{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1982\u0026page=393\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1982\u0026page=392\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1982\u0026page=394\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1982\u0026page=589\u0026view=compact"},"meta":{"pages":{"current_page":393,"next_page":394,"prev_page":392,"total_pages":589,"limit_value":10,"offset_value":3920,"total_count":5882,"first_page?":false,"last_page?":false}},"data":[{"id":"05176a8238a411947dafe2de_aspace_16749","type":"Subseries","attributes":{"title":"Orlando Files, 1970-2003","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/05176a8238a411947dafe2de_aspace_16749#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_16749","ref_ssm":["aspace_16749","aspace_16749"],"id":"05176a8238a411947dafe2de_aspace_16749","title_filing_ssi":"Orlando Files","title_ssm":["Orlando Files"],"title_tesim":["Orlando Files"],"unitdate_inclusive_ssm":["1970-2003"],"normalized_date_ssm":["1970-2003"],"normalized_title_ssm":["Orlando Files, 1970-2003"],"text":["Orlando Files, 1970-2003","George and Anne Millay Collection, 1959-2006","Sea World, 1959-2004","Sub-Series 6","/repositories/4/archival_objects/36847"],"component_level_isim":[2],"parent_ids_ssim":["05176a8238a411947dafe2de","05176a8238a411947dafe2de_aspace_16680"],"parent_unittitles_ssm":["George and Anne Millay Collection, 1959-2006","Sea World, 1959-2004"],"parent_unittitles_tesim":["George and Anne Millay Collection, 1959-2006","Sea World, 1959-2004"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 6","/repositories/4/archival_objects/36847"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["George and Anne Millay Collection, 1959-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":14,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":359,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"_nest_path_":"/components#1/components#6","_nest_parent_":"05176a8238a411947dafe2de_aspace_16680","_root_":"05176a8238a411947dafe2de","timestamp":"2026-07-09T03:02:51.250Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"05176a8238a411947dafe2de","title_ssm":["George and Anne Millay Collection"],"title_tesim":["George and Anne Millay Collection"],"ead_ssi":"05176a8238a411947dafe2de","unitdate_ssm":["1959-2006"],"unitdate_inclusive_ssm":["1959-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.079","/repositories/4/resources/154"],"text":["SC.079","/repositories/4/resources/154","George and Anne Millay Collection, 1959-2006","Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)","Amusement parks","Water parks","Marine aquariums","Public aquariums","Tourism","Blueprints","Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings","The entire collection is open for research.","The papers are arranged in five series by topic.","George Millay was born on 4th July 1929. While his Father was in the navy, George's family lived at Pearl Harbor, and he witnessed the 1941 attack. George himself served in the navy for more than three years as a weather forecaster; for part of the time he was on the USS Bairoko. After graduating from the University of California, Los Angeles with a degree in meteorology in 1955, George Millay worked for a stockbroking firm until 1960. He married Anne Real in 1963; they eventually had three sons and a daughter.","\nIn 1958, Millay opened the Reef restaurant in Los Angeles with David Tallichet. He planned to create a submarine bar there so that customers could view sea creatures while enjoying cocktails. The plan failed because the water in the harbor was too cloudy. However, his interest in marine life introduced him to Dr. Kenneth Norris, curator at Marineland. Together with Milton Shedd and David DeMott, they organized the Marine Park Corporation to create a marine park in San Diego. Sea World opened in 1964 and expanded in 1970 with a park in Ohio followed by the Orlando park in 1972. Sea World Inc. opened an amusement park in Valencia California on 29th May 1971 in partnership with Newhall Land and Farming. Officially named \"Magic Mountain\", the park was designated \"Tragic Mountain\" by a reporter who was injured there. Sea World did not make a profit on the venture and sold out to its partner late in 1971. Millay resigned from Sea World Inc in 1974 because of a disagreement with his partners over how the company should develop.","\nGeorge Millay had spent a lot of time at Sea World in Orlando, and he thought that families would enjoy water activities as a break from the Florida heat. He pulled together ideas from a water playground at the Toronto World's Fair, a flume near Sacramento and a wave pool in Alabama, added a children's playgound, restrooms, gift shop and snack bar to create a new concept. He formed the Leisure Marine Corporation to develop his idea. Initially, the company ran the Seven Seas park in Arlington, TX, for a season, but the venture did not develop further. Wet 'n Wild eventually became a reality in Orlando, where it opened in 1977. The company took over the failing Seven Seas park and redeveloped it into the second Wet 'n Wild in 1983 followed by Las Vegas in 1985. Additional sites opened in Garland, TX, Brazil and Mexico. Wet 'n Wild was named the Best of Aquatics for 2003 by Aquatics International magazine.","\nMillay retired from Wet 'n Wild in 1998, but he continued to work on new projects. He designed and patented a system for moving visitors down into the center of a circular aquarium so that everyone had a good view of the fish. Millay partnered with William Watts and David Powell in creating a company named Sea Venture to sell the system. At the time of his death in 2006, no examples of the system had been sold.","\nGeorge Millay received Lifetime Achievement Awards from the International Association of Amusement Parks and Attractions and the Themed Entertainment Association, and he was named the Father of the Waterpark Industry by the World Waterpark Association. Tim O'Brien wrote Millay's biography entitled The Wave Maker in 2004.","Collection processed by Judith Beale; finding aid prepared by Judith Beale. Materials received in 2010 processed and added to the collection in 2016 by Suphi Burak Ogreten. ","Materials were removed from binders. Some smaller items were removed from frames. One photograph was digitized, as it was stuck to glass, then removed from the glass. Photographs and slides were sleeved. Faxes were photocopied and traced in pencil to make them clearer. Audiocassettes and slides were removed from their cases because the foam was disintegrating. Plaques and awards were wrapped and documents were placed in pH neutral folders and boxes.","Other collections include Harrison \"Buzz\" Price Papers and the Al Turner, Splash Magazine Collection may be found by searching our online  Library Catalog .","Series I: Wet 'n Wild, 1974-2005 holds correspondence, minutes, advertising materials, photographs, memorabilia, news clippings, reports and plans concerning all aspects of the founding and management of the Wet 'n Wild Parks.","\nSeries II: Sea World, 1959-2004 contains correspondence, news clippings, scrapbooks, photographs, reports and memorabilia documenting all aspects of the founding and management of Sea World, Inc.","\nSeries III: Sea Venture, 1998-2004 contains correspondence, plans, photographs and contracts concerning the patenting and marketing of George Millay's system for transporting visitors down into a doughnut-shaped aquarium.","\nSeries IV: Personal, 1965-2006 holds photographs, audio, video, correspondence, memorabilia and brochures that document projects, accolades and memorials. The series includes resources used in Millay's biography and a file on the opening of Disney World.","\nSeries V: Additional Materials, 1965-1999 includes newspaper and magazine clippings, photographs, pamphlets, correspondence, annual reports, proposals, and various ephemera related to the Wet'n Wild, Sea World, and Seven Seas parks.","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","George Millay founded both Sea World and Wet 'n Wild for which he was named Father of the Waterpark Industry. This collection of correspondence, photographs, memorabilia, news clippings, reports and audio visual materials documents the complicated and not always successful process of building a new waterpark. In addition to materials concerning Sea World and Wet 'n Wild, the collection contains information on George Millay's other projects and his personal achievements.","UCF Special Collections","Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World","Millay, Anne, 1934-2006","Millay, George","English"],"unitid_tesim":["SC.079","/repositories/4/resources/154"],"normalized_date_ssm":["1959-2006"],"normalized_title_ssm":["George and Anne Millay Collection, 1959-2006"],"collection_title_tesim":["George and Anne Millay Collection, 1959-2006"],"collection_ssim":["George and Anne Millay Collection, 1959-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)"],"geogname_ssim":["Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)"],"creator_ssm":["Millay, Anne, 1934-2006"],"creator_ssim":["Millay, Anne, 1934-2006"],"creator_persname_ssim":["Millay, Anne, 1934-2006"],"creators_ssim":["Millay, Anne, 1934-2006"],"places_ssim":["Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The Millay family donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2007 (CFM2007_15) and 2010 (CFM2010_04)."],"access_subjects_ssim":["Amusement parks","Water parks","Marine aquariums","Public aquariums","Tourism","Blueprints","Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings"],"access_subjects_ssm":["Amusement parks","Water parks","Marine aquariums","Public aquariums","Tourism","Blueprints","Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings"],"has_online_content_ssim":["false"],"extent_ssm":["21.25 Linear Feet 22 Boxes, 8 Flat Files, 5 Framed Items"],"extent_tesim":["21.25 Linear Feet 22 Boxes, 8 Flat Files, 5 Framed Items"],"genreform_ssim":["Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings"],"date_range_isim":[1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe papers are arranged in five series by topic.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The papers are arranged in five series by topic."],"bioghist_html_tesm":["\u003cp\u003eGeorge Millay was born on 4th July 1929. While his Father was in the navy, George's family lived at Pearl Harbor, and he witnessed the 1941 attack. George himself served in the navy for more than three years as a weather forecaster; for part of the time he was on the USS Bairoko. After graduating from the University of California, Los Angeles with a degree in meteorology in 1955, George Millay worked for a stockbroking firm until 1960. He married Anne Real in 1963; they eventually had three sons and a daughter.\u003c/p\u003e\n","\u003cp\u003e\nIn 1958, Millay opened the Reef restaurant in Los Angeles with David Tallichet. He planned to create a submarine bar there so that customers could view sea creatures while enjoying cocktails. The plan failed because the water in the harbor was too cloudy. However, his interest in marine life introduced him to Dr. Kenneth Norris, curator at Marineland. Together with Milton Shedd and David DeMott, they organized the Marine Park Corporation to create a marine park in San Diego. Sea World opened in 1964 and expanded in 1970 with a park in Ohio followed by the Orlando park in 1972. Sea World Inc. opened an amusement park in Valencia California on 29th May 1971 in partnership with Newhall Land and Farming. Officially named \"Magic Mountain\", the park was designated \"Tragic Mountain\" by a reporter who was injured there. Sea World did not make a profit on the venture and sold out to its partner late in 1971. Millay resigned from Sea World Inc in 1974 because of a disagreement with his partners over how the company should develop.\u003c/p\u003e\n","\u003cp\u003e\nGeorge Millay had spent a lot of time at Sea World in Orlando, and he thought that families would enjoy water activities as a break from the Florida heat. He pulled together ideas from a water playground at the Toronto World's Fair, a flume near Sacramento and a wave pool in Alabama, added a children's playgound, restrooms, gift shop and snack bar to create a new concept. He formed the Leisure Marine Corporation to develop his idea. Initially, the company ran the Seven Seas park in Arlington, TX, for a season, but the venture did not develop further. Wet 'n Wild eventually became a reality in Orlando, where it opened in 1977. The company took over the failing Seven Seas park and redeveloped it into the second Wet 'n Wild in 1983 followed by Las Vegas in 1985. Additional sites opened in Garland, TX, Brazil and Mexico. Wet 'n Wild was named the Best of Aquatics for 2003 by Aquatics International magazine.\u003c/p\u003e\n","\u003cp\u003e\nMillay retired from Wet 'n Wild in 1998, but he continued to work on new projects. He designed and patented a system for moving visitors down into the center of a circular aquarium so that everyone had a good view of the fish. Millay partnered with William Watts and David Powell in creating a company named Sea Venture to sell the system. At the time of his death in 2006, no examples of the system had been sold.\u003c/p\u003e\n","\u003cp\u003e\nGeorge Millay received Lifetime Achievement Awards from the International Association of Amusement Parks and Attractions and the Themed Entertainment Association, and he was named the Father of the Waterpark Industry by the World Waterpark Association. Tim O'Brien wrote Millay's biography entitled The Wave Maker in 2004.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["George Millay was born on 4th July 1929. While his Father was in the navy, George's family lived at Pearl Harbor, and he witnessed the 1941 attack. George himself served in the navy for more than three years as a weather forecaster; for part of the time he was on the USS Bairoko. After graduating from the University of California, Los Angeles with a degree in meteorology in 1955, George Millay worked for a stockbroking firm until 1960. He married Anne Real in 1963; they eventually had three sons and a daughter.","\nIn 1958, Millay opened the Reef restaurant in Los Angeles with David Tallichet. He planned to create a submarine bar there so that customers could view sea creatures while enjoying cocktails. The plan failed because the water in the harbor was too cloudy. However, his interest in marine life introduced him to Dr. Kenneth Norris, curator at Marineland. Together with Milton Shedd and David DeMott, they organized the Marine Park Corporation to create a marine park in San Diego. Sea World opened in 1964 and expanded in 1970 with a park in Ohio followed by the Orlando park in 1972. Sea World Inc. opened an amusement park in Valencia California on 29th May 1971 in partnership with Newhall Land and Farming. Officially named \"Magic Mountain\", the park was designated \"Tragic Mountain\" by a reporter who was injured there. Sea World did not make a profit on the venture and sold out to its partner late in 1971. Millay resigned from Sea World Inc in 1974 because of a disagreement with his partners over how the company should develop.","\nGeorge Millay had spent a lot of time at Sea World in Orlando, and he thought that families would enjoy water activities as a break from the Florida heat. He pulled together ideas from a water playground at the Toronto World's Fair, a flume near Sacramento and a wave pool in Alabama, added a children's playgound, restrooms, gift shop and snack bar to create a new concept. He formed the Leisure Marine Corporation to develop his idea. Initially, the company ran the Seven Seas park in Arlington, TX, for a season, but the venture did not develop further. Wet 'n Wild eventually became a reality in Orlando, where it opened in 1977. The company took over the failing Seven Seas park and redeveloped it into the second Wet 'n Wild in 1983 followed by Las Vegas in 1985. Additional sites opened in Garland, TX, Brazil and Mexico. Wet 'n Wild was named the Best of Aquatics for 2003 by Aquatics International magazine.","\nMillay retired from Wet 'n Wild in 1998, but he continued to work on new projects. He designed and patented a system for moving visitors down into the center of a circular aquarium so that everyone had a good view of the fish. Millay partnered with William Watts and David Powell in creating a company named Sea Venture to sell the system. At the time of his death in 2006, no examples of the system had been sold.","\nGeorge Millay received Lifetime Achievement Awards from the International Association of Amusement Parks and Attractions and the Themed Entertainment Association, and he was named the Father of the Waterpark Industry by the World Waterpark Association. Tim O'Brien wrote Millay's biography entitled The Wave Maker in 2004."],"prefercite_html_tesm":["\u003cp\u003eGeorge and Anne Millay Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["George and Anne Millay Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Judith Beale; finding aid prepared by Judith Beale. Materials received in 2010 processed and added to the collection in 2016 by Suphi Burak Ogreten. \u003c/p\u003e","\u003cp\u003eMaterials were removed from binders. Some smaller items were removed from frames. One photograph was digitized, as it was stuck to glass, then removed from the glass. Photographs and slides were sleeved. Faxes were photocopied and traced in pencil to make them clearer. Audiocassettes and slides were removed from their cases because the foam was disintegrating. Plaques and awards were wrapped and documents were placed in pH neutral folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Judith Beale; finding aid prepared by Judith Beale. Materials received in 2010 processed and added to the collection in 2016 by Suphi Burak Ogreten. ","Materials were removed from binders. Some smaller items were removed from frames. One photograph was digitized, as it was stuck to glass, then removed from the glass. Photographs and slides were sleeved. Faxes were photocopied and traced in pencil to make them clearer. Audiocassettes and slides were removed from their cases because the foam was disintegrating. Plaques and awards were wrapped and documents were placed in pH neutral folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eOther collections include Harrison \"Buzz\" Price Papers and the Al Turner, Splash Magazine Collection may be found by searching our online \u003cextref href=\"https://library.ucf.edu\"\u003eLibrary Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other collections include Harrison \"Buzz\" Price Papers and the Al Turner, Splash Magazine Collection may be found by searching our online  Library Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Wet 'n Wild, 1974-2005 holds correspondence, minutes, advertising materials, photographs, memorabilia, news clippings, reports and plans concerning all aspects of the founding and management of the Wet 'n Wild Parks.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Sea World, 1959-2004 contains correspondence, news clippings, scrapbooks, photographs, reports and memorabilia documenting all aspects of the founding and management of Sea World, Inc.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Sea Venture, 1998-2004 contains correspondence, plans, photographs and contracts concerning the patenting and marketing of George Millay's system for transporting visitors down into a doughnut-shaped aquarium.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal, 1965-2006 holds photographs, audio, video, correspondence, memorabilia and brochures that document projects, accolades and memorials. The series includes resources used in Millay's biography and a file on the opening of Disney World.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Additional Materials, 1965-1999 includes newspaper and magazine clippings, photographs, pamphlets, correspondence, annual reports, proposals, and various ephemera related to the Wet'n Wild, Sea World, and Seven Seas parks.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Wet 'n Wild, 1974-2005 holds correspondence, minutes, advertising materials, photographs, memorabilia, news clippings, reports and plans concerning all aspects of the founding and management of the Wet 'n Wild Parks.","\nSeries II: Sea World, 1959-2004 contains correspondence, news clippings, scrapbooks, photographs, reports and memorabilia documenting all aspects of the founding and management of Sea World, Inc.","\nSeries III: Sea Venture, 1998-2004 contains correspondence, plans, photographs and contracts concerning the patenting and marketing of George Millay's system for transporting visitors down into a doughnut-shaped aquarium.","\nSeries IV: Personal, 1965-2006 holds photographs, audio, video, correspondence, memorabilia and brochures that document projects, accolades and memorials. The series includes resources used in Millay's biography and a file on the opening of Disney World.","\nSeries V: Additional Materials, 1965-1999 includes newspaper and magazine clippings, photographs, pamphlets, correspondence, annual reports, proposals, and various ephemera related to the Wet'n Wild, Sea World, and Seven Seas parks."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e2b9aba5ed67fc882ac4591fdb37c3fb\" label=\"Abstract\"\u003eGeorge Millay founded both Sea World and Wet 'n Wild for which he was named Father of the Waterpark Industry. This collection of correspondence, photographs, memorabilia, news clippings, reports and audio visual materials documents the complicated and not always successful process of building a new waterpark. In addition to materials concerning Sea World and Wet 'n Wild, the collection contains information on George Millay's other projects and his personal achievements.\u003c/abstract\u003e"],"abstract_tesim":["George Millay founded both Sea World and Wet 'n Wild for which he was named Father of the Waterpark Industry. This collection of correspondence, photographs, memorabilia, news clippings, reports and audio visual materials documents the complicated and not always successful process of building a new waterpark. In addition to materials concerning Sea World and Wet 'n Wild, the collection contains information on George Millay's other projects and his personal achievements."],"names_coll_ssim":["Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World","Millay, George","Millay, Anne, 1934-2006"],"names_ssim":["UCF Special Collections","Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World","Millay, Anne, 1934-2006","Millay, George"],"corpname_ssim":["UCF Special Collections","Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World"],"persname_ssim":["Millay, Anne, 1934-2006","Millay, George"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":680,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"05176a8238a411947dafe2de","timestamp":"2026-07-09T03:02:51.250Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/05176a8238a411947dafe2de_aspace_16749"}},{"id":"34d15c9d09dda504e1f86cad_aspace_39234","type":"File","attributes":{"title":"Orlando Human Relations Review Board, 1979-1983","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/34d15c9d09dda504e1f86cad_aspace_39234#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_39234","ref_ssm":["aspace_39234","aspace_39234"],"id":"34d15c9d09dda504e1f86cad_aspace_39234","title_filing_ssi":"Orlando Human Relations Review Board","title_ssm":["Orlando Human Relations Review Board"],"title_tesim":["Orlando Human Relations Review Board"],"unitdate_inclusive_ssm":["1979-1983"],"normalized_date_ssm":["1979-1983"],"normalized_title_ssm":["Orlando Human Relations Review Board, 1979-1983"],"text":["Orlando Human Relations Review Board, 1979-1983","Lynda Van Scoyoc Women's Feminist Papers Collection, 1970-2001","Outside Interests, 1970-2000","Local Projects, 1971-1986","Folder 27","/repositories/4/archival_objects/4958","box 3","folder 27"],"component_level_isim":[3],"parent_ids_ssim":["34d15c9d09dda504e1f86cad","34d15c9d09dda504e1f86cad_aspace_39216","34d15c9d09dda504e1f86cad_aspace_39231"],"parent_unittitles_ssm":["Lynda Van Scoyoc Women's Feminist Papers Collection, 1970-2001","Outside Interests, 1970-2000","Local Projects, 1971-1986"],"parent_unittitles_tesim":["Lynda Van Scoyoc Women's Feminist Papers Collection, 1970-2001","Outside Interests, 1970-2000","Local Projects, 1971-1986"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 27","/repositories/4/archival_objects/4958"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Lynda Van Scoyoc Women's Feminist Papers Collection, 1970-2001"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":69,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1979,1980,1981,1982,1983],"containers_ssim":["box 3","folder 27"],"_nest_path_":"/components#1/components#1/components#1","_nest_parent_":"34d15c9d09dda504e1f86cad_aspace_39231","_root_":"34d15c9d09dda504e1f86cad","_version_":1870857781102247936,"timestamp":"2026-07-16T08:03:35.484Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"34d15c9d09dda504e1f86cad","title_ssm":["Lynda Van Scoyoc Women's Feminist Papers Collection"],"title_tesim":["Lynda Van Scoyoc Women's Feminist Papers Collection"],"ead_ssi":"34d15c9d09dda504e1f86cad","unitdate_ssm":["1970-2001"],"unitdate_inclusive_ssm":["1970-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.060","/repositories/4/resources/22"],"text":["SC.060","/repositories/4/resources/22","Lynda Van Scoyoc Women's Feminist Papers Collection, 1970-2001","United States -- Politics and government","Florida","Political Action Committees","Women political activists","Equal Rights Amendments","Women -- Suffrage -- United States -- History","Women -- Political activity -- United States","Political clubs","Feminism -- United States","Women's rights -- United States","The entire collection is open for research.","The latter half of the twentieth century has seen vast changes for women both socially and politically. While the development of women's political caucuses played a large role, the change in women's rights would not have come about without the efforts of the women who participated in these organizations. Locally, Lynda Van Scoyoc was one of those many women's rights advocates, having worked to establish womens' voices in the world of politics for three decades.","\nLynda Van Scoyoc's work began in the early 1970's with the Orlando Police Officer's Auxiliary, serving as the organization's Vice President. As her husband was himself an area police officer, Van Scoyoc helped develop training programs for police officer's wives. These training programs were meant to educate women as well to help them to understand the rigors and demands of being a police officer.","\nDuring a 1975 trip to Tallahassee, Florida for an Equal Rights Amendment event that Van Scoyoc and others would begin to develop the Metropolitan Orlando Women's Political Caucus (MOWPC). Working with the Florida Women's Political Caucus (FLWPC), the MOWPC was formed later that year and installed Van Scoyoc as its first president. Through her involvement as founder of the MOWPC, Van Scoyoc became active at the national level, serving on the National Women's Political Caucus (NWPC) Membership Committee from 1985-1987, serving as the NWPC's fund-raising chair from 1987-1989, as well as being the NWPC's Delegate-at-Large and serving on the Administrative Committee from 1989-1993.","Lynda Van Scoyoc passed away at the Orlando Regional Medical Center on Wednesday, May 6, 2020. Burial service was held on May 14 at Woodlawn Memorial Park in Gotha, Florida. ","Collection processed by April Karlene Anderson and Nava Cohen; finding aid prepared by April Karlene Anderson and Nava Cohen. ","All paper clips have been removed and replaced with plastic clips. Post-it notes have been moved to the edges of pages. Photographs have been placed in clear archival sleeves. All documents have been placed in acid free folders and all materials have been re-housed in acid free boxes.","Lou Frey Papers , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","Lou Frey Institute of Politics and Government Collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","George Stuart Papers , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","Phyllis J. Hudson Political Papers , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","Beatrice B. Ettinger Papers , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","Series I: Women's Political Caucus, 1970-2001 holds materials collected by Van Scoyoc during her time with the various women's political caucuses in which she worked. Many of the materials are from conventions that Van Scoyoc attended for the NWPC as well as the FLWPC. Materials also include meeting notes, correspondence, news clippings, stickers, and metal buttons.","\nSeries II: Outside Interests, 1970-2000, holds materials collected by Van Scoyoc that she acquired while working with committees not affiliated with any of the Women's Political Caucuses. Several of the committees Van Scoyoc served on were likely due to her status with the various caucuses, however, Van Scoyoc served on them in a singular capacity. These materials include meeting notes, correspondence, news clippings, stickers, and metal buttons.","\nSeries III: Feminist Research, 1970-1998 holds materials collected by Van Scoyoc on feminism in the United States and Russia. Items collected in this series relate to women's stories from magazines and newsclippings. Several religious brochures are also in this series.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The Lynda Van Scoyoc Feminist Papers Collection contains the materials collected by Lynda Van Scoyoc during her time working with the National Women's Political Caucus, Florida Women's Political Caucus, and the Metropolitan Orlando Women's Political Caucus. This collection reflects the growth of each organization during the late 20th century as well as chronicling the struggle by each group in their efforts to make positive changes to women's rights. Researchers should note that portions of this collection were written only in shorthand notation.","UCF Special Collections","National Women's Political Caucus (U.S.)","Van Scoyoc, Lynda, 1930-2020","English"],"unitid_tesim":["SC.060","/repositories/4/resources/22"],"normalized_date_ssm":["1970-2001"],"normalized_title_ssm":["Lynda Van Scoyoc Women's Feminist Papers Collection, 1970-2001"],"collection_title_tesim":["Lynda Van Scoyoc Women's Feminist Papers Collection, 1970-2001"],"collection_ssim":["Lynda Van Scoyoc Women's Feminist Papers Collection, 1970-2001"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["United States -- Politics and government","Florida"],"geogname_ssim":["United States -- Politics and government","Florida"],"creator_ssm":["Van Scoyoc, Lynda, 1930-2020"],"creator_ssim":["Van Scoyoc, Lynda, 1930-2020"],"creator_persname_ssim":["Van Scoyoc, Lynda, 1930-2020"],"creators_ssim":["Van Scoyoc, Lynda, 1930-2020"],"places_ssim":["United States -- Politics and government","Florida"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["This collection was donated to the University of Central Florida Libraries, Special Collections and University Archives by Lynda Van Scoyoc in 2005 (CFM2005_15)."],"access_subjects_ssim":["Political Action Committees","Women political activists","Equal Rights Amendments","Women -- Suffrage -- United States -- History","Women -- Political activity -- United States","Political clubs","Feminism -- United States","Women's rights -- United States"],"access_subjects_ssm":["Political Action Committees","Women political activists","Equal Rights Amendments","Women -- Suffrage -- United States -- History","Women -- Political activity -- United States","Political clubs","Feminism -- United States","Women's rights -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["6 Linear Feet 6 Boxes"],"extent_tesim":["6 Linear Feet 6 Boxes"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eThe latter half of the twentieth century has seen vast changes for women both socially and politically. While the development of women's political caucuses played a large role, the change in women's rights would not have come about without the efforts of the women who participated in these organizations. Locally, Lynda Van Scoyoc was one of those many women's rights advocates, having worked to establish womens' voices in the world of politics for three decades.\u003c/p\u003e\n","\u003cp\u003e\nLynda Van Scoyoc's work began in the early 1970's with the Orlando Police Officer's Auxiliary, serving as the organization's Vice President. As her husband was himself an area police officer, Van Scoyoc helped develop training programs for police officer's wives. These training programs were meant to educate women as well to help them to understand the rigors and demands of being a police officer.\u003c/p\u003e\n","\u003cp\u003e\nDuring a 1975 trip to Tallahassee, Florida for an Equal Rights Amendment event that Van Scoyoc and others would begin to develop the Metropolitan Orlando Women's Political Caucus (MOWPC). Working with the Florida Women's Political Caucus (FLWPC), the MOWPC was formed later that year and installed Van Scoyoc as its first president. Through her involvement as founder of the MOWPC, Van Scoyoc became active at the national level, serving on the National Women's Political Caucus (NWPC) Membership Committee from 1985-1987, serving as the NWPC's fund-raising chair from 1987-1989, as well as being the NWPC's Delegate-at-Large and serving on the Administrative Committee from 1989-1993.\u003c/p\u003e\n","\u003cp\u003eLynda Van Scoyoc passed away at the Orlando Regional Medical Center on Wednesday, May 6, 2020. Burial service was held on May 14 at Woodlawn Memorial Park in Gotha, Florida. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The latter half of the twentieth century has seen vast changes for women both socially and politically. While the development of women's political caucuses played a large role, the change in women's rights would not have come about without the efforts of the women who participated in these organizations. Locally, Lynda Van Scoyoc was one of those many women's rights advocates, having worked to establish womens' voices in the world of politics for three decades.","\nLynda Van Scoyoc's work began in the early 1970's with the Orlando Police Officer's Auxiliary, serving as the organization's Vice President. As her husband was himself an area police officer, Van Scoyoc helped develop training programs for police officer's wives. These training programs were meant to educate women as well to help them to understand the rigors and demands of being a police officer.","\nDuring a 1975 trip to Tallahassee, Florida for an Equal Rights Amendment event that Van Scoyoc and others would begin to develop the Metropolitan Orlando Women's Political Caucus (MOWPC). Working with the Florida Women's Political Caucus (FLWPC), the MOWPC was formed later that year and installed Van Scoyoc as its first president. Through her involvement as founder of the MOWPC, Van Scoyoc became active at the national level, serving on the National Women's Political Caucus (NWPC) Membership Committee from 1985-1987, serving as the NWPC's fund-raising chair from 1987-1989, as well as being the NWPC's Delegate-at-Large and serving on the Administrative Committee from 1989-1993.","Lynda Van Scoyoc passed away at the Orlando Regional Medical Center on Wednesday, May 6, 2020. Burial service was held on May 14 at Woodlawn Memorial Park in Gotha, Florida. "],"prefercite_html_tesm":["\u003cp\u003eThe Lynda Van Scoyoc Women's Feminist Papers Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["The Lynda Van Scoyoc Women's Feminist Papers Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by April Karlene Anderson and Nava Cohen; finding aid prepared by April Karlene Anderson and Nava Cohen. \u003c/p\u003e","\u003cp\u003eAll paper clips have been removed and replaced with plastic clips. Post-it notes have been moved to the edges of pages. Photographs have been placed in clear archival sleeves. All documents have been placed in acid free folders and all materials have been re-housed in acid free boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by April Karlene Anderson and Nava Cohen; finding aid prepared by April Karlene Anderson and Nava Cohen. ","All paper clips have been removed and replaced with plastic clips. Post-it notes have been moved to the edges of pages. Photographs have been placed in clear archival sleeves. All documents have been placed in acid free folders and all materials have been re-housed in acid free boxes."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2002-01\"\u003eLou Frey Papers\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/ucf/ead/FreyInstitute\"\u003eLou Frey Institute of Politics and Government Collection\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1991-01\"\u003eGeorge Stuart Papers\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2005-02\"\u003ePhyllis J. Hudson Political Papers\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2002-02\"\u003eBeatrice B. Ettinger Papers\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Lou Frey Papers , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","Lou Frey Institute of Politics and Government Collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","George Stuart Papers , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","Phyllis J. Hudson Political Papers , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","Beatrice B. Ettinger Papers , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Women's Political Caucus, 1970-2001 holds materials collected by Van Scoyoc during her time with the various women's political caucuses in which she worked. Many of the materials are from conventions that Van Scoyoc attended for the NWPC as well as the FLWPC. Materials also include meeting notes, correspondence, news clippings, stickers, and metal buttons.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Outside Interests, 1970-2000, holds materials collected by Van Scoyoc that she acquired while working with committees not affiliated with any of the Women's Political Caucuses. Several of the committees Van Scoyoc served on were likely due to her status with the various caucuses, however, Van Scoyoc served on them in a singular capacity. These materials include meeting notes, correspondence, news clippings, stickers, and metal buttons.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Feminist Research, 1970-1998 holds materials collected by Van Scoyoc on feminism in the United States and Russia. Items collected in this series relate to women's stories from magazines and newsclippings. Several religious brochures are also in this series.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Women's Political Caucus, 1970-2001 holds materials collected by Van Scoyoc during her time with the various women's political caucuses in which she worked. Many of the materials are from conventions that Van Scoyoc attended for the NWPC as well as the FLWPC. Materials also include meeting notes, correspondence, news clippings, stickers, and metal buttons.","\nSeries II: Outside Interests, 1970-2000, holds materials collected by Van Scoyoc that she acquired while working with committees not affiliated with any of the Women's Political Caucuses. Several of the committees Van Scoyoc served on were likely due to her status with the various caucuses, however, Van Scoyoc served on them in a singular capacity. These materials include meeting notes, correspondence, news clippings, stickers, and metal buttons.","\nSeries III: Feminist Research, 1970-1998 holds materials collected by Van Scoyoc on feminism in the United States and Russia. Items collected in this series relate to women's stories from magazines and newsclippings. Several religious brochures are also in this series."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3f21fa86fc223c4b8078e904ffb04b28\" label=\"Abstract\"\u003eThe Lynda Van Scoyoc Feminist Papers Collection contains the materials collected by Lynda Van Scoyoc during her time working with the National Women's Political Caucus, Florida Women's Political Caucus, and the Metropolitan Orlando Women's Political Caucus. This collection reflects the growth of each organization during the late 20th century as well as chronicling the struggle by each group in their efforts to make positive changes to women's rights. Researchers should note that portions of this collection were written only in shorthand notation.\u003c/abstract\u003e"],"abstract_tesim":["The Lynda Van Scoyoc Feminist Papers Collection contains the materials collected by Lynda Van Scoyoc during her time working with the National Women's Political Caucus, Florida Women's Political Caucus, and the Metropolitan Orlando Women's Political Caucus. This collection reflects the growth of each organization during the late 20th century as well as chronicling the struggle by each group in their efforts to make positive changes to women's rights. Researchers should note that portions of this collection were written only in shorthand notation."],"names_coll_ssim":["National Women's Political Caucus (U.S.)"],"names_ssim":["UCF Special Collections","National Women's Political Caucus (U.S.)","Van Scoyoc, Lynda, 1930-2020"],"corpname_ssim":["UCF Special Collections","National Women's Political Caucus (U.S.)"],"persname_ssim":["Van Scoyoc, Lynda, 1930-2020"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":95,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857781102247936,"_root_":"34d15c9d09dda504e1f86cad","timestamp":"2026-07-16T08:03:35.484Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/34d15c9d09dda504e1f86cad_aspace_39234"}},{"id":"05176a8238a411947dafe2de_aspace_16646","type":"Subseries","attributes":{"title":"Orlando Park, 1977-1997","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/05176a8238a411947dafe2de_aspace_16646#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_16646","ref_ssm":["aspace_16646","aspace_16646"],"id":"05176a8238a411947dafe2de_aspace_16646","title_filing_ssi":"Orlando Park","title_ssm":["Orlando Park"],"title_tesim":["Orlando Park"],"unitdate_inclusive_ssm":["1977-1997"],"normalized_date_ssm":["1977-1997"],"normalized_title_ssm":["Orlando Park, 1977-1997"],"text":["Orlando Park, 1977-1997","George and Anne Millay Collection, 1959-2006","Wet 'n Wild, 1974-2005.","Anne Millay's Files, 1975-2004","Sub-Series 8","/repositories/4/archival_objects/36949"],"component_level_isim":[3],"parent_ids_ssim":["05176a8238a411947dafe2de","05176a8238a411947dafe2de_aspace_16275","05176a8238a411947dafe2de_aspace_16610"],"parent_unittitles_ssm":["George and Anne Millay Collection, 1959-2006","Wet 'n Wild, 1974-2005.","Anne Millay's Files, 1975-2004"],"parent_unittitles_tesim":["George and Anne Millay Collection, 1959-2006","Wet 'n Wild, 1974-2005.","Anne Millay's Files, 1975-2004"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Sub-Series 8","/repositories/4/archival_objects/36949"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["George and Anne Millay Collection, 1959-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":6,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":281,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"_nest_path_":"/components#0/components#3/components#13","_nest_parent_":"05176a8238a411947dafe2de_aspace_16610","_root_":"05176a8238a411947dafe2de","timestamp":"2026-07-09T03:02:51.250Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"05176a8238a411947dafe2de","title_ssm":["George and Anne Millay Collection"],"title_tesim":["George and Anne Millay Collection"],"ead_ssi":"05176a8238a411947dafe2de","unitdate_ssm":["1959-2006"],"unitdate_inclusive_ssm":["1959-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.079","/repositories/4/resources/154"],"text":["SC.079","/repositories/4/resources/154","George and Anne Millay Collection, 1959-2006","Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)","Amusement parks","Water parks","Marine aquariums","Public aquariums","Tourism","Blueprints","Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings","The entire collection is open for research.","The papers are arranged in five series by topic.","George Millay was born on 4th July 1929. While his Father was in the navy, George's family lived at Pearl Harbor, and he witnessed the 1941 attack. George himself served in the navy for more than three years as a weather forecaster; for part of the time he was on the USS Bairoko. After graduating from the University of California, Los Angeles with a degree in meteorology in 1955, George Millay worked for a stockbroking firm until 1960. He married Anne Real in 1963; they eventually had three sons and a daughter.","\nIn 1958, Millay opened the Reef restaurant in Los Angeles with David Tallichet. He planned to create a submarine bar there so that customers could view sea creatures while enjoying cocktails. The plan failed because the water in the harbor was too cloudy. However, his interest in marine life introduced him to Dr. Kenneth Norris, curator at Marineland. Together with Milton Shedd and David DeMott, they organized the Marine Park Corporation to create a marine park in San Diego. Sea World opened in 1964 and expanded in 1970 with a park in Ohio followed by the Orlando park in 1972. Sea World Inc. opened an amusement park in Valencia California on 29th May 1971 in partnership with Newhall Land and Farming. Officially named \"Magic Mountain\", the park was designated \"Tragic Mountain\" by a reporter who was injured there. Sea World did not make a profit on the venture and sold out to its partner late in 1971. Millay resigned from Sea World Inc in 1974 because of a disagreement with his partners over how the company should develop.","\nGeorge Millay had spent a lot of time at Sea World in Orlando, and he thought that families would enjoy water activities as a break from the Florida heat. He pulled together ideas from a water playground at the Toronto World's Fair, a flume near Sacramento and a wave pool in Alabama, added a children's playgound, restrooms, gift shop and snack bar to create a new concept. He formed the Leisure Marine Corporation to develop his idea. Initially, the company ran the Seven Seas park in Arlington, TX, for a season, but the venture did not develop further. Wet 'n Wild eventually became a reality in Orlando, where it opened in 1977. The company took over the failing Seven Seas park and redeveloped it into the second Wet 'n Wild in 1983 followed by Las Vegas in 1985. Additional sites opened in Garland, TX, Brazil and Mexico. Wet 'n Wild was named the Best of Aquatics for 2003 by Aquatics International magazine.","\nMillay retired from Wet 'n Wild in 1998, but he continued to work on new projects. He designed and patented a system for moving visitors down into the center of a circular aquarium so that everyone had a good view of the fish. Millay partnered with William Watts and David Powell in creating a company named Sea Venture to sell the system. At the time of his death in 2006, no examples of the system had been sold.","\nGeorge Millay received Lifetime Achievement Awards from the International Association of Amusement Parks and Attractions and the Themed Entertainment Association, and he was named the Father of the Waterpark Industry by the World Waterpark Association. Tim O'Brien wrote Millay's biography entitled The Wave Maker in 2004.","Collection processed by Judith Beale; finding aid prepared by Judith Beale. Materials received in 2010 processed and added to the collection in 2016 by Suphi Burak Ogreten. ","Materials were removed from binders. Some smaller items were removed from frames. One photograph was digitized, as it was stuck to glass, then removed from the glass. Photographs and slides were sleeved. Faxes were photocopied and traced in pencil to make them clearer. Audiocassettes and slides were removed from their cases because the foam was disintegrating. Plaques and awards were wrapped and documents were placed in pH neutral folders and boxes.","Other collections include Harrison \"Buzz\" Price Papers and the Al Turner, Splash Magazine Collection may be found by searching our online  Library Catalog .","Series I: Wet 'n Wild, 1974-2005 holds correspondence, minutes, advertising materials, photographs, memorabilia, news clippings, reports and plans concerning all aspects of the founding and management of the Wet 'n Wild Parks.","\nSeries II: Sea World, 1959-2004 contains correspondence, news clippings, scrapbooks, photographs, reports and memorabilia documenting all aspects of the founding and management of Sea World, Inc.","\nSeries III: Sea Venture, 1998-2004 contains correspondence, plans, photographs and contracts concerning the patenting and marketing of George Millay's system for transporting visitors down into a doughnut-shaped aquarium.","\nSeries IV: Personal, 1965-2006 holds photographs, audio, video, correspondence, memorabilia and brochures that document projects, accolades and memorials. The series includes resources used in Millay's biography and a file on the opening of Disney World.","\nSeries V: Additional Materials, 1965-1999 includes newspaper and magazine clippings, photographs, pamphlets, correspondence, annual reports, proposals, and various ephemera related to the Wet'n Wild, Sea World, and Seven Seas parks.","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","George Millay founded both Sea World and Wet 'n Wild for which he was named Father of the Waterpark Industry. This collection of correspondence, photographs, memorabilia, news clippings, reports and audio visual materials documents the complicated and not always successful process of building a new waterpark. In addition to materials concerning Sea World and Wet 'n Wild, the collection contains information on George Millay's other projects and his personal achievements.","UCF Special Collections","Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World","Millay, Anne, 1934-2006","Millay, George","English"],"unitid_tesim":["SC.079","/repositories/4/resources/154"],"normalized_date_ssm":["1959-2006"],"normalized_title_ssm":["George and Anne Millay Collection, 1959-2006"],"collection_title_tesim":["George and Anne Millay Collection, 1959-2006"],"collection_ssim":["George and Anne Millay Collection, 1959-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)"],"geogname_ssim":["Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)"],"creator_ssm":["Millay, Anne, 1934-2006"],"creator_ssim":["Millay, Anne, 1934-2006"],"creator_persname_ssim":["Millay, Anne, 1934-2006"],"creators_ssim":["Millay, Anne, 1934-2006"],"places_ssim":["Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The Millay family donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2007 (CFM2007_15) and 2010 (CFM2010_04)."],"access_subjects_ssim":["Amusement parks","Water parks","Marine aquariums","Public aquariums","Tourism","Blueprints","Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings"],"access_subjects_ssm":["Amusement parks","Water parks","Marine aquariums","Public aquariums","Tourism","Blueprints","Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings"],"has_online_content_ssim":["false"],"extent_ssm":["21.25 Linear Feet 22 Boxes, 8 Flat Files, 5 Framed Items"],"extent_tesim":["21.25 Linear Feet 22 Boxes, 8 Flat Files, 5 Framed Items"],"genreform_ssim":["Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings"],"date_range_isim":[1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe papers are arranged in five series by topic.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The papers are arranged in five series by topic."],"bioghist_html_tesm":["\u003cp\u003eGeorge Millay was born on 4th July 1929. While his Father was in the navy, George's family lived at Pearl Harbor, and he witnessed the 1941 attack. George himself served in the navy for more than three years as a weather forecaster; for part of the time he was on the USS Bairoko. After graduating from the University of California, Los Angeles with a degree in meteorology in 1955, George Millay worked for a stockbroking firm until 1960. He married Anne Real in 1963; they eventually had three sons and a daughter.\u003c/p\u003e\n","\u003cp\u003e\nIn 1958, Millay opened the Reef restaurant in Los Angeles with David Tallichet. He planned to create a submarine bar there so that customers could view sea creatures while enjoying cocktails. The plan failed because the water in the harbor was too cloudy. However, his interest in marine life introduced him to Dr. Kenneth Norris, curator at Marineland. Together with Milton Shedd and David DeMott, they organized the Marine Park Corporation to create a marine park in San Diego. Sea World opened in 1964 and expanded in 1970 with a park in Ohio followed by the Orlando park in 1972. Sea World Inc. opened an amusement park in Valencia California on 29th May 1971 in partnership with Newhall Land and Farming. Officially named \"Magic Mountain\", the park was designated \"Tragic Mountain\" by a reporter who was injured there. Sea World did not make a profit on the venture and sold out to its partner late in 1971. Millay resigned from Sea World Inc in 1974 because of a disagreement with his partners over how the company should develop.\u003c/p\u003e\n","\u003cp\u003e\nGeorge Millay had spent a lot of time at Sea World in Orlando, and he thought that families would enjoy water activities as a break from the Florida heat. He pulled together ideas from a water playground at the Toronto World's Fair, a flume near Sacramento and a wave pool in Alabama, added a children's playgound, restrooms, gift shop and snack bar to create a new concept. He formed the Leisure Marine Corporation to develop his idea. Initially, the company ran the Seven Seas park in Arlington, TX, for a season, but the venture did not develop further. Wet 'n Wild eventually became a reality in Orlando, where it opened in 1977. The company took over the failing Seven Seas park and redeveloped it into the second Wet 'n Wild in 1983 followed by Las Vegas in 1985. Additional sites opened in Garland, TX, Brazil and Mexico. Wet 'n Wild was named the Best of Aquatics for 2003 by Aquatics International magazine.\u003c/p\u003e\n","\u003cp\u003e\nMillay retired from Wet 'n Wild in 1998, but he continued to work on new projects. He designed and patented a system for moving visitors down into the center of a circular aquarium so that everyone had a good view of the fish. Millay partnered with William Watts and David Powell in creating a company named Sea Venture to sell the system. At the time of his death in 2006, no examples of the system had been sold.\u003c/p\u003e\n","\u003cp\u003e\nGeorge Millay received Lifetime Achievement Awards from the International Association of Amusement Parks and Attractions and the Themed Entertainment Association, and he was named the Father of the Waterpark Industry by the World Waterpark Association. Tim O'Brien wrote Millay's biography entitled The Wave Maker in 2004.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["George Millay was born on 4th July 1929. While his Father was in the navy, George's family lived at Pearl Harbor, and he witnessed the 1941 attack. George himself served in the navy for more than three years as a weather forecaster; for part of the time he was on the USS Bairoko. After graduating from the University of California, Los Angeles with a degree in meteorology in 1955, George Millay worked for a stockbroking firm until 1960. He married Anne Real in 1963; they eventually had three sons and a daughter.","\nIn 1958, Millay opened the Reef restaurant in Los Angeles with David Tallichet. He planned to create a submarine bar there so that customers could view sea creatures while enjoying cocktails. The plan failed because the water in the harbor was too cloudy. However, his interest in marine life introduced him to Dr. Kenneth Norris, curator at Marineland. Together with Milton Shedd and David DeMott, they organized the Marine Park Corporation to create a marine park in San Diego. Sea World opened in 1964 and expanded in 1970 with a park in Ohio followed by the Orlando park in 1972. Sea World Inc. opened an amusement park in Valencia California on 29th May 1971 in partnership with Newhall Land and Farming. Officially named \"Magic Mountain\", the park was designated \"Tragic Mountain\" by a reporter who was injured there. Sea World did not make a profit on the venture and sold out to its partner late in 1971. Millay resigned from Sea World Inc in 1974 because of a disagreement with his partners over how the company should develop.","\nGeorge Millay had spent a lot of time at Sea World in Orlando, and he thought that families would enjoy water activities as a break from the Florida heat. He pulled together ideas from a water playground at the Toronto World's Fair, a flume near Sacramento and a wave pool in Alabama, added a children's playgound, restrooms, gift shop and snack bar to create a new concept. He formed the Leisure Marine Corporation to develop his idea. Initially, the company ran the Seven Seas park in Arlington, TX, for a season, but the venture did not develop further. Wet 'n Wild eventually became a reality in Orlando, where it opened in 1977. The company took over the failing Seven Seas park and redeveloped it into the second Wet 'n Wild in 1983 followed by Las Vegas in 1985. Additional sites opened in Garland, TX, Brazil and Mexico. Wet 'n Wild was named the Best of Aquatics for 2003 by Aquatics International magazine.","\nMillay retired from Wet 'n Wild in 1998, but he continued to work on new projects. He designed and patented a system for moving visitors down into the center of a circular aquarium so that everyone had a good view of the fish. Millay partnered with William Watts and David Powell in creating a company named Sea Venture to sell the system. At the time of his death in 2006, no examples of the system had been sold.","\nGeorge Millay received Lifetime Achievement Awards from the International Association of Amusement Parks and Attractions and the Themed Entertainment Association, and he was named the Father of the Waterpark Industry by the World Waterpark Association. Tim O'Brien wrote Millay's biography entitled The Wave Maker in 2004."],"prefercite_html_tesm":["\u003cp\u003eGeorge and Anne Millay Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["George and Anne Millay Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Judith Beale; finding aid prepared by Judith Beale. Materials received in 2010 processed and added to the collection in 2016 by Suphi Burak Ogreten. \u003c/p\u003e","\u003cp\u003eMaterials were removed from binders. Some smaller items were removed from frames. One photograph was digitized, as it was stuck to glass, then removed from the glass. Photographs and slides were sleeved. Faxes were photocopied and traced in pencil to make them clearer. Audiocassettes and slides were removed from their cases because the foam was disintegrating. Plaques and awards were wrapped and documents were placed in pH neutral folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Judith Beale; finding aid prepared by Judith Beale. Materials received in 2010 processed and added to the collection in 2016 by Suphi Burak Ogreten. ","Materials were removed from binders. Some smaller items were removed from frames. One photograph was digitized, as it was stuck to glass, then removed from the glass. Photographs and slides were sleeved. Faxes were photocopied and traced in pencil to make them clearer. Audiocassettes and slides were removed from their cases because the foam was disintegrating. Plaques and awards were wrapped and documents were placed in pH neutral folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eOther collections include Harrison \"Buzz\" Price Papers and the Al Turner, Splash Magazine Collection may be found by searching our online \u003cextref href=\"https://library.ucf.edu\"\u003eLibrary Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other collections include Harrison \"Buzz\" Price Papers and the Al Turner, Splash Magazine Collection may be found by searching our online  Library Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Wet 'n Wild, 1974-2005 holds correspondence, minutes, advertising materials, photographs, memorabilia, news clippings, reports and plans concerning all aspects of the founding and management of the Wet 'n Wild Parks.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Sea World, 1959-2004 contains correspondence, news clippings, scrapbooks, photographs, reports and memorabilia documenting all aspects of the founding and management of Sea World, Inc.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Sea Venture, 1998-2004 contains correspondence, plans, photographs and contracts concerning the patenting and marketing of George Millay's system for transporting visitors down into a doughnut-shaped aquarium.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal, 1965-2006 holds photographs, audio, video, correspondence, memorabilia and brochures that document projects, accolades and memorials. The series includes resources used in Millay's biography and a file on the opening of Disney World.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Additional Materials, 1965-1999 includes newspaper and magazine clippings, photographs, pamphlets, correspondence, annual reports, proposals, and various ephemera related to the Wet'n Wild, Sea World, and Seven Seas parks.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Wet 'n Wild, 1974-2005 holds correspondence, minutes, advertising materials, photographs, memorabilia, news clippings, reports and plans concerning all aspects of the founding and management of the Wet 'n Wild Parks.","\nSeries II: Sea World, 1959-2004 contains correspondence, news clippings, scrapbooks, photographs, reports and memorabilia documenting all aspects of the founding and management of Sea World, Inc.","\nSeries III: Sea Venture, 1998-2004 contains correspondence, plans, photographs and contracts concerning the patenting and marketing of George Millay's system for transporting visitors down into a doughnut-shaped aquarium.","\nSeries IV: Personal, 1965-2006 holds photographs, audio, video, correspondence, memorabilia and brochures that document projects, accolades and memorials. The series includes resources used in Millay's biography and a file on the opening of Disney World.","\nSeries V: Additional Materials, 1965-1999 includes newspaper and magazine clippings, photographs, pamphlets, correspondence, annual reports, proposals, and various ephemera related to the Wet'n Wild, Sea World, and Seven Seas parks."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e2b9aba5ed67fc882ac4591fdb37c3fb\" label=\"Abstract\"\u003eGeorge Millay founded both Sea World and Wet 'n Wild for which he was named Father of the Waterpark Industry. This collection of correspondence, photographs, memorabilia, news clippings, reports and audio visual materials documents the complicated and not always successful process of building a new waterpark. In addition to materials concerning Sea World and Wet 'n Wild, the collection contains information on George Millay's other projects and his personal achievements.\u003c/abstract\u003e"],"abstract_tesim":["George Millay founded both Sea World and Wet 'n Wild for which he was named Father of the Waterpark Industry. This collection of correspondence, photographs, memorabilia, news clippings, reports and audio visual materials documents the complicated and not always successful process of building a new waterpark. In addition to materials concerning Sea World and Wet 'n Wild, the collection contains information on George Millay's other projects and his personal achievements."],"names_coll_ssim":["Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World","Millay, George","Millay, Anne, 1934-2006"],"names_ssim":["UCF Special Collections","Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World","Millay, Anne, 1934-2006","Millay, George"],"corpname_ssim":["UCF Special Collections","Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World"],"persname_ssim":["Millay, Anne, 1934-2006","Millay, George"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":680,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"05176a8238a411947dafe2de","timestamp":"2026-07-09T03:02:51.250Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/05176a8238a411947dafe2de_aspace_16646"}},{"id":"3590e990d26f42a3d9da5878","type":"collection","attributes":{"title":"Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/3590e990d26f42a3d9da5878#creator","type":"document_value","attributes":{"value":["University of Central Florida. Department of Theatre"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/3590e990d26f42a3d9da5878#abstract_or_scope","type":"document_value","attributes":{"value":["The Orlando Shakespeare Theater Collection contains playbills, programs, reviews, newspaper clippings, films, cassettes, reels, and schedules. It also includes items relating to the Orlando-UCF Shakespeare Festival Partnership (OSF) such as Simply Shakespeare, Central Florida's first Shakespearean troupe, and the UCF Shakespeare Summer Institute as well as the NEH grant funded faculty study project \"Hamlet: Exploring the Renaissance Mind in Action\" which was presented in the Summer 1991."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3590e990d26f42a3d9da5878#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"3590e990d26f42a3d9da5878","title_ssm":["Orlando Shakespeare Theater Collection"],"title_tesim":["Orlando Shakespeare Theater Collection"],"ead_ssi":"3590e990d26f42a3d9da5878","unitdate_ssm":["1974-2013","1986-2009"],"unitdate_bulk_ssim":["1986-2009"],"unitdate_inclusive_ssm":["1974-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA24D","/repositories/2/resources/26"],"text":["UA24D","/repositories/2/resources/26","Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009","Children's Theater","College Theater","Education, Higher -- United States","Performance art -- United States","Radio Programs","Theater","Universities and colleges -- Florida","Posters","Theater -- Florida -- Orlando","Universities and colleges -- Florida -- Orlando","slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)","The entire collection is open for research.","Collection Identifier: CFU2016_38","This collection is arranged in six series. Series I contains documents relating to OST performances and is arranged chronologically. Series II contains documents relating to the publicity of all aspects of OST and is arranged by subject then chronologically. Series III contains media relating to programs hosted by OST and is arranged by subject. Series IV contains photographs relating to performances and activities by OST and is arranged by subject then chronologically. Series V contains documents regarding the different partnerships OST has and is arranged by subject then chronologically. Series VI posters relating to the productions of OST.","According to The UCF Report May 15, 1998 issue, the Orlando-UCF Shakespeare Festival has its beginnings in 1974 when UCF English professor, Dr. Stuart Omans offered his students a chance to get out of writing term papers if they participated in reading scenes from Shakespeare to area junior and senior high schools. Though the group had missteps, they committed themselves to learning dialogue, practicing scenes and taking the show out of the classroom.","The Future October 24, 1975 issue explains how following the success of their performances the group was invited to perform throughout Florida and Georgia. This dedication brought upon the group's decision to attempt to increase their audience. With the guidance of Omans, the students wrote a grant proposal to the FTU Student Government to seek funding for their \"Simply Shakespeare\" company. FTU allocated nearly $3,000 to the group who referred to themselves as ambassadors of the community and area schools. This troupe would be Central Florida's first Shakespearean troupe.","Both the FTU News, March 14, 1979 issue and The Future issue from March 30, 1979 reported that a grant of $77,000 from the National Endowment for the Humanities and Fine Arts was given towards Omans, UCF Music professor Bruce Whisler, and UCF English professor Gerald Schiffhorst. The trio's objective was to create a Summer Institute to give Central Florida school teachers upgraded skills to teach Shakespeare through performance in English, Drama, and Humanities. Along with the funding, the Simply Shakespeare Troupe performances helped support the Summer Institute, charities and their own performances.","On December 18, 1998 the UCF Report published an interview with Omans discussing the establishment of the Orlando-UCF Shakespeare Festival. According to Omans, in 1987 he decided to create and support a professional classical theater through the Project for the Humanities and Fine Arts. With the support from then Orlando Mayor Bill Frederick and then UCF President Trevor Colbourn, Omans announced the establishment of the Orlando Shakespeare Festival in 1988. The inaugural season in 1989 brought to life the tales of Taming of the Shrew and Tempest.","According to the Orlando Shakespeare Theater Inc. Report, the Orlando-UCF Shakespeare Festival held their first performances at the Walt Disney Amphitheater of Lake Eola Park in downtown Orlando. In 1995 the group opened their performances up to non-Shakespeare plays and began staging plays in rented places throughout the area. The Orlando-UCF Shakespeare Festival is now based out of the John and Rita Lowndes Shakespeare Center and performs out of Margeson and Goldman Theaters as well.","Following the success of the Orlando-UCF Festival, Dr. Omans wanted to create a program tailored towards education and academic support of the next generation of actors, actresses, and theater enthusiasts. This program would become known as The Young Company. For the past twenty-six years, local high school students have auditioned, rehearsed and performed one play a year during the months of April through July.","The Orlando-UCF Shakespeare Festival has continued the legacy started by Omans and his students, while also growing into a nationally recognized theater and the only professional classical theater company in Central Florida. In 2007 the name was officially changed to the Orlando Shakespeare Theater (OST) to better reflect their year round activities which include performing seven Signature Series productions, three Children's Series productions, being part of a weekend festival of new plays titled PlayFest, annual summer camps, classes, workshops, and offering internships and independent studies for UCF Theater majors and alumni.","The materials in the Orlando Shakespeare Theater Collection were separated from the UCF Theater Collection that was assembled by Kelly Clemens, Cheryl Mahan, Ellen Anderson, and Dr. Stuart Omans. The collection was processed by and the finding aid was prepared by Kryslynn Collazo in 2018. All materials were placed into acid free folders and in an acid free box. Copies of media including Floppy Disks were made. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2.","For more information on university archives, please see our website. Further information about the UCF Theater Department may be found in the University of Central Florida Theater Program Collection. Additionally, information contributing to the Biographical/Historical Note can be found in these articles \"1975: The show goes on\" in  The UCF Report, Vol. 20 No. 21, May 15, 1998 ; \"Shakespeare troupe strives to create art awareness\" in the  Central Florida Future, Vol. 08 No. 05, October 24, 1975 ; \"Shakespearean program to expand\" in the  Central Florida Future, Vol. 11 No. 25, March 30, 1979 ; and \"Shakespeare Festival turns 10 years old\" in  The UCF Report, Vol. 21 No. 11, December 18, 1998 . For further information regarding to the Orlando Shakespeare Theater please consult their  website.","Series I: Performances, 1989-2012 contains programs, playbills, tickets stubs, brochures, pamphlets, newsletters, and other ephemera.","Series II: Publicity, 1986-2013 contains reviews, newspaper clippings, and newsletters.","Series III: Audiovisuals, 1979-1994, \u0026 undated contains reel-to-reel audiotapes and audiocassette tapes.","Series IV: Photographs, 1976-1980, \u0026 undated contains negatives and stock images of productions created by OST as well as other events attended by the group.","Series V: Partnerships, 1974-2009, \u0026 undated contains documents relating to different organizations partnerships with OST including news clippings, photocopies of letters, advance notices and advertisements for current and future productions.","Series VI: Posters, 1995-1999 \u0026 undated contains posters relating to various OST productions.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Orlando Shakespeare Theater Collection contains playbills, programs, reviews, newspaper clippings, films, cassettes, reels, and schedules. It also includes items relating to the Orlando-UCF Shakespeare Festival Partnership (OSF) such as Simply Shakespeare, Central Florida's first Shakespearean troupe, and the UCF Shakespeare Summer Institute as well as the NEH grant funded faculty study project \"Hamlet: Exploring the Renaissance Mind in Action\" which was presented in the Summer 1991.","UCF University Archives","University of Central Florida. Department of Theatre","Orlando Shakespeare Theater","National Endowment for the Humanities","Florida Technological University","University of Central Florida","Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616","English"],"unitid_tesim":["UA24D","/repositories/2/resources/26"],"normalized_date_ssm":["1974-2013, bulk 1986-2009"],"normalized_title_ssm":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"collection_title_tesim":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"collection_ssim":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"creator_ssim":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"creator_corpname_ssim":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"creators_ssim":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Rick Schell transferred these materials to the University of Central Florida Libraries, Special Collection and University Archives in 2016 (CFU2016_38)."],"access_subjects_ssim":["Children's Theater","College Theater","Education, Higher -- United States","Performance art -- United States","Radio Programs","Theater","Universities and colleges -- Florida","Posters","Theater -- Florida -- Orlando","Universities and colleges -- Florida -- Orlando","slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)"],"access_subjects_ssm":["Children's Theater","College Theater","Education, Higher -- United States","Performance art -- United States","Radio Programs","Theater","Universities and colleges -- Florida","Posters","Theater -- Florida -- Orlando","Universities and colleges -- Florida -- Orlando","slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["6 boxes 3.33 Linear Feet"],"extent_tesim":["6 boxes 3.33 Linear Feet"],"genreform_ssim":["slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"accruals_html_tesm":["\u003cp\u003eCollection Identifier: CFU2016_38\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Collection Identifier: CFU2016_38"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in six series. Series I contains documents relating to OST performances and is arranged chronologically. Series II contains documents relating to the publicity of all aspects of OST and is arranged by subject then chronologically. Series III contains media relating to programs hosted by OST and is arranged by subject. Series IV contains photographs relating to performances and activities by OST and is arranged by subject then chronologically. Series V contains documents regarding the different partnerships OST has and is arranged by subject then chronologically. Series VI posters relating to the productions of OST.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in six series. Series I contains documents relating to OST performances and is arranged chronologically. Series II contains documents relating to the publicity of all aspects of OST and is arranged by subject then chronologically. Series III contains media relating to programs hosted by OST and is arranged by subject. Series IV contains photographs relating to performances and activities by OST and is arranged by subject then chronologically. Series V contains documents regarding the different partnerships OST has and is arranged by subject then chronologically. Series VI posters relating to the productions of OST."],"bioghist_html_tesm":["\u003cp\u003eAccording to The UCF Report May 15, 1998 issue, the Orlando-UCF Shakespeare Festival has its beginnings in 1974 when UCF English professor, Dr. Stuart Omans offered his students a chance to get out of writing term papers if they participated in reading scenes from Shakespeare to area junior and senior high schools. Though the group had missteps, they committed themselves to learning dialogue, practicing scenes and taking the show out of the classroom.\u003c/p\u003e\n","\u003cp\u003eThe Future October 24, 1975 issue explains how following the success of their performances the group was invited to perform throughout Florida and Georgia. This dedication brought upon the group's decision to attempt to increase their audience. With the guidance of Omans, the students wrote a grant proposal to the FTU Student Government to seek funding for their \"Simply Shakespeare\" company. FTU allocated nearly $3,000 to the group who referred to themselves as ambassadors of the community and area schools. This troupe would be Central Florida's first Shakespearean troupe.\u003c/p\u003e\n","\u003cp\u003eBoth the FTU News, March 14, 1979 issue and The Future issue from March 30, 1979 reported that a grant of $77,000 from the National Endowment for the Humanities and Fine Arts was given towards Omans, UCF Music professor Bruce Whisler, and UCF English professor Gerald Schiffhorst. The trio's objective was to create a Summer Institute to give Central Florida school teachers upgraded skills to teach Shakespeare through performance in English, Drama, and Humanities. Along with the funding, the Simply Shakespeare Troupe performances helped support the Summer Institute, charities and their own performances.\u003c/p\u003e\n","\u003cp\u003eOn December 18, 1998 the UCF Report published an interview with Omans discussing the establishment of the Orlando-UCF Shakespeare Festival. According to Omans, in 1987 he decided to create and support a professional classical theater through the Project for the Humanities and Fine Arts. With the support from then Orlando Mayor Bill Frederick and then UCF President Trevor Colbourn, Omans announced the establishment of the Orlando Shakespeare Festival in 1988. The inaugural season in 1989 brought to life the tales of Taming of the Shrew and Tempest.\u003c/p\u003e\n","\u003cp\u003eAccording to the Orlando Shakespeare Theater Inc. Report, the Orlando-UCF Shakespeare Festival held their first performances at the Walt Disney Amphitheater of Lake Eola Park in downtown Orlando. In 1995 the group opened their performances up to non-Shakespeare plays and began staging plays in rented places throughout the area. The Orlando-UCF Shakespeare Festival is now based out of the John and Rita Lowndes Shakespeare Center and performs out of Margeson and Goldman Theaters as well.\u003c/p\u003e\n","\u003cp\u003eFollowing the success of the Orlando-UCF Festival, Dr. Omans wanted to create a program tailored towards education and academic support of the next generation of actors, actresses, and theater enthusiasts. This program would become known as The Young Company. For the past twenty-six years, local high school students have auditioned, rehearsed and performed one play a year during the months of April through July.\u003c/p\u003e\n","\u003cp\u003eThe Orlando-UCF Shakespeare Festival has continued the legacy started by Omans and his students, while also growing into a nationally recognized theater and the only professional classical theater company in Central Florida. In 2007 the name was officially changed to the Orlando Shakespeare Theater (OST) to better reflect their year round activities which include performing seven Signature Series productions, three Children's Series productions, being part of a weekend festival of new plays titled PlayFest, annual summer camps, classes, workshops, and offering internships and independent studies for UCF Theater majors and alumni.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["According to The UCF Report May 15, 1998 issue, the Orlando-UCF Shakespeare Festival has its beginnings in 1974 when UCF English professor, Dr. Stuart Omans offered his students a chance to get out of writing term papers if they participated in reading scenes from Shakespeare to area junior and senior high schools. Though the group had missteps, they committed themselves to learning dialogue, practicing scenes and taking the show out of the classroom.","The Future October 24, 1975 issue explains how following the success of their performances the group was invited to perform throughout Florida and Georgia. This dedication brought upon the group's decision to attempt to increase their audience. With the guidance of Omans, the students wrote a grant proposal to the FTU Student Government to seek funding for their \"Simply Shakespeare\" company. FTU allocated nearly $3,000 to the group who referred to themselves as ambassadors of the community and area schools. This troupe would be Central Florida's first Shakespearean troupe.","Both the FTU News, March 14, 1979 issue and The Future issue from March 30, 1979 reported that a grant of $77,000 from the National Endowment for the Humanities and Fine Arts was given towards Omans, UCF Music professor Bruce Whisler, and UCF English professor Gerald Schiffhorst. The trio's objective was to create a Summer Institute to give Central Florida school teachers upgraded skills to teach Shakespeare through performance in English, Drama, and Humanities. Along with the funding, the Simply Shakespeare Troupe performances helped support the Summer Institute, charities and their own performances.","On December 18, 1998 the UCF Report published an interview with Omans discussing the establishment of the Orlando-UCF Shakespeare Festival. According to Omans, in 1987 he decided to create and support a professional classical theater through the Project for the Humanities and Fine Arts. With the support from then Orlando Mayor Bill Frederick and then UCF President Trevor Colbourn, Omans announced the establishment of the Orlando Shakespeare Festival in 1988. The inaugural season in 1989 brought to life the tales of Taming of the Shrew and Tempest.","According to the Orlando Shakespeare Theater Inc. Report, the Orlando-UCF Shakespeare Festival held their first performances at the Walt Disney Amphitheater of Lake Eola Park in downtown Orlando. In 1995 the group opened their performances up to non-Shakespeare plays and began staging plays in rented places throughout the area. The Orlando-UCF Shakespeare Festival is now based out of the John and Rita Lowndes Shakespeare Center and performs out of Margeson and Goldman Theaters as well.","Following the success of the Orlando-UCF Festival, Dr. Omans wanted to create a program tailored towards education and academic support of the next generation of actors, actresses, and theater enthusiasts. This program would become known as The Young Company. For the past twenty-six years, local high school students have auditioned, rehearsed and performed one play a year during the months of April through July.","The Orlando-UCF Shakespeare Festival has continued the legacy started by Omans and his students, while also growing into a nationally recognized theater and the only professional classical theater company in Central Florida. In 2007 the name was officially changed to the Orlando Shakespeare Theater (OST) to better reflect their year round activities which include performing seven Signature Series productions, three Children's Series productions, being part of a weekend festival of new plays titled PlayFest, annual summer camps, classes, workshops, and offering internships and independent studies for UCF Theater majors and alumni."],"prefercite_html_tesm":["\u003cp\u003eOrlando Shakespeare Theater Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Orlando Shakespeare Theater Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eThe materials in the Orlando Shakespeare Theater Collection were separated from the UCF Theater Collection that was assembled by Kelly Clemens, Cheryl Mahan, Ellen Anderson, and Dr. Stuart Omans. The collection was processed by and the finding aid was prepared by Kryslynn Collazo in 2018. All materials were placed into acid free folders and in an acid free box. Copies of media including Floppy Disks were made. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The materials in the Orlando Shakespeare Theater Collection were separated from the UCF Theater Collection that was assembled by Kelly Clemens, Cheryl Mahan, Ellen Anderson, and Dr. Stuart Omans. The collection was processed by and the finding aid was prepared by Kryslynn Collazo in 2018. All materials were placed into acid free folders and in an acid free box. Copies of media including Floppy Disks were made. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on university archives, please see our website. Further information about the UCF Theater Department may be found in the University of Central Florida Theater Program Collection. Additionally, information contributing to the Biographical/Historical Note can be found in these articles \"1975: The show goes on\" in \u003cextref href=\"http://stars.library.ucf.edu/ucfreport/568/\"\u003eThe UCF Report, Vol. 20 No. 21, May 15, 1998\u003c/extref\u003e; \"Shakespeare troupe strives to create art awareness\" in the \u003cextref href=\"http://stars.library.ucf.edu/centralfloridafuture/239/\"\u003eCentral Florida Future, Vol. 08 No. 05, October 24, 1975\u003c/extref\u003e; \"Shakespearean program to expand\" in the \u003cextref href=\"http://stars.library.ucf.edu/centralfloridafuture/357/\"\u003eCentral Florida Future, Vol. 11 No. 25, March 30, 1979\u003c/extref\u003e; and \"Shakespeare Festival turns 10 years old\" in \u003cextref href=\"http://stars.library.ucf.edu/ucfreport/581/\"\u003eThe UCF Report, Vol. 21 No. 11, December 18, 1998\u003c/extref\u003e. For further information regarding to the Orlando Shakespeare Theater please consult their \u003cextref href=\"http://orlandoshakes.org/\"\u003ewebsite.\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on university archives, please see our website. Further information about the UCF Theater Department may be found in the University of Central Florida Theater Program Collection. Additionally, information contributing to the Biographical/Historical Note can be found in these articles \"1975: The show goes on\" in  The UCF Report, Vol. 20 No. 21, May 15, 1998 ; \"Shakespeare troupe strives to create art awareness\" in the  Central Florida Future, Vol. 08 No. 05, October 24, 1975 ; \"Shakespearean program to expand\" in the  Central Florida Future, Vol. 11 No. 25, March 30, 1979 ; and \"Shakespeare Festival turns 10 years old\" in  The UCF Report, Vol. 21 No. 11, December 18, 1998 . For further information regarding to the Orlando Shakespeare Theater please consult their  website."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Performances, 1989-2012 contains programs, playbills, tickets stubs, brochures, pamphlets, newsletters, and other ephemera.\u003c/p\u003e\n","\u003cp\u003eSeries II: Publicity, 1986-2013 contains reviews, newspaper clippings, and newsletters.\u003c/p\u003e\n","\u003cp\u003eSeries III: Audiovisuals, 1979-1994, \u0026amp; undated contains reel-to-reel audiotapes and audiocassette tapes.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Photographs, 1976-1980, \u0026amp; undated contains negatives and stock images of productions created by OST as well as other events attended by the group.\u003c/p\u003e\n","\u003cp\u003eSeries V: Partnerships, 1974-2009, \u0026amp; undated contains documents relating to different organizations partnerships with OST including news clippings, photocopies of letters, advance notices and advertisements for current and future productions.\u003c/p\u003e\n","\u003cp\u003eSeries VI: Posters, 1995-1999 \u0026amp; undated contains posters relating to various OST productions.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Performances, 1989-2012 contains programs, playbills, tickets stubs, brochures, pamphlets, newsletters, and other ephemera.","Series II: Publicity, 1986-2013 contains reviews, newspaper clippings, and newsletters.","Series III: Audiovisuals, 1979-1994, \u0026 undated contains reel-to-reel audiotapes and audiocassette tapes.","Series IV: Photographs, 1976-1980, \u0026 undated contains negatives and stock images of productions created by OST as well as other events attended by the group.","Series V: Partnerships, 1974-2009, \u0026 undated contains documents relating to different organizations partnerships with OST including news clippings, photocopies of letters, advance notices and advertisements for current and future productions.","Series VI: Posters, 1995-1999 \u0026 undated contains posters relating to various OST productions."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5f89e53d54d3ac96618ffc8e992924f9\" label=\"Abstract\"\u003eThe Orlando Shakespeare Theater Collection contains playbills, programs, reviews, newspaper clippings, films, cassettes, reels, and schedules. It also includes items relating to the Orlando-UCF Shakespeare Festival Partnership (OSF) such as Simply Shakespeare, Central Florida's first Shakespearean troupe, and the UCF Shakespeare Summer Institute as well as the NEH grant funded faculty study project \"Hamlet: Exploring the Renaissance Mind in Action\" which was presented in the Summer 1991.\u003c/abstract\u003e"],"abstract_tesim":["The Orlando Shakespeare Theater Collection contains playbills, programs, reviews, newspaper clippings, films, cassettes, reels, and schedules. It also includes items relating to the Orlando-UCF Shakespeare Festival Partnership (OSF) such as Simply Shakespeare, Central Florida's first Shakespearean troupe, and the UCF Shakespeare Summer Institute as well as the NEH grant funded faculty study project \"Hamlet: Exploring the Renaissance Mind in Action\" which was presented in the Summer 1991."],"names_coll_ssim":["National Endowment for the Humanities","Florida Technological University","University of Central Florida","Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616"],"names_ssim":["UCF University Archives","University of Central Florida. Department of Theatre","Orlando Shakespeare Theater","National Endowment for the Humanities","Florida Technological University","University of Central Florida","Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616"],"corpname_ssim":["UCF University Archives","University of Central Florida. Department of Theatre","Orlando Shakespeare Theater","National Endowment for the Humanities","Florida Technological University","University of Central Florida"],"persname_ssim":["Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":206,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858696351809536,"_root_":"3590e990d26f42a3d9da5878","timestamp":"2026-07-16T08:18:08.333Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3590e990d26f42a3d9da5878","title_ssm":["Orlando Shakespeare Theater Collection"],"title_tesim":["Orlando Shakespeare Theater Collection"],"ead_ssi":"3590e990d26f42a3d9da5878","unitdate_ssm":["1974-2013","1986-2009"],"unitdate_bulk_ssim":["1986-2009"],"unitdate_inclusive_ssm":["1974-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA24D","/repositories/2/resources/26"],"text":["UA24D","/repositories/2/resources/26","Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009","Children's Theater","College Theater","Education, Higher -- United States","Performance art -- United States","Radio Programs","Theater","Universities and colleges -- Florida","Posters","Theater -- Florida -- Orlando","Universities and colleges -- Florida -- Orlando","slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)","The entire collection is open for research.","Collection Identifier: CFU2016_38","This collection is arranged in six series. Series I contains documents relating to OST performances and is arranged chronologically. Series II contains documents relating to the publicity of all aspects of OST and is arranged by subject then chronologically. Series III contains media relating to programs hosted by OST and is arranged by subject. Series IV contains photographs relating to performances and activities by OST and is arranged by subject then chronologically. Series V contains documents regarding the different partnerships OST has and is arranged by subject then chronologically. Series VI posters relating to the productions of OST.","According to The UCF Report May 15, 1998 issue, the Orlando-UCF Shakespeare Festival has its beginnings in 1974 when UCF English professor, Dr. Stuart Omans offered his students a chance to get out of writing term papers if they participated in reading scenes from Shakespeare to area junior and senior high schools. Though the group had missteps, they committed themselves to learning dialogue, practicing scenes and taking the show out of the classroom.","The Future October 24, 1975 issue explains how following the success of their performances the group was invited to perform throughout Florida and Georgia. This dedication brought upon the group's decision to attempt to increase their audience. With the guidance of Omans, the students wrote a grant proposal to the FTU Student Government to seek funding for their \"Simply Shakespeare\" company. FTU allocated nearly $3,000 to the group who referred to themselves as ambassadors of the community and area schools. This troupe would be Central Florida's first Shakespearean troupe.","Both the FTU News, March 14, 1979 issue and The Future issue from March 30, 1979 reported that a grant of $77,000 from the National Endowment for the Humanities and Fine Arts was given towards Omans, UCF Music professor Bruce Whisler, and UCF English professor Gerald Schiffhorst. The trio's objective was to create a Summer Institute to give Central Florida school teachers upgraded skills to teach Shakespeare through performance in English, Drama, and Humanities. Along with the funding, the Simply Shakespeare Troupe performances helped support the Summer Institute, charities and their own performances.","On December 18, 1998 the UCF Report published an interview with Omans discussing the establishment of the Orlando-UCF Shakespeare Festival. According to Omans, in 1987 he decided to create and support a professional classical theater through the Project for the Humanities and Fine Arts. With the support from then Orlando Mayor Bill Frederick and then UCF President Trevor Colbourn, Omans announced the establishment of the Orlando Shakespeare Festival in 1988. The inaugural season in 1989 brought to life the tales of Taming of the Shrew and Tempest.","According to the Orlando Shakespeare Theater Inc. Report, the Orlando-UCF Shakespeare Festival held their first performances at the Walt Disney Amphitheater of Lake Eola Park in downtown Orlando. In 1995 the group opened their performances up to non-Shakespeare plays and began staging plays in rented places throughout the area. The Orlando-UCF Shakespeare Festival is now based out of the John and Rita Lowndes Shakespeare Center and performs out of Margeson and Goldman Theaters as well.","Following the success of the Orlando-UCF Festival, Dr. Omans wanted to create a program tailored towards education and academic support of the next generation of actors, actresses, and theater enthusiasts. This program would become known as The Young Company. For the past twenty-six years, local high school students have auditioned, rehearsed and performed one play a year during the months of April through July.","The Orlando-UCF Shakespeare Festival has continued the legacy started by Omans and his students, while also growing into a nationally recognized theater and the only professional classical theater company in Central Florida. In 2007 the name was officially changed to the Orlando Shakespeare Theater (OST) to better reflect their year round activities which include performing seven Signature Series productions, three Children's Series productions, being part of a weekend festival of new plays titled PlayFest, annual summer camps, classes, workshops, and offering internships and independent studies for UCF Theater majors and alumni.","The materials in the Orlando Shakespeare Theater Collection were separated from the UCF Theater Collection that was assembled by Kelly Clemens, Cheryl Mahan, Ellen Anderson, and Dr. Stuart Omans. The collection was processed by and the finding aid was prepared by Kryslynn Collazo in 2018. All materials were placed into acid free folders and in an acid free box. Copies of media including Floppy Disks were made. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2.","For more information on university archives, please see our website. Further information about the UCF Theater Department may be found in the University of Central Florida Theater Program Collection. Additionally, information contributing to the Biographical/Historical Note can be found in these articles \"1975: The show goes on\" in  The UCF Report, Vol. 20 No. 21, May 15, 1998 ; \"Shakespeare troupe strives to create art awareness\" in the  Central Florida Future, Vol. 08 No. 05, October 24, 1975 ; \"Shakespearean program to expand\" in the  Central Florida Future, Vol. 11 No. 25, March 30, 1979 ; and \"Shakespeare Festival turns 10 years old\" in  The UCF Report, Vol. 21 No. 11, December 18, 1998 . For further information regarding to the Orlando Shakespeare Theater please consult their  website.","Series I: Performances, 1989-2012 contains programs, playbills, tickets stubs, brochures, pamphlets, newsletters, and other ephemera.","Series II: Publicity, 1986-2013 contains reviews, newspaper clippings, and newsletters.","Series III: Audiovisuals, 1979-1994, \u0026 undated contains reel-to-reel audiotapes and audiocassette tapes.","Series IV: Photographs, 1976-1980, \u0026 undated contains negatives and stock images of productions created by OST as well as other events attended by the group.","Series V: Partnerships, 1974-2009, \u0026 undated contains documents relating to different organizations partnerships with OST including news clippings, photocopies of letters, advance notices and advertisements for current and future productions.","Series VI: Posters, 1995-1999 \u0026 undated contains posters relating to various OST productions.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Orlando Shakespeare Theater Collection contains playbills, programs, reviews, newspaper clippings, films, cassettes, reels, and schedules. It also includes items relating to the Orlando-UCF Shakespeare Festival Partnership (OSF) such as Simply Shakespeare, Central Florida's first Shakespearean troupe, and the UCF Shakespeare Summer Institute as well as the NEH grant funded faculty study project \"Hamlet: Exploring the Renaissance Mind in Action\" which was presented in the Summer 1991.","UCF University Archives","University of Central Florida. Department of Theatre","Orlando Shakespeare Theater","National Endowment for the Humanities","Florida Technological University","University of Central Florida","Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616","English"],"unitid_tesim":["UA24D","/repositories/2/resources/26"],"normalized_date_ssm":["1974-2013, bulk 1986-2009"],"normalized_title_ssm":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"collection_title_tesim":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"collection_ssim":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"creator_ssim":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"creator_corpname_ssim":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"creators_ssim":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Rick Schell transferred these materials to the University of Central Florida Libraries, Special Collection and University Archives in 2016 (CFU2016_38)."],"access_subjects_ssim":["Children's Theater","College Theater","Education, Higher -- United States","Performance art -- United States","Radio Programs","Theater","Universities and colleges -- Florida","Posters","Theater -- Florida -- Orlando","Universities and colleges -- Florida -- Orlando","slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)"],"access_subjects_ssm":["Children's Theater","College Theater","Education, Higher -- United States","Performance art -- United States","Radio Programs","Theater","Universities and colleges -- Florida","Posters","Theater -- Florida -- Orlando","Universities and colleges -- Florida -- Orlando","slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["6 boxes 3.33 Linear Feet"],"extent_tesim":["6 boxes 3.33 Linear Feet"],"genreform_ssim":["slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"accruals_html_tesm":["\u003cp\u003eCollection Identifier: CFU2016_38\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Collection Identifier: CFU2016_38"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in six series. Series I contains documents relating to OST performances and is arranged chronologically. Series II contains documents relating to the publicity of all aspects of OST and is arranged by subject then chronologically. Series III contains media relating to programs hosted by OST and is arranged by subject. Series IV contains photographs relating to performances and activities by OST and is arranged by subject then chronologically. Series V contains documents regarding the different partnerships OST has and is arranged by subject then chronologically. Series VI posters relating to the productions of OST.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in six series. Series I contains documents relating to OST performances and is arranged chronologically. Series II contains documents relating to the publicity of all aspects of OST and is arranged by subject then chronologically. Series III contains media relating to programs hosted by OST and is arranged by subject. Series IV contains photographs relating to performances and activities by OST and is arranged by subject then chronologically. Series V contains documents regarding the different partnerships OST has and is arranged by subject then chronologically. Series VI posters relating to the productions of OST."],"bioghist_html_tesm":["\u003cp\u003eAccording to The UCF Report May 15, 1998 issue, the Orlando-UCF Shakespeare Festival has its beginnings in 1974 when UCF English professor, Dr. Stuart Omans offered his students a chance to get out of writing term papers if they participated in reading scenes from Shakespeare to area junior and senior high schools. Though the group had missteps, they committed themselves to learning dialogue, practicing scenes and taking the show out of the classroom.\u003c/p\u003e\n","\u003cp\u003eThe Future October 24, 1975 issue explains how following the success of their performances the group was invited to perform throughout Florida and Georgia. This dedication brought upon the group's decision to attempt to increase their audience. With the guidance of Omans, the students wrote a grant proposal to the FTU Student Government to seek funding for their \"Simply Shakespeare\" company. FTU allocated nearly $3,000 to the group who referred to themselves as ambassadors of the community and area schools. This troupe would be Central Florida's first Shakespearean troupe.\u003c/p\u003e\n","\u003cp\u003eBoth the FTU News, March 14, 1979 issue and The Future issue from March 30, 1979 reported that a grant of $77,000 from the National Endowment for the Humanities and Fine Arts was given towards Omans, UCF Music professor Bruce Whisler, and UCF English professor Gerald Schiffhorst. The trio's objective was to create a Summer Institute to give Central Florida school teachers upgraded skills to teach Shakespeare through performance in English, Drama, and Humanities. Along with the funding, the Simply Shakespeare Troupe performances helped support the Summer Institute, charities and their own performances.\u003c/p\u003e\n","\u003cp\u003eOn December 18, 1998 the UCF Report published an interview with Omans discussing the establishment of the Orlando-UCF Shakespeare Festival. According to Omans, in 1987 he decided to create and support a professional classical theater through the Project for the Humanities and Fine Arts. With the support from then Orlando Mayor Bill Frederick and then UCF President Trevor Colbourn, Omans announced the establishment of the Orlando Shakespeare Festival in 1988. The inaugural season in 1989 brought to life the tales of Taming of the Shrew and Tempest.\u003c/p\u003e\n","\u003cp\u003eAccording to the Orlando Shakespeare Theater Inc. Report, the Orlando-UCF Shakespeare Festival held their first performances at the Walt Disney Amphitheater of Lake Eola Park in downtown Orlando. In 1995 the group opened their performances up to non-Shakespeare plays and began staging plays in rented places throughout the area. The Orlando-UCF Shakespeare Festival is now based out of the John and Rita Lowndes Shakespeare Center and performs out of Margeson and Goldman Theaters as well.\u003c/p\u003e\n","\u003cp\u003eFollowing the success of the Orlando-UCF Festival, Dr. Omans wanted to create a program tailored towards education and academic support of the next generation of actors, actresses, and theater enthusiasts. This program would become known as The Young Company. For the past twenty-six years, local high school students have auditioned, rehearsed and performed one play a year during the months of April through July.\u003c/p\u003e\n","\u003cp\u003eThe Orlando-UCF Shakespeare Festival has continued the legacy started by Omans and his students, while also growing into a nationally recognized theater and the only professional classical theater company in Central Florida. In 2007 the name was officially changed to the Orlando Shakespeare Theater (OST) to better reflect their year round activities which include performing seven Signature Series productions, three Children's Series productions, being part of a weekend festival of new plays titled PlayFest, annual summer camps, classes, workshops, and offering internships and independent studies for UCF Theater majors and alumni.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["According to The UCF Report May 15, 1998 issue, the Orlando-UCF Shakespeare Festival has its beginnings in 1974 when UCF English professor, Dr. Stuart Omans offered his students a chance to get out of writing term papers if they participated in reading scenes from Shakespeare to area junior and senior high schools. Though the group had missteps, they committed themselves to learning dialogue, practicing scenes and taking the show out of the classroom.","The Future October 24, 1975 issue explains how following the success of their performances the group was invited to perform throughout Florida and Georgia. This dedication brought upon the group's decision to attempt to increase their audience. With the guidance of Omans, the students wrote a grant proposal to the FTU Student Government to seek funding for their \"Simply Shakespeare\" company. FTU allocated nearly $3,000 to the group who referred to themselves as ambassadors of the community and area schools. This troupe would be Central Florida's first Shakespearean troupe.","Both the FTU News, March 14, 1979 issue and The Future issue from March 30, 1979 reported that a grant of $77,000 from the National Endowment for the Humanities and Fine Arts was given towards Omans, UCF Music professor Bruce Whisler, and UCF English professor Gerald Schiffhorst. The trio's objective was to create a Summer Institute to give Central Florida school teachers upgraded skills to teach Shakespeare through performance in English, Drama, and Humanities. Along with the funding, the Simply Shakespeare Troupe performances helped support the Summer Institute, charities and their own performances.","On December 18, 1998 the UCF Report published an interview with Omans discussing the establishment of the Orlando-UCF Shakespeare Festival. According to Omans, in 1987 he decided to create and support a professional classical theater through the Project for the Humanities and Fine Arts. With the support from then Orlando Mayor Bill Frederick and then UCF President Trevor Colbourn, Omans announced the establishment of the Orlando Shakespeare Festival in 1988. The inaugural season in 1989 brought to life the tales of Taming of the Shrew and Tempest.","According to the Orlando Shakespeare Theater Inc. Report, the Orlando-UCF Shakespeare Festival held their first performances at the Walt Disney Amphitheater of Lake Eola Park in downtown Orlando. In 1995 the group opened their performances up to non-Shakespeare plays and began staging plays in rented places throughout the area. The Orlando-UCF Shakespeare Festival is now based out of the John and Rita Lowndes Shakespeare Center and performs out of Margeson and Goldman Theaters as well.","Following the success of the Orlando-UCF Festival, Dr. Omans wanted to create a program tailored towards education and academic support of the next generation of actors, actresses, and theater enthusiasts. This program would become known as The Young Company. For the past twenty-six years, local high school students have auditioned, rehearsed and performed one play a year during the months of April through July.","The Orlando-UCF Shakespeare Festival has continued the legacy started by Omans and his students, while also growing into a nationally recognized theater and the only professional classical theater company in Central Florida. In 2007 the name was officially changed to the Orlando Shakespeare Theater (OST) to better reflect their year round activities which include performing seven Signature Series productions, three Children's Series productions, being part of a weekend festival of new plays titled PlayFest, annual summer camps, classes, workshops, and offering internships and independent studies for UCF Theater majors and alumni."],"prefercite_html_tesm":["\u003cp\u003eOrlando Shakespeare Theater Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Orlando Shakespeare Theater Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eThe materials in the Orlando Shakespeare Theater Collection were separated from the UCF Theater Collection that was assembled by Kelly Clemens, Cheryl Mahan, Ellen Anderson, and Dr. Stuart Omans. The collection was processed by and the finding aid was prepared by Kryslynn Collazo in 2018. All materials were placed into acid free folders and in an acid free box. Copies of media including Floppy Disks were made. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The materials in the Orlando Shakespeare Theater Collection were separated from the UCF Theater Collection that was assembled by Kelly Clemens, Cheryl Mahan, Ellen Anderson, and Dr. Stuart Omans. The collection was processed by and the finding aid was prepared by Kryslynn Collazo in 2018. All materials were placed into acid free folders and in an acid free box. Copies of media including Floppy Disks were made. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on university archives, please see our website. Further information about the UCF Theater Department may be found in the University of Central Florida Theater Program Collection. Additionally, information contributing to the Biographical/Historical Note can be found in these articles \"1975: The show goes on\" in \u003cextref href=\"http://stars.library.ucf.edu/ucfreport/568/\"\u003eThe UCF Report, Vol. 20 No. 21, May 15, 1998\u003c/extref\u003e; \"Shakespeare troupe strives to create art awareness\" in the \u003cextref href=\"http://stars.library.ucf.edu/centralfloridafuture/239/\"\u003eCentral Florida Future, Vol. 08 No. 05, October 24, 1975\u003c/extref\u003e; \"Shakespearean program to expand\" in the \u003cextref href=\"http://stars.library.ucf.edu/centralfloridafuture/357/\"\u003eCentral Florida Future, Vol. 11 No. 25, March 30, 1979\u003c/extref\u003e; and \"Shakespeare Festival turns 10 years old\" in \u003cextref href=\"http://stars.library.ucf.edu/ucfreport/581/\"\u003eThe UCF Report, Vol. 21 No. 11, December 18, 1998\u003c/extref\u003e. For further information regarding to the Orlando Shakespeare Theater please consult their \u003cextref href=\"http://orlandoshakes.org/\"\u003ewebsite.\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on university archives, please see our website. Further information about the UCF Theater Department may be found in the University of Central Florida Theater Program Collection. Additionally, information contributing to the Biographical/Historical Note can be found in these articles \"1975: The show goes on\" in  The UCF Report, Vol. 20 No. 21, May 15, 1998 ; \"Shakespeare troupe strives to create art awareness\" in the  Central Florida Future, Vol. 08 No. 05, October 24, 1975 ; \"Shakespearean program to expand\" in the  Central Florida Future, Vol. 11 No. 25, March 30, 1979 ; and \"Shakespeare Festival turns 10 years old\" in  The UCF Report, Vol. 21 No. 11, December 18, 1998 . For further information regarding to the Orlando Shakespeare Theater please consult their  website."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Performances, 1989-2012 contains programs, playbills, tickets stubs, brochures, pamphlets, newsletters, and other ephemera.\u003c/p\u003e\n","\u003cp\u003eSeries II: Publicity, 1986-2013 contains reviews, newspaper clippings, and newsletters.\u003c/p\u003e\n","\u003cp\u003eSeries III: Audiovisuals, 1979-1994, \u0026amp; undated contains reel-to-reel audiotapes and audiocassette tapes.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Photographs, 1976-1980, \u0026amp; undated contains negatives and stock images of productions created by OST as well as other events attended by the group.\u003c/p\u003e\n","\u003cp\u003eSeries V: Partnerships, 1974-2009, \u0026amp; undated contains documents relating to different organizations partnerships with OST including news clippings, photocopies of letters, advance notices and advertisements for current and future productions.\u003c/p\u003e\n","\u003cp\u003eSeries VI: Posters, 1995-1999 \u0026amp; undated contains posters relating to various OST productions.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Performances, 1989-2012 contains programs, playbills, tickets stubs, brochures, pamphlets, newsletters, and other ephemera.","Series II: Publicity, 1986-2013 contains reviews, newspaper clippings, and newsletters.","Series III: Audiovisuals, 1979-1994, \u0026 undated contains reel-to-reel audiotapes and audiocassette tapes.","Series IV: Photographs, 1976-1980, \u0026 undated contains negatives and stock images of productions created by OST as well as other events attended by the group.","Series V: Partnerships, 1974-2009, \u0026 undated contains documents relating to different organizations partnerships with OST including news clippings, photocopies of letters, advance notices and advertisements for current and future productions.","Series VI: Posters, 1995-1999 \u0026 undated contains posters relating to various OST productions."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5f89e53d54d3ac96618ffc8e992924f9\" label=\"Abstract\"\u003eThe Orlando Shakespeare Theater Collection contains playbills, programs, reviews, newspaper clippings, films, cassettes, reels, and schedules. It also includes items relating to the Orlando-UCF Shakespeare Festival Partnership (OSF) such as Simply Shakespeare, Central Florida's first Shakespearean troupe, and the UCF Shakespeare Summer Institute as well as the NEH grant funded faculty study project \"Hamlet: Exploring the Renaissance Mind in Action\" which was presented in the Summer 1991.\u003c/abstract\u003e"],"abstract_tesim":["The Orlando Shakespeare Theater Collection contains playbills, programs, reviews, newspaper clippings, films, cassettes, reels, and schedules. It also includes items relating to the Orlando-UCF Shakespeare Festival Partnership (OSF) such as Simply Shakespeare, Central Florida's first Shakespearean troupe, and the UCF Shakespeare Summer Institute as well as the NEH grant funded faculty study project \"Hamlet: Exploring the Renaissance Mind in Action\" which was presented in the Summer 1991."],"names_coll_ssim":["National Endowment for the Humanities","Florida Technological University","University of Central Florida","Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616"],"names_ssim":["UCF University Archives","University of Central Florida. Department of Theatre","Orlando Shakespeare Theater","National Endowment for the Humanities","Florida Technological University","University of Central Florida","Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616"],"corpname_ssim":["UCF University Archives","University of Central Florida. Department of Theatre","Orlando Shakespeare Theater","National Endowment for the Humanities","Florida Technological University","University of Central Florida"],"persname_ssim":["Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":206,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858696351809536,"_root_":"3590e990d26f42a3d9da5878","timestamp":"2026-07-16T08:18:08.333Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3590e990d26f42a3d9da5878"}},{"id":"febc0b2945e082040f8df62a_aspace_29352","type":"File","attributes":{"title":"Orquesta Sinfonica del Conservatorio, Pro Arte Gratelli, Orq.Cam.Inst.Nac.Cult., Carlos Chavez Chamber Orq., SABC Second Symphony, etc., 1963-1986","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/febc0b2945e082040f8df62a_aspace_29352#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_29352","ref_ssm":["aspace_29352","aspace_29352"],"id":"febc0b2945e082040f8df62a_aspace_29352","title_filing_ssi":"Orquesta Sinfonica del Conservatorio, Pro Arte Gratelli, Orq.Cam.Inst.Nac.Cult., Carlos Chavez Chamber Orq., SABC Second Symphony, etc.","title_ssm":["Orquesta Sinfonica del Conservatorio, Pro Arte Gratelli, Orq.Cam.Inst.Nac.Cult., Carlos Chavez Chamber Orq., SABC Second Symphony, etc."],"title_tesim":["Orquesta Sinfonica del Conservatorio, Pro Arte Gratelli, Orq.Cam.Inst.Nac.Cult., Carlos Chavez Chamber Orq., SABC Second Symphony, etc."],"unitdate_inclusive_ssm":["1963-1986"],"normalized_date_ssm":["1963-1986"],"normalized_title_ssm":["Orquesta Sinfonica del Conservatorio, Pro Arte Gratelli, Orq.Cam.Inst.Nac.Cult., Carlos Chavez Chamber Orq., SABC Second Symphony, etc., 1963-1986"],"text":["Orquesta Sinfonica del Conservatorio, Pro Arte Gratelli, Orq.Cam.Inst.Nac.Cult., Carlos Chavez Chamber Orq., SABC Second Symphony, etc., 1963-1986","Alberto Bolet Collection, 1957-1998","Box 2","Folder 7","/repositories/2/archival_objects/71024","box 2","folder 7"],"component_level_isim":[2],"parent_ids_ssim":["febc0b2945e082040f8df62a","febc0b2945e082040f8df62a_aspace_6ec54d93c62a2e8e9bb89f8574ae0ac8"],"parent_unittitles_ssm":["Alberto Bolet Collection, 1957-1998","Box 2"],"parent_unittitles_tesim":["Alberto Bolet Collection, 1957-1998","Box 2"],"parent_levels_ssm":["collection","Other level"],"unitid_ssm":["Folder 7","/repositories/2/archival_objects/71024"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Alberto Bolet Collection, 1957-1998"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":21,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"date_range_isim":[1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"containers_ssim":["box 2","folder 7"],"_nest_path_":"/components#1/components#6","_nest_parent_":"febc0b2945e082040f8df62a_aspace_6ec54d93c62a2e8e9bb89f8574ae0ac8","_root_":"febc0b2945e082040f8df62a","timestamp":"2026-07-08T02:41:46.449Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"febc0b2945e082040f8df62a","title_ssm":["Alberto Bolet Collection"],"title_tesim":["Alberto Bolet Collection"],"ead_ssi":"febc0b2945e082040f8df62a","unitdate_ssm":["1957-1998"],"unitdate_inclusive_ssm":["1957-1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC5010","/repositories/2/resources/94"],"text":["SPC5010","/repositories/2/resources/94","Alberto Bolet Collection, 1957-1998","Musicians","Music","Composers","The collection is open for research.","The arrangement of the folders in each box is in alphabetical order.","Alberto Bolet is a legendary pianist and conductor born in Havana, Cuba, on September 10, 1905. In the 1920s, he learned to play the violin in Madrid before traveling to Paris to perform, as well as briefly in Budapest. Afterwards, he toured briefly as part of a musical trio across Europe and North Africa in the late 1920s and 1930s. In 1936 Bolet returned to Havana to found and organise CMZ, Cuba's first classical radio station. There, he acted as music director and conductor from 1937 to 1943, founding and running both the first radio symphony orchestra in Cuba. More than 300 concerts were broadcast on air in the first three years. He left Cuba in the late 1940s to coordinate orchestras across South America, such as the Ballet Espanol de Ana Maria. In 1951, he returned to Cuba and became music director of the Havana Philharmonic, a post he held until January 1959. Political conditions caused him to leave Cuba in February 1959, and he moved to Europe where he conducted a series of concerts in London and Germany, to later become director of the Bilbao Symphony, Spain. In 1968 was selected as musical director of the Long Beach Symphony, California, a position he held for ten years. He also acted as Professor of Music at the California State College at Fullerton and Guest Lecturer at the Institute of Lifetime Learning, Long Beach, California. Until his death on November 10, 1999, he was active in the musical community and conducted orchestras not just in South America, but the United States, England, Spain and France as well.","This collection contains composed works of Cuban-American musical conductor and musician Alberto Bolet. Additionally, the archive includes an original typewriter belonging to him, posters from various performances, photographs of him as well as performances, and personal correspondences.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Bolet, Alberto","English Spanish; Castilian"],"unitid_tesim":["SPC5010","/repositories/2/resources/94"],"normalized_date_ssm":["1957-1998"],"normalized_title_ssm":["Alberto Bolet Collection, 1957-1998"],"collection_title_tesim":["Alberto Bolet Collection, 1957-1998"],"collection_ssim":["Alberto Bolet Collection, 1957-1998"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Musicians","Music"],"geogname_ssim":["Musicians","Music"],"creator_ssm":["Bolet, Alberto"],"creator_ssim":["Bolet, Alberto"],"creator_persname_ssim":["Bolet, Alberto"],"creators_ssim":["Bolet, Alberto"],"places_ssim":["Musicians","Music"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["Composers"],"access_subjects_ssm":["Composers"],"has_online_content_ssim":["false"],"extent_ssm":["8 boxes"],"extent_tesim":["8 boxes"],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe arrangement of the folders in each box is in alphabetical order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The arrangement of the folders in each box is in alphabetical order."],"bioghist_html_tesm":["\u003cp\u003eAlberto Bolet is a legendary pianist and conductor born in Havana, Cuba, on September 10, 1905. In the 1920s, he learned to play the violin in Madrid before traveling to Paris to perform, as well as briefly in Budapest. Afterwards, he toured briefly as part of a musical trio across Europe and North Africa in the late 1920s and 1930s. In 1936 Bolet returned to Havana to found and organise CMZ, Cuba's first classical radio station. There, he acted as music director and conductor from 1937 to 1943, founding and running both the first radio symphony orchestra in Cuba. More than 300 concerts were broadcast on air in the first three years. He left Cuba in the late 1940s to coordinate orchestras across South America, such as the Ballet Espanol de Ana Maria. In 1951, he returned to Cuba and became music director of the Havana Philharmonic, a post he held until January 1959. Political conditions caused him to leave Cuba in February 1959, and he moved to Europe where he conducted a series of concerts in London and Germany, to later become director of the Bilbao Symphony, Spain. In 1968 was selected as musical director of the Long Beach Symphony, California, a position he held for ten years. He also acted as Professor of Music at the California State College at Fullerton and Guest Lecturer at the Institute of Lifetime Learning, Long Beach, California. Until his death on November 10, 1999, he was active in the musical community and conducted orchestras not just in South America, but the United States, England, Spain and France as well.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Alberto Bolet is a legendary pianist and conductor born in Havana, Cuba, on September 10, 1905. In the 1920s, he learned to play the violin in Madrid before traveling to Paris to perform, as well as briefly in Budapest. Afterwards, he toured briefly as part of a musical trio across Europe and North Africa in the late 1920s and 1930s. In 1936 Bolet returned to Havana to found and organise CMZ, Cuba's first classical radio station. There, he acted as music director and conductor from 1937 to 1943, founding and running both the first radio symphony orchestra in Cuba. More than 300 concerts were broadcast on air in the first three years. He left Cuba in the late 1940s to coordinate orchestras across South America, such as the Ballet Espanol de Ana Maria. In 1951, he returned to Cuba and became music director of the Havana Philharmonic, a post he held until January 1959. Political conditions caused him to leave Cuba in February 1959, and he moved to Europe where he conducted a series of concerts in London and Germany, to later become director of the Bilbao Symphony, Spain. In 1968 was selected as musical director of the Long Beach Symphony, California, a position he held for ten years. He also acted as Professor of Music at the California State College at Fullerton and Guest Lecturer at the Institute of Lifetime Learning, Long Beach, California. Until his death on November 10, 1999, he was active in the musical community and conducted orchestras not just in South America, but the United States, England, Spain and France as well."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains composed works of Cuban-American musical conductor and musician Alberto Bolet. Additionally, the archive includes an original typewriter belonging to him, posters from various performances, photographs of him as well as performances, and personal correspondences.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains composed works of Cuban-American musical conductor and musician Alberto Bolet. Additionally, the archive includes an original typewriter belonging to him, posters from various performances, photographs of him as well as performances, and personal correspondences."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. 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Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. 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The footage is dated circa 1960s through 1980s with specific footage dated 1960 through 1973 and circa 1982 through 1989. The contents include visits to China, Europe, Japan, Hawaii, Kennedy Space Center, World Expo '67, Hoover Dam, Epcot, a Blue Angels airshow, the Allaire State Park Historic Village, Pirate's World, Las Vegas, Disneyland, Mexico, Knott's Berry Farm, Universal Studios, Miami Seaquarium, Freedomland USA, the 1964 World's Fair, Villa Vizcaya, and Africa USA.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d049b8f1d279e90b99a77f6a_aspace_7acba2a2f8f0266df039e6514cf97496#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_7acba2a2f8f0266df039e6514cf97496","ref_ssm":["aspace_7acba2a2f8f0266df039e6514cf97496","aspace_7acba2a2f8f0266df039e6514cf97496"],"id":"d049b8f1d279e90b99a77f6a_aspace_7acba2a2f8f0266df039e6514cf97496","title_filing_ssi":"Orth, Donald Collection","title_ssm":["Orth, Donald Collection"],"title_tesim":["Orth, Donald Collection"],"unitdate_inclusive_ssm":["Circa 1960s-1989"],"normalized_date_ssm":["Circa 1960s-1989"],"normalized_title_ssm":["Orth, Donald Collection, Circa 1960s-1989"],"text":["Orth, Donald Collection, Circa 1960s-1989","UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987.","Home Movie Archives, Circa 1920-1989, Undated","/repositories/4/archival_objects/54561","Donated by David Orth in 2011, the collection consists of 33 processed 8mm film reels and 23 processed Super 8mm film reels. The footage is dated circa 1960s through 1980s with specific footage dated 1960 through 1973 and circa 1982 through 1989. The contents include visits to China, Europe, Japan, Hawaii, Kennedy Space Center, World Expo '67, Hoover Dam, Epcot, a Blue Angels airshow, the Allaire State Park Historic Village, Pirate's World, Las Vegas, Disneyland, Mexico, Knott's Berry Farm, Universal Studios, Miami Seaquarium, Freedomland USA, the 1964 World's Fair, Villa Vizcaya, and Africa USA."],"component_level_isim":[2],"parent_ids_ssim":["d049b8f1d279e90b99a77f6a","d049b8f1d279e90b99a77f6a_aspace_seriesI"],"parent_unittitles_ssm":["UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987.","Home Movie Archives, Circa 1920-1989, Undated"],"parent_unittitles_tesim":["UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987.","Home Movie Archives, Circa 1920-1989, Undated"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/4/archival_objects/54561"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987."],"has_online_content_ssim":["false"],"child_component_count_isi":20,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":295,"parent_access_restrict_tesm":["The entire collection is open for research. Curatorial Permission is required for reels 9, 24, 204, 205, 206, 207, 208, 209, 210, 297 due to their content."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"scopecontent_html_tesm":["\u003cp\u003eDonated by David Orth in 2011, the collection consists of 33 processed 8mm film reels and 23 processed Super 8mm film reels. The footage is dated circa 1960s through 1980s with specific footage dated 1960 through 1973 and circa 1982 through 1989. The contents include visits to China, Europe, Japan, Hawaii, Kennedy Space Center, World Expo '67, Hoover Dam, Epcot, a Blue Angels airshow, the Allaire State Park Historic Village, Pirate's World, Las Vegas, Disneyland, Mexico, Knott's Berry Farm, Universal Studios, Miami Seaquarium, Freedomland USA, the 1964 World's Fair, Villa Vizcaya, and Africa USA.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Donated by David Orth in 2011, the collection consists of 33 processed 8mm film reels and 23 processed Super 8mm film reels. The footage is dated circa 1960s through 1980s with specific footage dated 1960 through 1973 and circa 1982 through 1989. The contents include visits to China, Europe, Japan, Hawaii, Kennedy Space Center, World Expo '67, Hoover Dam, Epcot, a Blue Angels airshow, the Allaire State Park Historic Village, Pirate's World, Las Vegas, Disneyland, Mexico, Knott's Berry Farm, Universal Studios, Miami Seaquarium, Freedomland USA, the 1964 World's Fair, Villa Vizcaya, and Africa USA."],"_nest_path_":"/components#0/components#38","_nest_parent_":"d049b8f1d279e90b99a77f6a_aspace_seriesI","_root_":"d049b8f1d279e90b99a77f6a","timestamp":"2026-04-21T03:15:10.318Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d049b8f1d279e90b99a77f6a","title_ssm":["UCF Home Movie Archives"],"title_tesim":["UCF Home Movie Archives"],"ead_ssi":"d049b8f1d279e90b99a77f6a","unitdate_ssm":["Circa 1920-1989, Circa 2010-2014, Undated.","1950-1987."],"unitdate_bulk_ssim":["1950-1987."],"unitdate_inclusive_ssm":["Circa 1920-1989, Circa 2010-2014, Undated."],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.101","/repositories/4/resources/213"],"text":["SC.101","/repositories/4/resources/213","UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987.","Midway Islands","North America","Hawaii","South America","Europe","Asia","Australia","Africa","Universities and colleges -- Florida","Tourism","Amusement parks","Zoo animals","Wildlife-related recreation","Sculpture","Historic sites","Art and architecture","New York World's Fair (1964-1965 : New York, N.Y.)","United States -- Navy","Cold War","Vietnam War, 1961-1975","Birthday parties","Holidays","Proms","Weddings","Commencement ceremonies","Hunting","Fishing","Amateur films","Festivals","motion pictures (visual works)","8mm (photographic film size)","DVDs","VHS","short subjects","Super 8","The entire collection is open for research. Curatorial Permission is required for reels 9, 24, 204, 205, 206, 207, 208, 209, 210, 297 due to their content.","The first arrangement and description of the archives contents was completed in 2015. The collection is housed on a protected drive and on discs. Presently, the archive is arranged based on the donor in alphabetical order and each film is numerically ordered.","The collection contains 8mm, Super 8mm, and 16mm film reels donated by 54 donors from 2010-2014. The footage of the reels may or may not be listed in chronological order.","As part of the Special Collections and University Archives, the Home Movie Archive seeks to collect 8mm, Super 8mm, and 16mm home movies, captured mostly from late 1930s through the end of the 1980s, which have cultural, historical, scientific, or artistic significance, with a focus on Central Florida and its residents.","The aim of creating a Home Movie Archive is to ensure that the valuable social and historical information, captured by ordinary citizens, be preserved as part of the Special Collections and University Archives permanent holdings-a non-circulating collection whose use is confined to the Special Collections reading/research room.","The UCF Libraries will administer, permanently house, preserve, inventory, process, maintain, and make available a Home Movie Archive to the public, researchers, and scholars, in accordance with the UCF Libraries' established policies and procedures.","Most of the footage was donated during the University of Central Florida Film Department's Home Movie Day events from 2010 through 2013 with individual donations thereafter until 2014. Some of the reels were repaired by the UCF Film Department; more information regarding those repairs can be found in the administrative records. The films were digitized on discs and onto a Western Digital My Book Studio II Dual-drive Storage System with RAID from 2011 to 2013. The UCF Film Department transferred the collection to the UCF Library Special Collections on March 3, 2014.","A supplementary guide was created by David D. Morton in 2015; additions to the guide were integrated by Angie Villafane Martinez, John Settle, and Steven Craig Trelstad from 2017 to 2019. Reels 142 (LN_01), 143 (LN_02), 148 (MB_01), and 150 (MB_04) have vinegar syndrome and are being kept separate from the rest of the collection.","For more information on Special Collections, please see our  website .","Series I: Home Movie Archive, c. 1920-1989, Undated. The series is arranged into one series and 54 subseries with each subseries named after the donors (Last Name, First Name) and is alphabetically listed.","\nSeries II: Public Access Materials, c. 1920-1989, c. 2010-2014, Undated. The series contains the digitized formats of the footage featured in Series I for public research purposes. Also contains supplementary materials such as posters from the University of Central Florida Film Department's Home Movie Day event. The series is arranged with the digitized versions (as well as other formats) of the footage in a box and the posters stored in a flat file. ","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Home Move Archive houses films created by individuals that mostly depict their family interactions, ceremonies, celebrations, and vacations. Others depict famous moments in history such as the opening day of Walt Disney World or the 1964 World's Fair. The origins of the footage in the collection span across North America, South America, Europe, Africa, and Asia.","UCF Special Collections","Florida Technological University","University of Central Florida","The materials are written in English"],"unitid_tesim":["SC.101","/repositories/4/resources/213"],"normalized_date_ssm":["Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987."],"normalized_title_ssm":["UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987."],"collection_title_tesim":["UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987."],"collection_ssim":["UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987."],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Midway Islands","North America","Hawaii","South America","Europe","Asia","Australia","Africa"],"geogname_ssim":["Midway Islands","North America","Hawaii","South America","Europe","Asia","Australia","Africa"],"places_ssim":["Midway Islands","North America","Hawaii","South America","Europe","Asia","Australia","Africa"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Various donors donated the materials to the University of Central Film Department from 2010-2013; their names are used to differentiate their films in the collection. the UCF Film Department transferred these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2014."],"access_subjects_ssim":["Universities and colleges -- Florida","Tourism","Amusement parks","Zoo animals","Wildlife-related recreation","Sculpture","Historic sites","Art and architecture","New York World's Fair (1964-1965 : New York, N.Y.)","United States -- Navy","Cold War","Vietnam War, 1961-1975","Birthday parties","Holidays","Proms","Weddings","Commencement ceremonies","Hunting","Fishing","Amateur films","Festivals","motion pictures (visual works)","8mm (photographic film size)","DVDs","VHS","short subjects","Super 8"],"access_subjects_ssm":["Universities and colleges -- Florida","Tourism","Amusement parks","Zoo animals","Wildlife-related recreation","Sculpture","Historic sites","Art and architecture","New York World's Fair (1964-1965 : New York, N.Y.)","United States -- Navy","Cold War","Vietnam War, 1961-1975","Birthday parties","Holidays","Proms","Weddings","Commencement ceremonies","Hunting","Fishing","Amateur films","Festivals","motion pictures (visual works)","8mm (photographic film size)","DVDs","VHS","short subjects","Super 8"],"has_online_content_ssim":["false"],"extent_ssm":["23.65 Linear Feet 278 8mm Film Reels, 19 Super 8mm Film Reels; 9 16mm Film Reels, 1 Box, and 1 Flat File"],"extent_tesim":["23.65 Linear Feet 278 8mm Film Reels, 19 Super 8mm Film Reels; 9 16mm Film Reels, 1 Box, and 1 Flat File"],"genreform_ssim":["motion pictures (visual works)","8mm (photographic film size)","DVDs","VHS","short subjects","Super 8"],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research. Curatorial Permission is required for reels 9, 24, 204, 205, 206, 207, 208, 209, 210, 297 due to their content.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research. Curatorial Permission is required for reels 9, 24, 204, 205, 206, 207, 208, 209, 210, 297 due to their content."],"arrangement_html_tesm":["\u003cp\u003eThe first arrangement and description of the archives contents was completed in 2015. The collection is housed on a protected drive and on discs. Presently, the archive is arranged based on the donor in alphabetical order and each film is numerically ordered.\u003c/p\u003e\n","\u003cp\u003eThe collection contains 8mm, Super 8mm, and 16mm film reels donated by 54 donors from 2010-2014. The footage of the reels may or may not be listed in chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The first arrangement and description of the archives contents was completed in 2015. The collection is housed on a protected drive and on discs. Presently, the archive is arranged based on the donor in alphabetical order and each film is numerically ordered.","The collection contains 8mm, Super 8mm, and 16mm film reels donated by 54 donors from 2010-2014. The footage of the reels may or may not be listed in chronological order."],"bioghist_html_tesm":["\u003cp\u003eAs part of the Special Collections and University Archives, the Home Movie Archive seeks to collect 8mm, Super 8mm, and 16mm home movies, captured mostly from late 1930s through the end of the 1980s, which have cultural, historical, scientific, or artistic significance, with a focus on Central Florida and its residents.\u003c/p\u003e\n","\u003cp\u003eThe aim of creating a Home Movie Archive is to ensure that the valuable social and historical information, captured by ordinary citizens, be preserved as part of the Special Collections and University Archives permanent holdings-a non-circulating collection whose use is confined to the Special Collections reading/research room.\u003c/p\u003e\n","\u003cp\u003eThe UCF Libraries will administer, permanently house, preserve, inventory, process, maintain, and make available a Home Movie Archive to the public, researchers, and scholars, in accordance with the UCF Libraries' established policies and procedures.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["As part of the Special Collections and University Archives, the Home Movie Archive seeks to collect 8mm, Super 8mm, and 16mm home movies, captured mostly from late 1930s through the end of the 1980s, which have cultural, historical, scientific, or artistic significance, with a focus on Central Florida and its residents.","The aim of creating a Home Movie Archive is to ensure that the valuable social and historical information, captured by ordinary citizens, be preserved as part of the Special Collections and University Archives permanent holdings-a non-circulating collection whose use is confined to the Special Collections reading/research room.","The UCF Libraries will administer, permanently house, preserve, inventory, process, maintain, and make available a Home Movie Archive to the public, researchers, and scholars, in accordance with the UCF Libraries' established policies and procedures."],"prefercite_html_tesm":["\u003cp\u003eUCF Home Movie Archives, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["UCF Home Movie Archives, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMost of the footage was donated during the University of Central Florida Film Department's Home Movie Day events from 2010 through 2013 with individual donations thereafter until 2014. Some of the reels were repaired by the UCF Film Department; more information regarding those repairs can be found in the administrative records. The films were digitized on discs and onto a Western Digital My Book Studio II Dual-drive Storage System with RAID from 2011 to 2013. The UCF Film Department transferred the collection to the UCF Library Special Collections on March 3, 2014.\u003c/p\u003e","\u003cp\u003eA supplementary guide was created by David D. Morton in 2015; additions to the guide were integrated by Angie Villafane Martinez, John Settle, and Steven Craig Trelstad from 2017 to 2019. Reels 142 (LN_01), 143 (LN_02), 148 (MB_01), and 150 (MB_04) have vinegar syndrome and are being kept separate from the rest of the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["Most of the footage was donated during the University of Central Florida Film Department's Home Movie Day events from 2010 through 2013 with individual donations thereafter until 2014. Some of the reels were repaired by the UCF Film Department; more information regarding those repairs can be found in the administrative records. The films were digitized on discs and onto a Western Digital My Book Studio II Dual-drive Storage System with RAID from 2011 to 2013. The UCF Film Department transferred the collection to the UCF Library Special Collections on March 3, 2014.","A supplementary guide was created by David D. Morton in 2015; additions to the guide were integrated by Angie Villafane Martinez, John Settle, and Steven Craig Trelstad from 2017 to 2019. Reels 142 (LN_01), 143 (LN_02), 148 (MB_01), and 150 (MB_04) have vinegar syndrome and are being kept separate from the rest of the collection."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on Special Collections, please see our \u003cextref href=\"https://library.ucf.edu/about/departments/special-collections-university-archives/\" show=\"new\" actuate=\"onrequest\"\u003ewebsite\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["For more information on Special Collections, please see our  website ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Home Movie Archive, c. 1920-1989, Undated. The series is arranged into one series and 54 subseries with each subseries named after the donors (Last Name, First Name) and is alphabetically listed.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Public Access Materials, c. 1920-1989, c. 2010-2014, Undated. The series contains the digitized formats of the footage featured in Series I for public research purposes. Also contains supplementary materials such as posters from the University of Central Florida Film Department's Home Movie Day event. The series is arranged with the digitized versions (as well as other formats) of the footage in a box and the posters stored in a flat file. \u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["Series I: Home Movie Archive, c. 1920-1989, Undated. The series is arranged into one series and 54 subseries with each subseries named after the donors (Last Name, First Name) and is alphabetically listed.","\nSeries II: Public Access Materials, c. 1920-1989, c. 2010-2014, Undated. The series contains the digitized formats of the footage featured in Series I for public research purposes. Also contains supplementary materials such as posters from the University of Central Florida Film Department's Home Movie Day event. The series is arranged with the digitized versions (as well as other formats) of the footage in a box and the posters stored in a flat file. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6f7085fc2c24f2c91a7dd90d8b5a701a\"\u003eThe Home Move Archive houses films created by individuals that mostly depict their family interactions, ceremonies, celebrations, and vacations. Others depict famous moments in history such as the opening day of Walt Disney World or the 1964 World's Fair. The origins of the footage in the collection span across North America, South America, Europe, Africa, and Asia.\u003c/abstract\u003e"],"abstract_tesim":["The Home Move Archive houses films created by individuals that mostly depict their family interactions, ceremonies, celebrations, and vacations. Others depict famous moments in history such as the opening day of Walt Disney World or the 1964 World's Fair. The origins of the footage in the collection span across North America, South America, Europe, Africa, and Asia."],"names_coll_ssim":["Florida Technological University","University of Central Florida"],"names_ssim":["UCF Special Collections","Florida Technological University","University of Central Florida"],"corpname_ssim":["UCF Special Collections","Florida Technological University","University of Central Florida"],"language_ssim":["The materials are written in English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":481,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"d049b8f1d279e90b99a77f6a","timestamp":"2026-04-21T03:15:10.318Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d049b8f1d279e90b99a77f6a_aspace_7acba2a2f8f0266df039e6514cf97496"}},{"id":"fa7267d0d7c856054ef95e7d_aspace_18240","type":"File","attributes":{"title":"OSS, CIA, and FBI, 1940-1990","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/fa7267d0d7c856054ef95e7d_aspace_18240#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_18240","ref_ssm":["aspace_18240","aspace_18240"],"id":"fa7267d0d7c856054ef95e7d_aspace_18240","title_filing_ssi":"OSS, CIA, and FBI","title_ssm":["OSS, CIA, and FBI"],"title_tesim":["OSS, CIA, and FBI"],"unitdate_inclusive_ssm":["1940-1990"],"normalized_date_ssm":["1940-1990"],"normalized_title_ssm":["OSS, CIA, and FBI, 1940-1990"],"text":["OSS, CIA, and FBI, 1940-1990","Archimedes L. A. Patti Research Papers, 1922-1993","Research, 1922-1993, undated.","Subject Files, 1940-1990, undated.","Box 6-8","/repositories/4/archival_objects/40162","box 6"],"component_level_isim":[3],"parent_ids_ssim":["fa7267d0d7c856054ef95e7d","fa7267d0d7c856054ef95e7d_aspace_18113","fa7267d0d7c856054ef95e7d_aspace_18170"],"parent_unittitles_ssm":["Archimedes L. A. Patti Research Papers, 1922-1993","Research, 1922-1993, undated.","Subject Files, 1940-1990, undated."],"parent_unittitles_tesim":["Archimedes L. A. Patti Research Papers, 1922-1993","Research, 1922-1993, undated.","Subject Files, 1940-1990, undated."],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Box 6-8","/repositories/4/archival_objects/40162"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Archimedes L. A. Patti Research Papers, 1922-1993"],"has_online_content_ssim":["false"],"child_component_count_isi":27,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":110,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Equipment is not available for playing the 8 inch floppy disks in Series I."],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"containers_ssim":["box 6"],"_nest_path_":"/components#0/components#1/components#3","_nest_parent_":"fa7267d0d7c856054ef95e7d_aspace_18170","_root_":"fa7267d0d7c856054ef95e7d","_version_":1874662718601953280,"timestamp":"2026-08-27T08:01:26.645Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"fa7267d0d7c856054ef95e7d","title_ssm":["Archimedes L. A. Patti Research Papers"],"title_tesim":["Archimedes L. A. Patti Research Papers"],"ead_ssi":"fa7267d0d7c856054ef95e7d","unitdate_ssm":["1922-1993"],"unitdate_inclusive_ssm":["1922-1993"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC026","/repositories/4/resources/170"],"text":["SC026","/repositories/4/resources/170","Archimedes L. A. Patti Research Papers, 1922-1993","United States -- Foreign relations -- 1945-1989","United States -- Foreign relations -- Vietnam","Vietnam -- Foreign relations -- United States","Vietnam -- History -- 1945-1975","Photographic prints","The entire collection is open for research.","Archimedes L. A. Patti was a writer, historian and retired Army lieutenant colonel best known for his work with Ho Chi Minh 1945 and his subsequent 1980 book, Why Viet Nam? Prelude to America's Albatross. After his service in the European Theater during World War II, Patti was transferred to the Office of Strategic Services (OSS – precursor to CIA) in Hanoi, Vietnam. While there, Patti was named head of a secret OSS mission under President Franklin Delano Roosevelt designed to support anti-colonialism in Asia. Part of Patti's mission was to befriend Ho Chi Minh and train Ho's men to fight the occupying Japanese forces in Vietnam. Patti was later pulled out of Vietnam by the United States in 1945 but he continued his friendly relations with Ho and his representatives. After his retirement, Patti worked closely with federal agencies in creating plans for civil governance in the event of a catastrophic attack on the US. Patti also became a well-known writer, recounting his work with Ho in 1945 and the changing face of politics in the Indochina region. Held for publication in the 1950s due to its controversial subject matter on communism, Patti's book, Why Viet Nam? Prelude to America's Albatross was published in 1980 and became known as a critical work on the study of politics in Asia. Patti passed away in Winter Park in 1998 at age 84 and is buried at Arlington National Cemetery in Washington DC.","Processed by Alexandra Olsen, April Karlene Anderson and Katie Seeler; finding aid prepared by April Karlene Anderson, Jonathon Teasley and Katie Seeler. Photographs processed by Sandra Varry, encoded by Kelly Gaiser.\t ","Rusty staples and paper clips have been removed where necessary. Paper materials were placed in acid free folders which in turn are housed in acid free boxes. Some photographs were placed in mylar enclosures to protect flaking emulsion. All photographs were placed in acid free folders. Negatives were placed into acid free sleeves and stored in acid free folders. Scrapbooks have been wrapped in acid free paper and tied with cotton cloth to prevent further damage.","Books collected by Archimedes L. A. Patti can be found by performing a series search for \"Archimedes L. A. Patti collection\" in the   Library Catalog  .","\nPatti, Archimedes L. A. Why Viet Nam?: Prelude to America's Albatross. Berkeley: University of California Press, 1980. Call Number: Special Collections -  E183.8.V5 P3 1980 .","The collection is divided into three series based on the type of manuscript materials found in the collection. Many parts of this collection were found not to be in the original order as created by Patti. Where possible, original order was retained while remaining materials were organized by material type.","\nSeries I: Research, 1922-1993, Undated, contains research notes created by Patti. These notes can be found throughout the series in various forms, mostly handwritten directly on news clippings, photocopied monographs, magazines and in personal notebooks. This series also includes photographs, an audio tape, handwritten and typed index notecards, maps of Indochina and scrapbooks created by Patti.","\nSeries II: Photographs, 1919-1990, Undated, Materials in this series include original negatives and images, as well as those given to and collected or copied by Patti. Please refer to the included scrapbooks (Series I, box 10) for additional notations and images.","\nSeries III: Publications, 1948-1990, Undated, contains draft and final manuscript materials for the author's published and unpublished works. This series includes reviews of the author's published work by the Washington Post, New York Times, and CBS.","Equipment is not available for playing the 8 inch floppy disks in Series I.","This collection contains the research materials collected by Archimedes L. A. Patti for use in his historical writings. Known for his military career, his work in the Office of Strategic Services (OSS) and his relationship with Ho Chi Minh, Patti was recognized later in life as a respected researcher and historian on Indochina affairs. Notes, manuscripts, ephemera, photographs, maps, books and scrapbooks are held in this collection. Of important note are photographs given to Patti by Ho Chi Minh in 1945.","UCF Special Collections","United States. Central Intelligence Agency","United States. Army","Patti, Archimedes L. A.","Hồ, Chí Minh, 1890-1969","English"],"unitid_tesim":["SC026","/repositories/4/resources/170"],"normalized_date_ssm":["1922-1993"],"normalized_title_ssm":["Archimedes L. A. Patti Research Papers, 1922-1993"],"collection_title_tesim":["Archimedes L. A. Patti Research Papers, 1922-1993"],"collection_ssim":["Archimedes L. A. Patti Research Papers, 1922-1993"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["United States -- Foreign relations -- 1945-1989","United States -- Foreign relations -- Vietnam","Vietnam -- Foreign relations -- United States","Vietnam -- History -- 1945-1975"],"geogname_ssim":["United States -- Foreign relations -- 1945-1989","United States -- Foreign relations -- Vietnam","Vietnam -- Foreign relations -- United States","Vietnam -- History -- 1945-1975"],"places_ssim":["United States -- Foreign relations -- 1945-1989","United States -- Foreign relations -- Vietnam","Vietnam -- Foreign relations -- United States","Vietnam -- History -- 1945-1975"],"access_terms_ssm":["Equipment is not available for playing the 8 inch floppy disks in Series I."],"acqinfo_ssim":["Mr. Patti's wife, Margaret Telford Patti donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 1998 (CFM1998_02)."],"access_subjects_ssim":["Photographic prints"],"access_subjects_ssm":["Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["20.25 Linear Feet 27 Boxes, 1 Flat File"],"extent_tesim":["20.25 Linear Feet 27 Boxes, 1 Flat File"],"genreform_ssim":["Photographic prints"],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eArchimedes L. A. Patti was a writer, historian and retired Army lieutenant colonel best known for his work with Ho Chi Minh 1945 and his subsequent 1980 book, Why Viet Nam? Prelude to America's Albatross. After his service in the European Theater during World War II, Patti was transferred to the Office of Strategic Services (OSS \u0026#x2013; precursor to CIA) in Hanoi, Vietnam. While there, Patti was named head of a secret OSS mission under President Franklin Delano Roosevelt designed to support anti-colonialism in Asia. Part of Patti's mission was to befriend Ho Chi Minh and train Ho's men to fight the occupying Japanese forces in Vietnam. Patti was later pulled out of Vietnam by the United States in 1945 but he continued his friendly relations with Ho and his representatives. After his retirement, Patti worked closely with federal agencies in creating plans for civil governance in the event of a catastrophic attack on the US. Patti also became a well-known writer, recounting his work with Ho in 1945 and the changing face of politics in the Indochina region. Held for publication in the 1950s due to its controversial subject matter on communism, Patti's book, Why Viet Nam? Prelude to America's Albatross was published in 1980 and became known as a critical work on the study of politics in Asia. Patti passed away in Winter Park in 1998 at age 84 and is buried at Arlington National Cemetery in Washington DC.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Archimedes L. A. Patti was a writer, historian and retired Army lieutenant colonel best known for his work with Ho Chi Minh 1945 and his subsequent 1980 book, Why Viet Nam? Prelude to America's Albatross. After his service in the European Theater during World War II, Patti was transferred to the Office of Strategic Services (OSS – precursor to CIA) in Hanoi, Vietnam. While there, Patti was named head of a secret OSS mission under President Franklin Delano Roosevelt designed to support anti-colonialism in Asia. Part of Patti's mission was to befriend Ho Chi Minh and train Ho's men to fight the occupying Japanese forces in Vietnam. Patti was later pulled out of Vietnam by the United States in 1945 but he continued his friendly relations with Ho and his representatives. After his retirement, Patti worked closely with federal agencies in creating plans for civil governance in the event of a catastrophic attack on the US. Patti also became a well-known writer, recounting his work with Ho in 1945 and the changing face of politics in the Indochina region. Held for publication in the 1950s due to its controversial subject matter on communism, Patti's book, Why Viet Nam? Prelude to America's Albatross was published in 1980 and became known as a critical work on the study of politics in Asia. Patti passed away in Winter Park in 1998 at age 84 and is buried at Arlington National Cemetery in Washington DC."],"prefercite_html_tesm":["\u003cp\u003eThe Archimedes L. A. Patti Research Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["The Archimedes L. A. Patti Research Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Alexandra Olsen, April Karlene Anderson and Katie Seeler; finding aid prepared by April Karlene Anderson, Jonathon Teasley and Katie Seeler. Photographs processed by Sandra Varry, encoded by Kelly Gaiser.\t \u003c/p\u003e","\u003cp\u003eRusty staples and paper clips have been removed where necessary. Paper materials were placed in acid free folders which in turn are housed in acid free boxes. Some photographs were placed in mylar enclosures to protect flaking emulsion. All photographs were placed in acid free folders. Negatives were placed into acid free sleeves and stored in acid free folders. Scrapbooks have been wrapped in acid free paper and tied with cotton cloth to prevent further damage.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Alexandra Olsen, April Karlene Anderson and Katie Seeler; finding aid prepared by April Karlene Anderson, Jonathon Teasley and Katie Seeler. Photographs processed by Sandra Varry, encoded by Kelly Gaiser.\t ","Rusty staples and paper clips have been removed where necessary. Paper materials were placed in acid free folders which in turn are housed in acid free boxes. Some photographs were placed in mylar enclosures to protect flaking emulsion. All photographs were placed in acid free folders. Negatives were placed into acid free sleeves and stored in acid free folders. Scrapbooks have been wrapped in acid free paper and tied with cotton cloth to prevent further damage."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks collected by Archimedes L. A. Patti can be found by performing a series search for \"Archimedes L. A. Patti collection\" in the \u003cextref href=\"https://library.ucf.edu\"\u003e Library Catalog\u003c/extref\u003e .\u003c/p\u003e\n","\u003cp\u003e\nPatti, Archimedes L. A. Why Viet Nam?: Prelude to America's Albatross. Berkeley: University of California Press, 1980. Call Number: Special Collections - \u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990239794040306596\"\u003eE183.8.V5 P3 1980\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Books collected by Archimedes L. A. Patti can be found by performing a series search for \"Archimedes L. A. Patti collection\" in the   Library Catalog  .","\nPatti, Archimedes L. A. Why Viet Nam?: Prelude to America's Albatross. Berkeley: University of California Press, 1980. Call Number: Special Collections -  E183.8.V5 P3 1980 ."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is divided into three series based on the type of manuscript materials found in the collection. Many parts of this collection were found not to be in the original order as created by Patti. Where possible, original order was retained while remaining materials were organized by material type.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Research, 1922-1993, Undated, contains research notes created by Patti. These notes can be found throughout the series in various forms, mostly handwritten directly on news clippings, photocopied monographs, magazines and in personal notebooks. This series also includes photographs, an audio tape, handwritten and typed index notecards, maps of Indochina and scrapbooks created by Patti.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Photographs, 1919-1990, Undated, Materials in this series include original negatives and images, as well as those given to and collected or copied by Patti. Please refer to the included scrapbooks (Series I, box 10) for additional notations and images.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1948-1990, Undated, contains draft and final manuscript materials for the author's published and unpublished works. This series includes reviews of the author's published work by the Washington Post, New York Times, and CBS.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is divided into three series based on the type of manuscript materials found in the collection. Many parts of this collection were found not to be in the original order as created by Patti. Where possible, original order was retained while remaining materials were organized by material type.","\nSeries I: Research, 1922-1993, Undated, contains research notes created by Patti. These notes can be found throughout the series in various forms, mostly handwritten directly on news clippings, photocopied monographs, magazines and in personal notebooks. This series also includes photographs, an audio tape, handwritten and typed index notecards, maps of Indochina and scrapbooks created by Patti.","\nSeries II: Photographs, 1919-1990, Undated, Materials in this series include original negatives and images, as well as those given to and collected or copied by Patti. Please refer to the included scrapbooks (Series I, box 10) for additional notations and images.","\nSeries III: Publications, 1948-1990, Undated, contains draft and final manuscript materials for the author's published and unpublished works. This series includes reviews of the author's published work by the Washington Post, New York Times, and CBS."],"userestrict_html_tesm":["\u003cp\u003eEquipment is not available for playing the 8 inch floppy disks in Series I.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Equipment is not available for playing the 8 inch floppy disks in Series I."],"abstract_html_tesm":["\u003cabstract id=\"aspace_c343b6effee0bd568c36f0980a6f0f2a\" label=\"Abstract\"\u003eThis collection contains the research materials collected by Archimedes L. A. Patti for use in his historical writings. Known for his military career, his work in the Office of Strategic Services (OSS) and his relationship with Ho Chi Minh, Patti was recognized later in life as a respected researcher and historian on Indochina affairs. Notes, manuscripts, ephemera, photographs, maps, books and scrapbooks are held in this collection. Of important note are photographs given to Patti by Ho Chi Minh in 1945.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains the research materials collected by Archimedes L. A. Patti for use in his historical writings. Known for his military career, his work in the Office of Strategic Services (OSS) and his relationship with Ho Chi Minh, Patti was recognized later in life as a respected researcher and historian on Indochina affairs. Notes, manuscripts, ephemera, photographs, maps, books and scrapbooks are held in this collection. Of important note are photographs given to Patti by Ho Chi Minh in 1945."],"names_coll_ssim":["United States. Central Intelligence Agency","United States. Army","Patti, Archimedes L. A.","Hồ, Chí Minh, 1890-1969"],"names_ssim":["UCF Special Collections","United States. Central Intelligence Agency","United States. Army","Patti, Archimedes L. A.","Hồ, Chí Minh, 1890-1969"],"corpname_ssim":["UCF Special Collections","United States. Central Intelligence Agency","United States. Army"],"persname_ssim":["Patti, Archimedes L. A.","Hồ, Chí Minh, 1890-1969"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":691,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1874662718601953280,"_root_":"fa7267d0d7c856054ef95e7d","timestamp":"2026-08-27T08:01:26.645Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/fa7267d0d7c856054ef95e7d_aspace_18240"}},{"id":"2a744f73053cbfafcf6e3854_aspace_9806385b54b96ac6c54d9078e0214aeb","type":"Folder","attributes":{"title":"O-Team photos, 1982","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2a744f73053cbfafcf6e3854_aspace_9806385b54b96ac6c54d9078e0214aeb#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9806385b54b96ac6c54d9078e0214aeb","ref_ssm":["aspace_9806385b54b96ac6c54d9078e0214aeb","aspace_9806385b54b96ac6c54d9078e0214aeb"],"id":"2a744f73053cbfafcf6e3854_aspace_9806385b54b96ac6c54d9078e0214aeb","title_filing_ssi":"O-Team photos","title_ssm":["O-Team photos"],"title_tesim":["O-Team photos"],"unitdate_other_ssim":["1982"],"normalized_date_ssm":["1982"],"normalized_title_ssm":["O-Team photos, 1982"],"text":["O-Team photos, 1982","Fairwinds Alumni Center collection, 1968-2018","Photographs and Scrapbooks, 1968-2018","/repositories/2/archival_objects/65006","box 1"],"component_level_isim":[2],"parent_ids_ssim":["2a744f73053cbfafcf6e3854","2a744f73053cbfafcf6e3854_aspace_4f2bcb0e6be8ad18d56ff1f2dfa9c748"],"parent_unittitles_ssm":["Fairwinds Alumni Center collection, 1968-2018","Photographs and Scrapbooks, 1968-2018"],"parent_unittitles_tesim":["Fairwinds Alumni Center collection, 1968-2018","Photographs and Scrapbooks, 1968-2018"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/65006"],"repository_ssim":["UCF University Archives"],"collection_ssim":["Fairwinds Alumni Center collection, 1968-2018"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Folder"],"level_ssim":["Folder"],"sort_isi":4,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1982],"containers_ssim":["box 1"],"_nest_path_":"/components#0/components#2","_nest_parent_":"2a744f73053cbfafcf6e3854_aspace_4f2bcb0e6be8ad18d56ff1f2dfa9c748","_root_":"2a744f73053cbfafcf6e3854","_version_":1876113200029630464,"timestamp":"2026-09-12T08:16:13.539Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2a744f73053cbfafcf6e3854","title_ssm":["Fairwinds Alumni Center collection"],"title_tesim":["Fairwinds Alumni Center collection"],"ead_ssi":"2a744f73053cbfafcf6e3854","unitdate_ssm":["1968-2018"],"unitdate_inclusive_ssm":["1968-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA05C","/repositories/2/resources/251"],"text":["UA05C","/repositories/2/resources/251","Fairwinds Alumni Center collection, 1968-2018","Universities and colleges","Universities and colleges -- Florida","University of Central Florida -- Alumni and alumnae","Universities and colleges -- Alumni and alumnae","Universities and colleges -- Departments","Florida Technological University -- Alumni Association","University of Central Florida -- Alumni Association","photographs","scrapbooks","The entire collection is open for research.","This collection is arranged into one series pertaining to the scrapbooks and photographs of alumni events and the Orientation Team retreats. This series also includes two framed artworks and a football poster.","The Fairwinds Alumni Center was established in 2005. They offer a range of services for UCF alumni such as networking and programs to better serve the community and alumni. In 1994, UCF alumni created the group, 4EVER KNIGHTS. The Orientation Team, also known as O-Team, is a group of students who participate in incoming students' academic preparedness.","Collection processed by and finding aid prepared by Eli Jimenez in 2022. Photo sheets were removed from original binders and placed in folders. Any scrapbook was kept in its original binding. At least three versions of publications were kept, and all additional copies were recycled.","More information on the topic of Alumni at the University of Central Florida can be found in the University of  Central Florida Alumni Association records  and the  University of Central Florida Faculty and Alumni Manuscripts collection .","The Fairwinds Alumni Center collection contains scrapbooks and photos of alumni events, Orientation Team (O-Team) retreats, and 4EVER KNIGHTS. Included are two framed artworks and a football poster. This collection is useful to historical research on alumni and orientation activities.\nSeries I: Scrapbooks and Photos, 1968-2018 contains scrapbooks, photographs of Orientation team retreats, alumni events, and 4EVER KNIGHTS.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Fairwinds Alumni Center collection contains scrapbooks and photos of alumni events, Orientation Team (O-Team) retreats, and 4EVER KNIGHTS. Included are two framed artworks and a football poster. This collection is useful to historical research on alumni and orientation activities.\nSeries I: Scrapbooks and Photos, 1968-2018 contains scrapbooks, photographs of Orientation team retreats, alumni events, and 4EVER KNIGHTS. \n\nThe Fairwinds Alumni Center was established in 2005. They offer a range of services for UCF alumni such as networking and programs to better serve the community and alumni. In 1994, UCF alumni created the group, 4EVER KNIGHTS. The Orientation Team, also known as O-Team, is a group of students who participate in incoming students' academic preparedness.","UCF University Archives","English"],"unitid_tesim":["UA05C","/repositories/2/resources/251"],"normalized_date_ssm":["1968-2018"],"normalized_title_ssm":["Fairwinds Alumni Center collection, 1968-2018"],"collection_title_tesim":["Fairwinds Alumni Center collection, 1968-2018"],"collection_ssim":["Fairwinds Alumni Center collection, 1968-2018"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The Fairwinds Alumni Center transferred these materials to the Special Collections and University Archives department in 2021. Additional material transferred by UCF Advancement in 2022 (Accession no. CFU2022_12)."],"access_subjects_ssim":["Universities and colleges","Universities and colleges -- Florida","University of Central Florida -- Alumni and alumnae","Universities and colleges -- Alumni and alumnae","Universities and colleges -- Departments","Florida Technological University -- Alumni Association","University of Central Florida -- Alumni Association","photographs","scrapbooks"],"access_subjects_ssm":["Universities and colleges","Universities and colleges -- Florida","University of Central Florida -- Alumni and alumnae","Universities and colleges -- Alumni and alumnae","Universities and colleges -- Departments","Florida Technological University -- Alumni Association","University of Central Florida -- Alumni Association","photographs","scrapbooks"],"has_online_content_ssim":["false"],"extent_ssm":["6.6 Linear Feet 11 boxes"],"extent_tesim":["6.6 Linear Feet 11 boxes"],"genreform_ssim":["photographs","scrapbooks"],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into one series pertaining to the scrapbooks and photographs of alumni events and the Orientation Team retreats. This series also includes two framed artworks and a football poster.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged into one series pertaining to the scrapbooks and photographs of alumni events and the Orientation Team retreats. This series also includes two framed artworks and a football poster."],"bioghist_html_tesm":["\u003cp\u003eThe Fairwinds Alumni Center was established in 2005. They offer a range of services for UCF alumni such as networking and programs to better serve the community and alumni. In 1994, UCF alumni created the group, 4EVER KNIGHTS. The Orientation Team, also known as O-Team, is a group of students who participate in incoming students' academic preparedness.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Fairwinds Alumni Center was established in 2005. They offer a range of services for UCF alumni such as networking and programs to better serve the community and alumni. In 1994, UCF alumni created the group, 4EVER KNIGHTS. The Orientation Team, also known as O-Team, is a group of students who participate in incoming students' academic preparedness."],"prefercite_html_tesm":["\u003cp\u003eUniversity of Central Florida Alumni Center collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida\u003c/p\u003e"],"prefercite_tesim":["University of Central Florida Alumni Center collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida"],"processinfo_html_tesm":["\u003cp\u003eCollection processed by and finding aid prepared by Eli Jimenez in 2022. Photo sheets were removed from original binders and placed in folders. Any scrapbook was kept in its original binding. At least three versions of publications were kept, and all additional copies were recycled.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by and finding aid prepared by Eli Jimenez in 2022. Photo sheets were removed from original binders and placed in folders. Any scrapbook was kept in its original binding. At least three versions of publications were kept, and all additional copies were recycled."],"relatedmaterial_html_tesm":["\u003cp\u003eMore information on the topic of Alumni at the University of Central Florida can be found in the University of \u003cextref href=\"http://purl.flvc.org/ucf/ead/UCFAlumAssoc\"\u003eCentral Florida Alumni Association records\u003c/extref\u003e and the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2002-04\"\u003eUniversity of Central Florida Faculty and Alumni Manuscripts collection\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["More information on the topic of Alumni at the University of Central Florida can be found in the University of  Central Florida Alumni Association records  and the  University of Central Florida Faculty and Alumni Manuscripts collection ."],"scopecontent_html_tesm":["\u003cp\u003eThe Fairwinds Alumni Center collection contains scrapbooks and photos of alumni events, Orientation Team (O-Team) retreats, and 4EVER KNIGHTS. Included are two framed artworks and a football poster. This collection is useful to historical research on alumni and orientation activities.\nSeries I: Scrapbooks and Photos, 1968-2018 contains scrapbooks, photographs of Orientation team retreats, alumni events, and 4EVER KNIGHTS.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Fairwinds Alumni Center collection contains scrapbooks and photos of alumni events, Orientation Team (O-Team) retreats, and 4EVER KNIGHTS. Included are two framed artworks and a football poster. This collection is useful to historical research on alumni and orientation activities.\nSeries I: Scrapbooks and Photos, 1968-2018 contains scrapbooks, photographs of Orientation team retreats, alumni events, and 4EVER KNIGHTS."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a681fadec15b40d084901a0e3a019d3a\" label=\"Abstract\"\u003eThe Fairwinds Alumni Center collection contains scrapbooks and photos of alumni events, Orientation Team (O-Team) retreats, and 4EVER KNIGHTS. Included are two framed artworks and a football poster. This collection is useful to historical research on alumni and orientation activities.\nSeries I: Scrapbooks and Photos, 1968-2018 contains scrapbooks, photographs of Orientation team retreats, alumni events, and 4EVER KNIGHTS. \n\nThe Fairwinds Alumni Center was established in 2005. They offer a range of services for UCF alumni such as networking and programs to better serve the community and alumni. In 1994, UCF alumni created the group, 4EVER KNIGHTS. The Orientation Team, also known as O-Team, is a group of students who participate in incoming students' academic preparedness.\u003c/abstract\u003e"],"abstract_tesim":["The Fairwinds Alumni Center collection contains scrapbooks and photos of alumni events, Orientation Team (O-Team) retreats, and 4EVER KNIGHTS. Included are two framed artworks and a football poster. This collection is useful to historical research on alumni and orientation activities.\nSeries I: Scrapbooks and Photos, 1968-2018 contains scrapbooks, photographs of Orientation team retreats, alumni events, and 4EVER KNIGHTS. \n\nThe Fairwinds Alumni Center was established in 2005. They offer a range of services for UCF alumni such as networking and programs to better serve the community and alumni. In 1994, UCF alumni created the group, 4EVER KNIGHTS. The Orientation Team, also known as O-Team, is a group of students who participate in incoming students' academic preparedness."],"names_ssim":["UCF University Archives"],"corpname_ssim":["UCF University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":32,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876113200029630464,"_root_":"2a744f73053cbfafcf6e3854","timestamp":"2026-09-12T08:16:13.539Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2a744f73053cbfafcf6e3854_aspace_9806385b54b96ac6c54d9078e0214aeb"}},{"id":"5e441c26c224fc2443904339_aspace_136c5fe559976c8ade63fbe6f0a53e44","type":"File","attributes":{"title":"Other Locations, 1960-1985","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5e441c26c224fc2443904339_aspace_136c5fe559976c8ade63fbe6f0a53e44#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_136c5fe559976c8ade63fbe6f0a53e44","ref_ssm":["aspace_136c5fe559976c8ade63fbe6f0a53e44","aspace_136c5fe559976c8ade63fbe6f0a53e44"],"id":"5e441c26c224fc2443904339_aspace_136c5fe559976c8ade63fbe6f0a53e44","title_filing_ssi":"Other Locations","title_ssm":["Other Locations"],"title_tesim":["Other Locations"],"unitdate_inclusive_ssm":["1960-1985"],"normalized_date_ssm":["1960-1985"],"normalized_title_ssm":["Other Locations, 1960-1985"],"text":["Other Locations, 1960-1985","Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982","Box 1","Cold War","Other Locations","/repositories/2/archival_objects/75751","box 1","folder 89","Locations represented under this heading are: U.S. Navy; U.S. Postal Service California; U.S. Postal Service Mississippi; Aklavik N.W.T. Canada; Bridgeport Connecticut; Camden New Jersey; Cartagena Columbia; Mount Vernon Virginia; Unknown","The cachets under this heading depict the following vessels: USS Sargo (SSN-583); USS Seadragon (SSN-584); USS Nautilus (SSN-571); USS Sailfish (SS-572); USS Haddo (SSN-604); USS Swordfish (SSN-579); USS Pollack (SSN-603); USS George Washington (SSBN-598); USS Shark (SSN-591)"],"component_level_isim":[4],"parent_ids_ssim":["5e441c26c224fc2443904339","5e441c26c224fc2443904339_aspace_bfbcc03b00690a4ddba2a32d2be2a6b9","5e441c26c224fc2443904339_aspace_a4f974841d4716dac467aa617b329b3d","5e441c26c224fc2443904339_aspace_d3f8df977b36983eb94e9daa98e25f8c"],"parent_unittitles_ssm":["Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982","Box 1","Cold War","Other Locations"],"parent_unittitles_tesim":["Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982","Box 1","Cold War","Other Locations"],"parent_levels_ssm":["collection","Other level","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/75751"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":112,"parent_access_restrict_tesm":["This collection is open for research."],"parent_access_terms_tesm":["The Maks Dikarev Naval Cover Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985],"containers_ssim":["box 1","folder 89"],"odd_html_tesm":["\u003cp\u003eLocations represented under this heading are: U.S. Navy; U.S. Postal Service California; U.S. Postal Service Mississippi; Aklavik N.W.T. Canada; Bridgeport Connecticut; Camden New Jersey; Cartagena Columbia; Mount Vernon Virginia; Unknown\u003c/p\u003e","\u003cp\u003eThe cachets under this heading depict the following vessels: USS Sargo (SSN-583); USS Seadragon (SSN-584); USS Nautilus (SSN-571); USS Sailfish (SS-572); USS Haddo (SSN-604); USS Swordfish (SSN-579); USS Pollack (SSN-603); USS George Washington (SSBN-598); USS Shark (SSN-591)\u003c/p\u003e"],"odd_heading_ssm":["General","General"],"odd_tesim":["Locations represented under this heading are: U.S. Navy; U.S. Postal Service California; U.S. Postal Service Mississippi; Aklavik N.W.T. Canada; Bridgeport Connecticut; Camden New Jersey; Cartagena Columbia; Mount Vernon Virginia; Unknown","The cachets under this heading depict the following vessels: USS Sargo (SSN-583); USS Seadragon (SSN-584); USS Nautilus (SSN-571); USS Sailfish (SS-572); USS Haddo (SSN-604); USS Swordfish (SSN-579); USS Pollack (SSN-603); USS George Washington (SSBN-598); USS Shark (SSN-591)"],"_nest_path_":"/components#0/components#1/components#2/components#0","_nest_parent_":"5e441c26c224fc2443904339_aspace_d3f8df977b36983eb94e9daa98e25f8c","_root_":"5e441c26c224fc2443904339","_version_":1870844426508566528,"timestamp":"2026-07-16T04:31:19.551Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5e441c26c224fc2443904339","title_ssm":["Maks Dikarev Naval Cover Collection"],"title_tesim":["Maks Dikarev Naval Cover Collection"],"ead_ssi":"5e441c26c224fc2443904339","unitdate_ssm":["1927-1941","1954-1982"],"unitdate_inclusive_ssm":["1927-1941","1954-1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9050","/repositories/2/resources/108"],"text":["SPC9050","/repositories/2/resources/108","Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982","Naval battles in art","Cold War","Naval History","Navy yards and naval stations","Communications, Military","United States. Navy-- Records and correspondence","Modern naval history","Warships","China--Sino-Japanese Conflict, 1931-1933","China--Sino-Japanese War, 1937-1945","Nuclear submarines","Mail art","This collection is open for research.","The materials in this collection are arranged in the following series' and sub-series:","Series:\nU.S. Asiatic Fleet","\nSub-series: \n    \t\t\tAircraft Carrier\n                Battleship\n                Collier\n                Cruiser\n                Destroyer\n                Destroyer Tender\t\n                Freighter\n                Gunboat\n                Minesweeper\n                Patrol Yacht\n                Seaplane Tender\n                Submarine\n                Submarine Rescue Vessel\n                Submarine Tender\n                Tug\n                Shore Base\n                Photographs\nCold War","\nSub-series:\n    \t\t\tHeavy Cruiser\n    \t\t\tNaval Base\n                Other Locations\n                Replenishment Oiler\n                Sub Tender","This collection consists of naval covers created during the interwar period of the 1920s and 1930s, as well as the Cold War period of the early 1950s through the early 1980s. ","According to the Naval Cover Museum, \"a naval cover is any envelope, postcard, or other postal medium that is mailed from or somehow related to a navy ship, location, or event. Beginning in 1908, post offices were established on board U.S. Navy ships and each ship had one or more postmarks to \"cancel\" the stamps used on the cover. The postmark, or cancellation, would usually have the ship's name and the date that the cover was cancelled.\" Additionally, \"starting in the 1930's, covers with printed designs, called cachets, began appearing and established a large following. Many different cachets were designed and sent to various ships to be cancelled and mailed. Some cachets were designed for a specific ship while others were generic (perhaps for a holiday or commemorating an historical event) and sent to many different ships.\" While the use of cachets diminished during the Second World War, they were revived at its conclusion and are still in use to this day. ","The focus of the interwar covers in this collection is of the U.S. Asiatic Fleet, which was responsible for protecting and advancing U.S. interests in the western Pacific area and China. This was also a period of conflict between the Republic of China and Imperial Japan, and incidents such as the Japanese attack on the USS Panay in 1937 are commemorated in the artwork on the covers. Many of the ships represented in this collection went on to serve valiantly in the Second World War. Several were subsequently lost to enemy action. The second half of the collection focuses on the fleet of United States' first and second generation of nuclear-powered submarines in service from the 1950s through the 1970s, including the USS Nautilus. Attack submarines and ballistic missile submarines are represented, with covers and postmarks from important submarine shipyards and naval bases.","The materials represent two time periods: The late 1920s through the beginning of the Second World War, and the early Cold War period of the 1950s through the 1970s. The former consists of naval covers from ships assigned to the U.S. Asiatic Fleet. While the ships may have served with other fleets and stations over their service lives, only their time in this specific fleet is represented here. The latter portion of the collection represents communications to or from shipyards and submarine bases. While some communication is directed to or from a specific boat (the proper term for a submarine), the cachet on the cover is the focus of the collection. ","As I was conducting research for this collection, I noticed that some ships were built for one particular purpose, yet at the time of the creation of the collection item, their role (and perhaps name) had changed. The collection will reflect the name and role of the ship at the time these items were created. Additionally, hull number will be included, as in some cases multiple ships have carried the same name (i.e. Enterprise). ","The Maks Dikarev Naval Cover Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Maksimilian Dikarev","English"],"unitid_tesim":["SPC9050","/repositories/2/resources/108"],"normalized_date_ssm":["1927-1941, 1954-1982"],"normalized_title_ssm":["Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982"],"collection_title_tesim":["Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982"],"collection_ssim":["Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Naval battles in art","Cold War"],"geogname_ssim":["Naval battles in art","Cold War"],"creator_ssm":["Maksimilian Dikarev"],"creator_ssim":["Maksimilian Dikarev"],"creator_persname_ssim":["Maksimilian Dikarev"],"creators_ssim":["Maksimilian Dikarev"],"places_ssim":["Naval battles in art","Cold War"],"access_terms_ssm":["The Maks Dikarev Naval Cover Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by Maksimilian Dikarev."],"access_subjects_ssim":["Naval History","Navy yards and naval stations","Communications, Military","United States. Navy-- Records and correspondence","Modern naval history","Warships","China--Sino-Japanese Conflict, 1931-1933","China--Sino-Japanese War, 1937-1945","Nuclear submarines","Mail art"],"access_subjects_ssm":["Naval History","Navy yards and naval stations","Communications, Military","United States. Navy-- Records and correspondence","Modern naval history","Warships","China--Sino-Japanese Conflict, 1931-1933","China--Sino-Japanese War, 1937-1945","Nuclear submarines","Mail art"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet"],"extent_tesim":["1.5 Linear Feet"],"physfacet_tesim":["1 Banker box and 1 5\" Legal size document case. "],"date_range_isim":[1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe materials in this collection are arranged in the following series' and sub-series:\u003c/p\u003e\n","\u003cp\u003eSeries:\nU.S. Asiatic Fleet\u003c/p\u003e\n","\u003cp\u003e\nSub-series: \n    \t\t\tAircraft Carrier\n                Battleship\n                Collier\n                Cruiser\n                Destroyer\n                Destroyer Tender\t\n                Freighter\n                Gunboat\n                Minesweeper\n                Patrol Yacht\n                Seaplane Tender\n                Submarine\n                Submarine Rescue Vessel\n                Submarine Tender\n                Tug\n                Shore Base\n                Photographs\nCold War\u003c/p\u003e\n","\u003cp\u003e\nSub-series:\n    \t\t\tHeavy Cruiser\n    \t\t\tNaval Base\n                Other Locations\n                Replenishment Oiler\n                Sub Tender\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials in this collection are arranged in the following series' and sub-series:","Series:\nU.S. Asiatic Fleet","\nSub-series: \n    \t\t\tAircraft Carrier\n                Battleship\n                Collier\n                Cruiser\n                Destroyer\n                Destroyer Tender\t\n                Freighter\n                Gunboat\n                Minesweeper\n                Patrol Yacht\n                Seaplane Tender\n                Submarine\n                Submarine Rescue Vessel\n                Submarine Tender\n                Tug\n                Shore Base\n                Photographs\nCold War","\nSub-series:\n    \t\t\tHeavy Cruiser\n    \t\t\tNaval Base\n                Other Locations\n                Replenishment Oiler\n                Sub Tender"],"bioghist_html_tesm":["\u003cp\u003eThis collection consists of naval covers created during the interwar period of the 1920s and 1930s, as well as the Cold War period of the early 1950s through the early 1980s. \u003c/p\u003e\n","\u003cp\u003eAccording to the Naval Cover Museum, \"a naval cover is any envelope, postcard, or other postal medium that is mailed from or somehow related to a navy ship, location, or event. Beginning in 1908, post offices were established on board U.S. Navy ships and each ship had one or more postmarks to \"cancel\" the stamps used on the cover. The postmark, or cancellation, would usually have the ship's name and the date that the cover was cancelled.\" Additionally, \"starting in the 1930's, covers with printed designs, called cachets, began appearing and established a large following. Many different cachets were designed and sent to various ships to be cancelled and mailed. Some cachets were designed for a specific ship while others were generic (perhaps for a holiday or commemorating an historical event) and sent to many different ships.\" While the use of cachets diminished during the Second World War, they were revived at its conclusion and are still in use to this day. \u003c/p\u003e\n","\u003cp\u003eThe focus of the interwar covers in this collection is of the U.S. Asiatic Fleet, which was responsible for protecting and advancing U.S. interests in the western Pacific area and China. This was also a period of conflict between the Republic of China and Imperial Japan, and incidents such as the Japanese attack on the USS Panay in 1937 are commemorated in the artwork on the covers. Many of the ships represented in this collection went on to serve valiantly in the Second World War. Several were subsequently lost to enemy action. The second half of the collection focuses on the fleet of United States' first and second generation of nuclear-powered submarines in service from the 1950s through the 1970s, including the USS Nautilus. Attack submarines and ballistic missile submarines are represented, with covers and postmarks from important submarine shipyards and naval bases.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["This collection consists of naval covers created during the interwar period of the 1920s and 1930s, as well as the Cold War period of the early 1950s through the early 1980s. ","According to the Naval Cover Museum, \"a naval cover is any envelope, postcard, or other postal medium that is mailed from or somehow related to a navy ship, location, or event. Beginning in 1908, post offices were established on board U.S. Navy ships and each ship had one or more postmarks to \"cancel\" the stamps used on the cover. The postmark, or cancellation, would usually have the ship's name and the date that the cover was cancelled.\" Additionally, \"starting in the 1930's, covers with printed designs, called cachets, began appearing and established a large following. Many different cachets were designed and sent to various ships to be cancelled and mailed. Some cachets were designed for a specific ship while others were generic (perhaps for a holiday or commemorating an historical event) and sent to many different ships.\" While the use of cachets diminished during the Second World War, they were revived at its conclusion and are still in use to this day. ","The focus of the interwar covers in this collection is of the U.S. Asiatic Fleet, which was responsible for protecting and advancing U.S. interests in the western Pacific area and China. This was also a period of conflict between the Republic of China and Imperial Japan, and incidents such as the Japanese attack on the USS Panay in 1937 are commemorated in the artwork on the covers. Many of the ships represented in this collection went on to serve valiantly in the Second World War. Several were subsequently lost to enemy action. The second half of the collection focuses on the fleet of United States' first and second generation of nuclear-powered submarines in service from the 1950s through the 1970s, including the USS Nautilus. Attack submarines and ballistic missile submarines are represented, with covers and postmarks from important submarine shipyards and naval bases."],"scopecontent_html_tesm":["\u003cp\u003eThe materials represent two time periods: The late 1920s through the beginning of the Second World War, and the early Cold War period of the 1950s through the 1970s. The former consists of naval covers from ships assigned to the U.S. Asiatic Fleet. While the ships may have served with other fleets and stations over their service lives, only their time in this specific fleet is represented here. The latter portion of the collection represents communications to or from shipyards and submarine bases. While some communication is directed to or from a specific boat (the proper term for a submarine), the cachet on the cover is the focus of the collection. \u003c/p\u003e\n","\u003cp\u003eAs I was conducting research for this collection, I noticed that some ships were built for one particular purpose, yet at the time of the creation of the collection item, their role (and perhaps name) had changed. The collection will reflect the name and role of the ship at the time these items were created. Additionally, hull number will be included, as in some cases multiple ships have carried the same name (i.e. Enterprise). \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials represent two time periods: The late 1920s through the beginning of the Second World War, and the early Cold War period of the 1950s through the 1970s. The former consists of naval covers from ships assigned to the U.S. Asiatic Fleet. While the ships may have served with other fleets and stations over their service lives, only their time in this specific fleet is represented here. The latter portion of the collection represents communications to or from shipyards and submarine bases. While some communication is directed to or from a specific boat (the proper term for a submarine), the cachet on the cover is the focus of the collection. ","As I was conducting research for this collection, I noticed that some ships were built for one particular purpose, yet at the time of the creation of the collection item, their role (and perhaps name) had changed. The collection will reflect the name and role of the ship at the time these items were created. Additionally, hull number will be included, as in some cases multiple ships have carried the same name (i.e. Enterprise). "],"userestrict_html_tesm":["\u003cp\u003eThe Maks Dikarev Naval Cover Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Maks Dikarev Naval Cover Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Maksimilian Dikarev"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Maksimilian Dikarev"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":122,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844426508566528,"_root_":"5e441c26c224fc2443904339","timestamp":"2026-07-16T04:31:19.551Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5e441c26c224fc2443904339_aspace_136c5fe559976c8ade63fbe6f0a53e44"}},{"id":"cde036b75c510c929be38b19_aspace_7e7bbd39e8464cef09541d57cd708c5f","type":"Folder","attributes":{"title":"Other Newsletters, 1982","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/cde036b75c510c929be38b19_aspace_7e7bbd39e8464cef09541d57cd708c5f#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_7e7bbd39e8464cef09541d57cd708c5f","ref_ssm":["aspace_7e7bbd39e8464cef09541d57cd708c5f","aspace_7e7bbd39e8464cef09541d57cd708c5f"],"id":"cde036b75c510c929be38b19_aspace_7e7bbd39e8464cef09541d57cd708c5f","title_filing_ssi":"Other Newsletters","title_ssm":["Other Newsletters"],"title_tesim":["Other Newsletters"],"unitdate_other_ssim":["1982"],"normalized_date_ssm":["1982"],"normalized_title_ssm":["Other Newsletters, 1982"],"text":["Other Newsletters, 1982","The Center collection, 1979-2008","Local Publications, 1979-2005","/repositories/4/archival_objects/65895","box 12","folder 6"],"component_level_isim":[2],"parent_ids_ssim":["cde036b75c510c929be38b19","cde036b75c510c929be38b19_aspace_590859601da5a3c2e56bb006a3ce5d65"],"parent_unittitles_ssm":["The Center collection, 1979-2008","Local Publications, 1979-2005"],"parent_unittitles_tesim":["The Center collection, 1979-2008","Local Publications, 1979-2005"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/4/archival_objects/65895"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["The Center collection, 1979-2008"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Folder"],"level_ssim":["Folder"],"sort_isi":158,"parent_access_terms_tesm":["Copyright is still owned and controlled by the LGBT+ Center Orlando."],"date_range_isim":[1982],"containers_ssim":["box 12","folder 6"],"_nest_path_":"/components#9/components#15","_nest_parent_":"cde036b75c510c929be38b19_aspace_590859601da5a3c2e56bb006a3ce5d65","_root_":"cde036b75c510c929be38b19","_version_":1870857884061925376,"timestamp":"2026-07-16T08:05:13.673Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"cde036b75c510c929be38b19","title_ssm":["The Center collection"],"title_tesim":["The Center collection"],"ead_ssi":"cde036b75c510c929be38b19","unitdate_ssm":["1979-2008"],"unitdate_inclusive_ssm":["1979-2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 157","/repositories/4/resources/274"],"text":["SC 157","/repositories/4/resources/274","The Center collection, 1979-2008","LGBTQ+ activists","Florida -- Orlando"," LGBTQ+ magazines","scrapbooks","photographs","This collection is arranged in thirteen series and is arranged by like-item and subject. \n I. Board Documents, 1978-2008 II. Financial Documents, 1979-1999 III. Legal, 1995-2007 IV. Moving, 1999-2007 V. Membership, 1979-2008 VI. Incoming Correspondence, 1979-1991 VII. Outgoing Correspondence, 1979-1990 VIII. Community, 1979-2007 IX. National, 1981-1999 X. Local Publications, 1979-2005 XI. The Triangle, 1984-2004 XII. Scrapbooks, 1979-1995 XIII. Miscellaneous, 1987-2004","The Center is an Orlando-based LGBT+ organization that offers support and orchestrates events to improve the lives of the local LGBT+ community.  ","\"[The Center's] history begins on November 27, 1978, when the non-profit organization Gay Community Services (GCS) for safe space meetups was created. Later that year, Gay Men's Hotline was formed. The number was 407-THE-GAYS and was staffed by volunteers. Gay men could call for referrals, mental health counseling, and up-to-date information on GCS meetups. In 1980, women joined GCS, and the organization was renamed Gay \u0026 Lesbian Community Services (GLCS). In 1984, the focus of GLCS and the Gay Men's Hotline shifted to health and HIV/AIDS care. Our services to the community keep expanding. The organization moved to 1036 N. Mills Avenue in 1987. By 1990, GLCS reincorporated as the Gay, Lesbian \u0026 Bisexual Community Center of Central Florida (GLBCC-The Center), so the organization continues to grow, both in terms of human platform and infrastructure. In 1999, The Center purchased 942 and 946 N. Mills Avenue. In 2007, the organization changed its name to the Gay, Lesbian, Bisexual \u0026 Transgender Community Center of Central Florida, Inc. (GLBTCC). In 2014, the organization ventured to offer services with mobile units. In 2016, The Pulse Tragedy occurred in Orlando. President Obama called the Center \"Ground Zero for community healing.\" Eleven years later, after its latest name change, in 2018, the organization changed its name to LGBT+ Center Orlando, Inc. (The Center Orlando) and opened The Center Kissimmee. Subsequently, in 2020, the Center partnered with AHF to provide testing at Out of the Closet (AHF). By 2021, the Center had been chosen to oversee Orlando United Assistance Center (now OURS), expand health services, and open its second downtown location on Hillcrest Street.\" ","Source: \"About Us.\" The Center Orlando. Accessed July 26, 2023.  https://thecenterorlando.org/about-us/ /. ","Collection processed by and finding aid prepared by Arlie Cruz in 2023.","This collection forms part of the LGBTQ History Museum of Central Florida Collection (CFM2021_22). Please see  The LGBTQ History Museum of Central Florida  for additional information.","Spectrum Awards records","The Center collection, 1979-2008, is comprised of organizational records, such as board documents, financial records, and legal evidence gathered for LGBT+ court cases. Also featured in this collection is The Triangle, The Center's publication. The collection also contains member applications, correspondence, outgoing mail from The Center, local and national-level publications collected by The Center, news clippings, scrapbooks, moving documents such as lease agreements and sale processes, Triangle newspaper copies and ads, and photographs.","This entire collection is open for research, but must be screened by an archivist for personally identifiable information before being used by researchers.","Copyright is still owned and controlled by the LGBT+ Center Orlando.","The Center is a nonprofit organization that has been a staple of Orlando since its creation in 1978. The Center's mission is to promote and empower the LGBT+ community and its allies through advocacy, education, information, and support. This collection contains materials such as correspondence, legal and financial records, membership applications, employee time records, related to The Center as an organization.","UCF Special Collections","LGBT+ Center Orlando","Gay \u0026 Lesbian Community Services of Central Florida","Gay Community Services of Central Florida","English"],"unitid_tesim":["SC 157","/repositories/4/resources/274"],"normalized_date_ssm":["1979-2008"],"normalized_title_ssm":["The Center collection, 1979-2008"],"collection_title_tesim":["The Center collection, 1979-2008"],"collection_ssim":["The Center collection, 1979-2008"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["LGBT+ Center Orlando"],"creator_ssim":["LGBT+ Center Orlando"],"creator_corpname_ssim":["LGBT+ Center Orlando"],"creators_ssim":["LGBT+ Center Orlando"],"access_terms_ssm":["This entire collection is open for research, but must be screened by an archivist for personally identifiable information before being used by researchers.","Copyright is still owned and controlled by the LGBT+ Center Orlando."],"acqinfo_ssim":["Gifted by the LGBT+ Center Orlando to the LGBTQ+ History Museum of Central Florida in 2010. Gifted by the LGBTQ+ History Museum of Central Florida to University of Central Florida Libraries, Special Collections \u0026 University Archives in 2021 (Accession no. CFM2021_22)."],"access_subjects_ssim":["LGBTQ+ activists","Florida -- Orlando"," LGBTQ+ magazines","scrapbooks","photographs"],"access_subjects_ssm":["LGBTQ+ activists","Florida -- Orlando"," LGBTQ+ magazines","scrapbooks","photographs"],"has_online_content_ssim":["false"],"extent_ssm":["15.22 Linear Feet 27 boxes, 1 flat file"],"extent_tesim":["15.22 Linear Feet 27 boxes, 1 flat file"],"genreform_ssim":[" LGBTQ+ magazines","scrapbooks","photographs"],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in thirteen series and is arranged by like-item and subject. \n\u003cul style=\"list-style-type: none\"\u003e\n   \u003cli\u003eI. Board Documents, 1978-2008\u003c/li\u003e\n   \u003cli\u003eII. Financial Documents, 1979-1999\u003c/li\u003e\n   \u003cli\u003eIII. Legal, 1995-2007\u003c/li\u003e\n   \u003cli\u003eIV. Moving, 1999-2007\u003c/li\u003e\n   \u003cli\u003eV. Membership, 1979-2008\u003c/li\u003e\n   \u003cli\u003eVI. Incoming Correspondence, 1979-1991\u003c/li\u003e\n   \u003cli\u003eVII. Outgoing Correspondence, 1979-1990\u003c/li\u003e\n   \u003cli\u003eVIII. Community, 1979-2007\u003c/li\u003e\n   \u003cli\u003eIX. National, 1981-1999\u003c/li\u003e\n   \u003cli\u003eX. Local Publications, 1979-2005\u003c/li\u003e\n   \u003cli\u003eXI. The Triangle, 1984-2004\u003c/li\u003e\n   \u003cli\u003eXII. Scrapbooks, 1979-1995\u003c/li\u003e\n   \u003cli\u003eXIII. Miscellaneous, 1987-2004\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in thirteen series and is arranged by like-item and subject. \n I. Board Documents, 1978-2008 II. Financial Documents, 1979-1999 III. Legal, 1995-2007 IV. Moving, 1999-2007 V. Membership, 1979-2008 VI. Incoming Correspondence, 1979-1991 VII. Outgoing Correspondence, 1979-1990 VIII. Community, 1979-2007 IX. National, 1981-1999 X. Local Publications, 1979-2005 XI. The Triangle, 1984-2004 XII. Scrapbooks, 1979-1995 XIII. Miscellaneous, 1987-2004"],"bioghist_html_tesm":["\u003cp\u003eThe Center is an Orlando-based LGBT+ organization that offers support and orchestrates events to improve the lives of the local LGBT+ community.  \u003c/p\u003e\n","\u003cp\u003e\"[The Center's] history begins on November 27, 1978, when the non-profit organization Gay Community Services (GCS) for safe space meetups was created. Later that year, Gay Men's Hotline was formed. The number was 407-THE-GAYS and was staffed by volunteers. Gay men could call for referrals, mental health counseling, and up-to-date information on GCS meetups. In 1980, women joined GCS, and the organization was renamed Gay \u0026amp; Lesbian Community Services (GLCS). In 1984, the focus of GLCS and the Gay Men's Hotline shifted to health and HIV/AIDS care. Our services to the community keep expanding. The organization moved to 1036 N. Mills Avenue in 1987. By 1990, GLCS reincorporated as the Gay, Lesbian \u0026amp; Bisexual Community Center of Central Florida (GLBCC-The Center), so the organization continues to grow, both in terms of human platform and infrastructure. In 1999, The Center purchased 942 and 946 N. Mills Avenue. In 2007, the organization changed its name to the Gay, Lesbian, Bisexual \u0026amp; Transgender Community Center of Central Florida, Inc. (GLBTCC). In 2014, the organization ventured to offer services with mobile units. In 2016, The Pulse Tragedy occurred in Orlando. President Obama called the Center \"Ground Zero for community healing.\" Eleven years later, after its latest name change, in 2018, the organization changed its name to LGBT+ Center Orlando, Inc. (The Center Orlando) and opened The Center Kissimmee. Subsequently, in 2020, the Center partnered with AHF to provide testing at Out of the Closet (AHF). By 2021, the Center had been chosen to oversee Orlando United Assistance Center (now OURS), expand health services, and open its second downtown location on Hillcrest Street.\" \u003c/p\u003e\n","\u003cp\u003eSource: \"About Us.\" The Center Orlando. Accessed July 26, 2023. \u003ca href=\"https://thecenterorlando.org/about-us/\"\u003ehttps://thecenterorlando.org/about-us/\u003c/a\u003e/. \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Center is an Orlando-based LGBT+ organization that offers support and orchestrates events to improve the lives of the local LGBT+ community.  ","\"[The Center's] history begins on November 27, 1978, when the non-profit organization Gay Community Services (GCS) for safe space meetups was created. Later that year, Gay Men's Hotline was formed. The number was 407-THE-GAYS and was staffed by volunteers. Gay men could call for referrals, mental health counseling, and up-to-date information on GCS meetups. In 1980, women joined GCS, and the organization was renamed Gay \u0026 Lesbian Community Services (GLCS). In 1984, the focus of GLCS and the Gay Men's Hotline shifted to health and HIV/AIDS care. Our services to the community keep expanding. The organization moved to 1036 N. Mills Avenue in 1987. By 1990, GLCS reincorporated as the Gay, Lesbian \u0026 Bisexual Community Center of Central Florida (GLBCC-The Center), so the organization continues to grow, both in terms of human platform and infrastructure. In 1999, The Center purchased 942 and 946 N. Mills Avenue. In 2007, the organization changed its name to the Gay, Lesbian, Bisexual \u0026 Transgender Community Center of Central Florida, Inc. (GLBTCC). In 2014, the organization ventured to offer services with mobile units. In 2016, The Pulse Tragedy occurred in Orlando. President Obama called the Center \"Ground Zero for community healing.\" Eleven years later, after its latest name change, in 2018, the organization changed its name to LGBT+ Center Orlando, Inc. (The Center Orlando) and opened The Center Kissimmee. Subsequently, in 2020, the Center partnered with AHF to provide testing at Out of the Closet (AHF). By 2021, the Center had been chosen to oversee Orlando United Assistance Center (now OURS), expand health services, and open its second downtown location on Hillcrest Street.\" ","Source: \"About Us.\" The Center Orlando. Accessed July 26, 2023.  https://thecenterorlando.org/about-us/ /. "],"prefercite_html_tesm":["\u003cp\u003eThe Center collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["The Center collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by and finding aid prepared by Arlie Cruz in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by and finding aid prepared by Arlie Cruz in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThis collection forms part of the LGBTQ History Museum of Central Florida Collection (CFM2021_22). Please see \u003ca href=\"https://floridalgbtqmuseum.org/\"\u003eThe LGBTQ History Museum of Central Florida\u003c/a\u003e for additional information.\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://scua.library.ucf.edu/repositories/4/resources/256\"\u003eSpectrum Awards records\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["This collection forms part of the LGBTQ History Museum of Central Florida Collection (CFM2021_22). Please see  The LGBTQ History Museum of Central Florida  for additional information.","Spectrum Awards records"],"scopecontent_html_tesm":["\u003cp\u003eThe Center collection, 1979-2008, is comprised of organizational records, such as board documents, financial records, and legal evidence gathered for LGBT+ court cases. Also featured in this collection is The Triangle, The Center's publication. The collection also contains member applications, correspondence, outgoing mail from The Center, local and national-level publications collected by The Center, news clippings, scrapbooks, moving documents such as lease agreements and sale processes, Triangle newspaper copies and ads, and photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Center collection, 1979-2008, is comprised of organizational records, such as board documents, financial records, and legal evidence gathered for LGBT+ court cases. Also featured in this collection is The Triangle, The Center's publication. The collection also contains member applications, correspondence, outgoing mail from The Center, local and national-level publications collected by The Center, news clippings, scrapbooks, moving documents such as lease agreements and sale processes, Triangle newspaper copies and ads, and photographs."],"userestrict_html_tesm":["\u003cp\u003eThis entire collection is open for research, but must be screened by an archivist for personally identifiable information before being used by researchers.\u003c/p\u003e","\u003cp\u003eCopyright is still owned and controlled by the LGBT+ Center Orlando.\u003c/p\u003e"],"userestrict_heading_ssm":["Access","Copyright Statement"],"userestrict_tesim":["This entire collection is open for research, but must be screened by an archivist for personally identifiable information before being used by researchers.","Copyright is still owned and controlled by the LGBT+ Center Orlando."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b7a8cccca768b8676a4797ab58b08af0\"\u003eThe Center is a nonprofit organization that has been a staple of Orlando since its creation in 1978. The Center's mission is to promote and empower the LGBT+ community and its allies through advocacy, education, information, and support. This collection contains materials such as correspondence, legal and financial records, membership applications, employee time records, related to The Center as an organization.\u003c/abstract\u003e"],"abstract_tesim":["The Center is a nonprofit organization that has been a staple of Orlando since its creation in 1978. The Center's mission is to promote and empower the LGBT+ community and its allies through advocacy, education, information, and support. This collection contains materials such as correspondence, legal and financial records, membership applications, employee time records, related to The Center as an organization."],"names_coll_ssim":["Gay \u0026 Lesbian Community Services of Central Florida","Gay Community Services of Central Florida"],"names_ssim":["UCF Special Collections","LGBT+ Center Orlando","Gay \u0026 Lesbian Community Services of Central Florida","Gay Community Services of Central Florida"],"corpname_ssim":["UCF Special Collections","LGBT+ Center Orlando","Gay \u0026 Lesbian Community Services of Central Florida","Gay Community Services of Central Florida"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":307,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857884061925376,"_root_":"cde036b75c510c929be38b19","timestamp":"2026-07-16T08:05:13.673Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/cde036b75c510c929be38b19_aspace_7e7bbd39e8464cef09541d57cd708c5f"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","value":"Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","hits":261},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Audubon+Society+Corkscrew+Swamp+Sanctuary+records%2C+1937-2019\u0026f%5Bdate_range%5D%5B%5D=1982\u0026view=compact"}},{"attributes":{"label":"Michael A. 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