{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1981\u0026f%5Brepository%5D%5B%5D=Allen+Music+Library+Special+Collections","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1981\u0026f%5Brepository%5D%5B%5D=Allen+Music+Library+Special+Collections\u0026page=2","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1981\u0026f%5Brepository%5D%5B%5D=Allen+Music+Library+Special+Collections\u0026page=2"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":2,"limit_value":10,"offset_value":0,"total_count":13,"first_page?":true,"last_page?":false}},"data":[{"id":"2c07a154aae8bfb7542c4a39","type":"collection","attributes":{"title":"Albert Tipton Reel-to-Reel Collection, 1932-2003","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/2c07a154aae8bfb7542c4a39#creator","type":"document_value","attributes":{"value":["Tipton, Albert"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/2c07a154aae8bfb7542c4a39#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection contains ten boxes of reel-to-reel recordings, mostly of Albert Tipton, including recitals and rehearsals as well as a few commercial recordings. 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Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu."],"bioghist_html_tesm":["\u003cp\u003eAlbert Tipton (1917-1997) was a flutist and composer who was Professor of Flute at FSU from 1968 to 1975.\u003c/p\u003e\n","\u003cp\u003eAs a young man he played with the National Symphony and in 1939 was a soloist with the All-American Youth Orchestra under Leopold Stokowski. 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Turner), 1936-2006"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/714ebdee5e3f534f8d37d035#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Charles H. Turner Collection consists principally of scores and personal effects donated by David Brinson and Turner's mother, Norma Turner. The scores are primarily copies of handwritten arrangements of jazz standards made for Sinatra's band, but there are also some published scores, including a few brass arrangements of Baroque pieces like the six-part from The Musical Offering, BWV 1079 by J.S. Bach. \u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/714ebdee5e3f534f8d37d035#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"714ebdee5e3f534f8d37d035","title_ssm":["Charles H. Turner Collection"],"title_tesim":["Charles H. 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In 1975, Frank Sinatra recruited him to play lead trumpet in both his big band and his smaller tour band, which he did for eight years.\n \nIn addition to his time with Sinatra, Turner also performed with Ella Fitzgerald, Jimmy Dorsey, Ralph Flanagan, Harry James, Charlie Spivak, Count Basie, and other jazz notables; he also played with the Chicago Symphony Orchestra. Turner released one solo album on the Chas Records label in 1984. Entitled What's New, it consists primarily of songs from the Sinatra catalog; Sinatra himself directed the orchestra.","The Charles H. Turner Collection consists principally of scores and personal effects donated by David Brinson and Turner's mother, Norma Turner. The scores are primarily copies of handwritten arrangements of jazz standards made for Sinatra's band, but there are also some published scores, including a few brass arrangements of Baroque pieces like the six-part from The Musical Offering, BWV 1079 by J.S. Bach. ","Other materials in the collection include photographs, newspaper clippings, and programs; sound recordings; assorted FSU memorabilia; four recorded interviews with Norma Turner; recorded interviews with Ellen Taaffe Zwilich and Florence Ashby, who knew him during his time at FSU; and a Benge pocket trumpet from Turner's collection.","Allen Music Library Special Collections","Turner, Charles (Charles H. Turner), 1936-2006","Sinatra, Frank, 1915-1998","Zwilich, Ellen Taaffe, 1939-","English"],"unitid_tesim":["FSUML-2020-011","/repositories/12/resources/1736"],"normalized_date_ssm":["1937-1995"],"normalized_title_ssm":["Charles H. Turner Collection, 1937-1995"],"collection_title_tesim":["Charles H. Turner Collection, 1937-1995"],"collection_ssim":["Charles H. Turner Collection, 1937-1995"],"repository_ssm":["Allen Music Library Special Collections"],"repository_ssim":["Allen Music Library Special Collections"],"creator_ssm":["Turner, Charles (Charles H. 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During his tenure here he was active in the Marching Chiefs and began to attract attention from outside orchestras, and eventually made his way to Las Vegas. In 1975, Frank Sinatra recruited him to play lead trumpet in both his big band and his smaller tour band, which he did for eight years.\n\u003cbr\u003e\u003cbr\u003e\nIn addition to his time with Sinatra, Turner also performed with Ella Fitzgerald, Jimmy Dorsey, Ralph Flanagan, Harry James, Charlie Spivak, Count Basie, and other jazz notables; he also played with the Chicago Symphony Orchestra. Turner released one solo album on the Chas Records label in 1984. 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Turner released one solo album on the Chas Records label in 1984. Entitled What's New, it consists primarily of songs from the Sinatra catalog; Sinatra himself directed the orchestra."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Charles H. Turner Collection, Warren D. Allen Music Library, Tallahassee, Florida. http://purl.fcla.edu/fsu/FSUML-2020-011.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Charles H. Turner Collection, Warren D. Allen Music Library, Tallahassee, Florida. http://purl.fcla.edu/fsu/FSUML-2020-011."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles H. Turner Collection consists principally of scores and personal effects donated by David Brinson and Turner's mother, Norma Turner. The scores are primarily copies of handwritten arrangements of jazz standards made for Sinatra's band, but there are also some published scores, including a few brass arrangements of Baroque pieces like the six-part from The Musical Offering, BWV 1079 by J.S. Bach. \u003c/p\u003e\n","\u003cp\u003eOther materials in the collection include photographs, newspaper clippings, and programs; sound recordings; assorted FSU memorabilia; four recorded interviews with Norma Turner; recorded interviews with Ellen Taaffe Zwilich and Florence Ashby, who knew him during his time at FSU; and a Benge pocket trumpet from Turner's collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Charles H. Turner Collection consists principally of scores and personal effects donated by David Brinson and Turner's mother, Norma Turner. The scores are primarily copies of handwritten arrangements of jazz standards made for Sinatra's band, but there are also some published scores, including a few brass arrangements of Baroque pieces like the six-part from The Musical Offering, BWV 1079 by J.S. Bach. ","Other materials in the collection include photographs, newspaper clippings, and programs; sound recordings; assorted FSU memorabilia; four recorded interviews with Norma Turner; recorded interviews with Ellen Taaffe Zwilich and Florence Ashby, who knew him during his time at FSU; and a Benge pocket trumpet from Turner's collection."],"names_ssim":["Allen Music Library Special Collections","Turner, Charles (Charles H. Turner), 1936-2006","Sinatra, Frank, 1915-1998","Zwilich, Ellen Taaffe, 1939-"],"corpname_ssim":["Allen Music Library Special Collections"],"names_coll_ssim":["Sinatra, Frank, 1915-1998","Zwilich, Ellen Taaffe, 1939-"],"persname_ssim":["Turner, Charles (Charles H. Turner), 1936-2006","Sinatra, Frank, 1915-1998","Zwilich, Ellen Taaffe, 1939-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":104,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1880365571463184384,"_root_":"714ebdee5e3f534f8d37d035","timestamp":"2026-10-29T06:45:50.958Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"714ebdee5e3f534f8d37d035","title_ssm":["Charles H. Turner Collection"],"title_tesim":["Charles H. Turner Collection"],"ead_ssi":"714ebdee5e3f534f8d37d035","unitdate_ssm":["1937-1995"],"unitdate_inclusive_ssm":["1937-1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["FSUML-2020-011","/repositories/12/resources/1736"],"text":["FSUML-2020-011","/repositories/12/resources/1736","Charles H. Turner Collection, 1937-1995","Florida State University--Alumni and alumnae","Jazz","Trumpet players","Charles Henry Turner (1936-2006) was a jazz musician most noted for his position as lead trumpeter for Frank Sinatra during the years 1975-1983.\n \nTurner was born in Bunnell, Florida, in 1936, and attended Florida State University from 1954-1959. During his tenure here he was active in the Marching Chiefs and began to attract attention from outside orchestras, and eventually made his way to Las Vegas. In 1975, Frank Sinatra recruited him to play lead trumpet in both his big band and his smaller tour band, which he did for eight years.\n \nIn addition to his time with Sinatra, Turner also performed with Ella Fitzgerald, Jimmy Dorsey, Ralph Flanagan, Harry James, Charlie Spivak, Count Basie, and other jazz notables; he also played with the Chicago Symphony Orchestra. Turner released one solo album on the Chas Records label in 1984. Entitled What's New, it consists primarily of songs from the Sinatra catalog; Sinatra himself directed the orchestra.","The Charles H. Turner Collection consists principally of scores and personal effects donated by David Brinson and Turner's mother, Norma Turner. The scores are primarily copies of handwritten arrangements of jazz standards made for Sinatra's band, but there are also some published scores, including a few brass arrangements of Baroque pieces like the six-part from The Musical Offering, BWV 1079 by J.S. Bach. ","Other materials in the collection include photographs, newspaper clippings, and programs; sound recordings; assorted FSU memorabilia; four recorded interviews with Norma Turner; recorded interviews with Ellen Taaffe Zwilich and Florence Ashby, who knew him during his time at FSU; and a Benge pocket trumpet from Turner's collection.","Allen Music Library Special Collections","Turner, Charles (Charles H. Turner), 1936-2006","Sinatra, Frank, 1915-1998","Zwilich, Ellen Taaffe, 1939-","English"],"unitid_tesim":["FSUML-2020-011","/repositories/12/resources/1736"],"normalized_date_ssm":["1937-1995"],"normalized_title_ssm":["Charles H. Turner Collection, 1937-1995"],"collection_title_tesim":["Charles H. Turner Collection, 1937-1995"],"collection_ssim":["Charles H. Turner Collection, 1937-1995"],"repository_ssm":["Allen Music Library Special Collections"],"repository_ssim":["Allen Music Library Special Collections"],"creator_ssm":["Turner, Charles (Charles H. Turner), 1936-2006"],"creator_ssim":["Turner, Charles (Charles H. Turner), 1936-2006"],"creator_persname_ssim":["Turner, Charles (Charles H. Turner), 1936-2006"],"creators_ssim":["Turner, Charles (Charles H. Turner), 1936-2006"],"acqinfo_ssim":["David Brinson and Norma Turner"],"access_subjects_ssim":["Florida State University--Alumni and alumnae","Jazz","Trumpet players"],"access_subjects_ssm":["Florida State University--Alumni and alumnae","Jazz","Trumpet players"],"has_online_content_ssim":["false"],"extent_ssm":["100 items","1 items"],"extent_tesim":["100 items","1 items"],"physfacet_tesim":["100 musical scores, mostly big band jazz charts.","1 Benge pocket trumpet played by Charlie Turner."],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_heading_ssm":["Conditions Governing Access"],"bioghist_html_tesm":["\u003cp\u003eCharles Henry Turner (1936-2006) was a jazz musician most noted for his position as lead trumpeter for Frank Sinatra during the years 1975-1983.\n\u003cbr\u003e\u003cbr\u003e\nTurner was born in Bunnell, Florida, in 1936, and attended Florida State University from 1954-1959. During his tenure here he was active in the Marching Chiefs and began to attract attention from outside orchestras, and eventually made his way to Las Vegas. In 1975, Frank Sinatra recruited him to play lead trumpet in both his big band and his smaller tour band, which he did for eight years.\n\u003cbr\u003e\u003cbr\u003e\nIn addition to his time with Sinatra, Turner also performed with Ella Fitzgerald, Jimmy Dorsey, Ralph Flanagan, Harry James, Charlie Spivak, Count Basie, and other jazz notables; he also played with the Chicago Symphony Orchestra. Turner released one solo album on the Chas Records label in 1984. Entitled What's New, it consists primarily of songs from the Sinatra catalog; Sinatra himself directed the orchestra.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Charles Henry Turner (1936-2006) was a jazz musician most noted for his position as lead trumpeter for Frank Sinatra during the years 1975-1983.\n \nTurner was born in Bunnell, Florida, in 1936, and attended Florida State University from 1954-1959. During his tenure here he was active in the Marching Chiefs and began to attract attention from outside orchestras, and eventually made his way to Las Vegas. In 1975, Frank Sinatra recruited him to play lead trumpet in both his big band and his smaller tour band, which he did for eight years.\n \nIn addition to his time with Sinatra, Turner also performed with Ella Fitzgerald, Jimmy Dorsey, Ralph Flanagan, Harry James, Charlie Spivak, Count Basie, and other jazz notables; he also played with the Chicago Symphony Orchestra. Turner released one solo album on the Chas Records label in 1984. Entitled What's New, it consists primarily of songs from the Sinatra catalog; Sinatra himself directed the orchestra."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Charles H. Turner Collection, Warren D. Allen Music Library, Tallahassee, Florida. http://purl.fcla.edu/fsu/FSUML-2020-011.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Charles H. Turner Collection, Warren D. Allen Music Library, Tallahassee, Florida. http://purl.fcla.edu/fsu/FSUML-2020-011."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles H. Turner Collection consists principally of scores and personal effects donated by David Brinson and Turner's mother, Norma Turner. The scores are primarily copies of handwritten arrangements of jazz standards made for Sinatra's band, but there are also some published scores, including a few brass arrangements of Baroque pieces like the six-part from The Musical Offering, BWV 1079 by J.S. Bach. \u003c/p\u003e\n","\u003cp\u003eOther materials in the collection include photographs, newspaper clippings, and programs; sound recordings; assorted FSU memorabilia; four recorded interviews with Norma Turner; recorded interviews with Ellen Taaffe Zwilich and Florence Ashby, who knew him during his time at FSU; and a Benge pocket trumpet from Turner's collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Charles H. Turner Collection consists principally of scores and personal effects donated by David Brinson and Turner's mother, Norma Turner. The scores are primarily copies of handwritten arrangements of jazz standards made for Sinatra's band, but there are also some published scores, including a few brass arrangements of Baroque pieces like the six-part from The Musical Offering, BWV 1079 by J.S. Bach. ","Other materials in the collection include photographs, newspaper clippings, and programs; sound recordings; assorted FSU memorabilia; four recorded interviews with Norma Turner; recorded interviews with Ellen Taaffe Zwilich and Florence Ashby, who knew him during his time at FSU; and a Benge pocket trumpet from Turner's collection."],"names_ssim":["Allen Music Library Special Collections","Turner, Charles (Charles H. Turner), 1936-2006","Sinatra, Frank, 1915-1998","Zwilich, Ellen Taaffe, 1939-"],"corpname_ssim":["Allen Music Library Special Collections"],"names_coll_ssim":["Sinatra, Frank, 1915-1998","Zwilich, Ellen Taaffe, 1939-"],"persname_ssim":["Turner, Charles (Charles H. Turner), 1936-2006","Sinatra, Frank, 1915-1998","Zwilich, Ellen Taaffe, 1939-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":104,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1880365571463184384,"_root_":"714ebdee5e3f534f8d37d035","timestamp":"2026-10-29T06:45:50.958Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/714ebdee5e3f534f8d37d035"}},{"id":"32d42e8dda9af9f61dcc09cd","type":"collection","attributes":{"title":"College of Music Historical Scrapbooks Collection, 1911-2002","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/32d42e8dda9af9f61dcc09cd#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe scrapbook collection consists of 39 books primarily concerned with the history of the school School of Music at the Florida State College for Women (1909-1947) and Florida State University (1947-present). The contents are mostly newspaper clippings directly related to the school or its faculty, recital and concert programs, and posters. Coverage extends from 1911 up to 2002.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/32d42e8dda9af9f61dcc09cd#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"32d42e8dda9af9f61dcc09cd","title_ssm":["College of Music Historical Scrapbooks Collection"],"title_tesim":["College of Music Historical Scrapbooks Collection"],"ead_ssi":"32d42e8dda9af9f61dcc09cd","unitdate_ssm":["1911-2002"],"unitdate_inclusive_ssm":["1911-2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["FSUML-2020-024","/repositories/12/resources/1721"],"text":["FSUML-2020-024","/repositories/12/resources/1721","College of Music Historical Scrapbooks Collection, 1911-2002","Florida State University. School of Music","Scrapbooks","These scrapbooks are fragile and require assistance from Music Special Collections staff for viewing. For more information or to make a research appointment please contact the Music Special Collections staff at AMLSpec@fsu.edu.","The scrapbook collection consists of 39 books primarily concerned with the history of the school School of Music at the Florida State College for Women (1909-1947) and Florida State University (1947-present). The contents are mostly newspaper clippings directly related to the school or its faculty, recital and concert programs, and posters. Coverage extends from 1911 up to 2002.","Additionally, four books contain collections of articles on and photgraphs of opera singers and the Metropolitan Opera in New York. These books include material dating from the 1890s to the 1940s.","Allen Music Library Special Collections","English"],"unitid_tesim":["FSUML-2020-024","/repositories/12/resources/1721"],"normalized_date_ssm":["1911-2002"],"normalized_title_ssm":["College of Music Historical Scrapbooks Collection, 1911-2002"],"collection_title_tesim":["College of Music Historical Scrapbooks Collection, 1911-2002"],"collection_ssim":["College of Music Historical Scrapbooks Collection, 1911-2002"],"repository_ssm":["Allen Music Library Special Collections"],"repository_ssim":["Allen Music Library Special Collections"],"access_subjects_ssim":["Florida State University. School of Music","Scrapbooks"],"access_subjects_ssm":["Florida State University. School of Music","Scrapbooks"],"has_online_content_ssim":["false"],"extent_ssm":["39 items"],"extent_tesim":["39 items"],"physfacet_tesim":["39 scrapbooks, principally newspaper clippings, programs, and some correspondence. Note: These scrapbooks do not contain photographs, with a few exceptions as noted. These scrapbooks are currently undergoing conservation efforts and cannot be accessed at this time. "],"genreform_ssim":["Scrapbooks"],"date_range_isim":[1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"accessrestrict_html_tesm":["\u003cp\u003eThese scrapbooks are fragile and require assistance from Music Special Collections staff for viewing. For more information or to make a research appointment please contact the Music Special Collections staff at AMLSpec@fsu.edu.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["These scrapbooks are fragile and require assistance from Music Special Collections staff for viewing. For more information or to make a research appointment please contact the Music Special Collections staff at AMLSpec@fsu.edu."],"scopecontent_html_tesm":["\u003cp\u003eThe scrapbook collection consists of 39 books primarily concerned with the history of the school School of Music at the Florida State College for Women (1909-1947) and Florida State University (1947-present). The contents are mostly newspaper clippings directly related to the school or its faculty, recital and concert programs, and posters. Coverage extends from 1911 up to 2002.\u003c/p\u003e\n","\u003cp\u003eAdditionally, four books contain collections of articles on and photgraphs of opera singers and the Metropolitan Opera in New York. These books include material dating from the 1890s to the 1940s.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The scrapbook collection consists of 39 books primarily concerned with the history of the school School of Music at the Florida State College for Women (1909-1947) and Florida State University (1947-present). The contents are mostly newspaper clippings directly related to the school or its faculty, recital and concert programs, and posters. Coverage extends from 1911 up to 2002.","Additionally, four books contain collections of articles on and photgraphs of opera singers and the Metropolitan Opera in New York. These books include material dating from the 1890s to the 1940s."],"names_ssim":["Allen Music Library Special Collections"],"corpname_ssim":["Allen Music Library Special Collections"],"language_ssim":["English"],"total_component_count_is":39,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"32d42e8dda9af9f61dcc09cd","timestamp":"2026-04-21T02:32:19.227Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"32d42e8dda9af9f61dcc09cd","title_ssm":["College of Music Historical Scrapbooks Collection"],"title_tesim":["College of Music Historical Scrapbooks Collection"],"ead_ssi":"32d42e8dda9af9f61dcc09cd","unitdate_ssm":["1911-2002"],"unitdate_inclusive_ssm":["1911-2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["FSUML-2020-024","/repositories/12/resources/1721"],"text":["FSUML-2020-024","/repositories/12/resources/1721","College of Music Historical Scrapbooks Collection, 1911-2002","Florida State University. School of Music","Scrapbooks","These scrapbooks are fragile and require assistance from Music Special Collections staff for viewing. For more information or to make a research appointment please contact the Music Special Collections staff at AMLSpec@fsu.edu.","The scrapbook collection consists of 39 books primarily concerned with the history of the school School of Music at the Florida State College for Women (1909-1947) and Florida State University (1947-present). The contents are mostly newspaper clippings directly related to the school or its faculty, recital and concert programs, and posters. Coverage extends from 1911 up to 2002.","Additionally, four books contain collections of articles on and photgraphs of opera singers and the Metropolitan Opera in New York. These books include material dating from the 1890s to the 1940s.","Allen Music Library Special Collections","English"],"unitid_tesim":["FSUML-2020-024","/repositories/12/resources/1721"],"normalized_date_ssm":["1911-2002"],"normalized_title_ssm":["College of Music Historical Scrapbooks Collection, 1911-2002"],"collection_title_tesim":["College of Music Historical Scrapbooks Collection, 1911-2002"],"collection_ssim":["College of Music Historical Scrapbooks Collection, 1911-2002"],"repository_ssm":["Allen Music Library Special Collections"],"repository_ssim":["Allen Music Library Special Collections"],"access_subjects_ssim":["Florida State University. School of Music","Scrapbooks"],"access_subjects_ssm":["Florida State University. School of Music","Scrapbooks"],"has_online_content_ssim":["false"],"extent_ssm":["39 items"],"extent_tesim":["39 items"],"physfacet_tesim":["39 scrapbooks, principally newspaper clippings, programs, and some correspondence. Note: These scrapbooks do not contain photographs, with a few exceptions as noted. These scrapbooks are currently undergoing conservation efforts and cannot be accessed at this time. "],"genreform_ssim":["Scrapbooks"],"date_range_isim":[1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"accessrestrict_html_tesm":["\u003cp\u003eThese scrapbooks are fragile and require assistance from Music Special Collections staff for viewing. For more information or to make a research appointment please contact the Music Special Collections staff at AMLSpec@fsu.edu.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["These scrapbooks are fragile and require assistance from Music Special Collections staff for viewing. For more information or to make a research appointment please contact the Music Special Collections staff at AMLSpec@fsu.edu."],"scopecontent_html_tesm":["\u003cp\u003eThe scrapbook collection consists of 39 books primarily concerned with the history of the school School of Music at the Florida State College for Women (1909-1947) and Florida State University (1947-present). The contents are mostly newspaper clippings directly related to the school or its faculty, recital and concert programs, and posters. Coverage extends from 1911 up to 2002.\u003c/p\u003e\n","\u003cp\u003eAdditionally, four books contain collections of articles on and photgraphs of opera singers and the Metropolitan Opera in New York. These books include material dating from the 1890s to the 1940s.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The scrapbook collection consists of 39 books primarily concerned with the history of the school School of Music at the Florida State College for Women (1909-1947) and Florida State University (1947-present). The contents are mostly newspaper clippings directly related to the school or its faculty, recital and concert programs, and posters. Coverage extends from 1911 up to 2002.","Additionally, four books contain collections of articles on and photgraphs of opera singers and the Metropolitan Opera in New York. These books include material dating from the 1890s to the 1940s."],"names_ssim":["Allen Music Library Special Collections"],"corpname_ssim":["Allen Music Library Special Collections"],"language_ssim":["English"],"total_component_count_is":39,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"32d42e8dda9af9f61dcc09cd","timestamp":"2026-04-21T02:32:19.227Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/32d42e8dda9af9f61dcc09cd"}},{"id":"4554efafb002afc8efc8996b","type":"collection","attributes":{"title":"College of Music Reel-to-Reel Recordings, 1955-1985","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/4554efafb002afc8efc8996b#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe library possesses approximately 1700 reel-to-reel recordings. There are a few commercial recordings, but the collection consists principally of performances by FSU faculty and ensembles, dating from the mid-1950s to the early 1980s, with the bulk of the collection covering the late 60s to late 70s.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4554efafb002afc8efc8996b#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"4554efafb002afc8efc8996b","title_ssm":["College of Music Reel-to-Reel Recordings"],"title_tesim":["College of Music Reel-to-Reel Recordings"],"ead_ssi":"4554efafb002afc8efc8996b","unitdate_ssm":["1955-1985"],"unitdate_inclusive_ssm":["1955-1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["FSUML-2020-023","/repositories/12/resources/1720"],"text":["FSUML-2020-023","/repositories/12/resources/1720","College of Music Reel-to-Reel Recordings, 1955-1985","Florida State University--Faculty","Sound recordings.","As some of the recordings are in poor condition and listening equipment is increasingly rare, we do not provide direct access to this collection. However, we are currently in the process of digitizing the reels and are happy to provide digital copies of recordings via the FSU dropbox service. For on-campus patrons, ask for a digitization request form at the circulation desk. For off-campus users, mail AMLRef@fsu with the details of your request. Please allow at least one week for digitization requests.","Highlights include a production of Globolinks overseen by Giancarlo Menotti and performances from the first Festival of New Music in 1981. Also in the collection are copies, some possibly masters, of the radio show \"Songs of Florida.\"","The library possesses approximately 1700 reel-to-reel recordings. There are a few commercial recordings, but the collection consists principally of performances by FSU faculty and ensembles, dating from the mid-1950s to the early 1980s, with the bulk of the collection covering the late 60s to late 70s.","https://music.fsu.edu/sites/g/files/upcbnu406/files/media/files/MusicLibrary/RTR.pdf","Allen Music Library Special Collections","English"],"unitid_tesim":["FSUML-2020-023","/repositories/12/resources/1720"],"normalized_date_ssm":["1955-1985"],"normalized_title_ssm":["College of Music Reel-to-Reel Recordings, 1955-1985"],"collection_title_tesim":["College of Music Reel-to-Reel Recordings, 1955-1985"],"collection_ssim":["College of Music Reel-to-Reel Recordings, 1955-1985"],"repository_ssm":["Allen Music Library Special Collections"],"repository_ssim":["Allen Music Library Special Collections"],"access_subjects_ssim":["Florida State University--Faculty","Sound recordings."],"access_subjects_ssm":["Florida State University--Faculty","Sound recordings."],"has_online_content_ssim":["false"],"extent_ssm":["1700 items"],"extent_tesim":["1700 items"],"genreform_ssim":["Sound recordings."],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985],"accessrestrict_html_tesm":["\u003cp\u003eAs some of the recordings are in poor condition and listening equipment is increasingly rare, we do not provide direct access to this collection. However, we are currently in the process of digitizing the reels and are happy to provide digital copies of recordings via the FSU dropbox service. For on-campus patrons, ask for a digitization request form at the circulation desk. For off-campus users, mail AMLRef@fsu with the details of your request. Please allow at least one week for digitization requests.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["As some of the recordings are in poor condition and listening equipment is increasingly rare, we do not provide direct access to this collection. However, we are currently in the process of digitizing the reels and are happy to provide digital copies of recordings via the FSU dropbox service. For on-campus patrons, ask for a digitization request form at the circulation desk. For off-campus users, mail AMLRef@fsu with the details of your request. Please allow at least one week for digitization requests."],"bioghist_html_tesm":["\u003cp\u003eHighlights include a production of Globolinks overseen by Giancarlo Menotti and performances from the first Festival of New Music in 1981. Also in the collection are copies, some possibly masters, of the radio show \"Songs of Florida.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Highlights include a production of Globolinks overseen by Giancarlo Menotti and performances from the first Festival of New Music in 1981. Also in the collection are copies, some possibly masters, of the radio show \"Songs of Florida.\""],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], College of Music Reel-to-Reel Recordings, Warren D. Allen Music Library, Tallahassee, Florida. http://purl.fcla.edu/fsu/FSUML-2020-023.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], College of Music Reel-to-Reel Recordings, Warren D. Allen Music Library, Tallahassee, Florida. http://purl.fcla.edu/fsu/FSUML-2020-023."],"scopecontent_html_tesm":["\u003cp\u003eThe library possesses approximately 1700 reel-to-reel recordings. There are a few commercial recordings, but the collection consists principally of performances by FSU faculty and ensembles, dating from the mid-1950s to the early 1980s, with the bulk of the collection covering the late 60s to late 70s.\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://music.fsu.edu/sites/g/files/upcbnu406/files/media/files/MusicLibrary/RTR.pdf\"\u003ehttps://music.fsu.edu/sites/g/files/upcbnu406/files/media/files/MusicLibrary/RTR.pdf\u003c/a\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","List of items in the College of Music Reel-to-Reel Recordings:"],"scopecontent_tesim":["The library possesses approximately 1700 reel-to-reel recordings. There are a few commercial recordings, but the collection consists principally of performances by FSU faculty and ensembles, dating from the mid-1950s to the early 1980s, with the bulk of the collection covering the late 60s to late 70s.","https://music.fsu.edu/sites/g/files/upcbnu406/files/media/files/MusicLibrary/RTR.pdf"],"names_ssim":["Allen Music Library Special Collections"],"corpname_ssim":["Allen Music Library Special Collections"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"4554efafb002afc8efc8996b","timestamp":"2026-04-21T02:32:18.926Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4554efafb002afc8efc8996b","title_ssm":["College of Music Reel-to-Reel Recordings"],"title_tesim":["College of Music Reel-to-Reel Recordings"],"ead_ssi":"4554efafb002afc8efc8996b","unitdate_ssm":["1955-1985"],"unitdate_inclusive_ssm":["1955-1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["FSUML-2020-023","/repositories/12/resources/1720"],"text":["FSUML-2020-023","/repositories/12/resources/1720","College of Music Reel-to-Reel Recordings, 1955-1985","Florida State University--Faculty","Sound recordings.","As some of the recordings are in poor condition and listening equipment is increasingly rare, we do not provide direct access to this collection. However, we are currently in the process of digitizing the reels and are happy to provide digital copies of recordings via the FSU dropbox service. For on-campus patrons, ask for a digitization request form at the circulation desk. For off-campus users, mail AMLRef@fsu with the details of your request. Please allow at least one week for digitization requests.","Highlights include a production of Globolinks overseen by Giancarlo Menotti and performances from the first Festival of New Music in 1981. Also in the collection are copies, some possibly masters, of the radio show \"Songs of Florida.\"","The library possesses approximately 1700 reel-to-reel recordings. There are a few commercial recordings, but the collection consists principally of performances by FSU faculty and ensembles, dating from the mid-1950s to the early 1980s, with the bulk of the collection covering the late 60s to late 70s.","https://music.fsu.edu/sites/g/files/upcbnu406/files/media/files/MusicLibrary/RTR.pdf","Allen Music Library Special Collections","English"],"unitid_tesim":["FSUML-2020-023","/repositories/12/resources/1720"],"normalized_date_ssm":["1955-1985"],"normalized_title_ssm":["College of Music Reel-to-Reel Recordings, 1955-1985"],"collection_title_tesim":["College of Music Reel-to-Reel Recordings, 1955-1985"],"collection_ssim":["College of Music Reel-to-Reel Recordings, 1955-1985"],"repository_ssm":["Allen Music Library Special Collections"],"repository_ssim":["Allen Music Library Special Collections"],"access_subjects_ssim":["Florida State University--Faculty","Sound recordings."],"access_subjects_ssm":["Florida State University--Faculty","Sound recordings."],"has_online_content_ssim":["false"],"extent_ssm":["1700 items"],"extent_tesim":["1700 items"],"genreform_ssim":["Sound recordings."],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985],"accessrestrict_html_tesm":["\u003cp\u003eAs some of the recordings are in poor condition and listening equipment is increasingly rare, we do not provide direct access to this collection. However, we are currently in the process of digitizing the reels and are happy to provide digital copies of recordings via the FSU dropbox service. For on-campus patrons, ask for a digitization request form at the circulation desk. For off-campus users, mail AMLRef@fsu with the details of your request. Please allow at least one week for digitization requests.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["As some of the recordings are in poor condition and listening equipment is increasingly rare, we do not provide direct access to this collection. However, we are currently in the process of digitizing the reels and are happy to provide digital copies of recordings via the FSU dropbox service. For on-campus patrons, ask for a digitization request form at the circulation desk. For off-campus users, mail AMLRef@fsu with the details of your request. Please allow at least one week for digitization requests."],"bioghist_html_tesm":["\u003cp\u003eHighlights include a production of Globolinks overseen by Giancarlo Menotti and performances from the first Festival of New Music in 1981. Also in the collection are copies, some possibly masters, of the radio show \"Songs of Florida.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Highlights include a production of Globolinks overseen by Giancarlo Menotti and performances from the first Festival of New Music in 1981. Also in the collection are copies, some possibly masters, of the radio show \"Songs of Florida.\""],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], College of Music Reel-to-Reel Recordings, Warren D. Allen Music Library, Tallahassee, Florida. http://purl.fcla.edu/fsu/FSUML-2020-023.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], College of Music Reel-to-Reel Recordings, Warren D. Allen Music Library, Tallahassee, Florida. http://purl.fcla.edu/fsu/FSUML-2020-023."],"scopecontent_html_tesm":["\u003cp\u003eThe library possesses approximately 1700 reel-to-reel recordings. There are a few commercial recordings, but the collection consists principally of performances by FSU faculty and ensembles, dating from the mid-1950s to the early 1980s, with the bulk of the collection covering the late 60s to late 70s.\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://music.fsu.edu/sites/g/files/upcbnu406/files/media/files/MusicLibrary/RTR.pdf\"\u003ehttps://music.fsu.edu/sites/g/files/upcbnu406/files/media/files/MusicLibrary/RTR.pdf\u003c/a\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","List of items in the College of Music Reel-to-Reel Recordings:"],"scopecontent_tesim":["The library possesses approximately 1700 reel-to-reel recordings. There are a few commercial recordings, but the collection consists principally of performances by FSU faculty and ensembles, dating from the mid-1950s to the early 1980s, with the bulk of the collection covering the late 60s to late 70s.","https://music.fsu.edu/sites/g/files/upcbnu406/files/media/files/MusicLibrary/RTR.pdf"],"names_ssim":["Allen Music Library Special Collections"],"corpname_ssim":["Allen Music Library Special Collections"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"4554efafb002afc8efc8996b","timestamp":"2026-04-21T02:32:18.926Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4554efafb002afc8efc8996b"}},{"id":"c23f28321e30625cfbbcec14","type":"collection","attributes":{"title":"Curtis Davidson Collection, 1938-1989","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/c23f28321e30625cfbbcec14#creator","type":"document_value","attributes":{"value":["Davidson, Curtis"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/c23f28321e30625cfbbcec14#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Curtis Davidson Collection comprises a number of recordings in reel-to-reel, cassette, and compact disc format. These recordings document performances of the Curtis Davidson Orchestra and Curtis Davidson and his Southerners from 1930-1980. The recordings are primarily of the genre called Dixieland jazz which was prominent in New Orleans and the Big Bend area during this time. Davidson spent his nights playing throughout the southeast. He was interested in recording and many of these gigs were recorded on his own Wollensak tape recorder. These reel-to-reel recordings hold a prominent position in the collection. Some recordings feature former FSU professor of piano Dr. Robert Glotzbach and meteorologist Bill Ragsdale, who was known as \"Willie the Weatherman.\"\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/c23f28321e30625cfbbcec14#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"c23f28321e30625cfbbcec14","title_ssm":["Curtis Davidson Collection"],"title_tesim":["Curtis Davidson Collection"],"ead_ssi":"c23f28321e30625cfbbcec14","unitdate_ssm":["1938-1989"],"unitdate_inclusive_ssm":["1938-1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["FSUML-2020-014","/repositories/12/resources/1702"],"text":["FSUML-2020-014","/repositories/12/resources/1702","Curtis Davidson Collection, 1938-1989","This collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu.","Curtis Davidson (1913-2001) was a trumpeter from Quincy, Florida who was dedicated to sharing his passion for Dixieland Jazz music throughout the Southeast. His lifelong love affair with the trumpet started when he was 16 years old. It was during this time that he formed his own Dixieland Jazz group that he would continue to play in almost to the end of his life.","While still in his teens, Davidson became friends with Dan Langford (brother of FSU Foundation Board member George Langford), who was a radio personality in Thomasville, Georgia. Davidson would play live shows in Thomasville for the radio. The response for the sessions was great, and people would send telegrams to the radio stations to make requests for Davidson to play.","Dixieland was made easily available to Mr. Davidson through clear channel radio WWL in New Orleans and the Gulf Wind train. The Gulf Wind train ran from Quincy to New Orleans twice a day. With horn in hand, Davidson would take the train to New Orleans to listen to the music and participate in any jam sessions that might ensue.","It was during his travels to New Orleans, that he began a close friendship with Edmund Souchon. Edmund Souchon was the surgeon general for the Pan American Life Insurance Company. Souchon was a supporter of jazz, and he founded the New Orleans Jazz Festival that still exists today.","Davidson volunteered during World War II, and he served in the Army Corp Band at Keisler Field, in Biloxi, Mississippi. Following the war, he returned to Quincy to manage the largest movie theater between Jacksonville and Pensacola, the Leaf Theater. Mr. Davidson held this position for approximately twenty years.","The Curtis Davidson Collection comprises a number of recordings in reel-to-reel, cassette, and compact disc format. These recordings document performances of the Curtis Davidson Orchestra and Curtis Davidson and his Southerners from 1930-1980. The recordings are primarily of the genre called Dixieland jazz which was prominent in New Orleans and the Big Bend area during this time. Davidson spent his nights playing throughout the southeast. He was interested in recording and many of these gigs were recorded on his own Wollensak tape recorder. These reel-to-reel recordings hold a prominent position in the collection. Some recordings feature former FSU professor of piano Dr. Robert Glotzbach and meteorologist Bill Ragsdale, who was known as \"Willie the Weatherman.\"","https://music.fsu.edu/wp-content/uploads/2022/11/AccessCopy_Davidson_Table.pdf","Allen Music Library Special Collections","Davidson, Curtis","English"],"unitid_tesim":["FSUML-2020-014","/repositories/12/resources/1702"],"normalized_date_ssm":["1938-1989"],"normalized_title_ssm":["Curtis Davidson Collection, 1938-1989"],"collection_title_tesim":["Curtis Davidson Collection, 1938-1989"],"collection_ssim":["Curtis Davidson Collection, 1938-1989"],"repository_ssm":["Allen Music Library Special Collections"],"repository_ssim":["Allen Music Library Special Collections"],"creator_ssm":["Davidson, Curtis"],"creator_ssim":["Davidson, Curtis"],"creator_persname_ssim":["Davidson, Curtis"],"creators_ssim":["Davidson, Curtis"],"has_online_content_ssim":["false"],"extent_ssm":["108 items"],"extent_tesim":["108 items"],"physfacet_tesim":["Collection contains 43 audio reels, 58 records, 2 CDs, and 5 cassettes."],"date_range_isim":[1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu."],"bioghist_html_tesm":["\u003cp\u003eCurtis Davidson (1913-2001) was a trumpeter from Quincy, Florida who was dedicated to sharing his passion for Dixieland Jazz music throughout the Southeast. His lifelong love affair with the trumpet started when he was 16 years old. It was during this time that he formed his own Dixieland Jazz group that he would continue to play in almost to the end of his life.\u003c/p\u003e\n","\u003cp\u003eWhile still in his teens, Davidson became friends with Dan Langford (brother of FSU Foundation Board member George Langford), who was a radio personality in Thomasville, Georgia. Davidson would play live shows in Thomasville for the radio. The response for the sessions was great, and people would send telegrams to the radio stations to make requests for Davidson to play.\u003c/p\u003e\n","\u003cp\u003eDixieland was made easily available to Mr. Davidson through clear channel radio WWL in New Orleans and the Gulf Wind train. The Gulf Wind train ran from Quincy to New Orleans twice a day. With horn in hand, Davidson would take the train to New Orleans to listen to the music and participate in any jam sessions that might ensue.\u003c/p\u003e\n","\u003cp\u003eIt was during his travels to New Orleans, that he began a close friendship with Edmund Souchon. Edmund Souchon was the surgeon general for the Pan American Life Insurance Company. Souchon was a supporter of jazz, and he founded the New Orleans Jazz Festival that still exists today.\u003c/p\u003e\n","\u003cp\u003eDavidson volunteered during World War II, and he served in the Army Corp Band at Keisler Field, in Biloxi, Mississippi. Following the war, he returned to Quincy to manage the largest movie theater between Jacksonville and Pensacola, the Leaf Theater. Mr. Davidson held this position for approximately twenty years.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Curtis Davidson (1913-2001) was a trumpeter from Quincy, Florida who was dedicated to sharing his passion for Dixieland Jazz music throughout the Southeast. His lifelong love affair with the trumpet started when he was 16 years old. It was during this time that he formed his own Dixieland Jazz group that he would continue to play in almost to the end of his life.","While still in his teens, Davidson became friends with Dan Langford (brother of FSU Foundation Board member George Langford), who was a radio personality in Thomasville, Georgia. Davidson would play live shows in Thomasville for the radio. The response for the sessions was great, and people would send telegrams to the radio stations to make requests for Davidson to play.","Dixieland was made easily available to Mr. Davidson through clear channel radio WWL in New Orleans and the Gulf Wind train. The Gulf Wind train ran from Quincy to New Orleans twice a day. With horn in hand, Davidson would take the train to New Orleans to listen to the music and participate in any jam sessions that might ensue.","It was during his travels to New Orleans, that he began a close friendship with Edmund Souchon. 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Allen Music Library, Tallahassee, Florida. http://purl.fcla.edu/fsu/FSUML-2020-014."],"scopecontent_html_tesm":["\u003cp\u003eThe Curtis Davidson Collection comprises a number of recordings in reel-to-reel, cassette, and compact disc format. These recordings document performances of the Curtis Davidson Orchestra and Curtis Davidson and his Southerners from 1930-1980. The recordings are primarily of the genre called Dixieland jazz which was prominent in New Orleans and the Big Bend area during this time. Davidson spent his nights playing throughout the southeast. He was interested in recording and many of these gigs were recorded on his own Wollensak tape recorder. These reel-to-reel recordings hold a prominent position in the collection. 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Some recordings feature former FSU professor of piano Dr. Robert Glotzbach and meteorologist Bill Ragsdale, who was known as \"Willie the Weatherman.\"","https://music.fsu.edu/wp-content/uploads/2022/11/AccessCopy_Davidson_Table.pdf"],"names_ssim":["Allen Music Library Special Collections","Davidson, Curtis"],"corpname_ssim":["Allen Music Library Special Collections"],"persname_ssim":["Davidson, Curtis"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870852916184612864,"_root_":"c23f28321e30625cfbbcec14","timestamp":"2026-07-16T06:46:15.938Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"c23f28321e30625cfbbcec14","title_ssm":["Curtis Davidson Collection"],"title_tesim":["Curtis Davidson Collection"],"ead_ssi":"c23f28321e30625cfbbcec14","unitdate_ssm":["1938-1989"],"unitdate_inclusive_ssm":["1938-1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["FSUML-2020-014","/repositories/12/resources/1702"],"text":["FSUML-2020-014","/repositories/12/resources/1702","Curtis Davidson Collection, 1938-1989","This collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu.","Curtis Davidson (1913-2001) was a trumpeter from Quincy, Florida who was dedicated to sharing his passion for Dixieland Jazz music throughout the Southeast. His lifelong love affair with the trumpet started when he was 16 years old. It was during this time that he formed his own Dixieland Jazz group that he would continue to play in almost to the end of his life.","While still in his teens, Davidson became friends with Dan Langford (brother of FSU Foundation Board member George Langford), who was a radio personality in Thomasville, Georgia. Davidson would play live shows in Thomasville for the radio. The response for the sessions was great, and people would send telegrams to the radio stations to make requests for Davidson to play.","Dixieland was made easily available to Mr. Davidson through clear channel radio WWL in New Orleans and the Gulf Wind train. The Gulf Wind train ran from Quincy to New Orleans twice a day. With horn in hand, Davidson would take the train to New Orleans to listen to the music and participate in any jam sessions that might ensue.","It was during his travels to New Orleans, that he began a close friendship with Edmund Souchon. Edmund Souchon was the surgeon general for the Pan American Life Insurance Company. Souchon was a supporter of jazz, and he founded the New Orleans Jazz Festival that still exists today.","Davidson volunteered during World War II, and he served in the Army Corp Band at Keisler Field, in Biloxi, Mississippi. Following the war, he returned to Quincy to manage the largest movie theater between Jacksonville and Pensacola, the Leaf Theater. Mr. Davidson held this position for approximately twenty years.","The Curtis Davidson Collection comprises a number of recordings in reel-to-reel, cassette, and compact disc format. 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Souchon was a supporter of jazz, and he founded the New Orleans Jazz Festival that still exists today.\u003c/p\u003e\n","\u003cp\u003eDavidson volunteered during World War II, and he served in the Army Corp Band at Keisler Field, in Biloxi, Mississippi. Following the war, he returned to Quincy to manage the largest movie theater between Jacksonville and Pensacola, the Leaf Theater. Mr. Davidson held this position for approximately twenty years.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Curtis Davidson (1913-2001) was a trumpeter from Quincy, Florida who was dedicated to sharing his passion for Dixieland Jazz music throughout the Southeast. His lifelong love affair with the trumpet started when he was 16 years old. 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Edmund Souchon was the surgeon general for the Pan American Life Insurance Company. Souchon was a supporter of jazz, and he founded the New Orleans Jazz Festival that still exists today.","Davidson volunteered during World War II, and he served in the Army Corp Band at Keisler Field, in Biloxi, Mississippi. Following the war, he returned to Quincy to manage the largest movie theater between Jacksonville and Pensacola, the Leaf Theater. Mr. Davidson held this position for approximately twenty years."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Curtis Davidson Collection, Warren D. Allen Music Library, Tallahassee, Florida. http://purl.fcla.edu/fsu/FSUML-2020-014.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Curtis Davidson Collection, Warren D. Allen Music Library, Tallahassee, Florida. http://purl.fcla.edu/fsu/FSUML-2020-014."],"scopecontent_html_tesm":["\u003cp\u003eThe Curtis Davidson Collection comprises a number of recordings in reel-to-reel, cassette, and compact disc format. These recordings document performances of the Curtis Davidson Orchestra and Curtis Davidson and his Southerners from 1930-1980. The recordings are primarily of the genre called Dixieland jazz which was prominent in New Orleans and the Big Bend area during this time. Davidson spent his nights playing throughout the southeast. He was interested in recording and many of these gigs were recorded on his own Wollensak tape recorder. These reel-to-reel recordings hold a prominent position in the collection. Some recordings feature former FSU professor of piano Dr. Robert Glotzbach and meteorologist Bill Ragsdale, who was known as \"Willie the Weatherman.\"\u003c/p\u003e","\u003cp\u003e\u003cextref href=\"https://music.fsu.edu/wp-content/uploads/2022/11/AccessCopy_Davidson_Table.pdf\"\u003ehttps://music.fsu.edu/wp-content/uploads/2022/11/AccessCopy_Davidson_Table.pdf\u003c/extref\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","List of items in the Curtis Davidson Collection"],"scopecontent_tesim":["The Curtis Davidson Collection comprises a number of recordings in reel-to-reel, cassette, and compact disc format. These recordings document performances of the Curtis Davidson Orchestra and Curtis Davidson and his Southerners from 1930-1980. The recordings are primarily of the genre called Dixieland jazz which was prominent in New Orleans and the Big Bend area during this time. Davidson spent his nights playing throughout the southeast. He was interested in recording and many of these gigs were recorded on his own Wollensak tape recorder. These reel-to-reel recordings hold a prominent position in the collection. Some recordings feature former FSU professor of piano Dr. Robert Glotzbach and meteorologist Bill Ragsdale, who was known as \"Willie the Weatherman.\"","https://music.fsu.edu/wp-content/uploads/2022/11/AccessCopy_Davidson_Table.pdf"],"names_ssim":["Allen Music Library Special Collections","Davidson, Curtis"],"corpname_ssim":["Allen Music Library Special Collections"],"persname_ssim":["Davidson, Curtis"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870852916184612864,"_root_":"c23f28321e30625cfbbcec14","timestamp":"2026-07-16T06:46:15.938Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/c23f28321e30625cfbbcec14"}},{"id":"f9319cdbf3616a9ab7fea69b","type":"collection","attributes":{"title":"Dale A. Olsen Collection, 1947-2006, bulk 1970-1997","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/f9319cdbf3616a9ab7fea69b#creator","type":"document_value","attributes":{"value":["Olsen, Dale A. (Dale Alan)"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/f9319cdbf3616a9ab7fea69b#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Dale A. Olsen Collection consists of over 800 audio and visual items that span Dr. Olsen's career as a researcher and educator from 1965 to 2007. They contain a variety of music from Japan, China, Indonesia, Persia, Africa, Ireland, South America, the Caribbean, and North America. While most of the recordings chronicle Dr. Olsen's extensive fieldwork in South America with Japanese immigrants and Warao Indians, other recordings include concerts by FSU world music ensembles, student and guest lectures, other special events and ceremonies, private gatherings at home, and even a handful of commercial recordings. About 80 of the reel-to-reel recordings were actually used as audio examples for Olsen's study of the connection of indigenous tribes to their environment, \u003ci\u003eMusic of the Warao of Venezuela: Song People of the Rain Forest\u003c/i\u003e, winner of the 1997 Alan P. Merriam Prize for \"Most Outstanding Book in Ethnomusicology.\"\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f9319cdbf3616a9ab7fea69b#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"f9319cdbf3616a9ab7fea69b","title_ssm":["Dale A. Olsen Collection"],"title_tesim":["Dale A. Olsen Collection"],"ead_ssi":"f9319cdbf3616a9ab7fea69b","unitdate_ssm":["1947-2006","1970-1997"],"unitdate_bulk_ssim":["1970-1997"],"unitdate_inclusive_ssm":["1947-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["FSUML-2020-008","/repositories/12/resources/1709"],"text":["FSUML-2020-008","/repositories/12/resources/1709","Dale A. Olsen Collection, 1947-2006, bulk 1970-1997","Ethnomusicology","Sound recordings in ethnomusicology","Video recordings in ethnomusicology","Florida State University--Faculty","Flute players","Sound recordings.","This collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu.","Dale A. Olsen was born in 1941 in Albert Lea, Minnesota. He received both a Bachelor's degree in 1964 and Master's degree in 1966 from the University of Minnesota, where he studied Historical Musicology and Flute Performance, and received his Doctorate degree in 1973 from the University of California, Los Angeles.","Between his Master's and Doctoral degrees, Dr. Olsen lived with his wife, Diane, as a Peace Corps volunteer in Santiago, Chile where he served as principal flutist of the Philharmonic Orchestra of Chile. Since then he has lived, worked, and conducted research in South America as a National Endowment for the Humanities awardee, a Fulbright scholar, a Florida State University Developing Scholar, and a Committee on Faculty Research Support awardee. Dr. Olsen also received grants to conduct research in American and European museums, Italy, China, Korea, Tonga (South Pacific), Japan, Ireland, Vietnam, Thailand, and Panama. In 2005-06 he was awarded a Guggenheim Memorial Fellowship to finish a book, Popular Music of Vietnam: The Politics of Remembering, The Economics of Forgetting. Dr. Olsen began teaching at the Florida State University School of Music in 1973, became a Distinguished Research Professor in 2001, and retired in 2008 as Professor Emeritus.","Dr. Olsen has been published over one hundred times, including seven books; he edited Music of Latin America; co-edited volume of the Garland Encyclopedia of World Music with Dan Sheehy; and was the recording review editor for Ethnomusicology. A number of his articles have appeared in the Journal of the American Musical Instrument Society, Asian Music Journal, Ethnomusicology, Latin American Music Review, College Music Symposium, Journal of Latin American Lore, Worlds of Music, and elsewhere.","The Dale A. Olsen Collection consists of over 800 audio and visual items that span Dr. Olsen's career as a researcher and educator from 1965 to 2007. They contain a variety of music from Japan, China, Indonesia, Persia, Africa, Ireland, South America, the Caribbean, and North America. While most of the recordings chronicle Dr. Olsen's extensive fieldwork in South America with Japanese immigrants and Warao Indians, other recordings include concerts by FSU world music ensembles, student and guest lectures, other special events and ceremonies, private gatherings at home, and even a handful of commercial recordings. About 80 of the reel-to-reel recordings were actually used as audio examples for Olsen's study of the connection of indigenous tribes to their environment,  Music of the Warao of Venezuela: Song People of the Rain Forest , winner of the 1997 Alan P. Merriam Prize for \"Most Outstanding Book in Ethnomusicology.\"","Not only was Dr. Olsen a devoted researcher, he was also an avid performer on several of the recordings in the collection. His many talents can be heard on a range of instruments including the Japanese shakuhachi (for which he received a shihan diploma), the Irish transverse flute, the English recorder, and a long list of indigenous South American instruments.","https://music.fsu.edu/wp-content/uploads/2022/11/AccessCopy_Olsen_Collection.pdf","Allen Music Library Special Collections","Olsen, Dale A. (Dale Alan)","English"],"unitid_tesim":["FSUML-2020-008","/repositories/12/resources/1709"],"normalized_date_ssm":["1947-2006, bulk 1970-1997"],"normalized_title_ssm":["Dale A. Olsen Collection, 1947-2006, bulk 1970-1997"],"collection_title_tesim":["Dale A. Olsen Collection, 1947-2006, bulk 1970-1997"],"collection_ssim":["Dale A. Olsen Collection, 1947-2006, bulk 1970-1997"],"repository_ssm":["Allen Music Library Special Collections"],"repository_ssim":["Allen Music Library Special Collections"],"creator_ssm":["Olsen, Dale A. (Dale Alan)"],"creator_ssim":["Olsen, Dale A. (Dale Alan)"],"creator_persname_ssim":["Olsen, Dale A. (Dale Alan)"],"creators_ssim":["Olsen, Dale A. (Dale Alan)"],"access_subjects_ssim":["Ethnomusicology","Sound recordings in ethnomusicology","Video recordings in ethnomusicology","Florida State University--Faculty","Flute players","Sound recordings."],"access_subjects_ssm":["Ethnomusicology","Sound recordings in ethnomusicology","Video recordings in ethnomusicology","Florida State University--Faculty","Flute players","Sound recordings."],"has_online_content_ssim":["false"],"extent_ssm":["954 items"],"extent_tesim":["954 items"],"physfacet_tesim":["481 audio reels; 231 audio cassettes; 156 Hi8 videos; 55 records; 26 video reels; 5 CD and DAT recordings"],"genreform_ssim":["Sound recordings."],"date_range_isim":[1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu."],"bioghist_html_tesm":["\u003cp\u003eDale A. Olsen was born in 1941 in Albert Lea, Minnesota. He received both a Bachelor's degree in 1964 and Master's degree in 1966 from the University of Minnesota, where he studied Historical Musicology and Flute Performance, and received his Doctorate degree in 1973 from the University of California, Los Angeles.\u003c/p\u003e\n","\u003cp\u003eBetween his Master's and Doctoral degrees, Dr. Olsen lived with his wife, Diane, as a Peace Corps volunteer in Santiago, Chile where he served as principal flutist of the Philharmonic Orchestra of Chile. Since then he has lived, worked, and conducted research in South America as a National Endowment for the Humanities awardee, a Fulbright scholar, a Florida State University Developing Scholar, and a Committee on Faculty Research Support awardee. Dr. Olsen also received grants to conduct research in American and European museums, Italy, China, Korea, Tonga (South Pacific), Japan, Ireland, Vietnam, Thailand, and Panama. In 2005-06 he was awarded a Guggenheim Memorial Fellowship to finish a book, Popular Music of Vietnam: The Politics of Remembering, The Economics of Forgetting. Dr. Olsen began teaching at the Florida State University School of Music in 1973, became a Distinguished Research Professor in 2001, and retired in 2008 as Professor Emeritus.\u003c/p\u003e\n","\u003cp\u003eDr. Olsen has been published over one hundred times, including seven books; he edited Music of Latin America; co-edited volume of the Garland Encyclopedia of World Music with Dan Sheehy; and was the recording review editor for Ethnomusicology. A number of his articles have appeared in the Journal of the American Musical Instrument Society, Asian Music Journal, Ethnomusicology, Latin American Music Review, College Music Symposium, Journal of Latin American Lore, Worlds of Music, and elsewhere.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dale A. Olsen was born in 1941 in Albert Lea, Minnesota. He received both a Bachelor's degree in 1964 and Master's degree in 1966 from the University of Minnesota, where he studied Historical Musicology and Flute Performance, and received his Doctorate degree in 1973 from the University of California, Los Angeles.","Between his Master's and Doctoral degrees, Dr. Olsen lived with his wife, Diane, as a Peace Corps volunteer in Santiago, Chile where he served as principal flutist of the Philharmonic Orchestra of Chile. Since then he has lived, worked, and conducted research in South America as a National Endowment for the Humanities awardee, a Fulbright scholar, a Florida State University Developing Scholar, and a Committee on Faculty Research Support awardee. Dr. Olsen also received grants to conduct research in American and European museums, Italy, China, Korea, Tonga (South Pacific), Japan, Ireland, Vietnam, Thailand, and Panama. In 2005-06 he was awarded a Guggenheim Memorial Fellowship to finish a book, Popular Music of Vietnam: The Politics of Remembering, The Economics of Forgetting. Dr. Olsen began teaching at the Florida State University School of Music in 1973, became a Distinguished Research Professor in 2001, and retired in 2008 as Professor Emeritus.","Dr. Olsen has been published over one hundred times, including seven books; he edited Music of Latin America; co-edited volume of the Garland Encyclopedia of World Music with Dan Sheehy; and was the recording review editor for Ethnomusicology. A number of his articles have appeared in the Journal of the American Musical Instrument Society, Asian Music Journal, Ethnomusicology, Latin American Music Review, College Music Symposium, Journal of Latin American Lore, Worlds of Music, and elsewhere."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Dale A. Olsen Collection, Warren D. Allen Music Library, Tallahassee, Florida. http://purl.fcla.edu/fsu/FSUML-2020-008.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Dale A. Olsen Collection, Warren D. Allen Music Library, Tallahassee, Florida. http://purl.fcla.edu/fsu/FSUML-2020-008."],"scopecontent_html_tesm":["\u003cp\u003eThe Dale A. Olsen Collection consists of over 800 audio and visual items that span Dr. Olsen's career as a researcher and educator from 1965 to 2007. They contain a variety of music from Japan, China, Indonesia, Persia, Africa, Ireland, South America, the Caribbean, and North America. While most of the recordings chronicle Dr. Olsen's extensive fieldwork in South America with Japanese immigrants and Warao Indians, other recordings include concerts by FSU world music ensembles, student and guest lectures, other special events and ceremonies, private gatherings at home, and even a handful of commercial recordings. About 80 of the reel-to-reel recordings were actually used as audio examples for Olsen's study of the connection of indigenous tribes to their environment, \u003ci\u003eMusic of the Warao of Venezuela: Song People of the Rain Forest\u003c/i\u003e, winner of the 1997 Alan P. Merriam Prize for \"Most Outstanding Book in Ethnomusicology.\"\u003c/p\u003e\n","\u003cp\u003eNot only was Dr. Olsen a devoted researcher, he was also an avid performer on several of the recordings in the collection. His many talents can be heard on a range of instruments including the Japanese shakuhachi (for which he received a shihan diploma), the Irish transverse flute, the English recorder, and a long list of indigenous South American instruments.\u003c/p\u003e","\u003cp\u003e\u003cextref href=\"https://music.fsu.edu/wp-content/uploads/2022/11/AccessCopy_Olsen_Collection.pdf\"\u003ehttps://music.fsu.edu/wp-content/uploads/2022/11/AccessCopy_Olsen_Collection.pdf\u003c/extref\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","List of items in the Dale A. Olsen Collection:"],"scopecontent_tesim":["The Dale A. Olsen Collection consists of over 800 audio and visual items that span Dr. Olsen's career as a researcher and educator from 1965 to 2007. They contain a variety of music from Japan, China, Indonesia, Persia, Africa, Ireland, South America, the Caribbean, and North America. While most of the recordings chronicle Dr. Olsen's extensive fieldwork in South America with Japanese immigrants and Warao Indians, other recordings include concerts by FSU world music ensembles, student and guest lectures, other special events and ceremonies, private gatherings at home, and even a handful of commercial recordings. About 80 of the reel-to-reel recordings were actually used as audio examples for Olsen's study of the connection of indigenous tribes to their environment,  Music of the Warao of Venezuela: Song People of the Rain Forest , winner of the 1997 Alan P. Merriam Prize for \"Most Outstanding Book in Ethnomusicology.\"","Not only was Dr. Olsen a devoted researcher, he was also an avid performer on several of the recordings in the collection. His many talents can be heard on a range of instruments including the Japanese shakuhachi (for which he received a shihan diploma), the Irish transverse flute, the English recorder, and a long list of indigenous South American instruments.","https://music.fsu.edu/wp-content/uploads/2022/11/AccessCopy_Olsen_Collection.pdf"],"names_ssim":["Allen Music Library Special Collections","Olsen, Dale A. (Dale Alan)"],"corpname_ssim":["Allen Music Library Special Collections"],"persname_ssim":["Olsen, Dale A. (Dale Alan)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870852903589117952,"_root_":"f9319cdbf3616a9ab7fea69b","timestamp":"2026-07-16T06:46:03.926Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f9319cdbf3616a9ab7fea69b","title_ssm":["Dale A. Olsen Collection"],"title_tesim":["Dale A. 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He received both a Bachelor's degree in 1964 and Master's degree in 1966 from the University of Minnesota, where he studied Historical Musicology and Flute Performance, and received his Doctorate degree in 1973 from the University of California, Los Angeles.","Between his Master's and Doctoral degrees, Dr. Olsen lived with his wife, Diane, as a Peace Corps volunteer in Santiago, Chile where he served as principal flutist of the Philharmonic Orchestra of Chile. Since then he has lived, worked, and conducted research in South America as a National Endowment for the Humanities awardee, a Fulbright scholar, a Florida State University Developing Scholar, and a Committee on Faculty Research Support awardee. Dr. Olsen also received grants to conduct research in American and European museums, Italy, China, Korea, Tonga (South Pacific), Japan, Ireland, Vietnam, Thailand, and Panama. In 2005-06 he was awarded a Guggenheim Memorial Fellowship to finish a book, Popular Music of Vietnam: The Politics of Remembering, The Economics of Forgetting. Dr. Olsen began teaching at the Florida State University School of Music in 1973, became a Distinguished Research Professor in 2001, and retired in 2008 as Professor Emeritus.","Dr. Olsen has been published over one hundred times, including seven books; he edited Music of Latin America; co-edited volume of the Garland Encyclopedia of World Music with Dan Sheehy; and was the recording review editor for Ethnomusicology. A number of his articles have appeared in the Journal of the American Musical Instrument Society, Asian Music Journal, Ethnomusicology, Latin American Music Review, College Music Symposium, Journal of Latin American Lore, Worlds of Music, and elsewhere.","The Dale A. Olsen Collection consists of over 800 audio and visual items that span Dr. Olsen's career as a researcher and educator from 1965 to 2007. They contain a variety of music from Japan, China, Indonesia, Persia, Africa, Ireland, South America, the Caribbean, and North America. While most of the recordings chronicle Dr. Olsen's extensive fieldwork in South America with Japanese immigrants and Warao Indians, other recordings include concerts by FSU world music ensembles, student and guest lectures, other special events and ceremonies, private gatherings at home, and even a handful of commercial recordings. About 80 of the reel-to-reel recordings were actually used as audio examples for Olsen's study of the connection of indigenous tribes to their environment,  Music of the Warao of Venezuela: Song People of the Rain Forest , winner of the 1997 Alan P. Merriam Prize for \"Most Outstanding Book in Ethnomusicology.\"","Not only was Dr. Olsen a devoted researcher, he was also an avid performer on several of the recordings in the collection. His many talents can be heard on a range of instruments including the Japanese shakuhachi (for which he received a shihan diploma), the Irish transverse flute, the English recorder, and a long list of indigenous South American instruments.","https://music.fsu.edu/wp-content/uploads/2022/11/AccessCopy_Olsen_Collection.pdf","Allen Music Library Special Collections","Olsen, Dale A. (Dale Alan)","English"],"unitid_tesim":["FSUML-2020-008","/repositories/12/resources/1709"],"normalized_date_ssm":["1947-2006, bulk 1970-1997"],"normalized_title_ssm":["Dale A. Olsen Collection, 1947-2006, bulk 1970-1997"],"collection_title_tesim":["Dale A. Olsen Collection, 1947-2006, bulk 1970-1997"],"collection_ssim":["Dale A. Olsen Collection, 1947-2006, bulk 1970-1997"],"repository_ssm":["Allen Music Library Special Collections"],"repository_ssim":["Allen Music Library Special Collections"],"creator_ssm":["Olsen, Dale A. (Dale Alan)"],"creator_ssim":["Olsen, Dale A. 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Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu."],"bioghist_html_tesm":["\u003cp\u003eDale A. Olsen was born in 1941 in Albert Lea, Minnesota. He received both a Bachelor's degree in 1964 and Master's degree in 1966 from the University of Minnesota, where he studied Historical Musicology and Flute Performance, and received his Doctorate degree in 1973 from the University of California, Los Angeles.\u003c/p\u003e\n","\u003cp\u003eBetween his Master's and Doctoral degrees, Dr. Olsen lived with his wife, Diane, as a Peace Corps volunteer in Santiago, Chile where he served as principal flutist of the Philharmonic Orchestra of Chile. Since then he has lived, worked, and conducted research in South America as a National Endowment for the Humanities awardee, a Fulbright scholar, a Florida State University Developing Scholar, and a Committee on Faculty Research Support awardee. Dr. Olsen also received grants to conduct research in American and European museums, Italy, China, Korea, Tonga (South Pacific), Japan, Ireland, Vietnam, Thailand, and Panama. In 2005-06 he was awarded a Guggenheim Memorial Fellowship to finish a book, Popular Music of Vietnam: The Politics of Remembering, The Economics of Forgetting. Dr. Olsen began teaching at the Florida State University School of Music in 1973, became a Distinguished Research Professor in 2001, and retired in 2008 as Professor Emeritus.\u003c/p\u003e\n","\u003cp\u003eDr. Olsen has been published over one hundred times, including seven books; he edited Music of Latin America; co-edited volume of the Garland Encyclopedia of World Music with Dan Sheehy; and was the recording review editor for Ethnomusicology. A number of his articles have appeared in the Journal of the American Musical Instrument Society, Asian Music Journal, Ethnomusicology, Latin American Music Review, College Music Symposium, Journal of Latin American Lore, Worlds of Music, and elsewhere.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dale A. Olsen was born in 1941 in Albert Lea, Minnesota. He received both a Bachelor's degree in 1964 and Master's degree in 1966 from the University of Minnesota, where he studied Historical Musicology and Flute Performance, and received his Doctorate degree in 1973 from the University of California, Los Angeles.","Between his Master's and Doctoral degrees, Dr. Olsen lived with his wife, Diane, as a Peace Corps volunteer in Santiago, Chile where he served as principal flutist of the Philharmonic Orchestra of Chile. Since then he has lived, worked, and conducted research in South America as a National Endowment for the Humanities awardee, a Fulbright scholar, a Florida State University Developing Scholar, and a Committee on Faculty Research Support awardee. Dr. Olsen also received grants to conduct research in American and European museums, Italy, China, Korea, Tonga (South Pacific), Japan, Ireland, Vietnam, Thailand, and Panama. In 2005-06 he was awarded a Guggenheim Memorial Fellowship to finish a book, Popular Music of Vietnam: The Politics of Remembering, The Economics of Forgetting. Dr. Olsen began teaching at the Florida State University School of Music in 1973, became a Distinguished Research Professor in 2001, and retired in 2008 as Professor Emeritus.","Dr. Olsen has been published over one hundred times, including seven books; he edited Music of Latin America; co-edited volume of the Garland Encyclopedia of World Music with Dan Sheehy; and was the recording review editor for Ethnomusicology. A number of his articles have appeared in the Journal of the American Musical Instrument Society, Asian Music Journal, Ethnomusicology, Latin American Music Review, College Music Symposium, Journal of Latin American Lore, Worlds of Music, and elsewhere."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Dale A. Olsen Collection, Warren D. 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About 80 of the reel-to-reel recordings were actually used as audio examples for Olsen's study of the connection of indigenous tribes to their environment, \u003ci\u003eMusic of the Warao of Venezuela: Song People of the Rain Forest\u003c/i\u003e, winner of the 1997 Alan P. Merriam Prize for \"Most Outstanding Book in Ethnomusicology.\"\u003c/p\u003e\n","\u003cp\u003eNot only was Dr. Olsen a devoted researcher, he was also an avid performer on several of the recordings in the collection. His many talents can be heard on a range of instruments including the Japanese shakuhachi (for which he received a shihan diploma), the Irish transverse flute, the English recorder, and a long list of indigenous South American instruments.\u003c/p\u003e","\u003cp\u003e\u003cextref href=\"https://music.fsu.edu/wp-content/uploads/2022/11/AccessCopy_Olsen_Collection.pdf\"\u003ehttps://music.fsu.edu/wp-content/uploads/2022/11/AccessCopy_Olsen_Collection.pdf\u003c/extref\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","List of items in the Dale A. Olsen Collection:"],"scopecontent_tesim":["The Dale A. Olsen Collection consists of over 800 audio and visual items that span Dr. Olsen's career as a researcher and educator from 1965 to 2007. They contain a variety of music from Japan, China, Indonesia, Persia, Africa, Ireland, South America, the Caribbean, and North America. While most of the recordings chronicle Dr. Olsen's extensive fieldwork in South America with Japanese immigrants and Warao Indians, other recordings include concerts by FSU world music ensembles, student and guest lectures, other special events and ceremonies, private gatherings at home, and even a handful of commercial recordings. About 80 of the reel-to-reel recordings were actually used as audio examples for Olsen's study of the connection of indigenous tribes to their environment,  Music of the Warao of Venezuela: Song People of the Rain Forest , winner of the 1997 Alan P. Merriam Prize for \"Most Outstanding Book in Ethnomusicology.\"","Not only was Dr. Olsen a devoted researcher, he was also an avid performer on several of the recordings in the collection. His many talents can be heard on a range of instruments including the Japanese shakuhachi (for which he received a shihan diploma), the Irish transverse flute, the English recorder, and a long list of indigenous South American instruments.","https://music.fsu.edu/wp-content/uploads/2022/11/AccessCopy_Olsen_Collection.pdf"],"names_ssim":["Allen Music Library Special Collections","Olsen, Dale A. (Dale Alan)"],"corpname_ssim":["Allen Music Library Special Collections"],"persname_ssim":["Olsen, Dale A. (Dale Alan)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870852903589117952,"_root_":"f9319cdbf3616a9ab7fea69b","timestamp":"2026-07-16T06:46:03.926Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f9319cdbf3616a9ab7fea69b"}},{"id":"49a5cd818bed925227469fd4","type":"collection","attributes":{"title":"Hal Turner, Jr. Collection, 1930-2015","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/49a5cd818bed925227469fd4#creator","type":"document_value","attributes":{"value":["Harold \"Hal\" Turner, Jr."],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/49a5cd818bed925227469fd4#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis library of 334 charts, approximately 250 of which were in active use, is written for 2 trumpets, trombone, 2 altos, tenor \u0026amp; baritone saxes, and four rhythm instruments. There are some instances of clarinet doubling in the sax parts, with alto sax also occasionally doubling on flute. Additional parts (instrumental and vocal) are included for some charts as noted. The majority of the arrangements are by Turner with others scattered throughout. A list was supplied with the collection of active and inactive charts as well as a breakdown according to style (as noted in the lists).\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/49a5cd818bed925227469fd4#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"49a5cd818bed925227469fd4","title_ssm":["Hal Turner, Jr. Collection"],"title_tesim":["Hal Turner, Jr. Collection"],"ead_ssi":"49a5cd818bed925227469fd4","unitdate_ssm":["1930-2015"],"unitdate_inclusive_ssm":["1930-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["FSUML-2020-021","/repositories/12/resources/1716"],"text":["FSUML-2020-021","/repositories/12/resources/1716","Hal Turner, Jr. Collection, 1930-2015","This collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu.","Harold \"Hal\" Turner, Jr. (1930-2015) was active as a pianist, vocalist, vibraphonist, and arranger for many famous personalities around the country during the big band era.","Turner, born in Chicago, was intrigued from a young age with the piano on which he took lessons, claiming music to be his first love. His mother regularly took him to the theaters to see bands as they would come into town, occasionally venturing to hear a group at a local night club or hotel. He performed with many talented musicians including Art Mooney, the Kai Winding Septet, Warren Covington (who had taken over for Tommy Dorsey upon his death), Ray McKinley, and Sammy Kaye.","Turner worked in New York for 19 years, followed by 20 years in Dallas. He lived in Sun City Center, Florida where, from 2000, he worked mainly as a single. He died in Smithfield, Virginia on November 5, 2015.","This library of 334 charts, approximately 250 of which were in active use, is written for 2 trumpets, trombone, 2 altos, tenor \u0026 baritone saxes, and four rhythm instruments. There are some instances of clarinet doubling in the sax parts, with alto sax also occasionally doubling on flute. Additional parts (instrumental and vocal) are included for some charts as noted. The majority of the arrangements are by Turner with others scattered throughout. A list was supplied with the collection of active and inactive charts as well as a breakdown according to style (as noted in the lists).","List of charts:  https://music.fsu.edu/wp-content/uploads/2022/10/Turner_Charts.pdf List of scores:  https://music.fsu.edu/wp-content/uploads/2022/10/Turner_Scores.pdf","Allen Music Library Special Collections","Harold \"Hal\" Turner, Jr.","English"],"unitid_tesim":["FSUML-2020-021","/repositories/12/resources/1716"],"normalized_date_ssm":["1930-2015"],"normalized_title_ssm":["Hal Turner, Jr. Collection, 1930-2015"],"collection_title_tesim":["Hal Turner, Jr. Collection, 1930-2015"],"collection_ssim":["Hal Turner, Jr. Collection, 1930-2015"],"repository_ssm":["Allen Music Library Special Collections"],"repository_ssim":["Allen Music Library Special Collections"],"creator_ssm":["Harold \"Hal\" Turner, Jr."],"creator_ssim":["Harold \"Hal\" Turner, Jr."],"creator_persname_ssim":["Harold \"Hal\" Turner, Jr."],"creators_ssim":["Harold \"Hal\" Turner, Jr."],"has_online_content_ssim":["false"],"extent_ssm":["410 items"],"extent_tesim":["410 items"],"physfacet_tesim":["This collection contains 334 jazz charts and 36 scores without parts."],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu."],"bioghist_html_tesm":["\u003cp\u003eHarold \"Hal\" Turner, Jr. (1930-2015) was active as a pianist, vocalist, vibraphonist, and arranger for many famous personalities around the country during the big band era.\u003c/p\u003e\n","\u003cp\u003eTurner, born in Chicago, was intrigued from a young age with the piano on which he took lessons, claiming music to be his first love. His mother regularly took him to the theaters to see bands as they would come into town, occasionally venturing to hear a group at a local night club or hotel. He performed with many talented musicians including Art Mooney, the Kai Winding Septet, Warren Covington (who had taken over for Tommy Dorsey upon his death), Ray McKinley, and Sammy Kaye.\u003c/p\u003e\n","\u003cp\u003eTurner worked in New York for 19 years, followed by 20 years in Dallas. He lived in Sun City Center, Florida where, from 2000, he worked mainly as a single. He died in Smithfield, Virginia on November 5, 2015.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Harold \"Hal\" Turner, Jr. (1930-2015) was active as a pianist, vocalist, vibraphonist, and arranger for many famous personalities around the country during the big band era.","Turner, born in Chicago, was intrigued from a young age with the piano on which he took lessons, claiming music to be his first love. His mother regularly took him to the theaters to see bands as they would come into town, occasionally venturing to hear a group at a local night club or hotel. He performed with many talented musicians including Art Mooney, the Kai Winding Septet, Warren Covington (who had taken over for Tommy Dorsey upon his death), Ray McKinley, and Sammy Kaye.","Turner worked in New York for 19 years, followed by 20 years in Dallas. He lived in Sun City Center, Florida where, from 2000, he worked mainly as a single. He died in Smithfield, Virginia on November 5, 2015."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Hal Turner, Jr. Collection, Warren D. Allen Music Library, Tallahassee, Florida. http://purl.fcla.edu/fsu/FSUML-2020-021.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Hal Turner, Jr. Collection, Warren D. Allen Music Library, Tallahassee, Florida. http://purl.fcla.edu/fsu/FSUML-2020-021."],"scopecontent_html_tesm":["\u003cp\u003eThis library of 334 charts, approximately 250 of which were in active use, is written for 2 trumpets, trombone, 2 altos, tenor \u0026amp; baritone saxes, and four rhythm instruments. There are some instances of clarinet doubling in the sax parts, with alto sax also occasionally doubling on flute. Additional parts (instrumental and vocal) are included for some charts as noted. The majority of the arrangements are by Turner with others scattered throughout. A list was supplied with the collection of active and inactive charts as well as a breakdown according to style (as noted in the lists).\u003c/p\u003e","\u003cp\u003e\u003cli\u003eList of charts: \u003cextref href=\"https://music.fsu.edu/wp-content/uploads/2022/10/Turner_Charts.pdf\"\u003ehttps://music.fsu.edu/wp-content/uploads/2022/10/Turner_Charts.pdf\u003c/extref\u003e\n\u003c/li\u003e\n\u003cli\u003eList of scores: \u003cextref href=\"https://music.fsu.edu/wp-content/uploads/2022/10/Turner_Scores.pdf\"\u003ehttps://music.fsu.edu/wp-content/uploads/2022/10/Turner_Scores.pdf\u003c/extref\u003e\n\u003c/li\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","List of items in the Hal Turner, Jr. Collection"],"scopecontent_tesim":["This library of 334 charts, approximately 250 of which were in active use, is written for 2 trumpets, trombone, 2 altos, tenor \u0026 baritone saxes, and four rhythm instruments. There are some instances of clarinet doubling in the sax parts, with alto sax also occasionally doubling on flute. Additional parts (instrumental and vocal) are included for some charts as noted. The majority of the arrangements are by Turner with others scattered throughout. A list was supplied with the collection of active and inactive charts as well as a breakdown according to style (as noted in the lists).","List of charts:  https://music.fsu.edu/wp-content/uploads/2022/10/Turner_Charts.pdf List of scores:  https://music.fsu.edu/wp-content/uploads/2022/10/Turner_Scores.pdf"],"names_ssim":["Allen Music Library Special Collections","Harold \"Hal\" Turner, Jr."],"corpname_ssim":["Allen Music Library Special Collections"],"persname_ssim":["Harold \"Hal\" Turner, Jr."],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"49a5cd818bed925227469fd4","timestamp":"2026-04-21T02:32:19.336Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"49a5cd818bed925227469fd4","title_ssm":["Hal Turner, Jr. Collection"],"title_tesim":["Hal Turner, Jr. Collection"],"ead_ssi":"49a5cd818bed925227469fd4","unitdate_ssm":["1930-2015"],"unitdate_inclusive_ssm":["1930-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["FSUML-2020-021","/repositories/12/resources/1716"],"text":["FSUML-2020-021","/repositories/12/resources/1716","Hal Turner, Jr. Collection, 1930-2015","This collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu.","Harold \"Hal\" Turner, Jr. (1930-2015) was active as a pianist, vocalist, vibraphonist, and arranger for many famous personalities around the country during the big band era.","Turner, born in Chicago, was intrigued from a young age with the piano on which he took lessons, claiming music to be his first love. His mother regularly took him to the theaters to see bands as they would come into town, occasionally venturing to hear a group at a local night club or hotel. He performed with many talented musicians including Art Mooney, the Kai Winding Septet, Warren Covington (who had taken over for Tommy Dorsey upon his death), Ray McKinley, and Sammy Kaye.","Turner worked in New York for 19 years, followed by 20 years in Dallas. He lived in Sun City Center, Florida where, from 2000, he worked mainly as a single. He died in Smithfield, Virginia on November 5, 2015.","This library of 334 charts, approximately 250 of which were in active use, is written for 2 trumpets, trombone, 2 altos, tenor \u0026 baritone saxes, and four rhythm instruments. There are some instances of clarinet doubling in the sax parts, with alto sax also occasionally doubling on flute. Additional parts (instrumental and vocal) are included for some charts as noted. The majority of the arrangements are by Turner with others scattered throughout. A list was supplied with the collection of active and inactive charts as well as a breakdown according to style (as noted in the lists).","List of charts:  https://music.fsu.edu/wp-content/uploads/2022/10/Turner_Charts.pdf List of scores:  https://music.fsu.edu/wp-content/uploads/2022/10/Turner_Scores.pdf","Allen Music Library Special Collections","Harold \"Hal\" Turner, Jr.","English"],"unitid_tesim":["FSUML-2020-021","/repositories/12/resources/1716"],"normalized_date_ssm":["1930-2015"],"normalized_title_ssm":["Hal Turner, Jr. Collection, 1930-2015"],"collection_title_tesim":["Hal Turner, Jr. Collection, 1930-2015"],"collection_ssim":["Hal Turner, Jr. Collection, 1930-2015"],"repository_ssm":["Allen Music Library Special Collections"],"repository_ssim":["Allen Music Library Special Collections"],"creator_ssm":["Harold \"Hal\" Turner, Jr."],"creator_ssim":["Harold \"Hal\" Turner, Jr."],"creator_persname_ssim":["Harold \"Hal\" Turner, Jr."],"creators_ssim":["Harold \"Hal\" Turner, Jr."],"has_online_content_ssim":["false"],"extent_ssm":["410 items"],"extent_tesim":["410 items"],"physfacet_tesim":["This collection contains 334 jazz charts and 36 scores without parts."],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu."],"bioghist_html_tesm":["\u003cp\u003eHarold \"Hal\" Turner, Jr. (1930-2015) was active as a pianist, vocalist, vibraphonist, and arranger for many famous personalities around the country during the big band era.\u003c/p\u003e\n","\u003cp\u003eTurner, born in Chicago, was intrigued from a young age with the piano on which he took lessons, claiming music to be his first love. His mother regularly took him to the theaters to see bands as they would come into town, occasionally venturing to hear a group at a local night club or hotel. He performed with many talented musicians including Art Mooney, the Kai Winding Septet, Warren Covington (who had taken over for Tommy Dorsey upon his death), Ray McKinley, and Sammy Kaye.\u003c/p\u003e\n","\u003cp\u003eTurner worked in New York for 19 years, followed by 20 years in Dallas. He lived in Sun City Center, Florida where, from 2000, he worked mainly as a single. He died in Smithfield, Virginia on November 5, 2015.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Harold \"Hal\" Turner, Jr. (1930-2015) was active as a pianist, vocalist, vibraphonist, and arranger for many famous personalities around the country during the big band era.","Turner, born in Chicago, was intrigued from a young age with the piano on which he took lessons, claiming music to be his first love. His mother regularly took him to the theaters to see bands as they would come into town, occasionally venturing to hear a group at a local night club or hotel. He performed with many talented musicians including Art Mooney, the Kai Winding Septet, Warren Covington (who had taken over for Tommy Dorsey upon his death), Ray McKinley, and Sammy Kaye.","Turner worked in New York for 19 years, followed by 20 years in Dallas. He lived in Sun City Center, Florida where, from 2000, he worked mainly as a single. He died in Smithfield, Virginia on November 5, 2015."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Hal Turner, Jr. Collection, Warren D. Allen Music Library, Tallahassee, Florida. http://purl.fcla.edu/fsu/FSUML-2020-021.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Hal Turner, Jr. Collection, Warren D. Allen Music Library, Tallahassee, Florida. http://purl.fcla.edu/fsu/FSUML-2020-021."],"scopecontent_html_tesm":["\u003cp\u003eThis library of 334 charts, approximately 250 of which were in active use, is written for 2 trumpets, trombone, 2 altos, tenor \u0026amp; baritone saxes, and four rhythm instruments. There are some instances of clarinet doubling in the sax parts, with alto sax also occasionally doubling on flute. Additional parts (instrumental and vocal) are included for some charts as noted. The majority of the arrangements are by Turner with others scattered throughout. A list was supplied with the collection of active and inactive charts as well as a breakdown according to style (as noted in the lists).\u003c/p\u003e","\u003cp\u003e\u003cli\u003eList of charts: \u003cextref href=\"https://music.fsu.edu/wp-content/uploads/2022/10/Turner_Charts.pdf\"\u003ehttps://music.fsu.edu/wp-content/uploads/2022/10/Turner_Charts.pdf\u003c/extref\u003e\n\u003c/li\u003e\n\u003cli\u003eList of scores: \u003cextref href=\"https://music.fsu.edu/wp-content/uploads/2022/10/Turner_Scores.pdf\"\u003ehttps://music.fsu.edu/wp-content/uploads/2022/10/Turner_Scores.pdf\u003c/extref\u003e\n\u003c/li\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","List of items in the Hal Turner, Jr. Collection"],"scopecontent_tesim":["This library of 334 charts, approximately 250 of which were in active use, is written for 2 trumpets, trombone, 2 altos, tenor \u0026 baritone saxes, and four rhythm instruments. There are some instances of clarinet doubling in the sax parts, with alto sax also occasionally doubling on flute. Additional parts (instrumental and vocal) are included for some charts as noted. The majority of the arrangements are by Turner with others scattered throughout. A list was supplied with the collection of active and inactive charts as well as a breakdown according to style (as noted in the lists).","List of charts:  https://music.fsu.edu/wp-content/uploads/2022/10/Turner_Charts.pdf List of scores:  https://music.fsu.edu/wp-content/uploads/2022/10/Turner_Scores.pdf"],"names_ssim":["Allen Music Library Special Collections","Harold \"Hal\" Turner, Jr."],"corpname_ssim":["Allen Music Library Special Collections"],"persname_ssim":["Harold \"Hal\" Turner, Jr."],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"49a5cd818bed925227469fd4","timestamp":"2026-04-21T02:32:19.336Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/49a5cd818bed925227469fd4"}},{"id":"a4fe4487fbeda133cb4e4fc3","type":"collection","attributes":{"title":"John Boda Collection, 1945-2001","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/a4fe4487fbeda133cb4e4fc3#creator","type":"document_value","attributes":{"value":["Boda, John, 1922-2002"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a4fe4487fbeda133cb4e4fc3#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection contains information on John Boda's musical works, audio recordings, and nearly 100 manuscript reproductions of his compositions.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a4fe4487fbeda133cb4e4fc3#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"a4fe4487fbeda133cb4e4fc3","title_ssm":["John Boda Collection"],"title_tesim":["John Boda Collection"],"ead_ssi":"a4fe4487fbeda133cb4e4fc3","unitdate_ssm":["1945-2001"],"unitdate_inclusive_ssm":["1945-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["FSUML-2020-001","/repositories/12/resources/1698"],"text":["FSUML-2020-001","/repositories/12/resources/1698","John Boda Collection, 1945-2001","Florida State University--Faculty","Composer","Sheet music","Scores","This collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu.","Dr. John Boda (1922-2002) was Professor of Theory, Composition and Piano at Florida State University, teaching from 1947-2001. Born in Boyceville, Wisconsin, he received his Bachelor's degree in Music at Kent State University. Following a year as apprentice conductor to George Szell and the Cleveland Orchestra, he received his Master's and Doctoral degrees at Eastman School of Music. Throughout his many years in education, he remained constantly active as composer, pianist, and conductor. At FSU, Dr. Boda directed more than fifty dissertations in composition, and taught many courses in composition, theory, and opera. He was a specialist in the music of Richard Wagner, conducting Wagner's works and teaching a specific class on the Ring Cycle.","Dr. Boda was a fan of baseball, golf, and tennis, which he would play as often as his schedule would allow. He loved cooking and playing bridge. He was also a charter member and president of the Tallahassee Orchid society, collecting and cultivating those exotic flowers for decades.","Dr. Boda wrote many works for large and small ensembles. Included in his larger works are Poem (for orchestra, 1994), Concertino for Piano and Chamber Orchestra (1981), Sinfonia for Orchestra (1960), and Concerto for Piano and Orchestra (1967) written for Edward Kilenyi. The Sinfonia, written under a Ford Grant, was performed by various orchestras, including the Rochester Orchestra, the Oklahoma City Orchestra, the National Symphony Orchestra, and the Brevard Music Festival Orchestra.","Powell, Daniel. \"The Life And Music Of John Boda With An Emphasis On His Saxophone Works\", 2009.  http://purl.flvc.org/fsu/fd/FSU_migr_etd-0444 .","This collection contains information on John Boda's musical works, audio recordings, and nearly 100 manuscript reproductions of his compositions.","https://music.fsu.edu/sites/g/files/upcbnu406/files/media/files/MusicLibrary/BodaCat.pdf","Allen Music Library Special Collections","Boda, John, 1922-2002","English"],"unitid_tesim":["FSUML-2020-001","/repositories/12/resources/1698"],"normalized_date_ssm":["1945-2001"],"normalized_title_ssm":["John Boda Collection, 1945-2001"],"collection_title_tesim":["John Boda Collection, 1945-2001"],"collection_ssim":["John Boda Collection, 1945-2001"],"repository_ssm":["Allen Music Library Special Collections"],"repository_ssim":["Allen Music Library Special Collections"],"creator_ssm":["Boda, John, 1922-2002"],"creator_ssim":["Boda, John, 1922-2002"],"creator_persname_ssim":["Boda, John, 1922-2002"],"creators_ssim":["Boda, John, 1922-2002"],"access_subjects_ssim":["Florida State University--Faculty","Composer","Sheet music","Scores"],"access_subjects_ssm":["Florida State University--Faculty","Composer","Sheet music","Scores"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet"],"extent_tesim":["2 Linear Feet"],"physfacet_tesim":["manuscript reproductions; 58 audiocassettes; 2 audio reels"],"genreform_ssim":["Sheet music","Scores"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu."],"bioghist_html_tesm":["\u003cp\u003eDr. John Boda (1922-2002) was Professor of Theory, Composition and Piano at Florida State University, teaching from 1947-2001. Born in Boyceville, Wisconsin, he received his Bachelor's degree in Music at Kent State University. Following a year as apprentice conductor to George Szell and the Cleveland Orchestra, he received his Master's and Doctoral degrees at Eastman School of Music. Throughout his many years in education, he remained constantly active as composer, pianist, and conductor. 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He was a specialist in the music of Richard Wagner, conducting Wagner's works and teaching a specific class on the Ring Cycle.","Dr. Boda was a fan of baseball, golf, and tennis, which he would play as often as his schedule would allow. He loved cooking and playing bridge. He was also a charter member and president of the Tallahassee Orchid society, collecting and cultivating those exotic flowers for decades.","Dr. Boda wrote many works for large and small ensembles. Included in his larger works are Poem (for orchestra, 1994), Concertino for Piano and Chamber Orchestra (1981), Sinfonia for Orchestra (1960), and Concerto for Piano and Orchestra (1967) written for Edward Kilenyi. 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Allen Music Library, Tallahassee, Florida. http://purl.fcla.edu/fsu/FSUML-2020-001."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cli\u003ePowell, Daniel. \"The Life And Music Of John Boda With An Emphasis On His Saxophone Works\", 2009. \u003cextref href=\"http://purl.flvc.org/fsu/fd/FSU_migr_etd-0444\"\u003ehttp://purl.flvc.org/fsu/fd/FSU_migr_etd-0444\u003c/extref\u003e.\u003c/li\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Powell, Daniel. \"The Life And Music Of John Boda With An Emphasis On His Saxophone Works\", 2009.  http://purl.flvc.org/fsu/fd/FSU_migr_etd-0444 ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains information on John Boda's musical works, audio recordings, and nearly 100 manuscript reproductions of his compositions.\u003c/p\u003e","\u003cp\u003e\u003cextref href=\"https://music.fsu.edu/sites/g/files/upcbnu406/files/media/files/MusicLibrary/BodaCat.pdf\"\u003ehttps://music.fsu.edu/sites/g/files/upcbnu406/files/media/files/MusicLibrary/BodaCat.pdf\u003c/extref\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Catalog of the works of John Boda"],"scopecontent_tesim":["This collection contains information on John Boda's musical works, audio recordings, and nearly 100 manuscript reproductions of his compositions.","https://music.fsu.edu/sites/g/files/upcbnu406/files/media/files/MusicLibrary/BodaCat.pdf"],"names_ssim":["Allen Music Library Special Collections","Boda, John, 1922-2002"],"corpname_ssim":["Allen Music Library Special Collections"],"persname_ssim":["Boda, John, 1922-2002"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870852915857457152,"_root_":"a4fe4487fbeda133cb4e4fc3","timestamp":"2026-07-16T06:46:15.626Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a4fe4487fbeda133cb4e4fc3","title_ssm":["John Boda Collection"],"title_tesim":["John Boda Collection"],"ead_ssi":"a4fe4487fbeda133cb4e4fc3","unitdate_ssm":["1945-2001"],"unitdate_inclusive_ssm":["1945-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["FSUML-2020-001","/repositories/12/resources/1698"],"text":["FSUML-2020-001","/repositories/12/resources/1698","John Boda Collection, 1945-2001","Florida State University--Faculty","Composer","Sheet music","Scores","This collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu.","Dr. John Boda (1922-2002) was Professor of Theory, Composition and Piano at Florida State University, teaching from 1947-2001. Born in Boyceville, Wisconsin, he received his Bachelor's degree in Music at Kent State University. Following a year as apprentice conductor to George Szell and the Cleveland Orchestra, he received his Master's and Doctoral degrees at Eastman School of Music. Throughout his many years in education, he remained constantly active as composer, pianist, and conductor. At FSU, Dr. Boda directed more than fifty dissertations in composition, and taught many courses in composition, theory, and opera. He was a specialist in the music of Richard Wagner, conducting Wagner's works and teaching a specific class on the Ring Cycle.","Dr. Boda was a fan of baseball, golf, and tennis, which he would play as often as his schedule would allow. He loved cooking and playing bridge. He was also a charter member and president of the Tallahassee Orchid society, collecting and cultivating those exotic flowers for decades.","Dr. Boda wrote many works for large and small ensembles. Included in his larger works are Poem (for orchestra, 1994), Concertino for Piano and Chamber Orchestra (1981), Sinfonia for Orchestra (1960), and Concerto for Piano and Orchestra (1967) written for Edward Kilenyi. The Sinfonia, written under a Ford Grant, was performed by various orchestras, including the Rochester Orchestra, the Oklahoma City Orchestra, the National Symphony Orchestra, and the Brevard Music Festival Orchestra.","Powell, Daniel. \"The Life And Music Of John Boda With An Emphasis On His Saxophone Works\", 2009.  http://purl.flvc.org/fsu/fd/FSU_migr_etd-0444 .","This collection contains information on John Boda's musical works, audio recordings, and nearly 100 manuscript reproductions of his compositions.","https://music.fsu.edu/sites/g/files/upcbnu406/files/media/files/MusicLibrary/BodaCat.pdf","Allen Music Library Special Collections","Boda, John, 1922-2002","English"],"unitid_tesim":["FSUML-2020-001","/repositories/12/resources/1698"],"normalized_date_ssm":["1945-2001"],"normalized_title_ssm":["John Boda Collection, 1945-2001"],"collection_title_tesim":["John Boda Collection, 1945-2001"],"collection_ssim":["John Boda Collection, 1945-2001"],"repository_ssm":["Allen Music Library Special Collections"],"repository_ssim":["Allen Music Library Special Collections"],"creator_ssm":["Boda, John, 1922-2002"],"creator_ssim":["Boda, John, 1922-2002"],"creator_persname_ssim":["Boda, John, 1922-2002"],"creators_ssim":["Boda, John, 1922-2002"],"access_subjects_ssim":["Florida State University--Faculty","Composer","Sheet music","Scores"],"access_subjects_ssm":["Florida State University--Faculty","Composer","Sheet music","Scores"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet"],"extent_tesim":["2 Linear Feet"],"physfacet_tesim":["manuscript reproductions; 58 audiocassettes; 2 audio reels"],"genreform_ssim":["Sheet music","Scores"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. 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The Sinfonia, written under a Ford Grant, was performed by various orchestras, including the Rochester Orchestra, the Oklahoma City Orchestra, the National Symphony Orchestra, and the Brevard Music Festival Orchestra.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. John Boda (1922-2002) was Professor of Theory, Composition and Piano at Florida State University, teaching from 1947-2001. Born in Boyceville, Wisconsin, he received his Bachelor's degree in Music at Kent State University. Following a year as apprentice conductor to George Szell and the Cleveland Orchestra, he received his Master's and Doctoral degrees at Eastman School of Music. Throughout his many years in education, he remained constantly active as composer, pianist, and conductor. At FSU, Dr. Boda directed more than fifty dissertations in composition, and taught many courses in composition, theory, and opera. 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The Sinfonia, written under a Ford Grant, was performed by various orchestras, including the Rochester Orchestra, the Oklahoma City Orchestra, the National Symphony Orchestra, and the Brevard Music Festival Orchestra."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], John Boda Collection, Warren D. Allen Music Library, Tallahassee, Florida. http://purl.fcla.edu/fsu/FSUML-2020-001.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], John Boda Collection, Warren D. 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Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu.","Nathan Lupu (1906–2000) was an American composer who trained in Chicago from 1928-1935 with Danish-born composer and theorist Thorvald Otterström. He composed actively during this period and assisted Otterström with his 1935 manual A Theory of Modulation. Lupu then spent the remainder of his professional life working as a draftsman for Bethlehem Steel, during which time he stopped composing.","He retired to Boynton Beach, Florida in 1967, resumed composing, and studied piano under the late Florida Atlantic University professor Raul Spivak in order to refine his piano technique. Lupu's Improvisation in G Minor, which he dedicated to Spivak, was selected by the Bicentennial Committee of the Performing Arts to be played on American public radio stations during the 1976 celebration.","Lupu's music is tonal and lyrical, yet heavily chromatic and adventuresome in its use of harmony; it constantly weaves and shifts from one harmony or key to the next. 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Allen Music Library, Tallahassee, Florida. http://purl.fcla.edu/fsu/FSUML-2020-019."],"scopecontent_html_tesm":["\u003cp\u003eThe Nathan Lupu Collection contains the original manuscripts of his 25 known compositions (written almost exclusively for solo piano), manuscripts and exercises on theory, published works by Thorvald Otterstr\u0026#xF6;m, biographical material about Nathan Lupu, and one audiocassette.\u003c/p\u003e","\u003cp\u003e\u003cextref href=\"https://music.fsu.edu/sites/g/files/upcbnu406/files/media/files/MusicLibrary/Nathan%20Lupu%20Collection-2.pdf\"\u003ehttps://music.fsu.edu/sites/g/files/upcbnu406/files/media/files/MusicLibrary/Nathan%20Lupu%20Collection-2.pdf\u003c/extref\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","List of materials in the Nathan Lupu Collection:"],"scopecontent_tesim":["The Nathan Lupu Collection contains the original manuscripts of his 25 known compositions (written almost exclusively for solo piano), manuscripts and exercises on theory, published works by Thorvald Otterström, biographical material about Nathan Lupu, and one audiocassette.","https://music.fsu.edu/sites/g/files/upcbnu406/files/media/files/MusicLibrary/Nathan%20Lupu%20Collection-2.pdf"],"names_ssim":["Allen Music Library Special Collections","Lupu, Nathan"],"corpname_ssim":["Allen Music Library Special Collections"],"persname_ssim":["Lupu, Nathan"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"395c544742c1727450ca42dc","timestamp":"2026-04-21T02:32:16.843Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"395c544742c1727450ca42dc","title_ssm":["Nathan Lupu Collection"],"title_tesim":["Nathan Lupu Collection"],"ead_ssi":"395c544742c1727450ca42dc","unitdate_ssm":["1906-2000"],"unitdate_inclusive_ssm":["1906-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["FSUML-2020-019","/repositories/12/resources/1714"],"text":["FSUML-2020-019","/repositories/12/resources/1714","Nathan Lupu Collection, 1906-2000","Composer","Piano.","Musical Score","This collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu.","Nathan Lupu (1906–2000) was an American composer who trained in Chicago from 1928-1935 with Danish-born composer and theorist Thorvald Otterström. He composed actively during this period and assisted Otterström with his 1935 manual A Theory of Modulation. Lupu then spent the remainder of his professional life working as a draftsman for Bethlehem Steel, during which time he stopped composing.","He retired to Boynton Beach, Florida in 1967, resumed composing, and studied piano under the late Florida Atlantic University professor Raul Spivak in order to refine his piano technique. Lupu's Improvisation in G Minor, which he dedicated to Spivak, was selected by the Bicentennial Committee of the Performing Arts to be played on American public radio stations during the 1976 celebration.","Lupu's music is tonal and lyrical, yet heavily chromatic and adventuresome in its use of harmony; it constantly weaves and shifts from one harmony or key to the next. It is clear that Otterström's theories, which sought to greatly expand possibilities for modulation and harmonic exploration, had a profound effect on Lupu.","The Nathan Lupu Collection contains the original manuscripts of his 25 known compositions (written almost exclusively for solo piano), manuscripts and exercises on theory, published works by Thorvald Otterström, biographical material about Nathan Lupu, and one audiocassette.","https://music.fsu.edu/sites/g/files/upcbnu406/files/media/files/MusicLibrary/Nathan%20Lupu%20Collection-2.pdf","Allen Music Library Special Collections","Lupu, Nathan","English"],"unitid_tesim":["FSUML-2020-019","/repositories/12/resources/1714"],"normalized_date_ssm":["1906-2000"],"normalized_title_ssm":["Nathan Lupu Collection, 1906-2000"],"collection_title_tesim":["Nathan Lupu Collection, 1906-2000"],"collection_ssim":["Nathan Lupu Collection, 1906-2000"],"repository_ssm":["Allen Music Library Special Collections"],"repository_ssim":["Allen Music Library Special Collections"],"creator_ssm":["Lupu, Nathan"],"creator_ssim":["Lupu, Nathan"],"creator_persname_ssim":["Lupu, Nathan"],"creators_ssim":["Lupu, Nathan"],"acqinfo_ssim":["The collection was obtained in March 2013 from Florida Atlantic University."],"access_subjects_ssim":["Composer","Piano.","Musical Score"],"access_subjects_ssm":["Composer","Piano.","Musical Score"],"has_online_content_ssim":["false"],"extent_ssm":["3 Linear Feet"],"extent_tesim":["3 Linear Feet"],"physfacet_tesim":["This collection includes 1 box of compositions, 1 box of materials pertaining to Thorvald Otterström, 1 box of manuscript theory exercises, and 1 audiocassette."],"genreform_ssim":["Musical Score"],"date_range_isim":[1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu."],"bioghist_html_tesm":["\u003cp\u003eNathan Lupu (1906\u0026#x2013;2000) was an American composer who trained in Chicago from 1928-1935 with Danish-born composer and theorist Thorvald Otterstr\u0026#xF6;m. He composed actively during this period and assisted Otterstr\u0026#xF6;m with his 1935 manual A Theory of Modulation. Lupu then spent the remainder of his professional life working as a draftsman for Bethlehem Steel, during which time he stopped composing.\u003c/p\u003e\n","\u003cp\u003eHe retired to Boynton Beach, Florida in 1967, resumed composing, and studied piano under the late Florida Atlantic University professor Raul Spivak in order to refine his piano technique. Lupu's Improvisation in G Minor, which he dedicated to Spivak, was selected by the Bicentennial Committee of the Performing Arts to be played on American public radio stations during the 1976 celebration.\u003c/p\u003e\n","\u003cp\u003eLupu's music is tonal and lyrical, yet heavily chromatic and adventuresome in its use of harmony; it constantly weaves and shifts from one harmony or key to the next. 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Lupu's Improvisation in G Minor, which he dedicated to Spivak, was selected by the Bicentennial Committee of the Performing Arts to be played on American public radio stations during the 1976 celebration.","Lupu's music is tonal and lyrical, yet heavily chromatic and adventuresome in its use of harmony; it constantly weaves and shifts from one harmony or key to the next. It is clear that Otterström's theories, which sought to greatly expand possibilities for modulation and harmonic exploration, had a profound effect on Lupu."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Nathan Lupu Collection, Warren D. Allen Music Library, Tallahassee, Florida. http://purl.fcla.edu/fsu/FSUML-2020-019.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Nathan Lupu Collection, Warren D. Allen Music Library, Tallahassee, Florida. http://purl.fcla.edu/fsu/FSUML-2020-019."],"scopecontent_html_tesm":["\u003cp\u003eThe Nathan Lupu Collection contains the original manuscripts of his 25 known compositions (written almost exclusively for solo piano), manuscripts and exercises on theory, published works by Thorvald Otterstr\u0026#xF6;m, biographical material about Nathan Lupu, and one audiocassette.\u003c/p\u003e","\u003cp\u003e\u003cextref href=\"https://music.fsu.edu/sites/g/files/upcbnu406/files/media/files/MusicLibrary/Nathan%20Lupu%20Collection-2.pdf\"\u003ehttps://music.fsu.edu/sites/g/files/upcbnu406/files/media/files/MusicLibrary/Nathan%20Lupu%20Collection-2.pdf\u003c/extref\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","List of materials in the Nathan Lupu Collection:"],"scopecontent_tesim":["The Nathan Lupu Collection contains the original manuscripts of his 25 known compositions (written almost exclusively for solo piano), manuscripts and exercises on theory, published works by Thorvald Otterström, biographical material about Nathan Lupu, and one audiocassette.","https://music.fsu.edu/sites/g/files/upcbnu406/files/media/files/MusicLibrary/Nathan%20Lupu%20Collection-2.pdf"],"names_ssim":["Allen Music Library Special Collections","Lupu, Nathan"],"corpname_ssim":["Allen Music Library Special Collections"],"persname_ssim":["Lupu, Nathan"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"395c544742c1727450ca42dc","timestamp":"2026-04-21T02:32:16.843Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/395c544742c1727450ca42dc"}},{"id":"24974bc6124b2b462e8d1c57_aspace_36b9a71572667dfadc325185f3a465d5","type":"Item","attributes":{"title":"Packet 29 of 60 \"Let Me Thank You\", 1981","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/24974bc6124b2b462e8d1c57_aspace_36b9a71572667dfadc325185f3a465d5#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eCopyright January 5, 1981 PAU 258-845\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/24974bc6124b2b462e8d1c57_aspace_36b9a71572667dfadc325185f3a465d5#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_36b9a71572667dfadc325185f3a465d5","ref_ssm":["aspace_36b9a71572667dfadc325185f3a465d5","aspace_36b9a71572667dfadc325185f3a465d5"],"id":"24974bc6124b2b462e8d1c57_aspace_36b9a71572667dfadc325185f3a465d5","title_filing_ssi":"Packet 29 of 60 \"Let Me Thank You\"","title_ssm":["Packet 29 of 60 \"Let Me Thank You\""],"title_tesim":["Packet 29 of 60 \"Let Me Thank You\""],"unitdate_other_ssim":["1981"],"normalized_date_ssm":["1981"],"normalized_title_ssm":["Packet 29 of 60 \"Let Me Thank You\", 1981"],"text":["Packet 29 of 60 \"Let Me Thank You\", 1981","Seymour Levine Collection, 1939-1989","/repositories/12/archival_objects/192968","Levine, Seymour","Musicians--Correspondence.","Music","Musical Score","English","Copyright January 5, 1981 PAU 258-845","Certificate of copyright registration, 3 photocopies, vocal part only"],"component_level_isim":[1],"parent_ids_ssim":["24974bc6124b2b462e8d1c57"],"parent_unittitles_ssm":["Seymour Levine Collection, 1939-1989"],"parent_unittitles_tesim":["Seymour Levine Collection, 1939-1989"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/12/archival_objects/192968"],"repository_ssim":["Allen Music Library Special Collections"],"collection_ssim":["Seymour Levine Collection, 1939-1989"],"extent_ssm":["1 envelope folders Certificate of copyright registration\n3 photocopies"],"extent_tesim":["1 envelope folders Certificate of copyright registration\n3 photocopies"],"physfacet_tesim":["certificate; photocopies of hand-notated music "],"dimensions_tesim":["11 x 14"],"creator_ssim":["Levine, Seymour"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":29,"parent_access_restrict_tesm":["This collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu."],"date_range_isim":[1981],"names_ssim":["Levine, Seymour"],"persname_ssim":["Levine, Seymour"],"access_subjects_ssim":["Musicians--Correspondence.","Music","Musical Score"],"access_subjects_ssm":["Musicians--Correspondence.","Music","Musical Score"],"language_ssim":["English"],"scopecontent_html_tesm":["\u003cp\u003eCopyright January 5, 1981 PAU 258-845\u003c/p\u003e","\u003cp\u003eCertificate of copyright registration, 3 photocopies, vocal part only\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Copyright January 5, 1981 PAU 258-845","Certificate of copyright registration, 3 photocopies, vocal part only"],"_nest_path_":"/components#28","_nest_parent_":"24974bc6124b2b462e8d1c57","_root_":"24974bc6124b2b462e8d1c57","_version_":1870852901713215488,"timestamp":"2026-07-16T06:46:02.137Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"24974bc6124b2b462e8d1c57","title_ssm":["Seymour Levine Collection"],"title_tesim":["Seymour Levine Collection"],"ead_ssi":"24974bc6124b2b462e8d1c57","unitdate_ssm":["1939-1989"],"unitdate_inclusive_ssm":["1939-1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["FSUML-2021-01","/repositories/12/resources/1898"],"text":["FSUML-2021-01","/repositories/12/resources/1898","Seymour Levine Collection, 1939-1989","Musicians--Correspondence.","Musical Score","Sheet music","This collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu.","There are 61 titles in this collection. 60 folders include parts and copyright statements for sheet music. 1 folder contains an inventory created by the family and an undated photograph.","Biography from grandson Steve Levine: ","Seymour, the second of three siblings, was born on May 9, 1920 to immigrant parents (Russia) in Brooklyn, New York. Father Jacob Levine, mother Fanny, and sister Lillian. During the early days of the Great Depression, he, and his older sister, were placed into a children's home because his parents were no longer able to feed them. After the depression ended, he and his sister moved back into the family's apartment and at ten-years-old Seymour began delivering silk ties his father made to business customers which heled support the family. Soon afterwards, his father bought him a cornet which began his life-long musical career. He graduated high school at age sixteen after skipping two grades. ","In 1940, Seymour joined, as a founding member, the New York Post Office Symphony Orchestra playing the cornet. However, his life changed in March, 1941, when he was offered a job with the Federal government in Washington, D.C. ","During the last twenty years of his thirty-three-year career with the Interstate Commerce Commission, a now defunct agency, Seymour composed official correspondence for the agency. Composing was his passion in life –– letters, music, lyrics and, later, musical plays. ","Also, in 1941, Seymour and his fiancé, Shirley Rothbard, secretly married so she can (sic) join him in Washington, D.C. They were officially married three months later with a large, planned wedding in New York City. They had two children and remained happily married until her untimely death from cancer in 1961 when she was thirty-nine years old. ","Seymour wrote his first song titled \"Tappin' Away\" including both the music and lyrics in 1939 and completed his sixty-third song in 1989. While living in Greenbelt, Maryland, from 1941 until mid-1982 (except when he was in the U.S. Army in World War II including fighting in the Battle of the Bulge), he was always busy with music and received many awards with his talent. Seymour joined the Greenbelt Concert Band and was an active member for many years. The two musical plays entitled \"Undershaft\" copyrighted in 1983 and \"David\" copyrighted in 1985, were written while he was living in Pikesville, Maryland. They were the highlights of his life-long hobby and, together, contained twenty-one songs and three poems. ","This collection contains hand-notated music, playscripts, and lyrics written and composed by Seymour Levine, (1938-2005). 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"],"genreform_ssim":["Musical Score","Sheet music"],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. Users may access this collection by making an appointment with the Music Special Collections staff at AMLSpec@fsu.edu.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. 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