{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1982\u0026page=424","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1982\u0026page=423","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1982\u0026page=425","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1982\u0026page=589"},"meta":{"pages":{"current_page":424,"next_page":425,"prev_page":423,"total_pages":589,"limit_value":10,"offset_value":4230,"total_count":5882,"first_page?":false,"last_page?":false}},"data":[{"id":"d20aa889e8ea8129c93e6502_aspace_19cbbcd421b931d70418b9d5939e3fda","type":"Series","attributes":{"title":"Poetry, 1981-2007","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502_aspace_19cbbcd421b931d70418b9d5939e3fda#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_19cbbcd421b931d70418b9d5939e3fda","ref_ssm":["aspace_19cbbcd421b931d70418b9d5939e3fda","aspace_19cbbcd421b931d70418b9d5939e3fda"],"id":"d20aa889e8ea8129c93e6502_aspace_19cbbcd421b931d70418b9d5939e3fda","title_filing_ssi":"Poetry","title_ssm":["Poetry"],"title_tesim":["Poetry"],"unitdate_inclusive_ssm":["1981-2007"],"normalized_date_ssm":["1981-2007"],"normalized_title_ssm":["Poetry, 1981-2007"],"text":["Poetry, 1981-2007","Nola Perez Papers, 1969-2022","/repositories/3/archival_objects/9237"],"component_level_isim":[1],"parent_ids_ssim":["d20aa889e8ea8129c93e6502"],"parent_unittitles_ssm":["Nola Perez Papers, 1969-2022"],"parent_unittitles_tesim":["Nola Perez Papers, 1969-2022"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/3/archival_objects/9237"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Nola Perez Papers, 1969-2022"],"has_online_content_ssim":["false"],"child_component_count_isi":6,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":106,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"date_range_isim":[1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"_nest_path_":"/components#9","_nest_parent_":"d20aa889e8ea8129c93e6502","_root_":"d20aa889e8ea8129c93e6502","_version_":1870860591887810560,"timestamp":"2026-07-16T08:48:16.050Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d20aa889e8ea8129c93e6502","title_ssm":["Nola Perez Papers"],"title_tesim":["Nola Perez Papers"],"ead_ssi":"d20aa889e8ea8129c93e6502","unitdate_ssm":["1969-2022"],"unitdate_inclusive_ssm":["1969-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2016.006","/repositories/3/resources/78"],"text":["2016.006","/repositories/3/resources/78","Nola Perez Papers, 1969-2022","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. ","This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2016.006","/repositories/3/resources/78"],"normalized_date_ssm":["1969-2022"],"normalized_title_ssm":["Nola Perez Papers, 1969-2022"],"collection_title_tesim":["Nola Perez Papers, 1969-2022"],"collection_ssim":["Nola Perez Papers, 1969-2022"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Nola B. Perez, 2016-09-06."],"has_online_content_ssim":["false"],"extent_ssm":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"extent_tesim":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eNola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. \u003c/p\u003e\n","\u003cp\u003eDuring her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.\u003c/p\u003e\n","\u003cp\u003eIn the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.\u003c/p\u003e\n","\u003cp\u003eUpon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. "],"prefercite_html_tesm":["\u003cp\u003eNola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Nola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. \u003c/p\u003e\n","\u003cp\u003eSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1 \u0026#x2013; Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez\u003c/p\u003e\n","\u003cp\u003eSeries 2 \u0026#x2013; Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles\u003c/p\u003e\n","\u003cp\u003eSeries 3 \u0026#x2013; Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails\u003c/p\u003e\n","\u003cp\u003eSeries 4 \u0026#x2013; Critiques (arranged chronologically) include critical receptions of Nola Perez's work\u003c/p\u003e\n","\u003cp\u003eSeries 5 \u0026#x2013; Events (arranged alphabetically by subseries)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Book Signings and Poetry Readings (arranged chronologically) includes information and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"\u003c/p\u003e\n","\u003cp\u003eSeries 6 \u0026#x2013; Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation\u003c/p\u003e\n","\u003cp\u003eSeries 7 \u0026#x2013; Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career\u003c/p\u003e\n","\u003cp\u003eSeries 8 \u0026#x2013; Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Photographs (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Publications (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 5 \u0026#x2013; Workshops (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSeries 9 \u0026#x2013; Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events\u003c/p\u003e\n","\u003cp\u003eSeries 10 \u0026#x2013; Poetry (arranged chronologically) contains a collection of Nola's poetry\u003c/p\u003e\n","\u003cp\u003eSeries 11 \u0026#x2013; Publications (arranged alphabetically by type of publication)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Books (arranged chronologically by publication date; chronological files within each book published)\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Journals (arranged chronologically by publication date)\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website\u003c/p\u003e\n","\u003cp\u003eSeries 12 \u0026#x2013; Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia\u003c/p\u003e\n","\u003cp\u003eSeries 13 \u0026#x2013; Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop"],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":231,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860591887810560,"_root_":"d20aa889e8ea8129c93e6502","timestamp":"2026-07-16T08:48:16.050Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502_aspace_19cbbcd421b931d70418b9d5939e3fda"}},{"id":"cf2e69e616b9f3f82baf8164_aspace_4c98c102138d1d5d01651adc8eceb543","type":"File","attributes":{"title":"Poetry [1 of 2], 1939–1955, 1980–1983, undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/cf2e69e616b9f3f82baf8164_aspace_4c98c102138d1d5d01651adc8eceb543#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_4c98c102138d1d5d01651adc8eceb543","ref_ssm":["aspace_4c98c102138d1d5d01651adc8eceb543","aspace_4c98c102138d1d5d01651adc8eceb543"],"id":"cf2e69e616b9f3f82baf8164_aspace_4c98c102138d1d5d01651adc8eceb543","title_filing_ssi":"Poetry [1 of 2]","title_ssm":["Poetry [1 of 2]"],"title_tesim":["Poetry [1 of 2]"],"unitdate_inclusive_ssm":["1939–1955","1980–1983","undated"],"normalized_date_ssm":["1939–1955, 1980–1983, undated"],"normalized_title_ssm":["Poetry [1 of 2], 1939–1955, 1980–1983, undated"],"text":["Poetry [1 of 2], 1939–1955, 1980–1983, undated","Patrick Boland collection, 1937-1983","/repositories/4/archival_objects/68674","box 1","folder 4"],"component_level_isim":[1],"parent_ids_ssim":["cf2e69e616b9f3f82baf8164"],"parent_unittitles_ssm":["Patrick Boland collection, 1937-1983"],"parent_unittitles_tesim":["Patrick Boland collection, 1937-1983"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/4/archival_objects/68674"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Patrick Boland collection, 1937-1983"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":4,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1980,1981,1982,1983],"containers_ssim":["box 1","folder 4"],"_nest_path_":"/components#3","_nest_parent_":"cf2e69e616b9f3f82baf8164","_root_":"cf2e69e616b9f3f82baf8164","timestamp":"2026-04-21T03:30:58.996Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"cf2e69e616b9f3f82baf8164","title_ssm":["Patrick Boland collection"],"title_tesim":["Patrick Boland collection"],"ead_ssi":"cf2e69e616b9f3f82baf8164","unitdate_ssm":["1937-1983"],"unitdate_inclusive_ssm":["1937-1983"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 147","/repositories/4/resources/289"],"text":["SC 147","/repositories/4/resources/289","Patrick Boland collection, 1937-1983","Poets -- Michigan","poems","drafts (documents)","research notes","The entire collection is open for research.","Patrick Boland was a poet. Native to Detroit, Patrick Boland was born in 1921 to Bernard and Grace Belle Russelo Boland. He was the oldest of his three siblings, Mary Anne, John Joseph, and Rita. His father, referred to as Bernie, was once a pitcher for the Detroit Tigers.   ","In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\" At the time, it was the largest prize in ten years.  ","Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. In his book,  Dylan Thomas in America , author John Malcom Brinnin would describe Boland's work as \"remarkable.\" On the spoken word album,  Return Journey to Swansea , Thomas can be heard reciting Boland's poem \"I Climb the Stairs After a Tedious Masquerade.\" During their short but sincere friendship, Boland escorted Dylan Thomas to Ann Arbor, where they would stay at the home of Boland's family friends and fellow poets Dorothy and Walter Donnelly.   ","In 1950, Boland's poem \"Mandala\" was published in  Flair  and later included in the 1952 anthology  A Little Treasury of American Poetry . In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology  New World Writing , alongside work from acclaimed writers like Edith and Sacheverell Sitwell.   ","Patrick Boland wrote for the rest of his life. Notably, as found in this collection, he wrote research and analysis on the British-American poet W.H. Auden. In correspondence, Boland also wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death in 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old. Sometime before, in 1982, he left a note on a Kleenex box: \"Love without saying goes so long; Then just as now, it goes longer.\" ","Processed by and finding aid prepared by Amelia Cuttle in 2023.","Walter and Dorothy Donnelly family papers , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.   ","W.H. Auden collection of papers , Henry W. and Albert A. Berg Collection of English and American Literature, The New York Public Library, New York, New York. ","Dylan Thomas collection , Harry Ransom Center, The University of Texas at Austin, Austin, Texas.  ","The Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout his materials in doodles, notes, financial calculations, and signatures. ","This collection provides insight into the personality and artistic endeavors of Patrick Boland as he fostered a career as a poet. The drafts of his works offer a glimpse of his unpublished talents and interests, such as W.H. Auden. Additionally, personal musings and notes reflect certain physical and mental struggles that illuminate his writing. ","The materials in the Patrick Boland collection were separated from the  Walter and Dorothy Donnelly family papers .","Books donated with the Patrick Boland collection have been cataloged individually. Please search the Library Catalog using the series Patrick Boland collection.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout all of his documents in doodles, notes, financial calculations, and signatures.  \n\nNative to Detroit, Patrick Boland was born on August 30, 1921. His father, Bernie, was once a pitcher for the Detroit Tigers. In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\"  Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. That same year, Boland's poem \"Mandala\" was published in  Flair  and later included in the 1952 anthology  A Little Treasury of American Poetry . In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology  New World Writing , alongside work from acclaimed writers like Edith and Sacheverell Sitwell. In correspondence, Boland wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death on October 29, 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old.","UCF Special Collections","Boland, Patrick, 1921-1984","Auden, W. H. (Wystan Hugh), 1907-1973","English"],"unitid_tesim":["SC 147","/repositories/4/resources/289"],"normalized_date_ssm":["1937-1983"],"normalized_title_ssm":["Patrick Boland collection, 1937-1983"],"collection_title_tesim":["Patrick Boland collection, 1937-1983"],"collection_ssim":["Patrick Boland collection, 1937-1983"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Boland, Patrick, 1921-1984"],"creator_ssim":["Boland, Patrick, 1921-1984"],"creator_persname_ssim":["Boland, Patrick, 1921-1984"],"creators_ssim":["Boland, Patrick, 1921-1984"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of Jerome Donnelly in 2021 (Accession no. CFM2021_21)."],"access_subjects_ssim":["Poets -- Michigan","poems","drafts (documents)","research notes"],"access_subjects_ssm":["Poets -- Michigan","poems","drafts (documents)","research notes"],"has_online_content_ssim":["false"],"extent_ssm":[".8 Linear Feet 2 boxes"],"extent_tesim":[".8 Linear Feet 2 boxes"],"genreform_ssim":["poems","drafts (documents)","research notes"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access: "],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003ePatrick Boland was a poet. Native to Detroit, Patrick Boland was born in 1921 to Bernard and Grace Belle Russelo Boland. He was the oldest of his three siblings, Mary Anne, John Joseph, and Rita. His father, referred to as Bernie, was once a pitcher for the Detroit Tigers.   \u003c/p\u003e\n","\u003cp\u003eIn 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\" At the time, it was the largest prize in ten years.  \u003c/p\u003e\n","\u003cp\u003eBoland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. In his book, \u003cemph render=\"italic\"\u003eDylan Thomas in America\u003c/emph\u003e, author John Malcom Brinnin would describe Boland's work as \"remarkable.\" On the spoken word album, \u003cemph render=\"italic\"\u003eReturn Journey to Swansea\u003c/emph\u003e, Thomas can be heard reciting Boland's poem \"I Climb the Stairs After a Tedious Masquerade.\" During their short but sincere friendship, Boland escorted Dylan Thomas to Ann Arbor, where they would stay at the home of Boland's family friends and fellow poets Dorothy and Walter Donnelly.   \u003c/p\u003e\n","\u003cp\u003eIn 1950, Boland's poem \"Mandala\" was published in \u003cemph render=\"italic\"\u003eFlair\u003c/emph\u003e and later included in the 1952 anthology \u003cemph render=\"italic\"\u003eA Little Treasury of American Poetry\u003c/emph\u003e. In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology \u003cemph render=\"italic\"\u003eNew World Writing\u003c/emph\u003e, alongside work from acclaimed writers like Edith and Sacheverell Sitwell.   \u003c/p\u003e\n","\u003cp\u003ePatrick Boland wrote for the rest of his life. Notably, as found in this collection, he wrote research and analysis on the British-American poet W.H. Auden. In correspondence, Boland also wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death in 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old. Sometime before, in 1982, he left a note on a Kleenex box: \"Love without saying goes so long; Then just as now, it goes longer.\" \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Patrick Boland was a poet. Native to Detroit, Patrick Boland was born in 1921 to Bernard and Grace Belle Russelo Boland. He was the oldest of his three siblings, Mary Anne, John Joseph, and Rita. His father, referred to as Bernie, was once a pitcher for the Detroit Tigers.   ","In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\" At the time, it was the largest prize in ten years.  ","Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. In his book,  Dylan Thomas in America , author John Malcom Brinnin would describe Boland's work as \"remarkable.\" On the spoken word album,  Return Journey to Swansea , Thomas can be heard reciting Boland's poem \"I Climb the Stairs After a Tedious Masquerade.\" During their short but sincere friendship, Boland escorted Dylan Thomas to Ann Arbor, where they would stay at the home of Boland's family friends and fellow poets Dorothy and Walter Donnelly.   ","In 1950, Boland's poem \"Mandala\" was published in  Flair  and later included in the 1952 anthology  A Little Treasury of American Poetry . In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology  New World Writing , alongside work from acclaimed writers like Edith and Sacheverell Sitwell.   ","Patrick Boland wrote for the rest of his life. Notably, as found in this collection, he wrote research and analysis on the British-American poet W.H. Auden. In correspondence, Boland also wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death in 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old. Sometime before, in 1982, he left a note on a Kleenex box: \"Love without saying goes so long; Then just as now, it goes longer.\" "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Patrick Boland collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Patrick Boland collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Amelia Cuttle in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Amelia Cuttle in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/35\"\u003eWalter and Dorothy Donnelly family papers\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.   \u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://archives.nypl.org/brg/19132#overview\"\u003eW.H. Auden collection of papers\u003c/extref\u003e, Henry W. and Albert A. Berg Collection of English and American Literature, The New York Public Library, New York, New York. \u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://hrc.contentdm.oclc.org/digital/collection/p15878coll98\"\u003eDylan Thomas collection\u003c/extref\u003e, Harry Ransom Center, The University of Texas at Austin, Austin, Texas.  \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Walter and Dorothy Donnelly family papers , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.   ","W.H. Auden collection of papers , Henry W. and Albert A. Berg Collection of English and American Literature, The New York Public Library, New York, New York. ","Dylan Thomas collection , Harry Ransom Center, The University of Texas at Austin, Austin, Texas.  "],"scopecontent_html_tesm":["\u003cp\u003eThe Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout his materials in doodles, notes, financial calculations, and signatures. \u003c/p\u003e\n","\u003cp\u003eThis collection provides insight into the personality and artistic endeavors of Patrick Boland as he fostered a career as a poet. The drafts of his works offer a glimpse of his unpublished talents and interests, such as W.H. Auden. Additionally, personal musings and notes reflect certain physical and mental struggles that illuminate his writing. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout his materials in doodles, notes, financial calculations, and signatures. ","This collection provides insight into the personality and artistic endeavors of Patrick Boland as he fostered a career as a poet. The drafts of his works offer a glimpse of his unpublished talents and interests, such as W.H. Auden. Additionally, personal musings and notes reflect certain physical and mental struggles that illuminate his writing. "],"separatedmaterial_html_tesm":["\u003cp\u003eThe materials in the Patrick Boland collection were separated from the \u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/35\"\u003eWalter and Dorothy Donnelly family papers\u003c/extref\u003e.\u003c/p\u003e\n","\u003cp\u003eBooks donated with the Patrick Boland collection have been cataloged individually. Please search the Library Catalog using the series Patrick Boland collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The materials in the Patrick Boland collection were separated from the  Walter and Dorothy Donnelly family papers .","Books donated with the Patrick Boland collection have been cataloged individually. Please search the Library Catalog using the series Patrick Boland collection."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f939e2b0072082962df553b7d92c9f96\"\u003eThe Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout all of his documents in doodles, notes, financial calculations, and signatures.  \n\nNative to Detroit, Patrick Boland was born on August 30, 1921. His father, Bernie, was once a pitcher for the Detroit Tigers. In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\"  Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. That same year, Boland's poem \"Mandala\" was published in \u003cemph render=\"italic\"\u003eFlair\u003c/emph\u003e and later included in the 1952 anthology \u003cemph render=\"italic\"\u003eA Little Treasury of American Poetry\u003c/emph\u003e. In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology \u003cemph render=\"italic\"\u003eNew World Writing\u003c/emph\u003e, alongside work from acclaimed writers like Edith and Sacheverell Sitwell. In correspondence, Boland wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death on October 29, 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old.\u003c/abstract\u003e"],"abstract_tesim":["The Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout all of his documents in doodles, notes, financial calculations, and signatures.  \n\nNative to Detroit, Patrick Boland was born on August 30, 1921. His father, Bernie, was once a pitcher for the Detroit Tigers. In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\"  Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. That same year, Boland's poem \"Mandala\" was published in  Flair  and later included in the 1952 anthology  A Little Treasury of American Poetry . In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology  New World Writing , alongside work from acclaimed writers like Edith and Sacheverell Sitwell. In correspondence, Boland wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death on October 29, 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old."],"names_ssim":["UCF Special Collections","Boland, Patrick, 1921-1984","Auden, W. H. (Wystan Hugh), 1907-1973"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Auden, W. H. (Wystan Hugh), 1907-1973"],"persname_ssim":["Boland, Patrick, 1921-1984","Auden, W. H. (Wystan Hugh), 1907-1973"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":11,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"cf2e69e616b9f3f82baf8164","timestamp":"2026-04-21T03:30:58.996Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/cf2e69e616b9f3f82baf8164_aspace_4c98c102138d1d5d01651adc8eceb543"}},{"id":"cf2e69e616b9f3f82baf8164_aspace_1859059fdf0850869e4c0190f791cf28","type":"File","attributes":{"title":"Poetry [2 of 2], 1939–1955, 1980–1983, undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/cf2e69e616b9f3f82baf8164_aspace_1859059fdf0850869e4c0190f791cf28#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1859059fdf0850869e4c0190f791cf28","ref_ssm":["aspace_1859059fdf0850869e4c0190f791cf28","aspace_1859059fdf0850869e4c0190f791cf28"],"id":"cf2e69e616b9f3f82baf8164_aspace_1859059fdf0850869e4c0190f791cf28","title_filing_ssi":"Poetry [2 of 2]","title_ssm":["Poetry [2 of 2]"],"title_tesim":["Poetry [2 of 2]"],"unitdate_inclusive_ssm":["1939–1955","1980–1983","undated"],"normalized_date_ssm":["1939–1955, 1980–1983, undated"],"normalized_title_ssm":["Poetry [2 of 2], 1939–1955, 1980–1983, undated"],"text":["Poetry [2 of 2], 1939–1955, 1980–1983, undated","Patrick Boland collection, 1937-1983","/repositories/4/archival_objects/68675","box 1","folder 5"],"component_level_isim":[1],"parent_ids_ssim":["cf2e69e616b9f3f82baf8164"],"parent_unittitles_ssm":["Patrick Boland collection, 1937-1983"],"parent_unittitles_tesim":["Patrick Boland collection, 1937-1983"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/4/archival_objects/68675"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Patrick Boland collection, 1937-1983"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":5,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1980,1981,1982,1983],"containers_ssim":["box 1","folder 5"],"_nest_path_":"/components#4","_nest_parent_":"cf2e69e616b9f3f82baf8164","_root_":"cf2e69e616b9f3f82baf8164","timestamp":"2026-04-21T03:30:58.996Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"cf2e69e616b9f3f82baf8164","title_ssm":["Patrick Boland collection"],"title_tesim":["Patrick Boland collection"],"ead_ssi":"cf2e69e616b9f3f82baf8164","unitdate_ssm":["1937-1983"],"unitdate_inclusive_ssm":["1937-1983"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 147","/repositories/4/resources/289"],"text":["SC 147","/repositories/4/resources/289","Patrick Boland collection, 1937-1983","Poets -- Michigan","poems","drafts (documents)","research notes","The entire collection is open for research.","Patrick Boland was a poet. Native to Detroit, Patrick Boland was born in 1921 to Bernard and Grace Belle Russelo Boland. He was the oldest of his three siblings, Mary Anne, John Joseph, and Rita. His father, referred to as Bernie, was once a pitcher for the Detroit Tigers.   ","In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\" At the time, it was the largest prize in ten years.  ","Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. In his book,  Dylan Thomas in America , author John Malcom Brinnin would describe Boland's work as \"remarkable.\" On the spoken word album,  Return Journey to Swansea , Thomas can be heard reciting Boland's poem \"I Climb the Stairs After a Tedious Masquerade.\" During their short but sincere friendship, Boland escorted Dylan Thomas to Ann Arbor, where they would stay at the home of Boland's family friends and fellow poets Dorothy and Walter Donnelly.   ","In 1950, Boland's poem \"Mandala\" was published in  Flair  and later included in the 1952 anthology  A Little Treasury of American Poetry . In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology  New World Writing , alongside work from acclaimed writers like Edith and Sacheverell Sitwell.   ","Patrick Boland wrote for the rest of his life. Notably, as found in this collection, he wrote research and analysis on the British-American poet W.H. Auden. In correspondence, Boland also wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death in 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old. Sometime before, in 1982, he left a note on a Kleenex box: \"Love without saying goes so long; Then just as now, it goes longer.\" ","Processed by and finding aid prepared by Amelia Cuttle in 2023.","Walter and Dorothy Donnelly family papers , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.   ","W.H. Auden collection of papers , Henry W. and Albert A. Berg Collection of English and American Literature, The New York Public Library, New York, New York. ","Dylan Thomas collection , Harry Ransom Center, The University of Texas at Austin, Austin, Texas.  ","The Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout his materials in doodles, notes, financial calculations, and signatures. ","This collection provides insight into the personality and artistic endeavors of Patrick Boland as he fostered a career as a poet. The drafts of his works offer a glimpse of his unpublished talents and interests, such as W.H. Auden. Additionally, personal musings and notes reflect certain physical and mental struggles that illuminate his writing. ","The materials in the Patrick Boland collection were separated from the  Walter and Dorothy Donnelly family papers .","Books donated with the Patrick Boland collection have been cataloged individually. Please search the Library Catalog using the series Patrick Boland collection.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout all of his documents in doodles, notes, financial calculations, and signatures.  \n\nNative to Detroit, Patrick Boland was born on August 30, 1921. His father, Bernie, was once a pitcher for the Detroit Tigers. In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\"  Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. That same year, Boland's poem \"Mandala\" was published in  Flair  and later included in the 1952 anthology  A Little Treasury of American Poetry . In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology  New World Writing , alongside work from acclaimed writers like Edith and Sacheverell Sitwell. In correspondence, Boland wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death on October 29, 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old.","UCF Special Collections","Boland, Patrick, 1921-1984","Auden, W. H. (Wystan Hugh), 1907-1973","English"],"unitid_tesim":["SC 147","/repositories/4/resources/289"],"normalized_date_ssm":["1937-1983"],"normalized_title_ssm":["Patrick Boland collection, 1937-1983"],"collection_title_tesim":["Patrick Boland collection, 1937-1983"],"collection_ssim":["Patrick Boland collection, 1937-1983"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Boland, Patrick, 1921-1984"],"creator_ssim":["Boland, Patrick, 1921-1984"],"creator_persname_ssim":["Boland, Patrick, 1921-1984"],"creators_ssim":["Boland, Patrick, 1921-1984"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of Jerome Donnelly in 2021 (Accession no. CFM2021_21)."],"access_subjects_ssim":["Poets -- Michigan","poems","drafts (documents)","research notes"],"access_subjects_ssm":["Poets -- Michigan","poems","drafts (documents)","research notes"],"has_online_content_ssim":["false"],"extent_ssm":[".8 Linear Feet 2 boxes"],"extent_tesim":[".8 Linear Feet 2 boxes"],"genreform_ssim":["poems","drafts (documents)","research notes"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access: "],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003ePatrick Boland was a poet. Native to Detroit, Patrick Boland was born in 1921 to Bernard and Grace Belle Russelo Boland. He was the oldest of his three siblings, Mary Anne, John Joseph, and Rita. His father, referred to as Bernie, was once a pitcher for the Detroit Tigers.   \u003c/p\u003e\n","\u003cp\u003eIn 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\" At the time, it was the largest prize in ten years.  \u003c/p\u003e\n","\u003cp\u003eBoland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. In his book, \u003cemph render=\"italic\"\u003eDylan Thomas in America\u003c/emph\u003e, author John Malcom Brinnin would describe Boland's work as \"remarkable.\" On the spoken word album, \u003cemph render=\"italic\"\u003eReturn Journey to Swansea\u003c/emph\u003e, Thomas can be heard reciting Boland's poem \"I Climb the Stairs After a Tedious Masquerade.\" During their short but sincere friendship, Boland escorted Dylan Thomas to Ann Arbor, where they would stay at the home of Boland's family friends and fellow poets Dorothy and Walter Donnelly.   \u003c/p\u003e\n","\u003cp\u003eIn 1950, Boland's poem \"Mandala\" was published in \u003cemph render=\"italic\"\u003eFlair\u003c/emph\u003e and later included in the 1952 anthology \u003cemph render=\"italic\"\u003eA Little Treasury of American Poetry\u003c/emph\u003e. In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology \u003cemph render=\"italic\"\u003eNew World Writing\u003c/emph\u003e, alongside work from acclaimed writers like Edith and Sacheverell Sitwell.   \u003c/p\u003e\n","\u003cp\u003ePatrick Boland wrote for the rest of his life. Notably, as found in this collection, he wrote research and analysis on the British-American poet W.H. Auden. In correspondence, Boland also wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death in 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old. Sometime before, in 1982, he left a note on a Kleenex box: \"Love without saying goes so long; Then just as now, it goes longer.\" \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Patrick Boland was a poet. Native to Detroit, Patrick Boland was born in 1921 to Bernard and Grace Belle Russelo Boland. He was the oldest of his three siblings, Mary Anne, John Joseph, and Rita. His father, referred to as Bernie, was once a pitcher for the Detroit Tigers.   ","In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\" At the time, it was the largest prize in ten years.  ","Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. In his book,  Dylan Thomas in America , author John Malcom Brinnin would describe Boland's work as \"remarkable.\" On the spoken word album,  Return Journey to Swansea , Thomas can be heard reciting Boland's poem \"I Climb the Stairs After a Tedious Masquerade.\" During their short but sincere friendship, Boland escorted Dylan Thomas to Ann Arbor, where they would stay at the home of Boland's family friends and fellow poets Dorothy and Walter Donnelly.   ","In 1950, Boland's poem \"Mandala\" was published in  Flair  and later included in the 1952 anthology  A Little Treasury of American Poetry . In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology  New World Writing , alongside work from acclaimed writers like Edith and Sacheverell Sitwell.   ","Patrick Boland wrote for the rest of his life. Notably, as found in this collection, he wrote research and analysis on the British-American poet W.H. Auden. In correspondence, Boland also wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death in 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old. Sometime before, in 1982, he left a note on a Kleenex box: \"Love without saying goes so long; Then just as now, it goes longer.\" "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Patrick Boland collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Patrick Boland collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Amelia Cuttle in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Amelia Cuttle in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/35\"\u003eWalter and Dorothy Donnelly family papers\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.   \u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://archives.nypl.org/brg/19132#overview\"\u003eW.H. Auden collection of papers\u003c/extref\u003e, Henry W. and Albert A. Berg Collection of English and American Literature, The New York Public Library, New York, New York. \u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://hrc.contentdm.oclc.org/digital/collection/p15878coll98\"\u003eDylan Thomas collection\u003c/extref\u003e, Harry Ransom Center, The University of Texas at Austin, Austin, Texas.  \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Walter and Dorothy Donnelly family papers , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.   ","W.H. Auden collection of papers , Henry W. and Albert A. Berg Collection of English and American Literature, The New York Public Library, New York, New York. ","Dylan Thomas collection , Harry Ransom Center, The University of Texas at Austin, Austin, Texas.  "],"scopecontent_html_tesm":["\u003cp\u003eThe Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout his materials in doodles, notes, financial calculations, and signatures. \u003c/p\u003e\n","\u003cp\u003eThis collection provides insight into the personality and artistic endeavors of Patrick Boland as he fostered a career as a poet. The drafts of his works offer a glimpse of his unpublished talents and interests, such as W.H. Auden. Additionally, personal musings and notes reflect certain physical and mental struggles that illuminate his writing. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout his materials in doodles, notes, financial calculations, and signatures. ","This collection provides insight into the personality and artistic endeavors of Patrick Boland as he fostered a career as a poet. The drafts of his works offer a glimpse of his unpublished talents and interests, such as W.H. Auden. Additionally, personal musings and notes reflect certain physical and mental struggles that illuminate his writing. "],"separatedmaterial_html_tesm":["\u003cp\u003eThe materials in the Patrick Boland collection were separated from the \u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/35\"\u003eWalter and Dorothy Donnelly family papers\u003c/extref\u003e.\u003c/p\u003e\n","\u003cp\u003eBooks donated with the Patrick Boland collection have been cataloged individually. Please search the Library Catalog using the series Patrick Boland collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The materials in the Patrick Boland collection were separated from the  Walter and Dorothy Donnelly family papers .","Books donated with the Patrick Boland collection have been cataloged individually. Please search the Library Catalog using the series Patrick Boland collection."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f939e2b0072082962df553b7d92c9f96\"\u003eThe Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout all of his documents in doodles, notes, financial calculations, and signatures.  \n\nNative to Detroit, Patrick Boland was born on August 30, 1921. His father, Bernie, was once a pitcher for the Detroit Tigers. In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\"  Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. That same year, Boland's poem \"Mandala\" was published in \u003cemph render=\"italic\"\u003eFlair\u003c/emph\u003e and later included in the 1952 anthology \u003cemph render=\"italic\"\u003eA Little Treasury of American Poetry\u003c/emph\u003e. In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology \u003cemph render=\"italic\"\u003eNew World Writing\u003c/emph\u003e, alongside work from acclaimed writers like Edith and Sacheverell Sitwell. In correspondence, Boland wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death on October 29, 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old.\u003c/abstract\u003e"],"abstract_tesim":["The Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout all of his documents in doodles, notes, financial calculations, and signatures.  \n\nNative to Detroit, Patrick Boland was born on August 30, 1921. His father, Bernie, was once a pitcher for the Detroit Tigers. In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\"  Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. That same year, Boland's poem \"Mandala\" was published in  Flair  and later included in the 1952 anthology  A Little Treasury of American Poetry . In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology  New World Writing , alongside work from acclaimed writers like Edith and Sacheverell Sitwell. In correspondence, Boland wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death on October 29, 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old."],"names_ssim":["UCF Special Collections","Boland, Patrick, 1921-1984","Auden, W. H. (Wystan Hugh), 1907-1973"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Auden, W. H. (Wystan Hugh), 1907-1973"],"persname_ssim":["Boland, Patrick, 1921-1984","Auden, W. H. (Wystan Hugh), 1907-1973"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":11,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"cf2e69e616b9f3f82baf8164","timestamp":"2026-04-21T03:30:58.996Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/cf2e69e616b9f3f82baf8164_aspace_1859059fdf0850869e4c0190f791cf28"}},{"id":"cf2e69e616b9f3f82baf8164_aspace_8328cddeac94934e804a48acb95b34e3","type":"File","attributes":{"title":"Poetry and correspondence, 1949–1961, 1965, 1980–1983, undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/cf2e69e616b9f3f82baf8164_aspace_8328cddeac94934e804a48acb95b34e3#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_8328cddeac94934e804a48acb95b34e3","ref_ssm":["aspace_8328cddeac94934e804a48acb95b34e3","aspace_8328cddeac94934e804a48acb95b34e3"],"id":"cf2e69e616b9f3f82baf8164_aspace_8328cddeac94934e804a48acb95b34e3","title_filing_ssi":"Poetry and correspondence","title_ssm":["Poetry and correspondence"],"title_tesim":["Poetry and correspondence"],"unitdate_inclusive_ssm":["1949–1961","1965","1980–1983","undated"],"normalized_date_ssm":["1949–1961, 1965, 1980–1983, undated"],"normalized_title_ssm":["Poetry and correspondence, 1949–1961, 1965, 1980–1983, undated"],"text":["Poetry and correspondence, 1949–1961, 1965, 1980–1983, undated","Patrick Boland collection, 1937-1983","/repositories/4/archival_objects/68672","box 1","folder 2"],"component_level_isim":[1],"parent_ids_ssim":["cf2e69e616b9f3f82baf8164"],"parent_unittitles_ssm":["Patrick Boland collection, 1937-1983"],"parent_unittitles_tesim":["Patrick Boland collection, 1937-1983"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/4/archival_objects/68672"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Patrick Boland collection, 1937-1983"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1965,1980,1981,1982,1983],"containers_ssim":["box 1","folder 2"],"_nest_path_":"/components#1","_nest_parent_":"cf2e69e616b9f3f82baf8164","_root_":"cf2e69e616b9f3f82baf8164","timestamp":"2026-04-21T03:30:58.996Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"cf2e69e616b9f3f82baf8164","title_ssm":["Patrick Boland collection"],"title_tesim":["Patrick Boland collection"],"ead_ssi":"cf2e69e616b9f3f82baf8164","unitdate_ssm":["1937-1983"],"unitdate_inclusive_ssm":["1937-1983"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 147","/repositories/4/resources/289"],"text":["SC 147","/repositories/4/resources/289","Patrick Boland collection, 1937-1983","Poets -- Michigan","poems","drafts (documents)","research notes","The entire collection is open for research.","Patrick Boland was a poet. Native to Detroit, Patrick Boland was born in 1921 to Bernard and Grace Belle Russelo Boland. He was the oldest of his three siblings, Mary Anne, John Joseph, and Rita. His father, referred to as Bernie, was once a pitcher for the Detroit Tigers.   ","In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\" At the time, it was the largest prize in ten years.  ","Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. In his book,  Dylan Thomas in America , author John Malcom Brinnin would describe Boland's work as \"remarkable.\" On the spoken word album,  Return Journey to Swansea , Thomas can be heard reciting Boland's poem \"I Climb the Stairs After a Tedious Masquerade.\" During their short but sincere friendship, Boland escorted Dylan Thomas to Ann Arbor, where they would stay at the home of Boland's family friends and fellow poets Dorothy and Walter Donnelly.   ","In 1950, Boland's poem \"Mandala\" was published in  Flair  and later included in the 1952 anthology  A Little Treasury of American Poetry . In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology  New World Writing , alongside work from acclaimed writers like Edith and Sacheverell Sitwell.   ","Patrick Boland wrote for the rest of his life. Notably, as found in this collection, he wrote research and analysis on the British-American poet W.H. Auden. In correspondence, Boland also wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death in 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old. Sometime before, in 1982, he left a note on a Kleenex box: \"Love without saying goes so long; Then just as now, it goes longer.\" ","Processed by and finding aid prepared by Amelia Cuttle in 2023.","Walter and Dorothy Donnelly family papers , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.   ","W.H. Auden collection of papers , Henry W. and Albert A. Berg Collection of English and American Literature, The New York Public Library, New York, New York. ","Dylan Thomas collection , Harry Ransom Center, The University of Texas at Austin, Austin, Texas.  ","The Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout his materials in doodles, notes, financial calculations, and signatures. ","This collection provides insight into the personality and artistic endeavors of Patrick Boland as he fostered a career as a poet. The drafts of his works offer a glimpse of his unpublished talents and interests, such as W.H. Auden. Additionally, personal musings and notes reflect certain physical and mental struggles that illuminate his writing. ","The materials in the Patrick Boland collection were separated from the  Walter and Dorothy Donnelly family papers .","Books donated with the Patrick Boland collection have been cataloged individually. Please search the Library Catalog using the series Patrick Boland collection.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout all of his documents in doodles, notes, financial calculations, and signatures.  \n\nNative to Detroit, Patrick Boland was born on August 30, 1921. His father, Bernie, was once a pitcher for the Detroit Tigers. In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\"  Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. That same year, Boland's poem \"Mandala\" was published in  Flair  and later included in the 1952 anthology  A Little Treasury of American Poetry . In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology  New World Writing , alongside work from acclaimed writers like Edith and Sacheverell Sitwell. In correspondence, Boland wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death on October 29, 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old.","UCF Special Collections","Boland, Patrick, 1921-1984","Auden, W. H. 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Native to Detroit, Patrick Boland was born in 1921 to Bernard and Grace Belle Russelo Boland. He was the oldest of his three siblings, Mary Anne, John Joseph, and Rita. His father, referred to as Bernie, was once a pitcher for the Detroit Tigers.   \u003c/p\u003e\n","\u003cp\u003eIn 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\" At the time, it was the largest prize in ten years.  \u003c/p\u003e\n","\u003cp\u003eBoland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. 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In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology \u003cemph render=\"italic\"\u003eNew World Writing\u003c/emph\u003e, alongside work from acclaimed writers like Edith and Sacheverell Sitwell.   \u003c/p\u003e\n","\u003cp\u003ePatrick Boland wrote for the rest of his life. Notably, as found in this collection, he wrote research and analysis on the British-American poet W.H. Auden. In correspondence, Boland also wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death in 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old. Sometime before, in 1982, he left a note on a Kleenex box: \"Love without saying goes so long; Then just as now, it goes longer.\" \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Patrick Boland was a poet. Native to Detroit, Patrick Boland was born in 1921 to Bernard and Grace Belle Russelo Boland. He was the oldest of his three siblings, Mary Anne, John Joseph, and Rita. His father, referred to as Bernie, was once a pitcher for the Detroit Tigers.   ","In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\" At the time, it was the largest prize in ten years.  ","Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. In his book,  Dylan Thomas in America , author John Malcom Brinnin would describe Boland's work as \"remarkable.\" On the spoken word album,  Return Journey to Swansea , Thomas can be heard reciting Boland's poem \"I Climb the Stairs After a Tedious Masquerade.\" During their short but sincere friendship, Boland escorted Dylan Thomas to Ann Arbor, where they would stay at the home of Boland's family friends and fellow poets Dorothy and Walter Donnelly.   ","In 1950, Boland's poem \"Mandala\" was published in  Flair  and later included in the 1952 anthology  A Little Treasury of American Poetry . In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology  New World Writing , alongside work from acclaimed writers like Edith and Sacheverell Sitwell.   ","Patrick Boland wrote for the rest of his life. Notably, as found in this collection, he wrote research and analysis on the British-American poet W.H. Auden. In correspondence, Boland also wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death in 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old. Sometime before, in 1982, he left a note on a Kleenex box: \"Love without saying goes so long; Then just as now, it goes longer.\" "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Patrick Boland collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Patrick Boland collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Amelia Cuttle in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Amelia Cuttle in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/35\"\u003eWalter and Dorothy Donnelly family papers\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.   \u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://archives.nypl.org/brg/19132#overview\"\u003eW.H. Auden collection of papers\u003c/extref\u003e, Henry W. and Albert A. Berg Collection of English and American Literature, The New York Public Library, New York, New York. \u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://hrc.contentdm.oclc.org/digital/collection/p15878coll98\"\u003eDylan Thomas collection\u003c/extref\u003e, Harry Ransom Center, The University of Texas at Austin, Austin, Texas.  \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Walter and Dorothy Donnelly family papers , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.   ","W.H. Auden collection of papers , Henry W. and Albert A. Berg Collection of English and American Literature, The New York Public Library, New York, New York. ","Dylan Thomas collection , Harry Ransom Center, The University of Texas at Austin, Austin, Texas.  "],"scopecontent_html_tesm":["\u003cp\u003eThe Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout his materials in doodles, notes, financial calculations, and signatures. \u003c/p\u003e\n","\u003cp\u003eThis collection provides insight into the personality and artistic endeavors of Patrick Boland as he fostered a career as a poet. The drafts of his works offer a glimpse of his unpublished talents and interests, such as W.H. Auden. Additionally, personal musings and notes reflect certain physical and mental struggles that illuminate his writing. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout his materials in doodles, notes, financial calculations, and signatures. ","This collection provides insight into the personality and artistic endeavors of Patrick Boland as he fostered a career as a poet. The drafts of his works offer a glimpse of his unpublished talents and interests, such as W.H. Auden. Additionally, personal musings and notes reflect certain physical and mental struggles that illuminate his writing. "],"separatedmaterial_html_tesm":["\u003cp\u003eThe materials in the Patrick Boland collection were separated from the \u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/35\"\u003eWalter and Dorothy Donnelly family papers\u003c/extref\u003e.\u003c/p\u003e\n","\u003cp\u003eBooks donated with the Patrick Boland collection have been cataloged individually. Please search the Library Catalog using the series Patrick Boland collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The materials in the Patrick Boland collection were separated from the  Walter and Dorothy Donnelly family papers .","Books donated with the Patrick Boland collection have been cataloged individually. Please search the Library Catalog using the series Patrick Boland collection."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f939e2b0072082962df553b7d92c9f96\"\u003eThe Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout all of his documents in doodles, notes, financial calculations, and signatures.  \n\nNative to Detroit, Patrick Boland was born on August 30, 1921. His father, Bernie, was once a pitcher for the Detroit Tigers. In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\"  Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. That same year, Boland's poem \"Mandala\" was published in \u003cemph render=\"italic\"\u003eFlair\u003c/emph\u003e and later included in the 1952 anthology \u003cemph render=\"italic\"\u003eA Little Treasury of American Poetry\u003c/emph\u003e. In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology \u003cemph render=\"italic\"\u003eNew World Writing\u003c/emph\u003e, alongside work from acclaimed writers like Edith and Sacheverell Sitwell. In correspondence, Boland wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death on October 29, 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old.\u003c/abstract\u003e"],"abstract_tesim":["The Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout all of his documents in doodles, notes, financial calculations, and signatures.  \n\nNative to Detroit, Patrick Boland was born on August 30, 1921. His father, Bernie, was once a pitcher for the Detroit Tigers. In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\"  Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. That same year, Boland's poem \"Mandala\" was published in  Flair  and later included in the 1952 anthology  A Little Treasury of American Poetry . In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology  New World Writing , alongside work from acclaimed writers like Edith and Sacheverell Sitwell. In correspondence, Boland wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death on October 29, 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old."],"names_ssim":["UCF Special Collections","Boland, Patrick, 1921-1984","Auden, W. H. (Wystan Hugh), 1907-1973"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Auden, W. H. (Wystan Hugh), 1907-1973"],"persname_ssim":["Boland, Patrick, 1921-1984","Auden, W. H. (Wystan Hugh), 1907-1973"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":11,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"cf2e69e616b9f3f82baf8164","timestamp":"2026-04-21T03:30:58.996Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/cf2e69e616b9f3f82baf8164_aspace_8328cddeac94934e804a48acb95b34e3"}},{"id":"d20aa889e8ea8129c93e6502_aspace_c5f4e3c163f9803005947775bb19bf5f","type":"Subseries","attributes":{"title":"Poetry Journals, 1969-2011","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502_aspace_c5f4e3c163f9803005947775bb19bf5f#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_c5f4e3c163f9803005947775bb19bf5f","ref_ssm":["aspace_c5f4e3c163f9803005947775bb19bf5f","aspace_c5f4e3c163f9803005947775bb19bf5f"],"id":"d20aa889e8ea8129c93e6502_aspace_c5f4e3c163f9803005947775bb19bf5f","title_filing_ssi":"Poetry Journals","title_ssm":["Poetry Journals"],"title_tesim":["Poetry Journals"],"unitdate_inclusive_ssm":["1969-2011"],"normalized_date_ssm":["1969-2011"],"normalized_title_ssm":["Poetry Journals, 1969-2011"],"text":["Poetry Journals, 1969-2011","Nola Perez Papers, 1969-2022","Publications, 1969-2017","/repositories/3/archival_objects/9241"],"component_level_isim":[2],"parent_ids_ssim":["d20aa889e8ea8129c93e6502","d20aa889e8ea8129c93e6502_aspace_d61075a7466461ada34b0e4a618c87fe"],"parent_unittitles_ssm":["Nola Perez Papers, 1969-2022","Publications, 1969-2017"],"parent_unittitles_tesim":["Nola Perez Papers, 1969-2022","Publications, 1969-2017"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/9241"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Nola Perez Papers, 1969-2022"],"has_online_content_ssim":["false"],"child_component_count_isi":22,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":200,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"_nest_path_":"/components#10/components#2","_nest_parent_":"d20aa889e8ea8129c93e6502_aspace_d61075a7466461ada34b0e4a618c87fe","_root_":"d20aa889e8ea8129c93e6502","_version_":1870860591887810560,"timestamp":"2026-07-16T08:48:16.050Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d20aa889e8ea8129c93e6502","title_ssm":["Nola Perez Papers"],"title_tesim":["Nola Perez Papers"],"ead_ssi":"d20aa889e8ea8129c93e6502","unitdate_ssm":["1969-2022"],"unitdate_inclusive_ssm":["1969-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2016.006","/repositories/3/resources/78"],"text":["2016.006","/repositories/3/resources/78","Nola Perez Papers, 1969-2022","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. ","This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2016.006","/repositories/3/resources/78"],"normalized_date_ssm":["1969-2022"],"normalized_title_ssm":["Nola Perez Papers, 1969-2022"],"collection_title_tesim":["Nola Perez Papers, 1969-2022"],"collection_ssim":["Nola Perez Papers, 1969-2022"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Nola B. Perez, 2016-09-06."],"has_online_content_ssim":["false"],"extent_ssm":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"extent_tesim":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eNola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. \u003c/p\u003e\n","\u003cp\u003eDuring her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.\u003c/p\u003e\n","\u003cp\u003eIn the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.\u003c/p\u003e\n","\u003cp\u003eUpon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. "],"prefercite_html_tesm":["\u003cp\u003eNola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Nola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. \u003c/p\u003e\n","\u003cp\u003eSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1 \u0026#x2013; Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez\u003c/p\u003e\n","\u003cp\u003eSeries 2 \u0026#x2013; Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles\u003c/p\u003e\n","\u003cp\u003eSeries 3 \u0026#x2013; Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails\u003c/p\u003e\n","\u003cp\u003eSeries 4 \u0026#x2013; Critiques (arranged chronologically) include critical receptions of Nola Perez's work\u003c/p\u003e\n","\u003cp\u003eSeries 5 \u0026#x2013; Events (arranged alphabetically by subseries)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Book Signings and Poetry Readings (arranged chronologically) includes information and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"\u003c/p\u003e\n","\u003cp\u003eSeries 6 \u0026#x2013; Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation\u003c/p\u003e\n","\u003cp\u003eSeries 7 \u0026#x2013; Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career\u003c/p\u003e\n","\u003cp\u003eSeries 8 \u0026#x2013; Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Photographs (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Publications (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 5 \u0026#x2013; Workshops (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSeries 9 \u0026#x2013; Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events\u003c/p\u003e\n","\u003cp\u003eSeries 10 \u0026#x2013; Poetry (arranged chronologically) contains a collection of Nola's poetry\u003c/p\u003e\n","\u003cp\u003eSeries 11 \u0026#x2013; Publications (arranged alphabetically by type of publication)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Books (arranged chronologically by publication date; chronological files within each book published)\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Journals (arranged chronologically by publication date)\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website\u003c/p\u003e\n","\u003cp\u003eSeries 12 \u0026#x2013; Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia\u003c/p\u003e\n","\u003cp\u003eSeries 13 \u0026#x2013; Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop"],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":231,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860591887810560,"_root_":"d20aa889e8ea8129c93e6502","timestamp":"2026-07-16T08:48:16.050Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502_aspace_c5f4e3c163f9803005947775bb19bf5f"}},{"id":"b3e4025e67698b63bebebf69_aspace_a3212193ee106aada043e008b01f6fdd","type":"Sub-sub-series","attributes":{"title":"Poetry/Writings, 1951-2002","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b3e4025e67698b63bebebf69_aspace_a3212193ee106aada043e008b01f6fdd#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_a3212193ee106aada043e008b01f6fdd","ref_ssm":["aspace_a3212193ee106aada043e008b01f6fdd","aspace_a3212193ee106aada043e008b01f6fdd"],"id":"b3e4025e67698b63bebebf69_aspace_a3212193ee106aada043e008b01f6fdd","title_filing_ssi":"Poetry/Writings","title_ssm":["Poetry/Writings"],"title_tesim":["Poetry/Writings"],"unitdate_inclusive_ssm":["1951-2002"],"normalized_date_ssm":["1951-2002"],"normalized_title_ssm":["Poetry/Writings, 1951-2002"],"text":["Poetry/Writings, 1951-2002","Dr. Edna Louise Saffy Papers, 1962-2013","Personal Documents, 1928-2013","Newsclippings; Publications; Notes; Planners; Journals, 1951-2013","/repositories/3/archival_objects/7026","box 4","folder 5"],"component_level_isim":[3],"parent_ids_ssim":["b3e4025e67698b63bebebf69","b3e4025e67698b63bebebf69_aspace_c5d2b19bbf7a6b812244506a5c14c9b2","b3e4025e67698b63bebebf69_aspace_5395ed8be9412ea628a786b2df87c8d4"],"parent_unittitles_ssm":["Dr. Edna Louise Saffy Papers, 1962-2013","Personal Documents, 1928-2013","Newsclippings; Publications; Notes; Planners; Journals, 1951-2013"],"parent_unittitles_tesim":["Dr. Edna Louise Saffy Papers, 1962-2013","Personal Documents, 1928-2013","Newsclippings; Publications; Notes; Planners; Journals, 1951-2013"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/3/archival_objects/7026"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Dr. Edna Louise Saffy Papers, 1962-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Sub-sub-series"],"level_ssim":["Sub-sub-series"],"sort_isi":27,"parent_access_restrict_tesm":["The collection is open for research by appointment only. 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The collection contains many memorabilia items, particularly from various political events, and there are two large portraits of Dr. Edna Louise Saffy.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. 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Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":748,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860599051681792,"_root_":"b3e4025e67698b63bebebf69","timestamp":"2026-07-16T08:48:22.881Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b3e4025e67698b63bebebf69_aspace_a3212193ee106aada043e008b01f6fdd"}},{"id":"725898a1a41349eb30ec365d_aspace_59fc3aa7c0055fc3c794039009e88b61","type":"File","attributes":{"title":"Poets and Writers, 1962-2001, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_59fc3aa7c0055fc3c794039009e88b61#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_59fc3aa7c0055fc3c794039009e88b61","ref_ssm":["aspace_59fc3aa7c0055fc3c794039009e88b61","aspace_59fc3aa7c0055fc3c794039009e88b61"],"id":"725898a1a41349eb30ec365d_aspace_59fc3aa7c0055fc3c794039009e88b61","title_filing_ssi":"Poets and Writers","title_ssm":["Poets and Writers"],"title_tesim":["Poets and Writers"],"unitdate_inclusive_ssm":["1962-2001, Undated"],"normalized_date_ssm":["1962-2001, Undated"],"normalized_title_ssm":["Poets and Writers, 1962-2001, Undated"],"text":["Poets and Writers, 1962-2001, Undated","José Guerra Alemán Collection, 1887-2013","Research Files, 1898-2012, Undated","Folder 8","/repositories/4/archival_objects/54024","box 10","folder 8"],"component_level_isim":[2],"parent_ids_ssim":["725898a1a41349eb30ec365d","725898a1a41349eb30ec365d_aspace_e0da8a351e89d497ae16650ae623f50e"],"parent_unittitles_ssm":["José Guerra Alemán Collection, 1887-2013","Research Files, 1898-2012, Undated"],"parent_unittitles_tesim":["José Guerra Alemán Collection, 1887-2013","Research Files, 1898-2012, Undated"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 8","/repositories/4/archival_objects/54024"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":145,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"containers_ssim":["box 10","folder 8"],"_nest_path_":"/components#1/components#34","_nest_parent_":"725898a1a41349eb30ec365d_aspace_e0da8a351e89d497ae16650ae623f50e","_root_":"725898a1a41349eb30ec365d","_version_":1870857755411087360,"timestamp":"2026-07-16T08:03:10.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"725898a1a41349eb30ec365d","title_ssm":["José Guerra Alemán Collection"],"title_tesim":["José Guerra Alemán Collection"],"ead_ssi":"725898a1a41349eb30ec365d","unitdate_ssm":["1887-2013"],"unitdate_inclusive_ssm":["1887-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.098","/repositories/4/resources/204"],"text":["SC.098","/repositories/4/resources/204","José Guerra Alemán Collection, 1887-2013","Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs","Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints","The entire collection is open for research.","José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.","Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.","Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog.","This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"","Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.","The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.","UCF Special Collections","Guerra Alemán, José","English"],"unitid_tesim":["SC.098","/repositories/4/resources/204"],"normalized_date_ssm":["1887-2013"],"normalized_title_ssm":["José Guerra Alemán Collection, 1887-2013"],"collection_title_tesim":["José Guerra Alemán Collection, 1887-2013"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"geogname_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"creator_ssm":["Guerra Alemán, José"],"creator_ssim":["Guerra Alemán, José"],"creator_persname_ssim":["Guerra Alemán, José"],"creators_ssim":["Guerra Alemán, José"],"places_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"acqinfo_ssim":["The collection was donated by Carlos Guerra, José Guerra Alemán's son, to the University of Central Florida Libraries in 2014. (CFM2014_07)"],"access_subjects_ssim":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"access_subjects_ssm":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["17.5 Linear Feet 20 boxes, 1 Flat File"],"extent_tesim":["17.5 Linear Feet 20 boxes, 1 Flat File"],"genreform_ssim":["correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n was born to Jos\u0026#xE9; Guerra and Herminia Alem\u0026#xE1;n-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as Jos\u0026#xE9; Guerra Alem\u0026#xE1;n, his initials J.G.A. and his nickname Pep\u0026#xED;n. Many of his closest friends and family called him as Pep\u0026#xED;n. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.\u003c/p\u003e\n","\u003cp\u003eIn his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ej\u0026#xE9;rcito) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 Divisi\u0026#xF3;n de Infanter\u0026#xED;a) called Divisi\u0026#xF3;n Rel\u0026#xE1;mpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.\u003c/p\u003e\n","\u003cp\u003eOnce he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of \u0026#xC9;l Pa\u0026#xED;s, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.\u003c/p\u003e\n","\u003cp\u003eOne of those encounters, Jos\u0026#xE9; Guerra Alem\u0026#xE1;n climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with Jos\u0026#xE9; Garc\u0026#xED;a and Eduardo Hern\u0026#xE1;ndez (Guayo) in the same company. Jos\u0026#xE9; Guerra Alem\u0026#xE1;n directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.\u003c/p\u003e\n","\u003cp\u003eWith his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote A\u0026#xFA;n Hay Luna En Los Cerros, Ensayos (Las Mayor\u0026#xED;as Discriminadas): En Defensa de la Mujer, Barro y Cenizas (D\u0026#xED;alogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biograf\u0026#xED;a de su Abuelo el General Jos\u0026#xE9; Braulio Alem\u0026#xE1;n). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.\u003c/p\u003e\n","\u003cp\u003eUnderstanding where his family came from and knowing the other members of his family tree can provide a part of Jos\u0026#xE9; Guerra Alem\u0026#xE1;n's identity. Jose Guerra Alem\u0026#xE1;n's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named Jos\u0026#xE9; Braulio Guerra Alem\u0026#xE1;n fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, Jos\u0026#xE9; Manuel Alem\u0026#xE1;n, served in the Cuban government as Minister of Education during the presidency of Dr. Ram\u0026#xF3;n Grau San Martin, president of the Authentic Party (Partido Aut\u0026#xE9;ntico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.\u003c/p\u003e\n","\u003cp\u003eHe rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alem\u0026#xE1;n. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business."],"prefercite_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["José Guerra Alemán Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks collected by Jos\u0026#xE9; Guerra Alem\u0026#xE1;n can be found by performing a series search for \"Jos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection\" in the UCF Libraries catalog.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog."],"scopecontent_html_tesm":["\u003cp\u003eThis collection was arranged in seven series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alem\u0026#xE1;n took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alem\u0026#xE1;n used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. \u003c/p\u003e\n","\u003cp\u003e\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of Jos\u0026#xE9; G. Alem\u0026#xE1;n and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\""],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4d41ff341ce7470c0d40282c3f71dd8\"\u003eThe collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist Jos\u0026#xE9; Guerra Alem\u0026#xE1;n. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.\u003c/abstract\u003e"],"abstract_tesim":["The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita."],"names_ssim":["UCF Special Collections","Guerra Alemán, José"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Guerra Alemán, José"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":282,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857755411087360,"_root_":"725898a1a41349eb30ec365d","timestamp":"2026-07-16T08:03:10.972Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_59fc3aa7c0055fc3c794039009e88b61"}},{"id":"0834c256efeb89858bac8b0d_aspace_de9ad199cdc3635550ee649ee5ea0938","type":"File","attributes":{"title":"Poland, Carter D., Jr., 1982","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/0834c256efeb89858bac8b0d_aspace_de9ad199cdc3635550ee649ee5ea0938#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_de9ad199cdc3635550ee649ee5ea0938","ref_ssm":["aspace_de9ad199cdc3635550ee649ee5ea0938","aspace_de9ad199cdc3635550ee649ee5ea0938"],"id":"0834c256efeb89858bac8b0d_aspace_de9ad199cdc3635550ee649ee5ea0938","title_filing_ssi":"Poland, Carter D., Jr.","title_ssm":["Poland, Carter D., Jr."],"title_tesim":["Poland, Carter D., Jr."],"unitdate_other_ssim":["1982"],"normalized_date_ssm":["1982"],"normalized_title_ssm":["Poland, Carter D., Jr., 1982"],"text":["Poland, Carter D., Jr., 1982","Honorary Degrees, 1954-2006","/repositories/4/archival_objects/24543","box 1","folder 43"],"component_level_isim":[1],"parent_ids_ssim":["0834c256efeb89858bac8b0d"],"parent_unittitles_ssm":["Honorary Degrees, 1954-2006"],"parent_unittitles_tesim":["Honorary Degrees, 1954-2006"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/4/archival_objects/24543"],"repository_ssim":["The Florida Southern College Archives"],"collection_ssim":["Honorary Degrees, 1954-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":43,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["This collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). ","Please inquire if you have questions - archives@flsouthern.edu"],"date_range_isim":[1982],"containers_ssim":["box 1","folder 43"],"_nest_path_":"/components#42","_nest_parent_":"0834c256efeb89858bac8b0d","_root_":"0834c256efeb89858bac8b0d","_version_":1870846319717777408,"timestamp":"2026-07-16T05:01:25.056Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"0834c256efeb89858bac8b0d","title_ssm":["Honorary Degrees"],"title_tesim":["Honorary Degrees"],"ead_ssi":"0834c256efeb89858bac8b0d","unitdate_ssm":["1954-2006"],"unitdate_inclusive_ssm":["1954-2006"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["CA9045","/repositories/4/resources/126"],"text":["CA9045","/repositories/4/resources/126","Honorary Degrees, 1954-2006","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials.","Please note that oftentimes during Founders Week, multiple people were awarded honorary degrees, not just the Honorary Chancellor.  These are the files of those who were awarded degrees but were not Honorary Chancellors.","This collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). ","Please inquire if you have questions - archives@flsouthern.edu","The Florida Southern College Archives","Florida Southern College","English"],"unitid_tesim":["CA9045","/repositories/4/resources/126"],"normalized_date_ssm":["1954-2006"],"normalized_title_ssm":["Honorary Degrees, 1954-2006"],"collection_title_tesim":["Honorary Degrees, 1954-2006"],"collection_ssim":["Honorary Degrees, 1954-2006"],"repository_ssm":["The Florida Southern College Archives"],"repository_ssim":["The Florida Southern College Archives"],"creator_ssm":["Florida Southern College"],"creator_ssim":["Florida Southern College"],"creator_corpname_ssim":["Florida Southern College"],"creators_ssim":["Florida Southern College"],"access_terms_ssm":["This collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). ","Please inquire if you have questions - archives@flsouthern.edu"],"acqinfo_ssim":["These materials were generated by the college and transferred to the archives upon completion of their active status.\nThis is an active record group and new materials are added periodically."],"has_online_content_ssim":["false"],"extent_ssm":[".083 Linear Feet 2 Five Inch Legal Standard Archival Containers"],"extent_tesim":[".083 Linear Feet 2 Five Inch Legal Standard Archival Containers"],"date_range_isim":[1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials."],"odd_html_tesm":["\u003cp\u003ePlease note that oftentimes during Founders Week, multiple people were awarded honorary degrees, not just the Honorary Chancellor.  These are the files of those who were awarded degrees but were not Honorary Chancellors.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Please note that oftentimes during Founders Week, multiple people were awarded honorary degrees, not just the Honorary Chancellor.  These are the files of those who were awarded degrees but were not Honorary Chancellors."],"userestrict_html_tesm":["\u003cp\u003eThis collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). \u003c/p\u003e\n","\u003cp\u003ePlease inquire if you have questions - archives@flsouthern.edu\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). ","Please inquire if you have questions - archives@flsouthern.edu"],"names_ssim":["The Florida Southern College Archives","Florida Southern College"],"corpname_ssim":["The Florida Southern College Archives","Florida Southern College"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":106,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870846319717777408,"_root_":"0834c256efeb89858bac8b0d","timestamp":"2026-07-16T05:01:25.056Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/0834c256efeb89858bac8b0d_aspace_de9ad199cdc3635550ee649ee5ea0938"}},{"id":"403e7dfd5b3828fa1960ebdd_aspace_59697","type":"Series","attributes":{"title":"Poland Files, 1971-1985, Undated","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/403e7dfd5b3828fa1960ebdd_aspace_59697#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eSeries contains a poster collection called \"Perspektywa Polska\" created by the American Institute of Polish Culture in Miami, Florida; periodicals \"The Quarterly Review\" and \"The Quarterly Review of Polish Heritage\" issued by the American Council of Polish Cultural Clubs propagating the knowledge and appreciation of the culture and civilization of Poland; single issue from \"Mid-Florida Polonian\" and an exhibit flyer for \"Polish Masters, 19th and 20th Century Exhibit\" produced by the Polish American Cultural Society of Metro Orlando, Inc.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/403e7dfd5b3828fa1960ebdd_aspace_59697#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_59697","ref_ssm":["aspace_59697","aspace_59697"],"id":"403e7dfd5b3828fa1960ebdd_aspace_59697","title_filing_ssi":"Poland Files","title_ssm":["Poland Files"],"title_tesim":["Poland Files"],"unitdate_inclusive_ssm":["1971-1985, Undated"],"normalized_date_ssm":["1971-1985, Undated"],"normalized_title_ssm":["Poland Files, 1971-1985, Undated"],"text":["Poland Files, 1971-1985, Undated","Vincent J. Fonelli Collection, 1906-1985, bulk 1906-1985","2","/repositories/4/archival_objects/43731","Series contains a poster collection called \"Perspektywa Polska\" created by the American Institute of Polish Culture in Miami, Florida; periodicals \"The Quarterly Review\" and \"The Quarterly Review of Polish Heritage\" issued by the American Council of Polish Cultural Clubs propagating the knowledge and appreciation of the culture and civilization of Poland; single issue from \"Mid-Florida Polonian\" and an exhibit flyer for \"Polish Masters, 19th and 20th Century Exhibit\" produced by the Polish American Cultural Society of Metro Orlando, Inc."],"component_level_isim":[1],"parent_ids_ssim":["403e7dfd5b3828fa1960ebdd"],"parent_unittitles_ssm":["Vincent J. Fonelli Collection, 1906-1985, bulk 1906-1985"],"parent_unittitles_tesim":["Vincent J. Fonelli Collection, 1906-1985, bulk 1906-1985"],"parent_levels_ssm":["collection"],"unitid_ssm":["2","/repositories/4/archival_objects/43731"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Vincent J. Fonelli Collection, 1906-1985, bulk 1906-1985"],"has_online_content_ssim":["false"],"child_component_count_isi":6,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":8,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985],"scopecontent_html_tesm":["\u003cp\u003eSeries contains a poster collection called \"Perspektywa Polska\" created by the American Institute of Polish Culture in Miami, Florida; periodicals \"The Quarterly Review\" and \"The Quarterly Review of Polish Heritage\" issued by the American Council of Polish Cultural Clubs propagating the knowledge and appreciation of the culture and civilization of Poland; single issue from \"Mid-Florida Polonian\" and an exhibit flyer for \"Polish Masters, 19th and 20th Century Exhibit\" produced by the Polish American Cultural Society of Metro Orlando, Inc.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series contains a poster collection called \"Perspektywa Polska\" created by the American Institute of Polish Culture in Miami, Florida; periodicals \"The Quarterly Review\" and \"The Quarterly Review of Polish Heritage\" issued by the American Council of Polish Cultural Clubs propagating the knowledge and appreciation of the culture and civilization of Poland; single issue from \"Mid-Florida Polonian\" and an exhibit flyer for \"Polish Masters, 19th and 20th Century Exhibit\" produced by the Polish American Cultural Society of Metro Orlando, Inc."],"_nest_path_":"/components#1","_nest_parent_":"403e7dfd5b3828fa1960ebdd","_root_":"403e7dfd5b3828fa1960ebdd","_version_":1870857673609576448,"timestamp":"2026-07-16T08:01:52.973Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"403e7dfd5b3828fa1960ebdd","title_ssm":["Vincent J. Fonelli Collection"],"title_tesim":["Vincent J. Fonelli Collection"],"ead_ssi":"403e7dfd5b3828fa1960ebdd","unitdate_ssm":["1906-1985","1906-1985"],"unitdate_bulk_ssim":["1906-1985"],"unitdate_inclusive_ssm":["1906-1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.014","/repositories/4/resources/180"],"text":["SC.014","/repositories/4/resources/180","Vincent J. Fonelli Collection, 1906-1985, bulk 1906-1985","Architecture -- Designs and plans","Architecture -- Designs and plans -- Working drawings","Polish Americans -- History -- Periodicals","Posters -- Poland -- Exhibitions","Sculpture, American -- 21st century","The entire collection is open for research.","The collection is arranged in two series, Personal Papers and Poland Files.","Vincent J. Fonelli was born to Francesco Paola and Maria-Antonia Fonelli, on September 28, 1906, in Central Italy, near Salerno. The \"J\" in Fonelli's name stands for \"Jacobus\" in Roman, and \"James\" in English. He was the oldest of three brothers and two sisters. From boyhood, Fonelli had a great desire for art, and while in the Italian grade schools made his best grades in designing various objects. When he was about six years of age he told his father that he wanted to be a great artist. A little while later his father took him to Rome where he had some preliminary training in sculpture from a Roman Sculptor.","In June 1913, Fonelli had successfully convinced his aunt and uncle to take him to America, where he entered school, attending both day and evening classes to learn English. At sixteen, Fonelli obtained his first full-time job in a mechanical shop, while continuing school. He graduated from Bryant High School in Queens, New York and then entered Long Island City Technical School in Long Island, New York, becoming a first-class tool maker. At nineteen, Fonelli was admitted to Cooper Union Institute in New York to study intensively in Motor Vehicle Engineering, and passed his final examination with honors.","At twenty-three, Fonelli received his first United States mechanical patent in auto toys. Later he obtained a Canadian patent. Fonelli studied preliminary Aeronautical Engineering subjects at Daniel Guggenheim School of Aeronautics, at New York University. In 1927, Fonelli opened a small private school of Aeronautics in New York, known as Aviation Engineering School. He received a Government Instructor’s License for Airplane Ground Work and a Civil Aviation Act (CAA) license as Ground Instructor of Aircraft.","In 1947, Fonelli attended the University of California in Oakland, California and in 1951 entered Columbia University in New York to study architecture, art, and sculpture. He furthered his artistic education in Washington, D.C. at the American University and the Corcoran School of Art. He later became Captain for a Navy project and received patents for inventing the heart-shaped bed.","Fonelli married Cleo H. Neher, his second wife in December 1959. Over the course of his lifetime, he was an architect, artist, sculptor, educator, and creative inventor. Later on in life, Fonelli suffered from a severe heart attack from which he never fully recovered. On November 29, 1972, he passed away in Florence, Italy, but was buried in the United States at Mount Saint Mary Cemetery, in Flushing, New York.","Collection processed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten. Placed photographs in archival plastic sleeves; removed metal paperclips; placed all materials in acid free folders and boxes.","More materials may be found in University of Central Florida Special Collections Vertical Files (see folder: Polish American Cultural Society).","Series I: Personal Files, 1906-1972 contains a biography of Vincent J. Fonelli; two photographs of Vincent J. Fonelli as Chief Aeronautical Instructor at the Miami Senior High School; black \u0026 white and color photographs of his art work such as busts, sculptures and paintings; architectural design for Dr. L. L. Witmoore Clinic; various home designs and floor plans; charcoal and water color free hand drawings completed as part of home work for the School of Architecture at the Columbia University and School of Art at the George Washington University.","Series II: Poland Files, 1971-1985 includes journals such as The Quarterly Review and The Quarterly Review of Polish Heritage; exhibit brochure related to Polish Master Paintings 19th and 20th Century; and sixteen posters produced by various artists.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Vincent J. Fonelli Collection includes materials on the life and personal artwork of Fonelli, who lived from 1906 to 1972. The collection consists of architectural drawings, paintings, photographs, hand drawings, and sculptures done by Fonelli around his time at Columbia University. Polish posters and newsletters are also featured in the collection.","UCF Special Collections","Fonelli, Vincent J., 1906-1972","English"],"unitid_tesim":["SC.014","/repositories/4/resources/180"],"normalized_date_ssm":["1906-1985, bulk 1906-1985"],"normalized_title_ssm":["Vincent J. Fonelli Collection, 1906-1985, bulk 1906-1985"],"collection_title_tesim":["Vincent J. Fonelli Collection, 1906-1985, bulk 1906-1985"],"collection_ssim":["Vincent J. Fonelli Collection, 1906-1985, bulk 1906-1985"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Fonelli, Vincent J., 1906-1972"],"creator_ssim":["Fonelli, Vincent J., 1906-1972"],"creator_persname_ssim":["Fonelli, Vincent J., 1906-1972"],"creators_ssim":["Fonelli, Vincent J., 1906-1972"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Cleo H. Neher donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 1986 (CFM1986_01)."],"access_subjects_ssim":["Architecture -- Designs and plans","Architecture -- Designs and plans -- Working drawings","Polish Americans -- History -- Periodicals","Posters -- Poland -- Exhibitions","Sculpture, American -- 21st century"],"access_subjects_ssm":["Architecture -- Designs and plans","Architecture -- Designs and plans -- Working drawings","Polish Americans -- History -- Periodicals","Posters -- Poland -- Exhibitions","Sculpture, American -- 21st century"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 4 Boxes"],"extent_tesim":["2 Linear Feet 4 Boxes"],"date_range_isim":[1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in two series, Personal Papers and Poland Files.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged in two series, Personal Papers and Poland Files."],"bioghist_html_tesm":["\u003cp\u003eVincent J. Fonelli was born to Francesco Paola and Maria-Antonia Fonelli, on September 28, 1906, in Central Italy, near Salerno. The \"J\" in Fonelli's name stands for \"Jacobus\" in Roman, and \"James\" in English. He was the oldest of three brothers and two sisters. From boyhood, Fonelli had a great desire for art, and while in the Italian grade schools made his best grades in designing various objects. When he was about six years of age he told his father that he wanted to be a great artist. A little while later his father took him to Rome where he had some preliminary training in sculpture from a Roman Sculptor.\u003c/p\u003e\n","\u003cp\u003eIn June 1913, Fonelli had successfully convinced his aunt and uncle to take him to America, where he entered school, attending both day and evening classes to learn English. At sixteen, Fonelli obtained his first full-time job in a mechanical shop, while continuing school. He graduated from Bryant High School in Queens, New York and then entered Long Island City Technical School in Long Island, New York, becoming a first-class tool maker. At nineteen, Fonelli was admitted to Cooper Union Institute in New York to study intensively in Motor Vehicle Engineering, and passed his final examination with honors.\u003c/p\u003e\n","\u003cp\u003eAt twenty-three, Fonelli received his first United States mechanical patent in auto toys. Later he obtained a Canadian patent. Fonelli studied preliminary Aeronautical Engineering subjects at Daniel Guggenheim School of Aeronautics, at New York University. In 1927, Fonelli opened a small private school of Aeronautics in New York, known as Aviation Engineering School. He received a Government Instructor\u0026#x92;s License for Airplane Ground Work and a Civil Aviation Act (CAA) license as Ground Instructor of Aircraft.\u003c/p\u003e\n","\u003cp\u003eIn 1947, Fonelli attended the University of California in Oakland, California and in 1951 entered Columbia University in New York to study architecture, art, and sculpture. He furthered his artistic education in Washington, D.C. at the American University and the Corcoran School of Art. He later became Captain for a Navy project and received patents for inventing the heart-shaped bed.\u003c/p\u003e\n","\u003cp\u003eFonelli married Cleo H. Neher, his second wife in December 1959. Over the course of his lifetime, he was an architect, artist, sculptor, educator, and creative inventor. Later on in life, Fonelli suffered from a severe heart attack from which he never fully recovered. On November 29, 1972, he passed away in Florence, Italy, but was buried in the United States at Mount Saint Mary Cemetery, in Flushing, New York.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Vincent J. Fonelli was born to Francesco Paola and Maria-Antonia Fonelli, on September 28, 1906, in Central Italy, near Salerno. The \"J\" in Fonelli's name stands for \"Jacobus\" in Roman, and \"James\" in English. He was the oldest of three brothers and two sisters. From boyhood, Fonelli had a great desire for art, and while in the Italian grade schools made his best grades in designing various objects. When he was about six years of age he told his father that he wanted to be a great artist. A little while later his father took him to Rome where he had some preliminary training in sculpture from a Roman Sculptor.","In June 1913, Fonelli had successfully convinced his aunt and uncle to take him to America, where he entered school, attending both day and evening classes to learn English. At sixteen, Fonelli obtained his first full-time job in a mechanical shop, while continuing school. He graduated from Bryant High School in Queens, New York and then entered Long Island City Technical School in Long Island, New York, becoming a first-class tool maker. At nineteen, Fonelli was admitted to Cooper Union Institute in New York to study intensively in Motor Vehicle Engineering, and passed his final examination with honors.","At twenty-three, Fonelli received his first United States mechanical patent in auto toys. Later he obtained a Canadian patent. Fonelli studied preliminary Aeronautical Engineering subjects at Daniel Guggenheim School of Aeronautics, at New York University. In 1927, Fonelli opened a small private school of Aeronautics in New York, known as Aviation Engineering School. He received a Government Instructor’s License for Airplane Ground Work and a Civil Aviation Act (CAA) license as Ground Instructor of Aircraft.","In 1947, Fonelli attended the University of California in Oakland, California and in 1951 entered Columbia University in New York to study architecture, art, and sculpture. He furthered his artistic education in Washington, D.C. at the American University and the Corcoran School of Art. He later became Captain for a Navy project and received patents for inventing the heart-shaped bed.","Fonelli married Cleo H. Neher, his second wife in December 1959. Over the course of his lifetime, he was an architect, artist, sculptor, educator, and creative inventor. Later on in life, Fonelli suffered from a severe heart attack from which he never fully recovered. On November 29, 1972, he passed away in Florence, Italy, but was buried in the United States at Mount Saint Mary Cemetery, in Flushing, New York."],"prefercite_html_tesm":["\u003cp\u003eVincent J. Fonelli Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Vincent J. Fonelli Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten. Placed photographs in archival plastic sleeves; removed metal paperclips; placed all materials in acid free folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten. Placed photographs in archival plastic sleeves; removed metal paperclips; placed all materials in acid free folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eMore materials may be found in University of Central Florida Special Collections Vertical Files (see folder: Polish American Cultural Society).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["More materials may be found in University of Central Florida Special Collections Vertical Files (see folder: Polish American Cultural Society)."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Personal Files, 1906-1972 contains a biography of Vincent J. Fonelli; two photographs of Vincent J. Fonelli as Chief Aeronautical Instructor at the Miami Senior High School; black \u0026amp; white and color photographs of his art work such as busts, sculptures and paintings; architectural design for Dr. L. L. Witmoore Clinic; various home designs and floor plans; charcoal and water color free hand drawings completed as part of home work for the School of Architecture at the Columbia University and School of Art at the George Washington University.\u003c/p\u003e\n","\u003cp\u003eSeries II: Poland Files, 1971-1985 includes journals such as The Quarterly Review and The Quarterly Review of Polish Heritage; exhibit brochure related to Polish Master Paintings 19th and 20th Century; and sixteen posters produced by various artists.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Personal Files, 1906-1972 contains a biography of Vincent J. Fonelli; two photographs of Vincent J. Fonelli as Chief Aeronautical Instructor at the Miami Senior High School; black \u0026 white and color photographs of his art work such as busts, sculptures and paintings; architectural design for Dr. L. L. Witmoore Clinic; various home designs and floor plans; charcoal and water color free hand drawings completed as part of home work for the School of Architecture at the Columbia University and School of Art at the George Washington University.","Series II: Poland Files, 1971-1985 includes journals such as The Quarterly Review and The Quarterly Review of Polish Heritage; exhibit brochure related to Polish Master Paintings 19th and 20th Century; and sixteen posters produced by various artists."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a799965194be9b6b84c607e3d2f3aaab\" label=\"Abstract\"\u003eThe Vincent J. Fonelli Collection includes materials on the life and personal artwork of Fonelli, who lived from 1906 to 1972. The collection consists of architectural drawings, paintings, photographs, hand drawings, and sculptures done by Fonelli around his time at Columbia University. Polish posters and newsletters are also featured in the collection.\u003c/abstract\u003e"],"abstract_tesim":["The Vincent J. Fonelli Collection includes materials on the life and personal artwork of Fonelli, who lived from 1906 to 1972. The collection consists of architectural drawings, paintings, photographs, hand drawings, and sculptures done by Fonelli around his time at Columbia University. Polish posters and newsletters are also featured in the collection."],"names_ssim":["UCF Special Collections","Fonelli, Vincent J., 1906-1972"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Fonelli, Vincent J., 1906-1972"],"persname_ssim":["Fonelli, Vincent J., 1906-1972"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":14,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857673609576448,"_root_":"403e7dfd5b3828fa1960ebdd","timestamp":"2026-07-16T08:01:52.973Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/403e7dfd5b3828fa1960ebdd_aspace_59697"}},{"id":"811f381f7c037727065a7284","type":"collection","attributes":{"title":"Police Collective Bargaining Agreement # 3, bulk 1937-1991","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/811f381f7c037727065a7284#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection entails bargaining agreements, contracts, and complaints between the state and local police officers of Florida involving the Florida Police Benevolent Association, one of many labor unions involving police officers. Additionally, in this collection are listed manuals and demands during collective bargaining negotiations to ensure all police officers received fair pay, benefits, and pension.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/811f381f7c037727065a7284#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"811f381f7c037727065a7284","title_ssm":["Police Collective Bargaining Agreement # 3"],"title_tesim":["Police Collective Bargaining Agreement # 3"],"ead_ssi":"811f381f7c037727065a7284","unitdate_ssm":["1937-1991"],"unitdate_bulk_ssim":["1937-1991"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC5042","/repositories/2/resources/49"],"text":["SPC5042","/repositories/2/resources/49","Police Collective Bargaining Agreement # 3, bulk 1937-1991","The collection is open for research.","In this collection, the numerous documents pertaining to various agreements is held within three boxes.","Originally founded in 1892, the Police Benevolent Association (PBA) stood for the belief that all police officers are entitled to fair compensation including pay, benefits, and hours worked. While part of the several labor unions, the Patrolmen's Benevolent Association of the City of New York is the largest of the PBA and is generally associated with the National Association of Police Organizations (NAPO).","This collection entails bargaining agreements, contracts, and complaints between the state and local police officers of Florida involving the Florida Police Benevolent Association, one of many labor unions involving police officers. Additionally, in this collection are listed manuals and demands during collective bargaining negotiations to ensure all police officers received fair pay, benefits, and pension.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","English"],"unitid_tesim":["SPC5042","/repositories/2/resources/49"],"normalized_date_ssm":["bulk 1937-1991"],"normalized_title_ssm":["Police Collective Bargaining Agreement # 3, bulk 1937-1991"],"collection_title_tesim":["Police Collective Bargaining Agreement # 3, bulk 1937-1991"],"collection_ssim":["Police Collective Bargaining Agreement # 3, bulk 1937-1991"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation"],"has_online_content_ssim":["false"],"extent_ssm":["3 boxes"],"extent_tesim":["3 boxes"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eIn this collection, the numerous documents pertaining to various agreements is held within three boxes.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["In this collection, the numerous documents pertaining to various agreements is held within three boxes."],"bioghist_html_tesm":["\u003cp\u003eOriginally founded in 1892, the Police Benevolent Association (PBA) stood for the belief that all police officers are entitled to fair compensation including pay, benefits, and hours worked. 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Additionally, in this collection are listed manuals and demands during collective bargaining negotiations to ensure all police officers received fair pay, benefits, and pension.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection entails bargaining agreements, contracts, and complaints between the state and local police officers of Florida involving the Florida Police Benevolent Association, one of many labor unions involving police officers. Additionally, in this collection are listed manuals and demands during collective bargaining negotiations to ensure all police officers received fair pay, benefits, and pension."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":92,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844619444453376,"_root_":"811f381f7c037727065a7284","timestamp":"2026-07-16T04:34:23.550Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"811f381f7c037727065a7284","title_ssm":["Police Collective Bargaining Agreement # 3"],"title_tesim":["Police Collective Bargaining Agreement # 3"],"ead_ssi":"811f381f7c037727065a7284","unitdate_ssm":["1937-1991"],"unitdate_bulk_ssim":["1937-1991"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC5042","/repositories/2/resources/49"],"text":["SPC5042","/repositories/2/resources/49","Police Collective Bargaining Agreement # 3, bulk 1937-1991","The collection is open for research.","In this collection, the numerous documents pertaining to various agreements is held within three boxes.","Originally founded in 1892, the Police Benevolent Association (PBA) stood for the belief that all police officers are entitled to fair compensation including pay, benefits, and hours worked. 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Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","English"],"unitid_tesim":["SPC5042","/repositories/2/resources/49"],"normalized_date_ssm":["bulk 1937-1991"],"normalized_title_ssm":["Police Collective Bargaining Agreement # 3, bulk 1937-1991"],"collection_title_tesim":["Police Collective Bargaining Agreement # 3, bulk 1937-1991"],"collection_ssim":["Police Collective Bargaining Agreement # 3, bulk 1937-1991"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights: In copyright. 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Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":92,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844619444453376,"_root_":"811f381f7c037727065a7284","timestamp":"2026-07-16T04:34:23.550Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/811f381f7c037727065a7284"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","value":"Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","hits":261},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Audubon+Society+Corkscrew+Swamp+Sanctuary+records%2C+1937-2019\u0026f%5Bdate_range%5D%5B%5D=1982"}},{"attributes":{"label":"Michael A. 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