{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1983\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=107","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1983\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=106","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1983\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=108","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1983\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=112"},"meta":{"pages":{"current_page":107,"next_page":108,"prev_page":106,"total_pages":112,"limit_value":10,"offset_value":1060,"total_count":1117,"first_page?":false,"last_page?":false}},"data":[{"id":"0f3ff22ed6c6664bd88a5adc","type":"collection","attributes":{"title":"Virginia Snyder Collection, 1890-2011, Date acquired: 07/15/2011, bulk 1970-1990","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/0f3ff22ed6c6664bd88a5adc#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eBorn near Winchester, Virginia in 1920, Virginia Artrip Snyder moved to Boca Raton, Florida when she entered the inaugural class at Florida Atlantic University in 1964. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2012, Rrick Cullen, Jaclyn Nowack, and Teresa Van Dyke processed this collection.","Born near Winchester, Virginia in 1920, Virginia Artrip Snyder moved to Boca Raton, Florida when she entered the inaugural class at Florida Atlantic University in 1964. She received a degree in government and politics in 1965 and went on to become an investigative reporter for the Ft. Lauderdale News and later the Boca Raton News. During her career in journalism she was accorded seven national, state, and local awards for investigative reporting. Mrs. Snyder gained prominence and credibility following her multi-part series that exposed the inhumane conditions at the South Florida State Mental Hospital. As a community activist, Mrs. Snyder spearheaded the establishment of the South County Neighborhood Center in Boca Raton which, in time, grew into the Florence Fuller Day Care Center and the Mae Volen Senior Center. Subsequent to her career as a reporter, Mrs. Snyder embarked on a new endeavor as private investigator. In 1975 she was named one of fourteen \"Outstanding Women of Florida\" by Governor Ruben Askew and one of \"Florida's Finest\" in 1996 by Governor Lawton Chiles. This collection is a compilation of Mrs. Snyder's work as a poet, news reporter, private investigator, and community activist.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"has_online_content_ssim":["false"],"extent_ssm":["43.00 Linear Feet","83 boxes other_unmapped"],"extent_tesim":["43.00 Linear Feet","83 boxes other_unmapped"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2012, Rrick Cullen, Jaclyn Nowack, and Teresa Van Dyke processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2012, Rrick Cullen, Jaclyn Nowack, and Teresa Van Dyke processed this collection."],"scopecontent_html_tesm":["\u003cp\u003eBorn near Winchester, Virginia in 1920, Virginia Artrip Snyder moved to Boca Raton, Florida when she entered the inaugural class at Florida Atlantic University in 1964. She received a degree in government and politics in 1965 and went on to become an investigative reporter for the Ft. Lauderdale News and later the Boca Raton News. During her career in journalism she was accorded seven national, state, and local awards for investigative reporting. Mrs. Snyder gained prominence and credibility following her multi-part series that exposed the inhumane conditions at the South Florida State Mental Hospital. As a community activist, Mrs. Snyder spearheaded the establishment of the South County Neighborhood Center in Boca Raton which, in time, grew into the Florence Fuller Day Care Center and the Mae Volen Senior Center. Subsequent to her career as a reporter, Mrs. Snyder embarked on a new endeavor as private investigator. In 1975 she was named one of fourteen \"Outstanding Women of Florida\" by Governor Ruben Askew and one of \"Florida's Finest\" in 1996 by Governor Lawton Chiles. This collection is a compilation of Mrs. Snyder's work as a poet, news reporter, private investigator, and community activist.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Born near Winchester, Virginia in 1920, Virginia Artrip Snyder moved to Boca Raton, Florida when she entered the inaugural class at Florida Atlantic University in 1964. She received a degree in government and politics in 1965 and went on to become an investigative reporter for the Ft. Lauderdale News and later the Boca Raton News. During her career in journalism she was accorded seven national, state, and local awards for investigative reporting. Mrs. Snyder gained prominence and credibility following her multi-part series that exposed the inhumane conditions at the South Florida State Mental Hospital. As a community activist, Mrs. Snyder spearheaded the establishment of the South County Neighborhood Center in Boca Raton which, in time, grew into the Florence Fuller Day Care Center and the Mae Volen Senior Center. Subsequent to her career as a reporter, Mrs. Snyder embarked on a new endeavor as private investigator. In 1975 she was named one of fourteen \"Outstanding Women of Florida\" by Governor Ruben Askew and one of \"Florida's Finest\" in 1996 by Governor Lawton Chiles. This collection is a compilation of Mrs. Snyder's work as a poet, news reporter, private investigator, and community activist."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2783,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842130979618816,"_root_":"0f3ff22ed6c6664bd88a5adc","timestamp":"2026-07-16T03:54:50.079Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"0f3ff22ed6c6664bd88a5adc","title_ssm":["Virginia Snyder Collection"],"title_tesim":["Virginia Snyder Collection"],"ead_ssi":"0f3ff22ed6c6664bd88a5adc","unitdate_ssm":["1890-2011","1970-1990","Date acquired: 07/15/2011"],"unitdate_bulk_ssim":["1970-1990"],"unitdate_inclusive_ssm":["1890-2011"],"unitdate_other_ssim":["Date acquired: 07/15/2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC00024","/repositories/2/resources/40"],"text":["SPC00024","/repositories/2/resources/40","Virginia Snyder Collection, 1890-2011, Date acquired: 07/15/2011, bulk 1970-1990","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2012, Rrick Cullen, Jaclyn Nowack, and Teresa Van Dyke processed this collection.","Born near Winchester, Virginia in 1920, Virginia Artrip Snyder moved to Boca Raton, Florida when she entered the inaugural class at Florida Atlantic University in 1964. She received a degree in government and politics in 1965 and went on to become an investigative reporter for the Ft. Lauderdale News and later the Boca Raton News. During her career in journalism she was accorded seven national, state, and local awards for investigative reporting. Mrs. Snyder gained prominence and credibility following her multi-part series that exposed the inhumane conditions at the South Florida State Mental Hospital. As a community activist, Mrs. Snyder spearheaded the establishment of the South County Neighborhood Center in Boca Raton which, in time, grew into the Florence Fuller Day Care Center and the Mae Volen Senior Center. Subsequent to her career as a reporter, Mrs. Snyder embarked on a new endeavor as private investigator. In 1975 she was named one of fourteen \"Outstanding Women of Florida\" by Governor Ruben Askew and one of \"Florida's Finest\" in 1996 by Governor Lawton Chiles. This collection is a compilation of Mrs. Snyder's work as a poet, news reporter, private investigator, and community activist.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["SPC00024","/repositories/2/resources/40"],"normalized_date_ssm":["1890-2011, Date acquired: 07/15/2011, bulk 1970-1990"],"normalized_title_ssm":["Virginia Snyder Collection, 1890-2011, Date acquired: 07/15/2011, bulk 1970-1990"],"collection_title_tesim":["Virginia Snyder Collection, 1890-2011, Date acquired: 07/15/2011, bulk 1970-1990"],"collection_ssim":["Virginia Snyder Collection, 1890-2011, Date acquired: 07/15/2011, bulk 1970-1990"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). 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Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"has_online_content_ssim":["false"],"extent_ssm":["43.00 Linear Feet","83 boxes other_unmapped"],"extent_tesim":["43.00 Linear Feet","83 boxes other_unmapped"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2012, Rrick Cullen, Jaclyn Nowack, and Teresa Van Dyke processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2012, Rrick Cullen, Jaclyn Nowack, and Teresa Van Dyke processed this collection."],"scopecontent_html_tesm":["\u003cp\u003eBorn near Winchester, Virginia in 1920, Virginia Artrip Snyder moved to Boca Raton, Florida when she entered the inaugural class at Florida Atlantic University in 1964. 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As a community activist, Mrs. Snyder spearheaded the establishment of the South County Neighborhood Center in Boca Raton which, in time, grew into the Florence Fuller Day Care Center and the Mae Volen Senior Center. Subsequent to her career as a reporter, Mrs. Snyder embarked on a new endeavor as private investigator. In 1975 she was named one of fourteen \"Outstanding Women of Florida\" by Governor Ruben Askew and one of \"Florida's Finest\" in 1996 by Governor Lawton Chiles. This collection is a compilation of Mrs. Snyder's work as a poet, news reporter, private investigator, and community activist."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2783,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842130979618816,"_root_":"0f3ff22ed6c6664bd88a5adc","timestamp":"2026-07-16T03:54:50.079Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/0f3ff22ed6c6664bd88a5adc"}},{"id":"9646530ffefd538c63ce134a","type":"collection","attributes":{"title":"Visual Representation of Women Collection, bulk 1900-2019","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/9646530ffefd538c63ce134a#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Visual Representation of Women Collection is a postcard collection that focuses on representational images of women from around the globe. Covering the gamut of postcard types, images portray the many social constructions of womanhood and their attendant meanings. Containing a variety of mass produced postcards to unique artist renditions, the collection is an ongoing project of FAU University Libraries' Special Collections that will build over time.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/9646530ffefd538c63ce134a#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"9646530ffefd538c63ce134a","title_ssm":["Visual Representation of Women Collection"],"title_tesim":["Visual Representation of Women Collection"],"ead_ssi":"9646530ffefd538c63ce134a","unitdate_ssm":["1900-2019"],"unitdate_bulk_ssim":["1900-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC00043","/repositories/2/resources/178"],"text":["SPC00043","/repositories/2/resources/178","Visual Representation of Women Collection, bulk 1900-2019","Caricatures and cartoons -- United States -- 19th century","Gender matters in U.S. politics","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","The Visual Representation of Women Collection is a postcard collection that focuses on representational images of women from around the globe. Covering the gamut of postcard types, images portray the many social constructions of womanhood and their attendant meanings. Containing a variety of mass produced postcards to unique artist renditions, the collection is an ongoing project of FAU University Libraries' Special Collections that will build over time.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.","Florida Atlantic University Libraries","English"],"unitid_tesim":["SPC00043","/repositories/2/resources/178"],"normalized_date_ssm":["bulk 1900-2019"],"normalized_title_ssm":["Visual Representation of Women Collection, bulk 1900-2019"],"collection_title_tesim":["Visual Representation of Women Collection, bulk 1900-2019"],"collection_ssim":["Visual Representation of Women Collection, bulk 1900-2019"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"access_subjects_ssim":["Caricatures and cartoons -- United States -- 19th century","Gender matters in U.S. politics"],"access_subjects_ssm":["Caricatures and cartoons -- United States -- 19th century","Gender matters in U.S. politics"],"has_online_content_ssim":["false"],"extent_ssm":["1 boxes"],"extent_tesim":["1 boxes"],"physfacet_tesim":["Postcard collection"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. 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In addition, selected materials are digitized and available electronically through the Digital Library."],"scopecontent_html_tesm":["\u003cp\u003eThe Visual Representation of Women Collection is a postcard collection that focuses on representational images of women from around the globe. Covering the gamut of postcard types, images portray the many social constructions of womanhood and their attendant meanings. Containing a variety of mass produced postcards to unique artist renditions, the collection is an ongoing project of FAU University Libraries' Special Collections that will build over time.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Visual Representation of Women Collection is a postcard collection that focuses on representational images of women from around the globe. Covering the gamut of postcard types, images portray the many social constructions of womanhood and their attendant meanings. Containing a variety of mass produced postcards to unique artist renditions, the collection is an ongoing project of FAU University Libraries' Special Collections that will build over time."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). 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Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":75,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841767970996224,"_root_":"9646530ffefd538c63ce134a","timestamp":"2026-07-16T03:49:04.170Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"9646530ffefd538c63ce134a","title_ssm":["Visual Representation of Women Collection"],"title_tesim":["Visual Representation of Women Collection"],"ead_ssi":"9646530ffefd538c63ce134a","unitdate_ssm":["1900-2019"],"unitdate_bulk_ssim":["1900-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC00043","/repositories/2/resources/178"],"text":["SPC00043","/repositories/2/resources/178","Visual Representation of Women Collection, bulk 1900-2019","Caricatures and cartoons -- United States -- 19th century","Gender matters in U.S. politics","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","The Visual Representation of Women Collection is a postcard collection that focuses on representational images of women from around the globe. Covering the gamut of postcard types, images portray the many social constructions of womanhood and their attendant meanings. Containing a variety of mass produced postcards to unique artist renditions, the collection is an ongoing project of FAU University Libraries' Special Collections that will build over time.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.","Florida Atlantic University Libraries","English"],"unitid_tesim":["SPC00043","/repositories/2/resources/178"],"normalized_date_ssm":["bulk 1900-2019"],"normalized_title_ssm":["Visual Representation of Women Collection, bulk 1900-2019"],"collection_title_tesim":["Visual Representation of Women Collection, bulk 1900-2019"],"collection_ssim":["Visual Representation of Women Collection, bulk 1900-2019"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"access_subjects_ssim":["Caricatures and cartoons -- United States -- 19th century","Gender matters in U.S. politics"],"access_subjects_ssm":["Caricatures and cartoons -- United States -- 19th century","Gender matters in U.S. politics"],"has_online_content_ssim":["false"],"extent_ssm":["1 boxes"],"extent_tesim":["1 boxes"],"physfacet_tesim":["Postcard collection"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"scopecontent_html_tesm":["\u003cp\u003eThe Visual Representation of Women Collection is a postcard collection that focuses on representational images of women from around the globe. Covering the gamut of postcard types, images portray the many social constructions of womanhood and their attendant meanings. Containing a variety of mass produced postcards to unique artist renditions, the collection is an ongoing project of FAU University Libraries' Special Collections that will build over time.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Visual Representation of Women Collection is a postcard collection that focuses on representational images of women from around the globe. Covering the gamut of postcard types, images portray the many social constructions of womanhood and their attendant meanings. Containing a variety of mass produced postcards to unique artist renditions, the collection is an ongoing project of FAU University Libraries' Special Collections that will build over time."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":75,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841767970996224,"_root_":"9646530ffefd538c63ce134a","timestamp":"2026-07-16T03:49:04.170Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9646530ffefd538c63ce134a"}},{"id":"edc1f8792c912192f7c15d4d","type":"collection","attributes":{"title":"Vivian D. and John H. Hewitt Collection, 1942-2020","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/edc1f8792c912192f7c15d4d#abstract_or_scope","type":"document_value","attributes":{"value":["The Vivian D. and John H. Hewitt Collection contains Haitian art and materials focusing on Black art, particulaly those representing the history and culture of Haiti."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/edc1f8792c912192f7c15d4d#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"edc1f8792c912192f7c15d4d","title_filing_ssi":"Hewitt, Vivian D. and John H. Collection","title_ssm":["Vivian D. and John H. Hewitt Collection"],"title_tesim":["Vivian D. and John H. Hewitt Collection"],"ead_ssi":"edc1f8792c912192f7c15d4d","unitdate_ssm":["1942-2020"],"unitdate_inclusive_ssm":["1942-2020"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2004.7","/repositories/2/resources/48"],"text":["AARLCC.2004.7","/repositories/2/resources/48","Vivian D. and John H. Hewitt Collection, 1942-2020","African American art -- Collectors and collecting","Art, Haitian","African American librarians","African American librarians","Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art","The Vivian D. and John H. Hewitt Collection is open for research.","View a selection of digitized materials from the Vivian D. and John H. Hewitt Collection in the Broward County Library Digital Archives.","John Hamilton Hewitt Jr. and Vivian Davidson Hewitt married in December 1949 and collected art from the African Diaspora. Their art collection of over 500 pieces primarily contained African American and Haitian art. Portions of the collection that they amassed now reside at several major museums throughout the United States.","John Hamilton Hewitt Jr. was born in 1924 in New York City, New York. He attended Harvard College and New York University where he obtained his Master's degree in 1949. Hewitt was an instructor for the Department of English and co-chairman for the Division of Humanities at Morehouse College in Atlanta. Hewitt also held the post of reporter for the New York Amsterdam News; later on he became a medical writer for the Medical Tribune, and served as an editor for both Hospital Practice and Emergency Medicine. Hewitt wrote various articles in publications such as the New York History, the Massachusetts Review, Afro-Americans in New York Life and History, and the International Review of African American Art. He was a member of the American Medical Writers Association. John Hewitt passed away on February 25, 2000.","Vivian Ann Davidson was born on February 17, 1920 in New Castle, Pennsylvania. She earned a Bachelor's degree in Education from Geneva College in 1943 and a M.S. degree in library science from Carnegie-Mellon University in Pittsburg, Pennsylvania in 1944. Vivian Hewitt worked as a librarian in Pittsburg and Atlanta, Georgia. She was the first black woman to serve as a librarian in the city of Pittsburgh. From 1963 to 1983, she was the chief librarian at the Carnegie Endowment for International Peace. Vivian was the first African American president of the Special Libraries Association (1978-1979). She was awarded the Distinguished Alumni Citation from the University of Pittsburgh-Carnegie Library School Alumni Association, Merit Award from Carnegie Mellon University, and the L.H.D. from Geneva College. In addition to being recognized by her alma maters, she was recognized by the American Library Association, and in 1984 she was inducted into the organization's Hall of Fame. In 2016, Queen Elizabeth II of Great Britain bestowed the title of Dame upon Hewitt for her work in the service of humanity. In 2017, Hewitt received an Honorary Doctor of Humane Letters degree at Carnegie Mellon University's 120th Commencement. She passed away on May 29, 2022.","John and Vivian Hewitt had one son, John Hewitt III (1952-2022).","The Hewitts moved to New York in 1951. In the 1960s, the Hewitts collected primarily Haitian art. In the 1970s, the Hewitts began exhibiting their collection of art in their Sugar Hill, Harlem home and became enmeshed in New York's art community. J. Eugene Grigsby, Vivian Hewitt's cousin and internationally acclaimed artist, introduced the couple to many artists. At that time the couple began collecting art by African American artists as well.","In 1998, the Hewitts sold 58 of their major works to the Bank of America which resulted in a travelling exhibition of the pieces at 25 museums. In 2009, the Bank of America donated the collection to the Harvey B. Gantt Center for African-American Arts and Culture.","In 1998, Vivian Hewitt attended two fundraisers for the construction of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. In 2002, artwork from her collection was exhibited at AARLCC in \"Celebration and Vision: The Hewitt Collection of African-American Art.\" Also in 2002, Vivian Hewitt donated 14 pieces of Haitian art from their collection to the Broward County Library in memory of her husband, John H. Hewitt, Jr. Along with the art she also donated personal papers as well as books and other supporting materials. In 2022, in celebration of the 20th anniversary of the opening of the African American Research Library and Cultural Center, the library held an exhibit titled \"Collectors' Duet: The Lifelong Librarianship of Vivian D. Hewitt and Dorothy Porter Wesley.\"","The Vivian D. and John H. Hewitt Collection received file level processing by Afua Ferdnance and Emily Calderon in 2021. Additional materials were processed at the item level by Erin Purdy in April 2025. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The John and Vivian Hewitt Collection of African-American Art, Harvey B. Gantt Center for African-American Arts and Culture.","The Vivian D. and John H. Hewitt Collection contains 14 pieces of art created by 10 prominent Haitian artists dating from circa 1960 to 1985. The artists whose works reside in the collection are Luckner Lazard (1928-1998), Favrange Valcin (1947-2010), Luce Turnier (1924-1994), Hervé Télémaque (1937-2022), Jacques-Enguerrand Gourgue (1930-1996), Carlo Jean-Jacques (1943-1990), L. Janvier, Charles Obas (1927-1969), Alexandre Grégoire (1922-2001), and E. Paul.","The collection also contains materials that document the couple's collecting activities over the course of more than 50 years as well as the history of the artworks in their collection. These materials include correspondence belonging to Vivian D. and John H. Hewitt, publications such as exhibition catalogs, magazines, articles and newsletters, 63 books, newspaper clippings, auction lists, exhibition ephemera, brochures, typed manuscripts, maps, and two telephone directories.","Materials from this collection were cataloged in the Broward County Library catalog with the prefix \"HEW\".","The Vivian D. and John H. Hewitt Collection contains Haitian art and materials focusing on Black art, particulaly those representing the history and culture of Haiti.","AARLCC Special Collections","Hewitt, Vivian D.","Jacques Gourgue","Alexandre Gregoire","Carlo Jean-Jacques, 1943-1990","L. Janvier","Lucner Lazard, 1928-1998","Charles Obas, 1927-","Hervé Télémaque, 1937-","Luce Turnier, 1924-1994","Favrange Valcin, 1947-","The collection is primarily in English but includes materials in French, Haitian Creole, and German."],"unitid_tesim":["AARLCC.2004.7","/repositories/2/resources/48"],"normalized_date_ssm":["1942-2020"],"normalized_title_ssm":["Vivian D. and John H. Hewitt Collection, 1942-2020"],"collection_title_tesim":["Vivian D. and John H. Hewitt Collection, 1942-2020"],"collection_ssim":["Vivian D. and John H. Hewitt Collection, 1942-2020"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"acqinfo_ssim":["Vivian Davidson Hewitt donated the materials to the Broward County Library in memory of her husband, John H. Hewitt, Jr. in 2002 (Accession AARLCC-2004.7)."],"access_subjects_ssim":["African American art -- Collectors and collecting","Art, Haitian","African American librarians","African American librarians","Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art"],"access_subjects_ssm":["African American art -- Collectors and collecting","Art, Haitian","African American librarians","African American librarians","Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art"],"has_online_content_ssim":["false"],"extent_ssm":["4 Hollinger Boxes","14 Artwork","63 Books"],"extent_tesim":["4 Hollinger Boxes","14 Artwork","63 Books"],"genreform_ssim":["Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Vivian D. and John H. Hewitt Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/jandvhewitt/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Vivian D. and John H. Hewitt Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Vivian D. and John H. Hewitt Collection in the Broward County Library Digital Archives."],"bioghist_html_tesm":["\u003cp\u003eJohn Hamilton Hewitt Jr. and Vivian Davidson Hewitt married in December 1949 and collected art from the African Diaspora. Their art collection of over 500 pieces primarily contained African American and Haitian art. Portions of the collection that they amassed now reside at several major museums throughout the United States.\u003c/p\u003e\n","\u003cp\u003eJohn Hamilton Hewitt Jr. was born in 1924 in New York City, New York. He attended Harvard College and New York University where he obtained his Master's degree in 1949. Hewitt was an instructor for the Department of English and co-chairman for the Division of Humanities at Morehouse College in Atlanta. Hewitt also held the post of reporter for the New York Amsterdam News; later on he became a medical writer for the Medical Tribune, and served as an editor for both Hospital Practice and Emergency Medicine. Hewitt wrote various articles in publications such as the New York History, the Massachusetts Review, Afro-Americans in New York Life and History, and the International Review of African American Art. He was a member of the American Medical Writers Association. John Hewitt passed away on February 25, 2000.\u003c/p\u003e\n","\u003cp\u003eVivian Ann Davidson was born on February 17, 1920 in New Castle, Pennsylvania. She earned a Bachelor's degree in Education from Geneva College in 1943 and a M.S. degree in library science from Carnegie-Mellon University in Pittsburg, Pennsylvania in 1944. Vivian Hewitt worked as a librarian in Pittsburg and Atlanta, Georgia. She was the first black woman to serve as a librarian in the city of Pittsburgh. From 1963 to 1983, she was the chief librarian at the Carnegie Endowment for International Peace. Vivian was the first African American president of the Special Libraries Association (1978-1979). She was awarded the Distinguished Alumni Citation from the University of Pittsburgh-Carnegie Library School Alumni Association, Merit Award from Carnegie Mellon University, and the L.H.D. from Geneva College. In addition to being recognized by her alma maters, she was recognized by the American Library Association, and in 1984 she was inducted into the organization's Hall of Fame. In 2016, Queen Elizabeth II of Great Britain bestowed the title of Dame upon Hewitt for her work in the service of humanity. In 2017, Hewitt received an Honorary Doctor of Humane Letters degree at Carnegie Mellon University's 120th Commencement. She passed away on May 29, 2022.\u003c/p\u003e\n","\u003cp\u003eJohn and Vivian Hewitt had one son, John Hewitt III (1952-2022).\u003c/p\u003e\n","\u003cp\u003eThe Hewitts moved to New York in 1951. In the 1960s, the Hewitts collected primarily Haitian art. In the 1970s, the Hewitts began exhibiting their collection of art in their Sugar Hill, Harlem home and became enmeshed in New York's art community. J. Eugene Grigsby, Vivian Hewitt's cousin and internationally acclaimed artist, introduced the couple to many artists. At that time the couple began collecting art by African American artists as well.\u003c/p\u003e\n","\u003cp\u003eIn 1998, the Hewitts sold 58 of their major works to the Bank of America which resulted in a travelling exhibition of the pieces at 25 museums. In 2009, the Bank of America donated the collection to the Harvey B. Gantt Center for African-American Arts and Culture.\u003c/p\u003e\n","\u003cp\u003eIn 1998, Vivian Hewitt attended two fundraisers for the construction of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. In 2002, artwork from her collection was exhibited at AARLCC in \"Celebration and Vision: The Hewitt Collection of African-American Art.\" Also in 2002, Vivian Hewitt donated 14 pieces of Haitian art from their collection to the Broward County Library in memory of her husband, John H. Hewitt, Jr. Along with the art she also donated personal papers as well as books and other supporting materials. In 2022, in celebration of the 20th anniversary of the opening of the African American Research Library and Cultural Center, the library held an exhibit titled \"Collectors' Duet: The Lifelong Librarianship of Vivian D. Hewitt and Dorothy Porter Wesley.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["John Hamilton Hewitt Jr. and Vivian Davidson Hewitt married in December 1949 and collected art from the African Diaspora. Their art collection of over 500 pieces primarily contained African American and Haitian art. Portions of the collection that they amassed now reside at several major museums throughout the United States.","John Hamilton Hewitt Jr. was born in 1924 in New York City, New York. He attended Harvard College and New York University where he obtained his Master's degree in 1949. Hewitt was an instructor for the Department of English and co-chairman for the Division of Humanities at Morehouse College in Atlanta. Hewitt also held the post of reporter for the New York Amsterdam News; later on he became a medical writer for the Medical Tribune, and served as an editor for both Hospital Practice and Emergency Medicine. Hewitt wrote various articles in publications such as the New York History, the Massachusetts Review, Afro-Americans in New York Life and History, and the International Review of African American Art. He was a member of the American Medical Writers Association. John Hewitt passed away on February 25, 2000.","Vivian Ann Davidson was born on February 17, 1920 in New Castle, Pennsylvania. She earned a Bachelor's degree in Education from Geneva College in 1943 and a M.S. degree in library science from Carnegie-Mellon University in Pittsburg, Pennsylvania in 1944. Vivian Hewitt worked as a librarian in Pittsburg and Atlanta, Georgia. She was the first black woman to serve as a librarian in the city of Pittsburgh. From 1963 to 1983, she was the chief librarian at the Carnegie Endowment for International Peace. Vivian was the first African American president of the Special Libraries Association (1978-1979). She was awarded the Distinguished Alumni Citation from the University of Pittsburgh-Carnegie Library School Alumni Association, Merit Award from Carnegie Mellon University, and the L.H.D. from Geneva College. In addition to being recognized by her alma maters, she was recognized by the American Library Association, and in 1984 she was inducted into the organization's Hall of Fame. In 2016, Queen Elizabeth II of Great Britain bestowed the title of Dame upon Hewitt for her work in the service of humanity. In 2017, Hewitt received an Honorary Doctor of Humane Letters degree at Carnegie Mellon University's 120th Commencement. She passed away on May 29, 2022.","John and Vivian Hewitt had one son, John Hewitt III (1952-2022).","The Hewitts moved to New York in 1951. In the 1960s, the Hewitts collected primarily Haitian art. In the 1970s, the Hewitts began exhibiting their collection of art in their Sugar Hill, Harlem home and became enmeshed in New York's art community. J. Eugene Grigsby, Vivian Hewitt's cousin and internationally acclaimed artist, introduced the couple to many artists. At that time the couple began collecting art by African American artists as well.","In 1998, the Hewitts sold 58 of their major works to the Bank of America which resulted in a travelling exhibition of the pieces at 25 museums. In 2009, the Bank of America donated the collection to the Harvey B. Gantt Center for African-American Arts and Culture.","In 1998, Vivian Hewitt attended two fundraisers for the construction of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. In 2002, artwork from her collection was exhibited at AARLCC in \"Celebration and Vision: The Hewitt Collection of African-American Art.\" Also in 2002, Vivian Hewitt donated 14 pieces of Haitian art from their collection to the Broward County Library in memory of her husband, John H. Hewitt, Jr. Along with the art she also donated personal papers as well as books and other supporting materials. In 2022, in celebration of the 20th anniversary of the opening of the African American Research Library and Cultural Center, the library held an exhibit titled \"Collectors' Duet: The Lifelong Librarianship of Vivian D. Hewitt and Dorothy Porter Wesley.\""],"prefercite_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection, African-American Research Library and Cultural Center Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["The Vivian D. and John H. Hewitt Collection, African-American Research Library and Cultural Center Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection received file level processing by Afua Ferdnance and Emily Calderon in 2021. Additional materials were processed at the item level by Erin Purdy in April 2025. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Vivian D. and John H. Hewitt Collection received file level processing by Afua Ferdnance and Emily Calderon in 2021. Additional materials were processed at the item level by Erin Purdy in April 2025. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003eThe John and Vivian Hewitt Collection of African-American Art, Harvey B. Gantt Center for African-American Arts and Culture.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The John and Vivian Hewitt Collection of African-American Art, Harvey B. Gantt Center for African-American Arts and Culture."],"scopecontent_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection contains 14 pieces of art created by 10 prominent Haitian artists dating from circa 1960 to 1985. The artists whose works reside in the collection are Luckner Lazard (1928-1998), Favrange Valcin (1947-2010), Luce Turnier (1924-1994), Herv\u0026#xE9; T\u0026#xE9;l\u0026#xE9;maque (1937-2022), Jacques-Enguerrand Gourgue (1930-1996), Carlo Jean-Jacques (1943-1990), L. Janvier, Charles Obas (1927-1969), Alexandre Gr\u0026#xE9;goire (1922-2001), and E. Paul.\u003c/p\u003e\n","\u003cp\u003eThe collection also contains materials that document the couple's collecting activities over the course of more than 50 years as well as the history of the artworks in their collection. These materials include correspondence belonging to Vivian D. and John H. Hewitt, publications such as exhibition catalogs, magazines, articles and newsletters, 63 books, newspaper clippings, auction lists, exhibition ephemera, brochures, typed manuscripts, maps, and two telephone directories.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Vivian D. and John H. Hewitt Collection contains 14 pieces of art created by 10 prominent Haitian artists dating from circa 1960 to 1985. The artists whose works reside in the collection are Luckner Lazard (1928-1998), Favrange Valcin (1947-2010), Luce Turnier (1924-1994), Hervé Télémaque (1937-2022), Jacques-Enguerrand Gourgue (1930-1996), Carlo Jean-Jacques (1943-1990), L. Janvier, Charles Obas (1927-1969), Alexandre Grégoire (1922-2001), and E. Paul.","The collection also contains materials that document the couple's collecting activities over the course of more than 50 years as well as the history of the artworks in their collection. These materials include correspondence belonging to Vivian D. and John H. Hewitt, publications such as exhibition catalogs, magazines, articles and newsletters, 63 books, newspaper clippings, auction lists, exhibition ephemera, brochures, typed manuscripts, maps, and two telephone directories."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=HEW\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eMaterials from this collection were cataloged in the Broward County Library catalog with the prefix \"HEW\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Materials from this collection were cataloged in the Broward County Library catalog with the prefix \"HEW\"."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f20256a848bf64fa36b26feb824aee7d\"\u003eThe Vivian D. and John H. Hewitt Collection contains Haitian art and materials focusing on Black art, particulaly those representing the history and culture of Haiti.\u003c/abstract\u003e"],"abstract_tesim":["The Vivian D. and John H. Hewitt Collection contains Haitian art and materials focusing on Black art, particulaly those representing the history and culture of Haiti."],"names_ssim":["AARLCC Special Collections","Hewitt, Vivian D.","Jacques Gourgue","Alexandre Gregoire","Carlo Jean-Jacques, 1943-1990","L. Janvier","Lucner Lazard, 1928-1998","Charles Obas, 1927-","Hervé Télémaque, 1937-","Luce Turnier, 1924-1994","Favrange Valcin, 1947-"],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Hewitt, Vivian D."],"persname_ssim":["Hewitt, Vivian D.","Jacques Gourgue","Alexandre Gregoire","Carlo Jean-Jacques, 1943-1990","L. Janvier","Lucner Lazard, 1928-1998","Charles Obas, 1927-","Hervé Télémaque, 1937-","Luce Turnier, 1924-1994","Favrange Valcin, 1947-"],"language_ssim":["The collection is primarily in English but includes materials in French, Haitian Creole, and German."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":157,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455832185470976,"_root_":"edc1f8792c912192f7c15d4d","timestamp":"2026-09-16T03:02:13.023Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"edc1f8792c912192f7c15d4d","title_filing_ssi":"Hewitt, Vivian D. and John H. Collection","title_ssm":["Vivian D. and John H. Hewitt Collection"],"title_tesim":["Vivian D. and John H. Hewitt Collection"],"ead_ssi":"edc1f8792c912192f7c15d4d","unitdate_ssm":["1942-2020"],"unitdate_inclusive_ssm":["1942-2020"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2004.7","/repositories/2/resources/48"],"text":["AARLCC.2004.7","/repositories/2/resources/48","Vivian D. and John H. Hewitt Collection, 1942-2020","African American art -- Collectors and collecting","Art, Haitian","African American librarians","African American librarians","Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art","The Vivian D. and John H. Hewitt Collection is open for research.","View a selection of digitized materials from the Vivian D. and John H. Hewitt Collection in the Broward County Library Digital Archives.","John Hamilton Hewitt Jr. and Vivian Davidson Hewitt married in December 1949 and collected art from the African Diaspora. Their art collection of over 500 pieces primarily contained African American and Haitian art. Portions of the collection that they amassed now reside at several major museums throughout the United States.","John Hamilton Hewitt Jr. was born in 1924 in New York City, New York. He attended Harvard College and New York University where he obtained his Master's degree in 1949. Hewitt was an instructor for the Department of English and co-chairman for the Division of Humanities at Morehouse College in Atlanta. Hewitt also held the post of reporter for the New York Amsterdam News; later on he became a medical writer for the Medical Tribune, and served as an editor for both Hospital Practice and Emergency Medicine. Hewitt wrote various articles in publications such as the New York History, the Massachusetts Review, Afro-Americans in New York Life and History, and the International Review of African American Art. He was a member of the American Medical Writers Association. John Hewitt passed away on February 25, 2000.","Vivian Ann Davidson was born on February 17, 1920 in New Castle, Pennsylvania. She earned a Bachelor's degree in Education from Geneva College in 1943 and a M.S. degree in library science from Carnegie-Mellon University in Pittsburg, Pennsylvania in 1944. Vivian Hewitt worked as a librarian in Pittsburg and Atlanta, Georgia. She was the first black woman to serve as a librarian in the city of Pittsburgh. From 1963 to 1983, she was the chief librarian at the Carnegie Endowment for International Peace. Vivian was the first African American president of the Special Libraries Association (1978-1979). She was awarded the Distinguished Alumni Citation from the University of Pittsburgh-Carnegie Library School Alumni Association, Merit Award from Carnegie Mellon University, and the L.H.D. from Geneva College. In addition to being recognized by her alma maters, she was recognized by the American Library Association, and in 1984 she was inducted into the organization's Hall of Fame. In 2016, Queen Elizabeth II of Great Britain bestowed the title of Dame upon Hewitt for her work in the service of humanity. In 2017, Hewitt received an Honorary Doctor of Humane Letters degree at Carnegie Mellon University's 120th Commencement. She passed away on May 29, 2022.","John and Vivian Hewitt had one son, John Hewitt III (1952-2022).","The Hewitts moved to New York in 1951. In the 1960s, the Hewitts collected primarily Haitian art. In the 1970s, the Hewitts began exhibiting their collection of art in their Sugar Hill, Harlem home and became enmeshed in New York's art community. J. Eugene Grigsby, Vivian Hewitt's cousin and internationally acclaimed artist, introduced the couple to many artists. At that time the couple began collecting art by African American artists as well.","In 1998, the Hewitts sold 58 of their major works to the Bank of America which resulted in a travelling exhibition of the pieces at 25 museums. In 2009, the Bank of America donated the collection to the Harvey B. Gantt Center for African-American Arts and Culture.","In 1998, Vivian Hewitt attended two fundraisers for the construction of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. In 2002, artwork from her collection was exhibited at AARLCC in \"Celebration and Vision: The Hewitt Collection of African-American Art.\" Also in 2002, Vivian Hewitt donated 14 pieces of Haitian art from their collection to the Broward County Library in memory of her husband, John H. Hewitt, Jr. Along with the art she also donated personal papers as well as books and other supporting materials. In 2022, in celebration of the 20th anniversary of the opening of the African American Research Library and Cultural Center, the library held an exhibit titled \"Collectors' Duet: The Lifelong Librarianship of Vivian D. Hewitt and Dorothy Porter Wesley.\"","The Vivian D. and John H. Hewitt Collection received file level processing by Afua Ferdnance and Emily Calderon in 2021. Additional materials were processed at the item level by Erin Purdy in April 2025. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The John and Vivian Hewitt Collection of African-American Art, Harvey B. Gantt Center for African-American Arts and Culture.","The Vivian D. and John H. Hewitt Collection contains 14 pieces of art created by 10 prominent Haitian artists dating from circa 1960 to 1985. The artists whose works reside in the collection are Luckner Lazard (1928-1998), Favrange Valcin (1947-2010), Luce Turnier (1924-1994), Hervé Télémaque (1937-2022), Jacques-Enguerrand Gourgue (1930-1996), Carlo Jean-Jacques (1943-1990), L. Janvier, Charles Obas (1927-1969), Alexandre Grégoire (1922-2001), and E. Paul.","The collection also contains materials that document the couple's collecting activities over the course of more than 50 years as well as the history of the artworks in their collection. These materials include correspondence belonging to Vivian D. and John H. Hewitt, publications such as exhibition catalogs, magazines, articles and newsletters, 63 books, newspaper clippings, auction lists, exhibition ephemera, brochures, typed manuscripts, maps, and two telephone directories.","Materials from this collection were cataloged in the Broward County Library catalog with the prefix \"HEW\".","The Vivian D. and John H. Hewitt Collection contains Haitian art and materials focusing on Black art, particulaly those representing the history and culture of Haiti.","AARLCC Special Collections","Hewitt, Vivian D.","Jacques Gourgue","Alexandre Gregoire","Carlo Jean-Jacques, 1943-1990","L. Janvier","Lucner Lazard, 1928-1998","Charles Obas, 1927-","Hervé Télémaque, 1937-","Luce Turnier, 1924-1994","Favrange Valcin, 1947-","The collection is primarily in English but includes materials in French, Haitian Creole, and German."],"unitid_tesim":["AARLCC.2004.7","/repositories/2/resources/48"],"normalized_date_ssm":["1942-2020"],"normalized_title_ssm":["Vivian D. and John H. Hewitt Collection, 1942-2020"],"collection_title_tesim":["Vivian D. and John H. Hewitt Collection, 1942-2020"],"collection_ssim":["Vivian D. and John H. Hewitt Collection, 1942-2020"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"acqinfo_ssim":["Vivian Davidson Hewitt donated the materials to the Broward County Library in memory of her husband, John H. Hewitt, Jr. in 2002 (Accession AARLCC-2004.7)."],"access_subjects_ssim":["African American art -- Collectors and collecting","Art, Haitian","African American librarians","African American librarians","Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art"],"access_subjects_ssm":["African American art -- Collectors and collecting","Art, Haitian","African American librarians","African American librarians","Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art"],"has_online_content_ssim":["false"],"extent_ssm":["4 Hollinger Boxes","14 Artwork","63 Books"],"extent_tesim":["4 Hollinger Boxes","14 Artwork","63 Books"],"genreform_ssim":["Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Vivian D. and John H. Hewitt Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/jandvhewitt/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Vivian D. and John H. Hewitt Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Vivian D. and John H. Hewitt Collection in the Broward County Library Digital Archives."],"bioghist_html_tesm":["\u003cp\u003eJohn Hamilton Hewitt Jr. and Vivian Davidson Hewitt married in December 1949 and collected art from the African Diaspora. Their art collection of over 500 pieces primarily contained African American and Haitian art. Portions of the collection that they amassed now reside at several major museums throughout the United States.\u003c/p\u003e\n","\u003cp\u003eJohn Hamilton Hewitt Jr. was born in 1924 in New York City, New York. He attended Harvard College and New York University where he obtained his Master's degree in 1949. Hewitt was an instructor for the Department of English and co-chairman for the Division of Humanities at Morehouse College in Atlanta. Hewitt also held the post of reporter for the New York Amsterdam News; later on he became a medical writer for the Medical Tribune, and served as an editor for both Hospital Practice and Emergency Medicine. Hewitt wrote various articles in publications such as the New York History, the Massachusetts Review, Afro-Americans in New York Life and History, and the International Review of African American Art. He was a member of the American Medical Writers Association. John Hewitt passed away on February 25, 2000.\u003c/p\u003e\n","\u003cp\u003eVivian Ann Davidson was born on February 17, 1920 in New Castle, Pennsylvania. She earned a Bachelor's degree in Education from Geneva College in 1943 and a M.S. degree in library science from Carnegie-Mellon University in Pittsburg, Pennsylvania in 1944. Vivian Hewitt worked as a librarian in Pittsburg and Atlanta, Georgia. She was the first black woman to serve as a librarian in the city of Pittsburgh. From 1963 to 1983, she was the chief librarian at the Carnegie Endowment for International Peace. Vivian was the first African American president of the Special Libraries Association (1978-1979). She was awarded the Distinguished Alumni Citation from the University of Pittsburgh-Carnegie Library School Alumni Association, Merit Award from Carnegie Mellon University, and the L.H.D. from Geneva College. In addition to being recognized by her alma maters, she was recognized by the American Library Association, and in 1984 she was inducted into the organization's Hall of Fame. In 2016, Queen Elizabeth II of Great Britain bestowed the title of Dame upon Hewitt for her work in the service of humanity. In 2017, Hewitt received an Honorary Doctor of Humane Letters degree at Carnegie Mellon University's 120th Commencement. She passed away on May 29, 2022.\u003c/p\u003e\n","\u003cp\u003eJohn and Vivian Hewitt had one son, John Hewitt III (1952-2022).\u003c/p\u003e\n","\u003cp\u003eThe Hewitts moved to New York in 1951. In the 1960s, the Hewitts collected primarily Haitian art. In the 1970s, the Hewitts began exhibiting their collection of art in their Sugar Hill, Harlem home and became enmeshed in New York's art community. J. Eugene Grigsby, Vivian Hewitt's cousin and internationally acclaimed artist, introduced the couple to many artists. At that time the couple began collecting art by African American artists as well.\u003c/p\u003e\n","\u003cp\u003eIn 1998, the Hewitts sold 58 of their major works to the Bank of America which resulted in a travelling exhibition of the pieces at 25 museums. In 2009, the Bank of America donated the collection to the Harvey B. Gantt Center for African-American Arts and Culture.\u003c/p\u003e\n","\u003cp\u003eIn 1998, Vivian Hewitt attended two fundraisers for the construction of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. In 2002, artwork from her collection was exhibited at AARLCC in \"Celebration and Vision: The Hewitt Collection of African-American Art.\" Also in 2002, Vivian Hewitt donated 14 pieces of Haitian art from their collection to the Broward County Library in memory of her husband, John H. Hewitt, Jr. Along with the art she also donated personal papers as well as books and other supporting materials. In 2022, in celebration of the 20th anniversary of the opening of the African American Research Library and Cultural Center, the library held an exhibit titled \"Collectors' Duet: The Lifelong Librarianship of Vivian D. Hewitt and Dorothy Porter Wesley.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["John Hamilton Hewitt Jr. and Vivian Davidson Hewitt married in December 1949 and collected art from the African Diaspora. Their art collection of over 500 pieces primarily contained African American and Haitian art. Portions of the collection that they amassed now reside at several major museums throughout the United States.","John Hamilton Hewitt Jr. was born in 1924 in New York City, New York. He attended Harvard College and New York University where he obtained his Master's degree in 1949. Hewitt was an instructor for the Department of English and co-chairman for the Division of Humanities at Morehouse College in Atlanta. Hewitt also held the post of reporter for the New York Amsterdam News; later on he became a medical writer for the Medical Tribune, and served as an editor for both Hospital Practice and Emergency Medicine. Hewitt wrote various articles in publications such as the New York History, the Massachusetts Review, Afro-Americans in New York Life and History, and the International Review of African American Art. He was a member of the American Medical Writers Association. John Hewitt passed away on February 25, 2000.","Vivian Ann Davidson was born on February 17, 1920 in New Castle, Pennsylvania. She earned a Bachelor's degree in Education from Geneva College in 1943 and a M.S. degree in library science from Carnegie-Mellon University in Pittsburg, Pennsylvania in 1944. Vivian Hewitt worked as a librarian in Pittsburg and Atlanta, Georgia. She was the first black woman to serve as a librarian in the city of Pittsburgh. From 1963 to 1983, she was the chief librarian at the Carnegie Endowment for International Peace. Vivian was the first African American president of the Special Libraries Association (1978-1979). She was awarded the Distinguished Alumni Citation from the University of Pittsburgh-Carnegie Library School Alumni Association, Merit Award from Carnegie Mellon University, and the L.H.D. from Geneva College. In addition to being recognized by her alma maters, she was recognized by the American Library Association, and in 1984 she was inducted into the organization's Hall of Fame. In 2016, Queen Elizabeth II of Great Britain bestowed the title of Dame upon Hewitt for her work in the service of humanity. In 2017, Hewitt received an Honorary Doctor of Humane Letters degree at Carnegie Mellon University's 120th Commencement. She passed away on May 29, 2022.","John and Vivian Hewitt had one son, John Hewitt III (1952-2022).","The Hewitts moved to New York in 1951. In the 1960s, the Hewitts collected primarily Haitian art. In the 1970s, the Hewitts began exhibiting their collection of art in their Sugar Hill, Harlem home and became enmeshed in New York's art community. J. Eugene Grigsby, Vivian Hewitt's cousin and internationally acclaimed artist, introduced the couple to many artists. At that time the couple began collecting art by African American artists as well.","In 1998, the Hewitts sold 58 of their major works to the Bank of America which resulted in a travelling exhibition of the pieces at 25 museums. In 2009, the Bank of America donated the collection to the Harvey B. Gantt Center for African-American Arts and Culture.","In 1998, Vivian Hewitt attended two fundraisers for the construction of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. In 2002, artwork from her collection was exhibited at AARLCC in \"Celebration and Vision: The Hewitt Collection of African-American Art.\" Also in 2002, Vivian Hewitt donated 14 pieces of Haitian art from their collection to the Broward County Library in memory of her husband, John H. Hewitt, Jr. Along with the art she also donated personal papers as well as books and other supporting materials. In 2022, in celebration of the 20th anniversary of the opening of the African American Research Library and Cultural Center, the library held an exhibit titled \"Collectors' Duet: The Lifelong Librarianship of Vivian D. Hewitt and Dorothy Porter Wesley.\""],"prefercite_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection, African-American Research Library and Cultural Center Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["The Vivian D. and John H. Hewitt Collection, African-American Research Library and Cultural Center Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection received file level processing by Afua Ferdnance and Emily Calderon in 2021. Additional materials were processed at the item level by Erin Purdy in April 2025. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Vivian D. and John H. Hewitt Collection received file level processing by Afua Ferdnance and Emily Calderon in 2021. Additional materials were processed at the item level by Erin Purdy in April 2025. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003eThe John and Vivian Hewitt Collection of African-American Art, Harvey B. Gantt Center for African-American Arts and Culture.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The John and Vivian Hewitt Collection of African-American Art, Harvey B. Gantt Center for African-American Arts and Culture."],"scopecontent_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection contains 14 pieces of art created by 10 prominent Haitian artists dating from circa 1960 to 1985. The artists whose works reside in the collection are Luckner Lazard (1928-1998), Favrange Valcin (1947-2010), Luce Turnier (1924-1994), Herv\u0026#xE9; T\u0026#xE9;l\u0026#xE9;maque (1937-2022), Jacques-Enguerrand Gourgue (1930-1996), Carlo Jean-Jacques (1943-1990), L. Janvier, Charles Obas (1927-1969), Alexandre Gr\u0026#xE9;goire (1922-2001), and E. Paul.\u003c/p\u003e\n","\u003cp\u003eThe collection also contains materials that document the couple's collecting activities over the course of more than 50 years as well as the history of the artworks in their collection. These materials include correspondence belonging to Vivian D. and John H. Hewitt, publications such as exhibition catalogs, magazines, articles and newsletters, 63 books, newspaper clippings, auction lists, exhibition ephemera, brochures, typed manuscripts, maps, and two telephone directories.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Vivian D. and John H. Hewitt Collection contains 14 pieces of art created by 10 prominent Haitian artists dating from circa 1960 to 1985. The artists whose works reside in the collection are Luckner Lazard (1928-1998), Favrange Valcin (1947-2010), Luce Turnier (1924-1994), Hervé Télémaque (1937-2022), Jacques-Enguerrand Gourgue (1930-1996), Carlo Jean-Jacques (1943-1990), L. Janvier, Charles Obas (1927-1969), Alexandre Grégoire (1922-2001), and E. Paul.","The collection also contains materials that document the couple's collecting activities over the course of more than 50 years as well as the history of the artworks in their collection. These materials include correspondence belonging to Vivian D. and John H. Hewitt, publications such as exhibition catalogs, magazines, articles and newsletters, 63 books, newspaper clippings, auction lists, exhibition ephemera, brochures, typed manuscripts, maps, and two telephone directories."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=HEW\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eMaterials from this collection were cataloged in the Broward County Library catalog with the prefix \"HEW\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Materials from this collection were cataloged in the Broward County Library catalog with the prefix \"HEW\"."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f20256a848bf64fa36b26feb824aee7d\"\u003eThe Vivian D. and John H. Hewitt Collection contains Haitian art and materials focusing on Black art, particulaly those representing the history and culture of Haiti.\u003c/abstract\u003e"],"abstract_tesim":["The Vivian D. and John H. Hewitt Collection contains Haitian art and materials focusing on Black art, particulaly those representing the history and culture of Haiti."],"names_ssim":["AARLCC Special Collections","Hewitt, Vivian D.","Jacques Gourgue","Alexandre Gregoire","Carlo Jean-Jacques, 1943-1990","L. Janvier","Lucner Lazard, 1928-1998","Charles Obas, 1927-","Hervé Télémaque, 1937-","Luce Turnier, 1924-1994","Favrange Valcin, 1947-"],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Hewitt, Vivian D."],"persname_ssim":["Hewitt, Vivian D.","Jacques Gourgue","Alexandre Gregoire","Carlo Jean-Jacques, 1943-1990","L. Janvier","Lucner Lazard, 1928-1998","Charles Obas, 1927-","Hervé Télémaque, 1937-","Luce Turnier, 1924-1994","Favrange Valcin, 1947-"],"language_ssim":["The collection is primarily in English but includes materials in French, Haitian Creole, and German."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":157,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455832185470976,"_root_":"edc1f8792c912192f7c15d4d","timestamp":"2026-09-16T03:02:13.023Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/edc1f8792c912192f7c15d4d"}},{"id":"b5e5ea304e199c990da94015","type":"collection","attributes":{"title":"Vojtěch Kubašta Collection, 1937-2013","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/b5e5ea304e199c990da94015#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Vojtěch Kubašta Collection includes more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery. Vojtěch Kubašta (1914-1992) was a Czech paper engineer, children's book illustrator, and graphic designer. The Bienes Museum acquired the materials from various sources, and the collection also includes books and other research materials related to Kubašta's career. \u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=kubasta\u0026amp;qf=LOCATION%09Shelf+Location%091%3ABIENES%09Bienes+Museum+%7C%7C+1%3ASPEC-COLL%09Special+Collections\u0026amp;st=PD\" target=\"_blank\"\u003eBooks and items from this collection are searchable in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\".\u003c/a\u003e\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b5e5ea304e199c990da94015#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"b5e5ea304e199c990da94015","title_filing_ssi":"Kubašta, Vojtěch Collection","title_ssm":["Vojtěch Kubašta Collection"],"title_tesim":["Vojtěch Kubašta Collection"],"ead_ssi":"b5e5ea304e199c990da94015","unitdate_ssm":["1937-2013"],"unitdate_inclusive_ssm":["1937-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BIENES.2003.2","/repositories/3/resources/312"],"text":["BIENES.2003.2","/repositories/3/resources/312","Vojtěch Kubašta Collection, 1937-2013","Vojtěch Kubašta was born in Vienna, Austria on October 7, 1914, but grew up, lived, and worked in Prague, Czechoslovakia. In 1933 he enrolled in the architecture program at Czech Polytechnic University in Prague (České vysoké učení technické v Praze, ČVUT). During his time there, he was one of four members of a group of students who called themselves the Quadrifoliacs, who collectively worked on many architectural projects together, winning many prizes, and also worked commercially. He graduated in 1938 with a degree in architecture and engineering, and continued working with the Quadrifoliacs on projects including the design of the Hotel Sykovec.","In addition to his studies at the Polytechnic University and work with the Quadrifoliacs, Kubašta started teaching at the Rotter School of Graphic Design around 1937 and for a local plastics manufacturer, Blaklax designing household objects and advertising materials, transitioning from working as an architect to a graphic designer. He began working on book dust jackets, exlibris, and other illustrations, and also designed puppet stage sets and puppet costumes. ","In 1941, Kubašta illustrated Joyful Stories for Children, written by Vlasta Burian, and Folk Tales of Africa, marking his turn towards another (and long-lasting) career in creating children's books. In the 1940s and early 1950s, he worked primarily with the publishers Aventium and Dolezal, but his illustrations appeared in many works printed by many presses. In 1953, he began illustrating for Artia, where between 1955 and 1965 he illustrated and paper engineered over 90 books. In the 1970s, he paper engineered and illustrated five movie-tie in books for Walt Disney, and also began authoring his own stories. ","In addition to numerous commercial designs, it is estimated that he was responsible for creating over 300 books and that millions of copies in numerous languages have been published and distributed throughout the world. Despite the financial stability that his career brought him, Kubašta continued to work up until his death on July 7, 1992.","The Bienes Museum of the Modern Book (at the time known as the Bienes Center for the Literary Arts) began a pop-up book exhibition series in 2002, and as a result started actively collecting the works of Vojtěch Kubašta in 2003. In 2005, the Bienes held the third exhibition in the series, Pop-up, Illustrated Books, and Graphic Design of Czech Artist and Paper Engineer, Vojtěch Kubašta (1914-1992). It featured 159 items by Kubašta selected from private and public collections. Assistance to the exhibit was offered by Ellen G.K. Rubin who, amongst her massive pop-up book collection,  held a comprehensive collection of Kubašta's books and artworks. Rubin also visited and interviewed Dagmar Kubaštova (Vojtěch Kubašta's daughter) in Sarnia, Ontario, Canada.","By 2012, the Bienes' collection of Kubašta items included more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery, which at the time was the largest public collection of his works in the United States.","Books and items from this collection were cataloged in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\".","The Vojtěch Kubašta Collection includes more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery. Vojtěch Kubašta (1914-1992) was a Czech paper engineer, children's book illustrator, and graphic designer. The Bienes Museum acquired the materials from various sources, and the collection also includes books and other research materials related to Kubašta's career.  Books and items from this collection are searchable in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\".","Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library","English"],"unitid_tesim":["BIENES.2003.2","/repositories/3/resources/312"],"normalized_date_ssm":["1937-2013"],"normalized_title_ssm":["Vojtěch Kubašta Collection, 1937-2013"],"collection_title_tesim":["Vojtěch Kubašta Collection, 1937-2013"],"collection_ssim":["Vojtěch Kubašta Collection, 1937-2013"],"repository_ssm":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"repository_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"has_online_content_ssim":["false"],"extent_ssm":["315 Items"],"extent_tesim":["315 Items"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"bioghist_html_tesm":["\u003cp\u003eVojt\u0026#x11B;ch Kuba\u0026#x161;ta was born in Vienna, Austria on October 7, 1914, but grew up, lived, and worked in Prague, Czechoslovakia. In 1933 he enrolled in the architecture program at Czech Polytechnic University in Prague (\u0026#x10C;esk\u0026#xE9; vysok\u0026#xE9; u\u0026#x10D;en\u0026#xED; technick\u0026#xE9; v Praze, \u0026#x10C;VUT). During his time there, he was one of four members of a group of students who called themselves the Quadrifoliacs, who collectively worked on many architectural projects together, winning many prizes, and also worked commercially. He graduated in 1938 with a degree in architecture and engineering, and continued working with the Quadrifoliacs on projects including the design of the Hotel Sykovec.\u003c/p\u003e\n","\u003cp\u003eIn addition to his studies at the Polytechnic University and work with the Quadrifoliacs, Kuba\u0026#x161;ta started teaching at the Rotter School of Graphic Design around 1937 and for a local plastics manufacturer, Blaklax designing household objects and advertising materials, transitioning from working as an architect to a graphic designer. He began working on book dust jackets, exlibris, and other illustrations, and also designed puppet stage sets and puppet costumes. \u003c/p\u003e\n","\u003cp\u003eIn 1941, Kuba\u0026#x161;ta illustrated Joyful Stories for Children, written by Vlasta Burian, and Folk Tales of Africa, marking his turn towards another (and long-lasting) career in creating children's books. In the 1940s and early 1950s, he worked primarily with the publishers Aventium and Dolezal, but his illustrations appeared in many works printed by many presses. In 1953, he began illustrating for Artia, where between 1955 and 1965 he illustrated and paper engineered over 90 books. In the 1970s, he paper engineered and illustrated five movie-tie in books for Walt Disney, and also began authoring his own stories. \u003c/p\u003e\n","\u003cp\u003eIn addition to numerous commercial designs, it is estimated that he was responsible for creating over 300 books and that millions of copies in numerous languages have been published and distributed throughout the world. Despite the financial stability that his career brought him, Kuba\u0026#x161;ta continued to work up until his death on July 7, 1992.\u003c/p\u003e\n","\u003cp\u003eThe Bienes Museum of the Modern Book (at the time known as the Bienes Center for the Literary Arts) began a pop-up book exhibition series in 2002, and as a result started actively collecting the works of Vojt\u0026#x11B;ch Kuba\u0026#x161;ta in 2003. In 2005, the Bienes held the third exhibition in the series, Pop-up, Illustrated Books, and Graphic Design of Czech Artist and Paper Engineer, Vojt\u0026#x11B;ch Kuba\u0026#x161;ta (1914-1992). It featured 159 items by Kuba\u0026#x161;ta selected from private and public collections. Assistance to the exhibit was offered by Ellen G.K. Rubin who, amongst her massive pop-up book collection,  held a comprehensive collection of Kuba\u0026#x161;ta's books and artworks. Rubin also visited and interviewed Dagmar Kuba\u0026#x161;tova (Vojt\u0026#x11B;ch Kuba\u0026#x161;ta's daughter) in Sarnia, Ontario, Canada.\u003c/p\u003e\n","\u003cp\u003eBy 2012, the Bienes' collection of Kuba\u0026#x161;ta items included more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery, which at the time was the largest public collection of his works in the United States.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Vojtěch Kubašta was born in Vienna, Austria on October 7, 1914, but grew up, lived, and worked in Prague, Czechoslovakia. In 1933 he enrolled in the architecture program at Czech Polytechnic University in Prague (České vysoké učení technické v Praze, ČVUT). During his time there, he was one of four members of a group of students who called themselves the Quadrifoliacs, who collectively worked on many architectural projects together, winning many prizes, and also worked commercially. He graduated in 1938 with a degree in architecture and engineering, and continued working with the Quadrifoliacs on projects including the design of the Hotel Sykovec.","In addition to his studies at the Polytechnic University and work with the Quadrifoliacs, Kubašta started teaching at the Rotter School of Graphic Design around 1937 and for a local plastics manufacturer, Blaklax designing household objects and advertising materials, transitioning from working as an architect to a graphic designer. He began working on book dust jackets, exlibris, and other illustrations, and also designed puppet stage sets and puppet costumes. ","In 1941, Kubašta illustrated Joyful Stories for Children, written by Vlasta Burian, and Folk Tales of Africa, marking his turn towards another (and long-lasting) career in creating children's books. In the 1940s and early 1950s, he worked primarily with the publishers Aventium and Dolezal, but his illustrations appeared in many works printed by many presses. In 1953, he began illustrating for Artia, where between 1955 and 1965 he illustrated and paper engineered over 90 books. In the 1970s, he paper engineered and illustrated five movie-tie in books for Walt Disney, and also began authoring his own stories. ","In addition to numerous commercial designs, it is estimated that he was responsible for creating over 300 books and that millions of copies in numerous languages have been published and distributed throughout the world. Despite the financial stability that his career brought him, Kubašta continued to work up until his death on July 7, 1992.","The Bienes Museum of the Modern Book (at the time known as the Bienes Center for the Literary Arts) began a pop-up book exhibition series in 2002, and as a result started actively collecting the works of Vojtěch Kubašta in 2003. In 2005, the Bienes held the third exhibition in the series, Pop-up, Illustrated Books, and Graphic Design of Czech Artist and Paper Engineer, Vojtěch Kubašta (1914-1992). It featured 159 items by Kubašta selected from private and public collections. Assistance to the exhibit was offered by Ellen G.K. Rubin who, amongst her massive pop-up book collection,  held a comprehensive collection of Kubašta's books and artworks. Rubin also visited and interviewed Dagmar Kubaštova (Vojtěch Kubašta's daughter) in Sarnia, Ontario, Canada.","By 2012, the Bienes' collection of Kubašta items included more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery, which at the time was the largest public collection of his works in the United States."],"processinfo_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=kubasta\u0026amp;qf=LOCATION%09Shelf+Location%091%3ABIENES%09Bienes+Museum+%7C%7C+1%3ASPEC-COLL%09Special+Collections\u0026amp;st=PD\" target=\"_blank\"\u003eBooks and items from this collection were cataloged in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\".\u003c/a\u003e\u003c/p\u003e"],"processinfo_heading_ssm":["Access the Books"],"processinfo_tesim":["Books and items from this collection were cataloged in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\"."],"scopecontent_html_tesm":["\u003cp\u003eThe Vojt\u0026#x11B;ch Kuba\u0026#x161;ta Collection includes more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery. Vojt\u0026#x11B;ch Kuba\u0026#x161;ta (1914-1992) was a Czech paper engineer, children's book illustrator, and graphic designer. The Bienes Museum acquired the materials from various sources, and the collection also includes books and other research materials related to Kuba\u0026#x161;ta's career. \u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=kubasta\u0026amp;qf=LOCATION%09Shelf+Location%091%3ABIENES%09Bienes+Museum+%7C%7C+1%3ASPEC-COLL%09Special+Collections\u0026amp;st=PD\" target=\"_blank\"\u003eBooks and items from this collection are searchable in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\".\u003c/a\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Vojtěch Kubašta Collection includes more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery. Vojtěch Kubašta (1914-1992) was a Czech paper engineer, children's book illustrator, and graphic designer. The Bienes Museum acquired the materials from various sources, and the collection also includes books and other research materials related to Kubašta's career.  Books and items from this collection are searchable in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\"."],"names_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"corpname_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870839696693657600,"_root_":"b5e5ea304e199c990da94015","timestamp":"2026-07-16T03:16:08.850Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b5e5ea304e199c990da94015","title_filing_ssi":"Kubašta, Vojtěch Collection","title_ssm":["Vojtěch Kubašta Collection"],"title_tesim":["Vojtěch Kubašta Collection"],"ead_ssi":"b5e5ea304e199c990da94015","unitdate_ssm":["1937-2013"],"unitdate_inclusive_ssm":["1937-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BIENES.2003.2","/repositories/3/resources/312"],"text":["BIENES.2003.2","/repositories/3/resources/312","Vojtěch Kubašta Collection, 1937-2013","Vojtěch Kubašta was born in Vienna, Austria on October 7, 1914, but grew up, lived, and worked in Prague, Czechoslovakia. In 1933 he enrolled in the architecture program at Czech Polytechnic University in Prague (České vysoké učení technické v Praze, ČVUT). During his time there, he was one of four members of a group of students who called themselves the Quadrifoliacs, who collectively worked on many architectural projects together, winning many prizes, and also worked commercially. He graduated in 1938 with a degree in architecture and engineering, and continued working with the Quadrifoliacs on projects including the design of the Hotel Sykovec.","In addition to his studies at the Polytechnic University and work with the Quadrifoliacs, Kubašta started teaching at the Rotter School of Graphic Design around 1937 and for a local plastics manufacturer, Blaklax designing household objects and advertising materials, transitioning from working as an architect to a graphic designer. He began working on book dust jackets, exlibris, and other illustrations, and also designed puppet stage sets and puppet costumes. ","In 1941, Kubašta illustrated Joyful Stories for Children, written by Vlasta Burian, and Folk Tales of Africa, marking his turn towards another (and long-lasting) career in creating children's books. In the 1940s and early 1950s, he worked primarily with the publishers Aventium and Dolezal, but his illustrations appeared in many works printed by many presses. In 1953, he began illustrating for Artia, where between 1955 and 1965 he illustrated and paper engineered over 90 books. In the 1970s, he paper engineered and illustrated five movie-tie in books for Walt Disney, and also began authoring his own stories. ","In addition to numerous commercial designs, it is estimated that he was responsible for creating over 300 books and that millions of copies in numerous languages have been published and distributed throughout the world. Despite the financial stability that his career brought him, Kubašta continued to work up until his death on July 7, 1992.","The Bienes Museum of the Modern Book (at the time known as the Bienes Center for the Literary Arts) began a pop-up book exhibition series in 2002, and as a result started actively collecting the works of Vojtěch Kubašta in 2003. In 2005, the Bienes held the third exhibition in the series, Pop-up, Illustrated Books, and Graphic Design of Czech Artist and Paper Engineer, Vojtěch Kubašta (1914-1992). It featured 159 items by Kubašta selected from private and public collections. Assistance to the exhibit was offered by Ellen G.K. Rubin who, amongst her massive pop-up book collection,  held a comprehensive collection of Kubašta's books and artworks. Rubin also visited and interviewed Dagmar Kubaštova (Vojtěch Kubašta's daughter) in Sarnia, Ontario, Canada.","By 2012, the Bienes' collection of Kubašta items included more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery, which at the time was the largest public collection of his works in the United States.","Books and items from this collection were cataloged in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\".","The Vojtěch Kubašta Collection includes more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery. Vojtěch Kubašta (1914-1992) was a Czech paper engineer, children's book illustrator, and graphic designer. The Bienes Museum acquired the materials from various sources, and the collection also includes books and other research materials related to Kubašta's career.  Books and items from this collection are searchable in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\".","Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library","English"],"unitid_tesim":["BIENES.2003.2","/repositories/3/resources/312"],"normalized_date_ssm":["1937-2013"],"normalized_title_ssm":["Vojtěch Kubašta Collection, 1937-2013"],"collection_title_tesim":["Vojtěch Kubašta Collection, 1937-2013"],"collection_ssim":["Vojtěch Kubašta Collection, 1937-2013"],"repository_ssm":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"repository_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"has_online_content_ssim":["false"],"extent_ssm":["315 Items"],"extent_tesim":["315 Items"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"bioghist_html_tesm":["\u003cp\u003eVojt\u0026#x11B;ch Kuba\u0026#x161;ta was born in Vienna, Austria on October 7, 1914, but grew up, lived, and worked in Prague, Czechoslovakia. In 1933 he enrolled in the architecture program at Czech Polytechnic University in Prague (\u0026#x10C;esk\u0026#xE9; vysok\u0026#xE9; u\u0026#x10D;en\u0026#xED; technick\u0026#xE9; v Praze, \u0026#x10C;VUT). During his time there, he was one of four members of a group of students who called themselves the Quadrifoliacs, who collectively worked on many architectural projects together, winning many prizes, and also worked commercially. He graduated in 1938 with a degree in architecture and engineering, and continued working with the Quadrifoliacs on projects including the design of the Hotel Sykovec.\u003c/p\u003e\n","\u003cp\u003eIn addition to his studies at the Polytechnic University and work with the Quadrifoliacs, Kuba\u0026#x161;ta started teaching at the Rotter School of Graphic Design around 1937 and for a local plastics manufacturer, Blaklax designing household objects and advertising materials, transitioning from working as an architect to a graphic designer. He began working on book dust jackets, exlibris, and other illustrations, and also designed puppet stage sets and puppet costumes. \u003c/p\u003e\n","\u003cp\u003eIn 1941, Kuba\u0026#x161;ta illustrated Joyful Stories for Children, written by Vlasta Burian, and Folk Tales of Africa, marking his turn towards another (and long-lasting) career in creating children's books. In the 1940s and early 1950s, he worked primarily with the publishers Aventium and Dolezal, but his illustrations appeared in many works printed by many presses. In 1953, he began illustrating for Artia, where between 1955 and 1965 he illustrated and paper engineered over 90 books. In the 1970s, he paper engineered and illustrated five movie-tie in books for Walt Disney, and also began authoring his own stories. \u003c/p\u003e\n","\u003cp\u003eIn addition to numerous commercial designs, it is estimated that he was responsible for creating over 300 books and that millions of copies in numerous languages have been published and distributed throughout the world. Despite the financial stability that his career brought him, Kuba\u0026#x161;ta continued to work up until his death on July 7, 1992.\u003c/p\u003e\n","\u003cp\u003eThe Bienes Museum of the Modern Book (at the time known as the Bienes Center for the Literary Arts) began a pop-up book exhibition series in 2002, and as a result started actively collecting the works of Vojt\u0026#x11B;ch Kuba\u0026#x161;ta in 2003. In 2005, the Bienes held the third exhibition in the series, Pop-up, Illustrated Books, and Graphic Design of Czech Artist and Paper Engineer, Vojt\u0026#x11B;ch Kuba\u0026#x161;ta (1914-1992). It featured 159 items by Kuba\u0026#x161;ta selected from private and public collections. Assistance to the exhibit was offered by Ellen G.K. Rubin who, amongst her massive pop-up book collection,  held a comprehensive collection of Kuba\u0026#x161;ta's books and artworks. Rubin also visited and interviewed Dagmar Kuba\u0026#x161;tova (Vojt\u0026#x11B;ch Kuba\u0026#x161;ta's daughter) in Sarnia, Ontario, Canada.\u003c/p\u003e\n","\u003cp\u003eBy 2012, the Bienes' collection of Kuba\u0026#x161;ta items included more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery, which at the time was the largest public collection of his works in the United States.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Vojtěch Kubašta was born in Vienna, Austria on October 7, 1914, but grew up, lived, and worked in Prague, Czechoslovakia. In 1933 he enrolled in the architecture program at Czech Polytechnic University in Prague (České vysoké učení technické v Praze, ČVUT). During his time there, he was one of four members of a group of students who called themselves the Quadrifoliacs, who collectively worked on many architectural projects together, winning many prizes, and also worked commercially. He graduated in 1938 with a degree in architecture and engineering, and continued working with the Quadrifoliacs on projects including the design of the Hotel Sykovec.","In addition to his studies at the Polytechnic University and work with the Quadrifoliacs, Kubašta started teaching at the Rotter School of Graphic Design around 1937 and for a local plastics manufacturer, Blaklax designing household objects and advertising materials, transitioning from working as an architect to a graphic designer. He began working on book dust jackets, exlibris, and other illustrations, and also designed puppet stage sets and puppet costumes. ","In 1941, Kubašta illustrated Joyful Stories for Children, written by Vlasta Burian, and Folk Tales of Africa, marking his turn towards another (and long-lasting) career in creating children's books. In the 1940s and early 1950s, he worked primarily with the publishers Aventium and Dolezal, but his illustrations appeared in many works printed by many presses. In 1953, he began illustrating for Artia, where between 1955 and 1965 he illustrated and paper engineered over 90 books. In the 1970s, he paper engineered and illustrated five movie-tie in books for Walt Disney, and also began authoring his own stories. ","In addition to numerous commercial designs, it is estimated that he was responsible for creating over 300 books and that millions of copies in numerous languages have been published and distributed throughout the world. Despite the financial stability that his career brought him, Kubašta continued to work up until his death on July 7, 1992.","The Bienes Museum of the Modern Book (at the time known as the Bienes Center for the Literary Arts) began a pop-up book exhibition series in 2002, and as a result started actively collecting the works of Vojtěch Kubašta in 2003. In 2005, the Bienes held the third exhibition in the series, Pop-up, Illustrated Books, and Graphic Design of Czech Artist and Paper Engineer, Vojtěch Kubašta (1914-1992). It featured 159 items by Kubašta selected from private and public collections. Assistance to the exhibit was offered by Ellen G.K. Rubin who, amongst her massive pop-up book collection,  held a comprehensive collection of Kubašta's books and artworks. Rubin also visited and interviewed Dagmar Kubaštova (Vojtěch Kubašta's daughter) in Sarnia, Ontario, Canada.","By 2012, the Bienes' collection of Kubašta items included more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery, which at the time was the largest public collection of his works in the United States."],"processinfo_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=kubasta\u0026amp;qf=LOCATION%09Shelf+Location%091%3ABIENES%09Bienes+Museum+%7C%7C+1%3ASPEC-COLL%09Special+Collections\u0026amp;st=PD\" target=\"_blank\"\u003eBooks and items from this collection were cataloged in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\".\u003c/a\u003e\u003c/p\u003e"],"processinfo_heading_ssm":["Access the Books"],"processinfo_tesim":["Books and items from this collection were cataloged in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\"."],"scopecontent_html_tesm":["\u003cp\u003eThe Vojt\u0026#x11B;ch Kuba\u0026#x161;ta Collection includes more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery. Vojt\u0026#x11B;ch Kuba\u0026#x161;ta (1914-1992) was a Czech paper engineer, children's book illustrator, and graphic designer. The Bienes Museum acquired the materials from various sources, and the collection also includes books and other research materials related to Kuba\u0026#x161;ta's career. \u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=kubasta\u0026amp;qf=LOCATION%09Shelf+Location%091%3ABIENES%09Bienes+Museum+%7C%7C+1%3ASPEC-COLL%09Special+Collections\u0026amp;st=PD\" target=\"_blank\"\u003eBooks and items from this collection are searchable in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\".\u003c/a\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Vojtěch Kubašta Collection includes more than 315 advertisements, calendars, flat books, maps, models, pop-up books and greeting cards, portfolios, postcards, posters, prints and stationery. Vojtěch Kubašta (1914-1992) was a Czech paper engineer, children's book illustrator, and graphic designer. The Bienes Museum acquired the materials from various sources, and the collection also includes books and other research materials related to Kubašta's career.  Books and items from this collection are searchable in the Broward County Library Catalog with the prefix \"POPUP KUBASTA\"."],"names_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"corpname_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870839696693657600,"_root_":"b5e5ea304e199c990da94015","timestamp":"2026-07-16T03:16:08.850Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b5e5ea304e199c990da94015"}},{"id":"b7cc11bd2ebdc55f95a3022b","type":"collection","attributes":{"title":"Volusia County Music Teachers Association, 1955-2015","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/b7cc11bd2ebdc55f95a3022b#creator","type":"document_value","attributes":{"value":["Volusia County Music Teachers Association"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/b7cc11bd2ebdc55f95a3022b#abstract_or_scope","type":"document_value","attributes":{"value":["Volusia County Music Teacher Association is an organization that is focused on the enrichment of music studies and opportunities for its members and music students. The collection is comprised of correspondence, meetings, minutes, news clippings, photographs, scrapbooks, and yearbooks from the organization."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b7cc11bd2ebdc55f95a3022b#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"b7cc11bd2ebdc55f95a3022b","title_ssm":["Volusia County Music Teachers Association"],"title_tesim":["Volusia County Music Teachers Association"],"ead_ssi":"b7cc11bd2ebdc55f95a3022b","unitdate_ssm":["1955-2015"],"unitdate_inclusive_ssm":["1955-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.090","/repositories/4/resources/178"],"text":["SC.090","/repositories/4/resources/178","Volusia County Music Teachers Association, 1955-2015","Florida","Volusia County (Fla.)","Music teachers -- United States","Societies","The entire collection is open for research.","The records are arranged in alphabetical order.","There had been interest in creating the Florida Music Teacher Association (FMTA) since 1918 due to Mrs. Byrd, she wanted to create a state organization for her fellow teachers. The reason for a state organization was to seek official recognition and high-school credit for adequate private instruction.","\nThe idea for establishing the FMTA was kept alive for over a decade yet nothing was done to progress it until after about fourteen years. In 1932, the idea for the state organization was revived by the president of the Jacksonville Music Teacher Association, Mrs. Lloyd Jones, she appointed a committee to study the most advisable way to accomplish the idea and form the State Music Teacher Association.","\nAfter a failed attempt in 1933, finally on March of 1934 there was an organizational meeting that was held in Jacksonville, the association had finally been found with over one-hundred members. FTMA was then later affiliated with Music Teacher Association in 1953.","\nFour years later in 1938, the association gained the recognition that they sought out for; High School Credit, it was announced with a statement as followed \"Credit may now be offered for adequate private instruction\" on the Florida school bulletin. They did not have a set plan on how exactly the teacher would be certified to their competence, it was until 1954 that they had a Model Plan.","\nA meeting on September of 1955 was initiated to talk about creating a local music teacher association. These meetings consisted of writing up and sending applications for people to join the organization, as well as creating by-laws and code of ethics that had to be submitted for approval prior to the official meeting. In October of 1955, fifteen music teachers met up to organize the Music Teachers of Volusia County. During the meeting the purpose of creating the organization was discussed. Francis Stevenson had been encouraged by the president of Florida State Music Teacher Association, Merle Sargent of Miami; she urged him of the importance of the formation of a local organization, and the local organization was formed.","\nVolusia County Music Teacher Association (VCMTA) is comprised of 21 professional music teachers throughout Volusia County organized in 1955, the association is affiliated with Music Teachers National Association and Florida State Music Teachers Association.","\nThe primary objective of the Volusia County Music Teachers Association is to provide musical growth and enrichment for its members and their students. By sponsoring events that improve and expand the opportunities for students and their teachers, VCMTA can increase public awareness of quality music education, thus making a contribution to the cultural life of the entire community.","The collection was processed in 2015. Materials were arranged in chronological order and then placed into pH neutral folders and boxes. Photographs were placed in polyster sleeves. Files in Binders were put in pH folders. Metal clips and staples have been removed and replaced with plastic clips.","Volusia County Music Teachers Association","Florida State Music Teachers Association, 1934-2013 .","Series I: Organization Files, 1955-2015, consists of files such as correspondence to the organization, meeting notes, minutes, as well as photographs from events and recitals, a few scrapbooks with photographs, news clippings and recital pamphlets, yearbooks dating back to the first year that it was organized.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Volusia County Music Teacher Association is an organization that is focused on the enrichment of music studies and opportunities for its members and music students. The collection is comprised of correspondence, meetings, minutes, news clippings, photographs, scrapbooks, and yearbooks from the organization.","UCF Special Collections","Volusia County Music Teachers Association","English"],"unitid_tesim":["SC.090","/repositories/4/resources/178"],"normalized_date_ssm":["1955-2015"],"normalized_title_ssm":["Volusia County Music Teachers Association, 1955-2015"],"collection_title_tesim":["Volusia County Music Teachers Association, 1955-2015"],"collection_ssim":["Volusia County Music Teachers Association, 1955-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida","Volusia County (Fla.)"],"geogname_ssim":["Florida","Volusia County (Fla.)"],"creator_ssm":["Volusia County Music Teachers Association"],"creator_ssim":["Volusia County Music Teachers Association"],"creator_corpname_ssim":["Volusia County Music Teachers Association"],"creators_ssim":["Volusia County Music Teachers Association"],"places_ssim":["Florida","Volusia County (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The Volusia County Music Association donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2011 (CFM2011_03). Additional materials were donated in 2015 (CFM2015_02)."],"access_subjects_ssim":["Music teachers -- United States","Societies"],"access_subjects_ssm":["Music teachers -- United States","Societies"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet 3 Boxes"],"extent_tesim":["1.5 Linear Feet 3 Boxes"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe records are arranged in alphabetical order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The records are arranged in alphabetical order."],"bioghist_html_tesm":["\u003cp\u003eThere had been interest in creating the Florida Music Teacher Association (FMTA) since 1918 due to Mrs. Byrd, she wanted to create a state organization for her fellow teachers. The reason for a state organization was to seek official recognition and high-school credit for adequate private instruction.\u003c/p\u003e\n","\u003cp\u003e\nThe idea for establishing the FMTA was kept alive for over a decade yet nothing was done to progress it until after about fourteen years. In 1932, the idea for the state organization was revived by the president of the Jacksonville Music Teacher Association, Mrs. Lloyd Jones, she appointed a committee to study the most advisable way to accomplish the idea and form the State Music Teacher Association.\u003c/p\u003e\n","\u003cp\u003e\nAfter a failed attempt in 1933, finally on March of 1934 there was an organizational meeting that was held in Jacksonville, the association had finally been found with over one-hundred members. FTMA was then later affiliated with Music Teacher Association in 1953.\u003c/p\u003e\n","\u003cp\u003e\nFour years later in 1938, the association gained the recognition that they sought out for; High School Credit, it was announced with a statement as followed \"Credit may now be offered for adequate private instruction\" on the Florida school bulletin. They did not have a set plan on how exactly the teacher would be certified to their competence, it was until 1954 that they had a Model Plan.\u003c/p\u003e\n","\u003cp\u003e\nA meeting on September of 1955 was initiated to talk about creating a local music teacher association. These meetings consisted of writing up and sending applications for people to join the organization, as well as creating by-laws and code of ethics that had to be submitted for approval prior to the official meeting. In October of 1955, fifteen music teachers met up to organize the Music Teachers of Volusia County. During the meeting the purpose of creating the organization was discussed. Francis Stevenson had been encouraged by the president of Florida State Music Teacher Association, Merle Sargent of Miami; she urged him of the importance of the formation of a local organization, and the local organization was formed.\u003c/p\u003e\n","\u003cp\u003e\nVolusia County Music Teacher Association (VCMTA) is comprised of 21 professional music teachers throughout Volusia County organized in 1955, the association is affiliated with Music Teachers National Association and Florida State Music Teachers Association.\u003c/p\u003e\n","\u003cp\u003e\nThe primary objective of the Volusia County Music Teachers Association is to provide musical growth and enrichment for its members and their students. By sponsoring events that improve and expand the opportunities for students and their teachers, VCMTA can increase public awareness of quality music education, thus making a contribution to the cultural life of the entire community.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["There had been interest in creating the Florida Music Teacher Association (FMTA) since 1918 due to Mrs. Byrd, she wanted to create a state organization for her fellow teachers. The reason for a state organization was to seek official recognition and high-school credit for adequate private instruction.","\nThe idea for establishing the FMTA was kept alive for over a decade yet nothing was done to progress it until after about fourteen years. In 1932, the idea for the state organization was revived by the president of the Jacksonville Music Teacher Association, Mrs. Lloyd Jones, she appointed a committee to study the most advisable way to accomplish the idea and form the State Music Teacher Association.","\nAfter a failed attempt in 1933, finally on March of 1934 there was an organizational meeting that was held in Jacksonville, the association had finally been found with over one-hundred members. FTMA was then later affiliated with Music Teacher Association in 1953.","\nFour years later in 1938, the association gained the recognition that they sought out for; High School Credit, it was announced with a statement as followed \"Credit may now be offered for adequate private instruction\" on the Florida school bulletin. They did not have a set plan on how exactly the teacher would be certified to their competence, it was until 1954 that they had a Model Plan.","\nA meeting on September of 1955 was initiated to talk about creating a local music teacher association. These meetings consisted of writing up and sending applications for people to join the organization, as well as creating by-laws and code of ethics that had to be submitted for approval prior to the official meeting. In October of 1955, fifteen music teachers met up to organize the Music Teachers of Volusia County. During the meeting the purpose of creating the organization was discussed. Francis Stevenson had been encouraged by the president of Florida State Music Teacher Association, Merle Sargent of Miami; she urged him of the importance of the formation of a local organization, and the local organization was formed.","\nVolusia County Music Teacher Association (VCMTA) is comprised of 21 professional music teachers throughout Volusia County organized in 1955, the association is affiliated with Music Teachers National Association and Florida State Music Teachers Association.","\nThe primary objective of the Volusia County Music Teachers Association is to provide musical growth and enrichment for its members and their students. By sponsoring events that improve and expand the opportunities for students and their teachers, VCMTA can increase public awareness of quality music education, thus making a contribution to the cultural life of the entire community."],"prefercite_html_tesm":["\u003cp\u003eThe Volusia County Music Teachers Association, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["The Volusia County Music Teachers Association, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eThe collection was processed in 2015. Materials were arranged in chronological order and then placed into pH neutral folders and boxes. Photographs were placed in polyster sleeves. Files in Binders were put in pH folders. Metal clips and staples have been removed and replaced with plastic clips.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was processed in 2015. Materials were arranged in chronological order and then placed into pH neutral folders and boxes. Photographs were placed in polyster sleeves. Files in Binders were put in pH folders. Metal clips and staples have been removed and replaced with plastic clips."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://www.vcmta.org/\"\u003eVolusia County Music Teachers Association\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1979-01\"\u003eFlorida State Music Teachers Association, 1934-2013\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Volusia County Music Teachers Association","Florida State Music Teachers Association, 1934-2013 ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Organization Files, 1955-2015, consists of files such as correspondence to the organization, meeting notes, minutes, as well as photographs from events and recitals, a few scrapbooks with photographs, news clippings and recital pamphlets, yearbooks dating back to the first year that it was organized.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Organization Files, 1955-2015, consists of files such as correspondence to the organization, meeting notes, minutes, as well as photographs from events and recitals, a few scrapbooks with photographs, news clippings and recital pamphlets, yearbooks dating back to the first year that it was organized."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_cee5a7b39f7e2429e8d9b744c888d3a4\" label=\"Abstract\"\u003eVolusia County Music Teacher Association is an organization that is focused on the enrichment of music studies and opportunities for its members and music students. The collection is comprised of correspondence, meetings, minutes, news clippings, photographs, scrapbooks, and yearbooks from the organization.\u003c/abstract\u003e"],"abstract_tesim":["Volusia County Music Teacher Association is an organization that is focused on the enrichment of music studies and opportunities for its members and music students. The collection is comprised of correspondence, meetings, minutes, news clippings, photographs, scrapbooks, and yearbooks from the organization."],"names_coll_ssim":["Volusia County Music Teachers Association"],"names_ssim":["UCF Special Collections","Volusia County Music Teachers Association"],"corpname_ssim":["UCF Special Collections","Volusia County Music Teachers Association"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":22,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857666918612992,"_root_":"b7cc11bd2ebdc55f95a3022b","timestamp":"2026-07-16T08:01:46.592Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b7cc11bd2ebdc55f95a3022b","title_ssm":["Volusia County Music Teachers Association"],"title_tesim":["Volusia County Music Teachers Association"],"ead_ssi":"b7cc11bd2ebdc55f95a3022b","unitdate_ssm":["1955-2015"],"unitdate_inclusive_ssm":["1955-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.090","/repositories/4/resources/178"],"text":["SC.090","/repositories/4/resources/178","Volusia County Music Teachers Association, 1955-2015","Florida","Volusia County (Fla.)","Music teachers -- United States","Societies","The entire collection is open for research.","The records are arranged in alphabetical order.","There had been interest in creating the Florida Music Teacher Association (FMTA) since 1918 due to Mrs. Byrd, she wanted to create a state organization for her fellow teachers. The reason for a state organization was to seek official recognition and high-school credit for adequate private instruction.","\nThe idea for establishing the FMTA was kept alive for over a decade yet nothing was done to progress it until after about fourteen years. In 1932, the idea for the state organization was revived by the president of the Jacksonville Music Teacher Association, Mrs. Lloyd Jones, she appointed a committee to study the most advisable way to accomplish the idea and form the State Music Teacher Association.","\nAfter a failed attempt in 1933, finally on March of 1934 there was an organizational meeting that was held in Jacksonville, the association had finally been found with over one-hundred members. FTMA was then later affiliated with Music Teacher Association in 1953.","\nFour years later in 1938, the association gained the recognition that they sought out for; High School Credit, it was announced with a statement as followed \"Credit may now be offered for adequate private instruction\" on the Florida school bulletin. They did not have a set plan on how exactly the teacher would be certified to their competence, it was until 1954 that they had a Model Plan.","\nA meeting on September of 1955 was initiated to talk about creating a local music teacher association. These meetings consisted of writing up and sending applications for people to join the organization, as well as creating by-laws and code of ethics that had to be submitted for approval prior to the official meeting. In October of 1955, fifteen music teachers met up to organize the Music Teachers of Volusia County. During the meeting the purpose of creating the organization was discussed. Francis Stevenson had been encouraged by the president of Florida State Music Teacher Association, Merle Sargent of Miami; she urged him of the importance of the formation of a local organization, and the local organization was formed.","\nVolusia County Music Teacher Association (VCMTA) is comprised of 21 professional music teachers throughout Volusia County organized in 1955, the association is affiliated with Music Teachers National Association and Florida State Music Teachers Association.","\nThe primary objective of the Volusia County Music Teachers Association is to provide musical growth and enrichment for its members and their students. By sponsoring events that improve and expand the opportunities for students and their teachers, VCMTA can increase public awareness of quality music education, thus making a contribution to the cultural life of the entire community.","The collection was processed in 2015. Materials were arranged in chronological order and then placed into pH neutral folders and boxes. Photographs were placed in polyster sleeves. Files in Binders were put in pH folders. Metal clips and staples have been removed and replaced with plastic clips.","Volusia County Music Teachers Association","Florida State Music Teachers Association, 1934-2013 .","Series I: Organization Files, 1955-2015, consists of files such as correspondence to the organization, meeting notes, minutes, as well as photographs from events and recitals, a few scrapbooks with photographs, news clippings and recital pamphlets, yearbooks dating back to the first year that it was organized.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Volusia County Music Teacher Association is an organization that is focused on the enrichment of music studies and opportunities for its members and music students. The collection is comprised of correspondence, meetings, minutes, news clippings, photographs, scrapbooks, and yearbooks from the organization.","UCF Special Collections","Volusia County Music Teachers Association","English"],"unitid_tesim":["SC.090","/repositories/4/resources/178"],"normalized_date_ssm":["1955-2015"],"normalized_title_ssm":["Volusia County Music Teachers Association, 1955-2015"],"collection_title_tesim":["Volusia County Music Teachers Association, 1955-2015"],"collection_ssim":["Volusia County Music Teachers Association, 1955-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida","Volusia County (Fla.)"],"geogname_ssim":["Florida","Volusia County (Fla.)"],"creator_ssm":["Volusia County Music Teachers Association"],"creator_ssim":["Volusia County Music Teachers Association"],"creator_corpname_ssim":["Volusia County Music Teachers Association"],"creators_ssim":["Volusia County Music Teachers Association"],"places_ssim":["Florida","Volusia County (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The Volusia County Music Association donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2011 (CFM2011_03). Additional materials were donated in 2015 (CFM2015_02)."],"access_subjects_ssim":["Music teachers -- United States","Societies"],"access_subjects_ssm":["Music teachers -- United States","Societies"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet 3 Boxes"],"extent_tesim":["1.5 Linear Feet 3 Boxes"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe records are arranged in alphabetical order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The records are arranged in alphabetical order."],"bioghist_html_tesm":["\u003cp\u003eThere had been interest in creating the Florida Music Teacher Association (FMTA) since 1918 due to Mrs. Byrd, she wanted to create a state organization for her fellow teachers. The reason for a state organization was to seek official recognition and high-school credit for adequate private instruction.\u003c/p\u003e\n","\u003cp\u003e\nThe idea for establishing the FMTA was kept alive for over a decade yet nothing was done to progress it until after about fourteen years. In 1932, the idea for the state organization was revived by the president of the Jacksonville Music Teacher Association, Mrs. Lloyd Jones, she appointed a committee to study the most advisable way to accomplish the idea and form the State Music Teacher Association.\u003c/p\u003e\n","\u003cp\u003e\nAfter a failed attempt in 1933, finally on March of 1934 there was an organizational meeting that was held in Jacksonville, the association had finally been found with over one-hundred members. FTMA was then later affiliated with Music Teacher Association in 1953.\u003c/p\u003e\n","\u003cp\u003e\nFour years later in 1938, the association gained the recognition that they sought out for; High School Credit, it was announced with a statement as followed \"Credit may now be offered for adequate private instruction\" on the Florida school bulletin. They did not have a set plan on how exactly the teacher would be certified to their competence, it was until 1954 that they had a Model Plan.\u003c/p\u003e\n","\u003cp\u003e\nA meeting on September of 1955 was initiated to talk about creating a local music teacher association. These meetings consisted of writing up and sending applications for people to join the organization, as well as creating by-laws and code of ethics that had to be submitted for approval prior to the official meeting. In October of 1955, fifteen music teachers met up to organize the Music Teachers of Volusia County. During the meeting the purpose of creating the organization was discussed. Francis Stevenson had been encouraged by the president of Florida State Music Teacher Association, Merle Sargent of Miami; she urged him of the importance of the formation of a local organization, and the local organization was formed.\u003c/p\u003e\n","\u003cp\u003e\nVolusia County Music Teacher Association (VCMTA) is comprised of 21 professional music teachers throughout Volusia County organized in 1955, the association is affiliated with Music Teachers National Association and Florida State Music Teachers Association.\u003c/p\u003e\n","\u003cp\u003e\nThe primary objective of the Volusia County Music Teachers Association is to provide musical growth and enrichment for its members and their students. By sponsoring events that improve and expand the opportunities for students and their teachers, VCMTA can increase public awareness of quality music education, thus making a contribution to the cultural life of the entire community.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["There had been interest in creating the Florida Music Teacher Association (FMTA) since 1918 due to Mrs. Byrd, she wanted to create a state organization for her fellow teachers. The reason for a state organization was to seek official recognition and high-school credit for adequate private instruction.","\nThe idea for establishing the FMTA was kept alive for over a decade yet nothing was done to progress it until after about fourteen years. In 1932, the idea for the state organization was revived by the president of the Jacksonville Music Teacher Association, Mrs. Lloyd Jones, she appointed a committee to study the most advisable way to accomplish the idea and form the State Music Teacher Association.","\nAfter a failed attempt in 1933, finally on March of 1934 there was an organizational meeting that was held in Jacksonville, the association had finally been found with over one-hundred members. FTMA was then later affiliated with Music Teacher Association in 1953.","\nFour years later in 1938, the association gained the recognition that they sought out for; High School Credit, it was announced with a statement as followed \"Credit may now be offered for adequate private instruction\" on the Florida school bulletin. They did not have a set plan on how exactly the teacher would be certified to their competence, it was until 1954 that they had a Model Plan.","\nA meeting on September of 1955 was initiated to talk about creating a local music teacher association. These meetings consisted of writing up and sending applications for people to join the organization, as well as creating by-laws and code of ethics that had to be submitted for approval prior to the official meeting. In October of 1955, fifteen music teachers met up to organize the Music Teachers of Volusia County. During the meeting the purpose of creating the organization was discussed. Francis Stevenson had been encouraged by the president of Florida State Music Teacher Association, Merle Sargent of Miami; she urged him of the importance of the formation of a local organization, and the local organization was formed.","\nVolusia County Music Teacher Association (VCMTA) is comprised of 21 professional music teachers throughout Volusia County organized in 1955, the association is affiliated with Music Teachers National Association and Florida State Music Teachers Association.","\nThe primary objective of the Volusia County Music Teachers Association is to provide musical growth and enrichment for its members and their students. By sponsoring events that improve and expand the opportunities for students and their teachers, VCMTA can increase public awareness of quality music education, thus making a contribution to the cultural life of the entire community."],"prefercite_html_tesm":["\u003cp\u003eThe Volusia County Music Teachers Association, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["The Volusia County Music Teachers Association, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eThe collection was processed in 2015. Materials were arranged in chronological order and then placed into pH neutral folders and boxes. Photographs were placed in polyster sleeves. Files in Binders were put in pH folders. Metal clips and staples have been removed and replaced with plastic clips.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was processed in 2015. Materials were arranged in chronological order and then placed into pH neutral folders and boxes. Photographs were placed in polyster sleeves. Files in Binders were put in pH folders. Metal clips and staples have been removed and replaced with plastic clips."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://www.vcmta.org/\"\u003eVolusia County Music Teachers Association\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1979-01\"\u003eFlorida State Music Teachers Association, 1934-2013\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Volusia County Music Teachers Association","Florida State Music Teachers Association, 1934-2013 ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Organization Files, 1955-2015, consists of files such as correspondence to the organization, meeting notes, minutes, as well as photographs from events and recitals, a few scrapbooks with photographs, news clippings and recital pamphlets, yearbooks dating back to the first year that it was organized.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Organization Files, 1955-2015, consists of files such as correspondence to the organization, meeting notes, minutes, as well as photographs from events and recitals, a few scrapbooks with photographs, news clippings and recital pamphlets, yearbooks dating back to the first year that it was organized."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_cee5a7b39f7e2429e8d9b744c888d3a4\" label=\"Abstract\"\u003eVolusia County Music Teacher Association is an organization that is focused on the enrichment of music studies and opportunities for its members and music students. The collection is comprised of correspondence, meetings, minutes, news clippings, photographs, scrapbooks, and yearbooks from the organization.\u003c/abstract\u003e"],"abstract_tesim":["Volusia County Music Teacher Association is an organization that is focused on the enrichment of music studies and opportunities for its members and music students. The collection is comprised of correspondence, meetings, minutes, news clippings, photographs, scrapbooks, and yearbooks from the organization."],"names_coll_ssim":["Volusia County Music Teachers Association"],"names_ssim":["UCF Special Collections","Volusia County Music Teachers Association"],"corpname_ssim":["UCF Special Collections","Volusia County Music Teachers Association"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":22,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857666918612992,"_root_":"b7cc11bd2ebdc55f95a3022b","timestamp":"2026-07-16T08:01:46.592Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b7cc11bd2ebdc55f95a3022b"}},{"id":"867c08d3c1202bcdd297a734","type":"collection","attributes":{"title":"Von D. Mizell Library Collection, Circa 1964-1985","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/867c08d3c1202bcdd297a734#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe collection Von D. Mizell Library Collection contains materials documenting the activities and history of the Von D. Mizell Library, one of the original branches in 1974 of the Broward County Library system, as well as the Fort Lauderdale city library system that preceeded it. The materials are comprised of photographs, photo slides, negatives, printed negatives, forms with monthly statistics, financial documents, social outreach documents, brochures for events, newspaper articles, and a printed history of the Mizell Library. It also includes a small part of the original book collection from the Von D. Mizell Library, as well as artwork that hung in the library building.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/867c08d3c1202bcdd297a734#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"867c08d3c1202bcdd297a734","title_filing_ssi":"Von D. Mizell Library Collection","title_ssm":["Von D. Mizell Library Collection"],"title_tesim":["Von D. Mizell Library Collection"],"ead_ssi":"867c08d3c1202bcdd297a734","unitdate_ssm":["Circa 1964-1985 "],"unitdate_inclusive_ssm":["Circa 1964-1985 "],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2022.5","/repositories/2/resources/185"],"text":["AARLCC.2022.5","/repositories/2/resources/185","Von D. Mizell Library Collection, Circa 1964-1985","Public libraries -- Florida -- Fort Lauderdale","Broward County Library -- History","Photographs","Negatives (Photographs)","The Von D. Mizell Library Collection is open for research.","View a selection of digitized materials from the Von D. Mizell Library Collection in the Broward County Library Digital Archives.","The collection is arranged into eight series: Series I. Background and Dedication, Series II. Reports, Series III. Flyers and Brochures, Series IV. Newspaper Articles, Series V. Educational Materials, Series VI. Audio-Visual Materials, Series VII. Photographs and Negatives, and Series VIII. Friends of the Von D. Mizell Library.","The Von D. Mizell Library, a former branch of the Broward County Library system, originated from the first Black library established in the City of Fort Lauderdale. In 1945, Reverend Ivory Mizell made space in his office for a small lending library and solicited books when he learned that the only city library did not provide services to the Black community. In 1952, the City of Fort Lauderdale provided space in a one room building at Sunland Park (now the Joseph C. Carter Park) for the creation of the Sunland Park Library. Over time, the Sunland Park Library met with increased demands and reopened in 1970 as the Northwest Branch of the Fort Lauderdale library system in the old Zeno Building at 1107 Northwest Sistrunk Boulevard with a wider range of services and a staff of seven. ","In 1974, Northwest Branch became a part of the newly-established Broward County Library system, and was renamed the Von D. Mizell Library in 1975. Beginning in 1975, the Von D. Mizell Library also functioned as the headquarters for the Broward County Library Libary-In-Action Project. ","In 1980 the library relocated five blocks east to the Von D. Mizell Library Center and All Purpose Building at 2650 Sistrunk Boulevard (the former site of Provident Hospital) with a staff of twelve and an expanded collection, including a large collection of books written by and for the people of the African diaspora. ","Samuel Morrison (1936-), the Director of Broward County's Library Division, presented plans in 1995 for a new African American Research Library and Cultural Center. The plans were approved and the African American Research Library and Cultural Center (AARLCC). AARLCC opened in October 2002, replacing the Von D. Mizell Library. The Friends of Von D. Mizell Library had been integral to the effort to fundraise for AARLCC's construction and to finding community members to give input into the design and purpose of the building; they reincorporated as the Friends of AARLCC.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The collection Von D. Mizell Library Collection contains materials documenting the activities and history of the Von D. Mizell Library, one of the original branches in 1974 of the Broward County Library system, as well as the Fort Lauderdale city library system that preceeded it. The materials are comprised of photographs, photo slides, negatives, printed negatives, forms with monthly statistics, financial documents, social outreach documents, brochures for events, newspaper articles, and a printed history of the Mizell Library. It also includes a small part of the original book collection from the Von D. Mizell Library, as well as artwork that hung in the library building.","Books from this collection were cataloged in the Broward County Library catalog with the prefix \"MIZ\".","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.2022.5","/repositories/2/resources/185"],"normalized_date_ssm":["Circa 1964-1985"],"normalized_title_ssm":["Von D. Mizell Library Collection, Circa 1964-1985"],"collection_title_tesim":["Von D. Mizell Library Collection, Circa 1964-1985"],"collection_ssim":["Von D. Mizell Library Collection, Circa 1964-1985"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"acqinfo_ssim":["The materials were transferred to the AARLCC Special Collections in 2002 (Accession AARLCC-2002.9)."],"access_subjects_ssim":["Public libraries -- Florida -- Fort Lauderdale","Broward County Library -- History","Photographs","Negatives (Photographs)"],"access_subjects_ssm":["Public libraries -- Florida -- Fort Lauderdale","Broward County Library -- History","Photographs","Negatives (Photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["2 Hollinger Boxes"],"extent_tesim":["2 Hollinger Boxes"],"genreform_ssim":["Photographs","Negatives (Photographs)"],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985],"accessrestrict_html_tesm":["\u003cp\u003eThe Von D. Mizell Library Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Von D. Mizell Library Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll40\" target=\"_blank\"\u003eView a selection of digitized materials from the Von D. Mizell Library Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Von D. Mizell Library Collection in the Broward County Library Digital Archives."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into eight series: Series I. Background and Dedication, Series II. Reports, Series III. Flyers and Brochures, Series IV. Newspaper Articles, Series V. Educational Materials, Series VI. Audio-Visual Materials, Series VII. Photographs and Negatives, and Series VIII. Friends of the Von D. Mizell Library.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into eight series: Series I. Background and Dedication, Series II. Reports, Series III. Flyers and Brochures, Series IV. Newspaper Articles, Series V. Educational Materials, Series VI. Audio-Visual Materials, Series VII. Photographs and Negatives, and Series VIII. Friends of the Von D. Mizell Library."],"bioghist_html_tesm":["\u003cp\u003eThe Von D. Mizell Library, a former branch of the Broward County Library system, originated from the first Black library established in the City of Fort Lauderdale. In 1945, Reverend Ivory Mizell made space in his office for a small lending library and solicited books when he learned that the only city library did not provide services to the Black community. In 1952, the City of Fort Lauderdale provided space in a one room building at Sunland Park (now the Joseph C. Carter Park) for the creation of the Sunland Park Library. Over time, the Sunland Park Library met with increased demands and reopened in 1970 as the Northwest Branch of the Fort Lauderdale library system in the old Zeno Building at 1107 Northwest Sistrunk Boulevard with a wider range of services and a staff of seven. \u003c/p\u003e\n","\u003cp\u003eIn 1974, Northwest Branch became a part of the newly-established Broward County Library system, and was renamed the Von D. Mizell Library in 1975. Beginning in 1975, the Von D. Mizell Library also functioned as the headquarters for the Broward County Library Libary-In-Action Project. \u003c/p\u003e\n","\u003cp\u003eIn 1980 the library relocated five blocks east to the Von D. Mizell Library Center and All Purpose Building at 2650 Sistrunk Boulevard (the former site of Provident Hospital) with a staff of twelve and an expanded collection, including a large collection of books written by and for the people of the African diaspora. \u003c/p\u003e\n","\u003cp\u003eSamuel Morrison (1936-), the Director of Broward County's Library Division, presented plans in 1995 for a new African American Research Library and Cultural Center. The plans were approved and the African American Research Library and Cultural Center (AARLCC). AARLCC opened in October 2002, replacing the Von D. Mizell Library. The Friends of Von D. Mizell Library had been integral to the effort to fundraise for AARLCC's construction and to finding community members to give input into the design and purpose of the building; they reincorporated as the Friends of AARLCC.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Von D. Mizell Library, a former branch of the Broward County Library system, originated from the first Black library established in the City of Fort Lauderdale. In 1945, Reverend Ivory Mizell made space in his office for a small lending library and solicited books when he learned that the only city library did not provide services to the Black community. In 1952, the City of Fort Lauderdale provided space in a one room building at Sunland Park (now the Joseph C. Carter Park) for the creation of the Sunland Park Library. Over time, the Sunland Park Library met with increased demands and reopened in 1970 as the Northwest Branch of the Fort Lauderdale library system in the old Zeno Building at 1107 Northwest Sistrunk Boulevard with a wider range of services and a staff of seven. ","In 1974, Northwest Branch became a part of the newly-established Broward County Library system, and was renamed the Von D. Mizell Library in 1975. Beginning in 1975, the Von D. Mizell Library also functioned as the headquarters for the Broward County Library Libary-In-Action Project. ","In 1980 the library relocated five blocks east to the Von D. Mizell Library Center and All Purpose Building at 2650 Sistrunk Boulevard (the former site of Provident Hospital) with a staff of twelve and an expanded collection, including a large collection of books written by and for the people of the African diaspora. ","Samuel Morrison (1936-), the Director of Broward County's Library Division, presented plans in 1995 for a new African American Research Library and Cultural Center. The plans were approved and the African American Research Library and Cultural Center (AARLCC). AARLCC opened in October 2002, replacing the Von D. Mizell Library. The Friends of Von D. Mizell Library had been integral to the effort to fundraise for AARLCC's construction and to finding community members to give input into the design and purpose of the building; they reincorporated as the Friends of AARLCC."],"prefercite_html_tesm":["\u003cp\u003eVon D. Mizell Library Collection, AARLCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Von D. Mizell Library Collection, AARLCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe collection Von D. Mizell Library Collection contains materials documenting the activities and history of the Von D. Mizell Library, one of the original branches in 1974 of the Broward County Library system, as well as the Fort Lauderdale city library system that preceeded it. The materials are comprised of photographs, photo slides, negatives, printed negatives, forms with monthly statistics, financial documents, social outreach documents, brochures for events, newspaper articles, and a printed history of the Mizell Library. It also includes a small part of the original book collection from the Von D. Mizell Library, as well as artwork that hung in the library building.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection Von D. Mizell Library Collection contains materials documenting the activities and history of the Von D. Mizell Library, one of the original branches in 1974 of the Broward County Library system, as well as the Fort Lauderdale city library system that preceeded it. The materials are comprised of photographs, photo slides, negatives, printed negatives, forms with monthly statistics, financial documents, social outreach documents, brochures for events, newspaper articles, and a printed history of the Mizell Library. It also includes a small part of the original book collection from the Von D. Mizell Library, as well as artwork that hung in the library building."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default\" target=\"_blank\"\u003eBooks from this collection were cataloged in the Broward County Library catalog with the prefix \"MIZ\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books from this collection were cataloged in the Broward County Library catalog with the prefix \"MIZ\"."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":34,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"867c08d3c1202bcdd297a734","timestamp":"2026-07-02T01:31:34.008Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"867c08d3c1202bcdd297a734","title_filing_ssi":"Von D. Mizell Library Collection","title_ssm":["Von D. Mizell Library Collection"],"title_tesim":["Von D. Mizell Library Collection"],"ead_ssi":"867c08d3c1202bcdd297a734","unitdate_ssm":["Circa 1964-1985 "],"unitdate_inclusive_ssm":["Circa 1964-1985 "],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2022.5","/repositories/2/resources/185"],"text":["AARLCC.2022.5","/repositories/2/resources/185","Von D. Mizell Library Collection, Circa 1964-1985","Public libraries -- Florida -- Fort Lauderdale","Broward County Library -- History","Photographs","Negatives (Photographs)","The Von D. Mizell Library Collection is open for research.","View a selection of digitized materials from the Von D. Mizell Library Collection in the Broward County Library Digital Archives.","The collection is arranged into eight series: Series I. Background and Dedication, Series II. Reports, Series III. Flyers and Brochures, Series IV. Newspaper Articles, Series V. Educational Materials, Series VI. Audio-Visual Materials, Series VII. Photographs and Negatives, and Series VIII. Friends of the Von D. Mizell Library.","The Von D. Mizell Library, a former branch of the Broward County Library system, originated from the first Black library established in the City of Fort Lauderdale. In 1945, Reverend Ivory Mizell made space in his office for a small lending library and solicited books when he learned that the only city library did not provide services to the Black community. In 1952, the City of Fort Lauderdale provided space in a one room building at Sunland Park (now the Joseph C. Carter Park) for the creation of the Sunland Park Library. Over time, the Sunland Park Library met with increased demands and reopened in 1970 as the Northwest Branch of the Fort Lauderdale library system in the old Zeno Building at 1107 Northwest Sistrunk Boulevard with a wider range of services and a staff of seven. ","In 1974, Northwest Branch became a part of the newly-established Broward County Library system, and was renamed the Von D. Mizell Library in 1975. Beginning in 1975, the Von D. Mizell Library also functioned as the headquarters for the Broward County Library Libary-In-Action Project. ","In 1980 the library relocated five blocks east to the Von D. Mizell Library Center and All Purpose Building at 2650 Sistrunk Boulevard (the former site of Provident Hospital) with a staff of twelve and an expanded collection, including a large collection of books written by and for the people of the African diaspora. ","Samuel Morrison (1936-), the Director of Broward County's Library Division, presented plans in 1995 for a new African American Research Library and Cultural Center. The plans were approved and the African American Research Library and Cultural Center (AARLCC). AARLCC opened in October 2002, replacing the Von D. Mizell Library. The Friends of Von D. Mizell Library had been integral to the effort to fundraise for AARLCC's construction and to finding community members to give input into the design and purpose of the building; they reincorporated as the Friends of AARLCC.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The collection Von D. Mizell Library Collection contains materials documenting the activities and history of the Von D. Mizell Library, one of the original branches in 1974 of the Broward County Library system, as well as the Fort Lauderdale city library system that preceeded it. The materials are comprised of photographs, photo slides, negatives, printed negatives, forms with monthly statistics, financial documents, social outreach documents, brochures for events, newspaper articles, and a printed history of the Mizell Library. It also includes a small part of the original book collection from the Von D. Mizell Library, as well as artwork that hung in the library building.","Books from this collection were cataloged in the Broward County Library catalog with the prefix \"MIZ\".","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.2022.5","/repositories/2/resources/185"],"normalized_date_ssm":["Circa 1964-1985"],"normalized_title_ssm":["Von D. Mizell Library Collection, Circa 1964-1985"],"collection_title_tesim":["Von D. Mizell Library Collection, Circa 1964-1985"],"collection_ssim":["Von D. Mizell Library Collection, Circa 1964-1985"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"acqinfo_ssim":["The materials were transferred to the AARLCC Special Collections in 2002 (Accession AARLCC-2002.9)."],"access_subjects_ssim":["Public libraries -- Florida -- Fort Lauderdale","Broward County Library -- History","Photographs","Negatives (Photographs)"],"access_subjects_ssm":["Public libraries -- Florida -- Fort Lauderdale","Broward County Library -- History","Photographs","Negatives (Photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["2 Hollinger Boxes"],"extent_tesim":["2 Hollinger Boxes"],"genreform_ssim":["Photographs","Negatives (Photographs)"],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985],"accessrestrict_html_tesm":["\u003cp\u003eThe Von D. Mizell Library Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Von D. Mizell Library Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll40\" target=\"_blank\"\u003eView a selection of digitized materials from the Von D. Mizell Library Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Von D. Mizell Library Collection in the Broward County Library Digital Archives."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into eight series: Series I. Background and Dedication, Series II. Reports, Series III. Flyers and Brochures, Series IV. Newspaper Articles, Series V. Educational Materials, Series VI. Audio-Visual Materials, Series VII. Photographs and Negatives, and Series VIII. Friends of the Von D. Mizell Library.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into eight series: Series I. Background and Dedication, Series II. Reports, Series III. Flyers and Brochures, Series IV. Newspaper Articles, Series V. Educational Materials, Series VI. Audio-Visual Materials, Series VII. Photographs and Negatives, and Series VIII. Friends of the Von D. Mizell Library."],"bioghist_html_tesm":["\u003cp\u003eThe Von D. Mizell Library, a former branch of the Broward County Library system, originated from the first Black library established in the City of Fort Lauderdale. In 1945, Reverend Ivory Mizell made space in his office for a small lending library and solicited books when he learned that the only city library did not provide services to the Black community. In 1952, the City of Fort Lauderdale provided space in a one room building at Sunland Park (now the Joseph C. Carter Park) for the creation of the Sunland Park Library. Over time, the Sunland Park Library met with increased demands and reopened in 1970 as the Northwest Branch of the Fort Lauderdale library system in the old Zeno Building at 1107 Northwest Sistrunk Boulevard with a wider range of services and a staff of seven. \u003c/p\u003e\n","\u003cp\u003eIn 1974, Northwest Branch became a part of the newly-established Broward County Library system, and was renamed the Von D. Mizell Library in 1975. Beginning in 1975, the Von D. Mizell Library also functioned as the headquarters for the Broward County Library Libary-In-Action Project. \u003c/p\u003e\n","\u003cp\u003eIn 1980 the library relocated five blocks east to the Von D. Mizell Library Center and All Purpose Building at 2650 Sistrunk Boulevard (the former site of Provident Hospital) with a staff of twelve and an expanded collection, including a large collection of books written by and for the people of the African diaspora. \u003c/p\u003e\n","\u003cp\u003eSamuel Morrison (1936-), the Director of Broward County's Library Division, presented plans in 1995 for a new African American Research Library and Cultural Center. The plans were approved and the African American Research Library and Cultural Center (AARLCC). AARLCC opened in October 2002, replacing the Von D. Mizell Library. The Friends of Von D. Mizell Library had been integral to the effort to fundraise for AARLCC's construction and to finding community members to give input into the design and purpose of the building; they reincorporated as the Friends of AARLCC.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Von D. Mizell Library, a former branch of the Broward County Library system, originated from the first Black library established in the City of Fort Lauderdale. In 1945, Reverend Ivory Mizell made space in his office for a small lending library and solicited books when he learned that the only city library did not provide services to the Black community. In 1952, the City of Fort Lauderdale provided space in a one room building at Sunland Park (now the Joseph C. Carter Park) for the creation of the Sunland Park Library. Over time, the Sunland Park Library met with increased demands and reopened in 1970 as the Northwest Branch of the Fort Lauderdale library system in the old Zeno Building at 1107 Northwest Sistrunk Boulevard with a wider range of services and a staff of seven. ","In 1974, Northwest Branch became a part of the newly-established Broward County Library system, and was renamed the Von D. Mizell Library in 1975. Beginning in 1975, the Von D. Mizell Library also functioned as the headquarters for the Broward County Library Libary-In-Action Project. ","In 1980 the library relocated five blocks east to the Von D. Mizell Library Center and All Purpose Building at 2650 Sistrunk Boulevard (the former site of Provident Hospital) with a staff of twelve and an expanded collection, including a large collection of books written by and for the people of the African diaspora. ","Samuel Morrison (1936-), the Director of Broward County's Library Division, presented plans in 1995 for a new African American Research Library and Cultural Center. The plans were approved and the African American Research Library and Cultural Center (AARLCC). AARLCC opened in October 2002, replacing the Von D. Mizell Library. The Friends of Von D. Mizell Library had been integral to the effort to fundraise for AARLCC's construction and to finding community members to give input into the design and purpose of the building; they reincorporated as the Friends of AARLCC."],"prefercite_html_tesm":["\u003cp\u003eVon D. Mizell Library Collection, AARLCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Von D. Mizell Library Collection, AARLCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe collection Von D. Mizell Library Collection contains materials documenting the activities and history of the Von D. Mizell Library, one of the original branches in 1974 of the Broward County Library system, as well as the Fort Lauderdale city library system that preceeded it. The materials are comprised of photographs, photo slides, negatives, printed negatives, forms with monthly statistics, financial documents, social outreach documents, brochures for events, newspaper articles, and a printed history of the Mizell Library. It also includes a small part of the original book collection from the Von D. Mizell Library, as well as artwork that hung in the library building.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection Von D. Mizell Library Collection contains materials documenting the activities and history of the Von D. Mizell Library, one of the original branches in 1974 of the Broward County Library system, as well as the Fort Lauderdale city library system that preceeded it. The materials are comprised of photographs, photo slides, negatives, printed negatives, forms with monthly statistics, financial documents, social outreach documents, brochures for events, newspaper articles, and a printed history of the Mizell Library. It also includes a small part of the original book collection from the Von D. Mizell Library, as well as artwork that hung in the library building."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default\" target=\"_blank\"\u003eBooks from this collection were cataloged in the Broward County Library catalog with the prefix \"MIZ\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books from this collection were cataloged in the Broward County Library catalog with the prefix \"MIZ\"."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":34,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"867c08d3c1202bcdd297a734","timestamp":"2026-07-02T01:31:34.008Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/867c08d3c1202bcdd297a734"}},{"id":"6678d1ef17eb0b784725a98a","type":"collection","attributes":{"title":"Vreeland Collection, Circa 1839-2000, bulk 1920-1960","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/6678d1ef17eb0b784725a98a#creator","type":"document_value","attributes":{"value":["Vreeland, Harold"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/6678d1ef17eb0b784725a98a#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003ePersonal papers and items of Mr. and Mrs. J.B. Vreeland, Sr. donated by Harold Vreeland. The collection showcases the Vreelands' interest in fishing, boating, nautical scenery, and community engagement over three generations of fishermen in Fort Lauderdale. It comprises numerous photographs of fish taken off the coast of Fort Lauderdale in the Gulf Stream; postcards of Fort Lauderdale and other landmarks in Florida; nautical and fishing stories written by James B. Vreeland Jr.; nautical charts; correspondence; scrapbooks; news clippings; logbooks from the House of Refuge; artifacts and nautical instruments; and audiovisual materials recorded by James B. Vreeland Jr. and his son, Harold Vreeland. The collection also documents local history and highlights Cordelia Vreeland's involvement in the Woman's Club as both historian and president. The collection contains 19 boxes (including seven albums consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes with different sizes containing artifacts and objects.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6678d1ef17eb0b784725a98a#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"6678d1ef17eb0b784725a98a","title_filing_ssi":"Vreeland Collection","title_ssm":["Vreeland Collection"],"title_tesim":["Vreeland Collection"],"ead_ssi":"6678d1ef17eb0b784725a98a","unitdate_ssm":["Circa 1839-2000, bulk 1920-1960"],"unitdate_inclusive_ssm":["Circa 1839-2000, bulk 1920-1960"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BCHA.1985.6","/repositories/4/resources/275"],"text":["BCHA.1985.6","/repositories/4/resources/275","Vreeland Collection, Circa 1839-2000, bulk 1920-1960","Fishing","Big game fishing","Boats and boating","Fort Lauderdale Beach (Fort Lauderdale, Fla.)","Saltwater fishing","Good condition. Some items fragile, broken, or damaged.","Collection is open for research.","Harold Vreeland donated the original part of this collection in 1985. He donated accruals to the collection in 1985 (BCHA-1985.7), 1993 (BCHA-1993.20), and 1996 (BCHA-1996.1).","The Vreeland family was among the first residents of Fort Lauderdale at the beginning of the 20th century. James Barnes Vreeland Sr. (1864–1943), a native of Flat Rock, Michigan, and his wife, Cordelia Deveaux Vreeland (1862–1958), Huguenot descent, originally from New Rochelle, New York, moved with their son, James B. Vreeland Jr. (1899–1978), to Florida in 1900. The family relocated from Larchmont, N.Y., to the Indian River area, where they purchased a citrus acreage that had not yet begun producing.","In 1906, at the request of President Theodore Roosevelt, Vreeland Sr. became captain of the Coast Guard House of Refuge (Station #4) in Fort Lauderdale, near Las Olas Beach, a post he held until 1915. The family rescued sailors shipwrecked on the reefs and managed two early local institutions: the Broward Hotel and the Las Olas Inn. He was also the first surveyors in Broward County.","During the first decade of the 20th century, Captain Vreeland Sr. faced several crises and storms, including an incident involving a crew that had mutinied against its captain off the coast of Florida. As a government agent, he boarded the vessel to reason with the crew, ultimately bringing the mutiny to an end.\nHe was also involved in real estate and took an active role in civic projects aimed at developing Fort Lauderdale. He and his wife were charter members of the First Presbyterian Church. In 1943, Vreeland Sr. died in an accident when his tractor went out of control and overturned, killing the 78 year old.","His wife, Cordelia Deveaux Vreeland, was an active member of the Woman's Club of Fort Lauderdale, serving both as president and historian. She contributed to the establishment of Fort Lauderdale's first public library, the forerunner of today's Broward County Library. Upon her arrival in the area, she played the organ for Methodist and Baptist services. Between 1912 and 1913, Cordelia Vreeland directed the city's first choral group, known as the Tuesday Evening Woman's Chorus.","Their son, James B. Vreeland Jr. (married to Dorothy Viola Simpson), continued the family's legacy as early as 1913 by expanding the fishing business as a charter captain. Captain Vreeland Jr. built his four boats, the Kingfishers, and went off the coast of Florida and the Bahamas capturing different kinds of game fish—sailfish, blue and white marlins, sharks, mantas, dolphins, barracudas, and others. Vreeland Jr. took his passion to another level by photographing and filming his catches for game fishing audiences from the 1920s to the early 1970s. Vreeland Jr. also shared his experience at sea by writing articles in newspapers and magazines, broadcasting stories on the radio during WWII, and lending his photographs to editors interested in publishing fishing action images. Outside of fishing, Vreeland Jr. became involved in the Bahia-Mar Charter Boatmen's Association as an active member and later served as its president.","During WWII, Captain Vreeland Jr. served in an unofficial role as a \"sea mailman,\" retrieving ship letters that had been thrown overboard so they could be preserved in case a vessel was attacked by German forces. In 1961, the City of Fort Lauderdale recognized James B. Vreeland Jr.'s contributions to the city's development by issuing a citation of esteem for his genuine pioneership.","His son, Harold Vreeland (1924-1997), followed the same path as his predecessors by keeping the charter business alive at Bahia Mar. At a young age, Harold learned fishing techniques, breaking a record at just 14 by catching a giant mangrove snapper with rod and reel. During WWII, Harold Vreeland served in the Navy for over three years and spent 13 months on active duty in the Pacific aboard the destroyer USS Mansfield, one of the 17 ships in Admiral Halsey's fleet.\nHarold Vreeland participated in numerous tournaments in the United States and the Bahamas on several privately owned yachts. Married for more than fifty years to Lorraine DeBow Vreeland (1921-2011), the couple had two children: Jane and Jack. Jack Vreeland was the last of the family to take an avid interest in fishing off the coast of Florida.","This collection received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Personal papers and items of Mr. and Mrs. J.B. Vreeland, Sr. donated by Harold Vreeland. The collection showcases the Vreelands' interest in fishing, boating, nautical scenery, and community engagement over three generations of fishermen in Fort Lauderdale. It comprises numerous photographs of fish taken off the coast of Fort Lauderdale in the Gulf Stream; postcards of Fort Lauderdale and other landmarks in Florida; nautical and fishing stories written by James B. Vreeland Jr.; nautical charts; correspondence; scrapbooks; news clippings; logbooks from the House of Refuge; artifacts and nautical instruments; and audiovisual materials recorded by James B. Vreeland Jr. and his son, Harold Vreeland. The collection also documents local history and highlights Cordelia Vreeland's involvement in the Woman's Club as both historian and president. The collection contains 19 boxes (including seven albums consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes with different sizes containing artifacts and objects.","The collection is arranged into five series: 1. Photographs, postcards, and illustrations; 2. Boating and fishing; 3. Vreeland family personal papers; 4. Objects, artwork, and relics; 5. Audiovisual materials.","The Photographs, postcards, and illustrations series includes illustrations depicting fishing, boating, nautical scenery, the Vreeland family, hurricanes and storms, and various aquatic and marine activities. For the most part, the photographs showcase various species such as sailfish, white marlin, blue marlin, manta rays, sharks, mangrove snappers, tarpon, bonefish, mahi-mahi, barracuda, kingfish, and other game fish caught off the coast of Florida and in the Gulf Stream. It also illustrates various boats owned by the Vreeland family, including the Kingfishers (III, IV, and V), the Agnes, and a glass-bottom boat called the Mermaid of the Sea. It also features warships—such as cruisers and destroyers—navigating off the coast of Fort Lauderdale during World War II. ","It also showcases members of the Vreeland family over three generations, with a particular focus on James B. Vreeland Sr. and Cordelia Vreeland. Postcards and souvenir cards depict Fort Lauderdale's nautical scenery, canals, beaches, and waterfront development, as well as notable Florida landmarks such as Cypress Gardens, the Singing Tower at Mountain Lake, and historic sites in St. Augustine. The postcards also feature big-game fishing scenes, marine wildlife, Vreeland family vessels, military ships, and regional tourist attractions. Although the majority of items portray Fort Lauderdale, a smaller number document locations outside Florida, including Halls Harbour (Nova Scotia), Alabama, and Tennessee.","The boating and fishing series includes writings by James B. Vreeland Jr., such as sea stories intended to educate the public about game‑fishing activities and boating. These stories were published in newspapers and magazines and were also broadcast on radio. The series additionally contains publications and flyers featuring photographs taken by Vreeland that document fishing activities. Other material includes the House of Refuge logbooks kept by James B. Vreeland Sr. in the early twentieth century.","The Vreeland family personal papers series includes personal documents and realia pertaining to the Vreeland family at various stages of their lives, as well as scrapbooks, news clippings, photographs, and other materials documenting the history of Fort Lauderdale and Florida. Additional materials relate to Cordelia Vreeland's involvement in the Woman's Club of Fort Lauderdale, particularly in her role as historian.","The Objects, artwork, and relics series includes nautical instruments used by James B. Vreeland Sr., banners, relics from the old Fort Lauderdale, musket balls, clothes, sharks and alligators teeth, a painting, and a wood carving wall art.","Finally, the Audiovisual materials series includes recordings made by James B. Vreeland Jr concerning game fishing and sea stories.","Access to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library."," Broward County Historical Archives","Vreeland, Harold","English"],"unitid_tesim":["BCHA.1985.6","/repositories/4/resources/275"],"normalized_date_ssm":["Circa 1839-2000, bulk 1920-1960"],"normalized_title_ssm":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960"],"collection_title_tesim":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960"],"collection_ssim":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960"],"repository_ssm":["Broward County Historical Archives"],"repository_ssim":["Broward County Historical Archives"],"creator_ssm":["Vreeland, Harold"],"creator_ssim":["Vreeland, Harold"],"creator_persname_ssim":["Vreeland, Harold"],"creators_ssim":["Vreeland, Harold"],"access_terms_ssm":["Access to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library."],"access_subjects_ssim":["Fishing","Big game fishing","Boats and boating","Fort Lauderdale Beach (Fort Lauderdale, Fla.)","Saltwater fishing"],"access_subjects_ssm":["Fishing","Big game fishing","Boats and boating","Fort Lauderdale Beach (Fort Lauderdale, Fla.)","Saltwater fishing"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good condition. Some items fragile, broken, or damaged."],"extent_ssm":["19 Boxes (irregular size) The collection contains 19 boxes, including seven albums (consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes of different sizes containing artifacts and objects."],"extent_tesim":["19 Boxes (irregular size) The collection contains 19 boxes, including seven albums (consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes of different sizes containing artifacts and objects."],"date_range_isim":[1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"accruals_html_tesm":["\u003cp\u003eHarold Vreeland donated the original part of this collection in 1985. He donated accruals to the collection in 1985 (BCHA-1985.7), 1993 (BCHA-1993.20), and 1996 (BCHA-1996.1).\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Harold Vreeland donated the original part of this collection in 1985. He donated accruals to the collection in 1985 (BCHA-1985.7), 1993 (BCHA-1993.20), and 1996 (BCHA-1996.1)."],"bioghist_html_tesm":["\u003cp\u003eThe Vreeland family was among the first residents of Fort Lauderdale at the beginning of the 20th century. James Barnes Vreeland Sr. (1864\u0026#x2013;1943), a native of Flat Rock, Michigan, and his wife, Cordelia Deveaux Vreeland (1862\u0026#x2013;1958), Huguenot descent, originally from New Rochelle, New York, moved with their son, James B. Vreeland Jr. (1899\u0026#x2013;1978), to Florida in 1900. The family relocated from Larchmont, N.Y., to the Indian River area, where they purchased a citrus acreage that had not yet begun producing.\u003c/p\u003e\n","\u003cp\u003eIn 1906, at the request of President Theodore Roosevelt, Vreeland Sr. became captain of the Coast Guard House of Refuge (Station #4) in Fort Lauderdale, near Las Olas Beach, a post he held until 1915. The family rescued sailors shipwrecked on the reefs and managed two early local institutions: the Broward Hotel and the Las Olas Inn. He was also the first surveyors in Broward County.\u003c/p\u003e\n","\u003cp\u003eDuring the first decade of the 20th century, Captain Vreeland Sr. faced several crises and storms, including an incident involving a crew that had mutinied against its captain off the coast of Florida. As a government agent, he boarded the vessel to reason with the crew, ultimately bringing the mutiny to an end.\nHe was also involved in real estate and took an active role in civic projects aimed at developing Fort Lauderdale. He and his wife were charter members of the First Presbyterian Church. In 1943, Vreeland Sr. died in an accident when his tractor went out of control and overturned, killing the 78 year old.\u003c/p\u003e\n","\u003cp\u003eHis wife, Cordelia Deveaux Vreeland, was an active member of the Woman's Club of Fort Lauderdale, serving both as president and historian. She contributed to the establishment of Fort Lauderdale's first public library, the forerunner of today's Broward County Library. Upon her arrival in the area, she played the organ for Methodist and Baptist services. Between 1912 and 1913, Cordelia Vreeland directed the city's first choral group, known as the Tuesday Evening Woman's Chorus.\u003c/p\u003e\n","\u003cp\u003eTheir son, James B. Vreeland Jr. (married to Dorothy Viola Simpson), continued the family's legacy as early as 1913 by expanding the fishing business as a charter captain. Captain Vreeland Jr. built his four boats, the Kingfishers, and went off the coast of Florida and the Bahamas capturing different kinds of game fish\u0026#x2014;sailfish, blue and white marlins, sharks, mantas, dolphins, barracudas, and others. Vreeland Jr. took his passion to another level by photographing and filming his catches for game fishing audiences from the 1920s to the early 1970s. Vreeland Jr. also shared his experience at sea by writing articles in newspapers and magazines, broadcasting stories on the radio during WWII, and lending his photographs to editors interested in publishing fishing action images. Outside of fishing, Vreeland Jr. became involved in the Bahia-Mar Charter Boatmen's Association as an active member and later served as its president.\u003c/p\u003e\n","\u003cp\u003eDuring WWII, Captain Vreeland Jr. served in an unofficial role as a \"sea mailman,\" retrieving ship letters that had been thrown overboard so they could be preserved in case a vessel was attacked by German forces. In 1961, the City of Fort Lauderdale recognized James B. Vreeland Jr.'s contributions to the city's development by issuing a citation of esteem for his genuine pioneership.\u003c/p\u003e\n","\u003cp\u003eHis son, Harold Vreeland (1924-1997), followed the same path as his predecessors by keeping the charter business alive at Bahia Mar. At a young age, Harold learned fishing techniques, breaking a record at just 14 by catching a giant mangrove snapper with rod and reel. During WWII, Harold Vreeland served in the Navy for over three years and spent 13 months on active duty in the Pacific aboard the destroyer USS Mansfield, one of the 17 ships in Admiral Halsey's fleet.\nHarold Vreeland participated in numerous tournaments in the United States and the Bahamas on several privately owned yachts. Married for more than fifty years to Lorraine DeBow Vreeland (1921-2011), the couple had two children: Jane and Jack. Jack Vreeland was the last of the family to take an avid interest in fishing off the coast of Florida.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Vreeland family was among the first residents of Fort Lauderdale at the beginning of the 20th century. James Barnes Vreeland Sr. (1864–1943), a native of Flat Rock, Michigan, and his wife, Cordelia Deveaux Vreeland (1862–1958), Huguenot descent, originally from New Rochelle, New York, moved with their son, James B. Vreeland Jr. (1899–1978), to Florida in 1900. The family relocated from Larchmont, N.Y., to the Indian River area, where they purchased a citrus acreage that had not yet begun producing.","In 1906, at the request of President Theodore Roosevelt, Vreeland Sr. became captain of the Coast Guard House of Refuge (Station #4) in Fort Lauderdale, near Las Olas Beach, a post he held until 1915. The family rescued sailors shipwrecked on the reefs and managed two early local institutions: the Broward Hotel and the Las Olas Inn. He was also the first surveyors in Broward County.","During the first decade of the 20th century, Captain Vreeland Sr. faced several crises and storms, including an incident involving a crew that had mutinied against its captain off the coast of Florida. As a government agent, he boarded the vessel to reason with the crew, ultimately bringing the mutiny to an end.\nHe was also involved in real estate and took an active role in civic projects aimed at developing Fort Lauderdale. He and his wife were charter members of the First Presbyterian Church. In 1943, Vreeland Sr. died in an accident when his tractor went out of control and overturned, killing the 78 year old.","His wife, Cordelia Deveaux Vreeland, was an active member of the Woman's Club of Fort Lauderdale, serving both as president and historian. She contributed to the establishment of Fort Lauderdale's first public library, the forerunner of today's Broward County Library. Upon her arrival in the area, she played the organ for Methodist and Baptist services. Between 1912 and 1913, Cordelia Vreeland directed the city's first choral group, known as the Tuesday Evening Woman's Chorus.","Their son, James B. Vreeland Jr. (married to Dorothy Viola Simpson), continued the family's legacy as early as 1913 by expanding the fishing business as a charter captain. Captain Vreeland Jr. built his four boats, the Kingfishers, and went off the coast of Florida and the Bahamas capturing different kinds of game fish—sailfish, blue and white marlins, sharks, mantas, dolphins, barracudas, and others. Vreeland Jr. took his passion to another level by photographing and filming his catches for game fishing audiences from the 1920s to the early 1970s. Vreeland Jr. also shared his experience at sea by writing articles in newspapers and magazines, broadcasting stories on the radio during WWII, and lending his photographs to editors interested in publishing fishing action images. Outside of fishing, Vreeland Jr. became involved in the Bahia-Mar Charter Boatmen's Association as an active member and later served as its president.","During WWII, Captain Vreeland Jr. served in an unofficial role as a \"sea mailman,\" retrieving ship letters that had been thrown overboard so they could be preserved in case a vessel was attacked by German forces. In 1961, the City of Fort Lauderdale recognized James B. Vreeland Jr.'s contributions to the city's development by issuing a citation of esteem for his genuine pioneership.","His son, Harold Vreeland (1924-1997), followed the same path as his predecessors by keeping the charter business alive at Bahia Mar. At a young age, Harold learned fishing techniques, breaking a record at just 14 by catching a giant mangrove snapper with rod and reel. During WWII, Harold Vreeland served in the Navy for over three years and spent 13 months on active duty in the Pacific aboard the destroyer USS Mansfield, one of the 17 ships in Admiral Halsey's fleet.\nHarold Vreeland participated in numerous tournaments in the United States and the Bahamas on several privately owned yachts. Married for more than fifty years to Lorraine DeBow Vreeland (1921-2011), the couple had two children: Jane and Jack. Jack Vreeland was the last of the family to take an avid interest in fishing off the coast of Florida."],"prefercite_html_tesm":["\u003cp\u003eBroward County Historical Archives, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Broward County Historical Archives, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003ePersonal papers and items of Mr. and Mrs. J.B. Vreeland, Sr. donated by Harold Vreeland. The collection showcases the Vreelands' interest in fishing, boating, nautical scenery, and community engagement over three generations of fishermen in Fort Lauderdale. It comprises numerous photographs of fish taken off the coast of Fort Lauderdale in the Gulf Stream; postcards of Fort Lauderdale and other landmarks in Florida; nautical and fishing stories written by James B. Vreeland Jr.; nautical charts; correspondence; scrapbooks; news clippings; logbooks from the House of Refuge; artifacts and nautical instruments; and audiovisual materials recorded by James B. Vreeland Jr. and his son, Harold Vreeland. The collection also documents local history and highlights Cordelia Vreeland's involvement in the Woman's Club as both historian and president. The collection contains 19 boxes (including seven albums consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes with different sizes containing artifacts and objects.\u003c/p\u003e\n","\u003cp\u003eThe collection is arranged into five series: 1. Photographs, postcards, and illustrations; 2. Boating and fishing; 3. Vreeland family personal papers; 4. Objects, artwork, and relics; 5. Audiovisual materials.\u003c/p\u003e\n","\u003cp\u003eThe Photographs, postcards, and illustrations series includes illustrations depicting fishing, boating, nautical scenery, the Vreeland family, hurricanes and storms, and various aquatic and marine activities. For the most part, the photographs showcase various species such as sailfish, white marlin, blue marlin, manta rays, sharks, mangrove snappers, tarpon, bonefish, mahi-mahi, barracuda, kingfish, and other game fish caught off the coast of Florida and in the Gulf Stream. It also illustrates various boats owned by the Vreeland family, including the Kingfishers (III, IV, and V), the Agnes, and a glass-bottom boat called the Mermaid of the Sea. It also features warships\u0026#x2014;such as cruisers and destroyers\u0026#x2014;navigating off the coast of Fort Lauderdale during World War II. \u003c/p\u003e\n","\u003cp\u003eIt also showcases members of the Vreeland family over three generations, with a particular focus on James B. Vreeland Sr. and Cordelia Vreeland. Postcards and souvenir cards depict Fort Lauderdale's nautical scenery, canals, beaches, and waterfront development, as well as notable Florida landmarks such as Cypress Gardens, the Singing Tower at Mountain Lake, and historic sites in St. Augustine. The postcards also feature big-game fishing scenes, marine wildlife, Vreeland family vessels, military ships, and regional tourist attractions. Although the majority of items portray Fort Lauderdale, a smaller number document locations outside Florida, including Halls Harbour (Nova Scotia), Alabama, and Tennessee.\u003c/p\u003e\n","\u003cp\u003eThe boating and fishing series includes writings by James B. Vreeland Jr., such as sea stories intended to educate the public about game\u0026#x2011;fishing activities and boating. These stories were published in newspapers and magazines and were also broadcast on radio. The series additionally contains publications and flyers featuring photographs taken by Vreeland that document fishing activities. Other material includes the House of Refuge logbooks kept by James B. Vreeland Sr. in the early twentieth century.\u003c/p\u003e\n","\u003cp\u003eThe Vreeland family personal papers series includes personal documents and realia pertaining to the Vreeland family at various stages of their lives, as well as scrapbooks, news clippings, photographs, and other materials documenting the history of Fort Lauderdale and Florida. Additional materials relate to Cordelia Vreeland's involvement in the Woman's Club of Fort Lauderdale, particularly in her role as historian.\u003c/p\u003e\n","\u003cp\u003eThe Objects, artwork, and relics series includes nautical instruments used by James B. Vreeland Sr., banners, relics from the old Fort Lauderdale, musket balls, clothes, sharks and alligators teeth, a painting, and a wood carving wall art.\u003c/p\u003e\n","\u003cp\u003eFinally, the Audiovisual materials series includes recordings made by James B. Vreeland Jr concerning game fishing and sea stories.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Personal papers and items of Mr. and Mrs. J.B. Vreeland, Sr. donated by Harold Vreeland. The collection showcases the Vreelands' interest in fishing, boating, nautical scenery, and community engagement over three generations of fishermen in Fort Lauderdale. It comprises numerous photographs of fish taken off the coast of Fort Lauderdale in the Gulf Stream; postcards of Fort Lauderdale and other landmarks in Florida; nautical and fishing stories written by James B. Vreeland Jr.; nautical charts; correspondence; scrapbooks; news clippings; logbooks from the House of Refuge; artifacts and nautical instruments; and audiovisual materials recorded by James B. Vreeland Jr. and his son, Harold Vreeland. The collection also documents local history and highlights Cordelia Vreeland's involvement in the Woman's Club as both historian and president. The collection contains 19 boxes (including seven albums consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes with different sizes containing artifacts and objects.","The collection is arranged into five series: 1. Photographs, postcards, and illustrations; 2. Boating and fishing; 3. Vreeland family personal papers; 4. Objects, artwork, and relics; 5. Audiovisual materials.","The Photographs, postcards, and illustrations series includes illustrations depicting fishing, boating, nautical scenery, the Vreeland family, hurricanes and storms, and various aquatic and marine activities. For the most part, the photographs showcase various species such as sailfish, white marlin, blue marlin, manta rays, sharks, mangrove snappers, tarpon, bonefish, mahi-mahi, barracuda, kingfish, and other game fish caught off the coast of Florida and in the Gulf Stream. It also illustrates various boats owned by the Vreeland family, including the Kingfishers (III, IV, and V), the Agnes, and a glass-bottom boat called the Mermaid of the Sea. It also features warships—such as cruisers and destroyers—navigating off the coast of Fort Lauderdale during World War II. ","It also showcases members of the Vreeland family over three generations, with a particular focus on James B. Vreeland Sr. and Cordelia Vreeland. Postcards and souvenir cards depict Fort Lauderdale's nautical scenery, canals, beaches, and waterfront development, as well as notable Florida landmarks such as Cypress Gardens, the Singing Tower at Mountain Lake, and historic sites in St. Augustine. The postcards also feature big-game fishing scenes, marine wildlife, Vreeland family vessels, military ships, and regional tourist attractions. Although the majority of items portray Fort Lauderdale, a smaller number document locations outside Florida, including Halls Harbour (Nova Scotia), Alabama, and Tennessee.","The boating and fishing series includes writings by James B. Vreeland Jr., such as sea stories intended to educate the public about game‑fishing activities and boating. These stories were published in newspapers and magazines and were also broadcast on radio. The series additionally contains publications and flyers featuring photographs taken by Vreeland that document fishing activities. Other material includes the House of Refuge logbooks kept by James B. Vreeland Sr. in the early twentieth century.","The Vreeland family personal papers series includes personal documents and realia pertaining to the Vreeland family at various stages of their lives, as well as scrapbooks, news clippings, photographs, and other materials documenting the history of Fort Lauderdale and Florida. Additional materials relate to Cordelia Vreeland's involvement in the Woman's Club of Fort Lauderdale, particularly in her role as historian.","The Objects, artwork, and relics series includes nautical instruments used by James B. Vreeland Sr., banners, relics from the old Fort Lauderdale, musket balls, clothes, sharks and alligators teeth, a painting, and a wood carving wall art.","Finally, the Audiovisual materials series includes recordings made by James B. Vreeland Jr concerning game fishing and sea stories."],"userestrict_html_tesm":["\u003cp\u003eAccess to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Access to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library."],"names_ssim":[" Broward County Historical Archives","Vreeland, Harold"],"corpname_ssim":[" Broward County Historical Archives"],"names_coll_ssim":["Vreeland, Harold"],"persname_ssim":["Vreeland, Harold"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":708,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877635433981018112,"_root_":"6678d1ef17eb0b784725a98a","timestamp":"2026-09-29T03:31:28.954Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6678d1ef17eb0b784725a98a","title_filing_ssi":"Vreeland Collection","title_ssm":["Vreeland Collection"],"title_tesim":["Vreeland Collection"],"ead_ssi":"6678d1ef17eb0b784725a98a","unitdate_ssm":["Circa 1839-2000, bulk 1920-1960"],"unitdate_inclusive_ssm":["Circa 1839-2000, bulk 1920-1960"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BCHA.1985.6","/repositories/4/resources/275"],"text":["BCHA.1985.6","/repositories/4/resources/275","Vreeland Collection, Circa 1839-2000, bulk 1920-1960","Fishing","Big game fishing","Boats and boating","Fort Lauderdale Beach (Fort Lauderdale, Fla.)","Saltwater fishing","Good condition. Some items fragile, broken, or damaged.","Collection is open for research.","Harold Vreeland donated the original part of this collection in 1985. He donated accruals to the collection in 1985 (BCHA-1985.7), 1993 (BCHA-1993.20), and 1996 (BCHA-1996.1).","The Vreeland family was among the first residents of Fort Lauderdale at the beginning of the 20th century. James Barnes Vreeland Sr. (1864–1943), a native of Flat Rock, Michigan, and his wife, Cordelia Deveaux Vreeland (1862–1958), Huguenot descent, originally from New Rochelle, New York, moved with their son, James B. Vreeland Jr. (1899–1978), to Florida in 1900. The family relocated from Larchmont, N.Y., to the Indian River area, where they purchased a citrus acreage that had not yet begun producing.","In 1906, at the request of President Theodore Roosevelt, Vreeland Sr. became captain of the Coast Guard House of Refuge (Station #4) in Fort Lauderdale, near Las Olas Beach, a post he held until 1915. The family rescued sailors shipwrecked on the reefs and managed two early local institutions: the Broward Hotel and the Las Olas Inn. He was also the first surveyors in Broward County.","During the first decade of the 20th century, Captain Vreeland Sr. faced several crises and storms, including an incident involving a crew that had mutinied against its captain off the coast of Florida. As a government agent, he boarded the vessel to reason with the crew, ultimately bringing the mutiny to an end.\nHe was also involved in real estate and took an active role in civic projects aimed at developing Fort Lauderdale. He and his wife were charter members of the First Presbyterian Church. In 1943, Vreeland Sr. died in an accident when his tractor went out of control and overturned, killing the 78 year old.","His wife, Cordelia Deveaux Vreeland, was an active member of the Woman's Club of Fort Lauderdale, serving both as president and historian. She contributed to the establishment of Fort Lauderdale's first public library, the forerunner of today's Broward County Library. Upon her arrival in the area, she played the organ for Methodist and Baptist services. Between 1912 and 1913, Cordelia Vreeland directed the city's first choral group, known as the Tuesday Evening Woman's Chorus.","Their son, James B. Vreeland Jr. (married to Dorothy Viola Simpson), continued the family's legacy as early as 1913 by expanding the fishing business as a charter captain. Captain Vreeland Jr. built his four boats, the Kingfishers, and went off the coast of Florida and the Bahamas capturing different kinds of game fish—sailfish, blue and white marlins, sharks, mantas, dolphins, barracudas, and others. Vreeland Jr. took his passion to another level by photographing and filming his catches for game fishing audiences from the 1920s to the early 1970s. Vreeland Jr. also shared his experience at sea by writing articles in newspapers and magazines, broadcasting stories on the radio during WWII, and lending his photographs to editors interested in publishing fishing action images. Outside of fishing, Vreeland Jr. became involved in the Bahia-Mar Charter Boatmen's Association as an active member and later served as its president.","During WWII, Captain Vreeland Jr. served in an unofficial role as a \"sea mailman,\" retrieving ship letters that had been thrown overboard so they could be preserved in case a vessel was attacked by German forces. In 1961, the City of Fort Lauderdale recognized James B. Vreeland Jr.'s contributions to the city's development by issuing a citation of esteem for his genuine pioneership.","His son, Harold Vreeland (1924-1997), followed the same path as his predecessors by keeping the charter business alive at Bahia Mar. At a young age, Harold learned fishing techniques, breaking a record at just 14 by catching a giant mangrove snapper with rod and reel. During WWII, Harold Vreeland served in the Navy for over three years and spent 13 months on active duty in the Pacific aboard the destroyer USS Mansfield, one of the 17 ships in Admiral Halsey's fleet.\nHarold Vreeland participated in numerous tournaments in the United States and the Bahamas on several privately owned yachts. Married for more than fifty years to Lorraine DeBow Vreeland (1921-2011), the couple had two children: Jane and Jack. Jack Vreeland was the last of the family to take an avid interest in fishing off the coast of Florida.","This collection received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Personal papers and items of Mr. and Mrs. J.B. Vreeland, Sr. donated by Harold Vreeland. The collection showcases the Vreelands' interest in fishing, boating, nautical scenery, and community engagement over three generations of fishermen in Fort Lauderdale. It comprises numerous photographs of fish taken off the coast of Fort Lauderdale in the Gulf Stream; postcards of Fort Lauderdale and other landmarks in Florida; nautical and fishing stories written by James B. Vreeland Jr.; nautical charts; correspondence; scrapbooks; news clippings; logbooks from the House of Refuge; artifacts and nautical instruments; and audiovisual materials recorded by James B. Vreeland Jr. and his son, Harold Vreeland. The collection also documents local history and highlights Cordelia Vreeland's involvement in the Woman's Club as both historian and president. The collection contains 19 boxes (including seven albums consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes with different sizes containing artifacts and objects.","The collection is arranged into five series: 1. Photographs, postcards, and illustrations; 2. Boating and fishing; 3. Vreeland family personal papers; 4. Objects, artwork, and relics; 5. Audiovisual materials.","The Photographs, postcards, and illustrations series includes illustrations depicting fishing, boating, nautical scenery, the Vreeland family, hurricanes and storms, and various aquatic and marine activities. For the most part, the photographs showcase various species such as sailfish, white marlin, blue marlin, manta rays, sharks, mangrove snappers, tarpon, bonefish, mahi-mahi, barracuda, kingfish, and other game fish caught off the coast of Florida and in the Gulf Stream. It also illustrates various boats owned by the Vreeland family, including the Kingfishers (III, IV, and V), the Agnes, and a glass-bottom boat called the Mermaid of the Sea. It also features warships—such as cruisers and destroyers—navigating off the coast of Fort Lauderdale during World War II. ","It also showcases members of the Vreeland family over three generations, with a particular focus on James B. Vreeland Sr. and Cordelia Vreeland. Postcards and souvenir cards depict Fort Lauderdale's nautical scenery, canals, beaches, and waterfront development, as well as notable Florida landmarks such as Cypress Gardens, the Singing Tower at Mountain Lake, and historic sites in St. Augustine. The postcards also feature big-game fishing scenes, marine wildlife, Vreeland family vessels, military ships, and regional tourist attractions. Although the majority of items portray Fort Lauderdale, a smaller number document locations outside Florida, including Halls Harbour (Nova Scotia), Alabama, and Tennessee.","The boating and fishing series includes writings by James B. Vreeland Jr., such as sea stories intended to educate the public about game‑fishing activities and boating. These stories were published in newspapers and magazines and were also broadcast on radio. The series additionally contains publications and flyers featuring photographs taken by Vreeland that document fishing activities. Other material includes the House of Refuge logbooks kept by James B. Vreeland Sr. in the early twentieth century.","The Vreeland family personal papers series includes personal documents and realia pertaining to the Vreeland family at various stages of their lives, as well as scrapbooks, news clippings, photographs, and other materials documenting the history of Fort Lauderdale and Florida. Additional materials relate to Cordelia Vreeland's involvement in the Woman's Club of Fort Lauderdale, particularly in her role as historian.","The Objects, artwork, and relics series includes nautical instruments used by James B. Vreeland Sr., banners, relics from the old Fort Lauderdale, musket balls, clothes, sharks and alligators teeth, a painting, and a wood carving wall art.","Finally, the Audiovisual materials series includes recordings made by James B. Vreeland Jr concerning game fishing and sea stories.","Access to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library."," Broward County Historical Archives","Vreeland, Harold","English"],"unitid_tesim":["BCHA.1985.6","/repositories/4/resources/275"],"normalized_date_ssm":["Circa 1839-2000, bulk 1920-1960"],"normalized_title_ssm":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960"],"collection_title_tesim":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960"],"collection_ssim":["Vreeland Collection, Circa 1839-2000, bulk 1920-1960"],"repository_ssm":["Broward County Historical Archives"],"repository_ssim":["Broward County Historical Archives"],"creator_ssm":["Vreeland, Harold"],"creator_ssim":["Vreeland, Harold"],"creator_persname_ssim":["Vreeland, Harold"],"creators_ssim":["Vreeland, Harold"],"access_terms_ssm":["Access to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library."],"access_subjects_ssim":["Fishing","Big game fishing","Boats and boating","Fort Lauderdale Beach (Fort Lauderdale, Fla.)","Saltwater fishing"],"access_subjects_ssm":["Fishing","Big game fishing","Boats and boating","Fort Lauderdale Beach (Fort Lauderdale, Fla.)","Saltwater fishing"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good condition. Some items fragile, broken, or damaged."],"extent_ssm":["19 Boxes (irregular size) The collection contains 19 boxes, including seven albums (consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes of different sizes containing artifacts and objects."],"extent_tesim":["19 Boxes (irregular size) The collection contains 19 boxes, including seven albums (consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes of different sizes containing artifacts and objects."],"date_range_isim":[1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"accruals_html_tesm":["\u003cp\u003eHarold Vreeland donated the original part of this collection in 1985. He donated accruals to the collection in 1985 (BCHA-1985.7), 1993 (BCHA-1993.20), and 1996 (BCHA-1996.1).\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Harold Vreeland donated the original part of this collection in 1985. He donated accruals to the collection in 1985 (BCHA-1985.7), 1993 (BCHA-1993.20), and 1996 (BCHA-1996.1)."],"bioghist_html_tesm":["\u003cp\u003eThe Vreeland family was among the first residents of Fort Lauderdale at the beginning of the 20th century. James Barnes Vreeland Sr. (1864\u0026#x2013;1943), a native of Flat Rock, Michigan, and his wife, Cordelia Deveaux Vreeland (1862\u0026#x2013;1958), Huguenot descent, originally from New Rochelle, New York, moved with their son, James B. Vreeland Jr. (1899\u0026#x2013;1978), to Florida in 1900. The family relocated from Larchmont, N.Y., to the Indian River area, where they purchased a citrus acreage that had not yet begun producing.\u003c/p\u003e\n","\u003cp\u003eIn 1906, at the request of President Theodore Roosevelt, Vreeland Sr. became captain of the Coast Guard House of Refuge (Station #4) in Fort Lauderdale, near Las Olas Beach, a post he held until 1915. The family rescued sailors shipwrecked on the reefs and managed two early local institutions: the Broward Hotel and the Las Olas Inn. He was also the first surveyors in Broward County.\u003c/p\u003e\n","\u003cp\u003eDuring the first decade of the 20th century, Captain Vreeland Sr. faced several crises and storms, including an incident involving a crew that had mutinied against its captain off the coast of Florida. As a government agent, he boarded the vessel to reason with the crew, ultimately bringing the mutiny to an end.\nHe was also involved in real estate and took an active role in civic projects aimed at developing Fort Lauderdale. He and his wife were charter members of the First Presbyterian Church. In 1943, Vreeland Sr. died in an accident when his tractor went out of control and overturned, killing the 78 year old.\u003c/p\u003e\n","\u003cp\u003eHis wife, Cordelia Deveaux Vreeland, was an active member of the Woman's Club of Fort Lauderdale, serving both as president and historian. She contributed to the establishment of Fort Lauderdale's first public library, the forerunner of today's Broward County Library. Upon her arrival in the area, she played the organ for Methodist and Baptist services. Between 1912 and 1913, Cordelia Vreeland directed the city's first choral group, known as the Tuesday Evening Woman's Chorus.\u003c/p\u003e\n","\u003cp\u003eTheir son, James B. Vreeland Jr. (married to Dorothy Viola Simpson), continued the family's legacy as early as 1913 by expanding the fishing business as a charter captain. Captain Vreeland Jr. built his four boats, the Kingfishers, and went off the coast of Florida and the Bahamas capturing different kinds of game fish\u0026#x2014;sailfish, blue and white marlins, sharks, mantas, dolphins, barracudas, and others. Vreeland Jr. took his passion to another level by photographing and filming his catches for game fishing audiences from the 1920s to the early 1970s. Vreeland Jr. also shared his experience at sea by writing articles in newspapers and magazines, broadcasting stories on the radio during WWII, and lending his photographs to editors interested in publishing fishing action images. Outside of fishing, Vreeland Jr. became involved in the Bahia-Mar Charter Boatmen's Association as an active member and later served as its president.\u003c/p\u003e\n","\u003cp\u003eDuring WWII, Captain Vreeland Jr. served in an unofficial role as a \"sea mailman,\" retrieving ship letters that had been thrown overboard so they could be preserved in case a vessel was attacked by German forces. In 1961, the City of Fort Lauderdale recognized James B. Vreeland Jr.'s contributions to the city's development by issuing a citation of esteem for his genuine pioneership.\u003c/p\u003e\n","\u003cp\u003eHis son, Harold Vreeland (1924-1997), followed the same path as his predecessors by keeping the charter business alive at Bahia Mar. At a young age, Harold learned fishing techniques, breaking a record at just 14 by catching a giant mangrove snapper with rod and reel. During WWII, Harold Vreeland served in the Navy for over three years and spent 13 months on active duty in the Pacific aboard the destroyer USS Mansfield, one of the 17 ships in Admiral Halsey's fleet.\nHarold Vreeland participated in numerous tournaments in the United States and the Bahamas on several privately owned yachts. Married for more than fifty years to Lorraine DeBow Vreeland (1921-2011), the couple had two children: Jane and Jack. Jack Vreeland was the last of the family to take an avid interest in fishing off the coast of Florida.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Vreeland family was among the first residents of Fort Lauderdale at the beginning of the 20th century. James Barnes Vreeland Sr. (1864–1943), a native of Flat Rock, Michigan, and his wife, Cordelia Deveaux Vreeland (1862–1958), Huguenot descent, originally from New Rochelle, New York, moved with their son, James B. Vreeland Jr. (1899–1978), to Florida in 1900. The family relocated from Larchmont, N.Y., to the Indian River area, where they purchased a citrus acreage that had not yet begun producing.","In 1906, at the request of President Theodore Roosevelt, Vreeland Sr. became captain of the Coast Guard House of Refuge (Station #4) in Fort Lauderdale, near Las Olas Beach, a post he held until 1915. The family rescued sailors shipwrecked on the reefs and managed two early local institutions: the Broward Hotel and the Las Olas Inn. He was also the first surveyors in Broward County.","During the first decade of the 20th century, Captain Vreeland Sr. faced several crises and storms, including an incident involving a crew that had mutinied against its captain off the coast of Florida. As a government agent, he boarded the vessel to reason with the crew, ultimately bringing the mutiny to an end.\nHe was also involved in real estate and took an active role in civic projects aimed at developing Fort Lauderdale. He and his wife were charter members of the First Presbyterian Church. In 1943, Vreeland Sr. died in an accident when his tractor went out of control and overturned, killing the 78 year old.","His wife, Cordelia Deveaux Vreeland, was an active member of the Woman's Club of Fort Lauderdale, serving both as president and historian. She contributed to the establishment of Fort Lauderdale's first public library, the forerunner of today's Broward County Library. Upon her arrival in the area, she played the organ for Methodist and Baptist services. Between 1912 and 1913, Cordelia Vreeland directed the city's first choral group, known as the Tuesday Evening Woman's Chorus.","Their son, James B. Vreeland Jr. (married to Dorothy Viola Simpson), continued the family's legacy as early as 1913 by expanding the fishing business as a charter captain. Captain Vreeland Jr. built his four boats, the Kingfishers, and went off the coast of Florida and the Bahamas capturing different kinds of game fish—sailfish, blue and white marlins, sharks, mantas, dolphins, barracudas, and others. Vreeland Jr. took his passion to another level by photographing and filming his catches for game fishing audiences from the 1920s to the early 1970s. Vreeland Jr. also shared his experience at sea by writing articles in newspapers and magazines, broadcasting stories on the radio during WWII, and lending his photographs to editors interested in publishing fishing action images. Outside of fishing, Vreeland Jr. became involved in the Bahia-Mar Charter Boatmen's Association as an active member and later served as its president.","During WWII, Captain Vreeland Jr. served in an unofficial role as a \"sea mailman,\" retrieving ship letters that had been thrown overboard so they could be preserved in case a vessel was attacked by German forces. In 1961, the City of Fort Lauderdale recognized James B. Vreeland Jr.'s contributions to the city's development by issuing a citation of esteem for his genuine pioneership.","His son, Harold Vreeland (1924-1997), followed the same path as his predecessors by keeping the charter business alive at Bahia Mar. At a young age, Harold learned fishing techniques, breaking a record at just 14 by catching a giant mangrove snapper with rod and reel. During WWII, Harold Vreeland served in the Navy for over three years and spent 13 months on active duty in the Pacific aboard the destroyer USS Mansfield, one of the 17 ships in Admiral Halsey's fleet.\nHarold Vreeland participated in numerous tournaments in the United States and the Bahamas on several privately owned yachts. Married for more than fifty years to Lorraine DeBow Vreeland (1921-2011), the couple had two children: Jane and Jack. Jack Vreeland was the last of the family to take an avid interest in fishing off the coast of Florida."],"prefercite_html_tesm":["\u003cp\u003eBroward County Historical Archives, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Broward County Historical Archives, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received item level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003ePersonal papers and items of Mr. and Mrs. J.B. Vreeland, Sr. donated by Harold Vreeland. The collection showcases the Vreelands' interest in fishing, boating, nautical scenery, and community engagement over three generations of fishermen in Fort Lauderdale. It comprises numerous photographs of fish taken off the coast of Fort Lauderdale in the Gulf Stream; postcards of Fort Lauderdale and other landmarks in Florida; nautical and fishing stories written by James B. Vreeland Jr.; nautical charts; correspondence; scrapbooks; news clippings; logbooks from the House of Refuge; artifacts and nautical instruments; and audiovisual materials recorded by James B. Vreeland Jr. and his son, Harold Vreeland. The collection also documents local history and highlights Cordelia Vreeland's involvement in the Woman's Club as both historian and president. The collection contains 19 boxes (including seven albums consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes with different sizes containing artifacts and objects.\u003c/p\u003e\n","\u003cp\u003eThe collection is arranged into five series: 1. Photographs, postcards, and illustrations; 2. Boating and fishing; 3. Vreeland family personal papers; 4. Objects, artwork, and relics; 5. Audiovisual materials.\u003c/p\u003e\n","\u003cp\u003eThe Photographs, postcards, and illustrations series includes illustrations depicting fishing, boating, nautical scenery, the Vreeland family, hurricanes and storms, and various aquatic and marine activities. For the most part, the photographs showcase various species such as sailfish, white marlin, blue marlin, manta rays, sharks, mangrove snappers, tarpon, bonefish, mahi-mahi, barracuda, kingfish, and other game fish caught off the coast of Florida and in the Gulf Stream. It also illustrates various boats owned by the Vreeland family, including the Kingfishers (III, IV, and V), the Agnes, and a glass-bottom boat called the Mermaid of the Sea. It also features warships\u0026#x2014;such as cruisers and destroyers\u0026#x2014;navigating off the coast of Fort Lauderdale during World War II. \u003c/p\u003e\n","\u003cp\u003eIt also showcases members of the Vreeland family over three generations, with a particular focus on James B. Vreeland Sr. and Cordelia Vreeland. Postcards and souvenir cards depict Fort Lauderdale's nautical scenery, canals, beaches, and waterfront development, as well as notable Florida landmarks such as Cypress Gardens, the Singing Tower at Mountain Lake, and historic sites in St. Augustine. The postcards also feature big-game fishing scenes, marine wildlife, Vreeland family vessels, military ships, and regional tourist attractions. Although the majority of items portray Fort Lauderdale, a smaller number document locations outside Florida, including Halls Harbour (Nova Scotia), Alabama, and Tennessee.\u003c/p\u003e\n","\u003cp\u003eThe boating and fishing series includes writings by James B. Vreeland Jr., such as sea stories intended to educate the public about game\u0026#x2011;fishing activities and boating. These stories were published in newspapers and magazines and were also broadcast on radio. The series additionally contains publications and flyers featuring photographs taken by Vreeland that document fishing activities. Other material includes the House of Refuge logbooks kept by James B. Vreeland Sr. in the early twentieth century.\u003c/p\u003e\n","\u003cp\u003eThe Vreeland family personal papers series includes personal documents and realia pertaining to the Vreeland family at various stages of their lives, as well as scrapbooks, news clippings, photographs, and other materials documenting the history of Fort Lauderdale and Florida. Additional materials relate to Cordelia Vreeland's involvement in the Woman's Club of Fort Lauderdale, particularly in her role as historian.\u003c/p\u003e\n","\u003cp\u003eThe Objects, artwork, and relics series includes nautical instruments used by James B. Vreeland Sr., banners, relics from the old Fort Lauderdale, musket balls, clothes, sharks and alligators teeth, a painting, and a wood carving wall art.\u003c/p\u003e\n","\u003cp\u003eFinally, the Audiovisual materials series includes recordings made by James B. Vreeland Jr concerning game fishing and sea stories.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Personal papers and items of Mr. and Mrs. J.B. Vreeland, Sr. donated by Harold Vreeland. The collection showcases the Vreelands' interest in fishing, boating, nautical scenery, and community engagement over three generations of fishermen in Fort Lauderdale. It comprises numerous photographs of fish taken off the coast of Fort Lauderdale in the Gulf Stream; postcards of Fort Lauderdale and other landmarks in Florida; nautical and fishing stories written by James B. Vreeland Jr.; nautical charts; correspondence; scrapbooks; news clippings; logbooks from the House of Refuge; artifacts and nautical instruments; and audiovisual materials recorded by James B. Vreeland Jr. and his son, Harold Vreeland. The collection also documents local history and highlights Cordelia Vreeland's involvement in the Woman's Club as both historian and president. The collection contains 19 boxes (including seven albums consisting of photographs and scrapbooks), four Hollinger boxes, three oversized boxes (nautical charts, news clippings, and flags), and five boxes with different sizes containing artifacts and objects.","The collection is arranged into five series: 1. Photographs, postcards, and illustrations; 2. Boating and fishing; 3. Vreeland family personal papers; 4. Objects, artwork, and relics; 5. Audiovisual materials.","The Photographs, postcards, and illustrations series includes illustrations depicting fishing, boating, nautical scenery, the Vreeland family, hurricanes and storms, and various aquatic and marine activities. For the most part, the photographs showcase various species such as sailfish, white marlin, blue marlin, manta rays, sharks, mangrove snappers, tarpon, bonefish, mahi-mahi, barracuda, kingfish, and other game fish caught off the coast of Florida and in the Gulf Stream. It also illustrates various boats owned by the Vreeland family, including the Kingfishers (III, IV, and V), the Agnes, and a glass-bottom boat called the Mermaid of the Sea. It also features warships—such as cruisers and destroyers—navigating off the coast of Fort Lauderdale during World War II. ","It also showcases members of the Vreeland family over three generations, with a particular focus on James B. Vreeland Sr. and Cordelia Vreeland. Postcards and souvenir cards depict Fort Lauderdale's nautical scenery, canals, beaches, and waterfront development, as well as notable Florida landmarks such as Cypress Gardens, the Singing Tower at Mountain Lake, and historic sites in St. Augustine. The postcards also feature big-game fishing scenes, marine wildlife, Vreeland family vessels, military ships, and regional tourist attractions. Although the majority of items portray Fort Lauderdale, a smaller number document locations outside Florida, including Halls Harbour (Nova Scotia), Alabama, and Tennessee.","The boating and fishing series includes writings by James B. Vreeland Jr., such as sea stories intended to educate the public about game‑fishing activities and boating. These stories were published in newspapers and magazines and were also broadcast on radio. The series additionally contains publications and flyers featuring photographs taken by Vreeland that document fishing activities. Other material includes the House of Refuge logbooks kept by James B. Vreeland Sr. in the early twentieth century.","The Vreeland family personal papers series includes personal documents and realia pertaining to the Vreeland family at various stages of their lives, as well as scrapbooks, news clippings, photographs, and other materials documenting the history of Fort Lauderdale and Florida. Additional materials relate to Cordelia Vreeland's involvement in the Woman's Club of Fort Lauderdale, particularly in her role as historian.","The Objects, artwork, and relics series includes nautical instruments used by James B. Vreeland Sr., banners, relics from the old Fort Lauderdale, musket balls, clothes, sharks and alligators teeth, a painting, and a wood carving wall art.","Finally, the Audiovisual materials series includes recordings made by James B. Vreeland Jr concerning game fishing and sea stories."],"userestrict_html_tesm":["\u003cp\u003eAccess to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Access to collections in the Broward County Library Special Collections is not authorization to publish. Copyright of some items in this collection may be held by respective creators, not by the donor of the collection or the Broward County Library."],"names_ssim":[" Broward County Historical Archives","Vreeland, Harold"],"corpname_ssim":[" Broward County Historical Archives"],"names_coll_ssim":["Vreeland, Harold"],"persname_ssim":["Vreeland, Harold"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":708,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877635433981018112,"_root_":"6678d1ef17eb0b784725a98a","timestamp":"2026-09-29T03:31:28.954Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6678d1ef17eb0b784725a98a"}},{"id":"8e7cc91182fb37aa8e307166","type":"collection","attributes":{"title":"Wagar Space collection, 1944-1986","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/8e7cc91182fb37aa8e307166#creator","type":"document_value","attributes":{"value":["Wagar, Howard C. (Howard Carlyle), 1906-1995"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/8e7cc91182fb37aa8e307166#abstract_or_scope","type":"document_value","attributes":{"value":["The Wagar Space collection, 1944-1986 represents the interests of Commander Howard Wagar, from the 1940s to the 1980s. His main collecting interest was the space program, for which he collected periodicals, newspaper clippings, public relations materials, photographs, and prints. Subjects include the Apollo missions, the lunar module landing, the Skylab and Viking projects, Mars, the Russian Space Program, and astronauts. The collection also includes information about events such as the post World War II atomic bomb tests, the rise of Fidel Castro to power in Cuba, and the assassination of U.S President John F. Kennedy. This collection provides insight into International space program activities. Commander Howard Wagar was born in Fairmont, Minnesota in 1906. He moved to New Jersey in the 1920s, where he worked for WAAM radio station in Newark. He received his radio operators liscense in 1928 and worked as an operator for the merchant marines in various radio stations. Wagar joined the Navy in 1943, where he served until 1966, advancing to the rank of Commander. In the Navy, Wagar participated in sensitive Navy missions, including the Bikini Atoll atomic bomb tests, the Atlas Intercontinental Ballistic Missile Project, and the Apollo Space Project."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8e7cc91182fb37aa8e307166#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"8e7cc91182fb37aa8e307166","title_ssm":["Wagar Space collection"],"title_tesim":["Wagar Space collection"],"ead_ssi":"8e7cc91182fb37aa8e307166","unitdate_ssm":["1944-1986"],"unitdate_inclusive_ssm":["1944-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC010","/repositories/4/resources/27"],"text":["SC010","/repositories/4/resources/27","Wagar Space collection, 1944-1986","Outer space -- Exploration -- United States","Lunar excursion module -- Landing","Space race","newspaper clippings","The entire collection is open for research.","The collection is arranged by material type.","Commander Howard Wagar was born in Fairmont, Minnesota in 1906. He moved to New Jersey in the 1920s, where he worked for WAAM radio station in Newark. He received his radio operators liscense in 1928 and worked as an operator for the merchant marines in various radio stations. Wagar joined the Navy in 1943, where he served until 1966, advancing to the rank of Commander. In the Navy, Wagar participated in sensitive Navy missions, including the Bikini Atoll atomic bomb tests, the Atlas Intercontinental Ballistic Missile Project, and the Apollo Space Project.","Processed and finding aid prepared by Jessica Achberger. Finding aid revised for consistency by Chloe Lanham in 2026.","This collection is similar in content to the  Scott H. Simpkinson collection .","The Wagar Space collection, 1944-1986 represents the interests of Commander Howard Wagar, from the 1940s to the 1980s. His main collecting interest was the space program, for which he collected periodicals, newspaper clippings, public relations materials, photographs, and prints. Subjects include the Apollo missions, the lunar module landing, the Skylab and Viking projects, Mars, the Russian Space Program, and astronauts. The collection also includes information about events such as the post World War II atomic bomb tests, the rise of Fidel Castro to power in Cuba, and the assassination of U.S President John F. Kennedy. This collection provides insight into International space program activities. ","Series I: Periodicals, 1945-1981, Undated, contains periodicals about the space program. The periodicals are in French, Italian and Russian and English, and include issues of major periodicals such as Newsweek, Time and numerous issues of LIFE Magazine, as well as special editions of newspapers such as the Orlando Sentinel. Major headlines include the Gemini mission, the lunar module landing and a multitude of articles on astronauts.","Series II: Newspaper Clippings, 1945- 1982, contains bound and unbound newspaper clippings related to the space program and other major world events. The Space Shot collection includes twenty-three volumes of bound newspaper clippings of all aspects of the space program from 1956 to 1976. Other bound volumes include articles on the rise of Fidel Castro to power in Cuba and the assassination of President Kennedy. Unbound clippings cover various other aspects of the space program, including Mars, the Russian Space Program and Viking 1 and 2.","Series III: Public Relation and Press Materials, 1963-1983, includes a range of public relations materials related to the space program, including brochures, pamphlets and press releases created for the public. Topics covered included the Apollo-Suyuz Test Mission, Space Project Mercury and Skylab 1 and 2.","Series IV: Technical Manuals, 1952-1968 contains technical manuals for a variety of electronic equipment, including different types of lenses, television equipment, utility monitors and film equipment.","Series V: Photographs and Prints, 1954-1986, contains a variety of photographs and prints related to the space program and the U.S. Military. This series includes three volumes of bound official NASA black and white photographs, ranging in date from 1960 to 1974, as well as unbound official photographs of the Apollo 10 and 15 missions and the orbiter Discovery launch. The series also contains photographic prints from the U.S. Army and Air Force, some of which are oversize. Finally, the series includes oil and watercolor prints from various artists depicting events in the space program such as guided missile launches.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Wagar Space collection, 1944-1986 represents the interests of Commander Howard Wagar, from the 1940s to the 1980s. His main collecting interest was the space program, for which he collected periodicals, newspaper clippings, public relations materials, photographs, and prints. Subjects include the Apollo missions, the lunar module landing, the Skylab and Viking projects, Mars, the Russian Space Program, and astronauts. The collection also includes information about events such as the post World War II atomic bomb tests, the rise of Fidel Castro to power in Cuba, and the assassination of U.S President John F. Kennedy. This collection provides insight into International space program activities. \n\nCommander Howard Wagar was born in Fairmont, Minnesota in 1906. He moved to New Jersey in the 1920s, where he worked for WAAM radio station in Newark. He received his radio operators liscense in 1928 and worked as an operator for the merchant marines in various radio stations. Wagar joined the Navy in 1943, where he served until 1966, advancing to the rank of Commander. In the Navy, Wagar participated in sensitive Navy missions, including the Bikini Atoll atomic bomb tests, the Atlas Intercontinental Ballistic Missile Project, and the Apollo Space Project.","UCF Special Collections","United States. National Aeronautics and Space Administration","Project Apollo (U.S.)","Skylab Program","Viking Mars Program (U.S.)","Wagar, Howard C. (Howard Carlyle), 1906-1995","Castro, Fidel (Fidel Alejandro Castro Ruz), 1926-2016","Kennedy, John F. (John Fitzgerald), 1917-1963","English"],"unitid_tesim":["SC010","/repositories/4/resources/27"],"normalized_date_ssm":["1944-1986"],"normalized_title_ssm":["Wagar Space collection, 1944-1986"],"collection_title_tesim":["Wagar Space collection, 1944-1986"],"collection_ssim":["Wagar Space collection, 1944-1986"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Outer space -- Exploration -- United States"],"geogname_ssim":["Outer space -- Exploration -- United States"],"creator_ssm":["Wagar, Howard C. (Howard Carlyle), 1906-1995"],"creator_ssim":["Wagar, Howard C. (Howard Carlyle), 1906-1995"],"creator_persname_ssim":["Wagar, Howard C. (Howard Carlyle), 1906-1995"],"creators_ssim":["Wagar, Howard C. (Howard Carlyle), 1906-1995"],"places_ssim":["Outer space -- Exploration -- United States"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Howard Wagar in 1973 (Accession no. CFM1973_06)."],"access_subjects_ssim":["Lunar excursion module -- Landing","Space race","newspaper clippings"],"access_subjects_ssm":["Lunar excursion module -- Landing","Space race","newspaper clippings"],"has_online_content_ssim":["false"],"extent_ssm":["18.6 Linear Feet 6 boxes, 37 volumes and 1 flat file"],"extent_tesim":["18.6 Linear Feet 6 boxes, 37 volumes and 1 flat file"],"genreform_ssim":["newspaper clippings"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by material type.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged by material type."],"bioghist_html_tesm":["\u003cp\u003eCommander Howard Wagar was born in Fairmont, Minnesota in 1906. He moved to New Jersey in the 1920s, where he worked for WAAM radio station in Newark. He received his radio operators liscense in 1928 and worked as an operator for the merchant marines in various radio stations. Wagar joined the Navy in 1943, where he served until 1966, advancing to the rank of Commander. In the Navy, Wagar participated in sensitive Navy missions, including the Bikini Atoll atomic bomb tests, the Atlas Intercontinental Ballistic Missile Project, and the Apollo Space Project.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Commander Howard Wagar was born in Fairmont, Minnesota in 1906. He moved to New Jersey in the 1920s, where he worked for WAAM radio station in Newark. He received his radio operators liscense in 1928 and worked as an operator for the merchant marines in various radio stations. Wagar joined the Navy in 1943, where he served until 1966, advancing to the rank of Commander. In the Navy, Wagar participated in sensitive Navy missions, including the Bikini Atoll atomic bomb tests, the Atlas Intercontinental Ballistic Missile Project, and the Apollo Space Project."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Wagar Space collection, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Wagar Space collection, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed and finding aid prepared by Jessica Achberger. Finding aid revised for consistency by Chloe Lanham in 2026.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed and finding aid prepared by Jessica Achberger. Finding aid revised for consistency by Chloe Lanham in 2026."],"relatedmaterial_html_tesm":["\u003cp\u003eThis collection is similar in content to the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2003-08\"\u003eScott H. Simpkinson collection\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["This collection is similar in content to the  Scott H. Simpkinson collection ."],"scopecontent_html_tesm":["\u003cp\u003eThe Wagar Space collection, 1944-1986 represents the interests of Commander Howard Wagar, from the 1940s to the 1980s. His main collecting interest was the space program, for which he collected periodicals, newspaper clippings, public relations materials, photographs, and prints. Subjects include the Apollo missions, the lunar module landing, the Skylab and Viking projects, Mars, the Russian Space Program, and astronauts. The collection also includes information about events such as the post World War II atomic bomb tests, the rise of Fidel Castro to power in Cuba, and the assassination of U.S President John F. Kennedy. This collection provides insight into International space program activities. \u003c/p\u003e\n","\u003cp\u003eSeries I: Periodicals, 1945-1981, Undated, contains periodicals about the space program. The periodicals are in French, Italian and Russian and English, and include issues of major periodicals such as Newsweek, Time and numerous issues of LIFE Magazine, as well as special editions of newspapers such as the Orlando Sentinel. Major headlines include the Gemini mission, the lunar module landing and a multitude of articles on astronauts.\u003c/p\u003e\n","\u003cp\u003eSeries II: Newspaper Clippings, 1945- 1982, contains bound and unbound newspaper clippings related to the space program and other major world events. The Space Shot collection includes twenty-three volumes of bound newspaper clippings of all aspects of the space program from 1956 to 1976. Other bound volumes include articles on the rise of Fidel Castro to power in Cuba and the assassination of President Kennedy. Unbound clippings cover various other aspects of the space program, including Mars, the Russian Space Program and Viking 1 and 2.\u003c/p\u003e\n","\u003cp\u003eSeries III: Public Relation and Press Materials, 1963-1983, includes a range of public relations materials related to the space program, including brochures, pamphlets and press releases created for the public. Topics covered included the Apollo-Suyuz Test Mission, Space Project Mercury and Skylab 1 and 2.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Technical Manuals, 1952-1968 contains technical manuals for a variety of electronic equipment, including different types of lenses, television equipment, utility monitors and film equipment.\u003c/p\u003e\n","\u003cp\u003eSeries V: Photographs and Prints, 1954-1986, contains a variety of photographs and prints related to the space program and the U.S. Military. This series includes three volumes of bound official NASA black and white photographs, ranging in date from 1960 to 1974, as well as unbound official photographs of the Apollo 10 and 15 missions and the orbiter Discovery launch. The series also contains photographic prints from the U.S. Army and Air Force, some of which are oversize. Finally, the series includes oil and watercolor prints from various artists depicting events in the space program such as guided missile launches.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Wagar Space collection, 1944-1986 represents the interests of Commander Howard Wagar, from the 1940s to the 1980s. His main collecting interest was the space program, for which he collected periodicals, newspaper clippings, public relations materials, photographs, and prints. Subjects include the Apollo missions, the lunar module landing, the Skylab and Viking projects, Mars, the Russian Space Program, and astronauts. The collection also includes information about events such as the post World War II atomic bomb tests, the rise of Fidel Castro to power in Cuba, and the assassination of U.S President John F. Kennedy. This collection provides insight into International space program activities. ","Series I: Periodicals, 1945-1981, Undated, contains periodicals about the space program. The periodicals are in French, Italian and Russian and English, and include issues of major periodicals such as Newsweek, Time and numerous issues of LIFE Magazine, as well as special editions of newspapers such as the Orlando Sentinel. Major headlines include the Gemini mission, the lunar module landing and a multitude of articles on astronauts.","Series II: Newspaper Clippings, 1945- 1982, contains bound and unbound newspaper clippings related to the space program and other major world events. The Space Shot collection includes twenty-three volumes of bound newspaper clippings of all aspects of the space program from 1956 to 1976. Other bound volumes include articles on the rise of Fidel Castro to power in Cuba and the assassination of President Kennedy. Unbound clippings cover various other aspects of the space program, including Mars, the Russian Space Program and Viking 1 and 2.","Series III: Public Relation and Press Materials, 1963-1983, includes a range of public relations materials related to the space program, including brochures, pamphlets and press releases created for the public. Topics covered included the Apollo-Suyuz Test Mission, Space Project Mercury and Skylab 1 and 2.","Series IV: Technical Manuals, 1952-1968 contains technical manuals for a variety of electronic equipment, including different types of lenses, television equipment, utility monitors and film equipment.","Series V: Photographs and Prints, 1954-1986, contains a variety of photographs and prints related to the space program and the U.S. Military. This series includes three volumes of bound official NASA black and white photographs, ranging in date from 1960 to 1974, as well as unbound official photographs of the Apollo 10 and 15 missions and the orbiter Discovery launch. The series also contains photographic prints from the U.S. Army and Air Force, some of which are oversize. Finally, the series includes oil and watercolor prints from various artists depicting events in the space program such as guided missile launches."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e6d99f139afb97d5decc6cfd183686b7\" label=\"Abstract\"\u003eThe Wagar Space collection, 1944-1986 represents the interests of Commander Howard Wagar, from the 1940s to the 1980s. His main collecting interest was the space program, for which he collected periodicals, newspaper clippings, public relations materials, photographs, and prints. Subjects include the Apollo missions, the lunar module landing, the Skylab and Viking projects, Mars, the Russian Space Program, and astronauts. The collection also includes information about events such as the post World War II atomic bomb tests, the rise of Fidel Castro to power in Cuba, and the assassination of U.S President John F. Kennedy. This collection provides insight into International space program activities. \n\nCommander Howard Wagar was born in Fairmont, Minnesota in 1906. He moved to New Jersey in the 1920s, where he worked for WAAM radio station in Newark. He received his radio operators liscense in 1928 and worked as an operator for the merchant marines in various radio stations. Wagar joined the Navy in 1943, where he served until 1966, advancing to the rank of Commander. In the Navy, Wagar participated in sensitive Navy missions, including the Bikini Atoll atomic bomb tests, the Atlas Intercontinental Ballistic Missile Project, and the Apollo Space Project.\u003c/abstract\u003e"],"abstract_tesim":["The Wagar Space collection, 1944-1986 represents the interests of Commander Howard Wagar, from the 1940s to the 1980s. His main collecting interest was the space program, for which he collected periodicals, newspaper clippings, public relations materials, photographs, and prints. Subjects include the Apollo missions, the lunar module landing, the Skylab and Viking projects, Mars, the Russian Space Program, and astronauts. The collection also includes information about events such as the post World War II atomic bomb tests, the rise of Fidel Castro to power in Cuba, and the assassination of U.S President John F. Kennedy. This collection provides insight into International space program activities. \n\nCommander Howard Wagar was born in Fairmont, Minnesota in 1906. He moved to New Jersey in the 1920s, where he worked for WAAM radio station in Newark. He received his radio operators liscense in 1928 and worked as an operator for the merchant marines in various radio stations. Wagar joined the Navy in 1943, where he served until 1966, advancing to the rank of Commander. In the Navy, Wagar participated in sensitive Navy missions, including the Bikini Atoll atomic bomb tests, the Atlas Intercontinental Ballistic Missile Project, and the Apollo Space Project."],"names_coll_ssim":["United States. National Aeronautics and Space Administration","Project Apollo (U.S.)","Skylab Program","Viking Mars Program (U.S.)","Wagar, Howard C. (Howard Carlyle), 1906-1995","Castro, Fidel (Fidel Alejandro Castro Ruz), 1926-2016","Kennedy, John F. (John Fitzgerald), 1917-1963"],"names_ssim":["UCF Special Collections","United States. National Aeronautics and Space Administration","Project Apollo (U.S.)","Skylab Program","Viking Mars Program (U.S.)","Wagar, Howard C. (Howard Carlyle), 1906-1995","Castro, Fidel (Fidel Alejandro Castro Ruz), 1926-2016","Kennedy, John F. (John Fitzgerald), 1917-1963"],"corpname_ssim":["UCF Special Collections","United States. National Aeronautics and Space Administration","Project Apollo (U.S.)","Skylab Program","Viking Mars Program (U.S.)"],"persname_ssim":["Wagar, Howard C. (Howard Carlyle), 1906-1995","Castro, Fidel (Fidel Alejandro Castro Ruz), 1926-2016","Kennedy, John F. (John Fitzgerald), 1917-1963"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":206,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1878014775185637376,"_root_":"8e7cc91182fb37aa8e307166","timestamp":"2026-10-03T08:00:56.924Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8e7cc91182fb37aa8e307166","title_ssm":["Wagar Space collection"],"title_tesim":["Wagar Space collection"],"ead_ssi":"8e7cc91182fb37aa8e307166","unitdate_ssm":["1944-1986"],"unitdate_inclusive_ssm":["1944-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC010","/repositories/4/resources/27"],"text":["SC010","/repositories/4/resources/27","Wagar Space collection, 1944-1986","Outer space -- Exploration -- United States","Lunar excursion module -- Landing","Space race","newspaper clippings","The entire collection is open for research.","The collection is arranged by material type.","Commander Howard Wagar was born in Fairmont, Minnesota in 1906. He moved to New Jersey in the 1920s, where he worked for WAAM radio station in Newark. He received his radio operators liscense in 1928 and worked as an operator for the merchant marines in various radio stations. Wagar joined the Navy in 1943, where he served until 1966, advancing to the rank of Commander. In the Navy, Wagar participated in sensitive Navy missions, including the Bikini Atoll atomic bomb tests, the Atlas Intercontinental Ballistic Missile Project, and the Apollo Space Project.","Processed and finding aid prepared by Jessica Achberger. Finding aid revised for consistency by Chloe Lanham in 2026.","This collection is similar in content to the  Scott H. Simpkinson collection .","The Wagar Space collection, 1944-1986 represents the interests of Commander Howard Wagar, from the 1940s to the 1980s. His main collecting interest was the space program, for which he collected periodicals, newspaper clippings, public relations materials, photographs, and prints. Subjects include the Apollo missions, the lunar module landing, the Skylab and Viking projects, Mars, the Russian Space Program, and astronauts. The collection also includes information about events such as the post World War II atomic bomb tests, the rise of Fidel Castro to power in Cuba, and the assassination of U.S President John F. Kennedy. This collection provides insight into International space program activities. ","Series I: Periodicals, 1945-1981, Undated, contains periodicals about the space program. The periodicals are in French, Italian and Russian and English, and include issues of major periodicals such as Newsweek, Time and numerous issues of LIFE Magazine, as well as special editions of newspapers such as the Orlando Sentinel. Major headlines include the Gemini mission, the lunar module landing and a multitude of articles on astronauts.","Series II: Newspaper Clippings, 1945- 1982, contains bound and unbound newspaper clippings related to the space program and other major world events. The Space Shot collection includes twenty-three volumes of bound newspaper clippings of all aspects of the space program from 1956 to 1976. Other bound volumes include articles on the rise of Fidel Castro to power in Cuba and the assassination of President Kennedy. Unbound clippings cover various other aspects of the space program, including Mars, the Russian Space Program and Viking 1 and 2.","Series III: Public Relation and Press Materials, 1963-1983, includes a range of public relations materials related to the space program, including brochures, pamphlets and press releases created for the public. Topics covered included the Apollo-Suyuz Test Mission, Space Project Mercury and Skylab 1 and 2.","Series IV: Technical Manuals, 1952-1968 contains technical manuals for a variety of electronic equipment, including different types of lenses, television equipment, utility monitors and film equipment.","Series V: Photographs and Prints, 1954-1986, contains a variety of photographs and prints related to the space program and the U.S. Military. This series includes three volumes of bound official NASA black and white photographs, ranging in date from 1960 to 1974, as well as unbound official photographs of the Apollo 10 and 15 missions and the orbiter Discovery launch. The series also contains photographic prints from the U.S. Army and Air Force, some of which are oversize. Finally, the series includes oil and watercolor prints from various artists depicting events in the space program such as guided missile launches.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Wagar Space collection, 1944-1986 represents the interests of Commander Howard Wagar, from the 1940s to the 1980s. His main collecting interest was the space program, for which he collected periodicals, newspaper clippings, public relations materials, photographs, and prints. Subjects include the Apollo missions, the lunar module landing, the Skylab and Viking projects, Mars, the Russian Space Program, and astronauts. The collection also includes information about events such as the post World War II atomic bomb tests, the rise of Fidel Castro to power in Cuba, and the assassination of U.S President John F. Kennedy. This collection provides insight into International space program activities. \n\nCommander Howard Wagar was born in Fairmont, Minnesota in 1906. He moved to New Jersey in the 1920s, where he worked for WAAM radio station in Newark. He received his radio operators liscense in 1928 and worked as an operator for the merchant marines in various radio stations. Wagar joined the Navy in 1943, where he served until 1966, advancing to the rank of Commander. In the Navy, Wagar participated in sensitive Navy missions, including the Bikini Atoll atomic bomb tests, the Atlas Intercontinental Ballistic Missile Project, and the Apollo Space Project.","UCF Special Collections","United States. National Aeronautics and Space Administration","Project Apollo (U.S.)","Skylab Program","Viking Mars Program (U.S.)","Wagar, Howard C. (Howard Carlyle), 1906-1995","Castro, Fidel (Fidel Alejandro Castro Ruz), 1926-2016","Kennedy, John F. (John Fitzgerald), 1917-1963","English"],"unitid_tesim":["SC010","/repositories/4/resources/27"],"normalized_date_ssm":["1944-1986"],"normalized_title_ssm":["Wagar Space collection, 1944-1986"],"collection_title_tesim":["Wagar Space collection, 1944-1986"],"collection_ssim":["Wagar Space collection, 1944-1986"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Outer space -- Exploration -- United States"],"geogname_ssim":["Outer space -- Exploration -- United States"],"creator_ssm":["Wagar, Howard C. (Howard Carlyle), 1906-1995"],"creator_ssim":["Wagar, Howard C. (Howard Carlyle), 1906-1995"],"creator_persname_ssim":["Wagar, Howard C. (Howard Carlyle), 1906-1995"],"creators_ssim":["Wagar, Howard C. (Howard Carlyle), 1906-1995"],"places_ssim":["Outer space -- Exploration -- United States"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Howard Wagar in 1973 (Accession no. CFM1973_06)."],"access_subjects_ssim":["Lunar excursion module -- Landing","Space race","newspaper clippings"],"access_subjects_ssm":["Lunar excursion module -- Landing","Space race","newspaper clippings"],"has_online_content_ssim":["false"],"extent_ssm":["18.6 Linear Feet 6 boxes, 37 volumes and 1 flat file"],"extent_tesim":["18.6 Linear Feet 6 boxes, 37 volumes and 1 flat file"],"genreform_ssim":["newspaper clippings"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by material type.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged by material type."],"bioghist_html_tesm":["\u003cp\u003eCommander Howard Wagar was born in Fairmont, Minnesota in 1906. He moved to New Jersey in the 1920s, where he worked for WAAM radio station in Newark. He received his radio operators liscense in 1928 and worked as an operator for the merchant marines in various radio stations. Wagar joined the Navy in 1943, where he served until 1966, advancing to the rank of Commander. In the Navy, Wagar participated in sensitive Navy missions, including the Bikini Atoll atomic bomb tests, the Atlas Intercontinental Ballistic Missile Project, and the Apollo Space Project.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Commander Howard Wagar was born in Fairmont, Minnesota in 1906. He moved to New Jersey in the 1920s, where he worked for WAAM radio station in Newark. He received his radio operators liscense in 1928 and worked as an operator for the merchant marines in various radio stations. Wagar joined the Navy in 1943, where he served until 1966, advancing to the rank of Commander. In the Navy, Wagar participated in sensitive Navy missions, including the Bikini Atoll atomic bomb tests, the Atlas Intercontinental Ballistic Missile Project, and the Apollo Space Project."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Wagar Space collection, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Wagar Space collection, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed and finding aid prepared by Jessica Achberger. Finding aid revised for consistency by Chloe Lanham in 2026.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed and finding aid prepared by Jessica Achberger. Finding aid revised for consistency by Chloe Lanham in 2026."],"relatedmaterial_html_tesm":["\u003cp\u003eThis collection is similar in content to the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2003-08\"\u003eScott H. Simpkinson collection\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["This collection is similar in content to the  Scott H. Simpkinson collection ."],"scopecontent_html_tesm":["\u003cp\u003eThe Wagar Space collection, 1944-1986 represents the interests of Commander Howard Wagar, from the 1940s to the 1980s. His main collecting interest was the space program, for which he collected periodicals, newspaper clippings, public relations materials, photographs, and prints. Subjects include the Apollo missions, the lunar module landing, the Skylab and Viking projects, Mars, the Russian Space Program, and astronauts. The collection also includes information about events such as the post World War II atomic bomb tests, the rise of Fidel Castro to power in Cuba, and the assassination of U.S President John F. Kennedy. This collection provides insight into International space program activities. \u003c/p\u003e\n","\u003cp\u003eSeries I: Periodicals, 1945-1981, Undated, contains periodicals about the space program. The periodicals are in French, Italian and Russian and English, and include issues of major periodicals such as Newsweek, Time and numerous issues of LIFE Magazine, as well as special editions of newspapers such as the Orlando Sentinel. Major headlines include the Gemini mission, the lunar module landing and a multitude of articles on astronauts.\u003c/p\u003e\n","\u003cp\u003eSeries II: Newspaper Clippings, 1945- 1982, contains bound and unbound newspaper clippings related to the space program and other major world events. The Space Shot collection includes twenty-three volumes of bound newspaper clippings of all aspects of the space program from 1956 to 1976. Other bound volumes include articles on the rise of Fidel Castro to power in Cuba and the assassination of President Kennedy. Unbound clippings cover various other aspects of the space program, including Mars, the Russian Space Program and Viking 1 and 2.\u003c/p\u003e\n","\u003cp\u003eSeries III: Public Relation and Press Materials, 1963-1983, includes a range of public relations materials related to the space program, including brochures, pamphlets and press releases created for the public. Topics covered included the Apollo-Suyuz Test Mission, Space Project Mercury and Skylab 1 and 2.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Technical Manuals, 1952-1968 contains technical manuals for a variety of electronic equipment, including different types of lenses, television equipment, utility monitors and film equipment.\u003c/p\u003e\n","\u003cp\u003eSeries V: Photographs and Prints, 1954-1986, contains a variety of photographs and prints related to the space program and the U.S. Military. This series includes three volumes of bound official NASA black and white photographs, ranging in date from 1960 to 1974, as well as unbound official photographs of the Apollo 10 and 15 missions and the orbiter Discovery launch. The series also contains photographic prints from the U.S. Army and Air Force, some of which are oversize. Finally, the series includes oil and watercolor prints from various artists depicting events in the space program such as guided missile launches.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Wagar Space collection, 1944-1986 represents the interests of Commander Howard Wagar, from the 1940s to the 1980s. His main collecting interest was the space program, for which he collected periodicals, newspaper clippings, public relations materials, photographs, and prints. Subjects include the Apollo missions, the lunar module landing, the Skylab and Viking projects, Mars, the Russian Space Program, and astronauts. The collection also includes information about events such as the post World War II atomic bomb tests, the rise of Fidel Castro to power in Cuba, and the assassination of U.S President John F. Kennedy. This collection provides insight into International space program activities. ","Series I: Periodicals, 1945-1981, Undated, contains periodicals about the space program. The periodicals are in French, Italian and Russian and English, and include issues of major periodicals such as Newsweek, Time and numerous issues of LIFE Magazine, as well as special editions of newspapers such as the Orlando Sentinel. Major headlines include the Gemini mission, the lunar module landing and a multitude of articles on astronauts.","Series II: Newspaper Clippings, 1945- 1982, contains bound and unbound newspaper clippings related to the space program and other major world events. The Space Shot collection includes twenty-three volumes of bound newspaper clippings of all aspects of the space program from 1956 to 1976. Other bound volumes include articles on the rise of Fidel Castro to power in Cuba and the assassination of President Kennedy. Unbound clippings cover various other aspects of the space program, including Mars, the Russian Space Program and Viking 1 and 2.","Series III: Public Relation and Press Materials, 1963-1983, includes a range of public relations materials related to the space program, including brochures, pamphlets and press releases created for the public. Topics covered included the Apollo-Suyuz Test Mission, Space Project Mercury and Skylab 1 and 2.","Series IV: Technical Manuals, 1952-1968 contains technical manuals for a variety of electronic equipment, including different types of lenses, television equipment, utility monitors and film equipment.","Series V: Photographs and Prints, 1954-1986, contains a variety of photographs and prints related to the space program and the U.S. Military. This series includes three volumes of bound official NASA black and white photographs, ranging in date from 1960 to 1974, as well as unbound official photographs of the Apollo 10 and 15 missions and the orbiter Discovery launch. The series also contains photographic prints from the U.S. Army and Air Force, some of which are oversize. Finally, the series includes oil and watercolor prints from various artists depicting events in the space program such as guided missile launches."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e6d99f139afb97d5decc6cfd183686b7\" label=\"Abstract\"\u003eThe Wagar Space collection, 1944-1986 represents the interests of Commander Howard Wagar, from the 1940s to the 1980s. His main collecting interest was the space program, for which he collected periodicals, newspaper clippings, public relations materials, photographs, and prints. Subjects include the Apollo missions, the lunar module landing, the Skylab and Viking projects, Mars, the Russian Space Program, and astronauts. The collection also includes information about events such as the post World War II atomic bomb tests, the rise of Fidel Castro to power in Cuba, and the assassination of U.S President John F. Kennedy. This collection provides insight into International space program activities. \n\nCommander Howard Wagar was born in Fairmont, Minnesota in 1906. He moved to New Jersey in the 1920s, where he worked for WAAM radio station in Newark. He received his radio operators liscense in 1928 and worked as an operator for the merchant marines in various radio stations. Wagar joined the Navy in 1943, where he served until 1966, advancing to the rank of Commander. In the Navy, Wagar participated in sensitive Navy missions, including the Bikini Atoll atomic bomb tests, the Atlas Intercontinental Ballistic Missile Project, and the Apollo Space Project.\u003c/abstract\u003e"],"abstract_tesim":["The Wagar Space collection, 1944-1986 represents the interests of Commander Howard Wagar, from the 1940s to the 1980s. His main collecting interest was the space program, for which he collected periodicals, newspaper clippings, public relations materials, photographs, and prints. Subjects include the Apollo missions, the lunar module landing, the Skylab and Viking projects, Mars, the Russian Space Program, and astronauts. The collection also includes information about events such as the post World War II atomic bomb tests, the rise of Fidel Castro to power in Cuba, and the assassination of U.S President John F. Kennedy. This collection provides insight into International space program activities. \n\nCommander Howard Wagar was born in Fairmont, Minnesota in 1906. He moved to New Jersey in the 1920s, where he worked for WAAM radio station in Newark. He received his radio operators liscense in 1928 and worked as an operator for the merchant marines in various radio stations. Wagar joined the Navy in 1943, where he served until 1966, advancing to the rank of Commander. In the Navy, Wagar participated in sensitive Navy missions, including the Bikini Atoll atomic bomb tests, the Atlas Intercontinental Ballistic Missile Project, and the Apollo Space Project."],"names_coll_ssim":["United States. National Aeronautics and Space Administration","Project Apollo (U.S.)","Skylab Program","Viking Mars Program (U.S.)","Wagar, Howard C. (Howard Carlyle), 1906-1995","Castro, Fidel (Fidel Alejandro Castro Ruz), 1926-2016","Kennedy, John F. (John Fitzgerald), 1917-1963"],"names_ssim":["UCF Special Collections","United States. National Aeronautics and Space Administration","Project Apollo (U.S.)","Skylab Program","Viking Mars Program (U.S.)","Wagar, Howard C. (Howard Carlyle), 1906-1995","Castro, Fidel (Fidel Alejandro Castro Ruz), 1926-2016","Kennedy, John F. (John Fitzgerald), 1917-1963"],"corpname_ssim":["UCF Special Collections","United States. National Aeronautics and Space Administration","Project Apollo (U.S.)","Skylab Program","Viking Mars Program (U.S.)"],"persname_ssim":["Wagar, Howard C. (Howard Carlyle), 1906-1995","Castro, Fidel (Fidel Alejandro Castro Ruz), 1926-2016","Kennedy, John F. (John Fitzgerald), 1917-1963"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":206,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1878014775185637376,"_root_":"8e7cc91182fb37aa8e307166","timestamp":"2026-10-03T08:00:56.924Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8e7cc91182fb37aa8e307166"}},{"id":"3b651bebb556d00cec8728df","type":"collection","attributes":{"title":"Walter and Dorothy Donnelly family papers, 1887-2021","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/3b651bebb556d00cec8728df#creator","type":"document_value","attributes":{"value":["Donnelly, Walter"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/3b651bebb556d00cec8728df#abstract_or_scope","type":"document_value","attributes":{"value":["The materials show the Donnellys' diverse and far-reaching interests, primarily in the humanities. A majority of the materials are about typography and typophiles, including monographs and chap books."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3b651bebb556d00cec8728df#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"3b651bebb556d00cec8728df","title_ssm":["Walter and Dorothy Donnelly family papers"],"title_tesim":["Walter and Dorothy Donnelly family papers"],"ead_ssi":"3b651bebb556d00cec8728df","unitdate_ssm":["1887-2021"],"unitdate_inclusive_ssm":["1887-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.33","/repositories/4/resources/35"],"text":["SC.33","/repositories/4/resources/35","Walter and Dorothy Donnelly family papers, 1887-2021","Women poets, American","Poets, American -- 20th Century -- correspondence","diaries","poems","The entire collection is open for research.","Walter Donnelly and Dorothy Boillotat Donnelly collected thousands of fine books between 1920-1994, for their family library at 612 Lawrence Street, Ann Arbor, Michigan. Walter (1900-1981) was Editor of the University of Michigan Press when he retired in 1970. Dorothy (1903-1994) was an award-winning poet. They have three sons, Jerome, Stephen, and Denis.","\nIn 1931 Dorothy and Walter were married, Dorothy completed her Master's Degree from the University of Michigan, and she won the Avery Hopwood Contest. The $1,500 prize enabled the couple to live in France and Italy for a time. Dorothy wrote several acclaimed books of poetry as well as numerous articles for the magazine transition (always spelled in the lower case), publishing work by writers such as Hart Crane, Ernest Hemingway and Carl Jung. Eugene Jolas, the French editor of transition, wrote Dorothy in 1931, \"You are the only one in America whose writing seems to me to be going in the right direction.\"","\nWalter also published some poetry and wrote plays with playwright and screenwriter Paul Osborn when the two were in college at the University of Michigan. After living in Greenwich Village and Paris, he returned to Ann Arbor to accept a position at the University of Michigan editing Museum Publications as well as doing editorial work for the Press.","\nThe Donnelly's had a keen interest in the printing arts. Collected materials include examples from the best paper-makers, type designers, typographers, book binders, and printers as well as those artists involved in book illustrations. Notable in the collection are numerous publications of The Typophiles, a small group of graphic arts professionals based in New York, including luminaries like Bruce Rogers and Frederic W. Goudy. The Typophiles, who began meeting around 1932, are still meeting and publishing today.","Collection processed by Nadine Helm and Elizabeth Konzak; finding aid created by Nadine Helm and Elizabeth Konzak. The materials were organized and foldered. Some materials have water damage and were freeze dried in August 2006. Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021.  Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021. Addition processed and finding aid updated by Amelia Cuttle in 2023.","Patrick Boland collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","The collection is arranged in three series, Family Papers, Typophiles and Additional Materials. ","Series I, Family Papers, 1887-1979, Undated, contains family photographs, memorabilia, poetry, and collected information on printers, printing and typography.","\nSeries II, Typophiles, 1941-1969, Undated, consists of materials collected by the Donnellys as members of the organization of printers, typographers and appreciators of bookmaking. Materials include Chap Book Commentaries, fine press published information about the typophiles as a group, similar to an organizational newsletter that includes a colophon. Keepsakes were items created for an event such as Christmas to exhibit typographic skills. The Monographs are small examples of printing that exemplify the best of design, typography, and technique. "," \nSeries III, Additional Materials, 1909-2021, Undated, consists of seven boxes of card catalogs Walter and Dorothy Donnelly created to keep track of their inventory of the book collection. Various incoming and outgoing letters to the Donnellys, newspaper clippings, articles, poetry, and unpublished and published writings by the Donnellys can be found in the series. The personal books of Dorothy Donnelly, including her daily missal and reading and diary journals, are also featured.","Books donated with the Walter and Dorothy Donnelly Family Papers have been cataloged individually. Please search the Library Catalog using the series Walter and Dorothy Donnelly Collection.","The papers of Patrick Boland were separated into their own collection. ","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The materials show the Donnellys' diverse and far-reaching interests, primarily in the humanities. A majority of the materials are about typography and typophiles, including monographs and chap books.","UCF Special Collections","Donnelly, Walter","Donnelly, Dorothy, 1903-1994","English"],"unitid_tesim":["SC.33","/repositories/4/resources/35"],"normalized_date_ssm":["1887-2021"],"normalized_title_ssm":["Walter and Dorothy Donnelly family papers, 1887-2021"],"collection_title_tesim":["Walter and Dorothy Donnelly family papers, 1887-2021"],"collection_ssim":["Walter and Dorothy Donnelly family papers, 1887-2021"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"creator_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"creator_persname_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"creators_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The Donnelly sons donated their parents' collection to the University of Central Florida Library in 1999 (CFM1999_08). Additional materials received from Jerome Donnelly in 2020 (CFM2020_06; CFM2020_10), 2021 (CFM2021_21), and 2022 (CFM2022_05)."],"access_subjects_ssim":["Women poets, American","Poets, American -- 20th Century -- correspondence","diaries","poems"],"access_subjects_ssm":["Women poets, American","Poets, American -- 20th Century -- correspondence","diaries","poems"],"has_online_content_ssim":["false"],"extent_ssm":["7.5 Linear Feet 15 Boxes, 1 Flat File"],"extent_tesim":["7.5 Linear Feet 15 Boxes, 1 Flat File"],"genreform_ssim":["diaries","poems"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eWalter Donnelly and Dorothy Boillotat Donnelly collected thousands of fine books between 1920-1994, for their family library at 612 Lawrence Street, Ann Arbor, Michigan. Walter (1900-1981) was Editor of the University of Michigan Press when he retired in 1970. Dorothy (1903-1994) was an award-winning poet. They have three sons, Jerome, Stephen, and Denis.\u003c/p\u003e\n","\u003cp\u003e\nIn 1931 Dorothy and Walter were married, Dorothy completed her Master's Degree from the University of Michigan, and she won the Avery Hopwood Contest. The $1,500 prize enabled the couple to live in France and Italy for a time. Dorothy wrote several acclaimed books of poetry as well as numerous articles for the magazine transition (always spelled in the lower case), publishing work by writers such as Hart Crane, Ernest Hemingway and Carl Jung. Eugene Jolas, the French editor of transition, wrote Dorothy in 1931, \"You are the only one in America whose writing seems to me to be going in the right direction.\"\u003c/p\u003e\n","\u003cp\u003e\nWalter also published some poetry and wrote plays with playwright and screenwriter Paul Osborn when the two were in college at the University of Michigan. After living in Greenwich Village and Paris, he returned to Ann Arbor to accept a position at the University of Michigan editing Museum Publications as well as doing editorial work for the Press.\u003c/p\u003e\n","\u003cp\u003e\nThe Donnelly's had a keen interest in the printing arts. Collected materials include examples from the best paper-makers, type designers, typographers, book binders, and printers as well as those artists involved in book illustrations. Notable in the collection are numerous publications of The Typophiles, a small group of graphic arts professionals based in New York, including luminaries like Bruce Rogers and Frederic W. Goudy. The Typophiles, who began meeting around 1932, are still meeting and publishing today.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Walter Donnelly and Dorothy Boillotat Donnelly collected thousands of fine books between 1920-1994, for their family library at 612 Lawrence Street, Ann Arbor, Michigan. Walter (1900-1981) was Editor of the University of Michigan Press when he retired in 1970. Dorothy (1903-1994) was an award-winning poet. They have three sons, Jerome, Stephen, and Denis.","\nIn 1931 Dorothy and Walter were married, Dorothy completed her Master's Degree from the University of Michigan, and she won the Avery Hopwood Contest. The $1,500 prize enabled the couple to live in France and Italy for a time. Dorothy wrote several acclaimed books of poetry as well as numerous articles for the magazine transition (always spelled in the lower case), publishing work by writers such as Hart Crane, Ernest Hemingway and Carl Jung. Eugene Jolas, the French editor of transition, wrote Dorothy in 1931, \"You are the only one in America whose writing seems to me to be going in the right direction.\"","\nWalter also published some poetry and wrote plays with playwright and screenwriter Paul Osborn when the two were in college at the University of Michigan. After living in Greenwich Village and Paris, he returned to Ann Arbor to accept a position at the University of Michigan editing Museum Publications as well as doing editorial work for the Press.","\nThe Donnelly's had a keen interest in the printing arts. Collected materials include examples from the best paper-makers, type designers, typographers, book binders, and printers as well as those artists involved in book illustrations. Notable in the collection are numerous publications of The Typophiles, a small group of graphic arts professionals based in New York, including luminaries like Bruce Rogers and Frederic W. Goudy. The Typophiles, who began meeting around 1932, are still meeting and publishing today."],"prefercite_html_tesm":["\u003cp\u003eWalter and Dorothy Donnelly Family Papers, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Walter and Dorothy Donnelly Family Papers, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadine Helm and Elizabeth Konzak; finding aid created by Nadine Helm and Elizabeth Konzak. The materials were organized and foldered. Some materials have water damage and were freeze dried in August 2006. Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021.  Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021. Addition processed and finding aid updated by Amelia Cuttle in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadine Helm and Elizabeth Konzak; finding aid created by Nadine Helm and Elizabeth Konzak. The materials were organized and foldered. Some materials have water damage and were freeze dried in August 2006. Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021.  Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021. Addition processed and finding aid updated by Amelia Cuttle in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/289\"\u003ePatrick Boland collection\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Patrick Boland collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is arranged in three series, Family Papers, Typophiles and Additional Materials. \u003c/p\u003e\n","\u003cp\u003eSeries I, Family Papers, 1887-1979, Undated, contains family photographs, memorabilia, poetry, and collected information on printers, printing and typography.\u003c/p\u003e\n","\u003cp\u003e\nSeries II, Typophiles, 1941-1969, Undated, consists of materials collected by the Donnellys as members of the organization of printers, typographers and appreciators of bookmaking. Materials include Chap Book Commentaries, fine press published information about the typophiles as a group, similar to an organizational newsletter that includes a colophon. Keepsakes were items created for an event such as Christmas to exhibit typographic skills. The Monographs are small examples of printing that exemplify the best of design, typography, and technique. \u003c/p\u003e\n","\u003cp\u003e \nSeries III, Additional Materials, 1909-2021, Undated, consists of seven boxes of card catalogs Walter and Dorothy Donnelly created to keep track of their inventory of the book collection. Various incoming and outgoing letters to the Donnellys, newspaper clippings, articles, poetry, and unpublished and published writings by the Donnellys can be found in the series. The personal books of Dorothy Donnelly, including her daily missal and reading and diary journals, are also featured.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is arranged in three series, Family Papers, Typophiles and Additional Materials. ","Series I, Family Papers, 1887-1979, Undated, contains family photographs, memorabilia, poetry, and collected information on printers, printing and typography.","\nSeries II, Typophiles, 1941-1969, Undated, consists of materials collected by the Donnellys as members of the organization of printers, typographers and appreciators of bookmaking. Materials include Chap Book Commentaries, fine press published information about the typophiles as a group, similar to an organizational newsletter that includes a colophon. Keepsakes were items created for an event such as Christmas to exhibit typographic skills. The Monographs are small examples of printing that exemplify the best of design, typography, and technique. "," \nSeries III, Additional Materials, 1909-2021, Undated, consists of seven boxes of card catalogs Walter and Dorothy Donnelly created to keep track of their inventory of the book collection. Various incoming and outgoing letters to the Donnellys, newspaper clippings, articles, poetry, and unpublished and published writings by the Donnellys can be found in the series. The personal books of Dorothy Donnelly, including her daily missal and reading and diary journals, are also featured."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks donated with the Walter and Dorothy Donnelly Family Papers have been cataloged individually. Please search the Library Catalog using the series Walter and Dorothy Donnelly Collection.\u003c/p\u003e\n","\u003cp\u003eThe papers of Patrick Boland were separated into their own collection.\u0026#xA0;\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books donated with the Walter and Dorothy Donnelly Family Papers have been cataloged individually. Please search the Library Catalog using the series Walter and Dorothy Donnelly Collection.","The papers of Patrick Boland were separated into their own collection. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_58a62762084b860db899b0bb6eea27dd\" label=\"Abstract\"\u003eThe materials show the Donnellys' diverse and far-reaching interests, primarily in the humanities. A majority of the materials are about typography and typophiles, including monographs and chap books.\u003c/abstract\u003e"],"abstract_tesim":["The materials show the Donnellys' diverse and far-reaching interests, primarily in the humanities. A majority of the materials are about typography and typophiles, including monographs and chap books."],"names_ssim":["UCF Special Collections","Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":255,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"3b651bebb556d00cec8728df","timestamp":"2026-06-03T02:50:58.042Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3b651bebb556d00cec8728df","title_ssm":["Walter and Dorothy Donnelly family papers"],"title_tesim":["Walter and Dorothy Donnelly family papers"],"ead_ssi":"3b651bebb556d00cec8728df","unitdate_ssm":["1887-2021"],"unitdate_inclusive_ssm":["1887-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.33","/repositories/4/resources/35"],"text":["SC.33","/repositories/4/resources/35","Walter and Dorothy Donnelly family papers, 1887-2021","Women poets, American","Poets, American -- 20th Century -- correspondence","diaries","poems","The entire collection is open for research.","Walter Donnelly and Dorothy Boillotat Donnelly collected thousands of fine books between 1920-1994, for their family library at 612 Lawrence Street, Ann Arbor, Michigan. Walter (1900-1981) was Editor of the University of Michigan Press when he retired in 1970. Dorothy (1903-1994) was an award-winning poet. They have three sons, Jerome, Stephen, and Denis.","\nIn 1931 Dorothy and Walter were married, Dorothy completed her Master's Degree from the University of Michigan, and she won the Avery Hopwood Contest. The $1,500 prize enabled the couple to live in France and Italy for a time. Dorothy wrote several acclaimed books of poetry as well as numerous articles for the magazine transition (always spelled in the lower case), publishing work by writers such as Hart Crane, Ernest Hemingway and Carl Jung. Eugene Jolas, the French editor of transition, wrote Dorothy in 1931, \"You are the only one in America whose writing seems to me to be going in the right direction.\"","\nWalter also published some poetry and wrote plays with playwright and screenwriter Paul Osborn when the two were in college at the University of Michigan. After living in Greenwich Village and Paris, he returned to Ann Arbor to accept a position at the University of Michigan editing Museum Publications as well as doing editorial work for the Press.","\nThe Donnelly's had a keen interest in the printing arts. Collected materials include examples from the best paper-makers, type designers, typographers, book binders, and printers as well as those artists involved in book illustrations. Notable in the collection are numerous publications of The Typophiles, a small group of graphic arts professionals based in New York, including luminaries like Bruce Rogers and Frederic W. Goudy. The Typophiles, who began meeting around 1932, are still meeting and publishing today.","Collection processed by Nadine Helm and Elizabeth Konzak; finding aid created by Nadine Helm and Elizabeth Konzak. The materials were organized and foldered. Some materials have water damage and were freeze dried in August 2006. Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021.  Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021. Addition processed and finding aid updated by Amelia Cuttle in 2023.","Patrick Boland collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","The collection is arranged in three series, Family Papers, Typophiles and Additional Materials. ","Series I, Family Papers, 1887-1979, Undated, contains family photographs, memorabilia, poetry, and collected information on printers, printing and typography.","\nSeries II, Typophiles, 1941-1969, Undated, consists of materials collected by the Donnellys as members of the organization of printers, typographers and appreciators of bookmaking. Materials include Chap Book Commentaries, fine press published information about the typophiles as a group, similar to an organizational newsletter that includes a colophon. Keepsakes were items created for an event such as Christmas to exhibit typographic skills. The Monographs are small examples of printing that exemplify the best of design, typography, and technique. "," \nSeries III, Additional Materials, 1909-2021, Undated, consists of seven boxes of card catalogs Walter and Dorothy Donnelly created to keep track of their inventory of the book collection. Various incoming and outgoing letters to the Donnellys, newspaper clippings, articles, poetry, and unpublished and published writings by the Donnellys can be found in the series. The personal books of Dorothy Donnelly, including her daily missal and reading and diary journals, are also featured.","Books donated with the Walter and Dorothy Donnelly Family Papers have been cataloged individually. Please search the Library Catalog using the series Walter and Dorothy Donnelly Collection.","The papers of Patrick Boland were separated into their own collection. ","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The materials show the Donnellys' diverse and far-reaching interests, primarily in the humanities. A majority of the materials are about typography and typophiles, including monographs and chap books.","UCF Special Collections","Donnelly, Walter","Donnelly, Dorothy, 1903-1994","English"],"unitid_tesim":["SC.33","/repositories/4/resources/35"],"normalized_date_ssm":["1887-2021"],"normalized_title_ssm":["Walter and Dorothy Donnelly family papers, 1887-2021"],"collection_title_tesim":["Walter and Dorothy Donnelly family papers, 1887-2021"],"collection_ssim":["Walter and Dorothy Donnelly family papers, 1887-2021"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"creator_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"creator_persname_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"creators_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The Donnelly sons donated their parents' collection to the University of Central Florida Library in 1999 (CFM1999_08). Additional materials received from Jerome Donnelly in 2020 (CFM2020_06; CFM2020_10), 2021 (CFM2021_21), and 2022 (CFM2022_05)."],"access_subjects_ssim":["Women poets, American","Poets, American -- 20th Century -- correspondence","diaries","poems"],"access_subjects_ssm":["Women poets, American","Poets, American -- 20th Century -- correspondence","diaries","poems"],"has_online_content_ssim":["false"],"extent_ssm":["7.5 Linear Feet 15 Boxes, 1 Flat File"],"extent_tesim":["7.5 Linear Feet 15 Boxes, 1 Flat File"],"genreform_ssim":["diaries","poems"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eWalter Donnelly and Dorothy Boillotat Donnelly collected thousands of fine books between 1920-1994, for their family library at 612 Lawrence Street, Ann Arbor, Michigan. Walter (1900-1981) was Editor of the University of Michigan Press when he retired in 1970. Dorothy (1903-1994) was an award-winning poet. They have three sons, Jerome, Stephen, and Denis.\u003c/p\u003e\n","\u003cp\u003e\nIn 1931 Dorothy and Walter were married, Dorothy completed her Master's Degree from the University of Michigan, and she won the Avery Hopwood Contest. The $1,500 prize enabled the couple to live in France and Italy for a time. Dorothy wrote several acclaimed books of poetry as well as numerous articles for the magazine transition (always spelled in the lower case), publishing work by writers such as Hart Crane, Ernest Hemingway and Carl Jung. Eugene Jolas, the French editor of transition, wrote Dorothy in 1931, \"You are the only one in America whose writing seems to me to be going in the right direction.\"\u003c/p\u003e\n","\u003cp\u003e\nWalter also published some poetry and wrote plays with playwright and screenwriter Paul Osborn when the two were in college at the University of Michigan. After living in Greenwich Village and Paris, he returned to Ann Arbor to accept a position at the University of Michigan editing Museum Publications as well as doing editorial work for the Press.\u003c/p\u003e\n","\u003cp\u003e\nThe Donnelly's had a keen interest in the printing arts. Collected materials include examples from the best paper-makers, type designers, typographers, book binders, and printers as well as those artists involved in book illustrations. Notable in the collection are numerous publications of The Typophiles, a small group of graphic arts professionals based in New York, including luminaries like Bruce Rogers and Frederic W. Goudy. The Typophiles, who began meeting around 1932, are still meeting and publishing today.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Walter Donnelly and Dorothy Boillotat Donnelly collected thousands of fine books between 1920-1994, for their family library at 612 Lawrence Street, Ann Arbor, Michigan. Walter (1900-1981) was Editor of the University of Michigan Press when he retired in 1970. Dorothy (1903-1994) was an award-winning poet. They have three sons, Jerome, Stephen, and Denis.","\nIn 1931 Dorothy and Walter were married, Dorothy completed her Master's Degree from the University of Michigan, and she won the Avery Hopwood Contest. The $1,500 prize enabled the couple to live in France and Italy for a time. Dorothy wrote several acclaimed books of poetry as well as numerous articles for the magazine transition (always spelled in the lower case), publishing work by writers such as Hart Crane, Ernest Hemingway and Carl Jung. Eugene Jolas, the French editor of transition, wrote Dorothy in 1931, \"You are the only one in America whose writing seems to me to be going in the right direction.\"","\nWalter also published some poetry and wrote plays with playwright and screenwriter Paul Osborn when the two were in college at the University of Michigan. After living in Greenwich Village and Paris, he returned to Ann Arbor to accept a position at the University of Michigan editing Museum Publications as well as doing editorial work for the Press.","\nThe Donnelly's had a keen interest in the printing arts. Collected materials include examples from the best paper-makers, type designers, typographers, book binders, and printers as well as those artists involved in book illustrations. Notable in the collection are numerous publications of The Typophiles, a small group of graphic arts professionals based in New York, including luminaries like Bruce Rogers and Frederic W. Goudy. The Typophiles, who began meeting around 1932, are still meeting and publishing today."],"prefercite_html_tesm":["\u003cp\u003eWalter and Dorothy Donnelly Family Papers, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Walter and Dorothy Donnelly Family Papers, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadine Helm and Elizabeth Konzak; finding aid created by Nadine Helm and Elizabeth Konzak. The materials were organized and foldered. Some materials have water damage and were freeze dried in August 2006. Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021.  Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021. Addition processed and finding aid updated by Amelia Cuttle in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadine Helm and Elizabeth Konzak; finding aid created by Nadine Helm and Elizabeth Konzak. The materials were organized and foldered. Some materials have water damage and were freeze dried in August 2006. Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021.  Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021. Addition processed and finding aid updated by Amelia Cuttle in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/289\"\u003ePatrick Boland collection\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Patrick Boland collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is arranged in three series, Family Papers, Typophiles and Additional Materials. \u003c/p\u003e\n","\u003cp\u003eSeries I, Family Papers, 1887-1979, Undated, contains family photographs, memorabilia, poetry, and collected information on printers, printing and typography.\u003c/p\u003e\n","\u003cp\u003e\nSeries II, Typophiles, 1941-1969, Undated, consists of materials collected by the Donnellys as members of the organization of printers, typographers and appreciators of bookmaking. Materials include Chap Book Commentaries, fine press published information about the typophiles as a group, similar to an organizational newsletter that includes a colophon. Keepsakes were items created for an event such as Christmas to exhibit typographic skills. The Monographs are small examples of printing that exemplify the best of design, typography, and technique. \u003c/p\u003e\n","\u003cp\u003e \nSeries III, Additional Materials, 1909-2021, Undated, consists of seven boxes of card catalogs Walter and Dorothy Donnelly created to keep track of their inventory of the book collection. Various incoming and outgoing letters to the Donnellys, newspaper clippings, articles, poetry, and unpublished and published writings by the Donnellys can be found in the series. The personal books of Dorothy Donnelly, including her daily missal and reading and diary journals, are also featured.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is arranged in three series, Family Papers, Typophiles and Additional Materials. ","Series I, Family Papers, 1887-1979, Undated, contains family photographs, memorabilia, poetry, and collected information on printers, printing and typography.","\nSeries II, Typophiles, 1941-1969, Undated, consists of materials collected by the Donnellys as members of the organization of printers, typographers and appreciators of bookmaking. Materials include Chap Book Commentaries, fine press published information about the typophiles as a group, similar to an organizational newsletter that includes a colophon. Keepsakes were items created for an event such as Christmas to exhibit typographic skills. The Monographs are small examples of printing that exemplify the best of design, typography, and technique. "," \nSeries III, Additional Materials, 1909-2021, Undated, consists of seven boxes of card catalogs Walter and Dorothy Donnelly created to keep track of their inventory of the book collection. Various incoming and outgoing letters to the Donnellys, newspaper clippings, articles, poetry, and unpublished and published writings by the Donnellys can be found in the series. The personal books of Dorothy Donnelly, including her daily missal and reading and diary journals, are also featured."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks donated with the Walter and Dorothy Donnelly Family Papers have been cataloged individually. Please search the Library Catalog using the series Walter and Dorothy Donnelly Collection.\u003c/p\u003e\n","\u003cp\u003eThe papers of Patrick Boland were separated into their own collection.\u0026#xA0;\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books donated with the Walter and Dorothy Donnelly Family Papers have been cataloged individually. Please search the Library Catalog using the series Walter and Dorothy Donnelly Collection.","The papers of Patrick Boland were separated into their own collection. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_58a62762084b860db899b0bb6eea27dd\" label=\"Abstract\"\u003eThe materials show the Donnellys' diverse and far-reaching interests, primarily in the humanities. A majority of the materials are about typography and typophiles, including monographs and chap books.\u003c/abstract\u003e"],"abstract_tesim":["The materials show the Donnellys' diverse and far-reaching interests, primarily in the humanities. A majority of the materials are about typography and typophiles, including monographs and chap books."],"names_ssim":["UCF Special Collections","Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":255,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"3b651bebb556d00cec8728df","timestamp":"2026-06-03T02:50:58.042Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3b651bebb556d00cec8728df"}},{"id":"44907cb6c8dead0a23adaa50","type":"collection","attributes":{"title":"Walter Carl Beckham collection, circa 1941-1996, Date accessioned: 2019-06-27","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/44907cb6c8dead0a23adaa50#creator","type":"document_value","attributes":{"value":["Beckham, Walter Carl, 1916-1996"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/44907cb6c8dead0a23adaa50#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection relates to Colonel Walter Carl Beckham who served with the U.S. Army Air Corps as a P-47 fighter pilot with the 353rd Fighter Group in the European Theater of Operations during World War II. He was credited 18 aerial victories. He was shot down and subsequently became a German Prisoner of War. He was the recipient of the Distingquished Service Cross, Distinguished Flying Cross, Silver Star, Air Medal, and Legion of Merit. This collection contains Beckham's medals, badges, pins, photographs, veteran's items, and newspaper articles.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/44907cb6c8dead0a23adaa50#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"44907cb6c8dead0a23adaa50","title_filing_ssi":"Beckham, Walter Carl Collection","title_ssm":["Walter Carl Beckham collection"],"title_tesim":["Walter Carl Beckham collection"],"ead_ssi":"44907cb6c8dead0a23adaa50","unitdate_ssm":["circa 1941-1996","Date accessioned: 2019-06-27"],"unitdate_inclusive_ssm":["circa 1941-1996"],"unitdate_other_ssim":["Date accessioned: 2019-06-27"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["19.0013","/repositories/10/resources/1443"],"text":["19.0013","/repositories/10/resources/1443","Walter Carl Beckham collection, circa 1941-1996, Date accessioned: 2019-06-27","World War, 1939-1945--Campaigns--Europe","United States. Army Air Forces. Bomber Command, 8th","Thunderbolt (Fighter plane)","This collection is open to all researchers.","Walter Carl Beckham was born on May 12, 1916 in Paxton, Florida, the youngest of\nthree brothers. He was a war hero, a scientist, and a sentimental man who recited\nYeats. He possessed a clear code of honor, a marvelous sense of humour, and an\nenterprising and creative spirit. As a young boy during the Depression in DePuniak\nSprings, Florida, he transformed his paper route with a fleet of old bicycles that he\nrepaired and then provided as an incentive to other boys, who ran additional routes\nunder his direction. \nWhen the United States entered World War II, he felt he would be better off in the air\ninstead of on the ground, and so he tried to enlist. When the Army Air Corps refused\nhim for being underweight, he resolved the problem at a second interview by\nslumping down, and as a \"shorter\" man,\" fulfilled the USAAC's height and weight\nrequirements. Although he had not attended college, he passed the college\ngraduation exam (and won his bus fare back home in a dice game.) \nHe went through flight training at Americus, Georgia, and graduated with the Aviation\nCadet Class of 41-1. During one check ride, he was told to \"spin it\" even with the\nground rapidly approaching, he thought it proper for the check pilot to direct him to\nrecover. He suspected it might be a test to see if he would \"chicken out.\" At a very\nlow altitude the check pilot disproved this theory by grabbing the controls to recover, shouting \"Are you trying to kill us?\"  \nHe was assigned to the Curtiss P-36 \"Hawk,\" which he later referred to as the best he had ever flown. He also flew the Curtiss P-40, and eventually the new Republic P-47 Thunderbolt. After a tour in the Canal Zone and Ecuador, he was sent to Europe\nin 1943, in charge of the newly formed 351st Fighter Squadron under the group's command of Lt Colonel Glenn E. Duncan. When it came time to name his aircraft, a P-47 Thunderbolt, he chose \"Little Demon,\" a character from Al Capp's \"Lil\" Abner\" comic strip. \nHis squadron was part of the 353rd Fighter Group, and their responsibilities included escort and fighter sweep duties, ground support and dive-bombing. The only dive-bombing training the pilots had undergone had been stateside with the P-40, a completely different task. Having flown both airplanes, my father understood the problem and approached Colonel Duncan with some new theories. The two gentlemen devised a set of techniques that were used until the end of the war. They entered combat on August 12,1943. \nOn September 23,1943, Walter Beckham brought down his first enemy aircraft, a\nFocke-Wulf 190 near Nantes, France. Many of his subsequent victories were scored\nin doubles and in one case a triple. On October 10, 1943, on an escort mission to\nMunster, he destroyed three twin-engine German aircraft. The third hit depleted his\nammunition, and when another ME-110 came towards him \"...I turned sharply toward\nhim and he broke violently, evading my P-47 with empty guns.\" A growing number of\nswastikas joined the bright yellow \"Little Demon\" artwork under the canopy.\n \nHe was shot down on February 22,1944 while attacking parked FW 190s on a base\nat Ostheim, Germany. This was during \"Big Week,\" the all out attack against the\nGerman aircraft industry. At the time he was America's leading ace in the European\nTheatre with eighteen German air victories in six months of combat. He had flown 56\nmissions, although, with a mathematician's precision, he counted 5614. His lifetime\nfriend Claude Jenkins remembers seeing the news of his last mission in Time\nMagazine, with his quote to a wingmate: \"Take the boys home, George, I've been\nhit!\" \"... I was hit by something when I was still at 4-5,000 feet altitude - long before I began firing... Smoke is belching from my engine. But It still runs, I cut off the fuel - coasting - no help. Woods are northward, England is westward. I am in no trouble if my engine keeps running, and I ask my friends to proceed on home. I unfasten the seat and shoulder belts and run the canopy back. I'm hoping for the smoke to go\naway, while ready to bail out fast Where there's smoke there's fire? Whoever said\nthat is damned right...I'm down well under a thousand feet. There's no question\nabout what to do. Let's do it. I stand up in the seat and try to dive out of the left side of the cockpit I'm stuck! What the hell is holding me? Time to do a little thinking...I sit back down. I jam the stick forward with my right foot. Departing the cockpit as she plunges down I feel a bump, but it doesn't hurt. I make a Joke that I have \"ejected\" myself-this before ejection seats were invented!\"\n He spent the next 14 months in Stalag Luft III at Sagan, and at Moorsburg, where access to an elementary college physics book sparked his interest. On 29 April 1945 Patton's 14th Armored Division liberated him. After the war, he stayed in the newly formed US Air Force as a squadron commander of the first jet-equipped fighter group. He received a BS degree in physics from the University of Florida in 1949, and a MS in physics from Ohio State University in 1950. He attended graduate school at the University of Califomla, Berkeley, where he studied under Edward Teller and received his PhD in physics in 1962. \nWalter Beckham was the founding chief scientist of the Air Force Weapons\nLaboratory at Kirtland Air Force Base, near Albuquerque, New Mexico, and continued\nas chief scientist for six years. During this time, he nurtured a tradition of scientific excellence and mentored many young officer-scientists trying to resolve the scientific, political, and moral concerns inherent to nuclear weapons. His principal research interests centered on nuclear weapons and their effects, and later on survivability and vulnerability issues for nuclear weapons. \nHe retired from the Air Force as a colonel in 1969, and continued as a consultant at\nLawrence Livermore Laboratory, working on various defense-related strategic\nstudies. For his many services, he received the Distinguished Service Cross, the\nSilver Star, Distinguished Flying Cross, Air Medal, and the Legion of Merit. \nAfter retirement he lived in Albuquerque, New Mexico with his wife Lorraine and two\nvery spoiled Shetland Sheepdogs. Throughout this time, he often received letters\nfrom Thunderbolt enthusiasts and World War II history buffs, which he always\nanswered. His airplane was painted by the aviation artist Robert St. Vincent \"High\nSpeed, Low Pass,\" and reproductions were printed (the original is on display at\nEdwards AFB.) When Ray Stutsman approached him about painting his own Thunderbolt as \"Little Demon\" he declined and suggested another pilot's aircraft. Mr. Stutsman persisted and my father then suggested a second comrade's plane. Mr. Stutsman remained firm, and my father conceded. In 1985, 44 years after his bail out over enemy territory, he took a ride in the jump seat of the aircraft. The first issue of Thunderbolt Enthusiasts International was dedicated to him. He never bragged about his achievements and often seemed bemused at the attention he received. \"Only do things now that you will be proud of later\" was the one piece of advice he gave his admirers.\nWalter Carl Beckham died of a heart attack on 31 May 1996 in Albuquerque, New\nMexico, and is survived by his wife Lorraine and daughter Melissa. \nVerbatim transcript source:\n \nBeckham, Melissa.  Walter Carl Beckham Biography, 1996. Manuscript. From Institute on World War II and the Human Experience,  Walter Carl Beckham Collection. (accessed July 12, 2019).","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","This collection relates to Colonel Walter Carl Beckham who served with the U.S. Army Air Corps as a P-47 fighter pilot with the 353rd Fighter Group in the European Theater of Operations during World War II. He was credited 18 aerial victories. He was shot down and subsequently became a German Prisoner of War. He was the recipient of the Distingquished Service Cross, Distinguished Flying Cross, Silver Star, Air Medal, and Legion of Merit. This collection contains Beckham's medals, badges, pins, photographs, veteran's items, and newspaper articles.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","United States. Army Air Forces. Fighter Group, 353rd","Beckham, Walter Carl, 1916-1996","Joseph C. Beckham","English"],"unitid_tesim":["19.0013","/repositories/10/resources/1443"],"normalized_date_ssm":["circa 1941-1996, Date accessioned: 2019-06-27"],"normalized_title_ssm":["Walter Carl Beckham collection, circa 1941-1996, Date accessioned: 2019-06-27"],"collection_title_tesim":["Walter Carl Beckham collection, circa 1941-1996, Date accessioned: 2019-06-27"],"collection_ssim":["Walter Carl Beckham collection, circa 1941-1996, Date accessioned: 2019-06-27"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Beckham, Walter Carl, 1916-1996","Joseph C. Beckham"],"creator_ssim":["Beckham, Walter Carl, 1916-1996","Joseph C. Beckham"],"creator_persname_ssim":["Beckham, Walter Carl, 1916-1996","Joseph C. Beckham"],"creators_ssim":["Beckham, Walter Carl, 1916-1996","Joseph C. Beckham"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["This collection was donated by Joseph C. Beckham who is the nephew of Walter Carl Beckham."],"access_subjects_ssim":["World War, 1939-1945--Campaigns--Europe","United States. Army Air Forces. Bomber Command, 8th","Thunderbolt (Fighter plane)"],"access_subjects_ssm":["World War, 1939-1945--Campaigns--Europe","United States. Army Air Forces. Bomber Command, 8th","Thunderbolt (Fighter plane)"],"has_online_content_ssim":["false"],"extent_ssm":[".5 Linear Feet 1 half box"],"extent_tesim":[".5 Linear Feet 1 half box"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Walter Carl Beckham was born on May 12, 1916 in Paxton, Florida, the youngest of\nthree brothers. He was a war hero, a scientist, and a sentimental man who recited\nYeats. He possessed a clear code of honor, a marvelous sense of humour, and an\nenterprising and creative spirit. As a young boy during the Depression in DePuniak\nSprings, Florida, he transformed his paper route with a fleet of old bicycles that he\nrepaired and then provided as an incentive to other boys, who ran additional routes\nunder his direction. \nWhen the United States entered World War II, he felt he would be better off in the air\ninstead of on the ground, and so he tried to enlist. When the Army Air Corps refused\nhim for being underweight, he resolved the problem at a second interview by\nslumping down, and as a \"shorter\" man,\" fulfilled the USAAC's height and weight\nrequirements. Although he had not attended college, he passed the college\ngraduation exam (and won his bus fare back home in a dice game.) \nHe went through flight training at Americus, Georgia, and graduated with the Aviation\nCadet Class of 41-1. During one check ride, he was told to \"spin it\" even with the\nground rapidly approaching, he thought it proper for the check pilot to direct him to\nrecover. He suspected it might be a test to see if he would \"chicken out.\" At a very\nlow altitude the check pilot disproved this theory by grabbing the controls to recover, shouting \"Are you trying to kill us?\"  \nHe was assigned to the Curtiss P-36 \"Hawk,\" which he later referred to as the best he had ever flown. He also flew the Curtiss P-40, and eventually the new Republic P-47 Thunderbolt. After a tour in the Canal Zone and Ecuador, he was sent to Europe\nin 1943, in charge of the newly formed 351st Fighter Squadron under the group's command of Lt Colonel Glenn E. Duncan. When it came time to name his aircraft, a P-47 Thunderbolt, he chose \"Little Demon,\" a character from Al Capp's \"Lil\" Abner\" comic strip. \nHis squadron was part of the 353rd Fighter Group, and their responsibilities included escort and fighter sweep duties, ground support and dive-bombing. The only dive-bombing training the pilots had undergone had been stateside with the P-40, a completely different task. Having flown both airplanes, my father understood the problem and approached Colonel Duncan with some new theories. The two gentlemen devised a set of techniques that were used until the end of the war. They entered combat on August 12,1943. \nOn September 23,1943, Walter Beckham brought down his first enemy aircraft, a\nFocke-Wulf 190 near Nantes, France. Many of his subsequent victories were scored\nin doubles and in one case a triple. On October 10, 1943, on an escort mission to\nMunster, he destroyed three twin-engine German aircraft. The third hit depleted his\nammunition, and when another ME-110 came towards him \"...I turned sharply toward\nhim and he broke violently, evading my P-47 with empty guns.\" A growing number of\nswastikas joined the bright yellow \"Little Demon\" artwork under the canopy.\n \nHe was shot down on February 22,1944 while attacking parked FW 190s on a base\nat Ostheim, Germany. This was during \"Big Week,\" the all out attack against the\nGerman aircraft industry. At the time he was America's leading ace in the European\nTheatre with eighteen German air victories in six months of combat. He had flown 56\nmissions, although, with a mathematician's precision, he counted 5614. His lifetime\nfriend Claude Jenkins remembers seeing the news of his last mission in Time\nMagazine, with his quote to a wingmate: \"Take the boys home, George, I've been\nhit!\" \"... I was hit by something when I was still at 4-5,000 feet altitude - long before I began firing... Smoke is belching from my engine. But It still runs, I cut off the fuel - coasting - no help. Woods are northward, England is westward. I am in no trouble if my engine keeps running, and I ask my friends to proceed on home. I unfasten the seat and shoulder belts and run the canopy back. I'm hoping for the smoke to go\naway, while ready to bail out fast Where there's smoke there's fire? Whoever said\nthat is damned right...I'm down well under a thousand feet. There's no question\nabout what to do. Let's do it. I stand up in the seat and try to dive out of the left side of the cockpit I'm stuck! What the hell is holding me? Time to do a little thinking...I sit back down. I jam the stick forward with my right foot. Departing the cockpit as she plunges down I feel a bump, but it doesn't hurt. I make a Joke that I have \"ejected\" myself-this before ejection seats were invented!\"\n He spent the next 14 months in Stalag Luft III at Sagan, and at Moorsburg, where access to an elementary college physics book sparked his interest. On 29 April 1945 Patton's 14th Armored Division liberated him. After the war, he stayed in the newly formed US Air Force as a squadron commander of the first jet-equipped fighter group. He received a BS degree in physics from the University of Florida in 1949, and a MS in physics from Ohio State University in 1950. He attended graduate school at the University of Califomla, Berkeley, where he studied under Edward Teller and received his PhD in physics in 1962. \nWalter Beckham was the founding chief scientist of the Air Force Weapons\nLaboratory at Kirtland Air Force Base, near Albuquerque, New Mexico, and continued\nas chief scientist for six years. During this time, he nurtured a tradition of scientific excellence and mentored many young officer-scientists trying to resolve the scientific, political, and moral concerns inherent to nuclear weapons. His principal research interests centered on nuclear weapons and their effects, and later on survivability and vulnerability issues for nuclear weapons. \nHe retired from the Air Force as a colonel in 1969, and continued as a consultant at\nLawrence Livermore Laboratory, working on various defense-related strategic\nstudies. For his many services, he received the Distinguished Service Cross, the\nSilver Star, Distinguished Flying Cross, Air Medal, and the Legion of Merit. \nAfter retirement he lived in Albuquerque, New Mexico with his wife Lorraine and two\nvery spoiled Shetland Sheepdogs. Throughout this time, he often received letters\nfrom Thunderbolt enthusiasts and World War II history buffs, which he always\nanswered. His airplane was painted by the aviation artist Robert St. Vincent \"High\nSpeed, Low Pass,\" and reproductions were printed (the original is on display at\nEdwards AFB.) When Ray Stutsman approached him about painting his own Thunderbolt as \"Little Demon\" he declined and suggested another pilot's aircraft. Mr. Stutsman persisted and my father then suggested a second comrade's plane. Mr. Stutsman remained firm, and my father conceded. In 1985, 44 years after his bail out over enemy territory, he took a ride in the jump seat of the aircraft. The first issue of Thunderbolt Enthusiasts International was dedicated to him. He never bragged about his achievements and often seemed bemused at the attention he received. \"Only do things now that you will be proud of later\" was the one piece of advice he gave his admirers.\nWalter Carl Beckham died of a heart attack on 31 May 1996 in Albuquerque, New\nMexico, and is survived by his wife Lorraine and daughter Melissa. \nVerbatim transcript source:\n \nBeckham, Melissa.  Walter Carl Beckham Biography, 1996. Manuscript. From Institute on World War II and the Human Experience,  Walter Carl Beckham Collection. (accessed July 12, 2019)."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Walter Carl Beckham collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_19_0013\"\u003ehttp://purl.fcla.edu/fsu/WWII_19_0013\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Walter Carl Beckham collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_19_0013"],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to Colonel Walter Carl Beckham who served with the U.S. Army Air Corps as a P-47 fighter pilot with the 353rd Fighter Group in the European Theater of Operations during World War II. He was credited 18 aerial victories. He was shot down and subsequently became a German Prisoner of War. He was the recipient of the Distingquished Service Cross, Distinguished Flying Cross, Silver Star, Air Medal, and Legion of Merit. This collection contains Beckham's medals, badges, pins, photographs, veteran's items, and newspaper articles.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection relates to Colonel Walter Carl Beckham who served with the U.S. Army Air Corps as a P-47 fighter pilot with the 353rd Fighter Group in the European Theater of Operations during World War II. He was credited 18 aerial victories. He was shot down and subsequently became a German Prisoner of War. He was the recipient of the Distingquished Service Cross, Distinguished Flying Cross, Silver Star, Air Medal, and Legion of Merit. This collection contains Beckham's medals, badges, pins, photographs, veteran's items, and newspaper articles."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_coll_ssim":["United States. Army Air Forces. Fighter Group, 353rd","Joseph C. Beckham"],"names_ssim":["FSU Special Collections \u0026 Archives","United States. Army Air Forces. Fighter Group, 353rd","Beckham, Walter Carl, 1916-1996","Joseph C. Beckham"],"corpname_ssim":["FSU Special Collections \u0026 Archives","United States. Army Air Forces. Fighter Group, 353rd"],"persname_ssim":["Beckham, Walter Carl, 1916-1996","Joseph C. Beckham"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":17,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"44907cb6c8dead0a23adaa50","timestamp":"2026-04-21T05:17:53.647Z","bioghist_html_tesm":["\u003cp\u003eWalter Carl Beckham was born on May 12, 1916 in Paxton, Florida, the youngest of\nthree brothers. He was a war hero, a scientist, and a sentimental man who recited\nYeats. He possessed a clear code of honor, a marvelous sense of humour, and an\nenterprising and creative spirit. As a young boy during the Depression in DePuniak\nSprings, Florida, he transformed his paper route with a fleet of old bicycles that he\nrepaired and then provided as an incentive to other boys, who ran additional routes\nunder his direction.\u003cbr\u003e\u003cbr\u003e\nWhen the United States entered World War II, he felt he would be better off in the air\ninstead of on the ground, and so he tried to enlist. When the Army Air Corps refused\nhim for being underweight, he resolved the problem at a second interview by\nslumping down, and as a \"shorter\" man,\" fulfilled the USAAC's height and weight\nrequirements. Although he had not attended college, he passed the college\ngraduation exam (and won his bus fare back home in a dice game.)\u003cbr\u003e\u003cbr\u003e\nHe went through flight training at Americus, Georgia, and graduated with the Aviation\nCadet Class of 41-1. During one check ride, he was told to \"spin it\" even with the\nground rapidly approaching, he thought it proper for the check pilot to direct him to\nrecover. He suspected it might be a test to see if he would \"chicken out.\" At a very\nlow altitude the check pilot disproved this theory by grabbing the controls to recover, shouting \"Are you trying to kill us?\" \u003cbr\u003e\u003cbr\u003e\nHe was assigned to the Curtiss P-36 \"Hawk,\" which he later referred to as the best he had ever flown. He also flew the Curtiss P-40, and eventually the new Republic P-47 Thunderbolt. After a tour in the Canal Zone and Ecuador, he was sent to Europe\nin 1943, in charge of the newly formed 351st Fighter Squadron under the group's command of Lt Colonel Glenn E. Duncan. When it came time to name his aircraft, a P-47 Thunderbolt, he chose \"Little Demon,\" a character from Al Capp's \"Lil\" Abner\" comic strip.\u003cbr\u003e\u003cbr\u003e\nHis squadron was part of the 353rd Fighter Group, and their responsibilities included escort and fighter sweep duties, ground support and dive-bombing. The only dive-bombing training the pilots had undergone had been stateside with the P-40, a completely different task. Having flown both airplanes, my father understood the problem and approached Colonel Duncan with some new theories. The two gentlemen devised a set of techniques that were used until the end of the war. They entered combat on August 12,1943.\u003cbr\u003e\u003cbr\u003e\nOn September 23,1943, Walter Beckham brought down his first enemy aircraft, a\nFocke-Wulf 190 near Nantes, France. Many of his subsequent victories were scored\nin doubles and in one case a triple. On October 10, 1943, on an escort mission to\nMunster, he destroyed three twin-engine German aircraft. The third hit depleted his\nammunition, and when another ME-110 came towards him \"...I turned sharply toward\nhim and he broke violently, evading my P-47 with empty guns.\" A growing number of\nswastikas joined the bright yellow \"Little Demon\" artwork under the canopy.\n\u003cbr\u003e\u003cbr\u003e\nHe was shot down on February 22,1944 while attacking parked FW 190s on a base\nat Ostheim, Germany. This was during \"Big Week,\" the all out attack against the\nGerman aircraft industry. At the time he was America's leading ace in the European\nTheatre with eighteen German air victories in six months of combat. He had flown 56\nmissions, although, with a mathematician's precision, he counted 5614. His lifetime\nfriend Claude Jenkins remembers seeing the news of his last mission in Time\nMagazine, with his quote to a wingmate: \"Take the boys home, George, I've been\nhit!\" \"... I was hit by something when I was still at 4-5,000 feet altitude - long before I began firing... Smoke is belching from my engine. But It still runs, I cut off the fuel - coasting - no help. Woods are northward, England is westward. I am in no trouble if my engine keeps running, and I ask my friends to proceed on home. I unfasten the seat and shoulder belts and run the canopy back. I'm hoping for the smoke to go\naway, while ready to bail out fast Where there's smoke there's fire? Whoever said\nthat is damned right...I'm down well under a thousand feet. There's no question\nabout what to do. Let's do it. I stand up in the seat and try to dive out of the left side of the cockpit I'm stuck! What the hell is holding me? Time to do a little thinking...I sit back down. I jam the stick forward with my right foot. Departing the cockpit as she plunges down I feel a bump, but it doesn't hurt. I make a Joke that I have \"ejected\" myself-this before ejection seats were invented!\"\n\u003cbr\u003e\u003cbr\u003eHe spent the next 14 months in Stalag Luft III at Sagan, and at Moorsburg, where access to an elementary college physics book sparked his interest. On 29 April 1945 Patton's 14th Armored Division liberated him. After the war, he stayed in the newly formed US Air Force as a squadron commander of the first jet-equipped fighter group. He received a BS degree in physics from the University of Florida in 1949, and a MS in physics from Ohio State University in 1950. He attended graduate school at the University of Califomla, Berkeley, where he studied under Edward Teller and received his PhD in physics in 1962.\u003cbr\u003e\u003cbr\u003e\nWalter Beckham was the founding chief scientist of the Air Force Weapons\nLaboratory at Kirtland Air Force Base, near Albuquerque, New Mexico, and continued\nas chief scientist for six years. During this time, he nurtured a tradition of scientific excellence and mentored many young officer-scientists trying to resolve the scientific, political, and moral concerns inherent to nuclear weapons. His principal research interests centered on nuclear weapons and their effects, and later on survivability and vulnerability issues for nuclear weapons.\u003cbr\u003e\u003cbr\u003e\nHe retired from the Air Force as a colonel in 1969, and continued as a consultant at\nLawrence Livermore Laboratory, working on various defense-related strategic\nstudies. For his many services, he received the Distinguished Service Cross, the\nSilver Star, Distinguished Flying Cross, Air Medal, and the Legion of Merit.\u003cbr\u003e\u003cbr\u003e\nAfter retirement he lived in Albuquerque, New Mexico with his wife Lorraine and two\nvery spoiled Shetland Sheepdogs. Throughout this time, he often received letters\nfrom Thunderbolt enthusiasts and World War II history buffs, which he always\nanswered. His airplane was painted by the aviation artist Robert St. Vincent \"High\nSpeed, Low Pass,\" and reproductions were printed (the original is on display at\nEdwards AFB.) When Ray Stutsman approached him about painting his own Thunderbolt as \"Little Demon\" he declined and suggested another pilot's aircraft. Mr. Stutsman persisted and my father then suggested a second comrade's plane. Mr. Stutsman remained firm, and my father conceded. In 1985, 44 years after his bail out over enemy territory, he took a ride in the jump seat of the aircraft. The first issue of Thunderbolt Enthusiasts International was dedicated to him. He never bragged about his achievements and often seemed bemused at the attention he received. \"Only do things now that you will be proud of later\" was the one piece of advice he gave his admirers.\nWalter Carl Beckham died of a heart attack on 31 May 1996 in Albuquerque, New\nMexico, and is survived by his wife Lorraine and daughter Melissa.\u003cbr\u003e\u003cbr\u003e\nVerbatim transcript source:\n\u003cbr\u003e\u003cbr\u003e\nBeckham, Melissa. \u003ci\u003eWalter Carl Beckham Biography, 1996.\u003c/i\u003eManuscript. From Institute on World War II and the Human Experience, \u003ci\u003eWalter Carl Beckham Collection.\u003c/i\u003e(accessed July 12, 2019).\u003c/p\u003e"],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"44907cb6c8dead0a23adaa50","title_filing_ssi":"Beckham, Walter Carl Collection","title_ssm":["Walter Carl Beckham collection"],"title_tesim":["Walter Carl Beckham collection"],"ead_ssi":"44907cb6c8dead0a23adaa50","unitdate_ssm":["circa 1941-1996","Date accessioned: 2019-06-27"],"unitdate_inclusive_ssm":["circa 1941-1996"],"unitdate_other_ssim":["Date accessioned: 2019-06-27"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["19.0013","/repositories/10/resources/1443"],"text":["19.0013","/repositories/10/resources/1443","Walter Carl Beckham collection, circa 1941-1996, Date accessioned: 2019-06-27","World War, 1939-1945--Campaigns--Europe","United States. Army Air Forces. Bomber Command, 8th","Thunderbolt (Fighter plane)","This collection is open to all researchers.","Walter Carl Beckham was born on May 12, 1916 in Paxton, Florida, the youngest of\nthree brothers. He was a war hero, a scientist, and a sentimental man who recited\nYeats. He possessed a clear code of honor, a marvelous sense of humour, and an\nenterprising and creative spirit. As a young boy during the Depression in DePuniak\nSprings, Florida, he transformed his paper route with a fleet of old bicycles that he\nrepaired and then provided as an incentive to other boys, who ran additional routes\nunder his direction. \nWhen the United States entered World War II, he felt he would be better off in the air\ninstead of on the ground, and so he tried to enlist. When the Army Air Corps refused\nhim for being underweight, he resolved the problem at a second interview by\nslumping down, and as a \"shorter\" man,\" fulfilled the USAAC's height and weight\nrequirements. Although he had not attended college, he passed the college\ngraduation exam (and won his bus fare back home in a dice game.) \nHe went through flight training at Americus, Georgia, and graduated with the Aviation\nCadet Class of 41-1. During one check ride, he was told to \"spin it\" even with the\nground rapidly approaching, he thought it proper for the check pilot to direct him to\nrecover. He suspected it might be a test to see if he would \"chicken out.\" At a very\nlow altitude the check pilot disproved this theory by grabbing the controls to recover, shouting \"Are you trying to kill us?\"  \nHe was assigned to the Curtiss P-36 \"Hawk,\" which he later referred to as the best he had ever flown. He also flew the Curtiss P-40, and eventually the new Republic P-47 Thunderbolt. After a tour in the Canal Zone and Ecuador, he was sent to Europe\nin 1943, in charge of the newly formed 351st Fighter Squadron under the group's command of Lt Colonel Glenn E. Duncan. When it came time to name his aircraft, a P-47 Thunderbolt, he chose \"Little Demon,\" a character from Al Capp's \"Lil\" Abner\" comic strip. \nHis squadron was part of the 353rd Fighter Group, and their responsibilities included escort and fighter sweep duties, ground support and dive-bombing. The only dive-bombing training the pilots had undergone had been stateside with the P-40, a completely different task. Having flown both airplanes, my father understood the problem and approached Colonel Duncan with some new theories. The two gentlemen devised a set of techniques that were used until the end of the war. They entered combat on August 12,1943. \nOn September 23,1943, Walter Beckham brought down his first enemy aircraft, a\nFocke-Wulf 190 near Nantes, France. Many of his subsequent victories were scored\nin doubles and in one case a triple. On October 10, 1943, on an escort mission to\nMunster, he destroyed three twin-engine German aircraft. The third hit depleted his\nammunition, and when another ME-110 came towards him \"...I turned sharply toward\nhim and he broke violently, evading my P-47 with empty guns.\" A growing number of\nswastikas joined the bright yellow \"Little Demon\" artwork under the canopy.\n \nHe was shot down on February 22,1944 while attacking parked FW 190s on a base\nat Ostheim, Germany. This was during \"Big Week,\" the all out attack against the\nGerman aircraft industry. At the time he was America's leading ace in the European\nTheatre with eighteen German air victories in six months of combat. He had flown 56\nmissions, although, with a mathematician's precision, he counted 5614. His lifetime\nfriend Claude Jenkins remembers seeing the news of his last mission in Time\nMagazine, with his quote to a wingmate: \"Take the boys home, George, I've been\nhit!\" \"... I was hit by something when I was still at 4-5,000 feet altitude - long before I began firing... Smoke is belching from my engine. But It still runs, I cut off the fuel - coasting - no help. Woods are northward, England is westward. I am in no trouble if my engine keeps running, and I ask my friends to proceed on home. I unfasten the seat and shoulder belts and run the canopy back. I'm hoping for the smoke to go\naway, while ready to bail out fast Where there's smoke there's fire? Whoever said\nthat is damned right...I'm down well under a thousand feet. There's no question\nabout what to do. Let's do it. I stand up in the seat and try to dive out of the left side of the cockpit I'm stuck! What the hell is holding me? Time to do a little thinking...I sit back down. I jam the stick forward with my right foot. Departing the cockpit as she plunges down I feel a bump, but it doesn't hurt. I make a Joke that I have \"ejected\" myself-this before ejection seats were invented!\"\n He spent the next 14 months in Stalag Luft III at Sagan, and at Moorsburg, where access to an elementary college physics book sparked his interest. On 29 April 1945 Patton's 14th Armored Division liberated him. After the war, he stayed in the newly formed US Air Force as a squadron commander of the first jet-equipped fighter group. He received a BS degree in physics from the University of Florida in 1949, and a MS in physics from Ohio State University in 1950. He attended graduate school at the University of Califomla, Berkeley, where he studied under Edward Teller and received his PhD in physics in 1962. \nWalter Beckham was the founding chief scientist of the Air Force Weapons\nLaboratory at Kirtland Air Force Base, near Albuquerque, New Mexico, and continued\nas chief scientist for six years. During this time, he nurtured a tradition of scientific excellence and mentored many young officer-scientists trying to resolve the scientific, political, and moral concerns inherent to nuclear weapons. His principal research interests centered on nuclear weapons and their effects, and later on survivability and vulnerability issues for nuclear weapons. \nHe retired from the Air Force as a colonel in 1969, and continued as a consultant at\nLawrence Livermore Laboratory, working on various defense-related strategic\nstudies. For his many services, he received the Distinguished Service Cross, the\nSilver Star, Distinguished Flying Cross, Air Medal, and the Legion of Merit. \nAfter retirement he lived in Albuquerque, New Mexico with his wife Lorraine and two\nvery spoiled Shetland Sheepdogs. Throughout this time, he often received letters\nfrom Thunderbolt enthusiasts and World War II history buffs, which he always\nanswered. His airplane was painted by the aviation artist Robert St. Vincent \"High\nSpeed, Low Pass,\" and reproductions were printed (the original is on display at\nEdwards AFB.) When Ray Stutsman approached him about painting his own Thunderbolt as \"Little Demon\" he declined and suggested another pilot's aircraft. Mr. Stutsman persisted and my father then suggested a second comrade's plane. Mr. Stutsman remained firm, and my father conceded. In 1985, 44 years after his bail out over enemy territory, he took a ride in the jump seat of the aircraft. The first issue of Thunderbolt Enthusiasts International was dedicated to him. He never bragged about his achievements and often seemed bemused at the attention he received. \"Only do things now that you will be proud of later\" was the one piece of advice he gave his admirers.\nWalter Carl Beckham died of a heart attack on 31 May 1996 in Albuquerque, New\nMexico, and is survived by his wife Lorraine and daughter Melissa. \nVerbatim transcript source:\n \nBeckham, Melissa.  Walter Carl Beckham Biography, 1996. Manuscript. From Institute on World War II and the Human Experience,  Walter Carl Beckham Collection. (accessed July 12, 2019).","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","This collection relates to Colonel Walter Carl Beckham who served with the U.S. Army Air Corps as a P-47 fighter pilot with the 353rd Fighter Group in the European Theater of Operations during World War II. He was credited 18 aerial victories. He was shot down and subsequently became a German Prisoner of War. He was the recipient of the Distingquished Service Cross, Distinguished Flying Cross, Silver Star, Air Medal, and Legion of Merit. This collection contains Beckham's medals, badges, pins, photographs, veteran's items, and newspaper articles.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","United States. Army Air Forces. Fighter Group, 353rd","Beckham, Walter Carl, 1916-1996","Joseph C. Beckham","English"],"unitid_tesim":["19.0013","/repositories/10/resources/1443"],"normalized_date_ssm":["circa 1941-1996, Date accessioned: 2019-06-27"],"normalized_title_ssm":["Walter Carl Beckham collection, circa 1941-1996, Date accessioned: 2019-06-27"],"collection_title_tesim":["Walter Carl Beckham collection, circa 1941-1996, Date accessioned: 2019-06-27"],"collection_ssim":["Walter Carl Beckham collection, circa 1941-1996, Date accessioned: 2019-06-27"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Beckham, Walter Carl, 1916-1996","Joseph C. Beckham"],"creator_ssim":["Beckham, Walter Carl, 1916-1996","Joseph C. Beckham"],"creator_persname_ssim":["Beckham, Walter Carl, 1916-1996","Joseph C. Beckham"],"creators_ssim":["Beckham, Walter Carl, 1916-1996","Joseph C. Beckham"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["This collection was donated by Joseph C. Beckham who is the nephew of Walter Carl Beckham."],"access_subjects_ssim":["World War, 1939-1945--Campaigns--Europe","United States. Army Air Forces. Bomber Command, 8th","Thunderbolt (Fighter plane)"],"access_subjects_ssm":["World War, 1939-1945--Campaigns--Europe","United States. Army Air Forces. Bomber Command, 8th","Thunderbolt (Fighter plane)"],"has_online_content_ssim":["false"],"extent_ssm":[".5 Linear Feet 1 half box"],"extent_tesim":[".5 Linear Feet 1 half box"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Walter Carl Beckham was born on May 12, 1916 in Paxton, Florida, the youngest of\nthree brothers. He was a war hero, a scientist, and a sentimental man who recited\nYeats. He possessed a clear code of honor, a marvelous sense of humour, and an\nenterprising and creative spirit. As a young boy during the Depression in DePuniak\nSprings, Florida, he transformed his paper route with a fleet of old bicycles that he\nrepaired and then provided as an incentive to other boys, who ran additional routes\nunder his direction. \nWhen the United States entered World War II, he felt he would be better off in the air\ninstead of on the ground, and so he tried to enlist. When the Army Air Corps refused\nhim for being underweight, he resolved the problem at a second interview by\nslumping down, and as a \"shorter\" man,\" fulfilled the USAAC's height and weight\nrequirements. Although he had not attended college, he passed the college\ngraduation exam (and won his bus fare back home in a dice game.) \nHe went through flight training at Americus, Georgia, and graduated with the Aviation\nCadet Class of 41-1. During one check ride, he was told to \"spin it\" even with the\nground rapidly approaching, he thought it proper for the check pilot to direct him to\nrecover. He suspected it might be a test to see if he would \"chicken out.\" At a very\nlow altitude the check pilot disproved this theory by grabbing the controls to recover, shouting \"Are you trying to kill us?\"  \nHe was assigned to the Curtiss P-36 \"Hawk,\" which he later referred to as the best he had ever flown. He also flew the Curtiss P-40, and eventually the new Republic P-47 Thunderbolt. After a tour in the Canal Zone and Ecuador, he was sent to Europe\nin 1943, in charge of the newly formed 351st Fighter Squadron under the group's command of Lt Colonel Glenn E. Duncan. When it came time to name his aircraft, a P-47 Thunderbolt, he chose \"Little Demon,\" a character from Al Capp's \"Lil\" Abner\" comic strip. \nHis squadron was part of the 353rd Fighter Group, and their responsibilities included escort and fighter sweep duties, ground support and dive-bombing. The only dive-bombing training the pilots had undergone had been stateside with the P-40, a completely different task. Having flown both airplanes, my father understood the problem and approached Colonel Duncan with some new theories. The two gentlemen devised a set of techniques that were used until the end of the war. They entered combat on August 12,1943. \nOn September 23,1943, Walter Beckham brought down his first enemy aircraft, a\nFocke-Wulf 190 near Nantes, France. Many of his subsequent victories were scored\nin doubles and in one case a triple. On October 10, 1943, on an escort mission to\nMunster, he destroyed three twin-engine German aircraft. The third hit depleted his\nammunition, and when another ME-110 came towards him \"...I turned sharply toward\nhim and he broke violently, evading my P-47 with empty guns.\" A growing number of\nswastikas joined the bright yellow \"Little Demon\" artwork under the canopy.\n \nHe was shot down on February 22,1944 while attacking parked FW 190s on a base\nat Ostheim, Germany. This was during \"Big Week,\" the all out attack against the\nGerman aircraft industry. At the time he was America's leading ace in the European\nTheatre with eighteen German air victories in six months of combat. He had flown 56\nmissions, although, with a mathematician's precision, he counted 5614. His lifetime\nfriend Claude Jenkins remembers seeing the news of his last mission in Time\nMagazine, with his quote to a wingmate: \"Take the boys home, George, I've been\nhit!\" \"... I was hit by something when I was still at 4-5,000 feet altitude - long before I began firing... Smoke is belching from my engine. But It still runs, I cut off the fuel - coasting - no help. Woods are northward, England is westward. I am in no trouble if my engine keeps running, and I ask my friends to proceed on home. I unfasten the seat and shoulder belts and run the canopy back. I'm hoping for the smoke to go\naway, while ready to bail out fast Where there's smoke there's fire? Whoever said\nthat is damned right...I'm down well under a thousand feet. There's no question\nabout what to do. Let's do it. I stand up in the seat and try to dive out of the left side of the cockpit I'm stuck! What the hell is holding me? Time to do a little thinking...I sit back down. I jam the stick forward with my right foot. Departing the cockpit as she plunges down I feel a bump, but it doesn't hurt. I make a Joke that I have \"ejected\" myself-this before ejection seats were invented!\"\n He spent the next 14 months in Stalag Luft III at Sagan, and at Moorsburg, where access to an elementary college physics book sparked his interest. On 29 April 1945 Patton's 14th Armored Division liberated him. After the war, he stayed in the newly formed US Air Force as a squadron commander of the first jet-equipped fighter group. He received a BS degree in physics from the University of Florida in 1949, and a MS in physics from Ohio State University in 1950. He attended graduate school at the University of Califomla, Berkeley, where he studied under Edward Teller and received his PhD in physics in 1962. \nWalter Beckham was the founding chief scientist of the Air Force Weapons\nLaboratory at Kirtland Air Force Base, near Albuquerque, New Mexico, and continued\nas chief scientist for six years. During this time, he nurtured a tradition of scientific excellence and mentored many young officer-scientists trying to resolve the scientific, political, and moral concerns inherent to nuclear weapons. His principal research interests centered on nuclear weapons and their effects, and later on survivability and vulnerability issues for nuclear weapons. \nHe retired from the Air Force as a colonel in 1969, and continued as a consultant at\nLawrence Livermore Laboratory, working on various defense-related strategic\nstudies. For his many services, he received the Distinguished Service Cross, the\nSilver Star, Distinguished Flying Cross, Air Medal, and the Legion of Merit. \nAfter retirement he lived in Albuquerque, New Mexico with his wife Lorraine and two\nvery spoiled Shetland Sheepdogs. Throughout this time, he often received letters\nfrom Thunderbolt enthusiasts and World War II history buffs, which he always\nanswered. His airplane was painted by the aviation artist Robert St. Vincent \"High\nSpeed, Low Pass,\" and reproductions were printed (the original is on display at\nEdwards AFB.) When Ray Stutsman approached him about painting his own Thunderbolt as \"Little Demon\" he declined and suggested another pilot's aircraft. Mr. Stutsman persisted and my father then suggested a second comrade's plane. Mr. Stutsman remained firm, and my father conceded. In 1985, 44 years after his bail out over enemy territory, he took a ride in the jump seat of the aircraft. The first issue of Thunderbolt Enthusiasts International was dedicated to him. He never bragged about his achievements and often seemed bemused at the attention he received. \"Only do things now that you will be proud of later\" was the one piece of advice he gave his admirers.\nWalter Carl Beckham died of a heart attack on 31 May 1996 in Albuquerque, New\nMexico, and is survived by his wife Lorraine and daughter Melissa. \nVerbatim transcript source:\n \nBeckham, Melissa.  Walter Carl Beckham Biography, 1996. Manuscript. From Institute on World War II and the Human Experience,  Walter Carl Beckham Collection. (accessed July 12, 2019)."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Walter Carl Beckham collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_19_0013\"\u003ehttp://purl.fcla.edu/fsu/WWII_19_0013\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Walter Carl Beckham collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_19_0013"],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to Colonel Walter Carl Beckham who served with the U.S. Army Air Corps as a P-47 fighter pilot with the 353rd Fighter Group in the European Theater of Operations during World War II. He was credited 18 aerial victories. He was shot down and subsequently became a German Prisoner of War. He was the recipient of the Distingquished Service Cross, Distinguished Flying Cross, Silver Star, Air Medal, and Legion of Merit. This collection contains Beckham's medals, badges, pins, photographs, veteran's items, and newspaper articles.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection relates to Colonel Walter Carl Beckham who served with the U.S. Army Air Corps as a P-47 fighter pilot with the 353rd Fighter Group in the European Theater of Operations during World War II. He was credited 18 aerial victories. He was shot down and subsequently became a German Prisoner of War. He was the recipient of the Distingquished Service Cross, Distinguished Flying Cross, Silver Star, Air Medal, and Legion of Merit. This collection contains Beckham's medals, badges, pins, photographs, veteran's items, and newspaper articles."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_coll_ssim":["United States. Army Air Forces. Fighter Group, 353rd","Joseph C. Beckham"],"names_ssim":["FSU Special Collections \u0026 Archives","United States. Army Air Forces. Fighter Group, 353rd","Beckham, Walter Carl, 1916-1996","Joseph C. Beckham"],"corpname_ssim":["FSU Special Collections \u0026 Archives","United States. Army Air Forces. Fighter Group, 353rd"],"persname_ssim":["Beckham, Walter Carl, 1916-1996","Joseph C. Beckham"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":17,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"44907cb6c8dead0a23adaa50","timestamp":"2026-04-21T05:17:53.647Z","bioghist_html_tesm":["\u003cp\u003eWalter Carl Beckham was born on May 12, 1916 in Paxton, Florida, the youngest of\nthree brothers. He was a war hero, a scientist, and a sentimental man who recited\nYeats. He possessed a clear code of honor, a marvelous sense of humour, and an\nenterprising and creative spirit. As a young boy during the Depression in DePuniak\nSprings, Florida, he transformed his paper route with a fleet of old bicycles that he\nrepaired and then provided as an incentive to other boys, who ran additional routes\nunder his direction.\u003cbr\u003e\u003cbr\u003e\nWhen the United States entered World War II, he felt he would be better off in the air\ninstead of on the ground, and so he tried to enlist. When the Army Air Corps refused\nhim for being underweight, he resolved the problem at a second interview by\nslumping down, and as a \"shorter\" man,\" fulfilled the USAAC's height and weight\nrequirements. Although he had not attended college, he passed the college\ngraduation exam (and won his bus fare back home in a dice game.)\u003cbr\u003e\u003cbr\u003e\nHe went through flight training at Americus, Georgia, and graduated with the Aviation\nCadet Class of 41-1. During one check ride, he was told to \"spin it\" even with the\nground rapidly approaching, he thought it proper for the check pilot to direct him to\nrecover. He suspected it might be a test to see if he would \"chicken out.\" At a very\nlow altitude the check pilot disproved this theory by grabbing the controls to recover, shouting \"Are you trying to kill us?\" \u003cbr\u003e\u003cbr\u003e\nHe was assigned to the Curtiss P-36 \"Hawk,\" which he later referred to as the best he had ever flown. He also flew the Curtiss P-40, and eventually the new Republic P-47 Thunderbolt. After a tour in the Canal Zone and Ecuador, he was sent to Europe\nin 1943, in charge of the newly formed 351st Fighter Squadron under the group's command of Lt Colonel Glenn E. Duncan. When it came time to name his aircraft, a P-47 Thunderbolt, he chose \"Little Demon,\" a character from Al Capp's \"Lil\" Abner\" comic strip.\u003cbr\u003e\u003cbr\u003e\nHis squadron was part of the 353rd Fighter Group, and their responsibilities included escort and fighter sweep duties, ground support and dive-bombing. The only dive-bombing training the pilots had undergone had been stateside with the P-40, a completely different task. Having flown both airplanes, my father understood the problem and approached Colonel Duncan with some new theories. The two gentlemen devised a set of techniques that were used until the end of the war. They entered combat on August 12,1943.\u003cbr\u003e\u003cbr\u003e\nOn September 23,1943, Walter Beckham brought down his first enemy aircraft, a\nFocke-Wulf 190 near Nantes, France. Many of his subsequent victories were scored\nin doubles and in one case a triple. On October 10, 1943, on an escort mission to\nMunster, he destroyed three twin-engine German aircraft. The third hit depleted his\nammunition, and when another ME-110 came towards him \"...I turned sharply toward\nhim and he broke violently, evading my P-47 with empty guns.\" A growing number of\nswastikas joined the bright yellow \"Little Demon\" artwork under the canopy.\n\u003cbr\u003e\u003cbr\u003e\nHe was shot down on February 22,1944 while attacking parked FW 190s on a base\nat Ostheim, Germany. This was during \"Big Week,\" the all out attack against the\nGerman aircraft industry. At the time he was America's leading ace in the European\nTheatre with eighteen German air victories in six months of combat. He had flown 56\nmissions, although, with a mathematician's precision, he counted 5614. His lifetime\nfriend Claude Jenkins remembers seeing the news of his last mission in Time\nMagazine, with his quote to a wingmate: \"Take the boys home, George, I've been\nhit!\" \"... I was hit by something when I was still at 4-5,000 feet altitude - long before I began firing... Smoke is belching from my engine. But It still runs, I cut off the fuel - coasting - no help. Woods are northward, England is westward. I am in no trouble if my engine keeps running, and I ask my friends to proceed on home. I unfasten the seat and shoulder belts and run the canopy back. I'm hoping for the smoke to go\naway, while ready to bail out fast Where there's smoke there's fire? Whoever said\nthat is damned right...I'm down well under a thousand feet. There's no question\nabout what to do. Let's do it. I stand up in the seat and try to dive out of the left side of the cockpit I'm stuck! What the hell is holding me? Time to do a little thinking...I sit back down. I jam the stick forward with my right foot. Departing the cockpit as she plunges down I feel a bump, but it doesn't hurt. I make a Joke that I have \"ejected\" myself-this before ejection seats were invented!\"\n\u003cbr\u003e\u003cbr\u003eHe spent the next 14 months in Stalag Luft III at Sagan, and at Moorsburg, where access to an elementary college physics book sparked his interest. On 29 April 1945 Patton's 14th Armored Division liberated him. After the war, he stayed in the newly formed US Air Force as a squadron commander of the first jet-equipped fighter group. He received a BS degree in physics from the University of Florida in 1949, and a MS in physics from Ohio State University in 1950. He attended graduate school at the University of Califomla, Berkeley, where he studied under Edward Teller and received his PhD in physics in 1962.\u003cbr\u003e\u003cbr\u003e\nWalter Beckham was the founding chief scientist of the Air Force Weapons\nLaboratory at Kirtland Air Force Base, near Albuquerque, New Mexico, and continued\nas chief scientist for six years. During this time, he nurtured a tradition of scientific excellence and mentored many young officer-scientists trying to resolve the scientific, political, and moral concerns inherent to nuclear weapons. His principal research interests centered on nuclear weapons and their effects, and later on survivability and vulnerability issues for nuclear weapons.\u003cbr\u003e\u003cbr\u003e\nHe retired from the Air Force as a colonel in 1969, and continued as a consultant at\nLawrence Livermore Laboratory, working on various defense-related strategic\nstudies. For his many services, he received the Distinguished Service Cross, the\nSilver Star, Distinguished Flying Cross, Air Medal, and the Legion of Merit.\u003cbr\u003e\u003cbr\u003e\nAfter retirement he lived in Albuquerque, New Mexico with his wife Lorraine and two\nvery spoiled Shetland Sheepdogs. Throughout this time, he often received letters\nfrom Thunderbolt enthusiasts and World War II history buffs, which he always\nanswered. His airplane was painted by the aviation artist Robert St. Vincent \"High\nSpeed, Low Pass,\" and reproductions were printed (the original is on display at\nEdwards AFB.) When Ray Stutsman approached him about painting his own Thunderbolt as \"Little Demon\" he declined and suggested another pilot's aircraft. Mr. Stutsman persisted and my father then suggested a second comrade's plane. Mr. Stutsman remained firm, and my father conceded. In 1985, 44 years after his bail out over enemy territory, he took a ride in the jump seat of the aircraft. The first issue of Thunderbolt Enthusiasts International was dedicated to him. He never bragged about his achievements and often seemed bemused at the attention he received. \"Only do things now that you will be proud of later\" was the one piece of advice he gave his admirers.\nWalter Carl Beckham died of a heart attack on 31 May 1996 in Albuquerque, New\nMexico, and is survived by his wife Lorraine and daughter Melissa.\u003cbr\u003e\u003cbr\u003e\nVerbatim transcript source:\n\u003cbr\u003e\u003cbr\u003e\nBeckham, Melissa. \u003ci\u003eWalter Carl Beckham Biography, 1996.\u003c/i\u003eManuscript. From Institute on World War II and the Human Experience, \u003ci\u003eWalter Carl Beckham Collection.\u003c/i\u003e(accessed July 12, 2019).\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/44907cb6c8dead0a23adaa50"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"\"Harmonica Joe\" theatre collection, 1981-1991","value":"\"Harmonica Joe\" theatre collection, 1981-1991","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=%22Harmonica+Joe%22+theatre+collection%2C+1981-1991\u0026f%5Bdate_range%5D%5B%5D=1983\u0026f%5Blevel%5D%5B%5D=Collection"}},{"attributes":{"label":"\"Remembering 'D-Day\" collection, 1944-1994","value":"\"Remembering 'D-Day\" collection, 1944-1994","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=%22Remembering+%27D-Day%22+collection%2C+1944-1994\u0026f%5Bdate_range%5D%5B%5D=1983\u0026f%5Blevel%5D%5B%5D=Collection"}},{"attributes":{"label":"27th Troop Carrier Squadron Foundation papers, 1942-2002, Date acquired: 05/18/2002, bulk 1948-1982","value":"27th Troop Carrier Squadron Foundation papers, 1942-2002, Date acquired: 05/18/2002, bulk 1948-1982","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=27th+Troop+Carrier+Squadron+Foundation+papers%2C+1942-2002%2C+Date+acquired%3A+05%2F18%2F2002%2C+bulk+1948-1982\u0026f%5Bdate_range%5D%5B%5D=1983\u0026f%5Blevel%5D%5B%5D=Collection"}},{"attributes":{"label":"385th Bomb Group Association collection, 1942-2015, Date acquired: 04/23/2018, bulk 1943-1945","value":"385th Bomb Group Association collection, 1942-2015, Date acquired: 04/23/2018, bulk 1943-1945","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=385th+Bomb+Group+Association+collection%2C+1942-2015%2C+Date+acquired%3A+04%2F23%2F2018%2C+bulk+1943-1945\u0026f%5Bdate_range%5D%5B%5D=1983\u0026f%5Blevel%5D%5B%5D=Collection"}},{"attributes":{"label":"460th Heavy Bombardment Group Society papers, 1943-2015, Date acquired: 02/07/2015","value":"460th Heavy Bombardment Group Society papers, 1943-2015, Date acquired: 02/07/2015","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=460th+Heavy+Bombardment+Group+Society+papers%2C+1943-2015%2C+Date+acquired%3A+02%2F07%2F2015\u0026f%5Bdate_range%5D%5B%5D=1983\u0026f%5Blevel%5D%5B%5D=Collection"}},{"attributes":{"label":"484th Bombardment Group Association papers, 1939-1998","value":"484th Bombardment Group Association papers, 1939-1998","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=484th+Bombardment+Group+Association+papers%2C+1939-1998\u0026f%5Bdate_range%5D%5B%5D=1983\u0026f%5Blevel%5D%5B%5D=Collection"}},{"attributes":{"label":"97th Bomb Group Reunion Association collection, 1942-2000, Date accessioned","value":"97th Bomb Group Reunion Association collection, 1942-2000, Date accessioned","hits":1},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=97th+Bomb+Group+Reunion+Association+collection%2C+1942-2000%2C+Date+accessioned\u0026f%5Bdate_range%5D%5B%5D=1983\u0026f%5Blevel%5D%5B%5D=Collection"}},{"attributes":{"label":"A. 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