{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026page=304","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026page=303","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026page=305","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026page=640"},"meta":{"pages":{"current_page":304,"next_page":305,"prev_page":303,"total_pages":640,"limit_value":10,"offset_value":3030,"total_count":6394,"first_page?":false,"last_page?":false}},"data":[{"id":"c99d830f7ec4833a6168033d_aspace_1e80b55551fcdb16c9084620a45cd03a","type":"Subgroup","attributes":{"title":"Journals, clippings, notes, photos, and correspondence., circa. 1975 - 1966","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/c99d830f7ec4833a6168033d_aspace_1e80b55551fcdb16c9084620a45cd03a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1e80b55551fcdb16c9084620a45cd03a","ref_ssm":["aspace_1e80b55551fcdb16c9084620a45cd03a","aspace_1e80b55551fcdb16c9084620a45cd03a"],"id":"c99d830f7ec4833a6168033d_aspace_1e80b55551fcdb16c9084620a45cd03a","title_filing_ssi":"Journals, clippings, notes, photos, and correspondence. 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She was the first woman to earn a MIT degree in electrocemical engineering. She was an author with 10 books on conservation.","This collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The Marth Munzer Collection contains journals, clippings, notes, photos, and correspondence."," Broward County Historical Archives","English"],"unitid_tesim":["BCHA.1996.28","/repositories/4/resources/36"],"normalized_date_ssm":["circa. 1975 - 1966"],"normalized_title_ssm":["Martha Munzer Collection, circa. 1975 - 1966"],"collection_title_tesim":["Martha Munzer Collection, circa. 1975 - 1966"],"collection_ssim":["Martha Munzer Collection, circa. 1975 - 1966"],"repository_ssm":["Broward County Historical Archives"],"repository_ssim":["Broward County Historical Archives"],"has_online_content_ssim":["false"],"extent_ssm":["1 Hollinger Box"],"extent_tesim":["1 Hollinger Box"],"date_range_isim":[1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eMartha Munzer was born in 1899 and passed away in 1999. She was the first woman to earn a MIT degree in electrocemical engineering. She was an author with 10 books on conservation.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Martha Munzer was born in 1899 and passed away in 1999. She was the first woman to earn a MIT degree in electrocemical engineering. She was an author with 10 books on conservation."],"prefercite_html_tesm":["\u003cp\u003eMartha Munzer Collection, Broward County Historical Archives, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Martha Munzer Collection, Broward County Historical Archives, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Marth Munzer Collection contains journals, clippings, notes, photos, and correspondence.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Marth Munzer Collection contains journals, clippings, notes, photos, and correspondence."],"names_ssim":[" Broward County Historical Archives"],"corpname_ssim":[" Broward County Historical Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870840802770419712,"_root_":"c99d830f7ec4833a6168033d","timestamp":"2026-07-16T03:33:43.687Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/c99d830f7ec4833a6168033d_aspace_1e80b55551fcdb16c9084620a45cd03a"}},{"id":"a5ba771381bd55a02803efce_aspace_8bfb8dd93b193cabf83dda493bc1a4ae","type":"Subseries","attributes":{"title":"Journal with Meeting Notes, 1984-1994","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a5ba771381bd55a02803efce_aspace_8bfb8dd93b193cabf83dda493bc1a4ae#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_8bfb8dd93b193cabf83dda493bc1a4ae","ref_ssm":["aspace_8bfb8dd93b193cabf83dda493bc1a4ae","aspace_8bfb8dd93b193cabf83dda493bc1a4ae"],"id":"a5ba771381bd55a02803efce_aspace_8bfb8dd93b193cabf83dda493bc1a4ae","title_filing_ssi":"Journal with Meeting Notes","title_ssm":["Journal with Meeting Notes"],"title_tesim":["Journal with Meeting Notes"],"unitdate_inclusive_ssm":["1984-1994"],"normalized_date_ssm":["1984-1994"],"normalized_title_ssm":["Journal with Meeting Notes, 1984-1994"],"text":["Journal with Meeting Notes, 1984-1994","Grace Brooks Solomon Papers, 1963-2005","Minority Women's Coalition, 1984-1998","Meeting Records","/repositories/3/archival_objects/9588","box 1","folder 5"],"component_level_isim":[3],"parent_ids_ssim":["a5ba771381bd55a02803efce","a5ba771381bd55a02803efce_aspace_305042ead6ad55c249947b6c3e275221","a5ba771381bd55a02803efce_aspace_f5ec249e581e54f6e8e5d03b9a665395"],"parent_unittitles_ssm":["Grace Brooks Solomon Papers, 1963-2005","Minority Women's Coalition, 1984-1998","Meeting Records"],"parent_unittitles_tesim":["Grace Brooks Solomon Papers, 1963-2005","Minority Women's Coalition, 1984-1998","Meeting Records"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/3/archival_objects/9588"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Grace Brooks Solomon Papers, 1963-2005"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":16,"parent_access_restrict_tesm":["The collection is open for research by appointment only. 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Please contact lib-special@unf.edu to schedule an appointment.","Grace Brooks Solomon, the youngest child of Sallie Adams and Henry Pickens Brooks, was born in 1915 in Jacksonville, Florida. Her formative years transpired within the confines of this city, where she commenced her educational journey at Edward Waters College. As her pursuit of knowledge unfolded, Solomon extended her academic endeavors to Bethune-Cookman College and the Tuskegee Institute, culminating in the attainment of a Bachelor of Science in Education. Subsequently, she further honed her intellectual skills at Atlanta University, obtaining a degree in Library Science. A career in education ensued, with Solomon notably assuming the role of librarian at Rufus E. Payne Elementary School.","Concurrently, her husband, James H. Solomon, imparted his knowledge as an instructor of upholstery at New Stanton Senior High School. A testament to their shared endeavors, James H. Solomon constructed the familial residence that would house many generations to come. Solomon's extended family, inclusive of the McGraths, converges in Alexandria, Virginia, contributing to the broader context of Grace Brooks Solomon's heritage.","Of equal prominence within the family lineage is Sallye B. Mathis, Grace's older sister. A trailblazing figure in the city's history, Mathis was one of Jacksonville's first Black women to serve on the city council. In parallel with her sister, Mathis dedicated a significant portion of her life to the field of education. In 1977, she founded the Minority Women's Coalition (MWC), an organization subsequently presided over by Grace Solomon in 1987 following her sister's passing in 1982. Grace, prior to assuming the presidency, served as the Residential Agent for the MWC.","The articulated objectives of the MWC, as described in its bylaws, underscores its commitment to fostering the holistic development of women, both educationally and professionally, while also encouraging civic engagement. Central to the MWC's mission is the enhancement of educational opportunities through an annual scholarship awards program and the provision of emergency assistance to vulnerable families facing existential threats. ","During her tenure as president in the late 1980s and 1990s, Grace Solomon directed her efforts towards improving racial disparities within the Jacksonville education system. Simultaneously, she emerged as a prominent figure in commemorating the legacy of Sallye B. Mathis, through her leadership in advocating for the renaming of an elementary school in her sister's honor. Grace Brooks Solomon passed at the age of 95 on September 11th, 2010. Her life stands as a testament to a legacy marked by an unwavering commitment to education, civic duty, and the advancement of minority women.","See also: Sallye Brooks Mathis Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.","This collection is home to the personal papers of Grace Brooks Solomon, a political activist in Jacksonville, Florida, most notably known for her work during her presidency of the Minority Women's Coalition. These papers provide insight into the professional career and personal life of Grace Brooks Solomon as well as her efforts to memorialize her sister, former Jacksonville City Council Member, Sallye Brooks Mathis. Furthermore, this collection grants a look into the many racial issues and desegregation efforts made by women of color as well as school board members in Florida during the 1980s and 90s.","Series in this collection include the following:","Series 1 — Education Issues (arranged alphabetically by sub-series)","Sub-Series 1 — Desegregation and Race (arranged chronologically) includes documents pertaining to racial and desegregation issues in schools.","Sub-Series 2 — Northside (arranged chronologically) contains documents pertaining to education concerns on the Northside of Jacksonville.","\nSub-Series 3 — Quality Education (arranged chronologically) includes materials concerning parent, teacher, and community involvement in schools, correspondence, and testing.","Series 2 — Minority Women's Coalition (arranged alphabetically by sub-series).","Sub-Series 1 — Community Outreach (arranged chronologically) relates to the efforts made by the MWC to maintain civic engagement.","Sub-Series 2 — Correspondence (arranged chronologically) is comprised of a variety of correspondence received and sent by Grace Solomon as well as other members of the MWC.","Sub-Series 3 — Financial Records (arranged chronologically) contains records that deal with the MWC's financial history.","Sub-Series 4 — Legal Documents (arranged chronologically) consists of the MWC's legal reports and records.","Sub-Series 5 — Meeting Records (arranged chronologically) includes journals and notes detailing MWC meetings.","Sub-Series 6 — Organizational Records (arranged chronologically) are comprised of contact information and addresses of former members of the MWC and affiliated services.","Series 3 — Miscellaneous (arranged chronologically) consists of flyers, poems, notes regarding the NAACP and a pamphlet.","Series 4 — News Clippings (arranged chronologically) is comprised of various topics such as black history, schools, and church.","Series 5 — Personal (arranged alphabetically by sub-series).","Sub-Series 1 — Correspondence (arranged chronologically) contains holiday and birthday cards to and from people believed to be related to Grace Solomon as well as letters addressed to Solomon.","Sub-Series 2 — Photos (arranged chronologically and by person/family) includes photo prints and negatives of the Solomon and McGrath family, friends, and unknown peoples.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information.","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2017.007","/repositories/3/resources/80"],"normalized_date_ssm":["1963-2005"],"normalized_title_ssm":["Grace Brooks Solomon Papers, 1963-2005"],"collection_title_tesim":["Grace Brooks Solomon Papers, 1963-2005"],"collection_ssim":["Grace Brooks Solomon Papers, 1963-2005"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). 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Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eGrace Brooks Solomon, the youngest child of Sallie Adams and Henry Pickens Brooks, was born in 1915 in Jacksonville, Florida. Her formative years transpired within the confines of this city, where she commenced her educational journey at Edward Waters College. As her pursuit of knowledge unfolded, Solomon extended her academic endeavors to Bethune-Cookman College and the Tuskegee Institute, culminating in the attainment of a Bachelor of Science in Education. Subsequently, she further honed her intellectual skills at Atlanta University, obtaining a degree in Library Science. A career in education ensued, with Solomon notably assuming the role of librarian at Rufus E. 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In 1977, she founded the Minority Women's Coalition (MWC), an organization subsequently presided over by Grace Solomon in 1987 following her sister's passing in 1982. Grace, prior to assuming the presidency, served as the Residential Agent for the MWC.\u003c/p\u003e\n","\u003cp\u003eThe articulated objectives of the MWC, as described in its bylaws, underscores its commitment to fostering the holistic development of women, both educationally and professionally, while also encouraging civic engagement. Central to the MWC's mission is the enhancement of educational opportunities through an annual scholarship awards program and the provision of emergency assistance to vulnerable families facing existential threats. \u003c/p\u003e\n","\u003cp\u003eDuring her tenure as president in the late 1980s and 1990s, Grace Solomon directed her efforts towards improving racial disparities within the Jacksonville education system. Simultaneously, she emerged as a prominent figure in commemorating the legacy of Sallye B. Mathis, through her leadership in advocating for the renaming of an elementary school in her sister's honor. Grace Brooks Solomon passed at the age of 95 on September 11th, 2010. Her life stands as a testament to a legacy marked by an unwavering commitment to education, civic duty, and the advancement of minority women.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Grace Brooks Solomon, the youngest child of Sallie Adams and Henry Pickens Brooks, was born in 1915 in Jacksonville, Florida. Her formative years transpired within the confines of this city, where she commenced her educational journey at Edward Waters College. As her pursuit of knowledge unfolded, Solomon extended her academic endeavors to Bethune-Cookman College and the Tuskegee Institute, culminating in the attainment of a Bachelor of Science in Education. Subsequently, she further honed her intellectual skills at Atlanta University, obtaining a degree in Library Science. A career in education ensued, with Solomon notably assuming the role of librarian at Rufus E. Payne Elementary School.","Concurrently, her husband, James H. Solomon, imparted his knowledge as an instructor of upholstery at New Stanton Senior High School. A testament to their shared endeavors, James H. Solomon constructed the familial residence that would house many generations to come. Solomon's extended family, inclusive of the McGraths, converges in Alexandria, Virginia, contributing to the broader context of Grace Brooks Solomon's heritage.","Of equal prominence within the family lineage is Sallye B. Mathis, Grace's older sister. A trailblazing figure in the city's history, Mathis was one of Jacksonville's first Black women to serve on the city council. In parallel with her sister, Mathis dedicated a significant portion of her life to the field of education. In 1977, she founded the Minority Women's Coalition (MWC), an organization subsequently presided over by Grace Solomon in 1987 following her sister's passing in 1982. Grace, prior to assuming the presidency, served as the Residential Agent for the MWC.","The articulated objectives of the MWC, as described in its bylaws, underscores its commitment to fostering the holistic development of women, both educationally and professionally, while also encouraging civic engagement. Central to the MWC's mission is the enhancement of educational opportunities through an annual scholarship awards program and the provision of emergency assistance to vulnerable families facing existential threats. ","During her tenure as president in the late 1980s and 1990s, Grace Solomon directed her efforts towards improving racial disparities within the Jacksonville education system. Simultaneously, she emerged as a prominent figure in commemorating the legacy of Sallye B. Mathis, through her leadership in advocating for the renaming of an elementary school in her sister's honor. Grace Brooks Solomon passed at the age of 95 on September 11th, 2010. Her life stands as a testament to a legacy marked by an unwavering commitment to education, civic duty, and the advancement of minority women."],"prefercite_html_tesm":["\u003cp\u003eGrace Brooks Solomon Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Grace Brooks Solomon Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also: Sallye Brooks Mathis Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["See also: Sallye Brooks Mathis Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is home to the personal papers of Grace Brooks Solomon, a political activist in Jacksonville, Florida, most notably known for her work during her presidency of the Minority Women's Coalition. These papers provide insight into the professional career and personal life of Grace Brooks Solomon as well as her efforts to memorialize her sister, former Jacksonville City Council Member, Sallye Brooks Mathis. Furthermore, this collection grants a look into the many racial issues and desegregation efforts made by women of color as well as school board members in Florida during the 1980s and 90s.\u003c/p\u003e\n","\u003cp\u003eSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1 \u0026#x2014; Education Issues (arranged alphabetically by sub-series)\u003c/p\u003e\n","\u003cp\u003eSub-Series 1 \u0026#x2014; Desegregation and Race (arranged chronologically) includes documents pertaining to racial and desegregation issues in schools.\u003c/p\u003e\n","\u003cp\u003eSub-Series 2 \u0026#x2014; Northside (arranged chronologically) contains documents pertaining to education concerns on the Northside of Jacksonville.\u003c/p\u003e\n","\u003cp\u003e\nSub-Series 3 \u0026#x2014; Quality Education (arranged chronologically) includes materials concerning parent, teacher, and community involvement in schools, correspondence, and testing.\u003c/p\u003e\n","\u003cp\u003eSeries 2 \u0026#x2014; Minority Women's Coalition (arranged alphabetically by sub-series).\u003c/p\u003e\n","\u003cp\u003eSub-Series 1 \u0026#x2014; Community Outreach (arranged chronologically) relates to the efforts made by the MWC to maintain civic engagement.\u003c/p\u003e\n","\u003cp\u003eSub-Series 2 \u0026#x2014; Correspondence (arranged chronologically) is comprised of a variety of correspondence received and sent by Grace Solomon as well as other members of the MWC.\u003c/p\u003e\n","\u003cp\u003eSub-Series 3 \u0026#x2014; Financial Records (arranged chronologically) contains records that deal with the MWC's financial history.\u003c/p\u003e\n","\u003cp\u003eSub-Series 4 \u0026#x2014; Legal Documents (arranged chronologically) consists of the MWC's legal reports and records.\u003c/p\u003e\n","\u003cp\u003eSub-Series 5 \u0026#x2014; Meeting Records (arranged chronologically) includes journals and notes detailing MWC meetings.\u003c/p\u003e\n","\u003cp\u003eSub-Series 6 \u0026#x2014; Organizational Records (arranged chronologically) are comprised of contact information and addresses of former members of the MWC and affiliated services.\u003c/p\u003e\n","\u003cp\u003eSeries 3 \u0026#x2014; Miscellaneous (arranged chronologically) consists of flyers, poems, notes regarding the NAACP and a pamphlet.\u003c/p\u003e\n","\u003cp\u003eSeries 4 \u0026#x2014; News Clippings (arranged chronologically) is comprised of various topics such as black history, schools, and church.\u003c/p\u003e\n","\u003cp\u003eSeries 5 \u0026#x2014; Personal (arranged alphabetically by sub-series).\u003c/p\u003e\n","\u003cp\u003eSub-Series 1 \u0026#x2014; Correspondence (arranged chronologically) contains holiday and birthday cards to and from people believed to be related to Grace Solomon as well as letters addressed to Solomon.\u003c/p\u003e\n","\u003cp\u003eSub-Series 2 \u0026#x2014; Photos (arranged chronologically and by person/family) includes photo prints and negatives of the Solomon and McGrath family, friends, and unknown peoples.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is home to the personal papers of Grace Brooks Solomon, a political activist in Jacksonville, Florida, most notably known for her work during her presidency of the Minority Women's Coalition. These papers provide insight into the professional career and personal life of Grace Brooks Solomon as well as her efforts to memorialize her sister, former Jacksonville City Council Member, Sallye Brooks Mathis. Furthermore, this collection grants a look into the many racial issues and desegregation efforts made by women of color as well as school board members in Florida during the 1980s and 90s.","Series in this collection include the following:","Series 1 — Education Issues (arranged alphabetically by sub-series)","Sub-Series 1 — Desegregation and Race (arranged chronologically) includes documents pertaining to racial and desegregation issues in schools.","Sub-Series 2 — Northside (arranged chronologically) contains documents pertaining to education concerns on the Northside of Jacksonville.","\nSub-Series 3 — Quality Education (arranged chronologically) includes materials concerning parent, teacher, and community involvement in schools, correspondence, and testing.","Series 2 — Minority Women's Coalition (arranged alphabetically by sub-series).","Sub-Series 1 — Community Outreach (arranged chronologically) relates to the efforts made by the MWC to maintain civic engagement.","Sub-Series 2 — Correspondence (arranged chronologically) is comprised of a variety of correspondence received and sent by Grace Solomon as well as other members of the MWC.","Sub-Series 3 — Financial Records (arranged chronologically) contains records that deal with the MWC's financial history.","Sub-Series 4 — Legal Documents (arranged chronologically) consists of the MWC's legal reports and records.","Sub-Series 5 — Meeting Records (arranged chronologically) includes journals and notes detailing MWC meetings.","Sub-Series 6 — Organizational Records (arranged chronologically) are comprised of contact information and addresses of former members of the MWC and affiliated services.","Series 3 — Miscellaneous (arranged chronologically) consists of flyers, poems, notes regarding the NAACP and a pamphlet.","Series 4 — News Clippings (arranged chronologically) is comprised of various topics such as black history, schools, and church.","Series 5 — Personal (arranged alphabetically by sub-series).","Sub-Series 1 — Correspondence (arranged chronologically) contains holiday and birthday cards to and from people believed to be related to Grace Solomon as well as letters addressed to Solomon.","Sub-Series 2 — Photos (arranged chronologically and by person/family) includes photo prints and negatives of the Solomon and McGrath family, friends, and unknown peoples."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information."],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":43,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860597237645312,"_root_":"a5ba771381bd55a02803efce","timestamp":"2026-07-16T08:48:21.161Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a5ba771381bd55a02803efce_aspace_8bfb8dd93b193cabf83dda493bc1a4ae"}},{"id":"236a3c88b766327883b2e155_aspace_4160b4733581afbc0cf559943684acbc","type":"File","attributes":{"title":"Joy Postle - Alone, 1931–1988, undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_4160b4733581afbc0cf559943684acbc#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_4160b4733581afbc0cf559943684acbc","ref_ssm":["aspace_4160b4733581afbc0cf559943684acbc","aspace_4160b4733581afbc0cf559943684acbc"],"id":"236a3c88b766327883b2e155_aspace_4160b4733581afbc0cf559943684acbc","title_filing_ssi":"Joy Postle - Alone","title_ssm":["Joy Postle - Alone"],"title_tesim":["Joy Postle - Alone"],"unitdate_inclusive_ssm":["1931–1988","undated"],"normalized_date_ssm":["1931–1988, undated"],"normalized_title_ssm":["Joy Postle - Alone, 1931–1988, undated"],"text":["Joy Postle - Alone, 1931–1988, undated","Joy Postle papers, 1910-2015","Photographs, 1912–1988","People","Postle, Joy","/repositories/4/archival_objects/87929","/repositories/4/archival_objects/91512","box 4","folder 76"],"component_level_isim":[4],"parent_ids_ssim":["236a3c88b766327883b2e155","236a3c88b766327883b2e155_aspace_e211d01548256ebc408dbfbc8027a912","236a3c88b766327883b2e155_aspace_a500d64d45a77f8ac5d14c1d16c76681","236a3c88b766327883b2e155_aspace_10dcab65717ce3aab542dae55fda9437"],"parent_unittitles_ssm":["Joy Postle papers, 1910-2015","Photographs, 1912–1988","People","Postle, Joy"],"parent_unittitles_tesim":["Joy Postle papers, 1910-2015","Photographs, 1912–1988","People","Postle, Joy"],"parent_levels_ssm":["collection","Series","Subseries","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/87929","/repositories/4/archival_objects/91512"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Joy Postle papers, 1910-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":381,"parent_access_restrict_tesm":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"containers_ssim":["box 4","folder 76"],"_nest_path_":"/components#2/components#5/components#0/components#0","_nest_parent_":"236a3c88b766327883b2e155_aspace_10dcab65717ce3aab542dae55fda9437","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_4160b4733581afbc0cf559943684acbc"}},{"id":"236a3c88b766327883b2e155","type":"collection","attributes":{"title":"Joy Postle papers, 1910-2015","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155#creator","type":"document_value","attributes":{"value":["Postle, Joy"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155#abstract_or_scope","type":"document_value","attributes":{"value":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration. Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155"}},{"id":"236a3c88b766327883b2e155_aspace_f00ffddc4ffe28477c5dea38c0369970","type":"File","attributes":{"title":"Joy Postle with others, 1936–1988, undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_f00ffddc4ffe28477c5dea38c0369970#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_f00ffddc4ffe28477c5dea38c0369970","ref_ssm":["aspace_f00ffddc4ffe28477c5dea38c0369970","aspace_f00ffddc4ffe28477c5dea38c0369970"],"id":"236a3c88b766327883b2e155_aspace_f00ffddc4ffe28477c5dea38c0369970","title_filing_ssi":"Joy Postle with others","title_ssm":["Joy Postle with others"],"title_tesim":["Joy Postle with others"],"unitdate_inclusive_ssm":["1936–1988","undated"],"normalized_date_ssm":["1936–1988, undated"],"normalized_title_ssm":["Joy Postle with others, 1936–1988, undated"],"text":["Joy Postle with others, 1936–1988, undated","Joy Postle papers, 1910-2015","Photographs, 1912–1988","People","Postle, Joy","/repositories/4/archival_objects/87930","/repositories/4/archival_objects/91513","box 4","folder 77"],"component_level_isim":[4],"parent_ids_ssim":["236a3c88b766327883b2e155","236a3c88b766327883b2e155_aspace_e211d01548256ebc408dbfbc8027a912","236a3c88b766327883b2e155_aspace_a500d64d45a77f8ac5d14c1d16c76681","236a3c88b766327883b2e155_aspace_10dcab65717ce3aab542dae55fda9437"],"parent_unittitles_ssm":["Joy Postle papers, 1910-2015","Photographs, 1912–1988","People","Postle, Joy"],"parent_unittitles_tesim":["Joy Postle papers, 1910-2015","Photographs, 1912–1988","People","Postle, Joy"],"parent_levels_ssm":["collection","Series","Subseries","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/87930","/repositories/4/archival_objects/91513"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Joy Postle papers, 1910-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":382,"parent_access_restrict_tesm":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"containers_ssim":["box 4","folder 77"],"_nest_path_":"/components#2/components#5/components#0/components#1","_nest_parent_":"236a3c88b766327883b2e155_aspace_10dcab65717ce3aab542dae55fda9437","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_f00ffddc4ffe28477c5dea38c0369970"}},{"id":"4ddca0864b5649d9cc073c0f","type":"collection","attributes":{"title":"J. Paul Hartman Slide Collection, 1605-2006, bulk 1905-1993","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/4ddca0864b5649d9cc073c0f#abstract_or_scope","type":"document_value","attributes":{"value":["John P. Hartman collection includes his research materials relating to canals, bridges, railways, transportation systems and historical engineering in Florida. Entire collection range from 1605 to 2006, but are concentrated in the era when population in Florida exploded between 1905 and 1993. The collection includes clippings, correspondence, maps, pamphlets, papers and over 1,200 slides related to Florida."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4ddca0864b5649d9cc073c0f#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"4ddca0864b5649d9cc073c0f","title_ssm":["J. Paul Hartman Slide Collection"],"title_tesim":["J. Paul Hartman Slide Collection"],"ead_ssi":"4ddca0864b5649d9cc073c0f","unitdate_ssm":["1605-2006","1905-1993"],"unitdate_bulk_ssim":["1905-1993"],"unitdate_inclusive_ssm":["1605-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.057","/repositories/4/resources/70"],"text":["SC.057","/repositories/4/resources/70","J. Paul Hartman Slide Collection, 1605-2006, bulk 1905-1993","Florida","Railroads -- Florida","Bridges -- Florida","Sinkholes -- Florida","Canals -- Florida -- Design and Construction","Bridges -- Florida -- Key West","Environmental conditions -- Florida","The entire collection is open for research.","The purpose of the collection is to provide classification and storage of appropriate written materials important in the historical development of engineering and technology with major emphasis on engineering education. The collection is arranged in three series by type of document and arranged chronologically.","Dr. John P. Hartman was a professor emeritus of Engineering in Civil and Environmental Engineering Department at the University of Central Florida. He has undergraduate degrees from Principia College and Washington University (St. Louis), and graduate degrees from Harvard University and the University of Florida. He also taught in the U.S. Naval Nuclear Power School (Mare Island, CA) and worked for Ardaman and Associates and Martin-Marietta in Orlando. He was a Fellow Member of the American Society of Civil Engineers, American Society of Mechanical Engineers, and Florida Engineering Society and served on the Florida National Register Review Board. He was a registered Professional Engineer in Florida and a life-long ferroequinologist. A member of the UCF chapter faculty, he retired in 1998 after thirty years at the university, including twenty years in administrative positions including Assistant Dean.","\nWhile he was teaching at the Florida Technological University, published the following titles:","\nA compendium called \"Engineering History Compendium\" to assist students in taking lecture notes and studying for the course, Engineering and Technology in History, offered by the College of Engineering at the University of Central Florida. This course was offered since the opening of Florida Technological University in 1968.","\n\"Historic American Engineering Record, State of Florida - Inventory\" was a report that covers the major results of an inventory of historic engineering works in the State of Florida done during 1973 under the auspices of the Historic American Engineering Record (HAER) division of the National Park Service, in cooperation with Florida Technological University.","\n\"Civil Engineering Landmarks: State of Florida\" booklet was another publication Hartman created during his tenure as a faculty member in FTU. This booklet was obtained through grant support from the Historic American Engineering Record and Florida Technological University during 1972-73 and 1974-75.","\nHe was also the editor of \"Selected Readings: Engineering in Human Affairs Seminar\" prepared for use in the Engineering in Human Affairs Senior Seminar, a two-credit course required for all Florida Technological University students not enrolled in the College of Engineering.","\nDr. Paul Hartman, he also liked to be called \"Dr. Charm.\", passed away at the age of 66 on Sunday, November 17, 2002. He is survived by his wife, Mary A. Hartman and his sons. In honor of Dr. J. Paul Hartman, University of Central Florida Foundation established Scholarship Fund for students as well.","Files were put into pH neutral folders and slides were housed in polypropylene slide pages. Then the collection was put into a pH neutral box.","Mary Alice Hartman also donated books to University of Central Florida Libraries and they can be found by searching the series \"J. Paul Hartman Collection\"  Online Catalog .","Series I; Research Files, 1880-2006, consists of Paul Hartman's research materials on Cross-Florida Barge Canal, Florida East Coast Railway, Florida Engineering Inventory, Florida History, Historic Bridges in Florida, Historic Engineering in Florida, and Key West Extension. Series holds newsclippings, correspondence, maps, pamphlets, papers, and photographs.","\nSeries II; Personal Files, 1940-1975, contains a photograph of J. Paul Hartman standing by Florida Technological University (FTU) Railroad Club; an original letterhead issued by FTU; a pamphlet issued by the University of Central Florida Library regarding to Engineering Special Collection; unused War Ration Book One issued by the United State of America, Office of Price Administration; and a newsclipping from weekly student-run newspaper of the University of Central Florida called \"FuTUre\" talks about the Railroad Club which was organized by Dr. John Hartman.","\nSeries III; Images, 1605-1980, consists of over 1,400 images related to Florida bridges, airport, railroads, steamboats, historical landmarks, Key West Extension, Geology of Florida (ground \u0026 sinkholes), and Walt Disney World \u0026 Disney Water Transportation. Series also holds various negative film strips and images related to trains, historical buildings, miniature trains, railroads and stations in United States.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","John P. Hartman collection includes his research materials relating to canals, bridges, railways, transportation systems and historical engineering in Florida. Entire collection range from 1605 to 2006, but are concentrated in the era when population in Florida exploded between 1905 and 1993. The collection includes clippings, correspondence, maps, pamphlets, papers and over 1,200 slides related to Florida.","UCF Special Collections","Florida East Coast Railway","Hartman, J. Paul (John Paul), -2002","English"],"unitid_tesim":["SC.057","/repositories/4/resources/70"],"normalized_date_ssm":["1605-2006, bulk 1905-1993"],"normalized_title_ssm":["J. Paul Hartman Slide Collection, 1605-2006, bulk 1905-1993"],"collection_title_tesim":["J. Paul Hartman Slide Collection, 1605-2006, bulk 1905-1993"],"collection_ssim":["J. Paul Hartman Slide Collection, 1605-2006, bulk 1905-1993"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida"],"geogname_ssim":["Florida"],"places_ssim":["Florida"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Mary Alice Hartman donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2004 (CFM2004_09)."],"access_subjects_ssim":["Railroads -- Florida","Bridges -- Florida","Sinkholes -- Florida","Canals -- Florida -- Design and Construction","Bridges -- Florida -- Key West","Environmental conditions -- Florida"],"access_subjects_ssm":["Railroads -- Florida","Bridges -- Florida","Sinkholes -- Florida","Canals -- Florida -- Design and Construction","Bridges -- Florida -- Key West","Environmental conditions -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["1.75 Linear Feet 2 Boxes"],"extent_tesim":["1.75 Linear Feet 2 Boxes"],"date_range_isim":[1605,1606,1607,1608,1609,1610,1611,1612,1613,1614,1615,1616,1617,1618,1619,1620,1621,1622,1623,1624,1625,1626,1627,1628,1629,1630,1631,1632,1633,1634,1635,1636,1637,1638,1639,1640,1641,1642,1643,1644,1645,1646,1647,1648,1649,1650,1651,1652,1653,1654,1655,1656,1657,1658,1659,1660,1661,1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe purpose of the collection is to provide classification and storage of appropriate written materials important in the historical development of engineering and technology with major emphasis on engineering education. The collection is arranged in three series by type of document and arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The purpose of the collection is to provide classification and storage of appropriate written materials important in the historical development of engineering and technology with major emphasis on engineering education. The collection is arranged in three series by type of document and arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eDr. John P. Hartman was a professor emeritus of Engineering in Civil and Environmental Engineering Department at the University of Central Florida. He has undergraduate degrees from Principia College and Washington University (St. Louis), and graduate degrees from Harvard University and the University of Florida. He also taught in the U.S. Naval Nuclear Power School (Mare Island, CA) and worked for Ardaman and Associates and Martin-Marietta in Orlando. He was a Fellow Member of the American Society of Civil Engineers, American Society of Mechanical Engineers, and Florida Engineering Society and served on the Florida National Register Review Board. He was a registered Professional Engineer in Florida and a life-long ferroequinologist. A member of the UCF chapter faculty, he retired in 1998 after thirty years at the university, including twenty years in administrative positions including Assistant Dean.\u003c/p\u003e\n","\u003cp\u003e\nWhile he was teaching at the Florida Technological University, published the following titles:\u003c/p\u003e\n","\u003cp\u003e\nA compendium called \"Engineering History Compendium\" to assist students in taking lecture notes and studying for the course, Engineering and Technology in History, offered by the College of Engineering at the University of Central Florida. This course was offered since the opening of Florida Technological University in 1968.\u003c/p\u003e\n","\u003cp\u003e\n\"Historic American Engineering Record, State of Florida - Inventory\" was a report that covers the major results of an inventory of historic engineering works in the State of Florida done during 1973 under the auspices of the Historic American Engineering Record (HAER) division of the National Park Service, in cooperation with Florida Technological University.\u003c/p\u003e\n","\u003cp\u003e\n\"Civil Engineering Landmarks: State of Florida\" booklet was another publication Hartman created during his tenure as a faculty member in FTU. This booklet was obtained through grant support from the Historic American Engineering Record and Florida Technological University during 1972-73 and 1974-75.\u003c/p\u003e\n","\u003cp\u003e\nHe was also the editor of \"Selected Readings: Engineering in Human Affairs Seminar\" prepared for use in the Engineering in Human Affairs Senior Seminar, a two-credit course required for all Florida Technological University students not enrolled in the College of Engineering.\u003c/p\u003e\n","\u003cp\u003e\nDr. Paul Hartman, he also liked to be called \"Dr. Charm.\", passed away at the age of 66 on Sunday, November 17, 2002. He is survived by his wife, Mary A. Hartman and his sons. In honor of Dr. J. Paul Hartman, University of Central Florida Foundation established Scholarship Fund for students as well.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Dr. John P. Hartman was a professor emeritus of Engineering in Civil and Environmental Engineering Department at the University of Central Florida. He has undergraduate degrees from Principia College and Washington University (St. Louis), and graduate degrees from Harvard University and the University of Florida. He also taught in the U.S. Naval Nuclear Power School (Mare Island, CA) and worked for Ardaman and Associates and Martin-Marietta in Orlando. He was a Fellow Member of the American Society of Civil Engineers, American Society of Mechanical Engineers, and Florida Engineering Society and served on the Florida National Register Review Board. He was a registered Professional Engineer in Florida and a life-long ferroequinologist. A member of the UCF chapter faculty, he retired in 1998 after thirty years at the university, including twenty years in administrative positions including Assistant Dean.","\nWhile he was teaching at the Florida Technological University, published the following titles:","\nA compendium called \"Engineering History Compendium\" to assist students in taking lecture notes and studying for the course, Engineering and Technology in History, offered by the College of Engineering at the University of Central Florida. This course was offered since the opening of Florida Technological University in 1968.","\n\"Historic American Engineering Record, State of Florida - Inventory\" was a report that covers the major results of an inventory of historic engineering works in the State of Florida done during 1973 under the auspices of the Historic American Engineering Record (HAER) division of the National Park Service, in cooperation with Florida Technological University.","\n\"Civil Engineering Landmarks: State of Florida\" booklet was another publication Hartman created during his tenure as a faculty member in FTU. This booklet was obtained through grant support from the Historic American Engineering Record and Florida Technological University during 1972-73 and 1974-75.","\nHe was also the editor of \"Selected Readings: Engineering in Human Affairs Seminar\" prepared for use in the Engineering in Human Affairs Senior Seminar, a two-credit course required for all Florida Technological University students not enrolled in the College of Engineering.","\nDr. Paul Hartman, he also liked to be called \"Dr. Charm.\", passed away at the age of 66 on Sunday, November 17, 2002. He is survived by his wife, Mary A. Hartman and his sons. In honor of Dr. J. Paul Hartman, University of Central Florida Foundation established Scholarship Fund for students as well."],"prefercite_html_tesm":["\u003cp\u003eJ. Paul Hartman Slide Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["J. Paul Hartman Slide Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eFiles were put into pH neutral folders and slides were housed in polypropylene slide pages. Then the collection was put into a pH neutral box.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Files were put into pH neutral folders and slides were housed in polypropylene slide pages. Then the collection was put into a pH neutral box."],"relatedmaterial_html_tesm":["\u003cp\u003eMary Alice Hartman also donated books to University of Central Florida Libraries and they can be found by searching the series \"J. Paul Hartman Collection\" \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Mary Alice Hartman also donated books to University of Central Florida Libraries and they can be found by searching the series \"J. Paul Hartman Collection\"  Online Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I; Research Files, 1880-2006, consists of Paul Hartman's research materials on Cross-Florida Barge Canal, Florida East Coast Railway, Florida Engineering Inventory, Florida History, Historic Bridges in Florida, Historic Engineering in Florida, and Key West Extension. Series holds newsclippings, correspondence, maps, pamphlets, papers, and photographs.\u003c/p\u003e\n","\u003cp\u003e\nSeries II; Personal Files, 1940-1975, contains a photograph of J. Paul Hartman standing by Florida Technological University (FTU) Railroad Club; an original letterhead issued by FTU; a pamphlet issued by the University of Central Florida Library regarding to Engineering Special Collection; unused War Ration Book One issued by the United State of America, Office of Price Administration; and a newsclipping from weekly student-run newspaper of the University of Central Florida called \"FuTUre\" talks about the Railroad Club which was organized by Dr. John Hartman.\u003c/p\u003e\n","\u003cp\u003e\nSeries III; Images, 1605-1980, consists of over 1,400 images related to Florida bridges, airport, railroads, steamboats, historical landmarks, Key West Extension, Geology of Florida (ground \u0026amp; sinkholes), and Walt Disney World \u0026amp; Disney Water Transportation. Series also holds various negative film strips and images related to trains, historical buildings, miniature trains, railroads and stations in United States.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I; Research Files, 1880-2006, consists of Paul Hartman's research materials on Cross-Florida Barge Canal, Florida East Coast Railway, Florida Engineering Inventory, Florida History, Historic Bridges in Florida, Historic Engineering in Florida, and Key West Extension. Series holds newsclippings, correspondence, maps, pamphlets, papers, and photographs.","\nSeries II; Personal Files, 1940-1975, contains a photograph of J. Paul Hartman standing by Florida Technological University (FTU) Railroad Club; an original letterhead issued by FTU; a pamphlet issued by the University of Central Florida Library regarding to Engineering Special Collection; unused War Ration Book One issued by the United State of America, Office of Price Administration; and a newsclipping from weekly student-run newspaper of the University of Central Florida called \"FuTUre\" talks about the Railroad Club which was organized by Dr. John Hartman.","\nSeries III; Images, 1605-1980, consists of over 1,400 images related to Florida bridges, airport, railroads, steamboats, historical landmarks, Key West Extension, Geology of Florida (ground \u0026 sinkholes), and Walt Disney World \u0026 Disney Water Transportation. Series also holds various negative film strips and images related to trains, historical buildings, miniature trains, railroads and stations in United States."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9fd4d6c9f456210a55b16f53354fe796\" label=\"Abstract\"\u003eJohn P. Hartman collection includes his research materials relating to canals, bridges, railways, transportation systems and historical engineering in Florida. Entire collection range from 1605 to 2006, but are concentrated in the era when population in Florida exploded between 1905 and 1993. The collection includes clippings, correspondence, maps, pamphlets, papers and over 1,200 slides related to Florida.\u003c/abstract\u003e"],"abstract_tesim":["John P. Hartman collection includes his research materials relating to canals, bridges, railways, transportation systems and historical engineering in Florida. Entire collection range from 1605 to 2006, but are concentrated in the era when population in Florida exploded between 1905 and 1993. The collection includes clippings, correspondence, maps, pamphlets, papers and over 1,200 slides related to Florida."],"names_coll_ssim":["Florida East Coast Railway","Hartman, J. Paul (John Paul), -2002"],"names_ssim":["UCF Special Collections","Florida East Coast Railway","Hartman, J. Paul (John Paul), -2002"],"corpname_ssim":["UCF Special Collections","Florida East Coast Railway"],"persname_ssim":["Hartman, J. Paul (John Paul), -2002"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":585,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858020377853952,"_root_":"4ddca0864b5649d9cc073c0f","timestamp":"2026-07-16T08:07:23.593Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4ddca0864b5649d9cc073c0f","title_ssm":["J. Paul Hartman Slide Collection"],"title_tesim":["J. Paul Hartman Slide Collection"],"ead_ssi":"4ddca0864b5649d9cc073c0f","unitdate_ssm":["1605-2006","1905-1993"],"unitdate_bulk_ssim":["1905-1993"],"unitdate_inclusive_ssm":["1605-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.057","/repositories/4/resources/70"],"text":["SC.057","/repositories/4/resources/70","J. Paul Hartman Slide Collection, 1605-2006, bulk 1905-1993","Florida","Railroads -- Florida","Bridges -- Florida","Sinkholes -- Florida","Canals -- Florida -- Design and Construction","Bridges -- Florida -- Key West","Environmental conditions -- Florida","The entire collection is open for research.","The purpose of the collection is to provide classification and storage of appropriate written materials important in the historical development of engineering and technology with major emphasis on engineering education. The collection is arranged in three series by type of document and arranged chronologically.","Dr. John P. Hartman was a professor emeritus of Engineering in Civil and Environmental Engineering Department at the University of Central Florida. He has undergraduate degrees from Principia College and Washington University (St. Louis), and graduate degrees from Harvard University and the University of Florida. He also taught in the U.S. Naval Nuclear Power School (Mare Island, CA) and worked for Ardaman and Associates and Martin-Marietta in Orlando. He was a Fellow Member of the American Society of Civil Engineers, American Society of Mechanical Engineers, and Florida Engineering Society and served on the Florida National Register Review Board. He was a registered Professional Engineer in Florida and a life-long ferroequinologist. A member of the UCF chapter faculty, he retired in 1998 after thirty years at the university, including twenty years in administrative positions including Assistant Dean.","\nWhile he was teaching at the Florida Technological University, published the following titles:","\nA compendium called \"Engineering History Compendium\" to assist students in taking lecture notes and studying for the course, Engineering and Technology in History, offered by the College of Engineering at the University of Central Florida. This course was offered since the opening of Florida Technological University in 1968.","\n\"Historic American Engineering Record, State of Florida - Inventory\" was a report that covers the major results of an inventory of historic engineering works in the State of Florida done during 1973 under the auspices of the Historic American Engineering Record (HAER) division of the National Park Service, in cooperation with Florida Technological University.","\n\"Civil Engineering Landmarks: State of Florida\" booklet was another publication Hartman created during his tenure as a faculty member in FTU. This booklet was obtained through grant support from the Historic American Engineering Record and Florida Technological University during 1972-73 and 1974-75.","\nHe was also the editor of \"Selected Readings: Engineering in Human Affairs Seminar\" prepared for use in the Engineering in Human Affairs Senior Seminar, a two-credit course required for all Florida Technological University students not enrolled in the College of Engineering.","\nDr. Paul Hartman, he also liked to be called \"Dr. Charm.\", passed away at the age of 66 on Sunday, November 17, 2002. He is survived by his wife, Mary A. Hartman and his sons. In honor of Dr. J. Paul Hartman, University of Central Florida Foundation established Scholarship Fund for students as well.","Files were put into pH neutral folders and slides were housed in polypropylene slide pages. Then the collection was put into a pH neutral box.","Mary Alice Hartman also donated books to University of Central Florida Libraries and they can be found by searching the series \"J. Paul Hartman Collection\"  Online Catalog .","Series I; Research Files, 1880-2006, consists of Paul Hartman's research materials on Cross-Florida Barge Canal, Florida East Coast Railway, Florida Engineering Inventory, Florida History, Historic Bridges in Florida, Historic Engineering in Florida, and Key West Extension. Series holds newsclippings, correspondence, maps, pamphlets, papers, and photographs.","\nSeries II; Personal Files, 1940-1975, contains a photograph of J. Paul Hartman standing by Florida Technological University (FTU) Railroad Club; an original letterhead issued by FTU; a pamphlet issued by the University of Central Florida Library regarding to Engineering Special Collection; unused War Ration Book One issued by the United State of America, Office of Price Administration; and a newsclipping from weekly student-run newspaper of the University of Central Florida called \"FuTUre\" talks about the Railroad Club which was organized by Dr. John Hartman.","\nSeries III; Images, 1605-1980, consists of over 1,400 images related to Florida bridges, airport, railroads, steamboats, historical landmarks, Key West Extension, Geology of Florida (ground \u0026 sinkholes), and Walt Disney World \u0026 Disney Water Transportation. Series also holds various negative film strips and images related to trains, historical buildings, miniature trains, railroads and stations in United States.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","John P. Hartman collection includes his research materials relating to canals, bridges, railways, transportation systems and historical engineering in Florida. Entire collection range from 1605 to 2006, but are concentrated in the era when population in Florida exploded between 1905 and 1993. The collection includes clippings, correspondence, maps, pamphlets, papers and over 1,200 slides related to Florida.","UCF Special Collections","Florida East Coast Railway","Hartman, J. Paul (John Paul), -2002","English"],"unitid_tesim":["SC.057","/repositories/4/resources/70"],"normalized_date_ssm":["1605-2006, bulk 1905-1993"],"normalized_title_ssm":["J. Paul Hartman Slide Collection, 1605-2006, bulk 1905-1993"],"collection_title_tesim":["J. Paul Hartman Slide Collection, 1605-2006, bulk 1905-1993"],"collection_ssim":["J. Paul Hartman Slide Collection, 1605-2006, bulk 1905-1993"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida"],"geogname_ssim":["Florida"],"places_ssim":["Florida"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Mary Alice Hartman donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2004 (CFM2004_09)."],"access_subjects_ssim":["Railroads -- Florida","Bridges -- Florida","Sinkholes -- Florida","Canals -- Florida -- Design and Construction","Bridges -- Florida -- Key West","Environmental conditions -- Florida"],"access_subjects_ssm":["Railroads -- Florida","Bridges -- Florida","Sinkholes -- Florida","Canals -- Florida -- Design and Construction","Bridges -- Florida -- Key West","Environmental conditions -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["1.75 Linear Feet 2 Boxes"],"extent_tesim":["1.75 Linear Feet 2 Boxes"],"date_range_isim":[1605,1606,1607,1608,1609,1610,1611,1612,1613,1614,1615,1616,1617,1618,1619,1620,1621,1622,1623,1624,1625,1626,1627,1628,1629,1630,1631,1632,1633,1634,1635,1636,1637,1638,1639,1640,1641,1642,1643,1644,1645,1646,1647,1648,1649,1650,1651,1652,1653,1654,1655,1656,1657,1658,1659,1660,1661,1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe purpose of the collection is to provide classification and storage of appropriate written materials important in the historical development of engineering and technology with major emphasis on engineering education. The collection is arranged in three series by type of document and arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The purpose of the collection is to provide classification and storage of appropriate written materials important in the historical development of engineering and technology with major emphasis on engineering education. The collection is arranged in three series by type of document and arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eDr. John P. Hartman was a professor emeritus of Engineering in Civil and Environmental Engineering Department at the University of Central Florida. He has undergraduate degrees from Principia College and Washington University (St. Louis), and graduate degrees from Harvard University and the University of Florida. He also taught in the U.S. Naval Nuclear Power School (Mare Island, CA) and worked for Ardaman and Associates and Martin-Marietta in Orlando. He was a Fellow Member of the American Society of Civil Engineers, American Society of Mechanical Engineers, and Florida Engineering Society and served on the Florida National Register Review Board. He was a registered Professional Engineer in Florida and a life-long ferroequinologist. A member of the UCF chapter faculty, he retired in 1998 after thirty years at the university, including twenty years in administrative positions including Assistant Dean.\u003c/p\u003e\n","\u003cp\u003e\nWhile he was teaching at the Florida Technological University, published the following titles:\u003c/p\u003e\n","\u003cp\u003e\nA compendium called \"Engineering History Compendium\" to assist students in taking lecture notes and studying for the course, Engineering and Technology in History, offered by the College of Engineering at the University of Central Florida. This course was offered since the opening of Florida Technological University in 1968.\u003c/p\u003e\n","\u003cp\u003e\n\"Historic American Engineering Record, State of Florida - Inventory\" was a report that covers the major results of an inventory of historic engineering works in the State of Florida done during 1973 under the auspices of the Historic American Engineering Record (HAER) division of the National Park Service, in cooperation with Florida Technological University.\u003c/p\u003e\n","\u003cp\u003e\n\"Civil Engineering Landmarks: State of Florida\" booklet was another publication Hartman created during his tenure as a faculty member in FTU. This booklet was obtained through grant support from the Historic American Engineering Record and Florida Technological University during 1972-73 and 1974-75.\u003c/p\u003e\n","\u003cp\u003e\nHe was also the editor of \"Selected Readings: Engineering in Human Affairs Seminar\" prepared for use in the Engineering in Human Affairs Senior Seminar, a two-credit course required for all Florida Technological University students not enrolled in the College of Engineering.\u003c/p\u003e\n","\u003cp\u003e\nDr. Paul Hartman, he also liked to be called \"Dr. Charm.\", passed away at the age of 66 on Sunday, November 17, 2002. He is survived by his wife, Mary A. Hartman and his sons. In honor of Dr. J. Paul Hartman, University of Central Florida Foundation established Scholarship Fund for students as well.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Dr. John P. Hartman was a professor emeritus of Engineering in Civil and Environmental Engineering Department at the University of Central Florida. He has undergraduate degrees from Principia College and Washington University (St. Louis), and graduate degrees from Harvard University and the University of Florida. He also taught in the U.S. Naval Nuclear Power School (Mare Island, CA) and worked for Ardaman and Associates and Martin-Marietta in Orlando. He was a Fellow Member of the American Society of Civil Engineers, American Society of Mechanical Engineers, and Florida Engineering Society and served on the Florida National Register Review Board. He was a registered Professional Engineer in Florida and a life-long ferroequinologist. A member of the UCF chapter faculty, he retired in 1998 after thirty years at the university, including twenty years in administrative positions including Assistant Dean.","\nWhile he was teaching at the Florida Technological University, published the following titles:","\nA compendium called \"Engineering History Compendium\" to assist students in taking lecture notes and studying for the course, Engineering and Technology in History, offered by the College of Engineering at the University of Central Florida. This course was offered since the opening of Florida Technological University in 1968.","\n\"Historic American Engineering Record, State of Florida - Inventory\" was a report that covers the major results of an inventory of historic engineering works in the State of Florida done during 1973 under the auspices of the Historic American Engineering Record (HAER) division of the National Park Service, in cooperation with Florida Technological University.","\n\"Civil Engineering Landmarks: State of Florida\" booklet was another publication Hartman created during his tenure as a faculty member in FTU. This booklet was obtained through grant support from the Historic American Engineering Record and Florida Technological University during 1972-73 and 1974-75.","\nHe was also the editor of \"Selected Readings: Engineering in Human Affairs Seminar\" prepared for use in the Engineering in Human Affairs Senior Seminar, a two-credit course required for all Florida Technological University students not enrolled in the College of Engineering.","\nDr. Paul Hartman, he also liked to be called \"Dr. Charm.\", passed away at the age of 66 on Sunday, November 17, 2002. He is survived by his wife, Mary A. Hartman and his sons. In honor of Dr. J. Paul Hartman, University of Central Florida Foundation established Scholarship Fund for students as well."],"prefercite_html_tesm":["\u003cp\u003eJ. Paul Hartman Slide Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["J. Paul Hartman Slide Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eFiles were put into pH neutral folders and slides were housed in polypropylene slide pages. Then the collection was put into a pH neutral box.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Files were put into pH neutral folders and slides were housed in polypropylene slide pages. Then the collection was put into a pH neutral box."],"relatedmaterial_html_tesm":["\u003cp\u003eMary Alice Hartman also donated books to University of Central Florida Libraries and they can be found by searching the series \"J. Paul Hartman Collection\" \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Mary Alice Hartman also donated books to University of Central Florida Libraries and they can be found by searching the series \"J. Paul Hartman Collection\"  Online Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I; Research Files, 1880-2006, consists of Paul Hartman's research materials on Cross-Florida Barge Canal, Florida East Coast Railway, Florida Engineering Inventory, Florida History, Historic Bridges in Florida, Historic Engineering in Florida, and Key West Extension. Series holds newsclippings, correspondence, maps, pamphlets, papers, and photographs.\u003c/p\u003e\n","\u003cp\u003e\nSeries II; Personal Files, 1940-1975, contains a photograph of J. Paul Hartman standing by Florida Technological University (FTU) Railroad Club; an original letterhead issued by FTU; a pamphlet issued by the University of Central Florida Library regarding to Engineering Special Collection; unused War Ration Book One issued by the United State of America, Office of Price Administration; and a newsclipping from weekly student-run newspaper of the University of Central Florida called \"FuTUre\" talks about the Railroad Club which was organized by Dr. John Hartman.\u003c/p\u003e\n","\u003cp\u003e\nSeries III; Images, 1605-1980, consists of over 1,400 images related to Florida bridges, airport, railroads, steamboats, historical landmarks, Key West Extension, Geology of Florida (ground \u0026amp; sinkholes), and Walt Disney World \u0026amp; Disney Water Transportation. Series also holds various negative film strips and images related to trains, historical buildings, miniature trains, railroads and stations in United States.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I; Research Files, 1880-2006, consists of Paul Hartman's research materials on Cross-Florida Barge Canal, Florida East Coast Railway, Florida Engineering Inventory, Florida History, Historic Bridges in Florida, Historic Engineering in Florida, and Key West Extension. Series holds newsclippings, correspondence, maps, pamphlets, papers, and photographs.","\nSeries II; Personal Files, 1940-1975, contains a photograph of J. Paul Hartman standing by Florida Technological University (FTU) Railroad Club; an original letterhead issued by FTU; a pamphlet issued by the University of Central Florida Library regarding to Engineering Special Collection; unused War Ration Book One issued by the United State of America, Office of Price Administration; and a newsclipping from weekly student-run newspaper of the University of Central Florida called \"FuTUre\" talks about the Railroad Club which was organized by Dr. John Hartman.","\nSeries III; Images, 1605-1980, consists of over 1,400 images related to Florida bridges, airport, railroads, steamboats, historical landmarks, Key West Extension, Geology of Florida (ground \u0026 sinkholes), and Walt Disney World \u0026 Disney Water Transportation. Series also holds various negative film strips and images related to trains, historical buildings, miniature trains, railroads and stations in United States."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9fd4d6c9f456210a55b16f53354fe796\" label=\"Abstract\"\u003eJohn P. Hartman collection includes his research materials relating to canals, bridges, railways, transportation systems and historical engineering in Florida. Entire collection range from 1605 to 2006, but are concentrated in the era when population in Florida exploded between 1905 and 1993. The collection includes clippings, correspondence, maps, pamphlets, papers and over 1,200 slides related to Florida.\u003c/abstract\u003e"],"abstract_tesim":["John P. Hartman collection includes his research materials relating to canals, bridges, railways, transportation systems and historical engineering in Florida. Entire collection range from 1605 to 2006, but are concentrated in the era when population in Florida exploded between 1905 and 1993. The collection includes clippings, correspondence, maps, pamphlets, papers and over 1,200 slides related to Florida."],"names_coll_ssim":["Florida East Coast Railway","Hartman, J. Paul (John Paul), -2002"],"names_ssim":["UCF Special Collections","Florida East Coast Railway","Hartman, J. Paul (John Paul), -2002"],"corpname_ssim":["UCF Special Collections","Florida East Coast Railway"],"persname_ssim":["Hartman, J. Paul (John Paul), -2002"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":585,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858020377853952,"_root_":"4ddca0864b5649d9cc073c0f","timestamp":"2026-07-16T08:07:23.593Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4ddca0864b5649d9cc073c0f"}},{"id":"6b5c16315f019826454119b5","type":"collection","attributes":{"title":"Juanita Pauline Marotta Collection, 1943-2006, Date accessioned: 2020-04-03","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/6b5c16315f019826454119b5#creator","type":"document_value","attributes":{"value":["Marotta, Juanita Pauline, 1917-2014"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/6b5c16315f019826454119b5#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection relates to Juanita P. Marotta, a woman that enlisted in the Women's Army Auxillary Corps (later Women's Army Corps). The collection contains a portrait photograph of Juanita P. Marotta from her time in the Women's Army Corps and another later photograph that is un-dated from her personal life. It also contains a transcript of her oral history interview.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6b5c16315f019826454119b5#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"6b5c16315f019826454119b5","title_filing_ssi":"Marotta, Juanita Pauline collection","title_ssm":["Juanita Pauline Marotta Collection"],"title_tesim":["Juanita Pauline Marotta Collection"],"ead_ssi":"6b5c16315f019826454119b5","unitdate_ssm":["1943-2006","Date accessioned: 2020-04-03"],"unitdate_inclusive_ssm":["1943-2006"],"unitdate_other_ssim":["Date accessioned: 2020-04-03"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["06.0203","/repositories/10/resources/1667"],"text":["06.0203","/repositories/10/resources/1667","Juanita Pauline Marotta Collection, 1943-2006, Date accessioned: 2020-04-03","Daytona Beach (Fla.)","Washington (D.C.)","Pentagon, Washington, D.C.","World War, 1939-1945","Military intelligence--United States","World War, 1939-1945--Military intelligence--United States","Women's Army Corps","This collection is open to all researchers.","Junaita Pauline Marotta was born on September 27, 1917 in Trade Lake, Wisconsin. The township is now known as Frederic, located in the northwestern section of the state. Marotta's maiden name was Dahlberg. She was born into a family of teachers, both her mother and father were in the educational occupation. She attended school beginning in 1923. Her family moved to Grantsburg in 1927, but moved back to Trade Lake (Frederic) due to impacts from the Great Depression a few years later. THe was the oldest of six children, five girls and one boy. Marotta's father developed Parkinson's Disease, and her mother took over the family farm. Marotta attended university Gustavus Adolphus College beginning in 1936 and worked under the National Youth Administration program (part of the Work's Progress Administration of the New Deal). She graduated with a major in History, Public School Music, and teaching minors in Frencg, English, and Biology.  \t\nShe began her career as a teacher and remained in her career until 1943 when she moved to Chicago, Illinois to work alongisde her cousin selling lumber for the Hines Lumber Company. When she saw a film that featured WAAC women marching. She enlisted into the WAAC and became one of the first WAAC women in the first Illinois Company on October, 16, 1943. Marotta attended basic training in Daytona Beach, Florida. After excelling in her Military Correspondence Course, Marotta was trasnferred to Washington, D.C. to work at the Pentagon in Military Intelligence. She worked in Japanese intelligenceas a research assistant. Her work was kept secret, even her discharge papers labelled her as a Technical Sergeant. Inher work, she identified names of Japanese ships in naval communications. \t \nWhile she was in Washington D.C., she met her future husband, Ernest Marotta at the steps of Lincoln Memorial. He served in the 8th Air Force in Supplies. She kept in contact with Ernest over mail and eventually married him on September 6, 1945, after the war ended. \t \nMarotta was discharged from the United States military due to her husband's discharge; his unit had been disbanded. She moved to Boston, Massachusetts, then later to Minneaspolis, Minnesota. She was an active founder and president of the League of Women Voters and served on the State Board for the organization. She later took up horticulture and floral arranging. She returned to school to earn her master's degree in botany at the University of Minneasota. She published several books including \"Minnesota Wild Flowers of Forest, Field And Wetland\", \"Swedish Pioneer: the Life and Times of A. O. Dahlberg\", \"Brunet Falls on the Chippewa\", \"Wildflowers of the St. Croix Valley\" and with her daughter \"Easy Guide to Decorating Gourds\". Her husband worked for the post office. They had two children, a daughter and two sons. She passed away on Febrary, 12, 2014 at the age of 96 in Green Valley, Arizona.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","This collection relates to Juanita P. Marotta, a woman that enlisted in the Women's Army Auxillary Corps (later Women's Army Corps). The collection contains a portrait photograph of Juanita P. Marotta from her time in the Women's Army Corps and another later photograph that is un-dated from her personal life. It also contains a transcript of her oral history interview.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Marotta, Juanita Pauline, 1917-2014","English"],"unitid_tesim":["06.0203","/repositories/10/resources/1667"],"normalized_date_ssm":["1943-2006, Date accessioned: 2020-04-03"],"normalized_title_ssm":["Juanita Pauline Marotta Collection, 1943-2006, Date accessioned: 2020-04-03"],"collection_title_tesim":["Juanita Pauline Marotta Collection, 1943-2006, Date accessioned: 2020-04-03"],"collection_ssim":["Juanita Pauline Marotta Collection, 1943-2006, Date accessioned: 2020-04-03"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Daytona Beach (Fla.)","Washington (D.C.)","Pentagon, Washington, D.C."],"geogname_ssim":["Daytona Beach (Fla.)","Washington (D.C.)","Pentagon, Washington, D.C."],"creator_ssm":["Marotta, Juanita Pauline, 1917-2014"],"creator_ssim":["Marotta, Juanita Pauline, 1917-2014"],"creator_persname_ssim":["Marotta, Juanita Pauline, 1917-2014"],"creators_ssim":["Marotta, Juanita Pauline, 1917-2014"],"places_ssim":["Daytona Beach (Fla.)","Washington (D.C.)","Pentagon, Washington, D.C."],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["World War, 1939-1945","Military intelligence--United States","World War, 1939-1945--Military intelligence--United States","Women's Army Corps"],"access_subjects_ssm":["World War, 1939-1945","Military intelligence--United States","World War, 1939-1945--Military intelligence--United States","Women's Army Corps"],"has_online_content_ssim":["false"],"extent_ssm":["1 folders The collection contains one folder, with two photos, a letter for the commendation of her military services, and a sixteen-page oral history transcript."],"extent_tesim":["1 folders The collection contains one folder, with two photos, a letter for the commendation of her military services, and a sixteen-page oral history transcript."],"dimensions_tesim":["1 archival folder"],"date_range_isim":[1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_html_tesm":["\u003cp\u003eJunaita Pauline Marotta was born on September 27, 1917 in Trade Lake, Wisconsin. The township is now known as Frederic, located in the northwestern section of the state. Marotta's maiden name was Dahlberg. She was born into a family of teachers, both her mother and father were in the educational occupation. She attended school beginning in 1923. Her family moved to Grantsburg in 1927, but moved back to Trade Lake (Frederic) due to impacts from the Great Depression a few years later. THe was the oldest of six children, five girls and one boy. Marotta's father developed Parkinson's Disease, and her mother took over the family farm. Marotta attended university Gustavus Adolphus College beginning in 1936 and worked under the National Youth Administration program (part of the Work's Progress Administration of the New Deal). 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Inher work, she identified names of Japanese ships in naval communications.\u003cbr\u003e\u003cbr\u003e\t \nWhile she was in Washington D.C., she met her future husband, Ernest Marotta at the steps of Lincoln Memorial. He served in the 8th Air Force in Supplies. She kept in contact with Ernest over mail and eventually married him on September 6, 1945, after the war ended.\u003cbr\u003e\u003cbr\u003e\t \nMarotta was discharged from the United States military due to her husband's discharge; his unit had been disbanded. She moved to Boston, Massachusetts, then later to Minneaspolis, Minnesota. She was an active founder and president of the League of Women Voters and served on the State Board for the organization. She later took up horticulture and floral arranging. She returned to school to earn her master's degree in botany at the University of Minneasota. She published several books including \"Minnesota Wild Flowers of Forest, Field And Wetland\", \"Swedish Pioneer: the Life and Times of A. O. Dahlberg\", \"Brunet Falls on the Chippewa\", \"Wildflowers of the St. Croix Valley\" and with her daughter \"Easy Guide to Decorating Gourds\". Her husband worked for the post office. They had two children, a daughter and two sons. She passed away on Febrary, 12, 2014 at the age of 96 in Green Valley, Arizona.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Junaita Pauline Marotta was born on September 27, 1917 in Trade Lake, Wisconsin. The township is now known as Frederic, located in the northwestern section of the state. Marotta's maiden name was Dahlberg. She was born into a family of teachers, both her mother and father were in the educational occupation. She attended school beginning in 1923. Her family moved to Grantsburg in 1927, but moved back to Trade Lake (Frederic) due to impacts from the Great Depression a few years later. THe was the oldest of six children, five girls and one boy. Marotta's father developed Parkinson's Disease, and her mother took over the family farm. Marotta attended university Gustavus Adolphus College beginning in 1936 and worked under the National Youth Administration program (part of the Work's Progress Administration of the New Deal). She graduated with a major in History, Public School Music, and teaching minors in Frencg, English, and Biology.  \t\nShe began her career as a teacher and remained in her career until 1943 when she moved to Chicago, Illinois to work alongisde her cousin selling lumber for the Hines Lumber Company. When she saw a film that featured WAAC women marching. She enlisted into the WAAC and became one of the first WAAC women in the first Illinois Company on October, 16, 1943. Marotta attended basic training in Daytona Beach, Florida. After excelling in her Military Correspondence Course, Marotta was trasnferred to Washington, D.C. to work at the Pentagon in Military Intelligence. She worked in Japanese intelligenceas a research assistant. Her work was kept secret, even her discharge papers labelled her as a Technical Sergeant. Inher work, she identified names of Japanese ships in naval communications. \t \nWhile she was in Washington D.C., she met her future husband, Ernest Marotta at the steps of Lincoln Memorial. He served in the 8th Air Force in Supplies. She kept in contact with Ernest over mail and eventually married him on September 6, 1945, after the war ended. \t \nMarotta was discharged from the United States military due to her husband's discharge; his unit had been disbanded. She moved to Boston, Massachusetts, then later to Minneaspolis, Minnesota. She was an active founder and president of the League of Women Voters and served on the State Board for the organization. She later took up horticulture and floral arranging. She returned to school to earn her master's degree in botany at the University of Minneasota. She published several books including \"Minnesota Wild Flowers of Forest, Field And Wetland\", \"Swedish Pioneer: the Life and Times of A. O. Dahlberg\", \"Brunet Falls on the Chippewa\", \"Wildflowers of the St. Croix Valley\" and with her daughter \"Easy Guide to Decorating Gourds\". Her husband worked for the post office. They had two children, a daughter and two sons. She passed away on Febrary, 12, 2014 at the age of 96 in Green Valley, Arizona."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], juanita Pauline Marotta collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-06-0203\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], juanita Pauline Marotta collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-06-0203"],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to Juanita P. Marotta, a woman that enlisted in the Women's Army Auxillary Corps (later Women's Army Corps). The collection contains a portrait photograph of Juanita P. Marotta from her time in the Women's Army Corps and another later photograph that is un-dated from her personal life. It also contains a transcript of her oral history interview.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection relates to Juanita P. Marotta, a woman that enlisted in the Women's Army Auxillary Corps (later Women's Army Corps). The collection contains a portrait photograph of Juanita P. Marotta from her time in the Women's Army Corps and another later photograph that is un-dated from her personal life. It also contains a transcript of her oral history interview."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives","Marotta, Juanita Pauline, 1917-2014"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"persname_ssim":["Marotta, Juanita Pauline, 1917-2014"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857635638542336,"_root_":"6b5c16315f019826454119b5","timestamp":"2026-07-16T08:01:16.761Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6b5c16315f019826454119b5","title_filing_ssi":"Marotta, Juanita Pauline collection","title_ssm":["Juanita Pauline Marotta Collection"],"title_tesim":["Juanita Pauline Marotta Collection"],"ead_ssi":"6b5c16315f019826454119b5","unitdate_ssm":["1943-2006","Date accessioned: 2020-04-03"],"unitdate_inclusive_ssm":["1943-2006"],"unitdate_other_ssim":["Date accessioned: 2020-04-03"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["06.0203","/repositories/10/resources/1667"],"text":["06.0203","/repositories/10/resources/1667","Juanita Pauline Marotta Collection, 1943-2006, Date accessioned: 2020-04-03","Daytona Beach (Fla.)","Washington (D.C.)","Pentagon, Washington, D.C.","World War, 1939-1945","Military intelligence--United States","World War, 1939-1945--Military intelligence--United States","Women's Army Corps","This collection is open to all researchers.","Junaita Pauline Marotta was born on September 27, 1917 in Trade Lake, Wisconsin. The township is now known as Frederic, located in the northwestern section of the state. Marotta's maiden name was Dahlberg. She was born into a family of teachers, both her mother and father were in the educational occupation. She attended school beginning in 1923. Her family moved to Grantsburg in 1927, but moved back to Trade Lake (Frederic) due to impacts from the Great Depression a few years later. THe was the oldest of six children, five girls and one boy. Marotta's father developed Parkinson's Disease, and her mother took over the family farm. Marotta attended university Gustavus Adolphus College beginning in 1936 and worked under the National Youth Administration program (part of the Work's Progress Administration of the New Deal). She graduated with a major in History, Public School Music, and teaching minors in Frencg, English, and Biology.  \t\nShe began her career as a teacher and remained in her career until 1943 when she moved to Chicago, Illinois to work alongisde her cousin selling lumber for the Hines Lumber Company. When she saw a film that featured WAAC women marching. She enlisted into the WAAC and became one of the first WAAC women in the first Illinois Company on October, 16, 1943. Marotta attended basic training in Daytona Beach, Florida. After excelling in her Military Correspondence Course, Marotta was trasnferred to Washington, D.C. to work at the Pentagon in Military Intelligence. She worked in Japanese intelligenceas a research assistant. Her work was kept secret, even her discharge papers labelled her as a Technical Sergeant. Inher work, she identified names of Japanese ships in naval communications. \t \nWhile she was in Washington D.C., she met her future husband, Ernest Marotta at the steps of Lincoln Memorial. He served in the 8th Air Force in Supplies. She kept in contact with Ernest over mail and eventually married him on September 6, 1945, after the war ended. \t \nMarotta was discharged from the United States military due to her husband's discharge; his unit had been disbanded. She moved to Boston, Massachusetts, then later to Minneaspolis, Minnesota. She was an active founder and president of the League of Women Voters and served on the State Board for the organization. She later took up horticulture and floral arranging. She returned to school to earn her master's degree in botany at the University of Minneasota. She published several books including \"Minnesota Wild Flowers of Forest, Field And Wetland\", \"Swedish Pioneer: the Life and Times of A. O. Dahlberg\", \"Brunet Falls on the Chippewa\", \"Wildflowers of the St. Croix Valley\" and with her daughter \"Easy Guide to Decorating Gourds\". Her husband worked for the post office. They had two children, a daughter and two sons. She passed away on Febrary, 12, 2014 at the age of 96 in Green Valley, Arizona.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","This collection relates to Juanita P. Marotta, a woman that enlisted in the Women's Army Auxillary Corps (later Women's Army Corps). The collection contains a portrait photograph of Juanita P. Marotta from her time in the Women's Army Corps and another later photograph that is un-dated from her personal life. It also contains a transcript of her oral history interview.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["World War, 1939-1945","Military intelligence--United States","World War, 1939-1945--Military intelligence--United States","Women's Army Corps"],"access_subjects_ssm":["World War, 1939-1945","Military intelligence--United States","World War, 1939-1945--Military intelligence--United States","Women's Army Corps"],"has_online_content_ssim":["false"],"extent_ssm":["1 folders The collection contains one folder, with two photos, a letter for the commendation of her military services, and a sixteen-page oral history transcript."],"extent_tesim":["1 folders The collection contains one folder, with two photos, a letter for the commendation of her military services, and a sixteen-page oral history transcript."],"dimensions_tesim":["1 archival folder"],"date_range_isim":[1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_html_tesm":["\u003cp\u003eJunaita Pauline Marotta was born on September 27, 1917 in Trade Lake, Wisconsin. The township is now known as Frederic, located in the northwestern section of the state. Marotta's maiden name was Dahlberg. She was born into a family of teachers, both her mother and father were in the educational occupation. She attended school beginning in 1923. Her family moved to Grantsburg in 1927, but moved back to Trade Lake (Frederic) due to impacts from the Great Depression a few years later. THe was the oldest of six children, five girls and one boy. Marotta's father developed Parkinson's Disease, and her mother took over the family farm. Marotta attended university Gustavus Adolphus College beginning in 1936 and worked under the National Youth Administration program (part of the Work's Progress Administration of the New Deal). She graduated with a major in History, Public School Music, and teaching minors in Frencg, English, and Biology. \u003cbr\u003e\u003cbr\u003e\t\nShe began her career as a teacher and remained in her career until 1943 when she moved to Chicago, Illinois to work alongisde her cousin selling lumber for the Hines Lumber Company. When she saw a film that featured WAAC women marching. She enlisted into the WAAC and became one of the first WAAC women in the first Illinois Company on October, 16, 1943. Marotta attended basic training in Daytona Beach, Florida. After excelling in her Military Correspondence Course, Marotta was trasnferred to Washington, D.C. to work at the Pentagon in Military Intelligence. She worked in Japanese intelligenceas a research assistant. Her work was kept secret, even her discharge papers labelled her as a Technical Sergeant. Inher work, she identified names of Japanese ships in naval communications.\u003cbr\u003e\u003cbr\u003e\t \nWhile she was in Washington D.C., she met her future husband, Ernest Marotta at the steps of Lincoln Memorial. He served in the 8th Air Force in Supplies. She kept in contact with Ernest over mail and eventually married him on September 6, 1945, after the war ended.\u003cbr\u003e\u003cbr\u003e\t \nMarotta was discharged from the United States military due to her husband's discharge; his unit had been disbanded. She moved to Boston, Massachusetts, then later to Minneaspolis, Minnesota. She was an active founder and president of the League of Women Voters and served on the State Board for the organization. She later took up horticulture and floral arranging. She returned to school to earn her master's degree in botany at the University of Minneasota. She published several books including \"Minnesota Wild Flowers of Forest, Field And Wetland\", \"Swedish Pioneer: the Life and Times of A. O. Dahlberg\", \"Brunet Falls on the Chippewa\", \"Wildflowers of the St. Croix Valley\" and with her daughter \"Easy Guide to Decorating Gourds\". Her husband worked for the post office. They had two children, a daughter and two sons. She passed away on Febrary, 12, 2014 at the age of 96 in Green Valley, Arizona.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Junaita Pauline Marotta was born on September 27, 1917 in Trade Lake, Wisconsin. The township is now known as Frederic, located in the northwestern section of the state. Marotta's maiden name was Dahlberg. She was born into a family of teachers, both her mother and father were in the educational occupation. She attended school beginning in 1923. Her family moved to Grantsburg in 1927, but moved back to Trade Lake (Frederic) due to impacts from the Great Depression a few years later. THe was the oldest of six children, five girls and one boy. Marotta's father developed Parkinson's Disease, and her mother took over the family farm. Marotta attended university Gustavus Adolphus College beginning in 1936 and worked under the National Youth Administration program (part of the Work's Progress Administration of the New Deal). She graduated with a major in History, Public School Music, and teaching minors in Frencg, English, and Biology.  \t\nShe began her career as a teacher and remained in her career until 1943 when she moved to Chicago, Illinois to work alongisde her cousin selling lumber for the Hines Lumber Company. When she saw a film that featured WAAC women marching. She enlisted into the WAAC and became one of the first WAAC women in the first Illinois Company on October, 16, 1943. Marotta attended basic training in Daytona Beach, Florida. After excelling in her Military Correspondence Course, Marotta was trasnferred to Washington, D.C. to work at the Pentagon in Military Intelligence. She worked in Japanese intelligenceas a research assistant. Her work was kept secret, even her discharge papers labelled her as a Technical Sergeant. Inher work, she identified names of Japanese ships in naval communications. \t \nWhile she was in Washington D.C., she met her future husband, Ernest Marotta at the steps of Lincoln Memorial. He served in the 8th Air Force in Supplies. She kept in contact with Ernest over mail and eventually married him on September 6, 1945, after the war ended. \t \nMarotta was discharged from the United States military due to her husband's discharge; his unit had been disbanded. She moved to Boston, Massachusetts, then later to Minneaspolis, Minnesota. She was an active founder and president of the League of Women Voters and served on the State Board for the organization. She later took up horticulture and floral arranging. She returned to school to earn her master's degree in botany at the University of Minneasota. She published several books including \"Minnesota Wild Flowers of Forest, Field And Wetland\", \"Swedish Pioneer: the Life and Times of A. O. Dahlberg\", \"Brunet Falls on the Chippewa\", \"Wildflowers of the St. Croix Valley\" and with her daughter \"Easy Guide to Decorating Gourds\". Her husband worked for the post office. They had two children, a daughter and two sons. She passed away on Febrary, 12, 2014 at the age of 96 in Green Valley, Arizona."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], juanita Pauline Marotta collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-06-0203\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], juanita Pauline Marotta collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-06-0203"],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to Juanita P. Marotta, a woman that enlisted in the Women's Army Auxillary Corps (later Women's Army Corps). The collection contains a portrait photograph of Juanita P. Marotta from her time in the Women's Army Corps and another later photograph that is un-dated from her personal life. It also contains a transcript of her oral history interview.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection relates to Juanita P. Marotta, a woman that enlisted in the Women's Army Auxillary Corps (later Women's Army Corps). The collection contains a portrait photograph of Juanita P. Marotta from her time in the Women's Army Corps and another later photograph that is un-dated from her personal life. It also contains a transcript of her oral history interview."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives","Marotta, Juanita Pauline, 1917-2014"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"persname_ssim":["Marotta, Juanita Pauline, 1917-2014"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857635638542336,"_root_":"6b5c16315f019826454119b5","timestamp":"2026-07-16T08:01:16.761Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6b5c16315f019826454119b5"}},{"id":"a7ef548ebef48a905581682e","type":"collection","attributes":{"title":"Juan Martinez Collection, bulk 1955-2013","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a7ef548ebef48a905581682e#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection contains artistic catalogues from various Latin American and Caribbean artists such as Leonardo Acosta, Luis Cruz Azaceta, Ricardo Benaim, and Margarita Cano. With so many artists and artistic works accumulated, the Juan Martinez Collection helps portray the vast diversity of different artists across the Americas.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a7ef548ebef48a905581682e#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"a7ef548ebef48a905581682e","title_ssm":["Juan Martinez Collection"],"title_tesim":["Juan Martinez Collection"],"ead_ssi":"a7ef548ebef48a905581682e","unitdate_ssm":["1955-2013"],"unitdate_bulk_ssim":["1955-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC8020","/repositories/2/resources/9"],"text":["SPC8020","/repositories/2/resources/9","Juan Martinez Collection, bulk 1955-2013","The collection is open for research.","Juan Martínez is a professor and an art historian specializing in European and Cuban modern art at Florida International University. He received his Ph.D. and M.A. in Art History from Florida State University and his B.A. in Art History from the University of Florida. Besides being an expert in art history, he is the author of Cuban Art \u0026 National Identity: The Vanguardia Painters, 1927–1950, María Brito, and Carlos Enríquez: The Painter of Cuban Ballads. Dr. Martínez has also published numerous book chapters and essays in exhibition catalogues. He recently curated the exhibit, Cuban Art \u0026 Identity: 1900–1950, at the Vero Beach Museum of Art on October 24, 2013.","This collection contains artistic catalogues from various Latin American and Caribbean artists such as Leonardo Acosta, Luis Cruz Azaceta, Ricardo Benaim, and Margarita Cano. With so many artists and artistic works accumulated, the Juan Martinez Collection helps portray the vast diversity of different artists across the Americas.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC8020","/repositories/2/resources/9"],"normalized_date_ssm":["bulk 1955-2013"],"normalized_title_ssm":["Juan Martinez Collection, bulk 1955-2013"],"collection_title_tesim":["Juan Martinez Collection, bulk 1955-2013"],"collection_ssim":["Juan Martinez Collection, bulk 1955-2013"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation"],"has_online_content_ssim":["false"],"extent_ssm":["2.00 boxes"],"extent_tesim":["2.00 boxes"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJuan Mart\u0026#xED;nez is a professor and an art historian specializing in European and Cuban modern art at Florida International University. He received his Ph.D. and M.A. in Art History from Florida State University and his B.A. in Art History from the University of Florida. Besides being an expert in art history, he is the author of Cuban Art \u0026amp; National Identity: The Vanguardia Painters, 1927\u0026#x2013;1950, Mar\u0026#xED;a Brito, and Carlos Enr\u0026#xED;quez: The Painter of Cuban Ballads. Dr. Mart\u0026#xED;nez has also published numerous book chapters and essays in exhibition catalogues. He recently curated the exhibit, Cuban Art \u0026amp; Identity: 1900\u0026#x2013;1950, at the Vero Beach Museum of Art on October 24, 2013.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Juan Martínez is a professor and an art historian specializing in European and Cuban modern art at Florida International University. He received his Ph.D. and M.A. in Art History from Florida State University and his B.A. in Art History from the University of Florida. Besides being an expert in art history, he is the author of Cuban Art \u0026 National Identity: The Vanguardia Painters, 1927–1950, María Brito, and Carlos Enríquez: The Painter of Cuban Ballads. Dr. Martínez has also published numerous book chapters and essays in exhibition catalogues. He recently curated the exhibit, Cuban Art \u0026 Identity: 1900–1950, at the Vero Beach Museum of Art on October 24, 2013."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains artistic catalogues from various Latin American and Caribbean artists such as Leonardo Acosta, Luis Cruz Azaceta, Ricardo Benaim, and Margarita Cano. With so many artists and artistic works accumulated, the Juan Martinez Collection helps portray the vast diversity of different artists across the Americas.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains artistic catalogues from various Latin American and Caribbean artists such as Leonardo Acosta, Luis Cruz Azaceta, Ricardo Benaim, and Margarita Cano. With so many artists and artistic works accumulated, the Juan Martinez Collection helps portray the vast diversity of different artists across the Americas."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":529,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844730597703680,"_root_":"a7ef548ebef48a905581682e","timestamp":"2026-07-16T04:36:09.463Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a7ef548ebef48a905581682e","title_ssm":["Juan Martinez Collection"],"title_tesim":["Juan Martinez Collection"],"ead_ssi":"a7ef548ebef48a905581682e","unitdate_ssm":["1955-2013"],"unitdate_bulk_ssim":["1955-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC8020","/repositories/2/resources/9"],"text":["SPC8020","/repositories/2/resources/9","Juan Martinez Collection, bulk 1955-2013","The collection is open for research.","Juan Martínez is a professor and an art historian specializing in European and Cuban modern art at Florida International University. He received his Ph.D. and M.A. in Art History from Florida State University and his B.A. in Art History from the University of Florida. Besides being an expert in art history, he is the author of Cuban Art \u0026 National Identity: The Vanguardia Painters, 1927–1950, María Brito, and Carlos Enríquez: The Painter of Cuban Ballads. Dr. Martínez has also published numerous book chapters and essays in exhibition catalogues. He recently curated the exhibit, Cuban Art \u0026 Identity: 1900–1950, at the Vero Beach Museum of Art on October 24, 2013.","This collection contains artistic catalogues from various Latin American and Caribbean artists such as Leonardo Acosta, Luis Cruz Azaceta, Ricardo Benaim, and Margarita Cano. With so many artists and artistic works accumulated, the Juan Martinez Collection helps portray the vast diversity of different artists across the Americas.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC8020","/repositories/2/resources/9"],"normalized_date_ssm":["bulk 1955-2013"],"normalized_title_ssm":["Juan Martinez Collection, bulk 1955-2013"],"collection_title_tesim":["Juan Martinez Collection, bulk 1955-2013"],"collection_ssim":["Juan Martinez Collection, bulk 1955-2013"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation"],"has_online_content_ssim":["false"],"extent_ssm":["2.00 boxes"],"extent_tesim":["2.00 boxes"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJuan Mart\u0026#xED;nez is a professor and an art historian specializing in European and Cuban modern art at Florida International University. He received his Ph.D. and M.A. in Art History from Florida State University and his B.A. in Art History from the University of Florida. Besides being an expert in art history, he is the author of Cuban Art \u0026amp; National Identity: The Vanguardia Painters, 1927\u0026#x2013;1950, Mar\u0026#xED;a Brito, and Carlos Enr\u0026#xED;quez: The Painter of Cuban Ballads. Dr. Mart\u0026#xED;nez has also published numerous book chapters and essays in exhibition catalogues. He recently curated the exhibit, Cuban Art \u0026amp; Identity: 1900\u0026#x2013;1950, at the Vero Beach Museum of Art on October 24, 2013.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Juan Martínez is a professor and an art historian specializing in European and Cuban modern art at Florida International University. He received his Ph.D. and M.A. in Art History from Florida State University and his B.A. in Art History from the University of Florida. Besides being an expert in art history, he is the author of Cuban Art \u0026 National Identity: The Vanguardia Painters, 1927–1950, María Brito, and Carlos Enríquez: The Painter of Cuban Ballads. Dr. Martínez has also published numerous book chapters and essays in exhibition catalogues. He recently curated the exhibit, Cuban Art \u0026 Identity: 1900–1950, at the Vero Beach Museum of Art on October 24, 2013."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains artistic catalogues from various Latin American and Caribbean artists such as Leonardo Acosta, Luis Cruz Azaceta, Ricardo Benaim, and Margarita Cano. With so many artists and artistic works accumulated, the Juan Martinez Collection helps portray the vast diversity of different artists across the Americas.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains artistic catalogues from various Latin American and Caribbean artists such as Leonardo Acosta, Luis Cruz Azaceta, Ricardo Benaim, and Margarita Cano. With so many artists and artistic works accumulated, the Juan Martinez Collection helps portray the vast diversity of different artists across the Americas."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":529,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844730597703680,"_root_":"a7ef548ebef48a905581682e","timestamp":"2026-07-16T04:36:09.463Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a7ef548ebef48a905581682e"}},{"id":"2d9509978b61df6e6cf71fc7","type":"collection","attributes":{"title":"Judge Mattie Belle Davis Collection, 1942-1994","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/2d9509978b61df6e6cf71fc7#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection is comprised of various papers and memorabilia to commemorate the life of Judge Mattie Belle Davis.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2d9509978b61df6e6cf71fc7#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"2d9509978b61df6e6cf71fc7","title_ssm":["Judge Mattie Belle Davis Collection"],"title_tesim":["Judge Mattie Belle Davis Collection"],"ead_ssi":"2d9509978b61df6e6cf71fc7","unitdate_ssm":["1942-1994"],"unitdate_inclusive_ssm":["1942-1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC5020","/repositories/2/resources/5"],"text":["SPC5020","/repositories/2/resources/5","Judge Mattie Belle Davis Collection, 1942-1994","The collection is open for research.","This collection is comprised of 11 boxes with the files in chronological/alphabetical order.","Born in 1910, Judge Mattie Belle Davis was the first woman from Florida to be elected to the American Bar Foundation. 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","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","English"],"unitid_tesim":["SPC5020","/repositories/2/resources/5"],"normalized_date_ssm":["1942-1994"],"normalized_title_ssm":["Judge Mattie Belle Davis Collection, 1942-1994"],"collection_title_tesim":["Judge Mattie Belle Davis Collection, 1942-1994"],"collection_ssim":["Judge Mattie Belle Davis Collection, 1942-1994"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation"],"has_online_content_ssim":["false"],"extent_ssm":["11.00 boxes"],"extent_tesim":["11.00 boxes"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is comprised of 11 boxes with the files in chronological/alphabetical order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is comprised of 11 boxes with the files in chronological/alphabetical order."],"bioghist_html_tesm":["\u003cp\u003eBorn in 1910, Judge Mattie Belle Davis was the first woman from Florida to be elected to the American Bar Foundation. She also was the first woman judge of Metropolitan Court of Dade County, which led to March 3rd being Mattie Belle Davis Day. The Mattie Belle Davis Society was created in 2004 by The Florida Association for Women Lawyers in order to help facilitate contributions from FAWL members towards key initiatives.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Born in 1910, Judge Mattie Belle Davis was the first woman from Florida to be elected to the American Bar Foundation. She also was the first woman judge of Metropolitan Court of Dade County, which led to March 3rd being Mattie Belle Davis Day. 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