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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","The collection is arranged into nine series.","In 2013, Leslie Siegel and Victoria Thur processed the collection.","Norman Nathan is Professor Emeritus of English at Florida Atlantic University in Boca Raton, Florida. He received his Bachelor of Arts and Master of Arts, and a Ph.D. in English all from New York University. In 1968, Dr. Nathan began his career at Florida Atlantic University. In his early career, Dr. Nathan wrote several textbooks dealing with English grammar and style, and literary interpretation of the short story and poetry while continuing to write poetry and short stories.","Dr. Nathan published several books of poetry in addition to publishing over 450 poems in various publications. He has published over 22 short stories. In addition to the unpublished poems and short stories in the collection, it also contains his unpublished memoirs and novels. Dr. Nathan published over 62 scholarly articles on Shakespeare, Chaucer, Blake, The Bible, Keats, Shelly, and T. S. Elliot. Dr. Nathan passed away June 11, 2013.","In 2018, additional material donated by his daughter. This material was described and added to the existing collection by Leslie Siegel. In addition to poems and stories, the additional material included essays he wrote as an undergraduate student. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Please contact lib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"date_range_isim":[1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"_nest_path_":"/components#9","_nest_parent_":"d20aa889e8ea8129c93e6502","_root_":"d20aa889e8ea8129c93e6502","_version_":1870860591887810560,"timestamp":"2026-07-16T08:48:16.050Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d20aa889e8ea8129c93e6502","title_ssm":["Nola Perez Papers"],"title_tesim":["Nola Perez Papers"],"ead_ssi":"d20aa889e8ea8129c93e6502","unitdate_ssm":["1969-2022"],"unitdate_inclusive_ssm":["1969-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2016.006","/repositories/3/resources/78"],"text":["2016.006","/repositories/3/resources/78","Nola Perez Papers, 1969-2022","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. ","This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2016.006","/repositories/3/resources/78"],"normalized_date_ssm":["1969-2022"],"normalized_title_ssm":["Nola Perez Papers, 1969-2022"],"collection_title_tesim":["Nola Perez Papers, 1969-2022"],"collection_ssim":["Nola Perez Papers, 1969-2022"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Nola B. Perez, 2016-09-06."],"has_online_content_ssim":["false"],"extent_ssm":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"extent_tesim":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eNola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. \u003c/p\u003e\n","\u003cp\u003eDuring her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.\u003c/p\u003e\n","\u003cp\u003eIn the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.\u003c/p\u003e\n","\u003cp\u003eUpon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. "],"prefercite_html_tesm":["\u003cp\u003eNola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Nola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. \u003c/p\u003e\n","\u003cp\u003eSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1 \u0026#x2013; Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez\u003c/p\u003e\n","\u003cp\u003eSeries 2 \u0026#x2013; Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles\u003c/p\u003e\n","\u003cp\u003eSeries 3 \u0026#x2013; Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails\u003c/p\u003e\n","\u003cp\u003eSeries 4 \u0026#x2013; Critiques (arranged chronologically) include critical receptions of Nola Perez's work\u003c/p\u003e\n","\u003cp\u003eSeries 5 \u0026#x2013; Events (arranged alphabetically by subseries)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Book Signings and Poetry Readings (arranged chronologically) includes information and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"\u003c/p\u003e\n","\u003cp\u003eSeries 6 \u0026#x2013; Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation\u003c/p\u003e\n","\u003cp\u003eSeries 7 \u0026#x2013; Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career\u003c/p\u003e\n","\u003cp\u003eSeries 8 \u0026#x2013; Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Photographs (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Publications (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 5 \u0026#x2013; Workshops (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSeries 9 \u0026#x2013; Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events\u003c/p\u003e\n","\u003cp\u003eSeries 10 \u0026#x2013; Poetry (arranged chronologically) contains a collection of Nola's poetry\u003c/p\u003e\n","\u003cp\u003eSeries 11 \u0026#x2013; Publications (arranged alphabetically by type of publication)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Books (arranged chronologically by publication date; chronological files within each book published)\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Journals (arranged chronologically by publication date)\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website\u003c/p\u003e\n","\u003cp\u003eSeries 12 \u0026#x2013; Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia\u003c/p\u003e\n","\u003cp\u003eSeries 13 \u0026#x2013; Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop"],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":231,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860591887810560,"_root_":"d20aa889e8ea8129c93e6502","timestamp":"2026-07-16T08:48:16.050Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502_aspace_19cbbcd421b931d70418b9d5939e3fda"}},{"id":"cf2e69e616b9f3f82baf8164_aspace_4c98c102138d1d5d01651adc8eceb543","type":"File","attributes":{"title":"Poetry [1 of 2], 1939–1955, 1980–1983, undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/cf2e69e616b9f3f82baf8164_aspace_4c98c102138d1d5d01651adc8eceb543#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_4c98c102138d1d5d01651adc8eceb543","ref_ssm":["aspace_4c98c102138d1d5d01651adc8eceb543","aspace_4c98c102138d1d5d01651adc8eceb543"],"id":"cf2e69e616b9f3f82baf8164_aspace_4c98c102138d1d5d01651adc8eceb543","title_filing_ssi":"Poetry [1 of 2]","title_ssm":["Poetry [1 of 2]"],"title_tesim":["Poetry [1 of 2]"],"unitdate_inclusive_ssm":["1939–1955","1980–1983","undated"],"normalized_date_ssm":["1939–1955, 1980–1983, undated"],"normalized_title_ssm":["Poetry [1 of 2], 1939–1955, 1980–1983, undated"],"text":["Poetry [1 of 2], 1939–1955, 1980–1983, undated","Patrick Boland collection, 1937-1983","/repositories/4/archival_objects/68674","box 1","folder 4"],"component_level_isim":[1],"parent_ids_ssim":["cf2e69e616b9f3f82baf8164"],"parent_unittitles_ssm":["Patrick Boland collection, 1937-1983"],"parent_unittitles_tesim":["Patrick Boland collection, 1937-1983"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/4/archival_objects/68674"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Patrick Boland collection, 1937-1983"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":4,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1980,1981,1982,1983],"containers_ssim":["box 1","folder 4"],"_nest_path_":"/components#3","_nest_parent_":"cf2e69e616b9f3f82baf8164","_root_":"cf2e69e616b9f3f82baf8164","timestamp":"2026-04-21T03:30:58.996Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"cf2e69e616b9f3f82baf8164","title_ssm":["Patrick Boland collection"],"title_tesim":["Patrick Boland collection"],"ead_ssi":"cf2e69e616b9f3f82baf8164","unitdate_ssm":["1937-1983"],"unitdate_inclusive_ssm":["1937-1983"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 147","/repositories/4/resources/289"],"text":["SC 147","/repositories/4/resources/289","Patrick Boland collection, 1937-1983","Poets -- Michigan","poems","drafts (documents)","research notes","The entire collection is open for research.","Patrick Boland was a poet. Native to Detroit, Patrick Boland was born in 1921 to Bernard and Grace Belle Russelo Boland. He was the oldest of his three siblings, Mary Anne, John Joseph, and Rita. His father, referred to as Bernie, was once a pitcher for the Detroit Tigers.   ","In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\" At the time, it was the largest prize in ten years.  ","Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. In his book,  Dylan Thomas in America , author John Malcom Brinnin would describe Boland's work as \"remarkable.\" On the spoken word album,  Return Journey to Swansea , Thomas can be heard reciting Boland's poem \"I Climb the Stairs After a Tedious Masquerade.\" During their short but sincere friendship, Boland escorted Dylan Thomas to Ann Arbor, where they would stay at the home of Boland's family friends and fellow poets Dorothy and Walter Donnelly.   ","In 1950, Boland's poem \"Mandala\" was published in  Flair  and later included in the 1952 anthology  A Little Treasury of American Poetry . In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology  New World Writing , alongside work from acclaimed writers like Edith and Sacheverell Sitwell.   ","Patrick Boland wrote for the rest of his life. Notably, as found in this collection, he wrote research and analysis on the British-American poet W.H. Auden. In correspondence, Boland also wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death in 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old. Sometime before, in 1982, he left a note on a Kleenex box: \"Love without saying goes so long; Then just as now, it goes longer.\" ","Processed by and finding aid prepared by Amelia Cuttle in 2023.","Walter and Dorothy Donnelly family papers , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.   ","W.H. Auden collection of papers , Henry W. and Albert A. Berg Collection of English and American Literature, The New York Public Library, New York, New York. ","Dylan Thomas collection , Harry Ransom Center, The University of Texas at Austin, Austin, Texas.  ","The Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout his materials in doodles, notes, financial calculations, and signatures. ","This collection provides insight into the personality and artistic endeavors of Patrick Boland as he fostered a career as a poet. The drafts of his works offer a glimpse of his unpublished talents and interests, such as W.H. Auden. Additionally, personal musings and notes reflect certain physical and mental struggles that illuminate his writing. ","The materials in the Patrick Boland collection were separated from the  Walter and Dorothy Donnelly family papers .","Books donated with the Patrick Boland collection have been cataloged individually. Please search the Library Catalog using the series Patrick Boland collection.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout all of his documents in doodles, notes, financial calculations, and signatures.  \n\nNative to Detroit, Patrick Boland was born on August 30, 1921. His father, Bernie, was once a pitcher for the Detroit Tigers. In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\"  Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. That same year, Boland's poem \"Mandala\" was published in  Flair  and later included in the 1952 anthology  A Little Treasury of American Poetry . In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology  New World Writing , alongside work from acclaimed writers like Edith and Sacheverell Sitwell. In correspondence, Boland wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death on October 29, 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old.","UCF Special Collections","Boland, Patrick, 1921-1984","Auden, W. H. (Wystan Hugh), 1907-1973","English"],"unitid_tesim":["SC 147","/repositories/4/resources/289"],"normalized_date_ssm":["1937-1983"],"normalized_title_ssm":["Patrick Boland collection, 1937-1983"],"collection_title_tesim":["Patrick Boland collection, 1937-1983"],"collection_ssim":["Patrick Boland collection, 1937-1983"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Boland, Patrick, 1921-1984"],"creator_ssim":["Boland, Patrick, 1921-1984"],"creator_persname_ssim":["Boland, Patrick, 1921-1984"],"creators_ssim":["Boland, Patrick, 1921-1984"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of Jerome Donnelly in 2021 (Accession no. CFM2021_21)."],"access_subjects_ssim":["Poets -- Michigan","poems","drafts (documents)","research notes"],"access_subjects_ssm":["Poets -- Michigan","poems","drafts (documents)","research notes"],"has_online_content_ssim":["false"],"extent_ssm":[".8 Linear Feet 2 boxes"],"extent_tesim":[".8 Linear Feet 2 boxes"],"genreform_ssim":["poems","drafts (documents)","research notes"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access: "],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003ePatrick Boland was a poet. Native to Detroit, Patrick Boland was born in 1921 to Bernard and Grace Belle Russelo Boland. He was the oldest of his three siblings, Mary Anne, John Joseph, and Rita. His father, referred to as Bernie, was once a pitcher for the Detroit Tigers.   \u003c/p\u003e\n","\u003cp\u003eIn 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\" At the time, it was the largest prize in ten years.  \u003c/p\u003e\n","\u003cp\u003eBoland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. In his book, \u003cemph render=\"italic\"\u003eDylan Thomas in America\u003c/emph\u003e, author John Malcom Brinnin would describe Boland's work as \"remarkable.\" On the spoken word album, \u003cemph render=\"italic\"\u003eReturn Journey to Swansea\u003c/emph\u003e, Thomas can be heard reciting Boland's poem \"I Climb the Stairs After a Tedious Masquerade.\" During their short but sincere friendship, Boland escorted Dylan Thomas to Ann Arbor, where they would stay at the home of Boland's family friends and fellow poets Dorothy and Walter Donnelly.   \u003c/p\u003e\n","\u003cp\u003eIn 1950, Boland's poem \"Mandala\" was published in \u003cemph render=\"italic\"\u003eFlair\u003c/emph\u003e and later included in the 1952 anthology \u003cemph render=\"italic\"\u003eA Little Treasury of American Poetry\u003c/emph\u003e. In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology \u003cemph render=\"italic\"\u003eNew World Writing\u003c/emph\u003e, alongside work from acclaimed writers like Edith and Sacheverell Sitwell.   \u003c/p\u003e\n","\u003cp\u003ePatrick Boland wrote for the rest of his life. Notably, as found in this collection, he wrote research and analysis on the British-American poet W.H. Auden. In correspondence, Boland also wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death in 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old. Sometime before, in 1982, he left a note on a Kleenex box: \"Love without saying goes so long; Then just as now, it goes longer.\" \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Patrick Boland was a poet. Native to Detroit, Patrick Boland was born in 1921 to Bernard and Grace Belle Russelo Boland. He was the oldest of his three siblings, Mary Anne, John Joseph, and Rita. His father, referred to as Bernie, was once a pitcher for the Detroit Tigers.   ","In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\" At the time, it was the largest prize in ten years.  ","Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. In his book,  Dylan Thomas in America , author John Malcom Brinnin would describe Boland's work as \"remarkable.\" On the spoken word album,  Return Journey to Swansea , Thomas can be heard reciting Boland's poem \"I Climb the Stairs After a Tedious Masquerade.\" During their short but sincere friendship, Boland escorted Dylan Thomas to Ann Arbor, where they would stay at the home of Boland's family friends and fellow poets Dorothy and Walter Donnelly.   ","In 1950, Boland's poem \"Mandala\" was published in  Flair  and later included in the 1952 anthology  A Little Treasury of American Poetry . In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology  New World Writing , alongside work from acclaimed writers like Edith and Sacheverell Sitwell.   ","Patrick Boland wrote for the rest of his life. Notably, as found in this collection, he wrote research and analysis on the British-American poet W.H. Auden. In correspondence, Boland also wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death in 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old. Sometime before, in 1982, he left a note on a Kleenex box: \"Love without saying goes so long; Then just as now, it goes longer.\" "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Patrick Boland collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Patrick Boland collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Amelia Cuttle in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Amelia Cuttle in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/35\"\u003eWalter and Dorothy Donnelly family papers\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.   \u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://archives.nypl.org/brg/19132#overview\"\u003eW.H. Auden collection of papers\u003c/extref\u003e, Henry W. and Albert A. Berg Collection of English and American Literature, The New York Public Library, New York, New York. \u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://hrc.contentdm.oclc.org/digital/collection/p15878coll98\"\u003eDylan Thomas collection\u003c/extref\u003e, Harry Ransom Center, The University of Texas at Austin, Austin, Texas.  \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Walter and Dorothy Donnelly family papers , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.   ","W.H. Auden collection of papers , Henry W. and Albert A. Berg Collection of English and American Literature, The New York Public Library, New York, New York. ","Dylan Thomas collection , Harry Ransom Center, The University of Texas at Austin, Austin, Texas.  "],"scopecontent_html_tesm":["\u003cp\u003eThe Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout his materials in doodles, notes, financial calculations, and signatures. \u003c/p\u003e\n","\u003cp\u003eThis collection provides insight into the personality and artistic endeavors of Patrick Boland as he fostered a career as a poet. The drafts of his works offer a glimpse of his unpublished talents and interests, such as W.H. Auden. Additionally, personal musings and notes reflect certain physical and mental struggles that illuminate his writing. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout his materials in doodles, notes, financial calculations, and signatures. ","This collection provides insight into the personality and artistic endeavors of Patrick Boland as he fostered a career as a poet. The drafts of his works offer a glimpse of his unpublished talents and interests, such as W.H. Auden. Additionally, personal musings and notes reflect certain physical and mental struggles that illuminate his writing. "],"separatedmaterial_html_tesm":["\u003cp\u003eThe materials in the Patrick Boland collection were separated from the \u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/35\"\u003eWalter and Dorothy Donnelly family papers\u003c/extref\u003e.\u003c/p\u003e\n","\u003cp\u003eBooks donated with the Patrick Boland collection have been cataloged individually. Please search the Library Catalog using the series Patrick Boland collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The materials in the Patrick Boland collection were separated from the  Walter and Dorothy Donnelly family papers .","Books donated with the Patrick Boland collection have been cataloged individually. Please search the Library Catalog using the series Patrick Boland collection."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f939e2b0072082962df553b7d92c9f96\"\u003eThe Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout all of his documents in doodles, notes, financial calculations, and signatures.  \n\nNative to Detroit, Patrick Boland was born on August 30, 1921. His father, Bernie, was once a pitcher for the Detroit Tigers. In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\"  Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. That same year, Boland's poem \"Mandala\" was published in \u003cemph render=\"italic\"\u003eFlair\u003c/emph\u003e and later included in the 1952 anthology \u003cemph render=\"italic\"\u003eA Little Treasury of American Poetry\u003c/emph\u003e. In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology \u003cemph render=\"italic\"\u003eNew World Writing\u003c/emph\u003e, alongside work from acclaimed writers like Edith and Sacheverell Sitwell. In correspondence, Boland wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death on October 29, 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old.\u003c/abstract\u003e"],"abstract_tesim":["The Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout all of his documents in doodles, notes, financial calculations, and signatures.  \n\nNative to Detroit, Patrick Boland was born on August 30, 1921. His father, Bernie, was once a pitcher for the Detroit Tigers. In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\"  Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. That same year, Boland's poem \"Mandala\" was published in  Flair  and later included in the 1952 anthology  A Little Treasury of American Poetry . In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology  New World Writing , alongside work from acclaimed writers like Edith and Sacheverell Sitwell. In correspondence, Boland wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death on October 29, 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old."],"names_ssim":["UCF Special Collections","Boland, Patrick, 1921-1984","Auden, W. H. (Wystan Hugh), 1907-1973"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Auden, W. H. (Wystan Hugh), 1907-1973"],"persname_ssim":["Boland, Patrick, 1921-1984","Auden, W. H. (Wystan Hugh), 1907-1973"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":11,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"cf2e69e616b9f3f82baf8164","timestamp":"2026-04-21T03:30:58.996Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/cf2e69e616b9f3f82baf8164_aspace_4c98c102138d1d5d01651adc8eceb543"}},{"id":"cf2e69e616b9f3f82baf8164_aspace_1859059fdf0850869e4c0190f791cf28","type":"File","attributes":{"title":"Poetry [2 of 2], 1939–1955, 1980–1983, undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/cf2e69e616b9f3f82baf8164_aspace_1859059fdf0850869e4c0190f791cf28#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1859059fdf0850869e4c0190f791cf28","ref_ssm":["aspace_1859059fdf0850869e4c0190f791cf28","aspace_1859059fdf0850869e4c0190f791cf28"],"id":"cf2e69e616b9f3f82baf8164_aspace_1859059fdf0850869e4c0190f791cf28","title_filing_ssi":"Poetry [2 of 2]","title_ssm":["Poetry [2 of 2]"],"title_tesim":["Poetry [2 of 2]"],"unitdate_inclusive_ssm":["1939–1955","1980–1983","undated"],"normalized_date_ssm":["1939–1955, 1980–1983, undated"],"normalized_title_ssm":["Poetry [2 of 2], 1939–1955, 1980–1983, undated"],"text":["Poetry [2 of 2], 1939–1955, 1980–1983, undated","Patrick Boland collection, 1937-1983","/repositories/4/archival_objects/68675","box 1","folder 5"],"component_level_isim":[1],"parent_ids_ssim":["cf2e69e616b9f3f82baf8164"],"parent_unittitles_ssm":["Patrick Boland collection, 1937-1983"],"parent_unittitles_tesim":["Patrick Boland collection, 1937-1983"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/4/archival_objects/68675"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Patrick Boland collection, 1937-1983"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":5,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1980,1981,1982,1983],"containers_ssim":["box 1","folder 5"],"_nest_path_":"/components#4","_nest_parent_":"cf2e69e616b9f3f82baf8164","_root_":"cf2e69e616b9f3f82baf8164","timestamp":"2026-04-21T03:30:58.996Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"cf2e69e616b9f3f82baf8164","title_ssm":["Patrick Boland collection"],"title_tesim":["Patrick Boland collection"],"ead_ssi":"cf2e69e616b9f3f82baf8164","unitdate_ssm":["1937-1983"],"unitdate_inclusive_ssm":["1937-1983"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 147","/repositories/4/resources/289"],"text":["SC 147","/repositories/4/resources/289","Patrick Boland collection, 1937-1983","Poets -- Michigan","poems","drafts (documents)","research notes","The entire collection is open for research.","Patrick Boland was a poet. Native to Detroit, Patrick Boland was born in 1921 to Bernard and Grace Belle Russelo Boland. He was the oldest of his three siblings, Mary Anne, John Joseph, and Rita. His father, referred to as Bernie, was once a pitcher for the Detroit Tigers.   ","In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\" At the time, it was the largest prize in ten years.  ","Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. In his book,  Dylan Thomas in America , author John Malcom Brinnin would describe Boland's work as \"remarkable.\" On the spoken word album,  Return Journey to Swansea , Thomas can be heard reciting Boland's poem \"I Climb the Stairs After a Tedious Masquerade.\" During their short but sincere friendship, Boland escorted Dylan Thomas to Ann Arbor, where they would stay at the home of Boland's family friends and fellow poets Dorothy and Walter Donnelly.   ","In 1950, Boland's poem \"Mandala\" was published in  Flair  and later included in the 1952 anthology  A Little Treasury of American Poetry . In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology  New World Writing , alongside work from acclaimed writers like Edith and Sacheverell Sitwell.   ","Patrick Boland wrote for the rest of his life. Notably, as found in this collection, he wrote research and analysis on the British-American poet W.H. Auden. In correspondence, Boland also wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death in 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old. Sometime before, in 1982, he left a note on a Kleenex box: \"Love without saying goes so long; Then just as now, it goes longer.\" ","Processed by and finding aid prepared by Amelia Cuttle in 2023.","Walter and Dorothy Donnelly family papers , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.   ","W.H. Auden collection of papers , Henry W. and Albert A. Berg Collection of English and American Literature, The New York Public Library, New York, New York. ","Dylan Thomas collection , Harry Ransom Center, The University of Texas at Austin, Austin, Texas.  ","The Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout his materials in doodles, notes, financial calculations, and signatures. ","This collection provides insight into the personality and artistic endeavors of Patrick Boland as he fostered a career as a poet. The drafts of his works offer a glimpse of his unpublished talents and interests, such as W.H. Auden. Additionally, personal musings and notes reflect certain physical and mental struggles that illuminate his writing. ","The materials in the Patrick Boland collection were separated from the  Walter and Dorothy Donnelly family papers .","Books donated with the Patrick Boland collection have been cataloged individually. Please search the Library Catalog using the series Patrick Boland collection.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout all of his documents in doodles, notes, financial calculations, and signatures.  \n\nNative to Detroit, Patrick Boland was born on August 30, 1921. His father, Bernie, was once a pitcher for the Detroit Tigers. In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\"  Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. That same year, Boland's poem \"Mandala\" was published in  Flair  and later included in the 1952 anthology  A Little Treasury of American Poetry . In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology  New World Writing , alongside work from acclaimed writers like Edith and Sacheverell Sitwell. In correspondence, Boland wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death on October 29, 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old.","UCF Special Collections","Boland, Patrick, 1921-1984","Auden, W. H. 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Native to Detroit, Patrick Boland was born in 1921 to Bernard and Grace Belle Russelo Boland. He was the oldest of his three siblings, Mary Anne, John Joseph, and Rita. His father, referred to as Bernie, was once a pitcher for the Detroit Tigers.   \u003c/p\u003e\n","\u003cp\u003eIn 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\" At the time, it was the largest prize in ten years.  \u003c/p\u003e\n","\u003cp\u003eBoland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. 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In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology \u003cemph render=\"italic\"\u003eNew World Writing\u003c/emph\u003e, alongside work from acclaimed writers like Edith and Sacheverell Sitwell.   \u003c/p\u003e\n","\u003cp\u003ePatrick Boland wrote for the rest of his life. Notably, as found in this collection, he wrote research and analysis on the British-American poet W.H. Auden. In correspondence, Boland also wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death in 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old. Sometime before, in 1982, he left a note on a Kleenex box: \"Love without saying goes so long; Then just as now, it goes longer.\" \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Patrick Boland was a poet. Native to Detroit, Patrick Boland was born in 1921 to Bernard and Grace Belle Russelo Boland. He was the oldest of his three siblings, Mary Anne, John Joseph, and Rita. His father, referred to as Bernie, was once a pitcher for the Detroit Tigers.   ","In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\" At the time, it was the largest prize in ten years.  ","Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. In his book,  Dylan Thomas in America , author John Malcom Brinnin would describe Boland's work as \"remarkable.\" On the spoken word album,  Return Journey to Swansea , Thomas can be heard reciting Boland's poem \"I Climb the Stairs After a Tedious Masquerade.\" During their short but sincere friendship, Boland escorted Dylan Thomas to Ann Arbor, where they would stay at the home of Boland's family friends and fellow poets Dorothy and Walter Donnelly.   ","In 1950, Boland's poem \"Mandala\" was published in  Flair  and later included in the 1952 anthology  A Little Treasury of American Poetry . In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology  New World Writing , alongside work from acclaimed writers like Edith and Sacheverell Sitwell.   ","Patrick Boland wrote for the rest of his life. Notably, as found in this collection, he wrote research and analysis on the British-American poet W.H. Auden. In correspondence, Boland also wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death in 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old. Sometime before, in 1982, he left a note on a Kleenex box: \"Love without saying goes so long; Then just as now, it goes longer.\" "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Patrick Boland collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Patrick Boland collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Amelia Cuttle in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Amelia Cuttle in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/35\"\u003eWalter and Dorothy Donnelly family papers\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.   \u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://archives.nypl.org/brg/19132#overview\"\u003eW.H. Auden collection of papers\u003c/extref\u003e, Henry W. and Albert A. Berg Collection of English and American Literature, The New York Public Library, New York, New York. \u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://hrc.contentdm.oclc.org/digital/collection/p15878coll98\"\u003eDylan Thomas collection\u003c/extref\u003e, Harry Ransom Center, The University of Texas at Austin, Austin, Texas.  \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Walter and Dorothy Donnelly family papers , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.   ","W.H. Auden collection of papers , Henry W. and Albert A. Berg Collection of English and American Literature, The New York Public Library, New York, New York. ","Dylan Thomas collection , Harry Ransom Center, The University of Texas at Austin, Austin, Texas.  "],"scopecontent_html_tesm":["\u003cp\u003eThe Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout his materials in doodles, notes, financial calculations, and signatures. \u003c/p\u003e\n","\u003cp\u003eThis collection provides insight into the personality and artistic endeavors of Patrick Boland as he fostered a career as a poet. The drafts of his works offer a glimpse of his unpublished talents and interests, such as W.H. Auden. Additionally, personal musings and notes reflect certain physical and mental struggles that illuminate his writing. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout his materials in doodles, notes, financial calculations, and signatures. ","This collection provides insight into the personality and artistic endeavors of Patrick Boland as he fostered a career as a poet. The drafts of his works offer a glimpse of his unpublished talents and interests, such as W.H. Auden. Additionally, personal musings and notes reflect certain physical and mental struggles that illuminate his writing. "],"separatedmaterial_html_tesm":["\u003cp\u003eThe materials in the Patrick Boland collection were separated from the \u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/35\"\u003eWalter and Dorothy Donnelly family papers\u003c/extref\u003e.\u003c/p\u003e\n","\u003cp\u003eBooks donated with the Patrick Boland collection have been cataloged individually. Please search the Library Catalog using the series Patrick Boland collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The materials in the Patrick Boland collection were separated from the  Walter and Dorothy Donnelly family papers .","Books donated with the Patrick Boland collection have been cataloged individually. Please search the Library Catalog using the series Patrick Boland collection."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f939e2b0072082962df553b7d92c9f96\"\u003eThe Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout all of his documents in doodles, notes, financial calculations, and signatures.  \n\nNative to Detroit, Patrick Boland was born on August 30, 1921. His father, Bernie, was once a pitcher for the Detroit Tigers. In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\"  Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. That same year, Boland's poem \"Mandala\" was published in \u003cemph render=\"italic\"\u003eFlair\u003c/emph\u003e and later included in the 1952 anthology \u003cemph render=\"italic\"\u003eA Little Treasury of American Poetry\u003c/emph\u003e. In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology \u003cemph render=\"italic\"\u003eNew World Writing\u003c/emph\u003e, alongside work from acclaimed writers like Edith and Sacheverell Sitwell. In correspondence, Boland wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death on October 29, 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old.\u003c/abstract\u003e"],"abstract_tesim":["The Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout all of his documents in doodles, notes, financial calculations, and signatures.  \n\nNative to Detroit, Patrick Boland was born on August 30, 1921. His father, Bernie, was once a pitcher for the Detroit Tigers. In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\"  Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. That same year, Boland's poem \"Mandala\" was published in  Flair  and later included in the 1952 anthology  A Little Treasury of American Poetry . In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology  New World Writing , alongside work from acclaimed writers like Edith and Sacheverell Sitwell. In correspondence, Boland wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death on October 29, 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old."],"names_ssim":["UCF Special Collections","Boland, Patrick, 1921-1984","Auden, W. H. (Wystan Hugh), 1907-1973"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Auden, W. H. (Wystan Hugh), 1907-1973"],"persname_ssim":["Boland, Patrick, 1921-1984","Auden, W. H. (Wystan Hugh), 1907-1973"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":11,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"cf2e69e616b9f3f82baf8164","timestamp":"2026-04-21T03:30:58.996Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/cf2e69e616b9f3f82baf8164_aspace_1859059fdf0850869e4c0190f791cf28"}},{"id":"cf2e69e616b9f3f82baf8164_aspace_8328cddeac94934e804a48acb95b34e3","type":"File","attributes":{"title":"Poetry and correspondence, 1949–1961, 1965, 1980–1983, undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/cf2e69e616b9f3f82baf8164_aspace_8328cddeac94934e804a48acb95b34e3#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_8328cddeac94934e804a48acb95b34e3","ref_ssm":["aspace_8328cddeac94934e804a48acb95b34e3","aspace_8328cddeac94934e804a48acb95b34e3"],"id":"cf2e69e616b9f3f82baf8164_aspace_8328cddeac94934e804a48acb95b34e3","title_filing_ssi":"Poetry and correspondence","title_ssm":["Poetry and correspondence"],"title_tesim":["Poetry and correspondence"],"unitdate_inclusive_ssm":["1949–1961","1965","1980–1983","undated"],"normalized_date_ssm":["1949–1961, 1965, 1980–1983, undated"],"normalized_title_ssm":["Poetry and correspondence, 1949–1961, 1965, 1980–1983, undated"],"text":["Poetry and correspondence, 1949–1961, 1965, 1980–1983, undated","Patrick Boland collection, 1937-1983","/repositories/4/archival_objects/68672","box 1","folder 2"],"component_level_isim":[1],"parent_ids_ssim":["cf2e69e616b9f3f82baf8164"],"parent_unittitles_ssm":["Patrick Boland collection, 1937-1983"],"parent_unittitles_tesim":["Patrick Boland collection, 1937-1983"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/4/archival_objects/68672"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Patrick Boland collection, 1937-1983"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1965,1980,1981,1982,1983],"containers_ssim":["box 1","folder 2"],"_nest_path_":"/components#1","_nest_parent_":"cf2e69e616b9f3f82baf8164","_root_":"cf2e69e616b9f3f82baf8164","timestamp":"2026-04-21T03:30:58.996Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"cf2e69e616b9f3f82baf8164","title_ssm":["Patrick Boland collection"],"title_tesim":["Patrick Boland collection"],"ead_ssi":"cf2e69e616b9f3f82baf8164","unitdate_ssm":["1937-1983"],"unitdate_inclusive_ssm":["1937-1983"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 147","/repositories/4/resources/289"],"text":["SC 147","/repositories/4/resources/289","Patrick Boland collection, 1937-1983","Poets -- Michigan","poems","drafts (documents)","research notes","The entire collection is open for research.","Patrick Boland was a poet. Native to Detroit, Patrick Boland was born in 1921 to Bernard and Grace Belle Russelo Boland. He was the oldest of his three siblings, Mary Anne, John Joseph, and Rita. His father, referred to as Bernie, was once a pitcher for the Detroit Tigers.   ","In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\" At the time, it was the largest prize in ten years.  ","Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. In his book,  Dylan Thomas in America , author John Malcom Brinnin would describe Boland's work as \"remarkable.\" On the spoken word album,  Return Journey to Swansea , Thomas can be heard reciting Boland's poem \"I Climb the Stairs After a Tedious Masquerade.\" During their short but sincere friendship, Boland escorted Dylan Thomas to Ann Arbor, where they would stay at the home of Boland's family friends and fellow poets Dorothy and Walter Donnelly.   ","In 1950, Boland's poem \"Mandala\" was published in  Flair  and later included in the 1952 anthology  A Little Treasury of American Poetry . In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology  New World Writing , alongside work from acclaimed writers like Edith and Sacheverell Sitwell.   ","Patrick Boland wrote for the rest of his life. Notably, as found in this collection, he wrote research and analysis on the British-American poet W.H. Auden. In correspondence, Boland also wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death in 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old. Sometime before, in 1982, he left a note on a Kleenex box: \"Love without saying goes so long; Then just as now, it goes longer.\" ","Processed by and finding aid prepared by Amelia Cuttle in 2023.","Walter and Dorothy Donnelly family papers , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.   ","W.H. Auden collection of papers , Henry W. and Albert A. Berg Collection of English and American Literature, The New York Public Library, New York, New York. ","Dylan Thomas collection , Harry Ransom Center, The University of Texas at Austin, Austin, Texas.  ","The Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout his materials in doodles, notes, financial calculations, and signatures. ","This collection provides insight into the personality and artistic endeavors of Patrick Boland as he fostered a career as a poet. The drafts of his works offer a glimpse of his unpublished talents and interests, such as W.H. Auden. Additionally, personal musings and notes reflect certain physical and mental struggles that illuminate his writing. ","The materials in the Patrick Boland collection were separated from the  Walter and Dorothy Donnelly family papers .","Books donated with the Patrick Boland collection have been cataloged individually. Please search the Library Catalog using the series Patrick Boland collection.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout all of his documents in doodles, notes, financial calculations, and signatures.  \n\nNative to Detroit, Patrick Boland was born on August 30, 1921. His father, Bernie, was once a pitcher for the Detroit Tigers. In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\"  Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. That same year, Boland's poem \"Mandala\" was published in  Flair  and later included in the 1952 anthology  A Little Treasury of American Poetry . In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology  New World Writing , alongside work from acclaimed writers like Edith and Sacheverell Sitwell. In correspondence, Boland wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death on October 29, 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old.","UCF Special Collections","Boland, Patrick, 1921-1984","Auden, W. H. (Wystan Hugh), 1907-1973","English"],"unitid_tesim":["SC 147","/repositories/4/resources/289"],"normalized_date_ssm":["1937-1983"],"normalized_title_ssm":["Patrick Boland collection, 1937-1983"],"collection_title_tesim":["Patrick Boland collection, 1937-1983"],"collection_ssim":["Patrick Boland collection, 1937-1983"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Boland, Patrick, 1921-1984"],"creator_ssim":["Boland, Patrick, 1921-1984"],"creator_persname_ssim":["Boland, Patrick, 1921-1984"],"creators_ssim":["Boland, Patrick, 1921-1984"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of Jerome Donnelly in 2021 (Accession no. CFM2021_21)."],"access_subjects_ssim":["Poets -- Michigan","poems","drafts (documents)","research notes"],"access_subjects_ssm":["Poets -- Michigan","poems","drafts (documents)","research notes"],"has_online_content_ssim":["false"],"extent_ssm":[".8 Linear Feet 2 boxes"],"extent_tesim":[".8 Linear Feet 2 boxes"],"genreform_ssim":["poems","drafts (documents)","research notes"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access: "],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003ePatrick Boland was a poet. Native to Detroit, Patrick Boland was born in 1921 to Bernard and Grace Belle Russelo Boland. He was the oldest of his three siblings, Mary Anne, John Joseph, and Rita. His father, referred to as Bernie, was once a pitcher for the Detroit Tigers.   \u003c/p\u003e\n","\u003cp\u003eIn 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\" At the time, it was the largest prize in ten years.  \u003c/p\u003e\n","\u003cp\u003eBoland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. 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In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology \u003cemph render=\"italic\"\u003eNew World Writing\u003c/emph\u003e, alongside work from acclaimed writers like Edith and Sacheverell Sitwell.   \u003c/p\u003e\n","\u003cp\u003ePatrick Boland wrote for the rest of his life. Notably, as found in this collection, he wrote research and analysis on the British-American poet W.H. Auden. In correspondence, Boland also wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death in 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old. Sometime before, in 1982, he left a note on a Kleenex box: \"Love without saying goes so long; Then just as now, it goes longer.\" \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Patrick Boland was a poet. Native to Detroit, Patrick Boland was born in 1921 to Bernard and Grace Belle Russelo Boland. He was the oldest of his three siblings, Mary Anne, John Joseph, and Rita. His father, referred to as Bernie, was once a pitcher for the Detroit Tigers.   ","In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\" At the time, it was the largest prize in ten years.  ","Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. In his book,  Dylan Thomas in America , author John Malcom Brinnin would describe Boland's work as \"remarkable.\" On the spoken word album,  Return Journey to Swansea , Thomas can be heard reciting Boland's poem \"I Climb the Stairs After a Tedious Masquerade.\" During their short but sincere friendship, Boland escorted Dylan Thomas to Ann Arbor, where they would stay at the home of Boland's family friends and fellow poets Dorothy and Walter Donnelly.   ","In 1950, Boland's poem \"Mandala\" was published in  Flair  and later included in the 1952 anthology  A Little Treasury of American Poetry . In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology  New World Writing , alongside work from acclaimed writers like Edith and Sacheverell Sitwell.   ","Patrick Boland wrote for the rest of his life. Notably, as found in this collection, he wrote research and analysis on the British-American poet W.H. Auden. In correspondence, Boland also wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death in 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old. Sometime before, in 1982, he left a note on a Kleenex box: \"Love without saying goes so long; Then just as now, it goes longer.\" "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Patrick Boland collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Patrick Boland collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Amelia Cuttle in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Amelia Cuttle in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/35\"\u003eWalter and Dorothy Donnelly family papers\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.   \u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://archives.nypl.org/brg/19132#overview\"\u003eW.H. Auden collection of papers\u003c/extref\u003e, Henry W. and Albert A. Berg Collection of English and American Literature, The New York Public Library, New York, New York. \u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://hrc.contentdm.oclc.org/digital/collection/p15878coll98\"\u003eDylan Thomas collection\u003c/extref\u003e, Harry Ransom Center, The University of Texas at Austin, Austin, Texas.  \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Walter and Dorothy Donnelly family papers , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.   ","W.H. Auden collection of papers , Henry W. and Albert A. Berg Collection of English and American Literature, The New York Public Library, New York, New York. ","Dylan Thomas collection , Harry Ransom Center, The University of Texas at Austin, Austin, Texas.  "],"scopecontent_html_tesm":["\u003cp\u003eThe Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout his materials in doodles, notes, financial calculations, and signatures. \u003c/p\u003e\n","\u003cp\u003eThis collection provides insight into the personality and artistic endeavors of Patrick Boland as he fostered a career as a poet. The drafts of his works offer a glimpse of his unpublished talents and interests, such as W.H. Auden. Additionally, personal musings and notes reflect certain physical and mental struggles that illuminate his writing. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout his materials in doodles, notes, financial calculations, and signatures. ","This collection provides insight into the personality and artistic endeavors of Patrick Boland as he fostered a career as a poet. The drafts of his works offer a glimpse of his unpublished talents and interests, such as W.H. Auden. Additionally, personal musings and notes reflect certain physical and mental struggles that illuminate his writing. "],"separatedmaterial_html_tesm":["\u003cp\u003eThe materials in the Patrick Boland collection were separated from the \u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/35\"\u003eWalter and Dorothy Donnelly family papers\u003c/extref\u003e.\u003c/p\u003e\n","\u003cp\u003eBooks donated with the Patrick Boland collection have been cataloged individually. Please search the Library Catalog using the series Patrick Boland collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The materials in the Patrick Boland collection were separated from the  Walter and Dorothy Donnelly family papers .","Books donated with the Patrick Boland collection have been cataloged individually. Please search the Library Catalog using the series Patrick Boland collection."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f939e2b0072082962df553b7d92c9f96\"\u003eThe Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout all of his documents in doodles, notes, financial calculations, and signatures.  \n\nNative to Detroit, Patrick Boland was born on August 30, 1921. His father, Bernie, was once a pitcher for the Detroit Tigers. In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\"  Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. That same year, Boland's poem \"Mandala\" was published in \u003cemph render=\"italic\"\u003eFlair\u003c/emph\u003e and later included in the 1952 anthology \u003cemph render=\"italic\"\u003eA Little Treasury of American Poetry\u003c/emph\u003e. In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology \u003cemph render=\"italic\"\u003eNew World Writing\u003c/emph\u003e, alongside work from acclaimed writers like Edith and Sacheverell Sitwell. In correspondence, Boland wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death on October 29, 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old.\u003c/abstract\u003e"],"abstract_tesim":["The Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout all of his documents in doodles, notes, financial calculations, and signatures.  \n\nNative to Detroit, Patrick Boland was born on August 30, 1921. His father, Bernie, was once a pitcher for the Detroit Tigers. In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\"  Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. That same year, Boland's poem \"Mandala\" was published in  Flair  and later included in the 1952 anthology  A Little Treasury of American Poetry . In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology  New World Writing , alongside work from acclaimed writers like Edith and Sacheverell Sitwell. In correspondence, Boland wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death on October 29, 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old."],"names_ssim":["UCF Special Collections","Boland, Patrick, 1921-1984","Auden, W. H. (Wystan Hugh), 1907-1973"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Auden, W. H. (Wystan Hugh), 1907-1973"],"persname_ssim":["Boland, Patrick, 1921-1984","Auden, W. H. (Wystan Hugh), 1907-1973"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":11,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"cf2e69e616b9f3f82baf8164","timestamp":"2026-04-21T03:30:58.996Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/cf2e69e616b9f3f82baf8164_aspace_8328cddeac94934e804a48acb95b34e3"}},{"id":"d20aa889e8ea8129c93e6502_aspace_c5f4e3c163f9803005947775bb19bf5f","type":"Subseries","attributes":{"title":"Poetry Journals, 1969-2011","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502_aspace_c5f4e3c163f9803005947775bb19bf5f#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_c5f4e3c163f9803005947775bb19bf5f","ref_ssm":["aspace_c5f4e3c163f9803005947775bb19bf5f","aspace_c5f4e3c163f9803005947775bb19bf5f"],"id":"d20aa889e8ea8129c93e6502_aspace_c5f4e3c163f9803005947775bb19bf5f","title_filing_ssi":"Poetry Journals","title_ssm":["Poetry Journals"],"title_tesim":["Poetry Journals"],"unitdate_inclusive_ssm":["1969-2011"],"normalized_date_ssm":["1969-2011"],"normalized_title_ssm":["Poetry Journals, 1969-2011"],"text":["Poetry Journals, 1969-2011","Nola Perez Papers, 1969-2022","Publications, 1969-2017","/repositories/3/archival_objects/9241"],"component_level_isim":[2],"parent_ids_ssim":["d20aa889e8ea8129c93e6502","d20aa889e8ea8129c93e6502_aspace_d61075a7466461ada34b0e4a618c87fe"],"parent_unittitles_ssm":["Nola Perez Papers, 1969-2022","Publications, 1969-2017"],"parent_unittitles_tesim":["Nola Perez Papers, 1969-2022","Publications, 1969-2017"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/9241"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Nola Perez Papers, 1969-2022"],"has_online_content_ssim":["false"],"child_component_count_isi":22,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":200,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"_nest_path_":"/components#10/components#2","_nest_parent_":"d20aa889e8ea8129c93e6502_aspace_d61075a7466461ada34b0e4a618c87fe","_root_":"d20aa889e8ea8129c93e6502","_version_":1870860591887810560,"timestamp":"2026-07-16T08:48:16.050Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d20aa889e8ea8129c93e6502","title_ssm":["Nola Perez Papers"],"title_tesim":["Nola Perez Papers"],"ead_ssi":"d20aa889e8ea8129c93e6502","unitdate_ssm":["1969-2022"],"unitdate_inclusive_ssm":["1969-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2016.006","/repositories/3/resources/78"],"text":["2016.006","/repositories/3/resources/78","Nola Perez Papers, 1969-2022","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. ","This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2016.006","/repositories/3/resources/78"],"normalized_date_ssm":["1969-2022"],"normalized_title_ssm":["Nola Perez Papers, 1969-2022"],"collection_title_tesim":["Nola Perez Papers, 1969-2022"],"collection_ssim":["Nola Perez Papers, 1969-2022"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Nola B. Perez, 2016-09-06."],"has_online_content_ssim":["false"],"extent_ssm":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"extent_tesim":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eNola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. \u003c/p\u003e\n","\u003cp\u003eDuring her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.\u003c/p\u003e\n","\u003cp\u003eIn the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.\u003c/p\u003e\n","\u003cp\u003eUpon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. "],"prefercite_html_tesm":["\u003cp\u003eNola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Nola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. \u003c/p\u003e\n","\u003cp\u003eSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1 \u0026#x2013; Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez\u003c/p\u003e\n","\u003cp\u003eSeries 2 \u0026#x2013; Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles\u003c/p\u003e\n","\u003cp\u003eSeries 3 \u0026#x2013; Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails\u003c/p\u003e\n","\u003cp\u003eSeries 4 \u0026#x2013; Critiques (arranged chronologically) include critical receptions of Nola Perez's work\u003c/p\u003e\n","\u003cp\u003eSeries 5 \u0026#x2013; Events (arranged alphabetically by subseries)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Book Signings and Poetry Readings (arranged chronologically) includes information and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"\u003c/p\u003e\n","\u003cp\u003eSeries 6 \u0026#x2013; Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation\u003c/p\u003e\n","\u003cp\u003eSeries 7 \u0026#x2013; Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career\u003c/p\u003e\n","\u003cp\u003eSeries 8 \u0026#x2013; Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Photographs (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Publications (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 5 \u0026#x2013; Workshops (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSeries 9 \u0026#x2013; Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events\u003c/p\u003e\n","\u003cp\u003eSeries 10 \u0026#x2013; Poetry (arranged chronologically) contains a collection of Nola's poetry\u003c/p\u003e\n","\u003cp\u003eSeries 11 \u0026#x2013; Publications (arranged alphabetically by type of publication)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Books (arranged chronologically by publication date; chronological files within each book published)\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Journals (arranged chronologically by publication date)\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website\u003c/p\u003e\n","\u003cp\u003eSeries 12 \u0026#x2013; Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia\u003c/p\u003e\n","\u003cp\u003eSeries 13 \u0026#x2013; Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop"],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":231,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860591887810560,"_root_":"d20aa889e8ea8129c93e6502","timestamp":"2026-07-16T08:48:16.050Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502_aspace_c5f4e3c163f9803005947775bb19bf5f"}},{"id":"b3e4025e67698b63bebebf69_aspace_a3212193ee106aada043e008b01f6fdd","type":"Sub-sub-series","attributes":{"title":"Poetry/Writings, 1951-2002","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b3e4025e67698b63bebebf69_aspace_a3212193ee106aada043e008b01f6fdd#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_a3212193ee106aada043e008b01f6fdd","ref_ssm":["aspace_a3212193ee106aada043e008b01f6fdd","aspace_a3212193ee106aada043e008b01f6fdd"],"id":"b3e4025e67698b63bebebf69_aspace_a3212193ee106aada043e008b01f6fdd","title_filing_ssi":"Poetry/Writings","title_ssm":["Poetry/Writings"],"title_tesim":["Poetry/Writings"],"unitdate_inclusive_ssm":["1951-2002"],"normalized_date_ssm":["1951-2002"],"normalized_title_ssm":["Poetry/Writings, 1951-2002"],"text":["Poetry/Writings, 1951-2002","Dr. Edna Louise Saffy Papers, 1962-2013","Personal Documents, 1928-2013","Newsclippings; Publications; Notes; Planners; Journals, 1951-2013","/repositories/3/archival_objects/7026","box 4","folder 5"],"component_level_isim":[3],"parent_ids_ssim":["b3e4025e67698b63bebebf69","b3e4025e67698b63bebebf69_aspace_c5d2b19bbf7a6b812244506a5c14c9b2","b3e4025e67698b63bebebf69_aspace_5395ed8be9412ea628a786b2df87c8d4"],"parent_unittitles_ssm":["Dr. Edna Louise Saffy Papers, 1962-2013","Personal Documents, 1928-2013","Newsclippings; Publications; Notes; Planners; Journals, 1951-2013"],"parent_unittitles_tesim":["Dr. Edna Louise Saffy Papers, 1962-2013","Personal Documents, 1928-2013","Newsclippings; Publications; Notes; Planners; Journals, 1951-2013"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/3/archival_objects/7026"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Dr. Edna Louise Saffy Papers, 1962-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Sub-sub-series"],"level_ssim":["Sub-sub-series"],"sort_isi":27,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact \nlib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"date_range_isim":[1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"containers_ssim":["box 4","folder 5"],"_nest_path_":"/components#0/components#3/components#4","_nest_parent_":"b3e4025e67698b63bebebf69_aspace_5395ed8be9412ea628a786b2df87c8d4","_root_":"b3e4025e67698b63bebebf69","_version_":1870860599051681792,"timestamp":"2026-07-16T08:48:22.881Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b3e4025e67698b63bebebf69","title_ssm":["Dr. Edna Louise Saffy Papers"],"title_tesim":["Dr. Edna Louise Saffy Papers"],"ead_ssi":"b3e4025e67698b63bebebf69","unitdate_ssm":["1962-2013"],"unitdate_inclusive_ssm":["1962-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2013.003","/repositories/3/resources/66"],"text":["2013.003","/repositories/3/resources/66","Dr. Edna Louise Saffy Papers, 1962-2013","Florida -- Politics and Government -- 20th century","Clinton, Bill, 1946 -- Presidential campaigns -- Florida","College teachers -- Florida -- Jacksonville (Fla.)","Democratic Party (Fla.)","Human rights workers -- Florida -- Jacksonville (Fla.)","Political activists -- Florida -- Jacksonville (Fla.)","Women's rights -- Florida","The collection is open for research by appointment only. Please contact \nlib-special@unf.edu to schedule an appointment.","\tDr. Edna Louise Saffy, human rights advocate and Jacksonville native was born on March 9, 1935. She attended college at the University of Florida where she received several degrees, including the Master's and Doctorate of Philosophy degrees. She was a professor of Rhetoric and Public Address at University of Florida and Florida State College at Jacksonville, where she was elected Professor Emeritus following her retirement in December 2007. ","\nDr. Saffy was a founder of the National Organization for Women chapters in Jacksonville and Gainesville, as well as founder of the Jacksonville Women's Network. She was named \"A Woman of Courage and Vision\" by the Mayor's Commission on the Status of Women and the recipient of a Lifetime EVE Award by the Florida Times Union.\n    \n    As a humanitarian and activist, she served on numerous local, state, and national committees, including the John F. Kennedy Center Committee for the Performing Arts during the Clinton Administration, the Advisory Committee on LaVilla Cultural Heritage District, American Arab Institute, Duval County Democratic Executive Committee, and the Jacksonville Human Rights Commission. \n    \n    Dr. Saffy was also politically active. She led a 1975 march in Tallahassee in support of the Equal Rights Amendment. She served as a Florida delegate to the International Women's Conference and as a Florida State delegate in six Democratic National Conventions. She was also the president of the Florida Women's Political Caucus. Dr. Saffy died June 20, 2010.","This collection contains awards, correspondence, memorabilia, printed materials, photographs, personal papers, and writings. Many printed materials and photographs relate to politics and political activism. There are numerous photographs and newspaper clippings, as well as Dr. Saffy's dissertation. The collection contains many memorabilia items, particularly from various political events, and there are two large portraits of Dr. Edna Louise Saffy.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2013.003","/repositories/3/resources/66"],"normalized_date_ssm":["1962-2013"],"normalized_title_ssm":["Dr. Edna Louise Saffy Papers, 1962-2013"],"collection_title_tesim":["Dr. Edna Louise Saffy Papers, 1962-2013"],"collection_ssim":["Dr. Edna Louise Saffy Papers, 1962-2013"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"geogname_ssm":["Florida -- Politics and Government -- 20th century"],"geogname_ssim":["Florida -- Politics and Government -- 20th century"],"places_ssim":["Florida -- Politics and Government -- 20th century"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Dr. Grady Johnson, 2013."],"access_subjects_ssim":["Clinton, Bill, 1946 -- Presidential campaigns -- Florida","College teachers -- Florida -- Jacksonville (Fla.)","Democratic Party (Fla.)","Human rights workers -- Florida -- Jacksonville (Fla.)","Political activists -- Florida -- Jacksonville (Fla.)","Women's rights -- Florida"],"access_subjects_ssm":["Clinton, Bill, 1946 -- Presidential campaigns -- Florida","College teachers -- Florida -- Jacksonville (Fla.)","Democratic Party (Fla.)","Human rights workers -- Florida -- Jacksonville (Fla.)","Political activists -- Florida -- Jacksonville (Fla.)","Women's rights -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["36.00 Linear Feet"],"extent_tesim":["36.00 Linear Feet"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact \nlib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact \nlib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003e\tDr. Edna Louise Saffy, human rights advocate and Jacksonville native was born on March 9, 1935. She attended college at the University of Florida where she received several degrees, including the Master's and Doctorate of Philosophy degrees. She was a professor of Rhetoric and Public Address at University of Florida and Florida State College at Jacksonville, where she was elected Professor Emeritus following her retirement in December 2007. \u003c/p\u003e\n","\u003cp\u003e\nDr. Saffy was a founder of the National Organization for Women chapters in Jacksonville and Gainesville, as well as founder of the Jacksonville Women's Network. She was named \"A Woman of Courage and Vision\" by the Mayor's Commission on the Status of Women and the recipient of a Lifetime EVE Award by the Florida Times Union.\n    \n    As a humanitarian and activist, she served on numerous local, state, and national committees, including the John F. Kennedy Center Committee for the Performing Arts during the Clinton Administration, the Advisory Committee on LaVilla Cultural Heritage District, American Arab Institute, Duval County Democratic Executive Committee, and the Jacksonville Human Rights Commission. \n    \n    Dr. Saffy was also politically active. She led a 1975 march in Tallahassee in support of the Equal Rights Amendment. She served as a Florida delegate to the International Women's Conference and as a Florida State delegate in six Democratic National Conventions. She was also the president of the Florida Women's Political Caucus. Dr. Saffy died June 20, 2010.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\tDr. Edna Louise Saffy, human rights advocate and Jacksonville native was born on March 9, 1935. She attended college at the University of Florida where she received several degrees, including the Master's and Doctorate of Philosophy degrees. She was a professor of Rhetoric and Public Address at University of Florida and Florida State College at Jacksonville, where she was elected Professor Emeritus following her retirement in December 2007. ","\nDr. Saffy was a founder of the National Organization for Women chapters in Jacksonville and Gainesville, as well as founder of the Jacksonville Women's Network. She was named \"A Woman of Courage and Vision\" by the Mayor's Commission on the Status of Women and the recipient of a Lifetime EVE Award by the Florida Times Union.\n    \n    As a humanitarian and activist, she served on numerous local, state, and national committees, including the John F. Kennedy Center Committee for the Performing Arts during the Clinton Administration, the Advisory Committee on LaVilla Cultural Heritage District, American Arab Institute, Duval County Democratic Executive Committee, and the Jacksonville Human Rights Commission. \n    \n    Dr. Saffy was also politically active. She led a 1975 march in Tallahassee in support of the Equal Rights Amendment. She served as a Florida delegate to the International Women's Conference and as a Florida State delegate in six Democratic National Conventions. She was also the president of the Florida Women's Political Caucus. Dr. Saffy died June 20, 2010."],"prefercite_html_tesm":["\u003cp\u003eDr. Edna Louise Saffy Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Dr. Edna Louise Saffy Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains awards, correspondence, memorabilia, printed materials, photographs, personal papers, and writings. Many printed materials and photographs relate to politics and political activism. There are numerous photographs and newspaper clippings, as well as Dr. Saffy's dissertation. The collection contains many memorabilia items, particularly from various political events, and there are two large portraits of Dr. Edna Louise Saffy.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains awards, correspondence, memorabilia, printed materials, photographs, personal papers, and writings. Many printed materials and photographs relate to politics and political activism. There are numerous photographs and newspaper clippings, as well as Dr. Saffy's dissertation. The collection contains many memorabilia items, particularly from various political events, and there are two large portraits of Dr. Edna Louise Saffy."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). 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Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"containers_ssim":["box 10","folder 8"],"_nest_path_":"/components#1/components#34","_nest_parent_":"725898a1a41349eb30ec365d_aspace_e0da8a351e89d497ae16650ae623f50e","_root_":"725898a1a41349eb30ec365d","_version_":1870857755411087360,"timestamp":"2026-07-16T08:03:10.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"725898a1a41349eb30ec365d","title_ssm":["José Guerra Alemán Collection"],"title_tesim":["José Guerra Alemán Collection"],"ead_ssi":"725898a1a41349eb30ec365d","unitdate_ssm":["1887-2013"],"unitdate_inclusive_ssm":["1887-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.098","/repositories/4/resources/204"],"text":["SC.098","/repositories/4/resources/204","José Guerra Alemán Collection, 1887-2013","Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs","Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints","The entire collection is open for research.","José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.","Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.","Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog.","This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"","Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.","The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.","UCF Special Collections","Guerra Alemán, José","English"],"unitid_tesim":["SC.098","/repositories/4/resources/204"],"normalized_date_ssm":["1887-2013"],"normalized_title_ssm":["José Guerra Alemán Collection, 1887-2013"],"collection_title_tesim":["José Guerra Alemán Collection, 1887-2013"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"geogname_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"creator_ssm":["Guerra Alemán, José"],"creator_ssim":["Guerra Alemán, José"],"creator_persname_ssim":["Guerra Alemán, José"],"creators_ssim":["Guerra Alemán, José"],"places_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"acqinfo_ssim":["The collection was donated by Carlos Guerra, José Guerra Alemán's son, to the University of Central Florida Libraries in 2014. (CFM2014_07)"],"access_subjects_ssim":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"access_subjects_ssm":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["17.5 Linear Feet 20 boxes, 1 Flat File"],"extent_tesim":["17.5 Linear Feet 20 boxes, 1 Flat File"],"genreform_ssim":["correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n was born to Jos\u0026#xE9; Guerra and Herminia Alem\u0026#xE1;n-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as Jos\u0026#xE9; Guerra Alem\u0026#xE1;n, his initials J.G.A. and his nickname Pep\u0026#xED;n. Many of his closest friends and family called him as Pep\u0026#xED;n. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.\u003c/p\u003e\n","\u003cp\u003eIn his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ej\u0026#xE9;rcito) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 Divisi\u0026#xF3;n de Infanter\u0026#xED;a) called Divisi\u0026#xF3;n Rel\u0026#xE1;mpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.\u003c/p\u003e\n","\u003cp\u003eOnce he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of \u0026#xC9;l Pa\u0026#xED;s, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.\u003c/p\u003e\n","\u003cp\u003eOne of those encounters, Jos\u0026#xE9; Guerra Alem\u0026#xE1;n climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with Jos\u0026#xE9; Garc\u0026#xED;a and Eduardo Hern\u0026#xE1;ndez (Guayo) in the same company. Jos\u0026#xE9; Guerra Alem\u0026#xE1;n directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.\u003c/p\u003e\n","\u003cp\u003eWith his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote A\u0026#xFA;n Hay Luna En Los Cerros, Ensayos (Las Mayor\u0026#xED;as Discriminadas): En Defensa de la Mujer, Barro y Cenizas (D\u0026#xED;alogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biograf\u0026#xED;a de su Abuelo el General Jos\u0026#xE9; Braulio Alem\u0026#xE1;n). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.\u003c/p\u003e\n","\u003cp\u003eUnderstanding where his family came from and knowing the other members of his family tree can provide a part of Jos\u0026#xE9; Guerra Alem\u0026#xE1;n's identity. Jose Guerra Alem\u0026#xE1;n's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named Jos\u0026#xE9; Braulio Guerra Alem\u0026#xE1;n fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, Jos\u0026#xE9; Manuel Alem\u0026#xE1;n, served in the Cuban government as Minister of Education during the presidency of Dr. Ram\u0026#xF3;n Grau San Martin, president of the Authentic Party (Partido Aut\u0026#xE9;ntico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.\u003c/p\u003e\n","\u003cp\u003eHe rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alem\u0026#xE1;n. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business."],"prefercite_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["José Guerra Alemán Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks collected by Jos\u0026#xE9; Guerra Alem\u0026#xE1;n can be found by performing a series search for \"Jos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection\" in the UCF Libraries catalog.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog."],"scopecontent_html_tesm":["\u003cp\u003eThis collection was arranged in seven series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alem\u0026#xE1;n took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alem\u0026#xE1;n used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. \u003c/p\u003e\n","\u003cp\u003e\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of Jos\u0026#xE9; G. Alem\u0026#xE1;n and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\""],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4d41ff341ce7470c0d40282c3f71dd8\"\u003eThe collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist Jos\u0026#xE9; Guerra Alem\u0026#xE1;n. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.\u003c/abstract\u003e"],"abstract_tesim":["The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita."],"names_ssim":["UCF Special Collections","Guerra Alemán, José"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Guerra Alemán, José"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":282,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857755411087360,"_root_":"725898a1a41349eb30ec365d","timestamp":"2026-07-16T08:03:10.972Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_59fc3aa7c0055fc3c794039009e88b61"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","value":"Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","hits":246},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Audubon+Society+Corkscrew+Swamp+Sanctuary+records%2C+1937-2019\u0026f%5Bdate_range%5D%5B%5D=1983"}},{"attributes":{"label":"Michael A. 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