{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026page=86","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026page=85","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026page=87","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026page=526"},"meta":{"pages":{"current_page":86,"next_page":87,"prev_page":85,"total_pages":526,"limit_value":10,"offset_value":850,"total_count":5252,"first_page?":false,"last_page?":false}},"data":[{"id":"ea10a278e35b143f130f4d56_aspace_3ce494c8de688688db8f57c457acfa18","type":"File","attributes":{"title":"Churches, Father Augustine, and the Odd Fellows Lodge, 1925-2010, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ea10a278e35b143f130f4d56_aspace_3ce494c8de688688db8f57c457acfa18#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_3ce494c8de688688db8f57c457acfa18","ref_ssm":["aspace_3ce494c8de688688db8f57c457acfa18","aspace_3ce494c8de688688db8f57c457acfa18"],"id":"ea10a278e35b143f130f4d56_aspace_3ce494c8de688688db8f57c457acfa18","title_filing_ssi":"Churches, Father Augustine, and the Odd Fellows Lodge","title_ssm":["Churches, Father Augustine, and the Odd Fellows Lodge"],"title_tesim":["Churches, Father Augustine, and the Odd Fellows Lodge"],"unitdate_inclusive_ssm":["1925-2010, Undated"],"normalized_date_ssm":["1925-2010, Undated"],"normalized_title_ssm":["Churches, Father Augustine, and the Odd Fellows Lodge, 1925-2010, Undated"],"text":["Churches, Father Augustine, and the Odd Fellows Lodge, 1925-2010, Undated","Carol Mundy: African American Legacy Research Files, 1790-2012","Research Files, 1790-2012, Undated.","Apopka, 1790-2010, Undated","/repositories/4/archival_objects/55914","Box 1","Folder 2"],"component_level_isim":[3],"parent_ids_ssim":["ea10a278e35b143f130f4d56","ea10a278e35b143f130f4d56_aspace_seriesI","ea10a278e35b143f130f4d56_aspace_0b8753bfd1b34156502df803b13f97b0"],"parent_unittitles_ssm":["Carol Mundy: African American Legacy Research Files, 1790-2012","Research Files, 1790-2012, Undated.","Apopka, 1790-2010, Undated"],"parent_unittitles_tesim":["Carol Mundy: African American Legacy Research Files, 1790-2012","Research Files, 1790-2012, Undated.","Apopka, 1790-2010, Undated"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/55914"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Carol Mundy: African American Legacy Research Files, 1790-2012"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":4,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. 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Ms. Carol Mundy, a former flight attendant was able to travel the world throughout her career. As a result she was able to compile these documents in this collection and its sister collection also house at the UCF Special Collection and University Archives and known as the African American Legacy: the Carol Mundy Collection which hold about one thousand five hundred pieces of history that Ms. Mundy collected previously. The original collection was obtained by the University of Central Florida Special Collections \u0026 University Archives in 2009.","The research files were given to the University of Central Florida History Department through their program known as Regional Initiative for Collecting the History, Experiences and Stories (RICHES). They were housed in the History Department for a number of years and were donated to the University of Central Florida Special Collections \u0026 University Archives. Ms. Mundy saw the University of Central Florida John C. 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The contents that were once in the binders are now housed in acid free folders and boxes.The photographs and the transparency are also housed in clear archival sleeves.","African American Legacy: The Carol Mundy Collection, 1794-2010","The collection is divided into 3 series.","Series I: Research Files, 1790-2012, Undated, consists of documents from three major areas Apopka, Eatonville, and Ocoee. The documents include articles, historic preservation manuals, land plans, census data, draft registration, and plot summaries.","Series II: Manuscripts, 2006-2009, Undated, consists of manuscripts written by Perrine Slim. The name Perrine Slim was a pseudonym for William Gladden Jr. In this series, there is also an article related to one of the manuscripts.","Series III: Photographs, 1920-Circa. 1950's, Undated, includes several photographs primarily of members of the Boykin family and the Gladden family.","Unpublished manuscripts are protected by copyright. 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As a result she was able to compile these documents in this collection and its sister collection also house at the UCF Special Collection and University Archives and known as the African American Legacy: the Carol Mundy Collection which hold about one thousand five hundred pieces of history that Ms. Mundy collected previously. The original collection was obtained by the University of Central Florida Special Collections \u0026 University Archives in 2009.","The research files were given to the University of Central Florida History Department through their program known as Regional Initiative for Collecting the History, Experiences and Stories (RICHES). They were housed in the History Department for a number of years and were donated to the University of Central Florida Special Collections \u0026 University Archives. Ms. Mundy saw the University of Central Florida John C. Hitt Library as the perfect institution to house her collection. She also wanted to bring more attention and educate the public and students about the African American Legacy. In 2009, the University of Central Florida, honored Ms. Mundy through the Burnett Honors College. Within the pages of pamphlet handed out at the event that day. In the pamphlet it discusses the importance of preserving and educating youth."],"prefercite_html_tesm":["\u003cp\u003eCarol Mundy: African American Legacy Research Files, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Carol Mundy: African American Legacy Research Files, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eWhen the University of Central Florida Special Collection \u0026amp; University Archives received this collection, most of the documents were in three ring binders. Upon receiving the collection the binders were in no particular order and have been organized by city. Some of the documents were put clear sleeves to keep them safe for the time being within the binders. Upon processing this collection, staples, binder clips, and paperclips were removed. The contents that were once in the binders are now housed in acid free folders and boxes.The photographs and the transparency are also housed in clear archival sleeves.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["When the University of Central Florida Special Collection \u0026 University Archives received this collection, most of the documents were in three ring binders. Upon receiving the collection the binders were in no particular order and have been organized by city. Some of the documents were put clear sleeves to keep them safe for the time being within the binders. Upon processing this collection, staples, binder clips, and paperclips were removed. The contents that were once in the binders are now housed in acid free folders and boxes.The photographs and the transparency are also housed in clear archival sleeves."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2009-02\"\u003eAfrican American Legacy: The Carol Mundy Collection, 1794-2010\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["African American Legacy: The Carol Mundy Collection, 1794-2010"],"scopecontent_html_tesm":["\u003cp\u003eThe collection is divided into 3 series.\u003c/p\u003e\n","\u003cp\u003eSeries I: Research Files, 1790-2012, Undated, consists of documents from three major areas Apopka, Eatonville, and Ocoee. The documents include articles, historic preservation manuals, land plans, census data, draft registration, and plot summaries.\u003c/p\u003e\n","\u003cp\u003eSeries II: Manuscripts, 2006-2009, Undated, consists of manuscripts written by Perrine Slim. The name Perrine Slim was a pseudonym for William Gladden Jr. In this series, there is also an article related to one of the manuscripts.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1920-Circa. 1950's, Undated, includes several photographs primarily of members of the Boykin family and the Gladden family.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["The collection is divided into 3 series.","Series I: Research Files, 1790-2012, Undated, consists of documents from three major areas Apopka, Eatonville, and Ocoee. The documents include articles, historic preservation manuals, land plans, census data, draft registration, and plot summaries.","Series II: Manuscripts, 2006-2009, Undated, consists of manuscripts written by Perrine Slim. The name Perrine Slim was a pseudonym for William Gladden Jr. In this series, there is also an article related to one of the manuscripts.","Series III: Photographs, 1920-Circa. 1950's, Undated, includes several photographs primarily of members of the Boykin family and the Gladden family."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a3e726e4ada6767d05cdb00c3da6057b\"\u003eThis research collection primarily looks at African American Legacy in small town Florida, including Eatonville, Apopka, and Ocoee. Through photographs, manuscripts, census data, historic home registers, and so much more; you can dive deep into researching these historic African American cities. Delve into the historic homes and their inhabitance of these historic cities through this collection. The documents in this collection are primarily photocopies, or photographs of original documents. The documents in this collection as a result were printed or created recently.\u003c/abstract\u003e"],"abstract_tesim":["This research collection primarily looks at African American Legacy in small town Florida, including Eatonville, Apopka, and Ocoee. Through photographs, manuscripts, census data, historic home registers, and so much more; you can dive deep into researching these historic African American cities. Delve into the historic homes and their inhabitance of these historic cities through this collection. The documents in this collection are primarily photocopies, or photographs of original documents. The documents in this collection as a result were printed or created recently."],"names_ssim":["UCF Special Collections","Mundy, Carol"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Mundy, Carol"],"persname_ssim":["Mundy, Carol"],"language_ssim":["The materials are written in English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":77,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857796524703744,"_root_":"ea10a278e35b143f130f4d56","timestamp":"2026-07-16T08:03:50.193Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ea10a278e35b143f130f4d56_aspace_3ce494c8de688688db8f57c457acfa18"}},{"id":"fc68935be80e6d2bf630694c_aspace_861dd846ef203287b88264849fde47b5","type":"File","attributes":{"title":"Church of Christian Fellowship cup, 1974","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/fc68935be80e6d2bf630694c_aspace_861dd846ef203287b88264849fde47b5#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_861dd846ef203287b88264849fde47b5","ref_ssm":["aspace_861dd846ef203287b88264849fde47b5","aspace_861dd846ef203287b88264849fde47b5"],"id":"fc68935be80e6d2bf630694c_aspace_861dd846ef203287b88264849fde47b5","title_filing_ssi":"Church of Christian Fellowship cup","title_ssm":["Church of Christian Fellowship cup"],"title_tesim":["Church of Christian Fellowship cup"],"unitdate_inclusive_ssm":["1974"],"normalized_date_ssm":["1974"],"normalized_title_ssm":["Church of Christian Fellowship cup, 1974"],"text":["Church of Christian Fellowship cup, 1974","Esther Rolle Collection, Circa 1970-1999","Awards and Gifts","Mementos and Statuettes","/repositories/2/archival_objects/232","box 29"],"component_level_isim":[3],"parent_ids_ssim":["fc68935be80e6d2bf630694c","fc68935be80e6d2bf630694c_aspace_75910004c3c4d11c81cc67d086053f9d","fc68935be80e6d2bf630694c_aspace_48643962755dcb8fad2ea5996b3821bf"],"parent_unittitles_ssm":["Esther Rolle Collection, Circa 1970-1999","Awards and Gifts","Mementos and Statuettes"],"parent_unittitles_tesim":["Esther Rolle Collection, Circa 1970-1999","Awards and Gifts","Mementos and Statuettes"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/232"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Esther Rolle Collection, Circa 1970-1999"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":92,"parent_access_restrict_tesm":["Collection is open for research."],"date_range_isim":[1974],"containers_ssim":["box 29"],"_nest_path_":"/components#1/components#1/components#4","_nest_parent_":"fc68935be80e6d2bf630694c_aspace_48643962755dcb8fad2ea5996b3821bf","_root_":"fc68935be80e6d2bf630694c","_version_":1870838778311999488,"timestamp":"2026-07-16T03:01:33.003Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"fc68935be80e6d2bf630694c","title_filing_ssi":"Rolle, Esther Collection ","title_ssm":["Esther Rolle Collection"],"title_tesim":["Esther Rolle Collection"],"ead_ssi":"fc68935be80e6d2bf630694c","unitdate_ssm":["Circa 1970-1999"],"unitdate_inclusive_ssm":["Circa 1970-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2005.2","/repositories/2/resources/2"],"text":["AARLCC.2005.2","/repositories/2/resources/2","Esther Rolle Collection, Circa 1970-1999","Pompano Beach (Fla.)","Caribbean Americans","Actresses","Bahamian Americans","African American political activists","Collection is open for research.","The collection is arranged into four series: Series I. Photographs, Series II. Awards, Series III. Personal Papers, and Series IV. Printed Materials.","Esther Rolle (1920-1998) was born in Pompano Beach, Florida to Bahamian parents Jonathan Rolle and Elizabeth Dames Rolle on November 8, 1920. Rolle was one of eighteen children. As a child, Rolle, along with her siblings, performed plays for churches and schools throughout Florida. She attended Booker T. Washington high school in Miami Beach, Florida and upon graduation attended Spelman College in Atlanta, Georgia, as well as Hunter College in New York City, New York. While in New York City, Rolle worked on the stage performing in theatrical productions on and off Broadway and became a member of the Negro Ensemble Company, a New York City based theater and workshop company. In 1955, she married Oscar Robinson, whom she divorced in 1975. Esther Rolle is known for her role as Florida Evans in the sitcoms Maude and Good Times. She also appeared in film, television and theatrical productions, including I know Why the Caged Bird Sings (1979), Cleopatra Jones (1973), the 1989 PBS televised play A Raisin in the Sun, Driving Miss Daisy (1989), How to Make an American Quilt (1995), Rosewood (1997), Down in the Delta (1998) and Train Ride (2000). Rolle won an Emmy Award for her supporting role as Ruth, in Summer of My German Soldier (1979). She also received other awards including an Image Award from the National Association for the Advancement of Colored People (NAACP) in 1974 for best actress in a comedy for her work in Good Times. In 1987 she was inducted into the NAACP Hall of Fame and was the first woman to be honored with the NAACP Chairman's Civil Rights Leadership Award in 1990. Esther Rolle died on November 17, 1998 in Los Angeles, CA.","View a selection of digitized materials from the Esther Rolle Collection in the Broward County Library Digital Archives.","The Esther Rolle collection consists of photographs, awards, audio-visual, and printed materials that document the life and career of actress and dancer Esther Rolle. The collection contains materials that illustrate Esther Rolle's work in multiple films and television shows such as Good Times, P.K. and the Kid, as well as Driving Miss Daisy. The collection includes multiple awards commemorating her achievements, including the NAACP Eighth Image Award (statuette) for Best Actress In A Series (1974), the 20th Annual NAACP Image Awards 1987 Hall of Fame Award (statuette), the NAACP Image Award (statuette) 1973 Best T.V. Actress Series, and the 1978-1979 Emmy Award (statuette) for Outstanding Supporting Actress in a Limited Series or a Special – Summer of My German Soldier, October 30, 1978 – NBC.","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.2005.2","/repositories/2/resources/2"],"normalized_date_ssm":["Circa 1970-1999"],"normalized_title_ssm":["Esther Rolle Collection, Circa 1970-1999"],"collection_title_tesim":["Esther Rolle Collection, Circa 1970-1999"],"collection_ssim":["Esther Rolle Collection, Circa 1970-1999"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Pompano Beach (Fla.)"],"geogname_ssim":["Pompano Beach (Fla.)"],"places_ssim":["Pompano Beach (Fla.)"],"acqinfo_ssim":["Kenneth and Janice Rolle donated the materials to the AARLCC Special Collections on December 15, 2005 (Accession AARLCC-2005.2). Jet magazine dated Sept. 1978 and Playbill: The Member of the Wedding, Roundabout Thatre Company, March, 1989, were purchased via vendor."],"access_subjects_ssim":["Caribbean Americans","Actresses","Bahamian Americans","African American political activists"],"access_subjects_ssm":["Caribbean Americans","Actresses","Bahamian Americans","African American political activists"],"has_online_content_ssim":["false"],"extent_ssm":["20 Linear Feet"],"extent_tesim":["20 Linear Feet"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series: Series I. Photographs, Series II. Awards, Series III. Personal Papers, and Series IV. Printed Materials.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into four series: Series I. Photographs, Series II. Awards, Series III. Personal Papers, and Series IV. Printed Materials."],"bioghist_html_tesm":["\u003cp\u003eEsther Rolle (1920-1998) was born in Pompano Beach, Florida to Bahamian parents Jonathan Rolle and Elizabeth Dames Rolle on November 8, 1920. Rolle was one of eighteen children. As a child, Rolle, along with her siblings, performed plays for churches and schools throughout Florida. She attended Booker T. Washington high school in Miami Beach, Florida and upon graduation attended Spelman College in Atlanta, Georgia, as well as Hunter College in New York City, New York. While in New York City, Rolle worked on the stage performing in theatrical productions on and off Broadway and became a member of the Negro Ensemble Company, a New York City based theater and workshop company. In 1955, she married Oscar Robinson, whom she divorced in 1975. Esther Rolle is known for her role as Florida Evans in the sitcoms Maude and Good Times. She also appeared in film, television and theatrical productions, including I know Why the Caged Bird Sings (1979), Cleopatra Jones (1973), the 1989 PBS televised play A Raisin in the Sun, Driving Miss Daisy (1989), How to Make an American Quilt (1995), Rosewood (1997), Down in the Delta (1998) and Train Ride (2000). Rolle won an Emmy Award for her supporting role as Ruth, in Summer of My German Soldier (1979). She also received other awards including an Image Award from the National Association for the Advancement of Colored People (NAACP) in 1974 for best actress in a comedy for her work in Good Times. In 1987 she was inducted into the NAACP Hall of Fame and was the first woman to be honored with the NAACP Chairman's Civil Rights Leadership Award in 1990. Esther Rolle died on November 17, 1998 in Los Angeles, CA.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Esther Rolle (1920-1998) was born in Pompano Beach, Florida to Bahamian parents Jonathan Rolle and Elizabeth Dames Rolle on November 8, 1920. Rolle was one of eighteen children. As a child, Rolle, along with her siblings, performed plays for churches and schools throughout Florida. She attended Booker T. Washington high school in Miami Beach, Florida and upon graduation attended Spelman College in Atlanta, Georgia, as well as Hunter College in New York City, New York. While in New York City, Rolle worked on the stage performing in theatrical productions on and off Broadway and became a member of the Negro Ensemble Company, a New York City based theater and workshop company. In 1955, she married Oscar Robinson, whom she divorced in 1975. Esther Rolle is known for her role as Florida Evans in the sitcoms Maude and Good Times. She also appeared in film, television and theatrical productions, including I know Why the Caged Bird Sings (1979), Cleopatra Jones (1973), the 1989 PBS televised play A Raisin in the Sun, Driving Miss Daisy (1989), How to Make an American Quilt (1995), Rosewood (1997), Down in the Delta (1998) and Train Ride (2000). Rolle won an Emmy Award for her supporting role as Ruth, in Summer of My German Soldier (1979). She also received other awards including an Image Award from the National Association for the Advancement of Colored People (NAACP) in 1974 for best actress in a comedy for her work in Good Times. In 1987 she was inducted into the NAACP Hall of Fame and was the first woman to be honored with the NAACP Chairman's Civil Rights Leadership Award in 1990. Esther Rolle died on November 17, 1998 in Los Angeles, CA."],"prefercite_html_tesm":["\u003cp\u003eEsther Rolle Collection, African American Research Library and Cultural Center, Broward County Libraries.\u003c/p\u003e"],"prefercite_tesim":["Esther Rolle Collection, African American Research Library and Cultural Center, Broward County Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll16/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Esther Rolle Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Esther Rolle Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Esther Rolle collection consists of photographs, awards, audio-visual, and printed materials that document the life and career of actress and dancer Esther Rolle. The collection contains materials that illustrate Esther Rolle's work in multiple films and television shows such as Good Times, P.K. and the Kid, as well as Driving Miss Daisy. The collection includes multiple awards commemorating her achievements, including the NAACP Eighth Image Award (statuette) for Best Actress In A Series (1974), the 20th Annual NAACP Image Awards 1987 Hall of Fame Award (statuette), the NAACP Image Award (statuette) 1973 Best T.V. Actress Series, and the 1978-1979 Emmy Award (statuette) for Outstanding Supporting Actress in a Limited Series or a Special \u0026#x2013; Summer of My German Soldier, October 30, 1978 \u0026#x2013; NBC.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Esther Rolle collection consists of photographs, awards, audio-visual, and printed materials that document the life and career of actress and dancer Esther Rolle. The collection contains materials that illustrate Esther Rolle's work in multiple films and television shows such as Good Times, P.K. and the Kid, as well as Driving Miss Daisy. The collection includes multiple awards commemorating her achievements, including the NAACP Eighth Image Award (statuette) for Best Actress In A Series (1974), the 20th Annual NAACP Image Awards 1987 Hall of Fame Award (statuette), the NAACP Image Award (statuette) 1973 Best T.V. Actress Series, and the 1978-1979 Emmy Award (statuette) for Outstanding Supporting Actress in a Limited Series or a Special – Summer of My German Soldier, October 30, 1978 – NBC."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"total_component_count_is":332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870838778311999488,"_root_":"fc68935be80e6d2bf630694c","timestamp":"2026-07-16T03:01:33.003Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/fc68935be80e6d2bf630694c_aspace_861dd846ef203287b88264849fde47b5"}},{"id":"4ecd9741f5ab1f086d98fc86_aspace_224cf9dd94ac8f172850e60c6571ae7d","type":"File","attributes":{"title":"Church of the Brethren, Articles, 1943-1982","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/4ecd9741f5ab1f086d98fc86_aspace_224cf9dd94ac8f172850e60c6571ae7d#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eFive articles related to Brethren and CPS\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4ecd9741f5ab1f086d98fc86_aspace_224cf9dd94ac8f172850e60c6571ae7d#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_224cf9dd94ac8f172850e60c6571ae7d","ref_ssm":["aspace_224cf9dd94ac8f172850e60c6571ae7d","aspace_224cf9dd94ac8f172850e60c6571ae7d"],"id":"4ecd9741f5ab1f086d98fc86_aspace_224cf9dd94ac8f172850e60c6571ae7d","title_filing_ssi":"Church of the Brethren, Articles","title_ssm":["Church of the Brethren, Articles"],"title_tesim":["Church of the Brethren, Articles"],"unitdate_inclusive_ssm":["1943-1982"],"normalized_date_ssm":["1943-1982"],"normalized_title_ssm":["Church of the Brethren, Articles, 1943-1982"],"text":["Church of the Brethren, Articles, 1943-1982","Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006","Research, bulk 1871-2006","/repositories/2/archival_objects/77799","box 22","folder 18","Five articles related to Brethren and CPS"],"component_level_isim":[2],"parent_ids_ssim":["4ecd9741f5ab1f086d98fc86","4ecd9741f5ab1f086d98fc86_aspace_ff3bc41a85011bea5a51cdad9b65b38a"],"parent_unittitles_ssm":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006","Research, bulk 1871-2006"],"parent_unittitles_tesim":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006","Research, bulk 1871-2006"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/77799"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":210,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library. See less"],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections. See less See less"],"date_range_isim":[1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"containers_ssim":["box 22","folder 18"],"scopecontent_html_tesm":["\u003cp\u003eFive articles related to Brethren and CPS\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Five articles related to Brethren and CPS"],"_nest_path_":"/components#0/components#208","_nest_parent_":"4ecd9741f5ab1f086d98fc86_aspace_ff3bc41a85011bea5a51cdad9b65b38a","_root_":"4ecd9741f5ab1f086d98fc86","timestamp":"2026-07-11T02:01:13.886Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4ecd9741f5ab1f086d98fc86","title_ssm":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection"],"title_tesim":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection"],"ead_ssi":"4ecd9741f5ab1f086d98fc86","unitdate_ssm":["1871 - 2006"],"unitdate_inclusive_ssm":["1871 - 2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UAFP0012","/repositories/2/resources/203"],"text":["UAFP0012","/repositories/2/resources/203","Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006","United States","World War, 1939-1945","University Archives","University Archives -- Faculty Papers"," Civilian Public Service -- History","World War, 1939-1945 -- Conscientious objectors -- United States","Oral history","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library. See less","The Frazer-O'Sullivan Collection contains the research for the co- authored book, We Have Just Begun to Not Fight: An Oral History of Conscientious Objectors in the Civilian Public Service During World War II, by Heather Frazer and John O'Sullivan. More than 40,000 American men refused to fight during World War II. Citing principled opposition, they declared themselves conscientious objectors. Rejecting combat duty, nearly 12,000 men entered Civilian Public Service (CPS) with the intent to perform \"work of national importance\" as an alternative to combat duty. The CPS program was set up by members of the historic peace churches (Mennonites, Brethren, and Quakers) and participated in by pacifists from other churches, of no specific religious persuasion, and, in the case of a few, no persuasion except not to fight in that particular war. CPS men worked as aides in mental hospitals, volunteered as smoke jumpers in forest fires, and participated in grueling medical and scientific experiments.  Frazer and O'Sullivan use the oral histories of 15 CPS men and two of their wives to illuminate their experience during World War II. ","Heather T. Frazer (1940 – 2016) was a professor of history at Florida Atlantic University. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure, she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history.","John O'Sullivan (1939-2000) was a professor of history at Florida Atlantic University. In 1971, he came to Florida Atlantic University where he served as chair of the History Department (1975-1978) and devoted his entire academic career. Dr. O'Sullivan received numerous research fellowships including the American Philosophical Society, the American Historical Association, and the Sloan Foundation. His areas of specialization were World War II, Vietnam War, Nuclear Age, the Holocaust, Peace History, Oral History and Modern American Political and Diplomatic Affairs.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections. See less See less","Florida Atlantic University Libraries","English"],"unitid_tesim":["UAFP0012","/repositories/2/resources/203"],"normalized_date_ssm":["1871 - 2006"],"normalized_title_ssm":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006"],"collection_title_tesim":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006"],"collection_ssim":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"geogname_ssm":["United States"],"geogname_ssim":["United States"],"places_ssim":["United States"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections. See less See less"],"access_subjects_ssim":["World War, 1939-1945","University Archives","University Archives -- Faculty Papers"," Civilian Public Service -- History","World War, 1939-1945 -- Conscientious objectors -- United States","Oral history"],"access_subjects_ssm":["World War, 1939-1945","University Archives","University Archives -- Faculty Papers"," Civilian Public Service -- History","World War, 1939-1945 -- Conscientious objectors -- United States","Oral history"],"has_online_content_ssim":["false"],"extent_ssm":["67 boxes"],"extent_tesim":["67 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library. See less\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library. See less"],"scopecontent_html_tesm":["\u003cp\u003eThe Frazer-O'Sullivan Collection contains the research for the co- authored book, We Have Just Begun to Not Fight: An Oral History of Conscientious Objectors in the Civilian Public Service During World War II, by Heather Frazer and John O'Sullivan. More than 40,000 American men refused to fight during World War II. Citing principled opposition, they declared themselves conscientious objectors. Rejecting combat duty, nearly 12,000 men entered Civilian Public Service (CPS) with the intent to perform \"work of national importance\" as an alternative to combat duty. The CPS program was set up by members of the historic peace churches (Mennonites, Brethren, and Quakers) and participated in by pacifists from other churches, of no specific religious persuasion, and, in the case of a few, no persuasion except not to fight in that particular war. CPS men worked as aides in mental hospitals, volunteered as smoke jumpers in forest fires, and participated in grueling medical and scientific experiments.  Frazer and O'Sullivan use the oral histories of 15 CPS men and two of their wives to illuminate their experience during World War II. \u003c/p\u003e\n","\u003cp\u003eHeather T. Frazer (1940 \u0026#x2013; 2016) was a professor of history at Florida Atlantic University. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure, she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history.\u003c/p\u003e\n","\u003cp\u003eJohn O'Sullivan (1939-2000) was a professor of history at Florida Atlantic University. In 1971, he came to Florida Atlantic University where he served as chair of the History Department (1975-1978) and devoted his entire academic career. Dr. O'Sullivan received numerous research fellowships including the American Philosophical Society, the American Historical Association, and the Sloan Foundation. His areas of specialization were World War II, Vietnam War, Nuclear Age, the Holocaust, Peace History, Oral History and Modern American Political and Diplomatic Affairs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Frazer-O'Sullivan Collection contains the research for the co- authored book, We Have Just Begun to Not Fight: An Oral History of Conscientious Objectors in the Civilian Public Service During World War II, by Heather Frazer and John O'Sullivan. More than 40,000 American men refused to fight during World War II. Citing principled opposition, they declared themselves conscientious objectors. Rejecting combat duty, nearly 12,000 men entered Civilian Public Service (CPS) with the intent to perform \"work of national importance\" as an alternative to combat duty. The CPS program was set up by members of the historic peace churches (Mennonites, Brethren, and Quakers) and participated in by pacifists from other churches, of no specific religious persuasion, and, in the case of a few, no persuasion except not to fight in that particular war. CPS men worked as aides in mental hospitals, volunteered as smoke jumpers in forest fires, and participated in grueling medical and scientific experiments.  Frazer and O'Sullivan use the oral histories of 15 CPS men and two of their wives to illuminate their experience during World War II. ","Heather T. Frazer (1940 – 2016) was a professor of history at Florida Atlantic University. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure, she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history.","John O'Sullivan (1939-2000) was a professor of history at Florida Atlantic University. In 1971, he came to Florida Atlantic University where he served as chair of the History Department (1975-1978) and devoted his entire academic career. Dr. O'Sullivan received numerous research fellowships including the American Philosophical Society, the American Historical Association, and the Sloan Foundation. His areas of specialization were World War II, Vietnam War, Nuclear Age, the Holocaust, Peace History, Oral History and Modern American Political and Diplomatic Affairs."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections. See less See less\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections. 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It includes full texts and editions of regional newspapers, as well as the more intimate look at sketches, blueprints, seals, and correspondence, postcards, and business cards.","The Cienfuegos Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. 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Cienfuegos, being a port city, became a center of the growing trade of crops such as coffee, sugarcane, and tobacco, as well as serving as a hub for Cuba's shrimp industry. The city's commercial success coincided with Cuba's sugar boom, making Cienfuegos one of the country's most economically important cities. The city later became a key industrial center in the mid-20th century, following the city's revolt against Fulgencio Batista y Zaldivar, former elected president of Cuba and military dictator who was overthrown during the Cuban Revolution. The aftermath of the Revolution ushered forth a new age of development in Cienfuegos. It now houses a UNESCO World Heritage Site in its city center, designated so in 2005 for its model of mordern Spanish American urbanism, and the integrity with which the original historical structures have been preserved and further maintained in newer developments.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Cienfuegos, Cuba was founded in 1819 by French colonists, then deemed Fernandina de Jagua for King Ferdinand VII of Spain and Chief Jagua by early Spanish conquistadors. Cienfuegos, being a port city, became a center of the growing trade of crops such as coffee, sugarcane, and tobacco, as well as serving as a hub for Cuba's shrimp industry. The city's commercial success coincided with Cuba's sugar boom, making Cienfuegos one of the country's most economically important cities. The city later became a key industrial center in the mid-20th century, following the city's revolt against Fulgencio Batista y Zaldivar, former elected president of Cuba and military dictator who was overthrown during the Cuban Revolution. The aftermath of the Revolution ushered forth a new age of development in Cienfuegos. It now houses a UNESCO World Heritage Site in its city center, designated so in 2005 for its model of mordern Spanish American urbanism, and the integrity with which the original historical structures have been preserved and further maintained in newer developments."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection gather resources to aid in the research of the commercial, eclesiastical, economic, and geographical history of Cienfuegos, Cuba, as well as featuring texts on important figures and locations. It includes full texts and editions of regional newspapers, as well as the more intimate look at sketches, blueprints, seals, and correspondence, postcards, and business cards.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection gather resources to aid in the research of the commercial, eclesiastical, economic, and geographical history of Cienfuegos, Cuba, as well as featuring texts on important figures and locations. It includes full texts and editions of regional newspapers, as well as the more intimate look at sketches, blueprints, seals, and correspondence, postcards, and business cards."],"userestrict_html_tesm":["\u003cp\u003eThe Cienfuegos Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Cienfuegos Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":36,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844445591601152,"_root_":"df5f33ab57ee6e767c26a104","timestamp":"2026-07-16T04:31:37.751Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/df5f33ab57ee6e767c26a104"}},{"id":"3a2a2bd1f653ffea6555f77b","type":"collection","attributes":{"title":"Cigar Industry supplementary material, 1900-1995","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/3a2a2bd1f653ffea6555f77b#abstract_or_scope","type":"document_value","attributes":{"value":["This collection contains materials related to the cigar and tobacco industry in the United States, with a focus on Tampa manufacturers. Included are documents related to labor union organizing at local levels and membership to the Cigar Makers' International Union of America, tobacco industry publications, cigar art, advertisements, and other assorted documents."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3a2a2bd1f653ffea6555f77b#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"3a2a2bd1f653ffea6555f77b","title_ssm":["Cigar Industry supplementary material"],"title_tesim":["Cigar Industry supplementary material"],"ead_ssi":"3a2a2bd1f653ffea6555f77b","unitdate_ssm":["1900-1995"],"unitdate_inclusive_ssm":["1900-1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1995-11","/repositories/2/resources/638"],"text":["MS-1995-11","/repositories/2/resources/638","Cigar Industry supplementary material, 1900-1995","Cigar industry","Cigar industry -- Florida -- Tampa","Cigar industry -- History","Labor unions","Labor unions -- Florida","Immigrants -- Florida -- History","Tobacco industry","Tobacco industry -- Florida","Materials are arranged topically.","Materials in the collection include cigar factory brochures, tobacco industry collectable catalogs, periodicals, manuscripts, photographs, union booklets, ephemera, cigar art and advertisements, correspondence, event programs, clippings, and other assorted items.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection contains materials related to the cigar and tobacco industry in the United States, with a focus on Tampa manufacturers. Included are documents related to labor union organizing at local levels and membership to the Cigar Makers' International Union of America, tobacco industry publications, cigar art, advertisements, and other assorted documents.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-1995-11","/repositories/2/resources/638"],"normalized_date_ssm":["1900-1995"],"normalized_title_ssm":["Cigar Industry supplementary material, 1900-1995"],"collection_title_tesim":["Cigar Industry supplementary material, 1900-1995"],"collection_ssim":["Cigar Industry supplementary material, 1900-1995"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Cigar industry","Cigar industry -- Florida -- Tampa","Cigar industry -- History","Labor unions","Labor unions -- Florida","Immigrants -- Florida -- History","Tobacco industry","Tobacco industry -- Florida"],"access_subjects_ssm":["Cigar industry","Cigar industry -- Florida -- Tampa","Cigar industry -- History","Labor unions","Labor unions -- Florida","Immigrants -- Florida -- History","Tobacco industry","Tobacco industry -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["1 boxes","0.42 Linear Feet"],"extent_tesim":["1 boxes","0.42 Linear Feet"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged topically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged topically."],"prefercite_html_tesm":["\u003cp\u003eCigar Industry Supplementary Material, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Cigar Industry Supplementary Material, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eMaterials in the collection include cigar factory brochures, tobacco industry collectable catalogs, periodicals, manuscripts, photographs, union booklets, ephemera, cigar art and advertisements, correspondence, event programs, clippings, and other assorted items.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Materials in the collection include cigar factory brochures, tobacco industry collectable catalogs, periodicals, manuscripts, photographs, union booklets, ephemera, cigar art and advertisements, correspondence, event programs, clippings, and other assorted items."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_338bf1cf1c0a08ff9acffcbd8be08899\"\u003eThis collection contains materials related to the cigar and tobacco industry in the United States, with a focus on Tampa manufacturers. Included are documents related to labor union organizing at local levels and membership to the Cigar Makers' International Union of America, tobacco industry publications, cigar art, advertisements, and other assorted documents.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains materials related to the cigar and tobacco industry in the United States, with a focus on Tampa manufacturers. Included are documents related to labor union organizing at local levels and membership to the Cigar Makers' International Union of America, tobacco industry publications, cigar art, advertisements, and other assorted documents."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"total_component_count_is":88,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"3a2a2bd1f653ffea6555f77b","timestamp":"2026-07-10T05:12:43.897Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3a2a2bd1f653ffea6555f77b","title_ssm":["Cigar Industry supplementary material"],"title_tesim":["Cigar Industry supplementary material"],"ead_ssi":"3a2a2bd1f653ffea6555f77b","unitdate_ssm":["1900-1995"],"unitdate_inclusive_ssm":["1900-1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1995-11","/repositories/2/resources/638"],"text":["MS-1995-11","/repositories/2/resources/638","Cigar Industry supplementary material, 1900-1995","Cigar industry","Cigar industry -- Florida -- Tampa","Cigar industry -- History","Labor unions","Labor unions -- Florida","Immigrants -- Florida -- History","Tobacco industry","Tobacco industry -- Florida","Materials are arranged topically.","Materials in the collection include cigar factory brochures, tobacco industry collectable catalogs, periodicals, manuscripts, photographs, union booklets, ephemera, cigar art and advertisements, correspondence, event programs, clippings, and other assorted items.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection contains materials related to the cigar and tobacco industry in the United States, with a focus on Tampa manufacturers. Included are documents related to labor union organizing at local levels and membership to the Cigar Makers' International Union of America, tobacco industry publications, cigar art, advertisements, and other assorted documents.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-1995-11","/repositories/2/resources/638"],"normalized_date_ssm":["1900-1995"],"normalized_title_ssm":["Cigar Industry supplementary material, 1900-1995"],"collection_title_tesim":["Cigar Industry supplementary material, 1900-1995"],"collection_ssim":["Cigar Industry supplementary material, 1900-1995"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Cigar industry","Cigar industry -- Florida -- Tampa","Cigar industry -- History","Labor unions","Labor unions -- Florida","Immigrants -- Florida -- History","Tobacco industry","Tobacco industry -- Florida"],"access_subjects_ssm":["Cigar industry","Cigar industry -- Florida -- Tampa","Cigar industry -- History","Labor unions","Labor unions -- Florida","Immigrants -- Florida -- History","Tobacco industry","Tobacco industry -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["1 boxes","0.42 Linear Feet"],"extent_tesim":["1 boxes","0.42 Linear Feet"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged topically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged topically."],"prefercite_html_tesm":["\u003cp\u003eCigar Industry Supplementary Material, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Cigar Industry Supplementary Material, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eMaterials in the collection include cigar factory brochures, tobacco industry collectable catalogs, periodicals, manuscripts, photographs, union booklets, ephemera, cigar art and advertisements, correspondence, event programs, clippings, and other assorted items.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Materials in the collection include cigar factory brochures, tobacco industry collectable catalogs, periodicals, manuscripts, photographs, union booklets, ephemera, cigar art and advertisements, correspondence, event programs, clippings, and other assorted items."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_338bf1cf1c0a08ff9acffcbd8be08899\"\u003eThis collection contains materials related to the cigar and tobacco industry in the United States, with a focus on Tampa manufacturers. Included are documents related to labor union organizing at local levels and membership to the Cigar Makers' International Union of America, tobacco industry publications, cigar art, advertisements, and other assorted documents.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains materials related to the cigar and tobacco industry in the United States, with a focus on Tampa manufacturers. Included are documents related to labor union organizing at local levels and membership to the Cigar Makers' International Union of America, tobacco industry publications, cigar art, advertisements, and other assorted documents."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"total_component_count_is":88,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"3a2a2bd1f653ffea6555f77b","timestamp":"2026-07-10T05:12:43.897Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3a2a2bd1f653ffea6555f77b"}},{"id":"02e6768c8de9bbedcf989f55","type":"collection","attributes":{"title":"Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/02e6768c8de9bbedcf989f55#abstract_or_scope","type":"document_value","attributes":{"value":["The Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/02e6768c8de9bbedcf989f55#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"02e6768c8de9bbedcf989f55","title_ssm":["Cinema Corporation of America Collection"],"title_tesim":["Cinema Corporation of America Collection"],"ead_ssi":"02e6768c8de9bbedcf989f55","unitdate_ssm":["1925-1981","1925-1932"],"unitdate_bulk_ssim":["1925-1932"],"unitdate_inclusive_ssm":["1925-1981"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2004-008","/repositories/10/resources/515"],"text":["MSS 2004-008","/repositories/10/resources/515","Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932","Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters.","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","In 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n From 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n In 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n DeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n Through the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures.","Portions of collection available online?: No","This collection was processed from December 2004-January 2005 by Burt Altman.","The Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s.","Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","The Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding.","FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F.","English"],"unitid_tesim":["MSS 2004-008","/repositories/10/resources/515"],"normalized_date_ssm":["1925-1981, bulk 1925-1932"],"normalized_title_ssm":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"collection_title_tesim":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"collection_ssim":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["The Cinema Corporation of America Collection was given to Special Collections by Mr. Robert Martin in July 2004."],"access_subjects_ssim":["Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"access_subjects_ssm":["Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"has_online_content_ssim":["false"],"extent_ssm":["5.70 Linear Feet"],"extent_tesim":["5.70 Linear Feet"],"genreform_ssim":["Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eIn 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n\u003cbr\u003e\u003cbr\u003eFrom 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n\u003cbr\u003e\u003cbr\u003eIn 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n\u003cbr\u003e\u003cbr\u003eDeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n\u003cbr\u003e\u003cbr\u003eThrough the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["In 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n From 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n In 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n DeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n Through the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures."],"originalsloc_html_tesm":["\u003cp\u003ePortions of collection available online?: No\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Portions of collection available online?: No"],"prefercite_html_tesm":["\u003cp\u003eCinema Corporation of America Collection, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2004-008\u003c/p\u003e"],"prefercite_tesim":["Cinema Corporation of America Collection, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2004-008"],"processinfo_html_tesm":["\u003cp\u003eThis collection was processed from December 2004-January 2005 by Burt Altman.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was processed from December 2004-January 2005 by Burt Altman."],"scopecontent_html_tesm":["\u003cp\u003eThe Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s."],"userestrict_html_tesm":["\u003cp\u003eCopyright has not been assigned to the Florida State University Libraries.\n\u003cbr\u003e\u003cbr\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_55d7c421357e27123341549dc34b5103\" label=\"Abstract\"\u003eThe Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding.\u003c/abstract\u003e"],"abstract_tesim":["The Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding."],"names_coll_ssim":["DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"names_ssim":["FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"corpname_ssim":["FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America"],"persname_ssim":["DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":76,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"02e6768c8de9bbedcf989f55","timestamp":"2026-07-08T11:19:32.323Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"02e6768c8de9bbedcf989f55","title_ssm":["Cinema Corporation of America Collection"],"title_tesim":["Cinema Corporation of America Collection"],"ead_ssi":"02e6768c8de9bbedcf989f55","unitdate_ssm":["1925-1981","1925-1932"],"unitdate_bulk_ssim":["1925-1932"],"unitdate_inclusive_ssm":["1925-1981"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2004-008","/repositories/10/resources/515"],"text":["MSS 2004-008","/repositories/10/resources/515","Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932","Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters.","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","In 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n From 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n In 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n DeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n Through the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures.","Portions of collection available online?: No","This collection was processed from December 2004-January 2005 by Burt Altman.","The Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s.","Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","The Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding.","FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F.","English"],"unitid_tesim":["MSS 2004-008","/repositories/10/resources/515"],"normalized_date_ssm":["1925-1981, bulk 1925-1932"],"normalized_title_ssm":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"collection_title_tesim":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"collection_ssim":["Cinema Corporation of America Collection, 1925-1981, bulk 1925-1932"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["The Cinema Corporation of America Collection was given to Special Collections by Mr. Robert Martin in July 2004."],"access_subjects_ssim":["Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"access_subjects_ssm":["Bible films.","Feature films.","Motion picture industry--California--Los Angeles--History","Motion picture industry--United States.","Motion pictures--United States--Distribution","Silent films.","Advertising fliers","Interviews.","Pamphlets","Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"has_online_content_ssim":["false"],"extent_ssm":["5.70 Linear Feet"],"extent_tesim":["5.70 Linear Feet"],"genreform_ssim":["Comic books, strips, etc.","Clippings (Books, newspapers, etc.)","Contracts.","Correspondence","Deeds","Financial Records","Legal documents.","Manuscripts","Photographs","Postcards.","Posters."],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eIn 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n\u003cbr\u003e\u003cbr\u003eFrom 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n\u003cbr\u003e\u003cbr\u003eIn 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n\u003cbr\u003e\u003cbr\u003eDeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n\u003cbr\u003e\u003cbr\u003eThrough the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["In 1916, American motion-picture director and producer Cecil B. DeMille became \"director general\" of the Famous Players-Lasky Corporation, the nucleus of what would soon become Paramount Pictures. According to DeMille archivist James D'Arc at Brigham Young University's Film Music Archives, DeMille, in early 1922, terminated his ties with Famous Players-Lasky, purchased the Ince Studio in Culver City, California, and formed his own production unit, Cecil B. DeMille Productions, Inc. This company operated under the aegis of Paramount Pictures for most of the rest of his career. DeMille contracted to release his films through Jeremiah Milbank's Producers Distributing Corporation. The Ince Studio later became Selznick International Pictures, and finally became Pathe.\n From 1919-1922, DeMille concentrated on producing and directing films that portrayed a liberated sexual morality, while continuing to endorse traditional values. By 1923, however, the Hollywood film industry was charged with promoting immorality. While attempting to help redeem the industry from these charges, DeMille decided to produce a new film genre for which he was best known for the remainder of his career: spectacular historical and biblical epics. The first two examples of these productions, \"The Ten Commandments\" (1923; silent version) and \"The King of Kings\" (1927; originally silent), were immediately successful at the box office. According to Alan F. Martin's son Robert, \"The King of Kings\" premiere was the film that opened Grauman's Chinese Theatre in Hollywood. To take advantage of the newly introduced technique of sound, \"The King of Kings\" went into general release in 1928, complete with a score arranged by Hugo Riesenfeld. Since that time, the film has been seen in this form.\n In 1925, DeMille left Paramount Pictures and organized the Cinema Corporation of America as a holding company that owned the stock of the Producer's Distributing Corporation and a new subsidiary, Cecil B. DeMille Pictures Corporation, controlled jointly by Milbank and DeMille. DeMille's position in the corporation was undermined by the fact that his features - those directed by himself as well as those under his supervision at DeMille Productions - were earning modest, if any, profits. His $2 million expenditure for \"The King of Kings,\" although the film was quite successful, \"created a crisis that threatened bankruptcy\" and led to the merger of Producer's Distributing Corporation, the Keith Albee-Orpheum chain, and the Pathe Exchange in 1927. That year, Keith Albee-Orpheum was renamed Radio-Keith-Orpheum (RKO), and RKO took over control of Pathe. Cinema Corporation of America was kept in existence for the purpose of distributing \"The King of Kings.\" It owned the copyright to that film, which was renewed in 1955.\n DeMille's alliance with Cinema Corporation of America was short-lived, however, and in 1928 he took his staff from Cecil B. DeMille Productions, Inc. to Metro-Goldwyn-Mayer. At his request, DeMille rejoined Paramount in 1931, and began producing and directing lavish films such as \"The Sign of the Cross (1932), \"Cleopatra\" (1934), and \"The Crusades\" (1935). From that time on, DeMille's association with larger-than-life, big-budget films became legendary.\n Through the work of the Cinema Corporation of America and its Vice-President Alan F. Martin, Cecil B. DeMille's most enduring film, \"The King of Kings,\" has been in constant theatrical and non-theatrical distribution since 1927. According to Robert Martin, his father \"was the single reason 'The King of Kings' stayed available to the public for close to 40 years.\" Alan F. Martin created the educational film strips and study guides for the movie and had the titles translated into dozens of languages. The film was used by missionaries all over the world and was still being shown by church groups and in theatres into the 1970s. In August 1971, Cinema Corporation of America sold all of its assets, including its copyright to \"The King of Kings,\" to Modern Sound Pictures."],"originalsloc_html_tesm":["\u003cp\u003ePortions of collection available online?: No\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Portions of collection available online?: No"],"prefercite_html_tesm":["\u003cp\u003eCinema Corporation of America Collection, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2004-008\u003c/p\u003e"],"prefercite_tesim":["Cinema Corporation of America Collection, Special Collections, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-2004-008"],"processinfo_html_tesm":["\u003cp\u003eThis collection was processed from December 2004-January 2005 by Burt Altman.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was processed from December 2004-January 2005 by Burt Altman."],"scopecontent_html_tesm":["\u003cp\u003eThe Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Cinema Corporation of America Collection documents Cecil B. DeMille's role in the founding of the company and its film distribution activities in later years under Vice President Alan F. Martin. The collection includes production materials for \"The King of Kings\" and other films; correspondence, business records, legal materials; educational filmstrips; religious film catalogs, and the \"Cap Stubbs and Tippie\" newspaper cartoon strips created and drawn by Edwina Dumm, which first appeared in 1918. They were purchased by the Cinema Corporation of America in the mid 1920s."],"userestrict_html_tesm":["\u003cp\u003eCopyright has not been assigned to the Florida State University Libraries.\n\u003cbr\u003e\u003cbr\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright has not been assigned to the Florida State University Libraries.\n All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_55d7c421357e27123341549dc34b5103\" label=\"Abstract\"\u003eThe Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding.\u003c/abstract\u003e"],"abstract_tesim":["The Cinema Corporation of America Collection documents the history of this film distribution company, and American producer and director Cecil B. DeMille's role in its founding."],"names_coll_ssim":["DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"names_ssim":["FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America","DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"corpname_ssim":["FSU Special Collections \u0026 Archives","DeMille Pictures Corporation","Cinema Corporation of America"],"persname_ssim":["DeMille, Cecil B. (Cecil Blount), 1881-1959","Logan, Jacqueline","Martin, Alan F."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":76,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"02e6768c8de9bbedcf989f55","timestamp":"2026-07-08T11:19:32.323Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/02e6768c8de9bbedcf989f55"}},{"id":"f70dba2e4db85b9be660d412","type":"collection","attributes":{"title":"Cinema Promotional Materials, 1957-1976, Date acquired: 08/01/1976","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/f70dba2e4db85b9be660d412#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection contains cinema promotional materials in various formats, including press books, 33 1/3 and 45 records, cassette tapes of radio commercials and video tapes. \u003cbr\u003e\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f70dba2e4db85b9be660d412#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"f70dba2e4db85b9be660d412","title_ssm":["Cinema Promotional Materials"],"title_tesim":["Cinema Promotional Materials"],"ead_ssi":"f70dba2e4db85b9be660d412","unitdate_ssm":["1957-1976","Date acquired: 08/01/1976"],"unitdate_inclusive_ssm":["1957-1976"],"unitdate_other_ssim":["Date acquired: 08/01/1976"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 76-18","/repositories/10/resources/599"],"text":["MSS 76-18","/repositories/10/resources/599","Cinema Promotional Materials, 1957-1976, Date acquired: 08/01/1976","Motion pictures--United States--Distribution","Motion picture industry--United States.","Promotional materials","Television advertising -- United States","Radio advertising -- United States","Advertising--Motion pictures","Motion pictures.","This collection is open to all researchers. 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With the titles, what materials (press book, record, tapes) are available are listed."],"prefercite_html_tesm":["\u003cp\u003eCinema Promotional Materials, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-76-18\u003c/p\u003e"],"prefercite_tesim":["Cinema Promotional Materials, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/MSS-76-18"],"processinfo_html_tesm":["\u003cp\u003eProcessed November, 1977.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed November, 1977."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains cinema promotional materials in various formats, including press books, 33 1/3 and 45 records, cassette tapes of radio commercials and video tapes.\n\u003cbr\u003e\u003cbr\u003eEach press book contains advertising material for the promotion of a particular film such as stories about the stars or production of the movie, actual layouts of various sizes, campaign plans, and related information. 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Some contain various enclosures such as pictures and additional ad sheets.\n The records consist of 33 1/3's and 45's which may contain several radio commercials of various lengths."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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","Portions of this collection are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Boxes 2-5 and 8 may be accessed at the Claude Pepper Library.","The larger studios materials are listed as series with all titles in alphabetical order. The movies of the smaller studios are listed in the miscellaneous series in alphabetical order by movie title. With the titles, what materials (press book, record, tapes) are available are listed.","Processed November, 1977.","This collection contains cinema promotional materials in various formats, including press books, 33 1/3 and 45 records, cassette tapes of radio commercials and video tapes.\n Each press book contains advertising material for the promotion of a particular film such as stories about the stars or production of the movie, actual layouts of various sizes, campaign plans, and related information. 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Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["Gift of Mr. Leslie W. Pendleton, District Supervisor, Kent Theatres, Inc.","Received August 1976 through the efforts of Dr. Ungurait."],"access_subjects_ssim":["Motion pictures--United States--Distribution","Motion picture industry--United States.","Promotional materials","Television advertising -- United States","Radio advertising -- United States","Advertising--Motion pictures","Motion pictures."],"access_subjects_ssm":["Motion pictures--United States--Distribution","Motion picture industry--United States.","Promotional materials","Television advertising -- United States","Radio advertising -- United States","Advertising--Motion pictures","Motion pictures."],"has_online_content_ssim":["false"],"extent_ssm":["5521.00 items"],"extent_tesim":["5521.00 items"],"genreform_ssim":["Motion pictures."],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003ePortions of this collection are in an offsite storage location. 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Some contain various enclosures such as pictures and additional ad sheets.\n The records consist of 33 1/3's and 45's which may contain several radio commercials of various lengths."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2853,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f70dba2e4db85b9be660d412","timestamp":"2026-04-21T12:50:36.292Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f70dba2e4db85b9be660d412"}},{"id":"e2000508767dfc5088ad7637_aspace_fdd91767b389bc70ab36b2bdbfd3977b","type":"File","attributes":{"title":"Circle K International, 1972-2009","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/e2000508767dfc5088ad7637_aspace_fdd91767b389bc70ab36b2bdbfd3977b#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_fdd91767b389bc70ab36b2bdbfd3977b","ref_ssm":["aspace_fdd91767b389bc70ab36b2bdbfd3977b","aspace_fdd91767b389bc70ab36b2bdbfd3977b"],"id":"e2000508767dfc5088ad7637_aspace_fdd91767b389bc70ab36b2bdbfd3977b","title_filing_ssi":"Circle K International","title_ssm":["Circle K International"],"title_tesim":["Circle K International"],"unitdate_inclusive_ssm":["1972-2009"],"normalized_date_ssm":["1972-2009"],"normalized_title_ssm":["Circle K International, 1972-2009"],"text":["Circle K International, 1972-2009","University of West Florida. University Commons and Student Activities.  Student Organizations., 1968-2017","Box 2","Special Interest Student Groups","M2017-05, Box 2, Folder 43","/repositories/2/archival_objects/14501"],"component_level_isim":[3],"parent_ids_ssim":["e2000508767dfc5088ad7637","e2000508767dfc5088ad7637_aspace_0809f3822611ce6959fa601e8fc7cbfd","e2000508767dfc5088ad7637_aspace_1cf709deb5b7beb2132f5ac3f2910124"],"parent_unittitles_ssm":["University of West Florida. University Commons and Student Activities.  Student Organizations., 1968-2017","Box 2","Special Interest Student Groups"],"parent_unittitles_tesim":["University of West Florida. University Commons and Student Activities.  Student Organizations., 1968-2017","Box 2","Special Interest Student Groups"],"parent_levels_ssm":["collection","Box","Series"],"unitid_ssm":["M2017-05, Box 2, Folder 43","/repositories/2/archival_objects/14501"],"repository_ssim":["UWF University Archives and West Florida History Center"],"collection_ssim":["University of West Florida. University Commons and Student Activities.  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In addition, as received, the original files had been organized into series (e.g. Academic, Honor, etc.); we have retained these headings but only when they appeared in the records as a tab folder.   Note that there are duplicate folders for organizations scattered in the collection and that terms for searching may need to be expanded by the user (e.g. Blacks, African-American, NAACP, etc.)","Records, 1968-2017, of the University of West Florida, University Commons and Student Activities, consisting of files on student organizations including honor societies, religious, fraternal, professional, special interest, and academic student groups.  Records include charters, bylaws, membership and officer lists, organization activities, and annual filings.","UWF University Archives and West Florida History Center","English"],"unitid_tesim":["M2017-05","/repositories/2/resources/379"],"normalized_date_ssm":["1968-2017"],"normalized_title_ssm":["University of West Florida. 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In addition, as received, the original files had been organized into series (e.g. Academic, Honor, etc.); we have retained these headings but only when they appeared in the records as a tab folder.   Note that there are duplicate folders for organizations scattered in the collection and that terms for searching may need to be expanded by the user (e.g. Blacks, African-American, NAACP, etc.)"],"scopecontent_html_tesm":["\u003cp\u003eRecords, 1968-2017, of the University of West Florida, University Commons and Student Activities, consisting of files on student organizations including honor societies, religious, fraternal, professional, special interest, and academic student groups.  Records include charters, bylaws, membership and officer lists, organization activities, and annual filings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Records, 1968-2017, of the University of West Florida, University Commons and Student Activities, consisting of files on student organizations including honor societies, religious, fraternal, professional, special interest, and academic student groups.  Records include charters, bylaws, membership and officer lists, organization activities, and annual filings."],"names_ssim":["UWF University Archives and West Florida History Center"],"corpname_ssim":["UWF University Archives and West Florida History Center"],"language_ssim":["English"],"total_component_count_is":280,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"e2000508767dfc5088ad7637","timestamp":"2026-04-21T05:01:07.356Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/e2000508767dfc5088ad7637_aspace_fdd91767b389bc70ab36b2bdbfd3977b"}},{"id":"d339b5106c0c96e88441f4eb","type":"collection","attributes":{"title":"Citizens Bancorp of Oviedo Inc. Oviedo History collection, 1936-2019","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/d339b5106c0c96e88441f4eb#creator","type":"document_value","attributes":{"value":["Citizens Bancorp of Oviedo, Inc."],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/d339b5106c0c96e88441f4eb#abstract_or_scope","type":"document_value","attributes":{"value":["The Citizens Bancorp of Oviedo Inc. Oviedo History collection, 1936-2019, is a small collection containing newspapers, photographs, books, church member directories, maps, and yearbooks. These materials, collected by the Citizens Bancorp of Oviedo, document people, landmarks, and community events relating to Oviedo, Florida in the later 20th century."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d339b5106c0c96e88441f4eb#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"d339b5106c0c96e88441f4eb","title_ssm":["Citizens Bancorp of Oviedo Inc. Oviedo History collection"],"title_tesim":["Citizens Bancorp of Oviedo Inc. Oviedo History collection"],"ead_ssi":"d339b5106c0c96e88441f4eb","unitdate_ssm":["1936-2019"],"unitdate_inclusive_ssm":["1936-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 152","/repositories/4/resources/255"],"text":["SC 152","/repositories/4/resources/255","Citizens Bancorp of Oviedo Inc. Oviedo History collection, 1936-2019","Oviedo (Fla.)","Florida -- History","Florida -- maps","Seminole County (Fla.)--History, Local.","Historic preservation -- Florida","newspapers","photographs","directories","The entire collection is open for research.","This collection is arranged into four series.\n I. Community Events and Growth, 1963-1991 II. Members of the Community, 1936-2002 III. Community Landmarks, 1953-1995 IV. Preservation of History, 2007-2019","After the Civil War, several families bought plots of land and settled in what was known as the \"Lake Jesup community.\" The settlement received its name \"Oviedo\" from the postmaster of the new post office, Andrew Aulin in 1879. Oviedo residents worked in the citrus and celery industries and founded family-owned companies such as Nelson and Company, Wheeler Fertilizer Company, and A. Duda and Sons. Seminole County was established in 1913, and Oviedo was the second city in the county. ","In 1925, the City of Oviedo was chartered by the Florida State Legislature. The City celebrated its centennial in 1979. The City of Oviedo experienced significant growth in the later 20th century with the establishment of new newspapers and the new Florida Technological University (FTU), later renamed the University of Central Florida. With this growth came increased efforts to preserve Oviedo, Florida's history.  ","Collection processed by and finding aid prepared by Asmara Cortes-Caba in 2022. Staples and paperclips were removed from documents and replaced with plastic clips. All materials were placed into acid-free folders and in an acid-free box. Posters were placed into flat folders.","For more information on Special Collections \u0026 University Archives, please see our website.","The Citizens Bancorp of Oviedo Inc. Oviedo History collection, 1936-2019, is a small collection containing materials that document people, landmarks, and community events relating to Oviedo, Florida in the later 20th century. The collection consists of four series: Community Events and Growth, Members of the Community, Community Landmarks, and Preservation of History. ","Community Events and Growth (Series I) features information about the Seminole Semi-Centennial and Oviedo Centennial. It also contains sources on the opening of FTU's campus near Oviedo and one of the first issues of the newspaper The Oviedo Voice. The materials consist of newspapers and event programs. ","Members of the Community (Series II) focuses on histories of the residents of Oviedo. This series contains newspapers on community members, church member directories of St. Luke's Evangelical Lutheran Church for the years 1977, 1982, 1987, 1991, and 1997, Oviedo High School yearbooks from 1936 and 1946, and an Oviedo High School reunion program for graduates from 1945 through 1949. ","Community Landmarks (Series III) features important places in the community of Oviedo. The sources consist of photographs, maps, a book, and newspapers display these landmarks and explain their significance to Oviedo History.","Preservation of History (Series IV) reviews efforts to preserve Oviedo History through the Oviedo Preservation Project and the Oviedo Historical Society. The collection contains calendars for the years 2016 through 2019 and two books, one on the Oviedo Preservation Project in 2007, and the other called Oviedo: Biography of a Town. ","The materials in the Citizens Bancorp of Oviedo Inc. Oviedo History collection were separated from the  Citizens Bancorp of Oviedo Inc. records .","Copyright is still owned and controlled by Fairwinds Credit Union.   ","The Citizens Bancorp of Oviedo Inc. Oviedo History collection, 1936-2019, is a small collection containing newspapers, photographs, books, church member directories, maps, and yearbooks. These materials, collected by the Citizens Bancorp of Oviedo, document people, landmarks, and community events relating to Oviedo, Florida in the later 20th century.","UCF Special Collections","Citizens Bancorp of Oviedo, Inc.","English"],"unitid_tesim":["SC 152","/repositories/4/resources/255"],"normalized_date_ssm":["1936-2019"],"normalized_title_ssm":["Citizens Bancorp of Oviedo Inc. Oviedo History collection, 1936-2019"],"collection_title_tesim":["Citizens Bancorp of Oviedo Inc. Oviedo History collection, 1936-2019"],"collection_ssim":["Citizens Bancorp of Oviedo Inc. Oviedo History collection, 1936-2019"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Oviedo (Fla.)","Florida -- History","Florida -- maps"],"geogname_ssim":["Oviedo (Fla.)","Florida -- History","Florida -- maps"],"creator_ssm":["Citizens Bancorp of Oviedo, Inc."],"creator_ssim":["Citizens Bancorp of Oviedo, Inc."],"creator_corpname_ssim":["Citizens Bancorp of Oviedo, Inc."],"creators_ssim":["Citizens Bancorp of Oviedo, Inc."],"places_ssim":["Oviedo (Fla.)","Florida -- History","Florida -- maps"],"access_terms_ssm":["Copyright is still owned and controlled by Fairwinds Credit Union.   "],"acqinfo_ssim":["Gift of the Citizens Bank of Oviedo (Accession no. CFM2022_15)."],"access_subjects_ssim":["Seminole County (Fla.)--History, Local.","Historic preservation -- Florida","newspapers","photographs","directories"],"access_subjects_ssm":["Seminole County (Fla.)--History, Local.","Historic preservation -- Florida","newspapers","photographs","directories"],"has_online_content_ssim":["false"],"extent_ssm":["2.55 Linear Feet 2 boxes"],"extent_tesim":["2.55 Linear Feet 2 boxes"],"genreform_ssim":["newspapers","photographs","directories"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into four series.\n\u003cul style=\"list-style-type: none\"\u003e\n   \u003cli\u003eI. Community Events and Growth, 1963-1991\u003c/li\u003e\n   \u003cli\u003eII. Members of the Community, 1936-2002\u003c/li\u003e\n   \u003cli\u003eIII. Community Landmarks, 1953-1995\u003c/li\u003e\n   \u003cli\u003eIV. Preservation of History, 2007-2019\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged into four series.\n I. Community Events and Growth, 1963-1991 II. Members of the Community, 1936-2002 III. Community Landmarks, 1953-1995 IV. Preservation of History, 2007-2019"],"bioghist_html_tesm":["\u003cp\u003eAfter the Civil War, several families bought plots of land and settled in what was known as the \"Lake Jesup community.\" The settlement received its name \"Oviedo\" from the postmaster of the new post office, Andrew Aulin in 1879. Oviedo residents worked in the citrus and celery industries and founded family-owned companies such as Nelson and Company, Wheeler Fertilizer Company, and A. Duda and Sons. Seminole County was established in 1913, and Oviedo was the second city in the county. \u003c/p\u003e\n","\u003cp\u003eIn 1925, the City of Oviedo was chartered by the Florida State Legislature. The City celebrated its centennial in 1979. The City of Oviedo experienced significant growth in the later 20th century with the establishment of new newspapers and the new Florida Technological University (FTU), later renamed the University of Central Florida. With this growth came increased efforts to preserve Oviedo, Florida's history.  \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["After the Civil War, several families bought plots of land and settled in what was known as the \"Lake Jesup community.\" The settlement received its name \"Oviedo\" from the postmaster of the new post office, Andrew Aulin in 1879. Oviedo residents worked in the citrus and celery industries and founded family-owned companies such as Nelson and Company, Wheeler Fertilizer Company, and A. Duda and Sons. Seminole County was established in 1913, and Oviedo was the second city in the county. ","In 1925, the City of Oviedo was chartered by the Florida State Legislature. The City celebrated its centennial in 1979. The City of Oviedo experienced significant growth in the later 20th century with the establishment of new newspapers and the new Florida Technological University (FTU), later renamed the University of Central Florida. With this growth came increased efforts to preserve Oviedo, Florida's history.  "],"prefercite_html_tesm":["\u003cp\u003eCitizens Bancorp of Oviedo Inc. Oviedo History collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Citizens Bancorp of Oviedo Inc. Oviedo History collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by and finding aid prepared by Asmara Cortes-Caba in 2022. Staples and paperclips were removed from documents and replaced with plastic clips. All materials were placed into acid-free folders and in an acid-free box. Posters were placed into flat folders.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by and finding aid prepared by Asmara Cortes-Caba in 2022. Staples and paperclips were removed from documents and replaced with plastic clips. All materials were placed into acid-free folders and in an acid-free box. Posters were placed into flat folders."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on Special Collections \u0026amp; University Archives, please see our website.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on Special Collections \u0026 University Archives, please see our website."],"scopecontent_html_tesm":["\u003cp\u003eThe Citizens Bancorp of Oviedo Inc. Oviedo History collection, 1936-2019, is a small collection containing materials that document people, landmarks, and community events relating to Oviedo, Florida in the later 20th century. The collection consists of four series: Community Events and Growth, Members of the Community, Community Landmarks, and Preservation of History. \u003c/p\u003e\n","\u003cp\u003eCommunity Events and Growth (Series I) features information about the Seminole Semi-Centennial and Oviedo Centennial. It also contains sources on the opening of FTU's campus near Oviedo and one of the first issues of the newspaper The Oviedo Voice. The materials consist of newspapers and event programs. \u003c/p\u003e\n","\u003cp\u003eMembers of the Community (Series II) focuses on histories of the residents of Oviedo. This series contains newspapers on community members, church member directories of St. Luke's Evangelical Lutheran Church for the years 1977, 1982, 1987, 1991, and 1997, Oviedo High School yearbooks from 1936 and 1946, and an Oviedo High School reunion program for graduates from 1945 through 1949. \u003c/p\u003e\n","\u003cp\u003eCommunity Landmarks (Series III) features important places in the community of Oviedo. The sources consist of photographs, maps, a book, and newspapers display these landmarks and explain their significance to Oviedo History.\u003c/p\u003e\n","\u003cp\u003ePreservation of History (Series IV) reviews efforts to preserve Oviedo History through the Oviedo Preservation Project and the Oviedo Historical Society. The collection contains calendars for the years 2016 through 2019 and two books, one on the Oviedo Preservation Project in 2007, and the other called Oviedo: Biography of a Town. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Citizens Bancorp of Oviedo Inc. Oviedo History collection, 1936-2019, is a small collection containing materials that document people, landmarks, and community events relating to Oviedo, Florida in the later 20th century. The collection consists of four series: Community Events and Growth, Members of the Community, Community Landmarks, and Preservation of History. ","Community Events and Growth (Series I) features information about the Seminole Semi-Centennial and Oviedo Centennial. It also contains sources on the opening of FTU's campus near Oviedo and one of the first issues of the newspaper The Oviedo Voice. The materials consist of newspapers and event programs. ","Members of the Community (Series II) focuses on histories of the residents of Oviedo. This series contains newspapers on community members, church member directories of St. Luke's Evangelical Lutheran Church for the years 1977, 1982, 1987, 1991, and 1997, Oviedo High School yearbooks from 1936 and 1946, and an Oviedo High School reunion program for graduates from 1945 through 1949. ","Community Landmarks (Series III) features important places in the community of Oviedo. The sources consist of photographs, maps, a book, and newspapers display these landmarks and explain their significance to Oviedo History.","Preservation of History (Series IV) reviews efforts to preserve Oviedo History through the Oviedo Preservation Project and the Oviedo Historical Society. The collection contains calendars for the years 2016 through 2019 and two books, one on the Oviedo Preservation Project in 2007, and the other called Oviedo: Biography of a Town. "],"separatedmaterial_html_tesm":["\u003cp\u003eThe materials in the Citizens Bancorp of Oviedo Inc. Oviedo History collection were separated from the \u003ca href=\"https://scua.library.ucf.edu/repositories/4/resources/254\"\u003eCitizens Bancorp of Oviedo Inc. records\u003c/a\u003e.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The materials in the Citizens Bancorp of Oviedo Inc. Oviedo History collection were separated from the  Citizens Bancorp of Oviedo Inc. records ."],"userestrict_html_tesm":["\u003cp\u003eCopyright is still owned and controlled by Fairwinds Credit Union.  \u0026#x202F;\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Copyright is still owned and controlled by Fairwinds Credit Union.   "],"abstract_html_tesm":["\u003cabstract id=\"aspace_d8f60f4c7107ff4f81a3c73172c41ea7\" label=\"Abstract\"\u003eThe Citizens Bancorp of Oviedo Inc. Oviedo History collection, 1936-2019, is a small collection containing newspapers, photographs, books, church member directories, maps, and yearbooks. These materials, collected by the Citizens Bancorp of Oviedo, document people, landmarks, and community events relating to Oviedo, Florida in the later 20th century.\u003c/abstract\u003e"],"abstract_tesim":["The Citizens Bancorp of Oviedo Inc. Oviedo History collection, 1936-2019, is a small collection containing newspapers, photographs, books, church member directories, maps, and yearbooks. These materials, collected by the Citizens Bancorp of Oviedo, document people, landmarks, and community events relating to Oviedo, Florida in the later 20th century."],"names_ssim":["UCF Special Collections","Citizens Bancorp of Oviedo, Inc."],"corpname_ssim":["UCF Special Collections","Citizens Bancorp of Oviedo, Inc."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":18,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857850096451584,"_root_":"d339b5106c0c96e88441f4eb","timestamp":"2026-07-16T08:04:41.284Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d339b5106c0c96e88441f4eb","title_ssm":["Citizens Bancorp of Oviedo Inc. Oviedo History collection"],"title_tesim":["Citizens Bancorp of Oviedo Inc. Oviedo History collection"],"ead_ssi":"d339b5106c0c96e88441f4eb","unitdate_ssm":["1936-2019"],"unitdate_inclusive_ssm":["1936-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 152","/repositories/4/resources/255"],"text":["SC 152","/repositories/4/resources/255","Citizens Bancorp of Oviedo Inc. Oviedo History collection, 1936-2019","Oviedo (Fla.)","Florida -- History","Florida -- maps","Seminole County (Fla.)--History, Local.","Historic preservation -- Florida","newspapers","photographs","directories","The entire collection is open for research.","This collection is arranged into four series.\n I. Community Events and Growth, 1963-1991 II. Members of the Community, 1936-2002 III. Community Landmarks, 1953-1995 IV. Preservation of History, 2007-2019","After the Civil War, several families bought plots of land and settled in what was known as the \"Lake Jesup community.\" The settlement received its name \"Oviedo\" from the postmaster of the new post office, Andrew Aulin in 1879. Oviedo residents worked in the citrus and celery industries and founded family-owned companies such as Nelson and Company, Wheeler Fertilizer Company, and A. Duda and Sons. Seminole County was established in 1913, and Oviedo was the second city in the county. ","In 1925, the City of Oviedo was chartered by the Florida State Legislature. The City celebrated its centennial in 1979. The City of Oviedo experienced significant growth in the later 20th century with the establishment of new newspapers and the new Florida Technological University (FTU), later renamed the University of Central Florida. With this growth came increased efforts to preserve Oviedo, Florida's history.  ","Collection processed by and finding aid prepared by Asmara Cortes-Caba in 2022. Staples and paperclips were removed from documents and replaced with plastic clips. All materials were placed into acid-free folders and in an acid-free box. Posters were placed into flat folders.","For more information on Special Collections \u0026 University Archives, please see our website.","The Citizens Bancorp of Oviedo Inc. Oviedo History collection, 1936-2019, is a small collection containing materials that document people, landmarks, and community events relating to Oviedo, Florida in the later 20th century. The collection consists of four series: Community Events and Growth, Members of the Community, Community Landmarks, and Preservation of History. ","Community Events and Growth (Series I) features information about the Seminole Semi-Centennial and Oviedo Centennial. It also contains sources on the opening of FTU's campus near Oviedo and one of the first issues of the newspaper The Oviedo Voice. The materials consist of newspapers and event programs. ","Members of the Community (Series II) focuses on histories of the residents of Oviedo. This series contains newspapers on community members, church member directories of St. Luke's Evangelical Lutheran Church for the years 1977, 1982, 1987, 1991, and 1997, Oviedo High School yearbooks from 1936 and 1946, and an Oviedo High School reunion program for graduates from 1945 through 1949. ","Community Landmarks (Series III) features important places in the community of Oviedo. The sources consist of photographs, maps, a book, and newspapers display these landmarks and explain their significance to Oviedo History.","Preservation of History (Series IV) reviews efforts to preserve Oviedo History through the Oviedo Preservation Project and the Oviedo Historical Society. The collection contains calendars for the years 2016 through 2019 and two books, one on the Oviedo Preservation Project in 2007, and the other called Oviedo: Biography of a Town. ","The materials in the Citizens Bancorp of Oviedo Inc. Oviedo History collection were separated from the  Citizens Bancorp of Oviedo Inc. records .","Copyright is still owned and controlled by Fairwinds Credit Union.   ","The Citizens Bancorp of Oviedo Inc. Oviedo History collection, 1936-2019, is a small collection containing newspapers, photographs, books, church member directories, maps, and yearbooks. These materials, collected by the Citizens Bancorp of Oviedo, document people, landmarks, and community events relating to Oviedo, Florida in the later 20th century.","UCF Special Collections","Citizens Bancorp of Oviedo, Inc.","English"],"unitid_tesim":["SC 152","/repositories/4/resources/255"],"normalized_date_ssm":["1936-2019"],"normalized_title_ssm":["Citizens Bancorp of Oviedo Inc. Oviedo History collection, 1936-2019"],"collection_title_tesim":["Citizens Bancorp of Oviedo Inc. Oviedo History collection, 1936-2019"],"collection_ssim":["Citizens Bancorp of Oviedo Inc. Oviedo History collection, 1936-2019"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Oviedo (Fla.)","Florida -- History","Florida -- maps"],"geogname_ssim":["Oviedo (Fla.)","Florida -- History","Florida -- maps"],"creator_ssm":["Citizens Bancorp of Oviedo, Inc."],"creator_ssim":["Citizens Bancorp of Oviedo, Inc."],"creator_corpname_ssim":["Citizens Bancorp of Oviedo, Inc."],"creators_ssim":["Citizens Bancorp of Oviedo, Inc."],"places_ssim":["Oviedo (Fla.)","Florida -- History","Florida -- maps"],"access_terms_ssm":["Copyright is still owned and controlled by Fairwinds Credit Union.   "],"acqinfo_ssim":["Gift of the Citizens Bank of Oviedo (Accession no. CFM2022_15)."],"access_subjects_ssim":["Seminole County (Fla.)--History, Local.","Historic preservation -- Florida","newspapers","photographs","directories"],"access_subjects_ssm":["Seminole County (Fla.)--History, Local.","Historic preservation -- Florida","newspapers","photographs","directories"],"has_online_content_ssim":["false"],"extent_ssm":["2.55 Linear Feet 2 boxes"],"extent_tesim":["2.55 Linear Feet 2 boxes"],"genreform_ssim":["newspapers","photographs","directories"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into four series.\n\u003cul style=\"list-style-type: none\"\u003e\n   \u003cli\u003eI. Community Events and Growth, 1963-1991\u003c/li\u003e\n   \u003cli\u003eII. Members of the Community, 1936-2002\u003c/li\u003e\n   \u003cli\u003eIII. Community Landmarks, 1953-1995\u003c/li\u003e\n   \u003cli\u003eIV. Preservation of History, 2007-2019\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged into four series.\n I. Community Events and Growth, 1963-1991 II. Members of the Community, 1936-2002 III. Community Landmarks, 1953-1995 IV. Preservation of History, 2007-2019"],"bioghist_html_tesm":["\u003cp\u003eAfter the Civil War, several families bought plots of land and settled in what was known as the \"Lake Jesup community.\" The settlement received its name \"Oviedo\" from the postmaster of the new post office, Andrew Aulin in 1879. Oviedo residents worked in the citrus and celery industries and founded family-owned companies such as Nelson and Company, Wheeler Fertilizer Company, and A. Duda and Sons. Seminole County was established in 1913, and Oviedo was the second city in the county. \u003c/p\u003e\n","\u003cp\u003eIn 1925, the City of Oviedo was chartered by the Florida State Legislature. The City celebrated its centennial in 1979. The City of Oviedo experienced significant growth in the later 20th century with the establishment of new newspapers and the new Florida Technological University (FTU), later renamed the University of Central Florida. With this growth came increased efforts to preserve Oviedo, Florida's history.  \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["After the Civil War, several families bought plots of land and settled in what was known as the \"Lake Jesup community.\" The settlement received its name \"Oviedo\" from the postmaster of the new post office, Andrew Aulin in 1879. Oviedo residents worked in the citrus and celery industries and founded family-owned companies such as Nelson and Company, Wheeler Fertilizer Company, and A. Duda and Sons. Seminole County was established in 1913, and Oviedo was the second city in the county. ","In 1925, the City of Oviedo was chartered by the Florida State Legislature. The City celebrated its centennial in 1979. The City of Oviedo experienced significant growth in the later 20th century with the establishment of new newspapers and the new Florida Technological University (FTU), later renamed the University of Central Florida. With this growth came increased efforts to preserve Oviedo, Florida's history.  "],"prefercite_html_tesm":["\u003cp\u003eCitizens Bancorp of Oviedo Inc. Oviedo History collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Citizens Bancorp of Oviedo Inc. Oviedo History collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by and finding aid prepared by Asmara Cortes-Caba in 2022. Staples and paperclips were removed from documents and replaced with plastic clips. All materials were placed into acid-free folders and in an acid-free box. Posters were placed into flat folders.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by and finding aid prepared by Asmara Cortes-Caba in 2022. Staples and paperclips were removed from documents and replaced with plastic clips. All materials were placed into acid-free folders and in an acid-free box. Posters were placed into flat folders."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on Special Collections \u0026amp; University Archives, please see our website.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on Special Collections \u0026 University Archives, please see our website."],"scopecontent_html_tesm":["\u003cp\u003eThe Citizens Bancorp of Oviedo Inc. Oviedo History collection, 1936-2019, is a small collection containing materials that document people, landmarks, and community events relating to Oviedo, Florida in the later 20th century. The collection consists of four series: Community Events and Growth, Members of the Community, Community Landmarks, and Preservation of History. \u003c/p\u003e\n","\u003cp\u003eCommunity Events and Growth (Series I) features information about the Seminole Semi-Centennial and Oviedo Centennial. It also contains sources on the opening of FTU's campus near Oviedo and one of the first issues of the newspaper The Oviedo Voice. The materials consist of newspapers and event programs. \u003c/p\u003e\n","\u003cp\u003eMembers of the Community (Series II) focuses on histories of the residents of Oviedo. This series contains newspapers on community members, church member directories of St. Luke's Evangelical Lutheran Church for the years 1977, 1982, 1987, 1991, and 1997, Oviedo High School yearbooks from 1936 and 1946, and an Oviedo High School reunion program for graduates from 1945 through 1949. \u003c/p\u003e\n","\u003cp\u003eCommunity Landmarks (Series III) features important places in the community of Oviedo. The sources consist of photographs, maps, a book, and newspapers display these landmarks and explain their significance to Oviedo History.\u003c/p\u003e\n","\u003cp\u003ePreservation of History (Series IV) reviews efforts to preserve Oviedo History through the Oviedo Preservation Project and the Oviedo Historical Society. The collection contains calendars for the years 2016 through 2019 and two books, one on the Oviedo Preservation Project in 2007, and the other called Oviedo: Biography of a Town. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Citizens Bancorp of Oviedo Inc. Oviedo History collection, 1936-2019, is a small collection containing materials that document people, landmarks, and community events relating to Oviedo, Florida in the later 20th century. The collection consists of four series: Community Events and Growth, Members of the Community, Community Landmarks, and Preservation of History. ","Community Events and Growth (Series I) features information about the Seminole Semi-Centennial and Oviedo Centennial. It also contains sources on the opening of FTU's campus near Oviedo and one of the first issues of the newspaper The Oviedo Voice. The materials consist of newspapers and event programs. ","Members of the Community (Series II) focuses on histories of the residents of Oviedo. This series contains newspapers on community members, church member directories of St. Luke's Evangelical Lutheran Church for the years 1977, 1982, 1987, 1991, and 1997, Oviedo High School yearbooks from 1936 and 1946, and an Oviedo High School reunion program for graduates from 1945 through 1949. ","Community Landmarks (Series III) features important places in the community of Oviedo. The sources consist of photographs, maps, a book, and newspapers display these landmarks and explain their significance to Oviedo History.","Preservation of History (Series IV) reviews efforts to preserve Oviedo History through the Oviedo Preservation Project and the Oviedo Historical Society. The collection contains calendars for the years 2016 through 2019 and two books, one on the Oviedo Preservation Project in 2007, and the other called Oviedo: Biography of a Town. "],"separatedmaterial_html_tesm":["\u003cp\u003eThe materials in the Citizens Bancorp of Oviedo Inc. Oviedo History collection were separated from the \u003ca href=\"https://scua.library.ucf.edu/repositories/4/resources/254\"\u003eCitizens Bancorp of Oviedo Inc. records\u003c/a\u003e.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The materials in the Citizens Bancorp of Oviedo Inc. Oviedo History collection were separated from the  Citizens Bancorp of Oviedo Inc. records ."],"userestrict_html_tesm":["\u003cp\u003eCopyright is still owned and controlled by Fairwinds Credit Union.  \u0026#x202F;\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Copyright is still owned and controlled by Fairwinds Credit Union.   "],"abstract_html_tesm":["\u003cabstract id=\"aspace_d8f60f4c7107ff4f81a3c73172c41ea7\" label=\"Abstract\"\u003eThe Citizens Bancorp of Oviedo Inc. Oviedo History collection, 1936-2019, is a small collection containing newspapers, photographs, books, church member directories, maps, and yearbooks. These materials, collected by the Citizens Bancorp of Oviedo, document people, landmarks, and community events relating to Oviedo, Florida in the later 20th century.\u003c/abstract\u003e"],"abstract_tesim":["The Citizens Bancorp of Oviedo Inc. Oviedo History collection, 1936-2019, is a small collection containing newspapers, photographs, books, church member directories, maps, and yearbooks. These materials, collected by the Citizens Bancorp of Oviedo, document people, landmarks, and community events relating to Oviedo, Florida in the later 20th century."],"names_ssim":["UCF Special Collections","Citizens Bancorp of Oviedo, Inc."],"corpname_ssim":["UCF Special Collections","Citizens Bancorp of Oviedo, Inc."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":18,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857850096451584,"_root_":"d339b5106c0c96e88441f4eb","timestamp":"2026-07-16T08:04:41.284Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d339b5106c0c96e88441f4eb"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Michael A. Spencer Bromeliad Research Collection, 1754-2014","value":"Michael A. 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