{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1976\u0026page=152","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1976\u0026page=151","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1976\u0026page=153","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1976\u0026page=553"},"meta":{"pages":{"current_page":152,"next_page":153,"prev_page":151,"total_pages":553,"limit_value":10,"offset_value":1510,"total_count":5526,"first_page?":false,"last_page?":false}},"data":[{"id":"09828ae20f62ecd4053afda2","type":"collection","attributes":{"title":"Edward Davis Wynot collection, 1917-2009, Date acquired: 07/04/2016, Date accessioned: 2020-05-18","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/09828ae20f62ecd4053afda2#creator","type":"document_value","attributes":{"value":["Wynot, Edward Davis"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/09828ae20f62ecd4053afda2#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection relates to former Florida State University History professor Edward Davis Wynot, items are from his personal collection. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library. See less","The Frazer-O'Sullivan Collection contains the research for the co- authored book, We Have Just Begun to Not Fight: An Oral History of Conscientious Objectors in the Civilian Public Service During World War II, by Heather Frazer and John O'Sullivan. More than 40,000 American men refused to fight during World War II. Citing principled opposition, they declared themselves conscientious objectors. Rejecting combat duty, nearly 12,000 men entered Civilian Public Service (CPS) with the intent to perform \"work of national importance\" as an alternative to combat duty. The CPS program was set up by members of the historic peace churches (Mennonites, Brethren, and Quakers) and participated in by pacifists from other churches, of no specific religious persuasion, and, in the case of a few, no persuasion except not to fight in that particular war. CPS men worked as aides in mental hospitals, volunteered as smoke jumpers in forest fires, and participated in grueling medical and scientific experiments.  Frazer and O'Sullivan use the oral histories of 15 CPS men and two of their wives to illuminate their experience during World War II. ","Heather T. Frazer (1940 – 2016) was a professor of history at Florida Atlantic University. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure, she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history.","John O'Sullivan (1939-2000) was a professor of history at Florida Atlantic University. In 1971, he came to Florida Atlantic University where he served as chair of the History Department (1975-1978) and devoted his entire academic career. Dr. O'Sullivan received numerous research fellowships including the American Philosophical Society, the American Historical Association, and the Sloan Foundation. His areas of specialization were World War II, Vietnam War, Nuclear Age, the Holocaust, Peace History, Oral History and Modern American Political and Diplomatic Affairs.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections. 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FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections. See less See less"],"access_subjects_ssim":["World War, 1939-1945","University Archives","University Archives -- Faculty Papers"," Civilian Public Service -- History","World War, 1939-1945 -- Conscientious objectors -- United States","Oral history"],"access_subjects_ssm":["World War, 1939-1945","University Archives","University Archives -- Faculty Papers"," Civilian Public Service -- History","World War, 1939-1945 -- Conscientious objectors -- United States","Oral history"],"has_online_content_ssim":["false"],"extent_ssm":["67 boxes"],"extent_tesim":["67 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library. See less\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library. See less"],"scopecontent_html_tesm":["\u003cp\u003eThe Frazer-O'Sullivan Collection contains the research for the co- authored book, We Have Just Begun to Not Fight: An Oral History of Conscientious Objectors in the Civilian Public Service During World War II, by Heather Frazer and John O'Sullivan. More than 40,000 American men refused to fight during World War II. Citing principled opposition, they declared themselves conscientious objectors. Rejecting combat duty, nearly 12,000 men entered Civilian Public Service (CPS) with the intent to perform \"work of national importance\" as an alternative to combat duty. The CPS program was set up by members of the historic peace churches (Mennonites, Brethren, and Quakers) and participated in by pacifists from other churches, of no specific religious persuasion, and, in the case of a few, no persuasion except not to fight in that particular war. CPS men worked as aides in mental hospitals, volunteered as smoke jumpers in forest fires, and participated in grueling medical and scientific experiments.  Frazer and O'Sullivan use the oral histories of 15 CPS men and two of their wives to illuminate their experience during World War II. \u003c/p\u003e\n","\u003cp\u003eHeather T. Frazer (1940 \u0026#x2013; 2016) was a professor of history at Florida Atlantic University. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure, she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history.\u003c/p\u003e\n","\u003cp\u003eJohn O'Sullivan (1939-2000) was a professor of history at Florida Atlantic University. In 1971, he came to Florida Atlantic University where he served as chair of the History Department (1975-1978) and devoted his entire academic career. Dr. O'Sullivan received numerous research fellowships including the American Philosophical Society, the American Historical Association, and the Sloan Foundation. His areas of specialization were World War II, Vietnam War, Nuclear Age, the Holocaust, Peace History, Oral History and Modern American Political and Diplomatic Affairs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Frazer-O'Sullivan Collection contains the research for the co- authored book, We Have Just Begun to Not Fight: An Oral History of Conscientious Objectors in the Civilian Public Service During World War II, by Heather Frazer and John O'Sullivan. More than 40,000 American men refused to fight during World War II. Citing principled opposition, they declared themselves conscientious objectors. Rejecting combat duty, nearly 12,000 men entered Civilian Public Service (CPS) with the intent to perform \"work of national importance\" as an alternative to combat duty. The CPS program was set up by members of the historic peace churches (Mennonites, Brethren, and Quakers) and participated in by pacifists from other churches, of no specific religious persuasion, and, in the case of a few, no persuasion except not to fight in that particular war. CPS men worked as aides in mental hospitals, volunteered as smoke jumpers in forest fires, and participated in grueling medical and scientific experiments.  Frazer and O'Sullivan use the oral histories of 15 CPS men and two of their wives to illuminate their experience during World War II. ","Heather T. Frazer (1940 – 2016) was a professor of history at Florida Atlantic University. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure, she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history.","John O'Sullivan (1939-2000) was a professor of history at Florida Atlantic University. In 1971, he came to Florida Atlantic University where he served as chair of the History Department (1975-1978) and devoted his entire academic career. Dr. O'Sullivan received numerous research fellowships including the American Philosophical Society, the American Historical Association, and the Sloan Foundation. 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Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections. See less See less\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections. 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Burke Jr. collection, 1940-2003, Date acquired: 07/10/2003, bulk 1940-1946","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/35aa2c49fa3829af13f99afc#creator","type":"document_value","attributes":{"value":["Burke, Edward T., Jr. "],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/35aa2c49fa3829af13f99afc#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe materials in the Edward T. Burke Jr. collection document activities of a U.S. Navy Chief Torpedoman who served on the U.S.S. Broome in the Atlantic and Mediterranean theaters during World War II and his life after the war. i) \u003cbr\u003e\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/35aa2c49fa3829af13f99afc#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"35aa2c49fa3829af13f99afc","title_filing_ssi":"Burke, Edward T. collection","title_ssm":["Edward T. 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Navy--History--20th century","Freemasons--United States","World War, 1939-1945--Mediterranean Region","Destroyer (Ship)","Torpedoes--United States","Torpedoes--United States--Design and construction--History--20th century","Torpedoes--United States--Handbooks, manuals, etc","This collection is open to all researchers.","Edward T. Burke donated his collection to the Institution on WWII originally in 2003. After his death, his daughter, Theodora Burke decided to donate additional materials to the original collection held by the Institution on WWII in 2015.","Chronological","Edward T. Burke Jr. served in the U.S. Navy as a Chief Torpedoman from 1940 to 1946. He then served in the U.S. Naval Reserve, Submarine Division, from 1946 to 1948. His service was spent in the Atlantic and Mediterranean theaters. After World War II, Mr. Burke was an active participant in various memorial initiatives and military servicemen's clubs. He biographed his time in the U.S. Navy and his post-war life as well and donated his collection to the Institute on World War II and the Human Experience in 2003. His obituary can be found at https://www.legacy.com/obituaries/washingtonpost/obituary.aspx?n=edward-theodore-burke\u0026pid=1600479.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","Collection processed 22 September 2016, Updated June 10, 2020.","The materials in the Edward T. Burke Jr. collection document activities of a U.S. Navy Chief Torpedoman who served on the U.S.S. 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After World War II, Mr. Burke was an active participant in various memorial initiatives and military servicemen's clubs. He biographed his time in the U.S. Navy and his post-war life as well and donated his collection to the Institute on World War II and the Human Experience in 2003. His obituary can be found at https://www.legacy.com/obituaries/washingtonpost/obituary.aspx?n=edward-theodore-burke\u0026amp;pid=1600479.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Edward T. Burke Jr. served in the U.S. Navy as a Chief Torpedoman from 1940 to 1946. He then served in the U.S. Naval Reserve, Submarine Division, from 1946 to 1948. His service was spent in the Atlantic and Mediterranean theaters. After World War II, Mr. Burke was an active participant in various memorial initiatives and military servicemen's clubs. He biographed his time in the U.S. Navy and his post-war life as well and donated his collection to the Institute on World War II and the Human Experience in 2003. His obituary can be found at https://www.legacy.com/obituaries/washingtonpost/obituary.aspx?n=edward-theodore-burke\u0026pid=1600479."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Edward T. Burke, Jr. collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_03_0139\"\u003ehttp://purl.fcla.edu/fsu/WWII_03_0139\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Edward T. Burke, Jr. collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_03_0139 ."],"processinfo_html_tesm":["\u003cp\u003eCollection processed 22 September 2016, Updated June 10, 2020.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed 22 September 2016, Updated June 10, 2020."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in the Edward T. Burke Jr. collection document activities of a U.S. Navy Chief Torpedoman who served on the U.S.S. Broome in the Atlantic and Mediterranean theaters during World War II and his life after the war. i) \u003cbr\u003e\u003cbr\u003e This collection consists of personal correspondence between Mr. Burke and his wife from 1940 to 1946, military personnel orders, military certificates, a personal journal of Mr. Burke's regarding torpedo notes, photocopies and original copies of pictures depicting civilian life and naval life, papers covering post-war memorial involvement, Four Piper Destroyer Fellowship materials, video interviews of Edward T. Burke Jr., World War II documentaries, and military artifacts including lapel pins and medals.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in the Edward T. Burke Jr. collection document activities of a U.S. Navy Chief Torpedoman who served on the U.S.S. Broome in the Atlantic and Mediterranean theaters during World War II and his life after the war. i)   This collection consists of personal correspondence between Mr. Burke and his wife from 1940 to 1946, military personnel orders, military certificates, a personal journal of Mr. Burke's regarding torpedo notes, photocopies and original copies of pictures depicting civilian life and naval life, papers covering post-war memorial involvement, Four Piper Destroyer Fellowship materials, video interviews of Edward T. Burke Jr., World War II documentaries, and military artifacts including lapel pins and medals."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_coll_ssim":["American Legion","Veterans of Foreign Wars of the United States"],"names_ssim":["FSU Special Collections \u0026 Archives","American Legion","Veterans of Foreign Wars of the United States","Burke, Edward T., Jr. "],"corpname_ssim":["FSU Special Collections \u0026 Archives","American Legion","Veterans of Foreign Wars of the United States"],"persname_ssim":["Burke, Edward T., Jr. "],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":41,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858798929805312,"_root_":"35aa2c49fa3829af13f99afc","timestamp":"2026-07-16T08:19:46.161Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/35aa2c49fa3829af13f99afc_aspace_189059"}},{"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_d2e7f98fe0787e3e6526006d8c9b448a","type":"Item","attributes":{"title":"Edward Windsor Kemble, A Master of Pen and Ink by Francis Martin, Jr., Circa 1976","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_d2e7f98fe0787e3e6526006d8c9b448a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_d2e7f98fe0787e3e6526006d8c9b448a","ref_ssm":["aspace_d2e7f98fe0787e3e6526006d8c9b448a","aspace_d2e7f98fe0787e3e6526006d8c9b448a"],"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_d2e7f98fe0787e3e6526006d8c9b448a","title_filing_ssi":"Edward Windsor Kemble, A Master of Pen and Ink by Francis Martin, Jr.","title_ssm":["Edward Windsor Kemble, A Master of Pen and Ink by Francis Martin, Jr."],"title_tesim":["Edward Windsor Kemble, A Master of Pen and Ink by Francis Martin, Jr."],"unitdate_other_ssim":["Circa 1976"],"normalized_date_ssm":["Circa 1976"],"normalized_title_ssm":["Edward Windsor Kemble, A Master of Pen and Ink by Francis Martin, Jr., Circa 1976"],"text":["Edward Windsor Kemble, A Master of Pen and Ink by Francis Martin, Jr., Circa 1976","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Personal Files, 1895-2005, Undated.","Clippings, 1976-1991, Undated","/repositories/4/archival_objects/56762","Box 5","Folder 2"],"component_level_isim":[3],"parent_ids_ssim":["2a6a6aa34a3c99c1b1b95ea9","2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesII","2a6a6aa34a3c99c1b1b95ea9_aspace_e35df040f7776760fcbbe51aad02fda0"],"parent_unittitles_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Personal Files, 1895-2005, Undated.","Clippings, 1976-1991, Undated"],"parent_unittitles_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Personal Files, 1895-2005, Undated.","Clippings, 1976-1991, Undated"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/56762"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":133,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1976],"containers_ssim":["Box 5","Folder 2"],"_nest_path_":"/components#1/components#1/components#1","_nest_parent_":"2a6a6aa34a3c99c1b1b95ea9_aspace_e35df040f7776760fcbbe51aad02fda0","_root_":"2a6a6aa34a3c99c1b1b95ea9","_version_":1872035374829666304,"timestamp":"2026-07-29T08:00:56.373Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2a6a6aa34a3c99c1b1b95ea9","title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"ead_ssi":"2a6a6aa34a3c99c1b1b95ea9","unitdate_ssm":["1829-2006"],"unitdate_inclusive_ssm":["1829-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.113","/repositories/4/resources/225"],"text":["SC.113","/repositories/4/resources/225","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations","The entire collection is open for research.","This collection is itemized and arranged in alphabetical and chronological order.","Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.","Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.","A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog .","This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.","UCF Special Collections","Martin, Francis John, Jr.","The materials are written in English."],"unitid_tesim":["SC.113","/repositories/4/resources/225"],"normalized_date_ssm":["1829-2006"],"normalized_title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Martin, Francis John, Jr."],"creator_ssim":["Martin, Francis John, Jr."],"creator_persname_ssim":["Martin, Francis John, Jr."],"creators_ssim":["Martin, Francis John, Jr."],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Francis Martin Jr. donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2018 (CFM2018_15) and 2020 (CFM2020_02, CFM2020_03, CFM2020_16)."],"access_subjects_ssim":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"access_subjects_ssm":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"has_online_content_ssim":["false"],"extent_ssm":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"extent_tesim":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"genreform_ssim":["manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"date_range_isim":[1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is itemized and arranged in alphabetical and chronological order."],"bioghist_html_tesm":["\u003cp\u003eFrancis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners."],"prefercite_html_tesm":["\u003cp\u003eFred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMarlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eA small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online \u003cextref href=\"https://library.ucf.edu\"\u003eLibrary Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e\n","\u003cp\u003eSeries I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.\u003c/p\u003e\n","\u003cp\u003eSeries II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026amp; posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.\u003c/p\u003e\n","\u003cp\u003eSeries III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.\u003c/p\u003e\n","\u003cp\u003eSeries IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4a581e455cb123495b610919f342aacb\"\u003eThe Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.\u003c/abstract\u003e"],"abstract_tesim":["The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection."],"names_ssim":["UCF Special Collections","Martin, Francis John, Jr."],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Martin, Francis John, Jr."],"language_ssim":["The materials are written in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":459,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872035374829666304,"_root_":"2a6a6aa34a3c99c1b1b95ea9","timestamp":"2026-07-29T08:00:56.373Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_d2e7f98fe0787e3e6526006d8c9b448a"}},{"id":"fd587b31c24e83b44fd6f735","type":"collection","attributes":{"title":"Edwin Ivy papers, 1941-2000, Date acquired: 10/16/2002, bulk 1941-1946","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/fd587b31c24e83b44fd6f735#creator","type":"document_value","attributes":{"value":["Ivy, Edwin, 1918-"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/fd587b31c24e83b44fd6f735#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Edwin Ivy papers illustrate 2nd Lieutenant Ivy's service in the Army Air Corps in the 485th Heavy Bombardment Group, 831st Squadron, from 1942-1945 in Italy, France, and Austria where he was shot down and became a prisoner of war in Stalag Luft III. Ivy's oral history encompasses the majority of his collection and provides detail of his military training, time spent in the Army Air Corps, as a prisoner of war, and being discharged. His papers also include the first chapter of \u003cem\u003eOld Man in a Baseball Cap \u003c/em\u003eby Fred Rochlin. 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Army Air Forces. 385th Bombardment Group (H)","Prisoners of war--United States--History--20th century","This collection is open to all researchers.","Edwin Ivy was born in Waco, Texas on July 4, 1918, and grew up there. At the time of Pearl Harbor, Ivy was working for the War Department constructing Fort Hood in Killeen, Texas. As the war began he wanted to pilot planes and in preparation studied at Kelly Field in San Antonio. Unfortunately it did not work out so he turned to navigation instead. In 1943 he graduated from navigation school as a Second Lieutenant. Following graduation Ivy became a flight instructor at Kirkland Field in New Mexico but he wanted more. So he traveled to Lincoln, Nebraska for combat training with the 485th Heavy Bombardment Group and 831st Squadron in the Army Air Force. In April 1943 he and his unit traveled to Tunis, Tunisia before heading to Italy. He traveled throughout Italy on various missions before leaving to Lyon, France. After Lyon, he dropped bombs near the Ploesti oil fields in Romania (possibly Operation Tidal Wave; the time period and location matches up but Ivy does not specify any operation name).","On May 29, 1944, Ivy was over Vienna, Austria when his plane was shot down into enemy territory. Ivy and all his crew members safely parachuted out of the bailing aircraft and onto the soil. They surrendered to the Germans who took them to Stalag Luft III. He stayed there until December 1944 and then marched to Nuremberg and Moosberg, Germany where he was liberated in early May 1945. Once Ivy was liberated he stayed in Reims, France and returned to the United States at the end of 1945. A few months later he was discharged and worked for Charles Scribner's book publishing company in advertising and public relations in New York. He met his future wife there and later worked at Universal Atlas Cement Company.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","The Edwin Ivy papers illustrate 2nd Lieutenant Ivy's service in the Army Air Corps in the 485th Heavy Bombardment Group, 831st Squadron, from 1942-1945 in Italy, France, and Austria where he was shot down and became a prisoner of war in Stalag Luft III. Ivy's oral history encompasses the majority of his collection and provides detail of his military training, time spent in the Army Air Corps, as a prisoner of war, and being discharged. His papers also include the first chapter of  Old Man in a Baseball Cap  by Fred Rochlin. The chapter describes the significance of remembering the past and passing down experiences to others.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Stalag Luft III","International Committee of the Red Cross. 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Ivy and all his crew members safely parachuted out of the bailing aircraft and onto the soil. They surrendered to the Germans who took them to Stalag Luft III. He stayed there until December 1944 and then marched to Nuremberg and Moosberg, Germany where he was liberated in early May 1945. Once Ivy was liberated he stayed in Reims, France and returned to the United States at the end of 1945. A few months later he was discharged and worked for Charles Scribner's book publishing company in advertising and public relations in New York. He met his future wife there and later worked at Universal Atlas Cement Company.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Edwin Ivy was born in Waco, Texas on July 4, 1918, and grew up there. At the time of Pearl Harbor, Ivy was working for the War Department constructing Fort Hood in Killeen, Texas. 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Ivy and all his crew members safely parachuted out of the bailing aircraft and onto the soil. They surrendered to the Germans who took them to Stalag Luft III. He stayed there until December 1944 and then marched to Nuremberg and Moosberg, Germany where he was liberated in early May 1945. Once Ivy was liberated he stayed in Reims, France and returned to the United States at the end of 1945. A few months later he was discharged and worked for Charles Scribner's book publishing company in advertising and public relations in New York. He met his future wife there and later worked at Universal Atlas Cement Company."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Edwin Ivy Papers, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_00_0725\"\u003ehttp://purl.fcla.edu/fsu/WWII_00_0725\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Edwin Ivy Papers, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_00_0725 ."],"scopecontent_html_tesm":["\u003cp\u003eThe Edwin Ivy papers illustrate 2nd Lieutenant Ivy's service in the Army Air Corps in the 485th Heavy Bombardment Group, 831st Squadron, from 1942-1945 in Italy, France, and Austria where he was shot down and became a prisoner of war in Stalag Luft III. Ivy's oral history encompasses the majority of his collection and provides detail of his military training, time spent in the Army Air Corps, as a prisoner of war, and being discharged. His papers also include the first chapter of \u003cemph render=\"italic\"\u003eOld Man in a Baseball Cap \u003c/emph\u003eby Fred Rochlin. The chapter describes the significance of remembering the past and passing down experiences to others.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Edwin Ivy papers illustrate 2nd Lieutenant Ivy's service in the Army Air Corps in the 485th Heavy Bombardment Group, 831st Squadron, from 1942-1945 in Italy, France, and Austria where he was shot down and became a prisoner of war in Stalag Luft III. Ivy's oral history encompasses the majority of his collection and provides detail of his military training, time spent in the Army Air Corps, as a prisoner of war, and being discharged. His papers also include the first chapter of  Old Man in a Baseball Cap  by Fred Rochlin. The chapter describes the significance of remembering the past and passing down experiences to others."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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Army Air Forces. 385th Bombardment Group (H)","Prisoners of war--United States--History--20th century","This collection is open to all researchers.","Edwin Ivy was born in Waco, Texas on July 4, 1918, and grew up there. At the time of Pearl Harbor, Ivy was working for the War Department constructing Fort Hood in Killeen, Texas. As the war began he wanted to pilot planes and in preparation studied at Kelly Field in San Antonio. Unfortunately it did not work out so he turned to navigation instead. In 1943 he graduated from navigation school as a Second Lieutenant. Following graduation Ivy became a flight instructor at Kirkland Field in New Mexico but he wanted more. So he traveled to Lincoln, Nebraska for combat training with the 485th Heavy Bombardment Group and 831st Squadron in the Army Air Force. In April 1943 he and his unit traveled to Tunis, Tunisia before heading to Italy. He traveled throughout Italy on various missions before leaving to Lyon, France. After Lyon, he dropped bombs near the Ploesti oil fields in Romania (possibly Operation Tidal Wave; the time period and location matches up but Ivy does not specify any operation name).","On May 29, 1944, Ivy was over Vienna, Austria when his plane was shot down into enemy territory. Ivy and all his crew members safely parachuted out of the bailing aircraft and onto the soil. They surrendered to the Germans who took them to Stalag Luft III. He stayed there until December 1944 and then marched to Nuremberg and Moosberg, Germany where he was liberated in early May 1945. Once Ivy was liberated he stayed in Reims, France and returned to the United States at the end of 1945. A few months later he was discharged and worked for Charles Scribner's book publishing company in advertising and public relations in New York. He met his future wife there and later worked at Universal Atlas Cement Company.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","The Edwin Ivy papers illustrate 2nd Lieutenant Ivy's service in the Army Air Corps in the 485th Heavy Bombardment Group, 831st Squadron, from 1942-1945 in Italy, France, and Austria where he was shot down and became a prisoner of war in Stalag Luft III. Ivy's oral history encompasses the majority of his collection and provides detail of his military training, time spent in the Army Air Corps, as a prisoner of war, and being discharged. His papers also include the first chapter of  Old Man in a Baseball Cap  by Fred Rochlin. 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Ivy and all his crew members safely parachuted out of the bailing aircraft and onto the soil. They surrendered to the Germans who took them to Stalag Luft III. He stayed there until December 1944 and then marched to Nuremberg and Moosberg, Germany where he was liberated in early May 1945. Once Ivy was liberated he stayed in Reims, France and returned to the United States at the end of 1945. A few months later he was discharged and worked for Charles Scribner's book publishing company in advertising and public relations in New York. He met his future wife there and later worked at Universal Atlas Cement Company.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Edwin Ivy was born in Waco, Texas on July 4, 1918, and grew up there. At the time of Pearl Harbor, Ivy was working for the War Department constructing Fort Hood in Killeen, Texas. 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Ivy and all his crew members safely parachuted out of the bailing aircraft and onto the soil. They surrendered to the Germans who took them to Stalag Luft III. He stayed there until December 1944 and then marched to Nuremberg and Moosberg, Germany where he was liberated in early May 1945. Once Ivy was liberated he stayed in Reims, France and returned to the United States at the end of 1945. A few months later he was discharged and worked for Charles Scribner's book publishing company in advertising and public relations in New York. He met his future wife there and later worked at Universal Atlas Cement Company."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Edwin Ivy Papers, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_00_0725\"\u003ehttp://purl.fcla.edu/fsu/WWII_00_0725\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Edwin Ivy Papers, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_00_0725 ."],"scopecontent_html_tesm":["\u003cp\u003eThe Edwin Ivy papers illustrate 2nd Lieutenant Ivy's service in the Army Air Corps in the 485th Heavy Bombardment Group, 831st Squadron, from 1942-1945 in Italy, France, and Austria where he was shot down and became a prisoner of war in Stalag Luft III. Ivy's oral history encompasses the majority of his collection and provides detail of his military training, time spent in the Army Air Corps, as a prisoner of war, and being discharged. His papers also include the first chapter of \u003cemph render=\"italic\"\u003eOld Man in a Baseball Cap \u003c/emph\u003eby Fred Rochlin. The chapter describes the significance of remembering the past and passing down experiences to others.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Edwin Ivy papers illustrate 2nd Lieutenant Ivy's service in the Army Air Corps in the 485th Heavy Bombardment Group, 831st Squadron, from 1942-1945 in Italy, France, and Austria where he was shot down and became a prisoner of war in Stalag Luft III. Ivy's oral history encompasses the majority of his collection and provides detail of his military training, time spent in the Army Air Corps, as a prisoner of war, and being discharged. His papers also include the first chapter of  Old Man in a Baseball Cap  by Fred Rochlin. The chapter describes the significance of remembering the past and passing down experiences to others."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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The footage is dated from 1967 to 1978. The contents include wedding anniversary parties, children swimming in a pool, family playing on a beach, people playing horseshoes, a football game, a girl swimming in the International Swimming Hall of Fame pool, a school play of A Christmas Carol, and visiting Lion Country Safari."],"component_level_isim":[3],"parent_ids_ssim":["d049b8f1d279e90b99a77f6a","d049b8f1d279e90b99a77f6a_aspace_seriesI","d049b8f1d279e90b99a77f6a_aspace_990d6648438aa07e94abd5419e33bbbb"],"parent_unittitles_ssm":["UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987.","Home Movie Archives, Circa 1920-1989, Undated","Eddy, Eleanor Collection, 1965 - Circa 1978"],"parent_unittitles_tesim":["UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987.","Home Movie Archives, Circa 1920-1989, Undated","Eddy, Eleanor Collection, 1965 - Circa 1978"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/54643"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987."],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":73,"parent_access_restrict_tesm":["The entire collection is open for research. Curatorial Permission is required for reels 9, 24, 204, 205, 206, 207, 208, 209, 210, 297 due to their content."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978],"containers_ssim":["Reel 48"],"odd_html_tesm":["\u003cp\u003eThe compiled film is 24 minutes and 14 seconds in length. The footage is dated from 1967 to 1978. The contents include wedding anniversary parties, children swimming in a pool, family playing on a beach, people playing horseshoes, a football game, a girl swimming in the International Swimming Hall of Fame pool, a school play of A Christmas Carol, and visiting Lion Country Safari.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["The compiled film is 24 minutes and 14 seconds in length. The footage is dated from 1967 to 1978. 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Curatorial Permission is required for reels 9, 24, 204, 205, 206, 207, 208, 209, 210, 297 due to their content.","The first arrangement and description of the archives contents was completed in 2015. The collection is housed on a protected drive and on discs. Presently, the archive is arranged based on the donor in alphabetical order and each film is numerically ordered.","The collection contains 8mm, Super 8mm, and 16mm film reels donated by 54 donors from 2010-2014. The footage of the reels may or may not be listed in chronological order.","As part of the Special Collections and University Archives, the Home Movie Archive seeks to collect 8mm, Super 8mm, and 16mm home movies, captured mostly from late 1930s through the end of the 1980s, which have cultural, historical, scientific, or artistic significance, with a focus on Central Florida and its residents.","The aim of creating a Home Movie Archive is to ensure that the valuable social and historical information, captured by ordinary citizens, be preserved as part of the Special Collections and University Archives permanent holdings-a non-circulating collection whose use is confined to the Special Collections reading/research room.","The UCF Libraries will administer, permanently house, preserve, inventory, process, maintain, and make available a Home Movie Archive to the public, researchers, and scholars, in accordance with the UCF Libraries' established policies and procedures.","Most of the footage was donated during the University of Central Florida Film Department's Home Movie Day events from 2010 through 2013 with individual donations thereafter until 2014. 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The origins of the footage in the collection span across North America, South America, Europe, Africa, and Asia.","UCF Special Collections","Florida Technological University","University of Central Florida","The materials are written in English"],"unitid_tesim":["SC.101","/repositories/4/resources/213"],"normalized_date_ssm":["Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987."],"normalized_title_ssm":["UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987."],"collection_title_tesim":["UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987."],"collection_ssim":["UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987."],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Midway Islands","North America","Hawaii","South America","Europe","Asia","Australia","Africa"],"geogname_ssim":["Midway Islands","North America","Hawaii","South America","Europe","Asia","Australia","Africa"],"places_ssim":["Midway Islands","North America","Hawaii","South America","Europe","Asia","Australia","Africa"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Various donors donated the materials to the University of Central Film Department from 2010-2013; their names are used to differentiate their films in the collection. the UCF Film Department transferred these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2014."],"access_subjects_ssim":["Universities and colleges -- Florida","Tourism","Amusement parks","Zoo animals","Wildlife-related recreation","Sculpture","Historic sites","Art and architecture","New York World's Fair (1964-1965 : New York, N.Y.)","United States -- Navy","Cold War","Vietnam War, 1961-1975","Birthday parties","Holidays","Proms","Weddings","Commencement ceremonies","Hunting","Fishing","Amateur films","Festivals","motion pictures (visual works)","8mm (photographic film size)","DVDs","VHS","short subjects","Super 8"],"access_subjects_ssm":["Universities and colleges -- Florida","Tourism","Amusement parks","Zoo animals","Wildlife-related recreation","Sculpture","Historic sites","Art and architecture","New York World's Fair (1964-1965 : New York, N.Y.)","United States -- Navy","Cold War","Vietnam War, 1961-1975","Birthday parties","Holidays","Proms","Weddings","Commencement ceremonies","Hunting","Fishing","Amateur films","Festivals","motion pictures (visual works)","8mm (photographic film size)","DVDs","VHS","short subjects","Super 8"],"has_online_content_ssim":["false"],"extent_ssm":["23.65 Linear Feet 278 8mm Film Reels, 19 Super 8mm Film Reels; 9 16mm Film Reels, 1 Box, and 1 Flat File"],"extent_tesim":["23.65 Linear Feet 278 8mm Film Reels, 19 Super 8mm Film Reels; 9 16mm Film Reels, 1 Box, and 1 Flat File"],"genreform_ssim":["motion pictures (visual works)","8mm (photographic film size)","DVDs","VHS","short subjects","Super 8"],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research. Curatorial Permission is required for reels 9, 24, 204, 205, 206, 207, 208, 209, 210, 297 due to their content.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research. Curatorial Permission is required for reels 9, 24, 204, 205, 206, 207, 208, 209, 210, 297 due to their content."],"arrangement_html_tesm":["\u003cp\u003eThe first arrangement and description of the archives contents was completed in 2015. The collection is housed on a protected drive and on discs. Presently, the archive is arranged based on the donor in alphabetical order and each film is numerically ordered.\u003c/p\u003e\n","\u003cp\u003eThe collection contains 8mm, Super 8mm, and 16mm film reels donated by 54 donors from 2010-2014. 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The footage of the reels may or may not be listed in chronological order."],"bioghist_html_tesm":["\u003cp\u003eAs part of the Special Collections and University Archives, the Home Movie Archive seeks to collect 8mm, Super 8mm, and 16mm home movies, captured mostly from late 1930s through the end of the 1980s, which have cultural, historical, scientific, or artistic significance, with a focus on Central Florida and its residents.\u003c/p\u003e\n","\u003cp\u003eThe aim of creating a Home Movie Archive is to ensure that the valuable social and historical information, captured by ordinary citizens, be preserved as part of the Special Collections and University Archives permanent holdings-a non-circulating collection whose use is confined to the Special Collections reading/research room.\u003c/p\u003e\n","\u003cp\u003eThe UCF Libraries will administer, permanently house, preserve, inventory, process, maintain, and make available a Home Movie Archive to the public, researchers, and scholars, in accordance with the UCF Libraries' established policies and procedures.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["As part of the Special Collections and University Archives, the Home Movie Archive seeks to collect 8mm, Super 8mm, and 16mm home movies, captured mostly from late 1930s through the end of the 1980s, which have cultural, historical, scientific, or artistic significance, with a focus on Central Florida and its residents.","The aim of creating a Home Movie Archive is to ensure that the valuable social and historical information, captured by ordinary citizens, be preserved as part of the Special Collections and University Archives permanent holdings-a non-circulating collection whose use is confined to the Special Collections reading/research room.","The UCF Libraries will administer, permanently house, preserve, inventory, process, maintain, and make available a Home Movie Archive to the public, researchers, and scholars, in accordance with the UCF Libraries' established policies and procedures."],"prefercite_html_tesm":["\u003cp\u003eUCF Home Movie Archives, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["UCF Home Movie Archives, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMost of the footage was donated during the University of Central Florida Film Department's Home Movie Day events from 2010 through 2013 with individual donations thereafter until 2014. 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Reels 142 (LN_01), 143 (LN_02), 148 (MB_01), and 150 (MB_04) have vinegar syndrome and are being kept separate from the rest of the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["Most of the footage was donated during the University of Central Florida Film Department's Home Movie Day events from 2010 through 2013 with individual donations thereafter until 2014. Some of the reels were repaired by the UCF Film Department; more information regarding those repairs can be found in the administrative records. The films were digitized on discs and onto a Western Digital My Book Studio II Dual-drive Storage System with RAID from 2011 to 2013. The UCF Film Department transferred the collection to the UCF Library Special Collections on March 3, 2014.","A supplementary guide was created by David D. Morton in 2015; additions to the guide were integrated by Angie Villafane Martinez, John Settle, and Steven Craig Trelstad from 2017 to 2019. Reels 142 (LN_01), 143 (LN_02), 148 (MB_01), and 150 (MB_04) have vinegar syndrome and are being kept separate from the rest of the collection."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on Special Collections, please see our \u003cextref href=\"https://library.ucf.edu/about/departments/special-collections-university-archives/\" show=\"new\" actuate=\"onrequest\"\u003ewebsite\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["For more information on Special Collections, please see our  website ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Home Movie Archive, c. 1920-1989, Undated. The series is arranged into one series and 54 subseries with each subseries named after the donors (Last Name, First Name) and is alphabetically listed.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Public Access Materials, c. 1920-1989, c. 2010-2014, Undated. 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Also contains supplementary materials such as posters from the University of Central Florida Film Department's Home Movie Day event. The series is arranged with the digitized versions (as well as other formats) of the footage in a box and the posters stored in a flat file. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6f7085fc2c24f2c91a7dd90d8b5a701a\"\u003eThe Home Move Archive houses films created by individuals that mostly depict their family interactions, ceremonies, celebrations, and vacations. Others depict famous moments in history such as the opening day of Walt Disney World or the 1964 World's Fair. The origins of the footage in the collection span across North America, South America, Europe, Africa, and Asia.\u003c/abstract\u003e"],"abstract_tesim":["The Home Move Archive houses films created by individuals that mostly depict their family interactions, ceremonies, celebrations, and vacations. Others depict famous moments in history such as the opening day of Walt Disney World or the 1964 World's Fair. The origins of the footage in the collection span across North America, South America, Europe, Africa, and Asia."],"names_coll_ssim":["Florida Technological University","University of Central Florida"],"names_ssim":["UCF Special Collections","Florida Technological University","University of Central Florida"],"corpname_ssim":["UCF Special Collections","Florida Technological University","University of Central Florida"],"language_ssim":["The materials are written in English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":481,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"d049b8f1d279e90b99a77f6a","timestamp":"2026-04-21T03:15:10.318Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d049b8f1d279e90b99a77f6a_aspace_8ef1d8ce94474a375c5e6c0f9a683058"}},{"id":"d049b8f1d279e90b99a77f6a_aspace_182bd5640e81fed788e7514b42c12026","type":"Item","attributes":{"title":"EE_57-58, 1966, Circa 1976 or 1978","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d049b8f1d279e90b99a77f6a_aspace_182bd5640e81fed788e7514b42c12026#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_182bd5640e81fed788e7514b42c12026","ref_ssm":["aspace_182bd5640e81fed788e7514b42c12026","aspace_182bd5640e81fed788e7514b42c12026"],"id":"d049b8f1d279e90b99a77f6a_aspace_182bd5640e81fed788e7514b42c12026","title_filing_ssi":"EE_57-58","title_ssm":["EE_57-58"],"title_tesim":["EE_57-58"],"unitdate_inclusive_ssm":["1966, Circa 1976 or 1978"],"normalized_date_ssm":["1966, Circa 1976 or 1978"],"normalized_title_ssm":["EE_57-58, 1966, Circa 1976 or 1978"],"text":["EE_57-58, 1966, Circa 1976 or 1978","UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987.","Home Movie Archives, Circa 1920-1989, Undated","Eddy, Eleanor Collection, 1965 - Circa 1978","/repositories/4/archival_objects/54645","Reel 50","The compiled film is 6 minutes and 55 seconds in length. 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The content features a parade, a boy playing in the front yard, children swimming, people dancing, babies plating and crawling, and children eating pasta."],"_nest_path_":"/components#0/components#8/components#10","_nest_parent_":"d049b8f1d279e90b99a77f6a_aspace_990d6648438aa07e94abd5419e33bbbb","_root_":"d049b8f1d279e90b99a77f6a","timestamp":"2026-04-21T03:15:10.318Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d049b8f1d279e90b99a77f6a","title_ssm":["UCF Home Movie Archives"],"title_tesim":["UCF Home Movie Archives"],"ead_ssi":"d049b8f1d279e90b99a77f6a","unitdate_ssm":["Circa 1920-1989, Circa 2010-2014, Undated.","1950-1987."],"unitdate_bulk_ssim":["1950-1987."],"unitdate_inclusive_ssm":["Circa 1920-1989, Circa 2010-2014, Undated."],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.101","/repositories/4/resources/213"],"text":["SC.101","/repositories/4/resources/213","UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987.","Midway Islands","North America","Hawaii","South America","Europe","Asia","Australia","Africa","Universities and colleges -- Florida","Tourism","Amusement parks","Zoo animals","Wildlife-related recreation","Sculpture","Historic sites","Art and architecture","New York World's Fair (1964-1965 : New York, N.Y.)","United States -- Navy","Cold War","Vietnam War, 1961-1975","Birthday parties","Holidays","Proms","Weddings","Commencement ceremonies","Hunting","Fishing","Amateur films","Festivals","motion pictures (visual works)","8mm (photographic film size)","DVDs","VHS","short subjects","Super 8","The entire collection is open for research. Curatorial Permission is required for reels 9, 24, 204, 205, 206, 207, 208, 209, 210, 297 due to their content.","The first arrangement and description of the archives contents was completed in 2015. The collection is housed on a protected drive and on discs. Presently, the archive is arranged based on the donor in alphabetical order and each film is numerically ordered.","The collection contains 8mm, Super 8mm, and 16mm film reels donated by 54 donors from 2010-2014. The footage of the reels may or may not be listed in chronological order.","As part of the Special Collections and University Archives, the Home Movie Archive seeks to collect 8mm, Super 8mm, and 16mm home movies, captured mostly from late 1930s through the end of the 1980s, which have cultural, historical, scientific, or artistic significance, with a focus on Central Florida and its residents.","The aim of creating a Home Movie Archive is to ensure that the valuable social and historical information, captured by ordinary citizens, be preserved as part of the Special Collections and University Archives permanent holdings-a non-circulating collection whose use is confined to the Special Collections reading/research room.","The UCF Libraries will administer, permanently house, preserve, inventory, process, maintain, and make available a Home Movie Archive to the public, researchers, and scholars, in accordance with the UCF Libraries' established policies and procedures.","Most of the footage was donated during the University of Central Florida Film Department's Home Movie Day events from 2010 through 2013 with individual donations thereafter until 2014. Some of the reels were repaired by the UCF Film Department; more information regarding those repairs can be found in the administrative records. The films were digitized on discs and onto a Western Digital My Book Studio II Dual-drive Storage System with RAID from 2011 to 2013. The UCF Film Department transferred the collection to the UCF Library Special Collections on March 3, 2014.","A supplementary guide was created by David D. Morton in 2015; additions to the guide were integrated by Angie Villafane Martinez, John Settle, and Steven Craig Trelstad from 2017 to 2019. Reels 142 (LN_01), 143 (LN_02), 148 (MB_01), and 150 (MB_04) have vinegar syndrome and are being kept separate from the rest of the collection.","For more information on Special Collections, please see our  website .","Series I: Home Movie Archive, c. 1920-1989, Undated. The series is arranged into one series and 54 subseries with each subseries named after the donors (Last Name, First Name) and is alphabetically listed.","\nSeries II: Public Access Materials, c. 1920-1989, c. 2010-2014, Undated. The series contains the digitized formats of the footage featured in Series I for public research purposes. Also contains supplementary materials such as posters from the University of Central Florida Film Department's Home Movie Day event. The series is arranged with the digitized versions (as well as other formats) of the footage in a box and the posters stored in a flat file. ","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Home Move Archive houses films created by individuals that mostly depict their family interactions, ceremonies, celebrations, and vacations. Others depict famous moments in history such as the opening day of Walt Disney World or the 1964 World's Fair. The origins of the footage in the collection span across North America, South America, Europe, Africa, and Asia.","UCF Special Collections","Florida Technological University","University of Central Florida","The materials are written in English"],"unitid_tesim":["SC.101","/repositories/4/resources/213"],"normalized_date_ssm":["Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987."],"normalized_title_ssm":["UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987."],"collection_title_tesim":["UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987."],"collection_ssim":["UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987."],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Midway Islands","North America","Hawaii","South America","Europe","Asia","Australia","Africa"],"geogname_ssim":["Midway Islands","North America","Hawaii","South America","Europe","Asia","Australia","Africa"],"places_ssim":["Midway Islands","North America","Hawaii","South America","Europe","Asia","Australia","Africa"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Various donors donated the materials to the University of Central Film Department from 2010-2013; their names are used to differentiate their films in the collection. the UCF Film Department transferred these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2014."],"access_subjects_ssim":["Universities and colleges -- Florida","Tourism","Amusement parks","Zoo animals","Wildlife-related recreation","Sculpture","Historic sites","Art and architecture","New York World's Fair (1964-1965 : New York, N.Y.)","United States -- Navy","Cold War","Vietnam War, 1961-1975","Birthday parties","Holidays","Proms","Weddings","Commencement ceremonies","Hunting","Fishing","Amateur films","Festivals","motion pictures (visual works)","8mm (photographic film size)","DVDs","VHS","short subjects","Super 8"],"access_subjects_ssm":["Universities and colleges -- Florida","Tourism","Amusement parks","Zoo animals","Wildlife-related recreation","Sculpture","Historic sites","Art and architecture","New York World's Fair (1964-1965 : New York, N.Y.)","United States -- Navy","Cold War","Vietnam War, 1961-1975","Birthday parties","Holidays","Proms","Weddings","Commencement ceremonies","Hunting","Fishing","Amateur films","Festivals","motion pictures (visual works)","8mm (photographic film size)","DVDs","VHS","short subjects","Super 8"],"has_online_content_ssim":["false"],"extent_ssm":["23.65 Linear Feet 278 8mm Film Reels, 19 Super 8mm Film Reels; 9 16mm Film Reels, 1 Box, and 1 Flat File"],"extent_tesim":["23.65 Linear Feet 278 8mm Film Reels, 19 Super 8mm Film Reels; 9 16mm Film Reels, 1 Box, and 1 Flat File"],"genreform_ssim":["motion pictures (visual works)","8mm (photographic film size)","DVDs","VHS","short subjects","Super 8"],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research. Curatorial Permission is required for reels 9, 24, 204, 205, 206, 207, 208, 209, 210, 297 due to their content.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research. Curatorial Permission is required for reels 9, 24, 204, 205, 206, 207, 208, 209, 210, 297 due to their content."],"arrangement_html_tesm":["\u003cp\u003eThe first arrangement and description of the archives contents was completed in 2015. The collection is housed on a protected drive and on discs. Presently, the archive is arranged based on the donor in alphabetical order and each film is numerically ordered.\u003c/p\u003e\n","\u003cp\u003eThe collection contains 8mm, Super 8mm, and 16mm film reels donated by 54 donors from 2010-2014. The footage of the reels may or may not be listed in chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The first arrangement and description of the archives contents was completed in 2015. The collection is housed on a protected drive and on discs. Presently, the archive is arranged based on the donor in alphabetical order and each film is numerically ordered.","The collection contains 8mm, Super 8mm, and 16mm film reels donated by 54 donors from 2010-2014. The footage of the reels may or may not be listed in chronological order."],"bioghist_html_tesm":["\u003cp\u003eAs part of the Special Collections and University Archives, the Home Movie Archive seeks to collect 8mm, Super 8mm, and 16mm home movies, captured mostly from late 1930s through the end of the 1980s, which have cultural, historical, scientific, or artistic significance, with a focus on Central Florida and its residents.\u003c/p\u003e\n","\u003cp\u003eThe aim of creating a Home Movie Archive is to ensure that the valuable social and historical information, captured by ordinary citizens, be preserved as part of the Special Collections and University Archives permanent holdings-a non-circulating collection whose use is confined to the Special Collections reading/research room.\u003c/p\u003e\n","\u003cp\u003eThe UCF Libraries will administer, permanently house, preserve, inventory, process, maintain, and make available a Home Movie Archive to the public, researchers, and scholars, in accordance with the UCF Libraries' established policies and procedures.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["As part of the Special Collections and University Archives, the Home Movie Archive seeks to collect 8mm, Super 8mm, and 16mm home movies, captured mostly from late 1930s through the end of the 1980s, which have cultural, historical, scientific, or artistic significance, with a focus on Central Florida and its residents.","The aim of creating a Home Movie Archive is to ensure that the valuable social and historical information, captured by ordinary citizens, be preserved as part of the Special Collections and University Archives permanent holdings-a non-circulating collection whose use is confined to the Special Collections reading/research room.","The UCF Libraries will administer, permanently house, preserve, inventory, process, maintain, and make available a Home Movie Archive to the public, researchers, and scholars, in accordance with the UCF Libraries' established policies and procedures."],"prefercite_html_tesm":["\u003cp\u003eUCF Home Movie Archives, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["UCF Home Movie Archives, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMost of the footage was donated during the University of Central Florida Film Department's Home Movie Day events from 2010 through 2013 with individual donations thereafter until 2014. Some of the reels were repaired by the UCF Film Department; more information regarding those repairs can be found in the administrative records. The films were digitized on discs and onto a Western Digital My Book Studio II Dual-drive Storage System with RAID from 2011 to 2013. The UCF Film Department transferred the collection to the UCF Library Special Collections on March 3, 2014.\u003c/p\u003e","\u003cp\u003eA supplementary guide was created by David D. Morton in 2015; additions to the guide were integrated by Angie Villafane Martinez, John Settle, and Steven Craig Trelstad from 2017 to 2019. Reels 142 (LN_01), 143 (LN_02), 148 (MB_01), and 150 (MB_04) have vinegar syndrome and are being kept separate from the rest of the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["Most of the footage was donated during the University of Central Florida Film Department's Home Movie Day events from 2010 through 2013 with individual donations thereafter until 2014. Some of the reels were repaired by the UCF Film Department; more information regarding those repairs can be found in the administrative records. The films were digitized on discs and onto a Western Digital My Book Studio II Dual-drive Storage System with RAID from 2011 to 2013. The UCF Film Department transferred the collection to the UCF Library Special Collections on March 3, 2014.","A supplementary guide was created by David D. Morton in 2015; additions to the guide were integrated by Angie Villafane Martinez, John Settle, and Steven Craig Trelstad from 2017 to 2019. Reels 142 (LN_01), 143 (LN_02), 148 (MB_01), and 150 (MB_04) have vinegar syndrome and are being kept separate from the rest of the collection."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on Special Collections, please see our \u003cextref href=\"https://library.ucf.edu/about/departments/special-collections-university-archives/\" show=\"new\" actuate=\"onrequest\"\u003ewebsite\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["For more information on Special Collections, please see our  website ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Home Movie Archive, c. 1920-1989, Undated. The series is arranged into one series and 54 subseries with each subseries named after the donors (Last Name, First Name) and is alphabetically listed.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Public Access Materials, c. 1920-1989, c. 2010-2014, Undated. The series contains the digitized formats of the footage featured in Series I for public research purposes. Also contains supplementary materials such as posters from the University of Central Florida Film Department's Home Movie Day event. The series is arranged with the digitized versions (as well as other formats) of the footage in a box and the posters stored in a flat file. \u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["Series I: Home Movie Archive, c. 1920-1989, Undated. The series is arranged into one series and 54 subseries with each subseries named after the donors (Last Name, First Name) and is alphabetically listed.","\nSeries II: Public Access Materials, c. 1920-1989, c. 2010-2014, Undated. The series contains the digitized formats of the footage featured in Series I for public research purposes. Also contains supplementary materials such as posters from the University of Central Florida Film Department's Home Movie Day event. The series is arranged with the digitized versions (as well as other formats) of the footage in a box and the posters stored in a flat file. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6f7085fc2c24f2c91a7dd90d8b5a701a\"\u003eThe Home Move Archive houses films created by individuals that mostly depict their family interactions, ceremonies, celebrations, and vacations. Others depict famous moments in history such as the opening day of Walt Disney World or the 1964 World's Fair. The origins of the footage in the collection span across North America, South America, Europe, Africa, and Asia.\u003c/abstract\u003e"],"abstract_tesim":["The Home Move Archive houses films created by individuals that mostly depict their family interactions, ceremonies, celebrations, and vacations. Others depict famous moments in history such as the opening day of Walt Disney World or the 1964 World's Fair. The origins of the footage in the collection span across North America, South America, Europe, Africa, and Asia."],"names_coll_ssim":["Florida Technological University","University of Central Florida"],"names_ssim":["UCF Special Collections","Florida Technological University","University of Central Florida"],"corpname_ssim":["UCF Special Collections","Florida Technological University","University of Central Florida"],"language_ssim":["The materials are written in English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":481,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"d049b8f1d279e90b99a77f6a","timestamp":"2026-04-21T03:15:10.318Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d049b8f1d279e90b99a77f6a_aspace_182bd5640e81fed788e7514b42c12026"}},{"id":"f1098bbf9fbfeb8d23de54a0_aspace_f7a3ec7efa190c9c33195b2f514a50c5","type":"File","attributes":{"title":"\"E\" general, Circa 1962-1987","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f1098bbf9fbfeb8d23de54a0_aspace_f7a3ec7efa190c9c33195b2f514a50c5#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_f7a3ec7efa190c9c33195b2f514a50c5","ref_ssm":["aspace_f7a3ec7efa190c9c33195b2f514a50c5","aspace_f7a3ec7efa190c9c33195b2f514a50c5"],"id":"f1098bbf9fbfeb8d23de54a0_aspace_f7a3ec7efa190c9c33195b2f514a50c5","title_filing_ssi":"\"E\" general","title_ssm":["\"E\" general"],"title_tesim":["\"E\" general"],"unitdate_inclusive_ssm":["Circa 1962-1987"],"normalized_date_ssm":["Circa 1962-1987"],"normalized_title_ssm":["\"E\" general, Circa 1962-1987"],"text":["\"E\" general, Circa 1962-1987","Michael Shaara Collection, Circa 1947-1990","Correspondence, Circa 1948-1992","Professional Correspondence, Circa 1948-1988","/repositories/3/archival_objects/12263","box 1","folder 27"],"component_level_isim":[3],"parent_ids_ssim":["f1098bbf9fbfeb8d23de54a0","f1098bbf9fbfeb8d23de54a0_aspace_5015d264a28f1b58c2358a06174a00f3","f1098bbf9fbfeb8d23de54a0_aspace_16fe9de2ab994adb1a059b0845d41624"],"parent_unittitles_ssm":["Michael Shaara Collection, Circa 1947-1990","Correspondence, Circa 1948-1992","Professional Correspondence, Circa 1948-1988"],"parent_unittitles_tesim":["Michael Shaara Collection, Circa 1947-1990","Correspondence, Circa 1948-1992","Professional Correspondence, Circa 1948-1988"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/3/archival_objects/12263"],"repository_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"collection_ssim":["Michael Shaara Collection, Circa 1947-1990"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":29,"parent_access_restrict_tesm":["The Michael Shaara Collection is open for research."],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987],"containers_ssim":["box 1","folder 27"],"_nest_path_":"/components#0/components#0/components#26","_nest_parent_":"f1098bbf9fbfeb8d23de54a0_aspace_16fe9de2ab994adb1a059b0845d41624","_root_":"f1098bbf9fbfeb8d23de54a0","_version_":1879174602967482368,"timestamp":"2026-10-16T03:15:54.887Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f1098bbf9fbfeb8d23de54a0","title_filing_ssi":"Shaara, Michael Collection","title_ssm":["Michael Shaara Collection"],"title_tesim":["Michael Shaara Collection"],"ead_ssi":"f1098bbf9fbfeb8d23de54a0","unitdate_ssm":["Circa 1947-1990"],"unitdate_inclusive_ssm":["Circa 1947-1990"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["BIENES.2022.1","/repositories/3/resources/178"],"text":["BIENES.2022.1","/repositories/3/resources/178","Michael Shaara Collection, Circa 1947-1990","United States -- History -- Civil War, 1861-1865 -- Fiction","Shaara, Michael -- Correspondence","American literature","Historical fiction, American","Science fiction","Manuscripts","Short stories","Photographs","Clippings","The Michael Shaara Collection is open for research.","Related archival material can be found in the Denver Public Library, Western History/Genealogy Department, Denver, Colorado. Visit DenverLibrary.org for further information.","The Michael Shaara Collection contains eight series: Series I. Correspondence, Series II. Writings, Series III. Professional Papers, Series IV. Personal Papers, Series V. Financial and Legal Documents, Series VI. Photographs, Series VII. Awards, and Series VIII. Printed Materials.","Michael Shaara (1929-1988) was born on June 23, 1929 in Jersey City, N.J. to Michael Joseph Sr. and Allene Shaara. Michael Shaara graduated from Rutgers University with a bachelor's degree in 1951 and completed graduate studies at Columbia University (1952-1953) and University of Vermont (1953-1954). He began writing short stories in the 1950s after holding jobs as a paratrooper, merchant seaman, and police officer in St. Petersburg, Florida. In 1959, he was hired as an English instructor at Florida State University (FSU) and by 1968, became an Associate Professor. He taught English, literature and creative writing courses.","Michael Shaara wrote four novels and published more than 70 short stories in magazines including Cosmopolitan, Galaxy, Fantastic Universe, Playboy, Redbook, and the Saturday Evening Post. He began writing science fiction and fantasy genres for the popular pulp fiction magazines of the time and won several awards. Shaara received the Pulitzer Prize for Fiction in 1975 for his novel \"The Killer Angels\". His other three novels are: \"The Broken Place\" (1968), \"The Noah Conspiracy\" (known as the \"Herald\", 1981), and \"For Love of the Game\" (1991). Two of his novels were made into films: television miniseries \"Gettysburg\", an adaptation of \"The Killer Angels\" and film \"For Love of the Game\" (1991) based on the novel of the same name. ","In 1965, Michael Shaara had his first major heart attack and wrote about the experience in an article published by the Saturday Evening Post. The article \"In the Midst of Life\" won an American Medical Association award for medical journalism. While teaching an FSU abroad program in Italy in 1972, he had a motorcycle accident. He was unconcious for weeks and suffered from a severe brain injury. Later he described this event in his story \"Brain Damage\". ","Michael Shaara married Helen Krumweide (1928-2016) on September 16, 1950, and had two children, Jeffrey and Lila Elise. Jeff Shaara wrote the novels \"Gods and Generals\" (1996) and \"The Last Full Measure\" (1998) which serve as as a prequel and sequel to \"The Killer Angels.\" Jeff Shaara continues to write novels.","This collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Michael Shaara Collection in the Broward County Library Digital Archives.","The Michael Shaara Collection contains manuscripts, correspondence, photographs, teaching lectures and notes, speeches, financial documents, personal papers, books, awards, programs, newspaper clippings, and publications collected by author Michael Shaara (1929-1988). Manuscripts and drafts include his four novels (\"The Killer Angels\", \"The Broken Place\", \"The Herald\", and \"For Love of the Game\") and short stories.","Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library","Florida State University. Department of English","Shaara, Michael","English"],"unitid_tesim":["BIENES.2022.1","/repositories/3/resources/178"],"normalized_date_ssm":["Circa 1947-1990"],"normalized_title_ssm":["Michael Shaara Collection, Circa 1947-1990"],"collection_title_tesim":["Michael Shaara Collection, Circa 1947-1990"],"collection_ssim":["Michael Shaara Collection, Circa 1947-1990"],"repository_ssm":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"repository_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"geogname_ssm":["United States -- History -- Civil War, 1861-1865 -- Fiction"],"geogname_ssim":["United States -- History -- Civil War, 1861-1865 -- Fiction"],"creator_ssm":["Shaara, Michael"],"creator_ssim":["Shaara, Michael"],"creator_persname_ssim":["Shaara, Michael"],"creators_ssim":["Shaara, Michael"],"places_ssim":["United States -- History -- Civil War, 1861-1865 -- Fiction"],"acqinfo_ssim":["Helen Shaara donated the Michael Shaara Collection to the Bienes Museum of the Modern Book on October 15, 1998."],"access_subjects_ssim":["Shaara, Michael -- Correspondence","American literature","Historical fiction, American","Science fiction","Manuscripts","Short stories","Photographs","Clippings"],"access_subjects_ssm":["Shaara, Michael -- Correspondence","American literature","Historical fiction, American","Science fiction","Manuscripts","Short stories","Photographs","Clippings"],"has_online_content_ssim":["false"],"extent_ssm":["26 Hollinger Boxes"],"extent_tesim":["26 Hollinger Boxes"],"genreform_ssim":["Manuscripts","Short stories","Photographs","Clippings"],"date_range_isim":[1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"accessrestrict_html_tesm":["\u003cp\u003eThe Michael Shaara Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Michael Shaara Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003eRelated archival material can be found in the Denver Public Library, Western History/Genealogy Department, Denver, Colorado. Visit DenverLibrary.org for further information.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Related archival material can be found in the Denver Public Library, Western History/Genealogy Department, Denver, Colorado. Visit DenverLibrary.org for further information."],"arrangement_html_tesm":["\u003cp\u003eThe Michael Shaara Collection contains eight series: Series I. Correspondence, Series II. Writings, Series III. Professional Papers, Series IV. Personal Papers, Series V. Financial and Legal Documents, Series VI. Photographs, Series VII. Awards, and Series VIII. Printed Materials.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Michael Shaara Collection contains eight series: Series I. Correspondence, Series II. Writings, Series III. Professional Papers, Series IV. Personal Papers, Series V. Financial and Legal Documents, Series VI. Photographs, Series VII. Awards, and Series VIII. Printed Materials."],"bioghist_html_tesm":["\u003cp\u003eMichael Shaara (1929-1988) was born on June 23, 1929 in Jersey City, N.J. to Michael Joseph Sr. and Allene Shaara. Michael Shaara graduated from Rutgers University with a bachelor's degree in 1951 and completed graduate studies at Columbia University (1952-1953) and University of Vermont (1953-1954). He began writing short stories in the 1950s after holding jobs as a paratrooper, merchant seaman, and police officer in St. Petersburg, Florida. In 1959, he was hired as an English instructor at Florida State University (FSU) and by 1968, became an Associate Professor. He taught English, literature and creative writing courses.\u003c/p\u003e\n","\u003cp\u003eMichael Shaara wrote four novels and published more than 70 short stories in magazines including Cosmopolitan, Galaxy, Fantastic Universe, Playboy, Redbook, and the Saturday Evening Post. He began writing science fiction and fantasy genres for the popular pulp fiction magazines of the time and won several awards. Shaara received the Pulitzer Prize for Fiction in 1975 for his novel \"The Killer Angels\". His other three novels are: \"The Broken Place\" (1968), \"The Noah Conspiracy\" (known as the \"Herald\", 1981), and \"For Love of the Game\" (1991). Two of his novels were made into films: television miniseries \"Gettysburg\", an adaptation of \"The Killer Angels\" and film \"For Love of the Game\" (1991) based on the novel of the same name. \u003c/p\u003e\n","\u003cp\u003eIn 1965, Michael Shaara had his first major heart attack and wrote about the experience in an article published by the Saturday Evening Post. The article \"In the Midst of Life\" won an American Medical Association award for medical journalism. While teaching an FSU abroad program in Italy in 1972, he had a motorcycle accident. He was unconcious for weeks and suffered from a severe brain injury. Later he described this event in his story \"Brain Damage\". \u003c/p\u003e\n","\u003cp\u003eMichael Shaara married Helen Krumweide (1928-2016) on September 16, 1950, and had two children, Jeffrey and Lila Elise. Jeff Shaara wrote the novels \"Gods and Generals\" (1996) and \"The Last Full Measure\" (1998) which serve as as a prequel and sequel to \"The Killer Angels.\" Jeff Shaara continues to write novels.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Michael Shaara (1929-1988) was born on June 23, 1929 in Jersey City, N.J. to Michael Joseph Sr. and Allene Shaara. Michael Shaara graduated from Rutgers University with a bachelor's degree in 1951 and completed graduate studies at Columbia University (1952-1953) and University of Vermont (1953-1954). He began writing short stories in the 1950s after holding jobs as a paratrooper, merchant seaman, and police officer in St. Petersburg, Florida. In 1959, he was hired as an English instructor at Florida State University (FSU) and by 1968, became an Associate Professor. He taught English, literature and creative writing courses.","Michael Shaara wrote four novels and published more than 70 short stories in magazines including Cosmopolitan, Galaxy, Fantastic Universe, Playboy, Redbook, and the Saturday Evening Post. He began writing science fiction and fantasy genres for the popular pulp fiction magazines of the time and won several awards. Shaara received the Pulitzer Prize for Fiction in 1975 for his novel \"The Killer Angels\". His other three novels are: \"The Broken Place\" (1968), \"The Noah Conspiracy\" (known as the \"Herald\", 1981), and \"For Love of the Game\" (1991). Two of his novels were made into films: television miniseries \"Gettysburg\", an adaptation of \"The Killer Angels\" and film \"For Love of the Game\" (1991) based on the novel of the same name. ","In 1965, Michael Shaara had his first major heart attack and wrote about the experience in an article published by the Saturday Evening Post. The article \"In the Midst of Life\" won an American Medical Association award for medical journalism. While teaching an FSU abroad program in Italy in 1972, he had a motorcycle accident. He was unconcious for weeks and suffered from a severe brain injury. Later he described this event in his story \"Brain Damage\". ","Michael Shaara married Helen Krumweide (1928-2016) on September 16, 1950, and had two children, Jeffrey and Lila Elise. Jeff Shaara wrote the novels \"Gods and Generals\" (1996) and \"The Last Full Measure\" (1998) which serve as as a prequel and sequel to \"The Killer Angels.\" Jeff Shaara continues to write novels."],"prefercite_html_tesm":["\u003cp\u003eMichael Shaara Collection, Bienes Museum of the Modern Book, Broward County Library\u003c/p\u003e"],"prefercite_tesim":["Michael Shaara Collection, Bienes Museum of the Modern Book, Broward County Library"],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/michaelshaara\" target=\"_blank\"\u003eView a selection of digitized materials from the Michael Shaara Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Michael Shaara Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Michael Shaara Collection contains manuscripts, correspondence, photographs, teaching lectures and notes, speeches, financial documents, personal papers, books, awards, programs, newspaper clippings, and publications collected by author Michael Shaara (1929-1988). Manuscripts and drafts include his four novels (\"The Killer Angels\", \"The Broken Place\", \"The Herald\", and \"For Love of the Game\") and short stories.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Michael Shaara Collection contains manuscripts, correspondence, photographs, teaching lectures and notes, speeches, financial documents, personal papers, books, awards, programs, newspaper clippings, and publications collected by author Michael Shaara (1929-1988). Manuscripts and drafts include his four novels (\"The Killer Angels\", \"The Broken Place\", \"The Herald\", and \"For Love of the Game\") and short stories."],"names_coll_ssim":["Florida State University. Department of English"],"names_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library","Florida State University. Department of English","Shaara, Michael"],"corpname_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library","Florida State University. Department of English"],"persname_ssim":["Shaara, Michael"],"language_ssim":["English"],"total_component_count_is":551,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879174602967482368,"_root_":"f1098bbf9fbfeb8d23de54a0","timestamp":"2026-10-16T03:15:54.887Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f1098bbf9fbfeb8d23de54a0_aspace_f7a3ec7efa190c9c33195b2f514a50c5"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Michael A. Spencer Bromeliad Research Collection, 1754-2014","value":"Michael A. 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