm":["Audubon Society Corkscrew Swamp Sanctuary records"],"title_tesim":["Audubon Society Corkscrew Swamp Sanctuary records"],"ead_ssi":"a0b8dca0cc27e719e79a099f","unitdate_ssm":["1937-2019"],"unitdate_inclusive_ssm":["1937-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2020-03","/repositories/2/resources/583"],"text":["MS-2020-03","/repositories/2/resources/583","Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Ecology -- Florida","Conservationists -- Florida","Birds -- Habitat -- Florida","Birds -- Migration","Good.","Until 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society.","This collection is divided into four series: Corkscrew Swamp Sanctuary records, subject files, photographs and slides, and oversized material. The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically.","Audubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns.","The Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record.","This collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings.","Maps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. Rainey Wildlife Sanctuary and Platte River.","USF Libraries - Tampa Special Collections","Ed Carlson","English"],"unitid_tesim":["MS-2020-03","/repositories/2/resources/583"],"normalized_date_ssm":["1937-2019"],"normalized_title_ssm":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"collection_title_tesim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"collection_ssim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Ed Carlson"],"creator_ssim":["Ed Carlson"],"creator_persname_ssim":["Ed Carlson"],"creators_ssim":["Ed Carlson"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Ecology -- Florida","Conservationists -- Florida","Birds -- Habitat -- Florida","Birds -- Migration"],"access_subjects_ssm":["Ecology -- Florida","Conservationists -- Florida","Birds -- Habitat -- Florida","Birds -- Migration"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good."],"extent_ssm":["51 Linear Feet","96 boxes"],"extent_tesim":["51 Linear Feet","96 boxes"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eUntil 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Until 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into four series: Corkscrew Swamp Sanctuary records, subject files, photographs and slides, and oversized material. The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is divided into four series: Corkscrew Swamp Sanctuary records, subject files, photographs and slides, and oversized material. The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003eAudubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns.\u003c/p\u003e"],"bioghist_heading_ssm":["Content Description"],"bioghist_tesim":["Audubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns."],"odd_html_tesm":["\u003cp\u003eThe Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record.\u003c/p\u003e"],"odd_heading_ssm":["Cataloged Publications"],"odd_tesim":["The Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings."],"separatedmaterial_html_tesm":["\u003cp\u003eMaps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Maps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bf60a5a83f90c49360b71829ac95b658\"\u003eThe Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. Rainey Wildlife Sanctuary and Platte River.\u003c/abstract\u003e"],"abstract_tesim":["The Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. Rainey Wildlife Sanctuary and Platte River."],"names_ssim":["USF Libraries - Tampa Special Collections","Ed Carlson"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Ed Carlson"],"language_ssim":["English"],"total_component_count_is":2704,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872946110924849152,"_root_":"a0b8dca0cc27e719e79a099f","timestamp":"2026-08-08T09:16:41.949Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_53d02dc69f5b1797a153aec5cdf34401"}},{"id":"a62b266ca8a0c4c6e9a227d3","type":"collection","attributes":{"title":"Rob Boyte Collection, bulk date unknown","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/a62b266ca8a0c4c6e9a227d3#creator","type":"document_value","attributes":{"value":["Boyte, Robert Alan"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a62b266ca8a0c4c6e9a227d3#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Rob Boyte Collection contains photographs and photographic negatives created by photographer Rob Boyte during his time in Miami, Florida. The materials document individuals, neighborhoods, daily life, and the social and cultural landscape of Miami, including residential areas, streets, vehicles, and local animal life. The photographs also document events and social issues in Miami during the 1980s and later, including race relations and the local impact of international events such as the Iraq War. The collection also contains movie reviews reflecting Boyte's interest in film and cinema. In addition, the collection includes photographs and drawings depicting nudity and nude imagery. The materials provide visual and documentary evidence of people, places, everyday life, social and historical events, and cultural interests in Miami and their broader context.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a62b266ca8a0c4c6e9a227d3#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"a62b266ca8a0c4c6e9a227d3","title_ssm":["Rob Boyte Collection"],"title_tesim":["Rob Boyte Collection"],"ead_ssi":"a62b266ca8a0c4c6e9a227d3","unitdate_ssm":["date unknown"],"unitdate_bulk_ssim":["date unknown"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC8030","/repositories/2/resources/12"],"text":["SPC8030","/repositories/2/resources/12","Rob Boyte Collection, bulk date unknown","Restrictions apply. This collection contains photographs and drawings that include nudity imagery. Researchers should be aware that some materials may contain graphic or sensitive visual content. Photographs and names of the subjects on the photographs may not be published unless their permission has been obtained, or they are deceased.","Rob Boyte (Robert Alan Boyte) was born in Richmond California in 1944.  His early childhood was in North St. Louis until 1955, when his family moved to the suburb of St. Ann, Missouri, where he lived until graduating high school and joining the U.S. Air Force in 1963.  His interests as an adolescent in high school were Art, Biology and Writing.  Rob also first started taking photographs with a Kodak Box camera and later a Brownie camera as a teenager, learning the rudimentary of \"keep the sun to your back.\"","During childhood Rob also spent summers with his father's parents in rural Mississippi outside of Brookhaven, where he observed racial segregation and the \"white\" and \"colored\" facilities, not present in St. Louis. ","Rob was trained in the U.S.A.F. Security Service in Texas and stationed in Karamursel Air Station in Turkey.  His last duty station was at Fort Meade Maryland, where he worked in the National Security Agency.  After his four-year commitment of active duty ended in 1967, he left the Air Force as an Airman First Class and went to Mississippi, where an uncle got him a job on an oil rig.  That job lasted one month and Rob went to New Orleans, where he would live until 1982 (with intermittent stays in Miami and Pittsburgh).","Rob was never goal oriented and never selected a career other than gravitating to human services work.  In New Orleans he worked as a Security Guard, Police Patrolman, French Market Cleaning Crew, Museum Attendant, Free Clinic Attendant, Psychiatric Hospital Aide, Group Home Resident Manager and Respite Care Aide. ","While in New Orleans he became a life-partner with Jim Hewitt and the two traveled thru Centro America in 1974 and overland from Europe to India in 1975.  While in India on a second trip in 1977, Rob, when not assisting at a free rural clinic, satisfied his interest in plants by drawing 62 \"Weeds of India,\" 17 of which he has seen growing in South Florida. ","Rob and Jim both worked for Montanari Clinical School in Hialeah Florida as \"Cottage Parents\" to disturbed boys and at DePaul Psychiatric Hospital in New Orleans as Psychiatric Aides.   Rob and Jim separated in New Orleans in 1978 and Rob met Brenda Williams in 1980 while both were working at Hope Haven/Madonna Manor home for boys.  They moved to Miami in 1982, where they got married at Unity On The Bay in 1983.  Rob worked as a ceramics instructor at a sheltered workshop for developmentally disabled adults and Brenda worked at The Miami Bridge for runaways.","During the 1980s and '90s Rob was a prolific writer of letters to the editor of the Miami News, The Miami Herald, The Gainesville Sun and The Weekly News, as well as other publications, 200 of which made print.  He also wrote a column for Naturist publications called  Nude Attitude , which he later compiled into a small, self-published book of the same title.","Rob took a break from human service work in 1984 for about two years, working at an air condition supply company as a Warehouseman and Delivery Truck Driver.  Also in 1984, Rob got his first 35mm, single lens reflex camera and started his photography avocation, taking photos of everything he saw from buildings, plants, animals, people and events in South Florida to his travels to New Orleans and St. Louis. ","From 1986 to 1992, Rob worked at Faye Clark's New Horizons in Hialeah as a Group Home Resident Manager.  During this time he also worked part-time as a model for art classes in all the schools in the Miami area, taking his camera with him.  In 1986, Rob got involved with Health Crisis Network in Miami, and worked for various other AIDS support agencies in Miami and North Central Florida until 1996, as well as being a workplace HIV-AIDS Educator starting in 1999.  ","While living and working at the group home, Brenda took classes at Miami Dade Community College medical campus and became a Registered Nurse in 1990.  Rob also went to Lindsey Hopkins Technical Education School and became a Nursing Assistant in 1991.  Rob and Brenda moved to Gainesville in 1992, where Rob worked at nursing homes as a CNA and as a Home Health Aide, before getting a job at Shands Hospital.  Brenda worked at Alachua General Hospital.","Rob and Brenda returned to Miami in 1996, where Rob Returned to his original job as a workshop supervisor with developmentally disabled adults.  Rob and Brenda got divorced in 1998. ","In November 1999, Rob took an office job at MACtown, a residential facility for developmentally disabled adults and stayed until retiring in 2015.","Note written by Robert Alan Boyte","The Rob Boyte Collection contains photographs and photographic negatives created by photographer Rob Boyte during his time in Miami, Florida. The materials document individuals, neighborhoods, daily life, and the social and cultural landscape of Miami, including residential areas, streets, vehicles, and local animal life. The photographs also document events and social issues in Miami during the 1980s and later, including race relations and the local impact of international events such as the Iraq War. The collection also contains movie reviews reflecting Boyte's interest in film and cinema. In addition, the collection includes photographs and drawings depicting nudity and nude imagery. The materials provide visual and documentary evidence of people, places, everyday life, social and historical events, and cultural interests in Miami and their broader context.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Boyte, Robert Alan","English"],"unitid_tesim":["SPC8030","/repositories/2/resources/12"],"normalized_date_ssm":["bulk date unknown"],"normalized_title_ssm":["Rob Boyte Collection, bulk date unknown"],"collection_title_tesim":["Rob Boyte Collection, bulk date unknown"],"collection_ssim":["Rob Boyte Collection, bulk date unknown"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Boyte, Robert Alan"],"creator_ssim":["Boyte, Robert Alan"],"creator_persname_ssim":["Boyte, Robert Alan"],"creators_ssim":["Boyte, Robert Alan"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation","Donated by Rob Boyte"],"has_online_content_ssim":["false"],"extent_ssm":["6.00 boxes"],"extent_tesim":["6.00 boxes"],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eRestrictions apply. This collection contains photographs and drawings that include nudity imagery. Researchers should be aware that some materials may contain graphic or sensitive visual content. Photographs and names of the subjects on the photographs may not be published unless their permission has been obtained, or they are deceased.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Restrictions apply. This collection contains photographs and drawings that include nudity imagery. Researchers should be aware that some materials may contain graphic or sensitive visual content. Photographs and names of the subjects on the photographs may not be published unless their permission has been obtained, or they are deceased."],"bioghist_html_tesm":["\u003cp\u003eRob Boyte (Robert Alan Boyte) was born in Richmond California in 1944.\u0026#xA0; His early childhood was in North St. Louis until 1955, when his family moved to the suburb of St. Ann, Missouri, where he lived until graduating high school and joining the U.S. Air Force in 1963.\u0026#xA0; His interests as an adolescent in high school were Art, Biology and Writing.\u0026#xA0; Rob also first started taking photographs with a Kodak Box camera and later a Brownie camera as a teenager, learning the rudimentary of \"keep the sun to your back.\"\u003c/p\u003e\n","\u003cp\u003eDuring childhood Rob also spent summers with his father's parents in rural Mississippi outside of Brookhaven, where he observed racial segregation and the \"white\" and \"colored\" facilities, not present in St. Louis. \u003c/p\u003e\n","\u003cp\u003eRob was trained in the U.S.A.F. Security Service in Texas and stationed in Karamursel Air Station in Turkey.\u0026#xA0; His last duty station was at Fort Meade Maryland, where he worked in the National Security Agency.\u0026#xA0; After his four-year commitment of active duty ended in 1967, he left the Air Force as an Airman First Class and went to Mississippi, where an uncle got him a job on an oil rig.\u0026#xA0; That job lasted one month and Rob went to New Orleans, where he would live until 1982 (with intermittent stays in Miami and Pittsburgh).\u003c/p\u003e\n","\u003cp\u003eRob was never goal oriented and never selected a career other than gravitating to human services work.\u0026#xA0; In New Orleans he worked as a Security Guard, Police Patrolman, French Market Cleaning Crew, Museum Attendant, Free Clinic Attendant, Psychiatric Hospital Aide, Group Home Resident Manager and Respite Care Aide. \u003c/p\u003e\n","\u003cp\u003eWhile in New Orleans he became a life-partner with Jim Hewitt and the two traveled thru Centro America in 1974 and overland from Europe to India in 1975.\u0026#xA0; While in India on a second trip in 1977, Rob, when not assisting at a free rural clinic, satisfied his interest in plants by drawing 62 \"Weeds of India,\" 17 of which he has seen growing in South Florida. \u003c/p\u003e\n","\u003cp\u003eRob and Jim both worked for Montanari Clinical School in Hialeah Florida as \"Cottage Parents\" to disturbed boys and at DePaul Psychiatric Hospital in New Orleans as Psychiatric Aides.\u0026#xA0;\u0026#xA0; Rob and Jim separated in New Orleans in 1978 and Rob met Brenda Williams in 1980 while both were working at Hope Haven/Madonna Manor home for boys.\u0026#xA0; They moved to Miami in 1982, where they got married at Unity On The Bay in 1983.\u0026#xA0; Rob worked as a ceramics instructor at a sheltered workshop for developmentally disabled adults and Brenda worked at The Miami Bridge for runaways.\u003c/p\u003e\n","\u003cp\u003eDuring the 1980s and '90s Rob was a prolific writer of letters to the editor of the Miami News, The Miami Herald, The Gainesville Sun and The Weekly News, as well as other publications, 200 of which made print.\u0026#xA0; He also wrote a column for Naturist publications called \u003cemph render=\"italic\"\u003eNude Attitude\u003c/emph\u003e, which he later compiled into a small, self-published book of the same title.\u003c/p\u003e\n","\u003cp\u003eRob took a break from human service work in 1984 for about two years, working at an air condition supply company as a Warehouseman and Delivery Truck Driver.\u0026#xA0; Also in 1984, Rob got his first 35mm, single lens reflex camera and started his photography avocation, taking photos of everything he saw from buildings, plants, animals, people and events in South Florida to his travels to New Orleans and St. Louis. \u003c/p\u003e\n","\u003cp\u003eFrom 1986 to 1992, Rob worked at Faye Clark's New Horizons in Hialeah as a Group Home Resident Manager.\u0026#xA0; During this time he also worked part-time as a model for art classes in all the schools in the Miami area, taking his camera with him.\u0026#xA0; In 1986, Rob got involved with Health Crisis Network in Miami, and worked for various other AIDS support agencies in Miami and North Central Florida until 1996, as well as being a workplace HIV-AIDS Educator starting in 1999.\u0026#xA0; \u003c/p\u003e\n","\u003cp\u003eWhile living and working at the group home, Brenda took classes at Miami Dade Community College medical campus and became a Registered Nurse in 1990.\u0026#xA0; Rob also went to Lindsey Hopkins Technical Education School and became a Nursing Assistant in 1991.\u0026#xA0; Rob and Brenda moved to Gainesville in 1992, where Rob worked at nursing homes as a CNA and as a Home Health Aide, before getting a job at Shands Hospital.\u0026#xA0; Brenda worked at Alachua General Hospital.\u003c/p\u003e\n","\u003cp\u003eRob and Brenda returned to Miami in 1996, where Rob Returned to his original job as a workshop supervisor with developmentally disabled adults.\u0026#xA0; Rob and Brenda got divorced in 1998. \u003c/p\u003e\n","\u003cp\u003eIn November 1999, Rob took an office job at MACtown, a residential facility for developmentally disabled adults and stayed until retiring in 2015.\u003c/p\u003e\n","\u003cp\u003eNote written by Robert Alan Boyte\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Rob Boyte (Robert Alan Boyte) was born in Richmond California in 1944.  His early childhood was in North St. Louis until 1955, when his family moved to the suburb of St. Ann, Missouri, where he lived until graduating high school and joining the U.S. Air Force in 1963.  His interests as an adolescent in high school were Art, Biology and Writing.  Rob also first started taking photographs with a Kodak Box camera and later a Brownie camera as a teenager, learning the rudimentary of \"keep the sun to your back.\"","During childhood Rob also spent summers with his father's parents in rural Mississippi outside of Brookhaven, where he observed racial segregation and the \"white\" and \"colored\" facilities, not present in St. Louis. ","Rob was trained in the U.S.A.F. Security Service in Texas and stationed in Karamursel Air Station in Turkey.  His last duty station was at Fort Meade Maryland, where he worked in the National Security Agency.  After his four-year commitment of active duty ended in 1967, he left the Air Force as an Airman First Class and went to Mississippi, where an uncle got him a job on an oil rig.  That job lasted one month and Rob went to New Orleans, where he would live until 1982 (with intermittent stays in Miami and Pittsburgh).","Rob was never goal oriented and never selected a career other than gravitating to human services work.  In New Orleans he worked as a Security Guard, Police Patrolman, French Market Cleaning Crew, Museum Attendant, Free Clinic Attendant, Psychiatric Hospital Aide, Group Home Resident Manager and Respite Care Aide. ","While in New Orleans he became a life-partner with Jim Hewitt and the two traveled thru Centro America in 1974 and overland from Europe to India in 1975.  While in India on a second trip in 1977, Rob, when not assisting at a free rural clinic, satisfied his interest in plants by drawing 62 \"Weeds of India,\" 17 of which he has seen growing in South Florida. ","Rob and Jim both worked for Montanari Clinical School in Hialeah Florida as \"Cottage Parents\" to disturbed boys and at DePaul Psychiatric Hospital in New Orleans as Psychiatric Aides.   Rob and Jim separated in New Orleans in 1978 and Rob met Brenda Williams in 1980 while both were working at Hope Haven/Madonna Manor home for boys.  They moved to Miami in 1982, where they got married at Unity On The Bay in 1983.  Rob worked as a ceramics instructor at a sheltered workshop for developmentally disabled adults and Brenda worked at The Miami Bridge for runaways.","During the 1980s and '90s Rob was a prolific writer of letters to the editor of the Miami News, The Miami Herald, The Gainesville Sun and The Weekly News, as well as other publications, 200 of which made print.  He also wrote a column for Naturist publications called  Nude Attitude , which he later compiled into a small, self-published book of the same title.","Rob took a break from human service work in 1984 for about two years, working at an air condition supply company as a Warehouseman and Delivery Truck Driver.  Also in 1984, Rob got his first 35mm, single lens reflex camera and started his photography avocation, taking photos of everything he saw from buildings, plants, animals, people and events in South Florida to his travels to New Orleans and St. Louis. ","From 1986 to 1992, Rob worked at Faye Clark's New Horizons in Hialeah as a Group Home Resident Manager.  During this time he also worked part-time as a model for art classes in all the schools in the Miami area, taking his camera with him.  In 1986, Rob got involved with Health Crisis Network in Miami, and worked for various other AIDS support agencies in Miami and North Central Florida until 1996, as well as being a workplace HIV-AIDS Educator starting in 1999.  ","While living and working at the group home, Brenda took classes at Miami Dade Community College medical campus and became a Registered Nurse in 1990.  Rob also went to Lindsey Hopkins Technical Education School and became a Nursing Assistant in 1991.  Rob and Brenda moved to Gainesville in 1992, where Rob worked at nursing homes as a CNA and as a Home Health Aide, before getting a job at Shands Hospital.  Brenda worked at Alachua General Hospital.","Rob and Brenda returned to Miami in 1996, where Rob Returned to his original job as a workshop supervisor with developmentally disabled adults.  Rob and Brenda got divorced in 1998. ","In November 1999, Rob took an office job at MACtown, a residential facility for developmentally disabled adults and stayed until retiring in 2015.","Note written by Robert Alan Boyte"],"scopecontent_html_tesm":["\u003cp\u003eThe Rob Boyte Collection contains photographs and photographic negatives created by photographer Rob Boyte during his time in Miami, Florida. The materials document individuals, neighborhoods, daily life, and the social and cultural landscape of Miami, including residential areas, streets, vehicles, and local animal life. The photographs also document events and social issues in Miami during the 1980s and later, including race relations and the local impact of international events such as the Iraq War. The collection also contains movie reviews reflecting Boyte's interest in film and cinema. In addition, the collection includes photographs and drawings depicting nudity and nude imagery. The materials provide visual and documentary evidence of people, places, everyday life, social and historical events, and cultural interests in Miami and their broader context.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Rob Boyte Collection contains photographs and photographic negatives created by photographer Rob Boyte during his time in Miami, Florida. The materials document individuals, neighborhoods, daily life, and the social and cultural landscape of Miami, including residential areas, streets, vehicles, and local animal life. The photographs also document events and social issues in Miami during the 1980s and later, including race relations and the local impact of international events such as the Iraq War. The collection also contains movie reviews reflecting Boyte's interest in film and cinema. In addition, the collection includes photographs and drawings depicting nudity and nude imagery. The materials provide visual and documentary evidence of people, places, everyday life, social and historical events, and cultural interests in Miami and their broader context."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Boyte, Robert Alan"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Boyte, Robert Alan"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":74,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876642586161053696,"_root_":"a62b266ca8a0c4c6e9a227d3","timestamp":"2026-09-18T04:30:35.495Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a62b266ca8a0c4c6e9a227d3","title_ssm":["Rob Boyte Collection"],"title_tesim":["Rob Boyte Collection"],"ead_ssi":"a62b266ca8a0c4c6e9a227d3","unitdate_ssm":["date unknown"],"unitdate_bulk_ssim":["date unknown"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC8030","/repositories/2/resources/12"],"text":["SPC8030","/repositories/2/resources/12","Rob Boyte Collection, bulk date unknown","Restrictions apply. This collection contains photographs and drawings that include nudity imagery. Researchers should be aware that some materials may contain graphic or sensitive visual content. Photographs and names of the subjects on the photographs may not be published unless their permission has been obtained, or they are deceased.","Rob Boyte (Robert Alan Boyte) was born in Richmond California in 1944.  His early childhood was in North St. Louis until 1955, when his family moved to the suburb of St. Ann, Missouri, where he lived until graduating high school and joining the U.S. Air Force in 1963.  His interests as an adolescent in high school were Art, Biology and Writing.  Rob also first started taking photographs with a Kodak Box camera and later a Brownie camera as a teenager, learning the rudimentary of \"keep the sun to your back.\"","During childhood Rob also spent summers with his father's parents in rural Mississippi outside of Brookhaven, where he observed racial segregation and the \"white\" and \"colored\" facilities, not present in St. Louis. ","Rob was trained in the U.S.A.F. Security Service in Texas and stationed in Karamursel Air Station in Turkey.  His last duty station was at Fort Meade Maryland, where he worked in the National Security Agency.  After his four-year commitment of active duty ended in 1967, he left the Air Force as an Airman First Class and went to Mississippi, where an uncle got him a job on an oil rig.  That job lasted one month and Rob went to New Orleans, where he would live until 1982 (with intermittent stays in Miami and Pittsburgh).","Rob was never goal oriented and never selected a career other than gravitating to human services work.  In New Orleans he worked as a Security Guard, Police Patrolman, French Market Cleaning Crew, Museum Attendant, Free Clinic Attendant, Psychiatric Hospital Aide, Group Home Resident Manager and Respite Care Aide. ","While in New Orleans he became a life-partner with Jim Hewitt and the two traveled thru Centro America in 1974 and overland from Europe to India in 1975.  While in India on a second trip in 1977, Rob, when not assisting at a free rural clinic, satisfied his interest in plants by drawing 62 \"Weeds of India,\" 17 of which he has seen growing in South Florida. ","Rob and Jim both worked for Montanari Clinical School in Hialeah Florida as \"Cottage Parents\" to disturbed boys and at DePaul Psychiatric Hospital in New Orleans as Psychiatric Aides.   Rob and Jim separated in New Orleans in 1978 and Rob met Brenda Williams in 1980 while both were working at Hope Haven/Madonna Manor home for boys.  They moved to Miami in 1982, where they got married at Unity On The Bay in 1983.  Rob worked as a ceramics instructor at a sheltered workshop for developmentally disabled adults and Brenda worked at The Miami Bridge for runaways.","During the 1980s and '90s Rob was a prolific writer of letters to the editor of the Miami News, The Miami Herald, The Gainesville Sun and The Weekly News, as well as other publications, 200 of which made print.  He also wrote a column for Naturist publications called  Nude Attitude , which he later compiled into a small, self-published book of the same title.","Rob took a break from human service work in 1984 for about two years, working at an air condition supply company as a Warehouseman and Delivery Truck Driver.  Also in 1984, Rob got his first 35mm, single lens reflex camera and started his photography avocation, taking photos of everything he saw from buildings, plants, animals, people and events in South Florida to his travels to New Orleans and St. Louis. ","From 1986 to 1992, Rob worked at Faye Clark's New Horizons in Hialeah as a Group Home Resident Manager.  During this time he also worked part-time as a model for art classes in all the schools in the Miami area, taking his camera with him.  In 1986, Rob got involved with Health Crisis Network in Miami, and worked for various other AIDS support agencies in Miami and North Central Florida until 1996, as well as being a workplace HIV-AIDS Educator starting in 1999.  ","While living and working at the group home, Brenda took classes at Miami Dade Community College medical campus and became a Registered Nurse in 1990.  Rob also went to Lindsey Hopkins Technical Education School and became a Nursing Assistant in 1991.  Rob and Brenda moved to Gainesville in 1992, where Rob worked at nursing homes as a CNA and as a Home Health Aide, before getting a job at Shands Hospital.  Brenda worked at Alachua General Hospital.","Rob and Brenda returned to Miami in 1996, where Rob Returned to his original job as a workshop supervisor with developmentally disabled adults.  Rob and Brenda got divorced in 1998. ","In November 1999, Rob took an office job at MACtown, a residential facility for developmentally disabled adults and stayed until retiring in 2015.","Note written by Robert Alan Boyte","The Rob Boyte Collection contains photographs and photographic negatives created by photographer Rob Boyte during his time in Miami, Florida. The materials document individuals, neighborhoods, daily life, and the social and cultural landscape of Miami, including residential areas, streets, vehicles, and local animal life. The photographs also document events and social issues in Miami during the 1980s and later, including race relations and the local impact of international events such as the Iraq War. The collection also contains movie reviews reflecting Boyte's interest in film and cinema. In addition, the collection includes photographs and drawings depicting nudity and nude imagery. The materials provide visual and documentary evidence of people, places, everyday life, social and historical events, and cultural interests in Miami and their broader context.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Boyte, Robert Alan","English"],"unitid_tesim":["SPC8030","/repositories/2/resources/12"],"normalized_date_ssm":["bulk date unknown"],"normalized_title_ssm":["Rob Boyte Collection, bulk date unknown"],"collection_title_tesim":["Rob Boyte Collection, bulk date unknown"],"collection_ssim":["Rob Boyte Collection, bulk date unknown"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Boyte, Robert Alan"],"creator_ssim":["Boyte, Robert Alan"],"creator_persname_ssim":["Boyte, Robert Alan"],"creators_ssim":["Boyte, Robert Alan"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation","Donated by Rob Boyte"],"has_online_content_ssim":["false"],"extent_ssm":["6.00 boxes"],"extent_tesim":["6.00 boxes"],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eRestrictions apply. This collection contains photographs and drawings that include nudity imagery. Researchers should be aware that some materials may contain graphic or sensitive visual content. Photographs and names of the subjects on the photographs may not be published unless their permission has been obtained, or they are deceased.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Restrictions apply. This collection contains photographs and drawings that include nudity imagery. Researchers should be aware that some materials may contain graphic or sensitive visual content. Photographs and names of the subjects on the photographs may not be published unless their permission has been obtained, or they are deceased."],"bioghist_html_tesm":["\u003cp\u003eRob Boyte (Robert Alan Boyte) was born in Richmond California in 1944.\u0026#xA0; His early childhood was in North St. Louis until 1955, when his family moved to the suburb of St. Ann, Missouri, where he lived until graduating high school and joining the U.S. Air Force in 1963.\u0026#xA0; His interests as an adolescent in high school were Art, Biology and Writing.\u0026#xA0; Rob also first started taking photographs with a Kodak Box camera and later a Brownie camera as a teenager, learning the rudimentary of \"keep the sun to your back.\"\u003c/p\u003e\n","\u003cp\u003eDuring childhood Rob also spent summers with his father's parents in rural Mississippi outside of Brookhaven, where he observed racial segregation and the \"white\" and \"colored\" facilities, not present in St. Louis. \u003c/p\u003e\n","\u003cp\u003eRob was trained in the U.S.A.F. Security Service in Texas and stationed in Karamursel Air Station in Turkey.\u0026#xA0; His last duty station was at Fort Meade Maryland, where he worked in the National Security Agency.\u0026#xA0; After his four-year commitment of active duty ended in 1967, he left the Air Force as an Airman First Class and went to Mississippi, where an uncle got him a job on an oil rig.\u0026#xA0; That job lasted one month and Rob went to New Orleans, where he would live until 1982 (with intermittent stays in Miami and Pittsburgh).\u003c/p\u003e\n","\u003cp\u003eRob was never goal oriented and never selected a career other than gravitating to human services work.\u0026#xA0; In New Orleans he worked as a Security Guard, Police Patrolman, French Market Cleaning Crew, Museum Attendant, Free Clinic Attendant, Psychiatric Hospital Aide, Group Home Resident Manager and Respite Care Aide. \u003c/p\u003e\n","\u003cp\u003eWhile in New Orleans he became a life-partner with Jim Hewitt and the two traveled thru Centro America in 1974 and overland from Europe to India in 1975.\u0026#xA0; While in India on a second trip in 1977, Rob, when not assisting at a free rural clinic, satisfied his interest in plants by drawing 62 \"Weeds of India,\" 17 of which he has seen growing in South Florida. \u003c/p\u003e\n","\u003cp\u003eRob and Jim both worked for Montanari Clinical School in Hialeah Florida as \"Cottage Parents\" to disturbed boys and at DePaul Psychiatric Hospital in New Orleans as Psychiatric Aides.\u0026#xA0;\u0026#xA0; Rob and Jim separated in New Orleans in 1978 and Rob met Brenda Williams in 1980 while both were working at Hope Haven/Madonna Manor home for boys.\u0026#xA0; They moved to Miami in 1982, where they got married at Unity On The Bay in 1983.\u0026#xA0; Rob worked as a ceramics instructor at a sheltered workshop for developmentally disabled adults and Brenda worked at The Miami Bridge for runaways.\u003c/p\u003e\n","\u003cp\u003eDuring the 1980s and '90s Rob was a prolific writer of letters to the editor of the Miami News, The Miami Herald, The Gainesville Sun and The Weekly News, as well as other publications, 200 of which made print.\u0026#xA0; He also wrote a column for Naturist publications called \u003cemph render=\"italic\"\u003eNude Attitude\u003c/emph\u003e, which he later compiled into a small, self-published book of the same title.\u003c/p\u003e\n","\u003cp\u003eRob took a break from human service work in 1984 for about two years, working at an air condition supply company as a Warehouseman and Delivery Truck Driver.\u0026#xA0; Also in 1984, Rob got his first 35mm, single lens reflex camera and started his photography avocation, taking photos of everything he saw from buildings, plants, animals, people and events in South Florida to his travels to New Orleans and St. Louis. \u003c/p\u003e\n","\u003cp\u003eFrom 1986 to 1992, Rob worked at Faye Clark's New Horizons in Hialeah as a Group Home Resident Manager.\u0026#xA0; During this time he also worked part-time as a model for art classes in all the schools in the Miami area, taking his camera with him.\u0026#xA0; In 1986, Rob got involved with Health Crisis Network in Miami, and worked for various other AIDS support agencies in Miami and North Central Florida until 1996, as well as being a workplace HIV-AIDS Educator starting in 1999.\u0026#xA0; \u003c/p\u003e\n","\u003cp\u003eWhile living and working at the group home, Brenda took classes at Miami Dade Community College medical campus and became a Registered Nurse in 1990.\u0026#xA0; Rob also went to Lindsey Hopkins Technical Education School and became a Nursing Assistant in 1991.\u0026#xA0; Rob and Brenda moved to Gainesville in 1992, where Rob worked at nursing homes as a CNA and as a Home Health Aide, before getting a job at Shands Hospital.\u0026#xA0; Brenda worked at Alachua General Hospital.\u003c/p\u003e\n","\u003cp\u003eRob and Brenda returned to Miami in 1996, where Rob Returned to his original job as a workshop supervisor with developmentally disabled adults.\u0026#xA0; Rob and Brenda got divorced in 1998. \u003c/p\u003e\n","\u003cp\u003eIn November 1999, Rob took an office job at MACtown, a residential facility for developmentally disabled adults and stayed until retiring in 2015.\u003c/p\u003e\n","\u003cp\u003eNote written by Robert Alan Boyte\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Rob Boyte (Robert Alan Boyte) was born in Richmond California in 1944.  His early childhood was in North St. Louis until 1955, when his family moved to the suburb of St. Ann, Missouri, where he lived until graduating high school and joining the U.S. Air Force in 1963.  His interests as an adolescent in high school were Art, Biology and Writing.  Rob also first started taking photographs with a Kodak Box camera and later a Brownie camera as a teenager, learning the rudimentary of \"keep the sun to your back.\"","During childhood Rob also spent summers with his father's parents in rural Mississippi outside of Brookhaven, where he observed racial segregation and the \"white\" and \"colored\" facilities, not present in St. Louis. ","Rob was trained in the U.S.A.F. Security Service in Texas and stationed in Karamursel Air Station in Turkey.  His last duty station was at Fort Meade Maryland, where he worked in the National Security Agency.  After his four-year commitment of active duty ended in 1967, he left the Air Force as an Airman First Class and went to Mississippi, where an uncle got him a job on an oil rig.  That job lasted one month and Rob went to New Orleans, where he would live until 1982 (with intermittent stays in Miami and Pittsburgh).","Rob was never goal oriented and never selected a career other than gravitating to human services work.  In New Orleans he worked as a Security Guard, Police Patrolman, French Market Cleaning Crew, Museum Attendant, Free Clinic Attendant, Psychiatric Hospital Aide, Group Home Resident Manager and Respite Care Aide. ","While in New Orleans he became a life-partner with Jim Hewitt and the two traveled thru Centro America in 1974 and overland from Europe to India in 1975.  While in India on a second trip in 1977, Rob, when not assisting at a free rural clinic, satisfied his interest in plants by drawing 62 \"Weeds of India,\" 17 of which he has seen growing in South Florida. ","Rob and Jim both worked for Montanari Clinical School in Hialeah Florida as \"Cottage Parents\" to disturbed boys and at DePaul Psychiatric Hospital in New Orleans as Psychiatric Aides.   Rob and Jim separated in New Orleans in 1978 and Rob met Brenda Williams in 1980 while both were working at Hope Haven/Madonna Manor home for boys.  They moved to Miami in 1982, where they got married at Unity On The Bay in 1983.  Rob worked as a ceramics instructor at a sheltered workshop for developmentally disabled adults and Brenda worked at The Miami Bridge for runaways.","During the 1980s and '90s Rob was a prolific writer of letters to the editor of the Miami News, The Miami Herald, The Gainesville Sun and The Weekly News, as well as other publications, 200 of which made print.  He also wrote a column for Naturist publications called  Nude Attitude , which he later compiled into a small, self-published book of the same title.","Rob took a break from human service work in 1984 for about two years, working at an air condition supply company as a Warehouseman and Delivery Truck Driver.  Also in 1984, Rob got his first 35mm, single lens reflex camera and started his photography avocation, taking photos of everything he saw from buildings, plants, animals, people and events in South Florida to his travels to New Orleans and St. Louis. ","From 1986 to 1992, Rob worked at Faye Clark's New Horizons in Hialeah as a Group Home Resident Manager.  During this time he also worked part-time as a model for art classes in all the schools in the Miami area, taking his camera with him.  In 1986, Rob got involved with Health Crisis Network in Miami, and worked for various other AIDS support agencies in Miami and North Central Florida until 1996, as well as being a workplace HIV-AIDS Educator starting in 1999.  ","While living and working at the group home, Brenda took classes at Miami Dade Community College medical campus and became a Registered Nurse in 1990.  Rob also went to Lindsey Hopkins Technical Education School and became a Nursing Assistant in 1991.  Rob and Brenda moved to Gainesville in 1992, where Rob worked at nursing homes as a CNA and as a Home Health Aide, before getting a job at Shands Hospital.  Brenda worked at Alachua General Hospital.","Rob and Brenda returned to Miami in 1996, where Rob Returned to his original job as a workshop supervisor with developmentally disabled adults.  Rob and Brenda got divorced in 1998. ","In November 1999, Rob took an office job at MACtown, a residential facility for developmentally disabled adults and stayed until retiring in 2015.","Note written by Robert Alan Boyte"],"scopecontent_html_tesm":["\u003cp\u003eThe Rob Boyte Collection contains photographs and photographic negatives created by photographer Rob Boyte during his time in Miami, Florida. The materials document individuals, neighborhoods, daily life, and the social and cultural landscape of Miami, including residential areas, streets, vehicles, and local animal life. The photographs also document events and social issues in Miami during the 1980s and later, including race relations and the local impact of international events such as the Iraq War. The collection also contains movie reviews reflecting Boyte's interest in film and cinema. In addition, the collection includes photographs and drawings depicting nudity and nude imagery. The materials provide visual and documentary evidence of people, places, everyday life, social and historical events, and cultural interests in Miami and their broader context.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Rob Boyte Collection contains photographs and photographic negatives created by photographer Rob Boyte during his time in Miami, Florida. The materials document individuals, neighborhoods, daily life, and the social and cultural landscape of Miami, including residential areas, streets, vehicles, and local animal life. The photographs also document events and social issues in Miami during the 1980s and later, including race relations and the local impact of international events such as the Iraq War. The collection also contains movie reviews reflecting Boyte's interest in film and cinema. In addition, the collection includes photographs and drawings depicting nudity and nude imagery. The materials provide visual and documentary evidence of people, places, everyday life, social and historical events, and cultural interests in Miami and their broader context."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. 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