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Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections. 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Spady (copy), Circa 1981-1982","Dorothy Porter Wesley Collection, Circa 1788-2012","Printed Materials","General, Circa 1773-2009","/repositories/2/archival_objects/6737","box 61","folder 1340"],"component_level_isim":[3],"parent_ids_ssim":["5e17dda97e7549e9d9b40539","5e17dda97e7549e9d9b40539_aspace_ced9b0ebeee47c9fad9a3053c0bdb162","5e17dda97e7549e9d9b40539_aspace_ffd0457a7f30ca1e07173f8bd8cd076a"],"parent_unittitles_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012","Printed Materials","General, Circa 1773-2009"],"parent_unittitles_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012","Printed Materials","General, Circa 1773-2009"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/6737"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1379,"parent_access_restrict_tesm":["The Dorothy Porter Wesley Collection is open for research."],"date_range_isim":[1981,1982],"containers_ssim":["box 61","folder 1340"],"_nest_path_":"/components#5/components#2/components#168","_nest_parent_":"5e17dda97e7549e9d9b40539_aspace_ffd0457a7f30ca1e07173f8bd8cd076a","_root_":"5e17dda97e7549e9d9b40539","_version_":1871563605913108480,"timestamp":"2026-07-24T03:02:22.463Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5e17dda97e7549e9d9b40539","title_filing_ssi":"Wesley, Dorothy Porter Collection","title_ssm":["Dorothy Porter Wesley Collection"],"title_tesim":["Dorothy Porter Wesley Collection"],"ead_ssi":"5e17dda97e7549e9d9b40539","unitdate_ssm":["Circa 1788-2012"],"unitdate_inclusive_ssm":["Circa 1788-2012"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2003.6","/repositories/2/resources/20"],"text":["AARLCC.2003.6","/repositories/2/resources/20","Dorothy Porter Wesley Collection, Circa 1788-2012","Africa -- Research","Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art","The Dorothy Porter Wesley Collection is open for research.","View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.","The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets","Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.","The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.","Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".","The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.","AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970","English Portuguese German"],"unitid_tesim":["AARLCC.2003.6","/repositories/2/resources/20"],"normalized_date_ssm":["Circa 1788-2012"],"normalized_title_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_title_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Africa -- Research"],"geogname_ssim":["Africa -- Research"],"places_ssim":["Africa -- Research"],"acqinfo_ssim":["Broward County Library purchased the materials from Constance Porter Uzelac (daughter of Dorothy Porter Wesley) in December 2002 (Accession AARLCC-2003.6). Milan Uzelac donated accruals to AARLCC Special Collections on June 29, 2012 (Accession AARLCC-2012.12) and on May 12, 2022 (Accession AARLCC-2022.7)."],"access_subjects_ssim":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"access_subjects_ssm":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"has_online_content_ssim":["false"],"extent_ssm":["67 Hollinger Boxes","2800 Books"],"extent_tesim":["67 Hollinger Boxes","2800 Books"],"genreform_ssim":["Photographs","Sound recordings","Correspondence","Art"],"date_range_isim":[1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Dorothy Porter Wesley Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll37/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series and sub-series:\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries I. Correspondence\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. General Correspondence\u003c/p\u003e","\u003cp\u003eSub-series II. Family Correspondence\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries II. Professional Papers\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley professional papers\u003c/p\u003e","\u003cp\u003eSub-series II. Constance Porter Uzelac professional papers \u003c/p\u003e","\u003cp\u003eSub-series III. Charles Harris Wesley professional papers \u003c/p\u003e","\u003cp\u003eSub-series IV. Writings by Dorothy Porter Wesley\u003c/p\u003e","\u003cp\u003eSub-series V. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VI. Writings by James A. Porter\u003c/p\u003e","\u003cp\u003eSub-series VII. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VIII. Writings by Charles Harris Wesley \u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries III. Research Files\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley general research files\u003c/p\u003e","\u003cp\u003eSub-series II. Dorothy Porter Wesley Brazil research files\u003c/p\u003e","\u003cp\u003eSub-series III. Dorothy Porter Wesley illustrations\u003c/p\u003e","\u003cp\u003eSub-series IV. Constance Porter Uzelac research files\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries IV. Personal Papers\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries V. Photographs\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries VI. Printed Materials\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Calendars and Datebooks\u003c/p\u003e","\u003cp\u003eSub-series II. Catalogs\u003c/p\u003e","\u003cp\u003eSub-series III. General\u003c/p\u003e","\u003cp\u003eSub-series IV. Magazines\u003c/p\u003e","\u003cp\u003eSub-series V. Maps\u003c/p\u003e","\u003cp\u003eSub-series VI. Newspaper Clippings\u003c/p\u003e","\u003cp\u003eSub-series VII. Sheet Music\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries VII. Ephemera and Artwork\u003c/p\u003e\u003c/b\u003e","\u003cp\u003e\u003cb\u003eSeries VIII. Books and Pamphlets\u003c/b\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets"],"bioghist_html_tesm":["\u003cp\u003eDorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. \u003c/p\u003e\n","\u003cp\u003eShe graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. \u003c/p\u003e\n","\u003cp\u003eIn 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work, \u003cemph\u003eModern Negro Art\u003c/emph\u003e, proved to be one of the most informative sources to date on the creativity of the Black artists.\u003c/p\u003e\n","\u003cp\u003eIn 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.\u003c/p\u003e\n","\u003cp\u003eJames Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. \u003c/p\u003e\n","\u003cp\u003eCharles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. \u003c/p\u003e\n","\u003cp\u003eAfter her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.\u003c/p\u003e\n","\u003cp\u003eIn 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.\u003c/p\u003e\n","\u003cp\u003eThe book \u003ci\u003eWilliam Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874\u003c/i\u003e (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.\u003c/p\u003e\n","\u003cp\u003eIn 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012."],"prefercite_html_tesm":["\u003cp\u003eDorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Dorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\n\u003ca href=\"https://archives.yale.edu/repositories/11/resources/994\" target=\"_blank\"\u003ePart of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.\u003c/a\u003e\n\u003c/p\u003e","\u003cp\u003e\n\u003ca href=\"https://archives.libraries.emory.edu/repositories/7/resources/3255\" target=\"_blank\"\u003eDorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.\u003c/a\u003e\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University."],"scopecontent_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.\u003c/p\u003e\n","\u003cp\u003eCorrespondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.\u003c/p\u003e\n","\u003cp\u003eProfessional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.\u003c/p\u003e\n","\u003cp\u003eConstance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". \u003c/p\u003e\n","\u003cp\u003eThe collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.\u003c/p\u003e\n","\u003cp\u003eResearch files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.\u003c/p\u003e\n","\u003cp\u003ePrinted Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=DPW\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\"."],"abstract_html_tesm":["\u003cabstract id=\"aspace_559c404160acc20bdc75d09cde3325a4\"\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.\u003c/abstract\u003e"],"abstract_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets."],"names_ssim":["AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Wesley, Dorothy Porter, 1905-1995"],"persname_ssim":["Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"language_ssim":["English Portuguese German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1539,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871563605913108480,"_root_":"5e17dda97e7549e9d9b40539","timestamp":"2026-07-24T03:02:22.463Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_d213bef1d0bb9d1e6bd3c713845ff3ef"}},{"id":"f2719d6ab605a057b8ab0e9c_aspace_1e9bfe1b589daefcb11c5549eb8b25da","type":"Subseries","attributes":{"title":"NOAA (National Oceanic and Atmospheric Administration), 1977-2000, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f2719d6ab605a057b8ab0e9c_aspace_1e9bfe1b589daefcb11c5549eb8b25da#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1e9bfe1b589daefcb11c5549eb8b25da","ref_ssm":["aspace_1e9bfe1b589daefcb11c5549eb8b25da","aspace_1e9bfe1b589daefcb11c5549eb8b25da"],"id":"f2719d6ab605a057b8ab0e9c_aspace_1e9bfe1b589daefcb11c5549eb8b25da","title_filing_ssi":"NOAA (National Oceanic and Atmospheric Administration) ","title_ssm":["NOAA (National Oceanic and Atmospheric Administration) "],"title_tesim":["NOAA (National Oceanic and Atmospheric Administration) "],"unitdate_inclusive_ssm":["1977-2000"],"unitdate_other_ssim":["Undated"],"normalized_date_ssm":["1977-2000, Undated"],"normalized_title_ssm":["NOAA (National Oceanic and Atmospheric Administration), 1977-2000, Undated"],"text":["NOAA (National Oceanic and Atmospheric Administration), 1977-2000, Undated","Southeastern Fisheries Association Collection, 1952-2018","Net Ban, 1973-2006, Undated","Related Organizations, 1977-2003, Undated","/repositories/3/archival_objects/9770","box 7","folder 9"],"component_level_isim":[3],"parent_ids_ssim":["f2719d6ab605a057b8ab0e9c","f2719d6ab605a057b8ab0e9c_aspace_6df508adf73019b76cabde57394883b5","f2719d6ab605a057b8ab0e9c_aspace_d8edc72e27dc1f27bf254c6d78d703e1"],"parent_unittitles_ssm":["Southeastern Fisheries Association Collection, 1952-2018","Net Ban, 1973-2006, Undated","Related Organizations, 1977-2003, Undated"],"parent_unittitles_tesim":["Southeastern Fisheries Association Collection, 1952-2018","Net Ban, 1973-2006, Undated","Related Organizations, 1977-2003, Undated"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/3/archival_objects/9770"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Southeastern Fisheries Association Collection, 1952-2018"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":85,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment"],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information."],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"containers_ssim":["box 7","folder 9"],"_nest_path_":"/components#1/components#11/components#2","_nest_parent_":"f2719d6ab605a057b8ab0e9c_aspace_d8edc72e27dc1f27bf254c6d78d703e1","_root_":"f2719d6ab605a057b8ab0e9c","timestamp":"2026-07-10T03:27:52.463Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f2719d6ab605a057b8ab0e9c","title_ssm":["Southeastern Fisheries Association Collection"],"title_tesim":["Southeastern Fisheries Association Collection"],"ead_ssi":"f2719d6ab605a057b8ab0e9c","unitdate_ssm":["1952-2018"],"unitdate_inclusive_ssm":["1952-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2021.001","/repositories/3/resources/85"],"text":["2021.001","/repositories/3/resources/85","Southeastern Fisheries Association Collection, 1952-2018","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment","The Southeastern Fisheries Association (SFA) was founded in 1952 and is based in Tallahassee, Florida. Since its inception, SFA has been dedicated to supporting the interests of the commercial fishing industry in the southeastern United States, with a focus on Florida. Through advocacy and collaboration, the association works to address key issues affecting fisheries management and promote sustainable practices within the industry. \n \nSFA played a large role in the historic 1994 Florida case that approved Amendment 3, also known as the Net Ban. This ban limited the use of entangling nets in Florida waters and had a significant impact on commercial fishermen and consumers of seafood. Members of SFA challenged the amendment through the legal system to try and prevent the implementation of such a ban, but on July 1st, 1995, the use of gill and trammel nets in Florida waters were ultimately outlawed. For years to come, members of SFA would continue to fight the net ban in Florida and to try and prevent similar outcomes in the rest of the southeast. Documents in this collection show their efforts. ","In addition to their other lobbying work, the SFA focused on the Magnuson-Stevens Act, also referred to as the Magnuson Act. The act was a precursor to the Net Ban and affected the fishing community for decades. Originally passed in 1976, its primary objective was to prevent overfishing. Federally declared a \"fishing disaster\" for the harm it caused to the fishing industry in the Northeast United States, many commercial fishermen, like most members of the SFA, strongly opposed this act for its lack of protection, transparency, and it's extremely stringent rules, as reflected throughout this collection. ","SFA was involved in many outreach programs throughout the southeast region that involved activities like education, trade, conservation, and various other efforts. Robert P. Jones, donor of this collection, served as president of SFA from 1964 to 2018. Throughout his 54 years of leadership, Jones' engagement with seafood industry stakeholders has been foundational to the organization's influence on both the commercial fishing culture and seafood production in the United States. ","The Southeastern Fisheries Association remains active today, dedicated to supporting, safeguarding, and advancing the commercial fishing industry across the southeastern United States. It represents harvesters, packers, processors, distributors, and restaurants focused on preserving fishery resources, the livelihoods of fishermen, and the wellbeing of fishing communities. Here you can find a link to their website for more information on their organization:  SFA Website","This collection is home to a selection of documents from the Southeastern Fisheries Association (SFA), the oldest affiliation representing the commercial seafood and fishing industries throughout the southeastern United States. This collection provides insight into various plights and activities within the fishing and seafood industry. Most importantly, the collection details the 1995 Net Ban, it's effects on the industry, as well as SFA. ","\nSeries in this collection include the following:","Series 1-- Environment and Conservation (arranged alphabetically by sub-series)","Sub-series 1 – Correspondence (arranged chronologically) is comprised of correspondence relating to SFA's involvement and interest in the environment and conservation throughout the 1980s and 90s.  ","Sub-series 2 – Newspapers and Information (arranged chronologically) contains newspaper clippings and informational sheets regarding the environment and conservation in the 1980s and 90s.  ","Sub-series 3 – Papers (arranged chronologically) houses research and writings relating to costal habitats and marine animals.  ","Sub-series 4 – Sea Stat Publications (arranged chronologically) are a series of publications called Sea Stats providing a summary of information and statistics on the marine organisms common in Florida waters.  \n \nSeries 2 — Net Ban (arranged alphabetically by sub-series)","Sub-series 1 – Correspondence (arranged chronologically) contains written communication from a wide variety of personnel within the SFA, fishing industry, and legal system, pertaining to the Net Ban.  ","Sub-series 2 — Fox Files (arranged alphabetically by sub-series) is a reading file put together by members of SFA regarding Dr. William Fox who served as director of NOAA's National Marine Fisheries Service in the 1990s. This sub-series contains documents including correspondence, reports, legal histories, and more, all pertaining to Dr. Fox.  ","Sub-series 3 – Industry in Net Ban (arranged alphabetically by sub-series) contains materials that show the impact of the net ban on the fishing and seafood industry. ","\nSub-sub series 1: Coast Guard (arranged chronologically) contains information and correspondence on the coast guards' impact on the industry at the time of the net ban.  ","Sub-sub series 2: Correspondence (arranged chronologically) includes written communication that reflects the implementation and effects of the net ban on the seafood and fishing industries. ","Sub-sub series 3: Information and Research (arranged chronologically) houses informative content regarding the industries and how they were affected by the net ban. ","Sub-sub series 4: TEDS/BRDS (arranged alphabetically by sub-series) contains materials like correspondences, newspapers, papers, and information pertaining to Turtle Excluder Devices (TEDS) and By-catch Reduction Devices (BRDS), which greatly impacted the \t\t\tindustries.  ","Sub-sub series 5: UGA/Sea Grant (arranged alphabetically by sub-series) is comprised of items like correspondence, papers, and releases pertaining to the University of Georgia (UGA), their program \"Sea Grant\" and its impact during the net ban as well as its \t\t\t\tinfluence on TEDS.  ","Sub-series 4 – Information, Facts, and Petitions (arranged chronologically) houses items like flyers, informative pamphlets, statistics, and more, all pertaining to the net ban.  ","Sub-series 5 – King Mackerel (arranged chronologically) contains newspaper cuttings relating to the decline of king mackerel harvesting due to the net ban. ","Sub-series 6 – Legal / Finances (arranged alphabetically by sub-series) pertains to the financial aspect of the SFA's legal defense for the net ban lawsuit. This sub-series contains information including bills and summaries, legal defense fund tracking, legal fees correspondence, and a miscellaneous section comprised of handwritten notes on the subject.  ","Sub-series 7 – Magnuson (arranged chronologically) contains information and correspondence related to the Magnuson-Stevens Fishery Conservation and Management Act, first passed in 1976, which strived to prevent overfishing.","Sub-series 8 – Marketing (arranged chronologically) includes marketing materials, like bumper stickers.  ","Sub-series 9 – Political Cartoons (arranged chronologically) is comprised of illustrations created for and by the SFA to represent ongoing political activities related to their organization.  ","Sub-series 10 – Presentations Concerning the Net Ban (arranged chronologically) houses various presentation slides, print outs, and speeches related to the implementation and impact of the net ban.  ","Sub-series 11 – Publications, Papers, and Reports (arranged chronologically) includes numerous printed issues that relate to the net ban.  ","Sub-series 12 – Related Organizations (arranged alphabetically by sub-series) houses information of various organizations that played a role in the net ban controversy.  ","\nSub-sub series 1: FCA (arranged chronologically) holds publications, info and miscellaneous material related to the Florida Conservation Association (FCA)."," Sub-sub series 2: MFC (arranged alphabetically by sub-series) houses materials like correspondence, papers, releases, and meeting minutes related to the Marine Fisheries Commission (MFC).  "," Sub-sub series 3: NOAA (arranged chronologically) contains information and correspondence related to the National Oceanic and Atmospheric Administration(NOAA).  ","Sub-sub series 4: SOS (arranged alphabetically by sub-series) includes correspondence, information, and publications related to the Save Our Sealife (SOS) organization.  ","Sub-sub series 5: Various Related Organizations (arranged alphabetically by  \t\t\t\torganization) contains information of related organizations such as the Florida Fisheries Alliance (FFA), FL League of Anglers, Friends of the Environment (F.O.E), Florida Fish and Wildlife Conservation Commission (FWC), National Marine Fisheries Service (NMFS), People for the Ethical Treatment of Animals (PETA), Sports Fishing Institute (SFI), and the Small County Coalition. "," \nSeries 3 -- Newspaper Clippings (arranged chronologically) holds newspaper clippings that members of the SFA collected from 1981 to 1998 pertaining to topics broadly related to the net ban and the organization. \n \nSeries 4 -- Seafood and Fishing Industry Topics (arranged alphabetically by sub-series)","Sub-series 1 – Correspondence (arranged chronologically) is comprised of correspondence relating to the SFA's involvement in the seafood and fishing industries.  ","Sub-series 2 – Derelict Vessel Removal (arranged chronologically) contains papers and correspondence relating to the state of Florida's Derelict Vessel Removal program in 1982, which aimed to remove wrecked or abandoned boating vessels from Florida waters.  ","Sub-series 3 – Domestic Shrimping Industry (arranged chronologically) consists of reports, correspondence, and information relating to SFA's involvement in the shrimp industry. The sub-series also touches on the topic of TEDs and their effect on the industry without the mention of the net ban.  ","Sub-series 4 – HACCP (arranged chronologically) contains training schedules, correspondence, and documents on the development of the Hazard Analysis and Critical Control Point (HACCP) program, a science-based food safety management system that helps identify and control potential food safety hazards, within the SFA and their affiliates.","Sub-series 5 – Information and Fact Sheets (arranged chronologically) holds statistical information, pamphlets, and flyers about the seafood and fishing industries. ","Sub-series 6 – Jellyfish Project (arranged alphabetically by sub-series) consists of correspondence, financial information, photos, reports, and information relating to the fishing, processing, and international export of jellyfish to Asia in an effort to boost economic growth and sustain other marine populations. ","Sub-series 7 – Legal (arranged chronologically) holds congressional records and bills relating to the seafood and fishing industries. ","Sub-series 8 – Mexus-Gulf (arranged alphabetically by sub-series) is comprised of correspondence, info, research, and reports relating to meetings between Mexican and United States officials and businessmen discussing the improvement of the bilateral fisheries cooperation, primarily in the 1980s.","Sub-series 9 – NAFTA and Trade (arranged chronologically) houses statistics, correspondence, and reports pertaining to the North American Free Trade Agreement (NAFTA) and other trade ventures relating to the SFA and the seafood and fishing industries. ","Sub-series 10 – Papers and Reports (arranged chronologically) contains economic reports on seafood consumption, fisheries management reports, State of Florida legislative papers concerning these industries, and various other topics. ","Sub-series 11 – Presentations (arranged chronologically) holds written speeches on various topics within the seafood and commercial fishing industries.  \n \nSeries 5 – Southeastern Fisheries Association (arranged alphabetically by sub-series) ","Sub-series 1 – Children's Education Program: Marine Gang (arranged chronologically) contains materials from 1986-1988 that include educational materials, event pamphlets, program and concept papers, contact cards, correspondence, and news clippings from SFA's Marine Gang program, which aimed to educate children about fisheries and marine environments. ","Sub-series 2 – Cookbooks (arranged chronologically) holds recipes created and curated by SFA members. ","Sub-series 3 – Correspondence (arranged chronologically) includes written communication relating to the general operations and conversations from employees of SFA.","Sub-series 4 – Hotlines (arranged chronologically) contains the Southeastern Fisheries Association's newsletter entitled Hotlines, ranging from 1964-2001. ","Sub-series 5 – Legal (arranged chronologically) is comprised of legal documents pertaining to the SFA organization. ","Sub-series 6 – Meeting Minutes (arranged chronologically) houses official written records of SFA meetings from 1987-2009. ","Sub-series 7 – Members and Budget (arranged chronologically) includes tracking sheets of SFA member donations, dues, and financial budgets. ","Sub-series 8 – Ocean Committee (arranged chronologically) contains project plans, agendas, contacts, information, and conference programs relating to Florida's coastal management. ","Sub-series 9 – Personal Papers (arranged chronologically) includes photos, memoirs, and letters from members and affiliates of SFA. ","Sub-series 10 -- Poetry (arranged chronologically) is comprised of works of poetry written or collected by members of SFA.  ","Sub-series 11 – President's Reports (arranged chronologically) includes the SFA 45th annual meeting yearly review from 1996 and 1997, as well as a handwritten note on these reports. \n \nSeries 6 – Media; This series consists of VHS tapes and DVDs and has not yet been fully processed at this time. There are approximately 168 VHS tapes and 2 DVDs. These seem to contain content such as interviews, news show clips, informational training videos, seafood processing and harvesting, and various other forms of media. ","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information.","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2021.001","/repositories/3/resources/85"],"normalized_date_ssm":["1952-2018"],"normalized_title_ssm":["Southeastern Fisheries Association Collection, 1952-2018"],"collection_title_tesim":["Southeastern Fisheries Association Collection, 1952-2018"],"collection_ssim":["Southeastern Fisheries Association Collection, 1952-2018"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information."],"acqinfo_ssim":["The collection was acquired through donation from Robert P. Jones, 03/04/2021."],"has_online_content_ssim":["false"],"extent_ssm":["6.67 Linear Feet"],"extent_tesim":["6.67 Linear Feet"],"date_range_isim":[1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment"],"bioghist_html_tesm":["\u003cp\u003eThe Southeastern Fisheries Association (SFA) was founded in 1952 and is based in Tallahassee, Florida. Since its inception, SFA has been dedicated to supporting the interests of the commercial fishing industry in the southeastern United States, with a focus on Florida. Through advocacy and collaboration, the association works to address key issues affecting fisheries management and promote sustainable practices within the industry. \n \nSFA played a large role in the historic 1994 Florida case that approved Amendment 3, also known as the Net Ban. This ban limited the use of entangling nets in Florida waters and had a significant impact on commercial fishermen and consumers of seafood. Members of SFA challenged the amendment through the legal system to try and prevent the implementation of such a ban, but on July 1st, 1995, the use of gill and trammel nets in Florida waters were ultimately outlawed. For years to come, members of SFA would continue to fight the net ban in Florida and to try and prevent similar outcomes in the rest of the southeast. Documents in this collection show their efforts. \u003c/p\u003e\n","\u003cp\u003eIn addition to their other lobbying work, the SFA focused on the Magnuson-Stevens Act, also referred to as the Magnuson Act. The act was a precursor to the Net Ban and affected the fishing community for decades. Originally passed in 1976, its primary objective was to prevent overfishing. Federally declared a \"fishing disaster\" for the harm it caused to the fishing industry in the Northeast United States, many commercial fishermen, like most members of the SFA, strongly opposed this act for its lack of protection, transparency, and it's extremely stringent rules, as reflected throughout this collection. \u003c/p\u003e\n","\u003cp\u003eSFA was involved in many outreach programs throughout the southeast region that involved activities like education, trade, conservation, and various other efforts. Robert P. Jones, donor of this collection, served as president of SFA from 1964 to 2018. Throughout his 54 years of leadership, Jones' engagement with seafood industry stakeholders has been foundational to the organization's influence on both the commercial fishing culture and seafood production in the United States. \u003c/p\u003e\n","\u003cp\u003eThe Southeastern Fisheries Association remains active today, dedicated to supporting, safeguarding, and advancing the commercial fishing industry across the southeastern United States. It represents harvesters, packers, processors, distributors, and restaurants focused on preserving fishery resources, the livelihoods of fishermen, and the wellbeing of fishing communities. Here you can find a link to their website for more information on their organization: \u003cextref href=\"https://www.sfaonline.org/\"\u003eSFA Website\u003c/extref\u003e \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Southeastern Fisheries Association (SFA) was founded in 1952 and is based in Tallahassee, Florida. Since its inception, SFA has been dedicated to supporting the interests of the commercial fishing industry in the southeastern United States, with a focus on Florida. Through advocacy and collaboration, the association works to address key issues affecting fisheries management and promote sustainable practices within the industry. \n \nSFA played a large role in the historic 1994 Florida case that approved Amendment 3, also known as the Net Ban. This ban limited the use of entangling nets in Florida waters and had a significant impact on commercial fishermen and consumers of seafood. Members of SFA challenged the amendment through the legal system to try and prevent the implementation of such a ban, but on July 1st, 1995, the use of gill and trammel nets in Florida waters were ultimately outlawed. For years to come, members of SFA would continue to fight the net ban in Florida and to try and prevent similar outcomes in the rest of the southeast. Documents in this collection show their efforts. ","In addition to their other lobbying work, the SFA focused on the Magnuson-Stevens Act, also referred to as the Magnuson Act. The act was a precursor to the Net Ban and affected the fishing community for decades. Originally passed in 1976, its primary objective was to prevent overfishing. Federally declared a \"fishing disaster\" for the harm it caused to the fishing industry in the Northeast United States, many commercial fishermen, like most members of the SFA, strongly opposed this act for its lack of protection, transparency, and it's extremely stringent rules, as reflected throughout this collection. ","SFA was involved in many outreach programs throughout the southeast region that involved activities like education, trade, conservation, and various other efforts. Robert P. Jones, donor of this collection, served as president of SFA from 1964 to 2018. Throughout his 54 years of leadership, Jones' engagement with seafood industry stakeholders has been foundational to the organization's influence on both the commercial fishing culture and seafood production in the United States. ","The Southeastern Fisheries Association remains active today, dedicated to supporting, safeguarding, and advancing the commercial fishing industry across the southeastern United States. It represents harvesters, packers, processors, distributors, and restaurants focused on preserving fishery resources, the livelihoods of fishermen, and the wellbeing of fishing communities. Here you can find a link to their website for more information on their organization:  SFA Website"],"prefercite_html_tesm":["\u003cp\u003eSoutheastern Fisheries Association Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Southeastern Fisheries Association Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is home to a selection of documents from the Southeastern Fisheries Association (SFA), the oldest affiliation representing the commercial seafood and fishing industries throughout the southeastern United States. This collection provides insight into various plights and activities within the fishing and seafood industry. Most importantly, the collection details the 1995 Net Ban, it's effects on the industry, as well as SFA. \u003c/p\u003e\n","\u003cp\u003e\nSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1-- Environment and Conservation\u0026#xA0;(arranged alphabetically by sub-series)\u003c/p\u003e\n","\u003cp\u003eSub-series 1 \u0026#x2013; Correspondence (arranged chronologically) is comprised of correspondence relating to SFA's involvement and interest in the environment and conservation throughout the 1980s and 90s.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 2 \u0026#x2013; Newspapers and Information (arranged chronologically) contains newspaper clippings and informational sheets regarding the environment and conservation in the 1980s and 90s.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 3 \u0026#x2013; Papers (arranged chronologically) houses research and writings relating to costal habitats and marine animals.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 4 \u0026#x2013; Sea Stat Publications (arranged chronologically) are a series of publications called Sea Stats providing a summary of information and statistics on the marine organisms common in Florida waters.\u0026#xA0;\u0026#xA0;\n\u0026#xA0;\nSeries 2 \u0026#x2014; Net Ban\u0026#xA0;(arranged alphabetically by sub-series)\u003c/p\u003e\n","\u003cp\u003eSub-series 1 \u0026#x2013; Correspondence (arranged chronologically) contains written communication from a wide variety of personnel within the SFA, fishing industry, and legal system, pertaining to the Net Ban.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 2 \u0026#x2014; Fox Files (arranged alphabetically by sub-series) is a reading file put together by members of SFA regarding Dr. William Fox who served as director of NOAA's National Marine Fisheries Service in the 1990s. This sub-series contains documents including correspondence, reports, legal histories, and more, all pertaining to Dr. Fox.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 3 \u0026#x2013; Industry in Net Ban (arranged alphabetically by sub-series) contains materials that show the impact of the net ban on the fishing and seafood industry.\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003e\nSub-sub series 1: Coast Guard (arranged chronologically) contains information and correspondence on the coast guards' impact on the industry at the time of the net ban.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-sub series 2: Correspondence (arranged chronologically) includes written communication that reflects the implementation and effects of the net ban on the seafood and fishing industries. \u003c/p\u003e\n","\u003cp\u003eSub-sub series 3: Information and Research (arranged chronologically) houses informative content regarding the industries and how they were affected by the net ban. \u003c/p\u003e\n","\u003cp\u003eSub-sub series 4: TEDS/BRDS (arranged alphabetically by sub-series) contains materials like correspondences, newspapers, papers, and information pertaining to Turtle Excluder Devices (TEDS) and By-catch Reduction Devices (BRDS), which greatly impacted the \t\t\tindustries.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-sub series 5: UGA/Sea Grant (arranged alphabetically by sub-series) is comprised of items like correspondence, papers, and releases pertaining to the University of Georgia (UGA), their program \"Sea Grant\" and its impact during the net ban as well as its \t\t\t\tinfluence on TEDS.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 4 \u0026#x2013; Information, Facts, and Petitions (arranged chronologically) houses items like flyers, informative pamphlets, statistics, and more, all pertaining to the net ban.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 5 \u0026#x2013; King Mackerel (arranged chronologically) contains newspaper cuttings relating to the decline of king mackerel harvesting due to the net ban.\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 6 \u0026#x2013; Legal / Finances (arranged alphabetically by sub-series) pertains to the financial aspect of the SFA's legal defense for the net ban lawsuit. This sub-series contains information including bills and summaries, legal defense fund tracking, legal fees correspondence, and a miscellaneous section comprised of handwritten notes on the subject.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 7 \u0026#x2013; Magnuson (arranged chronologically) contains information and correspondence related to the Magnuson-Stevens Fishery Conservation and Management Act, first passed in 1976, which strived to prevent overfishing.\u003c/p\u003e\n","\u003cp\u003eSub-series 8 \u0026#x2013; Marketing (arranged chronologically) includes marketing materials, like bumper stickers.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 9 \u0026#x2013; Political Cartoons (arranged chronologically) is comprised of illustrations created for and by the SFA to represent ongoing political activities related to their organization.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 10 \u0026#x2013; Presentations Concerning the Net Ban (arranged chronologically) houses various presentation slides, print outs, and speeches related to the implementation and impact of the net ban.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 11 \u0026#x2013; Publications, Papers, and Reports (arranged chronologically) includes numerous printed issues that relate to the net ban.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 12 \u0026#x2013; Related Organizations (arranged alphabetically by sub-series) houses information of various organizations that played a role in the net ban controversy.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003e\nSub-sub series 1: FCA (arranged chronologically) holds publications, info and miscellaneous material related to the Florida Conservation Association (FCA).\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0;Sub-sub series 2: MFC (arranged alphabetically by sub-series) houses materials like correspondence, papers, releases, and meeting minutes related to the Marine Fisheries Commission (MFC).\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0;Sub-sub series 3: NOAA (arranged chronologically) contains information and correspondence related to the National Oceanic and Atmospheric Administration(NOAA).\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-sub series 4: SOS (arranged alphabetically by sub-series) includes correspondence, information, and publications related to the Save Our Sealife (SOS) organization.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-sub series 5: Various Related Organizations (arranged alphabetically by  \t\t\t\torganization) contains information of related organizations such as the Florida Fisheries Alliance (FFA), FL League of Anglers, Friends of the Environment (F.O.E), Florida Fish and Wildlife Conservation Commission (FWC), National Marine Fisheries Service (NMFS), People for the Ethical Treatment of Animals (PETA), Sports Fishing Institute (SFI), and the Small County Coalition. \u003c/p\u003e\n","\u003cp\u003e\u0026#xA0;\nSeries 3 -- Newspaper Clippings (arranged chronologically) holds newspaper clippings that members of the SFA collected from 1981 to 1998 pertaining to topics broadly related to the net ban and the organization. \n\u0026#xA0;\nSeries 4 -- Seafood and Fishing Industry Topics\u0026#xA0;(arranged alphabetically by sub-series)\u003c/p\u003e\n","\u003cp\u003eSub-series 1 \u0026#x2013; Correspondence (arranged chronologically) is comprised of correspondence relating to the SFA's involvement in the seafood and fishing industries.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 2 \u0026#x2013; Derelict Vessel Removal (arranged chronologically) contains papers and correspondence relating to the state of Florida's Derelict Vessel Removal program in 1982, which aimed to remove wrecked or abandoned boating vessels from Florida waters.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 3 \u0026#x2013; Domestic Shrimping Industry (arranged chronologically) consists of reports, correspondence, and information relating to SFA's involvement in the shrimp industry. The sub-series also touches on the topic of TEDs and their effect on the industry without the mention of the net ban.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 4 \u0026#x2013; HACCP (arranged chronologically) contains training schedules, correspondence, and documents on the development of the Hazard Analysis and Critical Control Point (HACCP) program, a science-based food safety management system that helps identify and control potential food safety hazards, within the SFA and their affiliates.\u003c/p\u003e\n","\u003cp\u003eSub-series 5 \u0026#x2013; Information and Fact Sheets (arranged chronologically) holds statistical information, pamphlets, and flyers about the seafood and fishing industries.\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 6 \u0026#x2013; Jellyfish Project (arranged alphabetically by sub-series) consists of correspondence, financial information, photos, reports, and information relating to the fishing, processing, and international export of jellyfish to Asia in an effort to boost economic growth and sustain other marine populations.\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 7 \u0026#x2013; Legal (arranged chronologically) holds congressional records and bills relating to the seafood and fishing industries.\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 8 \u0026#x2013; Mexus-Gulf (arranged alphabetically by sub-series) is comprised of correspondence, info, research, and reports relating to meetings between Mexican and United States officials and businessmen discussing the improvement of the bilateral fisheries cooperation, primarily in the 1980s.\u003c/p\u003e\n","\u003cp\u003eSub-series 9 \u0026#x2013; NAFTA and Trade (arranged chronologically) houses statistics, correspondence, and reports pertaining to the North American Free Trade Agreement (NAFTA) and other trade ventures relating to the SFA and the seafood and fishing industries.\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 10 \u0026#x2013; Papers and Reports (arranged chronologically) contains economic reports on seafood consumption, fisheries management reports, State of Florida legislative papers concerning these industries, and various other topics.\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 11 \u0026#x2013; Presentations (arranged chronologically) holds written speeches on various topics within the seafood and commercial fishing industries.\u0026#xA0;\u0026#xA0;\n\u0026#xA0;\nSeries 5 \u0026#x2013; Southeastern Fisheries Association (arranged alphabetically by sub-series)\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 1 \u0026#x2013; Children's Education Program: Marine Gang (arranged chronologically) contains materials from 1986-1988 that include educational materials, event pamphlets, program and concept papers, contact cards, correspondence, and news clippings from SFA's Marine Gang program, which aimed to educate children about fisheries and marine environments.\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 2 \u0026#x2013; Cookbooks (arranged chronologically) holds recipes created and curated by SFA members.\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 3 \u0026#x2013; Correspondence (arranged chronologically) includes written communication relating to the general operations and conversations from employees of SFA.\u003c/p\u003e\n","\u003cp\u003eSub-series 4 \u0026#x2013; Hotlines (arranged chronologically) contains the Southeastern Fisheries Association's newsletter entitled Hotlines, ranging from 1964-2001.\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 5 \u0026#x2013; Legal (arranged chronologically) is comprised of legal documents pertaining to the SFA organization.\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 6 \u0026#x2013; Meeting Minutes (arranged chronologically) houses official written records of SFA meetings from 1987-2009.\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 7 \u0026#x2013; Members and Budget\u0026#xA0;(arranged chronologically) includes tracking sheets of SFA member donations, dues, and financial budgets. \u003c/p\u003e\n","\u003cp\u003eSub-series 8 \u0026#x2013; Ocean Committee (arranged chronologically) contains project plans, agendas, contacts, information, and conference programs relating to Florida's coastal management.\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 9 \u0026#x2013; Personal Papers (arranged chronologically) includes photos, memoirs, and letters from members and affiliates of SFA.\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 10 -- Poetry (arranged chronologically) is comprised of works of poetry written or collected by members of SFA.\u0026#xA0;\u0026#xA0;\u003c/p\u003e\n","\u003cp\u003eSub-series 11 \u0026#x2013; President's Reports (arranged chronologically) includes the SFA 45th annual meeting yearly review from 1996 and 1997, as well as a handwritten note on these reports.\u0026#xA0;\n\u0026#xA0;\nSeries 6 \u0026#x2013; Media; This series consists of VHS tapes and DVDs and has not yet been fully processed at this time. There are approximately 168 VHS tapes and 2 DVDs. These seem to contain content such as interviews, news show clips, informational training videos, seafood processing and harvesting, and various other forms of media. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is home to a selection of documents from the Southeastern Fisheries Association (SFA), the oldest affiliation representing the commercial seafood and fishing industries throughout the southeastern United States. This collection provides insight into various plights and activities within the fishing and seafood industry. Most importantly, the collection details the 1995 Net Ban, it's effects on the industry, as well as SFA. ","\nSeries in this collection include the following:","Series 1-- Environment and Conservation (arranged alphabetically by sub-series)","Sub-series 1 – Correspondence (arranged chronologically) is comprised of correspondence relating to SFA's involvement and interest in the environment and conservation throughout the 1980s and 90s.  ","Sub-series 2 – Newspapers and Information (arranged chronologically) contains newspaper clippings and informational sheets regarding the environment and conservation in the 1980s and 90s.  ","Sub-series 3 – Papers (arranged chronologically) houses research and writings relating to costal habitats and marine animals.  ","Sub-series 4 – Sea Stat Publications (arranged chronologically) are a series of publications called Sea Stats providing a summary of information and statistics on the marine organisms common in Florida waters.  \n \nSeries 2 — Net Ban (arranged alphabetically by sub-series)","Sub-series 1 – Correspondence (arranged chronologically) contains written communication from a wide variety of personnel within the SFA, fishing industry, and legal system, pertaining to the Net Ban.  ","Sub-series 2 — Fox Files (arranged alphabetically by sub-series) is a reading file put together by members of SFA regarding Dr. William Fox who served as director of NOAA's National Marine Fisheries Service in the 1990s. This sub-series contains documents including correspondence, reports, legal histories, and more, all pertaining to Dr. Fox.  ","Sub-series 3 – Industry in Net Ban (arranged alphabetically by sub-series) contains materials that show the impact of the net ban on the fishing and seafood industry. ","\nSub-sub series 1: Coast Guard (arranged chronologically) contains information and correspondence on the coast guards' impact on the industry at the time of the net ban.  ","Sub-sub series 2: Correspondence (arranged chronologically) includes written communication that reflects the implementation and effects of the net ban on the seafood and fishing industries. ","Sub-sub series 3: Information and Research (arranged chronologically) houses informative content regarding the industries and how they were affected by the net ban. ","Sub-sub series 4: TEDS/BRDS (arranged alphabetically by sub-series) contains materials like correspondences, newspapers, papers, and information pertaining to Turtle Excluder Devices (TEDS) and By-catch Reduction Devices (BRDS), which greatly impacted the \t\t\tindustries.  ","Sub-sub series 5: UGA/Sea Grant (arranged alphabetically by sub-series) is comprised of items like correspondence, papers, and releases pertaining to the University of Georgia (UGA), their program \"Sea Grant\" and its impact during the net ban as well as its \t\t\t\tinfluence on TEDS.  ","Sub-series 4 – Information, Facts, and Petitions (arranged chronologically) houses items like flyers, informative pamphlets, statistics, and more, all pertaining to the net ban.  ","Sub-series 5 – King Mackerel (arranged chronologically) contains newspaper cuttings relating to the decline of king mackerel harvesting due to the net ban. ","Sub-series 6 – Legal / Finances (arranged alphabetically by sub-series) pertains to the financial aspect of the SFA's legal defense for the net ban lawsuit. This sub-series contains information including bills and summaries, legal defense fund tracking, legal fees correspondence, and a miscellaneous section comprised of handwritten notes on the subject.  ","Sub-series 7 – Magnuson (arranged chronologically) contains information and correspondence related to the Magnuson-Stevens Fishery Conservation and Management Act, first passed in 1976, which strived to prevent overfishing.","Sub-series 8 – Marketing (arranged chronologically) includes marketing materials, like bumper stickers.  ","Sub-series 9 – Political Cartoons (arranged chronologically) is comprised of illustrations created for and by the SFA to represent ongoing political activities related to their organization.  ","Sub-series 10 – Presentations Concerning the Net Ban (arranged chronologically) houses various presentation slides, print outs, and speeches related to the implementation and impact of the net ban.  ","Sub-series 11 – Publications, Papers, and Reports (arranged chronologically) includes numerous printed issues that relate to the net ban.  ","Sub-series 12 – Related Organizations (arranged alphabetically by sub-series) houses information of various organizations that played a role in the net ban controversy.  ","\nSub-sub series 1: FCA (arranged chronologically) holds publications, info and miscellaneous material related to the Florida Conservation Association (FCA)."," Sub-sub series 2: MFC (arranged alphabetically by sub-series) houses materials like correspondence, papers, releases, and meeting minutes related to the Marine Fisheries Commission (MFC).  "," Sub-sub series 3: NOAA (arranged chronologically) contains information and correspondence related to the National Oceanic and Atmospheric Administration(NOAA).  ","Sub-sub series 4: SOS (arranged alphabetically by sub-series) includes correspondence, information, and publications related to the Save Our Sealife (SOS) organization.  ","Sub-sub series 5: Various Related Organizations (arranged alphabetically by  \t\t\t\torganization) contains information of related organizations such as the Florida Fisheries Alliance (FFA), FL League of Anglers, Friends of the Environment (F.O.E), Florida Fish and Wildlife Conservation Commission (FWC), National Marine Fisheries Service (NMFS), People for the Ethical Treatment of Animals (PETA), Sports Fishing Institute (SFI), and the Small County Coalition. "," \nSeries 3 -- Newspaper Clippings (arranged chronologically) holds newspaper clippings that members of the SFA collected from 1981 to 1998 pertaining to topics broadly related to the net ban and the organization. \n \nSeries 4 -- Seafood and Fishing Industry Topics (arranged alphabetically by sub-series)","Sub-series 1 – Correspondence (arranged chronologically) is comprised of correspondence relating to the SFA's involvement in the seafood and fishing industries.  ","Sub-series 2 – Derelict Vessel Removal (arranged chronologically) contains papers and correspondence relating to the state of Florida's Derelict Vessel Removal program in 1982, which aimed to remove wrecked or abandoned boating vessels from Florida waters.  ","Sub-series 3 – Domestic Shrimping Industry (arranged chronologically) consists of reports, correspondence, and information relating to SFA's involvement in the shrimp industry. The sub-series also touches on the topic of TEDs and their effect on the industry without the mention of the net ban.  ","Sub-series 4 – HACCP (arranged chronologically) contains training schedules, correspondence, and documents on the development of the Hazard Analysis and Critical Control Point (HACCP) program, a science-based food safety management system that helps identify and control potential food safety hazards, within the SFA and their affiliates.","Sub-series 5 – Information and Fact Sheets (arranged chronologically) holds statistical information, pamphlets, and flyers about the seafood and fishing industries. ","Sub-series 6 – Jellyfish Project (arranged alphabetically by sub-series) consists of correspondence, financial information, photos, reports, and information relating to the fishing, processing, and international export of jellyfish to Asia in an effort to boost economic growth and sustain other marine populations. ","Sub-series 7 – Legal (arranged chronologically) holds congressional records and bills relating to the seafood and fishing industries. ","Sub-series 8 – Mexus-Gulf (arranged alphabetically by sub-series) is comprised of correspondence, info, research, and reports relating to meetings between Mexican and United States officials and businessmen discussing the improvement of the bilateral fisheries cooperation, primarily in the 1980s.","Sub-series 9 – NAFTA and Trade (arranged chronologically) houses statistics, correspondence, and reports pertaining to the North American Free Trade Agreement (NAFTA) and other trade ventures relating to the SFA and the seafood and fishing industries. ","Sub-series 10 – Papers and Reports (arranged chronologically) contains economic reports on seafood consumption, fisheries management reports, State of Florida legislative papers concerning these industries, and various other topics. ","Sub-series 11 – Presentations (arranged chronologically) holds written speeches on various topics within the seafood and commercial fishing industries.  \n \nSeries 5 – Southeastern Fisheries Association (arranged alphabetically by sub-series) ","Sub-series 1 – Children's Education Program: Marine Gang (arranged chronologically) contains materials from 1986-1988 that include educational materials, event pamphlets, program and concept papers, contact cards, correspondence, and news clippings from SFA's Marine Gang program, which aimed to educate children about fisheries and marine environments. ","Sub-series 2 – Cookbooks (arranged chronologically) holds recipes created and curated by SFA members. ","Sub-series 3 – Correspondence (arranged chronologically) includes written communication relating to the general operations and conversations from employees of SFA.","Sub-series 4 – Hotlines (arranged chronologically) contains the Southeastern Fisheries Association's newsletter entitled Hotlines, ranging from 1964-2001. ","Sub-series 5 – Legal (arranged chronologically) is comprised of legal documents pertaining to the SFA organization. ","Sub-series 6 – Meeting Minutes (arranged chronologically) houses official written records of SFA meetings from 1987-2009. ","Sub-series 7 – Members and Budget (arranged chronologically) includes tracking sheets of SFA member donations, dues, and financial budgets. ","Sub-series 8 – Ocean Committee (arranged chronologically) contains project plans, agendas, contacts, information, and conference programs relating to Florida's coastal management. ","Sub-series 9 – Personal Papers (arranged chronologically) includes photos, memoirs, and letters from members and affiliates of SFA. ","Sub-series 10 -- Poetry (arranged chronologically) is comprised of works of poetry written or collected by members of SFA.  ","Sub-series 11 – President's Reports (arranged chronologically) includes the SFA 45th annual meeting yearly review from 1996 and 1997, as well as a handwritten note on these reports. \n \nSeries 6 – Media; This series consists of VHS tapes and DVDs and has not yet been fully processed at this time. There are approximately 168 VHS tapes and 2 DVDs. These seem to contain content such as interviews, news show clips, informational training videos, seafood processing and harvesting, and various other forms of media. "],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information."],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":190,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f2719d6ab605a057b8ab0e9c","timestamp":"2026-07-10T03:27:52.463Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f2719d6ab605a057b8ab0e9c_aspace_1e9bfe1b589daefcb11c5549eb8b25da"}},{"id":"9814e559b5e5e7e356011795","type":"collection","attributes":{"title":"Noel Wisdom collection, 1915-1982","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/9814e559b5e5e7e356011795#creator","type":"document_value","attributes":{"value":["Wisdom, Noel (1897-1983)"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/9814e559b5e5e7e356011795#abstract_or_scope","type":"document_value","attributes":{"value":["This collection contains original silhouette and sketch works of art by Wisdom, works published in newspapers, and the rough draft and final copy of his unpublished manuscript, \u003cem\u003eAround The World On Scissors\u003c/em\u003e. It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/9814e559b5e5e7e356011795#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"9814e559b5e5e7e356011795","title_ssm":["Noel Wisdom collection"],"title_tesim":["Noel Wisdom collection"],"ead_ssi":"9814e559b5e5e7e356011795","unitdate_ssm":["1915-1982"],"unitdate_inclusive_ssm":["1915-1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1976-02","/repositories/2/resources/191"],"text":["MS-1976-02","/repositories/2/resources/191","Noel Wisdom collection, 1915-1982","Portraits","Silhouettes","Letters","Photographs","World War, 1914-1918 -- Personal Narratives","Artists","This collection is arranged by type of work and is further sorted by subject. Wisdom's original silhouettes and some of those published in newspapers are found in Box 1 of the collection, while his written work, additional published materials, and the work of other artists are located in Box 2.","Noel Cuthbert Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side.  His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches.  Most of what he did in the trenches consisited of sketching profiles of his platoon.  One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching.  In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever.  He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles.  Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day.  At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island.  He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast.   Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs.  He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed.  During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago.  About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist.  In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg.  Noel Cuthbert Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve","Noel Wisdom Collection of Chromolithographic Prints","This collection consists of artwork, correspondence, photographs, postcards, diaries, and manuscripts.","None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information.","This collection contains original silhouette and sketch works of art by Wisdom, works published in newspapers, and the rough draft and final copy of his unpublished manuscript,  Around The World On Scissors . It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom.","USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)","English"],"unitid_tesim":["MS-1976-02","/repositories/2/resources/191"],"normalized_date_ssm":["1915-1982"],"normalized_title_ssm":["Noel Wisdom collection, 1915-1982"],"collection_title_tesim":["Noel Wisdom collection, 1915-1982"],"collection_ssim":["Noel Wisdom collection, 1915-1982"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Wisdom, Noel (1897-1983)"],"creator_ssim":["Wisdom, Noel (1897-1983)"],"creator_persname_ssim":["Wisdom, Noel (1897-1983)"],"creators_ssim":["Wisdom, Noel (1897-1983)"],"access_terms_ssm":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Noel Wisdom","Donation."],"access_subjects_ssim":["Portraits","Silhouettes","Letters","Photographs","World War, 1914-1918 -- Personal Narratives","Artists"],"access_subjects_ssm":["Portraits","Silhouettes","Letters","Photographs","World War, 1914-1918 -- Personal Narratives","Artists"],"has_online_content_ssim":["false"],"extent_ssm":["0.83 Linear Feet","2 boxes"],"extent_tesim":["0.83 Linear Feet","2 boxes"],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by type of work and is further sorted by subject. Wisdom's original silhouettes and some of those published in newspapers are found in Box 1 of the collection, while his written work, additional published materials, and the work of other artists are located in Box 2.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged by type of work and is further sorted by subject. Wisdom's original silhouettes and some of those published in newspapers are found in Box 1 of the collection, while his written work, additional published materials, and the work of other artists are located in Box 2."],"bioghist_html_tesm":["\u003cp\u003eNoel Cuthbert Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side.\u0026#xA0; His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.\u003c/p\u003e\n","\u003cp\u003eWisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"\u003c/p\u003e\n","\u003cp\u003eIn 1915 Wisdom was accepted for service and found himself in the British trenches.\u0026#xA0; Most of what he did in the trenches consisited of sketching profiles of his platoon.\u0026#xA0; One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.\u003c/p\u003e\n","\u003cp\u003eWhen the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching.\u0026#xA0; In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever.\u0026#xA0; He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles.\u0026#xA0; Within six weeks, Noel Wisdom had landed on the shores of Australia.\u003c/p\u003e\n","\u003cp\u003eHe worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day.\u0026#xA0; At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island.\u0026#xA0; He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast.\u0026#xA0;  Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.\u003c/p\u003e\n","\u003cp\u003eUpon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs.\u0026#xA0; He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed.\u0026#xA0; During World War II he snipped hundreds of servicemen for free.\u003c/p\u003e\n","\u003cp\u003eWisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago.\u0026#xA0; About this time he penned his still unpublished \u003cemph render=\"italic\"\u003eAround The World On Scissors\u003c/emph\u003e, a retrospective of his life as a soldier and silhouette artist.\u0026#xA0; In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg.\u0026#xA0; Noel Cuthbert Wisdom passed away in St. Petersburg in December of 1983.\u003c/p\u003e\n","\u003cp\u003eNote written by Rebecca Rieve\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Noel Cuthbert Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side.  His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches.  Most of what he did in the trenches consisited of sketching profiles of his platoon.  One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching.  In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever.  He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles.  Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day.  At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island.  He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast.   Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs.  He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed.  During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago.  About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist.  In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg.  Noel Cuthbert Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve"],"prefercite_html_tesm":["\u003cp\u003eNoel Wisdom Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Noel Wisdom Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eNoel Wisdom Collection of Chromolithographic Prints\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Noel Wisdom Collection of Chromolithographic Prints"],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of artwork, correspondence, photographs, postcards, diaries, and manuscripts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of artwork, correspondence, photographs, postcards, diaries, and manuscripts."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%C2%A0\"\u003ehttp://www.copyright.gov/\u003c/extref\u003efor more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_85dd84c4f239c5db38df45c917446121\" label=\"Abstract\"\u003eThis collection contains original silhouette and sketch works of art by Wisdom, works published in newspapers, and the rough draft and final copy of his unpublished manuscript, \u003cemph render=\"italic\"\u003eAround The World On Scissors\u003c/emph\u003e. It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains original silhouette and sketch works of art by Wisdom, works published in newspapers, and the rough draft and final copy of his unpublished manuscript,  Around The World On Scissors . It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom."],"names_ssim":["USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Wisdom, Noel (1897-1983)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":22,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"9814e559b5e5e7e356011795","timestamp":"2026-07-10T03:34:50.892Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"9814e559b5e5e7e356011795","title_ssm":["Noel Wisdom collection"],"title_tesim":["Noel Wisdom collection"],"ead_ssi":"9814e559b5e5e7e356011795","unitdate_ssm":["1915-1982"],"unitdate_inclusive_ssm":["1915-1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1976-02","/repositories/2/resources/191"],"text":["MS-1976-02","/repositories/2/resources/191","Noel Wisdom collection, 1915-1982","Portraits","Silhouettes","Letters","Photographs","World War, 1914-1918 -- Personal Narratives","Artists","This collection is arranged by type of work and is further sorted by subject. Wisdom's original silhouettes and some of those published in newspapers are found in Box 1 of the collection, while his written work, additional published materials, and the work of other artists are located in Box 2.","Noel Cuthbert Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side.  His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches.  Most of what he did in the trenches consisited of sketching profiles of his platoon.  One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching.  In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever.  He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles.  Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day.  At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island.  He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast.   Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs.  He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed.  During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago.  About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist.  In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg.  Noel Cuthbert Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve","Noel Wisdom Collection of Chromolithographic Prints","This collection consists of artwork, correspondence, photographs, postcards, diaries, and manuscripts.","None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information.","This collection contains original silhouette and sketch works of art by Wisdom, works published in newspapers, and the rough draft and final copy of his unpublished manuscript,  Around The World On Scissors . It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom.","USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)","English"],"unitid_tesim":["MS-1976-02","/repositories/2/resources/191"],"normalized_date_ssm":["1915-1982"],"normalized_title_ssm":["Noel Wisdom collection, 1915-1982"],"collection_title_tesim":["Noel Wisdom collection, 1915-1982"],"collection_ssim":["Noel Wisdom collection, 1915-1982"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Wisdom, Noel (1897-1983)"],"creator_ssim":["Wisdom, Noel (1897-1983)"],"creator_persname_ssim":["Wisdom, Noel (1897-1983)"],"creators_ssim":["Wisdom, Noel (1897-1983)"],"access_terms_ssm":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Noel Wisdom","Donation."],"access_subjects_ssim":["Portraits","Silhouettes","Letters","Photographs","World War, 1914-1918 -- Personal Narratives","Artists"],"access_subjects_ssm":["Portraits","Silhouettes","Letters","Photographs","World War, 1914-1918 -- Personal Narratives","Artists"],"has_online_content_ssim":["false"],"extent_ssm":["0.83 Linear Feet","2 boxes"],"extent_tesim":["0.83 Linear Feet","2 boxes"],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by type of work and is further sorted by subject. Wisdom's original silhouettes and some of those published in newspapers are found in Box 1 of the collection, while his written work, additional published materials, and the work of other artists are located in Box 2.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged by type of work and is further sorted by subject. Wisdom's original silhouettes and some of those published in newspapers are found in Box 1 of the collection, while his written work, additional published materials, and the work of other artists are located in Box 2."],"bioghist_html_tesm":["\u003cp\u003eNoel Cuthbert Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side.\u0026#xA0; His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.\u003c/p\u003e\n","\u003cp\u003eWisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"\u003c/p\u003e\n","\u003cp\u003eIn 1915 Wisdom was accepted for service and found himself in the British trenches.\u0026#xA0; Most of what he did in the trenches consisited of sketching profiles of his platoon.\u0026#xA0; One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.\u003c/p\u003e\n","\u003cp\u003eWhen the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching.\u0026#xA0; In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever.\u0026#xA0; He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles.\u0026#xA0; Within six weeks, Noel Wisdom had landed on the shores of Australia.\u003c/p\u003e\n","\u003cp\u003eHe worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day.\u0026#xA0; At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island.\u0026#xA0; He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast.\u0026#xA0;  Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.\u003c/p\u003e\n","\u003cp\u003eUpon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs.\u0026#xA0; He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed.\u0026#xA0; During World War II he snipped hundreds of servicemen for free.\u003c/p\u003e\n","\u003cp\u003eWisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago.\u0026#xA0; About this time he penned his still unpublished \u003cemph render=\"italic\"\u003eAround The World On Scissors\u003c/emph\u003e, a retrospective of his life as a soldier and silhouette artist.\u0026#xA0; In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg.\u0026#xA0; Noel Cuthbert Wisdom passed away in St. Petersburg in December of 1983.\u003c/p\u003e\n","\u003cp\u003eNote written by Rebecca Rieve\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Noel Cuthbert Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side.  His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches.  Most of what he did in the trenches consisited of sketching profiles of his platoon.  One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching.  In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever.  He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles.  Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day.  At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island.  He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast.   Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs.  He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed.  During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago.  About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist.  In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg.  Noel Cuthbert Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve"],"prefercite_html_tesm":["\u003cp\u003eNoel Wisdom Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Noel Wisdom Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eNoel Wisdom Collection of Chromolithographic Prints\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Noel Wisdom Collection of Chromolithographic Prints"],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of artwork, correspondence, photographs, postcards, diaries, and manuscripts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of artwork, correspondence, photographs, postcards, diaries, and manuscripts."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%C2%A0\"\u003ehttp://www.copyright.gov/\u003c/extref\u003efor more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_85dd84c4f239c5db38df45c917446121\" label=\"Abstract\"\u003eThis collection contains original silhouette and sketch works of art by Wisdom, works published in newspapers, and the rough draft and final copy of his unpublished manuscript, \u003cemph render=\"italic\"\u003eAround The World On Scissors\u003c/emph\u003e. It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains original silhouette and sketch works of art by Wisdom, works published in newspapers, and the rough draft and final copy of his unpublished manuscript,  Around The World On Scissors . It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom."],"names_ssim":["USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Wisdom, Noel (1897-1983)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":22,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"9814e559b5e5e7e356011795","timestamp":"2026-07-10T03:34:50.892Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9814e559b5e5e7e356011795"}},{"id":"5e17dda97e7549e9d9b40539_aspace_5fb304964cdc4968a08a674e6e12a8b6","type":"File","attributes":{"title":"\"N\" - \"O\" general, Circa 1981","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_5fb304964cdc4968a08a674e6e12a8b6#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5fb304964cdc4968a08a674e6e12a8b6","ref_ssm":["aspace_5fb304964cdc4968a08a674e6e12a8b6","aspace_5fb304964cdc4968a08a674e6e12a8b6"],"id":"5e17dda97e7549e9d9b40539_aspace_5fb304964cdc4968a08a674e6e12a8b6","title_filing_ssi":"\"N\" - \"O\" general","title_ssm":["\"N\" - \"O\" general"],"title_tesim":["\"N\" - \"O\" general"],"unitdate_inclusive_ssm":["Circa 1981"],"normalized_date_ssm":["Circa 1981"],"normalized_title_ssm":["\"N\" - \"O\" general, Circa 1981"],"text":["\"N\" - \"O\" general, Circa 1981","Dorothy Porter Wesley Collection, Circa 1788-2012","Correspondence","Family Correspondence, Circa 1923-2002","Charles Harris Wesley","/repositories/2/archival_objects/3833","box 8","folder 169"],"component_level_isim":[4],"parent_ids_ssim":["5e17dda97e7549e9d9b40539","5e17dda97e7549e9d9b40539_aspace_b9ba7cd58cf3e29411a466c260ba6f6e","5e17dda97e7549e9d9b40539_aspace_53be1371fb7b1135763072e2a7571568","5e17dda97e7549e9d9b40539_aspace_1eaa0b04371e82967e7490f3594b2e55"],"parent_unittitles_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012","Correspondence","Family Correspondence, Circa 1923-2002","Charles Harris Wesley"],"parent_unittitles_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012","Correspondence","Family Correspondence, Circa 1923-2002","Charles Harris Wesley"],"parent_levels_ssm":["collection","Series","Subseries","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/3833"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":174,"parent_access_restrict_tesm":["The Dorothy Porter Wesley Collection is open for research."],"date_range_isim":[1981],"containers_ssim":["box 8","folder 169"],"_nest_path_":"/components#0/components#1/components#1/components#7","_nest_parent_":"5e17dda97e7549e9d9b40539_aspace_1eaa0b04371e82967e7490f3594b2e55","_root_":"5e17dda97e7549e9d9b40539","_version_":1871563605913108480,"timestamp":"2026-07-24T03:02:22.463Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5e17dda97e7549e9d9b40539","title_filing_ssi":"Wesley, Dorothy Porter Collection","title_ssm":["Dorothy Porter Wesley Collection"],"title_tesim":["Dorothy Porter Wesley Collection"],"ead_ssi":"5e17dda97e7549e9d9b40539","unitdate_ssm":["Circa 1788-2012"],"unitdate_inclusive_ssm":["Circa 1788-2012"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2003.6","/repositories/2/resources/20"],"text":["AARLCC.2003.6","/repositories/2/resources/20","Dorothy Porter Wesley Collection, Circa 1788-2012","Africa -- Research","Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art","The Dorothy Porter Wesley Collection is open for research.","View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.","The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets","Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.","The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.","Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".","The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.","AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970","English Portuguese German"],"unitid_tesim":["AARLCC.2003.6","/repositories/2/resources/20"],"normalized_date_ssm":["Circa 1788-2012"],"normalized_title_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_title_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Africa -- Research"],"geogname_ssim":["Africa -- Research"],"places_ssim":["Africa -- Research"],"acqinfo_ssim":["Broward County Library purchased the materials from Constance Porter Uzelac (daughter of Dorothy Porter Wesley) in December 2002 (Accession AARLCC-2003.6). Milan Uzelac donated accruals to AARLCC Special Collections on June 29, 2012 (Accession AARLCC-2012.12) and on May 12, 2022 (Accession AARLCC-2022.7)."],"access_subjects_ssim":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"access_subjects_ssm":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"has_online_content_ssim":["false"],"extent_ssm":["67 Hollinger Boxes","2800 Books"],"extent_tesim":["67 Hollinger Boxes","2800 Books"],"genreform_ssim":["Photographs","Sound recordings","Correspondence","Art"],"date_range_isim":[1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Dorothy Porter Wesley Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll37/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series and sub-series:\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries I. Correspondence\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. General Correspondence\u003c/p\u003e","\u003cp\u003eSub-series II. Family Correspondence\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries II. Professional Papers\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley professional papers\u003c/p\u003e","\u003cp\u003eSub-series II. Constance Porter Uzelac professional papers \u003c/p\u003e","\u003cp\u003eSub-series III. Charles Harris Wesley professional papers \u003c/p\u003e","\u003cp\u003eSub-series IV. Writings by Dorothy Porter Wesley\u003c/p\u003e","\u003cp\u003eSub-series V. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VI. Writings by James A. Porter\u003c/p\u003e","\u003cp\u003eSub-series VII. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VIII. Writings by Charles Harris Wesley \u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries III. Research Files\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley general research files\u003c/p\u003e","\u003cp\u003eSub-series II. Dorothy Porter Wesley Brazil research files\u003c/p\u003e","\u003cp\u003eSub-series III. Dorothy Porter Wesley illustrations\u003c/p\u003e","\u003cp\u003eSub-series IV. Constance Porter Uzelac research files\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries IV. Personal Papers\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries V. Photographs\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries VI. Printed Materials\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Calendars and Datebooks\u003c/p\u003e","\u003cp\u003eSub-series II. Catalogs\u003c/p\u003e","\u003cp\u003eSub-series III. General\u003c/p\u003e","\u003cp\u003eSub-series IV. Magazines\u003c/p\u003e","\u003cp\u003eSub-series V. Maps\u003c/p\u003e","\u003cp\u003eSub-series VI. Newspaper Clippings\u003c/p\u003e","\u003cp\u003eSub-series VII. Sheet Music\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries VII. Ephemera and Artwork\u003c/p\u003e\u003c/b\u003e","\u003cp\u003e\u003cb\u003eSeries VIII. Books and Pamphlets\u003c/b\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets"],"bioghist_html_tesm":["\u003cp\u003eDorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. \u003c/p\u003e\n","\u003cp\u003eShe graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. \u003c/p\u003e\n","\u003cp\u003eIn 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work, \u003cemph\u003eModern Negro Art\u003c/emph\u003e, proved to be one of the most informative sources to date on the creativity of the Black artists.\u003c/p\u003e\n","\u003cp\u003eIn 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.\u003c/p\u003e\n","\u003cp\u003eJames Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. \u003c/p\u003e\n","\u003cp\u003eCharles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. \u003c/p\u003e\n","\u003cp\u003eAfter her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.\u003c/p\u003e\n","\u003cp\u003eIn 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.\u003c/p\u003e\n","\u003cp\u003eThe book \u003ci\u003eWilliam Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874\u003c/i\u003e (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.\u003c/p\u003e\n","\u003cp\u003eIn 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012."],"prefercite_html_tesm":["\u003cp\u003eDorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Dorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\n\u003ca href=\"https://archives.yale.edu/repositories/11/resources/994\" target=\"_blank\"\u003ePart of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.\u003c/a\u003e\n\u003c/p\u003e","\u003cp\u003e\n\u003ca href=\"https://archives.libraries.emory.edu/repositories/7/resources/3255\" target=\"_blank\"\u003eDorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.\u003c/a\u003e\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University."],"scopecontent_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.\u003c/p\u003e\n","\u003cp\u003eCorrespondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.\u003c/p\u003e\n","\u003cp\u003eProfessional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.\u003c/p\u003e\n","\u003cp\u003eConstance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". \u003c/p\u003e\n","\u003cp\u003eThe collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.\u003c/p\u003e\n","\u003cp\u003eResearch files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.\u003c/p\u003e\n","\u003cp\u003ePrinted Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=DPW\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\"."],"abstract_html_tesm":["\u003cabstract id=\"aspace_559c404160acc20bdc75d09cde3325a4\"\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.\u003c/abstract\u003e"],"abstract_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets."],"names_ssim":["AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Wesley, Dorothy Porter, 1905-1995"],"persname_ssim":["Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"language_ssim":["English Portuguese German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1539,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871563605913108480,"_root_":"5e17dda97e7549e9d9b40539","timestamp":"2026-07-24T03:02:22.463Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_5fb304964cdc4968a08a674e6e12a8b6"}},{"id":"d20aa889e8ea8129c93e6502","type":"collection","attributes":{"title":"Nola Perez Papers, 1969-2022","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. \u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"d20aa889e8ea8129c93e6502","title_ssm":["Nola Perez Papers"],"title_tesim":["Nola Perez Papers"],"ead_ssi":"d20aa889e8ea8129c93e6502","unitdate_ssm":["1969-2022"],"unitdate_inclusive_ssm":["1969-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2016.006","/repositories/3/resources/78"],"text":["2016.006","/repositories/3/resources/78","Nola Perez Papers, 1969-2022","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. ","This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2016.006","/repositories/3/resources/78"],"normalized_date_ssm":["1969-2022"],"normalized_title_ssm":["Nola Perez Papers, 1969-2022"],"collection_title_tesim":["Nola Perez Papers, 1969-2022"],"collection_ssim":["Nola Perez Papers, 1969-2022"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Nola B. Perez, 2016-09-06."],"has_online_content_ssim":["false"],"extent_ssm":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"extent_tesim":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eNola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. \u003c/p\u003e\n","\u003cp\u003eDuring her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.\u003c/p\u003e\n","\u003cp\u003eIn the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.\u003c/p\u003e\n","\u003cp\u003eUpon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. "],"prefercite_html_tesm":["\u003cp\u003eNola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Nola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. \u003c/p\u003e\n","\u003cp\u003eSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1 \u0026#x2013; Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez\u003c/p\u003e\n","\u003cp\u003eSeries 2 \u0026#x2013; Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles\u003c/p\u003e\n","\u003cp\u003eSeries 3 \u0026#x2013; Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails\u003c/p\u003e\n","\u003cp\u003eSeries 4 \u0026#x2013; Critiques (arranged chronologically) include critical receptions of Nola Perez's work\u003c/p\u003e\n","\u003cp\u003eSeries 5 \u0026#x2013; Events (arranged alphabetically by subseries)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Book Signings and Poetry Readings (arranged chronologically) includes information and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"\u003c/p\u003e\n","\u003cp\u003eSeries 6 \u0026#x2013; Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation\u003c/p\u003e\n","\u003cp\u003eSeries 7 \u0026#x2013; Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career\u003c/p\u003e\n","\u003cp\u003eSeries 8 \u0026#x2013; Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Photographs (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Publications (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 5 \u0026#x2013; Workshops (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSeries 9 \u0026#x2013; Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events\u003c/p\u003e\n","\u003cp\u003eSeries 10 \u0026#x2013; Poetry (arranged chronologically) contains a collection of Nola's poetry\u003c/p\u003e\n","\u003cp\u003eSeries 11 \u0026#x2013; Publications (arranged alphabetically by type of publication)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Books (arranged chronologically by publication date; chronological files within each book published)\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Journals (arranged chronologically by publication date)\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website\u003c/p\u003e\n","\u003cp\u003eSeries 12 \u0026#x2013; Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia\u003c/p\u003e\n","\u003cp\u003eSeries 13 \u0026#x2013; Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop"],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":231,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860591887810560,"_root_":"d20aa889e8ea8129c93e6502","timestamp":"2026-07-16T08:48:16.050Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d20aa889e8ea8129c93e6502","title_ssm":["Nola Perez Papers"],"title_tesim":["Nola Perez Papers"],"ead_ssi":"d20aa889e8ea8129c93e6502","unitdate_ssm":["1969-2022"],"unitdate_inclusive_ssm":["1969-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2016.006","/repositories/3/resources/78"],"text":["2016.006","/repositories/3/resources/78","Nola Perez Papers, 1969-2022","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. ","This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2016.006","/repositories/3/resources/78"],"normalized_date_ssm":["1969-2022"],"normalized_title_ssm":["Nola Perez Papers, 1969-2022"],"collection_title_tesim":["Nola Perez Papers, 1969-2022"],"collection_ssim":["Nola Perez Papers, 1969-2022"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Nola B. Perez, 2016-09-06."],"has_online_content_ssim":["false"],"extent_ssm":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"extent_tesim":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eNola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. \u003c/p\u003e\n","\u003cp\u003eDuring her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.\u003c/p\u003e\n","\u003cp\u003eIn the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.\u003c/p\u003e\n","\u003cp\u003eUpon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. "],"prefercite_html_tesm":["\u003cp\u003eNola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Nola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. \u003c/p\u003e\n","\u003cp\u003eSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1 \u0026#x2013; Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez\u003c/p\u003e\n","\u003cp\u003eSeries 2 \u0026#x2013; Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles\u003c/p\u003e\n","\u003cp\u003eSeries 3 \u0026#x2013; Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails\u003c/p\u003e\n","\u003cp\u003eSeries 4 \u0026#x2013; Critiques (arranged chronologically) include critical receptions of Nola Perez's work\u003c/p\u003e\n","\u003cp\u003eSeries 5 \u0026#x2013; Events (arranged alphabetically by subseries)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Book Signings and Poetry Readings (arranged chronologically) includes information and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"\u003c/p\u003e\n","\u003cp\u003eSeries 6 \u0026#x2013; Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation\u003c/p\u003e\n","\u003cp\u003eSeries 7 \u0026#x2013; Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career\u003c/p\u003e\n","\u003cp\u003eSeries 8 \u0026#x2013; Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Photographs (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Publications (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 5 \u0026#x2013; Workshops (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSeries 9 \u0026#x2013; Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events\u003c/p\u003e\n","\u003cp\u003eSeries 10 \u0026#x2013; Poetry (arranged chronologically) contains a collection of Nola's poetry\u003c/p\u003e\n","\u003cp\u003eSeries 11 \u0026#x2013; Publications (arranged alphabetically by type of publication)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Books (arranged chronologically by publication date; chronological files within each book published)\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Journals (arranged chronologically by publication date)\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website\u003c/p\u003e\n","\u003cp\u003eSeries 12 \u0026#x2013; Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia\u003c/p\u003e\n","\u003cp\u003eSeries 13 \u0026#x2013; Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop"],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":231,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860591887810560,"_root_":"d20aa889e8ea8129c93e6502","timestamp":"2026-07-16T08:48:16.050Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502"}},{"id":"d049b8f1d279e90b99a77f6a_aspace_2acc409bb3bfa6358ec8c4d6fff470d6","type":"Subseries","attributes":{"title":"Nolen, Gail Collection, 1973, Circa 1982, Undated","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/d049b8f1d279e90b99a77f6a_aspace_2acc409bb3bfa6358ec8c4d6fff470d6#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eDonated by Gail Briggs Nolen, author of \u003ci\u003eMemories of Merritt Island, Birthplace of Kennedy Space Center\u003c/i\u003e, in 2012, the collection is comprised of 13 processed 8mm film reels. The footage is dated from 1973 and circa 1982. The contents feature holiday celebrations, birthday parties, children playing, beach visits, and a stock car race at Daytona, Florida.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d049b8f1d279e90b99a77f6a_aspace_2acc409bb3bfa6358ec8c4d6fff470d6#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_2acc409bb3bfa6358ec8c4d6fff470d6","ref_ssm":["aspace_2acc409bb3bfa6358ec8c4d6fff470d6","aspace_2acc409bb3bfa6358ec8c4d6fff470d6"],"id":"d049b8f1d279e90b99a77f6a_aspace_2acc409bb3bfa6358ec8c4d6fff470d6","title_filing_ssi":"Nolen, Gail Collection","title_ssm":["Nolen, Gail Collection"],"title_tesim":["Nolen, Gail Collection"],"unitdate_inclusive_ssm":["1973, Circa 1982, Undated"],"normalized_date_ssm":["1973, Circa 1982, Undated"],"normalized_title_ssm":["Nolen, Gail Collection, 1973, Circa 1982, Undated"],"text":["Nolen, Gail Collection, 1973, Circa 1982, Undated","UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987.","Home Movie Archives, Circa 1920-1989, Undated","/repositories/4/archival_objects/54559","Donated by Gail Briggs Nolen, author of  Memories of Merritt Island, Birthplace of Kennedy Space Center , in 2012, the collection is comprised of 13 processed 8mm film reels. The footage is dated from 1973 and circa 1982. The contents feature holiday celebrations, birthday parties, children playing, beach visits, and a stock car race at Daytona, Florida."],"component_level_isim":[2],"parent_ids_ssim":["d049b8f1d279e90b99a77f6a","d049b8f1d279e90b99a77f6a_aspace_seriesI"],"parent_unittitles_ssm":["UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987.","Home Movie Archives, Circa 1920-1989, Undated"],"parent_unittitles_tesim":["UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987.","Home Movie Archives, Circa 1920-1989, Undated"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/4/archival_objects/54559"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987."],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":290,"parent_access_restrict_tesm":["The entire collection is open for research. Curatorial Permission is required for reels 9, 24, 204, 205, 206, 207, 208, 209, 210, 297 due to their content."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"scopecontent_html_tesm":["\u003cp\u003eDonated by Gail Briggs Nolen, author of \u003ci\u003eMemories of Merritt Island, Birthplace of Kennedy Space Center\u003c/i\u003e, in 2012, the collection is comprised of 13 processed 8mm film reels. The footage is dated from 1973 and circa 1982. The contents feature holiday celebrations, birthday parties, children playing, beach visits, and a stock car race at Daytona, Florida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Donated by Gail Briggs Nolen, author of  Memories of Merritt Island, Birthplace of Kennedy Space Center , in 2012, the collection is comprised of 13 processed 8mm film reels. The footage is dated from 1973 and circa 1982. The contents feature holiday celebrations, birthday parties, children playing, beach visits, and a stock car race at Daytona, Florida."],"_nest_path_":"/components#0/components#36","_nest_parent_":"d049b8f1d279e90b99a77f6a_aspace_seriesI","_root_":"d049b8f1d279e90b99a77f6a","timestamp":"2026-04-21T03:15:10.318Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d049b8f1d279e90b99a77f6a","title_ssm":["UCF Home Movie Archives"],"title_tesim":["UCF Home Movie Archives"],"ead_ssi":"d049b8f1d279e90b99a77f6a","unitdate_ssm":["Circa 1920-1989, Circa 2010-2014, Undated.","1950-1987."],"unitdate_bulk_ssim":["1950-1987."],"unitdate_inclusive_ssm":["Circa 1920-1989, Circa 2010-2014, Undated."],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.101","/repositories/4/resources/213"],"text":["SC.101","/repositories/4/resources/213","UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987.","Midway Islands","North America","Hawaii","South America","Europe","Asia","Australia","Africa","Universities and colleges -- Florida","Tourism","Amusement parks","Zoo animals","Wildlife-related recreation","Sculpture","Historic sites","Art and architecture","New York World's Fair (1964-1965 : New York, N.Y.)","United States -- Navy","Cold War","Vietnam War, 1961-1975","Birthday parties","Holidays","Proms","Weddings","Commencement ceremonies","Hunting","Fishing","Amateur films","Festivals","motion pictures (visual works)","8mm (photographic film size)","DVDs","VHS","short subjects","Super 8","The entire collection is open for research. Curatorial Permission is required for reels 9, 24, 204, 205, 206, 207, 208, 209, 210, 297 due to their content.","The first arrangement and description of the archives contents was completed in 2015. The collection is housed on a protected drive and on discs. Presently, the archive is arranged based on the donor in alphabetical order and each film is numerically ordered.","The collection contains 8mm, Super 8mm, and 16mm film reels donated by 54 donors from 2010-2014. The footage of the reels may or may not be listed in chronological order.","As part of the Special Collections and University Archives, the Home Movie Archive seeks to collect 8mm, Super 8mm, and 16mm home movies, captured mostly from late 1930s through the end of the 1980s, which have cultural, historical, scientific, or artistic significance, with a focus on Central Florida and its residents.","The aim of creating a Home Movie Archive is to ensure that the valuable social and historical information, captured by ordinary citizens, be preserved as part of the Special Collections and University Archives permanent holdings-a non-circulating collection whose use is confined to the Special Collections reading/research room.","The UCF Libraries will administer, permanently house, preserve, inventory, process, maintain, and make available a Home Movie Archive to the public, researchers, and scholars, in accordance with the UCF Libraries' established policies and procedures.","Most of the footage was donated during the University of Central Florida Film Department's Home Movie Day events from 2010 through 2013 with individual donations thereafter until 2014. Some of the reels were repaired by the UCF Film Department; more information regarding those repairs can be found in the administrative records. The films were digitized on discs and onto a Western Digital My Book Studio II Dual-drive Storage System with RAID from 2011 to 2013. The UCF Film Department transferred the collection to the UCF Library Special Collections on March 3, 2014.","A supplementary guide was created by David D. Morton in 2015; additions to the guide were integrated by Angie Villafane Martinez, John Settle, and Steven Craig Trelstad from 2017 to 2019. Reels 142 (LN_01), 143 (LN_02), 148 (MB_01), and 150 (MB_04) have vinegar syndrome and are being kept separate from the rest of the collection.","For more information on Special Collections, please see our  website .","Series I: Home Movie Archive, c. 1920-1989, Undated. The series is arranged into one series and 54 subseries with each subseries named after the donors (Last Name, First Name) and is alphabetically listed.","\nSeries II: Public Access Materials, c. 1920-1989, c. 2010-2014, Undated. The series contains the digitized formats of the footage featured in Series I for public research purposes. Also contains supplementary materials such as posters from the University of Central Florida Film Department's Home Movie Day event. The series is arranged with the digitized versions (as well as other formats) of the footage in a box and the posters stored in a flat file. ","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Home Move Archive houses films created by individuals that mostly depict their family interactions, ceremonies, celebrations, and vacations. Others depict famous moments in history such as the opening day of Walt Disney World or the 1964 World's Fair. The origins of the footage in the collection span across North America, South America, Europe, Africa, and Asia.","UCF Special Collections","Florida Technological University","University of Central Florida","The materials are written in English"],"unitid_tesim":["SC.101","/repositories/4/resources/213"],"normalized_date_ssm":["Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987."],"normalized_title_ssm":["UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987."],"collection_title_tesim":["UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987."],"collection_ssim":["UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987."],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Midway Islands","North America","Hawaii","South America","Europe","Asia","Australia","Africa"],"geogname_ssim":["Midway Islands","North America","Hawaii","South America","Europe","Asia","Australia","Africa"],"places_ssim":["Midway Islands","North America","Hawaii","South America","Europe","Asia","Australia","Africa"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Various donors donated the materials to the University of Central Film Department from 2010-2013; their names are used to differentiate their films in the collection. the UCF Film Department transferred these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2014."],"access_subjects_ssim":["Universities and colleges -- Florida","Tourism","Amusement parks","Zoo animals","Wildlife-related recreation","Sculpture","Historic sites","Art and architecture","New York World's Fair (1964-1965 : New York, N.Y.)","United States -- Navy","Cold War","Vietnam War, 1961-1975","Birthday parties","Holidays","Proms","Weddings","Commencement ceremonies","Hunting","Fishing","Amateur films","Festivals","motion pictures (visual works)","8mm (photographic film size)","DVDs","VHS","short subjects","Super 8"],"access_subjects_ssm":["Universities and colleges -- Florida","Tourism","Amusement parks","Zoo animals","Wildlife-related recreation","Sculpture","Historic sites","Art and architecture","New York World's Fair (1964-1965 : New York, N.Y.)","United States -- Navy","Cold War","Vietnam War, 1961-1975","Birthday parties","Holidays","Proms","Weddings","Commencement ceremonies","Hunting","Fishing","Amateur films","Festivals","motion pictures (visual works)","8mm (photographic film size)","DVDs","VHS","short subjects","Super 8"],"has_online_content_ssim":["false"],"extent_ssm":["23.65 Linear Feet 278 8mm Film Reels, 19 Super 8mm Film Reels; 9 16mm Film Reels, 1 Box, and 1 Flat File"],"extent_tesim":["23.65 Linear Feet 278 8mm Film Reels, 19 Super 8mm Film Reels; 9 16mm Film Reels, 1 Box, and 1 Flat File"],"genreform_ssim":["motion pictures (visual works)","8mm (photographic film size)","DVDs","VHS","short subjects","Super 8"],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research. Curatorial Permission is required for reels 9, 24, 204, 205, 206, 207, 208, 209, 210, 297 due to their content.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research. Curatorial Permission is required for reels 9, 24, 204, 205, 206, 207, 208, 209, 210, 297 due to their content."],"arrangement_html_tesm":["\u003cp\u003eThe first arrangement and description of the archives contents was completed in 2015. The collection is housed on a protected drive and on discs. Presently, the archive is arranged based on the donor in alphabetical order and each film is numerically ordered.\u003c/p\u003e\n","\u003cp\u003eThe collection contains 8mm, Super 8mm, and 16mm film reels donated by 54 donors from 2010-2014. The footage of the reels may or may not be listed in chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The first arrangement and description of the archives contents was completed in 2015. The collection is housed on a protected drive and on discs. Presently, the archive is arranged based on the donor in alphabetical order and each film is numerically ordered.","The collection contains 8mm, Super 8mm, and 16mm film reels donated by 54 donors from 2010-2014. The footage of the reels may or may not be listed in chronological order."],"bioghist_html_tesm":["\u003cp\u003eAs part of the Special Collections and University Archives, the Home Movie Archive seeks to collect 8mm, Super 8mm, and 16mm home movies, captured mostly from late 1930s through the end of the 1980s, which have cultural, historical, scientific, or artistic significance, with a focus on Central Florida and its residents.\u003c/p\u003e\n","\u003cp\u003eThe aim of creating a Home Movie Archive is to ensure that the valuable social and historical information, captured by ordinary citizens, be preserved as part of the Special Collections and University Archives permanent holdings-a non-circulating collection whose use is confined to the Special Collections reading/research room.\u003c/p\u003e\n","\u003cp\u003eThe UCF Libraries will administer, permanently house, preserve, inventory, process, maintain, and make available a Home Movie Archive to the public, researchers, and scholars, in accordance with the UCF Libraries' established policies and procedures.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["As part of the Special Collections and University Archives, the Home Movie Archive seeks to collect 8mm, Super 8mm, and 16mm home movies, captured mostly from late 1930s through the end of the 1980s, which have cultural, historical, scientific, or artistic significance, with a focus on Central Florida and its residents.","The aim of creating a Home Movie Archive is to ensure that the valuable social and historical information, captured by ordinary citizens, be preserved as part of the Special Collections and University Archives permanent holdings-a non-circulating collection whose use is confined to the Special Collections reading/research room.","The UCF Libraries will administer, permanently house, preserve, inventory, process, maintain, and make available a Home Movie Archive to the public, researchers, and scholars, in accordance with the UCF Libraries' established policies and procedures."],"prefercite_html_tesm":["\u003cp\u003eUCF Home Movie Archives, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["UCF Home Movie Archives, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMost of the footage was donated during the University of Central Florida Film Department's Home Movie Day events from 2010 through 2013 with individual donations thereafter until 2014. Some of the reels were repaired by the UCF Film Department; more information regarding those repairs can be found in the administrative records. The films were digitized on discs and onto a Western Digital My Book Studio II Dual-drive Storage System with RAID from 2011 to 2013. The UCF Film Department transferred the collection to the UCF Library Special Collections on March 3, 2014.\u003c/p\u003e","\u003cp\u003eA supplementary guide was created by David D. Morton in 2015; additions to the guide were integrated by Angie Villafane Martinez, John Settle, and Steven Craig Trelstad from 2017 to 2019. Reels 142 (LN_01), 143 (LN_02), 148 (MB_01), and 150 (MB_04) have vinegar syndrome and are being kept separate from the rest of the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["Most of the footage was donated during the University of Central Florida Film Department's Home Movie Day events from 2010 through 2013 with individual donations thereafter until 2014. Some of the reels were repaired by the UCF Film Department; more information regarding those repairs can be found in the administrative records. The films were digitized on discs and onto a Western Digital My Book Studio II Dual-drive Storage System with RAID from 2011 to 2013. The UCF Film Department transferred the collection to the UCF Library Special Collections on March 3, 2014.","A supplementary guide was created by David D. Morton in 2015; additions to the guide were integrated by Angie Villafane Martinez, John Settle, and Steven Craig Trelstad from 2017 to 2019. Reels 142 (LN_01), 143 (LN_02), 148 (MB_01), and 150 (MB_04) have vinegar syndrome and are being kept separate from the rest of the collection."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on Special Collections, please see our \u003cextref href=\"https://library.ucf.edu/about/departments/special-collections-university-archives/\" show=\"new\" actuate=\"onrequest\"\u003ewebsite\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["For more information on Special Collections, please see our  website ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Home Movie Archive, c. 1920-1989, Undated. The series is arranged into one series and 54 subseries with each subseries named after the donors (Last Name, First Name) and is alphabetically listed.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Public Access Materials, c. 1920-1989, c. 2010-2014, Undated. The series contains the digitized formats of the footage featured in Series I for public research purposes. Also contains supplementary materials such as posters from the University of Central Florida Film Department's Home Movie Day event. The series is arranged with the digitized versions (as well as other formats) of the footage in a box and the posters stored in a flat file. \u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["Series I: Home Movie Archive, c. 1920-1989, Undated. The series is arranged into one series and 54 subseries with each subseries named after the donors (Last Name, First Name) and is alphabetically listed.","\nSeries II: Public Access Materials, c. 1920-1989, c. 2010-2014, Undated. The series contains the digitized formats of the footage featured in Series I for public research purposes. Also contains supplementary materials such as posters from the University of Central Florida Film Department's Home Movie Day event. The series is arranged with the digitized versions (as well as other formats) of the footage in a box and the posters stored in a flat file. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6f7085fc2c24f2c91a7dd90d8b5a701a\"\u003eThe Home Move Archive houses films created by individuals that mostly depict their family interactions, ceremonies, celebrations, and vacations. Others depict famous moments in history such as the opening day of Walt Disney World or the 1964 World's Fair. The origins of the footage in the collection span across North America, South America, Europe, Africa, and Asia.\u003c/abstract\u003e"],"abstract_tesim":["The Home Move Archive houses films created by individuals that mostly depict their family interactions, ceremonies, celebrations, and vacations. Others depict famous moments in history such as the opening day of Walt Disney World or the 1964 World's Fair. The origins of the footage in the collection span across North America, South America, Europe, Africa, and Asia."],"names_coll_ssim":["Florida Technological University","University of Central Florida"],"names_ssim":["UCF Special Collections","Florida Technological University","University of Central Florida"],"corpname_ssim":["UCF Special Collections","Florida Technological University","University of Central Florida"],"language_ssim":["The materials are written in English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":481,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"d049b8f1d279e90b99a77f6a","timestamp":"2026-04-21T03:15:10.318Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d049b8f1d279e90b99a77f6a_aspace_2acc409bb3bfa6358ec8c4d6fff470d6"}},{"id":"2bb3983b5e939fe12a4bfbd3","type":"collection","attributes":{"title":"Non-Florida Broadsides and Printed Ephemera, bulk 1743-2003","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/2bb3983b5e939fe12a4bfbd3#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection contains assorted over-sized illustrations and graphics for a number of topics not related to Florida history.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2bb3983b5e939fe12a4bfbd3#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"2bb3983b5e939fe12a4bfbd3","title_ssm":["Non-Florida Broadsides and Printed Ephemera"],"title_tesim":["Non-Florida Broadsides and Printed Ephemera"],"ead_ssi":"2bb3983b5e939fe12a4bfbd3","unitdate_ssm":["1743-2003"],"unitdate_bulk_ssim":["1743-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1962-02","/repositories/2/resources/75"],"text":["MS-1962-02","/repositories/2/resources/75","Non-Florida Broadsides and Printed Ephemera, bulk 1743-2003","Holidays","Poetry","Flags","Religion.","Metaphysics","Restaurants","Advertisements","World's Columbian Exposition (1893 : Chicago, Ill.).","Children's literature","Children -- Posters","Indigenous peoples -- North America","Graphic design (Typography) -- History","Political cartoons","Encyclopedias","Children's literature -- Illustrations","Documents in this collection are arranged by topic.","This collection contains assorted over-sized illustrations and graphics for a number of topics not related to Florida history.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","Map case 7, drawer 8","USF Libraries - Tampa Special Collections","English Dutch; 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Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f37dbf0249c5bb2614427617c6ed21e4\"\u003eMap case 7, drawer 8\u003c/physloc\u003e"],"physloc_tesim":["Map case 7, drawer 8"],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English Dutch; Flemish Spanish; Castilian French German"],"descrules_ssm":["other_unmapped"],"total_component_count_is":18,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1874033256746188800,"_root_":"2bb3983b5e939fe12a4bfbd3","timestamp":"2026-08-20T09:16:25.049Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2bb3983b5e939fe12a4bfbd3","title_ssm":["Non-Florida Broadsides and Printed Ephemera"],"title_tesim":["Non-Florida Broadsides and Printed Ephemera"],"ead_ssi":"2bb3983b5e939fe12a4bfbd3","unitdate_ssm":["1743-2003"],"unitdate_bulk_ssim":["1743-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1962-02","/repositories/2/resources/75"],"text":["MS-1962-02","/repositories/2/resources/75","Non-Florida Broadsides and Printed Ephemera, bulk 1743-2003","Holidays","Poetry","Flags","Religion.","Metaphysics","Restaurants","Advertisements","World's Columbian Exposition (1893 : Chicago, Ill.).","Children's literature","Children -- Posters","Indigenous peoples -- North America","Graphic design (Typography) -- History","Political cartoons","Encyclopedias","Children's literature -- Illustrations","Documents in this collection are arranged by topic.","This collection contains assorted over-sized illustrations and graphics for a number of topics not related to Florida history.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","Map case 7, drawer 8","USF Libraries - Tampa Special Collections","English Dutch; 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Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f37dbf0249c5bb2614427617c6ed21e4\"\u003eMap case 7, drawer 8\u003c/physloc\u003e"],"physloc_tesim":["Map case 7, drawer 8"],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English Dutch; Flemish Spanish; Castilian French German"],"descrules_ssm":["other_unmapped"],"total_component_count_is":18,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1874033256746188800,"_root_":"2bb3983b5e939fe12a4bfbd3","timestamp":"2026-08-20T09:16:25.049Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2bb3983b5e939fe12a4bfbd3"}},{"id":"21908d03ad0b8b55a5eadb1e_aspace_38436","type":"File","attributes":{"title":"Nora Corporation Hialeah Fla., bulk 1977-03-1982-02","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/21908d03ad0b8b55a5eadb1e_aspace_38436#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_38436","ref_ssm":["aspace_38436","aspace_38436"],"id":"21908d03ad0b8b55a5eadb1e_aspace_38436","title_filing_ssi":"Nora Corporation Hialeah Fla. ","title_ssm":["Nora Corporation Hialeah Fla. "],"title_tesim":["Nora Corporation Hialeah Fla. "],"unitdate_bulk_ssim":["1977-03-1982-02"],"normalized_date_ssm":["bulk 1977-03-1982-02"],"normalized_title_ssm":["Nora Corporation Hialeah Fla., bulk 1977-03-1982-02"],"text":["Nora Corporation Hialeah Fla., bulk 1977-03-1982-02","International Ladies' Garment Workers' Union (ILGWU), date unknown","Box 2","Folder 2","/repositories/2/archival_objects/55109","folder 2"],"component_level_isim":[2],"parent_ids_ssim":["21908d03ad0b8b55a5eadb1e","21908d03ad0b8b55a5eadb1e_aspace_38434"],"parent_unittitles_ssm":["International Ladies' Garment Workers' Union (ILGWU), date unknown","Box 2"],"parent_unittitles_tesim":["International Ladies' Garment Workers' Union (ILGWU), date unknown","Box 2"],"parent_levels_ssm":["collection","Other level"],"unitid_ssm":["Folder 2","/repositories/2/archival_objects/55109"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["International Ladies' Garment Workers' Union (ILGWU), date unknown"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":20,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. 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