{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026page=356\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026page=355\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026page=357\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026page=526\u0026view=compact"},"meta":{"pages":{"current_page":356,"next_page":357,"prev_page":355,"total_pages":526,"limit_value":10,"offset_value":3550,"total_count":5252,"first_page?":false,"last_page?":false}},"data":[{"id":"f0e8fabe2e0cb8f234720eae_aspace_a6dafe1310ced7f943aeb1148f184c67","type":"File","attributes":{"title":"Orlando Sentinel-Star Articles, 1968-1974","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f0e8fabe2e0cb8f234720eae_aspace_a6dafe1310ced7f943aeb1148f184c67#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_a6dafe1310ced7f943aeb1148f184c67","ref_ssm":["aspace_a6dafe1310ced7f943aeb1148f184c67","aspace_a6dafe1310ced7f943aeb1148f184c67"],"id":"f0e8fabe2e0cb8f234720eae_aspace_a6dafe1310ced7f943aeb1148f184c67","title_filing_ssi":"Orlando Sentinel-Star Articles","title_ssm":["Orlando Sentinel-Star Articles"],"title_tesim":["Orlando Sentinel-Star Articles"],"unitdate_inclusive_ssm":["1968-1974"],"normalized_date_ssm":["1968-1974"],"normalized_title_ssm":["Orlando Sentinel-Star Articles, 1968-1974"],"text":["Orlando Sentinel-Star Articles, 1968-1974","Florida Southern College Satellite Campuses, 1930-2008","McCoy AFB","/repositories/4/archival_objects/44301","box 1","folder 13"],"component_level_isim":[2],"parent_ids_ssim":["f0e8fabe2e0cb8f234720eae","f0e8fabe2e0cb8f234720eae_aspace_cb339a792a45b81307c3ebb5f60a6967"],"parent_unittitles_ssm":["Florida Southern College Satellite Campuses, 1930-2008","McCoy AFB"],"parent_unittitles_tesim":["Florida Southern College Satellite Campuses, 1930-2008","McCoy AFB"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/4/archival_objects/44301"],"repository_ssim":["The Florida Southern College Archives"],"collection_ssim":["Florida Southern College Satellite Campuses, 1930-2008"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":16,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["This collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). ","Please inquire if you have questions - archives@flsouthern.edu"],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974],"containers_ssim":["box 1","folder 13"],"_nest_path_":"/components#1/components#10","_nest_parent_":"f0e8fabe2e0cb8f234720eae_aspace_cb339a792a45b81307c3ebb5f60a6967","_root_":"f0e8fabe2e0cb8f234720eae","_version_":1870846327605166080,"timestamp":"2026-07-16T05:01:32.577Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f0e8fabe2e0cb8f234720eae","title_ssm":["Florida Southern College Satellite Campuses"],"title_tesim":["Florida Southern College Satellite Campuses"],"ead_ssi":"f0e8fabe2e0cb8f234720eae","unitdate_ssm":["1930-2008"],"unitdate_inclusive_ssm":["1930-2008"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["CA10090","/repositories/4/resources/118"],"text":["CA10090","/repositories/4/resources/118","Florida Southern College Satellite Campuses, 1930-2008","Universities and colleges—Florida—History","Florida Southern College—History","Military education—Florida—History","College campuses—Florida—History","Colleges - Florida - Ringling College of Art and Design","Air Force Bases - Florida - McCoy","Air Force Bases - Florida - MacDill","Air Force Bases - Florida - Palm Beach","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials.","The materials in this collection are arranged in as logical order as possible. Arrangement is alphabetical by program name, and alphabetical by contents and year within each series. There is one oversize box containing newspapers.","\tFrom 1930-1933, and from the early 1950s through approximately 2008, Florida Southern College operated a series of satellite campuses, which provided classes for military personnel, veterans and dependents, as well as complete degree programs for young professionals and senior citizens.  In most cases, these campuses were small, having an administrative office and a few classrooms. The programs offered by FSC were as follows:  ","\nMacDill Air Force Base, Tampa:  The Florida Southern College of Opportunity began at MacDill AFB in the fall of 1950. Airmen and their dependents were offered seven week courses which awarded three credits each and were primarily held in the evenings.  Classes were taught by FSC professors who commuted to the base from Lakeland.  The program at MacDill lasted until the early 1960s.","\nMcCoy Air Force Base/FSC at Orlando/FSC Orlando-Ocala: For most of its history, this program was located on the west side of what is now the Orlando International Airport.  This was the longest-running series of FSC satellite programs, lasting from 1954 until 2008, and can be best looked at in four phases:\n    ","\tPinecastle Air Force Base: The October 14, 1954 issue of The Southern mentions classes being held here since 1954.  Very little is known about this program, including when it was terminated.  Of special note, Pinecastle AFB was renamed McCoy Air Force base in 1957. ","\n\tFSC at McCoy AFB: The program's official history lists its beginning as September, 1960, however as previously mentioned, classes were held as early as 1954 when the base was still known as Pinecastle.  Classes were held in the base education building, the alert facility, and a building located halfway between the two.  This last building was needed as aircrews serving on alert were required to remain within a certain \"reaction distance\" from their aircraft.  McCoy was a large Strategic Air Command base, and on numerous occasions classes were interrupted by nuclear alert drills.  More than 500 members of the military and civilian employees at McCoy could be taking classes at any one time, and classes met every weekday evening as well as Saturday mornings.  There was also what was known as a \"brown bag\" class, where professors would offer portions of a class during the official base lunch hour. As with the program at MacDill, some of the FSC professors from the main campus commuted to Orlando to teach.  This portion of the program lasted until the Air Force closed the base in 1974.\n ","\tFSC at Orlando/FSC Orlando-Ocala:  When the Air Force closed McCoy, the runways were ceded to the City of Orlando for use in what is now known as Orlando International Airport.  The west side of the base was ceded to the Navy for use as housing and other activities in support of its training center near Winter Park.  In 1974-1975, the college received permission to continue a similar program with the Navy as they had had with the Air Force.  Additionally, classes were opened for non-military affiliated civilians for the first time, assuring the program's continuance regardless of any future base closings. The Orlando program was geared towards working professionals, with majors in Accounting, Business Administration, Nursing, as well as a few social sciences. Students from FSC's main campus in Lakeland could also take courses in Orlando if needed. In the late 1990s/early 2000s, the college left its facilities at the airport and located on Rio Grande Avenue in the Oak Ridge area of Orlando.  In the early 2000s, the Orlando program expanded to include classes in Ocala.  The classes were held at what is now the College for Central Florida-Ocala campus.  As with the main program in Orlando, classes were geared towards working professionals and were primarily held in the evenings.  Classes in Business, Accounting, and Nursing were offered.  The Orlando-Ocala program ended in 2008.   \n ","Palm Beach Air Force Base:  Little is known about this program other than it commenced operations in 1955. The Air Force began operations to close the base starting in 1959, so it is assumed that the program ended around this time.  ","\nPort Charlotte/Charlotte-De Soto:  This program was initially started by West Virginia Wesleyan University in 1980 as an attempt to offer a liberal arts education to senior citizens.  It was known as Wesleyan in Southwest Florida. The director, Dr. Sidney Davis and his wife, Dr. Marian Davis, began classes at the cultural center in Port Charlotte.  In 1983, classes were moved to a facility in Lake Suzy, near Port Charlotte.  In the fall of 1992, the school moved to yet another location in nearby De Soto County.  Thus, the name was changed to the Charlotte-De Soto Program.  For the first five years of operations, the college fell under the administration of West Virginia Wesleyan.  In 1986, Florida Southern College assumed administrative responsibility at the request of the United Methodist Church's University Senate.  The Florida Conference of the UMC felt that since this school was being administered by an out of state Methodist College, it was unfairly competing with both Florida Southern College and Bethune-Cookman College. For the first several years, the college marketed towards retirees, however changing demographics in the Charlotte-De Soto area encouraged the college to open classes to young professionals.  Towards the end of the program, nearly 90% of students fell into this demographic.  The program was phased out in 1999-2000 due to the distance from the main campus in Lakeland with the challenge of maintaining close linkage with full time faculty. This expense, coupled with the need to construct new facilities, as well as new competition with other degree-granting institutions in the area, led Florida Southern to phase-out the program.  No other college wished to take over the program, and it finally ended on December 3, 2000.     ","\nIn addition to these campuses, there exists the relationship between Florida Southern College and the Ringling College of Art and Design in Sarasota. In the late 1920s, Dr. Ludd M. Spivey explored the idea of moving what was then known as Southern College from Lakeland to Sarasota. Spivey had sought the financial support of circus magnate John Ringling, who while reluctant to donate to Southern College, was interested in developing an art school. After much discussion and negotiation, it was agreed that Southern College would open its own art school in Sarasota as a branch. With much reluctance, Ringling agreed that it could be known as the School of Fine and Applied Art of the John and Mable Ringling Art Museum, lending his name and that of his recently departed wife (she had passed away in 1929) to the school, to associate the Florida Southern art school with the more famous name of the Ringlings and their museum.","The first class had only 75 students and 13 faculty members. Each student paid $783 per year for tuition, board, room, fees, and books. Students also attended chapel services every day, and the school's president or dean had to receive written permission if a student wanted to leave town.","The art school separated from Southern College and became an independent nonprofit institution in 1933, changing its name to Ringling School of Art, which still exists today with an enrollment of over 1,000 students--quite a journey from the first class of 75!","The background information and chronology provided is based off of the information in the collections as well as a handful of outside sources, such as The Southern newspaper and the Ringling College of Art and Design.","This collection may include materials that reflect certain cultural attitudes and opinions common during the time of their creation. Florida Southern College, Roux Library, and McKay Archives do not promote the attitudes depicted in these materials, but they are included to document the historical record.","The materials in this collection cover the approximate time period of the satellite programs, 1930-1933 and 1950-2008. While there are a handful of materials from MacDill and Palm Beach Air Force Bases, most of the materials in this collection are from the McCoy AFB-Orlando-Ocala program, the Port Charlotte/Charlotte-De Soto program, and the Ringling College of Art and Design.  Materials include, but are not limited to course bulletins, correspondence, brochures, and news articles.  Of special note is the correspondence in the Port Charlotte program, which includes letters to and from the Program Director(s) and the Board of Directors, as well as the correspondence in the Ringling College program. Additionally, three full years of The Coyote, the official newspaper of the Orlando program in the late 1970s are included.","This collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). ","Please inquire if you have questions - archives@flsouthern.edu","The Florida Southern College Archives","Florida Southern College","English"],"unitid_tesim":["CA10090","/repositories/4/resources/118"],"normalized_date_ssm":["1930-2008"],"normalized_title_ssm":["Florida Southern College Satellite Campuses, 1930-2008"],"collection_title_tesim":["Florida Southern College Satellite Campuses, 1930-2008"],"collection_ssim":["Florida Southern College Satellite Campuses, 1930-2008"],"repository_ssm":["The Florida Southern College Archives"],"repository_ssim":["The Florida Southern College Archives"],"creator_ssm":["Florida Southern College"],"creator_ssim":["Florida Southern College"],"creator_corpname_ssim":["Florida Southern College"],"creators_ssim":["Florida Southern College"],"access_terms_ssm":["This collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). ","Please inquire if you have questions - archives@flsouthern.edu"],"acqinfo_ssim":["The materials in this collection were generated by the college over the period of time the events took place."],"access_subjects_ssim":["Universities and colleges—Florida—History","Florida Southern College—History","Military education—Florida—History","College campuses—Florida—History","Colleges - Florida - Ringling College of Art and Design","Air Force Bases - Florida - McCoy","Air Force Bases - Florida - MacDill","Air Force Bases - Florida - Palm Beach"],"access_subjects_ssm":["Universities and colleges—Florida—History","Florida Southern College—History","Military education—Florida—History","College campuses—Florida—History","Colleges - Florida - Ringling College of Art and Design","Air Force Bases - Florida - McCoy","Air Force Bases - Florida - MacDill","Air Force Bases - Florida - Palm Beach"],"has_online_content_ssim":["false"],"extent_ssm":["5 Linear Feet 9 Standard Legal Archival Containers\n1 Oversize Flat Box"],"extent_tesim":["5 Linear Feet 9 Standard Legal Archival Containers\n1 Oversize Flat Box"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials in this collection are arranged in as logical order as possible. Arrangement is alphabetical by program name, and alphabetical by contents and year within each series. There is one oversize box containing newspapers.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials in this collection are arranged in as logical order as possible. Arrangement is alphabetical by program name, and alphabetical by contents and year within each series. There is one oversize box containing newspapers."],"bioghist_html_tesm":["\u003cp\u003e\tFrom 1930-1933, and from the early 1950s through approximately 2008, Florida Southern College operated a series of satellite campuses, which provided classes for military personnel, veterans and dependents, as well as complete degree programs for young professionals and senior citizens.  In most cases, these campuses were small, having an administrative office and a few classrooms. The programs offered by FSC were as follows:  \u003c/p\u003e\n","\u003cp\u003e\nMacDill Air Force Base, Tampa:  The Florida Southern College of Opportunity began at MacDill AFB in the fall of 1950. Airmen and their dependents were offered seven week courses which awarded three credits each and were primarily held in the evenings.  Classes were taught by FSC professors who commuted to the base from Lakeland.  The program at MacDill lasted until the early 1960s.\u003c/p\u003e\n","\u003cp\u003e\nMcCoy Air Force Base/FSC at Orlando/FSC Orlando-Ocala: For most of its history, this program was located on the west side of what is now the Orlando International Airport.  This was the longest-running series of FSC satellite programs, lasting from 1954 until 2008, and can be best looked at in four phases:\n    \u003c/p\u003e\n","\u003cp\u003e\tPinecastle Air Force Base: The October 14, 1954 issue of The Southern mentions classes being held here since 1954.  Very little is known about this program, including when it was terminated.  Of special note, Pinecastle AFB was renamed McCoy Air Force base in 1957. \u003c/p\u003e\n","\u003cp\u003e\n\tFSC at McCoy AFB: The program's official history lists its beginning as September, 1960, however as previously mentioned, classes were held as early as 1954 when the base was still known as Pinecastle.  Classes were held in the base education building, the alert facility, and a building located halfway between the two.  This last building was needed as aircrews serving on alert were required to remain within a certain \"reaction distance\" from their aircraft.  McCoy was a large Strategic Air Command base, and on numerous occasions classes were interrupted by nuclear alert drills.  More than 500 members of the military and civilian employees at McCoy could be taking classes at any one time, and classes met every weekday evening as well as Saturday mornings.  There was also what was known as a \"brown bag\" class, where professors would offer portions of a class during the official base lunch hour. As with the program at MacDill, some of the FSC professors from the main campus commuted to Orlando to teach.  This portion of the program lasted until the Air Force closed the base in 1974.\n \u003c/p\u003e\n","\u003cp\u003e\tFSC at Orlando/FSC Orlando-Ocala:  When the Air Force closed McCoy, the runways were ceded to the City of Orlando for use in what is now known as Orlando International Airport.  The west side of the base was ceded to the Navy for use as housing and other activities in support of its training center near Winter Park.  In 1974-1975, the college received permission to continue a similar program with the Navy as they had had with the Air Force.  Additionally, classes were opened for non-military affiliated civilians for the first time, assuring the program's continuance regardless of any future base closings. The Orlando program was geared towards working professionals, with majors in Accounting, Business Administration, Nursing, as well as a few social sciences. Students from FSC's main campus in Lakeland could also take courses in Orlando if needed. In the late 1990s/early 2000s, the college left its facilities at the airport and located on Rio Grande Avenue in the Oak Ridge area of Orlando.  In the early 2000s, the Orlando program expanded to include classes in Ocala.  The classes were held at what is now the College for Central Florida-Ocala campus.  As with the main program in Orlando, classes were geared towards working professionals and were primarily held in the evenings.  Classes in Business, Accounting, and Nursing were offered.  The Orlando-Ocala program ended in 2008.   \n \u003c/p\u003e\n","\u003cp\u003ePalm Beach Air Force Base:  Little is known about this program other than it commenced operations in 1955. The Air Force began operations to close the base starting in 1959, so it is assumed that the program ended around this time.  \u003c/p\u003e\n","\u003cp\u003e\nPort Charlotte/Charlotte-De Soto:  This program was initially started by West Virginia Wesleyan University in 1980 as an attempt to offer a liberal arts education to senior citizens.  It was known as Wesleyan in Southwest Florida. The director, Dr. Sidney Davis and his wife, Dr. Marian Davis, began classes at the cultural center in Port Charlotte.  In 1983, classes were moved to a facility in Lake Suzy, near Port Charlotte.  In the fall of 1992, the school moved to yet another location in nearby De Soto County.  Thus, the name was changed to the Charlotte-De Soto Program.  For the first five years of operations, the college fell under the administration of West Virginia Wesleyan.  In 1986, Florida Southern College assumed administrative responsibility at the request of the United Methodist Church's University Senate.  The Florida Conference of the UMC felt that since this school was being administered by an out of state Methodist College, it was unfairly competing with both Florida Southern College and Bethune-Cookman College. For the first several years, the college marketed towards retirees, however changing demographics in the Charlotte-De Soto area encouraged the college to open classes to young professionals.  Towards the end of the program, nearly 90% of students fell into this demographic.  The program was phased out in 1999-2000 due to the distance from the main campus in Lakeland with the challenge of maintaining close linkage with full time faculty. This expense, coupled with the need to construct new facilities, as well as new competition with other degree-granting institutions in the area, led Florida Southern to phase-out the program.  No other college wished to take over the program, and it finally ended on December 3, 2000.     \u003c/p\u003e\n","\u003cp\u003e\nIn addition to these campuses, there exists the relationship between Florida Southern College and the Ringling College of Art and Design in Sarasota. In the late 1920s, Dr. Ludd M. Spivey explored the idea of moving what was then known as Southern College from Lakeland to Sarasota. Spivey had sought the financial support of circus magnate John Ringling, who while reluctant to donate to Southern College, was interested in developing an art school. After much discussion and negotiation, it was agreed that Southern College would open its own art school in Sarasota as a branch. With much reluctance, Ringling agreed that it could be known as the School of Fine and Applied Art of the John and Mable Ringling Art Museum, lending his name and that of his recently departed wife (she had passed away in 1929) to the school, to associate the Florida Southern art school with the more famous name of the Ringlings and their museum.\u003c/p\u003e\n","\u003cp\u003eThe first class had only 75 students and 13 faculty members. Each student paid $783 per year for tuition, board, room, fees, and books. Students also attended chapel services every day, and the school's president or dean had to receive written permission if a student wanted to leave town.\u003c/p\u003e\n","\u003cp\u003eThe art school separated from Southern College and became an independent nonprofit institution in 1933, changing its name to Ringling School of Art, which still exists today with an enrollment of over 1,000 students--quite a journey from the first class of 75!\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\tFrom 1930-1933, and from the early 1950s through approximately 2008, Florida Southern College operated a series of satellite campuses, which provided classes for military personnel, veterans and dependents, as well as complete degree programs for young professionals and senior citizens.  In most cases, these campuses were small, having an administrative office and a few classrooms. The programs offered by FSC were as follows:  ","\nMacDill Air Force Base, Tampa:  The Florida Southern College of Opportunity began at MacDill AFB in the fall of 1950. Airmen and their dependents were offered seven week courses which awarded three credits each and were primarily held in the evenings.  Classes were taught by FSC professors who commuted to the base from Lakeland.  The program at MacDill lasted until the early 1960s.","\nMcCoy Air Force Base/FSC at Orlando/FSC Orlando-Ocala: For most of its history, this program was located on the west side of what is now the Orlando International Airport.  This was the longest-running series of FSC satellite programs, lasting from 1954 until 2008, and can be best looked at in four phases:\n    ","\tPinecastle Air Force Base: The October 14, 1954 issue of The Southern mentions classes being held here since 1954.  Very little is known about this program, including when it was terminated.  Of special note, Pinecastle AFB was renamed McCoy Air Force base in 1957. ","\n\tFSC at McCoy AFB: The program's official history lists its beginning as September, 1960, however as previously mentioned, classes were held as early as 1954 when the base was still known as Pinecastle.  Classes were held in the base education building, the alert facility, and a building located halfway between the two.  This last building was needed as aircrews serving on alert were required to remain within a certain \"reaction distance\" from their aircraft.  McCoy was a large Strategic Air Command base, and on numerous occasions classes were interrupted by nuclear alert drills.  More than 500 members of the military and civilian employees at McCoy could be taking classes at any one time, and classes met every weekday evening as well as Saturday mornings.  There was also what was known as a \"brown bag\" class, where professors would offer portions of a class during the official base lunch hour. As with the program at MacDill, some of the FSC professors from the main campus commuted to Orlando to teach.  This portion of the program lasted until the Air Force closed the base in 1974.\n ","\tFSC at Orlando/FSC Orlando-Ocala:  When the Air Force closed McCoy, the runways were ceded to the City of Orlando for use in what is now known as Orlando International Airport.  The west side of the base was ceded to the Navy for use as housing and other activities in support of its training center near Winter Park.  In 1974-1975, the college received permission to continue a similar program with the Navy as they had had with the Air Force.  Additionally, classes were opened for non-military affiliated civilians for the first time, assuring the program's continuance regardless of any future base closings. The Orlando program was geared towards working professionals, with majors in Accounting, Business Administration, Nursing, as well as a few social sciences. Students from FSC's main campus in Lakeland could also take courses in Orlando if needed. In the late 1990s/early 2000s, the college left its facilities at the airport and located on Rio Grande Avenue in the Oak Ridge area of Orlando.  In the early 2000s, the Orlando program expanded to include classes in Ocala.  The classes were held at what is now the College for Central Florida-Ocala campus.  As with the main program in Orlando, classes were geared towards working professionals and were primarily held in the evenings.  Classes in Business, Accounting, and Nursing were offered.  The Orlando-Ocala program ended in 2008.   \n ","Palm Beach Air Force Base:  Little is known about this program other than it commenced operations in 1955. The Air Force began operations to close the base starting in 1959, so it is assumed that the program ended around this time.  ","\nPort Charlotte/Charlotte-De Soto:  This program was initially started by West Virginia Wesleyan University in 1980 as an attempt to offer a liberal arts education to senior citizens.  It was known as Wesleyan in Southwest Florida. The director, Dr. Sidney Davis and his wife, Dr. Marian Davis, began classes at the cultural center in Port Charlotte.  In 1983, classes were moved to a facility in Lake Suzy, near Port Charlotte.  In the fall of 1992, the school moved to yet another location in nearby De Soto County.  Thus, the name was changed to the Charlotte-De Soto Program.  For the first five years of operations, the college fell under the administration of West Virginia Wesleyan.  In 1986, Florida Southern College assumed administrative responsibility at the request of the United Methodist Church's University Senate.  The Florida Conference of the UMC felt that since this school was being administered by an out of state Methodist College, it was unfairly competing with both Florida Southern College and Bethune-Cookman College. For the first several years, the college marketed towards retirees, however changing demographics in the Charlotte-De Soto area encouraged the college to open classes to young professionals.  Towards the end of the program, nearly 90% of students fell into this demographic.  The program was phased out in 1999-2000 due to the distance from the main campus in Lakeland with the challenge of maintaining close linkage with full time faculty. This expense, coupled with the need to construct new facilities, as well as new competition with other degree-granting institutions in the area, led Florida Southern to phase-out the program.  No other college wished to take over the program, and it finally ended on December 3, 2000.     ","\nIn addition to these campuses, there exists the relationship between Florida Southern College and the Ringling College of Art and Design in Sarasota. In the late 1920s, Dr. Ludd M. Spivey explored the idea of moving what was then known as Southern College from Lakeland to Sarasota. Spivey had sought the financial support of circus magnate John Ringling, who while reluctant to donate to Southern College, was interested in developing an art school. After much discussion and negotiation, it was agreed that Southern College would open its own art school in Sarasota as a branch. With much reluctance, Ringling agreed that it could be known as the School of Fine and Applied Art of the John and Mable Ringling Art Museum, lending his name and that of his recently departed wife (she had passed away in 1929) to the school, to associate the Florida Southern art school with the more famous name of the Ringlings and their museum.","The first class had only 75 students and 13 faculty members. Each student paid $783 per year for tuition, board, room, fees, and books. Students also attended chapel services every day, and the school's president or dean had to receive written permission if a student wanted to leave town.","The art school separated from Southern College and became an independent nonprofit institution in 1933, changing its name to Ringling School of Art, which still exists today with an enrollment of over 1,000 students--quite a journey from the first class of 75!"],"odd_html_tesm":["\u003cp\u003eThe background information and chronology provided is based off of the information in the collections as well as a handful of outside sources, such as The Southern newspaper and the Ringling College of Art and Design.\u003c/p\u003e","\u003cp\u003eThis collection may include materials that reflect certain cultural attitudes and opinions common during the time of their creation. Florida Southern College, Roux Library, and McKay Archives do not promote the attitudes depicted in these materials, but they are included to document the historical record.\u003c/p\u003e"],"odd_heading_ssm":["General","General"],"odd_tesim":["The background information and chronology provided is based off of the information in the collections as well as a handful of outside sources, such as The Southern newspaper and the Ringling College of Art and Design.","This collection may include materials that reflect certain cultural attitudes and opinions common during the time of their creation. Florida Southern College, Roux Library, and McKay Archives do not promote the attitudes depicted in these materials, but they are included to document the historical record."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection cover the approximate time period of the satellite programs, 1930-1933 and 1950-2008. While there are a handful of materials from MacDill and Palm Beach Air Force Bases, most of the materials in this collection are from the McCoy AFB-Orlando-Ocala program, the Port Charlotte/Charlotte-De Soto program, and the Ringling College of Art and Design.  Materials include, but are not limited to course bulletins, correspondence, brochures, and news articles.  Of special note is the correspondence in the Port Charlotte program, which includes letters to and from the Program Director(s) and the Board of Directors, as well as the correspondence in the Ringling College program. Additionally, three full years of The Coyote, the official newspaper of the Orlando program in the late 1970s are included.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection cover the approximate time period of the satellite programs, 1930-1933 and 1950-2008. While there are a handful of materials from MacDill and Palm Beach Air Force Bases, most of the materials in this collection are from the McCoy AFB-Orlando-Ocala program, the Port Charlotte/Charlotte-De Soto program, and the Ringling College of Art and Design.  Materials include, but are not limited to course bulletins, correspondence, brochures, and news articles.  Of special note is the correspondence in the Port Charlotte program, which includes letters to and from the Program Director(s) and the Board of Directors, as well as the correspondence in the Ringling College program. Additionally, three full years of The Coyote, the official newspaper of the Orlando program in the late 1970s are included."],"userestrict_html_tesm":["\u003cp\u003eThis collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). \u003c/p\u003e\n","\u003cp\u003ePlease inquire if you have questions - archives@flsouthern.edu\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). ","Please inquire if you have questions - archives@flsouthern.edu"],"names_ssim":["The Florida Southern College Archives","Florida Southern College"],"corpname_ssim":["The Florida Southern College Archives","Florida Southern College"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":264,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870846327605166080,"_root_":"f0e8fabe2e0cb8f234720eae","timestamp":"2026-07-16T05:01:32.577Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f0e8fabe2e0cb8f234720eae_aspace_a6dafe1310ced7f943aeb1148f184c67"}},{"id":"3590e990d26f42a3d9da5878","type":"collection","attributes":{"title":"Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/3590e990d26f42a3d9da5878#creator","type":"document_value","attributes":{"value":["University of Central Florida. Department of Theatre"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/3590e990d26f42a3d9da5878#abstract_or_scope","type":"document_value","attributes":{"value":["The Orlando Shakespeare Theater Collection contains playbills, programs, reviews, newspaper clippings, films, cassettes, reels, and schedules. It also includes items relating to the Orlando-UCF Shakespeare Festival Partnership (OSF) such as Simply Shakespeare, Central Florida's first Shakespearean troupe, and the UCF Shakespeare Summer Institute as well as the NEH grant funded faculty study project \"Hamlet: Exploring the Renaissance Mind in Action\" which was presented in the Summer 1991."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3590e990d26f42a3d9da5878#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"3590e990d26f42a3d9da5878","title_ssm":["Orlando Shakespeare Theater Collection"],"title_tesim":["Orlando Shakespeare Theater Collection"],"ead_ssi":"3590e990d26f42a3d9da5878","unitdate_ssm":["1974-2013","1986-2009"],"unitdate_bulk_ssim":["1986-2009"],"unitdate_inclusive_ssm":["1974-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA24D","/repositories/2/resources/26"],"text":["UA24D","/repositories/2/resources/26","Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009","Children's Theater","College Theater","Education, Higher -- United States","Performance art -- United States","Radio Programs","Theater","Universities and colleges -- Florida","Posters","Theater -- Florida -- Orlando","Universities and colleges -- Florida -- Orlando","slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)","The entire collection is open for research.","Collection Identifier: CFU2016_38","This collection is arranged in six series. Series I contains documents relating to OST performances and is arranged chronologically. Series II contains documents relating to the publicity of all aspects of OST and is arranged by subject then chronologically. Series III contains media relating to programs hosted by OST and is arranged by subject. Series IV contains photographs relating to performances and activities by OST and is arranged by subject then chronologically. Series V contains documents regarding the different partnerships OST has and is arranged by subject then chronologically. Series VI posters relating to the productions of OST.","According to The UCF Report May 15, 1998 issue, the Orlando-UCF Shakespeare Festival has its beginnings in 1974 when UCF English professor, Dr. Stuart Omans offered his students a chance to get out of writing term papers if they participated in reading scenes from Shakespeare to area junior and senior high schools. Though the group had missteps, they committed themselves to learning dialogue, practicing scenes and taking the show out of the classroom.","The Future October 24, 1975 issue explains how following the success of their performances the group was invited to perform throughout Florida and Georgia. This dedication brought upon the group's decision to attempt to increase their audience. With the guidance of Omans, the students wrote a grant proposal to the FTU Student Government to seek funding for their \"Simply Shakespeare\" company. FTU allocated nearly $3,000 to the group who referred to themselves as ambassadors of the community and area schools. This troupe would be Central Florida's first Shakespearean troupe.","Both the FTU News, March 14, 1979 issue and The Future issue from March 30, 1979 reported that a grant of $77,000 from the National Endowment for the Humanities and Fine Arts was given towards Omans, UCF Music professor Bruce Whisler, and UCF English professor Gerald Schiffhorst. The trio's objective was to create a Summer Institute to give Central Florida school teachers upgraded skills to teach Shakespeare through performance in English, Drama, and Humanities. Along with the funding, the Simply Shakespeare Troupe performances helped support the Summer Institute, charities and their own performances.","On December 18, 1998 the UCF Report published an interview with Omans discussing the establishment of the Orlando-UCF Shakespeare Festival. According to Omans, in 1987 he decided to create and support a professional classical theater through the Project for the Humanities and Fine Arts. With the support from then Orlando Mayor Bill Frederick and then UCF President Trevor Colbourn, Omans announced the establishment of the Orlando Shakespeare Festival in 1988. The inaugural season in 1989 brought to life the tales of Taming of the Shrew and Tempest.","According to the Orlando Shakespeare Theater Inc. Report, the Orlando-UCF Shakespeare Festival held their first performances at the Walt Disney Amphitheater of Lake Eola Park in downtown Orlando. In 1995 the group opened their performances up to non-Shakespeare plays and began staging plays in rented places throughout the area. The Orlando-UCF Shakespeare Festival is now based out of the John and Rita Lowndes Shakespeare Center and performs out of Margeson and Goldman Theaters as well.","Following the success of the Orlando-UCF Festival, Dr. Omans wanted to create a program tailored towards education and academic support of the next generation of actors, actresses, and theater enthusiasts. This program would become known as The Young Company. For the past twenty-six years, local high school students have auditioned, rehearsed and performed one play a year during the months of April through July.","The Orlando-UCF Shakespeare Festival has continued the legacy started by Omans and his students, while also growing into a nationally recognized theater and the only professional classical theater company in Central Florida. In 2007 the name was officially changed to the Orlando Shakespeare Theater (OST) to better reflect their year round activities which include performing seven Signature Series productions, three Children's Series productions, being part of a weekend festival of new plays titled PlayFest, annual summer camps, classes, workshops, and offering internships and independent studies for UCF Theater majors and alumni.","The materials in the Orlando Shakespeare Theater Collection were separated from the UCF Theater Collection that was assembled by Kelly Clemens, Cheryl Mahan, Ellen Anderson, and Dr. Stuart Omans. The collection was processed by and the finding aid was prepared by Kryslynn Collazo in 2018. All materials were placed into acid free folders and in an acid free box. Copies of media including Floppy Disks were made. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2.","For more information on university archives, please see our website. Further information about the UCF Theater Department may be found in the University of Central Florida Theater Program Collection. Additionally, information contributing to the Biographical/Historical Note can be found in these articles \"1975: The show goes on\" in  The UCF Report, Vol. 20 No. 21, May 15, 1998 ; \"Shakespeare troupe strives to create art awareness\" in the  Central Florida Future, Vol. 08 No. 05, October 24, 1975 ; \"Shakespearean program to expand\" in the  Central Florida Future, Vol. 11 No. 25, March 30, 1979 ; and \"Shakespeare Festival turns 10 years old\" in  The UCF Report, Vol. 21 No. 11, December 18, 1998 . For further information regarding to the Orlando Shakespeare Theater please consult their  website.","Series I: Performances, 1989-2012 contains programs, playbills, tickets stubs, brochures, pamphlets, newsletters, and other ephemera.","Series II: Publicity, 1986-2013 contains reviews, newspaper clippings, and newsletters.","Series III: Audiovisuals, 1979-1994, \u0026 undated contains reel-to-reel audiotapes and audiocassette tapes.","Series IV: Photographs, 1976-1980, \u0026 undated contains negatives and stock images of productions created by OST as well as other events attended by the group.","Series V: Partnerships, 1974-2009, \u0026 undated contains documents relating to different organizations partnerships with OST including news clippings, photocopies of letters, advance notices and advertisements for current and future productions.","Series VI: Posters, 1995-1999 \u0026 undated contains posters relating to various OST productions.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Orlando Shakespeare Theater Collection contains playbills, programs, reviews, newspaper clippings, films, cassettes, reels, and schedules. It also includes items relating to the Orlando-UCF Shakespeare Festival Partnership (OSF) such as Simply Shakespeare, Central Florida's first Shakespearean troupe, and the UCF Shakespeare Summer Institute as well as the NEH grant funded faculty study project \"Hamlet: Exploring the Renaissance Mind in Action\" which was presented in the Summer 1991.","UCF University Archives","University of Central Florida. Department of Theatre","Orlando Shakespeare Theater","National Endowment for the Humanities","Florida Technological University","University of Central Florida","Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616","English"],"unitid_tesim":["UA24D","/repositories/2/resources/26"],"normalized_date_ssm":["1974-2013, bulk 1986-2009"],"normalized_title_ssm":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"collection_title_tesim":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"collection_ssim":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"creator_ssim":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"creator_corpname_ssim":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"creators_ssim":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Rick Schell transferred these materials to the University of Central Florida Libraries, Special Collection and University Archives in 2016 (CFU2016_38)."],"access_subjects_ssim":["Children's Theater","College Theater","Education, Higher -- United States","Performance art -- United States","Radio Programs","Theater","Universities and colleges -- Florida","Posters","Theater -- Florida -- Orlando","Universities and colleges -- Florida -- Orlando","slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)"],"access_subjects_ssm":["Children's Theater","College Theater","Education, Higher -- United States","Performance art -- United States","Radio Programs","Theater","Universities and colleges -- Florida","Posters","Theater -- Florida -- Orlando","Universities and colleges -- Florida -- Orlando","slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["6 boxes 3.33 Linear Feet"],"extent_tesim":["6 boxes 3.33 Linear Feet"],"genreform_ssim":["slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"accruals_html_tesm":["\u003cp\u003eCollection Identifier: CFU2016_38\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Collection Identifier: CFU2016_38"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in six series. Series I contains documents relating to OST performances and is arranged chronologically. Series II contains documents relating to the publicity of all aspects of OST and is arranged by subject then chronologically. Series III contains media relating to programs hosted by OST and is arranged by subject. Series IV contains photographs relating to performances and activities by OST and is arranged by subject then chronologically. Series V contains documents regarding the different partnerships OST has and is arranged by subject then chronologically. Series VI posters relating to the productions of OST.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in six series. Series I contains documents relating to OST performances and is arranged chronologically. Series II contains documents relating to the publicity of all aspects of OST and is arranged by subject then chronologically. Series III contains media relating to programs hosted by OST and is arranged by subject. Series IV contains photographs relating to performances and activities by OST and is arranged by subject then chronologically. Series V contains documents regarding the different partnerships OST has and is arranged by subject then chronologically. Series VI posters relating to the productions of OST."],"bioghist_html_tesm":["\u003cp\u003eAccording to The UCF Report May 15, 1998 issue, the Orlando-UCF Shakespeare Festival has its beginnings in 1974 when UCF English professor, Dr. Stuart Omans offered his students a chance to get out of writing term papers if they participated in reading scenes from Shakespeare to area junior and senior high schools. Though the group had missteps, they committed themselves to learning dialogue, practicing scenes and taking the show out of the classroom.\u003c/p\u003e\n","\u003cp\u003eThe Future October 24, 1975 issue explains how following the success of their performances the group was invited to perform throughout Florida and Georgia. This dedication brought upon the group's decision to attempt to increase their audience. With the guidance of Omans, the students wrote a grant proposal to the FTU Student Government to seek funding for their \"Simply Shakespeare\" company. FTU allocated nearly $3,000 to the group who referred to themselves as ambassadors of the community and area schools. This troupe would be Central Florida's first Shakespearean troupe.\u003c/p\u003e\n","\u003cp\u003eBoth the FTU News, March 14, 1979 issue and The Future issue from March 30, 1979 reported that a grant of $77,000 from the National Endowment for the Humanities and Fine Arts was given towards Omans, UCF Music professor Bruce Whisler, and UCF English professor Gerald Schiffhorst. The trio's objective was to create a Summer Institute to give Central Florida school teachers upgraded skills to teach Shakespeare through performance in English, Drama, and Humanities. Along with the funding, the Simply Shakespeare Troupe performances helped support the Summer Institute, charities and their own performances.\u003c/p\u003e\n","\u003cp\u003eOn December 18, 1998 the UCF Report published an interview with Omans discussing the establishment of the Orlando-UCF Shakespeare Festival. According to Omans, in 1987 he decided to create and support a professional classical theater through the Project for the Humanities and Fine Arts. With the support from then Orlando Mayor Bill Frederick and then UCF President Trevor Colbourn, Omans announced the establishment of the Orlando Shakespeare Festival in 1988. The inaugural season in 1989 brought to life the tales of Taming of the Shrew and Tempest.\u003c/p\u003e\n","\u003cp\u003eAccording to the Orlando Shakespeare Theater Inc. Report, the Orlando-UCF Shakespeare Festival held their first performances at the Walt Disney Amphitheater of Lake Eola Park in downtown Orlando. In 1995 the group opened their performances up to non-Shakespeare plays and began staging plays in rented places throughout the area. The Orlando-UCF Shakespeare Festival is now based out of the John and Rita Lowndes Shakespeare Center and performs out of Margeson and Goldman Theaters as well.\u003c/p\u003e\n","\u003cp\u003eFollowing the success of the Orlando-UCF Festival, Dr. Omans wanted to create a program tailored towards education and academic support of the next generation of actors, actresses, and theater enthusiasts. This program would become known as The Young Company. For the past twenty-six years, local high school students have auditioned, rehearsed and performed one play a year during the months of April through July.\u003c/p\u003e\n","\u003cp\u003eThe Orlando-UCF Shakespeare Festival has continued the legacy started by Omans and his students, while also growing into a nationally recognized theater and the only professional classical theater company in Central Florida. In 2007 the name was officially changed to the Orlando Shakespeare Theater (OST) to better reflect their year round activities which include performing seven Signature Series productions, three Children's Series productions, being part of a weekend festival of new plays titled PlayFest, annual summer camps, classes, workshops, and offering internships and independent studies for UCF Theater majors and alumni.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["According to The UCF Report May 15, 1998 issue, the Orlando-UCF Shakespeare Festival has its beginnings in 1974 when UCF English professor, Dr. Stuart Omans offered his students a chance to get out of writing term papers if they participated in reading scenes from Shakespeare to area junior and senior high schools. Though the group had missteps, they committed themselves to learning dialogue, practicing scenes and taking the show out of the classroom.","The Future October 24, 1975 issue explains how following the success of their performances the group was invited to perform throughout Florida and Georgia. This dedication brought upon the group's decision to attempt to increase their audience. With the guidance of Omans, the students wrote a grant proposal to the FTU Student Government to seek funding for their \"Simply Shakespeare\" company. FTU allocated nearly $3,000 to the group who referred to themselves as ambassadors of the community and area schools. This troupe would be Central Florida's first Shakespearean troupe.","Both the FTU News, March 14, 1979 issue and The Future issue from March 30, 1979 reported that a grant of $77,000 from the National Endowment for the Humanities and Fine Arts was given towards Omans, UCF Music professor Bruce Whisler, and UCF English professor Gerald Schiffhorst. The trio's objective was to create a Summer Institute to give Central Florida school teachers upgraded skills to teach Shakespeare through performance in English, Drama, and Humanities. Along with the funding, the Simply Shakespeare Troupe performances helped support the Summer Institute, charities and their own performances.","On December 18, 1998 the UCF Report published an interview with Omans discussing the establishment of the Orlando-UCF Shakespeare Festival. According to Omans, in 1987 he decided to create and support a professional classical theater through the Project for the Humanities and Fine Arts. With the support from then Orlando Mayor Bill Frederick and then UCF President Trevor Colbourn, Omans announced the establishment of the Orlando Shakespeare Festival in 1988. The inaugural season in 1989 brought to life the tales of Taming of the Shrew and Tempest.","According to the Orlando Shakespeare Theater Inc. Report, the Orlando-UCF Shakespeare Festival held their first performances at the Walt Disney Amphitheater of Lake Eola Park in downtown Orlando. In 1995 the group opened their performances up to non-Shakespeare plays and began staging plays in rented places throughout the area. The Orlando-UCF Shakespeare Festival is now based out of the John and Rita Lowndes Shakespeare Center and performs out of Margeson and Goldman Theaters as well.","Following the success of the Orlando-UCF Festival, Dr. Omans wanted to create a program tailored towards education and academic support of the next generation of actors, actresses, and theater enthusiasts. This program would become known as The Young Company. For the past twenty-six years, local high school students have auditioned, rehearsed and performed one play a year during the months of April through July.","The Orlando-UCF Shakespeare Festival has continued the legacy started by Omans and his students, while also growing into a nationally recognized theater and the only professional classical theater company in Central Florida. In 2007 the name was officially changed to the Orlando Shakespeare Theater (OST) to better reflect their year round activities which include performing seven Signature Series productions, three Children's Series productions, being part of a weekend festival of new plays titled PlayFest, annual summer camps, classes, workshops, and offering internships and independent studies for UCF Theater majors and alumni."],"prefercite_html_tesm":["\u003cp\u003eOrlando Shakespeare Theater Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Orlando Shakespeare Theater Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eThe materials in the Orlando Shakespeare Theater Collection were separated from the UCF Theater Collection that was assembled by Kelly Clemens, Cheryl Mahan, Ellen Anderson, and Dr. Stuart Omans. The collection was processed by and the finding aid was prepared by Kryslynn Collazo in 2018. All materials were placed into acid free folders and in an acid free box. Copies of media including Floppy Disks were made. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The materials in the Orlando Shakespeare Theater Collection were separated from the UCF Theater Collection that was assembled by Kelly Clemens, Cheryl Mahan, Ellen Anderson, and Dr. Stuart Omans. The collection was processed by and the finding aid was prepared by Kryslynn Collazo in 2018. All materials were placed into acid free folders and in an acid free box. Copies of media including Floppy Disks were made. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on university archives, please see our website. Further information about the UCF Theater Department may be found in the University of Central Florida Theater Program Collection. Additionally, information contributing to the Biographical/Historical Note can be found in these articles \"1975: The show goes on\" in \u003cextref href=\"http://stars.library.ucf.edu/ucfreport/568/\"\u003eThe UCF Report, Vol. 20 No. 21, May 15, 1998\u003c/extref\u003e; \"Shakespeare troupe strives to create art awareness\" in the \u003cextref href=\"http://stars.library.ucf.edu/centralfloridafuture/239/\"\u003eCentral Florida Future, Vol. 08 No. 05, October 24, 1975\u003c/extref\u003e; \"Shakespearean program to expand\" in the \u003cextref href=\"http://stars.library.ucf.edu/centralfloridafuture/357/\"\u003eCentral Florida Future, Vol. 11 No. 25, March 30, 1979\u003c/extref\u003e; and \"Shakespeare Festival turns 10 years old\" in \u003cextref href=\"http://stars.library.ucf.edu/ucfreport/581/\"\u003eThe UCF Report, Vol. 21 No. 11, December 18, 1998\u003c/extref\u003e. For further information regarding to the Orlando Shakespeare Theater please consult their \u003cextref href=\"http://orlandoshakes.org/\"\u003ewebsite.\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on university archives, please see our website. Further information about the UCF Theater Department may be found in the University of Central Florida Theater Program Collection. Additionally, information contributing to the Biographical/Historical Note can be found in these articles \"1975: The show goes on\" in  The UCF Report, Vol. 20 No. 21, May 15, 1998 ; \"Shakespeare troupe strives to create art awareness\" in the  Central Florida Future, Vol. 08 No. 05, October 24, 1975 ; \"Shakespearean program to expand\" in the  Central Florida Future, Vol. 11 No. 25, March 30, 1979 ; and \"Shakespeare Festival turns 10 years old\" in  The UCF Report, Vol. 21 No. 11, December 18, 1998 . For further information regarding to the Orlando Shakespeare Theater please consult their  website."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Performances, 1989-2012 contains programs, playbills, tickets stubs, brochures, pamphlets, newsletters, and other ephemera.\u003c/p\u003e\n","\u003cp\u003eSeries II: Publicity, 1986-2013 contains reviews, newspaper clippings, and newsletters.\u003c/p\u003e\n","\u003cp\u003eSeries III: Audiovisuals, 1979-1994, \u0026amp; undated contains reel-to-reel audiotapes and audiocassette tapes.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Photographs, 1976-1980, \u0026amp; undated contains negatives and stock images of productions created by OST as well as other events attended by the group.\u003c/p\u003e\n","\u003cp\u003eSeries V: Partnerships, 1974-2009, \u0026amp; undated contains documents relating to different organizations partnerships with OST including news clippings, photocopies of letters, advance notices and advertisements for current and future productions.\u003c/p\u003e\n","\u003cp\u003eSeries VI: Posters, 1995-1999 \u0026amp; undated contains posters relating to various OST productions.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Performances, 1989-2012 contains programs, playbills, tickets stubs, brochures, pamphlets, newsletters, and other ephemera.","Series II: Publicity, 1986-2013 contains reviews, newspaper clippings, and newsletters.","Series III: Audiovisuals, 1979-1994, \u0026 undated contains reel-to-reel audiotapes and audiocassette tapes.","Series IV: Photographs, 1976-1980, \u0026 undated contains negatives and stock images of productions created by OST as well as other events attended by the group.","Series V: Partnerships, 1974-2009, \u0026 undated contains documents relating to different organizations partnerships with OST including news clippings, photocopies of letters, advance notices and advertisements for current and future productions.","Series VI: Posters, 1995-1999 \u0026 undated contains posters relating to various OST productions."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5f89e53d54d3ac96618ffc8e992924f9\" label=\"Abstract\"\u003eThe Orlando Shakespeare Theater Collection contains playbills, programs, reviews, newspaper clippings, films, cassettes, reels, and schedules. It also includes items relating to the Orlando-UCF Shakespeare Festival Partnership (OSF) such as Simply Shakespeare, Central Florida's first Shakespearean troupe, and the UCF Shakespeare Summer Institute as well as the NEH grant funded faculty study project \"Hamlet: Exploring the Renaissance Mind in Action\" which was presented in the Summer 1991.\u003c/abstract\u003e"],"abstract_tesim":["The Orlando Shakespeare Theater Collection contains playbills, programs, reviews, newspaper clippings, films, cassettes, reels, and schedules. It also includes items relating to the Orlando-UCF Shakespeare Festival Partnership (OSF) such as Simply Shakespeare, Central Florida's first Shakespearean troupe, and the UCF Shakespeare Summer Institute as well as the NEH grant funded faculty study project \"Hamlet: Exploring the Renaissance Mind in Action\" which was presented in the Summer 1991."],"names_coll_ssim":["National Endowment for the Humanities","Florida Technological University","University of Central Florida","Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616"],"names_ssim":["UCF University Archives","University of Central Florida. Department of Theatre","Orlando Shakespeare Theater","National Endowment for the Humanities","Florida Technological University","University of Central Florida","Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616"],"corpname_ssim":["UCF University Archives","University of Central Florida. Department of Theatre","Orlando Shakespeare Theater","National Endowment for the Humanities","Florida Technological University","University of Central Florida"],"persname_ssim":["Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":206,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858696351809536,"_root_":"3590e990d26f42a3d9da5878","timestamp":"2026-07-16T08:18:08.333Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3590e990d26f42a3d9da5878","title_ssm":["Orlando Shakespeare Theater Collection"],"title_tesim":["Orlando Shakespeare Theater Collection"],"ead_ssi":"3590e990d26f42a3d9da5878","unitdate_ssm":["1974-2013","1986-2009"],"unitdate_bulk_ssim":["1986-2009"],"unitdate_inclusive_ssm":["1974-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA24D","/repositories/2/resources/26"],"text":["UA24D","/repositories/2/resources/26","Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009","Children's Theater","College Theater","Education, Higher -- United States","Performance art -- United States","Radio Programs","Theater","Universities and colleges -- Florida","Posters","Theater -- Florida -- Orlando","Universities and colleges -- Florida -- Orlando","slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)","The entire collection is open for research.","Collection Identifier: CFU2016_38","This collection is arranged in six series. Series I contains documents relating to OST performances and is arranged chronologically. Series II contains documents relating to the publicity of all aspects of OST and is arranged by subject then chronologically. Series III contains media relating to programs hosted by OST and is arranged by subject. Series IV contains photographs relating to performances and activities by OST and is arranged by subject then chronologically. Series V contains documents regarding the different partnerships OST has and is arranged by subject then chronologically. Series VI posters relating to the productions of OST.","According to The UCF Report May 15, 1998 issue, the Orlando-UCF Shakespeare Festival has its beginnings in 1974 when UCF English professor, Dr. Stuart Omans offered his students a chance to get out of writing term papers if they participated in reading scenes from Shakespeare to area junior and senior high schools. Though the group had missteps, they committed themselves to learning dialogue, practicing scenes and taking the show out of the classroom.","The Future October 24, 1975 issue explains how following the success of their performances the group was invited to perform throughout Florida and Georgia. This dedication brought upon the group's decision to attempt to increase their audience. With the guidance of Omans, the students wrote a grant proposal to the FTU Student Government to seek funding for their \"Simply Shakespeare\" company. FTU allocated nearly $3,000 to the group who referred to themselves as ambassadors of the community and area schools. This troupe would be Central Florida's first Shakespearean troupe.","Both the FTU News, March 14, 1979 issue and The Future issue from March 30, 1979 reported that a grant of $77,000 from the National Endowment for the Humanities and Fine Arts was given towards Omans, UCF Music professor Bruce Whisler, and UCF English professor Gerald Schiffhorst. The trio's objective was to create a Summer Institute to give Central Florida school teachers upgraded skills to teach Shakespeare through performance in English, Drama, and Humanities. Along with the funding, the Simply Shakespeare Troupe performances helped support the Summer Institute, charities and their own performances.","On December 18, 1998 the UCF Report published an interview with Omans discussing the establishment of the Orlando-UCF Shakespeare Festival. According to Omans, in 1987 he decided to create and support a professional classical theater through the Project for the Humanities and Fine Arts. With the support from then Orlando Mayor Bill Frederick and then UCF President Trevor Colbourn, Omans announced the establishment of the Orlando Shakespeare Festival in 1988. The inaugural season in 1989 brought to life the tales of Taming of the Shrew and Tempest.","According to the Orlando Shakespeare Theater Inc. Report, the Orlando-UCF Shakespeare Festival held their first performances at the Walt Disney Amphitheater of Lake Eola Park in downtown Orlando. In 1995 the group opened their performances up to non-Shakespeare plays and began staging plays in rented places throughout the area. The Orlando-UCF Shakespeare Festival is now based out of the John and Rita Lowndes Shakespeare Center and performs out of Margeson and Goldman Theaters as well.","Following the success of the Orlando-UCF Festival, Dr. Omans wanted to create a program tailored towards education and academic support of the next generation of actors, actresses, and theater enthusiasts. This program would become known as The Young Company. For the past twenty-six years, local high school students have auditioned, rehearsed and performed one play a year during the months of April through July.","The Orlando-UCF Shakespeare Festival has continued the legacy started by Omans and his students, while also growing into a nationally recognized theater and the only professional classical theater company in Central Florida. In 2007 the name was officially changed to the Orlando Shakespeare Theater (OST) to better reflect their year round activities which include performing seven Signature Series productions, three Children's Series productions, being part of a weekend festival of new plays titled PlayFest, annual summer camps, classes, workshops, and offering internships and independent studies for UCF Theater majors and alumni.","The materials in the Orlando Shakespeare Theater Collection were separated from the UCF Theater Collection that was assembled by Kelly Clemens, Cheryl Mahan, Ellen Anderson, and Dr. Stuart Omans. The collection was processed by and the finding aid was prepared by Kryslynn Collazo in 2018. All materials were placed into acid free folders and in an acid free box. Copies of media including Floppy Disks were made. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2.","For more information on university archives, please see our website. Further information about the UCF Theater Department may be found in the University of Central Florida Theater Program Collection. Additionally, information contributing to the Biographical/Historical Note can be found in these articles \"1975: The show goes on\" in  The UCF Report, Vol. 20 No. 21, May 15, 1998 ; \"Shakespeare troupe strives to create art awareness\" in the  Central Florida Future, Vol. 08 No. 05, October 24, 1975 ; \"Shakespearean program to expand\" in the  Central Florida Future, Vol. 11 No. 25, March 30, 1979 ; and \"Shakespeare Festival turns 10 years old\" in  The UCF Report, Vol. 21 No. 11, December 18, 1998 . For further information regarding to the Orlando Shakespeare Theater please consult their  website.","Series I: Performances, 1989-2012 contains programs, playbills, tickets stubs, brochures, pamphlets, newsletters, and other ephemera.","Series II: Publicity, 1986-2013 contains reviews, newspaper clippings, and newsletters.","Series III: Audiovisuals, 1979-1994, \u0026 undated contains reel-to-reel audiotapes and audiocassette tapes.","Series IV: Photographs, 1976-1980, \u0026 undated contains negatives and stock images of productions created by OST as well as other events attended by the group.","Series V: Partnerships, 1974-2009, \u0026 undated contains documents relating to different organizations partnerships with OST including news clippings, photocopies of letters, advance notices and advertisements for current and future productions.","Series VI: Posters, 1995-1999 \u0026 undated contains posters relating to various OST productions.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Orlando Shakespeare Theater Collection contains playbills, programs, reviews, newspaper clippings, films, cassettes, reels, and schedules. It also includes items relating to the Orlando-UCF Shakespeare Festival Partnership (OSF) such as Simply Shakespeare, Central Florida's first Shakespearean troupe, and the UCF Shakespeare Summer Institute as well as the NEH grant funded faculty study project \"Hamlet: Exploring the Renaissance Mind in Action\" which was presented in the Summer 1991.","UCF University Archives","University of Central Florida. Department of Theatre","Orlando Shakespeare Theater","National Endowment for the Humanities","Florida Technological University","University of Central Florida","Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616","English"],"unitid_tesim":["UA24D","/repositories/2/resources/26"],"normalized_date_ssm":["1974-2013, bulk 1986-2009"],"normalized_title_ssm":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"collection_title_tesim":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"collection_ssim":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"creator_ssim":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"creator_corpname_ssim":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"creators_ssim":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Rick Schell transferred these materials to the University of Central Florida Libraries, Special Collection and University Archives in 2016 (CFU2016_38)."],"access_subjects_ssim":["Children's Theater","College Theater","Education, Higher -- United States","Performance art -- United States","Radio Programs","Theater","Universities and colleges -- Florida","Posters","Theater -- Florida -- Orlando","Universities and colleges -- Florida -- Orlando","slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)"],"access_subjects_ssm":["Children's Theater","College Theater","Education, Higher -- United States","Performance art -- United States","Radio Programs","Theater","Universities and colleges -- Florida","Posters","Theater -- Florida -- Orlando","Universities and colleges -- Florida -- Orlando","slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["6 boxes 3.33 Linear Feet"],"extent_tesim":["6 boxes 3.33 Linear Feet"],"genreform_ssim":["slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"accruals_html_tesm":["\u003cp\u003eCollection Identifier: CFU2016_38\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Collection Identifier: CFU2016_38"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in six series. Series I contains documents relating to OST performances and is arranged chronologically. Series II contains documents relating to the publicity of all aspects of OST and is arranged by subject then chronologically. Series III contains media relating to programs hosted by OST and is arranged by subject. Series IV contains photographs relating to performances and activities by OST and is arranged by subject then chronologically. Series V contains documents regarding the different partnerships OST has and is arranged by subject then chronologically. Series VI posters relating to the productions of OST.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in six series. Series I contains documents relating to OST performances and is arranged chronologically. Series II contains documents relating to the publicity of all aspects of OST and is arranged by subject then chronologically. Series III contains media relating to programs hosted by OST and is arranged by subject. Series IV contains photographs relating to performances and activities by OST and is arranged by subject then chronologically. Series V contains documents regarding the different partnerships OST has and is arranged by subject then chronologically. Series VI posters relating to the productions of OST."],"bioghist_html_tesm":["\u003cp\u003eAccording to The UCF Report May 15, 1998 issue, the Orlando-UCF Shakespeare Festival has its beginnings in 1974 when UCF English professor, Dr. Stuart Omans offered his students a chance to get out of writing term papers if they participated in reading scenes from Shakespeare to area junior and senior high schools. Though the group had missteps, they committed themselves to learning dialogue, practicing scenes and taking the show out of the classroom.\u003c/p\u003e\n","\u003cp\u003eThe Future October 24, 1975 issue explains how following the success of their performances the group was invited to perform throughout Florida and Georgia. This dedication brought upon the group's decision to attempt to increase their audience. With the guidance of Omans, the students wrote a grant proposal to the FTU Student Government to seek funding for their \"Simply Shakespeare\" company. FTU allocated nearly $3,000 to the group who referred to themselves as ambassadors of the community and area schools. This troupe would be Central Florida's first Shakespearean troupe.\u003c/p\u003e\n","\u003cp\u003eBoth the FTU News, March 14, 1979 issue and The Future issue from March 30, 1979 reported that a grant of $77,000 from the National Endowment for the Humanities and Fine Arts was given towards Omans, UCF Music professor Bruce Whisler, and UCF English professor Gerald Schiffhorst. The trio's objective was to create a Summer Institute to give Central Florida school teachers upgraded skills to teach Shakespeare through performance in English, Drama, and Humanities. Along with the funding, the Simply Shakespeare Troupe performances helped support the Summer Institute, charities and their own performances.\u003c/p\u003e\n","\u003cp\u003eOn December 18, 1998 the UCF Report published an interview with Omans discussing the establishment of the Orlando-UCF Shakespeare Festival. According to Omans, in 1987 he decided to create and support a professional classical theater through the Project for the Humanities and Fine Arts. With the support from then Orlando Mayor Bill Frederick and then UCF President Trevor Colbourn, Omans announced the establishment of the Orlando Shakespeare Festival in 1988. The inaugural season in 1989 brought to life the tales of Taming of the Shrew and Tempest.\u003c/p\u003e\n","\u003cp\u003eAccording to the Orlando Shakespeare Theater Inc. Report, the Orlando-UCF Shakespeare Festival held their first performances at the Walt Disney Amphitheater of Lake Eola Park in downtown Orlando. In 1995 the group opened their performances up to non-Shakespeare plays and began staging plays in rented places throughout the area. The Orlando-UCF Shakespeare Festival is now based out of the John and Rita Lowndes Shakespeare Center and performs out of Margeson and Goldman Theaters as well.\u003c/p\u003e\n","\u003cp\u003eFollowing the success of the Orlando-UCF Festival, Dr. Omans wanted to create a program tailored towards education and academic support of the next generation of actors, actresses, and theater enthusiasts. This program would become known as The Young Company. For the past twenty-six years, local high school students have auditioned, rehearsed and performed one play a year during the months of April through July.\u003c/p\u003e\n","\u003cp\u003eThe Orlando-UCF Shakespeare Festival has continued the legacy started by Omans and his students, while also growing into a nationally recognized theater and the only professional classical theater company in Central Florida. In 2007 the name was officially changed to the Orlando Shakespeare Theater (OST) to better reflect their year round activities which include performing seven Signature Series productions, three Children's Series productions, being part of a weekend festival of new plays titled PlayFest, annual summer camps, classes, workshops, and offering internships and independent studies for UCF Theater majors and alumni.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["According to The UCF Report May 15, 1998 issue, the Orlando-UCF Shakespeare Festival has its beginnings in 1974 when UCF English professor, Dr. Stuart Omans offered his students a chance to get out of writing term papers if they participated in reading scenes from Shakespeare to area junior and senior high schools. Though the group had missteps, they committed themselves to learning dialogue, practicing scenes and taking the show out of the classroom.","The Future October 24, 1975 issue explains how following the success of their performances the group was invited to perform throughout Florida and Georgia. This dedication brought upon the group's decision to attempt to increase their audience. With the guidance of Omans, the students wrote a grant proposal to the FTU Student Government to seek funding for their \"Simply Shakespeare\" company. FTU allocated nearly $3,000 to the group who referred to themselves as ambassadors of the community and area schools. This troupe would be Central Florida's first Shakespearean troupe.","Both the FTU News, March 14, 1979 issue and The Future issue from March 30, 1979 reported that a grant of $77,000 from the National Endowment for the Humanities and Fine Arts was given towards Omans, UCF Music professor Bruce Whisler, and UCF English professor Gerald Schiffhorst. The trio's objective was to create a Summer Institute to give Central Florida school teachers upgraded skills to teach Shakespeare through performance in English, Drama, and Humanities. Along with the funding, the Simply Shakespeare Troupe performances helped support the Summer Institute, charities and their own performances.","On December 18, 1998 the UCF Report published an interview with Omans discussing the establishment of the Orlando-UCF Shakespeare Festival. According to Omans, in 1987 he decided to create and support a professional classical theater through the Project for the Humanities and Fine Arts. With the support from then Orlando Mayor Bill Frederick and then UCF President Trevor Colbourn, Omans announced the establishment of the Orlando Shakespeare Festival in 1988. The inaugural season in 1989 brought to life the tales of Taming of the Shrew and Tempest.","According to the Orlando Shakespeare Theater Inc. Report, the Orlando-UCF Shakespeare Festival held their first performances at the Walt Disney Amphitheater of Lake Eola Park in downtown Orlando. In 1995 the group opened their performances up to non-Shakespeare plays and began staging plays in rented places throughout the area. The Orlando-UCF Shakespeare Festival is now based out of the John and Rita Lowndes Shakespeare Center and performs out of Margeson and Goldman Theaters as well.","Following the success of the Orlando-UCF Festival, Dr. Omans wanted to create a program tailored towards education and academic support of the next generation of actors, actresses, and theater enthusiasts. This program would become known as The Young Company. For the past twenty-six years, local high school students have auditioned, rehearsed and performed one play a year during the months of April through July.","The Orlando-UCF Shakespeare Festival has continued the legacy started by Omans and his students, while also growing into a nationally recognized theater and the only professional classical theater company in Central Florida. In 2007 the name was officially changed to the Orlando Shakespeare Theater (OST) to better reflect their year round activities which include performing seven Signature Series productions, three Children's Series productions, being part of a weekend festival of new plays titled PlayFest, annual summer camps, classes, workshops, and offering internships and independent studies for UCF Theater majors and alumni."],"prefercite_html_tesm":["\u003cp\u003eOrlando Shakespeare Theater Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Orlando Shakespeare Theater Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eThe materials in the Orlando Shakespeare Theater Collection were separated from the UCF Theater Collection that was assembled by Kelly Clemens, Cheryl Mahan, Ellen Anderson, and Dr. Stuart Omans. The collection was processed by and the finding aid was prepared by Kryslynn Collazo in 2018. All materials were placed into acid free folders and in an acid free box. Copies of media including Floppy Disks were made. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The materials in the Orlando Shakespeare Theater Collection were separated from the UCF Theater Collection that was assembled by Kelly Clemens, Cheryl Mahan, Ellen Anderson, and Dr. Stuart Omans. The collection was processed by and the finding aid was prepared by Kryslynn Collazo in 2018. All materials were placed into acid free folders and in an acid free box. Copies of media including Floppy Disks were made. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on university archives, please see our website. Further information about the UCF Theater Department may be found in the University of Central Florida Theater Program Collection. Additionally, information contributing to the Biographical/Historical Note can be found in these articles \"1975: The show goes on\" in \u003cextref href=\"http://stars.library.ucf.edu/ucfreport/568/\"\u003eThe UCF Report, Vol. 20 No. 21, May 15, 1998\u003c/extref\u003e; \"Shakespeare troupe strives to create art awareness\" in the \u003cextref href=\"http://stars.library.ucf.edu/centralfloridafuture/239/\"\u003eCentral Florida Future, Vol. 08 No. 05, October 24, 1975\u003c/extref\u003e; \"Shakespearean program to expand\" in the \u003cextref href=\"http://stars.library.ucf.edu/centralfloridafuture/357/\"\u003eCentral Florida Future, Vol. 11 No. 25, March 30, 1979\u003c/extref\u003e; and \"Shakespeare Festival turns 10 years old\" in \u003cextref href=\"http://stars.library.ucf.edu/ucfreport/581/\"\u003eThe UCF Report, Vol. 21 No. 11, December 18, 1998\u003c/extref\u003e. For further information regarding to the Orlando Shakespeare Theater please consult their \u003cextref href=\"http://orlandoshakes.org/\"\u003ewebsite.\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on university archives, please see our website. Further information about the UCF Theater Department may be found in the University of Central Florida Theater Program Collection. Additionally, information contributing to the Biographical/Historical Note can be found in these articles \"1975: The show goes on\" in  The UCF Report, Vol. 20 No. 21, May 15, 1998 ; \"Shakespeare troupe strives to create art awareness\" in the  Central Florida Future, Vol. 08 No. 05, October 24, 1975 ; \"Shakespearean program to expand\" in the  Central Florida Future, Vol. 11 No. 25, March 30, 1979 ; and \"Shakespeare Festival turns 10 years old\" in  The UCF Report, Vol. 21 No. 11, December 18, 1998 . For further information regarding to the Orlando Shakespeare Theater please consult their  website."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Performances, 1989-2012 contains programs, playbills, tickets stubs, brochures, pamphlets, newsletters, and other ephemera.\u003c/p\u003e\n","\u003cp\u003eSeries II: Publicity, 1986-2013 contains reviews, newspaper clippings, and newsletters.\u003c/p\u003e\n","\u003cp\u003eSeries III: Audiovisuals, 1979-1994, \u0026amp; undated contains reel-to-reel audiotapes and audiocassette tapes.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Photographs, 1976-1980, \u0026amp; undated contains negatives and stock images of productions created by OST as well as other events attended by the group.\u003c/p\u003e\n","\u003cp\u003eSeries V: Partnerships, 1974-2009, \u0026amp; undated contains documents relating to different organizations partnerships with OST including news clippings, photocopies of letters, advance notices and advertisements for current and future productions.\u003c/p\u003e\n","\u003cp\u003eSeries VI: Posters, 1995-1999 \u0026amp; undated contains posters relating to various OST productions.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Performances, 1989-2012 contains programs, playbills, tickets stubs, brochures, pamphlets, newsletters, and other ephemera.","Series II: Publicity, 1986-2013 contains reviews, newspaper clippings, and newsletters.","Series III: Audiovisuals, 1979-1994, \u0026 undated contains reel-to-reel audiotapes and audiocassette tapes.","Series IV: Photographs, 1976-1980, \u0026 undated contains negatives and stock images of productions created by OST as well as other events attended by the group.","Series V: Partnerships, 1974-2009, \u0026 undated contains documents relating to different organizations partnerships with OST including news clippings, photocopies of letters, advance notices and advertisements for current and future productions.","Series VI: Posters, 1995-1999 \u0026 undated contains posters relating to various OST productions."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5f89e53d54d3ac96618ffc8e992924f9\" label=\"Abstract\"\u003eThe Orlando Shakespeare Theater Collection contains playbills, programs, reviews, newspaper clippings, films, cassettes, reels, and schedules. It also includes items relating to the Orlando-UCF Shakespeare Festival Partnership (OSF) such as Simply Shakespeare, Central Florida's first Shakespearean troupe, and the UCF Shakespeare Summer Institute as well as the NEH grant funded faculty study project \"Hamlet: Exploring the Renaissance Mind in Action\" which was presented in the Summer 1991.\u003c/abstract\u003e"],"abstract_tesim":["The Orlando Shakespeare Theater Collection contains playbills, programs, reviews, newspaper clippings, films, cassettes, reels, and schedules. It also includes items relating to the Orlando-UCF Shakespeare Festival Partnership (OSF) such as Simply Shakespeare, Central Florida's first Shakespearean troupe, and the UCF Shakespeare Summer Institute as well as the NEH grant funded faculty study project \"Hamlet: Exploring the Renaissance Mind in Action\" which was presented in the Summer 1991."],"names_coll_ssim":["National Endowment for the Humanities","Florida Technological University","University of Central Florida","Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616"],"names_ssim":["UCF University Archives","University of Central Florida. Department of Theatre","Orlando Shakespeare Theater","National Endowment for the Humanities","Florida Technological University","University of Central Florida","Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616"],"corpname_ssim":["UCF University Archives","University of Central Florida. Department of Theatre","Orlando Shakespeare Theater","National Endowment for the Humanities","Florida Technological University","University of Central Florida"],"persname_ssim":["Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":206,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858696351809536,"_root_":"3590e990d26f42a3d9da5878","timestamp":"2026-07-16T08:18:08.333Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3590e990d26f42a3d9da5878"}},{"id":"febc0b2945e082040f8df62a_aspace_29355","type":"File","attributes":{"title":"Orquesta Municipal Barcelona. Kalamazoo College. The Miami Philharmonic Union Musical Liria. Music California State College Programs, 1965-1980","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/febc0b2945e082040f8df62a_aspace_29355#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_29355","ref_ssm":["aspace_29355","aspace_29355"],"id":"febc0b2945e082040f8df62a_aspace_29355","title_filing_ssi":"Orquesta Municipal Barcelona. Kalamazoo College. The Miami Philharmonic Union Musical Liria. Music California State College Programs ","title_ssm":["Orquesta Municipal Barcelona. Kalamazoo College. The Miami Philharmonic Union Musical Liria. Music California State College Programs "],"title_tesim":["Orquesta Municipal Barcelona. Kalamazoo College. The Miami Philharmonic Union Musical Liria. Music California State College Programs "],"unitdate_inclusive_ssm":["1965-1980"],"normalized_date_ssm":["1965-1980"],"normalized_title_ssm":["Orquesta Municipal Barcelona. Kalamazoo College. The Miami Philharmonic Union Musical Liria. Music California State College Programs, 1965-1980"],"text":["Orquesta Municipal Barcelona. Kalamazoo College. The Miami Philharmonic Union Musical Liria. Music California State College Programs, 1965-1980","Alberto Bolet Collection, 1957-1998","Box 2","Folder 6","/repositories/2/archival_objects/71042","box 2","folder 6"],"component_level_isim":[2],"parent_ids_ssim":["febc0b2945e082040f8df62a","febc0b2945e082040f8df62a_aspace_6ec54d93c62a2e8e9bb89f8574ae0ac8"],"parent_unittitles_ssm":["Alberto Bolet Collection, 1957-1998","Box 2"],"parent_unittitles_tesim":["Alberto Bolet Collection, 1957-1998","Box 2"],"parent_levels_ssm":["collection","Other level"],"unitid_ssm":["Folder 6","/repositories/2/archival_objects/71042"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Alberto Bolet Collection, 1957-1998"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":20,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights: In copyright. 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In the 1920s, he learned to play the violin in Madrid before traveling to Paris to perform, as well as briefly in Budapest. Afterwards, he toured briefly as part of a musical trio across Europe and North Africa in the late 1920s and 1930s. In 1936 Bolet returned to Havana to found and organise CMZ, Cuba's first classical radio station. There, he acted as music director and conductor from 1937 to 1943, founding and running both the first radio symphony orchestra in Cuba. More than 300 concerts were broadcast on air in the first three years. He left Cuba in the late 1940s to coordinate orchestras across South America, such as the Ballet Espanol de Ana Maria. In 1951, he returned to Cuba and became music director of the Havana Philharmonic, a post he held until January 1959. Political conditions caused him to leave Cuba in February 1959, and he moved to Europe where he conducted a series of concerts in London and Germany, to later become director of the Bilbao Symphony, Spain. In 1968 was selected as musical director of the Long Beach Symphony, California, a position he held for ten years. He also acted as Professor of Music at the California State College at Fullerton and Guest Lecturer at the Institute of Lifetime Learning, Long Beach, California. Until his death on November 10, 1999, he was active in the musical community and conducted orchestras not just in South America, but the United States, England, Spain and France as well.","This collection contains composed works of Cuban-American musical conductor and musician Alberto Bolet. Additionally, the archive includes an original typewriter belonging to him, posters from various performances, photographs of him as well as performances, and personal correspondences.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Bolet, Alberto","English Spanish; Castilian"],"unitid_tesim":["SPC5010","/repositories/2/resources/94"],"normalized_date_ssm":["1957-1998"],"normalized_title_ssm":["Alberto Bolet Collection, 1957-1998"],"collection_title_tesim":["Alberto Bolet Collection, 1957-1998"],"collection_ssim":["Alberto Bolet Collection, 1957-1998"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Musicians","Music"],"geogname_ssim":["Musicians","Music"],"creator_ssm":["Bolet, Alberto"],"creator_ssim":["Bolet, Alberto"],"creator_persname_ssim":["Bolet, Alberto"],"creators_ssim":["Bolet, Alberto"],"places_ssim":["Musicians","Music"],"access_terms_ssm":["Rights: In copyright. 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FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["Composers"],"access_subjects_ssm":["Composers"],"has_online_content_ssim":["false"],"extent_ssm":["8 boxes"],"extent_tesim":["8 boxes"],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe arrangement of the folders in each box is in alphabetical order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The arrangement of the folders in each box is in alphabetical order."],"bioghist_html_tesm":["\u003cp\u003eAlberto Bolet is a legendary pianist and conductor born in Havana, Cuba, on September 10, 1905. 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In 1968 was selected as musical director of the Long Beach Symphony, California, a position he held for ten years. He also acted as Professor of Music at the California State College at Fullerton and Guest Lecturer at the Institute of Lifetime Learning, Long Beach, California. Until his death on November 10, 1999, he was active in the musical community and conducted orchestras not just in South America, but the United States, England, Spain and France as well.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Alberto Bolet is a legendary pianist and conductor born in Havana, Cuba, on September 10, 1905. In the 1920s, he learned to play the violin in Madrid before traveling to Paris to perform, as well as briefly in Budapest. Afterwards, he toured briefly as part of a musical trio across Europe and North Africa in the late 1920s and 1930s. In 1936 Bolet returned to Havana to found and organise CMZ, Cuba's first classical radio station. 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Until his death on November 10, 1999, he was active in the musical community and conducted orchestras not just in South America, but the United States, England, Spain and France as well."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains composed works of Cuban-American musical conductor and musician Alberto Bolet. Additionally, the archive includes an original typewriter belonging to him, posters from various performances, photographs of him as well as performances, and personal correspondences.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains composed works of Cuban-American musical conductor and musician Alberto Bolet. Additionally, the archive includes an original typewriter belonging to him, posters from various performances, photographs of him as well as performances, and personal correspondences."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. 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In 1968 was selected as musical director of the Long Beach Symphony, California, a position he held for ten years. He also acted as Professor of Music at the California State College at Fullerton and Guest Lecturer at the Institute of Lifetime Learning, Long Beach, California. Until his death on November 10, 1999, he was active in the musical community and conducted orchestras not just in South America, but the United States, England, Spain and France as well.","This collection contains composed works of Cuban-American musical conductor and musician Alberto Bolet. Additionally, the archive includes an original typewriter belonging to him, posters from various performances, photographs of him as well as performances, and personal correspondences.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Bolet, Alberto","English Spanish; Castilian"],"unitid_tesim":["SPC5010","/repositories/2/resources/94"],"normalized_date_ssm":["1957-1998"],"normalized_title_ssm":["Alberto Bolet Collection, 1957-1998"],"collection_title_tesim":["Alberto Bolet Collection, 1957-1998"],"collection_ssim":["Alberto Bolet Collection, 1957-1998"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Musicians","Music"],"geogname_ssim":["Musicians","Music"],"creator_ssm":["Bolet, Alberto"],"creator_ssim":["Bolet, Alberto"],"creator_persname_ssim":["Bolet, Alberto"],"creators_ssim":["Bolet, Alberto"],"places_ssim":["Musicians","Music"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["Composers"],"access_subjects_ssm":["Composers"],"has_online_content_ssim":["false"],"extent_ssm":["8 boxes"],"extent_tesim":["8 boxes"],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe arrangement of the folders in each box is in alphabetical order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The arrangement of the folders in each box is in alphabetical order."],"bioghist_html_tesm":["\u003cp\u003eAlberto Bolet is a legendary pianist and conductor born in Havana, Cuba, on September 10, 1905. 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FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Bolet, Alberto"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Bolet, Alberto"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":85,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"febc0b2945e082040f8df62a","timestamp":"2026-07-08T02:41:46.449Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/febc0b2945e082040f8df62a_aspace_29352"}},{"id":"d049b8f1d279e90b99a77f6a_aspace_7acba2a2f8f0266df039e6514cf97496","type":"Subseries","attributes":{"title":"Orth, Donald Collection, Circa 1960s-1989","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/d049b8f1d279e90b99a77f6a_aspace_7acba2a2f8f0266df039e6514cf97496#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eDonated by David Orth in 2011, the collection consists of 33 processed 8mm film reels and 23 processed Super 8mm film reels. The footage is dated circa 1960s through 1980s with specific footage dated 1960 through 1973 and circa 1982 through 1989. The contents include visits to China, Europe, Japan, Hawaii, Kennedy Space Center, World Expo '67, Hoover Dam, Epcot, a Blue Angels airshow, the Allaire State Park Historic Village, Pirate's World, Las Vegas, Disneyland, Mexico, Knott's Berry Farm, Universal Studios, Miami Seaquarium, Freedomland USA, the 1964 World's Fair, Villa Vizcaya, and Africa USA.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d049b8f1d279e90b99a77f6a_aspace_7acba2a2f8f0266df039e6514cf97496#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_7acba2a2f8f0266df039e6514cf97496","ref_ssm":["aspace_7acba2a2f8f0266df039e6514cf97496","aspace_7acba2a2f8f0266df039e6514cf97496"],"id":"d049b8f1d279e90b99a77f6a_aspace_7acba2a2f8f0266df039e6514cf97496","title_filing_ssi":"Orth, Donald Collection","title_ssm":["Orth, Donald Collection"],"title_tesim":["Orth, Donald Collection"],"unitdate_inclusive_ssm":["Circa 1960s-1989"],"normalized_date_ssm":["Circa 1960s-1989"],"normalized_title_ssm":["Orth, Donald Collection, Circa 1960s-1989"],"text":["Orth, Donald Collection, Circa 1960s-1989","UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987.","Home Movie Archives, Circa 1920-1989, Undated","/repositories/4/archival_objects/54561","Donated by David Orth in 2011, the collection consists of 33 processed 8mm film reels and 23 processed Super 8mm film reels. The footage is dated circa 1960s through 1980s with specific footage dated 1960 through 1973 and circa 1982 through 1989. The contents include visits to China, Europe, Japan, Hawaii, Kennedy Space Center, World Expo '67, Hoover Dam, Epcot, a Blue Angels airshow, the Allaire State Park Historic Village, Pirate's World, Las Vegas, Disneyland, Mexico, Knott's Berry Farm, Universal Studios, Miami Seaquarium, Freedomland USA, the 1964 World's Fair, Villa Vizcaya, and Africa USA."],"component_level_isim":[2],"parent_ids_ssim":["d049b8f1d279e90b99a77f6a","d049b8f1d279e90b99a77f6a_aspace_seriesI"],"parent_unittitles_ssm":["UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987.","Home Movie Archives, Circa 1920-1989, Undated"],"parent_unittitles_tesim":["UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987.","Home Movie Archives, Circa 1920-1989, Undated"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/4/archival_objects/54561"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987."],"has_online_content_ssim":["false"],"child_component_count_isi":20,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":295,"parent_access_restrict_tesm":["The entire collection is open for research. Curatorial Permission is required for reels 9, 24, 204, 205, 206, 207, 208, 209, 210, 297 due to their content."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"scopecontent_html_tesm":["\u003cp\u003eDonated by David Orth in 2011, the collection consists of 33 processed 8mm film reels and 23 processed Super 8mm film reels. The footage is dated circa 1960s through 1980s with specific footage dated 1960 through 1973 and circa 1982 through 1989. The contents include visits to China, Europe, Japan, Hawaii, Kennedy Space Center, World Expo '67, Hoover Dam, Epcot, a Blue Angels airshow, the Allaire State Park Historic Village, Pirate's World, Las Vegas, Disneyland, Mexico, Knott's Berry Farm, Universal Studios, Miami Seaquarium, Freedomland USA, the 1964 World's Fair, Villa Vizcaya, and Africa USA.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Donated by David Orth in 2011, the collection consists of 33 processed 8mm film reels and 23 processed Super 8mm film reels. The footage is dated circa 1960s through 1980s with specific footage dated 1960 through 1973 and circa 1982 through 1989. The contents include visits to China, Europe, Japan, Hawaii, Kennedy Space Center, World Expo '67, Hoover Dam, Epcot, a Blue Angels airshow, the Allaire State Park Historic Village, Pirate's World, Las Vegas, Disneyland, Mexico, Knott's Berry Farm, Universal Studios, Miami Seaquarium, Freedomland USA, the 1964 World's Fair, Villa Vizcaya, and Africa USA."],"_nest_path_":"/components#0/components#38","_nest_parent_":"d049b8f1d279e90b99a77f6a_aspace_seriesI","_root_":"d049b8f1d279e90b99a77f6a","timestamp":"2026-04-21T03:15:10.318Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d049b8f1d279e90b99a77f6a","title_ssm":["UCF Home Movie Archives"],"title_tesim":["UCF Home Movie Archives"],"ead_ssi":"d049b8f1d279e90b99a77f6a","unitdate_ssm":["Circa 1920-1989, Circa 2010-2014, Undated.","1950-1987."],"unitdate_bulk_ssim":["1950-1987."],"unitdate_inclusive_ssm":["Circa 1920-1989, Circa 2010-2014, Undated."],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.101","/repositories/4/resources/213"],"text":["SC.101","/repositories/4/resources/213","UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987.","Midway Islands","North America","Hawaii","South America","Europe","Asia","Australia","Africa","Universities and colleges -- Florida","Tourism","Amusement parks","Zoo animals","Wildlife-related recreation","Sculpture","Historic sites","Art and architecture","New York World's Fair (1964-1965 : New York, N.Y.)","United States -- Navy","Cold War","Vietnam War, 1961-1975","Birthday parties","Holidays","Proms","Weddings","Commencement ceremonies","Hunting","Fishing","Amateur films","Festivals","motion pictures (visual works)","8mm (photographic film size)","DVDs","VHS","short subjects","Super 8","The entire collection is open for research. Curatorial Permission is required for reels 9, 24, 204, 205, 206, 207, 208, 209, 210, 297 due to their content.","The first arrangement and description of the archives contents was completed in 2015. The collection is housed on a protected drive and on discs. Presently, the archive is arranged based on the donor in alphabetical order and each film is numerically ordered.","The collection contains 8mm, Super 8mm, and 16mm film reels donated by 54 donors from 2010-2014. The footage of the reels may or may not be listed in chronological order.","As part of the Special Collections and University Archives, the Home Movie Archive seeks to collect 8mm, Super 8mm, and 16mm home movies, captured mostly from late 1930s through the end of the 1980s, which have cultural, historical, scientific, or artistic significance, with a focus on Central Florida and its residents.","The aim of creating a Home Movie Archive is to ensure that the valuable social and historical information, captured by ordinary citizens, be preserved as part of the Special Collections and University Archives permanent holdings-a non-circulating collection whose use is confined to the Special Collections reading/research room.","The UCF Libraries will administer, permanently house, preserve, inventory, process, maintain, and make available a Home Movie Archive to the public, researchers, and scholars, in accordance with the UCF Libraries' established policies and procedures.","Most of the footage was donated during the University of Central Florida Film Department's Home Movie Day events from 2010 through 2013 with individual donations thereafter until 2014. Some of the reels were repaired by the UCF Film Department; more information regarding those repairs can be found in the administrative records. The films were digitized on discs and onto a Western Digital My Book Studio II Dual-drive Storage System with RAID from 2011 to 2013. The UCF Film Department transferred the collection to the UCF Library Special Collections on March 3, 2014.","A supplementary guide was created by David D. Morton in 2015; additions to the guide were integrated by Angie Villafane Martinez, John Settle, and Steven Craig Trelstad from 2017 to 2019. Reels 142 (LN_01), 143 (LN_02), 148 (MB_01), and 150 (MB_04) have vinegar syndrome and are being kept separate from the rest of the collection.","For more information on Special Collections, please see our  website .","Series I: Home Movie Archive, c. 1920-1989, Undated. The series is arranged into one series and 54 subseries with each subseries named after the donors (Last Name, First Name) and is alphabetically listed.","\nSeries II: Public Access Materials, c. 1920-1989, c. 2010-2014, Undated. The series contains the digitized formats of the footage featured in Series I for public research purposes. Also contains supplementary materials such as posters from the University of Central Florida Film Department's Home Movie Day event. The series is arranged with the digitized versions (as well as other formats) of the footage in a box and the posters stored in a flat file. ","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Home Move Archive houses films created by individuals that mostly depict their family interactions, ceremonies, celebrations, and vacations. Others depict famous moments in history such as the opening day of Walt Disney World or the 1964 World's Fair. The origins of the footage in the collection span across North America, South America, Europe, Africa, and Asia.","UCF Special Collections","Florida Technological University","University of Central Florida","The materials are written in English"],"unitid_tesim":["SC.101","/repositories/4/resources/213"],"normalized_date_ssm":["Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987."],"normalized_title_ssm":["UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987."],"collection_title_tesim":["UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987."],"collection_ssim":["UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987."],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Midway Islands","North America","Hawaii","South America","Europe","Asia","Australia","Africa"],"geogname_ssim":["Midway Islands","North America","Hawaii","South America","Europe","Asia","Australia","Africa"],"places_ssim":["Midway Islands","North America","Hawaii","South America","Europe","Asia","Australia","Africa"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Various donors donated the materials to the University of Central Film Department from 2010-2013; their names are used to differentiate their films in the collection. the UCF Film Department transferred these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2014."],"access_subjects_ssim":["Universities and colleges -- Florida","Tourism","Amusement parks","Zoo animals","Wildlife-related recreation","Sculpture","Historic sites","Art and architecture","New York World's Fair (1964-1965 : New York, N.Y.)","United States -- Navy","Cold War","Vietnam War, 1961-1975","Birthday parties","Holidays","Proms","Weddings","Commencement ceremonies","Hunting","Fishing","Amateur films","Festivals","motion pictures (visual works)","8mm (photographic film size)","DVDs","VHS","short subjects","Super 8"],"access_subjects_ssm":["Universities and colleges -- Florida","Tourism","Amusement parks","Zoo animals","Wildlife-related recreation","Sculpture","Historic sites","Art and architecture","New York World's Fair (1964-1965 : New York, N.Y.)","United States -- Navy","Cold War","Vietnam War, 1961-1975","Birthday parties","Holidays","Proms","Weddings","Commencement ceremonies","Hunting","Fishing","Amateur films","Festivals","motion pictures (visual works)","8mm (photographic film size)","DVDs","VHS","short subjects","Super 8"],"has_online_content_ssim":["false"],"extent_ssm":["23.65 Linear Feet 278 8mm Film Reels, 19 Super 8mm Film Reels; 9 16mm Film Reels, 1 Box, and 1 Flat File"],"extent_tesim":["23.65 Linear Feet 278 8mm Film Reels, 19 Super 8mm Film Reels; 9 16mm Film Reels, 1 Box, and 1 Flat File"],"genreform_ssim":["motion pictures (visual works)","8mm (photographic film size)","DVDs","VHS","short subjects","Super 8"],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research. Curatorial Permission is required for reels 9, 24, 204, 205, 206, 207, 208, 209, 210, 297 due to their content.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research. Curatorial Permission is required for reels 9, 24, 204, 205, 206, 207, 208, 209, 210, 297 due to their content."],"arrangement_html_tesm":["\u003cp\u003eThe first arrangement and description of the archives contents was completed in 2015. The collection is housed on a protected drive and on discs. Presently, the archive is arranged based on the donor in alphabetical order and each film is numerically ordered.\u003c/p\u003e\n","\u003cp\u003eThe collection contains 8mm, Super 8mm, and 16mm film reels donated by 54 donors from 2010-2014. The footage of the reels may or may not be listed in chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The first arrangement and description of the archives contents was completed in 2015. The collection is housed on a protected drive and on discs. Presently, the archive is arranged based on the donor in alphabetical order and each film is numerically ordered.","The collection contains 8mm, Super 8mm, and 16mm film reels donated by 54 donors from 2010-2014. The footage of the reels may or may not be listed in chronological order."],"bioghist_html_tesm":["\u003cp\u003eAs part of the Special Collections and University Archives, the Home Movie Archive seeks to collect 8mm, Super 8mm, and 16mm home movies, captured mostly from late 1930s through the end of the 1980s, which have cultural, historical, scientific, or artistic significance, with a focus on Central Florida and its residents.\u003c/p\u003e\n","\u003cp\u003eThe aim of creating a Home Movie Archive is to ensure that the valuable social and historical information, captured by ordinary citizens, be preserved as part of the Special Collections and University Archives permanent holdings-a non-circulating collection whose use is confined to the Special Collections reading/research room.\u003c/p\u003e\n","\u003cp\u003eThe UCF Libraries will administer, permanently house, preserve, inventory, process, maintain, and make available a Home Movie Archive to the public, researchers, and scholars, in accordance with the UCF Libraries' established policies and procedures.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["As part of the Special Collections and University Archives, the Home Movie Archive seeks to collect 8mm, Super 8mm, and 16mm home movies, captured mostly from late 1930s through the end of the 1980s, which have cultural, historical, scientific, or artistic significance, with a focus on Central Florida and its residents.","The aim of creating a Home Movie Archive is to ensure that the valuable social and historical information, captured by ordinary citizens, be preserved as part of the Special Collections and University Archives permanent holdings-a non-circulating collection whose use is confined to the Special Collections reading/research room.","The UCF Libraries will administer, permanently house, preserve, inventory, process, maintain, and make available a Home Movie Archive to the public, researchers, and scholars, in accordance with the UCF Libraries' established policies and procedures."],"prefercite_html_tesm":["\u003cp\u003eUCF Home Movie Archives, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["UCF Home Movie Archives, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMost of the footage was donated during the University of Central Florida Film Department's Home Movie Day events from 2010 through 2013 with individual donations thereafter until 2014. Some of the reels were repaired by the UCF Film Department; more information regarding those repairs can be found in the administrative records. The films were digitized on discs and onto a Western Digital My Book Studio II Dual-drive Storage System with RAID from 2011 to 2013. The UCF Film Department transferred the collection to the UCF Library Special Collections on March 3, 2014.\u003c/p\u003e","\u003cp\u003eA supplementary guide was created by David D. Morton in 2015; additions to the guide were integrated by Angie Villafane Martinez, John Settle, and Steven Craig Trelstad from 2017 to 2019. Reels 142 (LN_01), 143 (LN_02), 148 (MB_01), and 150 (MB_04) have vinegar syndrome and are being kept separate from the rest of the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["Most of the footage was donated during the University of Central Florida Film Department's Home Movie Day events from 2010 through 2013 with individual donations thereafter until 2014. Some of the reels were repaired by the UCF Film Department; more information regarding those repairs can be found in the administrative records. The films were digitized on discs and onto a Western Digital My Book Studio II Dual-drive Storage System with RAID from 2011 to 2013. The UCF Film Department transferred the collection to the UCF Library Special Collections on March 3, 2014.","A supplementary guide was created by David D. Morton in 2015; additions to the guide were integrated by Angie Villafane Martinez, John Settle, and Steven Craig Trelstad from 2017 to 2019. Reels 142 (LN_01), 143 (LN_02), 148 (MB_01), and 150 (MB_04) have vinegar syndrome and are being kept separate from the rest of the collection."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on Special Collections, please see our \u003cextref href=\"https://library.ucf.edu/about/departments/special-collections-university-archives/\" show=\"new\" actuate=\"onrequest\"\u003ewebsite\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["For more information on Special Collections, please see our  website ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Home Movie Archive, c. 1920-1989, Undated. The series is arranged into one series and 54 subseries with each subseries named after the donors (Last Name, First Name) and is alphabetically listed.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Public Access Materials, c. 1920-1989, c. 2010-2014, Undated. The series contains the digitized formats of the footage featured in Series I for public research purposes. Also contains supplementary materials such as posters from the University of Central Florida Film Department's Home Movie Day event. The series is arranged with the digitized versions (as well as other formats) of the footage in a box and the posters stored in a flat file. \u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["Series I: Home Movie Archive, c. 1920-1989, Undated. The series is arranged into one series and 54 subseries with each subseries named after the donors (Last Name, First Name) and is alphabetically listed.","\nSeries II: Public Access Materials, c. 1920-1989, c. 2010-2014, Undated. The series contains the digitized formats of the footage featured in Series I for public research purposes. Also contains supplementary materials such as posters from the University of Central Florida Film Department's Home Movie Day event. The series is arranged with the digitized versions (as well as other formats) of the footage in a box and the posters stored in a flat file. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6f7085fc2c24f2c91a7dd90d8b5a701a\"\u003eThe Home Move Archive houses films created by individuals that mostly depict their family interactions, ceremonies, celebrations, and vacations. Others depict famous moments in history such as the opening day of Walt Disney World or the 1964 World's Fair. The origins of the footage in the collection span across North America, South America, Europe, Africa, and Asia.\u003c/abstract\u003e"],"abstract_tesim":["The Home Move Archive houses films created by individuals that mostly depict their family interactions, ceremonies, celebrations, and vacations. Others depict famous moments in history such as the opening day of Walt Disney World or the 1964 World's Fair. The origins of the footage in the collection span across North America, South America, Europe, Africa, and Asia."],"names_coll_ssim":["Florida Technological University","University of Central Florida"],"names_ssim":["UCF Special Collections","Florida Technological University","University of Central Florida"],"corpname_ssim":["UCF Special Collections","Florida Technological University","University of Central Florida"],"language_ssim":["The materials are written in English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":481,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"d049b8f1d279e90b99a77f6a","timestamp":"2026-04-21T03:15:10.318Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d049b8f1d279e90b99a77f6a_aspace_7acba2a2f8f0266df039e6514cf97496"}},{"id":"71b8a757b0f138dee122db24_aspace_be0b3ac1d4175db4e8282171bdd9fa1a","type":"File","attributes":{"title":"Osceola Senior High School, 1974","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/71b8a757b0f138dee122db24_aspace_be0b3ac1d4175db4e8282171bdd9fa1a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_be0b3ac1d4175db4e8282171bdd9fa1a","ref_ssm":["aspace_be0b3ac1d4175db4e8282171bdd9fa1a","aspace_be0b3ac1d4175db4e8282171bdd9fa1a"],"id":"71b8a757b0f138dee122db24_aspace_be0b3ac1d4175db4e8282171bdd9fa1a","title_filing_ssi":"Osceola Senior High School","title_ssm":["Osceola Senior High School"],"title_tesim":["Osceola Senior High School"],"unitdate_other_ssim":["1974"],"normalized_date_ssm":["1974"],"normalized_title_ssm":["Osceola Senior High School, 1974"],"text":["Osceola Senior High School, 1974","Florida Bandmasters Association Records, 1936-2010","Correspondence","Business Correspondence","/repositories/2/archival_objects/40519","box 98","folder 16"],"component_level_isim":[3],"parent_ids_ssim":["71b8a757b0f138dee122db24","71b8a757b0f138dee122db24_aspace_73dc9b1d2c27e41cb1782e4d9efb7b87","71b8a757b0f138dee122db24_aspace_560c8676b080c785e4b775fdaf904a22"],"parent_unittitles_ssm":["Florida Bandmasters Association Records, 1936-2010","Correspondence","Business Correspondence"],"parent_unittitles_tesim":["Florida Bandmasters Association Records, 1936-2010","Correspondence","Business Correspondence"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/40519"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"collection_ssim":["Florida Bandmasters Association Records, 1936-2010"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1855,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials."],"parent_access_terms_tesm":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"date_range_isim":[1974],"containers_ssim":["box 98","folder 16"],"_nest_path_":"/components#3/components#1/components#101","_nest_parent_":"71b8a757b0f138dee122db24_aspace_560c8676b080c785e4b775fdaf904a22","_root_":"71b8a757b0f138dee122db24","_version_":1877102187519148032,"timestamp":"2026-09-23T06:15:45.471Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"71b8a757b0f138dee122db24","title_ssm":["Florida Bandmasters Association Records"],"title_tesim":["Florida Bandmasters Association Records"],"ead_ssi":"71b8a757b0f138dee122db24","unitdate_ssm":["1936-2010"],"unitdate_inclusive_ssm":["1936-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS1000","/repositories/2/resources/26"],"text":["MS1000","/repositories/2/resources/26","Florida Bandmasters Association Records, 1936-2010","Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.","The Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2","This collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.","The records have been arranged in eight series, six of which have been further arranged in subseries.","Series 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.","Series 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026 Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries – Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.","Series 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.","Series 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.","Series 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.","Series 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors.","Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487","The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association","English"],"unitid_tesim":["MS1000","/repositories/2/resources/26"],"normalized_date_ssm":["1936-2010"],"normalized_title_ssm":["Florida Bandmasters Association Records, 1936-2010"],"collection_title_tesim":["Florida Bandmasters Association Records, 1936-2010"],"collection_ssim":["Florida Bandmasters Association Records, 1936-2010"],"repository_ssm":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"creator_ssm":["Florida Bandmaster Association"],"creator_ssim":["Florida Bandmaster Association"],"creator_corpname_ssim":["Florida Bandmaster Association"],"creators_ssim":["Florida Bandmaster Association"],"access_terms_ssm":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"acqinfo_ssim":["Beginning in 1967, John J. Heney took on the role of FBA archivist and began to assemble what records he could collect from former FBA presidents, executive director Robert Lampi, and individual bandmasters. Heney made arrangements with the University of Florida to store the records, which he delivered in several installments through 1978. In 1988, because of a connection between an FBA member and Florida Southern College, the collection was returned to the FBA and moved to FSC."],"access_subjects_ssim":["Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs"],"access_subjects_ssm":["Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["60.5 Linear Feet"],"extent_tesim":["60.5 Linear Feet"],"genreform_ssim":["Correspondence","Photographs"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials."],"bioghist_html_tesm":["\u003cp\u003eThe Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2"],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.\u003c/p\u003e\n","\u003cp\u003eThe records have been arranged in eight series, six of which have been further arranged in subseries.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026amp; Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries \u0026#x2013; Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.\u003c/p\u003e\n","\u003cp\u003eSeries 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.\u003c/p\u003e\n","\u003cp\u003eSeries 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.\u003c/p\u003e\n","\u003cp\u003eSeries 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.","The records have been arranged in eight series, six of which have been further arranged in subseries.","Series 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.","Series 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026 Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries – Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.","Series 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.","Series 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.","Series 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.","Series 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"names_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association"],"corpname_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2839,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877102187519148032,"_root_":"71b8a757b0f138dee122db24","timestamp":"2026-09-23T06:15:45.471Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/71b8a757b0f138dee122db24_aspace_be0b3ac1d4175db4e8282171bdd9fa1a"}},{"id":"fa7267d0d7c856054ef95e7d_aspace_18240","type":"File","attributes":{"title":"OSS, CIA, and FBI, 1940-1990","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/fa7267d0d7c856054ef95e7d_aspace_18240#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_18240","ref_ssm":["aspace_18240","aspace_18240"],"id":"fa7267d0d7c856054ef95e7d_aspace_18240","title_filing_ssi":"OSS, CIA, and FBI","title_ssm":["OSS, CIA, and FBI"],"title_tesim":["OSS, CIA, and FBI"],"unitdate_inclusive_ssm":["1940-1990"],"normalized_date_ssm":["1940-1990"],"normalized_title_ssm":["OSS, CIA, and FBI, 1940-1990"],"text":["OSS, CIA, and FBI, 1940-1990","Archimedes L. A. Patti Research Papers, 1922-1993","Research, 1922-1993, undated.","Subject Files, 1940-1990, undated.","Box 6-8","/repositories/4/archival_objects/40162","box 6"],"component_level_isim":[3],"parent_ids_ssim":["fa7267d0d7c856054ef95e7d","fa7267d0d7c856054ef95e7d_aspace_18113","fa7267d0d7c856054ef95e7d_aspace_18170"],"parent_unittitles_ssm":["Archimedes L. A. Patti Research Papers, 1922-1993","Research, 1922-1993, undated.","Subject Files, 1940-1990, undated."],"parent_unittitles_tesim":["Archimedes L. A. Patti Research Papers, 1922-1993","Research, 1922-1993, undated.","Subject Files, 1940-1990, undated."],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Box 6-8","/repositories/4/archival_objects/40162"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Archimedes L. A. Patti Research Papers, 1922-1993"],"has_online_content_ssim":["false"],"child_component_count_isi":27,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":110,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Equipment is not available for playing the 8 inch floppy disks in Series I."],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"containers_ssim":["box 6"],"_nest_path_":"/components#0/components#1/components#3","_nest_parent_":"fa7267d0d7c856054ef95e7d_aspace_18170","_root_":"fa7267d0d7c856054ef95e7d","_version_":1874662718601953280,"timestamp":"2026-08-27T08:01:26.645Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"fa7267d0d7c856054ef95e7d","title_ssm":["Archimedes L. A. Patti Research Papers"],"title_tesim":["Archimedes L. A. Patti Research Papers"],"ead_ssi":"fa7267d0d7c856054ef95e7d","unitdate_ssm":["1922-1993"],"unitdate_inclusive_ssm":["1922-1993"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC026","/repositories/4/resources/170"],"text":["SC026","/repositories/4/resources/170","Archimedes L. A. Patti Research Papers, 1922-1993","United States -- Foreign relations -- 1945-1989","United States -- Foreign relations -- Vietnam","Vietnam -- Foreign relations -- United States","Vietnam -- History -- 1945-1975","Photographic prints","The entire collection is open for research.","Archimedes L. A. Patti was a writer, historian and retired Army lieutenant colonel best known for his work with Ho Chi Minh 1945 and his subsequent 1980 book, Why Viet Nam? Prelude to America's Albatross. After his service in the European Theater during World War II, Patti was transferred to the Office of Strategic Services (OSS – precursor to CIA) in Hanoi, Vietnam. While there, Patti was named head of a secret OSS mission under President Franklin Delano Roosevelt designed to support anti-colonialism in Asia. Part of Patti's mission was to befriend Ho Chi Minh and train Ho's men to fight the occupying Japanese forces in Vietnam. Patti was later pulled out of Vietnam by the United States in 1945 but he continued his friendly relations with Ho and his representatives. After his retirement, Patti worked closely with federal agencies in creating plans for civil governance in the event of a catastrophic attack on the US. Patti also became a well-known writer, recounting his work with Ho in 1945 and the changing face of politics in the Indochina region. Held for publication in the 1950s due to its controversial subject matter on communism, Patti's book, Why Viet Nam? Prelude to America's Albatross was published in 1980 and became known as a critical work on the study of politics in Asia. Patti passed away in Winter Park in 1998 at age 84 and is buried at Arlington National Cemetery in Washington DC.","Processed by Alexandra Olsen, April Karlene Anderson and Katie Seeler; finding aid prepared by April Karlene Anderson, Jonathon Teasley and Katie Seeler. Photographs processed by Sandra Varry, encoded by Kelly Gaiser.\t ","Rusty staples and paper clips have been removed where necessary. Paper materials were placed in acid free folders which in turn are housed in acid free boxes. Some photographs were placed in mylar enclosures to protect flaking emulsion. All photographs were placed in acid free folders. Negatives were placed into acid free sleeves and stored in acid free folders. Scrapbooks have been wrapped in acid free paper and tied with cotton cloth to prevent further damage.","Books collected by Archimedes L. A. Patti can be found by performing a series search for \"Archimedes L. A. Patti collection\" in the   Library Catalog  .","\nPatti, Archimedes L. A. Why Viet Nam?: Prelude to America's Albatross. Berkeley: University of California Press, 1980. Call Number: Special Collections -  E183.8.V5 P3 1980 .","The collection is divided into three series based on the type of manuscript materials found in the collection. Many parts of this collection were found not to be in the original order as created by Patti. Where possible, original order was retained while remaining materials were organized by material type.","\nSeries I: Research, 1922-1993, Undated, contains research notes created by Patti. These notes can be found throughout the series in various forms, mostly handwritten directly on news clippings, photocopied monographs, magazines and in personal notebooks. This series also includes photographs, an audio tape, handwritten and typed index notecards, maps of Indochina and scrapbooks created by Patti.","\nSeries II: Photographs, 1919-1990, Undated, Materials in this series include original negatives and images, as well as those given to and collected or copied by Patti. Please refer to the included scrapbooks (Series I, box 10) for additional notations and images.","\nSeries III: Publications, 1948-1990, Undated, contains draft and final manuscript materials for the author's published and unpublished works. This series includes reviews of the author's published work by the Washington Post, New York Times, and CBS.","Equipment is not available for playing the 8 inch floppy disks in Series I.","This collection contains the research materials collected by Archimedes L. A. Patti for use in his historical writings. Known for his military career, his work in the Office of Strategic Services (OSS) and his relationship with Ho Chi Minh, Patti was recognized later in life as a respected researcher and historian on Indochina affairs. Notes, manuscripts, ephemera, photographs, maps, books and scrapbooks are held in this collection. Of important note are photographs given to Patti by Ho Chi Minh in 1945.","UCF Special Collections","United States. Central Intelligence Agency","United States. Army","Patti, Archimedes L. A.","Hồ, Chí Minh, 1890-1969","English"],"unitid_tesim":["SC026","/repositories/4/resources/170"],"normalized_date_ssm":["1922-1993"],"normalized_title_ssm":["Archimedes L. A. Patti Research Papers, 1922-1993"],"collection_title_tesim":["Archimedes L. A. Patti Research Papers, 1922-1993"],"collection_ssim":["Archimedes L. A. Patti Research Papers, 1922-1993"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["United States -- Foreign relations -- 1945-1989","United States -- Foreign relations -- Vietnam","Vietnam -- Foreign relations -- United States","Vietnam -- History -- 1945-1975"],"geogname_ssim":["United States -- Foreign relations -- 1945-1989","United States -- Foreign relations -- Vietnam","Vietnam -- Foreign relations -- United States","Vietnam -- History -- 1945-1975"],"places_ssim":["United States -- Foreign relations -- 1945-1989","United States -- Foreign relations -- Vietnam","Vietnam -- Foreign relations -- United States","Vietnam -- History -- 1945-1975"],"access_terms_ssm":["Equipment is not available for playing the 8 inch floppy disks in Series I."],"acqinfo_ssim":["Mr. Patti's wife, Margaret Telford Patti donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 1998 (CFM1998_02)."],"access_subjects_ssim":["Photographic prints"],"access_subjects_ssm":["Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["20.25 Linear Feet 27 Boxes, 1 Flat File"],"extent_tesim":["20.25 Linear Feet 27 Boxes, 1 Flat File"],"genreform_ssim":["Photographic prints"],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eArchimedes L. A. Patti was a writer, historian and retired Army lieutenant colonel best known for his work with Ho Chi Minh 1945 and his subsequent 1980 book, Why Viet Nam? Prelude to America's Albatross. After his service in the European Theater during World War II, Patti was transferred to the Office of Strategic Services (OSS \u0026#x2013; precursor to CIA) in Hanoi, Vietnam. While there, Patti was named head of a secret OSS mission under President Franklin Delano Roosevelt designed to support anti-colonialism in Asia. Part of Patti's mission was to befriend Ho Chi Minh and train Ho's men to fight the occupying Japanese forces in Vietnam. Patti was later pulled out of Vietnam by the United States in 1945 but he continued his friendly relations with Ho and his representatives. After his retirement, Patti worked closely with federal agencies in creating plans for civil governance in the event of a catastrophic attack on the US. Patti also became a well-known writer, recounting his work with Ho in 1945 and the changing face of politics in the Indochina region. Held for publication in the 1950s due to its controversial subject matter on communism, Patti's book, Why Viet Nam? Prelude to America's Albatross was published in 1980 and became known as a critical work on the study of politics in Asia. Patti passed away in Winter Park in 1998 at age 84 and is buried at Arlington National Cemetery in Washington DC.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Archimedes L. A. Patti was a writer, historian and retired Army lieutenant colonel best known for his work with Ho Chi Minh 1945 and his subsequent 1980 book, Why Viet Nam? Prelude to America's Albatross. After his service in the European Theater during World War II, Patti was transferred to the Office of Strategic Services (OSS – precursor to CIA) in Hanoi, Vietnam. While there, Patti was named head of a secret OSS mission under President Franklin Delano Roosevelt designed to support anti-colonialism in Asia. Part of Patti's mission was to befriend Ho Chi Minh and train Ho's men to fight the occupying Japanese forces in Vietnam. Patti was later pulled out of Vietnam by the United States in 1945 but he continued his friendly relations with Ho and his representatives. After his retirement, Patti worked closely with federal agencies in creating plans for civil governance in the event of a catastrophic attack on the US. Patti also became a well-known writer, recounting his work with Ho in 1945 and the changing face of politics in the Indochina region. Held for publication in the 1950s due to its controversial subject matter on communism, Patti's book, Why Viet Nam? Prelude to America's Albatross was published in 1980 and became known as a critical work on the study of politics in Asia. Patti passed away in Winter Park in 1998 at age 84 and is buried at Arlington National Cemetery in Washington DC."],"prefercite_html_tesm":["\u003cp\u003eThe Archimedes L. A. Patti Research Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["The Archimedes L. A. Patti Research Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Alexandra Olsen, April Karlene Anderson and Katie Seeler; finding aid prepared by April Karlene Anderson, Jonathon Teasley and Katie Seeler. Photographs processed by Sandra Varry, encoded by Kelly Gaiser.\t \u003c/p\u003e","\u003cp\u003eRusty staples and paper clips have been removed where necessary. Paper materials were placed in acid free folders which in turn are housed in acid free boxes. Some photographs were placed in mylar enclosures to protect flaking emulsion. All photographs were placed in acid free folders. Negatives were placed into acid free sleeves and stored in acid free folders. Scrapbooks have been wrapped in acid free paper and tied with cotton cloth to prevent further damage.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Alexandra Olsen, April Karlene Anderson and Katie Seeler; finding aid prepared by April Karlene Anderson, Jonathon Teasley and Katie Seeler. Photographs processed by Sandra Varry, encoded by Kelly Gaiser.\t ","Rusty staples and paper clips have been removed where necessary. Paper materials were placed in acid free folders which in turn are housed in acid free boxes. Some photographs were placed in mylar enclosures to protect flaking emulsion. All photographs were placed in acid free folders. Negatives were placed into acid free sleeves and stored in acid free folders. Scrapbooks have been wrapped in acid free paper and tied with cotton cloth to prevent further damage."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks collected by Archimedes L. A. Patti can be found by performing a series search for \"Archimedes L. A. Patti collection\" in the \u003cextref href=\"https://library.ucf.edu\"\u003e Library Catalog\u003c/extref\u003e .\u003c/p\u003e\n","\u003cp\u003e\nPatti, Archimedes L. A. Why Viet Nam?: Prelude to America's Albatross. Berkeley: University of California Press, 1980. Call Number: Special Collections - \u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990239794040306596\"\u003eE183.8.V5 P3 1980\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Books collected by Archimedes L. A. Patti can be found by performing a series search for \"Archimedes L. A. Patti collection\" in the   Library Catalog  .","\nPatti, Archimedes L. A. Why Viet Nam?: Prelude to America's Albatross. Berkeley: University of California Press, 1980. Call Number: Special Collections -  E183.8.V5 P3 1980 ."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is divided into three series based on the type of manuscript materials found in the collection. Many parts of this collection were found not to be in the original order as created by Patti. Where possible, original order was retained while remaining materials were organized by material type.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Research, 1922-1993, Undated, contains research notes created by Patti. These notes can be found throughout the series in various forms, mostly handwritten directly on news clippings, photocopied monographs, magazines and in personal notebooks. This series also includes photographs, an audio tape, handwritten and typed index notecards, maps of Indochina and scrapbooks created by Patti.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Photographs, 1919-1990, Undated, Materials in this series include original negatives and images, as well as those given to and collected or copied by Patti. Please refer to the included scrapbooks (Series I, box 10) for additional notations and images.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1948-1990, Undated, contains draft and final manuscript materials for the author's published and unpublished works. This series includes reviews of the author's published work by the Washington Post, New York Times, and CBS.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is divided into three series based on the type of manuscript materials found in the collection. Many parts of this collection were found not to be in the original order as created by Patti. Where possible, original order was retained while remaining materials were organized by material type.","\nSeries I: Research, 1922-1993, Undated, contains research notes created by Patti. These notes can be found throughout the series in various forms, mostly handwritten directly on news clippings, photocopied monographs, magazines and in personal notebooks. This series also includes photographs, an audio tape, handwritten and typed index notecards, maps of Indochina and scrapbooks created by Patti.","\nSeries II: Photographs, 1919-1990, Undated, Materials in this series include original negatives and images, as well as those given to and collected or copied by Patti. Please refer to the included scrapbooks (Series I, box 10) for additional notations and images.","\nSeries III: Publications, 1948-1990, Undated, contains draft and final manuscript materials for the author's published and unpublished works. This series includes reviews of the author's published work by the Washington Post, New York Times, and CBS."],"userestrict_html_tesm":["\u003cp\u003eEquipment is not available for playing the 8 inch floppy disks in Series I.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Equipment is not available for playing the 8 inch floppy disks in Series I."],"abstract_html_tesm":["\u003cabstract id=\"aspace_c343b6effee0bd568c36f0980a6f0f2a\" label=\"Abstract\"\u003eThis collection contains the research materials collected by Archimedes L. A. Patti for use in his historical writings. Known for his military career, his work in the Office of Strategic Services (OSS) and his relationship with Ho Chi Minh, Patti was recognized later in life as a respected researcher and historian on Indochina affairs. Notes, manuscripts, ephemera, photographs, maps, books and scrapbooks are held in this collection. Of important note are photographs given to Patti by Ho Chi Minh in 1945.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains the research materials collected by Archimedes L. A. Patti for use in his historical writings. Known for his military career, his work in the Office of Strategic Services (OSS) and his relationship with Ho Chi Minh, Patti was recognized later in life as a respected researcher and historian on Indochina affairs. Notes, manuscripts, ephemera, photographs, maps, books and scrapbooks are held in this collection. Of important note are photographs given to Patti by Ho Chi Minh in 1945."],"names_coll_ssim":["United States. Central Intelligence Agency","United States. Army","Patti, Archimedes L. A.","Hồ, Chí Minh, 1890-1969"],"names_ssim":["UCF Special Collections","United States. Central Intelligence Agency","United States. Army","Patti, Archimedes L. A.","Hồ, Chí Minh, 1890-1969"],"corpname_ssim":["UCF Special Collections","United States. Central Intelligence Agency","United States. Army"],"persname_ssim":["Patti, Archimedes L. A.","Hồ, Chí Minh, 1890-1969"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":691,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1874662718601953280,"_root_":"fa7267d0d7c856054ef95e7d","timestamp":"2026-08-27T08:01:26.645Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/fa7267d0d7c856054ef95e7d_aspace_18240"}},{"id":"5e441c26c224fc2443904339_aspace_136c5fe559976c8ade63fbe6f0a53e44","type":"File","attributes":{"title":"Other Locations, 1960-1985","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5e441c26c224fc2443904339_aspace_136c5fe559976c8ade63fbe6f0a53e44#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_136c5fe559976c8ade63fbe6f0a53e44","ref_ssm":["aspace_136c5fe559976c8ade63fbe6f0a53e44","aspace_136c5fe559976c8ade63fbe6f0a53e44"],"id":"5e441c26c224fc2443904339_aspace_136c5fe559976c8ade63fbe6f0a53e44","title_filing_ssi":"Other Locations","title_ssm":["Other Locations"],"title_tesim":["Other Locations"],"unitdate_inclusive_ssm":["1960-1985"],"normalized_date_ssm":["1960-1985"],"normalized_title_ssm":["Other Locations, 1960-1985"],"text":["Other Locations, 1960-1985","Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982","Box 1","Cold War","Other Locations","/repositories/2/archival_objects/75751","box 1","folder 89","Locations represented under this heading are: U.S. Navy; U.S. Postal Service California; U.S. Postal Service Mississippi; Aklavik N.W.T. Canada; Bridgeport Connecticut; Camden New Jersey; Cartagena Columbia; Mount Vernon Virginia; Unknown","The cachets under this heading depict the following vessels: USS Sargo (SSN-583); USS Seadragon (SSN-584); USS Nautilus (SSN-571); USS Sailfish (SS-572); USS Haddo (SSN-604); USS Swordfish (SSN-579); USS Pollack (SSN-603); USS George Washington (SSBN-598); USS Shark (SSN-591)"],"component_level_isim":[4],"parent_ids_ssim":["5e441c26c224fc2443904339","5e441c26c224fc2443904339_aspace_bfbcc03b00690a4ddba2a32d2be2a6b9","5e441c26c224fc2443904339_aspace_a4f974841d4716dac467aa617b329b3d","5e441c26c224fc2443904339_aspace_d3f8df977b36983eb94e9daa98e25f8c"],"parent_unittitles_ssm":["Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982","Box 1","Cold War","Other Locations"],"parent_unittitles_tesim":["Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982","Box 1","Cold War","Other Locations"],"parent_levels_ssm":["collection","Other level","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/75751"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":112,"parent_access_restrict_tesm":["This collection is open for research."],"parent_access_terms_tesm":["The Maks Dikarev Naval Cover Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985],"containers_ssim":["box 1","folder 89"],"odd_html_tesm":["\u003cp\u003eLocations represented under this heading are: U.S. Navy; U.S. Postal Service California; U.S. Postal Service Mississippi; Aklavik N.W.T. Canada; Bridgeport Connecticut; Camden New Jersey; Cartagena Columbia; Mount Vernon Virginia; Unknown\u003c/p\u003e","\u003cp\u003eThe cachets under this heading depict the following vessels: USS Sargo (SSN-583); USS Seadragon (SSN-584); USS Nautilus (SSN-571); USS Sailfish (SS-572); USS Haddo (SSN-604); USS Swordfish (SSN-579); USS Pollack (SSN-603); USS George Washington (SSBN-598); USS Shark (SSN-591)\u003c/p\u003e"],"odd_heading_ssm":["General","General"],"odd_tesim":["Locations represented under this heading are: U.S. Navy; U.S. Postal Service California; U.S. Postal Service Mississippi; Aklavik N.W.T. Canada; Bridgeport Connecticut; Camden New Jersey; Cartagena Columbia; Mount Vernon Virginia; Unknown","The cachets under this heading depict the following vessels: USS Sargo (SSN-583); USS Seadragon (SSN-584); USS Nautilus (SSN-571); USS Sailfish (SS-572); USS Haddo (SSN-604); USS Swordfish (SSN-579); USS Pollack (SSN-603); USS George Washington (SSBN-598); USS Shark (SSN-591)"],"_nest_path_":"/components#0/components#1/components#2/components#0","_nest_parent_":"5e441c26c224fc2443904339_aspace_d3f8df977b36983eb94e9daa98e25f8c","_root_":"5e441c26c224fc2443904339","_version_":1870844426508566528,"timestamp":"2026-07-16T04:31:19.551Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5e441c26c224fc2443904339","title_ssm":["Maks Dikarev Naval Cover Collection"],"title_tesim":["Maks Dikarev Naval Cover Collection"],"ead_ssi":"5e441c26c224fc2443904339","unitdate_ssm":["1927-1941","1954-1982"],"unitdate_inclusive_ssm":["1927-1941","1954-1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9050","/repositories/2/resources/108"],"text":["SPC9050","/repositories/2/resources/108","Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982","Naval battles in art","Cold War","Naval History","Navy yards and naval stations","Communications, Military","United States. Navy-- Records and correspondence","Modern naval history","Warships","China--Sino-Japanese Conflict, 1931-1933","China--Sino-Japanese War, 1937-1945","Nuclear submarines","Mail art","This collection is open for research.","The materials in this collection are arranged in the following series' and sub-series:","Series:\nU.S. Asiatic Fleet","\nSub-series: \n    \t\t\tAircraft Carrier\n                Battleship\n                Collier\n                Cruiser\n                Destroyer\n                Destroyer Tender\t\n                Freighter\n                Gunboat\n                Minesweeper\n                Patrol Yacht\n                Seaplane Tender\n                Submarine\n                Submarine Rescue Vessel\n                Submarine Tender\n                Tug\n                Shore Base\n                Photographs\nCold War","\nSub-series:\n    \t\t\tHeavy Cruiser\n    \t\t\tNaval Base\n                Other Locations\n                Replenishment Oiler\n                Sub Tender","This collection consists of naval covers created during the interwar period of the 1920s and 1930s, as well as the Cold War period of the early 1950s through the early 1980s. ","According to the Naval Cover Museum, \"a naval cover is any envelope, postcard, or other postal medium that is mailed from or somehow related to a navy ship, location, or event. Beginning in 1908, post offices were established on board U.S. Navy ships and each ship had one or more postmarks to \"cancel\" the stamps used on the cover. The postmark, or cancellation, would usually have the ship's name and the date that the cover was cancelled.\" Additionally, \"starting in the 1930's, covers with printed designs, called cachets, began appearing and established a large following. Many different cachets were designed and sent to various ships to be cancelled and mailed. Some cachets were designed for a specific ship while others were generic (perhaps for a holiday or commemorating an historical event) and sent to many different ships.\" While the use of cachets diminished during the Second World War, they were revived at its conclusion and are still in use to this day. ","The focus of the interwar covers in this collection is of the U.S. Asiatic Fleet, which was responsible for protecting and advancing U.S. interests in the western Pacific area and China. This was also a period of conflict between the Republic of China and Imperial Japan, and incidents such as the Japanese attack on the USS Panay in 1937 are commemorated in the artwork on the covers. Many of the ships represented in this collection went on to serve valiantly in the Second World War. Several were subsequently lost to enemy action. The second half of the collection focuses on the fleet of United States' first and second generation of nuclear-powered submarines in service from the 1950s through the 1970s, including the USS Nautilus. Attack submarines and ballistic missile submarines are represented, with covers and postmarks from important submarine shipyards and naval bases.","The materials represent two time periods: The late 1920s through the beginning of the Second World War, and the early Cold War period of the 1950s through the 1970s. The former consists of naval covers from ships assigned to the U.S. Asiatic Fleet. While the ships may have served with other fleets and stations over their service lives, only their time in this specific fleet is represented here. The latter portion of the collection represents communications to or from shipyards and submarine bases. While some communication is directed to or from a specific boat (the proper term for a submarine), the cachet on the cover is the focus of the collection. ","As I was conducting research for this collection, I noticed that some ships were built for one particular purpose, yet at the time of the creation of the collection item, their role (and perhaps name) had changed. The collection will reflect the name and role of the ship at the time these items were created. Additionally, hull number will be included, as in some cases multiple ships have carried the same name (i.e. Enterprise). ","The Maks Dikarev Naval Cover Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Maksimilian Dikarev","English"],"unitid_tesim":["SPC9050","/repositories/2/resources/108"],"normalized_date_ssm":["1927-1941, 1954-1982"],"normalized_title_ssm":["Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982"],"collection_title_tesim":["Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982"],"collection_ssim":["Maks Dikarev Naval Cover Collection, 1927-1941, 1954-1982"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Naval battles in art","Cold War"],"geogname_ssim":["Naval battles in art","Cold War"],"creator_ssm":["Maksimilian Dikarev"],"creator_ssim":["Maksimilian Dikarev"],"creator_persname_ssim":["Maksimilian Dikarev"],"creators_ssim":["Maksimilian Dikarev"],"places_ssim":["Naval battles in art","Cold War"],"access_terms_ssm":["The Maks Dikarev Naval Cover Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by Maksimilian Dikarev."],"access_subjects_ssim":["Naval History","Navy yards and naval stations","Communications, Military","United States. Navy-- Records and correspondence","Modern naval history","Warships","China--Sino-Japanese Conflict, 1931-1933","China--Sino-Japanese War, 1937-1945","Nuclear submarines","Mail art"],"access_subjects_ssm":["Naval History","Navy yards and naval stations","Communications, Military","United States. Navy-- Records and correspondence","Modern naval history","Warships","China--Sino-Japanese Conflict, 1931-1933","China--Sino-Japanese War, 1937-1945","Nuclear submarines","Mail art"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet"],"extent_tesim":["1.5 Linear Feet"],"physfacet_tesim":["1 Banker box and 1 5\" Legal size document case. "],"date_range_isim":[1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe materials in this collection are arranged in the following series' and sub-series:\u003c/p\u003e\n","\u003cp\u003eSeries:\nU.S. Asiatic Fleet\u003c/p\u003e\n","\u003cp\u003e\nSub-series: \n    \t\t\tAircraft Carrier\n                Battleship\n                Collier\n                Cruiser\n                Destroyer\n                Destroyer Tender\t\n                Freighter\n                Gunboat\n                Minesweeper\n                Patrol Yacht\n                Seaplane Tender\n                Submarine\n                Submarine Rescue Vessel\n                Submarine Tender\n                Tug\n                Shore Base\n                Photographs\nCold War\u003c/p\u003e\n","\u003cp\u003e\nSub-series:\n    \t\t\tHeavy Cruiser\n    \t\t\tNaval Base\n                Other Locations\n                Replenishment Oiler\n                Sub Tender\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials in this collection are arranged in the following series' and sub-series:","Series:\nU.S. Asiatic Fleet","\nSub-series: \n    \t\t\tAircraft Carrier\n                Battleship\n                Collier\n                Cruiser\n                Destroyer\n                Destroyer Tender\t\n                Freighter\n                Gunboat\n                Minesweeper\n                Patrol Yacht\n                Seaplane Tender\n                Submarine\n                Submarine Rescue Vessel\n                Submarine Tender\n                Tug\n                Shore Base\n                Photographs\nCold War","\nSub-series:\n    \t\t\tHeavy Cruiser\n    \t\t\tNaval Base\n                Other Locations\n                Replenishment Oiler\n                Sub Tender"],"bioghist_html_tesm":["\u003cp\u003eThis collection consists of naval covers created during the interwar period of the 1920s and 1930s, as well as the Cold War period of the early 1950s through the early 1980s. \u003c/p\u003e\n","\u003cp\u003eAccording to the Naval Cover Museum, \"a naval cover is any envelope, postcard, or other postal medium that is mailed from or somehow related to a navy ship, location, or event. Beginning in 1908, post offices were established on board U.S. Navy ships and each ship had one or more postmarks to \"cancel\" the stamps used on the cover. The postmark, or cancellation, would usually have the ship's name and the date that the cover was cancelled.\" Additionally, \"starting in the 1930's, covers with printed designs, called cachets, began appearing and established a large following. Many different cachets were designed and sent to various ships to be cancelled and mailed. Some cachets were designed for a specific ship while others were generic (perhaps for a holiday or commemorating an historical event) and sent to many different ships.\" While the use of cachets diminished during the Second World War, they were revived at its conclusion and are still in use to this day. \u003c/p\u003e\n","\u003cp\u003eThe focus of the interwar covers in this collection is of the U.S. Asiatic Fleet, which was responsible for protecting and advancing U.S. interests in the western Pacific area and China. This was also a period of conflict between the Republic of China and Imperial Japan, and incidents such as the Japanese attack on the USS Panay in 1937 are commemorated in the artwork on the covers. Many of the ships represented in this collection went on to serve valiantly in the Second World War. Several were subsequently lost to enemy action. The second half of the collection focuses on the fleet of United States' first and second generation of nuclear-powered submarines in service from the 1950s through the 1970s, including the USS Nautilus. Attack submarines and ballistic missile submarines are represented, with covers and postmarks from important submarine shipyards and naval bases.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["This collection consists of naval covers created during the interwar period of the 1920s and 1930s, as well as the Cold War period of the early 1950s through the early 1980s. ","According to the Naval Cover Museum, \"a naval cover is any envelope, postcard, or other postal medium that is mailed from or somehow related to a navy ship, location, or event. Beginning in 1908, post offices were established on board U.S. Navy ships and each ship had one or more postmarks to \"cancel\" the stamps used on the cover. The postmark, or cancellation, would usually have the ship's name and the date that the cover was cancelled.\" Additionally, \"starting in the 1930's, covers with printed designs, called cachets, began appearing and established a large following. Many different cachets were designed and sent to various ships to be cancelled and mailed. Some cachets were designed for a specific ship while others were generic (perhaps for a holiday or commemorating an historical event) and sent to many different ships.\" While the use of cachets diminished during the Second World War, they were revived at its conclusion and are still in use to this day. ","The focus of the interwar covers in this collection is of the U.S. Asiatic Fleet, which was responsible for protecting and advancing U.S. interests in the western Pacific area and China. This was also a period of conflict between the Republic of China and Imperial Japan, and incidents such as the Japanese attack on the USS Panay in 1937 are commemorated in the artwork on the covers. Many of the ships represented in this collection went on to serve valiantly in the Second World War. Several were subsequently lost to enemy action. The second half of the collection focuses on the fleet of United States' first and second generation of nuclear-powered submarines in service from the 1950s through the 1970s, including the USS Nautilus. Attack submarines and ballistic missile submarines are represented, with covers and postmarks from important submarine shipyards and naval bases."],"scopecontent_html_tesm":["\u003cp\u003eThe materials represent two time periods: The late 1920s through the beginning of the Second World War, and the early Cold War period of the 1950s through the 1970s. The former consists of naval covers from ships assigned to the U.S. Asiatic Fleet. While the ships may have served with other fleets and stations over their service lives, only their time in this specific fleet is represented here. The latter portion of the collection represents communications to or from shipyards and submarine bases. While some communication is directed to or from a specific boat (the proper term for a submarine), the cachet on the cover is the focus of the collection. \u003c/p\u003e\n","\u003cp\u003eAs I was conducting research for this collection, I noticed that some ships were built for one particular purpose, yet at the time of the creation of the collection item, their role (and perhaps name) had changed. The collection will reflect the name and role of the ship at the time these items were created. Additionally, hull number will be included, as in some cases multiple ships have carried the same name (i.e. Enterprise). \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials represent two time periods: The late 1920s through the beginning of the Second World War, and the early Cold War period of the 1950s through the 1970s. The former consists of naval covers from ships assigned to the U.S. Asiatic Fleet. While the ships may have served with other fleets and stations over their service lives, only their time in this specific fleet is represented here. The latter portion of the collection represents communications to or from shipyards and submarine bases. While some communication is directed to or from a specific boat (the proper term for a submarine), the cachet on the cover is the focus of the collection. ","As I was conducting research for this collection, I noticed that some ships were built for one particular purpose, yet at the time of the creation of the collection item, their role (and perhaps name) had changed. The collection will reflect the name and role of the ship at the time these items were created. Additionally, hull number will be included, as in some cases multiple ships have carried the same name (i.e. Enterprise). "],"userestrict_html_tesm":["\u003cp\u003eThe Maks Dikarev Naval Cover Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Maks Dikarev Naval Cover Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Maksimilian Dikarev"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Maksimilian Dikarev"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":122,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844426508566528,"_root_":"5e441c26c224fc2443904339","timestamp":"2026-07-16T04:31:19.551Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5e441c26c224fc2443904339_aspace_136c5fe559976c8ade63fbe6f0a53e44"}},{"id":"dd1185e4a432441cb5a55467_aspace_54d2048274b19f829776c927de6e47c8","type":"Series","attributes":{"title":"Other Organizations, 1971–1998","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/dd1185e4a432441cb5a55467_aspace_54d2048274b19f829776c927de6e47c8#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_54d2048274b19f829776c927de6e47c8","ref_ssm":["aspace_54d2048274b19f829776c927de6e47c8","aspace_54d2048274b19f829776c927de6e47c8"],"id":"dd1185e4a432441cb5a55467_aspace_54d2048274b19f829776c927de6e47c8","title_filing_ssi":"Other Organizations","title_ssm":["Other Organizations"],"title_tesim":["Other Organizations"],"unitdate_inclusive_ssm":["1971–1998"],"normalized_date_ssm":["1971–1998"],"normalized_title_ssm":["Other Organizations, 1971–1998"],"text":["Other Organizations, 1971–1998","Beatrice B. Ettinger papers, 1962-2015","2","/repositories/4/archival_objects/91730"],"component_level_isim":[1],"parent_ids_ssim":["dd1185e4a432441cb5a55467"],"parent_unittitles_ssm":["Beatrice B. Ettinger papers, 1962-2015"],"parent_unittitles_tesim":["Beatrice B. Ettinger papers, 1962-2015"],"parent_levels_ssm":["collection"],"unitid_ssm":["2","/repositories/4/archival_objects/91730"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Beatrice B. Ettinger papers, 1962-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":16,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":139,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder"],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"_nest_path_":"/components#1","_nest_parent_":"dd1185e4a432441cb5a55467","_root_":"dd1185e4a432441cb5a55467","_version_":1874753310664163328,"timestamp":"2026-08-28T08:01:21.975Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"dd1185e4a432441cb5a55467","title_ssm":["Beatrice B. Ettinger papers"],"title_tesim":["Beatrice B. Ettinger papers"],"ead_ssi":"dd1185e4a432441cb5a55467","unitdate_ssm":["1962-2015"],"unitdate_inclusive_ssm":["1962-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC37","/repositories/4/resources/38"],"text":["SC37","/repositories/4/resources/38","Beatrice B. Ettinger papers, 1962-2015","Adult Education of Women","Women -- Education","Hotels","Equal Rights Amendments","Feminism -- United States","Feminism","International Women's Decade, 1976-1985","International Women's Year, 1975","Women's rights -- United States","Feminism and education","Equal Rights Amendments -- United States","photographs","scrapbooks","The entire collection is open for research.","The collection is arranged into three series by topic, then arranged alphabetically within each series.","Beatrice \"Bea\" Bornstein Ettinger was born in Paterson, New Jersey, on June 21, 1917. In 1932, she moved to Orlando, Florida with her parents at age 15. She graduated from the University of Miami and the University of Miami Law School. Ettinger was active in a variety of organizations, serving as Vice President of the Florida League of Women Voters, Director of Region IV of the National Displaced Homemaker Network, and Secretary of Learning Institute for Elders. Ettinger was instrumental in establishing the Central Florida Educational Consortium for Women. Her achievements were honored by the local community as Orlando's Outstanding Woman of the Year in 1977, Woman of Achievement in 1979 and Community Leader of the Year in 1981. She was nominated for the Florida Women's Hall of Fame in 1982 and 1984. \n \nIn 1966, a group of women met to start the Council for Continuing Education for Women in Orlando, an organization that offered educational and career opportunities for women. It was run by volunteers until 1974, when it cooperated with the Valencia Community College to establish the Center for Continuing Education for Women. The Center created and sponsored programs on a variety of topics designed to assist women who wanted to further their education and possibly return to the workforce. Ettinger was president of the Council and directed the Center until 1986, when Connie Fisher became Director. In 1991, the Council moved from Valencia Community College and entered into a new agreement with the University of Central Florida, where it continued with its work in association with the Women's Studies Program. Ettinger passed away in 2015.","Collection processed by Judith Beale; finding aid prepared by Judith Beale. Duplications were removed, news clippings were photocopied onto acid free paper and the materials were rehoused. Rehoused and additional materials processed by Ava Botwin in 2026.","Similar materials may be found in the  Phyllis J. Hudson Papers  and the  Lynda Van Scoyoc Papers .","Series I: Council for Continuing Education for Women, 1964-1997 is the largest series and fully documents the Council's activities and that of the Center that it sponsored. Its programs included Displaced Homemaker, Florida Women in Agriculture and Women in Citrus. The Center received awards from Walt Disney World in 1975, 1979, 1981, 1984 and 1986 when it received the \"Spirit of Epcot\" Award. Financial Aid for Career Training Inc. worked with the Center and provided loans for women to improve their skills so that they could return to the work force.","\nSeries II: Other Organizations, 1971-1988 holds materials concerning various other organizations in which Ettinger had an interest. Most of these organizations concern women and education, such as, the Central Florida Educational Consortium for Women. However, political and community organizations, such as, the League of Women Voters and the Jewish Community Center are also represented here.","\nSeries III: Personal, 1969-1994 contains documents of a more personal nature and includes Ettinger's date book, certificates, the documents prepared for her nomination to the Florida Women's Hall of Fame and information about her relationship with Valencia Community College.","Series IV: Additional Materials, 1962-2015, contains additional papers and photographs relating to Ettinger's personal achievements and involvement in various Florida organizations.","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder","The Beatrice B. Ettinger papers contain correspondence, leaflets, posters, minutes and reports that show women's position in society in the 1970s and 1980s. Continuing Education is the focus of these papers since Ettinger accumulated many of the materials between 1970 and 1992 when she was President of the Council for Continuing Education for Women. This organization established a Center that was based first at Valencia Community College and later at the University of Central Florida. Ettinger also collected documents concerning other organizations in which she was interested that fostered women's intellectual and political growth, such as, the Central Florida Women's Resource Center Inc. and the League of Women Voters. Additional materials provide some personal information about Mrs. Ettinger.","UCF Special Collections","Central Florida Educational Consortium for Women","Central Florida Women's Resource Center","Council for Continuing Education for Women of Central Florida","Florida League of Women Voters","Valencia Community College","Center for Women's Medicine at Florida Hospital","University of Central Florida","Ettinger, Beatrice B., 1917-2015","English"],"unitid_tesim":["SC37","/repositories/4/resources/38"],"normalized_date_ssm":["1962-2015"],"normalized_title_ssm":["Beatrice B. Ettinger papers, 1962-2015"],"collection_title_tesim":["Beatrice B. Ettinger papers, 1962-2015"],"collection_ssim":["Beatrice B. Ettinger papers, 1962-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Ettinger, Beatrice B., 1917-2015"],"creator_ssim":["Ettinger, Beatrice B., 1917-2015"],"creator_persname_ssim":["Ettinger, Beatrice B., 1917-2015"],"creators_ssim":["Ettinger, Beatrice B., 1917-2015"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder"],"acqinfo_ssim":["Beatrice B. Ettinger donated these materials to the University of Central Florida Libraries Special Collections Department in 2002 (CFM2002_02). Additional materials gifted by Marilyn Crotty, Bea's daughter, in 2026 (CFM2026_04)."],"access_subjects_ssim":["Adult Education of Women","Women -- Education","Hotels","Equal Rights Amendments","Feminism -- United States","Feminism","International Women's Decade, 1976-1985","International Women's Year, 1975","Women's rights -- United States","Feminism and education","Equal Rights Amendments -- United States","photographs","scrapbooks"],"access_subjects_ssm":["Adult Education of Women","Women -- Education","Hotels","Equal Rights Amendments","Feminism -- United States","Feminism","International Women's Decade, 1976-1985","International Women's Year, 1975","Women's rights -- United States","Feminism and education","Equal Rights Amendments -- United States","photographs","scrapbooks"],"has_online_content_ssim":["false"],"extent_ssm":["10.2 Linear Feet 17 boxes, 5 flat files"],"extent_tesim":["10.2 Linear Feet 17 boxes, 5 flat files"],"genreform_ssim":["photographs","scrapbooks"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into three series by topic, then arranged alphabetically within each series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into three series by topic, then arranged alphabetically within each series."],"bioghist_html_tesm":["\u003cp\u003eBeatrice \"Bea\" Bornstein Ettinger was born in Paterson, New Jersey, on June 21, 1917. In 1932, she moved to Orlando, Florida with her parents at age 15. She graduated from the University of Miami and the University of Miami Law School. Ettinger was active in a variety of organizations, serving as Vice President of the Florida League of Women Voters, Director of Region IV of the National Displaced Homemaker Network, and Secretary of Learning Institute for Elders. Ettinger was instrumental in establishing the Central Florida Educational Consortium for Women. Her achievements were honored by the local community as Orlando's Outstanding Woman of the Year in 1977, Woman of Achievement in 1979 and Community Leader of the Year in 1981. She was nominated for the Florida Women's Hall of Fame in 1982 and 1984. \n \nIn 1966, a group of women met to start the Council for Continuing Education for Women in Orlando, an organization that offered educational and career opportunities for women. It was run by volunteers until 1974, when it cooperated with the Valencia Community College to establish the Center for Continuing Education for Women. The Center created and sponsored programs on a variety of topics designed to assist women who wanted to further their education and possibly return to the workforce. Ettinger was president of the Council and directed the Center until 1986, when Connie Fisher became Director. In 1991, the Council moved from Valencia Community College and entered into a new agreement with the University of Central Florida, where it continued with its work in association with the Women's Studies Program. Ettinger passed away in 2015.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Beatrice \"Bea\" Bornstein Ettinger was born in Paterson, New Jersey, on June 21, 1917. In 1932, she moved to Orlando, Florida with her parents at age 15. She graduated from the University of Miami and the University of Miami Law School. Ettinger was active in a variety of organizations, serving as Vice President of the Florida League of Women Voters, Director of Region IV of the National Displaced Homemaker Network, and Secretary of Learning Institute for Elders. Ettinger was instrumental in establishing the Central Florida Educational Consortium for Women. Her achievements were honored by the local community as Orlando's Outstanding Woman of the Year in 1977, Woman of Achievement in 1979 and Community Leader of the Year in 1981. She was nominated for the Florida Women's Hall of Fame in 1982 and 1984. \n \nIn 1966, a group of women met to start the Council for Continuing Education for Women in Orlando, an organization that offered educational and career opportunities for women. It was run by volunteers until 1974, when it cooperated with the Valencia Community College to establish the Center for Continuing Education for Women. The Center created and sponsored programs on a variety of topics designed to assist women who wanted to further their education and possibly return to the workforce. Ettinger was president of the Council and directed the Center until 1986, when Connie Fisher became Director. In 1991, the Council moved from Valencia Community College and entered into a new agreement with the University of Central Florida, where it continued with its work in association with the Women's Studies Program. Ettinger passed away in 2015."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Beatrice B. Ettinger Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Beatrice B. Ettinger Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Judith Beale; finding aid prepared by Judith Beale. Duplications were removed, news clippings were photocopied onto acid free paper and the materials were rehoused. Rehoused and additional materials processed by Ava Botwin in 2026.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Judith Beale; finding aid prepared by Judith Beale. Duplications were removed, news clippings were photocopied onto acid free paper and the materials were rehoused. Rehoused and additional materials processed by Ava Botwin in 2026."],"relatedmaterial_html_tesm":["\u003cp\u003eSimilar materials may be found in the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2005-02\"\u003ePhyllis J. Hudson Papers\u003c/extref\u003e and the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2005-15\"\u003eLynda Van Scoyoc Papers\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Similar materials may be found in the  Phyllis J. Hudson Papers  and the  Lynda Van Scoyoc Papers ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Council for Continuing Education for Women, 1964-1997 is the largest series and fully documents the Council's activities and that of the Center that it sponsored. Its programs included Displaced Homemaker, Florida Women in Agriculture and Women in Citrus. The Center received awards from Walt Disney World in 1975, 1979, 1981, 1984 and 1986 when it received the \"Spirit of Epcot\" Award. Financial Aid for Career Training Inc. worked with the Center and provided loans for women to improve their skills so that they could return to the work force.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Other Organizations, 1971-1988 holds materials concerning various other organizations in which Ettinger had an interest. Most of these organizations concern women and education, such as, the Central Florida Educational Consortium for Women. However, political and community organizations, such as, the League of Women Voters and the Jewish Community Center are also represented here.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Personal, 1969-1994 contains documents of a more personal nature and includes Ettinger's date book, certificates, the documents prepared for her nomination to the Florida Women's Hall of Fame and information about her relationship with Valencia Community College.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Additional Materials, 1962-2015, contains additional papers and photographs relating to Ettinger's personal achievements and involvement in various Florida organizations.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Council for Continuing Education for Women, 1964-1997 is the largest series and fully documents the Council's activities and that of the Center that it sponsored. Its programs included Displaced Homemaker, Florida Women in Agriculture and Women in Citrus. The Center received awards from Walt Disney World in 1975, 1979, 1981, 1984 and 1986 when it received the \"Spirit of Epcot\" Award. Financial Aid for Career Training Inc. worked with the Center and provided loans for women to improve their skills so that they could return to the work force.","\nSeries II: Other Organizations, 1971-1988 holds materials concerning various other organizations in which Ettinger had an interest. Most of these organizations concern women and education, such as, the Central Florida Educational Consortium for Women. However, political and community organizations, such as, the League of Women Voters and the Jewish Community Center are also represented here.","\nSeries III: Personal, 1969-1994 contains documents of a more personal nature and includes Ettinger's date book, certificates, the documents prepared for her nomination to the Florida Women's Hall of Fame and information about her relationship with Valencia Community College.","Series IV: Additional Materials, 1962-2015, contains additional papers and photographs relating to Ettinger's personal achievements and involvement in various Florida organizations."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder"],"abstract_html_tesm":["\u003cabstract id=\"aspace_a2224d4bedac95e53f407a622a6fe541\"\u003eThe Beatrice B. Ettinger papers contain correspondence, leaflets, posters, minutes and reports that show women's position in society in the 1970s and 1980s. Continuing Education is the focus of these papers since Ettinger accumulated many of the materials between 1970 and 1992 when she was President of the Council for Continuing Education for Women. This organization established a Center that was based first at Valencia Community College and later at the University of Central Florida. Ettinger also collected documents concerning other organizations in which she was interested that fostered women's intellectual and political growth, such as, the Central Florida Women's Resource Center Inc. and the League of Women Voters. Additional materials provide some personal information about Mrs. Ettinger.\u003c/abstract\u003e"],"abstract_tesim":["The Beatrice B. Ettinger papers contain correspondence, leaflets, posters, minutes and reports that show women's position in society in the 1970s and 1980s. Continuing Education is the focus of these papers since Ettinger accumulated many of the materials between 1970 and 1992 when she was President of the Council for Continuing Education for Women. This organization established a Center that was based first at Valencia Community College and later at the University of Central Florida. Ettinger also collected documents concerning other organizations in which she was interested that fostered women's intellectual and political growth, such as, the Central Florida Women's Resource Center Inc. and the League of Women Voters. 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