{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1979\u0026page=378\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1979\u0026page=377\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1979\u0026page=379\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1979\u0026page=562\u0026view=compact"},"meta":{"pages":{"current_page":378,"next_page":379,"prev_page":377,"total_pages":562,"limit_value":10,"offset_value":3770,"total_count":5612,"first_page?":false,"last_page?":false}},"data":[{"id":"236a3c88b766327883b2e155_aspace_358f7ab386898f7a4c0b0b0133ed3178","type":"Item","attributes":{"title":"\"Orlando-land Magazine\", (2 Copies), 1979 May","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_358f7ab386898f7a4c0b0b0133ed3178#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_358f7ab386898f7a4c0b0b0133ed3178","ref_ssm":["aspace_358f7ab386898f7a4c0b0b0133ed3178","aspace_358f7ab386898f7a4c0b0b0133ed3178"],"id":"236a3c88b766327883b2e155_aspace_358f7ab386898f7a4c0b0b0133ed3178","title_filing_ssi":"\"Orlando-land Magazine\", (2 Copies)","title_ssm":["\"Orlando-land Magazine\", (2 Copies)"],"title_tesim":["\"Orlando-land Magazine\", (2 Copies)"],"unitdate_inclusive_ssm":["1979 May"],"normalized_date_ssm":["1979 May"],"normalized_title_ssm":["\"Orlando-land Magazine\", (2 Copies), 1979 May"],"text":["\"Orlando-land Magazine\", (2 Copies), 1979 May","Joy Postle papers, 1910-2015","Personal Files, 1910–2015","Publications","/repositories/4/archival_objects/87970","/repositories/4/archival_objects/91303","box 8","folder 111"],"component_level_isim":[3],"parent_ids_ssim":["236a3c88b766327883b2e155","236a3c88b766327883b2e155_aspace_5dbb28d34a5754be60933b8120ba5670","236a3c88b766327883b2e155_aspace_44747042c152bf11e3812a8de6893d65"],"parent_unittitles_ssm":["Joy Postle papers, 1910-2015","Personal Files, 1910–2015","Publications"],"parent_unittitles_tesim":["Joy Postle papers, 1910-2015","Personal Files, 1910–2015","Publications"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/87970","/repositories/4/archival_objects/91303"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Joy Postle papers, 1910-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":428,"parent_access_restrict_tesm":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1979],"containers_ssim":["box 8","folder 111"],"_nest_path_":"/components#3/components#9/components#3","_nest_parent_":"236a3c88b766327883b2e155_aspace_44747042c152bf11e3812a8de6893d65","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_358f7ab386898f7a4c0b0b0133ed3178"}},{"id":"05176a8238a411947dafe2de_aspace_16646","type":"Subseries","attributes":{"title":"Orlando Park, 1977-1997","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/05176a8238a411947dafe2de_aspace_16646#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_16646","ref_ssm":["aspace_16646","aspace_16646"],"id":"05176a8238a411947dafe2de_aspace_16646","title_filing_ssi":"Orlando Park","title_ssm":["Orlando Park"],"title_tesim":["Orlando Park"],"unitdate_inclusive_ssm":["1977-1997"],"normalized_date_ssm":["1977-1997"],"normalized_title_ssm":["Orlando Park, 1977-1997"],"text":["Orlando Park, 1977-1997","George and Anne Millay Collection, 1959-2006","Wet 'n Wild, 1974-2005.","Anne Millay's Files, 1975-2004","Sub-Series 8","/repositories/4/archival_objects/36949"],"component_level_isim":[3],"parent_ids_ssim":["05176a8238a411947dafe2de","05176a8238a411947dafe2de_aspace_16275","05176a8238a411947dafe2de_aspace_16610"],"parent_unittitles_ssm":["George and Anne Millay Collection, 1959-2006","Wet 'n Wild, 1974-2005.","Anne Millay's Files, 1975-2004"],"parent_unittitles_tesim":["George and Anne Millay Collection, 1959-2006","Wet 'n Wild, 1974-2005.","Anne Millay's Files, 1975-2004"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Sub-Series 8","/repositories/4/archival_objects/36949"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["George and Anne Millay Collection, 1959-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":6,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":281,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"_nest_path_":"/components#0/components#3/components#13","_nest_parent_":"05176a8238a411947dafe2de_aspace_16610","_root_":"05176a8238a411947dafe2de","timestamp":"2026-07-09T03:02:51.250Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"05176a8238a411947dafe2de","title_ssm":["George and Anne Millay Collection"],"title_tesim":["George and Anne Millay Collection"],"ead_ssi":"05176a8238a411947dafe2de","unitdate_ssm":["1959-2006"],"unitdate_inclusive_ssm":["1959-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.079","/repositories/4/resources/154"],"text":["SC.079","/repositories/4/resources/154","George and Anne Millay Collection, 1959-2006","Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)","Amusement parks","Water parks","Marine aquariums","Public aquariums","Tourism","Blueprints","Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings","The entire collection is open for research.","The papers are arranged in five series by topic.","George Millay was born on 4th July 1929. While his Father was in the navy, George's family lived at Pearl Harbor, and he witnessed the 1941 attack. George himself served in the navy for more than three years as a weather forecaster; for part of the time he was on the USS Bairoko. After graduating from the University of California, Los Angeles with a degree in meteorology in 1955, George Millay worked for a stockbroking firm until 1960. He married Anne Real in 1963; they eventually had three sons and a daughter.","\nIn 1958, Millay opened the Reef restaurant in Los Angeles with David Tallichet. He planned to create a submarine bar there so that customers could view sea creatures while enjoying cocktails. The plan failed because the water in the harbor was too cloudy. However, his interest in marine life introduced him to Dr. Kenneth Norris, curator at Marineland. Together with Milton Shedd and David DeMott, they organized the Marine Park Corporation to create a marine park in San Diego. Sea World opened in 1964 and expanded in 1970 with a park in Ohio followed by the Orlando park in 1972. Sea World Inc. opened an amusement park in Valencia California on 29th May 1971 in partnership with Newhall Land and Farming. Officially named \"Magic Mountain\", the park was designated \"Tragic Mountain\" by a reporter who was injured there. Sea World did not make a profit on the venture and sold out to its partner late in 1971. Millay resigned from Sea World Inc in 1974 because of a disagreement with his partners over how the company should develop.","\nGeorge Millay had spent a lot of time at Sea World in Orlando, and he thought that families would enjoy water activities as a break from the Florida heat. He pulled together ideas from a water playground at the Toronto World's Fair, a flume near Sacramento and a wave pool in Alabama, added a children's playgound, restrooms, gift shop and snack bar to create a new concept. He formed the Leisure Marine Corporation to develop his idea. Initially, the company ran the Seven Seas park in Arlington, TX, for a season, but the venture did not develop further. Wet 'n Wild eventually became a reality in Orlando, where it opened in 1977. The company took over the failing Seven Seas park and redeveloped it into the second Wet 'n Wild in 1983 followed by Las Vegas in 1985. Additional sites opened in Garland, TX, Brazil and Mexico. Wet 'n Wild was named the Best of Aquatics for 2003 by Aquatics International magazine.","\nMillay retired from Wet 'n Wild in 1998, but he continued to work on new projects. He designed and patented a system for moving visitors down into the center of a circular aquarium so that everyone had a good view of the fish. Millay partnered with William Watts and David Powell in creating a company named Sea Venture to sell the system. At the time of his death in 2006, no examples of the system had been sold.","\nGeorge Millay received Lifetime Achievement Awards from the International Association of Amusement Parks and Attractions and the Themed Entertainment Association, and he was named the Father of the Waterpark Industry by the World Waterpark Association. Tim O'Brien wrote Millay's biography entitled The Wave Maker in 2004.","Collection processed by Judith Beale; finding aid prepared by Judith Beale. Materials received in 2010 processed and added to the collection in 2016 by Suphi Burak Ogreten. ","Materials were removed from binders. Some smaller items were removed from frames. One photograph was digitized, as it was stuck to glass, then removed from the glass. Photographs and slides were sleeved. Faxes were photocopied and traced in pencil to make them clearer. Audiocassettes and slides were removed from their cases because the foam was disintegrating. Plaques and awards were wrapped and documents were placed in pH neutral folders and boxes.","Other collections include Harrison \"Buzz\" Price Papers and the Al Turner, Splash Magazine Collection may be found by searching our online  Library Catalog .","Series I: Wet 'n Wild, 1974-2005 holds correspondence, minutes, advertising materials, photographs, memorabilia, news clippings, reports and plans concerning all aspects of the founding and management of the Wet 'n Wild Parks.","\nSeries II: Sea World, 1959-2004 contains correspondence, news clippings, scrapbooks, photographs, reports and memorabilia documenting all aspects of the founding and management of Sea World, Inc.","\nSeries III: Sea Venture, 1998-2004 contains correspondence, plans, photographs and contracts concerning the patenting and marketing of George Millay's system for transporting visitors down into a doughnut-shaped aquarium.","\nSeries IV: Personal, 1965-2006 holds photographs, audio, video, correspondence, memorabilia and brochures that document projects, accolades and memorials. The series includes resources used in Millay's biography and a file on the opening of Disney World.","\nSeries V: Additional Materials, 1965-1999 includes newspaper and magazine clippings, photographs, pamphlets, correspondence, annual reports, proposals, and various ephemera related to the Wet'n Wild, Sea World, and Seven Seas parks.","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","George Millay founded both Sea World and Wet 'n Wild for which he was named Father of the Waterpark Industry. This collection of correspondence, photographs, memorabilia, news clippings, reports and audio visual materials documents the complicated and not always successful process of building a new waterpark. In addition to materials concerning Sea World and Wet 'n Wild, the collection contains information on George Millay's other projects and his personal achievements.","UCF Special Collections","Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World","Millay, Anne, 1934-2006","Millay, George","English"],"unitid_tesim":["SC.079","/repositories/4/resources/154"],"normalized_date_ssm":["1959-2006"],"normalized_title_ssm":["George and Anne Millay Collection, 1959-2006"],"collection_title_tesim":["George and Anne Millay Collection, 1959-2006"],"collection_ssim":["George and Anne Millay Collection, 1959-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)"],"geogname_ssim":["Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)"],"creator_ssm":["Millay, Anne, 1934-2006"],"creator_ssim":["Millay, Anne, 1934-2006"],"creator_persname_ssim":["Millay, Anne, 1934-2006"],"creators_ssim":["Millay, Anne, 1934-2006"],"places_ssim":["Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The Millay family donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2007 (CFM2007_15) and 2010 (CFM2010_04)."],"access_subjects_ssim":["Amusement parks","Water parks","Marine aquariums","Public aquariums","Tourism","Blueprints","Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings"],"access_subjects_ssm":["Amusement parks","Water parks","Marine aquariums","Public aquariums","Tourism","Blueprints","Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings"],"has_online_content_ssim":["false"],"extent_ssm":["21.25 Linear Feet 22 Boxes, 8 Flat Files, 5 Framed Items"],"extent_tesim":["21.25 Linear Feet 22 Boxes, 8 Flat Files, 5 Framed Items"],"genreform_ssim":["Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings"],"date_range_isim":[1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe papers are arranged in five series by topic.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The papers are arranged in five series by topic."],"bioghist_html_tesm":["\u003cp\u003eGeorge Millay was born on 4th July 1929. While his Father was in the navy, George's family lived at Pearl Harbor, and he witnessed the 1941 attack. George himself served in the navy for more than three years as a weather forecaster; for part of the time he was on the USS Bairoko. After graduating from the University of California, Los Angeles with a degree in meteorology in 1955, George Millay worked for a stockbroking firm until 1960. He married Anne Real in 1963; they eventually had three sons and a daughter.\u003c/p\u003e\n","\u003cp\u003e\nIn 1958, Millay opened the Reef restaurant in Los Angeles with David Tallichet. He planned to create a submarine bar there so that customers could view sea creatures while enjoying cocktails. The plan failed because the water in the harbor was too cloudy. However, his interest in marine life introduced him to Dr. Kenneth Norris, curator at Marineland. Together with Milton Shedd and David DeMott, they organized the Marine Park Corporation to create a marine park in San Diego. Sea World opened in 1964 and expanded in 1970 with a park in Ohio followed by the Orlando park in 1972. Sea World Inc. opened an amusement park in Valencia California on 29th May 1971 in partnership with Newhall Land and Farming. Officially named \"Magic Mountain\", the park was designated \"Tragic Mountain\" by a reporter who was injured there. Sea World did not make a profit on the venture and sold out to its partner late in 1971. Millay resigned from Sea World Inc in 1974 because of a disagreement with his partners over how the company should develop.\u003c/p\u003e\n","\u003cp\u003e\nGeorge Millay had spent a lot of time at Sea World in Orlando, and he thought that families would enjoy water activities as a break from the Florida heat. He pulled together ideas from a water playground at the Toronto World's Fair, a flume near Sacramento and a wave pool in Alabama, added a children's playgound, restrooms, gift shop and snack bar to create a new concept. He formed the Leisure Marine Corporation to develop his idea. Initially, the company ran the Seven Seas park in Arlington, TX, for a season, but the venture did not develop further. Wet 'n Wild eventually became a reality in Orlando, where it opened in 1977. The company took over the failing Seven Seas park and redeveloped it into the second Wet 'n Wild in 1983 followed by Las Vegas in 1985. Additional sites opened in Garland, TX, Brazil and Mexico. Wet 'n Wild was named the Best of Aquatics for 2003 by Aquatics International magazine.\u003c/p\u003e\n","\u003cp\u003e\nMillay retired from Wet 'n Wild in 1998, but he continued to work on new projects. He designed and patented a system for moving visitors down into the center of a circular aquarium so that everyone had a good view of the fish. Millay partnered with William Watts and David Powell in creating a company named Sea Venture to sell the system. At the time of his death in 2006, no examples of the system had been sold.\u003c/p\u003e\n","\u003cp\u003e\nGeorge Millay received Lifetime Achievement Awards from the International Association of Amusement Parks and Attractions and the Themed Entertainment Association, and he was named the Father of the Waterpark Industry by the World Waterpark Association. Tim O'Brien wrote Millay's biography entitled The Wave Maker in 2004.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["George Millay was born on 4th July 1929. While his Father was in the navy, George's family lived at Pearl Harbor, and he witnessed the 1941 attack. George himself served in the navy for more than three years as a weather forecaster; for part of the time he was on the USS Bairoko. After graduating from the University of California, Los Angeles with a degree in meteorology in 1955, George Millay worked for a stockbroking firm until 1960. He married Anne Real in 1963; they eventually had three sons and a daughter.","\nIn 1958, Millay opened the Reef restaurant in Los Angeles with David Tallichet. He planned to create a submarine bar there so that customers could view sea creatures while enjoying cocktails. The plan failed because the water in the harbor was too cloudy. However, his interest in marine life introduced him to Dr. Kenneth Norris, curator at Marineland. Together with Milton Shedd and David DeMott, they organized the Marine Park Corporation to create a marine park in San Diego. Sea World opened in 1964 and expanded in 1970 with a park in Ohio followed by the Orlando park in 1972. Sea World Inc. opened an amusement park in Valencia California on 29th May 1971 in partnership with Newhall Land and Farming. Officially named \"Magic Mountain\", the park was designated \"Tragic Mountain\" by a reporter who was injured there. Sea World did not make a profit on the venture and sold out to its partner late in 1971. Millay resigned from Sea World Inc in 1974 because of a disagreement with his partners over how the company should develop.","\nGeorge Millay had spent a lot of time at Sea World in Orlando, and he thought that families would enjoy water activities as a break from the Florida heat. He pulled together ideas from a water playground at the Toronto World's Fair, a flume near Sacramento and a wave pool in Alabama, added a children's playgound, restrooms, gift shop and snack bar to create a new concept. He formed the Leisure Marine Corporation to develop his idea. Initially, the company ran the Seven Seas park in Arlington, TX, for a season, but the venture did not develop further. Wet 'n Wild eventually became a reality in Orlando, where it opened in 1977. The company took over the failing Seven Seas park and redeveloped it into the second Wet 'n Wild in 1983 followed by Las Vegas in 1985. Additional sites opened in Garland, TX, Brazil and Mexico. Wet 'n Wild was named the Best of Aquatics for 2003 by Aquatics International magazine.","\nMillay retired from Wet 'n Wild in 1998, but he continued to work on new projects. He designed and patented a system for moving visitors down into the center of a circular aquarium so that everyone had a good view of the fish. Millay partnered with William Watts and David Powell in creating a company named Sea Venture to sell the system. At the time of his death in 2006, no examples of the system had been sold.","\nGeorge Millay received Lifetime Achievement Awards from the International Association of Amusement Parks and Attractions and the Themed Entertainment Association, and he was named the Father of the Waterpark Industry by the World Waterpark Association. Tim O'Brien wrote Millay's biography entitled The Wave Maker in 2004."],"prefercite_html_tesm":["\u003cp\u003eGeorge and Anne Millay Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["George and Anne Millay Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Judith Beale; finding aid prepared by Judith Beale. Materials received in 2010 processed and added to the collection in 2016 by Suphi Burak Ogreten. \u003c/p\u003e","\u003cp\u003eMaterials were removed from binders. Some smaller items were removed from frames. One photograph was digitized, as it was stuck to glass, then removed from the glass. Photographs and slides were sleeved. Faxes were photocopied and traced in pencil to make them clearer. Audiocassettes and slides were removed from their cases because the foam was disintegrating. Plaques and awards were wrapped and documents were placed in pH neutral folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Judith Beale; finding aid prepared by Judith Beale. Materials received in 2010 processed and added to the collection in 2016 by Suphi Burak Ogreten. ","Materials were removed from binders. Some smaller items were removed from frames. One photograph was digitized, as it was stuck to glass, then removed from the glass. Photographs and slides were sleeved. Faxes were photocopied and traced in pencil to make them clearer. Audiocassettes and slides were removed from their cases because the foam was disintegrating. Plaques and awards were wrapped and documents were placed in pH neutral folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eOther collections include Harrison \"Buzz\" Price Papers and the Al Turner, Splash Magazine Collection may be found by searching our online \u003cextref href=\"https://library.ucf.edu\"\u003eLibrary Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other collections include Harrison \"Buzz\" Price Papers and the Al Turner, Splash Magazine Collection may be found by searching our online  Library Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Wet 'n Wild, 1974-2005 holds correspondence, minutes, advertising materials, photographs, memorabilia, news clippings, reports and plans concerning all aspects of the founding and management of the Wet 'n Wild Parks.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Sea World, 1959-2004 contains correspondence, news clippings, scrapbooks, photographs, reports and memorabilia documenting all aspects of the founding and management of Sea World, Inc.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Sea Venture, 1998-2004 contains correspondence, plans, photographs and contracts concerning the patenting and marketing of George Millay's system for transporting visitors down into a doughnut-shaped aquarium.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal, 1965-2006 holds photographs, audio, video, correspondence, memorabilia and brochures that document projects, accolades and memorials. The series includes resources used in Millay's biography and a file on the opening of Disney World.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Additional Materials, 1965-1999 includes newspaper and magazine clippings, photographs, pamphlets, correspondence, annual reports, proposals, and various ephemera related to the Wet'n Wild, Sea World, and Seven Seas parks.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Wet 'n Wild, 1974-2005 holds correspondence, minutes, advertising materials, photographs, memorabilia, news clippings, reports and plans concerning all aspects of the founding and management of the Wet 'n Wild Parks.","\nSeries II: Sea World, 1959-2004 contains correspondence, news clippings, scrapbooks, photographs, reports and memorabilia documenting all aspects of the founding and management of Sea World, Inc.","\nSeries III: Sea Venture, 1998-2004 contains correspondence, plans, photographs and contracts concerning the patenting and marketing of George Millay's system for transporting visitors down into a doughnut-shaped aquarium.","\nSeries IV: Personal, 1965-2006 holds photographs, audio, video, correspondence, memorabilia and brochures that document projects, accolades and memorials. The series includes resources used in Millay's biography and a file on the opening of Disney World.","\nSeries V: Additional Materials, 1965-1999 includes newspaper and magazine clippings, photographs, pamphlets, correspondence, annual reports, proposals, and various ephemera related to the Wet'n Wild, Sea World, and Seven Seas parks."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e2b9aba5ed67fc882ac4591fdb37c3fb\" label=\"Abstract\"\u003eGeorge Millay founded both Sea World and Wet 'n Wild for which he was named Father of the Waterpark Industry. This collection of correspondence, photographs, memorabilia, news clippings, reports and audio visual materials documents the complicated and not always successful process of building a new waterpark. In addition to materials concerning Sea World and Wet 'n Wild, the collection contains information on George Millay's other projects and his personal achievements.\u003c/abstract\u003e"],"abstract_tesim":["George Millay founded both Sea World and Wet 'n Wild for which he was named Father of the Waterpark Industry. This collection of correspondence, photographs, memorabilia, news clippings, reports and audio visual materials documents the complicated and not always successful process of building a new waterpark. In addition to materials concerning Sea World and Wet 'n Wild, the collection contains information on George Millay's other projects and his personal achievements."],"names_coll_ssim":["Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World","Millay, George","Millay, Anne, 1934-2006"],"names_ssim":["UCF Special Collections","Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World","Millay, Anne, 1934-2006","Millay, George"],"corpname_ssim":["UCF Special Collections","Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World"],"persname_ssim":["Millay, Anne, 1934-2006","Millay, George"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":680,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"05176a8238a411947dafe2de","timestamp":"2026-07-09T03:02:51.250Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/05176a8238a411947dafe2de_aspace_16646"}},{"id":"33eb7d7837b712c15c2083e3_aspace_da41b458eb6220379463c2ec7415d6cc","type":"File","attributes":{"title":"Orlando Sentinel-Star--Williams Correspondence, 1979","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/33eb7d7837b712c15c2083e3_aspace_da41b458eb6220379463c2ec7415d6cc#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_da41b458eb6220379463c2ec7415d6cc","ref_ssm":["aspace_da41b458eb6220379463c2ec7415d6cc","aspace_da41b458eb6220379463c2ec7415d6cc"],"id":"33eb7d7837b712c15c2083e3_aspace_da41b458eb6220379463c2ec7415d6cc","title_filing_ssi":"Orlando Sentinel-Star--Williams Correspondence","title_ssm":["Orlando Sentinel-Star--Williams Correspondence"],"title_tesim":["Orlando Sentinel-Star--Williams Correspondence"],"unitdate_other_ssim":["1979"],"normalized_date_ssm":["1979"],"normalized_title_ssm":["Orlando Sentinel-Star--Williams Correspondence, 1979"],"text":["Orlando Sentinel-Star--Williams Correspondence, 1979","Franklin Adams Collection, 1960-2019","Box 10","IWLA Florida Div.","/repositories/2/archival_objects/75528","box 10","folder 14"],"component_level_isim":[3],"parent_ids_ssim":["33eb7d7837b712c15c2083e3","33eb7d7837b712c15c2083e3_aspace_bd4ce8533b3c49b5594b2114be6d9741","33eb7d7837b712c15c2083e3_aspace_e1299bc9954950aaa95758130d0fce63"],"parent_unittitles_ssm":["Franklin Adams Collection, 1960-2019","Box 10","IWLA Florida Div."],"parent_unittitles_tesim":["Franklin Adams Collection, 1960-2019","Box 10","IWLA Florida Div."],"parent_levels_ssm":["collection","Other level","Series"],"unitid_ssm":["/repositories/2/archival_objects/75528"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Franklin Adams Collection, 1960-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":341,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about\nthe copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"date_range_isim":[1979],"containers_ssim":["box 10","folder 14"],"_nest_path_":"/components#9/components#0/components#13","_nest_parent_":"33eb7d7837b712c15c2083e3_aspace_e1299bc9954950aaa95758130d0fce63","_root_":"33eb7d7837b712c15c2083e3","_version_":1870844419699113984,"timestamp":"2026-07-16T04:31:13.054Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"33eb7d7837b712c15c2083e3","title_ssm":["Franklin Adams Collection"],"title_tesim":["Franklin Adams Collection"],"ead_ssi":"33eb7d7837b712c15c2083e3","unitdate_ssm":["1960-2019"],"unitdate_inclusive_ssm":["1960-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC 9000","/repositories/2/resources/107"],"text":["SPC 9000","/repositories/2/resources/107","Franklin Adams Collection, 1960-2019","Big Cypress National Preserve","Everglades","Marco Island (Fla: island)","Wildlife at risk","Wildlife conservation","Urban development.","Florida panther","Conservation","Douglas, Marjory Stoneman","Izaac Walton League","Water conservation","Eco clubs","Environmental justice","Environmental policy","Petroleum--Prospecting","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","The materials in this collection are arranged in the following series':","Big Cypress Preservation Efforts;\nBig Cypress Swamp Advisory Committee on Oil Pads, Access Roads, Drilling \u0026 Seismic Exploration;\nBiographical Information;\nCollier DRI;\nCorrespondence;\nMarjory Stoneman Douglas;\nEnvironmental Confederation of SW Florida;\nEverglades Oil Drilling;\nFlorida Biodiversity Lawsuit;\nFlorida Conservation Foundation;\nFlorida Panther;\nFlorida Water Task Force;\nFlorida Wildlife Federation;\nFriends of the Everglades;\nIWLA Big Cypress Chapter History;\nIWLA Florida Division;\nKissimmee River Valley;\nMarco Island Litigation;\nMarshall, Arthur R. \"Art\";\nMosquito Control Spraying;\nRaccoon Point;\nWater!","Franklin B. Adams was born in Miami, FL, to G.B. and Lois Franklin Adams. He is a graduate of Miami Senior High School, Miami Dade Junior College (Now Miami-Dade College), and the U.S. Army Corps of Engineers Surveying and Mapping School. Mr. Adams is a Florida Master Naturalist. He served in the 841st Engineer Battalion of the U.S. Army Corps of Engineers. He has worked as a land surveyor, charter boat captain, and eco-guide in the Everglades City-Naples area of Florida. ","He has served as a member of numerous environmental and conservation organizations, which is the focus of this collection. Over the past fifty years, Franklin has served in leadership positions with the Friends of the Everglades; Big Cypress Nature Center; Florida Conservation Foundation; Izaak Walton League of America; Environmental Confederation of Southwest Florida; Florida Native Plant Society (founding member); Coalition to Save the Everglades; \"Water!;\" and the Florida Wildlife Federation. ","He worked to establish the Florida Wildlife Federation Southwest Florida Office, as well as the restoration of the Kissimmee-Okeechobee-Everglades system. He fought against the Miami Jetport and lobbied for the establishment of the Big Cypress National Preserve. He also worked to preserve the habitat of the Florida Panther and was a key figure in the protection of this endangered cat. ","Mr. Adams has received numerous awards over the years related to his conservation work. Among these are Izaak Walton League of America Cypress Chapter Service Award, National Wildlife Federation Conservation Achievement Award, and the National Wildlife Federation Hall of Fame Award.","\nFraklin Adams lives in the Naples area. To learn more about his background, please refer to the biographical series within this collection. ","The issues that Fraklin Adams worked on were also of interest to the U.S. Congressmen from the area. James A. Haley, as chairman of the House Interior Committee during thr 1970s, was instrumental in the creation of Big Cypress National Preserve. His papers (https://www.flsouthern.edu/getattachment/library/mckay-archives/finding-aids/HALEY-Finding-Aid.pdf.aspx?lang=en-US) are maintained at Florida Southern College and contain references to many of the same issues that Mr. Adams was involved with. \nMr. Haley's successor, Andy Ireland, also took interest in issues facing Florida's environment. His papers may also be found at Florida Southern College (https://www.flsouthern.edu/getattachment/library/McKay-Archives/Finding-Aids/Ireland-for-web-page.doc.aspx?lang=en-US)","***Please copy and past the URLs into your browser window to view the Haley and Ireland finding aids***","The materials in this collection reflect the subject's interest in environmental preservation. Mr. Adams served in a number of environmental interest organizations such as the Isaac Walton League of America (IWLA), The Florida Water Task Force, and the Florida Wildlife Federation, to give but a few examples. The bulk of the collection contains correspondence, news clippings, legal documents, and blueprints/aerial maps of affected lands.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about\nthe copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Franklin B. Adams","English"],"unitid_tesim":["SPC 9000","/repositories/2/resources/107"],"normalized_date_ssm":["1960-2019"],"normalized_title_ssm":["Franklin Adams Collection, 1960-2019"],"collection_title_tesim":["Franklin Adams Collection, 1960-2019"],"collection_ssim":["Franklin Adams Collection, 1960-2019"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Big Cypress National Preserve","Everglades","Marco Island (Fla: island)"],"geogname_ssim":["Big Cypress National Preserve","Everglades","Marco Island (Fla: island)"],"creator_ssm":["Franklin B. Adams"],"creator_ssim":["Franklin B. Adams"],"creator_persname_ssim":["Franklin B. Adams"],"creators_ssim":["Franklin B. Adams"],"places_ssim":["Big Cypress National Preserve","Everglades","Marco Island (Fla: island)"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about\nthe copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by Franklin Adams"],"access_subjects_ssim":["Wildlife at risk","Wildlife conservation","Urban development.","Florida panther","Conservation","Douglas, Marjory Stoneman","Izaac Walton League","Water conservation","Eco clubs","Environmental justice","Environmental policy","Petroleum--Prospecting"],"access_subjects_ssm":["Wildlife at risk","Wildlife conservation","Urban development.","Florida panther","Conservation","Douglas, Marjory Stoneman","Izaac Walton League","Water conservation","Eco clubs","Environmental justice","Environmental policy","Petroleum--Prospecting"],"has_online_content_ssim":["false"],"extent_ssm":["13.00 Linear Feet","12 boxes"],"extent_tesim":["13.00 Linear Feet","12 boxes"],"physfacet_tesim":["11 Banker boxes; 1 legal-size document case"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials in this collection are arranged in the following series':\u003c/p\u003e\n","\u003cp\u003eBig Cypress Preservation Efforts;\nBig Cypress Swamp Advisory Committee on Oil Pads, Access Roads, Drilling \u0026amp; Seismic Exploration;\nBiographical Information;\nCollier DRI;\nCorrespondence;\nMarjory Stoneman Douglas;\nEnvironmental Confederation of SW Florida;\nEverglades Oil Drilling;\nFlorida Biodiversity Lawsuit;\nFlorida Conservation Foundation;\nFlorida Panther;\nFlorida Water Task Force;\nFlorida Wildlife Federation;\nFriends of the Everglades;\nIWLA Big Cypress Chapter History;\nIWLA Florida Division;\nKissimmee River Valley;\nMarco Island Litigation;\nMarshall, Arthur R. \"Art\";\nMosquito Control Spraying;\nRaccoon Point;\nWater!\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials in this collection are arranged in the following series':","Big Cypress Preservation Efforts;\nBig Cypress Swamp Advisory Committee on Oil Pads, Access Roads, Drilling \u0026 Seismic Exploration;\nBiographical Information;\nCollier DRI;\nCorrespondence;\nMarjory Stoneman Douglas;\nEnvironmental Confederation of SW Florida;\nEverglades Oil Drilling;\nFlorida Biodiversity Lawsuit;\nFlorida Conservation Foundation;\nFlorida Panther;\nFlorida Water Task Force;\nFlorida Wildlife Federation;\nFriends of the Everglades;\nIWLA Big Cypress Chapter History;\nIWLA Florida Division;\nKissimmee River Valley;\nMarco Island Litigation;\nMarshall, Arthur R. \"Art\";\nMosquito Control Spraying;\nRaccoon Point;\nWater!"],"bioghist_html_tesm":["\u003cp\u003eFranklin B. Adams was born in Miami, FL, to G.B. and Lois Franklin Adams. He is a graduate of Miami Senior High School, Miami Dade Junior College (Now Miami-Dade College), and the U.S. Army Corps of Engineers Surveying and Mapping School. Mr. Adams is a Florida Master Naturalist. He served in the 841st Engineer Battalion of the U.S. Army Corps of Engineers. He has worked as a land surveyor, charter boat captain, and eco-guide in the Everglades City-Naples area of Florida. \u003c/p\u003e\n","\u003cp\u003eHe has served as a member of numerous environmental and conservation organizations, which is the focus of this collection. Over the past fifty years, Franklin has served in leadership positions with the Friends of the Everglades; Big Cypress Nature Center; Florida Conservation Foundation; Izaak Walton League of America; Environmental Confederation of Southwest Florida; Florida Native Plant Society (founding member); Coalition to Save the Everglades; \"Water!;\" and the Florida Wildlife Federation. \u003c/p\u003e\n","\u003cp\u003eHe worked to establish the Florida Wildlife Federation Southwest Florida Office, as well as the restoration of the Kissimmee-Okeechobee-Everglades system. He fought against the Miami Jetport and lobbied for the establishment of the Big Cypress National Preserve. He also worked to preserve the habitat of the Florida Panther and was a key figure in the protection of this endangered cat. \u003c/p\u003e\n","\u003cp\u003eMr. Adams has received numerous awards over the years related to his conservation work. Among these are Izaak Walton League of America Cypress Chapter Service Award, National Wildlife Federation Conservation Achievement Award, and the National Wildlife Federation Hall of Fame Award.\u003c/p\u003e\n","\u003cp\u003e\nFraklin Adams lives in the Naples area. To learn more about his background, please refer to the biographical series within this collection. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Franklin B. Adams was born in Miami, FL, to G.B. and Lois Franklin Adams. He is a graduate of Miami Senior High School, Miami Dade Junior College (Now Miami-Dade College), and the U.S. Army Corps of Engineers Surveying and Mapping School. Mr. Adams is a Florida Master Naturalist. He served in the 841st Engineer Battalion of the U.S. Army Corps of Engineers. He has worked as a land surveyor, charter boat captain, and eco-guide in the Everglades City-Naples area of Florida. ","He has served as a member of numerous environmental and conservation organizations, which is the focus of this collection. Over the past fifty years, Franklin has served in leadership positions with the Friends of the Everglades; Big Cypress Nature Center; Florida Conservation Foundation; Izaak Walton League of America; Environmental Confederation of Southwest Florida; Florida Native Plant Society (founding member); Coalition to Save the Everglades; \"Water!;\" and the Florida Wildlife Federation. ","He worked to establish the Florida Wildlife Federation Southwest Florida Office, as well as the restoration of the Kissimmee-Okeechobee-Everglades system. He fought against the Miami Jetport and lobbied for the establishment of the Big Cypress National Preserve. He also worked to preserve the habitat of the Florida Panther and was a key figure in the protection of this endangered cat. ","Mr. Adams has received numerous awards over the years related to his conservation work. Among these are Izaak Walton League of America Cypress Chapter Service Award, National Wildlife Federation Conservation Achievement Award, and the National Wildlife Federation Hall of Fame Award.","\nFraklin Adams lives in the Naples area. To learn more about his background, please refer to the biographical series within this collection. "],"odd_html_tesm":["\u003cp\u003eThe issues that Fraklin Adams worked on were also of interest to the U.S. Congressmen from the area. James A. Haley, as chairman of the House Interior Committee during thr 1970s, was instrumental in the creation of Big Cypress National Preserve. His papers (https://www.flsouthern.edu/getattachment/library/mckay-archives/finding-aids/HALEY-Finding-Aid.pdf.aspx?lang=en-US) are maintained at Florida Southern College and contain references to many of the same issues that Mr. Adams was involved with. \nMr. Haley's successor, Andy Ireland, also took interest in issues facing Florida's environment. His papers may also be found at Florida Southern College (https://www.flsouthern.edu/getattachment/library/McKay-Archives/Finding-Aids/Ireland-for-web-page.doc.aspx?lang=en-US)\u003c/p\u003e\n","\u003cp\u003e***Please copy and past the URLs into your browser window to view the Haley and Ireland finding aids***\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["The issues that Fraklin Adams worked on were also of interest to the U.S. Congressmen from the area. James A. Haley, as chairman of the House Interior Committee during thr 1970s, was instrumental in the creation of Big Cypress National Preserve. His papers (https://www.flsouthern.edu/getattachment/library/mckay-archives/finding-aids/HALEY-Finding-Aid.pdf.aspx?lang=en-US) are maintained at Florida Southern College and contain references to many of the same issues that Mr. Adams was involved with. \nMr. Haley's successor, Andy Ireland, also took interest in issues facing Florida's environment. His papers may also be found at Florida Southern College (https://www.flsouthern.edu/getattachment/library/McKay-Archives/Finding-Aids/Ireland-for-web-page.doc.aspx?lang=en-US)","***Please copy and past the URLs into your browser window to view the Haley and Ireland finding aids***"],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection reflect the subject's interest in environmental preservation. Mr. Adams served in a number of environmental interest organizations such as the Isaac Walton League of America (IWLA), The Florida Water Task Force, and the Florida Wildlife Federation, to give but a few examples. The bulk of the collection contains correspondence, news clippings, legal documents, and blueprints/aerial maps of affected lands.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection reflect the subject's interest in environmental preservation. Mr. Adams served in a number of environmental interest organizations such as the Isaac Walton League of America (IWLA), The Florida Water Task Force, and the Florida Wildlife Federation, to give but a few examples. The bulk of the collection contains correspondence, news clippings, legal documents, and blueprints/aerial maps of affected lands."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about\nthe copyright holder of materials found in our collections.\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about\nthe copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Franklin B. Adams"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Franklin B. Adams"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":424,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844419699113984,"_root_":"33eb7d7837b712c15c2083e3","timestamp":"2026-07-16T04:31:13.054Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/33eb7d7837b712c15c2083e3_aspace_da41b458eb6220379463c2ec7415d6cc"}},{"id":"3590e990d26f42a3d9da5878","type":"collection","attributes":{"title":"Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/3590e990d26f42a3d9da5878#creator","type":"document_value","attributes":{"value":["University of Central Florida. Department of Theatre"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/3590e990d26f42a3d9da5878#abstract_or_scope","type":"document_value","attributes":{"value":["The Orlando Shakespeare Theater Collection contains playbills, programs, reviews, newspaper clippings, films, cassettes, reels, and schedules. It also includes items relating to the Orlando-UCF Shakespeare Festival Partnership (OSF) such as Simply Shakespeare, Central Florida's first Shakespearean troupe, and the UCF Shakespeare Summer Institute as well as the NEH grant funded faculty study project \"Hamlet: Exploring the Renaissance Mind in Action\" which was presented in the Summer 1991."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3590e990d26f42a3d9da5878#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"3590e990d26f42a3d9da5878","title_ssm":["Orlando Shakespeare Theater Collection"],"title_tesim":["Orlando Shakespeare Theater Collection"],"ead_ssi":"3590e990d26f42a3d9da5878","unitdate_ssm":["1974-2013","1986-2009"],"unitdate_bulk_ssim":["1986-2009"],"unitdate_inclusive_ssm":["1974-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA24D","/repositories/2/resources/26"],"text":["UA24D","/repositories/2/resources/26","Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009","Children's Theater","College Theater","Education, Higher -- United States","Performance art -- United States","Radio Programs","Theater","Universities and colleges -- Florida","Posters","Theater -- Florida -- Orlando","Universities and colleges -- Florida -- Orlando","slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)","The entire collection is open for research.","Collection Identifier: CFU2016_38","This collection is arranged in six series. Series I contains documents relating to OST performances and is arranged chronologically. Series II contains documents relating to the publicity of all aspects of OST and is arranged by subject then chronologically. Series III contains media relating to programs hosted by OST and is arranged by subject. Series IV contains photographs relating to performances and activities by OST and is arranged by subject then chronologically. Series V contains documents regarding the different partnerships OST has and is arranged by subject then chronologically. Series VI posters relating to the productions of OST.","According to The UCF Report May 15, 1998 issue, the Orlando-UCF Shakespeare Festival has its beginnings in 1974 when UCF English professor, Dr. Stuart Omans offered his students a chance to get out of writing term papers if they participated in reading scenes from Shakespeare to area junior and senior high schools. Though the group had missteps, they committed themselves to learning dialogue, practicing scenes and taking the show out of the classroom.","The Future October 24, 1975 issue explains how following the success of their performances the group was invited to perform throughout Florida and Georgia. This dedication brought upon the group's decision to attempt to increase their audience. With the guidance of Omans, the students wrote a grant proposal to the FTU Student Government to seek funding for their \"Simply Shakespeare\" company. FTU allocated nearly $3,000 to the group who referred to themselves as ambassadors of the community and area schools. This troupe would be Central Florida's first Shakespearean troupe.","Both the FTU News, March 14, 1979 issue and The Future issue from March 30, 1979 reported that a grant of $77,000 from the National Endowment for the Humanities and Fine Arts was given towards Omans, UCF Music professor Bruce Whisler, and UCF English professor Gerald Schiffhorst. The trio's objective was to create a Summer Institute to give Central Florida school teachers upgraded skills to teach Shakespeare through performance in English, Drama, and Humanities. Along with the funding, the Simply Shakespeare Troupe performances helped support the Summer Institute, charities and their own performances.","On December 18, 1998 the UCF Report published an interview with Omans discussing the establishment of the Orlando-UCF Shakespeare Festival. According to Omans, in 1987 he decided to create and support a professional classical theater through the Project for the Humanities and Fine Arts. With the support from then Orlando Mayor Bill Frederick and then UCF President Trevor Colbourn, Omans announced the establishment of the Orlando Shakespeare Festival in 1988. The inaugural season in 1989 brought to life the tales of Taming of the Shrew and Tempest.","According to the Orlando Shakespeare Theater Inc. Report, the Orlando-UCF Shakespeare Festival held their first performances at the Walt Disney Amphitheater of Lake Eola Park in downtown Orlando. In 1995 the group opened their performances up to non-Shakespeare plays and began staging plays in rented places throughout the area. The Orlando-UCF Shakespeare Festival is now based out of the John and Rita Lowndes Shakespeare Center and performs out of Margeson and Goldman Theaters as well.","Following the success of the Orlando-UCF Festival, Dr. Omans wanted to create a program tailored towards education and academic support of the next generation of actors, actresses, and theater enthusiasts. This program would become known as The Young Company. For the past twenty-six years, local high school students have auditioned, rehearsed and performed one play a year during the months of April through July.","The Orlando-UCF Shakespeare Festival has continued the legacy started by Omans and his students, while also growing into a nationally recognized theater and the only professional classical theater company in Central Florida. In 2007 the name was officially changed to the Orlando Shakespeare Theater (OST) to better reflect their year round activities which include performing seven Signature Series productions, three Children's Series productions, being part of a weekend festival of new plays titled PlayFest, annual summer camps, classes, workshops, and offering internships and independent studies for UCF Theater majors and alumni.","The materials in the Orlando Shakespeare Theater Collection were separated from the UCF Theater Collection that was assembled by Kelly Clemens, Cheryl Mahan, Ellen Anderson, and Dr. Stuart Omans. The collection was processed by and the finding aid was prepared by Kryslynn Collazo in 2018. All materials were placed into acid free folders and in an acid free box. Copies of media including Floppy Disks were made. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2.","For more information on university archives, please see our website. Further information about the UCF Theater Department may be found in the University of Central Florida Theater Program Collection. Additionally, information contributing to the Biographical/Historical Note can be found in these articles \"1975: The show goes on\" in  The UCF Report, Vol. 20 No. 21, May 15, 1998 ; \"Shakespeare troupe strives to create art awareness\" in the  Central Florida Future, Vol. 08 No. 05, October 24, 1975 ; \"Shakespearean program to expand\" in the  Central Florida Future, Vol. 11 No. 25, March 30, 1979 ; and \"Shakespeare Festival turns 10 years old\" in  The UCF Report, Vol. 21 No. 11, December 18, 1998 . For further information regarding to the Orlando Shakespeare Theater please consult their  website.","Series I: Performances, 1989-2012 contains programs, playbills, tickets stubs, brochures, pamphlets, newsletters, and other ephemera.","Series II: Publicity, 1986-2013 contains reviews, newspaper clippings, and newsletters.","Series III: Audiovisuals, 1979-1994, \u0026 undated contains reel-to-reel audiotapes and audiocassette tapes.","Series IV: Photographs, 1976-1980, \u0026 undated contains negatives and stock images of productions created by OST as well as other events attended by the group.","Series V: Partnerships, 1974-2009, \u0026 undated contains documents relating to different organizations partnerships with OST including news clippings, photocopies of letters, advance notices and advertisements for current and future productions.","Series VI: Posters, 1995-1999 \u0026 undated contains posters relating to various OST productions.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Orlando Shakespeare Theater Collection contains playbills, programs, reviews, newspaper clippings, films, cassettes, reels, and schedules. It also includes items relating to the Orlando-UCF Shakespeare Festival Partnership (OSF) such as Simply Shakespeare, Central Florida's first Shakespearean troupe, and the UCF Shakespeare Summer Institute as well as the NEH grant funded faculty study project \"Hamlet: Exploring the Renaissance Mind in Action\" which was presented in the Summer 1991.","UCF University Archives","University of Central Florida. Department of Theatre","Orlando Shakespeare Theater","National Endowment for the Humanities","Florida Technological University","University of Central Florida","Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616","English"],"unitid_tesim":["UA24D","/repositories/2/resources/26"],"normalized_date_ssm":["1974-2013, bulk 1986-2009"],"normalized_title_ssm":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"collection_title_tesim":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"collection_ssim":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"creator_ssim":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"creator_corpname_ssim":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"creators_ssim":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Rick Schell transferred these materials to the University of Central Florida Libraries, Special Collection and University Archives in 2016 (CFU2016_38)."],"access_subjects_ssim":["Children's Theater","College Theater","Education, Higher -- United States","Performance art -- United States","Radio Programs","Theater","Universities and colleges -- Florida","Posters","Theater -- Florida -- Orlando","Universities and colleges -- Florida -- Orlando","slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)"],"access_subjects_ssm":["Children's Theater","College Theater","Education, Higher -- United States","Performance art -- United States","Radio Programs","Theater","Universities and colleges -- Florida","Posters","Theater -- Florida -- Orlando","Universities and colleges -- Florida -- Orlando","slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["6 boxes 3.33 Linear Feet"],"extent_tesim":["6 boxes 3.33 Linear Feet"],"genreform_ssim":["slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"accruals_html_tesm":["\u003cp\u003eCollection Identifier: CFU2016_38\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Collection Identifier: CFU2016_38"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in six series. Series I contains documents relating to OST performances and is arranged chronologically. Series II contains documents relating to the publicity of all aspects of OST and is arranged by subject then chronologically. Series III contains media relating to programs hosted by OST and is arranged by subject. Series IV contains photographs relating to performances and activities by OST and is arranged by subject then chronologically. Series V contains documents regarding the different partnerships OST has and is arranged by subject then chronologically. Series VI posters relating to the productions of OST.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in six series. Series I contains documents relating to OST performances and is arranged chronologically. Series II contains documents relating to the publicity of all aspects of OST and is arranged by subject then chronologically. Series III contains media relating to programs hosted by OST and is arranged by subject. Series IV contains photographs relating to performances and activities by OST and is arranged by subject then chronologically. Series V contains documents regarding the different partnerships OST has and is arranged by subject then chronologically. Series VI posters relating to the productions of OST."],"bioghist_html_tesm":["\u003cp\u003eAccording to The UCF Report May 15, 1998 issue, the Orlando-UCF Shakespeare Festival has its beginnings in 1974 when UCF English professor, Dr. Stuart Omans offered his students a chance to get out of writing term papers if they participated in reading scenes from Shakespeare to area junior and senior high schools. Though the group had missteps, they committed themselves to learning dialogue, practicing scenes and taking the show out of the classroom.\u003c/p\u003e\n","\u003cp\u003eThe Future October 24, 1975 issue explains how following the success of their performances the group was invited to perform throughout Florida and Georgia. This dedication brought upon the group's decision to attempt to increase their audience. With the guidance of Omans, the students wrote a grant proposal to the FTU Student Government to seek funding for their \"Simply Shakespeare\" company. FTU allocated nearly $3,000 to the group who referred to themselves as ambassadors of the community and area schools. This troupe would be Central Florida's first Shakespearean troupe.\u003c/p\u003e\n","\u003cp\u003eBoth the FTU News, March 14, 1979 issue and The Future issue from March 30, 1979 reported that a grant of $77,000 from the National Endowment for the Humanities and Fine Arts was given towards Omans, UCF Music professor Bruce Whisler, and UCF English professor Gerald Schiffhorst. The trio's objective was to create a Summer Institute to give Central Florida school teachers upgraded skills to teach Shakespeare through performance in English, Drama, and Humanities. Along with the funding, the Simply Shakespeare Troupe performances helped support the Summer Institute, charities and their own performances.\u003c/p\u003e\n","\u003cp\u003eOn December 18, 1998 the UCF Report published an interview with Omans discussing the establishment of the Orlando-UCF Shakespeare Festival. According to Omans, in 1987 he decided to create and support a professional classical theater through the Project for the Humanities and Fine Arts. With the support from then Orlando Mayor Bill Frederick and then UCF President Trevor Colbourn, Omans announced the establishment of the Orlando Shakespeare Festival in 1988. The inaugural season in 1989 brought to life the tales of Taming of the Shrew and Tempest.\u003c/p\u003e\n","\u003cp\u003eAccording to the Orlando Shakespeare Theater Inc. Report, the Orlando-UCF Shakespeare Festival held their first performances at the Walt Disney Amphitheater of Lake Eola Park in downtown Orlando. In 1995 the group opened their performances up to non-Shakespeare plays and began staging plays in rented places throughout the area. The Orlando-UCF Shakespeare Festival is now based out of the John and Rita Lowndes Shakespeare Center and performs out of Margeson and Goldman Theaters as well.\u003c/p\u003e\n","\u003cp\u003eFollowing the success of the Orlando-UCF Festival, Dr. Omans wanted to create a program tailored towards education and academic support of the next generation of actors, actresses, and theater enthusiasts. This program would become known as The Young Company. For the past twenty-six years, local high school students have auditioned, rehearsed and performed one play a year during the months of April through July.\u003c/p\u003e\n","\u003cp\u003eThe Orlando-UCF Shakespeare Festival has continued the legacy started by Omans and his students, while also growing into a nationally recognized theater and the only professional classical theater company in Central Florida. In 2007 the name was officially changed to the Orlando Shakespeare Theater (OST) to better reflect their year round activities which include performing seven Signature Series productions, three Children's Series productions, being part of a weekend festival of new plays titled PlayFest, annual summer camps, classes, workshops, and offering internships and independent studies for UCF Theater majors and alumni.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["According to The UCF Report May 15, 1998 issue, the Orlando-UCF Shakespeare Festival has its beginnings in 1974 when UCF English professor, Dr. Stuart Omans offered his students a chance to get out of writing term papers if they participated in reading scenes from Shakespeare to area junior and senior high schools. Though the group had missteps, they committed themselves to learning dialogue, practicing scenes and taking the show out of the classroom.","The Future October 24, 1975 issue explains how following the success of their performances the group was invited to perform throughout Florida and Georgia. This dedication brought upon the group's decision to attempt to increase their audience. With the guidance of Omans, the students wrote a grant proposal to the FTU Student Government to seek funding for their \"Simply Shakespeare\" company. FTU allocated nearly $3,000 to the group who referred to themselves as ambassadors of the community and area schools. This troupe would be Central Florida's first Shakespearean troupe.","Both the FTU News, March 14, 1979 issue and The Future issue from March 30, 1979 reported that a grant of $77,000 from the National Endowment for the Humanities and Fine Arts was given towards Omans, UCF Music professor Bruce Whisler, and UCF English professor Gerald Schiffhorst. The trio's objective was to create a Summer Institute to give Central Florida school teachers upgraded skills to teach Shakespeare through performance in English, Drama, and Humanities. Along with the funding, the Simply Shakespeare Troupe performances helped support the Summer Institute, charities and their own performances.","On December 18, 1998 the UCF Report published an interview with Omans discussing the establishment of the Orlando-UCF Shakespeare Festival. According to Omans, in 1987 he decided to create and support a professional classical theater through the Project for the Humanities and Fine Arts. With the support from then Orlando Mayor Bill Frederick and then UCF President Trevor Colbourn, Omans announced the establishment of the Orlando Shakespeare Festival in 1988. The inaugural season in 1989 brought to life the tales of Taming of the Shrew and Tempest.","According to the Orlando Shakespeare Theater Inc. Report, the Orlando-UCF Shakespeare Festival held their first performances at the Walt Disney Amphitheater of Lake Eola Park in downtown Orlando. In 1995 the group opened their performances up to non-Shakespeare plays and began staging plays in rented places throughout the area. The Orlando-UCF Shakespeare Festival is now based out of the John and Rita Lowndes Shakespeare Center and performs out of Margeson and Goldman Theaters as well.","Following the success of the Orlando-UCF Festival, Dr. Omans wanted to create a program tailored towards education and academic support of the next generation of actors, actresses, and theater enthusiasts. This program would become known as The Young Company. For the past twenty-six years, local high school students have auditioned, rehearsed and performed one play a year during the months of April through July.","The Orlando-UCF Shakespeare Festival has continued the legacy started by Omans and his students, while also growing into a nationally recognized theater and the only professional classical theater company in Central Florida. In 2007 the name was officially changed to the Orlando Shakespeare Theater (OST) to better reflect their year round activities which include performing seven Signature Series productions, three Children's Series productions, being part of a weekend festival of new plays titled PlayFest, annual summer camps, classes, workshops, and offering internships and independent studies for UCF Theater majors and alumni."],"prefercite_html_tesm":["\u003cp\u003eOrlando Shakespeare Theater Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Orlando Shakespeare Theater Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eThe materials in the Orlando Shakespeare Theater Collection were separated from the UCF Theater Collection that was assembled by Kelly Clemens, Cheryl Mahan, Ellen Anderson, and Dr. Stuart Omans. The collection was processed by and the finding aid was prepared by Kryslynn Collazo in 2018. All materials were placed into acid free folders and in an acid free box. Copies of media including Floppy Disks were made. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The materials in the Orlando Shakespeare Theater Collection were separated from the UCF Theater Collection that was assembled by Kelly Clemens, Cheryl Mahan, Ellen Anderson, and Dr. Stuart Omans. The collection was processed by and the finding aid was prepared by Kryslynn Collazo in 2018. All materials were placed into acid free folders and in an acid free box. Copies of media including Floppy Disks were made. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on university archives, please see our website. Further information about the UCF Theater Department may be found in the University of Central Florida Theater Program Collection. Additionally, information contributing to the Biographical/Historical Note can be found in these articles \"1975: The show goes on\" in \u003cextref href=\"http://stars.library.ucf.edu/ucfreport/568/\"\u003eThe UCF Report, Vol. 20 No. 21, May 15, 1998\u003c/extref\u003e; \"Shakespeare troupe strives to create art awareness\" in the \u003cextref href=\"http://stars.library.ucf.edu/centralfloridafuture/239/\"\u003eCentral Florida Future, Vol. 08 No. 05, October 24, 1975\u003c/extref\u003e; \"Shakespearean program to expand\" in the \u003cextref href=\"http://stars.library.ucf.edu/centralfloridafuture/357/\"\u003eCentral Florida Future, Vol. 11 No. 25, March 30, 1979\u003c/extref\u003e; and \"Shakespeare Festival turns 10 years old\" in \u003cextref href=\"http://stars.library.ucf.edu/ucfreport/581/\"\u003eThe UCF Report, Vol. 21 No. 11, December 18, 1998\u003c/extref\u003e. For further information regarding to the Orlando Shakespeare Theater please consult their \u003cextref href=\"http://orlandoshakes.org/\"\u003ewebsite.\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on university archives, please see our website. Further information about the UCF Theater Department may be found in the University of Central Florida Theater Program Collection. Additionally, information contributing to the Biographical/Historical Note can be found in these articles \"1975: The show goes on\" in  The UCF Report, Vol. 20 No. 21, May 15, 1998 ; \"Shakespeare troupe strives to create art awareness\" in the  Central Florida Future, Vol. 08 No. 05, October 24, 1975 ; \"Shakespearean program to expand\" in the  Central Florida Future, Vol. 11 No. 25, March 30, 1979 ; and \"Shakespeare Festival turns 10 years old\" in  The UCF Report, Vol. 21 No. 11, December 18, 1998 . For further information regarding to the Orlando Shakespeare Theater please consult their  website."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Performances, 1989-2012 contains programs, playbills, tickets stubs, brochures, pamphlets, newsletters, and other ephemera.\u003c/p\u003e\n","\u003cp\u003eSeries II: Publicity, 1986-2013 contains reviews, newspaper clippings, and newsletters.\u003c/p\u003e\n","\u003cp\u003eSeries III: Audiovisuals, 1979-1994, \u0026amp; undated contains reel-to-reel audiotapes and audiocassette tapes.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Photographs, 1976-1980, \u0026amp; undated contains negatives and stock images of productions created by OST as well as other events attended by the group.\u003c/p\u003e\n","\u003cp\u003eSeries V: Partnerships, 1974-2009, \u0026amp; undated contains documents relating to different organizations partnerships with OST including news clippings, photocopies of letters, advance notices and advertisements for current and future productions.\u003c/p\u003e\n","\u003cp\u003eSeries VI: Posters, 1995-1999 \u0026amp; undated contains posters relating to various OST productions.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Performances, 1989-2012 contains programs, playbills, tickets stubs, brochures, pamphlets, newsletters, and other ephemera.","Series II: Publicity, 1986-2013 contains reviews, newspaper clippings, and newsletters.","Series III: Audiovisuals, 1979-1994, \u0026 undated contains reel-to-reel audiotapes and audiocassette tapes.","Series IV: Photographs, 1976-1980, \u0026 undated contains negatives and stock images of productions created by OST as well as other events attended by the group.","Series V: Partnerships, 1974-2009, \u0026 undated contains documents relating to different organizations partnerships with OST including news clippings, photocopies of letters, advance notices and advertisements for current and future productions.","Series VI: Posters, 1995-1999 \u0026 undated contains posters relating to various OST productions."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5f89e53d54d3ac96618ffc8e992924f9\" label=\"Abstract\"\u003eThe Orlando Shakespeare Theater Collection contains playbills, programs, reviews, newspaper clippings, films, cassettes, reels, and schedules. It also includes items relating to the Orlando-UCF Shakespeare Festival Partnership (OSF) such as Simply Shakespeare, Central Florida's first Shakespearean troupe, and the UCF Shakespeare Summer Institute as well as the NEH grant funded faculty study project \"Hamlet: Exploring the Renaissance Mind in Action\" which was presented in the Summer 1991.\u003c/abstract\u003e"],"abstract_tesim":["The Orlando Shakespeare Theater Collection contains playbills, programs, reviews, newspaper clippings, films, cassettes, reels, and schedules. It also includes items relating to the Orlando-UCF Shakespeare Festival Partnership (OSF) such as Simply Shakespeare, Central Florida's first Shakespearean troupe, and the UCF Shakespeare Summer Institute as well as the NEH grant funded faculty study project \"Hamlet: Exploring the Renaissance Mind in Action\" which was presented in the Summer 1991."],"names_coll_ssim":["National Endowment for the Humanities","Florida Technological University","University of Central Florida","Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616"],"names_ssim":["UCF University Archives","University of Central Florida. Department of Theatre","Orlando Shakespeare Theater","National Endowment for the Humanities","Florida Technological University","University of Central Florida","Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616"],"corpname_ssim":["UCF University Archives","University of Central Florida. Department of Theatre","Orlando Shakespeare Theater","National Endowment for the Humanities","Florida Technological University","University of Central Florida"],"persname_ssim":["Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":206,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858696351809536,"_root_":"3590e990d26f42a3d9da5878","timestamp":"2026-07-16T08:18:08.333Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3590e990d26f42a3d9da5878","title_ssm":["Orlando Shakespeare Theater Collection"],"title_tesim":["Orlando Shakespeare Theater Collection"],"ead_ssi":"3590e990d26f42a3d9da5878","unitdate_ssm":["1974-2013","1986-2009"],"unitdate_bulk_ssim":["1986-2009"],"unitdate_inclusive_ssm":["1974-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA24D","/repositories/2/resources/26"],"text":["UA24D","/repositories/2/resources/26","Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009","Children's Theater","College Theater","Education, Higher -- United States","Performance art -- United States","Radio Programs","Theater","Universities and colleges -- Florida","Posters","Theater -- Florida -- Orlando","Universities and colleges -- Florida -- Orlando","slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)","The entire collection is open for research.","Collection Identifier: CFU2016_38","This collection is arranged in six series. Series I contains documents relating to OST performances and is arranged chronologically. Series II contains documents relating to the publicity of all aspects of OST and is arranged by subject then chronologically. Series III contains media relating to programs hosted by OST and is arranged by subject. Series IV contains photographs relating to performances and activities by OST and is arranged by subject then chronologically. Series V contains documents regarding the different partnerships OST has and is arranged by subject then chronologically. Series VI posters relating to the productions of OST.","According to The UCF Report May 15, 1998 issue, the Orlando-UCF Shakespeare Festival has its beginnings in 1974 when UCF English professor, Dr. Stuart Omans offered his students a chance to get out of writing term papers if they participated in reading scenes from Shakespeare to area junior and senior high schools. Though the group had missteps, they committed themselves to learning dialogue, practicing scenes and taking the show out of the classroom.","The Future October 24, 1975 issue explains how following the success of their performances the group was invited to perform throughout Florida and Georgia. This dedication brought upon the group's decision to attempt to increase their audience. With the guidance of Omans, the students wrote a grant proposal to the FTU Student Government to seek funding for their \"Simply Shakespeare\" company. FTU allocated nearly $3,000 to the group who referred to themselves as ambassadors of the community and area schools. This troupe would be Central Florida's first Shakespearean troupe.","Both the FTU News, March 14, 1979 issue and The Future issue from March 30, 1979 reported that a grant of $77,000 from the National Endowment for the Humanities and Fine Arts was given towards Omans, UCF Music professor Bruce Whisler, and UCF English professor Gerald Schiffhorst. The trio's objective was to create a Summer Institute to give Central Florida school teachers upgraded skills to teach Shakespeare through performance in English, Drama, and Humanities. Along with the funding, the Simply Shakespeare Troupe performances helped support the Summer Institute, charities and their own performances.","On December 18, 1998 the UCF Report published an interview with Omans discussing the establishment of the Orlando-UCF Shakespeare Festival. According to Omans, in 1987 he decided to create and support a professional classical theater through the Project for the Humanities and Fine Arts. With the support from then Orlando Mayor Bill Frederick and then UCF President Trevor Colbourn, Omans announced the establishment of the Orlando Shakespeare Festival in 1988. The inaugural season in 1989 brought to life the tales of Taming of the Shrew and Tempest.","According to the Orlando Shakespeare Theater Inc. Report, the Orlando-UCF Shakespeare Festival held their first performances at the Walt Disney Amphitheater of Lake Eola Park in downtown Orlando. In 1995 the group opened their performances up to non-Shakespeare plays and began staging plays in rented places throughout the area. The Orlando-UCF Shakespeare Festival is now based out of the John and Rita Lowndes Shakespeare Center and performs out of Margeson and Goldman Theaters as well.","Following the success of the Orlando-UCF Festival, Dr. Omans wanted to create a program tailored towards education and academic support of the next generation of actors, actresses, and theater enthusiasts. This program would become known as The Young Company. For the past twenty-six years, local high school students have auditioned, rehearsed and performed one play a year during the months of April through July.","The Orlando-UCF Shakespeare Festival has continued the legacy started by Omans and his students, while also growing into a nationally recognized theater and the only professional classical theater company in Central Florida. In 2007 the name was officially changed to the Orlando Shakespeare Theater (OST) to better reflect their year round activities which include performing seven Signature Series productions, three Children's Series productions, being part of a weekend festival of new plays titled PlayFest, annual summer camps, classes, workshops, and offering internships and independent studies for UCF Theater majors and alumni.","The materials in the Orlando Shakespeare Theater Collection were separated from the UCF Theater Collection that was assembled by Kelly Clemens, Cheryl Mahan, Ellen Anderson, and Dr. Stuart Omans. The collection was processed by and the finding aid was prepared by Kryslynn Collazo in 2018. All materials were placed into acid free folders and in an acid free box. Copies of media including Floppy Disks were made. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2.","For more information on university archives, please see our website. Further information about the UCF Theater Department may be found in the University of Central Florida Theater Program Collection. Additionally, information contributing to the Biographical/Historical Note can be found in these articles \"1975: The show goes on\" in  The UCF Report, Vol. 20 No. 21, May 15, 1998 ; \"Shakespeare troupe strives to create art awareness\" in the  Central Florida Future, Vol. 08 No. 05, October 24, 1975 ; \"Shakespearean program to expand\" in the  Central Florida Future, Vol. 11 No. 25, March 30, 1979 ; and \"Shakespeare Festival turns 10 years old\" in  The UCF Report, Vol. 21 No. 11, December 18, 1998 . For further information regarding to the Orlando Shakespeare Theater please consult their  website.","Series I: Performances, 1989-2012 contains programs, playbills, tickets stubs, brochures, pamphlets, newsletters, and other ephemera.","Series II: Publicity, 1986-2013 contains reviews, newspaper clippings, and newsletters.","Series III: Audiovisuals, 1979-1994, \u0026 undated contains reel-to-reel audiotapes and audiocassette tapes.","Series IV: Photographs, 1976-1980, \u0026 undated contains negatives and stock images of productions created by OST as well as other events attended by the group.","Series V: Partnerships, 1974-2009, \u0026 undated contains documents relating to different organizations partnerships with OST including news clippings, photocopies of letters, advance notices and advertisements for current and future productions.","Series VI: Posters, 1995-1999 \u0026 undated contains posters relating to various OST productions.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Orlando Shakespeare Theater Collection contains playbills, programs, reviews, newspaper clippings, films, cassettes, reels, and schedules. It also includes items relating to the Orlando-UCF Shakespeare Festival Partnership (OSF) such as Simply Shakespeare, Central Florida's first Shakespearean troupe, and the UCF Shakespeare Summer Institute as well as the NEH grant funded faculty study project \"Hamlet: Exploring the Renaissance Mind in Action\" which was presented in the Summer 1991.","UCF University Archives","University of Central Florida. Department of Theatre","Orlando Shakespeare Theater","National Endowment for the Humanities","Florida Technological University","University of Central Florida","Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616","English"],"unitid_tesim":["UA24D","/repositories/2/resources/26"],"normalized_date_ssm":["1974-2013, bulk 1986-2009"],"normalized_title_ssm":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"collection_title_tesim":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"collection_ssim":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"creator_ssim":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"creator_corpname_ssim":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"creators_ssim":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Rick Schell transferred these materials to the University of Central Florida Libraries, Special Collection and University Archives in 2016 (CFU2016_38)."],"access_subjects_ssim":["Children's Theater","College Theater","Education, Higher -- United States","Performance art -- United States","Radio Programs","Theater","Universities and colleges -- Florida","Posters","Theater -- Florida -- Orlando","Universities and colleges -- Florida -- Orlando","slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)"],"access_subjects_ssm":["Children's Theater","College Theater","Education, Higher -- United States","Performance art -- United States","Radio Programs","Theater","Universities and colleges -- Florida","Posters","Theater -- Florida -- Orlando","Universities and colleges -- Florida -- Orlando","slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["6 boxes 3.33 Linear Feet"],"extent_tesim":["6 boxes 3.33 Linear Feet"],"genreform_ssim":["slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"accruals_html_tesm":["\u003cp\u003eCollection Identifier: CFU2016_38\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Collection Identifier: CFU2016_38"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in six series. Series I contains documents relating to OST performances and is arranged chronologically. Series II contains documents relating to the publicity of all aspects of OST and is arranged by subject then chronologically. Series III contains media relating to programs hosted by OST and is arranged by subject. Series IV contains photographs relating to performances and activities by OST and is arranged by subject then chronologically. Series V contains documents regarding the different partnerships OST has and is arranged by subject then chronologically. Series VI posters relating to the productions of OST.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in six series. Series I contains documents relating to OST performances and is arranged chronologically. Series II contains documents relating to the publicity of all aspects of OST and is arranged by subject then chronologically. Series III contains media relating to programs hosted by OST and is arranged by subject. Series IV contains photographs relating to performances and activities by OST and is arranged by subject then chronologically. Series V contains documents regarding the different partnerships OST has and is arranged by subject then chronologically. Series VI posters relating to the productions of OST."],"bioghist_html_tesm":["\u003cp\u003eAccording to The UCF Report May 15, 1998 issue, the Orlando-UCF Shakespeare Festival has its beginnings in 1974 when UCF English professor, Dr. Stuart Omans offered his students a chance to get out of writing term papers if they participated in reading scenes from Shakespeare to area junior and senior high schools. Though the group had missteps, they committed themselves to learning dialogue, practicing scenes and taking the show out of the classroom.\u003c/p\u003e\n","\u003cp\u003eThe Future October 24, 1975 issue explains how following the success of their performances the group was invited to perform throughout Florida and Georgia. This dedication brought upon the group's decision to attempt to increase their audience. With the guidance of Omans, the students wrote a grant proposal to the FTU Student Government to seek funding for their \"Simply Shakespeare\" company. FTU allocated nearly $3,000 to the group who referred to themselves as ambassadors of the community and area schools. This troupe would be Central Florida's first Shakespearean troupe.\u003c/p\u003e\n","\u003cp\u003eBoth the FTU News, March 14, 1979 issue and The Future issue from March 30, 1979 reported that a grant of $77,000 from the National Endowment for the Humanities and Fine Arts was given towards Omans, UCF Music professor Bruce Whisler, and UCF English professor Gerald Schiffhorst. The trio's objective was to create a Summer Institute to give Central Florida school teachers upgraded skills to teach Shakespeare through performance in English, Drama, and Humanities. Along with the funding, the Simply Shakespeare Troupe performances helped support the Summer Institute, charities and their own performances.\u003c/p\u003e\n","\u003cp\u003eOn December 18, 1998 the UCF Report published an interview with Omans discussing the establishment of the Orlando-UCF Shakespeare Festival. According to Omans, in 1987 he decided to create and support a professional classical theater through the Project for the Humanities and Fine Arts. With the support from then Orlando Mayor Bill Frederick and then UCF President Trevor Colbourn, Omans announced the establishment of the Orlando Shakespeare Festival in 1988. The inaugural season in 1989 brought to life the tales of Taming of the Shrew and Tempest.\u003c/p\u003e\n","\u003cp\u003eAccording to the Orlando Shakespeare Theater Inc. Report, the Orlando-UCF Shakespeare Festival held their first performances at the Walt Disney Amphitheater of Lake Eola Park in downtown Orlando. In 1995 the group opened their performances up to non-Shakespeare plays and began staging plays in rented places throughout the area. The Orlando-UCF Shakespeare Festival is now based out of the John and Rita Lowndes Shakespeare Center and performs out of Margeson and Goldman Theaters as well.\u003c/p\u003e\n","\u003cp\u003eFollowing the success of the Orlando-UCF Festival, Dr. Omans wanted to create a program tailored towards education and academic support of the next generation of actors, actresses, and theater enthusiasts. This program would become known as The Young Company. For the past twenty-six years, local high school students have auditioned, rehearsed and performed one play a year during the months of April through July.\u003c/p\u003e\n","\u003cp\u003eThe Orlando-UCF Shakespeare Festival has continued the legacy started by Omans and his students, while also growing into a nationally recognized theater and the only professional classical theater company in Central Florida. In 2007 the name was officially changed to the Orlando Shakespeare Theater (OST) to better reflect their year round activities which include performing seven Signature Series productions, three Children's Series productions, being part of a weekend festival of new plays titled PlayFest, annual summer camps, classes, workshops, and offering internships and independent studies for UCF Theater majors and alumni.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["According to The UCF Report May 15, 1998 issue, the Orlando-UCF Shakespeare Festival has its beginnings in 1974 when UCF English professor, Dr. Stuart Omans offered his students a chance to get out of writing term papers if they participated in reading scenes from Shakespeare to area junior and senior high schools. Though the group had missteps, they committed themselves to learning dialogue, practicing scenes and taking the show out of the classroom.","The Future October 24, 1975 issue explains how following the success of their performances the group was invited to perform throughout Florida and Georgia. This dedication brought upon the group's decision to attempt to increase their audience. With the guidance of Omans, the students wrote a grant proposal to the FTU Student Government to seek funding for their \"Simply Shakespeare\" company. FTU allocated nearly $3,000 to the group who referred to themselves as ambassadors of the community and area schools. This troupe would be Central Florida's first Shakespearean troupe.","Both the FTU News, March 14, 1979 issue and The Future issue from March 30, 1979 reported that a grant of $77,000 from the National Endowment for the Humanities and Fine Arts was given towards Omans, UCF Music professor Bruce Whisler, and UCF English professor Gerald Schiffhorst. The trio's objective was to create a Summer Institute to give Central Florida school teachers upgraded skills to teach Shakespeare through performance in English, Drama, and Humanities. Along with the funding, the Simply Shakespeare Troupe performances helped support the Summer Institute, charities and their own performances.","On December 18, 1998 the UCF Report published an interview with Omans discussing the establishment of the Orlando-UCF Shakespeare Festival. According to Omans, in 1987 he decided to create and support a professional classical theater through the Project for the Humanities and Fine Arts. With the support from then Orlando Mayor Bill Frederick and then UCF President Trevor Colbourn, Omans announced the establishment of the Orlando Shakespeare Festival in 1988. The inaugural season in 1989 brought to life the tales of Taming of the Shrew and Tempest.","According to the Orlando Shakespeare Theater Inc. Report, the Orlando-UCF Shakespeare Festival held their first performances at the Walt Disney Amphitheater of Lake Eola Park in downtown Orlando. In 1995 the group opened their performances up to non-Shakespeare plays and began staging plays in rented places throughout the area. The Orlando-UCF Shakespeare Festival is now based out of the John and Rita Lowndes Shakespeare Center and performs out of Margeson and Goldman Theaters as well.","Following the success of the Orlando-UCF Festival, Dr. Omans wanted to create a program tailored towards education and academic support of the next generation of actors, actresses, and theater enthusiasts. This program would become known as The Young Company. For the past twenty-six years, local high school students have auditioned, rehearsed and performed one play a year during the months of April through July.","The Orlando-UCF Shakespeare Festival has continued the legacy started by Omans and his students, while also growing into a nationally recognized theater and the only professional classical theater company in Central Florida. In 2007 the name was officially changed to the Orlando Shakespeare Theater (OST) to better reflect their year round activities which include performing seven Signature Series productions, three Children's Series productions, being part of a weekend festival of new plays titled PlayFest, annual summer camps, classes, workshops, and offering internships and independent studies for UCF Theater majors and alumni."],"prefercite_html_tesm":["\u003cp\u003eOrlando Shakespeare Theater Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Orlando Shakespeare Theater Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eThe materials in the Orlando Shakespeare Theater Collection were separated from the UCF Theater Collection that was assembled by Kelly Clemens, Cheryl Mahan, Ellen Anderson, and Dr. Stuart Omans. The collection was processed by and the finding aid was prepared by Kryslynn Collazo in 2018. All materials were placed into acid free folders and in an acid free box. Copies of media including Floppy Disks were made. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The materials in the Orlando Shakespeare Theater Collection were separated from the UCF Theater Collection that was assembled by Kelly Clemens, Cheryl Mahan, Ellen Anderson, and Dr. Stuart Omans. The collection was processed by and the finding aid was prepared by Kryslynn Collazo in 2018. All materials were placed into acid free folders and in an acid free box. Copies of media including Floppy Disks were made. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on university archives, please see our website. Further information about the UCF Theater Department may be found in the University of Central Florida Theater Program Collection. Additionally, information contributing to the Biographical/Historical Note can be found in these articles \"1975: The show goes on\" in \u003cextref href=\"http://stars.library.ucf.edu/ucfreport/568/\"\u003eThe UCF Report, Vol. 20 No. 21, May 15, 1998\u003c/extref\u003e; \"Shakespeare troupe strives to create art awareness\" in the \u003cextref href=\"http://stars.library.ucf.edu/centralfloridafuture/239/\"\u003eCentral Florida Future, Vol. 08 No. 05, October 24, 1975\u003c/extref\u003e; \"Shakespearean program to expand\" in the \u003cextref href=\"http://stars.library.ucf.edu/centralfloridafuture/357/\"\u003eCentral Florida Future, Vol. 11 No. 25, March 30, 1979\u003c/extref\u003e; and \"Shakespeare Festival turns 10 years old\" in \u003cextref href=\"http://stars.library.ucf.edu/ucfreport/581/\"\u003eThe UCF Report, Vol. 21 No. 11, December 18, 1998\u003c/extref\u003e. For further information regarding to the Orlando Shakespeare Theater please consult their \u003cextref href=\"http://orlandoshakes.org/\"\u003ewebsite.\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on university archives, please see our website. Further information about the UCF Theater Department may be found in the University of Central Florida Theater Program Collection. Additionally, information contributing to the Biographical/Historical Note can be found in these articles \"1975: The show goes on\" in  The UCF Report, Vol. 20 No. 21, May 15, 1998 ; \"Shakespeare troupe strives to create art awareness\" in the  Central Florida Future, Vol. 08 No. 05, October 24, 1975 ; \"Shakespearean program to expand\" in the  Central Florida Future, Vol. 11 No. 25, March 30, 1979 ; and \"Shakespeare Festival turns 10 years old\" in  The UCF Report, Vol. 21 No. 11, December 18, 1998 . For further information regarding to the Orlando Shakespeare Theater please consult their  website."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Performances, 1989-2012 contains programs, playbills, tickets stubs, brochures, pamphlets, newsletters, and other ephemera.\u003c/p\u003e\n","\u003cp\u003eSeries II: Publicity, 1986-2013 contains reviews, newspaper clippings, and newsletters.\u003c/p\u003e\n","\u003cp\u003eSeries III: Audiovisuals, 1979-1994, \u0026amp; undated contains reel-to-reel audiotapes and audiocassette tapes.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Photographs, 1976-1980, \u0026amp; undated contains negatives and stock images of productions created by OST as well as other events attended by the group.\u003c/p\u003e\n","\u003cp\u003eSeries V: Partnerships, 1974-2009, \u0026amp; undated contains documents relating to different organizations partnerships with OST including news clippings, photocopies of letters, advance notices and advertisements for current and future productions.\u003c/p\u003e\n","\u003cp\u003eSeries VI: Posters, 1995-1999 \u0026amp; undated contains posters relating to various OST productions.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Performances, 1989-2012 contains programs, playbills, tickets stubs, brochures, pamphlets, newsletters, and other ephemera.","Series II: Publicity, 1986-2013 contains reviews, newspaper clippings, and newsletters.","Series III: Audiovisuals, 1979-1994, \u0026 undated contains reel-to-reel audiotapes and audiocassette tapes.","Series IV: Photographs, 1976-1980, \u0026 undated contains negatives and stock images of productions created by OST as well as other events attended by the group.","Series V: Partnerships, 1974-2009, \u0026 undated contains documents relating to different organizations partnerships with OST including news clippings, photocopies of letters, advance notices and advertisements for current and future productions.","Series VI: Posters, 1995-1999 \u0026 undated contains posters relating to various OST productions."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5f89e53d54d3ac96618ffc8e992924f9\" label=\"Abstract\"\u003eThe Orlando Shakespeare Theater Collection contains playbills, programs, reviews, newspaper clippings, films, cassettes, reels, and schedules. It also includes items relating to the Orlando-UCF Shakespeare Festival Partnership (OSF) such as Simply Shakespeare, Central Florida's first Shakespearean troupe, and the UCF Shakespeare Summer Institute as well as the NEH grant funded faculty study project \"Hamlet: Exploring the Renaissance Mind in Action\" which was presented in the Summer 1991.\u003c/abstract\u003e"],"abstract_tesim":["The Orlando Shakespeare Theater Collection contains playbills, programs, reviews, newspaper clippings, films, cassettes, reels, and schedules. It also includes items relating to the Orlando-UCF Shakespeare Festival Partnership (OSF) such as Simply Shakespeare, Central Florida's first Shakespearean troupe, and the UCF Shakespeare Summer Institute as well as the NEH grant funded faculty study project \"Hamlet: Exploring the Renaissance Mind in Action\" which was presented in the Summer 1991."],"names_coll_ssim":["National Endowment for the Humanities","Florida Technological University","University of Central Florida","Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616"],"names_ssim":["UCF University Archives","University of Central Florida. Department of Theatre","Orlando Shakespeare Theater","National Endowment for the Humanities","Florida Technological University","University of Central Florida","Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616"],"corpname_ssim":["UCF University Archives","University of Central Florida. Department of Theatre","Orlando Shakespeare Theater","National Endowment for the Humanities","Florida Technological University","University of Central Florida"],"persname_ssim":["Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":206,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858696351809536,"_root_":"3590e990d26f42a3d9da5878","timestamp":"2026-07-16T08:18:08.333Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3590e990d26f42a3d9da5878"}},{"id":"febc0b2945e082040f8df62a_aspace_29355","type":"File","attributes":{"title":"Orquesta Municipal Barcelona. Kalamazoo College. The Miami Philharmonic Union Musical Liria. Music California State College Programs, 1965-1980","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/febc0b2945e082040f8df62a_aspace_29355#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_29355","ref_ssm":["aspace_29355","aspace_29355"],"id":"febc0b2945e082040f8df62a_aspace_29355","title_filing_ssi":"Orquesta Municipal Barcelona. Kalamazoo College. The Miami Philharmonic Union Musical Liria. Music California State College Programs ","title_ssm":["Orquesta Municipal Barcelona. Kalamazoo College. The Miami Philharmonic Union Musical Liria. Music California State College Programs "],"title_tesim":["Orquesta Municipal Barcelona. Kalamazoo College. The Miami Philharmonic Union Musical Liria. Music California State College Programs "],"unitdate_inclusive_ssm":["1965-1980"],"normalized_date_ssm":["1965-1980"],"normalized_title_ssm":["Orquesta Municipal Barcelona. Kalamazoo College. The Miami Philharmonic Union Musical Liria. Music California State College Programs, 1965-1980"],"text":["Orquesta Municipal Barcelona. Kalamazoo College. The Miami Philharmonic Union Musical Liria. Music California State College Programs, 1965-1980","Alberto Bolet Collection, 1957-1998","Box 2","Folder 6","/repositories/2/archival_objects/71042","box 2","folder 6"],"component_level_isim":[2],"parent_ids_ssim":["febc0b2945e082040f8df62a","febc0b2945e082040f8df62a_aspace_6ec54d93c62a2e8e9bb89f8574ae0ac8"],"parent_unittitles_ssm":["Alberto Bolet Collection, 1957-1998","Box 2"],"parent_unittitles_tesim":["Alberto Bolet Collection, 1957-1998","Box 2"],"parent_levels_ssm":["collection","Other level"],"unitid_ssm":["Folder 6","/repositories/2/archival_objects/71042"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Alberto Bolet Collection, 1957-1998"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":20,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"containers_ssim":["box 2","folder 6"],"_nest_path_":"/components#1/components#5","_nest_parent_":"febc0b2945e082040f8df62a_aspace_6ec54d93c62a2e8e9bb89f8574ae0ac8","_root_":"febc0b2945e082040f8df62a","timestamp":"2026-07-08T02:41:46.449Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"febc0b2945e082040f8df62a","title_ssm":["Alberto Bolet Collection"],"title_tesim":["Alberto Bolet Collection"],"ead_ssi":"febc0b2945e082040f8df62a","unitdate_ssm":["1957-1998"],"unitdate_inclusive_ssm":["1957-1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC5010","/repositories/2/resources/94"],"text":["SPC5010","/repositories/2/resources/94","Alberto Bolet Collection, 1957-1998","Musicians","Music","Composers","The collection is open for research.","The arrangement of the folders in each box is in alphabetical order.","Alberto Bolet is a legendary pianist and conductor born in Havana, Cuba, on September 10, 1905. In the 1920s, he learned to play the violin in Madrid before traveling to Paris to perform, as well as briefly in Budapest. Afterwards, he toured briefly as part of a musical trio across Europe and North Africa in the late 1920s and 1930s. In 1936 Bolet returned to Havana to found and organise CMZ, Cuba's first classical radio station. There, he acted as music director and conductor from 1937 to 1943, founding and running both the first radio symphony orchestra in Cuba. More than 300 concerts were broadcast on air in the first three years. He left Cuba in the late 1940s to coordinate orchestras across South America, such as the Ballet Espanol de Ana Maria. In 1951, he returned to Cuba and became music director of the Havana Philharmonic, a post he held until January 1959. Political conditions caused him to leave Cuba in February 1959, and he moved to Europe where he conducted a series of concerts in London and Germany, to later become director of the Bilbao Symphony, Spain. In 1968 was selected as musical director of the Long Beach Symphony, California, a position he held for ten years. He also acted as Professor of Music at the California State College at Fullerton and Guest Lecturer at the Institute of Lifetime Learning, Long Beach, California. Until his death on November 10, 1999, he was active in the musical community and conducted orchestras not just in South America, but the United States, England, Spain and France as well.","This collection contains composed works of Cuban-American musical conductor and musician Alberto Bolet. Additionally, the archive includes an original typewriter belonging to him, posters from various performances, photographs of him as well as performances, and personal correspondences.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Bolet, Alberto","English Spanish; Castilian"],"unitid_tesim":["SPC5010","/repositories/2/resources/94"],"normalized_date_ssm":["1957-1998"],"normalized_title_ssm":["Alberto Bolet Collection, 1957-1998"],"collection_title_tesim":["Alberto Bolet Collection, 1957-1998"],"collection_ssim":["Alberto Bolet Collection, 1957-1998"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Musicians","Music"],"geogname_ssim":["Musicians","Music"],"creator_ssm":["Bolet, Alberto"],"creator_ssim":["Bolet, Alberto"],"creator_persname_ssim":["Bolet, Alberto"],"creators_ssim":["Bolet, Alberto"],"places_ssim":["Musicians","Music"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["Composers"],"access_subjects_ssm":["Composers"],"has_online_content_ssim":["false"],"extent_ssm":["8 boxes"],"extent_tesim":["8 boxes"],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe arrangement of the folders in each box is in alphabetical order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The arrangement of the folders in each box is in alphabetical order."],"bioghist_html_tesm":["\u003cp\u003eAlberto Bolet is a legendary pianist and conductor born in Havana, Cuba, on September 10, 1905. In the 1920s, he learned to play the violin in Madrid before traveling to Paris to perform, as well as briefly in Budapest. Afterwards, he toured briefly as part of a musical trio across Europe and North Africa in the late 1920s and 1930s. In 1936 Bolet returned to Havana to found and organise CMZ, Cuba's first classical radio station. There, he acted as music director and conductor from 1937 to 1943, founding and running both the first radio symphony orchestra in Cuba. More than 300 concerts were broadcast on air in the first three years. He left Cuba in the late 1940s to coordinate orchestras across South America, such as the Ballet Espanol de Ana Maria. In 1951, he returned to Cuba and became music director of the Havana Philharmonic, a post he held until January 1959. Political conditions caused him to leave Cuba in February 1959, and he moved to Europe where he conducted a series of concerts in London and Germany, to later become director of the Bilbao Symphony, Spain. In 1968 was selected as musical director of the Long Beach Symphony, California, a position he held for ten years. He also acted as Professor of Music at the California State College at Fullerton and Guest Lecturer at the Institute of Lifetime Learning, Long Beach, California. Until his death on November 10, 1999, he was active in the musical community and conducted orchestras not just in South America, but the United States, England, Spain and France as well.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Alberto Bolet is a legendary pianist and conductor born in Havana, Cuba, on September 10, 1905. In the 1920s, he learned to play the violin in Madrid before traveling to Paris to perform, as well as briefly in Budapest. Afterwards, he toured briefly as part of a musical trio across Europe and North Africa in the late 1920s and 1930s. In 1936 Bolet returned to Havana to found and organise CMZ, Cuba's first classical radio station. There, he acted as music director and conductor from 1937 to 1943, founding and running both the first radio symphony orchestra in Cuba. More than 300 concerts were broadcast on air in the first three years. He left Cuba in the late 1940s to coordinate orchestras across South America, such as the Ballet Espanol de Ana Maria. In 1951, he returned to Cuba and became music director of the Havana Philharmonic, a post he held until January 1959. Political conditions caused him to leave Cuba in February 1959, and he moved to Europe where he conducted a series of concerts in London and Germany, to later become director of the Bilbao Symphony, Spain. In 1968 was selected as musical director of the Long Beach Symphony, California, a position he held for ten years. He also acted as Professor of Music at the California State College at Fullerton and Guest Lecturer at the Institute of Lifetime Learning, Long Beach, California. Until his death on November 10, 1999, he was active in the musical community and conducted orchestras not just in South America, but the United States, England, Spain and France as well."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains composed works of Cuban-American musical conductor and musician Alberto Bolet. Additionally, the archive includes an original typewriter belonging to him, posters from various performances, photographs of him as well as performances, and personal correspondences.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains composed works of Cuban-American musical conductor and musician Alberto Bolet. Additionally, the archive includes an original typewriter belonging to him, posters from various performances, photographs of him as well as performances, and personal correspondences."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Bolet, Alberto"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Bolet, Alberto"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":85,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"febc0b2945e082040f8df62a","timestamp":"2026-07-08T02:41:46.449Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/febc0b2945e082040f8df62a_aspace_29355"}},{"id":"febc0b2945e082040f8df62a_aspace_29352","type":"File","attributes":{"title":"Orquesta Sinfonica del Conservatorio, Pro Arte Gratelli, Orq.Cam.Inst.Nac.Cult., Carlos Chavez Chamber Orq., SABC Second Symphony, etc., 1963-1986","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/febc0b2945e082040f8df62a_aspace_29352#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_29352","ref_ssm":["aspace_29352","aspace_29352"],"id":"febc0b2945e082040f8df62a_aspace_29352","title_filing_ssi":"Orquesta Sinfonica del Conservatorio, Pro Arte Gratelli, Orq.Cam.Inst.Nac.Cult., Carlos Chavez Chamber Orq., SABC Second Symphony, etc.","title_ssm":["Orquesta Sinfonica del Conservatorio, Pro Arte Gratelli, Orq.Cam.Inst.Nac.Cult., Carlos Chavez Chamber Orq., SABC Second Symphony, etc."],"title_tesim":["Orquesta Sinfonica del Conservatorio, Pro Arte Gratelli, Orq.Cam.Inst.Nac.Cult., Carlos Chavez Chamber Orq., SABC Second Symphony, etc."],"unitdate_inclusive_ssm":["1963-1986"],"normalized_date_ssm":["1963-1986"],"normalized_title_ssm":["Orquesta Sinfonica del Conservatorio, Pro Arte Gratelli, Orq.Cam.Inst.Nac.Cult., Carlos Chavez Chamber Orq., SABC Second Symphony, etc., 1963-1986"],"text":["Orquesta Sinfonica del Conservatorio, Pro Arte Gratelli, Orq.Cam.Inst.Nac.Cult., Carlos Chavez Chamber Orq., SABC Second Symphony, etc., 1963-1986","Alberto Bolet Collection, 1957-1998","Box 2","Folder 7","/repositories/2/archival_objects/71024","box 2","folder 7"],"component_level_isim":[2],"parent_ids_ssim":["febc0b2945e082040f8df62a","febc0b2945e082040f8df62a_aspace_6ec54d93c62a2e8e9bb89f8574ae0ac8"],"parent_unittitles_ssm":["Alberto Bolet Collection, 1957-1998","Box 2"],"parent_unittitles_tesim":["Alberto Bolet Collection, 1957-1998","Box 2"],"parent_levels_ssm":["collection","Other level"],"unitid_ssm":["Folder 7","/repositories/2/archival_objects/71024"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Alberto Bolet Collection, 1957-1998"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":21,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"date_range_isim":[1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"containers_ssim":["box 2","folder 7"],"_nest_path_":"/components#1/components#6","_nest_parent_":"febc0b2945e082040f8df62a_aspace_6ec54d93c62a2e8e9bb89f8574ae0ac8","_root_":"febc0b2945e082040f8df62a","timestamp":"2026-07-08T02:41:46.449Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"febc0b2945e082040f8df62a","title_ssm":["Alberto Bolet Collection"],"title_tesim":["Alberto Bolet Collection"],"ead_ssi":"febc0b2945e082040f8df62a","unitdate_ssm":["1957-1998"],"unitdate_inclusive_ssm":["1957-1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC5010","/repositories/2/resources/94"],"text":["SPC5010","/repositories/2/resources/94","Alberto Bolet Collection, 1957-1998","Musicians","Music","Composers","The collection is open for research.","The arrangement of the folders in each box is in alphabetical order.","Alberto Bolet is a legendary pianist and conductor born in Havana, Cuba, on September 10, 1905. In the 1920s, he learned to play the violin in Madrid before traveling to Paris to perform, as well as briefly in Budapest. Afterwards, he toured briefly as part of a musical trio across Europe and North Africa in the late 1920s and 1930s. In 1936 Bolet returned to Havana to found and organise CMZ, Cuba's first classical radio station. There, he acted as music director and conductor from 1937 to 1943, founding and running both the first radio symphony orchestra in Cuba. More than 300 concerts were broadcast on air in the first three years. He left Cuba in the late 1940s to coordinate orchestras across South America, such as the Ballet Espanol de Ana Maria. In 1951, he returned to Cuba and became music director of the Havana Philharmonic, a post he held until January 1959. Political conditions caused him to leave Cuba in February 1959, and he moved to Europe where he conducted a series of concerts in London and Germany, to later become director of the Bilbao Symphony, Spain. In 1968 was selected as musical director of the Long Beach Symphony, California, a position he held for ten years. He also acted as Professor of Music at the California State College at Fullerton and Guest Lecturer at the Institute of Lifetime Learning, Long Beach, California. Until his death on November 10, 1999, he was active in the musical community and conducted orchestras not just in South America, but the United States, England, Spain and France as well.","This collection contains composed works of Cuban-American musical conductor and musician Alberto Bolet. Additionally, the archive includes an original typewriter belonging to him, posters from various performances, photographs of him as well as performances, and personal correspondences.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Bolet, Alberto","English Spanish; Castilian"],"unitid_tesim":["SPC5010","/repositories/2/resources/94"],"normalized_date_ssm":["1957-1998"],"normalized_title_ssm":["Alberto Bolet Collection, 1957-1998"],"collection_title_tesim":["Alberto Bolet Collection, 1957-1998"],"collection_ssim":["Alberto Bolet Collection, 1957-1998"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Musicians","Music"],"geogname_ssim":["Musicians","Music"],"creator_ssm":["Bolet, Alberto"],"creator_ssim":["Bolet, Alberto"],"creator_persname_ssim":["Bolet, Alberto"],"creators_ssim":["Bolet, Alberto"],"places_ssim":["Musicians","Music"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["Composers"],"access_subjects_ssm":["Composers"],"has_online_content_ssim":["false"],"extent_ssm":["8 boxes"],"extent_tesim":["8 boxes"],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe arrangement of the folders in each box is in alphabetical order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The arrangement of the folders in each box is in alphabetical order."],"bioghist_html_tesm":["\u003cp\u003eAlberto Bolet is a legendary pianist and conductor born in Havana, Cuba, on September 10, 1905. In the 1920s, he learned to play the violin in Madrid before traveling to Paris to perform, as well as briefly in Budapest. Afterwards, he toured briefly as part of a musical trio across Europe and North Africa in the late 1920s and 1930s. In 1936 Bolet returned to Havana to found and organise CMZ, Cuba's first classical radio station. There, he acted as music director and conductor from 1937 to 1943, founding and running both the first radio symphony orchestra in Cuba. More than 300 concerts were broadcast on air in the first three years. He left Cuba in the late 1940s to coordinate orchestras across South America, such as the Ballet Espanol de Ana Maria. In 1951, he returned to Cuba and became music director of the Havana Philharmonic, a post he held until January 1959. Political conditions caused him to leave Cuba in February 1959, and he moved to Europe where he conducted a series of concerts in London and Germany, to later become director of the Bilbao Symphony, Spain. In 1968 was selected as musical director of the Long Beach Symphony, California, a position he held for ten years. He also acted as Professor of Music at the California State College at Fullerton and Guest Lecturer at the Institute of Lifetime Learning, Long Beach, California. Until his death on November 10, 1999, he was active in the musical community and conducted orchestras not just in South America, but the United States, England, Spain and France as well.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Alberto Bolet is a legendary pianist and conductor born in Havana, Cuba, on September 10, 1905. In the 1920s, he learned to play the violin in Madrid before traveling to Paris to perform, as well as briefly in Budapest. Afterwards, he toured briefly as part of a musical trio across Europe and North Africa in the late 1920s and 1930s. In 1936 Bolet returned to Havana to found and organise CMZ, Cuba's first classical radio station. There, he acted as music director and conductor from 1937 to 1943, founding and running both the first radio symphony orchestra in Cuba. More than 300 concerts were broadcast on air in the first three years. He left Cuba in the late 1940s to coordinate orchestras across South America, such as the Ballet Espanol de Ana Maria. In 1951, he returned to Cuba and became music director of the Havana Philharmonic, a post he held until January 1959. Political conditions caused him to leave Cuba in February 1959, and he moved to Europe where he conducted a series of concerts in London and Germany, to later become director of the Bilbao Symphony, Spain. In 1968 was selected as musical director of the Long Beach Symphony, California, a position he held for ten years. He also acted as Professor of Music at the California State College at Fullerton and Guest Lecturer at the Institute of Lifetime Learning, Long Beach, California. Until his death on November 10, 1999, he was active in the musical community and conducted orchestras not just in South America, but the United States, England, Spain and France as well."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains composed works of Cuban-American musical conductor and musician Alberto Bolet. Additionally, the archive includes an original typewriter belonging to him, posters from various performances, photographs of him as well as performances, and personal correspondences.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains composed works of Cuban-American musical conductor and musician Alberto Bolet. Additionally, the archive includes an original typewriter belonging to him, posters from various performances, photographs of him as well as performances, and personal correspondences."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Bolet, Alberto"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Bolet, Alberto"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":85,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"febc0b2945e082040f8df62a","timestamp":"2026-07-08T02:41:46.449Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/febc0b2945e082040f8df62a_aspace_29352"}},{"id":"d049b8f1d279e90b99a77f6a_aspace_7acba2a2f8f0266df039e6514cf97496","type":"Subseries","attributes":{"title":"Orth, Donald Collection, Circa 1960s-1989","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/d049b8f1d279e90b99a77f6a_aspace_7acba2a2f8f0266df039e6514cf97496#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eDonated by David Orth in 2011, the collection consists of 33 processed 8mm film reels and 23 processed Super 8mm film reels. The footage is dated circa 1960s through 1980s with specific footage dated 1960 through 1973 and circa 1982 through 1989. The contents include visits to China, Europe, Japan, Hawaii, Kennedy Space Center, World Expo '67, Hoover Dam, Epcot, a Blue Angels airshow, the Allaire State Park Historic Village, Pirate's World, Las Vegas, Disneyland, Mexico, Knott's Berry Farm, Universal Studios, Miami Seaquarium, Freedomland USA, the 1964 World's Fair, Villa Vizcaya, and Africa USA.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d049b8f1d279e90b99a77f6a_aspace_7acba2a2f8f0266df039e6514cf97496#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_7acba2a2f8f0266df039e6514cf97496","ref_ssm":["aspace_7acba2a2f8f0266df039e6514cf97496","aspace_7acba2a2f8f0266df039e6514cf97496"],"id":"d049b8f1d279e90b99a77f6a_aspace_7acba2a2f8f0266df039e6514cf97496","title_filing_ssi":"Orth, Donald Collection","title_ssm":["Orth, Donald Collection"],"title_tesim":["Orth, Donald Collection"],"unitdate_inclusive_ssm":["Circa 1960s-1989"],"normalized_date_ssm":["Circa 1960s-1989"],"normalized_title_ssm":["Orth, Donald Collection, Circa 1960s-1989"],"text":["Orth, Donald Collection, Circa 1960s-1989","UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987.","Home Movie Archives, Circa 1920-1989, Undated","/repositories/4/archival_objects/54561","Donated by David Orth in 2011, the collection consists of 33 processed 8mm film reels and 23 processed Super 8mm film reels. The footage is dated circa 1960s through 1980s with specific footage dated 1960 through 1973 and circa 1982 through 1989. The contents include visits to China, Europe, Japan, Hawaii, Kennedy Space Center, World Expo '67, Hoover Dam, Epcot, a Blue Angels airshow, the Allaire State Park Historic Village, Pirate's World, Las Vegas, Disneyland, Mexico, Knott's Berry Farm, Universal Studios, Miami Seaquarium, Freedomland USA, the 1964 World's Fair, Villa Vizcaya, and Africa USA."],"component_level_isim":[2],"parent_ids_ssim":["d049b8f1d279e90b99a77f6a","d049b8f1d279e90b99a77f6a_aspace_seriesI"],"parent_unittitles_ssm":["UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987.","Home Movie Archives, Circa 1920-1989, Undated"],"parent_unittitles_tesim":["UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987.","Home Movie Archives, Circa 1920-1989, Undated"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/4/archival_objects/54561"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987."],"has_online_content_ssim":["false"],"child_component_count_isi":20,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":295,"parent_access_restrict_tesm":["The entire collection is open for research. Curatorial Permission is required for reels 9, 24, 204, 205, 206, 207, 208, 209, 210, 297 due to their content."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"scopecontent_html_tesm":["\u003cp\u003eDonated by David Orth in 2011, the collection consists of 33 processed 8mm film reels and 23 processed Super 8mm film reels. The footage is dated circa 1960s through 1980s with specific footage dated 1960 through 1973 and circa 1982 through 1989. The contents include visits to China, Europe, Japan, Hawaii, Kennedy Space Center, World Expo '67, Hoover Dam, Epcot, a Blue Angels airshow, the Allaire State Park Historic Village, Pirate's World, Las Vegas, Disneyland, Mexico, Knott's Berry Farm, Universal Studios, Miami Seaquarium, Freedomland USA, the 1964 World's Fair, Villa Vizcaya, and Africa USA.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Donated by David Orth in 2011, the collection consists of 33 processed 8mm film reels and 23 processed Super 8mm film reels. The footage is dated circa 1960s through 1980s with specific footage dated 1960 through 1973 and circa 1982 through 1989. The contents include visits to China, Europe, Japan, Hawaii, Kennedy Space Center, World Expo '67, Hoover Dam, Epcot, a Blue Angels airshow, the Allaire State Park Historic Village, Pirate's World, Las Vegas, Disneyland, Mexico, Knott's Berry Farm, Universal Studios, Miami Seaquarium, Freedomland USA, the 1964 World's Fair, Villa Vizcaya, and Africa USA."],"_nest_path_":"/components#0/components#38","_nest_parent_":"d049b8f1d279e90b99a77f6a_aspace_seriesI","_root_":"d049b8f1d279e90b99a77f6a","timestamp":"2026-04-21T03:15:10.318Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d049b8f1d279e90b99a77f6a","title_ssm":["UCF Home Movie Archives"],"title_tesim":["UCF Home Movie Archives"],"ead_ssi":"d049b8f1d279e90b99a77f6a","unitdate_ssm":["Circa 1920-1989, Circa 2010-2014, Undated.","1950-1987."],"unitdate_bulk_ssim":["1950-1987."],"unitdate_inclusive_ssm":["Circa 1920-1989, Circa 2010-2014, Undated."],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.101","/repositories/4/resources/213"],"text":["SC.101","/repositories/4/resources/213","UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987.","Midway Islands","North America","Hawaii","South America","Europe","Asia","Australia","Africa","Universities and colleges -- Florida","Tourism","Amusement parks","Zoo animals","Wildlife-related recreation","Sculpture","Historic sites","Art and architecture","New York World's Fair (1964-1965 : New York, N.Y.)","United States -- Navy","Cold War","Vietnam War, 1961-1975","Birthday parties","Holidays","Proms","Weddings","Commencement ceremonies","Hunting","Fishing","Amateur films","Festivals","motion pictures (visual works)","8mm (photographic film size)","DVDs","VHS","short subjects","Super 8","The entire collection is open for research. Curatorial Permission is required for reels 9, 24, 204, 205, 206, 207, 208, 209, 210, 297 due to their content.","The first arrangement and description of the archives contents was completed in 2015. The collection is housed on a protected drive and on discs. Presently, the archive is arranged based on the donor in alphabetical order and each film is numerically ordered.","The collection contains 8mm, Super 8mm, and 16mm film reels donated by 54 donors from 2010-2014. The footage of the reels may or may not be listed in chronological order.","As part of the Special Collections and University Archives, the Home Movie Archive seeks to collect 8mm, Super 8mm, and 16mm home movies, captured mostly from late 1930s through the end of the 1980s, which have cultural, historical, scientific, or artistic significance, with a focus on Central Florida and its residents.","The aim of creating a Home Movie Archive is to ensure that the valuable social and historical information, captured by ordinary citizens, be preserved as part of the Special Collections and University Archives permanent holdings-a non-circulating collection whose use is confined to the Special Collections reading/research room.","The UCF Libraries will administer, permanently house, preserve, inventory, process, maintain, and make available a Home Movie Archive to the public, researchers, and scholars, in accordance with the UCF Libraries' established policies and procedures.","Most of the footage was donated during the University of Central Florida Film Department's Home Movie Day events from 2010 through 2013 with individual donations thereafter until 2014. Some of the reels were repaired by the UCF Film Department; more information regarding those repairs can be found in the administrative records. The films were digitized on discs and onto a Western Digital My Book Studio II Dual-drive Storage System with RAID from 2011 to 2013. The UCF Film Department transferred the collection to the UCF Library Special Collections on March 3, 2014.","A supplementary guide was created by David D. Morton in 2015; additions to the guide were integrated by Angie Villafane Martinez, John Settle, and Steven Craig Trelstad from 2017 to 2019. Reels 142 (LN_01), 143 (LN_02), 148 (MB_01), and 150 (MB_04) have vinegar syndrome and are being kept separate from the rest of the collection.","For more information on Special Collections, please see our  website .","Series I: Home Movie Archive, c. 1920-1989, Undated. The series is arranged into one series and 54 subseries with each subseries named after the donors (Last Name, First Name) and is alphabetically listed.","\nSeries II: Public Access Materials, c. 1920-1989, c. 2010-2014, Undated. The series contains the digitized formats of the footage featured in Series I for public research purposes. Also contains supplementary materials such as posters from the University of Central Florida Film Department's Home Movie Day event. The series is arranged with the digitized versions (as well as other formats) of the footage in a box and the posters stored in a flat file. ","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Home Move Archive houses films created by individuals that mostly depict their family interactions, ceremonies, celebrations, and vacations. Others depict famous moments in history such as the opening day of Walt Disney World or the 1964 World's Fair. The origins of the footage in the collection span across North America, South America, Europe, Africa, and Asia.","UCF Special Collections","Florida Technological University","University of Central Florida","The materials are written in English"],"unitid_tesim":["SC.101","/repositories/4/resources/213"],"normalized_date_ssm":["Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987."],"normalized_title_ssm":["UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987."],"collection_title_tesim":["UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987."],"collection_ssim":["UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987."],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Midway Islands","North America","Hawaii","South America","Europe","Asia","Australia","Africa"],"geogname_ssim":["Midway Islands","North America","Hawaii","South America","Europe","Asia","Australia","Africa"],"places_ssim":["Midway Islands","North America","Hawaii","South America","Europe","Asia","Australia","Africa"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Various donors donated the materials to the University of Central Film Department from 2010-2013; their names are used to differentiate their films in the collection. the UCF Film Department transferred these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2014."],"access_subjects_ssim":["Universities and colleges -- Florida","Tourism","Amusement parks","Zoo animals","Wildlife-related recreation","Sculpture","Historic sites","Art and architecture","New York World's Fair (1964-1965 : New York, N.Y.)","United States -- Navy","Cold War","Vietnam War, 1961-1975","Birthday parties","Holidays","Proms","Weddings","Commencement ceremonies","Hunting","Fishing","Amateur films","Festivals","motion pictures (visual works)","8mm (photographic film size)","DVDs","VHS","short subjects","Super 8"],"access_subjects_ssm":["Universities and colleges -- Florida","Tourism","Amusement parks","Zoo animals","Wildlife-related recreation","Sculpture","Historic sites","Art and architecture","New York World's Fair (1964-1965 : New York, N.Y.)","United States -- Navy","Cold War","Vietnam War, 1961-1975","Birthday parties","Holidays","Proms","Weddings","Commencement ceremonies","Hunting","Fishing","Amateur films","Festivals","motion pictures (visual works)","8mm (photographic film size)","DVDs","VHS","short subjects","Super 8"],"has_online_content_ssim":["false"],"extent_ssm":["23.65 Linear Feet 278 8mm Film Reels, 19 Super 8mm Film Reels; 9 16mm Film Reels, 1 Box, and 1 Flat File"],"extent_tesim":["23.65 Linear Feet 278 8mm Film Reels, 19 Super 8mm Film Reels; 9 16mm Film Reels, 1 Box, and 1 Flat File"],"genreform_ssim":["motion pictures (visual works)","8mm (photographic film size)","DVDs","VHS","short subjects","Super 8"],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research. Curatorial Permission is required for reels 9, 24, 204, 205, 206, 207, 208, 209, 210, 297 due to their content.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research. Curatorial Permission is required for reels 9, 24, 204, 205, 206, 207, 208, 209, 210, 297 due to their content."],"arrangement_html_tesm":["\u003cp\u003eThe first arrangement and description of the archives contents was completed in 2015. The collection is housed on a protected drive and on discs. Presently, the archive is arranged based on the donor in alphabetical order and each film is numerically ordered.\u003c/p\u003e\n","\u003cp\u003eThe collection contains 8mm, Super 8mm, and 16mm film reels donated by 54 donors from 2010-2014. The footage of the reels may or may not be listed in chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The first arrangement and description of the archives contents was completed in 2015. The collection is housed on a protected drive and on discs. Presently, the archive is arranged based on the donor in alphabetical order and each film is numerically ordered.","The collection contains 8mm, Super 8mm, and 16mm film reels donated by 54 donors from 2010-2014. The footage of the reels may or may not be listed in chronological order."],"bioghist_html_tesm":["\u003cp\u003eAs part of the Special Collections and University Archives, the Home Movie Archive seeks to collect 8mm, Super 8mm, and 16mm home movies, captured mostly from late 1930s through the end of the 1980s, which have cultural, historical, scientific, or artistic significance, with a focus on Central Florida and its residents.\u003c/p\u003e\n","\u003cp\u003eThe aim of creating a Home Movie Archive is to ensure that the valuable social and historical information, captured by ordinary citizens, be preserved as part of the Special Collections and University Archives permanent holdings-a non-circulating collection whose use is confined to the Special Collections reading/research room.\u003c/p\u003e\n","\u003cp\u003eThe UCF Libraries will administer, permanently house, preserve, inventory, process, maintain, and make available a Home Movie Archive to the public, researchers, and scholars, in accordance with the UCF Libraries' established policies and procedures.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["As part of the Special Collections and University Archives, the Home Movie Archive seeks to collect 8mm, Super 8mm, and 16mm home movies, captured mostly from late 1930s through the end of the 1980s, which have cultural, historical, scientific, or artistic significance, with a focus on Central Florida and its residents.","The aim of creating a Home Movie Archive is to ensure that the valuable social and historical information, captured by ordinary citizens, be preserved as part of the Special Collections and University Archives permanent holdings-a non-circulating collection whose use is confined to the Special Collections reading/research room.","The UCF Libraries will administer, permanently house, preserve, inventory, process, maintain, and make available a Home Movie Archive to the public, researchers, and scholars, in accordance with the UCF Libraries' established policies and procedures."],"prefercite_html_tesm":["\u003cp\u003eUCF Home Movie Archives, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["UCF Home Movie Archives, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMost of the footage was donated during the University of Central Florida Film Department's Home Movie Day events from 2010 through 2013 with individual donations thereafter until 2014. Some of the reels were repaired by the UCF Film Department; more information regarding those repairs can be found in the administrative records. The films were digitized on discs and onto a Western Digital My Book Studio II Dual-drive Storage System with RAID from 2011 to 2013. The UCF Film Department transferred the collection to the UCF Library Special Collections on March 3, 2014.\u003c/p\u003e","\u003cp\u003eA supplementary guide was created by David D. Morton in 2015; additions to the guide were integrated by Angie Villafane Martinez, John Settle, and Steven Craig Trelstad from 2017 to 2019. Reels 142 (LN_01), 143 (LN_02), 148 (MB_01), and 150 (MB_04) have vinegar syndrome and are being kept separate from the rest of the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["Most of the footage was donated during the University of Central Florida Film Department's Home Movie Day events from 2010 through 2013 with individual donations thereafter until 2014. Some of the reels were repaired by the UCF Film Department; more information regarding those repairs can be found in the administrative records. The films were digitized on discs and onto a Western Digital My Book Studio II Dual-drive Storage System with RAID from 2011 to 2013. The UCF Film Department transferred the collection to the UCF Library Special Collections on March 3, 2014.","A supplementary guide was created by David D. Morton in 2015; additions to the guide were integrated by Angie Villafane Martinez, John Settle, and Steven Craig Trelstad from 2017 to 2019. Reels 142 (LN_01), 143 (LN_02), 148 (MB_01), and 150 (MB_04) have vinegar syndrome and are being kept separate from the rest of the collection."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on Special Collections, please see our \u003cextref href=\"https://library.ucf.edu/about/departments/special-collections-university-archives/\" show=\"new\" actuate=\"onrequest\"\u003ewebsite\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["For more information on Special Collections, please see our  website ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Home Movie Archive, c. 1920-1989, Undated. The series is arranged into one series and 54 subseries with each subseries named after the donors (Last Name, First Name) and is alphabetically listed.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Public Access Materials, c. 1920-1989, c. 2010-2014, Undated. The series contains the digitized formats of the footage featured in Series I for public research purposes. Also contains supplementary materials such as posters from the University of Central Florida Film Department's Home Movie Day event. The series is arranged with the digitized versions (as well as other formats) of the footage in a box and the posters stored in a flat file. \u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["Series I: Home Movie Archive, c. 1920-1989, Undated. The series is arranged into one series and 54 subseries with each subseries named after the donors (Last Name, First Name) and is alphabetically listed.","\nSeries II: Public Access Materials, c. 1920-1989, c. 2010-2014, Undated. The series contains the digitized formats of the footage featured in Series I for public research purposes. Also contains supplementary materials such as posters from the University of Central Florida Film Department's Home Movie Day event. The series is arranged with the digitized versions (as well as other formats) of the footage in a box and the posters stored in a flat file. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6f7085fc2c24f2c91a7dd90d8b5a701a\"\u003eThe Home Move Archive houses films created by individuals that mostly depict their family interactions, ceremonies, celebrations, and vacations. Others depict famous moments in history such as the opening day of Walt Disney World or the 1964 World's Fair. The origins of the footage in the collection span across North America, South America, Europe, Africa, and Asia.\u003c/abstract\u003e"],"abstract_tesim":["The Home Move Archive houses films created by individuals that mostly depict their family interactions, ceremonies, celebrations, and vacations. Others depict famous moments in history such as the opening day of Walt Disney World or the 1964 World's Fair. The origins of the footage in the collection span across North America, South America, Europe, Africa, and Asia."],"names_coll_ssim":["Florida Technological University","University of Central Florida"],"names_ssim":["UCF Special Collections","Florida Technological University","University of Central Florida"],"corpname_ssim":["UCF Special Collections","Florida Technological University","University of Central Florida"],"language_ssim":["The materials are written in English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":481,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"d049b8f1d279e90b99a77f6a","timestamp":"2026-04-21T03:15:10.318Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d049b8f1d279e90b99a77f6a_aspace_7acba2a2f8f0266df039e6514cf97496"}},{"id":"2d920f17dde733c1cf36099d_aspace_45205","type":"Item","attributes":{"title":"Orthophytum 'Copper Penny', April 15, 1979","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2d920f17dde733c1cf36099d_aspace_45205#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_45205","ref_ssm":["aspace_45205","aspace_45205"],"id":"2d920f17dde733c1cf36099d_aspace_45205","title_filing_ssi":"Orthophytum 'Copper Penny'","title_ssm":["Orthophytum 'Copper Penny'"],"title_tesim":["Orthophytum 'Copper Penny'"],"unitdate_other_ssim":["April 15, 1979"],"normalized_date_ssm":["April 15, 1979"],"normalized_title_ssm":["Orthophytum 'Copper Penny', April 15, 1979"],"text":["Orthophytum 'Copper Penny', April 15, 1979","Bromeliad Society International (BSI) Archive, 1911-2018","Plants, 1942-2003, Undated","Applications for Registration of Bromeliad, 1966-2003, Undated","Item 2","/repositories/4/archival_objects/17902","box 2","folder 2"],"component_level_isim":[3],"parent_ids_ssim":["2d920f17dde733c1cf36099d","2d920f17dde733c1cf36099d_aspace_44824","2d920f17dde733c1cf36099d_aspace_44825"],"parent_unittitles_ssm":["Bromeliad Society International (BSI) Archive, 1911-2018","Plants, 1942-2003, Undated","Applications for Registration of Bromeliad, 1966-2003, Undated"],"parent_unittitles_tesim":["Bromeliad Society International (BSI) Archive, 1911-2018","Plants, 1942-2003, Undated","Applications for Registration of Bromeliad, 1966-2003, Undated"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Item 2","/repositories/4/archival_objects/17902"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Bromeliad Society International (BSI) Archive, 1911-2018"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":457,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1979],"containers_ssim":["box 2","folder 2"],"_nest_path_":"/components#1/components#0/components#377","_nest_parent_":"2d920f17dde733c1cf36099d_aspace_44825","_root_":"2d920f17dde733c1cf36099d","_version_":1870858035398705152,"timestamp":"2026-07-16T08:07:37.887Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2d920f17dde733c1cf36099d","title_ssm":["Bromeliad Society International (BSI) Archive"],"title_tesim":["Bromeliad Society International (BSI) Archive"],"ead_ssi":"2d920f17dde733c1cf36099d","unitdate_ssm":["1911-2018"],"unitdate_inclusive_ssm":["1911-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.097","/repositories/4/resources/78"],"text":["SC.097","/repositories/4/resources/78","Bromeliad Society International (BSI) Archive, 1911-2018","Denver (Colo.)","Houston (Tex.)","Philadelphia (Pa.)","Bromeliaceae","Botany","Plant hybridization","Botanical gardens -- Florida -- Orlando","Photographic prints","slides (photographs)","botanical illustrations","negatives (photographs)","The entire collection is open for research.","For many years, the bromeliad co-existed with the human, floral and animal inhabitants of the lush, tropical environment of the America. Each took advantage of what the other had to offer. Bromeliad history tells us that Christopher Columbus sailed the ocean blue and bumped into a new world. With his boat filled with goodies from the tropics, Columbus sailed the ocean again and managed to bump into his homeland, Spain. His Queen sent him back to the new world, and on his return trip he took a vicious looking plant with long, spiny leaves and a luscious sweet fruit growing from the center of the leaves. Christopher brought his Queen a pineapple. The first bromeliad to leave the new world.","Other adventures and explorers followed and returned to their homeland with wonders never seen before. Some of the wonders were tropical plants and many of them became known as bromeliads. Thus, the Bromeliacea family was described; and slowly over the years, its popularity invaded the United States. Bromeliad Society began in 1948 when Mr. Joseph Schneider of San Gabrial, California asked the organizer of Round Robins for the Flower Grower if she could get a group together who were interested in bromeliads. She placed a call for members of her Round Robin which brought an immediate response from Miss Victoria Padilla and Mrs. Sue Hutchinson who were soon followed by seven others, and they in turn brought four more. This group formed a Round Robin, exchanging their experiences with bromeliads by correspondence with one another for approximately two years. In the spring of 1950, a call was sent out to all members of the Round Robin, and others interested in bromeliads to attend a pot luck dinner at the home of Mrs. Doroth Behrends in Los Angeles, California on May 21st to discuss the suggestion made by Mr. Schneider that a Bromeliad Society be organized. There were fourteen enthusiastic bromeliad people in attendance. The meeting was called to order by Victoria Padilla. It was decided to hold an organizational meeting the following September.","The September 17, 1950 meeting was held on a Sunday afternoon in the home of Mr. and Mrs. Frank Overton in Glendale, California. Twenty one prospective members attended, with a surprise guest, Mr. Mulford Foster of Orlando, Florida. This group organized not just a local society, but an international society for the benefit of bromeliad enthusiasts all over the world. The first officers elected were: President, Mulford Foster; First Vice President, David Barry, Jr.; Second Vice President, Russell J. Seibert; Secretary, Victoria Padilla, and Treasurer, Frank H. Overton. In addition to the officers, Lyman B. Smith, H. B. Trau, Elmer J. Lorenz and Morris Schick were asked to serve on the Board of Directors. A Board of Honorary Trustees was elected, all of them from different countries.","This meeting was a fire of enthusiasm. In a very short time, the membership grew from less than thirty local Californians to an international group of nearly 100 charter members, representing the following countries; Argentina, Australia, Belgium, Brazil, Canada, Canal Zone, Costa Rica, France, Great Britain, New Zealand and the United States. First year was used to establish By-laws, goals, to build a membership and a treasury. The first Life Member of this new Society was Franklin M. DeVoe of Gulf Hammock, Florida. In January 1951, less than a year later, President Mulford Foster because editor of the The Bromeliad Society Bulletin, a bi-monthly publication to be sent to all members. Annual dues for membership remained $3.50 until March-April 1963 when the dues were increased to $4.00.","In November 1951, a local group organized The Southern California Bromeliad Society and became the first Affiliate of The Bromeliad Society. Early in 1953, The Bromeliad Society announced that it had been duly incorporated under the laws of the State of California as a non-profit organization. The March-April 1954 issue of The Bromeliad Society Bulletin announced that The Louisiana Bromeliad Society had applied for affiliation with The Bromeliad Society. December 1955 Bulletin, acknowledged the third affiliate, The Florida West Coast Bromeliad Society, and in the May-June 1959 Bulletin, The South Florida Bromeliad Society was established with Nat DeLeon President.","In the ten year period, The Bromeliad Society had grown to a membership of over 400, 100 of which were members living in countries other than the United States. In the United States, three states led in membership and activity: Florida (90 members), California (80 members) and Louisiana (30 members). There were four Affiliates, 2 in Florida, one in California, and one in Louisiana.","In the ensuing years The Bromeliad Society followed the rugged path of progress. Victoria Padilla became Editor of The Bromeliad Society Bulletin, and color pictures were introduced in 1960. In 1964, all cover pictures of the Bulletin were presented in color. In 1971, The Bromeliad Society Bulletin was given a new name, Journal of the Bromeliad Society. Victoria Padilla continued as Editor. In 1970, plans were made for a 20th Birthday celebration to be held in Southern California and hosted by the five Affiliates in the Los Angeles area. It was to feature an \"all bromeliad show\". This celebration led to future Bromeliad World Conferences. The Bromeliad Society has sponsored and funded many exceptional improvements to the future of bromeliads, and strives to ever improve the knowledge and appreciation of bromeliads for its members and the general public.","List of past Bromeliad World Conferences:","\n1972 Houston, Texas - First acknowledged Bromeliad Conference","\n1975 25th Anniversary Celebration, Buena Park, California","\n1977 New Orleans, Louisiana","\n1980 Orlando, Florida - 30th Birthday celebration","\n1982 Corpus Christi, Texas - \"Bromeliaceae Ole\"","\n1984 Los Angeles, California - \"Bromelympics\"","\n1986 New Orleans, Louisiana - \"One Mo' Time\"","\n1988 Miami, Florida - \"Miami Magic\"","\n1990 Houston, Texas - Bromeliads in Space\"","\n1992 Tampa, Florida - \"Bromeliad Safari\"","\n1994 San Diego, California - \"Bromeliads in Paradise\"","\n1996 Orlando, Florida - \"Orlandiana '96\"","\n1998 Houston, Texas - \"Bromeliad Roundup\"","\n2000 San Francisco, California - \"50th Birthday Celebration\"","\n2002 St. Petersburg, Florida - \"Bromeliad Beach Party\"","\n2004 Chicago, Illinois","\n2006 San Diego, California - \"Bromeliads on the Border\"","\n2008 Cairns, Australia - \"Bromeliads Down Under\"","\n2010 New Orleans, Louisiana - \"Bromeliads in the Big Easy\"","2012 Orlando, Florida - \"Orlandiana '12\"","\n2014 Honolulu, Hawaii - \"Bromeliads in Paradise\"","\n2018 San Diego, California - \"Fiesta de las Bromelias\"","Collection processed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten. Materials were arranged in chronological order and then placed in pH neutral folders and boxes. Fragile and high use items were placed in polyester sleeves.","The Michael A. Spencer Bromeliad Research Collection . Collector, Michael A. Spencer amassed this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented in this fine collection.","The Michael A. Spencer Collection on Theodore Mead , who was a horticulturist and owned an orange grove in Eustis, Florida and developed a property in Oviedo, Florida to research and hybridize plants. The collection contains Mead's notebook and family correspondence, together with a brochure and news clipping about the founding of Mead Gardens in Winter Park, Florida.","Michael A. Spencer Collection on Julian Nally . Nally grew bromeliads and other plants on the property that had once belonged to Henry Nehrling at Gotha, Florida. This collection documents both his work at the property and his personal life.","Michael A. Spencer Collection on Henry Nehrling . These materials were collected by Michael Spencer because of his interest in botany and his links with Central Florida. Of particular interest are Nehrling's notebooks, correspondence, photographs and plant labels. The collection also contains a few materials, which belonged to Mr. Spencer concerning the attempts to save Nehrling's Palm Cottage Gardens.","Henry Nehrling Papers . Henry Nehrling was a horticulturist famous for his gardens in Gotha and Naples, Florida. These papers are primarily manuscripts of his articles in the American Eagle and other writings about plants. They include a few news clippings, plant lists, correspondence and other documentation of a business and personal nature.","Archival Collection of Dr. Henry H. Nehrling from the Collection of Michael D. Kahn . These materials were in the possession of Betty Pooler Mitchell Nehrling, Henry Nehrling's second wife. The collection consists of letters, documents, photographs, postcards and monographs which provides insight into the familial and financial affairs of the Nehrling Gardens. It also offers a look at Henry Nehrling during the tumultuous years of Florida's boom and bust, and a glimpse of his failing physical and mental state while he sought refuge in a quiet communal colony in Southwest Florida.","Bromeliad Society International","Affiliated Societies of Bromeliad Society International","Florida Council of Affiliated Societies","Series I: Records, 1953-2006, contains biographies of Bromeliad Society International members and collected materials on conferences \u0026 symposiums, manuscripts, and various correspondence. Series also holds organizational files such as the minutes of the general meeting and the meeting of the board of directors, bylaws \u0026 standing rules of the Bromeliad Society, annual reports, financial statements, and affiliate shows committee reports.","\nSeries II: Plants, 1942-2003, includes documents that pertain to the registration of cultivar names. Applications for registration of Bromeliad are arranged in alphabetical order first by genus then proposed name. Some of the registrations may contain sample images along with the applications either in print or slide format. Series also holds one folder of articles and clippings related to Bromeliad which are collected by Bromeliad Society International members.","\nSeries III: Publications, 1951-2006, holds bromeliad publications from Australia, Brazil, Canada, Czech Republic, Mexico, Switzerland, and United States. Publications are arranged in alphabetical order by country, and then arranged in chronological order.","\nSeries IV: Photographs, 1949-2001, in three sub-series; Plants, People, and Digital Files. Most of the bromeliad cultivar photographs and registrar's files are stored in either floppy discs or CD-ROMs. Only one folder contains photographs of Bromeliad Society International members; such as Mulford B. Foster, Ella Kelly and Victoria Padilla.","\nSeries V: Memorabilia, 1980-2004, includes Bromeliad Society International pins and posters that were issued for the World Bromeliad Conferences. A number of posters are signed and numbered by the artists, such as John Barbie Jr. and Steve Littlefield.","\nSeries VI: Additional Materials, 1911-2018, This series holds additional materials received from the Bromeliad Society International (BSI) in 2015, 2016, 2018, and 2022. Some of these materials include a World Bromeliad Conference '72 schedule events and a letter sent out to BSI members from the chair, Patrick Mitchell; a manuscript called \"Bromeliad Hybrids and Cultivars\" compiled by Brian Smith in 1984; \"A Preliminary Listing of All Known Cultivar and Grex Names for the Bromeliaceae\" created by Bromeliad Society, Inc. and arranged by Don A. Beadle, includes named and unnamed grexes, names of collectors, hybridizers, developers, references, and dates; \"First tentative Listing of Bromeliad Cultivars\" prepared by Brian Smith in 1989; four copper color separations for one print; and various publications from Australia, New Zealand, and the United States.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The Bromeliad Society International (BSI) Archive consists of historical materials, including photographs related to cultivation of bromeliads; field notes related to the collection of bromeliads in the wild; list of plant entries in judged bromeliad shows; incoming and outgoing correspondence from early bromeliad growers; biographies; administrative records of the BSI such as, copyright registrations, copies of meeting minutes, annual reports, and bylaws; BSI publications; and ephemera, including posters and pins. The purpose of the BSI is to promote and maintain public and scientific interest in the research, development, preservation, and distribution of bromeliads, both natural and hybrid, throughout the world.","UCF Special Collections","Bromeliad Society International","English"],"unitid_tesim":["SC.097","/repositories/4/resources/78"],"normalized_date_ssm":["1911-2018"],"normalized_title_ssm":["Bromeliad Society International (BSI) Archive, 1911-2018"],"collection_title_tesim":["Bromeliad Society International (BSI) Archive, 1911-2018"],"collection_ssim":["Bromeliad Society International (BSI) Archive, 1911-2018"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Denver (Colo.)","Houston (Tex.)","Philadelphia (Pa.)"],"geogname_ssim":["Denver (Colo.)","Houston (Tex.)","Philadelphia (Pa.)"],"places_ssim":["Denver (Colo.)","Houston (Tex.)","Philadelphia (Pa.)"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The University of Central Florida Libraries, Special Collections and University Archives Department acquired these materials from Jay Thurrott in 2014 (CFM2014_04). Additional materials were donated in 2015 (CFM2015_08), 2016 (CFM2016_06), 2018 (CFM2018_11) and 2022 (CFM2022_17)."],"access_subjects_ssim":["Bromeliaceae","Botany","Plant hybridization","Botanical gardens -- Florida -- Orlando","Photographic prints","slides (photographs)","botanical illustrations","negatives (photographs)"],"access_subjects_ssm":["Bromeliaceae","Botany","Plant hybridization","Botanical gardens -- Florida -- Orlando","Photographic prints","slides (photographs)","botanical illustrations","negatives (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["13 Linear Feet 27 Boxes, 1 Flat File, 1 Flat Box"],"extent_tesim":["13 Linear Feet 27 Boxes, 1 Flat File, 1 Flat Box"],"genreform_ssim":["Photographic prints","slides (photographs)","botanical illustrations","negatives (photographs)"],"date_range_isim":[1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eFor many years, the bromeliad co-existed with the human, floral and animal inhabitants of the lush, tropical environment of the America. Each took advantage of what the other had to offer. Bromeliad history tells us that Christopher Columbus sailed the ocean blue and bumped into a new world. With his boat filled with goodies from the tropics, Columbus sailed the ocean again and managed to bump into his homeland, Spain. His Queen sent him back to the new world, and on his return trip he took a vicious looking plant with long, spiny leaves and a luscious sweet fruit growing from the center of the leaves. Christopher brought his Queen a pineapple. The first bromeliad to leave the new world.\u003c/p\u003e\n","\u003cp\u003eOther adventures and explorers followed and returned to their homeland with wonders never seen before. Some of the wonders were tropical plants and many of them became known as bromeliads. Thus, the Bromeliacea family was described; and slowly over the years, its popularity invaded the United States. Bromeliad Society began in 1948 when Mr. Joseph Schneider of San Gabrial, California asked the organizer of Round Robins for the Flower Grower if she could get a group together who were interested in bromeliads. She placed a call for members of her Round Robin which brought an immediate response from Miss Victoria Padilla and Mrs. Sue Hutchinson who were soon followed by seven others, and they in turn brought four more. This group formed a Round Robin, exchanging their experiences with bromeliads by correspondence with one another for approximately two years. In the spring of 1950, a call was sent out to all members of the Round Robin, and others interested in bromeliads to attend a pot luck dinner at the home of Mrs. Doroth Behrends in Los Angeles, California on May 21st to discuss the suggestion made by Mr. Schneider that a Bromeliad Society be organized. There were fourteen enthusiastic bromeliad people in attendance. The meeting was called to order by Victoria Padilla. It was decided to hold an organizational meeting the following September.\u003c/p\u003e\n","\u003cp\u003eThe September 17, 1950 meeting was held on a Sunday afternoon in the home of Mr. and Mrs. Frank Overton in Glendale, California. Twenty one prospective members attended, with a surprise guest, Mr. Mulford Foster of Orlando, Florida. This group organized not just a local society, but an international society for the benefit of bromeliad enthusiasts all over the world. The first officers elected were: President, Mulford Foster; First Vice President, David Barry, Jr.; Second Vice President, Russell J. Seibert; Secretary, Victoria Padilla, and Treasurer, Frank H. Overton. In addition to the officers, Lyman B. Smith, H. B. Trau, Elmer J. Lorenz and Morris Schick were asked to serve on the Board of Directors. A Board of Honorary Trustees was elected, all of them from different countries.\u003c/p\u003e\n","\u003cp\u003eThis meeting was a fire of enthusiasm. In a very short time, the membership grew from less than thirty local Californians to an international group of nearly 100 charter members, representing the following countries; Argentina, Australia, Belgium, Brazil, Canada, Canal Zone, Costa Rica, France, Great Britain, New Zealand and the United States. First year was used to establish By-laws, goals, to build a membership and a treasury. The first Life Member of this new Society was Franklin M. DeVoe of Gulf Hammock, Florida. In January 1951, less than a year later, President Mulford Foster because editor of the The Bromeliad Society Bulletin, a bi-monthly publication to be sent to all members. Annual dues for membership remained $3.50 until March-April 1963 when the dues were increased to $4.00.\u003c/p\u003e\n","\u003cp\u003eIn November 1951, a local group organized The Southern California Bromeliad Society and became the first Affiliate of The Bromeliad Society. Early in 1953, The Bromeliad Society announced that it had been duly incorporated under the laws of the State of California as a non-profit organization. The March-April 1954 issue of The Bromeliad Society Bulletin announced that The Louisiana Bromeliad Society had applied for affiliation with The Bromeliad Society. December 1955 Bulletin, acknowledged the third affiliate, The Florida West Coast Bromeliad Society, and in the May-June 1959 Bulletin, The South Florida Bromeliad Society was established with Nat DeLeon President.\u003c/p\u003e\n","\u003cp\u003eIn the ten year period, The Bromeliad Society had grown to a membership of over 400, 100 of which were members living in countries other than the United States. In the United States, three states led in membership and activity: Florida (90 members), California (80 members) and Louisiana (30 members). There were four Affiliates, 2 in Florida, one in California, and one in Louisiana.\u003c/p\u003e\n","\u003cp\u003eIn the ensuing years The Bromeliad Society followed the rugged path of progress. Victoria Padilla became Editor of The Bromeliad Society Bulletin, and color pictures were introduced in 1960. In 1964, all cover pictures of the Bulletin were presented in color. In 1971, The Bromeliad Society Bulletin was given a new name, Journal of the Bromeliad Society. Victoria Padilla continued as Editor. In 1970, plans were made for a 20th Birthday celebration to be held in Southern California and hosted by the five Affiliates in the Los Angeles area. It was to feature an \"all bromeliad show\". This celebration led to future Bromeliad World Conferences. The Bromeliad Society has sponsored and funded many exceptional improvements to the future of bromeliads, and strives to ever improve the knowledge and appreciation of bromeliads for its members and the general public.\u003c/p\u003e\n","\u003cp\u003eList of past Bromeliad World Conferences:\u003c/p\u003e\n","\u003cp\u003e\n1972 Houston, Texas - First acknowledged Bromeliad Conference\u003c/p\u003e\n","\u003cp\u003e\n1975 25th Anniversary Celebration, Buena Park, California\u003c/p\u003e\n","\u003cp\u003e\n1977 New Orleans, Louisiana\u003c/p\u003e\n","\u003cp\u003e\n1980 Orlando, Florida - 30th Birthday celebration\u003c/p\u003e\n","\u003cp\u003e\n1982 Corpus Christi, Texas - \"Bromeliaceae Ole\"\u003c/p\u003e\n","\u003cp\u003e\n1984 Los Angeles, California - \"Bromelympics\"\u003c/p\u003e\n","\u003cp\u003e\n1986 New Orleans, Louisiana - \"One Mo' Time\"\u003c/p\u003e\n","\u003cp\u003e\n1988 Miami, Florida - \"Miami Magic\"\u003c/p\u003e\n","\u003cp\u003e\n1990 Houston, Texas - Bromeliads in Space\"\u003c/p\u003e\n","\u003cp\u003e\n1992 Tampa, Florida - \"Bromeliad Safari\"\u003c/p\u003e\n","\u003cp\u003e\n1994 San Diego, California - \"Bromeliads in Paradise\"\u003c/p\u003e\n","\u003cp\u003e\n1996 Orlando, Florida - \"Orlandiana '96\"\u003c/p\u003e\n","\u003cp\u003e\n1998 Houston, Texas - \"Bromeliad Roundup\"\u003c/p\u003e\n","\u003cp\u003e\n2000 San Francisco, California - \"50th Birthday Celebration\"\u003c/p\u003e\n","\u003cp\u003e\n2002 St. Petersburg, Florida - \"Bromeliad Beach Party\"\u003c/p\u003e\n","\u003cp\u003e\n2004 Chicago, Illinois\u003c/p\u003e\n","\u003cp\u003e\n2006 San Diego, California - \"Bromeliads on the Border\"\u003c/p\u003e\n","\u003cp\u003e\n2008 Cairns, Australia - \"Bromeliads Down Under\"\u003c/p\u003e\n","\u003cp\u003e\n2010 New Orleans, Louisiana - \"Bromeliads in the Big Easy\"\u003c/p\u003e\n","\u003cp\u003e2012 Orlando, Florida - \"Orlandiana '12\"\u003c/p\u003e\n","\u003cp\u003e\n2014 Honolulu, Hawaii - \"Bromeliads in Paradise\"\u003c/p\u003e\n","\u003cp\u003e\n2018 San Diego, California - \"Fiesta de las Bromelias\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["For many years, the bromeliad co-existed with the human, floral and animal inhabitants of the lush, tropical environment of the America. Each took advantage of what the other had to offer. Bromeliad history tells us that Christopher Columbus sailed the ocean blue and bumped into a new world. With his boat filled with goodies from the tropics, Columbus sailed the ocean again and managed to bump into his homeland, Spain. His Queen sent him back to the new world, and on his return trip he took a vicious looking plant with long, spiny leaves and a luscious sweet fruit growing from the center of the leaves. Christopher brought his Queen a pineapple. The first bromeliad to leave the new world.","Other adventures and explorers followed and returned to their homeland with wonders never seen before. Some of the wonders were tropical plants and many of them became known as bromeliads. Thus, the Bromeliacea family was described; and slowly over the years, its popularity invaded the United States. Bromeliad Society began in 1948 when Mr. Joseph Schneider of San Gabrial, California asked the organizer of Round Robins for the Flower Grower if she could get a group together who were interested in bromeliads. She placed a call for members of her Round Robin which brought an immediate response from Miss Victoria Padilla and Mrs. Sue Hutchinson who were soon followed by seven others, and they in turn brought four more. This group formed a Round Robin, exchanging their experiences with bromeliads by correspondence with one another for approximately two years. In the spring of 1950, a call was sent out to all members of the Round Robin, and others interested in bromeliads to attend a pot luck dinner at the home of Mrs. Doroth Behrends in Los Angeles, California on May 21st to discuss the suggestion made by Mr. Schneider that a Bromeliad Society be organized. There were fourteen enthusiastic bromeliad people in attendance. The meeting was called to order by Victoria Padilla. It was decided to hold an organizational meeting the following September.","The September 17, 1950 meeting was held on a Sunday afternoon in the home of Mr. and Mrs. Frank Overton in Glendale, California. Twenty one prospective members attended, with a surprise guest, Mr. Mulford Foster of Orlando, Florida. This group organized not just a local society, but an international society for the benefit of bromeliad enthusiasts all over the world. The first officers elected were: President, Mulford Foster; First Vice President, David Barry, Jr.; Second Vice President, Russell J. Seibert; Secretary, Victoria Padilla, and Treasurer, Frank H. Overton. In addition to the officers, Lyman B. Smith, H. B. Trau, Elmer J. Lorenz and Morris Schick were asked to serve on the Board of Directors. A Board of Honorary Trustees was elected, all of them from different countries.","This meeting was a fire of enthusiasm. In a very short time, the membership grew from less than thirty local Californians to an international group of nearly 100 charter members, representing the following countries; Argentina, Australia, Belgium, Brazil, Canada, Canal Zone, Costa Rica, France, Great Britain, New Zealand and the United States. First year was used to establish By-laws, goals, to build a membership and a treasury. The first Life Member of this new Society was Franklin M. DeVoe of Gulf Hammock, Florida. In January 1951, less than a year later, President Mulford Foster because editor of the The Bromeliad Society Bulletin, a bi-monthly publication to be sent to all members. Annual dues for membership remained $3.50 until March-April 1963 when the dues were increased to $4.00.","In November 1951, a local group organized The Southern California Bromeliad Society and became the first Affiliate of The Bromeliad Society. Early in 1953, The Bromeliad Society announced that it had been duly incorporated under the laws of the State of California as a non-profit organization. The March-April 1954 issue of The Bromeliad Society Bulletin announced that The Louisiana Bromeliad Society had applied for affiliation with The Bromeliad Society. December 1955 Bulletin, acknowledged the third affiliate, The Florida West Coast Bromeliad Society, and in the May-June 1959 Bulletin, The South Florida Bromeliad Society was established with Nat DeLeon President.","In the ten year period, The Bromeliad Society had grown to a membership of over 400, 100 of which were members living in countries other than the United States. In the United States, three states led in membership and activity: Florida (90 members), California (80 members) and Louisiana (30 members). There were four Affiliates, 2 in Florida, one in California, and one in Louisiana.","In the ensuing years The Bromeliad Society followed the rugged path of progress. Victoria Padilla became Editor of The Bromeliad Society Bulletin, and color pictures were introduced in 1960. In 1964, all cover pictures of the Bulletin were presented in color. In 1971, The Bromeliad Society Bulletin was given a new name, Journal of the Bromeliad Society. Victoria Padilla continued as Editor. In 1970, plans were made for a 20th Birthday celebration to be held in Southern California and hosted by the five Affiliates in the Los Angeles area. It was to feature an \"all bromeliad show\". This celebration led to future Bromeliad World Conferences. The Bromeliad Society has sponsored and funded many exceptional improvements to the future of bromeliads, and strives to ever improve the knowledge and appreciation of bromeliads for its members and the general public.","List of past Bromeliad World Conferences:","\n1972 Houston, Texas - First acknowledged Bromeliad Conference","\n1975 25th Anniversary Celebration, Buena Park, California","\n1977 New Orleans, Louisiana","\n1980 Orlando, Florida - 30th Birthday celebration","\n1982 Corpus Christi, Texas - \"Bromeliaceae Ole\"","\n1984 Los Angeles, California - \"Bromelympics\"","\n1986 New Orleans, Louisiana - \"One Mo' Time\"","\n1988 Miami, Florida - \"Miami Magic\"","\n1990 Houston, Texas - Bromeliads in Space\"","\n1992 Tampa, Florida - \"Bromeliad Safari\"","\n1994 San Diego, California - \"Bromeliads in Paradise\"","\n1996 Orlando, Florida - \"Orlandiana '96\"","\n1998 Houston, Texas - \"Bromeliad Roundup\"","\n2000 San Francisco, California - \"50th Birthday Celebration\"","\n2002 St. Petersburg, Florida - \"Bromeliad Beach Party\"","\n2004 Chicago, Illinois","\n2006 San Diego, California - \"Bromeliads on the Border\"","\n2008 Cairns, Australia - \"Bromeliads Down Under\"","\n2010 New Orleans, Louisiana - \"Bromeliads in the Big Easy\"","2012 Orlando, Florida - \"Orlandiana '12\"","\n2014 Honolulu, Hawaii - \"Bromeliads in Paradise\"","\n2018 San Diego, California - \"Fiesta de las Bromelias\""],"prefercite_html_tesm":["\u003cp\u003eBromeliad Society International Archive, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Bromeliad Society International Archive, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten. Materials were arranged in chronological order and then placed in pH neutral folders and boxes. Fragile and high use items were placed in polyester sleeves.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Suphi Burak Ogreten; finding aid prepared by Suphi Burak Ogreten. Materials were arranged in chronological order and then placed in pH neutral folders and boxes. Fragile and high use items were placed in polyester sleeves."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-09\"\u003eThe Michael A. Spencer Bromeliad Research Collection\u003c/extref\u003e. Collector, Michael A. Spencer amassed this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented in this fine collection.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08b\"\u003eThe Michael A. Spencer Collection on Theodore Mead\u003c/extref\u003e, who was a horticulturist and owned an orange grove in Eustis, Florida and developed a property in Oviedo, Florida to research and hybridize plants. The collection contains Mead's notebook and family correspondence, together with a brochure and news clipping about the founding of Mead Gardens in Winter Park, Florida.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08c\"\u003eMichael A. Spencer Collection on Julian Nally\u003c/extref\u003e. Nally grew bromeliads and other plants on the property that had once belonged to Henry Nehrling at Gotha, Florida. This collection documents both his work at the property and his personal life.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08a\"\u003eMichael A. Spencer Collection on Henry Nehrling\u003c/extref\u003e. These materials were collected by Michael Spencer because of his interest in botany and his links with Central Florida. Of particular interest are Nehrling's notebooks, correspondence, photographs and plant labels. The collection also contains a few materials, which belonged to Mr. Spencer concerning the attempts to save Nehrling's Palm Cottage Gardens.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1999-03\"\u003eHenry Nehrling Papers\u003c/extref\u003e. Henry Nehrling was a horticulturist famous for his gardens in Gotha and Naples, Florida. These papers are primarily manuscripts of his articles in the American Eagle and other writings about plants. They include a few news clippings, plant lists, correspondence and other documentation of a business and personal nature.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2014-09\"\u003eArchival Collection of Dr. Henry H. Nehrling from the Collection of Michael D. Kahn\u003c/extref\u003e. These materials were in the possession of Betty Pooler Mitchell Nehrling, Henry Nehrling's second wife. The collection consists of letters, documents, photographs, postcards and monographs which provides insight into the familial and financial affairs of the Nehrling Gardens. It also offers a look at Henry Nehrling during the tumultuous years of Florida's boom and bust, and a glimpse of his failing physical and mental state while he sought refuge in a quiet communal colony in Southwest Florida.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://www.bsi.org/new/\"\u003eBromeliad Society International\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://www.bsi.org/bsi_info/affiliates/?bylocation\"\u003eAffiliated Societies of Bromeliad Society International\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://www.fcbs.org\"\u003eFlorida Council of Affiliated Societies\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Michael A. Spencer Bromeliad Research Collection . Collector, Michael A. Spencer amassed this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented in this fine collection.","The Michael A. Spencer Collection on Theodore Mead , who was a horticulturist and owned an orange grove in Eustis, Florida and developed a property in Oviedo, Florida to research and hybridize plants. The collection contains Mead's notebook and family correspondence, together with a brochure and news clipping about the founding of Mead Gardens in Winter Park, Florida.","Michael A. Spencer Collection on Julian Nally . Nally grew bromeliads and other plants on the property that had once belonged to Henry Nehrling at Gotha, Florida. This collection documents both his work at the property and his personal life.","Michael A. Spencer Collection on Henry Nehrling . These materials were collected by Michael Spencer because of his interest in botany and his links with Central Florida. Of particular interest are Nehrling's notebooks, correspondence, photographs and plant labels. The collection also contains a few materials, which belonged to Mr. Spencer concerning the attempts to save Nehrling's Palm Cottage Gardens.","Henry Nehrling Papers . Henry Nehrling was a horticulturist famous for his gardens in Gotha and Naples, Florida. These papers are primarily manuscripts of his articles in the American Eagle and other writings about plants. They include a few news clippings, plant lists, correspondence and other documentation of a business and personal nature.","Archival Collection of Dr. Henry H. Nehrling from the Collection of Michael D. Kahn . These materials were in the possession of Betty Pooler Mitchell Nehrling, Henry Nehrling's second wife. The collection consists of letters, documents, photographs, postcards and monographs which provides insight into the familial and financial affairs of the Nehrling Gardens. It also offers a look at Henry Nehrling during the tumultuous years of Florida's boom and bust, and a glimpse of his failing physical and mental state while he sought refuge in a quiet communal colony in Southwest Florida.","Bromeliad Society International","Affiliated Societies of Bromeliad Society International","Florida Council of Affiliated Societies"],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Records, 1953-2006, contains biographies of Bromeliad Society International members and collected materials on conferences \u0026amp; symposiums, manuscripts, and various correspondence. Series also holds organizational files such as the minutes of the general meeting and the meeting of the board of directors, bylaws \u0026amp; standing rules of the Bromeliad Society, annual reports, financial statements, and affiliate shows committee reports.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Plants, 1942-2003, includes documents that pertain to the registration of cultivar names. Applications for registration of Bromeliad are arranged in alphabetical order first by genus then proposed name. Some of the registrations may contain sample images along with the applications either in print or slide format. Series also holds one folder of articles and clippings related to Bromeliad which are collected by Bromeliad Society International members.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1951-2006, holds bromeliad publications from Australia, Brazil, Canada, Czech Republic, Mexico, Switzerland, and United States. Publications are arranged in alphabetical order by country, and then arranged in chronological order.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Photographs, 1949-2001, in three sub-series; Plants, People, and Digital Files. Most of the bromeliad cultivar photographs and registrar's files are stored in either floppy discs or CD-ROMs. Only one folder contains photographs of Bromeliad Society International members; such as Mulford B. Foster, Ella Kelly and Victoria Padilla.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Memorabilia, 1980-2004, includes Bromeliad Society International pins and posters that were issued for the World Bromeliad Conferences. A number of posters are signed and numbered by the artists, such as John Barbie Jr. and Steve Littlefield.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Additional Materials, 1911-2018, This series holds additional materials received from the Bromeliad Society International (BSI) in 2015, 2016, 2018, and 2022. Some of these materials include a World Bromeliad Conference '72 schedule events and a letter sent out to BSI members from the chair, Patrick Mitchell; a manuscript called \"Bromeliad Hybrids and Cultivars\" compiled by Brian Smith in 1984; \"A Preliminary Listing of All Known Cultivar and Grex Names for the Bromeliaceae\" created by Bromeliad Society, Inc. and arranged by Don A. Beadle, includes named and unnamed grexes, names of collectors, hybridizers, developers, references, and dates; \"First tentative Listing of Bromeliad Cultivars\" prepared by Brian Smith in 1989; four copper color separations for one print; and various publications from Australia, New Zealand, and the United States.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Records, 1953-2006, contains biographies of Bromeliad Society International members and collected materials on conferences \u0026 symposiums, manuscripts, and various correspondence. Series also holds organizational files such as the minutes of the general meeting and the meeting of the board of directors, bylaws \u0026 standing rules of the Bromeliad Society, annual reports, financial statements, and affiliate shows committee reports.","\nSeries II: Plants, 1942-2003, includes documents that pertain to the registration of cultivar names. Applications for registration of Bromeliad are arranged in alphabetical order first by genus then proposed name. Some of the registrations may contain sample images along with the applications either in print or slide format. Series also holds one folder of articles and clippings related to Bromeliad which are collected by Bromeliad Society International members.","\nSeries III: Publications, 1951-2006, holds bromeliad publications from Australia, Brazil, Canada, Czech Republic, Mexico, Switzerland, and United States. Publications are arranged in alphabetical order by country, and then arranged in chronological order.","\nSeries IV: Photographs, 1949-2001, in three sub-series; Plants, People, and Digital Files. Most of the bromeliad cultivar photographs and registrar's files are stored in either floppy discs or CD-ROMs. Only one folder contains photographs of Bromeliad Society International members; such as Mulford B. Foster, Ella Kelly and Victoria Padilla.","\nSeries V: Memorabilia, 1980-2004, includes Bromeliad Society International pins and posters that were issued for the World Bromeliad Conferences. A number of posters are signed and numbered by the artists, such as John Barbie Jr. and Steve Littlefield.","\nSeries VI: Additional Materials, 1911-2018, This series holds additional materials received from the Bromeliad Society International (BSI) in 2015, 2016, 2018, and 2022. Some of these materials include a World Bromeliad Conference '72 schedule events and a letter sent out to BSI members from the chair, Patrick Mitchell; a manuscript called \"Bromeliad Hybrids and Cultivars\" compiled by Brian Smith in 1984; \"A Preliminary Listing of All Known Cultivar and Grex Names for the Bromeliaceae\" created by Bromeliad Society, Inc. and arranged by Don A. Beadle, includes named and unnamed grexes, names of collectors, hybridizers, developers, references, and dates; \"First tentative Listing of Bromeliad Cultivars\" prepared by Brian Smith in 1989; four copper color separations for one print; and various publications from Australia, New Zealand, and the United States."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9ae065e663a8566449eee07dbeca3db9\" label=\"Abstract\"\u003eThe Bromeliad Society International (BSI) Archive consists of historical materials, including photographs related to cultivation of bromeliads; field notes related to the collection of bromeliads in the wild; list of plant entries in judged bromeliad shows; incoming and outgoing correspondence from early bromeliad growers; biographies; administrative records of the BSI such as, copyright registrations, copies of meeting minutes, annual reports, and bylaws; BSI publications; and ephemera, including posters and pins. The purpose of the BSI is to promote and maintain public and scientific interest in the research, development, preservation, and distribution of bromeliads, both natural and hybrid, throughout the world.\u003c/abstract\u003e"],"abstract_tesim":["The Bromeliad Society International (BSI) Archive consists of historical materials, including photographs related to cultivation of bromeliads; field notes related to the collection of bromeliads in the wild; list of plant entries in judged bromeliad shows; incoming and outgoing correspondence from early bromeliad growers; biographies; administrative records of the BSI such as, copyright registrations, copies of meeting minutes, annual reports, and bylaws; BSI publications; and ephemera, including posters and pins. The purpose of the BSI is to promote and maintain public and scientific interest in the research, development, preservation, and distribution of bromeliads, both natural and hybrid, throughout the world."],"names_coll_ssim":["Bromeliad Society International"],"names_ssim":["UCF Special Collections","Bromeliad Society International"],"corpname_ssim":["UCF Special Collections","Bromeliad Society International"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1613,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858035398705152,"_root_":"2d920f17dde733c1cf36099d","timestamp":"2026-07-16T08:07:37.887Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2d920f17dde733c1cf36099d_aspace_45205"}},{"id":"5c664f35ba84cce3023f6a62_aspace_7f7fe6b8a50a92b3d66d1d4d2ce4901f","type":"File","attributes":{"title":"Ortner, Sherry B.  (Part 1), 1977-1980","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5c664f35ba84cce3023f6a62_aspace_7f7fe6b8a50a92b3d66d1d4d2ce4901f#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_7f7fe6b8a50a92b3d66d1d4d2ce4901f","ref_ssm":["aspace_7f7fe6b8a50a92b3d66d1d4d2ce4901f","aspace_7f7fe6b8a50a92b3d66d1d4d2ce4901f"],"id":"5c664f35ba84cce3023f6a62_aspace_7f7fe6b8a50a92b3d66d1d4d2ce4901f","title_filing_ssi":"Ortner, Sherry B.  (Part 1)","title_ssm":["Ortner, Sherry B.  (Part 1)"],"title_tesim":["Ortner, Sherry B.  (Part 1)"],"unitdate_inclusive_ssm":["1977-1980"],"normalized_date_ssm":["1977-1980"],"normalized_title_ssm":["Ortner, Sherry B.  (Part 1), 1977-1980"],"text":["Ortner, Sherry B.  (Part 1), 1977-1980","Niara Sudarkasa Collection, 1934-2006","Writings by others","/repositories/2/archival_objects/29980","box 76","folder 22"],"component_level_isim":[2],"parent_ids_ssim":["5c664f35ba84cce3023f6a62","5c664f35ba84cce3023f6a62_aspace_60421e776c845bf7cd0dc7e916c56d99"],"parent_unittitles_ssm":["Niara Sudarkasa Collection, 1934-2006","Writings by others"],"parent_unittitles_tesim":["Niara Sudarkasa Collection, 1934-2006","Writings by others"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/29980"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Niara Sudarkasa Collection, 1934-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1963,"parent_access_restrict_tesm":["The Niara Sudarkasa Collection is open for research."],"date_range_isim":[1977,1978,1979,1980],"containers_ssim":["box 76","folder 22"],"_nest_path_":"/components#4/components#1112","_nest_parent_":"5c664f35ba84cce3023f6a62_aspace_60421e776c845bf7cd0dc7e916c56d99","_root_":"5c664f35ba84cce3023f6a62","timestamp":"2026-04-21T02:08:51.248Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5c664f35ba84cce3023f6a62","title_filing_ssi":"Sudarkasa, Niara Collection","title_ssm":["Niara Sudarkasa Collection"],"title_tesim":["Niara Sudarkasa Collection"],"ead_ssi":"5c664f35ba84cce3023f6a62","unitdate_ssm":["1934-2006"],"unitdate_inclusive_ssm":["1934-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2006.4","/repositories/2/resources/51"],"text":["AARLCC.2006.4","/repositories/2/resources/51","Niara Sudarkasa Collection, 1934-2006","Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals","The Niara Sudarkasa Collection is open for research.","View a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives.","Niara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.","Gloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. ","Gloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.","In 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Aláyélúwà Ọba Ọkúnadé Sijuwade Olúbùsẹ II of the Royal Court of Ifẹ́ conferred upon her the chieftaincy title Yèyé Olókun Ìgbàdérò. She was the first African American to receive this honor from the Ifẹ́ Kingdom.","Following her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship.","The Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. ","Parts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant.","The Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan.","Books from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\".","AARLCC Special Collections","University of Michigan. 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She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.\u003c/p\u003e\n","\u003cp\u003eGloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. \u003c/p\u003e\n","\u003cp\u003eGloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.\u003c/p\u003e\n","\u003cp\u003eIn 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Al\u0026#xE1;y\u0026#xE9;l\u0026#xFA;w\u0026#xE0; \u0026#x1ECC;ba \u0026#x1ECC;k\u0026#xFA;nad\u0026#xE9; Sijuwade Ol\u0026#xFA;b\u0026#xF9;s\u0026#x1EB9; II of the Royal Court of If\u0026#x1EB9;\u0026#x301; conferred upon her the chieftaincy title Y\u0026#xE8;y\u0026#xE9; Ol\u0026#xF3;kun \u0026#xCC;gb\u0026#xE0;d\u0026#xE9;r\u0026#xF2;. She was the first African American to receive this honor from the If\u0026#x1EB9;\u0026#x301; Kingdom.\u003c/p\u003e\n","\u003cp\u003eFollowing her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Niara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.","Gloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. ","Gloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.","In 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Aláyélúwà Ọba Ọkúnadé Sijuwade Olúbùsẹ II of the Royal Court of Ifẹ́ conferred upon her the chieftaincy title Yèyé Olókun Ìgbàdérò. She was the first African American to receive this honor from the Ifẹ́ Kingdom.","Following her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship."],"prefercite_html_tesm":["\u003cp\u003eNiara Sudarkasa Collection, African American Research Library and Cultural Center Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Niara Sudarkasa Collection, African American Research Library and Cultural Center Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. \u003c/p\u003e","\u003cp\u003eParts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. ","Parts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant."],"scopecontent_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=SUD\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\"."],"names_coll_ssim":["University of Michigan. Department of Anthropology","Lincoln University (Pa.)"],"names_ssim":["AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)","Sudarkasa, Niara"],"corpname_ssim":["AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)"],"persname_ssim":["Sudarkasa, Niara"],"language_ssim":["English"],"total_component_count_is":2760,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"5c664f35ba84cce3023f6a62","timestamp":"2026-04-21T02:08:51.248Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5c664f35ba84cce3023f6a62_aspace_7f7fe6b8a50a92b3d66d1d4d2ce4901f"}},{"id":"5c664f35ba84cce3023f6a62_aspace_0a5c95ecf4b89e141cdfc5a36b6bab21","type":"File","attributes":{"title":"Ortner, Sherry B.  (Part 2), 1977-1980","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5c664f35ba84cce3023f6a62_aspace_0a5c95ecf4b89e141cdfc5a36b6bab21#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_0a5c95ecf4b89e141cdfc5a36b6bab21","ref_ssm":["aspace_0a5c95ecf4b89e141cdfc5a36b6bab21","aspace_0a5c95ecf4b89e141cdfc5a36b6bab21"],"id":"5c664f35ba84cce3023f6a62_aspace_0a5c95ecf4b89e141cdfc5a36b6bab21","title_filing_ssi":"Ortner, Sherry B.  (Part 2)","title_ssm":["Ortner, Sherry B.  (Part 2)"],"title_tesim":["Ortner, Sherry B.  (Part 2)"],"unitdate_inclusive_ssm":["1977-1980"],"normalized_date_ssm":["1977-1980"],"normalized_title_ssm":["Ortner, Sherry B.  (Part 2), 1977-1980"],"text":["Ortner, Sherry B.  (Part 2), 1977-1980","Niara Sudarkasa Collection, 1934-2006","Writings by others","/repositories/2/archival_objects/29981","box 76","folder 23"],"component_level_isim":[2],"parent_ids_ssim":["5c664f35ba84cce3023f6a62","5c664f35ba84cce3023f6a62_aspace_60421e776c845bf7cd0dc7e916c56d99"],"parent_unittitles_ssm":["Niara Sudarkasa Collection, 1934-2006","Writings by others"],"parent_unittitles_tesim":["Niara Sudarkasa Collection, 1934-2006","Writings by others"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/29981"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Niara Sudarkasa Collection, 1934-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1964,"parent_access_restrict_tesm":["The Niara Sudarkasa Collection is open for research."],"date_range_isim":[1977,1978,1979,1980],"containers_ssim":["box 76","folder 23"],"_nest_path_":"/components#4/components#1113","_nest_parent_":"5c664f35ba84cce3023f6a62_aspace_60421e776c845bf7cd0dc7e916c56d99","_root_":"5c664f35ba84cce3023f6a62","timestamp":"2026-04-21T02:08:51.248Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5c664f35ba84cce3023f6a62","title_filing_ssi":"Sudarkasa, Niara Collection","title_ssm":["Niara Sudarkasa Collection"],"title_tesim":["Niara Sudarkasa Collection"],"ead_ssi":"5c664f35ba84cce3023f6a62","unitdate_ssm":["1934-2006"],"unitdate_inclusive_ssm":["1934-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2006.4","/repositories/2/resources/51"],"text":["AARLCC.2006.4","/repositories/2/resources/51","Niara Sudarkasa Collection, 1934-2006","Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals","The Niara Sudarkasa Collection is open for research.","View a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives.","Niara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.","Gloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. ","Gloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.","In 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Aláyélúwà Ọba Ọkúnadé Sijuwade Olúbùsẹ II of the Royal Court of Ifẹ́ conferred upon her the chieftaincy title Yèyé Olókun Ìgbàdérò. She was the first African American to receive this honor from the Ifẹ́ Kingdom.","Following her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship.","The Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. ","Parts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant.","The Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan.","Books from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\".","AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)","Sudarkasa, Niara","English"],"unitid_tesim":["AARLCC.2006.4","/repositories/2/resources/51"],"normalized_date_ssm":["1934-2006"],"normalized_title_ssm":["Niara Sudarkasa Collection, 1934-2006"],"collection_title_tesim":["Niara Sudarkasa Collection, 1934-2006"],"collection_ssim":["Niara Sudarkasa Collection, 1934-2006"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"creator_ssm":["Sudarkasa, Niara"],"creator_ssim":["Sudarkasa, Niara"],"creator_persname_ssim":["Sudarkasa, Niara"],"creators_ssim":["Sudarkasa, Niara"],"acqinfo_ssim":["Dr. Niara Sudarkasa donated the materials to the AARLCC Special Collections on October 17, 2006 (Accession AARLCC-2006.4)."],"access_subjects_ssim":["Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals"],"access_subjects_ssm":["Bahamian Americans","Correspondence","Photographs","plaques (flat objects)","Periodicals"],"has_online_content_ssim":["false"],"extent_ssm":["400 Hollinger Boxes","410 Linear Feet"],"extent_tesim":["400 Hollinger Boxes","410 Linear Feet"],"genreform_ssim":["Correspondence","Photographs","plaques (flat objects)","Periodicals"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Niara Sudarkasa Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/nsb\" target=\"_blank\"\u003eView a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Niara Sudarkasa Collection in the Broward County Library Digital Archives."],"bioghist_html_tesm":["\u003cp\u003eNiara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.\u003c/p\u003e\n","\u003cp\u003eGloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. \u003c/p\u003e\n","\u003cp\u003eGloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.\u003c/p\u003e\n","\u003cp\u003eIn 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Al\u0026#xE1;y\u0026#xE9;l\u0026#xFA;w\u0026#xE0; \u0026#x1ECC;ba \u0026#x1ECC;k\u0026#xFA;nad\u0026#xE9; Sijuwade Ol\u0026#xFA;b\u0026#xF9;s\u0026#x1EB9; II of the Royal Court of If\u0026#x1EB9;\u0026#x301; conferred upon her the chieftaincy title Y\u0026#xE8;y\u0026#xE9; Ol\u0026#xF3;kun \u0026#xCC;gb\u0026#xE0;d\u0026#xE9;r\u0026#xF2;. She was the first African American to receive this honor from the If\u0026#x1EB9;\u0026#x301; Kingdom.\u003c/p\u003e\n","\u003cp\u003eFollowing her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Niara Sudarkasa, born Gloria Albertha Marshall to a Bahamian immigrant family on August 14, 1938, in Fort Lauderdale, Florida, demonstrated exceptional academic promise from an early age. She graduated from Dillard High School at just 14 years old and, at 15, entered Fisk University on a Ford Foundation scholarship to study English. Her intellectual journey deepened at Oberlin College, where exposure to courses on the African diaspora inspired her to change her major to Sociology-Anthropology, earning her bachelor's degree in 1957.","Gloria enrolled at Columbia University in New York, where she pursued graduate studies in Anthropology. She earned both her Master's (1959) and Ph.D. degrees in (1964), becoming the first African American woman to teach at Columbia University. Following the completion of her doctorate, Dr. Sudarkasa was appointed assistant professor of anthropology at New York University (1970-1976), again marking a historic first for an African American woman. ","Gloria Albertha Marshall adopted the name Niara Sudarkasa to reflect her evolving identity as a cultural bridge between African Americans and continental Africans. Her name change marked a deepening commitment to diasporic connection and cultural reclamation.\nAt the University of Michigan, Dr. Sudarkasa continued to break barriers, becoming the first African American faculty member in the Department of Anthropology. From 1978 to 1981, she served as Associate Director of the Center for Afro-American and African Studies, advancing scholarship and institutional support for African diaspora research.","In 1986, she became the first female president of Lincoln University in Pennsylvania, a role she held until 1998. Her scholarship increasingly centered on the lives of women in West Africa and the enduring strength of the Black family. Her work in Nigeria earned her recognition from the royal court: in 2001, His Royal Majesty Aláyélúwà Ọba Ọkúnadé Sijuwade Olúbùsẹ II of the Royal Court of Ifẹ́ conferred upon her the chieftaincy title Yèyé Olókun Ìgbàdérò. She was the first African American to receive this honor from the Ifẹ́ Kingdom.","Following her retirement from higher education, Dr. Sudarkasa returned to her hometown of Fort Lauderdale, Florida, where she became the first scholar-in-residence at the newly opened African American Research Library and Cultural Center in 2002.\nDr. Sudarkasa was married to John L. Clark and was the mother of Michael Sudarkasa. She passed away on May 31, 2019, at the age of 80, leaving behind a legacy of scholarship, leadership, and cultural stewardship."],"prefercite_html_tesm":["\u003cp\u003eNiara Sudarkasa Collection, African American Research Library and Cultural Center Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Niara Sudarkasa Collection, African American Research Library and Cultural Center Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. \u003c/p\u003e","\u003cp\u003eParts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Niara Sudarkasa Collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection. ","Parts of the collection have received file level processing. From January 2022 to May 2024, FIU interns, Emmanuel George, and Dominique St. Victor processed \"Series I. Correspondence\" and \"Series III. Professional Papers, Sub-series 1. Writings by Niara Sudarkasa and Sub-series 2. Writings by Others\" as part of the WPHL-FIU Community Data Curation grant."],"scopecontent_html_tesm":["\u003cp\u003eThe Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Niara Sudarkasa Collection documents the career of anthropologist, Africanist, professor, and university president Dr. Niara Sudarkasa. The collection contains correspondence, scholarly writings, publications, research files, audio visual materials, awards, and business papers dating from 1934 to 2006. The collection also includes Dr. Sudarka's personal library of more than 2,500 books, journals, and pamphlets. The collection highlights Dr. Sudarkasa's professional achievements including becoming the first woman president of Lincoln University in Pennsylvania and first Black faculty member of the Anthropology Department at the University of Michigan. Her papers are a unique resource on Yoruba language and culture, ethnic groups in higher education, and the Black Power Movement in the United States. They also document her work to strengthen international programs at Lincoln and the University of Michigan."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=SUD\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection were cataloged in the Broward County Library catalog with the prefix \"SUD\"."],"names_coll_ssim":["University of Michigan. Department of Anthropology","Lincoln University (Pa.)"],"names_ssim":["AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)","Sudarkasa, Niara"],"corpname_ssim":["AARLCC Special Collections","University of Michigan. Department of Anthropology","Lincoln University (Pa.)"],"persname_ssim":["Sudarkasa, Niara"],"language_ssim":["English"],"total_component_count_is":2760,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"5c664f35ba84cce3023f6a62","timestamp":"2026-04-21T02:08:51.248Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5c664f35ba84cce3023f6a62_aspace_0a5c95ecf4b89e141cdfc5a36b6bab21"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Michael A. Spencer Bromeliad Research Collection, 1754-2014","value":"Michael A. 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