{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1981\u0026page=423\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1981\u0026page=422\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1981\u0026page=424\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1981\u0026page=576\u0026view=compact"},"meta":{"pages":{"current_page":423,"next_page":424,"prev_page":422,"total_pages":576,"limit_value":10,"offset_value":4220,"total_count":5758,"first_page?":false,"last_page?":false}},"data":[{"id":"f2ce74f33d16f504de3bc32d","type":"collection","attributes":{"title":"Playbills, Plays at Bailey Hall, and a Postcard (All Framed), 1942-2009","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/f2ce74f33d16f504de3bc32d#creator","type":"document_value","attributes":{"value":["Broward College Visual \u0026 Performing Arts Department"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/f2ce74f33d16f504de3bc32d#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe collection contains framed playbills, production prints, and a notable 1942 \"Casablanca\" film postcard, representing both historical and cultural contexts within theatrical and cinematic arts. 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Renovations completed in 2014 modernized its acoustics, seating, and lighting while preserving its historical design.","This collection provides a visual and cultural snapshot of Broward College's commitment to the performing arts across decades—from the origins of Bailey Hall's professional stage to the continuity of student theatre and musical performance traditions through the 2000s.","The collection contains framed playbills, production prints, and a notable 1942 \"Casablanca\" film postcard, representing both historical and cultural contexts within theatrical and cinematic arts. It documents professional and local performances, including Broadway and regional productions showcased at or collected by Broward College's Bailey Hall. The materials reflect the diversity of performing arts experiences accessible to Broward students and the public over the decades.","Responsibility for securing copyright permission rests with the researcher. 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The facility hosts the Broward Symphony Orchestra, theatre productions, and community events, serving as both a cultural laboratory and educational stage. Renovations completed in 2014 modernized its acoustics, seating, and lighting while preserving its historical design.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Bailey Hall, located on the Central Campus of Broward College in Davie, Florida, is a premier performing arts venue originally envisioned by President A. Hugh Adams as a cultural center for both education and entertainment. Groundbreaking for the $5.6 million facility occurred on November 4, 1976, funded in part through the estate of Hallandale engineer Ralph R. Bailey. The Hall opened on October 13, 1979, with a gala performance attended by Governor Bob Graham. Designed as a professional-level theater for concerts, lectures, and student productions, Bailey Hall quickly became a leading performance venue in South Florida. 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Reproduction is subject to material condition and institutional policy.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Responsibility for securing copyright permission rests with the researcher. 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Certain materials may have restrictions due to fragility or privacy.","Bailey Hall, located on the Central Campus of Broward College in Davie, Florida, is a premier performing arts venue originally envisioned by President A. Hugh Adams as a cultural center for both education and entertainment. Groundbreaking for the $5.6 million facility occurred on November 4, 1976, funded in part through the estate of Hallandale engineer Ralph R. Bailey. The Hall opened on October 13, 1979, with a gala performance attended by Governor Bob Graham. Designed as a professional-level theater for concerts, lectures, and student productions, Bailey Hall quickly became a leading performance venue in South Florida. The facility hosts the Broward Symphony Orchestra, theatre productions, and community events, serving as both a cultural laboratory and educational stage. Renovations completed in 2014 modernized its acoustics, seating, and lighting while preserving its historical design.","This collection provides a visual and cultural snapshot of Broward College's commitment to the performing arts across decades—from the origins of Bailey Hall's professional stage to the continuity of student theatre and musical performance traditions through the 2000s.","The collection contains framed playbills, production prints, and a notable 1942 \"Casablanca\" film postcard, representing both historical and cultural contexts within theatrical and cinematic arts. It documents professional and local performances, including Broadway and regional productions showcased at or collected by Broward College's Bailey Hall. The materials reflect the diversity of performing arts experiences accessible to Broward students and the public over the decades.","Responsibility for securing copyright permission rests with the researcher. 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It documents professional and local performances, including Broadway and regional productions showcased at or collected by Broward College's Bailey Hall. The materials reflect the diversity of performing arts experiences accessible to Broward students and the public over the decades.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains framed playbills, production prints, and a notable 1942 \"Casablanca\" film postcard, representing both historical and cultural contexts within theatrical and cinematic arts. It documents professional and local performances, including Broadway and regional productions showcased at or collected by Broward College's Bailey Hall. The materials reflect the diversity of performing arts experiences accessible to Broward students and the public over the decades."],"userestrict_html_tesm":["\u003cp\u003eResponsibility for securing copyright permission rests with the researcher. Reproduction is subject to material condition and institutional policy.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Responsibility for securing copyright permission rests with the researcher. Reproduction is subject to material condition and institutional policy."],"names_ssim":["Broward College Archives and Special Collections ","Broward College Visual \u0026 Performing Arts Department"],"corpname_ssim":["Broward College Archives and Special Collections ","Broward College Visual \u0026 Performing Arts Department"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":13,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f2ce74f33d16f504de3bc32d","timestamp":"2026-07-09T01:29:13.006Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f2ce74f33d16f504de3bc32d"}},{"id":"4674dbbf638dff3316591cb2_aspace_54610","type":"File","attributes":{"title":"Poaceae (Grasses), 1957-1984","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4674dbbf638dff3316591cb2_aspace_54610#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_54610","ref_ssm":["aspace_54610","aspace_54610"],"id":"4674dbbf638dff3316591cb2_aspace_54610","title_filing_ssi":"Poaceae (Grasses)","title_ssm":["Poaceae (Grasses)"],"title_tesim":["Poaceae (Grasses)"],"unitdate_inclusive_ssm":["1957-1984"],"normalized_date_ssm":["1957-1984"],"normalized_title_ssm":["Poaceae (Grasses), 1957-1984"],"text":["Poaceae (Grasses), 1957-1984","Michael A. Spencer Bromeliad Research Collection, 1754-2014","Plants By Family Files, 1908-1990.","Folder 1","/repositories/4/archival_objects/33620","box 150","folder 1"],"component_level_isim":[2],"parent_ids_ssim":["4674dbbf638dff3316591cb2","4674dbbf638dff3316591cb2_aspace_54557"],"parent_unittitles_ssm":["Michael A. Spencer Bromeliad Research Collection, 1754-2014","Plants By Family Files, 1908-1990."],"parent_unittitles_tesim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014","Plants By Family Files, 1908-1990."],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 1","/repositories/4/archival_objects/33620"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":3111,"parent_access_restrict_tesm":["The entire collection is open for research except for the following:\n\n  Boxes 180-181: Personal correspondence\n  Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"\n"],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"containers_ssim":["box 150","folder 1"],"_nest_path_":"/components#3/components#49","_nest_parent_":"4674dbbf638dff3316591cb2_aspace_54557","_root_":"4674dbbf638dff3316591cb2","timestamp":"2026-07-11T02:53:59.490Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4674dbbf638dff3316591cb2","title_ssm":["Michael A. Spencer Bromeliad Research Collection"],"title_tesim":["Michael A. Spencer Bromeliad Research Collection"],"ead_ssi":"4674dbbf638dff3316591cb2","unitdate_ssm":["1754-2014"],"unitdate_inclusive_ssm":["1754-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 068","/repositories/4/resources/148"],"text":["SC 068","/repositories/4/resources/148","Michael A. Spencer Bromeliad Research Collection, 1754-2014","Marineland (Fla.)","Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)","The entire collection is open for research except for the following:\n Boxes 180-181: Personal correspondence Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"","The collection is divided into eight series by type of file.","Michael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004.","Materials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023.","A large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library  Online Catalog .  Michael A. Spencer Collection on Julian Nally ,  Michael A. Spencer Collection on Theodore Mead ,  Michael A. Spencer Collection on Henry Nehrling  and the  Henry Nehrling Papers  are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the  Harry P. Leu Gardens . The  Henry Nehrling Collection  and the  Theodore L. Mead Collection  are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the  Smithsonian Institution Archives .","Series I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.","\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.","\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.","\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.","\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.","\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.","\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.","\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here.","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder.","Michael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here.","UCF Special Collections","Bromeliad Society","Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991","English"],"unitid_tesim":["SC 068","/repositories/4/resources/148"],"normalized_date_ssm":["1754-2014"],"normalized_title_ssm":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"collection_title_tesim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"collection_ssim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Marineland (Fla.)"],"geogname_ssim":["Marineland (Fla.)"],"creator_ssm":["Spencer, Michael A."],"creator_ssim":["Spencer, Michael A."],"creator_persname_ssim":["Spencer, Michael A."],"creators_ssim":["Spencer, Michael A."],"places_ssim":["Marineland (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"acqinfo_ssim":["Some of these materials were donated to and others were purchased by the University of Central Florida Libraries, Special Collections and University Archives from Michael A. Spencer in 2006 (CFM2006_09), 2011 (CFM2011_02), 2012 (CFM2012_10), and 2014 (CFM2014_01)."],"access_subjects_ssim":["Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"access_subjects_ssm":["Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["130 Linear Feet 259 boxes, 2 flat files"],"extent_tesim":["130 Linear Feet 259 boxes, 2 flat files"],"genreform_ssim":["botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"date_range_isim":[1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research except for the following:\n\u003cul\u003e\n  \u003cli\u003eBoxes 180-181: Personal correspondence\u003c/li\u003e\n  \u003cli\u003eBoxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research except for the following:\n Boxes 180-181: Personal correspondence Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\""],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into eight series by type of file.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is divided into eight series by type of file."],"bioghist_html_tesm":["\u003cp\u003eMichael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Michael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004."],"prefercite_html_tesm":["\u003cp\u003eMichael A. Spencer Bromeliad Research Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Michael A. Spencer Bromeliad Research Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eA large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e. \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08c\"\u003eMichael A. Spencer Collection on Julian Nally\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08b\"\u003eMichael A. Spencer Collection on Theodore Mead\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08a\"\u003eMichael A. Spencer Collection on Henry Nehrling\u003c/extref\u003e and the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1999-03\"\u003eHenry Nehrling Papers\u003c/extref\u003e are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the \u003cextref href=\"http://www.leugardens.org/\"\u003eHarry P. Leu Gardens\u003c/extref\u003e. The \u003cextref href=\"https://aspace.rollins.edu/repositories/2/resources/4\"\u003eHenry Nehrling Collection\u003c/extref\u003e and the \u003cextref href=\"https://aspace.rollins.edu/repositories/2/resources/97\"\u003eTheodore L. Mead Collection\u003c/extref\u003e are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the \u003cextref href=\"http://siarchives.si.edu/\"\u003eSmithsonian Institution Archives\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library  Online Catalog .  Michael A. Spencer Collection on Julian Nally ,  Michael A. Spencer Collection on Theodore Mead ,  Michael A. Spencer Collection on Henry Nehrling  and the  Henry Nehrling Papers  are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the  Harry P. Leu Gardens . The  Henry Nehrling Collection  and the  Theodore L. Mead Collection  are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the  Smithsonian Institution Archives ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.","\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.","\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.","\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.","\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.","\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.","\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.","\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_8e33310d6b1a70e4d88f1e2d3043cf71\" label=\"Abstract\"\u003eMichael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here.\u003c/abstract\u003e"],"abstract_tesim":["Michael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here."],"names_coll_ssim":["Bromeliad Society","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"names_ssim":["UCF Special Collections","Bromeliad Society","Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"corpname_ssim":["UCF Special Collections","Bromeliad Society"],"persname_ssim":["Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3662,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"4674dbbf638dff3316591cb2","timestamp":"2026-07-11T02:53:59.490Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4674dbbf638dff3316591cb2_aspace_54610"}},{"id":"f1098bbf9fbfeb8d23de54a0_aspace_cdb60d33eafaef97e8b8ad0a2bb2a760","type":"File","attributes":{"title":"Pocket Books, 1979-1982","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f1098bbf9fbfeb8d23de54a0_aspace_cdb60d33eafaef97e8b8ad0a2bb2a760#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_cdb60d33eafaef97e8b8ad0a2bb2a760","ref_ssm":["aspace_cdb60d33eafaef97e8b8ad0a2bb2a760","aspace_cdb60d33eafaef97e8b8ad0a2bb2a760"],"id":"f1098bbf9fbfeb8d23de54a0_aspace_cdb60d33eafaef97e8b8ad0a2bb2a760","title_filing_ssi":"Pocket Books","title_ssm":["Pocket Books"],"title_tesim":["Pocket Books"],"unitdate_inclusive_ssm":["1979-1982"],"normalized_date_ssm":["1979-1982"],"normalized_title_ssm":["Pocket Books, 1979-1982"],"text":["Pocket Books, 1979-1982","Michael Shaara Collection, Circa 1947-1990","Correspondence, Circa 1948-1992","Professional Correspondence, Circa 1948-1988","/repositories/3/archival_objects/12317","box 3","folder 5"],"component_level_isim":[3],"parent_ids_ssim":["f1098bbf9fbfeb8d23de54a0","f1098bbf9fbfeb8d23de54a0_aspace_5015d264a28f1b58c2358a06174a00f3","f1098bbf9fbfeb8d23de54a0_aspace_16fe9de2ab994adb1a059b0845d41624"],"parent_unittitles_ssm":["Michael Shaara Collection, Circa 1947-1990","Correspondence, Circa 1948-1992","Professional Correspondence, Circa 1948-1988"],"parent_unittitles_tesim":["Michael Shaara Collection, Circa 1947-1990","Correspondence, Circa 1948-1992","Professional Correspondence, Circa 1948-1988"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/3/archival_objects/12317"],"repository_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"collection_ssim":["Michael Shaara Collection, Circa 1947-1990"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":82,"parent_access_restrict_tesm":["The Michael Shaara Collection is open for research."],"date_range_isim":[1979,1980,1981,1982],"containers_ssim":["box 3","folder 5"],"_nest_path_":"/components#0/components#0/components#79","_nest_parent_":"f1098bbf9fbfeb8d23de54a0_aspace_16fe9de2ab994adb1a059b0845d41624","_root_":"f1098bbf9fbfeb8d23de54a0","_version_":1879174602967482368,"timestamp":"2026-10-16T03:15:54.887Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f1098bbf9fbfeb8d23de54a0","title_filing_ssi":"Shaara, Michael Collection","title_ssm":["Michael Shaara Collection"],"title_tesim":["Michael Shaara Collection"],"ead_ssi":"f1098bbf9fbfeb8d23de54a0","unitdate_ssm":["Circa 1947-1990"],"unitdate_inclusive_ssm":["Circa 1947-1990"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["BIENES.2022.1","/repositories/3/resources/178"],"text":["BIENES.2022.1","/repositories/3/resources/178","Michael Shaara Collection, Circa 1947-1990","United States -- History -- Civil War, 1861-1865 -- Fiction","Shaara, Michael -- Correspondence","American literature","Historical fiction, American","Science fiction","Manuscripts","Short stories","Photographs","Clippings","The Michael Shaara Collection is open for research.","Related archival material can be found in the Denver Public Library, Western History/Genealogy Department, Denver, Colorado. Visit DenverLibrary.org for further information.","The Michael Shaara Collection contains eight series: Series I. Correspondence, Series II. Writings, Series III. Professional Papers, Series IV. Personal Papers, Series V. Financial and Legal Documents, Series VI. Photographs, Series VII. Awards, and Series VIII. Printed Materials.","Michael Shaara (1929-1988) was born on June 23, 1929 in Jersey City, N.J. to Michael Joseph Sr. and Allene Shaara. Michael Shaara graduated from Rutgers University with a bachelor's degree in 1951 and completed graduate studies at Columbia University (1952-1953) and University of Vermont (1953-1954). He began writing short stories in the 1950s after holding jobs as a paratrooper, merchant seaman, and police officer in St. Petersburg, Florida. In 1959, he was hired as an English instructor at Florida State University (FSU) and by 1968, became an Associate Professor. He taught English, literature and creative writing courses.","Michael Shaara wrote four novels and published more than 70 short stories in magazines including Cosmopolitan, Galaxy, Fantastic Universe, Playboy, Redbook, and the Saturday Evening Post. He began writing science fiction and fantasy genres for the popular pulp fiction magazines of the time and won several awards. Shaara received the Pulitzer Prize for Fiction in 1975 for his novel \"The Killer Angels\". His other three novels are: \"The Broken Place\" (1968), \"The Noah Conspiracy\" (known as the \"Herald\", 1981), and \"For Love of the Game\" (1991). Two of his novels were made into films: television miniseries \"Gettysburg\", an adaptation of \"The Killer Angels\" and film \"For Love of the Game\" (1991) based on the novel of the same name. ","In 1965, Michael Shaara had his first major heart attack and wrote about the experience in an article published by the Saturday Evening Post. The article \"In the Midst of Life\" won an American Medical Association award for medical journalism. While teaching an FSU abroad program in Italy in 1972, he had a motorcycle accident. He was unconcious for weeks and suffered from a severe brain injury. Later he described this event in his story \"Brain Damage\". ","Michael Shaara married Helen Krumweide (1928-2016) on September 16, 1950, and had two children, Jeffrey and Lila Elise. Jeff Shaara wrote the novels \"Gods and Generals\" (1996) and \"The Last Full Measure\" (1998) which serve as as a prequel and sequel to \"The Killer Angels.\" Jeff Shaara continues to write novels.","This collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Michael Shaara Collection in the Broward County Library Digital Archives.","The Michael Shaara Collection contains manuscripts, correspondence, photographs, teaching lectures and notes, speeches, financial documents, personal papers, books, awards, programs, newspaper clippings, and publications collected by author Michael Shaara (1929-1988). Manuscripts and drafts include his four novels (\"The Killer Angels\", \"The Broken Place\", \"The Herald\", and \"For Love of the Game\") and short stories.","Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library","Florida State University. Department of English","Shaara, Michael","English"],"unitid_tesim":["BIENES.2022.1","/repositories/3/resources/178"],"normalized_date_ssm":["Circa 1947-1990"],"normalized_title_ssm":["Michael Shaara Collection, Circa 1947-1990"],"collection_title_tesim":["Michael Shaara Collection, Circa 1947-1990"],"collection_ssim":["Michael Shaara Collection, Circa 1947-1990"],"repository_ssm":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"repository_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"geogname_ssm":["United States -- History -- Civil War, 1861-1865 -- Fiction"],"geogname_ssim":["United States -- History -- Civil War, 1861-1865 -- Fiction"],"creator_ssm":["Shaara, Michael"],"creator_ssim":["Shaara, Michael"],"creator_persname_ssim":["Shaara, Michael"],"creators_ssim":["Shaara, Michael"],"places_ssim":["United States -- History -- Civil War, 1861-1865 -- Fiction"],"acqinfo_ssim":["Helen Shaara donated the Michael Shaara Collection to the Bienes Museum of the Modern Book on October 15, 1998."],"access_subjects_ssim":["Shaara, Michael -- Correspondence","American literature","Historical fiction, American","Science fiction","Manuscripts","Short stories","Photographs","Clippings"],"access_subjects_ssm":["Shaara, Michael -- Correspondence","American literature","Historical fiction, American","Science fiction","Manuscripts","Short stories","Photographs","Clippings"],"has_online_content_ssim":["false"],"extent_ssm":["26 Hollinger Boxes"],"extent_tesim":["26 Hollinger Boxes"],"genreform_ssim":["Manuscripts","Short stories","Photographs","Clippings"],"date_range_isim":[1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"accessrestrict_html_tesm":["\u003cp\u003eThe Michael Shaara Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Michael Shaara Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003eRelated archival material can be found in the Denver Public Library, Western History/Genealogy Department, Denver, Colorado. Visit DenverLibrary.org for further information.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Related archival material can be found in the Denver Public Library, Western History/Genealogy Department, Denver, Colorado. Visit DenverLibrary.org for further information."],"arrangement_html_tesm":["\u003cp\u003eThe Michael Shaara Collection contains eight series: Series I. Correspondence, Series II. Writings, Series III. Professional Papers, Series IV. Personal Papers, Series V. Financial and Legal Documents, Series VI. Photographs, Series VII. Awards, and Series VIII. Printed Materials.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Michael Shaara Collection contains eight series: Series I. Correspondence, Series II. Writings, Series III. Professional Papers, Series IV. Personal Papers, Series V. Financial and Legal Documents, Series VI. Photographs, Series VII. Awards, and Series VIII. Printed Materials."],"bioghist_html_tesm":["\u003cp\u003eMichael Shaara (1929-1988) was born on June 23, 1929 in Jersey City, N.J. to Michael Joseph Sr. and Allene Shaara. Michael Shaara graduated from Rutgers University with a bachelor's degree in 1951 and completed graduate studies at Columbia University (1952-1953) and University of Vermont (1953-1954). He began writing short stories in the 1950s after holding jobs as a paratrooper, merchant seaman, and police officer in St. Petersburg, Florida. In 1959, he was hired as an English instructor at Florida State University (FSU) and by 1968, became an Associate Professor. He taught English, literature and creative writing courses.\u003c/p\u003e\n","\u003cp\u003eMichael Shaara wrote four novels and published more than 70 short stories in magazines including Cosmopolitan, Galaxy, Fantastic Universe, Playboy, Redbook, and the Saturday Evening Post. He began writing science fiction and fantasy genres for the popular pulp fiction magazines of the time and won several awards. Shaara received the Pulitzer Prize for Fiction in 1975 for his novel \"The Killer Angels\". His other three novels are: \"The Broken Place\" (1968), \"The Noah Conspiracy\" (known as the \"Herald\", 1981), and \"For Love of the Game\" (1991). Two of his novels were made into films: television miniseries \"Gettysburg\", an adaptation of \"The Killer Angels\" and film \"For Love of the Game\" (1991) based on the novel of the same name. \u003c/p\u003e\n","\u003cp\u003eIn 1965, Michael Shaara had his first major heart attack and wrote about the experience in an article published by the Saturday Evening Post. The article \"In the Midst of Life\" won an American Medical Association award for medical journalism. While teaching an FSU abroad program in Italy in 1972, he had a motorcycle accident. He was unconcious for weeks and suffered from a severe brain injury. Later he described this event in his story \"Brain Damage\". \u003c/p\u003e\n","\u003cp\u003eMichael Shaara married Helen Krumweide (1928-2016) on September 16, 1950, and had two children, Jeffrey and Lila Elise. Jeff Shaara wrote the novels \"Gods and Generals\" (1996) and \"The Last Full Measure\" (1998) which serve as as a prequel and sequel to \"The Killer Angels.\" Jeff Shaara continues to write novels.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Michael Shaara (1929-1988) was born on June 23, 1929 in Jersey City, N.J. to Michael Joseph Sr. and Allene Shaara. Michael Shaara graduated from Rutgers University with a bachelor's degree in 1951 and completed graduate studies at Columbia University (1952-1953) and University of Vermont (1953-1954). He began writing short stories in the 1950s after holding jobs as a paratrooper, merchant seaman, and police officer in St. Petersburg, Florida. In 1959, he was hired as an English instructor at Florida State University (FSU) and by 1968, became an Associate Professor. He taught English, literature and creative writing courses.","Michael Shaara wrote four novels and published more than 70 short stories in magazines including Cosmopolitan, Galaxy, Fantastic Universe, Playboy, Redbook, and the Saturday Evening Post. He began writing science fiction and fantasy genres for the popular pulp fiction magazines of the time and won several awards. Shaara received the Pulitzer Prize for Fiction in 1975 for his novel \"The Killer Angels\". His other three novels are: \"The Broken Place\" (1968), \"The Noah Conspiracy\" (known as the \"Herald\", 1981), and \"For Love of the Game\" (1991). Two of his novels were made into films: television miniseries \"Gettysburg\", an adaptation of \"The Killer Angels\" and film \"For Love of the Game\" (1991) based on the novel of the same name. ","In 1965, Michael Shaara had his first major heart attack and wrote about the experience in an article published by the Saturday Evening Post. The article \"In the Midst of Life\" won an American Medical Association award for medical journalism. While teaching an FSU abroad program in Italy in 1972, he had a motorcycle accident. He was unconcious for weeks and suffered from a severe brain injury. Later he described this event in his story \"Brain Damage\". ","Michael Shaara married Helen Krumweide (1928-2016) on September 16, 1950, and had two children, Jeffrey and Lila Elise. Jeff Shaara wrote the novels \"Gods and Generals\" (1996) and \"The Last Full Measure\" (1998) which serve as as a prequel and sequel to \"The Killer Angels.\" Jeff Shaara continues to write novels."],"prefercite_html_tesm":["\u003cp\u003eMichael Shaara Collection, Bienes Museum of the Modern Book, Broward County Library\u003c/p\u003e"],"prefercite_tesim":["Michael Shaara Collection, Bienes Museum of the Modern Book, Broward County Library"],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/michaelshaara\" target=\"_blank\"\u003eView a selection of digitized materials from the Michael Shaara Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Michael Shaara Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Michael Shaara Collection contains manuscripts, correspondence, photographs, teaching lectures and notes, speeches, financial documents, personal papers, books, awards, programs, newspaper clippings, and publications collected by author Michael Shaara (1929-1988). Manuscripts and drafts include his four novels (\"The Killer Angels\", \"The Broken Place\", \"The Herald\", and \"For Love of the Game\") and short stories.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Michael Shaara Collection contains manuscripts, correspondence, photographs, teaching lectures and notes, speeches, financial documents, personal papers, books, awards, programs, newspaper clippings, and publications collected by author Michael Shaara (1929-1988). Manuscripts and drafts include his four novels (\"The Killer Angels\", \"The Broken Place\", \"The Herald\", and \"For Love of the Game\") and short stories."],"names_coll_ssim":["Florida State University. Department of English"],"names_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library","Florida State University. Department of English","Shaara, Michael"],"corpname_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library","Florida State University. Department of English"],"persname_ssim":["Shaara, Michael"],"language_ssim":["English"],"total_component_count_is":551,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879174602967482368,"_root_":"f1098bbf9fbfeb8d23de54a0","timestamp":"2026-10-16T03:15:54.887Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f1098bbf9fbfeb8d23de54a0_aspace_cdb60d33eafaef97e8b8ad0a2bb2a760"}},{"id":"725898a1a41349eb30ec365d_aspace_0847711ec276413d03ad28ef0377f086","type":"File","attributes":{"title":"Poems, 1977-2010, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_0847711ec276413d03ad28ef0377f086#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_0847711ec276413d03ad28ef0377f086","ref_ssm":["aspace_0847711ec276413d03ad28ef0377f086","aspace_0847711ec276413d03ad28ef0377f086"],"id":"725898a1a41349eb30ec365d_aspace_0847711ec276413d03ad28ef0377f086","title_filing_ssi":"Poems","title_ssm":["Poems"],"title_tesim":["Poems"],"unitdate_inclusive_ssm":["1977-2010, Undated"],"normalized_date_ssm":["1977-2010, Undated"],"normalized_title_ssm":["Poems, 1977-2010, Undated"],"text":["Poems, 1977-2010, Undated","José Guerra Alemán Collection, 1887-2013","Research Files, 1898-2012, Undated","Folder 6","/repositories/4/archival_objects/54022","box 10","folder 6"],"component_level_isim":[2],"parent_ids_ssim":["725898a1a41349eb30ec365d","725898a1a41349eb30ec365d_aspace_e0da8a351e89d497ae16650ae623f50e"],"parent_unittitles_ssm":["José Guerra Alemán Collection, 1887-2013","Research Files, 1898-2012, Undated"],"parent_unittitles_tesim":["José Guerra Alemán Collection, 1887-2013","Research Files, 1898-2012, Undated"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 6","/repositories/4/archival_objects/54022"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":143,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"containers_ssim":["box 10","folder 6"],"_nest_path_":"/components#1/components#32","_nest_parent_":"725898a1a41349eb30ec365d_aspace_e0da8a351e89d497ae16650ae623f50e","_root_":"725898a1a41349eb30ec365d","_version_":1870857755411087360,"timestamp":"2026-07-16T08:03:10.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"725898a1a41349eb30ec365d","title_ssm":["José Guerra Alemán Collection"],"title_tesim":["José Guerra Alemán Collection"],"ead_ssi":"725898a1a41349eb30ec365d","unitdate_ssm":["1887-2013"],"unitdate_inclusive_ssm":["1887-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.098","/repositories/4/resources/204"],"text":["SC.098","/repositories/4/resources/204","José Guerra Alemán Collection, 1887-2013","Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs","Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints","The entire collection is open for research.","José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.","Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.","Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog.","This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"","Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.","The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.","UCF Special Collections","Guerra Alemán, José","English"],"unitid_tesim":["SC.098","/repositories/4/resources/204"],"normalized_date_ssm":["1887-2013"],"normalized_title_ssm":["José Guerra Alemán Collection, 1887-2013"],"collection_title_tesim":["José Guerra Alemán Collection, 1887-2013"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"geogname_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"creator_ssm":["Guerra Alemán, José"],"creator_ssim":["Guerra Alemán, José"],"creator_persname_ssim":["Guerra Alemán, José"],"creators_ssim":["Guerra Alemán, José"],"places_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"acqinfo_ssim":["The collection was donated by Carlos Guerra, José Guerra Alemán's son, to the University of Central Florida Libraries in 2014. (CFM2014_07)"],"access_subjects_ssim":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"access_subjects_ssm":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["17.5 Linear Feet 20 boxes, 1 Flat File"],"extent_tesim":["17.5 Linear Feet 20 boxes, 1 Flat File"],"genreform_ssim":["correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n was born to Jos\u0026#xE9; Guerra and Herminia Alem\u0026#xE1;n-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as Jos\u0026#xE9; Guerra Alem\u0026#xE1;n, his initials J.G.A. and his nickname Pep\u0026#xED;n. Many of his closest friends and family called him as Pep\u0026#xED;n. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.\u003c/p\u003e\n","\u003cp\u003eIn his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ej\u0026#xE9;rcito) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 Divisi\u0026#xF3;n de Infanter\u0026#xED;a) called Divisi\u0026#xF3;n Rel\u0026#xE1;mpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.\u003c/p\u003e\n","\u003cp\u003eOnce he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of \u0026#xC9;l Pa\u0026#xED;s, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.\u003c/p\u003e\n","\u003cp\u003eOne of those encounters, Jos\u0026#xE9; Guerra Alem\u0026#xE1;n climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with Jos\u0026#xE9; Garc\u0026#xED;a and Eduardo Hern\u0026#xE1;ndez (Guayo) in the same company. Jos\u0026#xE9; Guerra Alem\u0026#xE1;n directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.\u003c/p\u003e\n","\u003cp\u003eWith his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote A\u0026#xFA;n Hay Luna En Los Cerros, Ensayos (Las Mayor\u0026#xED;as Discriminadas): En Defensa de la Mujer, Barro y Cenizas (D\u0026#xED;alogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biograf\u0026#xED;a de su Abuelo el General Jos\u0026#xE9; Braulio Alem\u0026#xE1;n). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.\u003c/p\u003e\n","\u003cp\u003eUnderstanding where his family came from and knowing the other members of his family tree can provide a part of Jos\u0026#xE9; Guerra Alem\u0026#xE1;n's identity. Jose Guerra Alem\u0026#xE1;n's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named Jos\u0026#xE9; Braulio Guerra Alem\u0026#xE1;n fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, Jos\u0026#xE9; Manuel Alem\u0026#xE1;n, served in the Cuban government as Minister of Education during the presidency of Dr. Ram\u0026#xF3;n Grau San Martin, president of the Authentic Party (Partido Aut\u0026#xE9;ntico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.\u003c/p\u003e\n","\u003cp\u003eHe rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alem\u0026#xE1;n. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business."],"prefercite_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["José Guerra Alemán Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks collected by Jos\u0026#xE9; Guerra Alem\u0026#xE1;n can be found by performing a series search for \"Jos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection\" in the UCF Libraries catalog.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog."],"scopecontent_html_tesm":["\u003cp\u003eThis collection was arranged in seven series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alem\u0026#xE1;n took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alem\u0026#xE1;n used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. \u003c/p\u003e\n","\u003cp\u003e\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of Jos\u0026#xE9; G. Alem\u0026#xE1;n and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\""],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4d41ff341ce7470c0d40282c3f71dd8\"\u003eThe collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist Jos\u0026#xE9; Guerra Alem\u0026#xE1;n. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.\u003c/abstract\u003e"],"abstract_tesim":["The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita."],"names_ssim":["UCF Special Collections","Guerra Alemán, José"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Guerra Alemán, José"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":282,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857755411087360,"_root_":"725898a1a41349eb30ec365d","timestamp":"2026-07-16T08:03:10.972Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_0847711ec276413d03ad28ef0377f086"}},{"id":"276f4da755904627bfe702ef_aspace_67a8c2cd98bc85ae3ffb394b2007fc41","type":"File","attributes":{"title":"Poems 1981, 1981","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/276f4da755904627bfe702ef_aspace_67a8c2cd98bc85ae3ffb394b2007fc41#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eTyped poems\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/276f4da755904627bfe702ef_aspace_67a8c2cd98bc85ae3ffb394b2007fc41#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_67a8c2cd98bc85ae3ffb394b2007fc41","ref_ssm":["aspace_67a8c2cd98bc85ae3ffb394b2007fc41","aspace_67a8c2cd98bc85ae3ffb394b2007fc41"],"id":"276f4da755904627bfe702ef_aspace_67a8c2cd98bc85ae3ffb394b2007fc41","title_filing_ssi":"Poems 1981","title_ssm":["Poems 1981"],"title_tesim":["Poems 1981"],"unitdate_other_ssim":["1981"],"normalized_date_ssm":["1981"],"normalized_title_ssm":["Poems 1981, 1981"],"text":["Poems 1981, 1981","Dr. Norman Nathan Faculty Papers Collection, bulk 1944-2011","Poetry","/repositories/2/archival_objects/83199","box 30","folder 16","Typed poems"],"component_level_isim":[2],"parent_ids_ssim":["276f4da755904627bfe702ef","276f4da755904627bfe702ef_aspace_263644b3a82da7e5f9671c50c83ad85b"],"parent_unittitles_ssm":["Dr. Norman Nathan Faculty Papers Collection, bulk 1944-2011","Poetry"],"parent_unittitles_tesim":["Dr. Norman Nathan Faculty Papers Collection, bulk 1944-2011","Poetry"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/83199"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Dr. Norman Nathan Faculty Papers Collection, bulk 1944-2011"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":565,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"date_range_isim":[1981],"containers_ssim":["box 30","folder 16"],"scopecontent_html_tesm":["\u003cp\u003eTyped poems\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Typed poems"],"_nest_path_":"/components#2/components#325","_nest_parent_":"276f4da755904627bfe702ef_aspace_263644b3a82da7e5f9671c50c83ad85b","_root_":"276f4da755904627bfe702ef","_version_":1870842149442945024,"timestamp":"2026-07-16T03:55:07.874Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"276f4da755904627bfe702ef","title_ssm":["Dr. Norman Nathan Faculty Papers Collection"],"title_tesim":["Dr. Norman Nathan Faculty Papers Collection"],"ead_ssi":"276f4da755904627bfe702ef","unitdate_ssm":["1944-2011"],"unitdate_bulk_ssim":["1944-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UAFP0004","/repositories/2/resources/67"],"text":["UAFP0004","/repositories/2/resources/67","Dr. Norman Nathan Faculty Papers Collection, bulk 1944-2011","University Archives -- Faculty Papers","University Archives","Florida Atlantic University -- History","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","The collection is arranged into nine series.","In 2013, Leslie Siegel and Victoria Thur processed the collection.","Norman Nathan is Professor Emeritus of English at Florida Atlantic University in Boca Raton, Florida. He received his Bachelor of Arts and Master of Arts, and a Ph.D. in English all from New York University. In 1968, Dr. Nathan began his career at Florida Atlantic University. In his early career, Dr. Nathan wrote several textbooks dealing with English grammar and style, and literary interpretation of the short story and poetry while continuing to write poetry and short stories.","Dr. Nathan published several books of poetry in addition to publishing over 450 poems in various publications. He has published over 22 short stories. In addition to the unpublished poems and short stories in the collection, it also contains his unpublished memoirs and novels. Dr. Nathan published over 62 scholarly articles on Shakespeare, Chaucer, Blake, The Bible, Keats, Shelly, and T. S. Elliot. Dr. Nathan passed away June 11, 2013.","In 2018, additional material donated by his daughter. This material was described and added to the existing collection by Leslie Siegel. In addition to poems and stories, the additional material included essays he wrote as an undergraduate student. The collection contains his unpublished memoirs, novels, short stories, poems, and essays.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","Norman Nathan","English"],"unitid_tesim":["UAFP0004","/repositories/2/resources/67"],"normalized_date_ssm":["bulk 1944-2011"],"normalized_title_ssm":["Dr. Norman Nathan Faculty Papers Collection, bulk 1944-2011"],"collection_title_tesim":["Dr. Norman Nathan Faculty Papers Collection, bulk 1944-2011"],"collection_ssim":["Dr. Norman Nathan Faculty Papers Collection, bulk 1944-2011"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"creator_ssm":["Norman Nathan"],"creator_ssim":["Norman Nathan"],"creator_persname_ssim":["Norman Nathan"],"creators_ssim":["Norman Nathan"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"access_subjects_ssim":["University Archives -- Faculty Papers","University Archives","Florida Atlantic University -- History"],"access_subjects_ssm":["University Archives -- Faculty Papers","University Archives","Florida Atlantic University -- History"],"has_online_content_ssim":["false"],"extent_ssm":["16.00 Linear Feet","38 document boxes other_unmapped"],"extent_tesim":["16.00 Linear Feet","38 document boxes other_unmapped"],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into nine series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into nine series."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; University Archives; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; University Archives; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2013, Leslie Siegel and Victoria Thur processed the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2013, Leslie Siegel and Victoria Thur processed the collection."],"scopecontent_html_tesm":["\u003cp\u003eNorman Nathan is Professor Emeritus of English at Florida Atlantic University in Boca Raton, Florida. He received his Bachelor of Arts and Master of Arts, and a Ph.D. in English all from New York University. In 1968, Dr. Nathan began his career at Florida Atlantic University. In his early career, Dr. Nathan wrote several textbooks dealing with English grammar and style, and literary interpretation of the short story and poetry while continuing to write poetry and short stories.\u003c/p\u003e\n","\u003cp\u003eDr. Nathan published several books of poetry in addition to publishing over 450 poems in various publications. He has published over 22 short stories. In addition to the unpublished poems and short stories in the collection, it also contains his unpublished memoirs and novels. Dr. Nathan published over 62 scholarly articles on Shakespeare, Chaucer, Blake, The Bible, Keats, Shelly, and T. S. Elliot. Dr. Nathan passed away June 11, 2013.\u003c/p\u003e\n","\u003cp\u003eIn 2018, additional material donated by his daughter. This material was described and added to the existing collection by Leslie Siegel. In addition to poems and stories, the additional material included essays he wrote as an undergraduate student. The collection contains his unpublished memoirs, novels, short stories, poems, and essays.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Norman Nathan is Professor Emeritus of English at Florida Atlantic University in Boca Raton, Florida. He received his Bachelor of Arts and Master of Arts, and a Ph.D. in English all from New York University. In 1968, Dr. Nathan began his career at Florida Atlantic University. In his early career, Dr. Nathan wrote several textbooks dealing with English grammar and style, and literary interpretation of the short story and poetry while continuing to write poetry and short stories.","Dr. Nathan published several books of poetry in addition to publishing over 450 poems in various publications. He has published over 22 short stories. In addition to the unpublished poems and short stories in the collection, it also contains his unpublished memoirs and novels. Dr. Nathan published over 62 scholarly articles on Shakespeare, Chaucer, Blake, The Bible, Keats, Shelly, and T. S. Elliot. Dr. Nathan passed away June 11, 2013.","In 2018, additional material donated by his daughter. This material was described and added to the existing collection by Leslie Siegel. In addition to poems and stories, the additional material included essays he wrote as an undergraduate student. The collection contains his unpublished memoirs, novels, short stories, poems, and essays."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into nine series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into nine series."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; University Archives; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; University Archives; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2013, Leslie Siegel and Victoria Thur processed the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2013, Leslie Siegel and Victoria Thur processed the collection."],"scopecontent_html_tesm":["\u003cp\u003eNorman Nathan is Professor Emeritus of English at Florida Atlantic University in Boca Raton, Florida. He received his Bachelor of Arts and Master of Arts, and a Ph.D. in English all from New York University. In 1968, Dr. Nathan began his career at Florida Atlantic University. In his early career, Dr. Nathan wrote several textbooks dealing with English grammar and style, and literary interpretation of the short story and poetry while continuing to write poetry and short stories.\u003c/p\u003e\n","\u003cp\u003eDr. Nathan published several books of poetry in addition to publishing over 450 poems in various publications. He has published over 22 short stories. In addition to the unpublished poems and short stories in the collection, it also contains his unpublished memoirs and novels. Dr. Nathan published over 62 scholarly articles on Shakespeare, Chaucer, Blake, The Bible, Keats, Shelly, and T. S. Elliot. Dr. Nathan passed away June 11, 2013.\u003c/p\u003e\n","\u003cp\u003eIn 2018, additional material donated by his daughter. This material was described and added to the existing collection by Leslie Siegel. In addition to poems and stories, the additional material included essays he wrote as an undergraduate student. The collection contains his unpublished memoirs, novels, short stories, poems, and essays.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Norman Nathan is Professor Emeritus of English at Florida Atlantic University in Boca Raton, Florida. He received his Bachelor of Arts and Master of Arts, and a Ph.D. in English all from New York University. In 1968, Dr. Nathan began his career at Florida Atlantic University. In his early career, Dr. Nathan wrote several textbooks dealing with English grammar and style, and literary interpretation of the short story and poetry while continuing to write poetry and short stories.","Dr. Nathan published several books of poetry in addition to publishing over 450 poems in various publications. He has published over 22 short stories. In addition to the unpublished poems and short stories in the collection, it also contains his unpublished memoirs and novels. Dr. Nathan published over 62 scholarly articles on Shakespeare, Chaucer, Blake, The Bible, Keats, Shelly, and T. S. Elliot. Dr. Nathan passed away June 11, 2013.","In 2018, additional material donated by his daughter. This material was described and added to the existing collection by Leslie Siegel. In addition to poems and stories, the additional material included essays he wrote as an undergraduate student. The collection contains his unpublished memoirs, novels, short stories, poems, and essays."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries","Norman Nathan"],"corpname_ssim":["Florida Atlantic University Libraries"],"persname_ssim":["Norman Nathan"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1297,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842149442945024,"_root_":"276f4da755904627bfe702ef","timestamp":"2026-07-16T03:55:07.874Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/276f4da755904627bfe702ef_aspace_4c8358a8b93df0b4b216d507e0e0312d"}},{"id":"d20aa889e8ea8129c93e6502_aspace_19cbbcd421b931d70418b9d5939e3fda","type":"Series","attributes":{"title":"Poetry, 1981-2007","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502_aspace_19cbbcd421b931d70418b9d5939e3fda#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_19cbbcd421b931d70418b9d5939e3fda","ref_ssm":["aspace_19cbbcd421b931d70418b9d5939e3fda","aspace_19cbbcd421b931d70418b9d5939e3fda"],"id":"d20aa889e8ea8129c93e6502_aspace_19cbbcd421b931d70418b9d5939e3fda","title_filing_ssi":"Poetry","title_ssm":["Poetry"],"title_tesim":["Poetry"],"unitdate_inclusive_ssm":["1981-2007"],"normalized_date_ssm":["1981-2007"],"normalized_title_ssm":["Poetry, 1981-2007"],"text":["Poetry, 1981-2007","Nola Perez Papers, 1969-2022","/repositories/3/archival_objects/9237"],"component_level_isim":[1],"parent_ids_ssim":["d20aa889e8ea8129c93e6502"],"parent_unittitles_ssm":["Nola Perez Papers, 1969-2022"],"parent_unittitles_tesim":["Nola Perez Papers, 1969-2022"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/3/archival_objects/9237"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Nola Perez Papers, 1969-2022"],"has_online_content_ssim":["false"],"child_component_count_isi":6,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":106,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"date_range_isim":[1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"_nest_path_":"/components#9","_nest_parent_":"d20aa889e8ea8129c93e6502","_root_":"d20aa889e8ea8129c93e6502","_version_":1870860591887810560,"timestamp":"2026-07-16T08:48:16.050Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d20aa889e8ea8129c93e6502","title_ssm":["Nola Perez Papers"],"title_tesim":["Nola Perez Papers"],"ead_ssi":"d20aa889e8ea8129c93e6502","unitdate_ssm":["1969-2022"],"unitdate_inclusive_ssm":["1969-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2016.006","/repositories/3/resources/78"],"text":["2016.006","/repositories/3/resources/78","Nola Perez Papers, 1969-2022","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. ","This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2016.006","/repositories/3/resources/78"],"normalized_date_ssm":["1969-2022"],"normalized_title_ssm":["Nola Perez Papers, 1969-2022"],"collection_title_tesim":["Nola Perez Papers, 1969-2022"],"collection_ssim":["Nola Perez Papers, 1969-2022"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Nola B. Perez, 2016-09-06."],"has_online_content_ssim":["false"],"extent_ssm":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"extent_tesim":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eNola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. \u003c/p\u003e\n","\u003cp\u003eDuring her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.\u003c/p\u003e\n","\u003cp\u003eIn the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.\u003c/p\u003e\n","\u003cp\u003eUpon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. "],"prefercite_html_tesm":["\u003cp\u003eNola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Nola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. \u003c/p\u003e\n","\u003cp\u003eSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1 \u0026#x2013; Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez\u003c/p\u003e\n","\u003cp\u003eSeries 2 \u0026#x2013; Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles\u003c/p\u003e\n","\u003cp\u003eSeries 3 \u0026#x2013; Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails\u003c/p\u003e\n","\u003cp\u003eSeries 4 \u0026#x2013; Critiques (arranged chronologically) include critical receptions of Nola Perez's work\u003c/p\u003e\n","\u003cp\u003eSeries 5 \u0026#x2013; Events (arranged alphabetically by subseries)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Book Signings and Poetry Readings (arranged chronologically) includes information and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"\u003c/p\u003e\n","\u003cp\u003eSeries 6 \u0026#x2013; Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation\u003c/p\u003e\n","\u003cp\u003eSeries 7 \u0026#x2013; Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career\u003c/p\u003e\n","\u003cp\u003eSeries 8 \u0026#x2013; Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Photographs (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Publications (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 5 \u0026#x2013; Workshops (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSeries 9 \u0026#x2013; Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events\u003c/p\u003e\n","\u003cp\u003eSeries 10 \u0026#x2013; Poetry (arranged chronologically) contains a collection of Nola's poetry\u003c/p\u003e\n","\u003cp\u003eSeries 11 \u0026#x2013; Publications (arranged alphabetically by type of publication)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Books (arranged chronologically by publication date; chronological files within each book published)\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Journals (arranged chronologically by publication date)\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website\u003c/p\u003e\n","\u003cp\u003eSeries 12 \u0026#x2013; Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia\u003c/p\u003e\n","\u003cp\u003eSeries 13 \u0026#x2013; Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop"],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":231,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860591887810560,"_root_":"d20aa889e8ea8129c93e6502","timestamp":"2026-07-16T08:48:16.050Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502_aspace_19cbbcd421b931d70418b9d5939e3fda"}},{"id":"cf2e69e616b9f3f82baf8164_aspace_4c98c102138d1d5d01651adc8eceb543","type":"File","attributes":{"title":"Poetry [1 of 2], 1939–1955, 1980–1983, undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/cf2e69e616b9f3f82baf8164_aspace_4c98c102138d1d5d01651adc8eceb543#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_4c98c102138d1d5d01651adc8eceb543","ref_ssm":["aspace_4c98c102138d1d5d01651adc8eceb543","aspace_4c98c102138d1d5d01651adc8eceb543"],"id":"cf2e69e616b9f3f82baf8164_aspace_4c98c102138d1d5d01651adc8eceb543","title_filing_ssi":"Poetry [1 of 2]","title_ssm":["Poetry [1 of 2]"],"title_tesim":["Poetry [1 of 2]"],"unitdate_inclusive_ssm":["1939–1955","1980–1983","undated"],"normalized_date_ssm":["1939–1955, 1980–1983, undated"],"normalized_title_ssm":["Poetry [1 of 2], 1939–1955, 1980–1983, undated"],"text":["Poetry [1 of 2], 1939–1955, 1980–1983, undated","Patrick Boland collection, 1937-1983","/repositories/4/archival_objects/68674","box 1","folder 4"],"component_level_isim":[1],"parent_ids_ssim":["cf2e69e616b9f3f82baf8164"],"parent_unittitles_ssm":["Patrick Boland collection, 1937-1983"],"parent_unittitles_tesim":["Patrick Boland collection, 1937-1983"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/4/archival_objects/68674"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Patrick Boland collection, 1937-1983"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":4,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1980,1981,1982,1983],"containers_ssim":["box 1","folder 4"],"_nest_path_":"/components#3","_nest_parent_":"cf2e69e616b9f3f82baf8164","_root_":"cf2e69e616b9f3f82baf8164","timestamp":"2026-04-21T03:30:58.996Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"cf2e69e616b9f3f82baf8164","title_ssm":["Patrick Boland collection"],"title_tesim":["Patrick Boland collection"],"ead_ssi":"cf2e69e616b9f3f82baf8164","unitdate_ssm":["1937-1983"],"unitdate_inclusive_ssm":["1937-1983"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 147","/repositories/4/resources/289"],"text":["SC 147","/repositories/4/resources/289","Patrick Boland collection, 1937-1983","Poets -- Michigan","poems","drafts (documents)","research notes","The entire collection is open for research.","Patrick Boland was a poet. Native to Detroit, Patrick Boland was born in 1921 to Bernard and Grace Belle Russelo Boland. He was the oldest of his three siblings, Mary Anne, John Joseph, and Rita. His father, referred to as Bernie, was once a pitcher for the Detroit Tigers.   ","In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\" At the time, it was the largest prize in ten years.  ","Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. In his book,  Dylan Thomas in America , author John Malcom Brinnin would describe Boland's work as \"remarkable.\" On the spoken word album,  Return Journey to Swansea , Thomas can be heard reciting Boland's poem \"I Climb the Stairs After a Tedious Masquerade.\" During their short but sincere friendship, Boland escorted Dylan Thomas to Ann Arbor, where they would stay at the home of Boland's family friends and fellow poets Dorothy and Walter Donnelly.   ","In 1950, Boland's poem \"Mandala\" was published in  Flair  and later included in the 1952 anthology  A Little Treasury of American Poetry . In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology  New World Writing , alongside work from acclaimed writers like Edith and Sacheverell Sitwell.   ","Patrick Boland wrote for the rest of his life. Notably, as found in this collection, he wrote research and analysis on the British-American poet W.H. Auden. In correspondence, Boland also wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death in 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old. Sometime before, in 1982, he left a note on a Kleenex box: \"Love without saying goes so long; Then just as now, it goes longer.\" ","Processed by and finding aid prepared by Amelia Cuttle in 2023.","Walter and Dorothy Donnelly family papers , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.   ","W.H. Auden collection of papers , Henry W. and Albert A. Berg Collection of English and American Literature, The New York Public Library, New York, New York. ","Dylan Thomas collection , Harry Ransom Center, The University of Texas at Austin, Austin, Texas.  ","The Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout his materials in doodles, notes, financial calculations, and signatures. ","This collection provides insight into the personality and artistic endeavors of Patrick Boland as he fostered a career as a poet. The drafts of his works offer a glimpse of his unpublished talents and interests, such as W.H. Auden. Additionally, personal musings and notes reflect certain physical and mental struggles that illuminate his writing. ","The materials in the Patrick Boland collection were separated from the  Walter and Dorothy Donnelly family papers .","Books donated with the Patrick Boland collection have been cataloged individually. Please search the Library Catalog using the series Patrick Boland collection.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout all of his documents in doodles, notes, financial calculations, and signatures.  \n\nNative to Detroit, Patrick Boland was born on August 30, 1921. His father, Bernie, was once a pitcher for the Detroit Tigers. In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\"  Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. That same year, Boland's poem \"Mandala\" was published in  Flair  and later included in the 1952 anthology  A Little Treasury of American Poetry . In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology  New World Writing , alongside work from acclaimed writers like Edith and Sacheverell Sitwell. In correspondence, Boland wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death on October 29, 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old.","UCF Special Collections","Boland, Patrick, 1921-1984","Auden, W. H. (Wystan Hugh), 1907-1973","English"],"unitid_tesim":["SC 147","/repositories/4/resources/289"],"normalized_date_ssm":["1937-1983"],"normalized_title_ssm":["Patrick Boland collection, 1937-1983"],"collection_title_tesim":["Patrick Boland collection, 1937-1983"],"collection_ssim":["Patrick Boland collection, 1937-1983"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Boland, Patrick, 1921-1984"],"creator_ssim":["Boland, Patrick, 1921-1984"],"creator_persname_ssim":["Boland, Patrick, 1921-1984"],"creators_ssim":["Boland, Patrick, 1921-1984"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of Jerome Donnelly in 2021 (Accession no. CFM2021_21)."],"access_subjects_ssim":["Poets -- Michigan","poems","drafts (documents)","research notes"],"access_subjects_ssm":["Poets -- Michigan","poems","drafts (documents)","research notes"],"has_online_content_ssim":["false"],"extent_ssm":[".8 Linear Feet 2 boxes"],"extent_tesim":[".8 Linear Feet 2 boxes"],"genreform_ssim":["poems","drafts (documents)","research notes"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access: "],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003ePatrick Boland was a poet. 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In his book, \u003cemph render=\"italic\"\u003eDylan Thomas in America\u003c/emph\u003e, author John Malcom Brinnin would describe Boland's work as \"remarkable.\" On the spoken word album, \u003cemph render=\"italic\"\u003eReturn Journey to Swansea\u003c/emph\u003e, Thomas can be heard reciting Boland's poem \"I Climb the Stairs After a Tedious Masquerade.\" During their short but sincere friendship, Boland escorted Dylan Thomas to Ann Arbor, where they would stay at the home of Boland's family friends and fellow poets Dorothy and Walter Donnelly.   \u003c/p\u003e\n","\u003cp\u003eIn 1950, Boland's poem \"Mandala\" was published in \u003cemph render=\"italic\"\u003eFlair\u003c/emph\u003e and later included in the 1952 anthology \u003cemph render=\"italic\"\u003eA Little Treasury of American Poetry\u003c/emph\u003e. In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology \u003cemph render=\"italic\"\u003eNew World Writing\u003c/emph\u003e, alongside work from acclaimed writers like Edith and Sacheverell Sitwell.   \u003c/p\u003e\n","\u003cp\u003ePatrick Boland wrote for the rest of his life. Notably, as found in this collection, he wrote research and analysis on the British-American poet W.H. Auden. In correspondence, Boland also wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death in 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old. Sometime before, in 1982, he left a note on a Kleenex box: \"Love without saying goes so long; Then just as now, it goes longer.\" \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Patrick Boland was a poet. Native to Detroit, Patrick Boland was born in 1921 to Bernard and Grace Belle Russelo Boland. He was the oldest of his three siblings, Mary Anne, John Joseph, and Rita. His father, referred to as Bernie, was once a pitcher for the Detroit Tigers.   ","In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\" At the time, it was the largest prize in ten years.  ","Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. In his book,  Dylan Thomas in America , author John Malcom Brinnin would describe Boland's work as \"remarkable.\" On the spoken word album,  Return Journey to Swansea , Thomas can be heard reciting Boland's poem \"I Climb the Stairs After a Tedious Masquerade.\" During their short but sincere friendship, Boland escorted Dylan Thomas to Ann Arbor, where they would stay at the home of Boland's family friends and fellow poets Dorothy and Walter Donnelly.   ","In 1950, Boland's poem \"Mandala\" was published in  Flair  and later included in the 1952 anthology  A Little Treasury of American Poetry . In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology  New World Writing , alongside work from acclaimed writers like Edith and Sacheverell Sitwell.   ","Patrick Boland wrote for the rest of his life. Notably, as found in this collection, he wrote research and analysis on the British-American poet W.H. Auden. In correspondence, Boland also wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death in 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old. Sometime before, in 1982, he left a note on a Kleenex box: \"Love without saying goes so long; Then just as now, it goes longer.\" "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Patrick Boland collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Patrick Boland collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Amelia Cuttle in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Amelia Cuttle in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/35\"\u003eWalter and Dorothy Donnelly family papers\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.   \u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://archives.nypl.org/brg/19132#overview\"\u003eW.H. Auden collection of papers\u003c/extref\u003e, Henry W. and Albert A. Berg Collection of English and American Literature, The New York Public Library, New York, New York. \u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://hrc.contentdm.oclc.org/digital/collection/p15878coll98\"\u003eDylan Thomas collection\u003c/extref\u003e, Harry Ransom Center, The University of Texas at Austin, Austin, Texas.  \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Walter and Dorothy Donnelly family papers , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.   ","W.H. Auden collection of papers , Henry W. and Albert A. Berg Collection of English and American Literature, The New York Public Library, New York, New York. ","Dylan Thomas collection , Harry Ransom Center, The University of Texas at Austin, Austin, Texas.  "],"scopecontent_html_tesm":["\u003cp\u003eThe Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout his materials in doodles, notes, financial calculations, and signatures. \u003c/p\u003e\n","\u003cp\u003eThis collection provides insight into the personality and artistic endeavors of Patrick Boland as he fostered a career as a poet. The drafts of his works offer a glimpse of his unpublished talents and interests, such as W.H. Auden. Additionally, personal musings and notes reflect certain physical and mental struggles that illuminate his writing. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout his materials in doodles, notes, financial calculations, and signatures. ","This collection provides insight into the personality and artistic endeavors of Patrick Boland as he fostered a career as a poet. The drafts of his works offer a glimpse of his unpublished talents and interests, such as W.H. Auden. Additionally, personal musings and notes reflect certain physical and mental struggles that illuminate his writing. "],"separatedmaterial_html_tesm":["\u003cp\u003eThe materials in the Patrick Boland collection were separated from the \u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/35\"\u003eWalter and Dorothy Donnelly family papers\u003c/extref\u003e.\u003c/p\u003e\n","\u003cp\u003eBooks donated with the Patrick Boland collection have been cataloged individually. Please search the Library Catalog using the series Patrick Boland collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The materials in the Patrick Boland collection were separated from the  Walter and Dorothy Donnelly family papers .","Books donated with the Patrick Boland collection have been cataloged individually. Please search the Library Catalog using the series Patrick Boland collection."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f939e2b0072082962df553b7d92c9f96\"\u003eThe Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout all of his documents in doodles, notes, financial calculations, and signatures.  \n\nNative to Detroit, Patrick Boland was born on August 30, 1921. His father, Bernie, was once a pitcher for the Detroit Tigers. In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\"  Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. That same year, Boland's poem \"Mandala\" was published in \u003cemph render=\"italic\"\u003eFlair\u003c/emph\u003e and later included in the 1952 anthology \u003cemph render=\"italic\"\u003eA Little Treasury of American Poetry\u003c/emph\u003e. In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology \u003cemph render=\"italic\"\u003eNew World Writing\u003c/emph\u003e, alongside work from acclaimed writers like Edith and Sacheverell Sitwell. In correspondence, Boland wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death on October 29, 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old.\u003c/abstract\u003e"],"abstract_tesim":["The Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout all of his documents in doodles, notes, financial calculations, and signatures.  \n\nNative to Detroit, Patrick Boland was born on August 30, 1921. His father, Bernie, was once a pitcher for the Detroit Tigers. In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\"  Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. That same year, Boland's poem \"Mandala\" was published in  Flair  and later included in the 1952 anthology  A Little Treasury of American Poetry . In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology  New World Writing , alongside work from acclaimed writers like Edith and Sacheverell Sitwell. In correspondence, Boland wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death on October 29, 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old."],"names_ssim":["UCF Special Collections","Boland, Patrick, 1921-1984","Auden, W. H. (Wystan Hugh), 1907-1973"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Auden, W. H. (Wystan Hugh), 1907-1973"],"persname_ssim":["Boland, Patrick, 1921-1984","Auden, W. H. (Wystan Hugh), 1907-1973"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":11,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"cf2e69e616b9f3f82baf8164","timestamp":"2026-04-21T03:30:58.996Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/cf2e69e616b9f3f82baf8164_aspace_4c98c102138d1d5d01651adc8eceb543"}},{"id":"cf2e69e616b9f3f82baf8164_aspace_1859059fdf0850869e4c0190f791cf28","type":"File","attributes":{"title":"Poetry [2 of 2], 1939–1955, 1980–1983, undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/cf2e69e616b9f3f82baf8164_aspace_1859059fdf0850869e4c0190f791cf28#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1859059fdf0850869e4c0190f791cf28","ref_ssm":["aspace_1859059fdf0850869e4c0190f791cf28","aspace_1859059fdf0850869e4c0190f791cf28"],"id":"cf2e69e616b9f3f82baf8164_aspace_1859059fdf0850869e4c0190f791cf28","title_filing_ssi":"Poetry [2 of 2]","title_ssm":["Poetry [2 of 2]"],"title_tesim":["Poetry [2 of 2]"],"unitdate_inclusive_ssm":["1939–1955","1980–1983","undated"],"normalized_date_ssm":["1939–1955, 1980–1983, undated"],"normalized_title_ssm":["Poetry [2 of 2], 1939–1955, 1980–1983, undated"],"text":["Poetry [2 of 2], 1939–1955, 1980–1983, undated","Patrick Boland collection, 1937-1983","/repositories/4/archival_objects/68675","box 1","folder 5"],"component_level_isim":[1],"parent_ids_ssim":["cf2e69e616b9f3f82baf8164"],"parent_unittitles_ssm":["Patrick Boland collection, 1937-1983"],"parent_unittitles_tesim":["Patrick Boland collection, 1937-1983"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/4/archival_objects/68675"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Patrick Boland collection, 1937-1983"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":5,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1980,1981,1982,1983],"containers_ssim":["box 1","folder 5"],"_nest_path_":"/components#4","_nest_parent_":"cf2e69e616b9f3f82baf8164","_root_":"cf2e69e616b9f3f82baf8164","timestamp":"2026-04-21T03:30:58.996Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"cf2e69e616b9f3f82baf8164","title_ssm":["Patrick Boland collection"],"title_tesim":["Patrick Boland collection"],"ead_ssi":"cf2e69e616b9f3f82baf8164","unitdate_ssm":["1937-1983"],"unitdate_inclusive_ssm":["1937-1983"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 147","/repositories/4/resources/289"],"text":["SC 147","/repositories/4/resources/289","Patrick Boland collection, 1937-1983","Poets -- Michigan","poems","drafts (documents)","research notes","The entire collection is open for research.","Patrick Boland was a poet. Native to Detroit, Patrick Boland was born in 1921 to Bernard and Grace Belle Russelo Boland. He was the oldest of his three siblings, Mary Anne, John Joseph, and Rita. His father, referred to as Bernie, was once a pitcher for the Detroit Tigers.   ","In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\" At the time, it was the largest prize in ten years.  ","Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. In his book,  Dylan Thomas in America , author John Malcom Brinnin would describe Boland's work as \"remarkable.\" On the spoken word album,  Return Journey to Swansea , Thomas can be heard reciting Boland's poem \"I Climb the Stairs After a Tedious Masquerade.\" During their short but sincere friendship, Boland escorted Dylan Thomas to Ann Arbor, where they would stay at the home of Boland's family friends and fellow poets Dorothy and Walter Donnelly.   ","In 1950, Boland's poem \"Mandala\" was published in  Flair  and later included in the 1952 anthology  A Little Treasury of American Poetry . In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology  New World Writing , alongside work from acclaimed writers like Edith and Sacheverell Sitwell.   ","Patrick Boland wrote for the rest of his life. Notably, as found in this collection, he wrote research and analysis on the British-American poet W.H. Auden. In correspondence, Boland also wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death in 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old. Sometime before, in 1982, he left a note on a Kleenex box: \"Love without saying goes so long; Then just as now, it goes longer.\" ","Processed by and finding aid prepared by Amelia Cuttle in 2023.","Walter and Dorothy Donnelly family papers , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.   ","W.H. Auden collection of papers , Henry W. and Albert A. Berg Collection of English and American Literature, The New York Public Library, New York, New York. ","Dylan Thomas collection , Harry Ransom Center, The University of Texas at Austin, Austin, Texas.  ","The Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout his materials in doodles, notes, financial calculations, and signatures. ","This collection provides insight into the personality and artistic endeavors of Patrick Boland as he fostered a career as a poet. The drafts of his works offer a glimpse of his unpublished talents and interests, such as W.H. Auden. Additionally, personal musings and notes reflect certain physical and mental struggles that illuminate his writing. ","The materials in the Patrick Boland collection were separated from the  Walter and Dorothy Donnelly family papers .","Books donated with the Patrick Boland collection have been cataloged individually. Please search the Library Catalog using the series Patrick Boland collection.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout all of his documents in doodles, notes, financial calculations, and signatures.  \n\nNative to Detroit, Patrick Boland was born on August 30, 1921. His father, Bernie, was once a pitcher for the Detroit Tigers. In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\"  Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. That same year, Boland's poem \"Mandala\" was published in  Flair  and later included in the 1952 anthology  A Little Treasury of American Poetry . In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology  New World Writing , alongside work from acclaimed writers like Edith and Sacheverell Sitwell. In correspondence, Boland wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death on October 29, 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old.","UCF Special Collections","Boland, Patrick, 1921-1984","Auden, W. H. (Wystan Hugh), 1907-1973","English"],"unitid_tesim":["SC 147","/repositories/4/resources/289"],"normalized_date_ssm":["1937-1983"],"normalized_title_ssm":["Patrick Boland collection, 1937-1983"],"collection_title_tesim":["Patrick Boland collection, 1937-1983"],"collection_ssim":["Patrick Boland collection, 1937-1983"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Boland, Patrick, 1921-1984"],"creator_ssim":["Boland, Patrick, 1921-1984"],"creator_persname_ssim":["Boland, Patrick, 1921-1984"],"creators_ssim":["Boland, Patrick, 1921-1984"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of Jerome Donnelly in 2021 (Accession no. CFM2021_21)."],"access_subjects_ssim":["Poets -- Michigan","poems","drafts (documents)","research notes"],"access_subjects_ssm":["Poets -- Michigan","poems","drafts (documents)","research notes"],"has_online_content_ssim":["false"],"extent_ssm":[".8 Linear Feet 2 boxes"],"extent_tesim":[".8 Linear Feet 2 boxes"],"genreform_ssim":["poems","drafts (documents)","research notes"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access: "],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003ePatrick Boland was a poet. Native to Detroit, Patrick Boland was born in 1921 to Bernard and Grace Belle Russelo Boland. He was the oldest of his three siblings, Mary Anne, John Joseph, and Rita. His father, referred to as Bernie, was once a pitcher for the Detroit Tigers.   \u003c/p\u003e\n","\u003cp\u003eIn 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\" At the time, it was the largest prize in ten years.  \u003c/p\u003e\n","\u003cp\u003eBoland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. In his book, \u003cemph render=\"italic\"\u003eDylan Thomas in America\u003c/emph\u003e, author John Malcom Brinnin would describe Boland's work as \"remarkable.\" On the spoken word album, \u003cemph render=\"italic\"\u003eReturn Journey to Swansea\u003c/emph\u003e, Thomas can be heard reciting Boland's poem \"I Climb the Stairs After a Tedious Masquerade.\" During their short but sincere friendship, Boland escorted Dylan Thomas to Ann Arbor, where they would stay at the home of Boland's family friends and fellow poets Dorothy and Walter Donnelly.   \u003c/p\u003e\n","\u003cp\u003eIn 1950, Boland's poem \"Mandala\" was published in \u003cemph render=\"italic\"\u003eFlair\u003c/emph\u003e and later included in the 1952 anthology \u003cemph render=\"italic\"\u003eA Little Treasury of American Poetry\u003c/emph\u003e. In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology \u003cemph render=\"italic\"\u003eNew World Writing\u003c/emph\u003e, alongside work from acclaimed writers like Edith and Sacheverell Sitwell.   \u003c/p\u003e\n","\u003cp\u003ePatrick Boland wrote for the rest of his life. Notably, as found in this collection, he wrote research and analysis on the British-American poet W.H. Auden. In correspondence, Boland also wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death in 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old. Sometime before, in 1982, he left a note on a Kleenex box: \"Love without saying goes so long; Then just as now, it goes longer.\" \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Patrick Boland was a poet. Native to Detroit, Patrick Boland was born in 1921 to Bernard and Grace Belle Russelo Boland. He was the oldest of his three siblings, Mary Anne, John Joseph, and Rita. His father, referred to as Bernie, was once a pitcher for the Detroit Tigers.   ","In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\" At the time, it was the largest prize in ten years.  ","Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. In his book,  Dylan Thomas in America , author John Malcom Brinnin would describe Boland's work as \"remarkable.\" On the spoken word album,  Return Journey to Swansea , Thomas can be heard reciting Boland's poem \"I Climb the Stairs After a Tedious Masquerade.\" During their short but sincere friendship, Boland escorted Dylan Thomas to Ann Arbor, where they would stay at the home of Boland's family friends and fellow poets Dorothy and Walter Donnelly.   ","In 1950, Boland's poem \"Mandala\" was published in  Flair  and later included in the 1952 anthology  A Little Treasury of American Poetry . In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology  New World Writing , alongside work from acclaimed writers like Edith and Sacheverell Sitwell.   ","Patrick Boland wrote for the rest of his life. Notably, as found in this collection, he wrote research and analysis on the British-American poet W.H. Auden. In correspondence, Boland also wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death in 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old. Sometime before, in 1982, he left a note on a Kleenex box: \"Love without saying goes so long; Then just as now, it goes longer.\" "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Patrick Boland collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Patrick Boland collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Amelia Cuttle in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Amelia Cuttle in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/35\"\u003eWalter and Dorothy Donnelly family papers\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.   \u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://archives.nypl.org/brg/19132#overview\"\u003eW.H. Auden collection of papers\u003c/extref\u003e, Henry W. and Albert A. Berg Collection of English and American Literature, The New York Public Library, New York, New York. \u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://hrc.contentdm.oclc.org/digital/collection/p15878coll98\"\u003eDylan Thomas collection\u003c/extref\u003e, Harry Ransom Center, The University of Texas at Austin, Austin, Texas.  \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Walter and Dorothy Donnelly family papers , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.   ","W.H. Auden collection of papers , Henry W. and Albert A. Berg Collection of English and American Literature, The New York Public Library, New York, New York. ","Dylan Thomas collection , Harry Ransom Center, The University of Texas at Austin, Austin, Texas.  "],"scopecontent_html_tesm":["\u003cp\u003eThe Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout his materials in doodles, notes, financial calculations, and signatures. \u003c/p\u003e\n","\u003cp\u003eThis collection provides insight into the personality and artistic endeavors of Patrick Boland as he fostered a career as a poet. The drafts of his works offer a glimpse of his unpublished talents and interests, such as W.H. Auden. Additionally, personal musings and notes reflect certain physical and mental struggles that illuminate his writing. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout his materials in doodles, notes, financial calculations, and signatures. ","This collection provides insight into the personality and artistic endeavors of Patrick Boland as he fostered a career as a poet. The drafts of his works offer a glimpse of his unpublished talents and interests, such as W.H. Auden. Additionally, personal musings and notes reflect certain physical and mental struggles that illuminate his writing. "],"separatedmaterial_html_tesm":["\u003cp\u003eThe materials in the Patrick Boland collection were separated from the \u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/35\"\u003eWalter and Dorothy Donnelly family papers\u003c/extref\u003e.\u003c/p\u003e\n","\u003cp\u003eBooks donated with the Patrick Boland collection have been cataloged individually. Please search the Library Catalog using the series Patrick Boland collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The materials in the Patrick Boland collection were separated from the  Walter and Dorothy Donnelly family papers .","Books donated with the Patrick Boland collection have been cataloged individually. Please search the Library Catalog using the series Patrick Boland collection."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f939e2b0072082962df553b7d92c9f96\"\u003eThe Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout all of his documents in doodles, notes, financial calculations, and signatures.  \n\nNative to Detroit, Patrick Boland was born on August 30, 1921. His father, Bernie, was once a pitcher for the Detroit Tigers. In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\"  Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. That same year, Boland's poem \"Mandala\" was published in \u003cemph render=\"italic\"\u003eFlair\u003c/emph\u003e and later included in the 1952 anthology \u003cemph render=\"italic\"\u003eA Little Treasury of American Poetry\u003c/emph\u003e. In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology \u003cemph render=\"italic\"\u003eNew World Writing\u003c/emph\u003e, alongside work from acclaimed writers like Edith and Sacheverell Sitwell. In correspondence, Boland wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death on October 29, 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old.\u003c/abstract\u003e"],"abstract_tesim":["The Patrick Boland collection, 1937-1983, represents the writings and personal papers Patrick Boland collected throughout his life as a poet in Detroit, Michigan. It primarily features research and drafts of an unpublished manuscript Boland was writing about the British-American poet W.H. Auden. The collection also includes Boland's poetry drafts, including some of their inspirations in the form of newspaper clippings. Boland's personal papers in this collection consist of his saved assignments from school, postcards, letters, and some diary entries. Boland's personal notes and musings can be found throughout all of his documents in doodles, notes, financial calculations, and signatures.  \n\nNative to Detroit, Patrick Boland was born on August 30, 1921. His father, Bernie, was once a pitcher for the Detroit Tigers. In 1949, Boland graduated from the University of Michigan, where he also won the Avery Hopwood award. He received $1,500 (equivalent to approx. $20,000 today) in the major poetry contest for his manuscript, \"Twenty Poems.\"  Boland was one of the first friends the Welsh poet Dylan Thomas made while visiting America in 1950. That same year, Boland's poem \"Mandala\" was published in  Flair  and later included in the 1952 anthology  A Little Treasury of American Poetry . In 1953, Boland's poem \"Trials of a Poet\" was published in the anthology  New World Writing , alongside work from acclaimed writers like Edith and Sacheverell Sitwell. In correspondence, Boland wrote of his debilitating and consuming struggle with asthma. In the few years leading up to his death on October 29, 1984, Boland was hospitalized numerous times due to cardiac arrest. He was 63 years old."],"names_ssim":["UCF Special Collections","Boland, Patrick, 1921-1984","Auden, W. H. (Wystan Hugh), 1907-1973"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Auden, W. H. (Wystan Hugh), 1907-1973"],"persname_ssim":["Boland, Patrick, 1921-1984","Auden, W. H. (Wystan Hugh), 1907-1973"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":11,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"cf2e69e616b9f3f82baf8164","timestamp":"2026-04-21T03:30:58.996Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/cf2e69e616b9f3f82baf8164_aspace_1859059fdf0850869e4c0190f791cf28"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Michael A. Spencer Bromeliad Research Collection, 1754-2014","value":"Michael A. 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