{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1982\u0026page=138\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1982\u0026page=137\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1982\u0026page=139\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1982\u0026page=589\u0026view=compact"},"meta":{"pages":{"current_page":138,"next_page":139,"prev_page":137,"total_pages":589,"limit_value":10,"offset_value":1370,"total_count":5882,"first_page?":false,"last_page?":false}},"data":[{"id":"725898a1a41349eb30ec365d_aspace_2b0e5e21f078ed9b6884681cae8c9c74","type":"File","attributes":{"title":"Cubans and Puerto Ricans (2 of 2), 1950-1990, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_2b0e5e21f078ed9b6884681cae8c9c74#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_2b0e5e21f078ed9b6884681cae8c9c74","ref_ssm":["aspace_2b0e5e21f078ed9b6884681cae8c9c74","aspace_2b0e5e21f078ed9b6884681cae8c9c74"],"id":"725898a1a41349eb30ec365d_aspace_2b0e5e21f078ed9b6884681cae8c9c74","title_filing_ssi":"Cubans and Puerto Ricans (2 of 2)","title_ssm":["Cubans and Puerto Ricans (2 of 2)"],"title_tesim":["Cubans and Puerto Ricans (2 of 2)"],"unitdate_inclusive_ssm":["1950-1990, Undated"],"normalized_date_ssm":["1950-1990, Undated"],"normalized_title_ssm":["Cubans and Puerto Ricans (2 of 2), 1950-1990, Undated"],"text":["Cubans and Puerto Ricans (2 of 2), 1950-1990, Undated","José Guerra Alemán Collection, 1887-2013","Research Files, 1898-2012, Undated","Folder 2","/repositories/4/archival_objects/53987","box 8","folder 2"],"component_level_isim":[2],"parent_ids_ssim":["725898a1a41349eb30ec365d","725898a1a41349eb30ec365d_aspace_e0da8a351e89d497ae16650ae623f50e"],"parent_unittitles_ssm":["José Guerra Alemán Collection, 1887-2013","Research Files, 1898-2012, Undated"],"parent_unittitles_tesim":["José Guerra Alemán Collection, 1887-2013","Research Files, 1898-2012, Undated"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 2","/repositories/4/archival_objects/53987"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":109,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"containers_ssim":["box 8","folder 2"],"_nest_path_":"/components#1/components#10","_nest_parent_":"725898a1a41349eb30ec365d_aspace_e0da8a351e89d497ae16650ae623f50e","_root_":"725898a1a41349eb30ec365d","_version_":1870857755411087360,"timestamp":"2026-07-16T08:03:10.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"725898a1a41349eb30ec365d","title_ssm":["José Guerra Alemán Collection"],"title_tesim":["José Guerra Alemán Collection"],"ead_ssi":"725898a1a41349eb30ec365d","unitdate_ssm":["1887-2013"],"unitdate_inclusive_ssm":["1887-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.098","/repositories/4/resources/204"],"text":["SC.098","/repositories/4/resources/204","José Guerra Alemán Collection, 1887-2013","Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs","Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints","The entire collection is open for research.","José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.","Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.","Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog.","This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"","Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.","The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.","UCF Special Collections","Guerra Alemán, José","English"],"unitid_tesim":["SC.098","/repositories/4/resources/204"],"normalized_date_ssm":["1887-2013"],"normalized_title_ssm":["José Guerra Alemán Collection, 1887-2013"],"collection_title_tesim":["José Guerra Alemán Collection, 1887-2013"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"geogname_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"creator_ssm":["Guerra Alemán, José"],"creator_ssim":["Guerra Alemán, José"],"creator_persname_ssim":["Guerra Alemán, José"],"creators_ssim":["Guerra Alemán, José"],"places_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"acqinfo_ssim":["The collection was donated by Carlos Guerra, José Guerra Alemán's son, to the University of Central Florida Libraries in 2014. (CFM2014_07)"],"access_subjects_ssim":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"access_subjects_ssm":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["17.5 Linear Feet 20 boxes, 1 Flat File"],"extent_tesim":["17.5 Linear Feet 20 boxes, 1 Flat File"],"genreform_ssim":["correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n was born to Jos\u0026#xE9; Guerra and Herminia Alem\u0026#xE1;n-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as Jos\u0026#xE9; Guerra Alem\u0026#xE1;n, his initials J.G.A. and his nickname Pep\u0026#xED;n. Many of his closest friends and family called him as Pep\u0026#xED;n. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.\u003c/p\u003e\n","\u003cp\u003eIn his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ej\u0026#xE9;rcito) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 Divisi\u0026#xF3;n de Infanter\u0026#xED;a) called Divisi\u0026#xF3;n Rel\u0026#xE1;mpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.\u003c/p\u003e\n","\u003cp\u003eOnce he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of \u0026#xC9;l Pa\u0026#xED;s, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.\u003c/p\u003e\n","\u003cp\u003eOne of those encounters, Jos\u0026#xE9; Guerra Alem\u0026#xE1;n climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with Jos\u0026#xE9; Garc\u0026#xED;a and Eduardo Hern\u0026#xE1;ndez (Guayo) in the same company. Jos\u0026#xE9; Guerra Alem\u0026#xE1;n directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.\u003c/p\u003e\n","\u003cp\u003eWith his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote A\u0026#xFA;n Hay Luna En Los Cerros, Ensayos (Las Mayor\u0026#xED;as Discriminadas): En Defensa de la Mujer, Barro y Cenizas (D\u0026#xED;alogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biograf\u0026#xED;a de su Abuelo el General Jos\u0026#xE9; Braulio Alem\u0026#xE1;n). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.\u003c/p\u003e\n","\u003cp\u003eUnderstanding where his family came from and knowing the other members of his family tree can provide a part of Jos\u0026#xE9; Guerra Alem\u0026#xE1;n's identity. Jose Guerra Alem\u0026#xE1;n's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named Jos\u0026#xE9; Braulio Guerra Alem\u0026#xE1;n fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, Jos\u0026#xE9; Manuel Alem\u0026#xE1;n, served in the Cuban government as Minister of Education during the presidency of Dr. Ram\u0026#xF3;n Grau San Martin, president of the Authentic Party (Partido Aut\u0026#xE9;ntico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.\u003c/p\u003e\n","\u003cp\u003eHe rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alem\u0026#xE1;n. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business."],"prefercite_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["José Guerra Alemán Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks collected by Jos\u0026#xE9; Guerra Alem\u0026#xE1;n can be found by performing a series search for \"Jos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection\" in the UCF Libraries catalog.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog."],"scopecontent_html_tesm":["\u003cp\u003eThis collection was arranged in seven series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alem\u0026#xE1;n took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alem\u0026#xE1;n used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. \u003c/p\u003e\n","\u003cp\u003e\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of Jos\u0026#xE9; G. Alem\u0026#xE1;n and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\""],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4d41ff341ce7470c0d40282c3f71dd8\"\u003eThe collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist Jos\u0026#xE9; Guerra Alem\u0026#xE1;n. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.\u003c/abstract\u003e"],"abstract_tesim":["The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita."],"names_ssim":["UCF Special Collections","Guerra Alemán, José"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Guerra Alemán, José"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":282,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857755411087360,"_root_":"725898a1a41349eb30ec365d","timestamp":"2026-07-16T08:03:10.972Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_2b0e5e21f078ed9b6884681cae8c9c74"}},{"id":"9c82e394cec8c38e5e7b9a93","type":"collection","attributes":{"title":"Cuban Tree Sample Collection, bulk 1900-2000","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/9c82e394cec8c38e5e7b9a93#abstract_or_scope","type":"document_value","attributes":{"value":["Collection of various Cuban tree species samples throughout the 20th century."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/9c82e394cec8c38e5e7b9a93#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"9c82e394cec8c38e5e7b9a93","title_ssm":["Cuban Tree Sample Collection"],"title_tesim":["Cuban Tree Sample Collection"],"ead_ssi":"9c82e394cec8c38e5e7b9a93","unitdate_ssm":["1900-2000"],"unitdate_bulk_ssim":["1900-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9080","/repositories/2/resources/132"],"text":["SPC9080","/repositories/2/resources/132","Cuban Tree Sample Collection, bulk 1900-2000","The collection is open for research.","The Cuban Tree Sample Collection at Florida International University (FIU) Special Collections is a significant repository that traces the rich and diverse flora of trees in the island of Cuba. This collection was donated by Karla Ferrer back in 2024. This arrangement started in the 20th century and throughout, documenting common and unique tree specimens in the country. This is to better understand the ecological system that Cuba has and a way to preserve its biological heritage for generations to come. \nThe 307 samples in this collection, from various regions in the island of Cuba to represent the biodiversity that the country offers, from lush tropical forests to its coastal areas, the mountains to the urban cities. ","These 307 specimens are documented and labeled according to their local names, all grouped into 9 sheets for everyone to see it on display, touch and feel the specimens. The samples where cut, dried, and pressed unto these sheets, this serves as not only a scientific resource but as in important cultural artifact reflecting their roles in Cuban life. They share historical significance, for their use of traditional medicines and agriculture to their symbolic importance in Cuban society. ","The Cuban Tree Sample Collection serves as a useful resource for researchers, educators, students, conservationists alike, offering insights into the island nation of Cuba's plant life and its ecological heritage. ","\nLa Colección de Muestras de Árboles Cubanos en las Colecciones Especiales de la Universidad Internacional de Florida (FIU) es un importante repositorio que rastrea la rica y diversa flora de árboles de la isla de Cuba. Esta colección fue donada por Karla Ferrer en 2024. El arreglo de esta colección comenzó en el siglo XX y, a lo largo del tiempo, documentó ejemplares comunes y únicos de árboles en el país. El objetivo de esta recopilación es comprender mejor el sistema ecológico de Cuba y preservar su patrimonio biológico para las futuras generaciones.","Las 307 muestras de esta colección provienen de diversas regiones de la isla de Cuba, representando la biodiversidad que ofrece el país, desde sus exuberantes bosques tropicales hasta sus zonas costeras, las montañas y las ciudades urbanas. Estas 307 muestras están documentadas y etiquetadas de acuerdo con sus nombres locales, todas agrupadas en 9 hojas para ser exhibidas, tocadas y observadas por el público. Las muestras fueron cortadas, secadas y prensadas sobre estas hojas, lo que las convierte no solo en un recurso científico, sino en un importante artefacto cultural que refleja su papel en la vida cubana. Tienen un significado histórico, ya que se utilizan en la medicina tradicional, la agricultura y poseen una importancia simbólica en la sociedad cubana.","La Colección de Muestras de Árboles Cubanos sirve como un recurso útil para investigadores, educadores, estudiantes y conservacionistas, ofreciendo una visión de la vida vegetal de la nación insular de Cuba y su herencia ecológica.","The Cuban Tree Sample Collection at Florida International University (FIU) Special Collections is an arranged compilation of various tree species that can be found in the island of Cuba, a total of 307 different samples throughout the country grouped into 9 sheets to display. Collected throughout the 20th century, it gives researchers and those who are curious an idea of a comprehensive overlook on the country's unique and rich biodiversity that are integral to the ecosystem to the island nation of Cuba. These botanical specimens are preserved records for those who are interested in Cuban flora and preservation. Their historical and cultural significance of different tree species and their role in Cuban society, whether that be for uses in traditional medicine, agriculture, and crafts in local folklore. This collection provides insight into the island's plant life, ecological and environmental diversity that helped shaped Cuba's natural beauty. ","\nLa Colección de Muestras de Árboles Cubanos en las Colecciones Especiales de la Universidad Internacional de Florida (FIU) es una compilación organizada de diversas especies de árboles que se pueden encontrar en la isla de Cuba, un total de 307 muestras diferentes de todo el país agrupadas en 9 hojas de exhibición. Recogidas a lo largo del siglo XX, ofrece a los investigadores y a aquellos interesados una visión integral de la biodiversidad única y rica que es fundamental para el ecosistema de la nación insular de Cuba. Estos especímenes botánicos son registros preservados para quienes están interesados en la flora cubana y su conservación. La importancia histórica y cultural de las diferentes especies de árboles y su papel en la sociedad cubana, ya sea para su uso en la medicina tradicional, la agricultura, la artesanía o el folclore local, es un aspecto relevante de esta colección. Esta colección ofrece una visión sobre la vida vegetal de la isla, la diversidad ecológica y ambiental que ayudó a dar forma a la belleza natural de Cuba.","Rights. The Cuban Tree Sample Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.","Collection of various Cuban tree species samples throughout the 20th century.","FIU Special Collections","Spanish; Castilian"],"unitid_tesim":["SPC9080","/repositories/2/resources/132"],"normalized_date_ssm":["bulk 1900-2000"],"normalized_title_ssm":["Cuban Tree Sample Collection, bulk 1900-2000"],"collection_title_tesim":["Cuban Tree Sample Collection, bulk 1900-2000"],"collection_ssim":["Cuban Tree Sample Collection, bulk 1900-2000"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights. The Cuban Tree Sample Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"has_online_content_ssim":["false"],"extent_ssm":["9 Sheets 307 Tree Samples"],"extent_tesim":["9 Sheets 307 Tree Samples"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eThe Cuban Tree Sample Collection at Florida International University (FIU) Special Collections is a significant repository that traces the rich and diverse flora of trees in the island of Cuba. This collection was donated by Karla Ferrer back in 2024. This arrangement started in the 20th century and throughout, documenting common and unique tree specimens in the country. This is to better understand the ecological system that Cuba has and a way to preserve its biological heritage for generations to come. \nThe 307 samples in this collection, from various regions in the island of Cuba to represent the biodiversity that the country offers, from lush tropical forests to its coastal areas, the mountains to the urban cities. \u003c/p\u003e\n","\u003cp\u003eThese 307 specimens are documented and labeled according to their local names, all grouped into 9 sheets for everyone to see it on display, touch and feel the specimens. The samples where cut, dried, and pressed unto these sheets, this serves as not only a scientific resource but as in important cultural artifact reflecting their roles in Cuban life. They share historical significance, for their use of traditional medicines and agriculture to their symbolic importance in Cuban society. \u003c/p\u003e\n","\u003cp\u003eThe Cuban Tree Sample Collection serves as a useful resource for researchers, educators, students, conservationists alike, offering insights into the island nation of Cuba's plant life and its ecological heritage. \u003c/p\u003e\n","\u003cp\u003e\nLa Colecci\u0026#xF3;n de Muestras de \u0026#xC1;rboles Cubanos en las Colecciones Especiales de la Universidad Internacional de Florida (FIU) es un importante repositorio que rastrea la rica y diversa flora de \u0026#xE1;rboles de la isla de Cuba. Esta colecci\u0026#xF3;n fue donada por Karla Ferrer en 2024. El arreglo de esta colecci\u0026#xF3;n comenz\u0026#xF3; en el siglo XX y, a lo largo del tiempo, document\u0026#xF3; ejemplares comunes y \u0026#xFA;nicos de \u0026#xE1;rboles en el pa\u0026#xED;s. El objetivo de esta recopilaci\u0026#xF3;n es comprender mejor el sistema ecol\u0026#xF3;gico de Cuba y preservar su patrimonio biol\u0026#xF3;gico para las futuras generaciones.\u003c/p\u003e\n","\u003cp\u003eLas 307 muestras de esta colecci\u0026#xF3;n provienen de diversas regiones de la isla de Cuba, representando la biodiversidad que ofrece el pa\u0026#xED;s, desde sus exuberantes bosques tropicales hasta sus zonas costeras, las monta\u0026#xF1;as y las ciudades urbanas. Estas 307 muestras est\u0026#xE1;n documentadas y etiquetadas de acuerdo con sus nombres locales, todas agrupadas en 9 hojas para ser exhibidas, tocadas y observadas por el p\u0026#xFA;blico. Las muestras fueron cortadas, secadas y prensadas sobre estas hojas, lo que las convierte no solo en un recurso cient\u0026#xED;fico, sino en un importante artefacto cultural que refleja su papel en la vida cubana. Tienen un significado hist\u0026#xF3;rico, ya que se utilizan en la medicina tradicional, la agricultura y poseen una importancia simb\u0026#xF3;lica en la sociedad cubana.\u003c/p\u003e\n","\u003cp\u003eLa Colecci\u0026#xF3;n de Muestras de \u0026#xC1;rboles Cubanos sirve como un recurso \u0026#xFA;til para investigadores, educadores, estudiantes y conservacionistas, ofreciendo una visi\u0026#xF3;n de la vida vegetal de la naci\u0026#xF3;n insular de Cuba y su herencia ecol\u0026#xF3;gica.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Cuban Tree Sample Collection at Florida International University (FIU) Special Collections is a significant repository that traces the rich and diverse flora of trees in the island of Cuba. This collection was donated by Karla Ferrer back in 2024. This arrangement started in the 20th century and throughout, documenting common and unique tree specimens in the country. This is to better understand the ecological system that Cuba has and a way to preserve its biological heritage for generations to come. \nThe 307 samples in this collection, from various regions in the island of Cuba to represent the biodiversity that the country offers, from lush tropical forests to its coastal areas, the mountains to the urban cities. ","These 307 specimens are documented and labeled according to their local names, all grouped into 9 sheets for everyone to see it on display, touch and feel the specimens. The samples where cut, dried, and pressed unto these sheets, this serves as not only a scientific resource but as in important cultural artifact reflecting their roles in Cuban life. They share historical significance, for their use of traditional medicines and agriculture to their symbolic importance in Cuban society. ","The Cuban Tree Sample Collection serves as a useful resource for researchers, educators, students, conservationists alike, offering insights into the island nation of Cuba's plant life and its ecological heritage. ","\nLa Colección de Muestras de Árboles Cubanos en las Colecciones Especiales de la Universidad Internacional de Florida (FIU) es un importante repositorio que rastrea la rica y diversa flora de árboles de la isla de Cuba. Esta colección fue donada por Karla Ferrer en 2024. El arreglo de esta colección comenzó en el siglo XX y, a lo largo del tiempo, documentó ejemplares comunes y únicos de árboles en el país. El objetivo de esta recopilación es comprender mejor el sistema ecológico de Cuba y preservar su patrimonio biológico para las futuras generaciones.","Las 307 muestras de esta colección provienen de diversas regiones de la isla de Cuba, representando la biodiversidad que ofrece el país, desde sus exuberantes bosques tropicales hasta sus zonas costeras, las montañas y las ciudades urbanas. Estas 307 muestras están documentadas y etiquetadas de acuerdo con sus nombres locales, todas agrupadas en 9 hojas para ser exhibidas, tocadas y observadas por el público. Las muestras fueron cortadas, secadas y prensadas sobre estas hojas, lo que las convierte no solo en un recurso científico, sino en un importante artefacto cultural que refleja su papel en la vida cubana. Tienen un significado histórico, ya que se utilizan en la medicina tradicional, la agricultura y poseen una importancia simbólica en la sociedad cubana.","La Colección de Muestras de Árboles Cubanos sirve como un recurso útil para investigadores, educadores, estudiantes y conservacionistas, ofreciendo una visión de la vida vegetal de la nación insular de Cuba y su herencia ecológica."],"scopecontent_html_tesm":["\u003cp\u003eThe Cuban Tree Sample Collection at Florida International University (FIU) Special Collections is an arranged compilation of various tree species that can be found in the island of Cuba, a total of 307 different samples throughout the country grouped into 9 sheets to display. Collected throughout the 20th century, it gives researchers and those who are curious an idea of a comprehensive overlook on the country's unique and rich biodiversity that are integral to the ecosystem to the island nation of Cuba. These botanical specimens are preserved records for those who are interested in Cuban flora and preservation. Their historical and cultural significance of different tree species and their role in Cuban society, whether that be for uses in traditional medicine, agriculture, and crafts in local folklore. This collection provides insight into the island's plant life, ecological and environmental diversity that helped shaped Cuba's natural beauty. \u003c/p\u003e\n","\u003cp\u003e\nLa Colecci\u0026#xF3;n de Muestras de \u0026#xC1;rboles Cubanos en las Colecciones Especiales de la Universidad Internacional de Florida (FIU) es una compilaci\u0026#xF3;n organizada de diversas especies de \u0026#xE1;rboles que se pueden encontrar en la isla de Cuba, un total de 307 muestras diferentes de todo el pa\u0026#xED;s agrupadas en 9 hojas de exhibici\u0026#xF3;n. Recogidas a lo largo del siglo XX, ofrece a los investigadores y a aquellos interesados una visi\u0026#xF3;n integral de la biodiversidad \u0026#xFA;nica y rica que es fundamental para el ecosistema de la naci\u0026#xF3;n insular de Cuba. Estos espec\u0026#xED;menes bot\u0026#xE1;nicos son registros preservados para quienes est\u0026#xE1;n interesados en la flora cubana y su conservaci\u0026#xF3;n. La importancia hist\u0026#xF3;rica y cultural de las diferentes especies de \u0026#xE1;rboles y su papel en la sociedad cubana, ya sea para su uso en la medicina tradicional, la agricultura, la artesan\u0026#xED;a o el folclore local, es un aspecto relevante de esta colecci\u0026#xF3;n. Esta colecci\u0026#xF3;n ofrece una visi\u0026#xF3;n sobre la vida vegetal de la isla, la diversidad ecol\u0026#xF3;gica y ambiental que ayud\u0026#xF3; a dar forma a la belleza natural de Cuba.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cuban Tree Sample Collection at Florida International University (FIU) Special Collections is an arranged compilation of various tree species that can be found in the island of Cuba, a total of 307 different samples throughout the country grouped into 9 sheets to display. Collected throughout the 20th century, it gives researchers and those who are curious an idea of a comprehensive overlook on the country's unique and rich biodiversity that are integral to the ecosystem to the island nation of Cuba. These botanical specimens are preserved records for those who are interested in Cuban flora and preservation. Their historical and cultural significance of different tree species and their role in Cuban society, whether that be for uses in traditional medicine, agriculture, and crafts in local folklore. This collection provides insight into the island's plant life, ecological and environmental diversity that helped shaped Cuba's natural beauty. ","\nLa Colección de Muestras de Árboles Cubanos en las Colecciones Especiales de la Universidad Internacional de Florida (FIU) es una compilación organizada de diversas especies de árboles que se pueden encontrar en la isla de Cuba, un total de 307 muestras diferentes de todo el país agrupadas en 9 hojas de exhibición. Recogidas a lo largo del siglo XX, ofrece a los investigadores y a aquellos interesados una visión integral de la biodiversidad única y rica que es fundamental para el ecosistema de la nación insular de Cuba. Estos especímenes botánicos son registros preservados para quienes están interesados en la flora cubana y su conservación. La importancia histórica y cultural de las diferentes especies de árboles y su papel en la sociedad cubana, ya sea para su uso en la medicina tradicional, la agricultura, la artesanía o el folclore local, es un aspecto relevante de esta colección. Esta colección ofrece una visión sobre la vida vegetal de la isla, la diversidad ecológica y ambiental que ayudó a dar forma a la belleza natural de Cuba."],"userestrict_html_tesm":["\u003cp\u003eRights. The Cuban Tree Sample Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Cuban Tree Sample Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0ead03125445d2e6f8ef8c73ada4e38a\"\u003eCollection of various Cuban tree species samples throughout the 20th century.\u003c/abstract\u003e"],"abstract_tesim":["Collection of various Cuban tree species samples throughout the 20th century."],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["Spanish; Castilian"],"total_component_count_is":9,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844485654544384,"_root_":"9c82e394cec8c38e5e7b9a93","timestamp":"2026-07-16T04:32:15.959Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"9c82e394cec8c38e5e7b9a93","title_ssm":["Cuban Tree Sample Collection"],"title_tesim":["Cuban Tree Sample Collection"],"ead_ssi":"9c82e394cec8c38e5e7b9a93","unitdate_ssm":["1900-2000"],"unitdate_bulk_ssim":["1900-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9080","/repositories/2/resources/132"],"text":["SPC9080","/repositories/2/resources/132","Cuban Tree Sample Collection, bulk 1900-2000","The collection is open for research.","The Cuban Tree Sample Collection at Florida International University (FIU) Special Collections is a significant repository that traces the rich and diverse flora of trees in the island of Cuba. This collection was donated by Karla Ferrer back in 2024. This arrangement started in the 20th century and throughout, documenting common and unique tree specimens in the country. This is to better understand the ecological system that Cuba has and a way to preserve its biological heritage for generations to come. \nThe 307 samples in this collection, from various regions in the island of Cuba to represent the biodiversity that the country offers, from lush tropical forests to its coastal areas, the mountains to the urban cities. ","These 307 specimens are documented and labeled according to their local names, all grouped into 9 sheets for everyone to see it on display, touch and feel the specimens. The samples where cut, dried, and pressed unto these sheets, this serves as not only a scientific resource but as in important cultural artifact reflecting their roles in Cuban life. They share historical significance, for their use of traditional medicines and agriculture to their symbolic importance in Cuban society. ","The Cuban Tree Sample Collection serves as a useful resource for researchers, educators, students, conservationists alike, offering insights into the island nation of Cuba's plant life and its ecological heritage. ","\nLa Colección de Muestras de Árboles Cubanos en las Colecciones Especiales de la Universidad Internacional de Florida (FIU) es un importante repositorio que rastrea la rica y diversa flora de árboles de la isla de Cuba. Esta colección fue donada por Karla Ferrer en 2024. El arreglo de esta colección comenzó en el siglo XX y, a lo largo del tiempo, documentó ejemplares comunes y únicos de árboles en el país. El objetivo de esta recopilación es comprender mejor el sistema ecológico de Cuba y preservar su patrimonio biológico para las futuras generaciones.","Las 307 muestras de esta colección provienen de diversas regiones de la isla de Cuba, representando la biodiversidad que ofrece el país, desde sus exuberantes bosques tropicales hasta sus zonas costeras, las montañas y las ciudades urbanas. Estas 307 muestras están documentadas y etiquetadas de acuerdo con sus nombres locales, todas agrupadas en 9 hojas para ser exhibidas, tocadas y observadas por el público. Las muestras fueron cortadas, secadas y prensadas sobre estas hojas, lo que las convierte no solo en un recurso científico, sino en un importante artefacto cultural que refleja su papel en la vida cubana. Tienen un significado histórico, ya que se utilizan en la medicina tradicional, la agricultura y poseen una importancia simbólica en la sociedad cubana.","La Colección de Muestras de Árboles Cubanos sirve como un recurso útil para investigadores, educadores, estudiantes y conservacionistas, ofreciendo una visión de la vida vegetal de la nación insular de Cuba y su herencia ecológica.","The Cuban Tree Sample Collection at Florida International University (FIU) Special Collections is an arranged compilation of various tree species that can be found in the island of Cuba, a total of 307 different samples throughout the country grouped into 9 sheets to display. Collected throughout the 20th century, it gives researchers and those who are curious an idea of a comprehensive overlook on the country's unique and rich biodiversity that are integral to the ecosystem to the island nation of Cuba. These botanical specimens are preserved records for those who are interested in Cuban flora and preservation. Their historical and cultural significance of different tree species and their role in Cuban society, whether that be for uses in traditional medicine, agriculture, and crafts in local folklore. This collection provides insight into the island's plant life, ecological and environmental diversity that helped shaped Cuba's natural beauty. ","\nLa Colección de Muestras de Árboles Cubanos en las Colecciones Especiales de la Universidad Internacional de Florida (FIU) es una compilación organizada de diversas especies de árboles que se pueden encontrar en la isla de Cuba, un total de 307 muestras diferentes de todo el país agrupadas en 9 hojas de exhibición. Recogidas a lo largo del siglo XX, ofrece a los investigadores y a aquellos interesados una visión integral de la biodiversidad única y rica que es fundamental para el ecosistema de la nación insular de Cuba. Estos especímenes botánicos son registros preservados para quienes están interesados en la flora cubana y su conservación. La importancia histórica y cultural de las diferentes especies de árboles y su papel en la sociedad cubana, ya sea para su uso en la medicina tradicional, la agricultura, la artesanía o el folclore local, es un aspecto relevante de esta colección. Esta colección ofrece una visión sobre la vida vegetal de la isla, la diversidad ecológica y ambiental que ayudó a dar forma a la belleza natural de Cuba.","Rights. The Cuban Tree Sample Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.","Collection of various Cuban tree species samples throughout the 20th century.","FIU Special Collections","Spanish; Castilian"],"unitid_tesim":["SPC9080","/repositories/2/resources/132"],"normalized_date_ssm":["bulk 1900-2000"],"normalized_title_ssm":["Cuban Tree Sample Collection, bulk 1900-2000"],"collection_title_tesim":["Cuban Tree Sample Collection, bulk 1900-2000"],"collection_ssim":["Cuban Tree Sample Collection, bulk 1900-2000"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights. The Cuban Tree Sample Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"has_online_content_ssim":["false"],"extent_ssm":["9 Sheets 307 Tree Samples"],"extent_tesim":["9 Sheets 307 Tree Samples"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eThe Cuban Tree Sample Collection at Florida International University (FIU) Special Collections is a significant repository that traces the rich and diverse flora of trees in the island of Cuba. This collection was donated by Karla Ferrer back in 2024. This arrangement started in the 20th century and throughout, documenting common and unique tree specimens in the country. This is to better understand the ecological system that Cuba has and a way to preserve its biological heritage for generations to come. \nThe 307 samples in this collection, from various regions in the island of Cuba to represent the biodiversity that the country offers, from lush tropical forests to its coastal areas, the mountains to the urban cities. \u003c/p\u003e\n","\u003cp\u003eThese 307 specimens are documented and labeled according to their local names, all grouped into 9 sheets for everyone to see it on display, touch and feel the specimens. The samples where cut, dried, and pressed unto these sheets, this serves as not only a scientific resource but as in important cultural artifact reflecting their roles in Cuban life. They share historical significance, for their use of traditional medicines and agriculture to their symbolic importance in Cuban society. \u003c/p\u003e\n","\u003cp\u003eThe Cuban Tree Sample Collection serves as a useful resource for researchers, educators, students, conservationists alike, offering insights into the island nation of Cuba's plant life and its ecological heritage. \u003c/p\u003e\n","\u003cp\u003e\nLa Colecci\u0026#xF3;n de Muestras de \u0026#xC1;rboles Cubanos en las Colecciones Especiales de la Universidad Internacional de Florida (FIU) es un importante repositorio que rastrea la rica y diversa flora de \u0026#xE1;rboles de la isla de Cuba. Esta colecci\u0026#xF3;n fue donada por Karla Ferrer en 2024. El arreglo de esta colecci\u0026#xF3;n comenz\u0026#xF3; en el siglo XX y, a lo largo del tiempo, document\u0026#xF3; ejemplares comunes y \u0026#xFA;nicos de \u0026#xE1;rboles en el pa\u0026#xED;s. El objetivo de esta recopilaci\u0026#xF3;n es comprender mejor el sistema ecol\u0026#xF3;gico de Cuba y preservar su patrimonio biol\u0026#xF3;gico para las futuras generaciones.\u003c/p\u003e\n","\u003cp\u003eLas 307 muestras de esta colecci\u0026#xF3;n provienen de diversas regiones de la isla de Cuba, representando la biodiversidad que ofrece el pa\u0026#xED;s, desde sus exuberantes bosques tropicales hasta sus zonas costeras, las monta\u0026#xF1;as y las ciudades urbanas. Estas 307 muestras est\u0026#xE1;n documentadas y etiquetadas de acuerdo con sus nombres locales, todas agrupadas en 9 hojas para ser exhibidas, tocadas y observadas por el p\u0026#xFA;blico. Las muestras fueron cortadas, secadas y prensadas sobre estas hojas, lo que las convierte no solo en un recurso cient\u0026#xED;fico, sino en un importante artefacto cultural que refleja su papel en la vida cubana. Tienen un significado hist\u0026#xF3;rico, ya que se utilizan en la medicina tradicional, la agricultura y poseen una importancia simb\u0026#xF3;lica en la sociedad cubana.\u003c/p\u003e\n","\u003cp\u003eLa Colecci\u0026#xF3;n de Muestras de \u0026#xC1;rboles Cubanos sirve como un recurso \u0026#xFA;til para investigadores, educadores, estudiantes y conservacionistas, ofreciendo una visi\u0026#xF3;n de la vida vegetal de la naci\u0026#xF3;n insular de Cuba y su herencia ecol\u0026#xF3;gica.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Cuban Tree Sample Collection at Florida International University (FIU) Special Collections is a significant repository that traces the rich and diverse flora of trees in the island of Cuba. This collection was donated by Karla Ferrer back in 2024. This arrangement started in the 20th century and throughout, documenting common and unique tree specimens in the country. This is to better understand the ecological system that Cuba has and a way to preserve its biological heritage for generations to come. \nThe 307 samples in this collection, from various regions in the island of Cuba to represent the biodiversity that the country offers, from lush tropical forests to its coastal areas, the mountains to the urban cities. ","These 307 specimens are documented and labeled according to their local names, all grouped into 9 sheets for everyone to see it on display, touch and feel the specimens. The samples where cut, dried, and pressed unto these sheets, this serves as not only a scientific resource but as in important cultural artifact reflecting their roles in Cuban life. They share historical significance, for their use of traditional medicines and agriculture to their symbolic importance in Cuban society. ","The Cuban Tree Sample Collection serves as a useful resource for researchers, educators, students, conservationists alike, offering insights into the island nation of Cuba's plant life and its ecological heritage. ","\nLa Colección de Muestras de Árboles Cubanos en las Colecciones Especiales de la Universidad Internacional de Florida (FIU) es un importante repositorio que rastrea la rica y diversa flora de árboles de la isla de Cuba. Esta colección fue donada por Karla Ferrer en 2024. El arreglo de esta colección comenzó en el siglo XX y, a lo largo del tiempo, documentó ejemplares comunes y únicos de árboles en el país. El objetivo de esta recopilación es comprender mejor el sistema ecológico de Cuba y preservar su patrimonio biológico para las futuras generaciones.","Las 307 muestras de esta colección provienen de diversas regiones de la isla de Cuba, representando la biodiversidad que ofrece el país, desde sus exuberantes bosques tropicales hasta sus zonas costeras, las montañas y las ciudades urbanas. Estas 307 muestras están documentadas y etiquetadas de acuerdo con sus nombres locales, todas agrupadas en 9 hojas para ser exhibidas, tocadas y observadas por el público. Las muestras fueron cortadas, secadas y prensadas sobre estas hojas, lo que las convierte no solo en un recurso científico, sino en un importante artefacto cultural que refleja su papel en la vida cubana. Tienen un significado histórico, ya que se utilizan en la medicina tradicional, la agricultura y poseen una importancia simbólica en la sociedad cubana.","La Colección de Muestras de Árboles Cubanos sirve como un recurso útil para investigadores, educadores, estudiantes y conservacionistas, ofreciendo una visión de la vida vegetal de la nación insular de Cuba y su herencia ecológica."],"scopecontent_html_tesm":["\u003cp\u003eThe Cuban Tree Sample Collection at Florida International University (FIU) Special Collections is an arranged compilation of various tree species that can be found in the island of Cuba, a total of 307 different samples throughout the country grouped into 9 sheets to display. Collected throughout the 20th century, it gives researchers and those who are curious an idea of a comprehensive overlook on the country's unique and rich biodiversity that are integral to the ecosystem to the island nation of Cuba. These botanical specimens are preserved records for those who are interested in Cuban flora and preservation. Their historical and cultural significance of different tree species and their role in Cuban society, whether that be for uses in traditional medicine, agriculture, and crafts in local folklore. This collection provides insight into the island's plant life, ecological and environmental diversity that helped shaped Cuba's natural beauty. \u003c/p\u003e\n","\u003cp\u003e\nLa Colecci\u0026#xF3;n de Muestras de \u0026#xC1;rboles Cubanos en las Colecciones Especiales de la Universidad Internacional de Florida (FIU) es una compilaci\u0026#xF3;n organizada de diversas especies de \u0026#xE1;rboles que se pueden encontrar en la isla de Cuba, un total de 307 muestras diferentes de todo el pa\u0026#xED;s agrupadas en 9 hojas de exhibici\u0026#xF3;n. Recogidas a lo largo del siglo XX, ofrece a los investigadores y a aquellos interesados una visi\u0026#xF3;n integral de la biodiversidad \u0026#xFA;nica y rica que es fundamental para el ecosistema de la naci\u0026#xF3;n insular de Cuba. Estos espec\u0026#xED;menes bot\u0026#xE1;nicos son registros preservados para quienes est\u0026#xE1;n interesados en la flora cubana y su conservaci\u0026#xF3;n. La importancia hist\u0026#xF3;rica y cultural de las diferentes especies de \u0026#xE1;rboles y su papel en la sociedad cubana, ya sea para su uso en la medicina tradicional, la agricultura, la artesan\u0026#xED;a o el folclore local, es un aspecto relevante de esta colecci\u0026#xF3;n. Esta colecci\u0026#xF3;n ofrece una visi\u0026#xF3;n sobre la vida vegetal de la isla, la diversidad ecol\u0026#xF3;gica y ambiental que ayud\u0026#xF3; a dar forma a la belleza natural de Cuba.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cuban Tree Sample Collection at Florida International University (FIU) Special Collections is an arranged compilation of various tree species that can be found in the island of Cuba, a total of 307 different samples throughout the country grouped into 9 sheets to display. Collected throughout the 20th century, it gives researchers and those who are curious an idea of a comprehensive overlook on the country's unique and rich biodiversity that are integral to the ecosystem to the island nation of Cuba. These botanical specimens are preserved records for those who are interested in Cuban flora and preservation. Their historical and cultural significance of different tree species and their role in Cuban society, whether that be for uses in traditional medicine, agriculture, and crafts in local folklore. This collection provides insight into the island's plant life, ecological and environmental diversity that helped shaped Cuba's natural beauty. ","\nLa Colección de Muestras de Árboles Cubanos en las Colecciones Especiales de la Universidad Internacional de Florida (FIU) es una compilación organizada de diversas especies de árboles que se pueden encontrar en la isla de Cuba, un total de 307 muestras diferentes de todo el país agrupadas en 9 hojas de exhibición. Recogidas a lo largo del siglo XX, ofrece a los investigadores y a aquellos interesados una visión integral de la biodiversidad única y rica que es fundamental para el ecosistema de la nación insular de Cuba. Estos especímenes botánicos son registros preservados para quienes están interesados en la flora cubana y su conservación. La importancia histórica y cultural de las diferentes especies de árboles y su papel en la sociedad cubana, ya sea para su uso en la medicina tradicional, la agricultura, la artesanía o el folclore local, es un aspecto relevante de esta colección. Esta colección ofrece una visión sobre la vida vegetal de la isla, la diversidad ecológica y ambiental que ayudó a dar forma a la belleza natural de Cuba."],"userestrict_html_tesm":["\u003cp\u003eRights. The Cuban Tree Sample Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Cuban Tree Sample Collection are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0ead03125445d2e6f8ef8c73ada4e38a\"\u003eCollection of various Cuban tree species samples throughout the 20th century.\u003c/abstract\u003e"],"abstract_tesim":["Collection of various Cuban tree species samples throughout the 20th century."],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["Spanish; Castilian"],"total_component_count_is":9,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844485654544384,"_root_":"9c82e394cec8c38e5e7b9a93","timestamp":"2026-07-16T04:32:15.959Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9c82e394cec8c38e5e7b9a93"}},{"id":"725898a1a41349eb30ec365d_aspace_a08ac055cfeb39d9c68b1dec8e4da4dc","type":"File","attributes":{"title":"Culinary, 1976-1991, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_a08ac055cfeb39d9c68b1dec8e4da4dc#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_a08ac055cfeb39d9c68b1dec8e4da4dc","ref_ssm":["aspace_a08ac055cfeb39d9c68b1dec8e4da4dc","aspace_a08ac055cfeb39d9c68b1dec8e4da4dc"],"id":"725898a1a41349eb30ec365d_aspace_a08ac055cfeb39d9c68b1dec8e4da4dc","title_filing_ssi":"Culinary","title_ssm":["Culinary"],"title_tesim":["Culinary"],"unitdate_inclusive_ssm":["1976-1991, Undated"],"normalized_date_ssm":["1976-1991, Undated"],"normalized_title_ssm":["Culinary, 1976-1991, Undated"],"text":["Culinary, 1976-1991, Undated","José Guerra Alemán Collection, 1887-2013","Manuscripts, 1915-2013, Undated","Social, Political, and Cultural History, 1922-2013, Undated","Folder 12","/repositories/4/archival_objects/53950","box 5","folder 12"],"component_level_isim":[3],"parent_ids_ssim":["725898a1a41349eb30ec365d","725898a1a41349eb30ec365d_aspace_c169fb1b4abcdaaa416e683d4329daa8","725898a1a41349eb30ec365d_aspace_46d087b954c4efe5eb376c3eb0800b41"],"parent_unittitles_ssm":["José Guerra Alemán Collection, 1887-2013","Manuscripts, 1915-2013, Undated","Social, Political, and Cultural History, 1922-2013, Undated"],"parent_unittitles_tesim":["José Guerra Alemán Collection, 1887-2013","Manuscripts, 1915-2013, Undated","Social, Political, and Cultural History, 1922-2013, Undated"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 12","/repositories/4/archival_objects/53950"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":72,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"date_range_isim":[1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"containers_ssim":["box 5","folder 12"],"_nest_path_":"/components#0/components#2/components#15","_nest_parent_":"725898a1a41349eb30ec365d_aspace_46d087b954c4efe5eb376c3eb0800b41","_root_":"725898a1a41349eb30ec365d","_version_":1870857755411087360,"timestamp":"2026-07-16T08:03:10.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"725898a1a41349eb30ec365d","title_ssm":["José Guerra Alemán Collection"],"title_tesim":["José Guerra Alemán Collection"],"ead_ssi":"725898a1a41349eb30ec365d","unitdate_ssm":["1887-2013"],"unitdate_inclusive_ssm":["1887-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.098","/repositories/4/resources/204"],"text":["SC.098","/repositories/4/resources/204","José Guerra Alemán Collection, 1887-2013","Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs","Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints","The entire collection is open for research.","José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.","Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.","Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog.","This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"","Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.","The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.","UCF Special Collections","Guerra Alemán, José","English"],"unitid_tesim":["SC.098","/repositories/4/resources/204"],"normalized_date_ssm":["1887-2013"],"normalized_title_ssm":["José Guerra Alemán Collection, 1887-2013"],"collection_title_tesim":["José Guerra Alemán Collection, 1887-2013"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"geogname_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"creator_ssm":["Guerra Alemán, José"],"creator_ssim":["Guerra Alemán, José"],"creator_persname_ssim":["Guerra Alemán, José"],"creators_ssim":["Guerra Alemán, José"],"places_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"acqinfo_ssim":["The collection was donated by Carlos Guerra, José Guerra Alemán's son, to the University of Central Florida Libraries in 2014. (CFM2014_07)"],"access_subjects_ssim":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"access_subjects_ssm":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["17.5 Linear Feet 20 boxes, 1 Flat File"],"extent_tesim":["17.5 Linear Feet 20 boxes, 1 Flat File"],"genreform_ssim":["correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n was born to Jos\u0026#xE9; Guerra and Herminia Alem\u0026#xE1;n-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as Jos\u0026#xE9; Guerra Alem\u0026#xE1;n, his initials J.G.A. and his nickname Pep\u0026#xED;n. Many of his closest friends and family called him as Pep\u0026#xED;n. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.\u003c/p\u003e\n","\u003cp\u003eIn his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ej\u0026#xE9;rcito) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 Divisi\u0026#xF3;n de Infanter\u0026#xED;a) called Divisi\u0026#xF3;n Rel\u0026#xE1;mpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.\u003c/p\u003e\n","\u003cp\u003eOnce he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of \u0026#xC9;l Pa\u0026#xED;s, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.\u003c/p\u003e\n","\u003cp\u003eOne of those encounters, Jos\u0026#xE9; Guerra Alem\u0026#xE1;n climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with Jos\u0026#xE9; Garc\u0026#xED;a and Eduardo Hern\u0026#xE1;ndez (Guayo) in the same company. Jos\u0026#xE9; Guerra Alem\u0026#xE1;n directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.\u003c/p\u003e\n","\u003cp\u003eWith his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote A\u0026#xFA;n Hay Luna En Los Cerros, Ensayos (Las Mayor\u0026#xED;as Discriminadas): En Defensa de la Mujer, Barro y Cenizas (D\u0026#xED;alogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biograf\u0026#xED;a de su Abuelo el General Jos\u0026#xE9; Braulio Alem\u0026#xE1;n). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.\u003c/p\u003e\n","\u003cp\u003eUnderstanding where his family came from and knowing the other members of his family tree can provide a part of Jos\u0026#xE9; Guerra Alem\u0026#xE1;n's identity. Jose Guerra Alem\u0026#xE1;n's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named Jos\u0026#xE9; Braulio Guerra Alem\u0026#xE1;n fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, Jos\u0026#xE9; Manuel Alem\u0026#xE1;n, served in the Cuban government as Minister of Education during the presidency of Dr. Ram\u0026#xF3;n Grau San Martin, president of the Authentic Party (Partido Aut\u0026#xE9;ntico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.\u003c/p\u003e\n","\u003cp\u003eHe rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alem\u0026#xE1;n. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business."],"prefercite_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["José Guerra Alemán Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks collected by Jos\u0026#xE9; Guerra Alem\u0026#xE1;n can be found by performing a series search for \"Jos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection\" in the UCF Libraries catalog.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog."],"scopecontent_html_tesm":["\u003cp\u003eThis collection was arranged in seven series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alem\u0026#xE1;n took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alem\u0026#xE1;n used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. \u003c/p\u003e\n","\u003cp\u003e\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of Jos\u0026#xE9; G. Alem\u0026#xE1;n and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\""],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4d41ff341ce7470c0d40282c3f71dd8\"\u003eThe collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist Jos\u0026#xE9; Guerra Alem\u0026#xE1;n. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.\u003c/abstract\u003e"],"abstract_tesim":["The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita."],"names_ssim":["UCF Special Collections","Guerra Alemán, José"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Guerra Alemán, José"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":282,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857755411087360,"_root_":"725898a1a41349eb30ec365d","timestamp":"2026-07-16T08:03:10.972Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_a08ac055cfeb39d9c68b1dec8e4da4dc"}},{"id":"3990c8b0263ef7e4284c134d_aspace_fe0179e77cd4c706e94746a21f911503","type":"File","attributes":{"title":"Cults, Circa 1982-1987","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3990c8b0263ef7e4284c134d_aspace_fe0179e77cd4c706e94746a21f911503#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_fe0179e77cd4c706e94746a21f911503","ref_ssm":["aspace_fe0179e77cd4c706e94746a21f911503","aspace_fe0179e77cd4c706e94746a21f911503"],"id":"3990c8b0263ef7e4284c134d_aspace_fe0179e77cd4c706e94746a21f911503","title_filing_ssi":"Cults","title_ssm":["Cults"],"title_tesim":["Cults"],"unitdate_inclusive_ssm":["Circa 1982-1987"],"normalized_date_ssm":["Circa 1982-1987"],"normalized_title_ssm":["Cults, Circa 1982-1987"],"text":["Cults, Circa 1982-1987","Stetson Kennedy Papers, Circa 1936-1995","Works Progress Administration (WPA) Federal Writer's Project Research Papers","/repositories/3/archival_objects/1430","box 1","folder 47"],"component_level_isim":[2],"parent_ids_ssim":["3990c8b0263ef7e4284c134d","3990c8b0263ef7e4284c134d_aspace_2195af3280fdd14f76e6dc29fbbb2f37"],"parent_unittitles_ssm":["Stetson Kennedy Papers, Circa 1936-1995","Works Progress Administration (WPA) Federal Writer's Project Research Papers"],"parent_unittitles_tesim":["Stetson Kennedy Papers, Circa 1936-1995","Works Progress Administration (WPA) Federal Writer's Project Research Papers"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/1430"],"repository_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"collection_ssim":["Stetson Kennedy Papers, Circa 1936-1995"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":49,"parent_access_restrict_tesm":["The Stetson Kennedy Collection is open for research."],"date_range_isim":[1982,1983,1984,1985,1986,1987],"containers_ssim":["box 1","folder 47"],"_nest_path_":"/components#1/components#15","_nest_parent_":"3990c8b0263ef7e4284c134d_aspace_2195af3280fdd14f76e6dc29fbbb2f37","_root_":"3990c8b0263ef7e4284c134d","_version_":1870839703710728192,"timestamp":"2026-07-16T03:16:15.540Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3990c8b0263ef7e4284c134d","title_filing_ssi":"Kennedy, Stetson Papers","title_ssm":["Stetson Kennedy Papers"],"title_tesim":["Stetson Kennedy Papers"],"ead_ssi":"3990c8b0263ef7e4284c134d","unitdate_ssm":["Circa 1936-1995"],"unitdate_inclusive_ssm":["Circa 1936-1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BIENES.1996.1","/repositories/3/resources/33"],"text":["BIENES.1996.1","/repositories/3/resources/33","Stetson Kennedy Papers, Circa 1936-1995","The Stetson Kennedy Collection is open for research.","The series is arranged into two series: Series I. Correspondence and Series II. Works Progress Administration Federal Writers Project Research Papers.","William Stetson Kennedy also known as Stetson Kennedy, was born on October 5, 1911 in Jacksonville, Florida to Willye Stetson and George Wallace Kennedy. He was an American author, folklorist and human rights activist. In 1937, Kennedy worked for the Works Progress Administration's Federal Writer's Project where he collected and recorded folklore in Florida, U.S.A. He is also remembered for infiltrating the Ku Klux Klan during the 1940s, exposing its secrets to authorities and the world.","The Stetson Kennedy Collection was processed at the file level. The finding aid may be updated to reflect new descriptions as well as aquisitions to the collection.","The Stetson Kennedy Papers contains correspondence, research papers, writings and photographs that document his time within the Works Progress Administration's  Federal Writers Project.","Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library","English"],"unitid_tesim":["BIENES.1996.1","/repositories/3/resources/33"],"normalized_date_ssm":["Circa 1936-1995"],"normalized_title_ssm":["Stetson Kennedy Papers, Circa 1936-1995"],"collection_title_tesim":["Stetson Kennedy Papers, Circa 1936-1995"],"collection_ssim":["Stetson Kennedy Papers, Circa 1936-1995"],"repository_ssm":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"repository_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"acqinfo_ssim":["The Stetson Kennedy papers was donated to the Bienes Museum of the Modern Book by Stetson Kennnedy."],"has_online_content_ssim":["false"],"extent_ssm":["3.34 Linear Feet"],"extent_tesim":["3.34 Linear Feet"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eThe Stetson Kennedy Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Stetson Kennedy Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe series is arranged into two series: Series I. Correspondence and Series II. Works Progress Administration Federal Writers Project Research Papers.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The series is arranged into two series: Series I. Correspondence and Series II. Works Progress Administration Federal Writers Project Research Papers."],"bioghist_html_tesm":["\u003cp\u003eWilliam Stetson Kennedy also known as Stetson Kennedy, was born on October 5, 1911 in Jacksonville, Florida to Willye Stetson and George Wallace Kennedy. He was an American author, folklorist and human rights activist. In 1937, Kennedy worked for the Works Progress Administration's Federal Writer's Project where he collected and recorded folklore in Florida, U.S.A. He is also remembered for infiltrating the Ku Klux Klan during the 1940s, exposing its secrets to authorities and the world.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["William Stetson Kennedy also known as Stetson Kennedy, was born on October 5, 1911 in Jacksonville, Florida to Willye Stetson and George Wallace Kennedy. He was an American author, folklorist and human rights activist. In 1937, Kennedy worked for the Works Progress Administration's Federal Writer's Project where he collected and recorded folklore in Florida, U.S.A. He is also remembered for infiltrating the Ku Klux Klan during the 1940s, exposing its secrets to authorities and the world."],"prefercite_html_tesm":["\u003cp\u003eThe Stetson Kennedy Papers, Bienes Museum of the Modern Book, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["The Stetson Kennedy Papers, Bienes Museum of the Modern Book, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Stetson Kennedy Collection was processed at the file level. The finding aid may be updated to reflect new descriptions as well as aquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Stetson Kennedy Collection was processed at the file level. The finding aid may be updated to reflect new descriptions as well as aquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Stetson Kennedy Papers contains correspondence, research papers, writings and photographs that document his time within the Works Progress Administration's  Federal Writers Project.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Stetson Kennedy Papers contains correspondence, research papers, writings and photographs that document his time within the Works Progress Administration's  Federal Writers Project."],"names_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"corpname_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"language_ssim":["English"],"total_component_count_is":165,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870839703710728192,"_root_":"3990c8b0263ef7e4284c134d","timestamp":"2026-07-16T03:16:15.540Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3990c8b0263ef7e4284c134d_aspace_fe0179e77cd4c706e94746a21f911503"}},{"id":"a0b8dca0cc27e719e79a099f_aspace_2ba257022ea16a3ecc7dd16722baca01","type":"File","attributes":{"title":"Cunningham, James A., 1980-1992","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_2ba257022ea16a3ecc7dd16722baca01#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eFolder includes correspondence.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_2ba257022ea16a3ecc7dd16722baca01#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_2ba257022ea16a3ecc7dd16722baca01","ref_ssm":["aspace_2ba257022ea16a3ecc7dd16722baca01","aspace_2ba257022ea16a3ecc7dd16722baca01"],"id":"a0b8dca0cc27e719e79a099f_aspace_2ba257022ea16a3ecc7dd16722baca01","title_filing_ssi":"Cunningham, James A.","title_ssm":["Cunningham, James A."],"title_tesim":["Cunningham, James A."],"unitdate_inclusive_ssm":["1980-1992"],"normalized_date_ssm":["1980-1992"],"normalized_title_ssm":["Cunningham, James A., 1980-1992"],"text":["Cunningham, James A., 1980-1992","Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Subject Files","Collier Wildlife Program- Cypress Military Operations Area (MOA)","/repositories/2/archival_objects/199036","box 30","folder 14","Folder includes correspondence."],"component_level_isim":[3],"parent_ids_ssim":["a0b8dca0cc27e719e79a099f","a0b8dca0cc27e719e79a099f_aspace_4c29981ab2b06aeb8893c7a0e3a6accb","a0b8dca0cc27e719e79a099f_aspace_fec296c8f243552d2cb83ea5fd03e426"],"parent_unittitles_ssm":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Subject Files","Collier Wildlife Program- Cypress Military Operations Area (MOA)"],"parent_unittitles_tesim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Subject Files","Collier Wildlife Program- Cypress Military Operations Area (MOA)"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["/repositories/2/archival_objects/199036"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":725,"parent_access_restrict_tesm":["Until 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"containers_ssim":["box 30","folder 14"],"scopecontent_html_tesm":["\u003cp\u003eFolder includes correspondence.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Folder includes correspondence."],"_nest_path_":"/components#1/components#8/components#13","_nest_parent_":"a0b8dca0cc27e719e79a099f_aspace_fec296c8f243552d2cb83ea5fd03e426","_root_":"a0b8dca0cc27e719e79a099f","_version_":1872946110924849152,"timestamp":"2026-08-08T09:16:41.949Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a0b8dca0cc27e719e79a099f","title_ssm":["Audubon Society Corkscrew Swamp Sanctuary records"],"title_tesim":["Audubon Society Corkscrew Swamp Sanctuary records"],"ead_ssi":"a0b8dca0cc27e719e79a099f","unitdate_ssm":["1937-2019"],"unitdate_inclusive_ssm":["1937-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2020-03","/repositories/2/resources/583"],"text":["MS-2020-03","/repositories/2/resources/583","Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Ecology -- Florida","Conservationists -- Florida","Birds -- Habitat -- Florida","Birds -- Migration","Good.","Until 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society.","This collection is divided into four series: Corkscrew Swamp Sanctuary records, subject files, photographs and slides, and oversized material. The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically.","Audubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns.","The Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record.","This collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings.","Maps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. 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It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns.\u003c/p\u003e"],"bioghist_heading_ssm":["Content Description"],"bioghist_tesim":["Audubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns."],"odd_html_tesm":["\u003cp\u003eThe Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record.\u003c/p\u003e"],"odd_heading_ssm":["Cataloged Publications"],"odd_tesim":["The Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings."],"separatedmaterial_html_tesm":["\u003cp\u003eMaps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Maps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bf60a5a83f90c49360b71829ac95b658\"\u003eThe Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. Rainey Wildlife Sanctuary and Platte River.\u003c/abstract\u003e"],"abstract_tesim":["The Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. 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Mahan, M.D., is Professor Emeritus, College of Public Health and the Lawton and Rhea Chiles Center for Healthy Mothers and Babies. Mahan received his MD from Northwestern University and worked for the University of Florida and the North Central Florida Maternal and Infant Care Program before joining the University of South Florida as Dean of the College of Public Health (1995-2002).","University of South Florida Tampa Library. (2006). Special collections establishes the Dr. Charles Mahan Collection of American Humor and Cartoon Art.  University of South Florida Library Links, 10 (3), 2-3.","Note written by ","In addition to Disney animation catalogs, illustrations, lithographs, cels, posters, calendars, newspapers, LPs and sheet music, the Mahan Collection of American Humor and Cartoon Art includes numerous non-Disney and political illustrations that depict American humor and cartoon art. While the earliest illustration in this collection is from 1838, its focus is the Golden Age of American Animation (1895-1945).","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Mahan, Charles S. (1938-)","English"],"unitid_tesim":["MS-2006-12","/repositories/2/resources/220"],"normalized_date_ssm":["1813-2005, Date acquired: 00/00/2006, bulk 1928-1965"],"normalized_title_ssm":["Mahan collection of American humor and cartoon art, 1813-2005, Date acquired: 00/00/2006, bulk 1928-1965"],"collection_title_tesim":["Mahan collection of American humor and cartoon art, 1813-2005, Date acquired: 00/00/2006, bulk 1928-1965"],"collection_ssim":["Mahan collection of American humor and cartoon art, 1813-2005, Date acquired: 00/00/2006, bulk 1928-1965"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Mahan, Charles S. (1938-)"],"creator_ssim":["Mahan, Charles S. (1938-)"],"creator_persname_ssim":["Mahan, Charles S. (1938-)"],"creators_ssim":["Mahan, Charles S. (1938-)"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Dr. Charles S. Mahan","Donation."],"access_subjects_ssim":["American wit and humor, Pictorial","Caricatures and cartoons -- United States","Walt Disney Company"],"access_subjects_ssm":["American wit and humor, Pictorial","Caricatures and cartoons -- United States","Walt Disney Company"],"has_online_content_ssim":["false"],"extent_ssm":["78.75 Linear Feet","90 boxes"],"extent_tesim":["78.75 Linear Feet","90 boxes"],"date_range_isim":[1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"bioghist_html_tesm":["\u003cp\u003eCharles S. Mahan, M.D., is Professor Emeritus, College of Public Health and the Lawton and Rhea Chiles Center for Healthy Mothers and Babies. Mahan received his MD from Northwestern University and worked for the University of Florida and the North Central Florida Maternal and Infant Care Program before joining the University of South Florida as Dean of the College of Public Health (1995-2002).\u003c/p\u003e\n","\u003cp\u003eUniversity of South Florida Tampa Library. (2006). Special collections establishes the Dr. Charles Mahan Collection of American Humor and Cartoon Art. \u003cemph render=\"italic\"\u003eUniversity of South Florida Library Links, 10\u003c/emph\u003e(3), 2-3.\u003c/p\u003e\n","\u003cp\u003eNote written by \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Charles S. Mahan, M.D., is Professor Emeritus, College of Public Health and the Lawton and Rhea Chiles Center for Healthy Mothers and Babies. Mahan received his MD from Northwestern University and worked for the University of Florida and the North Central Florida Maternal and Infant Care Program before joining the University of South Florida as Dean of the College of Public Health (1995-2002).","University of South Florida Tampa Library. (2006). Special collections establishes the Dr. Charles Mahan Collection of American Humor and Cartoon Art.  University of South Florida Library Links, 10 (3), 2-3.","Note written by "],"prefercite_html_tesm":["\u003cp\u003eMahan Collection of American Humor and Cartoon Art, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Mahan Collection of American Humor and Cartoon Art, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eIn addition to Disney animation catalogs, illustrations, lithographs, cels, posters, calendars, newspapers, LPs and sheet music, the Mahan Collection of American Humor and Cartoon Art includes numerous non-Disney and political illustrations that depict American humor and cartoon art. While the earliest illustration in this collection is from 1838, its focus is the Golden Age of American Animation (1895-1945).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["In addition to Disney animation catalogs, illustrations, lithographs, cels, posters, calendars, newspapers, LPs and sheet music, the Mahan Collection of American Humor and Cartoon Art includes numerous non-Disney and political illustrations that depict American humor and cartoon art. While the earliest illustration in this collection is from 1838, its focus is the Golden Age of American Animation (1895-1945)."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Mahan, Charles S. (1938-)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Mahan, Charles S. (1938-)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2403,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877838338632712192,"_root_":"d52d92af1bf73915192489ed","timestamp":"2026-10-01T09:16:33.829Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d52d92af1bf73915192489ed_aspace_4503e857f15891a43d6722b406d4dd39"}},{"id":"5704cc28d5311ad5f4edd43f_aspace_b0999f3248b6917ac2c99f66908815a1","type":"File","attributes":{"title":"Currelly, Brad - Basketball, 1981-1983","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5704cc28d5311ad5f4edd43f_aspace_b0999f3248b6917ac2c99f66908815a1#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_b0999f3248b6917ac2c99f66908815a1","ref_ssm":["aspace_b0999f3248b6917ac2c99f66908815a1","aspace_b0999f3248b6917ac2c99f66908815a1"],"id":"5704cc28d5311ad5f4edd43f_aspace_b0999f3248b6917ac2c99f66908815a1","title_filing_ssi":"Currelly, Brad - Basketball","title_ssm":["Currelly, Brad - Basketball"],"title_tesim":["Currelly, Brad - Basketball"],"unitdate_inclusive_ssm":["1981-1983"],"normalized_date_ssm":["1981-1983"],"normalized_title_ssm":["Currelly, Brad - Basketball, 1981-1983"],"text":["Currelly, Brad - Basketball, 1981-1983","USF Athletics collection, bulk 1956-Present","Documents","Box 128","Folder 43","/repositories/2/archival_objects/147390","box 128","folder 43"],"component_level_isim":[3],"parent_ids_ssim":["5704cc28d5311ad5f4edd43f","5704cc28d5311ad5f4edd43f_aspace_208889aefd4e9b87499a5d82c090f5e1","5704cc28d5311ad5f4edd43f_aspace_8d2f9bdc95f10d939566206cb1daf558"],"parent_unittitles_ssm":["USF Athletics collection, bulk 1956-Present","Documents","Box 128"],"parent_unittitles_tesim":["USF Athletics collection, bulk 1956-Present","Documents","Box 128"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["Folder 43","/repositories/2/archival_objects/147390"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["USF Athletics collection, bulk 1956-Present"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1700,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1981,1982,1983],"containers_ssim":["box 128","folder 43"],"_nest_path_":"/components#0/components#127/components#42","_nest_parent_":"5704cc28d5311ad5f4edd43f_aspace_8d2f9bdc95f10d939566206cb1daf558","_root_":"5704cc28d5311ad5f4edd43f","_version_":1870863599522545664,"timestamp":"2026-07-16T09:36:04.168Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5704cc28d5311ad5f4edd43f","title_ssm":["USF Athletics collection"],"title_tesim":["USF Athletics collection"],"ead_ssi":"5704cc28d5311ad5f4edd43f","unitdate_ssm":["1956-Present"],"unitdate_bulk_ssim":["1956-Present"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2021-05","/repositories/2/resources/593"],"text":["MS-2021-05","/repositories/2/resources/593","USF Athletics collection, bulk 1956-Present","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-2021-05","/repositories/2/resources/593"],"normalized_date_ssm":["bulk 1956-Present"],"normalized_title_ssm":["USF Athletics collection, bulk 1956-Present"],"collection_title_tesim":["USF Athletics collection, bulk 1956-Present"],"collection_ssim":["USF Athletics collection, bulk 1956-Present"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"has_online_content_ssim":["false"],"extent_ssm":["122.74 Linear Feet","232 boxes"],"extent_tesim":["122.74 Linear Feet","232 boxes"],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"total_component_count_is":3281,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863599522545664,"_root_":"5704cc28d5311ad5f4edd43f","timestamp":"2026-07-16T09:36:04.168Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5704cc28d5311ad5f4edd43f_aspace_b0999f3248b6917ac2c99f66908815a1"}},{"id":"ec636735327499b3b8a45f21_aspace_d10a811025b14ac02752a890d5580605","type":"File","attributes":{"title":"Curriculum Vitae and Biographical Clippings, 1979-2019","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ec636735327499b3b8a45f21_aspace_d10a811025b14ac02752a890d5580605#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_d10a811025b14ac02752a890d5580605","ref_ssm":["aspace_d10a811025b14ac02752a890d5580605","aspace_d10a811025b14ac02752a890d5580605"],"id":"ec636735327499b3b8a45f21_aspace_d10a811025b14ac02752a890d5580605","title_filing_ssi":"Curriculum Vitae and Biographical Clippings","title_ssm":["Curriculum Vitae and Biographical Clippings"],"title_tesim":["Curriculum Vitae and Biographical Clippings"],"unitdate_inclusive_ssm":["1979-2019"],"normalized_date_ssm":["1979-2019"],"normalized_title_ssm":["Curriculum Vitae and Biographical Clippings, 1979-2019"],"text":["Curriculum Vitae and Biographical Clippings, 1979-2019","Dianora Niccolini collection, 1973-2022","Subject Files and Original Photographs, 1979-2019","/repositories/2/archival_objects/147597","box 1","folder 1"],"component_level_isim":[2],"parent_ids_ssim":["ec636735327499b3b8a45f21","ec636735327499b3b8a45f21_aspace_5b9c4cc8cd001b5ab0ee0bb62c960de7"],"parent_unittitles_ssm":["Dianora Niccolini collection, 1973-2022","Subject Files and Original Photographs, 1979-2019"],"parent_unittitles_tesim":["Dianora Niccolini collection, 1973-2022","Subject Files and Original Photographs, 1979-2019"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["/repositories/2/archival_objects/147597"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Dianora Niccolini collection, 1973-2022"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"containers_ssim":["box 1","folder 1"],"_nest_path_":"/components#0/components#0","_nest_parent_":"ec636735327499b3b8a45f21_aspace_5b9c4cc8cd001b5ab0ee0bb62c960de7","_root_":"ec636735327499b3b8a45f21","timestamp":"2026-04-21T05:36:10.799Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ec636735327499b3b8a45f21","title_ssm":["Dianora Niccolini collection"],"title_tesim":["Dianora Niccolini collection"],"ead_ssi":"ec636735327499b3b8a45f21","unitdate_ssm":["1973-2022"],"unitdate_inclusive_ssm":["1973-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2022-05","/repositories/2/resources/608"],"text":["MS-2022-05","/repositories/2/resources/608","Dianora Niccolini collection, 1973-2022","Photography","Photography, Erotic","Photography of the nude","Artists","Collection is arranged according to material type and chronology. When able, the donor's original order and file level labels were maintained.","Dianora Niccolini was born in Florence, Italy, but moved to the United States at the age of nine. Niccolini relocated to New York City to study art, but moved from the realm of dance to photography after meeting the noted photographer Weegee. Niccolini's first exhibit was a 1974 study of female nudes, followed by a Sunday New York Times-reviewed show of the male nude the following year. Niccolini is considered a pioneering female photographer in the realm of photographing the male nude and her images of the male nude pre-date those of body builders popularized by Robert Mapplethorpe. Her photographs have been featured in several anthologies of nude figurative photography. Niccolini was the first president of Professional Women Photographers (PWP), serving 1979-1984, under which PWP became the leading professional organization of its kind. Niccolini has taught photography at the Germain school of photography, The New York Institute of photography, The New York Institute of Technology and, The Learning Annex.","This collection includes original silver gelatin photographs and chemomonoprints by photographer Dianora Niccolini, as well as a poster and other reproductions of original artwork. Also included are auction and sale records, magazine clippings, periodicals that include Niccolini's photographs, correspondence, exhibition files, biographical material, and related research materials.","Oversized materials are shelved separately. Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection is comprised of a series of original photographs and supporting documents tracing the career of Dianora Niccolini, an Italian-born American photographer. Included are documents related to Niccolini's photographic exhibitions across galleries and museums of the United States. Clippings and periodicals showcase the use of Niccolini's photography in photographic anthologies of the nude and museum exhibitions. Also included is correspondence with the artist, as well as buyers, dealers, and exhibitors of Niccolini's photographs. Cataloged alongside the archival materials are a series of books featuring Niccolini's photographs, as well as select catalogs of exhibits.","USF Libraries - Tampa Special Collections","Niccolini, Dianora ","English"],"unitid_tesim":["MS-2022-05","/repositories/2/resources/608"],"normalized_date_ssm":["1973-2022"],"normalized_title_ssm":["Dianora Niccolini collection, 1973-2022"],"collection_title_tesim":["Dianora Niccolini collection, 1973-2022"],"collection_ssim":["Dianora Niccolini collection, 1973-2022"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Photography","Photography, Erotic","Photography of the nude","Artists"],"access_subjects_ssm":["Photography","Photography, Erotic","Photography of the nude","Artists"],"has_online_content_ssim":["false"],"extent_ssm":["3 boxes","1.25 Linear Feet"],"extent_tesim":["3 boxes","1.25 Linear Feet"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged according to material type and chronology. When able, the donor's original order and file level labels were maintained.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged according to material type and chronology. When able, the donor's original order and file level labels were maintained."],"bioghist_html_tesm":["\u003cp\u003eDianora Niccolini was born in Florence, Italy, but moved to the United States at the age of nine. Niccolini relocated to New York City to study art, but moved from the realm of dance to photography after meeting the noted photographer Weegee. Niccolini's first exhibit was a 1974 study of female nudes, followed by a Sunday New York Times-reviewed show of the male nude the following year. Niccolini is considered a pioneering female photographer in the realm of photographing the male nude and her images of the male nude pre-date those of body builders popularized by Robert Mapplethorpe. Her photographs have been featured in several anthologies of nude figurative photography. Niccolini was the first president of Professional Women Photographers (PWP), serving 1979-1984, under which PWP became the leading professional organization of its kind. Niccolini has taught photography at the Germain school of photography, The New York Institute of photography, The New York Institute of Technology and, The Learning Annex.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dianora Niccolini was born in Florence, Italy, but moved to the United States at the age of nine. Niccolini relocated to New York City to study art, but moved from the realm of dance to photography after meeting the noted photographer Weegee. Niccolini's first exhibit was a 1974 study of female nudes, followed by a Sunday New York Times-reviewed show of the male nude the following year. Niccolini is considered a pioneering female photographer in the realm of photographing the male nude and her images of the male nude pre-date those of body builders popularized by Robert Mapplethorpe. Her photographs have been featured in several anthologies of nude figurative photography. Niccolini was the first president of Professional Women Photographers (PWP), serving 1979-1984, under which PWP became the leading professional organization of its kind. Niccolini has taught photography at the Germain school of photography, The New York Institute of photography, The New York Institute of Technology and, The Learning Annex."],"prefercite_html_tesm":["\u003cp\u003eDianora Niccolini collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Dianora Niccolini collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes original silver gelatin photographs and chemomonoprints by photographer Dianora Niccolini, as well as a poster and other reproductions of original artwork. Also included are auction and sale records, magazine clippings, periodicals that include Niccolini's photographs, correspondence, exhibition files, biographical material, and related research materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes original silver gelatin photographs and chemomonoprints by photographer Dianora Niccolini, as well as a poster and other reproductions of original artwork. Also included are auction and sale records, magazine clippings, periodicals that include Niccolini's photographs, correspondence, exhibition files, biographical material, and related research materials."],"separatedmaterial_html_tesm":["\u003cp\u003eOversized materials are shelved separately. Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Oversized materials are shelved separately. Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_57ad22ca8489716342852fe09c92f8e2\"\u003eThis collection is comprised of a series of original photographs and supporting documents tracing the career of Dianora Niccolini, an Italian-born American photographer. Included are documents related to Niccolini's photographic exhibitions across galleries and museums of the United States. Clippings and periodicals showcase the use of Niccolini's photography in photographic anthologies of the nude and museum exhibitions. Also included is correspondence with the artist, as well as buyers, dealers, and exhibitors of Niccolini's photographs. Cataloged alongside the archival materials are a series of books featuring Niccolini's photographs, as well as select catalogs of exhibits.\u003c/abstract\u003e"],"abstract_tesim":["This collection is comprised of a series of original photographs and supporting documents tracing the career of Dianora Niccolini, an Italian-born American photographer. Included are documents related to Niccolini's photographic exhibitions across galleries and museums of the United States. Clippings and periodicals showcase the use of Niccolini's photography in photographic anthologies of the nude and museum exhibitions. Also included is correspondence with the artist, as well as buyers, dealers, and exhibitors of Niccolini's photographs. Cataloged alongside the archival materials are a series of books featuring Niccolini's photographs, as well as select catalogs of exhibits."],"names_ssim":["USF Libraries - Tampa Special Collections","Niccolini, Dianora "],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Niccolini, Dianora "],"persname_ssim":["Niccolini, Dianora "],"language_ssim":["English"],"total_component_count_is":92,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"ec636735327499b3b8a45f21","timestamp":"2026-04-21T05:36:10.799Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ec636735327499b3b8a45f21_aspace_d10a811025b14ac02752a890d5580605"}},{"id":"450eb65f63401cc456aeb712","type":"collection","attributes":{"title":"Currin, Beverly Madison (Reverend), Papers, 1958-2002, Date acquired: 03/00/2003","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/450eb65f63401cc456aeb712#creator","type":"document_value","attributes":{"value":["Currin, Beverly Madison"],"label":"Creator"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/450eb65f63401cc456aeb712#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"450eb65f63401cc456aeb712","title_ssm":["Currin, Beverly Madison (Reverend), Papers"],"title_tesim":["Currin, Beverly Madison (Reverend), Papers"],"ead_ssi":"450eb65f63401cc456aeb712","unitdate_ssm":["1958-2002","Date acquired: 03/00/2003"],"unitdate_inclusive_ssm":["1958-2002"],"unitdate_other_ssim":["Date acquired: 03/00/2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M2002-07.##9yq","/repositories/2/resources/171"],"text":["M2002-07.##9yq","/repositories/2/resources/171","Currin, Beverly Madison (Reverend), Papers, 1958-2002, Date acquired: 03/00/2003","Clergy--Florida--Pensacola.","Open to researchers, dependent on our compliance with U.S. Copyright Law, HIPPA requirements, donor agreements and other applicable state and federal statutes.  Occasionally we may need to review a collection before permitting immediate access.","Chronological","Cataloged 06/2003","Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years.","UWF University Archives and West Florida History Center","Episcopal Church--Florida--Clergy.","Episcopal Church--Florida--Pensacola--History.","Christ Episcopal Church (Pensacola, 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These recordings document performances of the Curtis Davidson Orchestra and Curtis Davidson and his Southerners from 1930-1980. The recordings are primarily of the genre called Dixieland jazz which was prominent in New Orleans and the Big Bend area during this time. Davidson spent his nights playing throughout the southeast. He was interested in recording and many of these gigs were recorded on his own Wollensak tape recorder. These reel-to-reel recordings hold a prominent position in the collection. Some recordings feature former FSU professor of piano Dr. Robert Glotzbach and meteorologist Bill Ragsdale, who was known as \"Willie the Weatherman.\"\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/c23f28321e30625cfbbcec14#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"c23f28321e30625cfbbcec14","title_ssm":["Curtis Davidson Collection"],"title_tesim":["Curtis Davidson Collection"],"ead_ssi":"c23f28321e30625cfbbcec14","unitdate_ssm":["1938-1989"],"unitdate_inclusive_ssm":["1938-1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["FSUML-2020-014","/repositories/12/resources/1702"],"text":["FSUML-2020-014","/repositories/12/resources/1702","Curtis Davidson Collection, 1938-1989","This collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu.","Curtis Davidson (1913-2001) was a trumpeter from Quincy, Florida who was dedicated to sharing his passion for Dixieland Jazz music throughout the Southeast. His lifelong love affair with the trumpet started when he was 16 years old. It was during this time that he formed his own Dixieland Jazz group that he would continue to play in almost to the end of his life.","While still in his teens, Davidson became friends with Dan Langford (brother of FSU Foundation Board member George Langford), who was a radio personality in Thomasville, Georgia. Davidson would play live shows in Thomasville for the radio. The response for the sessions was great, and people would send telegrams to the radio stations to make requests for Davidson to play.","Dixieland was made easily available to Mr. Davidson through clear channel radio WWL in New Orleans and the Gulf Wind train. The Gulf Wind train ran from Quincy to New Orleans twice a day. With horn in hand, Davidson would take the train to New Orleans to listen to the music and participate in any jam sessions that might ensue.","It was during his travels to New Orleans, that he began a close friendship with Edmund Souchon. Edmund Souchon was the surgeon general for the Pan American Life Insurance Company. Souchon was a supporter of jazz, and he founded the New Orleans Jazz Festival that still exists today.","Davidson volunteered during World War II, and he served in the Army Corp Band at Keisler Field, in Biloxi, Mississippi. Following the war, he returned to Quincy to manage the largest movie theater between Jacksonville and Pensacola, the Leaf Theater. Mr. Davidson held this position for approximately twenty years.","The Curtis Davidson Collection comprises a number of recordings in reel-to-reel, cassette, and compact disc format. 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Some recordings feature former FSU professor of piano Dr. Robert Glotzbach and meteorologist Bill Ragsdale, who was known as \"Willie the Weatherman.\"","https://music.fsu.edu/wp-content/uploads/2022/11/AccessCopy_Davidson_Table.pdf","Allen Music Library Special Collections","Davidson, Curtis","English"],"unitid_tesim":["FSUML-2020-014","/repositories/12/resources/1702"],"normalized_date_ssm":["1938-1989"],"normalized_title_ssm":["Curtis Davidson Collection, 1938-1989"],"collection_title_tesim":["Curtis Davidson Collection, 1938-1989"],"collection_ssim":["Curtis Davidson Collection, 1938-1989"],"repository_ssm":["Allen Music Library Special Collections"],"repository_ssim":["Allen Music Library Special Collections"],"creator_ssm":["Davidson, Curtis"],"creator_ssim":["Davidson, Curtis"],"creator_persname_ssim":["Davidson, Curtis"],"creators_ssim":["Davidson, Curtis"],"has_online_content_ssim":["false"],"extent_ssm":["108 items"],"extent_tesim":["108 items"],"physfacet_tesim":["Collection contains 43 audio reels, 58 records, 2 CDs, and 5 cassettes."],"date_range_isim":[1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu."],"bioghist_html_tesm":["\u003cp\u003eCurtis Davidson (1913-2001) was a trumpeter from Quincy, Florida who was dedicated to sharing his passion for Dixieland Jazz music throughout the Southeast. His lifelong love affair with the trumpet started when he was 16 years old. It was during this time that he formed his own Dixieland Jazz group that he would continue to play in almost to the end of his life.\u003c/p\u003e\n","\u003cp\u003eWhile still in his teens, Davidson became friends with Dan Langford (brother of FSU Foundation Board member George Langford), who was a radio personality in Thomasville, Georgia. Davidson would play live shows in Thomasville for the radio. The response for the sessions was great, and people would send telegrams to the radio stations to make requests for Davidson to play.\u003c/p\u003e\n","\u003cp\u003eDixieland was made easily available to Mr. Davidson through clear channel radio WWL in New Orleans and the Gulf Wind train. The Gulf Wind train ran from Quincy to New Orleans twice a day. With horn in hand, Davidson would take the train to New Orleans to listen to the music and participate in any jam sessions that might ensue.\u003c/p\u003e\n","\u003cp\u003eIt was during his travels to New Orleans, that he began a close friendship with Edmund Souchon. Edmund Souchon was the surgeon general for the Pan American Life Insurance Company. Souchon was a supporter of jazz, and he founded the New Orleans Jazz Festival that still exists today.\u003c/p\u003e\n","\u003cp\u003eDavidson volunteered during World War II, and he served in the Army Corp Band at Keisler Field, in Biloxi, Mississippi. Following the war, he returned to Quincy to manage the largest movie theater between Jacksonville and Pensacola, the Leaf Theater. Mr. Davidson held this position for approximately twenty years.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Curtis Davidson (1913-2001) was a trumpeter from Quincy, Florida who was dedicated to sharing his passion for Dixieland Jazz music throughout the Southeast. His lifelong love affair with the trumpet started when he was 16 years old. 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Edmund Souchon was the surgeon general for the Pan American Life Insurance Company. Souchon was a supporter of jazz, and he founded the New Orleans Jazz Festival that still exists today.","Davidson volunteered during World War II, and he served in the Army Corp Band at Keisler Field, in Biloxi, Mississippi. Following the war, he returned to Quincy to manage the largest movie theater between Jacksonville and Pensacola, the Leaf Theater. Mr. Davidson held this position for approximately twenty years."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Curtis Davidson Collection, Warren D. Allen Music Library, Tallahassee, Florida. http://purl.fcla.edu/fsu/FSUML-2020-014.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Curtis Davidson Collection, Warren D. Allen Music Library, Tallahassee, Florida. http://purl.fcla.edu/fsu/FSUML-2020-014."],"scopecontent_html_tesm":["\u003cp\u003eThe Curtis Davidson Collection comprises a number of recordings in reel-to-reel, cassette, and compact disc format. These recordings document performances of the Curtis Davidson Orchestra and Curtis Davidson and his Southerners from 1930-1980. The recordings are primarily of the genre called Dixieland jazz which was prominent in New Orleans and the Big Bend area during this time. Davidson spent his nights playing throughout the southeast. He was interested in recording and many of these gigs were recorded on his own Wollensak tape recorder. These reel-to-reel recordings hold a prominent position in the collection. Some recordings feature former FSU professor of piano Dr. Robert Glotzbach and meteorologist Bill Ragsdale, who was known as \"Willie the Weatherman.\"\u003c/p\u003e","\u003cp\u003e\u003cextref href=\"https://music.fsu.edu/wp-content/uploads/2022/11/AccessCopy_Davidson_Table.pdf\"\u003ehttps://music.fsu.edu/wp-content/uploads/2022/11/AccessCopy_Davidson_Table.pdf\u003c/extref\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","List of items in the Curtis Davidson Collection"],"scopecontent_tesim":["The Curtis Davidson Collection comprises a number of recordings in reel-to-reel, cassette, and compact disc format. These recordings document performances of the Curtis Davidson Orchestra and Curtis Davidson and his Southerners from 1930-1980. The recordings are primarily of the genre called Dixieland jazz which was prominent in New Orleans and the Big Bend area during this time. Davidson spent his nights playing throughout the southeast. 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Some recordings feature former FSU professor of piano Dr. Robert Glotzbach and meteorologist Bill Ragsdale, who was known as \"Willie the Weatherman.\"","https://music.fsu.edu/wp-content/uploads/2022/11/AccessCopy_Davidson_Table.pdf"],"names_ssim":["Allen Music Library Special Collections","Davidson, Curtis"],"corpname_ssim":["Allen Music Library Special Collections"],"persname_ssim":["Davidson, Curtis"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870852916184612864,"_root_":"c23f28321e30625cfbbcec14","timestamp":"2026-07-16T06:46:15.938Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"c23f28321e30625cfbbcec14","title_ssm":["Curtis Davidson Collection"],"title_tesim":["Curtis Davidson Collection"],"ead_ssi":"c23f28321e30625cfbbcec14","unitdate_ssm":["1938-1989"],"unitdate_inclusive_ssm":["1938-1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["FSUML-2020-014","/repositories/12/resources/1702"],"text":["FSUML-2020-014","/repositories/12/resources/1702","Curtis Davidson Collection, 1938-1989","This collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu.","Curtis Davidson (1913-2001) was a trumpeter from Quincy, Florida who was dedicated to sharing his passion for Dixieland Jazz music throughout the Southeast. His lifelong love affair with the trumpet started when he was 16 years old. It was during this time that he formed his own Dixieland Jazz group that he would continue to play in almost to the end of his life.","While still in his teens, Davidson became friends with Dan Langford (brother of FSU Foundation Board member George Langford), who was a radio personality in Thomasville, Georgia. Davidson would play live shows in Thomasville for the radio. The response for the sessions was great, and people would send telegrams to the radio stations to make requests for Davidson to play.","Dixieland was made easily available to Mr. Davidson through clear channel radio WWL in New Orleans and the Gulf Wind train. The Gulf Wind train ran from Quincy to New Orleans twice a day. With horn in hand, Davidson would take the train to New Orleans to listen to the music and participate in any jam sessions that might ensue.","It was during his travels to New Orleans, that he began a close friendship with Edmund Souchon. Edmund Souchon was the surgeon general for the Pan American Life Insurance Company. Souchon was a supporter of jazz, and he founded the New Orleans Jazz Festival that still exists today.","Davidson volunteered during World War II, and he served in the Army Corp Band at Keisler Field, in Biloxi, Mississippi. Following the war, he returned to Quincy to manage the largest movie theater between Jacksonville and Pensacola, the Leaf Theater. Mr. Davidson held this position for approximately twenty years.","The Curtis Davidson Collection comprises a number of recordings in reel-to-reel, cassette, and compact disc format. 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Some recordings feature former FSU professor of piano Dr. Robert Glotzbach and meteorologist Bill Ragsdale, who was known as \"Willie the Weatherman.\"","https://music.fsu.edu/wp-content/uploads/2022/11/AccessCopy_Davidson_Table.pdf","Allen Music Library Special Collections","Davidson, Curtis","English"],"unitid_tesim":["FSUML-2020-014","/repositories/12/resources/1702"],"normalized_date_ssm":["1938-1989"],"normalized_title_ssm":["Curtis Davidson Collection, 1938-1989"],"collection_title_tesim":["Curtis Davidson Collection, 1938-1989"],"collection_ssim":["Curtis Davidson Collection, 1938-1989"],"repository_ssm":["Allen Music Library Special Collections"],"repository_ssim":["Allen Music Library Special Collections"],"creator_ssm":["Davidson, Curtis"],"creator_ssim":["Davidson, Curtis"],"creator_persname_ssim":["Davidson, Curtis"],"creators_ssim":["Davidson, Curtis"],"has_online_content_ssim":["false"],"extent_ssm":["108 items"],"extent_tesim":["108 items"],"physfacet_tesim":["Collection contains 43 audio reels, 58 records, 2 CDs, and 5 cassettes."],"date_range_isim":[1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu."],"bioghist_html_tesm":["\u003cp\u003eCurtis Davidson (1913-2001) was a trumpeter from Quincy, Florida who was dedicated to sharing his passion for Dixieland Jazz music throughout the Southeast. His lifelong love affair with the trumpet started when he was 16 years old. It was during this time that he formed his own Dixieland Jazz group that he would continue to play in almost to the end of his life.\u003c/p\u003e\n","\u003cp\u003eWhile still in his teens, Davidson became friends with Dan Langford (brother of FSU Foundation Board member George Langford), who was a radio personality in Thomasville, Georgia. Davidson would play live shows in Thomasville for the radio. The response for the sessions was great, and people would send telegrams to the radio stations to make requests for Davidson to play.\u003c/p\u003e\n","\u003cp\u003eDixieland was made easily available to Mr. Davidson through clear channel radio WWL in New Orleans and the Gulf Wind train. The Gulf Wind train ran from Quincy to New Orleans twice a day. With horn in hand, Davidson would take the train to New Orleans to listen to the music and participate in any jam sessions that might ensue.\u003c/p\u003e\n","\u003cp\u003eIt was during his travels to New Orleans, that he began a close friendship with Edmund Souchon. Edmund Souchon was the surgeon general for the Pan American Life Insurance Company. Souchon was a supporter of jazz, and he founded the New Orleans Jazz Festival that still exists today.\u003c/p\u003e\n","\u003cp\u003eDavidson volunteered during World War II, and he served in the Army Corp Band at Keisler Field, in Biloxi, Mississippi. Following the war, he returned to Quincy to manage the largest movie theater between Jacksonville and Pensacola, the Leaf Theater. Mr. Davidson held this position for approximately twenty years.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Curtis Davidson (1913-2001) was a trumpeter from Quincy, Florida who was dedicated to sharing his passion for Dixieland Jazz music throughout the Southeast. His lifelong love affair with the trumpet started when he was 16 years old. It was during this time that he formed his own Dixieland Jazz group that he would continue to play in almost to the end of his life.","While still in his teens, Davidson became friends with Dan Langford (brother of FSU Foundation Board member George Langford), who was a radio personality in Thomasville, Georgia. Davidson would play live shows in Thomasville for the radio. The response for the sessions was great, and people would send telegrams to the radio stations to make requests for Davidson to play.","Dixieland was made easily available to Mr. Davidson through clear channel radio WWL in New Orleans and the Gulf Wind train. The Gulf Wind train ran from Quincy to New Orleans twice a day. With horn in hand, Davidson would take the train to New Orleans to listen to the music and participate in any jam sessions that might ensue.","It was during his travels to New Orleans, that he began a close friendship with Edmund Souchon. Edmund Souchon was the surgeon general for the Pan American Life Insurance Company. Souchon was a supporter of jazz, and he founded the New Orleans Jazz Festival that still exists today.","Davidson volunteered during World War II, and he served in the Army Corp Band at Keisler Field, in Biloxi, Mississippi. Following the war, he returned to Quincy to manage the largest movie theater between Jacksonville and Pensacola, the Leaf Theater. Mr. Davidson held this position for approximately twenty years."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Curtis Davidson Collection, Warren D. Allen Music Library, Tallahassee, Florida. http://purl.fcla.edu/fsu/FSUML-2020-014.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Curtis Davidson Collection, Warren D. Allen Music Library, Tallahassee, Florida. http://purl.fcla.edu/fsu/FSUML-2020-014."],"scopecontent_html_tesm":["\u003cp\u003eThe Curtis Davidson Collection comprises a number of recordings in reel-to-reel, cassette, and compact disc format. These recordings document performances of the Curtis Davidson Orchestra and Curtis Davidson and his Southerners from 1930-1980. The recordings are primarily of the genre called Dixieland jazz which was prominent in New Orleans and the Big Bend area during this time. Davidson spent his nights playing throughout the southeast. He was interested in recording and many of these gigs were recorded on his own Wollensak tape recorder. These reel-to-reel recordings hold a prominent position in the collection. Some recordings feature former FSU professor of piano Dr. Robert Glotzbach and meteorologist Bill Ragsdale, who was known as \"Willie the Weatherman.\"\u003c/p\u003e","\u003cp\u003e\u003cextref href=\"https://music.fsu.edu/wp-content/uploads/2022/11/AccessCopy_Davidson_Table.pdf\"\u003ehttps://music.fsu.edu/wp-content/uploads/2022/11/AccessCopy_Davidson_Table.pdf\u003c/extref\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","List of items in the Curtis Davidson Collection"],"scopecontent_tesim":["The Curtis Davidson Collection comprises a number of recordings in reel-to-reel, cassette, and compact disc format. These recordings document performances of the Curtis Davidson Orchestra and Curtis Davidson and his Southerners from 1930-1980. The recordings are primarily of the genre called Dixieland jazz which was prominent in New Orleans and the Big Bend area during this time. Davidson spent his nights playing throughout the southeast. He was interested in recording and many of these gigs were recorded on his own Wollensak tape recorder. These reel-to-reel recordings hold a prominent position in the collection. Some recordings feature former FSU professor of piano Dr. Robert Glotzbach and meteorologist Bill Ragsdale, who was known as \"Willie the Weatherman.\"","https://music.fsu.edu/wp-content/uploads/2022/11/AccessCopy_Davidson_Table.pdf"],"names_ssim":["Allen Music Library Special Collections","Davidson, Curtis"],"corpname_ssim":["Allen Music Library Special Collections"],"persname_ssim":["Davidson, Curtis"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870852916184612864,"_root_":"c23f28321e30625cfbbcec14","timestamp":"2026-07-16T06:46:15.938Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/c23f28321e30625cfbbcec14"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","value":"Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","hits":261},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Audubon+Society+Corkscrew+Swamp+Sanctuary+records%2C+1937-2019\u0026f%5Bdate_range%5D%5B%5D=1982\u0026view=compact"}},{"attributes":{"label":"Michael A. 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