{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1981\u0026page=230\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1981\u0026page=229\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1981\u0026page=231\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1981\u0026page=576\u0026view=compact"},"meta":{"pages":{"current_page":230,"next_page":231,"prev_page":229,"total_pages":576,"limit_value":10,"offset_value":2290,"total_count":5758,"first_page?":false,"last_page?":false}},"data":[{"id":"4b7516964f49cb1b7aadf7c0","type":"collection","attributes":{"title":"Glenn Edward McDuffie collection, 1943-2014, Date accessioned: 2021-02-03","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/4b7516964f49cb1b7aadf7c0#creator","type":"document_value","attributes":{"value":["McDuffie, Glenn Edward, 1927-2014"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/4b7516964f49cb1b7aadf7c0#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection relates to Glenn Edward McDuffie who served as a Gunner's Mate 3rd Class with the U.S. Navy during World War II. 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Please contact \nlib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"date_range_isim":[1981,1982,1983],"containers_ssim":["box 14","folder 29"],"_nest_path_":"/components#6/components#0/components#28","_nest_parent_":"b3e4025e67698b63bebebf69_aspace_1de09f04f0b8046fe68ba4ba02b5653b","_root_":"b3e4025e67698b63bebebf69","_version_":1870860599051681792,"timestamp":"2026-07-16T08:48:22.881Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b3e4025e67698b63bebebf69","title_ssm":["Dr. Edna Louise Saffy Papers"],"title_tesim":["Dr. Edna Louise Saffy Papers"],"ead_ssi":"b3e4025e67698b63bebebf69","unitdate_ssm":["1962-2013"],"unitdate_inclusive_ssm":["1962-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2013.003","/repositories/3/resources/66"],"text":["2013.003","/repositories/3/resources/66","Dr. Edna Louise Saffy Papers, 1962-2013","Florida -- Politics and Government -- 20th century","Clinton, Bill, 1946 -- Presidential campaigns -- Florida","College teachers -- Florida -- Jacksonville (Fla.)","Democratic Party (Fla.)","Human rights workers -- Florida -- Jacksonville (Fla.)","Political activists -- Florida -- Jacksonville (Fla.)","Women's rights -- Florida","The collection is open for research by appointment only. Please contact \nlib-special@unf.edu to schedule an appointment.","\tDr. Edna Louise Saffy, human rights advocate and Jacksonville native was born on March 9, 1935. She attended college at the University of Florida where she received several degrees, including the Master's and Doctorate of Philosophy degrees. She was a professor of Rhetoric and Public Address at University of Florida and Florida State College at Jacksonville, where she was elected Professor Emeritus following her retirement in December 2007. ","\nDr. Saffy was a founder of the National Organization for Women chapters in Jacksonville and Gainesville, as well as founder of the Jacksonville Women's Network. She was named \"A Woman of Courage and Vision\" by the Mayor's Commission on the Status of Women and the recipient of a Lifetime EVE Award by the Florida Times Union.\n    \n    As a humanitarian and activist, she served on numerous local, state, and national committees, including the John F. Kennedy Center Committee for the Performing Arts during the Clinton Administration, the Advisory Committee on LaVilla Cultural Heritage District, American Arab Institute, Duval County Democratic Executive Committee, and the Jacksonville Human Rights Commission. \n    \n    Dr. Saffy was also politically active. She led a 1975 march in Tallahassee in support of the Equal Rights Amendment. She served as a Florida delegate to the International Women's Conference and as a Florida State delegate in six Democratic National Conventions. She was also the president of the Florida Women's Political Caucus. Dr. Saffy died June 20, 2010.","This collection contains awards, correspondence, memorabilia, printed materials, photographs, personal papers, and writings. Many printed materials and photographs relate to politics and political activism. There are numerous photographs and newspaper clippings, as well as Dr. Saffy's dissertation. The collection contains many memorabilia items, particularly from various political events, and there are two large portraits of Dr. Edna Louise Saffy.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2013.003","/repositories/3/resources/66"],"normalized_date_ssm":["1962-2013"],"normalized_title_ssm":["Dr. Edna Louise Saffy Papers, 1962-2013"],"collection_title_tesim":["Dr. Edna Louise Saffy Papers, 1962-2013"],"collection_ssim":["Dr. Edna Louise Saffy Papers, 1962-2013"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"geogname_ssm":["Florida -- Politics and Government -- 20th century"],"geogname_ssim":["Florida -- Politics and Government -- 20th century"],"places_ssim":["Florida -- Politics and Government -- 20th century"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Dr. Grady Johnson, 2013."],"access_subjects_ssim":["Clinton, Bill, 1946 -- Presidential campaigns -- Florida","College teachers -- Florida -- Jacksonville (Fla.)","Democratic Party (Fla.)","Human rights workers -- Florida -- Jacksonville (Fla.)","Political activists -- Florida -- Jacksonville (Fla.)","Women's rights -- Florida"],"access_subjects_ssm":["Clinton, Bill, 1946 -- Presidential campaigns -- Florida","College teachers -- Florida -- Jacksonville (Fla.)","Democratic Party (Fla.)","Human rights workers -- Florida -- Jacksonville (Fla.)","Political activists -- Florida -- Jacksonville (Fla.)","Women's rights -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["36.00 Linear Feet"],"extent_tesim":["36.00 Linear Feet"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact \nlib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact \nlib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003e\tDr. Edna Louise Saffy, human rights advocate and Jacksonville native was born on March 9, 1935. She attended college at the University of Florida where she received several degrees, including the Master's and Doctorate of Philosophy degrees. She was a professor of Rhetoric and Public Address at University of Florida and Florida State College at Jacksonville, where she was elected Professor Emeritus following her retirement in December 2007. \u003c/p\u003e\n","\u003cp\u003e\nDr. Saffy was a founder of the National Organization for Women chapters in Jacksonville and Gainesville, as well as founder of the Jacksonville Women's Network. She was named \"A Woman of Courage and Vision\" by the Mayor's Commission on the Status of Women and the recipient of a Lifetime EVE Award by the Florida Times Union.\n    \n    As a humanitarian and activist, she served on numerous local, state, and national committees, including the John F. Kennedy Center Committee for the Performing Arts during the Clinton Administration, the Advisory Committee on LaVilla Cultural Heritage District, American Arab Institute, Duval County Democratic Executive Committee, and the Jacksonville Human Rights Commission. \n    \n    Dr. Saffy was also politically active. She led a 1975 march in Tallahassee in support of the Equal Rights Amendment. She served as a Florida delegate to the International Women's Conference and as a Florida State delegate in six Democratic National Conventions. She was also the president of the Florida Women's Political Caucus. Dr. Saffy died June 20, 2010.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\tDr. Edna Louise Saffy, human rights advocate and Jacksonville native was born on March 9, 1935. She attended college at the University of Florida where she received several degrees, including the Master's and Doctorate of Philosophy degrees. She was a professor of Rhetoric and Public Address at University of Florida and Florida State College at Jacksonville, where she was elected Professor Emeritus following her retirement in December 2007. ","\nDr. Saffy was a founder of the National Organization for Women chapters in Jacksonville and Gainesville, as well as founder of the Jacksonville Women's Network. She was named \"A Woman of Courage and Vision\" by the Mayor's Commission on the Status of Women and the recipient of a Lifetime EVE Award by the Florida Times Union.\n    \n    As a humanitarian and activist, she served on numerous local, state, and national committees, including the John F. Kennedy Center Committee for the Performing Arts during the Clinton Administration, the Advisory Committee on LaVilla Cultural Heritage District, American Arab Institute, Duval County Democratic Executive Committee, and the Jacksonville Human Rights Commission. \n    \n    Dr. Saffy was also politically active. She led a 1975 march in Tallahassee in support of the Equal Rights Amendment. She served as a Florida delegate to the International Women's Conference and as a Florida State delegate in six Democratic National Conventions. She was also the president of the Florida Women's Political Caucus. Dr. Saffy died June 20, 2010."],"prefercite_html_tesm":["\u003cp\u003eDr. Edna Louise Saffy Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Dr. Edna Louise Saffy Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains awards, correspondence, memorabilia, printed materials, photographs, personal papers, and writings. Many printed materials and photographs relate to politics and political activism. There are numerous photographs and newspaper clippings, as well as Dr. Saffy's dissertation. The collection contains many memorabilia items, particularly from various political events, and there are two large portraits of Dr. Edna Louise Saffy.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains awards, correspondence, memorabilia, printed materials, photographs, personal papers, and writings. Many printed materials and photographs relate to politics and political activism. There are numerous photographs and newspaper clippings, as well as Dr. Saffy's dissertation. The collection contains many memorabilia items, particularly from various political events, and there are two large portraits of Dr. Edna Louise Saffy."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":748,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860599051681792,"_root_":"b3e4025e67698b63bebebf69","timestamp":"2026-07-16T08:48:22.881Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b3e4025e67698b63bebebf69_aspace_0cb1538290fee4257ce523c20590122b"}},{"id":"2326334e5e159c8d459e96a3","type":"collection","attributes":{"title":"Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3#abstract_or_scope","type":"document_value","attributes":{"value":["The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955)."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"2326334e5e159c8d459e96a3","title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"ead_ssi":"2326334e5e159c8d459e96a3","unitdate_ssm":["1955-2013","1970-2013"],"unitdate_bulk_ssim":["1970-2013"],"unitdate_inclusive_ssm":["1955-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.094","/repositories/4/resources/12"],"text":["SC.094","/repositories/4/resources/12","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Florida -- Politics and government -- Caricatures and cartoons","Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida","The entire collection is open for research.","Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.","Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.","Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File","Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).","UCF Special Collections","Stein, Glenn M., 1962-","English"],"unitid_tesim":["SC.094","/repositories/4/resources/12"],"normalized_date_ssm":["1955-2013, bulk 1970-2013"],"normalized_title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida -- Politics and government -- Caricatures and cartoons"],"geogname_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"places_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were donated to the University of Central Florida Special Collections by Glenn \"Marty\" Stein in 2013 (CFM2013_04)."],"access_subjects_ssim":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"access_subjects_ssm":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"extent_tesim":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eGlenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.\u003c/p\u003e\n","\u003cp\u003e\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogot\u0026#xE1;, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.\u003c/p\u003e\n","\u003cp\u003e\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelg\u0026#xE4;ngers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.\u003c/p\u003e\n","\u003cp\u003e\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelg\u0026#xE4;ngers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.\u003c/p\u003e\n","\u003cp\u003e\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects."],"prefercite_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.\u003c/p\u003e","\u003cp\u003eAll materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order."],"relatedmaterial_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein cartoons at the Library of Congress: \u003cextref href=\"http://www.loc.gov/pictures/search/?q=stein%2C%20glenn%20m\"\u003eGMS cartoons at the Library of Congress\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nGlenn \"Marty\" Stein cartoons at the University of South Florida: \u003cextref href=\"http://exhibits.lib.usf.edu/exhibits/show/poison-pens/new-millennium/stein\"\u003eArt of the Poison Pens: A Century of American Political Cartoons\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nThe Ohio State University, Libraries: \u003cextref href=\"http://library.ohio-state.edu/record=b6830269~S7\"\u003eGlenn (Marty) Stein Biographical File\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File"],"scopecontent_html_tesm":["\u003cp\u003eCollection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelg\u0026#xE4;ngers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. \u003c/p\u003e\n","\u003cp\u003e\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC)."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_79c7f7749bbd2323aa47f5f32d6c812f\" label=\"Abstract\"\u003eThe collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8\u0026#xBD; years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3\u0026#xBD; years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).\u003c/abstract\u003e"],"abstract_tesim":["The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955)."],"names_ssim":["UCF Special Collections","Stein, Glenn M., 1962-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Stein, Glenn M., 1962-"],"persname_ssim":["Stein, Glenn M., 1962-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1521,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857743444738048,"_root_":"2326334e5e159c8d459e96a3","timestamp":"2026-07-16T08:02:59.476Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2326334e5e159c8d459e96a3","title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"ead_ssi":"2326334e5e159c8d459e96a3","unitdate_ssm":["1955-2013","1970-2013"],"unitdate_bulk_ssim":["1970-2013"],"unitdate_inclusive_ssm":["1955-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.094","/repositories/4/resources/12"],"text":["SC.094","/repositories/4/resources/12","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Florida -- Politics and government -- Caricatures and cartoons","Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida","The entire collection is open for research.","Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.","Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.","Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File","Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).","UCF Special Collections","Stein, Glenn M., 1962-","English"],"unitid_tesim":["SC.094","/repositories/4/resources/12"],"normalized_date_ssm":["1955-2013, bulk 1970-2013"],"normalized_title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida -- Politics and government -- Caricatures and cartoons"],"geogname_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"places_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were donated to the University of Central Florida Special Collections by Glenn \"Marty\" Stein in 2013 (CFM2013_04)."],"access_subjects_ssim":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"access_subjects_ssm":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"extent_tesim":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eGlenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.\u003c/p\u003e\n","\u003cp\u003e\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogot\u0026#xE1;, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.\u003c/p\u003e\n","\u003cp\u003e\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelg\u0026#xE4;ngers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.\u003c/p\u003e\n","\u003cp\u003e\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelg\u0026#xE4;ngers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.\u003c/p\u003e\n","\u003cp\u003e\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects."],"prefercite_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.\u003c/p\u003e","\u003cp\u003eAll materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order."],"relatedmaterial_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein cartoons at the Library of Congress: \u003cextref href=\"http://www.loc.gov/pictures/search/?q=stein%2C%20glenn%20m\"\u003eGMS cartoons at the Library of Congress\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nGlenn \"Marty\" Stein cartoons at the University of South Florida: \u003cextref href=\"http://exhibits.lib.usf.edu/exhibits/show/poison-pens/new-millennium/stein\"\u003eArt of the Poison Pens: A Century of American Political Cartoons\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nThe Ohio State University, Libraries: \u003cextref href=\"http://library.ohio-state.edu/record=b6830269~S7\"\u003eGlenn (Marty) Stein Biographical File\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File"],"scopecontent_html_tesm":["\u003cp\u003eCollection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelg\u0026#xE4;ngers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. \u003c/p\u003e\n","\u003cp\u003e\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC)."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_79c7f7749bbd2323aa47f5f32d6c812f\" label=\"Abstract\"\u003eThe collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8\u0026#xBD; years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3\u0026#xBD; years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).\u003c/abstract\u003e"],"abstract_tesim":["The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955)."],"names_ssim":["UCF Special Collections","Stein, Glenn M., 1962-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Stein, Glenn M., 1962-"],"persname_ssim":["Stein, Glenn M., 1962-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1521,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857743444738048,"_root_":"2326334e5e159c8d459e96a3","timestamp":"2026-07-16T08:02:59.476Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3"}},{"id":"3018d7acc866cce1e2f00be2_aspace_50868be76c93df77e006c4b2f5843354","type":"File","attributes":{"title":"Go Back for Murder, 1981","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3018d7acc866cce1e2f00be2_aspace_50868be76c93df77e006c4b2f5843354#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_50868be76c93df77e006c4b2f5843354","ref_ssm":["aspace_50868be76c93df77e006c4b2f5843354","aspace_50868be76c93df77e006c4b2f5843354"],"id":"3018d7acc866cce1e2f00be2_aspace_50868be76c93df77e006c4b2f5843354","title_filing_ssi":"Go Back for Murder","title_ssm":["Go Back for Murder"],"title_tesim":["Go Back for Murder"],"unitdate_other_ssim":["1981"],"normalized_date_ssm":["1981"],"normalized_title_ssm":["Go Back for Murder, 1981"],"text":["Go Back for Murder, 1981","Mickey Wolfson Theater Collection, 1946-2015","Box 35","U.S. Arts","Arts in Florida","/repositories/2/archival_objects/74976","box 35","folder 1"],"component_level_isim":[4],"parent_ids_ssim":["3018d7acc866cce1e2f00be2","3018d7acc866cce1e2f00be2_aspace_2d406ed6b3a1a9274ff72faf6ad70415","3018d7acc866cce1e2f00be2_aspace_fdb69d8f3dddec1dc409517a697b0ae2","3018d7acc866cce1e2f00be2_aspace_2fdc17b2b1148c42fe811bd5b864c335"],"parent_unittitles_ssm":["Mickey Wolfson Theater Collection, 1946-2015","Box 35","U.S. Arts","Arts in Florida"],"parent_unittitles_tesim":["Mickey Wolfson Theater Collection, 1946-2015","Box 35","U.S. Arts","Arts in Florida"],"parent_levels_ssm":["collection","Other level","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/74976"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Mickey Wolfson Theater Collection, 1946-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1079,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"date_range_isim":[1981],"containers_ssim":["box 35","folder 1"],"_nest_path_":"/components#34/components#0/components#0/components#0","_nest_parent_":"3018d7acc866cce1e2f00be2_aspace_2fdc17b2b1148c42fe811bd5b864c335","_root_":"3018d7acc866cce1e2f00be2","timestamp":"2026-04-29T02:04:07.331Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3018d7acc866cce1e2f00be2","title_ssm":["Mickey Wolfson Theater Collection"],"title_tesim":["Mickey Wolfson Theater Collection"],"ead_ssi":"3018d7acc866cce1e2f00be2","unitdate_ssm":["1946-2015"],"unitdate_inclusive_ssm":["1946-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC8095","/repositories/2/resources/80"],"text":["SPC8095","/repositories/2/resources/80","Mickey Wolfson Theater Collection, 1946-2015","Ballet","Ballet companies","Opera","Performing arts","Performing arts--Festivals","Performing arts--Public relations","Theater","Theatrical publication","Playbills","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","The materials are arranged into the following series based on the geographical location of the performance: 1. Australian Arts 2. Bolivian Arts 3. Canadian Arts 4. Chinese Arts 5. European Arts 6. Filipino Arts 7. Indian Arts 8. Japanese Arts 9. Lebanese Arts 10. Malaysian Arts 11. Mexican Arts 12. New Zealand Arts 13. South African Arts 14. U.S. Arts. ","There is one sub-series under U.S. Arts entitled Arts in Florida.","Materials are in alphabetical and date order.","Mitchell \"Mickey\" Wolfson was born in 1939 and raised in Miami Beach and Asheville, NC. His parents were Frances Cohen (December 16, 1906– May 9, 1980) and Mitchell Wolfson (1900–1983). His father was the founder of Wometco Enterprises in 1925 and served as the first Jewish mayor of Miami Beach in 1943. His older brother, Louis Wolfson II, was a Florida state representative from Dade County from 1963–1973. Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. He is an American businessman and collector and founded the Wolfsonian Museum in Miami Beach and Genoa, Italy. ","Collector: In 1986 Wolfson established The Wolfsonian Foundation, a research center and museum in Miami Beach, and began publishing The Journal of Decorative and Propaganda Art, a journal fostering scholarship in late 19th- and early 20th-century design. In the same year he acquired the Mackenzie Castle in Genoa to house his collection. ","In 1997 he donated his collection, estimated at 80,000 objects, and the state-of-the-art museum to Florida International University. It was the basis for the Wolfsonian Museum-FIU, a research center and museum. In downtown Miami, the new Michael Wolfson Jr. Study Centre provides access to a collection of decorative, design and propaganda arts of the period 1885 to 1945. In Italy, the newly inaugurated Wolfsoniana Museum in Genoa exhibits elements from his collection that comprises more than 18,000 works on paper, paintings, sculpture, furniture and decorative objects. ","\nCommunity Activities: He is president of The Wolfson Initiative, Washington Storage Company, and the Novecento Corporation. He sits on the Wolfsonian-FIU Advisory Board and the Florida International University Board of Directors and is a trustee for the Mitchell Wolfson Senior Foundation that supports educational and health issues. Also, he is a trustee for the Mitchell Wolfson Family Foundation that supports the Audubon House and Tropical Gardens in Key West, Florida. He is a member of the International Council of the Museum of Arts and Design, the International Council of The Museum of Modern Art, the International Council of Les Arts Décoratifs in Paris, France, and a past member of the American Friends of the Louvre. He is on the advisory council of Princeton University's Department of Comparative Literature and on the advisory council of the Paul N. Nitze School of Advanced International Studies at Johns Hopkins University. ","\nWolfson co-authored Miami Beach: Blueprint of an Eden with artist Michele Oka Doner. Published in 2005, the book is a personal portrayal of Miami Beach from the 1920s through the 1960s. (Biographical source: Wikipedia and collection materials)","The materials in this collection reflect Mr. Wolfson's interest in the arts. The materials primarily consist of playbills, showbills, and programs from plays, operas, and musical performances in Europe, the U.S. (including South Florida), Asia, and Oceana.","The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","Language of materials is in English unless otherwise noted.","FIU Special Collections","Mitchell \"Mickey\" Wolfson, Jr., b.1939","Afrikaans Arabic Bulgarian Chinese Croatian Czech Danish English Finnish French German Italian Japanese Latin Malay Polish Romanian; Moldavian; Moldovan Russian Slovak Swedish"],"unitid_tesim":["SPC8095","/repositories/2/resources/80"],"normalized_date_ssm":["1946-2015"],"normalized_title_ssm":["Mickey Wolfson Theater Collection, 1946-2015"],"collection_title_tesim":["Mickey Wolfson Theater Collection, 1946-2015"],"collection_ssim":["Mickey Wolfson Theater Collection, 1946-2015"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"creator_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"creator_persname_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"creators_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"access_terms_ssm":["The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by Mickey Wolfson"],"access_subjects_ssim":["Ballet","Ballet companies","Opera","Performing arts","Performing arts--Festivals","Performing arts--Public relations","Theater","Theatrical publication","Playbills"],"access_subjects_ssm":["Ballet","Ballet companies","Opera","Performing arts","Performing arts--Festivals","Performing arts--Public relations","Theater","Theatrical publication","Playbills"],"has_online_content_ssim":["false"],"extent_ssm":["18.33 Linear Feet"],"extent_tesim":["18.33 Linear Feet"],"physfacet_tesim":["44 5\" document cases"],"genreform_ssim":["Playbills"],"date_range_isim":[1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials are arranged into the following series based on the geographical location of the performance: 1. Australian Arts 2. Bolivian Arts 3. Canadian Arts 4. Chinese Arts 5. European Arts 6. Filipino Arts 7. Indian Arts 8. Japanese Arts 9. Lebanese Arts 10. Malaysian Arts 11. Mexican Arts 12. New Zealand Arts 13. South African Arts 14. U.S. Arts. \u003c/p\u003e\n","\u003cp\u003eThere is one sub-series under U.S. Arts entitled Arts in Florida.\u003c/p\u003e\n","\u003cp\u003eMaterials are in alphabetical and date order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials are arranged into the following series based on the geographical location of the performance: 1. Australian Arts 2. Bolivian Arts 3. Canadian Arts 4. Chinese Arts 5. European Arts 6. Filipino Arts 7. Indian Arts 8. Japanese Arts 9. Lebanese Arts 10. Malaysian Arts 11. Mexican Arts 12. New Zealand Arts 13. South African Arts 14. U.S. Arts. ","There is one sub-series under U.S. Arts entitled Arts in Florida.","Materials are in alphabetical and date order."],"bioghist_html_tesm":["\u003cp\u003eMitchell \"Mickey\" Wolfson was born in 1939 and raised in Miami Beach and Asheville, NC. His parents were Frances Cohen (December 16, 1906\u0026#x2013; May 9, 1980) and Mitchell Wolfson (1900\u0026#x2013;1983). His father was the founder of Wometco Enterprises in 1925 and served as the first Jewish mayor of Miami Beach in 1943. His older brother, Louis Wolfson II, was a Florida state representative from Dade County from 1963\u0026#x2013;1973. Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. He is an American businessman and collector and founded the Wolfsonian Museum in Miami Beach and Genoa, Italy. \u003c/p\u003e\n","\u003cp\u003eCollector: In 1986 Wolfson established The Wolfsonian Foundation, a research center and museum in Miami Beach, and began publishing The Journal of Decorative and Propaganda Art, a journal fostering scholarship in late 19th- and early 20th-century design. In the same year he acquired the Mackenzie Castle in Genoa to house his collection. \u003c/p\u003e\n","\u003cp\u003eIn 1997 he donated his collection, estimated at 80,000 objects, and the state-of-the-art museum to Florida International University. It was the basis for the Wolfsonian Museum-FIU, a research center and museum. In downtown Miami, the new Michael Wolfson Jr. Study Centre provides access to a collection of decorative, design and propaganda arts of the period 1885 to 1945. In Italy, the newly inaugurated Wolfsoniana Museum in Genoa exhibits elements from his collection that comprises more than 18,000 works on paper, paintings, sculpture, furniture and decorative objects. \u003c/p\u003e\n","\u003cp\u003e\nCommunity Activities: He is president of The Wolfson Initiative, Washington Storage Company, and the Novecento Corporation. He sits on the Wolfsonian-FIU Advisory Board and the Florida International University Board of Directors and is a trustee for the Mitchell Wolfson Senior Foundation that supports educational and health issues. Also, he is a trustee for the Mitchell Wolfson Family Foundation that supports the Audubon House and Tropical Gardens in Key West, Florida. He is a member of the International Council of the Museum of Arts and Design, the International Council of The Museum of Modern Art, the International Council of Les Arts D\u0026#xE9;coratifs in Paris, France, and a past member of the American Friends of the Louvre. He is on the advisory council of Princeton University's Department of Comparative Literature and on the advisory council of the Paul N. Nitze School of Advanced International Studies at Johns Hopkins University. \u003c/p\u003e\n","\u003cp\u003e\nWolfson co-authored Miami Beach: Blueprint of an Eden with artist Michele Oka Doner. Published in 2005, the book is a personal portrayal of Miami Beach from the 1920s through the 1960s. (Biographical source: Wikipedia and collection materials)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Mitchell \"Mickey\" Wolfson was born in 1939 and raised in Miami Beach and Asheville, NC. His parents were Frances Cohen (December 16, 1906– May 9, 1980) and Mitchell Wolfson (1900–1983). His father was the founder of Wometco Enterprises in 1925 and served as the first Jewish mayor of Miami Beach in 1943. His older brother, Louis Wolfson II, was a Florida state representative from Dade County from 1963–1973. Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. He is an American businessman and collector and founded the Wolfsonian Museum in Miami Beach and Genoa, Italy. ","Collector: In 1986 Wolfson established The Wolfsonian Foundation, a research center and museum in Miami Beach, and began publishing The Journal of Decorative and Propaganda Art, a journal fostering scholarship in late 19th- and early 20th-century design. In the same year he acquired the Mackenzie Castle in Genoa to house his collection. ","In 1997 he donated his collection, estimated at 80,000 objects, and the state-of-the-art museum to Florida International University. It was the basis for the Wolfsonian Museum-FIU, a research center and museum. In downtown Miami, the new Michael Wolfson Jr. Study Centre provides access to a collection of decorative, design and propaganda arts of the period 1885 to 1945. In Italy, the newly inaugurated Wolfsoniana Museum in Genoa exhibits elements from his collection that comprises more than 18,000 works on paper, paintings, sculpture, furniture and decorative objects. ","\nCommunity Activities: He is president of The Wolfson Initiative, Washington Storage Company, and the Novecento Corporation. He sits on the Wolfsonian-FIU Advisory Board and the Florida International University Board of Directors and is a trustee for the Mitchell Wolfson Senior Foundation that supports educational and health issues. Also, he is a trustee for the Mitchell Wolfson Family Foundation that supports the Audubon House and Tropical Gardens in Key West, Florida. He is a member of the International Council of the Museum of Arts and Design, the International Council of The Museum of Modern Art, the International Council of Les Arts Décoratifs in Paris, France, and a past member of the American Friends of the Louvre. He is on the advisory council of Princeton University's Department of Comparative Literature and on the advisory council of the Paul N. Nitze School of Advanced International Studies at Johns Hopkins University. ","\nWolfson co-authored Miami Beach: Blueprint of an Eden with artist Michele Oka Doner. Published in 2005, the book is a personal portrayal of Miami Beach from the 1920s through the 1960s. (Biographical source: Wikipedia and collection materials)"],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection reflect Mr. Wolfson's interest in the arts. The materials primarily consist of playbills, showbills, and programs from plays, operas, and musical performances in Europe, the U.S. (including South Florida), Asia, and Oceana.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection reflect Mr. Wolfson's interest in the arts. The materials primarily consist of playbills, showbills, and programs from plays, operas, and musical performances in Europe, the U.S. (including South Florida), Asia, and Oceana."],"userestrict_html_tesm":["\u003cp\u003eThe Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. 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Kennedy Center Committee for the Performing Arts during the Clinton Administration, the Advisory Committee on LaVilla Cultural Heritage District, American Arab Institute, Duval County Democratic Executive Committee, and the Jacksonville Human Rights Commission. \n    \n    Dr. Saffy was also politically active. She led a 1975 march in Tallahassee in support of the Equal Rights Amendment. She served as a Florida delegate to the International Women's Conference and as a Florida State delegate in six Democratic National Conventions. She was also the president of the Florida Women's Political Caucus. Dr. Saffy died June 20, 2010.","This collection contains awards, correspondence, memorabilia, printed materials, photographs, personal papers, and writings. Many printed materials and photographs relate to politics and political activism. There are numerous photographs and newspaper clippings, as well as Dr. Saffy's dissertation. The collection contains many memorabilia items, particularly from various political events, and there are two large portraits of Dr. Edna Louise Saffy.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. 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She was named \"A Woman of Courage and Vision\" by the Mayor's Commission on the Status of Women and the recipient of a Lifetime EVE Award by the Florida Times Union.\n    \n    As a humanitarian and activist, she served on numerous local, state, and national committees, including the John F. Kennedy Center Committee for the Performing Arts during the Clinton Administration, the Advisory Committee on LaVilla Cultural Heritage District, American Arab Institute, Duval County Democratic Executive Committee, and the Jacksonville Human Rights Commission. \n    \n    Dr. Saffy was also politically active. She led a 1975 march in Tallahassee in support of the Equal Rights Amendment. She served as a Florida delegate to the International Women's Conference and as a Florida State delegate in six Democratic National Conventions. She was also the president of the Florida Women's Political Caucus. Dr. Saffy died June 20, 2010."],"prefercite_html_tesm":["\u003cp\u003eDr. Edna Louise Saffy Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Dr. Edna Louise Saffy Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains awards, correspondence, memorabilia, printed materials, photographs, personal papers, and writings. Many printed materials and photographs relate to politics and political activism. There are numerous photographs and newspaper clippings, as well as Dr. Saffy's dissertation. 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Kirk McKay, Jr. Archives Center Manuscript Collections"],"collection_ssim":["Anne Roselle Collection, 1898-1989"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":82,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["The Anne Roselle collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). ","Please inquire if you have questions - archives@flsouthern.edu"],"date_range_isim":[1981],"containers_ssim":["folder 40"],"_nest_path_":"/components#2/components#0/components#39","_nest_parent_":"e46a929ce5d56bf3bf0e5228_aspace_a3d98b98790a330a7cf3512956eed4de","_root_":"e46a929ce5d56bf3bf0e5228","_version_":1870851077531762688,"timestamp":"2026-07-16T06:17:02.454Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"e46a929ce5d56bf3bf0e5228","title_ssm":["Anne Roselle Collection"],"title_tesim":["Anne Roselle Collection"],"ead_ssi":"e46a929ce5d56bf3bf0e5228","unitdate_ssm":["1898-1989"],"unitdate_inclusive_ssm":["1898-1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS2000","/repositories/2/resources/55"],"text":["MS2000","/repositories/2/resources/55","Anne Roselle Collection, 1898-1989","Roselle, Anne, 1898-1989","Opera singers--United States--Biography","Sopranos--United States--Biography","Voice teachers--United States--Biography","Opera--20th century","Metropolitan Opera (New York, N.Y.)","Chicago Civic Opera Company","San Carlo Opera Company","La Scala","Music--20th century--History and criticism","Sheet Music","Performing arts--United States--History--20th century","Correspondence.","Programs (Publications)","Photographs.","Scrapbooks.","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials.","The collection is divided into the following series: Biographical, Photos, Sheet Music, Song Books, and Instructional Material. There is an LP Album in Box 5.","Anne Roselle (born Gyenge Anna; March 20, 1894 – July 31, 1989) was a Hungarian/American operatic dramatic soprano. Daughter of a Hungarian military officer, the dramatic soprano was married as a young girl and came to New York City, where she received the bulk of her vocal training. Baritone Antonio Scotti was credited with her discovery and her initial contract with the Metropolitan Opera. She sang her debut there in December of 1920 as Muestta in La Boheme. Unhappy with the light roles assigned to her, she left the company in 1922 to tour with Scotti in such roles as Tosca and Butterfly, as well as Nedda and Micaela. In 1925 her Viennese Butterfly debut excited international attention, and in 1926 her milestone engagement in Dresden as the first German-language Turandot (under Fritz Busch) made operatic history. She remained for six seasons in Dresden while intermittently appearing in Berlin, Vienna, London, and Paris. In 1928 Toscanini selected her to sing Turandot at La Scala, and in 1930 the French government conferred upon her the title of Madame for \"service in expanding French art.\" She went to San Francisco for Turandot in 1927 and to Covent Garden for the same role in 1928 and 1929. It was Philadephia and the year 1931 that brought her next milestone: Marie in the American premiere of Wozzeck under Leopold Stokowski. This highly successful production was immediately repeated at the Metropolitan. The next year she sang Elektra--which she had studied extensively with Richard Strauss himself--under Fritz Reiner in Philadelphia. Her musical associations with Alban Berg and Richard Strauss were longstanding and productive--the latter devoting great time and care to her in performance of Don Giovanni (Donna Anna) and his own Die Frau ohne Schatten and Salome. Soon after the dealth of her husband and adviser David Rosner, she moved to the Frank Lloyd Wright campus of Florida Southern College in Lakeland, Florida, to teach voice and opera studies from 1955 until her retirement in 1967. ","(Biographical information from collection)","This collection contains biographical material, photographs, and sheet music related to Anne Roselle's career as a soprano during the early to mid twentieth century. Most of the sheet music dates from the turn of the century through the 1940s. Biographical information includes awards, lists of performances, news articles, and personal recollections by Ms. Roselle. Promotional material is also included, as well as official portraits and candid photographs.","The Anne Roselle collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). ","Please inquire if you have questions - archives@flsouthern.edu","The Sarah D. and L. 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For other uses you need to obtain permission from the rights-holder(s). ","Please inquire if you have questions - archives@flsouthern.edu"],"acqinfo_ssim":["This collection was transferred to the archives from the music department. 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Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into the following series: Biographical, Photos, Sheet Music, Song Books, and Instructional Material. There is an LP Album in Box 5.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into the following series: Biographical, Photos, Sheet Music, Song Books, and Instructional Material. There is an LP Album in Box 5."],"bioghist_html_tesm":["\u003cp\u003eAnne Roselle (born Gyenge Anna; March 20, 1894 \u0026#x2013; July 31, 1989) was a Hungarian/American operatic dramatic soprano. Daughter of a Hungarian military officer, the dramatic soprano was married as a young girl and came to New York City, where she received the bulk of her vocal training. Baritone Antonio Scotti was credited with her discovery and her initial contract with the Metropolitan Opera. She sang her debut there in December of 1920 as Muestta in La Boheme. Unhappy with the light roles assigned to her, she left the company in 1922 to tour with Scotti in such roles as Tosca and Butterfly, as well as Nedda and Micaela. In 1925 her Viennese Butterfly debut excited international attention, and in 1926 her milestone engagement in Dresden as the first German-language Turandot (under Fritz Busch) made operatic history. She remained for six seasons in Dresden while intermittently appearing in Berlin, Vienna, London, and Paris. In 1928 Toscanini selected her to sing Turandot at La Scala, and in 1930 the French government conferred upon her the title of Madame for \"service in expanding French art.\" She went to San Francisco for Turandot in 1927 and to Covent Garden for the same role in 1928 and 1929. It was Philadephia and the year 1931 that brought her next milestone: Marie in the American premiere of Wozzeck under Leopold Stokowski. This highly successful production was immediately repeated at the Metropolitan. The next year she sang Elektra--which she had studied extensively with Richard Strauss himself--under Fritz Reiner in Philadelphia. Her musical associations with Alban Berg and Richard Strauss were longstanding and productive--the latter devoting great time and care to her in performance of Don Giovanni (Donna Anna) and his own Die Frau ohne Schatten and Salome. Soon after the dealth of her husband and adviser David Rosner, she moved to the Frank Lloyd Wright campus of Florida Southern College in Lakeland, Florida, to teach voice and opera studies from 1955 until her retirement in 1967. \u003c/p\u003e\n","\u003cp\u003e(Biographical information from collection)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Anne Roselle (born Gyenge Anna; March 20, 1894 – July 31, 1989) was a Hungarian/American operatic dramatic soprano. Daughter of a Hungarian military officer, the dramatic soprano was married as a young girl and came to New York City, where she received the bulk of her vocal training. Baritone Antonio Scotti was credited with her discovery and her initial contract with the Metropolitan Opera. She sang her debut there in December of 1920 as Muestta in La Boheme. Unhappy with the light roles assigned to her, she left the company in 1922 to tour with Scotti in such roles as Tosca and Butterfly, as well as Nedda and Micaela. In 1925 her Viennese Butterfly debut excited international attention, and in 1926 her milestone engagement in Dresden as the first German-language Turandot (under Fritz Busch) made operatic history. She remained for six seasons in Dresden while intermittently appearing in Berlin, Vienna, London, and Paris. In 1928 Toscanini selected her to sing Turandot at La Scala, and in 1930 the French government conferred upon her the title of Madame for \"service in expanding French art.\" She went to San Francisco for Turandot in 1927 and to Covent Garden for the same role in 1928 and 1929. It was Philadephia and the year 1931 that brought her next milestone: Marie in the American premiere of Wozzeck under Leopold Stokowski. This highly successful production was immediately repeated at the Metropolitan. The next year she sang Elektra--which she had studied extensively with Richard Strauss himself--under Fritz Reiner in Philadelphia. Her musical associations with Alban Berg and Richard Strauss were longstanding and productive--the latter devoting great time and care to her in performance of Don Giovanni (Donna Anna) and his own Die Frau ohne Schatten and Salome. Soon after the dealth of her husband and adviser David Rosner, she moved to the Frank Lloyd Wright campus of Florida Southern College in Lakeland, Florida, to teach voice and opera studies from 1955 until her retirement in 1967. ","(Biographical information from collection)"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains biographical material, photographs, and sheet music related to Anne Roselle's career as a soprano during the early to mid twentieth century. Most of the sheet music dates from the turn of the century through the 1940s. Biographical information includes awards, lists of performances, news articles, and personal recollections by Ms. Roselle. Promotional material is also included, as well as official portraits and candid photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains biographical material, photographs, and sheet music related to Anne Roselle's career as a soprano during the early to mid twentieth century. Most of the sheet music dates from the turn of the century through the 1940s. Biographical information includes awards, lists of performances, news articles, and personal recollections by Ms. Roselle. Promotional material is also included, as well as official portraits and candid photographs."],"userestrict_html_tesm":["\u003cp\u003eThe Anne Roselle collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). \u003c/p\u003e\n","\u003cp\u003ePlease inquire if you have questions - archives@flsouthern.edu\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Anne Roselle collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). ","Please inquire if you have questions - archives@flsouthern.edu"],"names_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Roselle, Anne"],"corpname_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"persname_ssim":["Roselle, Anne"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":118,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870851077531762688,"_root_":"e46a929ce5d56bf3bf0e5228","timestamp":"2026-07-16T06:17:02.454Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/e46a929ce5d56bf3bf0e5228_aspace_0a1c03a8713dee1a636768827b164c8b"}},{"id":"696f77285e589d8c97f955ca_aspace_b7afa44c5b7e10ce3cc9dd37381fbe60","type":"File","attributes":{"title":"Golden News Gem, 1981","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/696f77285e589d8c97f955ca_aspace_b7afa44c5b7e10ce3cc9dd37381fbe60#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_b7afa44c5b7e10ce3cc9dd37381fbe60","ref_ssm":["aspace_b7afa44c5b7e10ce3cc9dd37381fbe60","aspace_b7afa44c5b7e10ce3cc9dd37381fbe60"],"id":"696f77285e589d8c97f955ca_aspace_b7afa44c5b7e10ce3cc9dd37381fbe60","title_filing_ssi":"Golden News Gem","title_ssm":["Golden News Gem"],"title_tesim":["Golden News Gem"],"unitdate_other_ssim":["1981"],"normalized_date_ssm":["1981"],"normalized_title_ssm":["Golden News Gem, 1981"],"text":["Golden News Gem, 1981","C. Howard Sweatt Papers, 1938-1984","Box 7","Companies","Golden Gem Growers","/repositories/3/archival_objects/13437","folder 28"],"component_level_isim":[4],"parent_ids_ssim":["696f77285e589d8c97f955ca","696f77285e589d8c97f955ca_aspace_fd5804984f2751862145d172718b5c21","696f77285e589d8c97f955ca_aspace_3ad12e823201832324d0c6a03513fad1","696f77285e589d8c97f955ca_aspace_541cb3cf4b0001ec49ff734140a4748d"],"parent_unittitles_ssm":["C. Howard Sweatt Papers, 1938-1984","Box 7","Companies","Golden Gem Growers"],"parent_unittitles_tesim":["C. Howard Sweatt Papers, 1938-1984","Box 7","Companies","Golden Gem Growers"],"parent_levels_ssm":["collection","Box","Series","Subseries"],"unitid_ssm":["/repositories/3/archival_objects/13437"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"collection_ssim":["C. Howard Sweatt Papers, 1938-1984"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":157,"parent_access_restrict_tesm":["There are no restrictions on this collection."],"parent_access_terms_tesm":["Permission to publish material from the C. Howard Sweatt Papers must be obtained from\nSarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate (published) copyright\nholder. Please inquire if you have questions at 863-680-4453."],"date_range_isim":[1981],"containers_ssim":["folder 28"],"_nest_path_":"/components#6/components#0/components#0/components#27","_nest_parent_":"696f77285e589d8c97f955ca_aspace_541cb3cf4b0001ec49ff734140a4748d","_root_":"696f77285e589d8c97f955ca","timestamp":"2026-07-11T02:35:15.712Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"696f77285e589d8c97f955ca","title_ssm":["C. Howard Sweatt Papers"],"title_tesim":["C. Howard Sweatt Papers"],"ead_ssi":"696f77285e589d8c97f955ca","unitdate_ssm":["1938-1984"],"unitdate_inclusive_ssm":["1938-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["CIT3055","/repositories/3/resources/74"],"text":["CIT3055","/repositories/3/resources/74","C. Howard Sweatt Papers, 1938-1984","Sweatt, C. Howard","Citrus fruit industry--Florida--History--20th century","Citrus fruit industry--Florida--Management","Citrus fruit industry--Florida--Marketing","Citrus fruit industry--Government policy--Florida","Citrus fruit industry--Law and legislation--United States","Canning industry--Florida--History--20th century","International trade--Florida","Japan--Commerce--Florida","Middle East--Commerce--Florida","Florida Citrus Commission--History","Florida Canners Association--History","Rotary Club (Orlando, Fla.)--History","Businesspeople--Florida--Biography","Correspondence.","Speeches.","Reports","Photographs.","Clippings (Books, newspapers, etc.)","There are no restrictions on this collection.","C. Howard Sweatt (1909-1993) was a leader in the Florida citrus industry, especially the citrus\ncanning industry. Born in Nashville, Tennessee, Sweatt moved to the Central Florida area in\n1942; he became the owner of BESCO Products Company in Orlando in 1946. From 1947-\n1948, he was President of the Florida Canners League, and then served as the President of\nthe Florida Canners Association from 1949-1950. In 1951, he sold his BESCO cannery and\nstarted at Fosgate Citrus Concentrate Cooperative as their sales manager. He left Fosgate in\n1957 and eventually joined Golden Gem Growers in 1962 as their marketing director. Because\nof his position at Golden Gem, Sweatt was one of the original founders of Citrus Central Inc.\nHe joined the company in 1968, when Citrus Central took on all marketing responsibilities for\nGolden Gem and other affiliated companies. In 1974, Sweatt retired from the citrus industry. In\naddition to his leadership in the citrus industry, Sweatt was a leader in many organizations\naround Orlando such as the Rotary Club, Central Florida Sales Executive Club, and the\nCountry Club of Orlando.","For more information on the Florida Canners Association that Sweatt served as President of\nfrom 1949-1950, please see MSCIT009 Florida Citrus Processors Association Records.","Sweatt's papers are arranged in five series – Canning and Processing, Companies (he worked\nat), Foreign Trade, Marketing, and Personal. The materials reflect his professional life, with\nsome photographs and documents of his personal life. Sweatt worked at several Citrus\nfocused companies as well as volunteered at several Citrus canning associations. He was\ninfluential in taking the Florida orange juice trade overseas, especially to Japan, and this is\nreflected in the Foreign Trade series. The files contain correspondence, reports, brochures,\nand studies. The Canning and Processing series includes, reports, correspondence, research\nfiles, and information about the soft serve industry at the time. Marketing files are about\nmarketing various aspects of the citrus industry. Within the Company series, for Golden Gem,\nthere are membership newsletters dating from 1967 to 1984, and stockholder meeting files\nfrom the 1960's and 1970's.","Permission to publish material from the C. Howard Sweatt Papers must be obtained from\nSarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate (published) copyright\nholder. Please inquire if you have questions at 863-680-4453.","Thomas B. Mack Florida Citrus Archives","English"],"unitid_tesim":["CIT3055","/repositories/3/resources/74"],"normalized_date_ssm":["1938-1984"],"normalized_title_ssm":["C. Howard Sweatt Papers, 1938-1984"],"collection_title_tesim":["C. Howard Sweatt Papers, 1938-1984"],"collection_ssim":["C. Howard Sweatt Papers, 1938-1984"],"repository_ssm":["Thomas B. Mack Florida Citrus Archives"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"access_terms_ssm":["Permission to publish material from the C. Howard Sweatt Papers must be obtained from\nSarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate (published) copyright\nholder. Please inquire if you have questions at 863-680-4453."],"acqinfo_ssim":["The materials in this collection were donated to the Thomas B. Mack Citrus Archives in 1993\nby George Harsh, Sweatt's son-in-law. The Thomas B. Mack Citrus Archives were transferred\nto the Roux Library in 2005 then to the McKay Archives Center in 2009."],"access_subjects_ssim":["Sweatt, C. Howard","Citrus fruit industry--Florida--History--20th century","Citrus fruit industry--Florida--Management","Citrus fruit industry--Florida--Marketing","Citrus fruit industry--Government policy--Florida","Citrus fruit industry--Law and legislation--United States","Canning industry--Florida--History--20th century","International trade--Florida","Japan--Commerce--Florida","Middle East--Commerce--Florida","Florida Citrus Commission--History","Florida Canners Association--History","Rotary Club (Orlando, Fla.)--History","Businesspeople--Florida--Biography","Correspondence.","Speeches.","Reports","Photographs.","Clippings (Books, newspapers, etc.)"],"access_subjects_ssm":["Sweatt, C. Howard","Citrus fruit industry--Florida--History--20th century","Citrus fruit industry--Florida--Management","Citrus fruit industry--Florida--Marketing","Citrus fruit industry--Government policy--Florida","Citrus fruit industry--Law and legislation--United States","Canning industry--Florida--History--20th century","International trade--Florida","Japan--Commerce--Florida","Middle East--Commerce--Florida","Florida Citrus Commission--History","Florida Canners Association--History","Rotary Club (Orlando, Fla.)--History","Businesspeople--Florida--Biography","Correspondence.","Speeches.","Reports","Photographs.","Clippings (Books, newspapers, etc.)"],"has_online_content_ssim":["false"],"extent_ssm":["6.25 Linear Feet"],"extent_tesim":["6.25 Linear Feet"],"genreform_ssim":["Correspondence.","Speeches.","Reports","Photographs.","Clippings (Books, newspapers, etc.)"],"date_range_isim":[1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions on this collection."],"bioghist_html_tesm":["\u003cp\u003eC. Howard Sweatt (1909-1993) was a leader in the Florida citrus industry, especially the citrus\ncanning industry. Born in Nashville, Tennessee, Sweatt moved to the Central Florida area in\n1942; he became the owner of BESCO Products Company in Orlando in 1946. From 1947-\n1948, he was President of the Florida Canners League, and then served as the President of\nthe Florida Canners Association from 1949-1950. In 1951, he sold his BESCO cannery and\nstarted at Fosgate Citrus Concentrate Cooperative as their sales manager. He left Fosgate in\n1957 and eventually joined Golden Gem Growers in 1962 as their marketing director. Because\nof his position at Golden Gem, Sweatt was one of the original founders of Citrus Central Inc.\nHe joined the company in 1968, when Citrus Central took on all marketing responsibilities for\nGolden Gem and other affiliated companies. In 1974, Sweatt retired from the citrus industry. In\naddition to his leadership in the citrus industry, Sweatt was a leader in many organizations\naround Orlando such as the Rotary Club, Central Florida Sales Executive Club, and the\nCountry Club of Orlando.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["C. Howard Sweatt (1909-1993) was a leader in the Florida citrus industry, especially the citrus\ncanning industry. Born in Nashville, Tennessee, Sweatt moved to the Central Florida area in\n1942; he became the owner of BESCO Products Company in Orlando in 1946. From 1947-\n1948, he was President of the Florida Canners League, and then served as the President of\nthe Florida Canners Association from 1949-1950. In 1951, he sold his BESCO cannery and\nstarted at Fosgate Citrus Concentrate Cooperative as their sales manager. He left Fosgate in\n1957 and eventually joined Golden Gem Growers in 1962 as their marketing director. Because\nof his position at Golden Gem, Sweatt was one of the original founders of Citrus Central Inc.\nHe joined the company in 1968, when Citrus Central took on all marketing responsibilities for\nGolden Gem and other affiliated companies. In 1974, Sweatt retired from the citrus industry. In\naddition to his leadership in the citrus industry, Sweatt was a leader in many organizations\naround Orlando such as the Rotary Club, Central Florida Sales Executive Club, and the\nCountry Club of Orlando."],"odd_html_tesm":["\u003cp\u003eFor more information on the Florida Canners Association that Sweatt served as President of\nfrom 1949-1950, please see MSCIT009 Florida Citrus Processors Association Records.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["For more information on the Florida Canners Association that Sweatt served as President of\nfrom 1949-1950, please see MSCIT009 Florida Citrus Processors Association Records."],"scopecontent_html_tesm":["\u003cp\u003eSweatt's papers are arranged in five series \u0026#x2013; Canning and Processing, Companies (he worked\nat), Foreign Trade, Marketing, and Personal. The materials reflect his professional life, with\nsome photographs and documents of his personal life. Sweatt worked at several Citrus\nfocused companies as well as volunteered at several Citrus canning associations. He was\ninfluential in taking the Florida orange juice trade overseas, especially to Japan, and this is\nreflected in the Foreign Trade series. The files contain correspondence, reports, brochures,\nand studies. The Canning and Processing series includes, reports, correspondence, research\nfiles, and information about the soft serve industry at the time. Marketing files are about\nmarketing various aspects of the citrus industry. Within the Company series, for Golden Gem,\nthere are membership newsletters dating from 1967 to 1984, and stockholder meeting files\nfrom the 1960's and 1970's.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Sweatt's papers are arranged in five series – Canning and Processing, Companies (he worked\nat), Foreign Trade, Marketing, and Personal. The materials reflect his professional life, with\nsome photographs and documents of his personal life. Sweatt worked at several Citrus\nfocused companies as well as volunteered at several Citrus canning associations. He was\ninfluential in taking the Florida orange juice trade overseas, especially to Japan, and this is\nreflected in the Foreign Trade series. The files contain correspondence, reports, brochures,\nand studies. The Canning and Processing series includes, reports, correspondence, research\nfiles, and information about the soft serve industry at the time. Marketing files are about\nmarketing various aspects of the citrus industry. Within the Company series, for Golden Gem,\nthere are membership newsletters dating from 1967 to 1984, and stockholder meeting files\nfrom the 1960's and 1970's."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the C. Howard Sweatt Papers must be obtained from\nSarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate (published) copyright\nholder. Please inquire if you have questions at 863-680-4453.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish material from the C. Howard Sweatt Papers must be obtained from\nSarah D. and L. Kirk McKay, Jr. Archives Center or the appropriate (published) copyright\nholder. Please inquire if you have questions at 863-680-4453."],"names_ssim":["Thomas B. Mack Florida Citrus Archives"],"corpname_ssim":["Thomas B. Mack Florida Citrus Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":266,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"696f77285e589d8c97f955ca","timestamp":"2026-07-11T02:35:15.712Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/696f77285e589d8c97f955ca_aspace_b7afa44c5b7e10ce3cc9dd37381fbe60"}},{"id":"8e87cad770c4897fd823a47e_aspace_3b3922ec75458cd3c2edd37f2c139642","type":"File","attributes":{"title":"Gold \u0026 Fizdale, Duo-Pianists, 1981-12-03","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8e87cad770c4897fd823a47e_aspace_3b3922ec75458cd3c2edd37f2c139642#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_3b3922ec75458cd3c2edd37f2c139642","ref_ssm":["aspace_3b3922ec75458cd3c2edd37f2c139642","aspace_3b3922ec75458cd3c2edd37f2c139642"],"id":"8e87cad770c4897fd823a47e_aspace_3b3922ec75458cd3c2edd37f2c139642","title_filing_ssi":"Gold \u0026 Fizdale, Duo-Pianists ","title_ssm":["Gold \u0026 Fizdale, Duo-Pianists "],"title_tesim":["Gold \u0026 Fizdale, Duo-Pianists "],"unitdate_other_ssim":["1981-12-03"],"normalized_date_ssm":["1981-12-03"],"normalized_title_ssm":["Gold \u0026 Fizdale, Duo-Pianists, 1981-12-03"],"text":["Gold \u0026 Fizdale, Duo-Pianists, 1981-12-03","Festival of Fine Arts, 1970-2025","Box 6","/repositories/4/archival_objects/6295","folder 28"],"component_level_isim":[2],"parent_ids_ssim":["8e87cad770c4897fd823a47e","8e87cad770c4897fd823a47e_aspace_11de31ee46b4527bdc18803fcfd3e1aa"],"parent_unittitles_ssm":["Festival of Fine Arts, 1970-2025","Box 6"],"parent_unittitles_tesim":["Festival of Fine Arts, 1970-2025","Box 6"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["/repositories/4/archival_objects/6295"],"repository_ssim":["The Florida Southern College Archives"],"collection_ssim":["Festival of Fine Arts, 1970-2025"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":270,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials"],"parent_access_terms_tesm":["The Festival of Fine Arts records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"date_range_isim":[1981],"containers_ssim":["folder 28"],"_nest_path_":"/components#5/components#27","_nest_parent_":"8e87cad770c4897fd823a47e_aspace_11de31ee46b4527bdc18803fcfd3e1aa","_root_":"8e87cad770c4897fd823a47e","_version_":1870846336524353536,"timestamp":"2026-07-16T05:01:41.074Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8e87cad770c4897fd823a47e","title_ssm":["Festival of Fine Arts"],"title_tesim":["Festival of Fine Arts"],"ead_ssi":"8e87cad770c4897fd823a47e","unitdate_ssm":["1970-2025"],"unitdate_inclusive_ssm":["1970-2025"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["CA8015","/repositories/4/resources/43"],"text":["CA8015","/repositories/4/resources/43","Festival of Fine Arts, 1970-2025","Arts festivals","Performing arts","Performing arts","College festivals","Florida Southern College--History.","Playbills","Photographs.","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials","These materials have been arranged by ascending date","The materials in this collection are arranged by ascending date order.","The Festival of Fine Arts was formed in the 1970-1971 academic year as a combination of previosuly seperate events. These included the Concert Lecture Series, the Fine Arts Series, the BandConcerts, Drama Productions, and the Concert Choir.","The materials in this collection reflect the history of the Festval of Fine Arts. Included are playbills, photographs, and other ephemera related to the production of these programs. Some biographical information for guest artists is included.","The Festival of Fine Arts records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","The Florida Southern College Archives","Florida Southern College","English"],"unitid_tesim":["CA8015","/repositories/4/resources/43"],"normalized_date_ssm":["1970-2025"],"normalized_title_ssm":["Festival of Fine Arts, 1970-2025"],"collection_title_tesim":["Festival of Fine Arts, 1970-2025"],"collection_ssim":["Festival of Fine Arts, 1970-2025"],"repository_ssm":["The Florida Southern College Archives"],"repository_ssim":["The Florida Southern College Archives"],"creator_ssm":["Florida Southern College"],"creator_ssim":["Florida Southern College"],"creator_corpname_ssim":["Florida Southern College"],"creators_ssim":["Florida Southern College"],"access_terms_ssm":["The Festival of Fine Arts records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["The materials in this collection were transferred to the archives from the college fine arts department."],"access_subjects_ssim":["Arts festivals","Performing arts","Performing arts","College festivals","Florida Southern College--History.","Playbills","Photographs."],"access_subjects_ssm":["Arts festivals","Performing arts","Performing arts","College festivals","Florida Southern College--History.","Playbills","Photographs."],"has_online_content_ssim":["false"],"extent_ssm":["10.00 Linear Feet"],"extent_tesim":["10.00 Linear Feet"],"genreform_ssim":["Playbills","Photographs."],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. 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These included the Concert Lecture Series, the Fine Arts Series, the BandConcerts, Drama Productions, and the Concert Choir.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Festival of Fine Arts was formed in the 1970-1971 academic year as a combination of previosuly seperate events. These included the Concert Lecture Series, the Fine Arts Series, the BandConcerts, Drama Productions, and the Concert Choir."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection reflect the history of the Festval of Fine Arts. Included are playbills, photographs, and other ephemera related to the production of these programs. Some biographical information for guest artists is included.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection reflect the history of the Festval of Fine Arts. Included are playbills, photographs, and other ephemera related to the production of these programs. Some biographical information for guest artists is included."],"userestrict_html_tesm":["\u003cp\u003eThe Festival of Fine Arts records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Festival of Fine Arts records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"names_ssim":["The Florida Southern College Archives","Florida Southern College"],"corpname_ssim":["The Florida Southern College Archives","Florida Southern College"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1144,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870846336524353536,"_root_":"8e87cad770c4897fd823a47e","timestamp":"2026-07-16T05:01:41.074Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8e87cad770c4897fd823a47e_aspace_3b3922ec75458cd3c2edd37f2c139642"}},{"id":"dae1f41d8191b0ca362e03b5","type":"collection","attributes":{"title":"Gordon Smith Citrus and Vegetable Magazine Collection, 1961-1994","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/dae1f41d8191b0ca362e03b5#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection contains information relating to the Citrus and Vegetable Magazine. 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Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials","Gordon Smith was a publisher and editor for the Citrus and Vegetable Magazine as well as an independant author of citrus history.","This collection contains information relating to the Citrus and Vegetable Magazine.  It contains detailed industrial and research records on chemical pesticides belonging to the Rhône-Poulenc company, as well as newspaper articles featuring their products.  The collection also includes background information on citrus uses, grower advice, and marketing at the time.  The bulk of the collection is made up of photographs, ranging from agricultural machinery to profile shots of people connected with the industry.","This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Thomas B. Mack Florida Citrus Archives","English"],"unitid_tesim":["CIT6080","/repositories/3/resources/133"],"normalized_date_ssm":["1961-1994"],"normalized_title_ssm":["Gordon Smith Citrus and Vegetable Magazine Collection, 1961-1994"],"collection_title_tesim":["Gordon Smith Citrus and Vegetable Magazine Collection, 1961-1994"],"collection_ssim":["Gordon Smith Citrus and Vegetable Magazine Collection, 1961-1994"],"repository_ssm":["Thomas B. Mack Florida Citrus Archives"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"access_terms_ssm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["This collection was donated to Professor Thomas Mack, date unknown (prior to 2009)."],"access_subjects_ssim":["Citrus industry--Florida--History","Pesticides--Application--History.","Agricultural pests--Control--Florida--History.","Citrus industry--Florida--Periodicals ","Agricultural industries--Florida--Periodicals","Photographs--Florida--History"],"access_subjects_ssm":["Citrus industry--Florida--History","Pesticides--Application--History.","Agricultural pests--Control--Florida--History.","Citrus industry--Florida--Periodicals ","Agricultural industries--Florida--Periodicals","Photographs--Florida--History"],"has_online_content_ssim":["false"],"extent_ssm":["4.17 Linear Feet"],"extent_tesim":["4.17 Linear Feet"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials"],"bioghist_html_tesm":["\u003cp\u003eGordon Smith was a publisher and editor for the Citrus and Vegetable Magazine as well as an independant author of citrus history.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Gordon Smith was a publisher and editor for the Citrus and Vegetable Magazine as well as an independant author of citrus history."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains information relating to the Citrus and Vegetable Magazine.  It contains detailed industrial and research records on chemical pesticides belonging to the Rh\u0026#xF4;ne-Poulenc company, as well as newspaper articles featuring their products.  The collection also includes background information on citrus uses, grower advice, and marketing at the time.  The bulk of the collection is made up of photographs, ranging from agricultural machinery to profile shots of people connected with the industry.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains information relating to the Citrus and Vegetable Magazine.  It contains detailed industrial and research records on chemical pesticides belonging to the Rhône-Poulenc company, as well as newspaper articles featuring their products.  The collection also includes background information on citrus uses, grower advice, and marketing at the time.  The bulk of the collection is made up of photographs, ranging from agricultural machinery to profile shots of people connected with the industry."],"userestrict_html_tesm":["\u003cp\u003eThis collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"names_ssim":["Thomas B. Mack Florida Citrus Archives"],"corpname_ssim":["Thomas B. Mack Florida Citrus Archives"],"language_ssim":["English"],"total_component_count_is":66,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"dae1f41d8191b0ca362e03b5","timestamp":"2026-07-09T02:23:12.376Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"dae1f41d8191b0ca362e03b5","title_ssm":["Gordon Smith Citrus and Vegetable Magazine Collection"],"title_tesim":["Gordon Smith Citrus and Vegetable Magazine Collection"],"ead_ssi":"dae1f41d8191b0ca362e03b5","unitdate_ssm":["1961-1994"],"unitdate_inclusive_ssm":["1961-1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["CIT6080","/repositories/3/resources/133"],"text":["CIT6080","/repositories/3/resources/133","Gordon Smith Citrus and Vegetable Magazine Collection, 1961-1994","Citrus industry--Florida--History","Pesticides--Application--History.","Agricultural pests--Control--Florida--History.","Citrus industry--Florida--Periodicals ","Agricultural industries--Florida--Periodicals","Photographs--Florida--History","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials","Gordon Smith was a publisher and editor for the Citrus and Vegetable Magazine as well as an independant author of citrus history.","This collection contains information relating to the Citrus and Vegetable Magazine.  It contains detailed industrial and research records on chemical pesticides belonging to the Rhône-Poulenc company, as well as newspaper articles featuring their products.  The collection also includes background information on citrus uses, grower advice, and marketing at the time.  The bulk of the collection is made up of photographs, ranging from agricultural machinery to profile shots of people connected with the industry.","This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Thomas B. Mack Florida Citrus Archives","English"],"unitid_tesim":["CIT6080","/repositories/3/resources/133"],"normalized_date_ssm":["1961-1994"],"normalized_title_ssm":["Gordon Smith Citrus and Vegetable Magazine Collection, 1961-1994"],"collection_title_tesim":["Gordon Smith Citrus and Vegetable Magazine Collection, 1961-1994"],"collection_ssim":["Gordon Smith Citrus and Vegetable Magazine Collection, 1961-1994"],"repository_ssm":["Thomas B. Mack Florida Citrus Archives"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"access_terms_ssm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["This collection was donated to Professor Thomas Mack, date unknown (prior to 2009)."],"access_subjects_ssim":["Citrus industry--Florida--History","Pesticides--Application--History.","Agricultural pests--Control--Florida--History.","Citrus industry--Florida--Periodicals ","Agricultural industries--Florida--Periodicals","Photographs--Florida--History"],"access_subjects_ssm":["Citrus industry--Florida--History","Pesticides--Application--History.","Agricultural pests--Control--Florida--History.","Citrus industry--Florida--Periodicals ","Agricultural industries--Florida--Periodicals","Photographs--Florida--History"],"has_online_content_ssim":["false"],"extent_ssm":["4.17 Linear Feet"],"extent_tesim":["4.17 Linear Feet"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials"],"bioghist_html_tesm":["\u003cp\u003eGordon Smith was a publisher and editor for the Citrus and Vegetable Magazine as well as an independant author of citrus history.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Gordon Smith was a publisher and editor for the Citrus and Vegetable Magazine as well as an independant author of citrus history."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains information relating to the Citrus and Vegetable Magazine.  It contains detailed industrial and research records on chemical pesticides belonging to the Rh\u0026#xF4;ne-Poulenc company, as well as newspaper articles featuring their products.  The collection also includes background information on citrus uses, grower advice, and marketing at the time.  The bulk of the collection is made up of photographs, ranging from agricultural machinery to profile shots of people connected with the industry.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains information relating to the Citrus and Vegetable Magazine.  It contains detailed industrial and research records on chemical pesticides belonging to the Rhône-Poulenc company, as well as newspaper articles featuring their products.  The collection also includes background information on citrus uses, grower advice, and marketing at the time.  The bulk of the collection is made up of photographs, ranging from agricultural machinery to profile shots of people connected with the industry."],"userestrict_html_tesm":["\u003cp\u003eThis collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"names_ssim":["Thomas B. Mack Florida Citrus Archives"],"corpname_ssim":["Thomas B. Mack Florida Citrus Archives"],"language_ssim":["English"],"total_component_count_is":66,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"dae1f41d8191b0ca362e03b5","timestamp":"2026-07-09T02:23:12.376Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/dae1f41d8191b0ca362e03b5"}},{"id":"4ecd9741f5ab1f086d98fc86_aspace_8c89a4192af46cf4a2207b2d7fa98142","type":"File","attributes":{"title":"Gordon Zahn, 1963-1994","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/4ecd9741f5ab1f086d98fc86_aspace_8c89a4192af46cf4a2207b2d7fa98142#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eInterview with Gordon Zahn, 11/30/1979; Assorted newspaper clippings; Reviews of Zahn's book: \"Another Part of the War: The Camp Simon Story\"; \"Vietnam and the Just War\" by Gordon C. Zahn published in The Catholic Peace Fellowship, 1965; Pamphlet by Zahn, \"An Alternative to War, 1963; Typewritten notes; Handwritten notes; Correspondence to and from Zahn\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4ecd9741f5ab1f086d98fc86_aspace_8c89a4192af46cf4a2207b2d7fa98142#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_8c89a4192af46cf4a2207b2d7fa98142","ref_ssm":["aspace_8c89a4192af46cf4a2207b2d7fa98142","aspace_8c89a4192af46cf4a2207b2d7fa98142"],"id":"4ecd9741f5ab1f086d98fc86_aspace_8c89a4192af46cf4a2207b2d7fa98142","title_filing_ssi":"Gordon Zahn","title_ssm":["Gordon Zahn"],"title_tesim":["Gordon Zahn"],"unitdate_inclusive_ssm":["1963-1994"],"normalized_date_ssm":["1963-1994"],"normalized_title_ssm":["Gordon Zahn, 1963-1994"],"text":["Gordon Zahn, 1963-1994","Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006","CPS Interviews, bulk 1937-1994","/repositories/2/archival_objects/78250","box 63","folder 6","Interview with Gordon Zahn, 11/30/1979; Assorted newspaper clippings; Reviews of Zahn's book: \"Another Part of the War: The Camp Simon Story\"; \"Vietnam and the Just War\" by Gordon C. Zahn published in The Catholic Peace Fellowship, 1965; Pamphlet by Zahn, \"An Alternative to War, 1963; Typewritten notes; Handwritten notes; Correspondence to and from Zahn"],"component_level_isim":[2],"parent_ids_ssim":["4ecd9741f5ab1f086d98fc86","4ecd9741f5ab1f086d98fc86_aspace_57b49525d96320568965f61781a082d6"],"parent_unittitles_ssm":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006","CPS Interviews, bulk 1937-1994"],"parent_unittitles_tesim":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006","CPS Interviews, bulk 1937-1994"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/78250"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":661,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library. See less"],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections. See less See less"],"date_range_isim":[1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"containers_ssim":["box 63","folder 6"],"scopecontent_html_tesm":["\u003cp\u003eInterview with Gordon Zahn, 11/30/1979; Assorted newspaper clippings; Reviews of Zahn's book: \"Another Part of the War: The Camp Simon Story\"; \"Vietnam and the Just War\" by Gordon C. Zahn published in The Catholic Peace Fellowship, 1965; Pamphlet by Zahn, \"An Alternative to War, 1963; Typewritten notes; Handwritten notes; Correspondence to and from Zahn\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Interview with Gordon Zahn, 11/30/1979; Assorted newspaper clippings; Reviews of Zahn's book: \"Another Part of the War: The Camp Simon Story\"; \"Vietnam and the Just War\" by Gordon C. Zahn published in The Catholic Peace Fellowship, 1965; Pamphlet by Zahn, \"An Alternative to War, 1963; Typewritten notes; Handwritten notes; Correspondence to and from Zahn"],"_nest_path_":"/components#1/components#127","_nest_parent_":"4ecd9741f5ab1f086d98fc86_aspace_57b49525d96320568965f61781a082d6","_root_":"4ecd9741f5ab1f086d98fc86","timestamp":"2026-07-11T02:01:13.886Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4ecd9741f5ab1f086d98fc86","title_ssm":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection"],"title_tesim":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection"],"ead_ssi":"4ecd9741f5ab1f086d98fc86","unitdate_ssm":["1871 - 2006"],"unitdate_inclusive_ssm":["1871 - 2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UAFP0012","/repositories/2/resources/203"],"text":["UAFP0012","/repositories/2/resources/203","Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006","United States","World War, 1939-1945","University Archives","University Archives -- Faculty Papers"," Civilian Public Service -- History","World War, 1939-1945 -- Conscientious objectors -- United States","Oral history","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library. See less","The Frazer-O'Sullivan Collection contains the research for the co- authored book, We Have Just Begun to Not Fight: An Oral History of Conscientious Objectors in the Civilian Public Service During World War II, by Heather Frazer and John O'Sullivan. More than 40,000 American men refused to fight during World War II. Citing principled opposition, they declared themselves conscientious objectors. Rejecting combat duty, nearly 12,000 men entered Civilian Public Service (CPS) with the intent to perform \"work of national importance\" as an alternative to combat duty. The CPS program was set up by members of the historic peace churches (Mennonites, Brethren, and Quakers) and participated in by pacifists from other churches, of no specific religious persuasion, and, in the case of a few, no persuasion except not to fight in that particular war. CPS men worked as aides in mental hospitals, volunteered as smoke jumpers in forest fires, and participated in grueling medical and scientific experiments.  Frazer and O'Sullivan use the oral histories of 15 CPS men and two of their wives to illuminate their experience during World War II. ","Heather T. Frazer (1940 – 2016) was a professor of history at Florida Atlantic University. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure, she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history.","John O'Sullivan (1939-2000) was a professor of history at Florida Atlantic University. In 1971, he came to Florida Atlantic University where he served as chair of the History Department (1975-1978) and devoted his entire academic career. Dr. O'Sullivan received numerous research fellowships including the American Philosophical Society, the American Historical Association, and the Sloan Foundation. His areas of specialization were World War II, Vietnam War, Nuclear Age, the Holocaust, Peace History, Oral History and Modern American Political and Diplomatic Affairs.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections. See less See less","Florida Atlantic University Libraries","English"],"unitid_tesim":["UAFP0012","/repositories/2/resources/203"],"normalized_date_ssm":["1871 - 2006"],"normalized_title_ssm":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006"],"collection_title_tesim":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006"],"collection_ssim":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"geogname_ssm":["United States"],"geogname_ssim":["United States"],"places_ssim":["United States"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections. See less See less"],"access_subjects_ssim":["World War, 1939-1945","University Archives","University Archives -- Faculty Papers"," Civilian Public Service -- History","World War, 1939-1945 -- Conscientious objectors -- United States","Oral history"],"access_subjects_ssm":["World War, 1939-1945","University Archives","University Archives -- Faculty Papers"," Civilian Public Service -- History","World War, 1939-1945 -- Conscientious objectors -- United States","Oral history"],"has_online_content_ssim":["false"],"extent_ssm":["67 boxes"],"extent_tesim":["67 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. 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In addition, selected materials are digitized and available electronically through the Digital Library. See less"],"scopecontent_html_tesm":["\u003cp\u003eThe Frazer-O'Sullivan Collection contains the research for the co- authored book, We Have Just Begun to Not Fight: An Oral History of Conscientious Objectors in the Civilian Public Service During World War II, by Heather Frazer and John O'Sullivan. More than 40,000 American men refused to fight during World War II. Citing principled opposition, they declared themselves conscientious objectors. Rejecting combat duty, nearly 12,000 men entered Civilian Public Service (CPS) with the intent to perform \"work of national importance\" as an alternative to combat duty. The CPS program was set up by members of the historic peace churches (Mennonites, Brethren, and Quakers) and participated in by pacifists from other churches, of no specific religious persuasion, and, in the case of a few, no persuasion except not to fight in that particular war. CPS men worked as aides in mental hospitals, volunteered as smoke jumpers in forest fires, and participated in grueling medical and scientific experiments.  Frazer and O'Sullivan use the oral histories of 15 CPS men and two of their wives to illuminate their experience during World War II. \u003c/p\u003e\n","\u003cp\u003eHeather T. Frazer (1940 \u0026#x2013; 2016) was a professor of history at Florida Atlantic University. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure, she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history.\u003c/p\u003e\n","\u003cp\u003eJohn O'Sullivan (1939-2000) was a professor of history at Florida Atlantic University. In 1971, he came to Florida Atlantic University where he served as chair of the History Department (1975-1978) and devoted his entire academic career. Dr. O'Sullivan received numerous research fellowships including the American Philosophical Society, the American Historical Association, and the Sloan Foundation. His areas of specialization were World War II, Vietnam War, Nuclear Age, the Holocaust, Peace History, Oral History and Modern American Political and Diplomatic Affairs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Frazer-O'Sullivan Collection contains the research for the co- authored book, We Have Just Begun to Not Fight: An Oral History of Conscientious Objectors in the Civilian Public Service During World War II, by Heather Frazer and John O'Sullivan. More than 40,000 American men refused to fight during World War II. Citing principled opposition, they declared themselves conscientious objectors. Rejecting combat duty, nearly 12,000 men entered Civilian Public Service (CPS) with the intent to perform \"work of national importance\" as an alternative to combat duty. The CPS program was set up by members of the historic peace churches (Mennonites, Brethren, and Quakers) and participated in by pacifists from other churches, of no specific religious persuasion, and, in the case of a few, no persuasion except not to fight in that particular war. CPS men worked as aides in mental hospitals, volunteered as smoke jumpers in forest fires, and participated in grueling medical and scientific experiments.  Frazer and O'Sullivan use the oral histories of 15 CPS men and two of their wives to illuminate their experience during World War II. ","Heather T. Frazer (1940 – 2016) was a professor of history at Florida Atlantic University. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure, she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history.","John O'Sullivan (1939-2000) was a professor of history at Florida Atlantic University. In 1971, he came to Florida Atlantic University where he served as chair of the History Department (1975-1978) and devoted his entire academic career. Dr. O'Sullivan received numerous research fellowships including the American Philosophical Society, the American Historical Association, and the Sloan Foundation. His areas of specialization were World War II, Vietnam War, Nuclear Age, the Holocaust, Peace History, Oral History and Modern American Political and Diplomatic Affairs."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections. See less See less\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. 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