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"],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2013 this collection was processed by Elizabeth Fairall and Victoria Thur.","The collection of Rabbi Abraham J. Rose consists of manuscript music, print music, and personal papers relating to his professional life as a cantor. Music books have been cataloged and relocated to Rare Books. Rabbi Rose (1901-1987) was born in Berezhany in what is modern-day Ukraine. He came to the United States with his family in 1910. He was trained as a cantor before becoming rabbi of Congregation Kneseth Israel in Elgin, Illinois. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["PMC00014","/repositories/2/resources/73"],"normalized_date_ssm":["1887-1988, bulk 1921-1958"],"normalized_title_ssm":["Rabbi Abraham J. Rose Music Collection, 1887-1988, bulk 1921-1958"],"collection_title_tesim":["Rabbi Abraham J. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"acqinfo_ssim":["Donation"],"has_online_content_ssim":["false"],"extent_ssm":["8.50 Linear Feet"],"extent_tesim":["8.50 Linear Feet"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. 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In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2013 this collection was processed by Elizabeth Fairall and Victoria Thur.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2013 this collection was processed by Elizabeth Fairall and Victoria Thur."],"scopecontent_html_tesm":["\u003cp\u003eThe collection of Rabbi Abraham J. Rose consists of manuscript music, print music, and personal papers relating to his professional life as a cantor. 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He came to the United States with his family in 1910. He was trained as a cantor before becoming rabbi of Congregation Kneseth Israel in Elgin, Illinois. He served as their rabbi for 25 years before moving to South Florida. Rabbi Rose also served as the first president of the Cantors Assembly and the Department of Music of the United Synagogue of America. Both of his sons Emanuel Rose and David Hillel Rose, followed in their father's footsteps and became rabbis."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":888,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842153000763392,"_root_":"8a61542c8fc573c0fcf1e829","timestamp":"2026-07-16T03:55:11.275Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8a61542c8fc573c0fcf1e829","title_ssm":["Rabbi Abraham J. Rose Music Collection"],"title_tesim":["Rabbi Abraham J. 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In addition, selected materials are digitized and available electronically through the Digital Library.","In 2013 this collection was processed by Elizabeth Fairall and Victoria Thur.","The collection of Rabbi Abraham J. Rose consists of manuscript music, print music, and personal papers relating to his professional life as a cantor. Music books have been cataloged and relocated to Rare Books. Rabbi Rose (1901-1987) was born in Berezhany in what is modern-day Ukraine. He came to the United States with his family in 1910. He was trained as a cantor before becoming rabbi of Congregation Kneseth Israel in Elgin, Illinois. He served as their rabbi for 25 years before moving to South Florida. Rabbi Rose also served as the first president of the Cantors Assembly and the Department of Music of the United Synagogue of America. Both of his sons Emanuel Rose and David Hillel Rose, followed in their father's footsteps and became rabbis.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["PMC00014","/repositories/2/resources/73"],"normalized_date_ssm":["1887-1988, bulk 1921-1958"],"normalized_title_ssm":["Rabbi Abraham J. Rose Music Collection, 1887-1988, bulk 1921-1958"],"collection_title_tesim":["Rabbi Abraham J. Rose Music Collection, 1887-1988, bulk 1921-1958"],"collection_ssim":["Rabbi Abraham J. Rose Music Collection, 1887-1988, bulk 1921-1958"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"acqinfo_ssim":["Donation"],"has_online_content_ssim":["false"],"extent_ssm":["8.50 Linear Feet"],"extent_tesim":["8.50 Linear Feet"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2013 this collection was processed by Elizabeth Fairall and Victoria Thur.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2013 this collection was processed by Elizabeth Fairall and Victoria Thur."],"scopecontent_html_tesm":["\u003cp\u003eThe collection of Rabbi Abraham J. Rose consists of manuscript music, print music, and personal papers relating to his professional life as a cantor. Music books have been cataloged and relocated to Rare Books. Rabbi Rose (1901-1987) was born in Berezhany in what is modern-day Ukraine. He came to the United States with his family in 1910. He was trained as a cantor before becoming rabbi of Congregation Kneseth Israel in Elgin, Illinois. He served as their rabbi for 25 years before moving to South Florida. Rabbi Rose also served as the first president of the Cantors Assembly and the Department of Music of the United Synagogue of America. Both of his sons Emanuel Rose and David Hillel Rose, followed in their father's footsteps and became rabbis.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection of Rabbi Abraham J. Rose consists of manuscript music, print music, and personal papers relating to his professional life as a cantor. Music books have been cataloged and relocated to Rare Books. Rabbi Rose (1901-1987) was born in Berezhany in what is modern-day Ukraine. He came to the United States with his family in 1910. He was trained as a cantor before becoming rabbi of Congregation Kneseth Israel in Elgin, Illinois. He served as their rabbi for 25 years before moving to South Florida. Rabbi Rose also served as the first president of the Cantors Assembly and the Department of Music of the United Synagogue of America. Both of his sons Emanuel Rose and David Hillel Rose, followed in their father's footsteps and became rabbis."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":888,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842153000763392,"_root_":"8a61542c8fc573c0fcf1e829","timestamp":"2026-07-16T03:55:11.275Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8a61542c8fc573c0fcf1e829"}},{"id":"236a3c88b766327883b2e155_aspace_d5abb79e4e954e50a7ba4e4ef62dc4d6","type":"Item","attributes":{"title":"\"Raccoon Mother and Young\", 325x265, 1982","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_d5abb79e4e954e50a7ba4e4ef62dc4d6#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_d5abb79e4e954e50a7ba4e4ef62dc4d6","ref_ssm":["aspace_d5abb79e4e954e50a7ba4e4ef62dc4d6","aspace_d5abb79e4e954e50a7ba4e4ef62dc4d6"],"id":"236a3c88b766327883b2e155_aspace_d5abb79e4e954e50a7ba4e4ef62dc4d6","title_filing_ssi":"\"Raccoon Mother and Young\", 325x265","title_ssm":["\"Raccoon Mother and Young\", 325x265"],"title_tesim":["\"Raccoon Mother and Young\", 325x265"],"unitdate_inclusive_ssm":["1982"],"normalized_date_ssm":["1982"],"normalized_title_ssm":["\"Raccoon Mother and Young\", 325x265, 1982"],"text":["\"Raccoon Mother and Young\", 325x265, 1982","Joy Postle papers, 1910-2015","Art, 1921","Oil Paintings","Animals","/repositories/4/archival_objects/87846","/repositories/4/archival_objects/91436"],"component_level_isim":[4],"parent_ids_ssim":["236a3c88b766327883b2e155","236a3c88b766327883b2e155_aspace_5ab8dfb4bc9fc42fe4ab81752f8bfe14","236a3c88b766327883b2e155_aspace_3303cbe5b1b51a02ba6be97aa8f0f912","236a3c88b766327883b2e155_aspace_ce37cd95b2c9f1c6929052d71271b3b8"],"parent_unittitles_ssm":["Joy Postle papers, 1910-2015","Art, 1921","Oil Paintings","Animals"],"parent_unittitles_tesim":["Joy Postle papers, 1910-2015","Art, 1921","Oil Paintings","Animals"],"parent_levels_ssm":["collection","Series","Subseries","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/87846","/repositories/4/archival_objects/91436"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Joy Postle papers, 1910-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":202,"parent_access_restrict_tesm":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1982],"_nest_path_":"/components#0/components#4/components#0/components#4","_nest_parent_":"236a3c88b766327883b2e155_aspace_ce37cd95b2c9f1c6929052d71271b3b8","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_d5abb79e4e954e50a7ba4e4ef62dc4d6"}},{"id":"33eb7d7837b712c15c2083e3_aspace_aa4403ab470a6bc9806f5a6d7b50badf","type":"File","attributes":{"title":"Raccoon Point, 1982-1983","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/33eb7d7837b712c15c2083e3_aspace_aa4403ab470a6bc9806f5a6d7b50badf#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_aa4403ab470a6bc9806f5a6d7b50badf","ref_ssm":["aspace_aa4403ab470a6bc9806f5a6d7b50badf","aspace_aa4403ab470a6bc9806f5a6d7b50badf"],"id":"33eb7d7837b712c15c2083e3_aspace_aa4403ab470a6bc9806f5a6d7b50badf","title_filing_ssi":"Raccoon Point","title_ssm":["Raccoon Point"],"title_tesim":["Raccoon Point"],"unitdate_inclusive_ssm":["1982-1983"],"normalized_date_ssm":["1982-1983"],"normalized_title_ssm":["Raccoon Point, 1982-1983"],"text":["Raccoon Point, 1982-1983","Franklin Adams Collection, 1960-2019","Box 5","Florida Panther","/repositories/2/archival_objects/75379","box 5","folder 61"],"component_level_isim":[3],"parent_ids_ssim":["33eb7d7837b712c15c2083e3","33eb7d7837b712c15c2083e3_aspace_0fd038e61b1ce8989469284981bca3d8","33eb7d7837b712c15c2083e3_aspace_d084471c9566e0e3ed73c6259b89d411"],"parent_unittitles_ssm":["Franklin Adams Collection, 1960-2019","Box 5","Florida Panther"],"parent_unittitles_tesim":["Franklin Adams Collection, 1960-2019","Box 5","Florida Panther"],"parent_levels_ssm":["collection","Other level","Series"],"unitid_ssm":["/repositories/2/archival_objects/75379"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Franklin Adams Collection, 1960-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":191,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about\nthe copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"date_range_isim":[1982,1983],"containers_ssim":["box 5","folder 61"],"_nest_path_":"/components#4/components#4/components#21","_nest_parent_":"33eb7d7837b712c15c2083e3_aspace_d084471c9566e0e3ed73c6259b89d411","_root_":"33eb7d7837b712c15c2083e3","_version_":1870844419699113984,"timestamp":"2026-07-16T04:31:13.054Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"33eb7d7837b712c15c2083e3","title_ssm":["Franklin Adams Collection"],"title_tesim":["Franklin Adams Collection"],"ead_ssi":"33eb7d7837b712c15c2083e3","unitdate_ssm":["1960-2019"],"unitdate_inclusive_ssm":["1960-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC 9000","/repositories/2/resources/107"],"text":["SPC 9000","/repositories/2/resources/107","Franklin Adams Collection, 1960-2019","Big Cypress National Preserve","Everglades","Marco Island (Fla: island)","Wildlife at risk","Wildlife conservation","Urban development.","Florida panther","Conservation","Douglas, Marjory Stoneman","Izaac Walton League","Water conservation","Eco clubs","Environmental justice","Environmental policy","Petroleum--Prospecting","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","The materials in this collection are arranged in the following series':","Big Cypress Preservation Efforts;\nBig Cypress Swamp Advisory Committee on Oil Pads, Access Roads, Drilling \u0026 Seismic Exploration;\nBiographical Information;\nCollier DRI;\nCorrespondence;\nMarjory Stoneman Douglas;\nEnvironmental Confederation of SW Florida;\nEverglades Oil Drilling;\nFlorida Biodiversity Lawsuit;\nFlorida Conservation Foundation;\nFlorida Panther;\nFlorida Water Task Force;\nFlorida Wildlife Federation;\nFriends of the Everglades;\nIWLA Big Cypress Chapter History;\nIWLA Florida Division;\nKissimmee River Valley;\nMarco Island Litigation;\nMarshall, Arthur R. \"Art\";\nMosquito Control Spraying;\nRaccoon Point;\nWater!","Franklin B. Adams was born in Miami, FL, to G.B. and Lois Franklin Adams. He is a graduate of Miami Senior High School, Miami Dade Junior College (Now Miami-Dade College), and the U.S. Army Corps of Engineers Surveying and Mapping School. Mr. Adams is a Florida Master Naturalist. He served in the 841st Engineer Battalion of the U.S. Army Corps of Engineers. He has worked as a land surveyor, charter boat captain, and eco-guide in the Everglades City-Naples area of Florida. ","He has served as a member of numerous environmental and conservation organizations, which is the focus of this collection. Over the past fifty years, Franklin has served in leadership positions with the Friends of the Everglades; Big Cypress Nature Center; Florida Conservation Foundation; Izaak Walton League of America; Environmental Confederation of Southwest Florida; Florida Native Plant Society (founding member); Coalition to Save the Everglades; \"Water!;\" and the Florida Wildlife Federation. ","He worked to establish the Florida Wildlife Federation Southwest Florida Office, as well as the restoration of the Kissimmee-Okeechobee-Everglades system. He fought against the Miami Jetport and lobbied for the establishment of the Big Cypress National Preserve. He also worked to preserve the habitat of the Florida Panther and was a key figure in the protection of this endangered cat. ","Mr. Adams has received numerous awards over the years related to his conservation work. Among these are Izaak Walton League of America Cypress Chapter Service Award, National Wildlife Federation Conservation Achievement Award, and the National Wildlife Federation Hall of Fame Award.","\nFraklin Adams lives in the Naples area. To learn more about his background, please refer to the biographical series within this collection. ","The issues that Fraklin Adams worked on were also of interest to the U.S. Congressmen from the area. James A. Haley, as chairman of the House Interior Committee during thr 1970s, was instrumental in the creation of Big Cypress National Preserve. His papers (https://www.flsouthern.edu/getattachment/library/mckay-archives/finding-aids/HALEY-Finding-Aid.pdf.aspx?lang=en-US) are maintained at Florida Southern College and contain references to many of the same issues that Mr. Adams was involved with. \nMr. Haley's successor, Andy Ireland, also took interest in issues facing Florida's environment. His papers may also be found at Florida Southern College (https://www.flsouthern.edu/getattachment/library/McKay-Archives/Finding-Aids/Ireland-for-web-page.doc.aspx?lang=en-US)","***Please copy and past the URLs into your browser window to view the Haley and Ireland finding aids***","The materials in this collection reflect the subject's interest in environmental preservation. Mr. Adams served in a number of environmental interest organizations such as the Isaac Walton League of America (IWLA), The Florida Water Task Force, and the Florida Wildlife Federation, to give but a few examples. The bulk of the collection contains correspondence, news clippings, legal documents, and blueprints/aerial maps of affected lands.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about\nthe copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Franklin B. Adams","English"],"unitid_tesim":["SPC 9000","/repositories/2/resources/107"],"normalized_date_ssm":["1960-2019"],"normalized_title_ssm":["Franklin Adams Collection, 1960-2019"],"collection_title_tesim":["Franklin Adams Collection, 1960-2019"],"collection_ssim":["Franklin Adams Collection, 1960-2019"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Big Cypress National Preserve","Everglades","Marco Island (Fla: island)"],"geogname_ssim":["Big Cypress National Preserve","Everglades","Marco Island (Fla: island)"],"creator_ssm":["Franklin B. Adams"],"creator_ssim":["Franklin B. Adams"],"creator_persname_ssim":["Franklin B. Adams"],"creators_ssim":["Franklin B. Adams"],"places_ssim":["Big Cypress National Preserve","Everglades","Marco Island (Fla: island)"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about\nthe copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by Franklin Adams"],"access_subjects_ssim":["Wildlife at risk","Wildlife conservation","Urban development.","Florida panther","Conservation","Douglas, Marjory Stoneman","Izaac Walton League","Water conservation","Eco clubs","Environmental justice","Environmental policy","Petroleum--Prospecting"],"access_subjects_ssm":["Wildlife at risk","Wildlife conservation","Urban development.","Florida panther","Conservation","Douglas, Marjory Stoneman","Izaac Walton League","Water conservation","Eco clubs","Environmental justice","Environmental policy","Petroleum--Prospecting"],"has_online_content_ssim":["false"],"extent_ssm":["13.00 Linear Feet","12 boxes"],"extent_tesim":["13.00 Linear Feet","12 boxes"],"physfacet_tesim":["11 Banker boxes; 1 legal-size document case"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials in this collection are arranged in the following series':\u003c/p\u003e\n","\u003cp\u003eBig Cypress Preservation Efforts;\nBig Cypress Swamp Advisory Committee on Oil Pads, Access Roads, Drilling \u0026amp; Seismic Exploration;\nBiographical Information;\nCollier DRI;\nCorrespondence;\nMarjory Stoneman Douglas;\nEnvironmental Confederation of SW Florida;\nEverglades Oil Drilling;\nFlorida Biodiversity Lawsuit;\nFlorida Conservation Foundation;\nFlorida Panther;\nFlorida Water Task Force;\nFlorida Wildlife Federation;\nFriends of the Everglades;\nIWLA Big Cypress Chapter History;\nIWLA Florida Division;\nKissimmee River Valley;\nMarco Island Litigation;\nMarshall, Arthur R. \"Art\";\nMosquito Control Spraying;\nRaccoon Point;\nWater!\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials in this collection are arranged in the following series':","Big Cypress Preservation Efforts;\nBig Cypress Swamp Advisory Committee on Oil Pads, Access Roads, Drilling \u0026 Seismic Exploration;\nBiographical Information;\nCollier DRI;\nCorrespondence;\nMarjory Stoneman Douglas;\nEnvironmental Confederation of SW Florida;\nEverglades Oil Drilling;\nFlorida Biodiversity Lawsuit;\nFlorida Conservation Foundation;\nFlorida Panther;\nFlorida Water Task Force;\nFlorida Wildlife Federation;\nFriends of the Everglades;\nIWLA Big Cypress Chapter History;\nIWLA Florida Division;\nKissimmee River Valley;\nMarco Island Litigation;\nMarshall, Arthur R. \"Art\";\nMosquito Control Spraying;\nRaccoon Point;\nWater!"],"bioghist_html_tesm":["\u003cp\u003eFranklin B. Adams was born in Miami, FL, to G.B. and Lois Franklin Adams. He is a graduate of Miami Senior High School, Miami Dade Junior College (Now Miami-Dade College), and the U.S. Army Corps of Engineers Surveying and Mapping School. Mr. Adams is a Florida Master Naturalist. He served in the 841st Engineer Battalion of the U.S. Army Corps of Engineers. He has worked as a land surveyor, charter boat captain, and eco-guide in the Everglades City-Naples area of Florida. \u003c/p\u003e\n","\u003cp\u003eHe has served as a member of numerous environmental and conservation organizations, which is the focus of this collection. Over the past fifty years, Franklin has served in leadership positions with the Friends of the Everglades; Big Cypress Nature Center; Florida Conservation Foundation; Izaak Walton League of America; Environmental Confederation of Southwest Florida; Florida Native Plant Society (founding member); Coalition to Save the Everglades; \"Water!;\" and the Florida Wildlife Federation. \u003c/p\u003e\n","\u003cp\u003eHe worked to establish the Florida Wildlife Federation Southwest Florida Office, as well as the restoration of the Kissimmee-Okeechobee-Everglades system. He fought against the Miami Jetport and lobbied for the establishment of the Big Cypress National Preserve. He also worked to preserve the habitat of the Florida Panther and was a key figure in the protection of this endangered cat. \u003c/p\u003e\n","\u003cp\u003eMr. Adams has received numerous awards over the years related to his conservation work. Among these are Izaak Walton League of America Cypress Chapter Service Award, National Wildlife Federation Conservation Achievement Award, and the National Wildlife Federation Hall of Fame Award.\u003c/p\u003e\n","\u003cp\u003e\nFraklin Adams lives in the Naples area. To learn more about his background, please refer to the biographical series within this collection. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Franklin B. Adams was born in Miami, FL, to G.B. and Lois Franklin Adams. He is a graduate of Miami Senior High School, Miami Dade Junior College (Now Miami-Dade College), and the U.S. Army Corps of Engineers Surveying and Mapping School. Mr. Adams is a Florida Master Naturalist. He served in the 841st Engineer Battalion of the U.S. Army Corps of Engineers. He has worked as a land surveyor, charter boat captain, and eco-guide in the Everglades City-Naples area of Florida. ","He has served as a member of numerous environmental and conservation organizations, which is the focus of this collection. Over the past fifty years, Franklin has served in leadership positions with the Friends of the Everglades; Big Cypress Nature Center; Florida Conservation Foundation; Izaak Walton League of America; Environmental Confederation of Southwest Florida; Florida Native Plant Society (founding member); Coalition to Save the Everglades; \"Water!;\" and the Florida Wildlife Federation. ","He worked to establish the Florida Wildlife Federation Southwest Florida Office, as well as the restoration of the Kissimmee-Okeechobee-Everglades system. He fought against the Miami Jetport and lobbied for the establishment of the Big Cypress National Preserve. He also worked to preserve the habitat of the Florida Panther and was a key figure in the protection of this endangered cat. ","Mr. Adams has received numerous awards over the years related to his conservation work. Among these are Izaak Walton League of America Cypress Chapter Service Award, National Wildlife Federation Conservation Achievement Award, and the National Wildlife Federation Hall of Fame Award.","\nFraklin Adams lives in the Naples area. To learn more about his background, please refer to the biographical series within this collection. "],"odd_html_tesm":["\u003cp\u003eThe issues that Fraklin Adams worked on were also of interest to the U.S. Congressmen from the area. James A. Haley, as chairman of the House Interior Committee during thr 1970s, was instrumental in the creation of Big Cypress National Preserve. His papers (https://www.flsouthern.edu/getattachment/library/mckay-archives/finding-aids/HALEY-Finding-Aid.pdf.aspx?lang=en-US) are maintained at Florida Southern College and contain references to many of the same issues that Mr. Adams was involved with. \nMr. Haley's successor, Andy Ireland, also took interest in issues facing Florida's environment. His papers may also be found at Florida Southern College (https://www.flsouthern.edu/getattachment/library/McKay-Archives/Finding-Aids/Ireland-for-web-page.doc.aspx?lang=en-US)\u003c/p\u003e\n","\u003cp\u003e***Please copy and past the URLs into your browser window to view the Haley and Ireland finding aids***\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["The issues that Fraklin Adams worked on were also of interest to the U.S. Congressmen from the area. James A. Haley, as chairman of the House Interior Committee during thr 1970s, was instrumental in the creation of Big Cypress National Preserve. His papers (https://www.flsouthern.edu/getattachment/library/mckay-archives/finding-aids/HALEY-Finding-Aid.pdf.aspx?lang=en-US) are maintained at Florida Southern College and contain references to many of the same issues that Mr. Adams was involved with. \nMr. Haley's successor, Andy Ireland, also took interest in issues facing Florida's environment. His papers may also be found at Florida Southern College (https://www.flsouthern.edu/getattachment/library/McKay-Archives/Finding-Aids/Ireland-for-web-page.doc.aspx?lang=en-US)","***Please copy and past the URLs into your browser window to view the Haley and Ireland finding aids***"],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection reflect the subject's interest in environmental preservation. Mr. Adams served in a number of environmental interest organizations such as the Isaac Walton League of America (IWLA), The Florida Water Task Force, and the Florida Wildlife Federation, to give but a few examples. The bulk of the collection contains correspondence, news clippings, legal documents, and blueprints/aerial maps of affected lands.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection reflect the subject's interest in environmental preservation. Mr. Adams served in a number of environmental interest organizations such as the Isaac Walton League of America (IWLA), The Florida Water Task Force, and the Florida Wildlife Federation, to give but a few examples. The bulk of the collection contains correspondence, news clippings, legal documents, and blueprints/aerial maps of affected lands."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about\nthe copyright holder of materials found in our collections.\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about\nthe copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Franklin B. Adams"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Franklin B. 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