{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1981\u0026page=576\u0026view=list","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1981\u0026page=575\u0026view=list","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1981\u0026page=576\u0026view=list"},"meta":{"pages":{"current_page":576,"next_page":null,"prev_page":575,"total_pages":576,"limit_value":10,"offset_value":5750,"total_count":5758,"first_page?":false,"last_page?":true}},"data":[{"id":"d708aa3104bd5d4ccbcc4efd_aspace_09d3ecf715dc227f687d376718feafe7","type":"File","attributes":{"title":"YWCA Newsletter, 1981","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d708aa3104bd5d4ccbcc4efd_aspace_09d3ecf715dc227f687d376718feafe7#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_09d3ecf715dc227f687d376718feafe7","ref_ssm":["aspace_09d3ecf715dc227f687d376718feafe7","aspace_09d3ecf715dc227f687d376718feafe7"],"id":"d708aa3104bd5d4ccbcc4efd_aspace_09d3ecf715dc227f687d376718feafe7","title_filing_ssi":"YWCA Newsletter","title_ssm":["YWCA Newsletter"],"title_tesim":["YWCA Newsletter"],"unitdate_other_ssim":["1981"],"normalized_date_ssm":["1981"],"normalized_title_ssm":["YWCA Newsletter, 1981"],"text":["YWCA Newsletter, 1981","Alex Haley Papers, Circa 1937-1993","Printed Materials, Circa 1973-1990","/repositories/2/archival_objects/14224","box 44","folder 13"],"component_level_isim":[2],"parent_ids_ssim":["d708aa3104bd5d4ccbcc4efd","d708aa3104bd5d4ccbcc4efd_aspace_0423abd5d3f08576a05189e1c8dfbc86"],"parent_unittitles_ssm":["Alex Haley Papers, Circa 1937-1993","Printed Materials, Circa 1973-1990"],"parent_unittitles_tesim":["Alex Haley Papers, Circa 1937-1993","Printed Materials, Circa 1973-1990"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/14224"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Alex Haley Papers, Circa 1937-1993"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":644,"parent_access_restrict_tesm":["The Alex Haley Papers are open for research."],"date_range_isim":[1981],"containers_ssim":["box 44","folder 13"],"_nest_path_":"/components#7/components#89","_nest_parent_":"d708aa3104bd5d4ccbcc4efd_aspace_0423abd5d3f08576a05189e1c8dfbc86","_root_":"d708aa3104bd5d4ccbcc4efd","_version_":1876455837540548608,"timestamp":"2026-09-16T03:02:18.127Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d708aa3104bd5d4ccbcc4efd","title_filing_ssi":"Haley, Alex Papers","title_ssm":["Alex Haley Papers"],"title_tesim":["Alex Haley Papers"],"ead_ssi":"d708aa3104bd5d4ccbcc4efd","unitdate_ssm":["Circa 1937-1993"],"unitdate_inclusive_ssm":["Circa 1937-1993"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2004.3","/repositories/2/resources/46"],"text":["AARLCC.2004.3","/repositories/2/resources/46","Alex Haley Papers, Circa 1937-1993","Gambia","African American authors","American literature","financial records","Correspondence","Photographs","Programs","Clippings","Sound recordings","The Alex Haley Papers are open for research.","The collection is organized in nine series: Series I. Correspondence, Series II. Writings by Alex Haley, Series III. Writings by Others, Series IV. Professional Papers, Series V: Personal Papers, Series VI: Photographs, Series VII. Business Files, Series VIII. Printed Materials, and Series IX. Awards.","Alex Murray Palmer Haley was born on August 11, 1921 in Ithaca, New York. He lived with his maternal grandmother in Henning, Tennessee. As a young adult, Haley entered the U.S. Coast Guard in 1939 and was in active service for 20 years. He began his career in writing by composing his shipmates' love letters to their sweethearts.During this time Haley created  \"The Seafarer\", which became the official Coast Guard newsletter. Haley later attained the title of Chief Petty Officer which he kept until his retirement and was the first  Chief Journalist in the Coast Guard, the rating having been expressly created for him in recognition of his literary ability.","After his time in the service, Haley became a journalist and wrote for the Saturday Evening Post, Readers' Digest and Playboy Magazine. He interviewed notable figures such as Muhammad Ali, Martin Luther King Jr., Miles Davis, and the head of the Nazi American Party, George Lincoln Rockwell, in 1962. His interview of Malcolm X was followed by the book The Autobiography of Malcolm X in 1965.","While growing up in Tennessee, Haley's childhood was filled with stories of his African ancestor, Kunta Kinte, and how he came to the United States.  It was from these oral histories that Haley decided to research his African roots. Haley succeeded in locating the origin of Kunta Kinte, in the village of Juffure in Gambia.","Haley spent years of research to complete the book ROOTS: The Saga of an American Family in 1976. The book describes Haley's ancestors coming from Africa to North America as slaves and their descendants. ROOTS gained Haley international success, he won a Pulitzer Prize, and the book was printed in countless languages and sold around the world. In 1977 ROOTS the mini-series was the third highest rated television program of all time, and generated an increasing interest in genealogical research throughout the United States.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\n Books and vinyl records from this collection were cataloged in the Broward County Library catalog with the prefix \"HAL\".","Select materials from the Alex Haley Papers are available on the Broward County Library Digital Archives.","The Alex Haley papers consists of manuscripts including those from his time with the Saturday Evening Post, Boy's Life Magazine and  Kiwanis Magazine; correspondence, photographs, newspaper clippings, business files, awards, and other materials documenting Alex Haley's literary career. The papers also include fan mail during the popularity of the book and the subsequent television series \"Roots\", and photographs in Gambia.","AARLCC Special Collections","United States. Coast Guard","Haley, Alex","Haley, Alex. Roots","Wonder, Stevie","English"],"unitid_tesim":["AARLCC.2004.3","/repositories/2/resources/46"],"normalized_date_ssm":["Circa 1937-1993"],"normalized_title_ssm":["Alex Haley Papers, Circa 1937-1993"],"collection_title_tesim":["Alex Haley Papers, Circa 1937-1993"],"collection_ssim":["Alex Haley Papers, Circa 1937-1993"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Gambia"],"geogname_ssim":["Gambia"],"creator_ssm":["Haley, Alex"],"creator_ssim":["Haley, Alex"],"creator_persname_ssim":["Haley, Alex"],"creators_ssim":["Haley, Alex"],"places_ssim":["Gambia"],"acqinfo_ssim":["The Alex Haley Papers was purchased by Broward County Library on September 26, 2001 from the Heritage Book Shop Inc. The Heritage Bindery acquired the papers from the Alex Haley estate auction in 1992."],"access_subjects_ssim":["African American authors","American literature","financial records","Correspondence","Photographs","Programs","Clippings","Sound recordings"],"access_subjects_ssm":["African American authors","American literature","financial records","Correspondence","Photographs","Programs","Clippings","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["45 Hollinger Boxes","17 Books","2 Vinyl records"],"extent_tesim":["45 Hollinger Boxes","17 Books","2 Vinyl records"],"genreform_ssim":["Correspondence","Photographs","Programs","Clippings","Sound recordings"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"accessrestrict_html_tesm":["\u003cp\u003eThe Alex Haley Papers are open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Alex Haley Papers are open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized in nine series: Series I. Correspondence, Series II. Writings by Alex Haley, Series III. Writings by Others, Series IV. Professional Papers, Series V: Personal Papers, Series VI: Photographs, Series VII. Business Files, Series VIII. Printed Materials, and Series IX. Awards.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized in nine series: Series I. Correspondence, Series II. Writings by Alex Haley, Series III. Writings by Others, Series IV. Professional Papers, Series V: Personal Papers, Series VI: Photographs, Series VII. Business Files, Series VIII. Printed Materials, and Series IX. Awards."],"bioghist_html_tesm":["\u003cp\u003eAlex Murray Palmer Haley was born on August 11, 1921 in Ithaca, New York. He lived with his maternal grandmother in Henning, Tennessee. As a young adult, Haley entered the U.S. Coast Guard in 1939 and was in active service for 20 years. He began his career in writing by composing his shipmates' love letters to their sweethearts.During this time Haley created  \"The Seafarer\", which became the official Coast Guard newsletter. Haley later attained the title of Chief Petty Officer which he kept until his retirement and was the first  Chief Journalist in the Coast Guard, the rating having been expressly created for him in recognition of his literary ability.\u003c/p\u003e\n","\u003cp\u003eAfter his time in the service, Haley became a journalist and wrote for the Saturday Evening Post, Readers' Digest and Playboy Magazine. He interviewed notable figures such as Muhammad Ali, Martin Luther King Jr., Miles Davis, and the head of the Nazi American Party, George Lincoln Rockwell, in 1962. His interview of Malcolm X was followed by the book The Autobiography of Malcolm X in 1965.\u003c/p\u003e\n","\u003cp\u003eWhile growing up in Tennessee, Haley's childhood was filled with stories of his African ancestor, Kunta Kinte, and how he came to the United States.  It was from these oral histories that Haley decided to research his African roots. Haley succeeded in locating the origin of Kunta Kinte, in the village of Juffure in Gambia.\u003c/p\u003e\n","\u003cp\u003eHaley spent years of research to complete the book ROOTS: The Saga of an American Family in 1976. The book describes Haley's ancestors coming from Africa to North America as slaves and their descendants. ROOTS gained Haley international success, he won a Pulitzer Prize, and the book was printed in countless languages and sold around the world. In 1977 ROOTS the mini-series was the third highest rated television program of all time, and generated an increasing interest in genealogical research throughout the United States.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Alex Murray Palmer Haley was born on August 11, 1921 in Ithaca, New York. He lived with his maternal grandmother in Henning, Tennessee. As a young adult, Haley entered the U.S. Coast Guard in 1939 and was in active service for 20 years. He began his career in writing by composing his shipmates' love letters to their sweethearts.During this time Haley created  \"The Seafarer\", which became the official Coast Guard newsletter. Haley later attained the title of Chief Petty Officer which he kept until his retirement and was the first  Chief Journalist in the Coast Guard, the rating having been expressly created for him in recognition of his literary ability.","After his time in the service, Haley became a journalist and wrote for the Saturday Evening Post, Readers' Digest and Playboy Magazine. He interviewed notable figures such as Muhammad Ali, Martin Luther King Jr., Miles Davis, and the head of the Nazi American Party, George Lincoln Rockwell, in 1962. His interview of Malcolm X was followed by the book The Autobiography of Malcolm X in 1965.","While growing up in Tennessee, Haley's childhood was filled with stories of his African ancestor, Kunta Kinte, and how he came to the United States.  It was from these oral histories that Haley decided to research his African roots. Haley succeeded in locating the origin of Kunta Kinte, in the village of Juffure in Gambia.","Haley spent years of research to complete the book ROOTS: The Saga of an American Family in 1976. The book describes Haley's ancestors coming from Africa to North America as slaves and their descendants. ROOTS gained Haley international success, he won a Pulitzer Prize, and the book was printed in countless languages and sold around the world. In 1977 ROOTS the mini-series was the third highest rated television program of all time, and generated an increasing interest in genealogical research throughout the United States."],"prefercite_html_tesm":["\u003cp\u003eAlex Haley Papers, African-American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Alex Haley Papers, African-American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\n\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default\" target=\"_blank\"\u003eBooks and vinyl records from this collection were cataloged in the Broward County Library catalog with the prefix \"HAL\".\u003c/a\u003e\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\n Books and vinyl records from this collection were cataloged in the Broward County Library catalog with the prefix \"HAL\"."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/alexhaley\"\u003eSelect materials from the Alex Haley Papers are available on the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["Select materials from the Alex Haley Papers are available on the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Alex Haley papers consists of manuscripts including those from his time with the Saturday Evening Post, Boy's Life Magazine and  Kiwanis Magazine; correspondence, photographs, newspaper clippings, business files, awards, and other materials documenting Alex Haley's literary career. The papers also include fan mail during the popularity of the book and the subsequent television series \"Roots\", and photographs in Gambia.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Alex Haley papers consists of manuscripts including those from his time with the Saturday Evening Post, Boy's Life Magazine and  Kiwanis Magazine; correspondence, photographs, newspaper clippings, business files, awards, and other materials documenting Alex Haley's literary career. The papers also include fan mail during the popularity of the book and the subsequent television series \"Roots\", and photographs in Gambia."],"names_coll_ssim":["United States. Coast Guard","Haley, Alex. Roots","Wonder, Stevie"],"names_ssim":["AARLCC Special Collections","United States. Coast Guard","Haley, Alex","Haley, Alex. Roots","Wonder, Stevie"],"corpname_ssim":["AARLCC Special Collections","United States. Coast Guard"],"persname_ssim":["Haley, Alex","Haley, Alex. Roots","Wonder, Stevie"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":647,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455837540548608,"_root_":"d708aa3104bd5d4ccbcc4efd","timestamp":"2026-09-16T03:02:18.127Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d708aa3104bd5d4ccbcc4efd_aspace_09d3ecf715dc227f687d376718feafe7"}},{"id":"16edaaeb4995f93936f61247","type":"collection","attributes":{"title":"Zager Music Collection, bulk 1977-1983","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/16edaaeb4995f93936f61247#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eIn 2006, Dr. Michael Zager donated his music collection consisting of original manuscript, printed sheet music, albums, and studio recordings. Dr. Zager is Florida Atlantic University's Dorothy F. Schmidt College Eminent Scholar in the Performing Arts and Director of the FAU Commercial Music Program. Professor Zager is the recipient of three Fulbright Specialist grants from the United States Department of State and five Visiting Professor grants, He is the recipient of 15 gold or platinum records and has served on the Board of Governors for the Florida Chapter of the Recording Academy (Grammy Awards).\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/16edaaeb4995f93936f61247#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"16edaaeb4995f93936f61247","title_ssm":["Zager Music Collection"],"title_tesim":["Zager Music Collection"],"ead_ssi":"16edaaeb4995f93936f61247","unitdate_ssm":["1977-1983"],"unitdate_bulk_ssim":["1977-1983"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PMC00031","/repositories/2/resources/205"],"text":["PMC00031","/repositories/2/resources/205","Zager Music Collection, bulk 1977-1983","Popular music -- United States","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2006, Dr. Michael Zager donated his music collection consisting of original manuscript, printed sheet music, albums, and studio recordings. Dr. Zager is Florida Atlantic University's Dorothy F. Schmidt College Eminent Scholar in the Performing Arts and Director of the FAU Commercial Music Program. Professor Zager is the recipient of three Fulbright Specialist grants from the United States Department of State and five Visiting Professor grants, He is the recipient of 15 gold or platinum records and has served on the Board of Governors for the Florida Chapter of the Recording Academy (Grammy Awards).","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.","Florida Atlantic University Libraries","English"],"unitid_tesim":["PMC00031","/repositories/2/resources/205"],"normalized_date_ssm":["bulk 1977-1983"],"normalized_title_ssm":["Zager Music Collection, bulk 1977-1983"],"collection_title_tesim":["Zager Music Collection, bulk 1977-1983"],"collection_ssim":["Zager Music Collection, bulk 1977-1983"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"access_subjects_ssim":["Popular music -- United States"],"access_subjects_ssm":["Popular music -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet"],"extent_tesim":["1 Linear Feet"],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"scopecontent_html_tesm":["\u003cp\u003eIn 2006, Dr. Michael Zager donated his music collection consisting of original manuscript, printed sheet music, albums, and studio recordings. Dr. Zager is Florida Atlantic University's Dorothy F. Schmidt College Eminent Scholar in the Performing Arts and Director of the FAU Commercial Music Program. Professor Zager is the recipient of three Fulbright Specialist grants from the United States Department of State and five Visiting Professor grants, He is the recipient of 15 gold or platinum records and has served on the Board of Governors for the Florida Chapter of the Recording Academy (Grammy Awards).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["In 2006, Dr. Michael Zager donated his music collection consisting of original manuscript, printed sheet music, albums, and studio recordings. Dr. Zager is Florida Atlantic University's Dorothy F. Schmidt College Eminent Scholar in the Performing Arts and Director of the FAU Commercial Music Program. Professor Zager is the recipient of three Fulbright Specialist grants from the United States Department of State and five Visiting Professor grants, He is the recipient of 15 gold or platinum records and has served on the Board of Governors for the Florida Chapter of the Recording Academy (Grammy Awards)."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"total_component_count_is":23,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"16edaaeb4995f93936f61247","timestamp":"2026-04-21T17:35:02.467Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"16edaaeb4995f93936f61247","title_ssm":["Zager Music Collection"],"title_tesim":["Zager Music Collection"],"ead_ssi":"16edaaeb4995f93936f61247","unitdate_ssm":["1977-1983"],"unitdate_bulk_ssim":["1977-1983"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PMC00031","/repositories/2/resources/205"],"text":["PMC00031","/repositories/2/resources/205","Zager Music Collection, bulk 1977-1983","Popular music -- United States","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2006, Dr. Michael Zager donated his music collection consisting of original manuscript, printed sheet music, albums, and studio recordings. Dr. Zager is Florida Atlantic University's Dorothy F. Schmidt College Eminent Scholar in the Performing Arts and Director of the FAU Commercial Music Program. Professor Zager is the recipient of three Fulbright Specialist grants from the United States Department of State and five Visiting Professor grants, He is the recipient of 15 gold or platinum records and has served on the Board of Governors for the Florida Chapter of the Recording Academy (Grammy Awards).","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.","Florida Atlantic University Libraries","English"],"unitid_tesim":["PMC00031","/repositories/2/resources/205"],"normalized_date_ssm":["bulk 1977-1983"],"normalized_title_ssm":["Zager Music Collection, bulk 1977-1983"],"collection_title_tesim":["Zager Music Collection, bulk 1977-1983"],"collection_ssim":["Zager Music Collection, bulk 1977-1983"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"access_subjects_ssim":["Popular music -- United States"],"access_subjects_ssm":["Popular music -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet"],"extent_tesim":["1 Linear Feet"],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"scopecontent_html_tesm":["\u003cp\u003eIn 2006, Dr. Michael Zager donated his music collection consisting of original manuscript, printed sheet music, albums, and studio recordings. Dr. Zager is Florida Atlantic University's Dorothy F. Schmidt College Eminent Scholar in the Performing Arts and Director of the FAU Commercial Music Program. Professor Zager is the recipient of three Fulbright Specialist grants from the United States Department of State and five Visiting Professor grants, He is the recipient of 15 gold or platinum records and has served on the Board of Governors for the Florida Chapter of the Recording Academy (Grammy Awards).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["In 2006, Dr. Michael Zager donated his music collection consisting of original manuscript, printed sheet music, albums, and studio recordings. Dr. Zager is Florida Atlantic University's Dorothy F. Schmidt College Eminent Scholar in the Performing Arts and Director of the FAU Commercial Music Program. Professor Zager is the recipient of three Fulbright Specialist grants from the United States Department of State and five Visiting Professor grants, He is the recipient of 15 gold or platinum records and has served on the Board of Governors for the Florida Chapter of the Recording Academy (Grammy Awards)."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"total_component_count_is":23,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"16edaaeb4995f93936f61247","timestamp":"2026-04-21T17:35:02.467Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/16edaaeb4995f93936f61247"}},{"id":"5c664f35ba84cce3023f6a62_aspace_385d81f4fee5150ac29922e4527ce8d8","type":"File","attributes":{"title":"Zenner, Walter P. (Part 1), 1957-1988","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5c664f35ba84cce3023f6a62_aspace_385d81f4fee5150ac29922e4527ce8d8#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_385d81f4fee5150ac29922e4527ce8d8","ref_ssm":["aspace_385d81f4fee5150ac29922e4527ce8d8","aspace_385d81f4fee5150ac29922e4527ce8d8"],"id":"5c664f35ba84cce3023f6a62_aspace_385d81f4fee5150ac29922e4527ce8d8","title_filing_ssi":"Zenner, Walter P. (Part 1)","title_ssm":["Zenner, Walter P. (Part 1)"],"title_tesim":["Zenner, Walter P. (Part 1)"],"unitdate_inclusive_ssm":["1957-1988"],"normalized_date_ssm":["1957-1988"],"normalized_title_ssm":["Zenner, Walter P. (Part 1), 1957-1988"],"text":["Zenner, Walter P. (Part 1), 1957-1988","Niara Sudarkasa Collection, 1934-2006","Writings by others","/repositories/2/archival_objects/30503","box 94","folder 5"],"component_level_isim":[2],"parent_ids_ssim":["5c664f35ba84cce3023f6a62","5c664f35ba84cce3023f6a62_aspace_60421e776c845bf7cd0dc7e916c56d99"],"parent_unittitles_ssm":["Niara Sudarkasa Collection, 1934-2006","Writings by others"],"parent_unittitles_tesim":["Niara Sudarkasa Collection, 1934-2006","Writings by others"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/30503"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Niara Sudarkasa Collection, 1934-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2486,"parent_access_restrict_tesm":["The Niara Sudarkasa Collection is open for research."],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"containers_ssim":["box 94","folder 5"],"_nest_path_":"/components#4/components#1635","_nest_parent_":"5c664f35ba84cce3023f6a62_aspace_60421e776c845bf7cd0dc7e916c56d99","_root_":"5c664f35ba84cce3023f6a62","timestamp":"2026-04-21T02:08:51.248Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5c664f35ba84cce3023f6a62","title_filing_ssi":"Sudarkasa, Niara Collection","title_ssm":["Niara Sudarkasa Collection"],"title_tesim":["Niara Sudarkasa Collection"],"ead_ssi":"5c664f35ba84cce3023f6a62","unitdate_ssm":["1934-2006"],"unitdate_inclusive_ssm":["1934-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2006.4","/repositories/2/resources/51"],"text":["AARLCC.2006.4","/repositories/2/resources/51","Niara Sudarkasa Collection, 1934-2006","Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals","The Niara Sudarkasa Collection is open for research.","View a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives.","Niara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.","Gloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. ","Gloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.","In 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Aláyélúwà Ọba Ọkúnadé Sijuwade Olúbùsẹ II of the Royal Court of Ifẹ́ conferred upon her the chieftaincy title Yèyé Olókun Ìgbàdérò. She was the first African American to receive this honor from the Ifẹ́ Kingdom.","Following her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship.","The Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. ","Parts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant.","The Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. 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She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.\u003c/p\u003e\n","\u003cp\u003eGloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. \u003c/p\u003e\n","\u003cp\u003eGloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.\u003c/p\u003e\n","\u003cp\u003eIn 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Al\u0026#xE1;y\u0026#xE9;l\u0026#xFA;w\u0026#xE0; \u0026#x1ECC;ba \u0026#x1ECC;k\u0026#xFA;nad\u0026#xE9; Sijuwade Ol\u0026#xFA;b\u0026#xF9;s\u0026#x1EB9; II of the Royal Court of If\u0026#x1EB9;\u0026#x301; conferred upon her the chieftaincy title Y\u0026#xE8;y\u0026#xE9; Ol\u0026#xF3;kun \u0026#xCC;gb\u0026#xE0;d\u0026#xE9;r\u0026#xF2;. She was the first African American to receive this honor from the If\u0026#x1EB9;\u0026#x301; Kingdom.\u003c/p\u003e\n","\u003cp\u003eFollowing her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. 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She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. ","Gloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.","In 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Aláyélúwà Ọba Ọkúnadé Sijuwade Olúbùsẹ II of the Royal Court of Ifẹ́ conferred upon her the chieftaincy title Yèyé Olókun Ìgbàdérò. She was the first African American to receive this honor from the Ifẹ́ Kingdom.","Following her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship."],"prefercite_html_tesm":["\u003cp\u003eNiara Sudarkasa Collection, African American Research Library and Cultural Center Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Niara Sudarkasa Collection, African American Research Library and Cultural Center Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. \u003c/p\u003e","\u003cp\u003eParts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. ","Parts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant."],"scopecontent_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=SUD\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\"."],"names_coll_ssim":["University of Michigan. Department of Anthropology","Lincoln University (Pa.)"],"names_ssim":["AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)","Sudarkasa, Niara"],"corpname_ssim":["AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)"],"persname_ssim":["Sudarkasa, Niara"],"language_ssim":["English"],"total_component_count_is":2760,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"5c664f35ba84cce3023f6a62","timestamp":"2026-04-21T02:08:51.248Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5c664f35ba84cce3023f6a62_aspace_385d81f4fee5150ac29922e4527ce8d8"}},{"id":"5c664f35ba84cce3023f6a62_aspace_7ec020b96519f01a0868d18dc4649c4e","type":"File","attributes":{"title":"Zenner, Walter P. (Part 2), 1957-1988","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5c664f35ba84cce3023f6a62_aspace_7ec020b96519f01a0868d18dc4649c4e#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_7ec020b96519f01a0868d18dc4649c4e","ref_ssm":["aspace_7ec020b96519f01a0868d18dc4649c4e","aspace_7ec020b96519f01a0868d18dc4649c4e"],"id":"5c664f35ba84cce3023f6a62_aspace_7ec020b96519f01a0868d18dc4649c4e","title_filing_ssi":"Zenner, Walter P. (Part 2)","title_ssm":["Zenner, Walter P. (Part 2)"],"title_tesim":["Zenner, Walter P. (Part 2)"],"unitdate_inclusive_ssm":["1957-1988"],"normalized_date_ssm":["1957-1988"],"normalized_title_ssm":["Zenner, Walter P. (Part 2), 1957-1988"],"text":["Zenner, Walter P. (Part 2), 1957-1988","Niara Sudarkasa Collection, 1934-2006","Writings by others","/repositories/2/archival_objects/30504","box 94","folder 6"],"component_level_isim":[2],"parent_ids_ssim":["5c664f35ba84cce3023f6a62","5c664f35ba84cce3023f6a62_aspace_60421e776c845bf7cd0dc7e916c56d99"],"parent_unittitles_ssm":["Niara Sudarkasa Collection, 1934-2006","Writings by others"],"parent_unittitles_tesim":["Niara Sudarkasa Collection, 1934-2006","Writings by others"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/30504"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Niara Sudarkasa Collection, 1934-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2487,"parent_access_restrict_tesm":["The Niara Sudarkasa Collection is open for research."],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"containers_ssim":["box 94","folder 6"],"_nest_path_":"/components#4/components#1636","_nest_parent_":"5c664f35ba84cce3023f6a62_aspace_60421e776c845bf7cd0dc7e916c56d99","_root_":"5c664f35ba84cce3023f6a62","timestamp":"2026-04-21T02:08:51.248Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5c664f35ba84cce3023f6a62","title_filing_ssi":"Sudarkasa, Niara Collection","title_ssm":["Niara Sudarkasa Collection"],"title_tesim":["Niara Sudarkasa Collection"],"ead_ssi":"5c664f35ba84cce3023f6a62","unitdate_ssm":["1934-2006"],"unitdate_inclusive_ssm":["1934-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2006.4","/repositories/2/resources/51"],"text":["AARLCC.2006.4","/repositories/2/resources/51","Niara Sudarkasa Collection, 1934-2006","Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals","The Niara Sudarkasa Collection is open for research.","View a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives.","Niara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.","Gloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. ","Gloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.","In 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Aláyélúwà Ọba Ọkúnadé Sijuwade Olúbùsẹ II of the Royal Court of Ifẹ́ conferred upon her the chieftaincy title Yèyé Olókun Ìgbàdérò. She was the first African American to receive this honor from the Ifẹ́ Kingdom.","Following her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship.","The Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. ","Parts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant.","The Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan.","Books from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\".","AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)","Sudarkasa, Niara","English"],"unitid_tesim":["AARLCC.2006.4","/repositories/2/resources/51"],"normalized_date_ssm":["1934-2006"],"normalized_title_ssm":["Niara Sudarkasa Collection, 1934-2006"],"collection_title_tesim":["Niara Sudarkasa Collection, 1934-2006"],"collection_ssim":["Niara Sudarkasa Collection, 1934-2006"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"creator_ssm":["Sudarkasa, Niara"],"creator_ssim":["Sudarkasa, Niara"],"creator_persname_ssim":["Sudarkasa, Niara"],"creators_ssim":["Sudarkasa, Niara"],"acqinfo_ssim":["Dr. Niara Sudarkasa donated the materials to the AARLCC Special Collections on October 17, 2006 (Accession AARLCC-2006.4)."],"access_subjects_ssim":["Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals"],"access_subjects_ssm":["Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals"],"has_online_content_ssim":["false"],"extent_ssm":["400 Hollinger Boxes","410 Linear Feet"],"extent_tesim":["400 Hollinger Boxes","410 Linear Feet"],"genreform_ssim":["Correspondence","Photographs","plaques (flat objects)","Periodicals"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Niara Sudarkasa Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/nsb\" target=\"_blank\"\u003eView a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives."],"bioghist_html_tesm":["\u003cp\u003eNiara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.\u003c/p\u003e\n","\u003cp\u003eGloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. \u003c/p\u003e\n","\u003cp\u003eGloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.\u003c/p\u003e\n","\u003cp\u003eIn 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Al\u0026#xE1;y\u0026#xE9;l\u0026#xFA;w\u0026#xE0; \u0026#x1ECC;ba \u0026#x1ECC;k\u0026#xFA;nad\u0026#xE9; Sijuwade Ol\u0026#xFA;b\u0026#xF9;s\u0026#x1EB9; II of the Royal Court of If\u0026#x1EB9;\u0026#x301; conferred upon her the chieftaincy title Y\u0026#xE8;y\u0026#xE9; Ol\u0026#xF3;kun \u0026#xCC;gb\u0026#xE0;d\u0026#xE9;r\u0026#xF2;. She was the first African American to receive this honor from the If\u0026#x1EB9;\u0026#x301; Kingdom.\u003c/p\u003e\n","\u003cp\u003eFollowing her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Niara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.","Gloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. ","Gloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.","In 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Aláyélúwà Ọba Ọkúnadé Sijuwade Olúbùsẹ II of the Royal Court of Ifẹ́ conferred upon her the chieftaincy title Yèyé Olókun Ìgbàdérò. She was the first African American to receive this honor from the Ifẹ́ Kingdom.","Following her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship."],"prefercite_html_tesm":["\u003cp\u003eNiara Sudarkasa Collection, African American Research Library and Cultural Center Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Niara Sudarkasa Collection, African American Research Library and Cultural Center Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. \u003c/p\u003e","\u003cp\u003eParts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. ","Parts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant."],"scopecontent_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=SUD\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\"."],"names_coll_ssim":["University of Michigan. Department of Anthropology","Lincoln University (Pa.)"],"names_ssim":["AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)","Sudarkasa, Niara"],"corpname_ssim":["AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)"],"persname_ssim":["Sudarkasa, Niara"],"language_ssim":["English"],"total_component_count_is":2760,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"5c664f35ba84cce3023f6a62","timestamp":"2026-04-21T02:08:51.248Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5c664f35ba84cce3023f6a62_aspace_7ec020b96519f01a0868d18dc4649c4e"}},{"id":"256e771e3cc0782aac349f80","type":"collection","attributes":{"title":"Zine Collection, 1973-2019","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80#abstract_or_scope","type":"document_value","attributes":{"value":["Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"256e771e3cc0782aac349f80","title_ssm":["Zine Collection"],"title_tesim":["Zine Collection"],"ead_ssi":"256e771e3cc0782aac349f80","unitdate_ssm":["1973-2019"],"unitdate_inclusive_ssm":["1973-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/26","/repositories/2/resources/6"],"text":["02/01/26","/repositories/2/resources/6","Zine Collection, 1973-2019","Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art","The collection is open for use.","Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.","The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.","Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.","Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe","English"],"unitid_tesim":["02/01/26","/repositories/2/resources/6"],"normalized_date_ssm":["1973-2019"],"normalized_title_ssm":["Zine Collection, 1973-2019"],"collection_title_tesim":["Zine Collection, 1973-2019"],"collection_ssim":["Zine Collection, 1973-2019"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"geogname_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"places_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet"],"extent_tesim":["9 Linear Feet"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for use."],"arrangement_html_tesm":["\u003cp\u003eOrganized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020."],"scopecontent_html_tesm":["\u003cp\u003eThe Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5a0de4e8fb6224cb231f2eecf1aee4f4\" label=\"Abstract and Language Disclaimer\"\u003eZines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.\u003c/abstract\u003e"],"abstract_tesim":["Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience."],"names_ssim":["Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"persname_ssim":["Corley, Madison","Lewis, Chloe"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":447,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870843569479090176,"_root_":"256e771e3cc0782aac349f80","timestamp":"2026-07-16T04:17:42.144Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"256e771e3cc0782aac349f80","title_ssm":["Zine Collection"],"title_tesim":["Zine Collection"],"ead_ssi":"256e771e3cc0782aac349f80","unitdate_ssm":["1973-2019"],"unitdate_inclusive_ssm":["1973-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/26","/repositories/2/resources/6"],"text":["02/01/26","/repositories/2/resources/6","Zine Collection, 1973-2019","Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art","The collection is open for use.","Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.","The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.","Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.","Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe","English"],"unitid_tesim":["02/01/26","/repositories/2/resources/6"],"normalized_date_ssm":["1973-2019"],"normalized_title_ssm":["Zine Collection, 1973-2019"],"collection_title_tesim":["Zine Collection, 1973-2019"],"collection_ssim":["Zine Collection, 1973-2019"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"geogname_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"places_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet"],"extent_tesim":["9 Linear Feet"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for use."],"arrangement_html_tesm":["\u003cp\u003eOrganized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020."],"scopecontent_html_tesm":["\u003cp\u003eThe Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5a0de4e8fb6224cb231f2eecf1aee4f4\" label=\"Abstract and Language Disclaimer\"\u003eZines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.\u003c/abstract\u003e"],"abstract_tesim":["Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience."],"names_ssim":["Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"persname_ssim":["Corley, Madison","Lewis, Chloe"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":447,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870843569479090176,"_root_":"256e771e3cc0782aac349f80","timestamp":"2026-07-16T04:17:42.144Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80"}},{"id":"61657dca6e05f30cb549ce7a_aspace_9f755101327dc8eddc68e32b94e9d1ff","type":"File","attributes":{"title":"Zoning Hearing, 1981","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/61657dca6e05f30cb549ce7a_aspace_9f755101327dc8eddc68e32b94e9d1ff#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9f755101327dc8eddc68e32b94e9d1ff","ref_ssm":["aspace_9f755101327dc8eddc68e32b94e9d1ff","aspace_9f755101327dc8eddc68e32b94e9d1ff"],"id":"61657dca6e05f30cb549ce7a_aspace_9f755101327dc8eddc68e32b94e9d1ff","title_filing_ssi":"Zoning Hearing","title_ssm":["Zoning Hearing"],"title_tesim":["Zoning Hearing"],"unitdate_other_ssim":["1981"],"normalized_date_ssm":["1981"],"normalized_title_ssm":["Zoning Hearing, 1981"],"text":["Zoning Hearing, 1981","Florida Southern College Buildings \u0026 Grounds, 1922-2024","Box 7","Dorms","Charles Jenkins Residence Hall","/repositories/4/archival_objects/1133","folder 18"],"component_level_isim":[4],"parent_ids_ssim":["61657dca6e05f30cb549ce7a","61657dca6e05f30cb549ce7a_aspace_a5c497275b375db6b82a23cf85fe9ec1","61657dca6e05f30cb549ce7a_aspace_85d0581011b1a74f44c1127c5b3d25db","61657dca6e05f30cb549ce7a_aspace_c4f3d7b5f484e53da81b82a52d1bd115"],"parent_unittitles_ssm":["Florida Southern College Buildings \u0026 Grounds, 1922-2024","Box 7","Dorms","Charles Jenkins Residence Hall"],"parent_unittitles_tesim":["Florida Southern College Buildings \u0026 Grounds, 1922-2024","Box 7","Dorms","Charles Jenkins Residence Hall"],"parent_levels_ssm":["collection","Box ","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/1133"],"repository_ssim":["The Florida Southern College Archives"],"collection_ssim":["Florida Southern College Buildings \u0026 Grounds, 1922-2024"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":265,"parent_access_restrict_tesm":["This collection is open for research. For security reasons, the archives reserves the right to restrict access to certain materials related to buildings in active use. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital material"],"parent_access_terms_tesm":["This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). 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Please inquire if you have questions -archives@flsouthern.edu.","The Florida Southern College Archives","Florida Southern College","English"],"unitid_tesim":["CA6000","/repositories/4/resources/39"],"normalized_date_ssm":["1922-2024"],"normalized_title_ssm":["Florida Southern College Buildings \u0026 Grounds, 1922-2024"],"collection_title_tesim":["Florida Southern College Buildings \u0026 Grounds, 1922-2024"],"collection_ssim":["Florida Southern College Buildings \u0026 Grounds, 1922-2024"],"repository_ssm":["The Florida Southern College Archives"],"repository_ssim":["The Florida Southern College Archives"],"creator_ssm":["Florida Southern College"],"creator_ssim":["Florida Southern College"],"creator_corpname_ssim":["Florida Southern College"],"creators_ssim":["Florida Southern College"],"access_terms_ssm":["This collection is protected by copyright and/or related rights. 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Gamble Collection, 1980-2010","Newspaper Editorial Cartoons, 1980-2010","Local Subjects (Jacksonville, Florida), 1980-2010","/repositories/3/archival_objects/7698","box 8","folder 8"],"component_level_isim":[3],"parent_ids_ssim":["4cad6a8e1fb73ffc7f9b49f0","4cad6a8e1fb73ffc7f9b49f0_aspace_4447b31a9198230292609fb2ec67bf88","4cad6a8e1fb73ffc7f9b49f0_aspace_e627ce2d4acf968abddc946f62c7f492"],"parent_unittitles_ssm":["Edward H. Gamble Collection, 1980-2010","Newspaper Editorial Cartoons, 1980-2010","Local Subjects (Jacksonville, Florida), 1980-2010"],"parent_unittitles_tesim":["Edward H. Gamble Collection, 1980-2010","Newspaper Editorial Cartoons, 1980-2010","Local Subjects (Jacksonville, Florida), 1980-2010"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/3/archival_objects/7698"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Edward H. Gamble Collection, 1980-2010"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Sub-sub-series"],"level_ssim":["Sub-sub-series"],"sort_isi":42,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information."],"date_range_isim":[1981,1982,1983,1984,1985,1986,1987,1988],"containers_ssim":["box 8","folder 8"],"_nest_path_":"/components#0/components#2/components#23","_nest_parent_":"4cad6a8e1fb73ffc7f9b49f0_aspace_e627ce2d4acf968abddc946f62c7f492","_root_":"4cad6a8e1fb73ffc7f9b49f0","_version_":1870860561902731264,"timestamp":"2026-07-16T08:47:47.463Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4cad6a8e1fb73ffc7f9b49f0","title_ssm":["Edward H. Gamble Collection"],"title_tesim":["Edward H. Gamble Collection"],"ead_ssi":"4cad6a8e1fb73ffc7f9b49f0","unitdate_ssm":["1980-2010"],"unitdate_inclusive_ssm":["1980-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2014.001","/repositories/3/resources/67"],"text":["2014.001","/repositories/3/resources/67","Edward H. Gamble Collection, 1980-2010","United States -- Politics and Government -- 20th century -- Caricatures and Cartoons","United States -- Politics and Government -- 21st century -- Caricatures and Cartoons","United States -- Social Life and Customs -- Caricatures and Cartoons","Cartoonists -- Tennessee -- Morristown -- Archives","Political Satire, American -- History -- 20th century -- Caricatures and Cartoons","Political Satire, American -- History -- 21st century -- Caricatures and Cartoons","Newspapers -- Caricatures and Cartoons","Political Cartoons","Politicians -- United States -- Caricatures and Cartoons","Wit and Humor, Pictorial","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","Ed Gamble is a nationally syndicated political cartoonist whose work has appeared in numerous national and international publications, including the New York Times, the Washington Post, the Los Angeles Times, LeMonde (France), Der Spiegel (Germany), and the Independent (England). Born on May 12, 1943, in Morristown, Tennessee, his father, James Vernon Gamble, had a political career, while his mother, Anna Hill, was a newspaper columnist. Gamble was married to Saundra Lancaster on June 28, 1964.","Gamble was awarded a bachelor's degree in political science from the University of South Florida in 1970 and did graduate work at the University of Tennessee between 1971 and 1972. His professional career includes work as a reporter, sports editor, sports cartoonist, and political cartoonist. He was editorial cartoonist for the Nashville Banner in Nashville, Tennessee, from 1972 to 1980 and for the Florida Times-Union in Jacksonville, Florida, from 1980 to 2010.","In addition to appearing in magazines and newspapers, Gamble's cartoons are permanently displayed at the Texas Depository in Dallas, Texas, and at the Ford, Carter, Nixon, Reagan, and Bush Presidential Museums. His work has also been featured in several books: A Peek at the Great Society, 1965; A Cartoon History of the Reagan Years, 1988; and You Get Two for the Price of One, 1995. The Gambles currently reside in the Mandarin area of Jacksonville, Florida.","The collection contains original political cartoons, personal letters, and ephemera. The majority of the cartoon collection relates to Florida and Jacksonville and were published in the Florida Times-Union Newspaper.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information.","UNF Library Special Collections and University Archives","Florida Times-Union.","English"],"unitid_tesim":["2014.001","/repositories/3/resources/67"],"normalized_date_ssm":["1980-2010"],"normalized_title_ssm":["Edward H. Gamble Collection, 1980-2010"],"collection_title_tesim":["Edward H. Gamble Collection, 1980-2010"],"collection_ssim":["Edward H. Gamble Collection, 1980-2010"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"geogname_ssm":["United States -- Politics and Government -- 20th century -- Caricatures and Cartoons","United States -- Politics and Government -- 21st century -- Caricatures and Cartoons","United States -- Social Life and Customs -- Caricatures and Cartoons"],"geogname_ssim":["United States -- Politics and Government -- 20th century -- Caricatures and Cartoons","United States -- Politics and Government -- 21st century -- Caricatures and Cartoons","United States -- Social Life and Customs -- Caricatures and Cartoons"],"creator_ssm":["Florida Times-Union."],"creator_ssim":["Florida Times-Union."],"creator_corpname_ssim":["Florida Times-Union."],"creators_ssim":["Florida Times-Union."],"places_ssim":["United States -- Politics and Government -- 20th century -- Caricatures and Cartoons","United States -- Politics and Government -- 21st century -- Caricatures and Cartoons","United States -- Social Life and Customs -- Caricatures and Cartoons"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information."],"acqinfo_ssim":["The collection was acquired through donation from Edward H. 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Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eEd Gamble is a nationally syndicated political cartoonist whose work has appeared in numerous national and international publications, including the New York Times, the Washington Post, the Los Angeles Times, LeMonde (France), Der Spiegel (Germany), and the Independent (England). Born on May 12, 1943, in Morristown, Tennessee, his father, James Vernon Gamble, had a political career, while his mother, Anna Hill, was a newspaper columnist. Gamble was married to Saundra Lancaster on June 28, 1964.\u003c/p\u003e\n","\u003cp\u003eGamble was awarded a bachelor's degree in political science from the University of South Florida in 1970 and did graduate work at the University of Tennessee between 1971 and 1972. His professional career includes work as a reporter, sports editor, sports cartoonist, and political cartoonist. He was editorial cartoonist for the Nashville Banner in Nashville, Tennessee, from 1972 to 1980 and for the Florida Times-Union in Jacksonville, Florida, from 1980 to 2010.\u003c/p\u003e\n","\u003cp\u003eIn addition to appearing in magazines and newspapers, Gamble's cartoons are permanently displayed at the Texas Depository in Dallas, Texas, and at the Ford, Carter, Nixon, Reagan, and Bush Presidential Museums. His work has also been featured in several books: A Peek at the Great Society, 1965; A Cartoon History of the Reagan Years, 1988; and You Get Two for the Price of One, 1995. The Gambles currently reside in the Mandarin area of Jacksonville, Florida.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Ed Gamble is a nationally syndicated political cartoonist whose work has appeared in numerous national and international publications, including the New York Times, the Washington Post, the Los Angeles Times, LeMonde (France), Der Spiegel (Germany), and the Independent (England). Born on May 12, 1943, in Morristown, Tennessee, his father, James Vernon Gamble, had a political career, while his mother, Anna Hill, was a newspaper columnist. Gamble was married to Saundra Lancaster on June 28, 1964.","Gamble was awarded a bachelor's degree in political science from the University of South Florida in 1970 and did graduate work at the University of Tennessee between 1971 and 1972. His professional career includes work as a reporter, sports editor, sports cartoonist, and political cartoonist. He was editorial cartoonist for the Nashville Banner in Nashville, Tennessee, from 1972 to 1980 and for the Florida Times-Union in Jacksonville, Florida, from 1980 to 2010.","In addition to appearing in magazines and newspapers, Gamble's cartoons are permanently displayed at the Texas Depository in Dallas, Texas, and at the Ford, Carter, Nixon, Reagan, and Bush Presidential Museums. His work has also been featured in several books: A Peek at the Great Society, 1965; A Cartoon History of the Reagan Years, 1988; and You Get Two for the Price of One, 1995. The Gambles currently reside in the Mandarin area of Jacksonville, Florida."],"prefercite_html_tesm":["\u003cp\u003eEdward H. Gamble Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Edward H. Gamble Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains original political cartoons, personal letters, and ephemera. The majority of the cartoon collection relates to Florida and Jacksonville and were published in the Florida Times-Union Newspaper.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains original political cartoons, personal letters, and ephemera. The majority of the cartoon collection relates to Florida and Jacksonville and were published in the Florida Times-Union Newspaper."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information."],"names_coll_ssim":["Florida Times-Union."],"names_ssim":["UNF Library Special Collections and University Archives","Florida Times-Union."],"corpname_ssim":["UNF Library Special Collections and University Archives","Florida Times-Union."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":68,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860561902731264,"_root_":"4cad6a8e1fb73ffc7f9b49f0","timestamp":"2026-07-16T08:47:47.463Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4cad6a8e1fb73ffc7f9b49f0_aspace_928f9cfb093b5eef33d101b1c48e064f"}},{"id":"2b8ea8f68f63cb8d721464d3","type":"collection","attributes":{"title":"Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/2b8ea8f68f63cb8d721464d3#creator","type":"document_value","attributes":{"value":["Zoo Miami and Zoo Miami Foundation"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/2b8ea8f68f63cb8d721464d3#abstract_or_scope","type":"document_value","attributes":{"value":["Miami-Dade Zoological Park and Gardens, colloquially known as Zoo Miami, is the largest and oldest zoological park in the state of Florida. The zoo is the only zoological garden in the continental United States with a tropical climate, which allows it to house a large array of animals from different continents. Previously known as Miami Metrozoo and Crandon Park Zoological Gardens, this collection offers a progressive chronology of the Zoo. Emphasis on the instrumental role played by benefactors, volunteers, zoo keepers and administrative staff is captured in the collection, from their early days in Key Biscayne, to their historic relocation to South Miami. The collection is comprised of newsletters, ephemeral objects, promotional materials, and photographic materials"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2b8ea8f68f63cb8d721464d3#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"2b8ea8f68f63cb8d721464d3","title_ssm":["Zoo Miami Collection"],"title_tesim":["Zoo Miami Collection"],"ead_ssi":"2b8ea8f68f63cb8d721464d3","unitdate_ssm":["1967-2017","1980-2006","Date acquired: 05/26/2017"],"unitdate_bulk_ssim":["1980-2006"],"unitdate_inclusive_ssm":["1967-2017"],"unitdate_other_ssim":["Date acquired: 05/26/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SFC1701","/repositories/2/resources/15"],"text":["SFC1701","/repositories/2/resources/15","Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006","The collection is open for research. Newsletters, most of the ephemeral materials and photographs are available through the  Zoo Miami Digital Collection","The Zoo Miami Collection is organized and housed in 12 boxes. The collection is arranged in four series determined by materiality: I. Publications, II. Ephemeral Materials, III. Promotional Materials, and IV. Photographic Materials. Contents in series I. include newsletters, corporate reports, and special newspaper supplements. Series II. include coloring books, guidebook, 45' vinyl record; Series III. include brochures and press kits; Series IV. include b\u0026w and color photographs, and slides.","The beginnings of Zoo Miami trail back to 1948, when a traveling show traded two spider monkeys, a chimpanzee, two black bears, and a goat to Miami-Dade County for the amount of $270 they needed to repair its truck. The six animals were the first of over 1,000 to be housed at the Crandon Park Zoological Gardens in Key Biscayne. The investment proved successful, as the Zoo gained momentum within its community and housed the first successful captive birth of an Aardvark in North America.","After Hurricane Betsy hit Miami in 1965, over 200 animals met their unfortunate demise and prompted the zoo officials, alongside the Zoological Society of Florida, to propose a relocation of the Zoo in order to prevent future casualties of zoo residents. In 1972, through the \"Item Nine\" referendum, Miami-Dade County approved the relocation of Crandon Park Zoo from Key Biscayne to its current home in South Miami. Construction took almost a decade to complete, and in 1980, the doors opened to the new Miami Metrozoo.","Since opening its doors in 1980, Miami Metrozoo has had 800,000 annual visitors, and has reached over 15 million people of all ages. Their conservation programs are alive not just locally, but on a global level, with over 30 programs on six continents. Their new rebranding as the Miami-Dade Zoological Park and Gardens, known on a day to day basis as Zoo Miami, keeps and maintains conservation on the forefront of any and all decision making processes.","Note written by ","Collection was processed by Ana D. Rodriguez. Finding aid was written by Ana D. Rodriguez and Melissa Cuadra.","The Zoo Miami Collection dates from 1967 to 2017, with bulk dates ranging from 1981 to 2006. The collection includes newsletters, ephemeral objects, promotional materials, and photographic material. The newsletters highlight early efforts from Crandon Park Zoo alongside the Zoological Society of Florida to spark public interest in zoological activities including conservation efforts, welcoming new residents and in-home captive births, and raising public funding necessary for zoological maintenance. The collection also contains a large amount of photographs taken by zoo keepers and staff members, focusing on showcasing the residents of the Zoo through the years. The Zoo Miami Collection offers an intellectual value for studies of history of South Florida between 1967-2017; history of zoological gardens and conservation; conservation of subtropical flora and fauna.","Copyright restrictions may apply.","Miami-Dade Zoological Park and Gardens, colloquially known as Zoo Miami, is the largest and oldest zoological park in the state of Florida. The zoo is the only zoological garden in the continental United States with a tropical climate, which allows it to house a large array of animals from different continents. Previously known as Miami Metrozoo and Crandon Park Zoological Gardens, this collection offers a progressive chronology of the Zoo. Emphasis on the instrumental role played by benefactors, volunteers, zoo keepers and administrative staff is captured in the collection, from their early days in Key Biscayne, to their historic relocation to South Miami. The collection is comprised of newsletters, ephemeral objects, promotional materials, and photographic materials","Green Library, Goverment Resources and Information Department,\nGL 214\nContact Staff for Access\nat 305-348-3135","FIU Special Collections","Zoo Miami and Zoo Miami Foundation","Crandon Park Zoo, Key Biscayne, FL","Miami Metrozoo","Zoological Society of Florida","Zoo Miami","English"],"unitid_tesim":["SFC1701","/repositories/2/resources/15"],"normalized_date_ssm":["1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"normalized_title_ssm":["Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"collection_title_tesim":["Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"collection_ssim":["Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Zoo Miami and Zoo Miami Foundation"],"creator_ssim":["Zoo Miami and Zoo Miami Foundation"],"creator_corpname_ssim":["Zoo Miami and Zoo Miami Foundation"],"creators_ssim":["Zoo Miami and Zoo Miami Foundation"],"access_terms_ssm":["Copyright restrictions may apply."],"acqinfo_ssim":["Zoo Miami and Zoo Miami Foundation","Donation"],"has_online_content_ssim":["false"],"extent_ssm":["12.00 boxes"],"extent_tesim":["12.00 boxes"],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. Newsletters, most of the ephemeral materials and photographs are available through the \u003cextref href=\"http://dpanther.fiu.edu/dPanther/collections/zoo\"\u003eZoo Miami Digital Collection\u003c/extref\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. Newsletters, most of the ephemeral materials and photographs are available through the  Zoo Miami Digital Collection"],"arrangement_html_tesm":["\u003cp\u003eThe Zoo Miami Collection is organized and housed in 12 boxes. The collection is arranged in four series determined by materiality: I. Publications, II. Ephemeral Materials, III. Promotional Materials, and IV. Photographic Materials. Contents in series I. include newsletters, corporate reports, and special newspaper supplements. Series II. include coloring books, guidebook, 45' vinyl record; Series III. include brochures and press kits; Series IV. include b\u0026amp;w and color photographs, and slides.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Zoo Miami Collection is organized and housed in 12 boxes. The collection is arranged in four series determined by materiality: I. Publications, II. Ephemeral Materials, III. Promotional Materials, and IV. Photographic Materials. Contents in series I. include newsletters, corporate reports, and special newspaper supplements. Series II. include coloring books, guidebook, 45' vinyl record; Series III. include brochures and press kits; Series IV. include b\u0026w and color photographs, and slides."],"bioghist_html_tesm":["\u003cp\u003eThe beginnings of Zoo Miami trail back to 1948, when a traveling show traded two spider monkeys, a chimpanzee, two black bears, and a goat to Miami-Dade County for the amount of $270 they needed to repair its truck. The six animals were the first of over 1,000 to be housed at the Crandon Park Zoological Gardens in Key Biscayne. The investment proved successful, as the Zoo gained momentum within its community and housed the first successful captive birth of an Aardvark in North America.\u003c/p\u003e\n","\u003cp\u003eAfter Hurricane Betsy hit Miami in 1965, over 200 animals met their unfortunate demise and prompted the zoo officials, alongside the Zoological Society of Florida, to propose a relocation of the Zoo in order to prevent future casualties of zoo residents. In 1972, through the \"Item Nine\" referendum, Miami-Dade County approved the relocation of Crandon Park Zoo from Key Biscayne to its current home in South Miami. Construction took almost a decade to complete, and in 1980, the doors opened to the new Miami Metrozoo.\u003c/p\u003e\n","\u003cp\u003eSince opening its doors in 1980, Miami Metrozoo has had 800,000 annual visitors, and has reached over 15 million people of all ages. Their conservation programs are alive not just locally, but on a global level, with over 30 programs on six continents. Their new rebranding as the Miami-Dade Zoological Park and Gardens, known on a day to day basis as Zoo Miami, keeps and maintains conservation on the forefront of any and all decision making processes.\u003c/p\u003e\n","\u003cp\u003eNote written by \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical "],"bioghist_tesim":["The beginnings of Zoo Miami trail back to 1948, when a traveling show traded two spider monkeys, a chimpanzee, two black bears, and a goat to Miami-Dade County for the amount of $270 they needed to repair its truck. The six animals were the first of over 1,000 to be housed at the Crandon Park Zoological Gardens in Key Biscayne. The investment proved successful, as the Zoo gained momentum within its community and housed the first successful captive birth of an Aardvark in North America.","After Hurricane Betsy hit Miami in 1965, over 200 animals met their unfortunate demise and prompted the zoo officials, alongside the Zoological Society of Florida, to propose a relocation of the Zoo in order to prevent future casualties of zoo residents. In 1972, through the \"Item Nine\" referendum, Miami-Dade County approved the relocation of Crandon Park Zoo from Key Biscayne to its current home in South Miami. Construction took almost a decade to complete, and in 1980, the doors opened to the new Miami Metrozoo.","Since opening its doors in 1980, Miami Metrozoo has had 800,000 annual visitors, and has reached over 15 million people of all ages. Their conservation programs are alive not just locally, but on a global level, with over 30 programs on six continents. Their new rebranding as the Miami-Dade Zoological Park and Gardens, known on a day to day basis as Zoo Miami, keeps and maintains conservation on the forefront of any and all decision making processes.","Note written by "],"processinfo_html_tesm":["\u003cp\u003eCollection was processed by Ana D. Rodriguez. Finding aid was written by Ana D. Rodriguez and Melissa Cuadra.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection was processed by Ana D. Rodriguez. Finding aid was written by Ana D. Rodriguez and Melissa Cuadra."],"scopecontent_html_tesm":["\u003cp\u003eThe Zoo Miami Collection dates from 1967 to 2017, with bulk dates ranging from 1981 to 2006. The collection includes newsletters, ephemeral objects, promotional materials, and photographic material. The newsletters highlight early efforts from Crandon Park Zoo alongside the Zoological Society of Florida to spark public interest in zoological activities including conservation efforts, welcoming new residents and in-home captive births, and raising public funding necessary for zoological maintenance. The collection also contains a large amount of photographs taken by zoo keepers and staff members, focusing on showcasing the residents of the Zoo through the years. The Zoo Miami Collection offers an intellectual value for studies of history of South Florida between 1967-2017; history of zoological gardens and conservation; conservation of subtropical flora and fauna.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zoo Miami Collection dates from 1967 to 2017, with bulk dates ranging from 1981 to 2006. The collection includes newsletters, ephemeral objects, promotional materials, and photographic material. The newsletters highlight early efforts from Crandon Park Zoo alongside the Zoological Society of Florida to spark public interest in zoological activities including conservation efforts, welcoming new residents and in-home captive births, and raising public funding necessary for zoological maintenance. The collection also contains a large amount of photographs taken by zoo keepers and staff members, focusing on showcasing the residents of the Zoo through the years. The Zoo Miami Collection offers an intellectual value for studies of history of South Florida between 1967-2017; history of zoological gardens and conservation; conservation of subtropical flora and fauna."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply."],"abstract_html_tesm":["\u003cabstract id=\"aspace_98d93a047aa83afe872c25f21d3ec3c0\" label=\"Abstract\"\u003eMiami-Dade Zoological Park and Gardens, colloquially known as Zoo Miami, is the largest and oldest zoological park in the state of Florida. The zoo is the only zoological garden in the continental United States with a tropical climate, which allows it to house a large array of animals from different continents. Previously known as Miami Metrozoo and Crandon Park Zoological Gardens, this collection offers a progressive chronology of the Zoo. Emphasis on the instrumental role played by benefactors, volunteers, zoo keepers and administrative staff is captured in the collection, from their early days in Key Biscayne, to their historic relocation to South Miami. The collection is comprised of newsletters, ephemeral objects, promotional materials, and photographic materials\u003c/abstract\u003e"],"abstract_tesim":["Miami-Dade Zoological Park and Gardens, colloquially known as Zoo Miami, is the largest and oldest zoological park in the state of Florida. The zoo is the only zoological garden in the continental United States with a tropical climate, which allows it to house a large array of animals from different continents. Previously known as Miami Metrozoo and Crandon Park Zoological Gardens, this collection offers a progressive chronology of the Zoo. Emphasis on the instrumental role played by benefactors, volunteers, zoo keepers and administrative staff is captured in the collection, from their early days in Key Biscayne, to their historic relocation to South Miami. The collection is comprised of newsletters, ephemeral objects, promotional materials, and photographic materials"],"physloc_html_tesm":["\u003cphysloc id=\"aspace_a24244a19994cc0d2c82168599de7bb3\" label=\"Physical Location\"\u003eGreen Library, Goverment Resources and Information Department,\nGL 214\nContact Staff for Access\nat 305-348-3135\u003c/physloc\u003e"],"physloc_tesim":["Green Library, Goverment Resources and Information Department,\nGL 214\nContact Staff for Access\nat 305-348-3135"],"names_coll_ssim":["Crandon Park Zoo, Key Biscayne, FL","Miami Metrozoo","Zoological Society of Florida","Zoo Miami"],"names_ssim":["FIU Special Collections","Zoo Miami and Zoo Miami Foundation","Crandon Park Zoo, Key Biscayne, FL","Miami Metrozoo","Zoological Society of Florida","Zoo Miami"],"corpname_ssim":["FIU Special Collections","Zoo Miami and Zoo Miami Foundation","Crandon Park Zoo, Key Biscayne, FL","Miami Metrozoo","Zoological Society of Florida","Zoo Miami"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"2b8ea8f68f63cb8d721464d3","timestamp":"2026-04-21T02:12:11.955Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2b8ea8f68f63cb8d721464d3","title_ssm":["Zoo Miami Collection"],"title_tesim":["Zoo Miami Collection"],"ead_ssi":"2b8ea8f68f63cb8d721464d3","unitdate_ssm":["1967-2017","1980-2006","Date acquired: 05/26/2017"],"unitdate_bulk_ssim":["1980-2006"],"unitdate_inclusive_ssm":["1967-2017"],"unitdate_other_ssim":["Date acquired: 05/26/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SFC1701","/repositories/2/resources/15"],"text":["SFC1701","/repositories/2/resources/15","Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006","The collection is open for research. Newsletters, most of the ephemeral materials and photographs are available through the  Zoo Miami Digital Collection","The Zoo Miami Collection is organized and housed in 12 boxes. The collection is arranged in four series determined by materiality: I. Publications, II. Ephemeral Materials, III. Promotional Materials, and IV. Photographic Materials. Contents in series I. include newsletters, corporate reports, and special newspaper supplements. Series II. include coloring books, guidebook, 45' vinyl record; Series III. include brochures and press kits; Series IV. include b\u0026w and color photographs, and slides.","The beginnings of Zoo Miami trail back to 1948, when a traveling show traded two spider monkeys, a chimpanzee, two black bears, and a goat to Miami-Dade County for the amount of $270 they needed to repair its truck. The six animals were the first of over 1,000 to be housed at the Crandon Park Zoological Gardens in Key Biscayne. The investment proved successful, as the Zoo gained momentum within its community and housed the first successful captive birth of an Aardvark in North America.","After Hurricane Betsy hit Miami in 1965, over 200 animals met their unfortunate demise and prompted the zoo officials, alongside the Zoological Society of Florida, to propose a relocation of the Zoo in order to prevent future casualties of zoo residents. In 1972, through the \"Item Nine\" referendum, Miami-Dade County approved the relocation of Crandon Park Zoo from Key Biscayne to its current home in South Miami. Construction took almost a decade to complete, and in 1980, the doors opened to the new Miami Metrozoo.","Since opening its doors in 1980, Miami Metrozoo has had 800,000 annual visitors, and has reached over 15 million people of all ages. Their conservation programs are alive not just locally, but on a global level, with over 30 programs on six continents. Their new rebranding as the Miami-Dade Zoological Park and Gardens, known on a day to day basis as Zoo Miami, keeps and maintains conservation on the forefront of any and all decision making processes.","Note written by ","Collection was processed by Ana D. Rodriguez. Finding aid was written by Ana D. Rodriguez and Melissa Cuadra.","The Zoo Miami Collection dates from 1967 to 2017, with bulk dates ranging from 1981 to 2006. The collection includes newsletters, ephemeral objects, promotional materials, and photographic material. The newsletters highlight early efforts from Crandon Park Zoo alongside the Zoological Society of Florida to spark public interest in zoological activities including conservation efforts, welcoming new residents and in-home captive births, and raising public funding necessary for zoological maintenance. The collection also contains a large amount of photographs taken by zoo keepers and staff members, focusing on showcasing the residents of the Zoo through the years. The Zoo Miami Collection offers an intellectual value for studies of history of South Florida between 1967-2017; history of zoological gardens and conservation; conservation of subtropical flora and fauna.","Copyright restrictions may apply.","Miami-Dade Zoological Park and Gardens, colloquially known as Zoo Miami, is the largest and oldest zoological park in the state of Florida. The zoo is the only zoological garden in the continental United States with a tropical climate, which allows it to house a large array of animals from different continents. Previously known as Miami Metrozoo and Crandon Park Zoological Gardens, this collection offers a progressive chronology of the Zoo. Emphasis on the instrumental role played by benefactors, volunteers, zoo keepers and administrative staff is captured in the collection, from their early days in Key Biscayne, to their historic relocation to South Miami. The collection is comprised of newsletters, ephemeral objects, promotional materials, and photographic materials","Green Library, Goverment Resources and Information Department,\nGL 214\nContact Staff for Access\nat 305-348-3135","FIU Special Collections","Zoo Miami and Zoo Miami Foundation","Crandon Park Zoo, Key Biscayne, FL","Miami Metrozoo","Zoological Society of Florida","Zoo Miami","English"],"unitid_tesim":["SFC1701","/repositories/2/resources/15"],"normalized_date_ssm":["1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"normalized_title_ssm":["Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"collection_title_tesim":["Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"collection_ssim":["Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Zoo Miami and Zoo Miami Foundation"],"creator_ssim":["Zoo Miami and Zoo Miami Foundation"],"creator_corpname_ssim":["Zoo Miami and Zoo Miami Foundation"],"creators_ssim":["Zoo Miami and Zoo Miami Foundation"],"access_terms_ssm":["Copyright restrictions may apply."],"acqinfo_ssim":["Zoo Miami and Zoo Miami Foundation","Donation"],"has_online_content_ssim":["false"],"extent_ssm":["12.00 boxes"],"extent_tesim":["12.00 boxes"],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. Newsletters, most of the ephemeral materials and photographs are available through the \u003cextref href=\"http://dpanther.fiu.edu/dPanther/collections/zoo\"\u003eZoo Miami Digital Collection\u003c/extref\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. Newsletters, most of the ephemeral materials and photographs are available through the  Zoo Miami Digital Collection"],"arrangement_html_tesm":["\u003cp\u003eThe Zoo Miami Collection is organized and housed in 12 boxes. The collection is arranged in four series determined by materiality: I. Publications, II. Ephemeral Materials, III. Promotional Materials, and IV. Photographic Materials. Contents in series I. include newsletters, corporate reports, and special newspaper supplements. Series II. include coloring books, guidebook, 45' vinyl record; Series III. include brochures and press kits; Series IV. include b\u0026amp;w and color photographs, and slides.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Zoo Miami Collection is organized and housed in 12 boxes. The collection is arranged in four series determined by materiality: I. Publications, II. Ephemeral Materials, III. Promotional Materials, and IV. Photographic Materials. Contents in series I. include newsletters, corporate reports, and special newspaper supplements. Series II. include coloring books, guidebook, 45' vinyl record; Series III. include brochures and press kits; Series IV. include b\u0026w and color photographs, and slides."],"bioghist_html_tesm":["\u003cp\u003eThe beginnings of Zoo Miami trail back to 1948, when a traveling show traded two spider monkeys, a chimpanzee, two black bears, and a goat to Miami-Dade County for the amount of $270 they needed to repair its truck. The six animals were the first of over 1,000 to be housed at the Crandon Park Zoological Gardens in Key Biscayne. The investment proved successful, as the Zoo gained momentum within its community and housed the first successful captive birth of an Aardvark in North America.\u003c/p\u003e\n","\u003cp\u003eAfter Hurricane Betsy hit Miami in 1965, over 200 animals met their unfortunate demise and prompted the zoo officials, alongside the Zoological Society of Florida, to propose a relocation of the Zoo in order to prevent future casualties of zoo residents. In 1972, through the \"Item Nine\" referendum, Miami-Dade County approved the relocation of Crandon Park Zoo from Key Biscayne to its current home in South Miami. Construction took almost a decade to complete, and in 1980, the doors opened to the new Miami Metrozoo.\u003c/p\u003e\n","\u003cp\u003eSince opening its doors in 1980, Miami Metrozoo has had 800,000 annual visitors, and has reached over 15 million people of all ages. Their conservation programs are alive not just locally, but on a global level, with over 30 programs on six continents. Their new rebranding as the Miami-Dade Zoological Park and Gardens, known on a day to day basis as Zoo Miami, keeps and maintains conservation on the forefront of any and all decision making processes.\u003c/p\u003e\n","\u003cp\u003eNote written by \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical "],"bioghist_tesim":["The beginnings of Zoo Miami trail back to 1948, when a traveling show traded two spider monkeys, a chimpanzee, two black bears, and a goat to Miami-Dade County for the amount of $270 they needed to repair its truck. The six animals were the first of over 1,000 to be housed at the Crandon Park Zoological Gardens in Key Biscayne. The investment proved successful, as the Zoo gained momentum within its community and housed the first successful captive birth of an Aardvark in North America.","After Hurricane Betsy hit Miami in 1965, over 200 animals met their unfortunate demise and prompted the zoo officials, alongside the Zoological Society of Florida, to propose a relocation of the Zoo in order to prevent future casualties of zoo residents. In 1972, through the \"Item Nine\" referendum, Miami-Dade County approved the relocation of Crandon Park Zoo from Key Biscayne to its current home in South Miami. Construction took almost a decade to complete, and in 1980, the doors opened to the new Miami Metrozoo.","Since opening its doors in 1980, Miami Metrozoo has had 800,000 annual visitors, and has reached over 15 million people of all ages. Their conservation programs are alive not just locally, but on a global level, with over 30 programs on six continents. Their new rebranding as the Miami-Dade Zoological Park and Gardens, known on a day to day basis as Zoo Miami, keeps and maintains conservation on the forefront of any and all decision making processes.","Note written by "],"processinfo_html_tesm":["\u003cp\u003eCollection was processed by Ana D. Rodriguez. Finding aid was written by Ana D. Rodriguez and Melissa Cuadra.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection was processed by Ana D. Rodriguez. Finding aid was written by Ana D. Rodriguez and Melissa Cuadra."],"scopecontent_html_tesm":["\u003cp\u003eThe Zoo Miami Collection dates from 1967 to 2017, with bulk dates ranging from 1981 to 2006. The collection includes newsletters, ephemeral objects, promotional materials, and photographic material. The newsletters highlight early efforts from Crandon Park Zoo alongside the Zoological Society of Florida to spark public interest in zoological activities including conservation efforts, welcoming new residents and in-home captive births, and raising public funding necessary for zoological maintenance. The collection also contains a large amount of photographs taken by zoo keepers and staff members, focusing on showcasing the residents of the Zoo through the years. The Zoo Miami Collection offers an intellectual value for studies of history of South Florida between 1967-2017; history of zoological gardens and conservation; conservation of subtropical flora and fauna.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zoo Miami Collection dates from 1967 to 2017, with bulk dates ranging from 1981 to 2006. The collection includes newsletters, ephemeral objects, promotional materials, and photographic material. The newsletters highlight early efforts from Crandon Park Zoo alongside the Zoological Society of Florida to spark public interest in zoological activities including conservation efforts, welcoming new residents and in-home captive births, and raising public funding necessary for zoological maintenance. The collection also contains a large amount of photographs taken by zoo keepers and staff members, focusing on showcasing the residents of the Zoo through the years. The Zoo Miami Collection offers an intellectual value for studies of history of South Florida between 1967-2017; history of zoological gardens and conservation; conservation of subtropical flora and fauna."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply."],"abstract_html_tesm":["\u003cabstract id=\"aspace_98d93a047aa83afe872c25f21d3ec3c0\" label=\"Abstract\"\u003eMiami-Dade Zoological Park and Gardens, colloquially known as Zoo Miami, is the largest and oldest zoological park in the state of Florida. The zoo is the only zoological garden in the continental United States with a tropical climate, which allows it to house a large array of animals from different continents. Previously known as Miami Metrozoo and Crandon Park Zoological Gardens, this collection offers a progressive chronology of the Zoo. Emphasis on the instrumental role played by benefactors, volunteers, zoo keepers and administrative staff is captured in the collection, from their early days in Key Biscayne, to their historic relocation to South Miami. The collection is comprised of newsletters, ephemeral objects, promotional materials, and photographic materials\u003c/abstract\u003e"],"abstract_tesim":["Miami-Dade Zoological Park and Gardens, colloquially known as Zoo Miami, is the largest and oldest zoological park in the state of Florida. The zoo is the only zoological garden in the continental United States with a tropical climate, which allows it to house a large array of animals from different continents. Previously known as Miami Metrozoo and Crandon Park Zoological Gardens, this collection offers a progressive chronology of the Zoo. Emphasis on the instrumental role played by benefactors, volunteers, zoo keepers and administrative staff is captured in the collection, from their early days in Key Biscayne, to their historic relocation to South Miami. 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