{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1986\u0026page=450","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1986\u0026page=449","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1986\u0026page=451","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1986\u0026page=649"},"meta":{"pages":{"current_page":450,"next_page":451,"prev_page":449,"total_pages":649,"limit_value":10,"offset_value":4490,"total_count":6489,"first_page?":false,"last_page?":false}},"data":[{"id":"c3e46b40c834f9335c7da81e_aspace_517f6ad1477047886e94b995fd4bfd49","type":"File","attributes":{"title":"Personal Correspondence of Laura Riding Jackson, 1964–1990","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/c3e46b40c834f9335c7da81e_aspace_517f6ad1477047886e94b995fd4bfd49#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_517f6ad1477047886e94b995fd4bfd49","ref_ssm":["aspace_517f6ad1477047886e94b995fd4bfd49","aspace_517f6ad1477047886e94b995fd4bfd49"],"id":"c3e46b40c834f9335c7da81e_aspace_517f6ad1477047886e94b995fd4bfd49","title_filing_ssi":"Personal Correspondence of Laura Riding Jackson","title_ssm":["Personal Correspondence of Laura Riding Jackson"],"title_tesim":["Personal Correspondence of Laura Riding Jackson"],"unitdate_inclusive_ssm":["1964–1990"],"normalized_date_ssm":["1964–1990"],"normalized_title_ssm":["Personal Correspondence of Laura Riding Jackson, 1964–1990"],"text":["Personal Correspondence of Laura Riding Jackson, 1964–1990","The Marie Stiefel Laura Riding Jackson collection, 1925-2024","Correspondence, 1941–1993","/repositories/4/archival_objects/83460","box 1","folder 6"],"component_level_isim":[2],"parent_ids_ssim":["c3e46b40c834f9335c7da81e","c3e46b40c834f9335c7da81e_aspace_0ee4accd9c2231937e3bdb475e65fa82"],"parent_unittitles_ssm":["The Marie Stiefel Laura Riding Jackson collection, 1925-2024","Correspondence, 1941–1993"],"parent_unittitles_tesim":["The Marie Stiefel Laura Riding Jackson collection, 1925-2024","Correspondence, 1941–1993"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/4/archival_objects/83460"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["The Marie Stiefel Laura Riding Jackson collection, 1925-2024"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":10,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. 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She was born Laura Reichenthal and began publishing under her married name, Gottschalk. Riding Jackson graduated Cornell University in 1921 and published her first poem in 1923 in the literary magazine The Fugitive and her first collection of poetry, The Close Chaplet in 1926. After her divorce in 1925, she assumed the surname Riding and moved to England to live with Robert Graves and his wife, Nancy Nicholson. She remained in Europe for 14 years, mainly England and Majorca, Spain, where Riding Jackson and Graves founded Seizin Press in 1927. In 1939, Riding and Graves left Europe for New Hope, Pennsylvania. In 1941, Riding Jackson married Schuyler B. Jackson and they moved to Wabasso, Florida, where she lived until her death in 1991. The Jackson's posthumously published a dictionary titled Rational Meaning: A New Foundation for the Definition of World and Supplementary Essays in 1997. Laura Riding's Florida house has been preserved by the Laura Riding Jackson Foundation and now sits at the Vero Beach campus of Indian River State College. The Foundation supports the legacy of Riding by offering educational events and workshops for writers of all ages, as well as preserving her home.","Processed by and finding aid prepared by Chloe Lanham in 2025.","The Marie Stiefel Laura Riding Jackson collection, 1925-2024 contains materials created by and relating to poet and author, Laura Riding Jackson and Seizin Press including books, articles, manuscripts, and correspondence. This collection also includes materials created by Robert Graves, Shuyler Jackson, and Susan Morris, Riding Jackson's secretary. These materials are useful to historical, biographical, and literary research into the life and work of Laura Riding Jackson and Seizin Press.","Series I: Works about Laura Riding Jackson, 1963–2017\t\nSeries II: Works by Laura Riding Jackson, 1935–1984\t\t\nSeries III: Correspondence, 1941–1993\t\nSeries IV: Materials from Laura's Kitchen, undated\t\nSeries V: Books, 1925-2024","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Marie Stiefel Laura Riding Jackson collection 1925-2024 contains materials created by and relating to poet and author, Laura Riding Jackson and Seizin Press including books, articles, manuscripts, and correspondence. This collection also includes materials created by Robert Graves, Shuyler Jackson, and Susan Morris, Riding Jackson's secretary. These materials are useful to historical, biographical, and literary research into the life and work of Laura Riding Jackson and Seizin Press. The collection is divided into five series as follows: \nWorks about Laura Riding Jackson, 1963–2017\t\nWorks by Laura Riding Jackson, 1935–1984\t\t\nCorrespondence, 1941–1993\t\nMaterials from Laura's Kitchen, undated\t\nBooks 1925-2024\n\nLaura Riding Jackson, best known as Laura Riding, an American poet and author was born on January 16, 1901 in New York City, NY and died on September 2, 1991 in Wabasso, Florida. She was born Laura Reichenthal and began publishing under her married name, Gottschalk. Riding Jackson graduated Cornell University in 1921 and published her first poem in 1923 in the literary magazine The Fugitive and her first collection of poetry, The Close Chaplet in 1926. After her divorce in 1925, she assumed the surname Riding and moved to England to live with Robert Graves and his wife, Nancy Nicholson. She remained in Europe for 14 years, mainly England and Majorca, Spain, where Riding Jackson and Graves founded Seizin Press in 1927. In 1939, Riding and Graves left Europe for New Hope, Pennsylvania. In 1941, Riding Jackson married Schuyler B. Jackson and they moved to Wabasso, Florida, where she lived until her death in 1991. The Jackson's posthumously published a dictionary titled Rational Meaning: A New Foundation for the Definition of World and Supplementary Essays in 1997. Laura Riding's Florida house has been preserved by the Laura Riding Jackson Foundation and now sits at the Vero Beach campus of Indian River State College. 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She was born Laura Reichenthal and began publishing under her married name, Gottschalk. Riding Jackson graduated Cornell University in 1921 and published her first poem in 1923 in the literary magazine \u003cemph render=\"italic\"\u003eThe Fugitive\u003c/emph\u003e and her first collection of poetry, \u003cemph render=\"italic\"\u003eThe Close Chaplet\u003c/emph\u003e in 1926. After her divorce in 1925, she assumed the surname Riding and moved to England to live with Robert Graves and his wife, Nancy Nicholson. She remained in Europe for 14 years, mainly England and Majorca, Spain, where Riding Jackson and Graves founded Seizin Press in 1927. In 1939, Riding and Graves left Europe for New Hope, Pennsylvania. In 1941, Riding Jackson married Schuyler B. Jackson and they moved to Wabasso, Florida, where she lived until her death in 1991. The Jackson's posthumously published a dictionary titled \u003cemph render=\"italic\"\u003eRational Meaning: A New Foundation for the Definition of World and Supplementary Essays\u003c/emph\u003e in 1997. Laura Riding's Florida house has been preserved by the Laura Riding Jackson Foundation and now sits at the Vero Beach campus of Indian River State College. The Foundation supports the legacy of Riding by offering educational events and workshops for writers of all ages, as well as preserving her home.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Laura Riding Jackson, best known as Laura Riding, an American poet and author was born on January 16, 1901 in New York City, NY and died on September 2, 1991 in Wabasso, Florida. She was born Laura Reichenthal and began publishing under her married name, Gottschalk. Riding Jackson graduated Cornell University in 1921 and published her first poem in 1923 in the literary magazine The Fugitive and her first collection of poetry, The Close Chaplet in 1926. After her divorce in 1925, she assumed the surname Riding and moved to England to live with Robert Graves and his wife, Nancy Nicholson. She remained in Europe for 14 years, mainly England and Majorca, Spain, where Riding Jackson and Graves founded Seizin Press in 1927. In 1939, Riding and Graves left Europe for New Hope, Pennsylvania. In 1941, Riding Jackson married Schuyler B. Jackson and they moved to Wabasso, Florida, where she lived until her death in 1991. The Jackson's posthumously published a dictionary titled Rational Meaning: A New Foundation for the Definition of World and Supplementary Essays in 1997. Laura Riding's Florida house has been preserved by the Laura Riding Jackson Foundation and now sits at the Vero Beach campus of Indian River State College. The Foundation supports the legacy of Riding by offering educational events and workshops for writers of all ages, as well as preserving her home."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], The Marie Stiefel Laura Riding Jackson collection, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], The Marie Stiefel Laura Riding Jackson collection, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Chloe Lanham in 2025."],"scopecontent_html_tesm":["\u003cp\u003eThe Marie Stiefel Laura Riding Jackson collection, 1925-2024 contains materials created by and relating to poet and author, Laura Riding Jackson and Seizin Press including books, articles, manuscripts, and correspondence. This collection also includes materials created by Robert Graves, Shuyler Jackson, and Susan Morris, Riding Jackson's secretary. These materials are useful to historical, biographical, and literary research into the life and work of Laura Riding Jackson and Seizin Press.\u003c/p\u003e\n","\u003cp\u003eSeries I: Works about Laura Riding Jackson, 1963\u0026#x2013;2017\t\nSeries II: Works by Laura Riding Jackson, 1935\u0026#x2013;1984\t\t\nSeries III: Correspondence, 1941\u0026#x2013;1993\t\nSeries IV: Materials from Laura's Kitchen, undated\t\nSeries V: Books, 1925-2024\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Marie Stiefel Laura Riding Jackson collection, 1925-2024 contains materials created by and relating to poet and author, Laura Riding Jackson and Seizin Press including books, articles, manuscripts, and correspondence. This collection also includes materials created by Robert Graves, Shuyler Jackson, and Susan Morris, Riding Jackson's secretary. These materials are useful to historical, biographical, and literary research into the life and work of Laura Riding Jackson and Seizin Press.","Series I: Works about Laura Riding Jackson, 1963–2017\t\nSeries II: Works by Laura Riding Jackson, 1935–1984\t\t\nSeries III: Correspondence, 1941–1993\t\nSeries IV: Materials from Laura's Kitchen, undated\t\nSeries V: Books, 1925-2024"],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d95650411a414e3e87abaf4901c0fcd8\" label=\"Abstract\"\u003eThe Marie Stiefel Laura Riding Jackson collection 1925-2024 contains materials created by and relating to poet and author, Laura Riding Jackson and Seizin Press including books, articles, manuscripts, and correspondence. This collection also includes materials created by Robert Graves, Shuyler Jackson, and Susan Morris, Riding Jackson's secretary. These materials are useful to historical, biographical, and literary research into the life and work of Laura Riding Jackson and Seizin Press. The collection is divided into five series as follows: \nWorks about Laura Riding Jackson, 1963\u0026#x2013;2017\t\nWorks by Laura Riding Jackson, 1935\u0026#x2013;1984\t\t\nCorrespondence, 1941\u0026#x2013;1993\t\nMaterials from Laura's Kitchen, undated\t\nBooks 1925-2024\n\nLaura Riding Jackson, best known as Laura Riding, an American poet and author was born on January 16, 1901 in New York City, NY and died on September 2, 1991 in Wabasso, Florida. She was born Laura Reichenthal and began publishing under her married name, Gottschalk. Riding Jackson graduated Cornell University in 1921 and published her first poem in 1923 in the literary magazine \u003cemph render=\"italic\"\u003eThe Fugitive\u003c/emph\u003e and her first collection of poetry, \u003cemph render=\"italic\"\u003eThe Close Chaplet\u003c/emph\u003e in 1926. After her divorce in 1925, she assumed the surname Riding and moved to England to live with Robert Graves and his wife, Nancy Nicholson. She remained in Europe for 14 years, mainly England and Majorca, Spain, where Riding Jackson and Graves founded Seizin Press in 1927. In 1939, Riding and Graves left Europe for New Hope, Pennsylvania. In 1941, Riding Jackson married Schuyler B. Jackson and they moved to Wabasso, Florida, where she lived until her death in 1991. The Jackson's posthumously published a dictionary titled \u003cemph render=\"italic\"\u003eRational Meaning: A New Foundation for the Definition of World and Supplementary Essays\u003c/emph\u003e in 1997. Laura Riding's Florida house has been preserved by the Laura Riding Jackson Foundation and now sits at the Vero Beach campus of Indian River State College. The Foundation supports the legacy of Riding by offering educational events and workshops for writers of all ages, as well as preserving her home.\u003c/abstract\u003e"],"abstract_tesim":["The Marie Stiefel Laura Riding Jackson collection 1925-2024 contains materials created by and relating to poet and author, Laura Riding Jackson and Seizin Press including books, articles, manuscripts, and correspondence. This collection also includes materials created by Robert Graves, Shuyler Jackson, and Susan Morris, Riding Jackson's secretary. These materials are useful to historical, biographical, and literary research into the life and work of Laura Riding Jackson and Seizin Press. The collection is divided into five series as follows: \nWorks about Laura Riding Jackson, 1963–2017\t\nWorks by Laura Riding Jackson, 1935–1984\t\t\nCorrespondence, 1941–1993\t\nMaterials from Laura's Kitchen, undated\t\nBooks 1925-2024\n\nLaura Riding Jackson, best known as Laura Riding, an American poet and author was born on January 16, 1901 in New York City, NY and died on September 2, 1991 in Wabasso, Florida. She was born Laura Reichenthal and began publishing under her married name, Gottschalk. Riding Jackson graduated Cornell University in 1921 and published her first poem in 1923 in the literary magazine The Fugitive and her first collection of poetry, The Close Chaplet in 1926. After her divorce in 1925, she assumed the surname Riding and moved to England to live with Robert Graves and his wife, Nancy Nicholson. She remained in Europe for 14 years, mainly England and Majorca, Spain, where Riding Jackson and Graves founded Seizin Press in 1927. In 1939, Riding and Graves left Europe for New Hope, Pennsylvania. In 1941, Riding Jackson married Schuyler B. Jackson and they moved to Wabasso, Florida, where she lived until her death in 1991. The Jackson's posthumously published a dictionary titled Rational Meaning: A New Foundation for the Definition of World and Supplementary Essays in 1997. Laura Riding's Florida house has been preserved by the Laura Riding Jackson Foundation and now sits at the Vero Beach campus of Indian River State College. The Foundation supports the legacy of Riding by offering educational events and workshops for writers of all ages, as well as preserving her home."],"names_coll_ssim":["Seizin Press","Jackson, Laura (Riding), 1901-1991","Jackson, Schuyler B.","Graves, Robert, 1895-1985","Stiefel, Marie"],"names_ssim":["UCF Special Collections","Seizin Press","Laura Riding Jackson Foundation","Jackson, Laura (Riding), 1901-1991","Graves, Robert, 1895-1985","Jackson, Schuyler B.","Morris, Susan","Stiefel, Marie"],"corpname_ssim":["UCF Special Collections","Seizin Press","Laura Riding Jackson Foundation"],"persname_ssim":["Jackson, Laura (Riding), 1901-1991","Graves, Robert, 1895-1985","Jackson, Schuyler B.","Morris, Susan","Stiefel, Marie"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":71,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1874753292505972736,"_root_":"c3e46b40c834f9335c7da81e","timestamp":"2026-08-28T08:01:04.660Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/c3e46b40c834f9335c7da81e_aspace_517f6ad1477047886e94b995fd4bfd49"}},{"id":"c3e46b40c834f9335c7da81e_aspace_eb990765a6c7ba28f400f1f7fa872e44","type":"File","attributes":{"title":"Personal Correspondence of Susan Morris, 1975–1993","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/c3e46b40c834f9335c7da81e_aspace_eb990765a6c7ba28f400f1f7fa872e44#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_eb990765a6c7ba28f400f1f7fa872e44","ref_ssm":["aspace_eb990765a6c7ba28f400f1f7fa872e44","aspace_eb990765a6c7ba28f400f1f7fa872e44"],"id":"c3e46b40c834f9335c7da81e_aspace_eb990765a6c7ba28f400f1f7fa872e44","title_filing_ssi":"Personal Correspondence of Susan Morris","title_ssm":["Personal Correspondence of Susan Morris"],"title_tesim":["Personal Correspondence of Susan Morris"],"unitdate_inclusive_ssm":["1975–1993"],"normalized_date_ssm":["1975–1993"],"normalized_title_ssm":["Personal Correspondence of Susan Morris, 1975–1993"],"text":["Personal Correspondence of Susan Morris, 1975–1993","The Marie Stiefel Laura Riding Jackson collection, 1925-2024","Correspondence, 1941–1993","/repositories/4/archival_objects/83463","box 1","folder 9"],"component_level_isim":[2],"parent_ids_ssim":["c3e46b40c834f9335c7da81e","c3e46b40c834f9335c7da81e_aspace_0ee4accd9c2231937e3bdb475e65fa82"],"parent_unittitles_ssm":["The Marie Stiefel Laura Riding Jackson collection, 1925-2024","Correspondence, 1941–1993"],"parent_unittitles_tesim":["The Marie Stiefel Laura Riding Jackson collection, 1925-2024","Correspondence, 1941–1993"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/4/archival_objects/83463"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["The Marie Stiefel Laura Riding Jackson collection, 1925-2024"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":13,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. 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She was born Laura Reichenthal and began publishing under her married name, Gottschalk. Riding Jackson graduated Cornell University in 1921 and published her first poem in 1923 in the literary magazine The Fugitive and her first collection of poetry, The Close Chaplet in 1926. After her divorce in 1925, she assumed the surname Riding and moved to England to live with Robert Graves and his wife, Nancy Nicholson. She remained in Europe for 14 years, mainly England and Majorca, Spain, where Riding Jackson and Graves founded Seizin Press in 1927. In 1939, Riding and Graves left Europe for New Hope, Pennsylvania. In 1941, Riding Jackson married Schuyler B. Jackson and they moved to Wabasso, Florida, where she lived until her death in 1991. The Jackson's posthumously published a dictionary titled Rational Meaning: A New Foundation for the Definition of World and Supplementary Essays in 1997. Laura Riding's Florida house has been preserved by the Laura Riding Jackson Foundation and now sits at the Vero Beach campus of Indian River State College. The Foundation supports the legacy of Riding by offering educational events and workshops for writers of all ages, as well as preserving her home.","Processed by and finding aid prepared by Chloe Lanham in 2025.","The Marie Stiefel Laura Riding Jackson collection, 1925-2024 contains materials created by and relating to poet and author, Laura Riding Jackson and Seizin Press including books, articles, manuscripts, and correspondence. This collection also includes materials created by Robert Graves, Shuyler Jackson, and Susan Morris, Riding Jackson's secretary. These materials are useful to historical, biographical, and literary research into the life and work of Laura Riding Jackson and Seizin Press.","Series I: Works about Laura Riding Jackson, 1963–2017\t\nSeries II: Works by Laura Riding Jackson, 1935–1984\t\t\nSeries III: Correspondence, 1941–1993\t\nSeries IV: Materials from Laura's Kitchen, undated\t\nSeries V: Books, 1925-2024","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Marie Stiefel Laura Riding Jackson collection 1925-2024 contains materials created by and relating to poet and author, Laura Riding Jackson and Seizin Press including books, articles, manuscripts, and correspondence. This collection also includes materials created by Robert Graves, Shuyler Jackson, and Susan Morris, Riding Jackson's secretary. These materials are useful to historical, biographical, and literary research into the life and work of Laura Riding Jackson and Seizin Press. The collection is divided into five series as follows: \nWorks about Laura Riding Jackson, 1963–2017\t\nWorks by Laura Riding Jackson, 1935–1984\t\t\nCorrespondence, 1941–1993\t\nMaterials from Laura's Kitchen, undated\t\nBooks 1925-2024\n\nLaura Riding Jackson, best known as Laura Riding, an American poet and author was born on January 16, 1901 in New York City, NY and died on September 2, 1991 in Wabasso, Florida. She was born Laura Reichenthal and began publishing under her married name, Gottschalk. Riding Jackson graduated Cornell University in 1921 and published her first poem in 1923 in the literary magazine The Fugitive and her first collection of poetry, The Close Chaplet in 1926. After her divorce in 1925, she assumed the surname Riding and moved to England to live with Robert Graves and his wife, Nancy Nicholson. She remained in Europe for 14 years, mainly England and Majorca, Spain, where Riding Jackson and Graves founded Seizin Press in 1927. In 1939, Riding and Graves left Europe for New Hope, Pennsylvania. In 1941, Riding Jackson married Schuyler B. Jackson and they moved to Wabasso, Florida, where she lived until her death in 1991. The Jackson's posthumously published a dictionary titled Rational Meaning: A New Foundation for the Definition of World and Supplementary Essays in 1997. Laura Riding's Florida house has been preserved by the Laura Riding Jackson Foundation and now sits at the Vero Beach campus of Indian River State College. The Foundation supports the legacy of Riding by offering educational events and workshops for writers of all ages, as well as preserving her home.","UCF Special Collections","Seizin Press","Laura Riding Jackson Foundation","Jackson, Laura (Riding), 1901-1991","Graves, Robert, 1895-1985","Jackson, Schuyler B.","Morris, Susan","Stiefel, Marie","English"],"unitid_tesim":["SC175","/repositories/4/resources/340"],"normalized_date_ssm":["1925-2024"],"normalized_title_ssm":["The Marie Stiefel Laura Riding Jackson collection, 1925-2024"],"collection_title_tesim":["The Marie Stiefel Laura Riding Jackson collection, 1925-2024"],"collection_ssim":["The Marie Stiefel Laura Riding Jackson collection, 1925-2024"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Indian River County (Fla.)"],"geogname_ssim":["Indian River County (Fla.)"],"creator_ssm":["Jackson, Laura (Riding), 1901-1991","Graves, Robert, 1895-1985","Seizin Press","Laura Riding Jackson Foundation","Jackson, Schuyler B.","Morris, Susan","Stiefel, Marie"],"creator_ssim":["Jackson, Laura (Riding), 1901-1991","Graves, Robert, 1895-1985","Seizin Press","Laura Riding Jackson Foundation","Jackson, Schuyler B.","Morris, Susan","Stiefel, Marie"],"creator_persname_ssim":["Jackson, Laura (Riding), 1901-1991","Graves, Robert, 1895-1985","Jackson, Schuyler B.","Morris, Susan","Stiefel, Marie"],"creator_corpname_ssim":["Seizin Press","Laura Riding Jackson Foundation"],"creators_ssim":["Jackson, Laura (Riding), 1901-1991","Graves, Robert, 1895-1985","Jackson, Schuyler B.","Morris, Susan","Stiefel, Marie","Seizin Press","Laura Riding Jackson Foundation"],"places_ssim":["Indian River County (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of Marie Stiefel in 2025 (Accession no. CFM2025_01)."],"access_subjects_ssim":["Women poets, American","Poets, American -- 20th Century -- correspondence","Women authors, American","manuscripts (documents)","articles"],"access_subjects_ssm":["Women poets, American","Poets, American -- 20th Century -- correspondence","Women authors, American","manuscripts (documents)","articles"],"has_online_content_ssim":["false"],"extent_ssm":["0.6 Linear Feet 1 box"],"extent_tesim":["0.6 Linear Feet 1 box"],"genreform_ssim":["manuscripts (documents)","articles"],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in five series as follows:\nWorks about Laura Riding Jackson, 1963\u0026#x2013;2017\t\nWorks by Laura Riding Jackson, 1935\u0026#x2013;1984\t\t\nCorrespondence, 1941\u0026#x2013;1993\t\nMaterials from Laura's Kitchen, undated\t\nBooks 1925-2024\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in five series as follows:\nWorks about Laura Riding Jackson, 1963–2017\t\nWorks by Laura Riding Jackson, 1935–1984\t\t\nCorrespondence, 1941–1993\t\nMaterials from Laura's Kitchen, undated\t\nBooks 1925-2024"],"bioghist_html_tesm":["\u003cp\u003eLaura Riding Jackson, best known as Laura Riding, an American poet and author was born on January 16, 1901 in New York City, NY and died on September 2, 1991 in Wabasso, Florida. She was born Laura Reichenthal and began publishing under her married name, Gottschalk. Riding Jackson graduated Cornell University in 1921 and published her first poem in 1923 in the literary magazine \u003cemph render=\"italic\"\u003eThe Fugitive\u003c/emph\u003e and her first collection of poetry, \u003cemph render=\"italic\"\u003eThe Close Chaplet\u003c/emph\u003e in 1926. After her divorce in 1925, she assumed the surname Riding and moved to England to live with Robert Graves and his wife, Nancy Nicholson. She remained in Europe for 14 years, mainly England and Majorca, Spain, where Riding Jackson and Graves founded Seizin Press in 1927. In 1939, Riding and Graves left Europe for New Hope, Pennsylvania. In 1941, Riding Jackson married Schuyler B. Jackson and they moved to Wabasso, Florida, where she lived until her death in 1991. The Jackson's posthumously published a dictionary titled \u003cemph render=\"italic\"\u003eRational Meaning: A New Foundation for the Definition of World and Supplementary Essays\u003c/emph\u003e in 1997. Laura Riding's Florida house has been preserved by the Laura Riding Jackson Foundation and now sits at the Vero Beach campus of Indian River State College. The Foundation supports the legacy of Riding by offering educational events and workshops for writers of all ages, as well as preserving her home.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Laura Riding Jackson, best known as Laura Riding, an American poet and author was born on January 16, 1901 in New York City, NY and died on September 2, 1991 in Wabasso, Florida. She was born Laura Reichenthal and began publishing under her married name, Gottschalk. Riding Jackson graduated Cornell University in 1921 and published her first poem in 1923 in the literary magazine The Fugitive and her first collection of poetry, The Close Chaplet in 1926. After her divorce in 1925, she assumed the surname Riding and moved to England to live with Robert Graves and his wife, Nancy Nicholson. She remained in Europe for 14 years, mainly England and Majorca, Spain, where Riding Jackson and Graves founded Seizin Press in 1927. In 1939, Riding and Graves left Europe for New Hope, Pennsylvania. In 1941, Riding Jackson married Schuyler B. Jackson and they moved to Wabasso, Florida, where she lived until her death in 1991. The Jackson's posthumously published a dictionary titled Rational Meaning: A New Foundation for the Definition of World and Supplementary Essays in 1997. Laura Riding's Florida house has been preserved by the Laura Riding Jackson Foundation and now sits at the Vero Beach campus of Indian River State College. The Foundation supports the legacy of Riding by offering educational events and workshops for writers of all ages, as well as preserving her home."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], The Marie Stiefel Laura Riding Jackson collection, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], The Marie Stiefel Laura Riding Jackson collection, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Chloe Lanham in 2025."],"scopecontent_html_tesm":["\u003cp\u003eThe Marie Stiefel Laura Riding Jackson collection, 1925-2024 contains materials created by and relating to poet and author, Laura Riding Jackson and Seizin Press including books, articles, manuscripts, and correspondence. This collection also includes materials created by Robert Graves, Shuyler Jackson, and Susan Morris, Riding Jackson's secretary. These materials are useful to historical, biographical, and literary research into the life and work of Laura Riding Jackson and Seizin Press.\u003c/p\u003e\n","\u003cp\u003eSeries I: Works about Laura Riding Jackson, 1963\u0026#x2013;2017\t\nSeries II: Works by Laura Riding Jackson, 1935\u0026#x2013;1984\t\t\nSeries III: Correspondence, 1941\u0026#x2013;1993\t\nSeries IV: Materials from Laura's Kitchen, undated\t\nSeries V: Books, 1925-2024\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Marie Stiefel Laura Riding Jackson collection, 1925-2024 contains materials created by and relating to poet and author, Laura Riding Jackson and Seizin Press including books, articles, manuscripts, and correspondence. This collection also includes materials created by Robert Graves, Shuyler Jackson, and Susan Morris, Riding Jackson's secretary. These materials are useful to historical, biographical, and literary research into the life and work of Laura Riding Jackson and Seizin Press.","Series I: Works about Laura Riding Jackson, 1963–2017\t\nSeries II: Works by Laura Riding Jackson, 1935–1984\t\t\nSeries III: Correspondence, 1941–1993\t\nSeries IV: Materials from Laura's Kitchen, undated\t\nSeries V: Books, 1925-2024"],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d95650411a414e3e87abaf4901c0fcd8\" label=\"Abstract\"\u003eThe Marie Stiefel Laura Riding Jackson collection 1925-2024 contains materials created by and relating to poet and author, Laura Riding Jackson and Seizin Press including books, articles, manuscripts, and correspondence. This collection also includes materials created by Robert Graves, Shuyler Jackson, and Susan Morris, Riding Jackson's secretary. These materials are useful to historical, biographical, and literary research into the life and work of Laura Riding Jackson and Seizin Press. The collection is divided into five series as follows: \nWorks about Laura Riding Jackson, 1963\u0026#x2013;2017\t\nWorks by Laura Riding Jackson, 1935\u0026#x2013;1984\t\t\nCorrespondence, 1941\u0026#x2013;1993\t\nMaterials from Laura's Kitchen, undated\t\nBooks 1925-2024\n\nLaura Riding Jackson, best known as Laura Riding, an American poet and author was born on January 16, 1901 in New York City, NY and died on September 2, 1991 in Wabasso, Florida. She was born Laura Reichenthal and began publishing under her married name, Gottschalk. Riding Jackson graduated Cornell University in 1921 and published her first poem in 1923 in the literary magazine \u003cemph render=\"italic\"\u003eThe Fugitive\u003c/emph\u003e and her first collection of poetry, \u003cemph render=\"italic\"\u003eThe Close Chaplet\u003c/emph\u003e in 1926. After her divorce in 1925, she assumed the surname Riding and moved to England to live with Robert Graves and his wife, Nancy Nicholson. She remained in Europe for 14 years, mainly England and Majorca, Spain, where Riding Jackson and Graves founded Seizin Press in 1927. In 1939, Riding and Graves left Europe for New Hope, Pennsylvania. In 1941, Riding Jackson married Schuyler B. Jackson and they moved to Wabasso, Florida, where she lived until her death in 1991. The Jackson's posthumously published a dictionary titled \u003cemph render=\"italic\"\u003eRational Meaning: A New Foundation for the Definition of World and Supplementary Essays\u003c/emph\u003e in 1997. Laura Riding's Florida house has been preserved by the Laura Riding Jackson Foundation and now sits at the Vero Beach campus of Indian River State College. The Foundation supports the legacy of Riding by offering educational events and workshops for writers of all ages, as well as preserving her home.\u003c/abstract\u003e"],"abstract_tesim":["The Marie Stiefel Laura Riding Jackson collection 1925-2024 contains materials created by and relating to poet and author, Laura Riding Jackson and Seizin Press including books, articles, manuscripts, and correspondence. This collection also includes materials created by Robert Graves, Shuyler Jackson, and Susan Morris, Riding Jackson's secretary. These materials are useful to historical, biographical, and literary research into the life and work of Laura Riding Jackson and Seizin Press. The collection is divided into five series as follows: \nWorks about Laura Riding Jackson, 1963–2017\t\nWorks by Laura Riding Jackson, 1935–1984\t\t\nCorrespondence, 1941–1993\t\nMaterials from Laura's Kitchen, undated\t\nBooks 1925-2024\n\nLaura Riding Jackson, best known as Laura Riding, an American poet and author was born on January 16, 1901 in New York City, NY and died on September 2, 1991 in Wabasso, Florida. She was born Laura Reichenthal and began publishing under her married name, Gottschalk. Riding Jackson graduated Cornell University in 1921 and published her first poem in 1923 in the literary magazine The Fugitive and her first collection of poetry, The Close Chaplet in 1926. After her divorce in 1925, she assumed the surname Riding and moved to England to live with Robert Graves and his wife, Nancy Nicholson. She remained in Europe for 14 years, mainly England and Majorca, Spain, where Riding Jackson and Graves founded Seizin Press in 1927. In 1939, Riding and Graves left Europe for New Hope, Pennsylvania. In 1941, Riding Jackson married Schuyler B. Jackson and they moved to Wabasso, Florida, where she lived until her death in 1991. The Jackson's posthumously published a dictionary titled Rational Meaning: A New Foundation for the Definition of World and Supplementary Essays in 1997. Laura Riding's Florida house has been preserved by the Laura Riding Jackson Foundation and now sits at the Vero Beach campus of Indian River State College. The Foundation supports the legacy of Riding by offering educational events and workshops for writers of all ages, as well as preserving her home."],"names_coll_ssim":["Seizin Press","Jackson, Laura (Riding), 1901-1991","Jackson, Schuyler B.","Graves, Robert, 1895-1985","Stiefel, Marie"],"names_ssim":["UCF Special Collections","Seizin Press","Laura Riding Jackson Foundation","Jackson, Laura (Riding), 1901-1991","Graves, Robert, 1895-1985","Jackson, Schuyler B.","Morris, Susan","Stiefel, Marie"],"corpname_ssim":["UCF Special Collections","Seizin Press","Laura Riding Jackson Foundation"],"persname_ssim":["Jackson, Laura (Riding), 1901-1991","Graves, Robert, 1895-1985","Jackson, Schuyler B.","Morris, Susan","Stiefel, Marie"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":71,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1874753292505972736,"_root_":"c3e46b40c834f9335c7da81e","timestamp":"2026-08-28T08:01:04.660Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/c3e46b40c834f9335c7da81e_aspace_eb990765a6c7ba28f400f1f7fa872e44"}},{"id":"b3e4025e67698b63bebebf69_aspace_b34f2760778e123d34bfbd2a927eec98","type":"Subseries","attributes":{"title":"Personal Documents, 1928-2008","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b3e4025e67698b63bebebf69_aspace_b34f2760778e123d34bfbd2a927eec98#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_b34f2760778e123d34bfbd2a927eec98","ref_ssm":["aspace_b34f2760778e123d34bfbd2a927eec98","aspace_b34f2760778e123d34bfbd2a927eec98"],"id":"b3e4025e67698b63bebebf69_aspace_b34f2760778e123d34bfbd2a927eec98","title_filing_ssi":"Personal Documents","title_ssm":["Personal Documents"],"title_tesim":["Personal Documents"],"unitdate_inclusive_ssm":["1928-2008"],"normalized_date_ssm":["1928-2008"],"normalized_title_ssm":["Personal Documents, 1928-2008"],"text":["Personal Documents, 1928-2008","Dr. Edna Louise Saffy Papers, 1962-2013","Personal Documents, 1928-2013","/repositories/3/archival_objects/7019","box 1"],"component_level_isim":[2],"parent_ids_ssim":["b3e4025e67698b63bebebf69","b3e4025e67698b63bebebf69_aspace_c5d2b19bbf7a6b812244506a5c14c9b2"],"parent_unittitles_ssm":["Dr. Edna Louise Saffy Papers, 1962-2013","Personal Documents, 1928-2013"],"parent_unittitles_tesim":["Dr. Edna Louise Saffy Papers, 1962-2013","Personal Documents, 1928-2013"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/7019"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Dr. Edna Louise Saffy Papers, 1962-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":8,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":2,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact \nlib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"date_range_isim":[1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"containers_ssim":["box 1"],"_nest_path_":"/components#0/components#0","_nest_parent_":"b3e4025e67698b63bebebf69_aspace_c5d2b19bbf7a6b812244506a5c14c9b2","_root_":"b3e4025e67698b63bebebf69","_version_":1870860599051681792,"timestamp":"2026-07-16T08:48:22.881Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b3e4025e67698b63bebebf69","title_ssm":["Dr. Edna Louise Saffy Papers"],"title_tesim":["Dr. Edna Louise Saffy Papers"],"ead_ssi":"b3e4025e67698b63bebebf69","unitdate_ssm":["1962-2013"],"unitdate_inclusive_ssm":["1962-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2013.003","/repositories/3/resources/66"],"text":["2013.003","/repositories/3/resources/66","Dr. Edna Louise Saffy Papers, 1962-2013","Florida -- Politics and Government -- 20th century","Clinton, Bill, 1946 -- Presidential campaigns -- Florida","College teachers -- Florida -- Jacksonville (Fla.)","Democratic Party (Fla.)","Human rights workers -- Florida -- Jacksonville (Fla.)","Political activists -- Florida -- Jacksonville (Fla.)","Women's rights -- Florida","The collection is open for research by appointment only. Please contact \nlib-special@unf.edu to schedule an appointment.","\tDr. Edna Louise Saffy, human rights advocate and Jacksonville native was born on March 9, 1935. She attended college at the University of Florida where she received several degrees, including the Master's and Doctorate of Philosophy degrees. She was a professor of Rhetoric and Public Address at University of Florida and Florida State College at Jacksonville, where she was elected Professor Emeritus following her retirement in December 2007. ","\nDr. Saffy was a founder of the National Organization for Women chapters in Jacksonville and Gainesville, as well as founder of the Jacksonville Women's Network. She was named \"A Woman of Courage and Vision\" by the Mayor's Commission on the Status of Women and the recipient of a Lifetime EVE Award by the Florida Times Union.\n \n As a humanitarian and activist, she served on numerous local, state, and national committees, including the John F. Kennedy Center Committee for the Performing Arts during the Clinton Administration, the Advisory Committee on LaVilla Cultural Heritage District, American Arab Institute, Duval County Democratic Executive Committee, and the Jacksonville Human Rights Commission. \n \n Dr. Saffy was also politically active. She led a 1975 march in Tallahassee in support of the Equal Rights Amendment. She served as a Florida delegate to the International Women's Conference and as a Florida State delegate in six Democratic National Conventions. She was also the president of the Florida Women's Political Caucus. Dr. Saffy died June 20, 2010.","This collection contains awards, correspondence, memorabilia, printed materials, photographs, personal papers, and writings. Many printed materials and photographs relate to politics and political activism. There are numerous photographs and newspaper clippings, as well as Dr. Saffy's dissertation. The collection contains many memorabilia items, particularly from various political events, and there are two large portraits of Dr. Edna Louise Saffy.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2013.003","/repositories/3/resources/66"],"normalized_date_ssm":["1962-2013"],"normalized_title_ssm":["Dr. Edna Louise Saffy Papers, 1962-2013"],"collection_title_tesim":["Dr. Edna Louise Saffy Papers, 1962-2013"],"collection_ssim":["Dr. Edna Louise Saffy Papers, 1962-2013"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"geogname_ssm":["Florida -- Politics and Government -- 20th century"],"geogname_ssim":["Florida -- Politics and Government -- 20th century"],"places_ssim":["Florida -- Politics and Government -- 20th century"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Dr. Grady Johnson, 2013."],"access_subjects_ssim":["Clinton, Bill, 1946 -- Presidential campaigns -- Florida","College teachers -- Florida -- Jacksonville (Fla.)","Democratic Party (Fla.)","Human rights workers -- Florida -- Jacksonville (Fla.)","Political activists -- Florida -- Jacksonville (Fla.)","Women's rights -- Florida"],"access_subjects_ssm":["Clinton, Bill, 1946 -- Presidential campaigns -- Florida","College teachers -- Florida -- Jacksonville (Fla.)","Democratic Party (Fla.)","Human rights workers -- Florida -- Jacksonville (Fla.)","Political activists -- Florida -- Jacksonville (Fla.)","Women's rights -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["36.00 Linear Feet"],"extent_tesim":["36.00 Linear Feet"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact \nlib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact \nlib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003e\tDr. Edna Louise Saffy, human rights advocate and Jacksonville native was born on March 9, 1935. She attended college at the University of Florida where she received several degrees, including the Master's and Doctorate of Philosophy degrees. She was a professor of Rhetoric and Public Address at University of Florida and Florida State College at Jacksonville, where she was elected Professor Emeritus following her retirement in December 2007. \u003c/p\u003e\n","\u003cp\u003e\nDr. Saffy was a founder of the National Organization for Women chapters in Jacksonville and Gainesville, as well as founder of the Jacksonville Women's Network. She was named \"A Woman of Courage and Vision\" by the Mayor's Commission on the Status of Women and the recipient of a Lifetime EVE Award by the Florida Times Union.\n \n As a humanitarian and activist, she served on numerous local, state, and national committees, including the John F. Kennedy Center Committee for the Performing Arts during the Clinton Administration, the Advisory Committee on LaVilla Cultural Heritage District, American Arab Institute, Duval County Democratic Executive Committee, and the Jacksonville Human Rights Commission. \n \n Dr. Saffy was also politically active. She led a 1975 march in Tallahassee in support of the Equal Rights Amendment. She served as a Florida delegate to the International Women's Conference and as a Florida State delegate in six Democratic National Conventions. She was also the president of the Florida Women's Political Caucus. Dr. Saffy died June 20, 2010.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\tDr. Edna Louise Saffy, human rights advocate and Jacksonville native was born on March 9, 1935. She attended college at the University of Florida where she received several degrees, including the Master's and Doctorate of Philosophy degrees. She was a professor of Rhetoric and Public Address at University of Florida and Florida State College at Jacksonville, where she was elected Professor Emeritus following her retirement in December 2007. ","\nDr. Saffy was a founder of the National Organization for Women chapters in Jacksonville and Gainesville, as well as founder of the Jacksonville Women's Network. 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Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Dr. Edna Louise Saffy Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains awards, correspondence, memorabilia, printed materials, photographs, personal papers, and writings. Many printed materials and photographs relate to politics and political activism. There are numerous photographs and newspaper clippings, as well as Dr. Saffy's dissertation. The collection contains many memorabilia items, particularly from various political events, and there are two large portraits of Dr. Edna Louise Saffy.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains awards, correspondence, memorabilia, printed materials, photographs, personal papers, and writings. 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Please contact \nlib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"date_range_isim":[1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"_nest_path_":"/components#0","_nest_parent_":"b3e4025e67698b63bebebf69","_root_":"b3e4025e67698b63bebebf69","_version_":1870860599051681792,"timestamp":"2026-07-16T08:48:22.881Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b3e4025e67698b63bebebf69","title_ssm":["Dr. Edna Louise Saffy Papers"],"title_tesim":["Dr. Edna Louise Saffy Papers"],"ead_ssi":"b3e4025e67698b63bebebf69","unitdate_ssm":["1962-2013"],"unitdate_inclusive_ssm":["1962-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2013.003","/repositories/3/resources/66"],"text":["2013.003","/repositories/3/resources/66","Dr. Edna Louise Saffy Papers, 1962-2013","Florida -- Politics and Government -- 20th century","Clinton, Bill, 1946 -- Presidential campaigns -- Florida","College teachers -- Florida -- Jacksonville (Fla.)","Democratic Party (Fla.)","Human rights workers -- Florida -- Jacksonville (Fla.)","Political activists -- Florida -- Jacksonville (Fla.)","Women's rights -- Florida","The collection is open for research by appointment only. Please contact \nlib-special@unf.edu to schedule an appointment.","\tDr. Edna Louise Saffy, human rights advocate and Jacksonville native was born on March 9, 1935. She attended college at the University of Florida where she received several degrees, including the Master's and Doctorate of Philosophy degrees. She was a professor of Rhetoric and Public Address at University of Florida and Florida State College at Jacksonville, where she was elected Professor Emeritus following her retirement in December 2007. ","\nDr. Saffy was a founder of the National Organization for Women chapters in Jacksonville and Gainesville, as well as founder of the Jacksonville Women's Network. She was named \"A Woman of Courage and Vision\" by the Mayor's Commission on the Status of Women and the recipient of a Lifetime EVE Award by the Florida Times Union.\n \n As a humanitarian and activist, she served on numerous local, state, and national committees, including the John F. Kennedy Center Committee for the Performing Arts during the Clinton Administration, the Advisory Committee on LaVilla Cultural Heritage District, American Arab Institute, Duval County Democratic Executive Committee, and the Jacksonville Human Rights Commission. \n \n Dr. Saffy was also politically active. She led a 1975 march in Tallahassee in support of the Equal Rights Amendment. She served as a Florida delegate to the International Women's Conference and as a Florida State delegate in six Democratic National Conventions. She was also the president of the Florida Women's Political Caucus. Dr. Saffy died June 20, 2010.","This collection contains awards, correspondence, memorabilia, printed materials, photographs, personal papers, and writings. Many printed materials and photographs relate to politics and political activism. There are numerous photographs and newspaper clippings, as well as Dr. Saffy's dissertation. The collection contains many memorabilia items, particularly from various political events, and there are two large portraits of Dr. Edna Louise Saffy.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2013.003","/repositories/3/resources/66"],"normalized_date_ssm":["1962-2013"],"normalized_title_ssm":["Dr. Edna Louise Saffy Papers, 1962-2013"],"collection_title_tesim":["Dr. Edna Louise Saffy Papers, 1962-2013"],"collection_ssim":["Dr. Edna Louise Saffy Papers, 1962-2013"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"geogname_ssm":["Florida -- Politics and Government -- 20th century"],"geogname_ssim":["Florida -- Politics and Government -- 20th century"],"places_ssim":["Florida -- Politics and Government -- 20th century"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Dr. Grady Johnson, 2013."],"access_subjects_ssim":["Clinton, Bill, 1946 -- Presidential campaigns -- Florida","College teachers -- Florida -- Jacksonville (Fla.)","Democratic Party (Fla.)","Human rights workers -- Florida -- Jacksonville (Fla.)","Political activists -- Florida -- Jacksonville (Fla.)","Women's rights -- Florida"],"access_subjects_ssm":["Clinton, Bill, 1946 -- Presidential campaigns -- Florida","College teachers -- Florida -- Jacksonville (Fla.)","Democratic Party (Fla.)","Human rights workers -- Florida -- Jacksonville (Fla.)","Political activists -- Florida -- Jacksonville (Fla.)","Women's rights -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["36.00 Linear Feet"],"extent_tesim":["36.00 Linear Feet"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact \nlib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact \nlib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003e\tDr. Edna Louise Saffy, human rights advocate and Jacksonville native was born on March 9, 1935. She attended college at the University of Florida where she received several degrees, including the Master's and Doctorate of Philosophy degrees. She was a professor of Rhetoric and Public Address at University of Florida and Florida State College at Jacksonville, where she was elected Professor Emeritus following her retirement in December 2007. \u003c/p\u003e\n","\u003cp\u003e\nDr. Saffy was a founder of the National Organization for Women chapters in Jacksonville and Gainesville, as well as founder of the Jacksonville Women's Network. She was named \"A Woman of Courage and Vision\" by the Mayor's Commission on the Status of Women and the recipient of a Lifetime EVE Award by the Florida Times Union.\n \n As a humanitarian and activist, she served on numerous local, state, and national committees, including the John F. Kennedy Center Committee for the Performing Arts during the Clinton Administration, the Advisory Committee on LaVilla Cultural Heritage District, American Arab Institute, Duval County Democratic Executive Committee, and the Jacksonville Human Rights Commission. \n \n Dr. Saffy was also politically active. She led a 1975 march in Tallahassee in support of the Equal Rights Amendment. She served as a Florida delegate to the International Women's Conference and as a Florida State delegate in six Democratic National Conventions. She was also the president of the Florida Women's Political Caucus. Dr. Saffy died June 20, 2010.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\tDr. Edna Louise Saffy, human rights advocate and Jacksonville native was born on March 9, 1935. She attended college at the University of Florida where she received several degrees, including the Master's and Doctorate of Philosophy degrees. She was a professor of Rhetoric and Public Address at University of Florida and Florida State College at Jacksonville, where she was elected Professor Emeritus following her retirement in December 2007. ","\nDr. Saffy was a founder of the National Organization for Women chapters in Jacksonville and Gainesville, as well as founder of the Jacksonville Women's Network. She was named \"A Woman of Courage and Vision\" by the Mayor's Commission on the Status of Women and the recipient of a Lifetime EVE Award by the Florida Times Union.\n \n As a humanitarian and activist, she served on numerous local, state, and national committees, including the John F. Kennedy Center Committee for the Performing Arts during the Clinton Administration, the Advisory Committee on LaVilla Cultural Heritage District, American Arab Institute, Duval County Democratic Executive Committee, and the Jacksonville Human Rights Commission. \n \n Dr. Saffy was also politically active. She led a 1975 march in Tallahassee in support of the Equal Rights Amendment. She served as a Florida delegate to the International Women's Conference and as a Florida State delegate in six Democratic National Conventions. She was also the president of the Florida Women's Political Caucus. Dr. Saffy died June 20, 2010."],"prefercite_html_tesm":["\u003cp\u003eDr. Edna Louise Saffy Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Dr. Edna Louise Saffy Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains awards, correspondence, memorabilia, printed materials, photographs, personal papers, and writings. Many printed materials and photographs relate to politics and political activism. There are numerous photographs and newspaper clippings, as well as Dr. Saffy's dissertation. The collection contains many memorabilia items, particularly from various political events, and there are two large portraits of Dr. Edna Louise Saffy.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains awards, correspondence, memorabilia, printed materials, photographs, personal papers, and writings. Many printed materials and photographs relate to politics and political activism. There are numerous photographs and newspaper clippings, as well as Dr. Saffy's dissertation. The collection contains many memorabilia items, particularly from various political events, and there are two large portraits of Dr. Edna Louise Saffy."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":748,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860599051681792,"_root_":"b3e4025e67698b63bebebf69","timestamp":"2026-07-16T08:48:22.881Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b3e4025e67698b63bebebf69_aspace_c5d2b19bbf7a6b812244506a5c14c9b2"}},{"id":"725898a1a41349eb30ec365d_aspace_65c14964c404730e716ecc3656fa690b","type":"Series","attributes":{"title":"Personal Files, 1887-2011, Undated","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_65c14964c404730e716ecc3656fa690b#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe series provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Alemán's genealogy and his work ethic.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_65c14964c404730e716ecc3656fa690b#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_65c14964c404730e716ecc3656fa690b","ref_ssm":["aspace_65c14964c404730e716ecc3656fa690b","aspace_65c14964c404730e716ecc3656fa690b"],"id":"725898a1a41349eb30ec365d_aspace_65c14964c404730e716ecc3656fa690b","title_filing_ssi":"Personal Files","title_ssm":["Personal Files"],"title_tesim":["Personal Files"],"unitdate_inclusive_ssm":["1887-2011, Undated"],"normalized_date_ssm":["1887-2011, Undated"],"normalized_title_ssm":["Personal Files, 1887-2011, Undated"],"text":["Personal Files, 1887-2011, Undated","José Guerra Alemán Collection, 1887-2013","4","/repositories/4/archival_objects/54093","The series provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Alemán's genealogy and his work ethic."],"component_level_isim":[1],"parent_ids_ssim":["725898a1a41349eb30ec365d"],"parent_unittitles_ssm":["José Guerra Alemán Collection, 1887-2013"],"parent_unittitles_tesim":["José Guerra Alemán Collection, 1887-2013"],"parent_levels_ssm":["collection"],"unitid_ssm":["4","/repositories/4/archival_objects/54093"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":17,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":214,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"scopecontent_html_tesm":["\u003cp\u003eThe series provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Alem\u0026#xE1;n's genealogy and his work ethic.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The series provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Alemán's genealogy and his work ethic."],"_nest_path_":"/components#3","_nest_parent_":"725898a1a41349eb30ec365d","_root_":"725898a1a41349eb30ec365d","_version_":1870857755411087360,"timestamp":"2026-07-16T08:03:10.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"725898a1a41349eb30ec365d","title_ssm":["José Guerra Alemán Collection"],"title_tesim":["José Guerra Alemán Collection"],"ead_ssi":"725898a1a41349eb30ec365d","unitdate_ssm":["1887-2013"],"unitdate_inclusive_ssm":["1887-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.098","/repositories/4/resources/204"],"text":["SC.098","/repositories/4/resources/204","José Guerra Alemán Collection, 1887-2013","Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs","Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints","The entire collection is open for research.","José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.","Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.","Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog.","This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"","Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.","The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.","UCF Special Collections","Guerra Alemán, José","English"],"unitid_tesim":["SC.098","/repositories/4/resources/204"],"normalized_date_ssm":["1887-2013"],"normalized_title_ssm":["José Guerra Alemán Collection, 1887-2013"],"collection_title_tesim":["José Guerra Alemán Collection, 1887-2013"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"geogname_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"creator_ssm":["Guerra Alemán, José"],"creator_ssim":["Guerra Alemán, José"],"creator_persname_ssim":["Guerra Alemán, José"],"creators_ssim":["Guerra Alemán, José"],"places_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"acqinfo_ssim":["The collection was donated by Carlos Guerra, José Guerra Alemán's son, to the University of Central Florida Libraries in 2014. (CFM2014_07)"],"access_subjects_ssim":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"access_subjects_ssm":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["17.5 Linear Feet 20 boxes, 1 Flat File"],"extent_tesim":["17.5 Linear Feet 20 boxes, 1 Flat File"],"genreform_ssim":["correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n was born to Jos\u0026#xE9; Guerra and Herminia Alem\u0026#xE1;n-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as Jos\u0026#xE9; Guerra Alem\u0026#xE1;n, his initials J.G.A. and his nickname Pep\u0026#xED;n. Many of his closest friends and family called him as Pep\u0026#xED;n. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.\u003c/p\u003e\n","\u003cp\u003eIn his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ej\u0026#xE9;rcito) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 Divisi\u0026#xF3;n de Infanter\u0026#xED;a) called Divisi\u0026#xF3;n Rel\u0026#xE1;mpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.\u003c/p\u003e\n","\u003cp\u003eOnce he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of \u0026#xC9;l Pa\u0026#xED;s, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.\u003c/p\u003e\n","\u003cp\u003eOne of those encounters, Jos\u0026#xE9; Guerra Alem\u0026#xE1;n climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with Jos\u0026#xE9; Garc\u0026#xED;a and Eduardo Hern\u0026#xE1;ndez (Guayo) in the same company. Jos\u0026#xE9; Guerra Alem\u0026#xE1;n directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.\u003c/p\u003e\n","\u003cp\u003eWith his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote A\u0026#xFA;n Hay Luna En Los Cerros, Ensayos (Las Mayor\u0026#xED;as Discriminadas): En Defensa de la Mujer, Barro y Cenizas (D\u0026#xED;alogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biograf\u0026#xED;a de su Abuelo el General Jos\u0026#xE9; Braulio Alem\u0026#xE1;n). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.\u003c/p\u003e\n","\u003cp\u003eUnderstanding where his family came from and knowing the other members of his family tree can provide a part of Jos\u0026#xE9; Guerra Alem\u0026#xE1;n's identity. Jose Guerra Alem\u0026#xE1;n's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named Jos\u0026#xE9; Braulio Guerra Alem\u0026#xE1;n fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, Jos\u0026#xE9; Manuel Alem\u0026#xE1;n, served in the Cuban government as Minister of Education during the presidency of Dr. Ram\u0026#xF3;n Grau San Martin, president of the Authentic Party (Partido Aut\u0026#xE9;ntico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.\u003c/p\u003e\n","\u003cp\u003eHe rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alem\u0026#xE1;n. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business."],"prefercite_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["José Guerra Alemán Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks collected by Jos\u0026#xE9; Guerra Alem\u0026#xE1;n can be found by performing a series search for \"Jos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection\" in the UCF Libraries catalog.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog."],"scopecontent_html_tesm":["\u003cp\u003eThis collection was arranged in seven series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alem\u0026#xE1;n took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alem\u0026#xE1;n used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. \u003c/p\u003e\n","\u003cp\u003e\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of Jos\u0026#xE9; G. Alem\u0026#xE1;n and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\""],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4d41ff341ce7470c0d40282c3f71dd8\"\u003eThe collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist Jos\u0026#xE9; Guerra Alem\u0026#xE1;n. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.\u003c/abstract\u003e"],"abstract_tesim":["The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita."],"names_ssim":["UCF Special Collections","Guerra Alemán, José"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Guerra Alemán, José"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":282,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857755411087360,"_root_":"725898a1a41349eb30ec365d","timestamp":"2026-07-16T08:03:10.972Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_65c14964c404730e716ecc3656fa690b"}},{"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesII","type":"Series","attributes":{"title":"Personal Files, 1895-2005, Undated.","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesII#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eSeries II contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026amp; posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesII#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_SeriesII","ref_ssm":["aspace_SeriesII","aspace_SeriesII"],"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesII","title_filing_ssi":"Personal Files","title_ssm":["Personal Files"],"title_tesim":["Personal Files"],"unitdate_inclusive_ssm":["1895-2005, Undated."],"normalized_date_ssm":["1895-2005, Undated."],"normalized_title_ssm":["Personal Files, 1895-2005, Undated."],"text":["Personal Files, 1895-2005, Undated.","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Series 2","/repositories/4/archival_objects/56613","Series II contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here."],"component_level_isim":[1],"parent_ids_ssim":["2a6a6aa34a3c99c1b1b95ea9"],"parent_unittitles_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"parent_unittitles_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 2","/repositories/4/archival_objects/56613"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":10,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":126,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"scopecontent_html_tesm":["\u003cp\u003eSeries II contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026amp; posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series II contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here."],"_nest_path_":"/components#1","_nest_parent_":"2a6a6aa34a3c99c1b1b95ea9","_root_":"2a6a6aa34a3c99c1b1b95ea9","_version_":1872035374829666304,"timestamp":"2026-07-29T08:00:56.373Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2a6a6aa34a3c99c1b1b95ea9","title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"ead_ssi":"2a6a6aa34a3c99c1b1b95ea9","unitdate_ssm":["1829-2006"],"unitdate_inclusive_ssm":["1829-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.113","/repositories/4/resources/225"],"text":["SC.113","/repositories/4/resources/225","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations","The entire collection is open for research.","This collection is itemized and arranged in alphabetical and chronological order.","Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.","Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.","A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online Library Catalog .","This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.","UCF Special Collections","Martin, Francis John, Jr.","The materials are written in English."],"unitid_tesim":["SC.113","/repositories/4/resources/225"],"normalized_date_ssm":["1829-2006"],"normalized_title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Martin, Francis John, Jr."],"creator_ssim":["Martin, Francis John, Jr."],"creator_persname_ssim":["Martin, Francis John, Jr."],"creators_ssim":["Martin, Francis John, Jr."],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Francis Martin Jr. donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2018 (CFM2018_15) and 2020 (CFM2020_02, CFM2020_03, CFM2020_16)."],"access_subjects_ssim":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"access_subjects_ssm":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"has_online_content_ssim":["false"],"extent_ssm":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"extent_tesim":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"genreform_ssim":["manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"date_range_isim":[1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is itemized and arranged in alphabetical and chronological order."],"bioghist_html_tesm":["\u003cp\u003eFrancis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners."],"prefercite_html_tesm":["\u003cp\u003eFred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMarlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eA small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online \u003cextref href=\"https://library.ucf.edu\"\u003eLibrary Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online Library Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e\n","\u003cp\u003eSeries I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.\u003c/p\u003e\n","\u003cp\u003eSeries II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026amp; posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.\u003c/p\u003e\n","\u003cp\u003eSeries III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.\u003c/p\u003e\n","\u003cp\u003eSeries IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4a581e455cb123495b610919f342aacb\"\u003eThe Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.\u003c/abstract\u003e"],"abstract_tesim":["The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection."],"names_ssim":["UCF Special Collections","Martin, Francis John, Jr."],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Martin, Francis John, Jr."],"language_ssim":["The materials are written in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":459,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872035374829666304,"_root_":"2a6a6aa34a3c99c1b1b95ea9","timestamp":"2026-07-29T08:00:56.373Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesII"}},{"id":"236a3c88b766327883b2e155_aspace_5dbb28d34a5754be60933b8120ba5670","type":"Series","attributes":{"title":"Personal Files, 1910–2015","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_5dbb28d34a5754be60933b8120ba5670#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_5dbb28d34a5754be60933b8120ba5670#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5dbb28d34a5754be60933b8120ba5670","ref_ssm":["aspace_5dbb28d34a5754be60933b8120ba5670","aspace_5dbb28d34a5754be60933b8120ba5670"],"id":"236a3c88b766327883b2e155_aspace_5dbb28d34a5754be60933b8120ba5670","title_filing_ssi":"Personal Files","title_ssm":["Personal Files"],"title_tesim":["Personal Files"],"unitdate_inclusive_ssm":["1910–2015"],"normalized_date_ssm":["1910–2015"],"normalized_title_ssm":["Personal Files, 1910–2015"],"text":["Personal Files, 1910–2015","Joy Postle papers, 1910-2015","/repositories/4/archival_objects/87634","/repositories/4/archival_objects/91131","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"component_level_isim":[1],"parent_ids_ssim":["236a3c88b766327883b2e155"],"parent_unittitles_ssm":["Joy Postle papers, 1910-2015"],"parent_unittitles_tesim":["Joy Postle papers, 1910-2015"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/4/archival_objects/87634","/repositories/4/archival_objects/91131"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Joy Postle papers, 1910-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":11,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":394,"parent_access_restrict_tesm":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"scopecontent_html_tesm":["\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"_nest_path_":"/components#3","_nest_parent_":"236a3c88b766327883b2e155","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_5dbb28d34a5754be60933b8120ba5670"}},{"id":"0d889aea88c6ef151f30c897_aspace_9da8ee6df04f1bb69565ec1afa9d18b7","type":"File","attributes":{"title":"Personal Letters, 1938-1992","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/0d889aea88c6ef151f30c897_aspace_9da8ee6df04f1bb69565ec1afa9d18b7#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9da8ee6df04f1bb69565ec1afa9d18b7","ref_ssm":["aspace_9da8ee6df04f1bb69565ec1afa9d18b7","aspace_9da8ee6df04f1bb69565ec1afa9d18b7"],"id":"0d889aea88c6ef151f30c897_aspace_9da8ee6df04f1bb69565ec1afa9d18b7","title_filing_ssi":"Personal Letters","title_ssm":["Personal Letters"],"title_tesim":["Personal Letters"],"unitdate_inclusive_ssm":["1938-1992"],"normalized_date_ssm":["1938-1992"],"normalized_title_ssm":["Personal Letters, 1938-1992"],"text":["Personal Letters, 1938-1992","A.P. \"Pat\" Bolton Collection, 1936-1972","/repositories/2/archival_objects/18096","box 11","folder 7"],"component_level_isim":[1],"parent_ids_ssim":["0d889aea88c6ef151f30c897"],"parent_unittitles_ssm":["A.P. \"Pat\" Bolton Collection, 1936-1972"],"parent_unittitles_tesim":["A.P. \"Pat\" Bolton Collection, 1936-1972"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/18096"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"collection_ssim":["A.P. \"Pat\" Bolton Collection, 1936-1972"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":99,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["The A.P. \"Pat\" Bolton Collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions - archives@flsouthern.edu."],"date_range_isim":[1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"containers_ssim":["box 11","folder 7"],"_nest_path_":"/components#98","_nest_parent_":"0d889aea88c6ef151f30c897","_root_":"0d889aea88c6ef151f30c897","_version_":1870851055798976512,"timestamp":"2026-07-16T06:16:41.733Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"0d889aea88c6ef151f30c897","title_ssm":["A.P. \"Pat\" Bolton Collection"],"title_tesim":["A.P. \"Pat\" Bolton Collection"],"ead_ssi":"0d889aea88c6ef151f30c897","unitdate_ssm":["1936-1972"],"unitdate_inclusive_ssm":["1936-1972"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS1055","/repositories/2/resources/20"],"text":["MS1055","/repositories/2/resources/20","A.P. \"Pat\" Bolton Collection, 1936-1972","Asphalt","Paving","Construction","Daytona Speedway","Macasphalt","Pav-A-Way","Florida Hot Mix","Bolton, A. P. (A. P. \"Pat\"), 1905-1974","Bolton, Juanita Jane, 1922-2009. ","Road builders--Florida.","Contractors--Florida.","Airports--Construction--Florida--History--20th century.","World War, 1939-1945--Naval aviation--Airports--Florida.","Financial records.","Photographs.","Business records.","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials.","A.P. \"Pat\" Bolton was born in 1905 and the collection has family records including Mr. Bolton's birth Certificate and a family letter dating 1854. Bolton's work began in South Carolina where we have documentation of a few projects he worked on in 1936. In the late 1930's and early 1940's, Bolton moved to Florida to begin work designing and repaving airports for the Navy during WWII. The majority of the collection includes records from his work with the Navy including Banana River, Saufley field, Osceola and Witting Field North and South. Juanita Jane (Bolton) was born in 1922, moved to Lakeland in 1939 to attend school at Florida Southern College. Juanita received her secretary certificate in 1941. Mr. Bolton met Juanita Jane when she worked for him as a secretary at Macasphalt and they later married. Juanita was active in Bolton's companies as she held positions including Secretary-Treasurer and Vice President of one of Macasphalt's spin off companies. Juanita Jane Bolton died in May of 2009. In 1955, Bolton became the owner of Macasphalt. And in 1957 work began on the Daytona Speedway. The Speedway was completed in 1959 and the collection includes pictures of the first practice run. In the mid to late 1950's Bolton began dividing the company into smaller sub companies which he divided among family and friends. According to Glenn C Thompson, Bolton's two daughters (Betty and Glynnie) married and their husbands were set up with their own company with the expectation they would take care of Bolton's daughters. Bolton was long known for using local materials (like sand, crushed stone, and coquina shells) to build asphalt roads in Florida. Bolton retired in 1971 and died in 1974. His legacy lives on,\nhowever, in the form of the A.P. \"Pat\" Bolton award for excellence in paving","This collection spans the date range from 1936 – 1972. However, there are a few personal documents dating to 1854 and 1905. The primary scope of the collection pertains to Bolton's work in World War II and his work with the Daytona Speedway. There are a few ancillary projects in addition to these. There is little information about specific jobs between Bolton's work in WWII and his work on the Daytona Speedway. There is also very little information about specific jobs after the Daytona Speedway project ending in 1959. The lack of information on specific jobs after Bolton's work on the Daytona Speedway may be attributed to Bolton's efforts to divide the company up between his son-in-laws and his friends. There are extensive financial records of Macasphalt and some of the smaller companies The collection is located in shelving unit 10 and contains 15 file boxes, 1 large box and 1 flat file.\nPhysical Description: 15 file boxes, 1 large box and 1 flat file","The A.P. \"Pat\" Bolton Collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions - archives@flsouthern.edu.","The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Macasphalt ","English"],"unitid_tesim":["MS1055","/repositories/2/resources/20"],"normalized_date_ssm":["1936-1972"],"normalized_title_ssm":["A.P. \"Pat\" Bolton Collection, 1936-1972"],"collection_title_tesim":["A.P. \"Pat\" Bolton Collection, 1936-1972"],"collection_ssim":["A.P. \"Pat\" Bolton Collection, 1936-1972"],"repository_ssm":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"creator_ssm":["Macasphalt "],"creator_ssim":["Macasphalt "],"creator_corpname_ssim":["Macasphalt "],"creators_ssim":["Macasphalt "],"access_terms_ssm":["The A.P. \"Pat\" Bolton Collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions - archives@flsouthern.edu."],"acqinfo_ssim":["Given to FSC Archives by Glenn C Thompson after his mother, Juanita Bolton, passed away, 2011"],"access_subjects_ssim":["Asphalt","Paving","Construction","Daytona Speedway","Macasphalt","Pav-A-Way","Florida Hot Mix","Bolton, A. P. (A. P. \"Pat\"), 1905-1974","Bolton, Juanita Jane, 1922-2009. 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","Road builders--Florida.","Contractors--Florida.","Airports--Construction--Florida--History--20th century.","World War, 1939-1945--Naval aviation--Airports--Florida.","Financial records.","Photographs.","Business records."],"has_online_content_ssim":["false"],"extent_ssm":["5 Linear Feet"],"extent_tesim":["5 Linear Feet"],"genreform_ssim":["World War, 1939-1945--Naval aviation--Airports--Florida.","Financial records.","Photographs.","Business records."],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials."],"bioghist_html_tesm":["\u003cp\u003eA.P. \"Pat\" Bolton was born in 1905 and the collection has family records including Mr. Bolton's birth Certificate and a family letter dating 1854. Bolton's work began in South Carolina where we have documentation of a few projects he worked on in 1936. In the late 1930's and early 1940's, Bolton moved to Florida to begin work designing and repaving airports for the Navy during WWII. The majority of the collection includes records from his work with the Navy including Banana River, Saufley field, Osceola and Witting Field North and South. Juanita Jane (Bolton) was born in 1922, moved to Lakeland in 1939 to attend school at Florida Southern College. Juanita received her secretary certificate in 1941. Mr. Bolton met Juanita Jane when she worked for him as a secretary at Macasphalt and they later married. Juanita was active in Bolton's companies as she held positions including Secretary-Treasurer and Vice President of one of Macasphalt's spin off companies. Juanita Jane Bolton died in May of 2009. In 1955, Bolton became the owner of Macasphalt. And in 1957 work began on the Daytona Speedway. The Speedway was completed in 1959 and the collection includes pictures of the first practice run. In the mid to late 1950's Bolton began dividing the company into smaller sub companies which he divided among family and friends. According to Glenn C Thompson, Bolton's two daughters (Betty and Glynnie) married and their husbands were set up with their own company with the expectation they would take care of Bolton's daughters. Bolton was long known for using local materials (like sand, crushed stone, and coquina shells) to build asphalt roads in Florida. Bolton retired in 1971 and died in 1974. His legacy lives on,\nhowever, in the form of the A.P. \"Pat\" Bolton award for excellence in paving\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["A.P. \"Pat\" Bolton was born in 1905 and the collection has family records including Mr. Bolton's birth Certificate and a family letter dating 1854. Bolton's work began in South Carolina where we have documentation of a few projects he worked on in 1936. In the late 1930's and early 1940's, Bolton moved to Florida to begin work designing and repaving airports for the Navy during WWII. The majority of the collection includes records from his work with the Navy including Banana River, Saufley field, Osceola and Witting Field North and South. Juanita Jane (Bolton) was born in 1922, moved to Lakeland in 1939 to attend school at Florida Southern College. Juanita received her secretary certificate in 1941. Mr. Bolton met Juanita Jane when she worked for him as a secretary at Macasphalt and they later married. Juanita was active in Bolton's companies as she held positions including Secretary-Treasurer and Vice President of one of Macasphalt's spin off companies. Juanita Jane Bolton died in May of 2009. In 1955, Bolton became the owner of Macasphalt. And in 1957 work began on the Daytona Speedway. The Speedway was completed in 1959 and the collection includes pictures of the first practice run. In the mid to late 1950's Bolton began dividing the company into smaller sub companies which he divided among family and friends. According to Glenn C Thompson, Bolton's two daughters (Betty and Glynnie) married and their husbands were set up with their own company with the expectation they would take care of Bolton's daughters. Bolton was long known for using local materials (like sand, crushed stone, and coquina shells) to build asphalt roads in Florida. Bolton retired in 1971 and died in 1974. His legacy lives on,\nhowever, in the form of the A.P. \"Pat\" Bolton award for excellence in paving"],"scopecontent_html_tesm":["\u003cp\u003eThis collection spans the date range from 1936 \u0026#x2013; 1972. However, there are a few personal documents dating to 1854 and 1905. The primary scope of the collection pertains to Bolton's work in World War II and his work with the Daytona Speedway. There are a few ancillary projects in addition to these. There is little information about specific jobs between Bolton's work in WWII and his work on the Daytona Speedway. There is also very little information about specific jobs after the Daytona Speedway project ending in 1959. The lack of information on specific jobs after Bolton's work on the Daytona Speedway may be attributed to Bolton's efforts to divide the company up between his son-in-laws and his friends. There are extensive financial records of Macasphalt and some of the smaller companies The collection is located in shelving unit 10 and contains 15 file boxes, 1 large box and 1 flat file.\nPhysical Description: 15 file boxes, 1 large box and 1 flat file\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection spans the date range from 1936 – 1972. However, there are a few personal documents dating to 1854 and 1905. The primary scope of the collection pertains to Bolton's work in World War II and his work with the Daytona Speedway. There are a few ancillary projects in addition to these. There is little information about specific jobs between Bolton's work in WWII and his work on the Daytona Speedway. There is also very little information about specific jobs after the Daytona Speedway project ending in 1959. The lack of information on specific jobs after Bolton's work on the Daytona Speedway may be attributed to Bolton's efforts to divide the company up between his son-in-laws and his friends. There are extensive financial records of Macasphalt and some of the smaller companies The collection is located in shelving unit 10 and contains 15 file boxes, 1 large box and 1 flat file.\nPhysical Description: 15 file boxes, 1 large box and 1 flat file"],"userestrict_html_tesm":["\u003cp\u003eThe A.P. \"Pat\" Bolton Collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions - archives@flsouthern.edu.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The A.P. \"Pat\" Bolton Collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions - archives@flsouthern.edu."],"names_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Macasphalt "],"corpname_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Macasphalt "],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":144,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870851055798976512,"_root_":"0d889aea88c6ef151f30c897","timestamp":"2026-07-16T06:16:41.733Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/0d889aea88c6ef151f30c897_aspace_9da8ee6df04f1bb69565ec1afa9d18b7"}},{"id":"d0c0ec0d01fac02c27f7a38e_aspace_1f713dd90aaee92e9fa3bf55ef705587","type":"File","attributes":{"title":"Personal Mementos, 1979-1997","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d0c0ec0d01fac02c27f7a38e_aspace_1f713dd90aaee92e9fa3bf55ef705587#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1f713dd90aaee92e9fa3bf55ef705587","ref_ssm":["aspace_1f713dd90aaee92e9fa3bf55ef705587","aspace_1f713dd90aaee92e9fa3bf55ef705587"],"id":"d0c0ec0d01fac02c27f7a38e_aspace_1f713dd90aaee92e9fa3bf55ef705587","title_filing_ssi":"Personal Mementos","title_ssm":["Personal Mementos"],"title_tesim":["Personal Mementos"],"unitdate_inclusive_ssm":["1979-1997"],"normalized_date_ssm":["1979-1997"],"normalized_title_ssm":["Personal Mementos, 1979-1997"],"text":["Personal Mementos, 1979-1997","Melodie Moorehead Papers, 1970-2021","Box 1","/repositories/2/archival_objects/77599","box 1","folder 1"],"component_level_isim":[2],"parent_ids_ssim":["d0c0ec0d01fac02c27f7a38e","d0c0ec0d01fac02c27f7a38e_aspace_fe1fe83c023e2c941714aa15aacc4e59"],"parent_unittitles_ssm":["Melodie Moorehead Papers, 1970-2021","Box 1"],"parent_unittitles_tesim":["Melodie Moorehead Papers, 1970-2021","Box 1"],"parent_levels_ssm":["collection","Other level"],"unitid_ssm":["/repositories/2/archival_objects/77599"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Melodie Moorehead Papers, 1970-2021"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["The Melodie Moorehead Papers are owned by Florida International University. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"containers_ssim":["box 1","folder 1"],"_nest_path_":"/components#0/components#0","_nest_parent_":"d0c0ec0d01fac02c27f7a38e_aspace_fe1fe83c023e2c941714aa15aacc4e59","_root_":"d0c0ec0d01fac02c27f7a38e","_version_":1879179292500295680,"timestamp":"2026-10-16T04:30:27.180Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d0c0ec0d01fac02c27f7a38e","title_ssm":["Melodie Moorehead Papers"],"title_tesim":["Melodie Moorehead Papers"],"ead_ssi":"d0c0ec0d01fac02c27f7a38e","unitdate_ssm":["1970-2021"],"unitdate_inclusive_ssm":["1970-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9015","/repositories/2/resources/111"],"text":["SPC9015","/repositories/2/resources/111","Melodie Moorehead Papers, 1970-2021","Lesbian Activists","Lesbians","LGBT community centers","Sexual minorities","Gay activists","Gay liberation movement","Gay rights","Gay community","Gay counselors","Gay press publications","Gay psychologists","Gay social workers","Lesbian Community","Lesbian Culture","South Florida Gay Community","Lesbian psychotherapists","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","The materials in this collection are arranged as follows:","Personal Mementos\nCorrespondence Between Moorehead, Kunst, Rockway, and Others\nGraduate Seminar (Compiled by Moorehead)\nPublicity\n1970s-1980s Gay Rights Activism \nBiography\nTransperience and Mental Health Advocacy \nPhotography\nNewspapers\nMagazines\nNewspaper Clippings\nAudio\nEphemera","Dr. Melodie Kay Moorehead, born on Father's Day, June 19, 1949 in Utica, NY, was reared in Miami-Dade County, Florida where she began kindergarten. Subsequentially, she graduated from Miami Central High School, where she was a Silver Knight nominee in music and went on to become a professional musician working her way through school from the age of 18 until 1983, when she completed her PhD from the Union Institute. Following licensure as a psychologist she later became a Fellow and Board Certified, in Clinical Health Psychology, by the American Board of Professional Psychology (ABPP). She is a lifetime member of the American Psychological Association (APA), American Society for Metabolic and Bariatric Surgery (ASMBS), Internation Federation for the Surgery of Obesity and Metabolic Disorders (IFSO) and holds membership in Daughters of the American Revolution (DAR). Melodie also graduated from, Miami Dade Junior College – North Campus, and Florida Atlantic University (FAU), with a double major, completing that coursework in 1971. ","Before her involvement with Human Rights work, she had many high-profile musical engagements as a drummer and vocalist. She contracted with a show band called Your Father's Mustache and played the \"Washboard\" and other percussion instruments at the age of 18 at the Hilton Plaza, Miami Beach. During her 1968 and 69 engagement there, the space also hosted Jackie Gleason's weekly television show, as well as the Headquarters for Richard Nixon's 1968 National Convention. Nightly, Nixon's staff were in front row attendance for the nightclub show and would send the young Melodie cold milk to the stage as they sent alcoholic beverages to other members of the band. When he won the election, Nixon's head writer invited Melodie to attend the Inaugural Ball, which she attended with her mother, Laura Joyce Gillett Moorehead Williams. Later Melodie, still an undergraduate, received an invitation from President Nixon's staff to transfer to Georgetown University and study law as a proper introduction to Washington politics. She humbly state: \"I want to become a doctor and help people.\" ","Returning to her intentioned life's mission, she completed the MA degree, in Psychology, from Lone Mountain College (today, University of San Francisco), in 1977. It was at this period of time she petitioned FAU to confer her undergraduate degree. It had been withheld by the institution due to administrative rules. She won her petition, which helps explains why her MA diploma was conferred a year before her BA. The irony here perhaps was that Dr. Shwartz, who headed the Department of Sociology at FAU, had offered her a full scholarship to the MA program and to a prestigious doctoral program in return for her teaching at FAU for 5 years. Again, she humbly and politely declined. ","Instead, Melodie toured with another musical group, which ultimately led to her coming to terms with her same-sex feelings, which had amounted to a lifetime of tumult. Following her own personal paradigmatic shift and owning her sense of \"gay identity,\" Melodie entered psychotherapy with Dr. Theodore Aidman, the first president and founder of the Dade County Psychological Association (Dr. Aidman ultimately served as mentor throughout Melodie's MA and PhD programs; her MA thesis was based on Dr. Adman's work, \"Transcending One's Self-Fulfilling Prophecy.\"). Melodie soon committed herself to a new career in the field of psychology working within the gay community. ","Dr. Alan Rockway, Mr. Robert \"Bob\" Kunst, and Mr. Bob Basker co-authored the 1976 Miami Gay Rights Ordinance. This Ordinance was repealed through the efforts of Anita Bryant and others the following year. Before the 1976 Ordinance was repealed and before meeting the authors, Melodie was invited to be interview by Channel 10 News WPLG anchored by Ann Bishop, a popular local journalist. A news crew came to Melodie's Coconut Grove studio apartment, rented monthly for $175.00, to help put a face on what \"Gay\" looked like and to introduce that face to the community. People were expected to soon go to the polls to vote \"For\" or \"Against\" the repeal of the ordinance after the new law was on record for a few months without incident. The news crew stayed inside Melodie's apartment for 4 hours attempting to learn how she felt discriminated against. At the time, she could not come up with a direct sense of discrimination to report. Melodie is first to say, \"I was very naïve.\"","By 1977, Melodie had contributed a chapter in a volume titled Now What? to help parents understand their gay child; Dr. Virginia Pendergrass, a clinical psychologist at FIU, was also among the contributors and she, with the Center for Dialog, often put workshops together where Melodie also presented. ","It was during her Master's level training with the Gestalt Institute of Miami, Dr. Calvin Leonard, then Dean of the University of Miami School of Continuing Education, suggested that she meet directly with Dr. Rockway and Mr. Kunst of the Transperience Center. It was at this meeting when Melodie learned the Transperience Center was only a few doors down from where she lived. The two men began telling her of the $55,000 grant they had written through the federal Comprehensive Employment and Training Act (CETA) to fund five positions at the Transperience Center. They asked her to take a position as the Community Outreach Coordinator and Mental Health Counselor for the Transperience Center that they directed. She accepted the position after securing her credentials. The Transperience Center was a community health center for people living in alternative lifestyles. The grant was awarded and, following the repeal of the \"Gay Rights Ordinance,\" the grant was terminated following protests from ultra conservative groups. The trio Moorehead, Rockway, and Kunst then created a new organization, Congress United for Rights and Equality (CURE), and they filed a lawsuit through the Department of Labor for the grant's termination. Going to Federal Court twice without a judge discharging the case, the trio did not have the necessary funds to continue this fight. The gay community, even on the national scale, had not yet mobilized enough to assist. The trio ended up on food stamps for six months and Melodie conducted her last counseling session on the floor of the Transperience Center, as their rented furniture had been repossessed. ","It was during this downtrodden time that Melodie came to better understand the many faces of discrimination. Kunst even asked Moorehead, \"Do you feel discrimination now?\" She replied \"Yes!,\" and then he asked: \"Are you ready to collect signatures?\" She then committed to collecting 18,000 of the needed signatures to place an offensive effort to get Human Rights (Gay Rights) on the November 1978 ballot. The trio worked together to get certified registered voters' signatures to place three new ordinances onto the Dade County ballot that banned discrimination in housing, employment, transportation, and support equality for gays and others living alternative lifestyles, including heterosexuals. Throughout the late 1970s and early 1980s, the trio organized to pass equality ordinances and promote media awareness to protect individual rights. ","Melodie relocated to Fort Lauderdale and began her PhD program in 1980. This relocation was picked up by the local press as Melodie met with every County Commissioner in Broward County regarding Gay Rights. It was not until the passage of the Eckart Bill, which called for the Privacy Rights of citizens in Florida, that Melodie shifted her focus to fully establishing herself in healthcare. By this time, she had learned the great need for culturally sensitive service in the mental health and medical field. Melodie routinely provided services for HTLV-3, later known as AIDS services, to individuals in and out of hospital settings. ","With unanticipated turn of events, by the mid-1980s the then Dr. Moorehead began working with other groups of very often discriminated people struggling with the disease of morbid and super obesity. Her talents and training were recognized and her work evolved to lecturing both nationally and internationally as an invited speaker while maintaining a longstanding private practice and holding staff privileges and responsivities for decades in Broward's hospital system. In 2002 Dr. Moorehead was awarded the Golden Circle of Excellence Award from what now is called ASMBS. She was the first woman and non-surgeon to receive this honor.","During the height of her career, a then-hospitalized Dr. John Graves, who served as the Board of Trustees President of what is today the Stonewall National Museum, Archives, and Library, asked her to serve as president of the decades-old organization. Knowing that this lovely, generous man was terminally ill, she agreed to his request. By 2004 she was at the helm of Stonewall and personally funded a trip to Washington, D.C., where, among her achievements as president, she signed a contract with the United States Holocaust Memorial Museum to bring its historic exhibition, \"Nazi Persecution of the Homosexual 1933-45,\" to South Florida. The exhibition was presented at the Fort Lauderdale main library. ","Finally, Dr. Moorehead closed her Professional Association and successfully retired her South Florida 50-year career in mental health. She did so only after providing two years of face-to-face isolation protocol support during the Covid-19 pandemic and lockdown in a long-term care facility. Residents were mandated to remain in their closed rooms while family visitation was prohibited. As of Fall 2025, she retains her licensure and board certification and remains active in licensing professionals and programs worldwide in the use of The Bariatric Analysis and Reporting Outcome System (BAROS) and the Moorehead-Ardelt Quality of Life Questionnaire II (MAII) of which she holds copyright.","Dr. Moorehead encourages all who visit this bio sketch to enjoy the archives and share what you learn with others so that history does not have to repeat itself again. Biography compiled by Dr. Melodie Kay Moorehead","LANGUAGE WARNING: Some personal correspondence and newspaper articles contain language that was common in the United States during the late-20th century. Outdated language and other terms that may be considered harmful or offensive are present.","The materials in this collection reflect the subject's participation in Lesbian, Gay, Bisexual, Transgender (LGBT) activism and interest in psychotherapy for the LGBT community. The bulk of the collection contains correspondence, news clippings, interviews with Moorehead, autobiographical information, and photos.","Please note: this collection includes some images that portray nudity in both sexual and non-sexual contexts.","The Melodie Moorehead Papers are owned by Florida International University. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","English"],"unitid_tesim":["SPC9015","/repositories/2/resources/111"],"normalized_date_ssm":["1970-2021"],"normalized_title_ssm":["Melodie Moorehead Papers, 1970-2021"],"collection_title_tesim":["Melodie Moorehead Papers, 1970-2021"],"collection_ssim":["Melodie Moorehead Papers, 1970-2021"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Lesbian Activists","Lesbians","LGBT community centers","Sexual minorities","Gay activists","Gay liberation movement","Gay rights","Gay community","Gay counselors","Gay press publications","Gay psychologists","Gay social workers"],"geogname_ssim":["Lesbian Activists","Lesbians","LGBT community centers","Sexual minorities","Gay activists","Gay liberation movement","Gay rights","Gay community","Gay counselors","Gay press publications","Gay psychologists","Gay social workers"],"places_ssim":["Lesbian Activists","Lesbians","LGBT community centers","Sexual minorities","Gay activists","Gay liberation movement","Gay rights","Gay community","Gay counselors","Gay press publications","Gay psychologists","Gay social workers"],"access_terms_ssm":["The Melodie Moorehead Papers are owned by Florida International University. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by the Melodie Moorehead Archives"],"access_subjects_ssim":["Lesbian Community","Lesbian Culture","South Florida Gay Community","Lesbian psychotherapists"],"access_subjects_ssm":["Lesbian Community","Lesbian Culture","South Florida Gay Community","Lesbian psychotherapists"],"has_online_content_ssim":["false"],"extent_ssm":["1 boxes 1 Legal Size Document Case 1 Large Flat Newspaper Box"],"extent_tesim":["1 boxes 1 Legal Size Document Case 1 Large Flat Newspaper Box"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials in this collection are arranged as follows:\u003c/p\u003e\n","\u003cp\u003ePersonal Mementos\nCorrespondence Between Moorehead, Kunst, Rockway, and Others\nGraduate Seminar (Compiled by Moorehead)\nPublicity\n1970s-1980s Gay Rights Activism \nBiography\nTransperience and Mental Health Advocacy \nPhotography\nNewspapers\nMagazines\nNewspaper Clippings\nAudio\nEphemera\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials in this collection are arranged as follows:","Personal Mementos\nCorrespondence Between Moorehead, Kunst, Rockway, and Others\nGraduate Seminar (Compiled by Moorehead)\nPublicity\n1970s-1980s Gay Rights Activism \nBiography\nTransperience and Mental Health Advocacy \nPhotography\nNewspapers\nMagazines\nNewspaper Clippings\nAudio\nEphemera"],"bioghist_html_tesm":["\u003cp\u003eDr. Melodie Kay Moorehead, born on Father's Day, June 19, 1949 in Utica, NY, was reared in Miami-Dade County, Florida where she began kindergarten. Subsequentially, she graduated from Miami Central High School, where she was a Silver Knight nominee in music and went on to become a professional musician working her way through school from the age of 18 until 1983, when she completed her PhD from the Union Institute. Following licensure as a psychologist she later became a Fellow and Board Certified, in Clinical Health Psychology, by the American Board of Professional Psychology (ABPP). She is a lifetime member of the American Psychological Association (APA), American Society for Metabolic and Bariatric Surgery (ASMBS), Internation Federation for the Surgery of Obesity and Metabolic Disorders (IFSO) and holds membership in Daughters of the American Revolution (DAR). Melodie also graduated from, Miami Dade Junior College \u0026#x2013; North Campus, and Florida Atlantic University (FAU), with a double major, completing that coursework in 1971. \u003c/p\u003e\n","\u003cp\u003eBefore her involvement with Human Rights work, she had many high-profile musical engagements as a drummer and vocalist. She contracted with a show band called Your Father's Mustache and played the \"Washboard\" and other percussion instruments at the age of 18 at the Hilton Plaza, Miami Beach. During her 1968 and 69 engagement there, the space also hosted Jackie Gleason's weekly television show, as well as the Headquarters for Richard Nixon's 1968 National Convention. Nightly, Nixon's staff were in front row attendance for the nightclub show and would send the young Melodie cold milk to the stage as they sent alcoholic beverages to other members of the band. When he won the election, Nixon's head writer invited Melodie to attend the Inaugural Ball, which she attended with her mother, Laura Joyce Gillett Moorehead Williams. Later Melodie, still an undergraduate, received an invitation from President Nixon's staff to transfer to Georgetown University and study law as a proper introduction to Washington politics. She humbly state: \"I want to become a doctor and help people.\" \u003c/p\u003e\n","\u003cp\u003eReturning to her intentioned life's mission, she completed the MA degree, in Psychology, from Lone Mountain College (today, University of San Francisco), in 1977. It was at this period of time she petitioned FAU to confer her undergraduate degree. It had been withheld by the institution due to administrative rules. She won her petition, which helps explains why her MA diploma was conferred a year before her BA. The irony here perhaps was that Dr. Shwartz, who headed the Department of Sociology at FAU, had offered her a full scholarship to the MA program and to a prestigious doctoral program in return for her teaching at FAU for 5 years. Again, she humbly and politely declined. \u003c/p\u003e\n","\u003cp\u003eInstead, Melodie toured with another musical group, which ultimately led to her coming to terms with her same-sex feelings, which had amounted to a lifetime of tumult. Following her own personal paradigmatic shift and owning her sense of \"gay identity,\" Melodie entered psychotherapy with Dr. Theodore Aidman, the first president and founder of the Dade County Psychological Association (Dr. Aidman ultimately served as mentor throughout Melodie's MA and PhD programs; her MA thesis was based on Dr. Adman's work, \"Transcending One's Self-Fulfilling Prophecy.\"). Melodie soon committed herself to a new career in the field of psychology working within the gay community. \u003c/p\u003e\n","\u003cp\u003eDr. Alan Rockway, Mr. Robert \"Bob\" Kunst, and Mr. Bob Basker co-authored the 1976 Miami Gay Rights Ordinance. This Ordinance was repealed through the efforts of Anita Bryant and others the following year. Before the 1976 Ordinance was repealed and before meeting the authors, Melodie was invited to be interview by Channel 10 News WPLG anchored by Ann Bishop, a popular local journalist. A news crew came to Melodie's Coconut Grove studio apartment, rented monthly for $175.00, to help put a face on what \"Gay\" looked like and to introduce that face to the community. People were expected to soon go to the polls to vote \"For\" or \"Against\" the repeal of the ordinance after the new law was on record for a few months without incident. The news crew stayed inside Melodie's apartment for 4 hours attempting to learn how she felt discriminated against. At the time, she could not come up with a direct sense of discrimination to report. Melodie is first to say, \"I was very na\u0026#xEF;ve.\"\u003c/p\u003e\n","\u003cp\u003eBy 1977, Melodie had contributed a chapter in a volume titled Now What? to help parents understand their gay child; Dr. Virginia Pendergrass, a clinical psychologist at FIU, was also among the contributors and she, with the Center for Dialog, often put workshops together where Melodie also presented. \u003c/p\u003e\n","\u003cp\u003eIt was during her Master's level training with the Gestalt Institute of Miami, Dr. Calvin Leonard, then Dean of the University of Miami School of Continuing Education, suggested that she meet directly with Dr. Rockway and Mr. Kunst of the Transperience Center. It was at this meeting when Melodie learned the Transperience Center was only a few doors down from where she lived. The two men began telling her of the $55,000 grant they had written through the federal Comprehensive Employment and Training Act (CETA) to fund five positions at the Transperience Center. They asked her to take a position as the Community Outreach Coordinator and Mental Health Counselor for the Transperience Center that they directed. She accepted the position after securing her credentials. The Transperience Center was a community health center for people living in alternative lifestyles. The grant was awarded and, following the repeal of the \"Gay Rights Ordinance,\" the grant was terminated following protests from ultra conservative groups. The trio Moorehead, Rockway, and Kunst then created a new organization, Congress United for Rights and Equality (CURE), and they filed a lawsuit through the Department of Labor for the grant's termination. Going to Federal Court twice without a judge discharging the case, the trio did not have the necessary funds to continue this fight. The gay community, even on the national scale, had not yet mobilized enough to assist. The trio ended up on food stamps for six months and Melodie conducted her last counseling session on the floor of the Transperience Center, as their rented furniture had been repossessed. \u003c/p\u003e\n","\u003cp\u003eIt was during this downtrodden time that Melodie came to better understand the many faces of discrimination. Kunst even asked Moorehead, \"Do you feel discrimination now?\" She replied \"Yes!,\" and then he asked: \"Are you ready to collect signatures?\" She then committed to collecting 18,000 of the needed signatures to place an offensive effort to get Human Rights (Gay Rights) on the November 1978 ballot. The trio worked together to get certified registered voters' signatures to place three new ordinances onto the Dade County ballot that banned discrimination in housing, employment, transportation, and support equality for gays and others living alternative lifestyles, including heterosexuals. Throughout the late 1970s and early 1980s, the trio organized to pass equality ordinances and promote media awareness to protect individual rights. \u003c/p\u003e\n","\u003cp\u003eMelodie relocated to Fort Lauderdale and began her PhD program in 1980. This relocation was picked up by the local press as Melodie met with every County Commissioner in Broward County regarding Gay Rights. It was not until the passage of the Eckart Bill, which called for the Privacy Rights of citizens in Florida, that Melodie shifted her focus to fully establishing herself in healthcare. By this time, she had learned the great need for culturally sensitive service in the mental health and medical field. Melodie routinely provided services for HTLV-3, later known as AIDS services, to individuals in and out of hospital settings. \u003c/p\u003e\n","\u003cp\u003eWith unanticipated turn of events, by the mid-1980s the then Dr. Moorehead began working with other groups of very often discriminated people struggling with the disease of morbid and super obesity. Her talents and training were recognized and her work evolved to lecturing both nationally and internationally as an invited speaker while maintaining a longstanding private practice and holding staff privileges and responsivities for decades in Broward's hospital system. In 2002 Dr. Moorehead was awarded the Golden Circle of Excellence Award from what now is called ASMBS. She was the first woman and non-surgeon to receive this honor.\u003c/p\u003e\n","\u003cp\u003eDuring the height of her career, a then-hospitalized Dr. John Graves, who served as the Board of Trustees President of what is today the Stonewall National Museum, Archives, and Library, asked her to serve as president of the decades-old organization. Knowing that this lovely, generous man was terminally ill, she agreed to his request. By 2004 she was at the helm of Stonewall and personally funded a trip to Washington, D.C., where, among her achievements as president, she signed a contract with the United States Holocaust Memorial Museum to bring its historic exhibition, \"Nazi Persecution of the Homosexual 1933-45,\" to South Florida. The exhibition was presented at the Fort Lauderdale main library. \u003c/p\u003e\n","\u003cp\u003eFinally, Dr. Moorehead closed her Professional Association and successfully retired her South Florida 50-year career in mental health. She did so only after providing two years of face-to-face isolation protocol support during the Covid-19 pandemic and lockdown in a long-term care facility. Residents were mandated to remain in their closed rooms while family visitation was prohibited. As of Fall 2025, she retains her licensure and board certification and remains active in licensing professionals and programs worldwide in the use of The Bariatric Analysis and Reporting Outcome System (BAROS) and the Moorehead-Ardelt Quality of Life Questionnaire II (MAII) of which she holds copyright.\u003c/p\u003e\n","\u003cp\u003eDr. Moorehead encourages all who visit this bio sketch to enjoy the archives and share what you learn with others so that history does not have to repeat itself again. Biography compiled by Dr. Melodie Kay Moorehead\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. Melodie Kay Moorehead, born on Father's Day, June 19, 1949 in Utica, NY, was reared in Miami-Dade County, Florida where she began kindergarten. Subsequentially, she graduated from Miami Central High School, where she was a Silver Knight nominee in music and went on to become a professional musician working her way through school from the age of 18 until 1983, when she completed her PhD from the Union Institute. Following licensure as a psychologist she later became a Fellow and Board Certified, in Clinical Health Psychology, by the American Board of Professional Psychology (ABPP). She is a lifetime member of the American Psychological Association (APA), American Society for Metabolic and Bariatric Surgery (ASMBS), Internation Federation for the Surgery of Obesity and Metabolic Disorders (IFSO) and holds membership in Daughters of the American Revolution (DAR). Melodie also graduated from, Miami Dade Junior College – North Campus, and Florida Atlantic University (FAU), with a double major, completing that coursework in 1971. ","Before her involvement with Human Rights work, she had many high-profile musical engagements as a drummer and vocalist. She contracted with a show band called Your Father's Mustache and played the \"Washboard\" and other percussion instruments at the age of 18 at the Hilton Plaza, Miami Beach. During her 1968 and 69 engagement there, the space also hosted Jackie Gleason's weekly television show, as well as the Headquarters for Richard Nixon's 1968 National Convention. Nightly, Nixon's staff were in front row attendance for the nightclub show and would send the young Melodie cold milk to the stage as they sent alcoholic beverages to other members of the band. When he won the election, Nixon's head writer invited Melodie to attend the Inaugural Ball, which she attended with her mother, Laura Joyce Gillett Moorehead Williams. Later Melodie, still an undergraduate, received an invitation from President Nixon's staff to transfer to Georgetown University and study law as a proper introduction to Washington politics. She humbly state: \"I want to become a doctor and help people.\" ","Returning to her intentioned life's mission, she completed the MA degree, in Psychology, from Lone Mountain College (today, University of San Francisco), in 1977. It was at this period of time she petitioned FAU to confer her undergraduate degree. It had been withheld by the institution due to administrative rules. She won her petition, which helps explains why her MA diploma was conferred a year before her BA. The irony here perhaps was that Dr. Shwartz, who headed the Department of Sociology at FAU, had offered her a full scholarship to the MA program and to a prestigious doctoral program in return for her teaching at FAU for 5 years. Again, she humbly and politely declined. ","Instead, Melodie toured with another musical group, which ultimately led to her coming to terms with her same-sex feelings, which had amounted to a lifetime of tumult. Following her own personal paradigmatic shift and owning her sense of \"gay identity,\" Melodie entered psychotherapy with Dr. Theodore Aidman, the first president and founder of the Dade County Psychological Association (Dr. Aidman ultimately served as mentor throughout Melodie's MA and PhD programs; her MA thesis was based on Dr. Adman's work, \"Transcending One's Self-Fulfilling Prophecy.\"). Melodie soon committed herself to a new career in the field of psychology working within the gay community. ","Dr. Alan Rockway, Mr. Robert \"Bob\" Kunst, and Mr. Bob Basker co-authored the 1976 Miami Gay Rights Ordinance. This Ordinance was repealed through the efforts of Anita Bryant and others the following year. Before the 1976 Ordinance was repealed and before meeting the authors, Melodie was invited to be interview by Channel 10 News WPLG anchored by Ann Bishop, a popular local journalist. A news crew came to Melodie's Coconut Grove studio apartment, rented monthly for $175.00, to help put a face on what \"Gay\" looked like and to introduce that face to the community. People were expected to soon go to the polls to vote \"For\" or \"Against\" the repeal of the ordinance after the new law was on record for a few months without incident. The news crew stayed inside Melodie's apartment for 4 hours attempting to learn how she felt discriminated against. At the time, she could not come up with a direct sense of discrimination to report. Melodie is first to say, \"I was very naïve.\"","By 1977, Melodie had contributed a chapter in a volume titled Now What? to help parents understand their gay child; Dr. Virginia Pendergrass, a clinical psychologist at FIU, was also among the contributors and she, with the Center for Dialog, often put workshops together where Melodie also presented. ","It was during her Master's level training with the Gestalt Institute of Miami, Dr. Calvin Leonard, then Dean of the University of Miami School of Continuing Education, suggested that she meet directly with Dr. Rockway and Mr. Kunst of the Transperience Center. It was at this meeting when Melodie learned the Transperience Center was only a few doors down from where she lived. The two men began telling her of the $55,000 grant they had written through the federal Comprehensive Employment and Training Act (CETA) to fund five positions at the Transperience Center. They asked her to take a position as the Community Outreach Coordinator and Mental Health Counselor for the Transperience Center that they directed. She accepted the position after securing her credentials. The Transperience Center was a community health center for people living in alternative lifestyles. The grant was awarded and, following the repeal of the \"Gay Rights Ordinance,\" the grant was terminated following protests from ultra conservative groups. The trio Moorehead, Rockway, and Kunst then created a new organization, Congress United for Rights and Equality (CURE), and they filed a lawsuit through the Department of Labor for the grant's termination. Going to Federal Court twice without a judge discharging the case, the trio did not have the necessary funds to continue this fight. The gay community, even on the national scale, had not yet mobilized enough to assist. The trio ended up on food stamps for six months and Melodie conducted her last counseling session on the floor of the Transperience Center, as their rented furniture had been repossessed. ","It was during this downtrodden time that Melodie came to better understand the many faces of discrimination. Kunst even asked Moorehead, \"Do you feel discrimination now?\" She replied \"Yes!,\" and then he asked: \"Are you ready to collect signatures?\" She then committed to collecting 18,000 of the needed signatures to place an offensive effort to get Human Rights (Gay Rights) on the November 1978 ballot. The trio worked together to get certified registered voters' signatures to place three new ordinances onto the Dade County ballot that banned discrimination in housing, employment, transportation, and support equality for gays and others living alternative lifestyles, including heterosexuals. Throughout the late 1970s and early 1980s, the trio organized to pass equality ordinances and promote media awareness to protect individual rights. ","Melodie relocated to Fort Lauderdale and began her PhD program in 1980. This relocation was picked up by the local press as Melodie met with every County Commissioner in Broward County regarding Gay Rights. It was not until the passage of the Eckart Bill, which called for the Privacy Rights of citizens in Florida, that Melodie shifted her focus to fully establishing herself in healthcare. By this time, she had learned the great need for culturally sensitive service in the mental health and medical field. Melodie routinely provided services for HTLV-3, later known as AIDS services, to individuals in and out of hospital settings. ","With unanticipated turn of events, by the mid-1980s the then Dr. Moorehead began working with other groups of very often discriminated people struggling with the disease of morbid and super obesity. Her talents and training were recognized and her work evolved to lecturing both nationally and internationally as an invited speaker while maintaining a longstanding private practice and holding staff privileges and responsivities for decades in Broward's hospital system. In 2002 Dr. Moorehead was awarded the Golden Circle of Excellence Award from what now is called ASMBS. She was the first woman and non-surgeon to receive this honor.","During the height of her career, a then-hospitalized Dr. John Graves, who served as the Board of Trustees President of what is today the Stonewall National Museum, Archives, and Library, asked her to serve as president of the decades-old organization. Knowing that this lovely, generous man was terminally ill, she agreed to his request. By 2004 she was at the helm of Stonewall and personally funded a trip to Washington, D.C., where, among her achievements as president, she signed a contract with the United States Holocaust Memorial Museum to bring its historic exhibition, \"Nazi Persecution of the Homosexual 1933-45,\" to South Florida. The exhibition was presented at the Fort Lauderdale main library. ","Finally, Dr. Moorehead closed her Professional Association and successfully retired her South Florida 50-year career in mental health. She did so only after providing two years of face-to-face isolation protocol support during the Covid-19 pandemic and lockdown in a long-term care facility. Residents were mandated to remain in their closed rooms while family visitation was prohibited. As of Fall 2025, she retains her licensure and board certification and remains active in licensing professionals and programs worldwide in the use of The Bariatric Analysis and Reporting Outcome System (BAROS) and the Moorehead-Ardelt Quality of Life Questionnaire II (MAII) of which she holds copyright.","Dr. Moorehead encourages all who visit this bio sketch to enjoy the archives and share what you learn with others so that history does not have to repeat itself again. Biography compiled by Dr. Melodie Kay Moorehead"],"odd_html_tesm":["\u003cp\u003eLANGUAGE WARNING: Some personal correspondence and newspaper articles contain language that was common in the United States during the late-20th century. Outdated language and other terms that may be considered harmful or offensive are present.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement"],"odd_tesim":["LANGUAGE WARNING: Some personal correspondence and newspaper articles contain language that was common in the United States during the late-20th century. Outdated language and other terms that may be considered harmful or offensive are present."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection reflect the subject's participation in Lesbian, Gay, Bisexual, Transgender (LGBT) activism and interest in psychotherapy for the LGBT community. The bulk of the collection contains correspondence, news clippings, interviews with Moorehead, autobiographical information, and photos.\u003c/p\u003e\n","\u003cp\u003ePlease note: this collection includes some images that portray nudity in both sexual and non-sexual contexts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection reflect the subject's participation in Lesbian, Gay, Bisexual, Transgender (LGBT) activism and interest in psychotherapy for the LGBT community. The bulk of the collection contains correspondence, news clippings, interviews with Moorehead, autobiographical information, and photos.","Please note: this collection includes some images that portray nudity in both sexual and non-sexual contexts."],"userestrict_html_tesm":["\u003cp\u003eThe Melodie Moorehead Papers are owned by Florida International University. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Melodie Moorehead Papers are owned by Florida International University. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":15,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879179292500295680,"_root_":"d0c0ec0d01fac02c27f7a38e","timestamp":"2026-10-16T04:30:27.180Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d0c0ec0d01fac02c27f7a38e_aspace_1f713dd90aaee92e9fa3bf55ef705587"}},{"id":"fafcc9b08d1fb399539f9724_aspace_44349399a4679db2323edd557604707b","type":"File","attributes":{"title":"Personal Papers, 1946-1999","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/fafcc9b08d1fb399539f9724_aspace_44349399a4679db2323edd557604707b#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis folder contains personal papers of Rives including wills, property sale papers, certificates of appreciation from various civic organizations, and financial documents.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/fafcc9b08d1fb399539f9724_aspace_44349399a4679db2323edd557604707b#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_44349399a4679db2323edd557604707b","ref_ssm":["aspace_44349399a4679db2323edd557604707b","aspace_44349399a4679db2323edd557604707b"],"id":"fafcc9b08d1fb399539f9724_aspace_44349399a4679db2323edd557604707b","title_filing_ssi":"Personal Papers","title_ssm":["Personal Papers"],"title_tesim":["Personal Papers"],"unitdate_inclusive_ssm":["1946-1999"],"normalized_date_ssm":["1946-1999"],"normalized_title_ssm":["Personal Papers, 1946-1999"],"text":["Personal Papers, 1946-1999","Howard P. Rives collection, 1942-2005, Date accessioned: 2000-07-13","022","/repositories/10/archival_objects/190481","00.0614 - Box 1","folder 022","This folder contains personal papers of Rives including wills, property sale papers, certificates of appreciation from various civic organizations, and financial documents."],"component_level_isim":[1],"parent_ids_ssim":["fafcc9b08d1fb399539f9724"],"parent_unittitles_ssm":["Howard P. Rives collection, 1942-2005, Date accessioned: 2000-07-13"],"parent_unittitles_tesim":["Howard P. Rives collection, 1942-2005, Date accessioned: 2000-07-13"],"parent_levels_ssm":["collection"],"unitid_ssm":["022","/repositories/10/archival_objects/190481"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Howard P. Rives collection, 1942-2005, Date accessioned: 2000-07-13"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":22,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"date_range_isim":[1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"containers_ssim":["00.0614 - Box 1","folder 022"],"scopecontent_html_tesm":["\u003cp\u003eThis folder contains personal papers of Rives including wills, property sale papers, certificates of appreciation from various civic organizations, and financial documents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This folder contains personal papers of Rives including wills, property sale papers, certificates of appreciation from various civic organizations, and financial documents."],"_nest_path_":"/components#21","_nest_parent_":"fafcc9b08d1fb399539f9724","_root_":"fafcc9b08d1fb399539f9724","timestamp":"2026-04-21T06:47:16.257Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"fafcc9b08d1fb399539f9724","title_filing_ssi":"Rives, Howard P. collection","title_ssm":["Howard P. Rives collection"],"title_tesim":["Howard P. Rives collection"],"ead_ssi":"fafcc9b08d1fb399539f9724","unitdate_ssm":["1942-2005","Date accessioned: 2000-07-13"],"unitdate_inclusive_ssm":["1942-2005"],"unitdate_other_ssim":["Date accessioned: 2000-07-13"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["00.0614","/repositories/10/resources/1772"],"text":["00.0614","/repositories/10/resources/1772","Howard P. Rives collection, 1942-2005, Date accessioned: 2000-07-13","Siegfried Line (Germany)","Fort Benning (Ga.)","Camp Blanding (Fla.)","World War, 1939-1945--Campaigns--Saar River Valley (France and Germany)","World War, 1939-1945--Campaigns--Luxembourg","United States. Army. Army, 3rd","World War, 1939-1945--Campaigns--Europe","World War, 1939-1945--Campaigns--Europe","This collection is open to all researchers.","Howard P. Rives was born on September 20, 1923, in Shelbyville, Ky and moved to Clearwater, FL in 1924 with his parents. Growing up in Dunedin, FL, he enrolled in local schools and Florida Military Academy, which was then located in St. Petersburg on the site of Stetson Law College. His freshman year of college was at The Citadel in 1941 and then the University of Florida in 1942.\n \nRives joined the U.S. Army in November 1942. After basic training at Camp Wheeler, Ga., he attended and graduated on September 3, 1943 from Officer Candidate School at Fort Benning, GA as a Second lieutenant of Infantry at 19. On his 20th birthday, he reported to Company D, 301st Infantry, Regiment, 94th Infantry Division. Assigned as a machine gun platoon leader, he landed in France, September 1, 1944 with the Division. Thereafter, leading that unit in the campaigns of France, Ardennes, Rhineland and Central Europe, he earned the Combat Infantry Badge, Silver Star Medal, Bronze Star Medal, and Purple Heart Medal. The 94th Division spearheaded General George S. Patton's \"Ghost Corps\" dash by the 3rd Army to the Rhine and the capture of Ludwigshafen. The 94th was assigned occupation duties in Czechoslovakia at the end of the war in the ETO. Rives began terminal leave as a captain in February 1946 and entered law school. He continued serving in the U.S. Army Reserves until 1958 at the rank of Major. \nHe graduated from the University of Florida College of Law in January 1949, entered practice in Clearwater with Alfred P. Marshall, who was appointed to the office of circuit judge in 1957 by Governor Collins.\n \nAfter several partnerships, Rives formed the firm of Rives \u0026 Rives with his son Howard P. Rives III. He left private practice after 37 years to be a circuit judge for 20 years in January 1985, with his son taking over the firm.\n \nRives served as president of the Clearwater Bar; four years as a member of the Board of Governors of The Florida Bar; eight years as an officer, board member and as president of The Florida Bar Foundation; 12 years as a city attorney for one or more municipalities of Pinellas County; an appointed term as an assistant state attorney; in community service as vice president of the Clearwater Chamber of Commerce; more than 50 years as a member of The Rotary Club of Clearwater; a board member and president of The Morton Plant Hospital Foundation; a member of The Donald Roebling Society; a deacon of Peace Memorial Presbyterian Church; a deacon and life elder of the First Presbyterian Church of Dunedin; more than a 50-year member of Clearwater Lodge 127 F \u0026 AM; a past member of Tampa Consistory Scottish Rite and Egypt Temple Shrine; 12 years as a director of Sun Banks in Pinellas County; a Paul Harris Fellow of Rotary; a member of The Paul Tulane Society of Tulane University; a co-trustee of The John T. and Winifred M. Hayward Foundation; a life member of The 94th Combat Infantry Division Association; charter member of the Clearwater Chapter, Sons of the American Revolution, and recipient of their Silver Good Citizenship Medal, as well as the 17th recipient of The Medal of Honor from The National Society of The Daughters of The American Revolution.\n \nRives passed June 5, 2005, at Morton Plant Hospital, Clearwater, FL and is buried in Serenity Gardens Memorial Park, Largo, FL. He was married 39 years to Browder Walker Rives.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","This collection relates to Howard P. Rives who served as a First Lieutenant with the Heavy Weapons Platoon, Company D, 1st Battalion, 301st Infantry Regiment, 94th Infantry Division in the European Theater of Operations. Rives received the Silver Star Medal and Purple Heart Medal. The collection contains military personnel records, 94th Infantry Division Veterans' Association papers, veteran reunion papers, correspondence between veterans of the 94th Division, and personal accounts of veterans.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","United States. Army. Infantry Division, 94th","94th Infantry Division Association (U.S.)","Rives, Howard P., 1923-2005","English"],"unitid_tesim":["00.0614","/repositories/10/resources/1772"],"normalized_date_ssm":["1942-2005, Date accessioned: 2000-07-13"],"normalized_title_ssm":["Howard P. 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Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"access_subjects_ssim":["World War, 1939-1945--Campaigns--Saar River Valley (France and Germany)","World War, 1939-1945--Campaigns--Luxembourg","United States. Army. Army, 3rd","World War, 1939-1945--Campaigns--Europe","World War, 1939-1945--Campaigns--Europe"],"access_subjects_ssm":["World War, 1939-1945--Campaigns--Saar River Valley (France and Germany)","World War, 1939-1945--Campaigns--Luxembourg","United States. Army. 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Growing up in Dunedin, FL, he enrolled in local schools and Florida Military Academy, which was then located in St. Petersburg on the site of Stetson Law College. His freshman year of college was at The Citadel in 1941 and then the University of Florida in 1942.\n\u003cbr\u003e\u003cbr\u003e\nRives joined the U.S. Army in November 1942. After basic training at Camp Wheeler, Ga., he attended and graduated on September 3, 1943 from Officer Candidate School at Fort Benning, GA as a Second lieutenant of Infantry at 19. On his 20th birthday, he reported to Company D, 301st Infantry, Regiment, 94th Infantry Division. Assigned as a machine gun platoon leader, he landed in France, September 1, 1944 with the Division. Thereafter, leading that unit in the campaigns of France, Ardennes, Rhineland and Central Europe, he earned the Combat Infantry Badge, Silver Star Medal, Bronze Star Medal, and Purple Heart Medal. The 94th Division spearheaded General George S. Patton's \"Ghost Corps\" dash by the 3rd Army to the Rhine and the capture of Ludwigshafen. The 94th was assigned occupation duties in Czechoslovakia at the end of the war in the ETO. Rives began terminal leave as a captain in February 1946 and entered law school. He continued serving in the U.S. Army Reserves until 1958 at the rank of Major. \nHe graduated from the University of Florida College of Law in January 1949, entered practice in Clearwater with Alfred P. Marshall, who was appointed to the office of circuit judge in 1957 by Governor Collins.\n\u003cbr\u003e\u003cbr\u003e\nAfter several partnerships, Rives formed the firm of Rives \u0026amp; Rives with his son Howard P. Rives III. He left private practice after 37 years to be a circuit judge for 20 years in January 1985, with his son taking over the firm.\n\u003cbr\u003e\u003cbr\u003e\nRives served as president of the Clearwater Bar; four years as a member of the Board of Governors of The Florida Bar; eight years as an officer, board member and as president of The Florida Bar Foundation; 12 years as a city attorney for one or more municipalities of Pinellas County; an appointed term as an assistant state attorney; in community service as vice president of the Clearwater Chamber of Commerce; more than 50 years as a member of The Rotary Club of Clearwater; a board member and president of The Morton Plant Hospital Foundation; a member of The Donald Roebling Society; a deacon of Peace Memorial Presbyterian Church; a deacon and life elder of the First Presbyterian Church of Dunedin; more than a 50-year member of Clearwater Lodge 127 F \u0026amp; AM; a past member of Tampa Consistory Scottish Rite and Egypt Temple Shrine; 12 years as a director of Sun Banks in Pinellas County; a Paul Harris Fellow of Rotary; a member of The Paul Tulane Society of Tulane University; a co-trustee of The John T. and Winifred M. Hayward Foundation; a life member of The 94th Combat Infantry Division Association; charter member of the Clearwater Chapter, Sons of the American Revolution, and recipient of their Silver Good Citizenship Medal, as well as the 17th recipient of The Medal of Honor from The National Society of The Daughters of The American Revolution.\n\u003cbr\u003e\u003cbr\u003e\nRives passed June 5, 2005, at Morton Plant Hospital, Clearwater, FL and is buried in Serenity Gardens Memorial Park, Largo, FL. He was married 39 years to Browder Walker Rives.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Howard P. Rives was born on September 20, 1923, in Shelbyville, Ky and moved to Clearwater, FL in 1924 with his parents. Growing up in Dunedin, FL, he enrolled in local schools and Florida Military Academy, which was then located in St. Petersburg on the site of Stetson Law College. His freshman year of college was at The Citadel in 1941 and then the University of Florida in 1942.\n \nRives joined the U.S. Army in November 1942. After basic training at Camp Wheeler, Ga., he attended and graduated on September 3, 1943 from Officer Candidate School at Fort Benning, GA as a Second lieutenant of Infantry at 19. On his 20th birthday, he reported to Company D, 301st Infantry, Regiment, 94th Infantry Division. Assigned as a machine gun platoon leader, he landed in France, September 1, 1944 with the Division. Thereafter, leading that unit in the campaigns of France, Ardennes, Rhineland and Central Europe, he earned the Combat Infantry Badge, Silver Star Medal, Bronze Star Medal, and Purple Heart Medal. The 94th Division spearheaded General George S. Patton's \"Ghost Corps\" dash by the 3rd Army to the Rhine and the capture of Ludwigshafen. The 94th was assigned occupation duties in Czechoslovakia at the end of the war in the ETO. Rives began terminal leave as a captain in February 1946 and entered law school. He continued serving in the U.S. Army Reserves until 1958 at the rank of Major. \nHe graduated from the University of Florida College of Law in January 1949, entered practice in Clearwater with Alfred P. Marshall, who was appointed to the office of circuit judge in 1957 by Governor Collins.\n \nAfter several partnerships, Rives formed the firm of Rives \u0026 Rives with his son Howard P. Rives III. He left private practice after 37 years to be a circuit judge for 20 years in January 1985, with his son taking over the firm.\n \nRives served as president of the Clearwater Bar; four years as a member of the Board of Governors of The Florida Bar; eight years as an officer, board member and as president of The Florida Bar Foundation; 12 years as a city attorney for one or more municipalities of Pinellas County; an appointed term as an assistant state attorney; in community service as vice president of the Clearwater Chamber of Commerce; more than 50 years as a member of The Rotary Club of Clearwater; a board member and president of The Morton Plant Hospital Foundation; a member of The Donald Roebling Society; a deacon of Peace Memorial Presbyterian Church; a deacon and life elder of the First Presbyterian Church of Dunedin; more than a 50-year member of Clearwater Lodge 127 F \u0026 AM; a past member of Tampa Consistory Scottish Rite and Egypt Temple Shrine; 12 years as a director of Sun Banks in Pinellas County; a Paul Harris Fellow of Rotary; a member of The Paul Tulane Society of Tulane University; a co-trustee of The John T. and Winifred M. Hayward Foundation; a life member of The 94th Combat Infantry Division Association; charter member of the Clearwater Chapter, Sons of the American Revolution, and recipient of their Silver Good Citizenship Medal, as well as the 17th recipient of The Medal of Honor from The National Society of The Daughters of The American Revolution.\n \nRives passed June 5, 2005, at Morton Plant Hospital, Clearwater, FL and is buried in Serenity Gardens Memorial Park, Largo, FL. He was married 39 years to Browder Walker Rives."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Howard P. Rives collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-00-0614\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Howard P. Rives collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-00-0614"],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to Howard P. Rives who served as a First Lieutenant with the Heavy Weapons Platoon, Company D, 1st Battalion, 301st Infantry Regiment, 94th Infantry Division in the European Theater of Operations. Rives received the Silver Star Medal and Purple Heart Medal. The collection contains military personnel records, 94th Infantry Division Veterans' Association papers, veteran reunion papers, correspondence between veterans of the 94th Division, and personal accounts of veterans.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection relates to Howard P. Rives who served as a First Lieutenant with the Heavy Weapons Platoon, Company D, 1st Battalion, 301st Infantry Regiment, 94th Infantry Division in the European Theater of Operations. Rives received the Silver Star Medal and Purple Heart Medal. The collection contains military personnel records, 94th Infantry Division Veterans' Association papers, veteran reunion papers, correspondence between veterans of the 94th Division, and personal accounts of veterans."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_coll_ssim":["United States. Army. Infantry Division, 94th","94th Infantry Division Association (U.S.)","Rives, Howard P., 1923-2005"],"names_ssim":["FSU Special Collections \u0026 Archives","United States. Army. Infantry Division, 94th","94th Infantry Division Association (U.S.)","Rives, Howard P., 1923-2005"],"corpname_ssim":["FSU Special Collections \u0026 Archives","United States. Army. Infantry Division, 94th","94th Infantry Division Association (U.S.)"],"persname_ssim":["Rives, Howard P., 1923-2005"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":27,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"fafcc9b08d1fb399539f9724","timestamp":"2026-04-21T06:47:16.257Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/fafcc9b08d1fb399539f9724_aspace_44349399a4679db2323edd557604707b"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"George L. Stuart, Jr. Collection, 1952-1991, bulk 1979-1990","value":"George L. 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