{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1972\u0026page=447","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1972\u0026page=446","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1972\u0026page=448","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1972\u0026page=505"},"meta":{"pages":{"current_page":447,"next_page":448,"prev_page":446,"total_pages":505,"limit_value":10,"offset_value":4460,"total_count":5047,"first_page?":false,"last_page?":false}},"data":[{"id":"05176a8238a411947dafe2de_aspace_16864","type":"Subseries","attributes":{"title":"Subject Files, 1959-2003","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/05176a8238a411947dafe2de_aspace_16864#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_16864","ref_ssm":["aspace_16864","aspace_16864"],"id":"05176a8238a411947dafe2de_aspace_16864","title_filing_ssi":"Subject Files","title_ssm":["Subject Files"],"title_tesim":["Subject Files"],"unitdate_inclusive_ssm":["1959-2003"],"normalized_date_ssm":["1959-2003"],"normalized_title_ssm":["Subject Files, 1959-2003"],"text":["Subject Files, 1959-2003","George and Anne Millay Collection, 1959-2006","Sea World, 1959-2004","Sub-Series 8","/repositories/4/archival_objects/36909"],"component_level_isim":[2],"parent_ids_ssim":["05176a8238a411947dafe2de","05176a8238a411947dafe2de_aspace_16680"],"parent_unittitles_ssm":["George and Anne Millay Collection, 1959-2006","Sea World, 1959-2004"],"parent_unittitles_tesim":["George and Anne Millay Collection, 1959-2006","Sea World, 1959-2004"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 8","/repositories/4/archival_objects/36909"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["George and Anne Millay Collection, 1959-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":52,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":447,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"_nest_path_":"/components#1/components#8","_nest_parent_":"05176a8238a411947dafe2de_aspace_16680","_root_":"05176a8238a411947dafe2de","timestamp":"2026-07-09T03:02:51.250Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"05176a8238a411947dafe2de","title_ssm":["George and Anne Millay Collection"],"title_tesim":["George and Anne Millay Collection"],"ead_ssi":"05176a8238a411947dafe2de","unitdate_ssm":["1959-2006"],"unitdate_inclusive_ssm":["1959-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.079","/repositories/4/resources/154"],"text":["SC.079","/repositories/4/resources/154","George and Anne Millay Collection, 1959-2006","Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)","Amusement parks","Water parks","Marine aquariums","Public aquariums","Tourism","Blueprints","Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings","The entire collection is open for research.","The papers are arranged in five series by topic.","George Millay was born on 4th July 1929. While his Father was in the navy, George's family lived at Pearl Harbor, and he witnessed the 1941 attack. George himself served in the navy for more than three years as a weather forecaster; for part of the time he was on the USS Bairoko. After graduating from the University of California, Los Angeles with a degree in meteorology in 1955, George Millay worked for a stockbroking firm until 1960. He married Anne Real in 1963; they eventually had three sons and a daughter.","\nIn 1958, Millay opened the Reef restaurant in Los Angeles with David Tallichet. He planned to create a submarine bar there so that customers could view sea creatures while enjoying cocktails. The plan failed because the water in the harbor was too cloudy. However, his interest in marine life introduced him to Dr. Kenneth Norris, curator at Marineland. Together with Milton Shedd and David DeMott, they organized the Marine Park Corporation to create a marine park in San Diego. Sea World opened in 1964 and expanded in 1970 with a park in Ohio followed by the Orlando park in 1972. Sea World Inc. opened an amusement park in Valencia California on 29th May 1971 in partnership with Newhall Land and Farming. Officially named \"Magic Mountain\", the park was designated \"Tragic Mountain\" by a reporter who was injured there. Sea World did not make a profit on the venture and sold out to its partner late in 1971. Millay resigned from Sea World Inc in 1974 because of a disagreement with his partners over how the company should develop.","\nGeorge Millay had spent a lot of time at Sea World in Orlando, and he thought that families would enjoy water activities as a break from the Florida heat. He pulled together ideas from a water playground at the Toronto World's Fair, a flume near Sacramento and a wave pool in Alabama, added a children's playgound, restrooms, gift shop and snack bar to create a new concept. He formed the Leisure Marine Corporation to develop his idea. Initially, the company ran the Seven Seas park in Arlington, TX, for a season, but the venture did not develop further. Wet 'n Wild eventually became a reality in Orlando, where it opened in 1977. The company took over the failing Seven Seas park and redeveloped it into the second Wet 'n Wild in 1983 followed by Las Vegas in 1985. Additional sites opened in Garland, TX, Brazil and Mexico. Wet 'n Wild was named the Best of Aquatics for 2003 by Aquatics International magazine.","\nMillay retired from Wet 'n Wild in 1998, but he continued to work on new projects. He designed and patented a system for moving visitors down into the center of a circular aquarium so that everyone had a good view of the fish. Millay partnered with William Watts and David Powell in creating a company named Sea Venture to sell the system. At the time of his death in 2006, no examples of the system had been sold.","\nGeorge Millay received Lifetime Achievement Awards from the International Association of Amusement Parks and Attractions and the Themed Entertainment Association, and he was named the Father of the Waterpark Industry by the World Waterpark Association. Tim O'Brien wrote Millay's biography entitled The Wave Maker in 2004.","Collection processed by Judith Beale; finding aid prepared by Judith Beale. Materials received in 2010 processed and added to the collection in 2016 by Suphi Burak Ogreten. ","Materials were removed from binders. Some smaller items were removed from frames. One photograph was digitized, as it was stuck to glass, then removed from the glass. Photographs and slides were sleeved. Faxes were photocopied and traced in pencil to make them clearer. Audiocassettes and slides were removed from their cases because the foam was disintegrating. Plaques and awards were wrapped and documents were placed in pH neutral folders and boxes.","Other collections include Harrison \"Buzz\" Price Papers and the Al Turner, Splash Magazine Collection may be found by searching our online  Library Catalog .","Series I: Wet 'n Wild, 1974-2005 holds correspondence, minutes, advertising materials, photographs, memorabilia, news clippings, reports and plans concerning all aspects of the founding and management of the Wet 'n Wild Parks.","\nSeries II: Sea World, 1959-2004 contains correspondence, news clippings, scrapbooks, photographs, reports and memorabilia documenting all aspects of the founding and management of Sea World, Inc.","\nSeries III: Sea Venture, 1998-2004 contains correspondence, plans, photographs and contracts concerning the patenting and marketing of George Millay's system for transporting visitors down into a doughnut-shaped aquarium.","\nSeries IV: Personal, 1965-2006 holds photographs, audio, video, correspondence, memorabilia and brochures that document projects, accolades and memorials. The series includes resources used in Millay's biography and a file on the opening of Disney World.","\nSeries V: Additional Materials, 1965-1999 includes newspaper and magazine clippings, photographs, pamphlets, correspondence, annual reports, proposals, and various ephemera related to the Wet'n Wild, Sea World, and Seven Seas parks.","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","George Millay founded both Sea World and Wet 'n Wild for which he was named Father of the Waterpark Industry. This collection of correspondence, photographs, memorabilia, news clippings, reports and audio visual materials documents the complicated and not always successful process of building a new waterpark. In addition to materials concerning Sea World and Wet 'n Wild, the collection contains information on George Millay's other projects and his personal achievements.","UCF Special Collections","Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World","Millay, Anne, 1934-2006","Millay, George","English"],"unitid_tesim":["SC.079","/repositories/4/resources/154"],"normalized_date_ssm":["1959-2006"],"normalized_title_ssm":["George and Anne Millay Collection, 1959-2006"],"collection_title_tesim":["George and Anne Millay Collection, 1959-2006"],"collection_ssim":["George and Anne Millay Collection, 1959-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)"],"geogname_ssim":["Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)"],"creator_ssm":["Millay, Anne, 1934-2006"],"creator_ssim":["Millay, Anne, 1934-2006"],"creator_persname_ssim":["Millay, Anne, 1934-2006"],"creators_ssim":["Millay, Anne, 1934-2006"],"places_ssim":["Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The Millay family donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2007 (CFM2007_15) and 2010 (CFM2010_04)."],"access_subjects_ssim":["Amusement parks","Water parks","Marine aquariums","Public aquariums","Tourism","Blueprints","Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings"],"access_subjects_ssm":["Amusement parks","Water parks","Marine aquariums","Public aquariums","Tourism","Blueprints","Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings"],"has_online_content_ssim":["false"],"extent_ssm":["21.25 Linear Feet 22 Boxes, 8 Flat Files, 5 Framed Items"],"extent_tesim":["21.25 Linear Feet 22 Boxes, 8 Flat Files, 5 Framed Items"],"genreform_ssim":["Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings"],"date_range_isim":[1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe papers are arranged in five series by topic.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The papers are arranged in five series by topic."],"bioghist_html_tesm":["\u003cp\u003eGeorge Millay was born on 4th July 1929. While his Father was in the navy, George's family lived at Pearl Harbor, and he witnessed the 1941 attack. George himself served in the navy for more than three years as a weather forecaster; for part of the time he was on the USS Bairoko. After graduating from the University of California, Los Angeles with a degree in meteorology in 1955, George Millay worked for a stockbroking firm until 1960. He married Anne Real in 1963; they eventually had three sons and a daughter.\u003c/p\u003e\n","\u003cp\u003e\nIn 1958, Millay opened the Reef restaurant in Los Angeles with David Tallichet. He planned to create a submarine bar there so that customers could view sea creatures while enjoying cocktails. The plan failed because the water in the harbor was too cloudy. However, his interest in marine life introduced him to Dr. Kenneth Norris, curator at Marineland. Together with Milton Shedd and David DeMott, they organized the Marine Park Corporation to create a marine park in San Diego. Sea World opened in 1964 and expanded in 1970 with a park in Ohio followed by the Orlando park in 1972. Sea World Inc. opened an amusement park in Valencia California on 29th May 1971 in partnership with Newhall Land and Farming. Officially named \"Magic Mountain\", the park was designated \"Tragic Mountain\" by a reporter who was injured there. Sea World did not make a profit on the venture and sold out to its partner late in 1971. Millay resigned from Sea World Inc in 1974 because of a disagreement with his partners over how the company should develop.\u003c/p\u003e\n","\u003cp\u003e\nGeorge Millay had spent a lot of time at Sea World in Orlando, and he thought that families would enjoy water activities as a break from the Florida heat. He pulled together ideas from a water playground at the Toronto World's Fair, a flume near Sacramento and a wave pool in Alabama, added a children's playgound, restrooms, gift shop and snack bar to create a new concept. He formed the Leisure Marine Corporation to develop his idea. Initially, the company ran the Seven Seas park in Arlington, TX, for a season, but the venture did not develop further. Wet 'n Wild eventually became a reality in Orlando, where it opened in 1977. The company took over the failing Seven Seas park and redeveloped it into the second Wet 'n Wild in 1983 followed by Las Vegas in 1985. Additional sites opened in Garland, TX, Brazil and Mexico. Wet 'n Wild was named the Best of Aquatics for 2003 by Aquatics International magazine.\u003c/p\u003e\n","\u003cp\u003e\nMillay retired from Wet 'n Wild in 1998, but he continued to work on new projects. He designed and patented a system for moving visitors down into the center of a circular aquarium so that everyone had a good view of the fish. Millay partnered with William Watts and David Powell in creating a company named Sea Venture to sell the system. At the time of his death in 2006, no examples of the system had been sold.\u003c/p\u003e\n","\u003cp\u003e\nGeorge Millay received Lifetime Achievement Awards from the International Association of Amusement Parks and Attractions and the Themed Entertainment Association, and he was named the Father of the Waterpark Industry by the World Waterpark Association. Tim O'Brien wrote Millay's biography entitled The Wave Maker in 2004.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["George Millay was born on 4th July 1929. While his Father was in the navy, George's family lived at Pearl Harbor, and he witnessed the 1941 attack. George himself served in the navy for more than three years as a weather forecaster; for part of the time he was on the USS Bairoko. After graduating from the University of California, Los Angeles with a degree in meteorology in 1955, George Millay worked for a stockbroking firm until 1960. He married Anne Real in 1963; they eventually had three sons and a daughter.","\nIn 1958, Millay opened the Reef restaurant in Los Angeles with David Tallichet. He planned to create a submarine bar there so that customers could view sea creatures while enjoying cocktails. The plan failed because the water in the harbor was too cloudy. However, his interest in marine life introduced him to Dr. Kenneth Norris, curator at Marineland. Together with Milton Shedd and David DeMott, they organized the Marine Park Corporation to create a marine park in San Diego. Sea World opened in 1964 and expanded in 1970 with a park in Ohio followed by the Orlando park in 1972. Sea World Inc. opened an amusement park in Valencia California on 29th May 1971 in partnership with Newhall Land and Farming. Officially named \"Magic Mountain\", the park was designated \"Tragic Mountain\" by a reporter who was injured there. Sea World did not make a profit on the venture and sold out to its partner late in 1971. Millay resigned from Sea World Inc in 1974 because of a disagreement with his partners over how the company should develop.","\nGeorge Millay had spent a lot of time at Sea World in Orlando, and he thought that families would enjoy water activities as a break from the Florida heat. He pulled together ideas from a water playground at the Toronto World's Fair, a flume near Sacramento and a wave pool in Alabama, added a children's playgound, restrooms, gift shop and snack bar to create a new concept. He formed the Leisure Marine Corporation to develop his idea. Initially, the company ran the Seven Seas park in Arlington, TX, for a season, but the venture did not develop further. Wet 'n Wild eventually became a reality in Orlando, where it opened in 1977. The company took over the failing Seven Seas park and redeveloped it into the second Wet 'n Wild in 1983 followed by Las Vegas in 1985. Additional sites opened in Garland, TX, Brazil and Mexico. Wet 'n Wild was named the Best of Aquatics for 2003 by Aquatics International magazine.","\nMillay retired from Wet 'n Wild in 1998, but he continued to work on new projects. He designed and patented a system for moving visitors down into the center of a circular aquarium so that everyone had a good view of the fish. Millay partnered with William Watts and David Powell in creating a company named Sea Venture to sell the system. At the time of his death in 2006, no examples of the system had been sold.","\nGeorge Millay received Lifetime Achievement Awards from the International Association of Amusement Parks and Attractions and the Themed Entertainment Association, and he was named the Father of the Waterpark Industry by the World Waterpark Association. Tim O'Brien wrote Millay's biography entitled The Wave Maker in 2004."],"prefercite_html_tesm":["\u003cp\u003eGeorge and Anne Millay Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["George and Anne Millay Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Judith Beale; finding aid prepared by Judith Beale. Materials received in 2010 processed and added to the collection in 2016 by Suphi Burak Ogreten. \u003c/p\u003e","\u003cp\u003eMaterials were removed from binders. Some smaller items were removed from frames. One photograph was digitized, as it was stuck to glass, then removed from the glass. Photographs and slides were sleeved. Faxes were photocopied and traced in pencil to make them clearer. Audiocassettes and slides were removed from their cases because the foam was disintegrating. Plaques and awards were wrapped and documents were placed in pH neutral folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Judith Beale; finding aid prepared by Judith Beale. Materials received in 2010 processed and added to the collection in 2016 by Suphi Burak Ogreten. ","Materials were removed from binders. Some smaller items were removed from frames. One photograph was digitized, as it was stuck to glass, then removed from the glass. Photographs and slides were sleeved. Faxes were photocopied and traced in pencil to make them clearer. Audiocassettes and slides were removed from their cases because the foam was disintegrating. Plaques and awards were wrapped and documents were placed in pH neutral folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eOther collections include Harrison \"Buzz\" Price Papers and the Al Turner, Splash Magazine Collection may be found by searching our online \u003cextref href=\"https://library.ucf.edu\"\u003eLibrary Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other collections include Harrison \"Buzz\" Price Papers and the Al Turner, Splash Magazine Collection may be found by searching our online  Library Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Wet 'n Wild, 1974-2005 holds correspondence, minutes, advertising materials, photographs, memorabilia, news clippings, reports and plans concerning all aspects of the founding and management of the Wet 'n Wild Parks.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Sea World, 1959-2004 contains correspondence, news clippings, scrapbooks, photographs, reports and memorabilia documenting all aspects of the founding and management of Sea World, Inc.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Sea Venture, 1998-2004 contains correspondence, plans, photographs and contracts concerning the patenting and marketing of George Millay's system for transporting visitors down into a doughnut-shaped aquarium.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal, 1965-2006 holds photographs, audio, video, correspondence, memorabilia and brochures that document projects, accolades and memorials. The series includes resources used in Millay's biography and a file on the opening of Disney World.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Additional Materials, 1965-1999 includes newspaper and magazine clippings, photographs, pamphlets, correspondence, annual reports, proposals, and various ephemera related to the Wet'n Wild, Sea World, and Seven Seas parks.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Wet 'n Wild, 1974-2005 holds correspondence, minutes, advertising materials, photographs, memorabilia, news clippings, reports and plans concerning all aspects of the founding and management of the Wet 'n Wild Parks.","\nSeries II: Sea World, 1959-2004 contains correspondence, news clippings, scrapbooks, photographs, reports and memorabilia documenting all aspects of the founding and management of Sea World, Inc.","\nSeries III: Sea Venture, 1998-2004 contains correspondence, plans, photographs and contracts concerning the patenting and marketing of George Millay's system for transporting visitors down into a doughnut-shaped aquarium.","\nSeries IV: Personal, 1965-2006 holds photographs, audio, video, correspondence, memorabilia and brochures that document projects, accolades and memorials. The series includes resources used in Millay's biography and a file on the opening of Disney World.","\nSeries V: Additional Materials, 1965-1999 includes newspaper and magazine clippings, photographs, pamphlets, correspondence, annual reports, proposals, and various ephemera related to the Wet'n Wild, Sea World, and Seven Seas parks."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e2b9aba5ed67fc882ac4591fdb37c3fb\" label=\"Abstract\"\u003eGeorge Millay founded both Sea World and Wet 'n Wild for which he was named Father of the Waterpark Industry. This collection of correspondence, photographs, memorabilia, news clippings, reports and audio visual materials documents the complicated and not always successful process of building a new waterpark. In addition to materials concerning Sea World and Wet 'n Wild, the collection contains information on George Millay's other projects and his personal achievements.\u003c/abstract\u003e"],"abstract_tesim":["George Millay founded both Sea World and Wet 'n Wild for which he was named Father of the Waterpark Industry. This collection of correspondence, photographs, memorabilia, news clippings, reports and audio visual materials documents the complicated and not always successful process of building a new waterpark. In addition to materials concerning Sea World and Wet 'n Wild, the collection contains information on George Millay's other projects and his personal achievements."],"names_coll_ssim":["Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World","Millay, George","Millay, Anne, 1934-2006"],"names_ssim":["UCF Special Collections","Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World","Millay, Anne, 1934-2006","Millay, George"],"corpname_ssim":["UCF Special Collections","Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World"],"persname_ssim":["Millay, Anne, 1934-2006","Millay, George"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":680,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"05176a8238a411947dafe2de","timestamp":"2026-07-09T03:02:51.250Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/05176a8238a411947dafe2de_aspace_16864"}},{"id":"8d216cc8a1a5362f9ba3c765_aspace_9e05ebcc6a32d4b04b32c24efa8e4011","type":"Series","attributes":{"title":"Subject Files, 1964-1973","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8d216cc8a1a5362f9ba3c765_aspace_9e05ebcc6a32d4b04b32c24efa8e4011#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9e05ebcc6a32d4b04b32c24efa8e4011","ref_ssm":["aspace_9e05ebcc6a32d4b04b32c24efa8e4011","aspace_9e05ebcc6a32d4b04b32c24efa8e4011"],"id":"8d216cc8a1a5362f9ba3c765_aspace_9e05ebcc6a32d4b04b32c24efa8e4011","title_filing_ssi":"Subject Files","title_ssm":["Subject Files"],"title_tesim":["Subject Files"],"unitdate_inclusive_ssm":["1964-1973"],"normalized_date_ssm":["1964-1973"],"normalized_title_ssm":["Subject Files, 1964-1973"],"text":["Subject Files, 1964-1973","Duval Medical Center, University Hospital, Jacksonville, Florida Collection, 1925-1973","/repositories/3/archival_objects/8238","box 1"],"component_level_isim":[1],"parent_ids_ssim":["8d216cc8a1a5362f9ba3c765"],"parent_unittitles_ssm":["Duval Medical Center, University Hospital, Jacksonville, Florida Collection, 1925-1973"],"parent_unittitles_tesim":["Duval Medical Center, University Hospital, Jacksonville, Florida Collection, 1925-1973"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/3/archival_objects/8238"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Duval Medical Center, University Hospital, Jacksonville, Florida Collection, 1925-1973"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":23,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970,1971,1972,1973],"containers_ssim":["box 1"],"_nest_path_":"/components#3","_nest_parent_":"8d216cc8a1a5362f9ba3c765","_root_":"8d216cc8a1a5362f9ba3c765","_version_":1870860528022192128,"timestamp":"2026-07-16T08:47:15.152Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8d216cc8a1a5362f9ba3c765","title_ssm":["Duval Medical Center, University Hospital, Jacksonville, Florida Collection"],"title_tesim":["Duval Medical Center, University Hospital, Jacksonville, Florida Collection"],"ead_ssi":"8d216cc8a1a5362f9ba3c765","unitdate_ssm":["1925-1973"],"unitdate_inclusive_ssm":["1925-1973"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2003.003","/repositories/3/resources/38"],"text":["2003.003","/repositories/3/resources/38","Duval Medical Center, University Hospital, Jacksonville, Florida Collection, 1925-1973","County hospitals--Florida--Jacksonville.","Medical care, Cost of--Florida--Jacksonville.","Photographs","Printed materials","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","The collection provides historical documentation of the evolution of the Duval Medical Center (DMC) of Jacksonville, Florida, during its pivotal growth years of 1963-1973. The institution, called the \"nation's oldest publicly supported hospital,\" began on June 4, 1870, as the Duval County Hospital and Asylum, with the express purpose of helping the indigent sick of Jacksonville. ","The Hospital grew steadily through the early twentieth century, as did the total population of Duval County. The latter almost doubled from a total of 280,000 people in 1949 to 500,000 in 1964 and the need for larger medical facilities became critical. It is estimated that approximately twenty-five patients were turned away on a daily basis because of a shortage of beds.","To address this need, the Duval County Hospital Authority was created in 1963 by the Florida Legislature to make possible the construction of a new hospital facility. In 1964, Duval County medical and governmental leaders lobbied for the passage of a $20 million dollar bond issue. Its successful passage enabled the DMC to broaden its patient base and become a hub in the medical teaching community, and to eventually build a new hospital which would offer medical service that would improve care for the entire community.","By 1969, the DMC had grown into a 256 bed community general hospital, serving more than 100,000 patients and operated by the Duval County Hospital Authority. 1971 saw both a new medical complex and a new name for the institution. Upon the opening of a new eight story, $27 million dollar health complex in March, the facility officially changed its name to University Hospital.","Documents pertaining to issues and activities, including correspondence, newspaper clippings, presentations and speeches by Dr. G. Dekle Taylor, minutes of various Committee meetings, reports, brochures and fact sheets on the 1971 University Hospital complex, and two photographs of Dr. Taylor being inducted in 1969 as President of the Center's Medical Staff.","This collection was donated by Dr. Taylor, a Jacksonville physician and a principal participant in the Center's transformation during this time period. He served on the Duval County Hospital Authority from 1964-66, as Chairman of the 1968 Ad Hoc Committee for the Improvement of the DMC, and as President of the DMC Medical Staff in 1969-70. The majority of the correspondence and documents pertain to his role and activities as a leading proponent of change for the DMC.","Overall, the materials give insight into the medical issues regarding the delivery of health care in Jacksonville during this time period, particularly the chronic funding problems common to large community charity hospitals. Committee reports also detail the long range expansion programs of the Duval County Hospital Authority, and the efforts of determined medical leaders to re-evaluate and redefine the community role of the DMC.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","Duval County Hospital Authority","Duval Medical Center.","University Hospital (Jacksonville, Fla.)","Duval County Hospital Authority.","Taylor, George Dekle.","English"],"unitid_tesim":["2003.003","/repositories/3/resources/38"],"normalized_date_ssm":["1925-1973"],"normalized_title_ssm":["Duval Medical Center, University Hospital, Jacksonville, Florida Collection, 1925-1973"],"collection_title_tesim":["Duval Medical Center, University Hospital, Jacksonville, Florida Collection, 1925-1973"],"collection_ssim":["Duval Medical Center, University Hospital, Jacksonville, Florida Collection, 1925-1973"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"creator_ssm":["Duval County Hospital Authority","Duval Medical Center.","Taylor, George Dekle.","University Hospital (Jacksonville, Fla.)"],"creator_ssim":["Duval County Hospital Authority","Duval Medical Center.","Taylor, George Dekle.","University Hospital (Jacksonville, Fla.)"],"creator_persname_ssim":["Taylor, George Dekle."],"creator_corpname_ssim":["Duval County Hospital Authority","Duval Medical Center.","University Hospital (Jacksonville, Fla.)"],"creators_ssim":["Taylor, George Dekle.","Duval County Hospital Authority","Duval Medical Center.","University Hospital (Jacksonville, Fla.)"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Dr. Dekle Taylor, 2003"],"access_subjects_ssim":["County hospitals--Florida--Jacksonville.","Medical care, Cost of--Florida--Jacksonville.","Photographs","Printed materials"],"access_subjects_ssm":["County hospitals--Florida--Jacksonville.","Medical care, Cost of--Florida--Jacksonville.","Photographs","Printed materials"],"has_online_content_ssim":["false"],"extent_ssm":["1.60 Linear Feet (1) One Legal Size flip-top box, (1) One oversize box"],"extent_tesim":["1.60 Linear Feet (1) One Legal Size flip-top box, (1) One oversize box"],"genreform_ssim":["Photographs","Printed materials"],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eThe collection provides historical documentation of the evolution of the Duval Medical Center (DMC) of Jacksonville, Florida, during its pivotal growth years of 1963-1973. The institution, called the \"nation's oldest publicly supported hospital,\" began on June 4, 1870, as the Duval County Hospital and Asylum, with the express purpose of helping the indigent sick of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eThe Hospital grew steadily through the early twentieth century, as did the total population of Duval County. The latter almost doubled from a total of 280,000 people in 1949 to 500,000 in 1964 and the need for larger medical facilities became critical. It is estimated that approximately twenty-five patients were turned away on a daily basis because of a shortage of beds.\u003c/p\u003e\n","\u003cp\u003eTo address this need, the Duval County Hospital Authority was created in 1963 by the Florida Legislature to make possible the construction of a new hospital facility. In 1964, Duval County medical and governmental leaders lobbied for the passage of a $20 million dollar bond issue. Its successful passage enabled the DMC to broaden its patient base and become a hub in the medical teaching community, and to eventually build a new hospital which would offer medical service that would improve care for the entire community.\u003c/p\u003e\n","\u003cp\u003eBy 1969, the DMC had grown into a 256 bed community general hospital, serving more than 100,000 patients and operated by the Duval County Hospital Authority. 1971 saw both a new medical complex and a new name for the institution. Upon the opening of a new eight story, $27 million dollar health complex in March, the facility officially changed its name to University Hospital.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The collection provides historical documentation of the evolution of the Duval Medical Center (DMC) of Jacksonville, Florida, during its pivotal growth years of 1963-1973. The institution, called the \"nation's oldest publicly supported hospital,\" began on June 4, 1870, as the Duval County Hospital and Asylum, with the express purpose of helping the indigent sick of Jacksonville. ","The Hospital grew steadily through the early twentieth century, as did the total population of Duval County. The latter almost doubled from a total of 280,000 people in 1949 to 500,000 in 1964 and the need for larger medical facilities became critical. It is estimated that approximately twenty-five patients were turned away on a daily basis because of a shortage of beds.","To address this need, the Duval County Hospital Authority was created in 1963 by the Florida Legislature to make possible the construction of a new hospital facility. In 1964, Duval County medical and governmental leaders lobbied for the passage of a $20 million dollar bond issue. Its successful passage enabled the DMC to broaden its patient base and become a hub in the medical teaching community, and to eventually build a new hospital which would offer medical service that would improve care for the entire community.","By 1969, the DMC had grown into a 256 bed community general hospital, serving more than 100,000 patients and operated by the Duval County Hospital Authority. 1971 saw both a new medical complex and a new name for the institution. Upon the opening of a new eight story, $27 million dollar health complex in March, the facility officially changed its name to University Hospital."],"prefercite_html_tesm":["\u003cp\u003eDuval Medical Center, University Hospital, Jacksonville, Florida Collection. Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Duval Medical Center, University Hospital, Jacksonville, Florida Collection. Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eDocuments pertaining to issues and activities, including correspondence, newspaper clippings, presentations and speeches by Dr. G. Dekle Taylor, minutes of various Committee meetings, reports, brochures and fact sheets on the 1971 University Hospital complex, and two photographs of Dr. Taylor being inducted in 1969 as President of the Center's Medical Staff.\u003c/p\u003e\n","\u003cp\u003eThis collection was donated by Dr. Taylor, a Jacksonville physician and a principal participant in the Center's transformation during this time period. He served on the Duval County Hospital Authority from 1964-66, as Chairman of the 1968 Ad Hoc Committee for the Improvement of the DMC, and as President of the DMC Medical Staff in 1969-70. The majority of the correspondence and documents pertain to his role and activities as a leading proponent of change for the DMC.\u003c/p\u003e\n","\u003cp\u003eOverall, the materials give insight into the medical issues regarding the delivery of health care in Jacksonville during this time period, particularly the chronic funding problems common to large community charity hospitals. Committee reports also detail the long range expansion programs of the Duval County Hospital Authority, and the efforts of determined medical leaders to re-evaluate and redefine the community role of the DMC.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Documents pertaining to issues and activities, including correspondence, newspaper clippings, presentations and speeches by Dr. G. Dekle Taylor, minutes of various Committee meetings, reports, brochures and fact sheets on the 1971 University Hospital complex, and two photographs of Dr. Taylor being inducted in 1969 as President of the Center's Medical Staff.","This collection was donated by Dr. Taylor, a Jacksonville physician and a principal participant in the Center's transformation during this time period. He served on the Duval County Hospital Authority from 1964-66, as Chairman of the 1968 Ad Hoc Committee for the Improvement of the DMC, and as President of the DMC Medical Staff in 1969-70. The majority of the correspondence and documents pertain to his role and activities as a leading proponent of change for the DMC.","Overall, the materials give insight into the medical issues regarding the delivery of health care in Jacksonville during this time period, particularly the chronic funding problems common to large community charity hospitals. Committee reports also detail the long range expansion programs of the Duval County Hospital Authority, and the efforts of determined medical leaders to re-evaluate and redefine the community role of the DMC."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_coll_ssim":["Duval County Hospital Authority."],"names_ssim":["UNF Library Special Collections and University Archives","Duval County Hospital Authority","Duval Medical Center.","University Hospital (Jacksonville, Fla.)","Duval County Hospital Authority.","Taylor, George Dekle."],"corpname_ssim":["UNF Library Special Collections and University Archives","Duval County Hospital Authority","Duval Medical Center.","University Hospital (Jacksonville, Fla.)","Duval County Hospital Authority."],"persname_ssim":["Taylor, George Dekle."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":65,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860528022192128,"_root_":"8d216cc8a1a5362f9ba3c765","timestamp":"2026-07-16T08:47:15.152Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8d216cc8a1a5362f9ba3c765_aspace_9e05ebcc6a32d4b04b32c24efa8e4011"}},{"id":"59327c0abe5aee857a5586d7_aspace_c00ef222dd88840e67707928eeaecec2","type":"Series","attributes":{"title":"Subject Research Materials, 1960-1995","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/59327c0abe5aee857a5586d7_aspace_c00ef222dd88840e67707928eeaecec2#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eSeries VI holds collected materials organized in alphabetical order by subject category. These materials were used for background research and initial information for multiple projects. Many of the research materials provided background for the reports in Series I. Some of the original material in this series were publications, which have be found by searching the library's online catalog.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/59327c0abe5aee857a5586d7_aspace_c00ef222dd88840e67707928eeaecec2#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_c00ef222dd88840e67707928eeaecec2","ref_ssm":["aspace_c00ef222dd88840e67707928eeaecec2","aspace_c00ef222dd88840e67707928eeaecec2"],"id":"59327c0abe5aee857a5586d7_aspace_c00ef222dd88840e67707928eeaecec2","title_filing_ssi":"Subject Research Materials","title_ssm":["Subject Research Materials"],"title_tesim":["Subject Research Materials"],"unitdate_inclusive_ssm":["1960-1995"],"normalized_date_ssm":["1960-1995"],"normalized_title_ssm":["Subject Research Materials, 1960-1995"],"text":["Subject Research Materials, 1960-1995","Harrison \"Buzz\" Price papers, 1948-2006","6","/repositories/4/archival_objects/69946","Series VI holds collected materials organized in alphabetical order by subject category. These materials were used for background research and initial information for multiple projects. Many of the research materials provided background for the reports in Series I. Some of the original material in this series were publications, which have be found by searching the library's online catalog."],"component_level_isim":[1],"parent_ids_ssim":["59327c0abe5aee857a5586d7"],"parent_unittitles_ssm":["Harrison \"Buzz\" Price papers, 1948-2006"],"parent_unittitles_tesim":["Harrison \"Buzz\" Price papers, 1948-2006"],"parent_levels_ssm":["collection"],"unitid_ssm":["6","/repositories/4/archival_objects/69946"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Harrison \"Buzz\" Price papers, 1948-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":14,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":2569,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"scopecontent_html_tesm":["\u003cp\u003eSeries VI holds collected materials organized in alphabetical order by subject category. These materials were used for background research and initial information for multiple projects. Many of the research materials provided background for the reports in Series I. Some of the original material in this series were publications, which have be found by searching the library's online catalog.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series VI holds collected materials organized in alphabetical order by subject category. These materials were used for background research and initial information for multiple projects. Many of the research materials provided background for the reports in Series I. Some of the original material in this series were publications, which have be found by searching the library's online catalog."],"_nest_path_":"/components#5","_nest_parent_":"59327c0abe5aee857a5586d7","_root_":"59327c0abe5aee857a5586d7","_version_":1870858054322356224,"timestamp":"2026-07-16T08:07:55.983Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"59327c0abe5aee857a5586d7","title_ssm":["Harrison \"Buzz\" Price papers"],"title_tesim":["Harrison \"Buzz\" Price papers"],"ead_ssi":"59327c0abe5aee857a5586d7","unitdate_ssm":["1948-2006"],"unitdate_inclusive_ssm":["1948-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 047","/repositories/4/resources/299"],"text":["SC 047","/repositories/4/resources/299","Harrison \"Buzz\" Price papers, 1948-2006","Disneyland (Calif.)","Walt Disney World (Fla.)","Amusement parks","Amusement parks -- Florida -- Design and Construction","Amusement parks -- Florida","Amusement parks -- Economic aspects -- United States","Tourism","Tourism -- Florida","photographs","official reports","proposals","research (documents)","speeches (documents)","The entire collection is open for research.","Some reports have been made available online via the  Harrison \"Buzz\" Price Digital Collection .","The collection is arranged into eight series: \n I. Reports, 1952-2003  II. Proposals, 1978-2001 III. Speeches, 1966-2006 IV. World's Fairs, 1974-1989 V. Images, 1964-1997 VI. Subject Research Materials, 1960-1995 VII. Project Research Materials, 1948-2005 VIII. Price Company Files, 1963-2000","Harrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. ","In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. n 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled  Walt's Revolution! By the Numbers . Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89. ","Collection processed by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, and Elizabeth Konzak in 2005 and Ariana Santiago in 2014. Finding aid prepared by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, Elizabeth Konzak, and Lindsay Mazziotto in 2005 and Suphi Burak Ogreten and Racheile M. Rickefs in 2014. The materials were sorted into numerical order by Price's numbering scheme. All materials were placed in acid-free folders and boxes some binders or folders were removed to preserve the materials enclosed. Additional materials in series VII, Project Research Materials were minimally processed and kept in original order. Collection rehoused and separate finding aids for each series revised and combined by Asmara Cortes-Caba in 2024.","Walt's revolution! : by the numbers.  Harrison A. Price. Published by Ripley Entertainment Inc., Orlando, Florida. 2004.","The Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.   ","This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. ","Series I: Reports, 1952-2003, holds reports that contain feasibility studies, research reports, and other studies created by HPC or other collected companies. The series is arranged by order of importance, beginning with commercial attractions, and ending with other study areas. The types of reports vary, depending on the stage of the project under analysis and may include photographs, maps, architectural renderings, and pamphlets. Reports are in order by number, provided by Price. Reports by HPC are numbered 1-900; other firms collected reports number over 1000. Each entry includes the name of the corporation for which the study was conducted, the title of the report, the location of the project, other economic research companies involved (if applicable), and the date of the report's completion. ","Series II: Proposals, 1978-2001, contains proposals which Harrison Price returned to potential clients concerning research requests. The series is in original order. Sub-series are arranged by order of project importance according to Harrison Price's organization, and then alphabetically. The proposals generally include background information on the needs and wishes of the client, the scope of services, time and cost estimates, and an acceptance portion.  Each entry includes the name of the company for which the proposal was written, the project's location, and the date it was written.  ","Series III: Speeches, 1966-2006, includes speeches given by Harrison Price at various events documenting his many projects and professional activities. The speeches are arranged chronologically. Each entry contains the name of the organization for which Price gave the speech, the title of the speech, the location where the speech was given, and the date the speech was given. ","Series IV: World's Fairs, 1974-1989, documents Price's involvement and research on World's Fairs, specifically the fairs in Knoxville in 1982, the Louisiana World Exposition in 1984, and Vancouver's Expo '86. The bulk of the materials in this series document the Louisiana World Exposition and the lawsuits which occurred after the exposition went bankrupt. The series is arranged by order of importance according to Price's organization, with supporting documentation arranged alphabetically. ","Series V: Images, 1964-1997, contains collected materials organized by location and project. Contents include pictures, negatives, slides, postcards, brochures, and posters from such places such as Disneyland, Walt Disney World, SeaWorld, NASA, Hong Kong, Taiwan, London, Sydney, Japan, and China. Most of the negatives and prints from the locations can be linked to Price's consulting trips.  ","Series VI: Subject Research Materials, 1960-1995, holds collected materials organized in alphabetical order by subject category. These materials were used for background research and initial information for multiple projects. Many of the research materials provided background for the reports in Series I.  ","Series VII: Project Research Materials, 1948-2005, contains research materials for specific projects including Disneyland, Walt Disney World, Six Flags, Knott's Berry Farm, Cedar's Fair, The Longaberger Company, Silver Cup Studios, Silver Dollar City, among other projects. Some projects also include municipalities including the City of Norfolk, Virginia, the City of Coachella, California, the City of Branson, Missouri, the Commonwealth of Massachusetts, and governments such as Australia, Nigeria, Panama and others. These materials were collected as the research basis for projects that Price was hired to perform. Many of the research projects found in this series may not have become reports or proposals. In some cases, this series contains the only record of a project that Price worked on during his long career. ","Series VIII: Price Company Files, 1963-2000, contains materials from the Economic Research Associates, Planning Research Corporation, and Harrison Price Company. These materials consist of company profiles, correspondence, organization files, council and meeting files, faxes, projects, and Price's personal files labeled as Buzz files. ","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's work career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.  This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. \n\nHarrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. In 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled  Walt's Revolution! By the Numbers . Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89.","UCF Special Collections","Harrison Price Company","Price, Harrison","English"],"unitid_tesim":["SC 047","/repositories/4/resources/299"],"normalized_date_ssm":["1948-2006"],"normalized_title_ssm":["Harrison \"Buzz\" Price papers, 1948-2006"],"collection_title_tesim":["Harrison \"Buzz\" Price papers, 1948-2006"],"collection_ssim":["Harrison \"Buzz\" Price papers, 1948-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Disneyland (Calif.)","Walt Disney World (Fla.)"],"geogname_ssim":["Disneyland (Calif.)","Walt Disney World (Fla.)"],"creator_ssm":["Price, Harrison"],"creator_ssim":["Price, Harrison"],"creator_persname_ssim":["Price, Harrison"],"creators_ssim":["Price, Harrison"],"places_ssim":["Disneyland (Calif.)","Walt Disney World (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were donated to the University of Central Florida Special Collections by Harrison A. Price in 2003 (Accession no. CFM2003_12). Additional materials were donated in July 2005 (Accession no. CFM2005_19)."],"access_subjects_ssim":["Amusement parks","Amusement parks -- Florida -- Design and Construction","Amusement parks -- Florida","Amusement parks -- Economic aspects -- United States","Tourism","Tourism -- Florida","photographs","official reports","proposals","research (documents)","speeches (documents)"],"access_subjects_ssm":["Amusement parks","Amusement parks -- Florida -- Design and Construction","Amusement parks -- Florida","Amusement parks -- Economic aspects -- United States","Tourism","Tourism -- Florida","photographs","official reports","proposals","research (documents)","speeches (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["178.9 Linear Feet 357 boxes, 8 flat files"],"extent_tesim":["178.9 Linear Feet 357 boxes, 8 flat files"],"genreform_ssim":["photographs","official reports","proposals","research (documents)","speeches (documents)"],"date_range_isim":[1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"altformavail_html_tesm":["\u003cp\u003eSome reports have been made available online via the \u003cextref href=\"https://stars.library.ucf.edu/buzzprice/\"\u003eHarrison \"Buzz\" Price Digital Collection\u003c/extref\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies "],"altformavail_tesim":["Some reports have been made available online via the  Harrison \"Buzz\" Price Digital Collection ."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into eight series: \n\u003cul style=\"list-style-type: none\"\u003e\n\u003cli\u003eI. Reports, 1952-2003 \u003c/li\u003e\n\u003cli\u003eII. Proposals, 1978-2001\u003c/li\u003e\n\u003cli\u003eIII. Speeches, 1966-2006\u003c/li\u003e \n\u003cli\u003eIV. World's Fairs, 1974-1989\u003c/li\u003e\n\u003cli\u003eV. Images, 1964-1997\u003c/li\u003e \n\u003cli\u003eVI. Subject Research Materials, 1960-1995\u003c/li\u003e \n\u003cli\u003eVII. Project Research Materials, 1948-2005\u003c/li\u003e \n\u003cli\u003eVIII. Price Company Files, 1963-2000\u003c/li\u003e \n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note "],"arrangement_tesim":["The collection is arranged into eight series: \n I. Reports, 1952-2003  II. Proposals, 1978-2001 III. Speeches, 1966-2006 IV. World's Fairs, 1974-1989 V. Images, 1964-1997 VI. Subject Research Materials, 1960-1995 VII. Project Research Materials, 1948-2005 VIII. Price Company Files, 1963-2000"],"bioghist_html_tesm":["\u003cp\u003eHarrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. \u003c/p\u003e\n","\u003cp\u003eIn 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. n 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled \u003cemph render=\"italic\"\u003eWalt's Revolution! By the Numbers\u003c/emph\u003e. Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information "],"bioghist_tesim":["Harrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. ","In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. n 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled  Walt's Revolution! By the Numbers . Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Harrison \"Buzz\" Price papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Harrison \"Buzz\" Price papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, and Elizabeth Konzak in 2005 and Ariana Santiago in 2014. Finding aid prepared by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, Elizabeth Konzak, and Lindsay Mazziotto in 2005 and Suphi Burak Ogreten and Racheile M. Rickefs in 2014. The materials were sorted into numerical order by Price's numbering scheme. All materials were placed in acid-free folders and boxes some binders or folders were removed to preserve the materials enclosed. Additional materials in series VII, Project Research Materials were minimally processed and kept in original order. Collection rehoused and separate finding aids for each series revised and combined by Asmara Cortes-Caba in 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information "],"processinfo_tesim":["Collection processed by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, and Elizabeth Konzak in 2005 and Ariana Santiago in 2014. Finding aid prepared by April Karlene Anderson, Heather Bollinger, Ryan Groves, Rebecca Hammond, Elizabeth Konzak, and Lindsay Mazziotto in 2005 and Suphi Burak Ogreten and Racheile M. Rickefs in 2014. The materials were sorted into numerical order by Price's numbering scheme. All materials were placed in acid-free folders and boxes some binders or folders were removed to preserve the materials enclosed. Additional materials in series VII, Project Research Materials were minimally processed and kept in original order. Collection rehoused and separate finding aids for each series revised and combined by Asmara Cortes-Caba in 2024."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cemph render=\"italic\"\u003e\u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/discovery/fulldisplay?context=L\u0026amp;vid=01FALSC_UCF:UCF\u0026amp;tab=Everything\u0026amp;docid=alma990223015270306596\"\u003eWalt's revolution! : by the numbers.\u003c/extref\u003e\u003c/emph\u003e Harrison A. Price. Published by Ripley Entertainment Inc., Orlando, Florida. 2004.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials "],"relatedmaterial_tesim":["Walt's revolution! : by the numbers.  Harrison A. Price. Published by Ripley Entertainment Inc., Orlando, Florida. 2004."],"scopecontent_html_tesm":["\u003cp\u003eThe Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.   \u003c/p\u003e\n","\u003cp\u003eThis collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. \u003c/p\u003e\n","\u003cp\u003eSeries I: Reports, 1952-2003, holds reports that contain feasibility studies, research reports, and other studies created by HPC or other collected companies. The series is arranged by order of importance, beginning with commercial attractions, and ending with other study areas. The types of reports vary, depending on the stage of the project under analysis and may include photographs, maps, architectural renderings, and pamphlets. Reports are in order by number, provided by Price. Reports by HPC are numbered 1-900; other firms collected reports number over 1000. Each entry includes the name of the corporation for which the study was conducted, the title of the report, the location of the project, other economic research companies involved (if applicable), and the date of the report's completion. \u003c/p\u003e\n","\u003cp\u003eSeries II: Proposals, 1978-2001, contains proposals which Harrison Price returned to potential clients concerning research requests. The series is in original order. Sub-series are arranged by order of project importance according to Harrison Price's organization, and then alphabetically. The proposals generally include background information on the needs and wishes of the client, the scope of services, time and cost estimates, and an acceptance portion.  Each entry includes the name of the company for which the proposal was written, the project's location, and the date it was written.  \u003c/p\u003e\n","\u003cp\u003eSeries III: Speeches, 1966-2006, includes speeches given by Harrison Price at various events documenting his many projects and professional activities. The speeches are arranged chronologically. Each entry contains the name of the organization for which Price gave the speech, the title of the speech, the location where the speech was given, and the date the speech was given. \u003c/p\u003e\n","\u003cp\u003eSeries IV: World's Fairs, 1974-1989, documents Price's involvement and research on World's Fairs, specifically the fairs in Knoxville in 1982, the Louisiana World Exposition in 1984, and Vancouver's Expo '86. The bulk of the materials in this series document the Louisiana World Exposition and the lawsuits which occurred after the exposition went bankrupt. The series is arranged by order of importance according to Price's organization, with supporting documentation arranged alphabetically. \u003c/p\u003e\n","\u003cp\u003eSeries V: Images, 1964-1997, contains collected materials organized by location and project. Contents include pictures, negatives, slides, postcards, brochures, and posters from such places such as Disneyland, Walt Disney World, SeaWorld, NASA, Hong Kong, Taiwan, London, Sydney, Japan, and China. Most of the negatives and prints from the locations can be linked to Price's consulting trips.  \u003c/p\u003e\n","\u003cp\u003eSeries VI: Subject Research Materials, 1960-1995, holds collected materials organized in alphabetical order by subject category. These materials were used for background research and initial information for multiple projects. Many of the research materials provided background for the reports in Series I.  \u003c/p\u003e\n","\u003cp\u003eSeries VII: Project Research Materials, 1948-2005, contains research materials for specific projects including Disneyland, Walt Disney World, Six Flags, Knott's Berry Farm, Cedar's Fair, The Longaberger Company, Silver Cup Studios, Silver Dollar City, among other projects. Some projects also include municipalities including the City of Norfolk, Virginia, the City of Coachella, California, the City of Branson, Missouri, the Commonwealth of Massachusetts, and governments such as Australia, Nigeria, Panama and others. These materials were collected as the research basis for projects that Price was hired to perform. Many of the research projects found in this series may not have become reports or proposals. In some cases, this series contains the only record of a project that Price worked on during his long career. \u003c/p\u003e\n","\u003cp\u003eSeries VIII: Price Company Files, 1963-2000, contains materials from the Economic Research Associates, Planning Research Corporation, and Harrison Price Company. These materials consist of company profiles, correspondence, organization files, council and meeting files, faxes, projects, and Price's personal files labeled as Buzz files. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents "],"scopecontent_tesim":["The Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.   ","This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. ","Series I: Reports, 1952-2003, holds reports that contain feasibility studies, research reports, and other studies created by HPC or other collected companies. The series is arranged by order of importance, beginning with commercial attractions, and ending with other study areas. The types of reports vary, depending on the stage of the project under analysis and may include photographs, maps, architectural renderings, and pamphlets. Reports are in order by number, provided by Price. Reports by HPC are numbered 1-900; other firms collected reports number over 1000. Each entry includes the name of the corporation for which the study was conducted, the title of the report, the location of the project, other economic research companies involved (if applicable), and the date of the report's completion. ","Series II: Proposals, 1978-2001, contains proposals which Harrison Price returned to potential clients concerning research requests. The series is in original order. Sub-series are arranged by order of project importance according to Harrison Price's organization, and then alphabetically. The proposals generally include background information on the needs and wishes of the client, the scope of services, time and cost estimates, and an acceptance portion.  Each entry includes the name of the company for which the proposal was written, the project's location, and the date it was written.  ","Series III: Speeches, 1966-2006, includes speeches given by Harrison Price at various events documenting his many projects and professional activities. The speeches are arranged chronologically. Each entry contains the name of the organization for which Price gave the speech, the title of the speech, the location where the speech was given, and the date the speech was given. ","Series IV: World's Fairs, 1974-1989, documents Price's involvement and research on World's Fairs, specifically the fairs in Knoxville in 1982, the Louisiana World Exposition in 1984, and Vancouver's Expo '86. The bulk of the materials in this series document the Louisiana World Exposition and the lawsuits which occurred after the exposition went bankrupt. The series is arranged by order of importance according to Price's organization, with supporting documentation arranged alphabetically. ","Series V: Images, 1964-1997, contains collected materials organized by location and project. Contents include pictures, negatives, slides, postcards, brochures, and posters from such places such as Disneyland, Walt Disney World, SeaWorld, NASA, Hong Kong, Taiwan, London, Sydney, Japan, and China. Most of the negatives and prints from the locations can be linked to Price's consulting trips.  ","Series VI: Subject Research Materials, 1960-1995, holds collected materials organized in alphabetical order by subject category. These materials were used for background research and initial information for multiple projects. Many of the research materials provided background for the reports in Series I.  ","Series VII: Project Research Materials, 1948-2005, contains research materials for specific projects including Disneyland, Walt Disney World, Six Flags, Knott's Berry Farm, Cedar's Fair, The Longaberger Company, Silver Cup Studios, Silver Dollar City, among other projects. Some projects also include municipalities including the City of Norfolk, Virginia, the City of Coachella, California, the City of Branson, Missouri, the Commonwealth of Massachusetts, and governments such as Australia, Nigeria, Panama and others. These materials were collected as the research basis for projects that Price was hired to perform. Many of the research projects found in this series may not have become reports or proposals. In some cases, this series contains the only record of a project that Price worked on during his long career. ","Series VIII: Price Company Files, 1963-2000, contains materials from the Economic Research Associates, Planning Research Corporation, and Harrison Price Company. These materials consist of company profiles, correspondence, organization files, council and meeting files, faxes, projects, and Price's personal files labeled as Buzz files. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f301b4d6cd4750973558e5e365ab2d20\" label=\"Abstract \"\u003eThe Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's work career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.  This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. \n\nHarrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. In 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled \u003cemph render=\"italic\"\u003eWalt's Revolution! By the Numbers\u003c/emph\u003e. Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89.\u003c/abstract\u003e"],"abstract_tesim":["The Harrison \"Buzz\" Price collection, 1952-2006 is comprised of reports, proposals, research, photographs, and company files related to Price's work career as an economics consultant for theme parks and tourist attractions. The collection primarily documents the business activities of the Harrison Price Company (HPC), but some materials from earlier projects with Economic Research Associates (ERA) are also included.  This collection offers insight into the theme park and tourism industry in the U.S. and internationally. It features background research involved in planning attractions, feasibility analysis reports for attraction locations, and notes from collaborative sessions on project ideas. Price was involved in projects for Disneyland, Walt Disney World, Six Flags, Universal Studios, MGM, Cedars Fair, Knott's Berry Farm, and several other entertainment organizations and resorts.  The papers are divided into eight series: Reports, Proposals, Speeches, World's Fairs, Images, Subject Research Materials, Project Research Materials, and Price Company Files. \n\nHarrison \"Buzz\" Price was born in Oregon City, Oregon on May 17, 1921. In 1930, his family moved to San Diego, California. In 1942, Price earned a bachelor's degree in mechanical engineering from the California Institute of Technology. After serving in the Army during World War II, he also earned an M.B.A. from Stanford in 1951. That same year, Price joined the Stanford Research Institute, where he assisted in locating the site for Disneyland in Anaheim, California. He managed the Stanford Research Institute's LA office for several years before founding Economic Research Associates (ERA), a consulting company in economics, in 1958. While at ERA, Price helped to locate the site for Walt Disney World in Central Florida in 1963, wrote a Universal Studios tour feasibility analysis in 1964, and carried out 6,000 consulting studies. In 1969, Price sold ERA to Planning Research Corporation, the world's largest conglomerate of professional service consulting. He became Planning Research Corporation's Chairman of the Board after serving seven years in corporate management. Price went on to start an independent consulting company in 1978, founding the Harrison Price Company. In 1994, Price was the first recipient of the Lifetime Achievement Award from the Themed Entertainment Association (TEA) and was elected to the International Association of Amusement Parks Hall of Fame in 1995. For 37 years and up until his death, Price served, alongside Edie Wasserman, as a trustee of the California Institute of the Arts (CalArts). Price also published a book in 2004 about his work in the themed entertainment and attractions business titled  Walt's Revolution! By the Numbers . Harrison \"Buzz\" Price passed away in Pomona, California on August 15, 2010, at the age of 89."],"names_coll_ssim":["Harrison Price Company"],"names_ssim":["UCF Special Collections","Harrison Price Company","Price, Harrison"],"corpname_ssim":["UCF Special Collections","Harrison Price Company"],"persname_ssim":["Price, Harrison"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4991,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858054322356224,"_root_":"59327c0abe5aee857a5586d7","timestamp":"2026-07-16T08:07:55.983Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/59327c0abe5aee857a5586d7_aspace_c00ef222dd88840e67707928eeaecec2"}},{"id":"889b65a67fe6306550dd539e","type":"collection","attributes":{"title":"Suchoff-Antokoletz collection of Bartokiana, 1945-2002, Date acquired: 07/25/2001","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/889b65a67fe6306550dd539e#creator","type":"document_value","attributes":{"value":["Suchoff, Benjamin, Dr. (1918-2011)"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/889b65a67fe6306550dd539e#abstract_or_scope","type":"document_value","attributes":{"value":["A collection of research and other documents concerning composer Béla Bartók (1881-1945)."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/889b65a67fe6306550dd539e#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"889b65a67fe6306550dd539e","title_ssm":["Suchoff-Antokoletz collection of Bartokiana"],"title_tesim":["Suchoff-Antokoletz collection of Bartokiana"],"ead_ssi":"889b65a67fe6306550dd539e","unitdate_ssm":["1945-2002","Date acquired: 07/25/2001"],"unitdate_inclusive_ssm":["1945-2002"],"unitdate_other_ssim":["Date acquired: 07/25/2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2001-06","/repositories/2/resources/420"],"text":["MS-2001-06","/repositories/2/resources/420","Suchoff-Antokoletz collection of Bartokiana, 1945-2002, Date acquired: 07/25/2001","Ethnomusicology -- Hungary -- History","Folk Music -- Hungary -- History and criticism","Ethnomusicology -- United States -- History","Composers","Suchoff interviews with Leafstedt are only accessible through reading room access. Researchers requesting access much sign a \"access agreement\" form before using the audio from these interviews.","Benjamin Suchoff interview transcripts and cassette tapes were donated by Carl Leafstedt in 2025.","The collection is arranged in series by subject:","1.  Bartók Estate Records","2.  Suchoff Research on Bartók","3.  Works of Béla Bartók","4.  Antokoletz Research on Bartók","Dr. Benjamin Suchoff (1918-2011) attended Cornell University, Julliard School of Music, and received a doctorate from New York University. During World War II, he served in the United States Army, enlisting in 1941 as a private. He was an accomplished pianist in both classical and jazz. He went on to become Professor of Ethnomusicology at UCLA and a recognized world authority on composer Béla Bartók, for whose estate he served as a curator and trustee. He has written numerous books and articles on Béla Bartók, as well as on topics in Ethnomusicology. He died in Palm Beach, Florida in March of 2011.","Obituary,  Palm Beach Post,  March 15, 2011.  http://www.legacy.com/obituaries/palmbeachpost/obituary.aspx?n=benjamin-suchoff\u0026pid=149133562#fbLoggedOut","Note written by Kevin Arms, 2013","Antokoletz, Elliott, and Paolo Susanni.  Béla Bartók: A Research and Information Guide . New York: Routledge, 2011. Internet resource.","http://www.usf.eblib.com/patron/FullRecord.aspx?p=668794","Antokoletz, Elliott.  Rhythmic Form in Three of Bartók's String Quartets . , 1970. Print.","Antokoletz, Elliott.  Principles of Pitch Organization in Bartók's Fourth String Quartet . , 1980. Print.","Antokoletz, Elliott.  Béla Bartók: A Guide to Research . New York: Garland Pub, 1988. Print.","Antokoletz, Elliott.  The Music of Béla Bartók: A Study of Tonality and Progression in Twentieth-Century Music . Berkeley: University of California Press, 1989. Print.","Bartók, Béla, and Benjamin Suchoff.  Béla Bartók Essays . Lincoln: University of Nebraska Press, 1993. Print.","Suchoff, Benjamin.  Béla Bartók and a Guide to the Mikrokosmos . , 1956. Print.","Suchoff, Benjamin.  Bartók, Concerto for Orchestra: Understanding Bartók's World . New York: Schirmer Books, 1995. Print.","Suchoff, Benjamin.  Béla Bartók: Life and Work . Lanham, Md: Scarecrow Press, 2001. Print","Suchoff, Benjamin.  Béla Bartók: A Celebration . Lanham, Md: Scarecrow Press, 2004. Print.","Suchoff, Benjamin.  Background and Sources of Bartók's Concerto for Orchestra . Frankfurt-am-Main: Peter Lang, 2006. Print.","This collection contains research, manuscripts, interviews, articles, and letters concerning composer Béla Bartók (1881–1945), as collected by Dr. Benjamin Suchoff and Dr. Elliott Antokoletz. The collection features 25 boxes of selected works of the composer and includes analyses by Dr. Suchoff as well as full manuscripts of certain works with sheet music. Also contained within the collection are miscellaneous papers and documents pertaining to the Estate of Béla Bartók and Dr. Suchoff's personal papers from his time as Trustee to the Estate after the death of the former Trustee, Viktor Bader. Finally, the collection contains the lecture notes and recordings of Dr. Elliott Antokoletz's work on Béla Bartók and his research for his book  Musical Symbolism in the Operas of Debussy and Bartók.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","A collection of research and other documents concerning composer Béla Bartók (1881-1945).","USF Libraries - Tampa Special Collections","Suchoff, Benjamin, Dr. (1918-2011)","Antokoletz, Elliott (1942-)","Bartok, Bela (1881-1945)","English"],"unitid_tesim":["MS-2001-06","/repositories/2/resources/420"],"normalized_date_ssm":["1945-2002, Date acquired: 07/25/2001"],"normalized_title_ssm":["Suchoff-Antokoletz collection of Bartokiana, 1945-2002, Date acquired: 07/25/2001"],"collection_title_tesim":["Suchoff-Antokoletz collection of Bartokiana, 1945-2002, Date acquired: 07/25/2001"],"collection_ssim":["Suchoff-Antokoletz collection of Bartokiana, 1945-2002, Date acquired: 07/25/2001"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Suchoff, Benjamin, Dr. (1918-2011)","Antokoletz, Elliott (1942-)"],"creator_ssim":["Suchoff, Benjamin, Dr. (1918-2011)","Antokoletz, Elliott (1942-)"],"creator_persname_ssim":["Suchoff, Benjamin, Dr. (1918-2011)","Antokoletz, Elliott (1942-)"],"creators_ssim":["Suchoff, Benjamin, Dr. (1918-2011)","Antokoletz, Elliott (1942-)"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Benjamin Suchoff","Donation."],"access_subjects_ssim":["Ethnomusicology -- Hungary -- History","Folk Music -- Hungary -- History and criticism","Ethnomusicology -- United States -- History","Composers"],"access_subjects_ssm":["Ethnomusicology -- Hungary -- History","Folk Music -- Hungary -- History and criticism","Ethnomusicology -- United States -- History","Composers"],"has_online_content_ssim":["false"],"extent_ssm":["24.8 Linear Feet","57 boxes"],"extent_tesim":["24.8 Linear Feet","57 boxes"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"accessrestrict_html_tesm":["\u003cp\u003eSuchoff interviews with Leafstedt are only accessible through reading room access. Researchers requesting access much sign a \"access agreement\" form before using the audio from these interviews.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Suchoff interviews with Leafstedt are only accessible through reading room access. Researchers requesting access much sign a \"access agreement\" form before using the audio from these interviews."],"accruals_html_tesm":["\u003cp\u003eBenjamin Suchoff interview transcripts and cassette tapes were donated by Carl Leafstedt in 2025.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Benjamin Suchoff interview transcripts and cassette tapes were donated by Carl Leafstedt in 2025."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in series by subject:\u003c/p\u003e\n","\u003cp\u003e1.\u0026#xA0; Bart\u0026#xF3;k Estate Records\u003c/p\u003e\n","\u003cp\u003e2.\u0026#xA0; Suchoff Research on Bart\u0026#xF3;k\u003c/p\u003e\n","\u003cp\u003e3.\u0026#xA0; Works of B\u0026#xE9;la Bart\u0026#xF3;k\u003c/p\u003e\n","\u003cp\u003e4.\u0026#xA0; Antokoletz Research on Bart\u0026#xF3;k\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged in series by subject:","1.  Bartók Estate Records","2.  Suchoff Research on Bartók","3.  Works of Béla Bartók","4.  Antokoletz Research on Bartók"],"bioghist_html_tesm":["\u003cp\u003eDr. Benjamin Suchoff (1918-2011) attended Cornell University, Julliard School of Music, and received a doctorate from New York University. During World War II, he served in the United States Army, enlisting in 1941 as a private. He was an accomplished pianist in both classical and jazz. He went on to become Professor of Ethnomusicology at UCLA and a recognized world authority on composer B\u0026#xE9;la Bart\u0026#xF3;k, for whose estate he served as a curator and trustee. He has written numerous books and articles on B\u0026#xE9;la Bart\u0026#xF3;k, as well as on topics in Ethnomusicology. He died in Palm Beach, Florida in March of 2011.\u003c/p\u003e\n","\u003cp\u003eObituary, \u003cemph render=\"italic\"\u003ePalm Beach Post, \u003c/emph\u003eMarch 15, 2011.\u0026#xA0; http://www.legacy.com/obituaries/palmbeachpost/obituary.aspx?n=benjamin-suchoff\u0026amp;pid=149133562#fbLoggedOut\u003c/p\u003e\n","\u003cp\u003eNote written by Kevin Arms, 2013\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Dr. Benjamin Suchoff (1918-2011) attended Cornell University, Julliard School of Music, and received a doctorate from New York University. During World War II, he served in the United States Army, enlisting in 1941 as a private. He was an accomplished pianist in both classical and jazz. He went on to become Professor of Ethnomusicology at UCLA and a recognized world authority on composer Béla Bartók, for whose estate he served as a curator and trustee. He has written numerous books and articles on Béla Bartók, as well as on topics in Ethnomusicology. He died in Palm Beach, Florida in March of 2011.","Obituary,  Palm Beach Post,  March 15, 2011.  http://www.legacy.com/obituaries/palmbeachpost/obituary.aspx?n=benjamin-suchoff\u0026pid=149133562#fbLoggedOut","Note written by Kevin Arms, 2013"],"prefercite_html_tesm":["\u003cp\u003eBenjamin Suchoff Collection of Bartokiana, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Benjamin Suchoff Collection of Bartokiana, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eAntokoletz, Elliott, and Paolo Susanni. \u003cemph render=\"italic\"\u003eBe\u0026#x301;la Barto\u0026#x301;k: A Research and Information Guide\u003c/emph\u003e. New York: Routledge, 2011. Internet resource.\u003c/p\u003e\n","\u003cp\u003ehttp://www.usf.eblib.com/patron/FullRecord.aspx?p=668794\u003c/p\u003e","\u003cp\u003eAntokoletz, Elliott. \u003cemph render=\"italic\"\u003eRhythmic Form in Three of Barto\u0026#x301;k's String Quartets\u003c/emph\u003e. , 1970. Print.\u003c/p\u003e\n","\u003cp\u003eAntokoletz, Elliott. \u003cemph render=\"italic\"\u003ePrinciples of Pitch Organization in Barto\u0026#x301;k's Fourth String Quartet\u003c/emph\u003e. , 1980. Print.\u003c/p\u003e\n","\u003cp\u003eAntokoletz, Elliott. \u003cemph render=\"italic\"\u003eBe\u0026#x301;la Barto\u0026#x301;k: A Guide to Research\u003c/emph\u003e. New York: Garland Pub, 1988. Print.\u003c/p\u003e\n","\u003cp\u003eAntokoletz, Elliott. \u003cemph render=\"italic\"\u003eThe Music of Be\u0026#x301;la Barto\u0026#x301;k: A Study of Tonality and Progression in Twentieth-Century Music\u003c/emph\u003e. Berkeley: University of California Press, 1989. Print.\u003c/p\u003e\n","\u003cp\u003eBarto\u0026#x301;k, Be\u0026#x301;la, and Benjamin Suchoff. \u003cemph render=\"italic\"\u003eBe\u0026#x301;la Barto\u0026#x301;k Essays\u003c/emph\u003e. Lincoln: University of Nebraska Press, 1993. Print.\u003c/p\u003e\n","\u003cp\u003eSuchoff, Benjamin. \u003cemph render=\"italic\"\u003eBe\u0026#x301;la Barto\u0026#x301;k and a Guide to the Mikrokosmos\u003c/emph\u003e. , 1956. Print.\u003c/p\u003e\n","\u003cp\u003eSuchoff, Benjamin. \u003cemph render=\"italic\"\u003eBarto\u0026#x301;k, Concerto for Orchestra: Understanding Barto\u0026#x301;k's World\u003c/emph\u003e. New York: Schirmer Books, 1995. Print.\u003c/p\u003e\n","\u003cp\u003eSuchoff, Benjamin. \u003cemph render=\"italic\"\u003eBe\u0026#x301;la Barto\u0026#x301;k: Life and Work\u003c/emph\u003e. Lanham, Md: Scarecrow Press, 2001. Print\u003c/p\u003e\n","\u003cp\u003eSuchoff, Benjamin. \u003cemph render=\"italic\"\u003eBe\u0026#x301;la Barto\u0026#x301;k: A Celebration\u003c/emph\u003e. Lanham, Md: Scarecrow Press, 2004. Print.\u003c/p\u003e\n","\u003cp\u003eSuchoff, Benjamin. \u003cemph render=\"italic\"\u003eBackground and Sources of Barto\u0026#x301;k's Concerto for Orchestra\u003c/emph\u003e. Frankfurt-am-Main: Peter Lang, 2006. Print.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Publications"],"relatedmaterial_tesim":["Antokoletz, Elliott, and Paolo Susanni.  Béla Bartók: A Research and Information Guide . New York: Routledge, 2011. Internet resource.","http://www.usf.eblib.com/patron/FullRecord.aspx?p=668794","Antokoletz, Elliott.  Rhythmic Form in Three of Bartók's String Quartets . , 1970. Print.","Antokoletz, Elliott.  Principles of Pitch Organization in Bartók's Fourth String Quartet . , 1980. Print.","Antokoletz, Elliott.  Béla Bartók: A Guide to Research . New York: Garland Pub, 1988. Print.","Antokoletz, Elliott.  The Music of Béla Bartók: A Study of Tonality and Progression in Twentieth-Century Music . Berkeley: University of California Press, 1989. Print.","Bartók, Béla, and Benjamin Suchoff.  Béla Bartók Essays . Lincoln: University of Nebraska Press, 1993. Print.","Suchoff, Benjamin.  Béla Bartók and a Guide to the Mikrokosmos . , 1956. Print.","Suchoff, Benjamin.  Bartók, Concerto for Orchestra: Understanding Bartók's World . New York: Schirmer Books, 1995. Print.","Suchoff, Benjamin.  Béla Bartók: Life and Work . Lanham, Md: Scarecrow Press, 2001. Print","Suchoff, Benjamin.  Béla Bartók: A Celebration . Lanham, Md: Scarecrow Press, 2004. Print.","Suchoff, Benjamin.  Background and Sources of Bartók's Concerto for Orchestra . Frankfurt-am-Main: Peter Lang, 2006. Print."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains research, manuscripts, interviews, articles, and letters concerning composer B\u0026#xE9;la Bart\u0026#xF3;k (1881\u0026#x2013;1945), as collected by Dr. Benjamin Suchoff and Dr. Elliott Antokoletz. The collection features 25 boxes of selected works of the composer and includes analyses by Dr. Suchoff as well as full manuscripts of certain works with sheet music. Also contained within the collection are miscellaneous papers and documents pertaining to the Estate of B\u0026#xE9;la Bart\u0026#xF3;k and Dr. Suchoff's personal papers from his time as Trustee to the Estate after the death of the former Trustee, Viktor Bader. Finally, the collection contains the lecture notes and recordings of Dr. Elliott Antokoletz's work on B\u0026#xE9;la Bart\u0026#xF3;k and his research for his book \u003cemph render=\"italic\"\u003eMusical Symbolism in the Operas of Debussy and Bart\u0026#xF3;k.\u003c/emph\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains research, manuscripts, interviews, articles, and letters concerning composer Béla Bartók (1881–1945), as collected by Dr. Benjamin Suchoff and Dr. Elliott Antokoletz. The collection features 25 boxes of selected works of the composer and includes analyses by Dr. Suchoff as well as full manuscripts of certain works with sheet music. Also contained within the collection are miscellaneous papers and documents pertaining to the Estate of Béla Bartók and Dr. Suchoff's personal papers from his time as Trustee to the Estate after the death of the former Trustee, Viktor Bader. Finally, the collection contains the lecture notes and recordings of Dr. Elliott Antokoletz's work on Béla Bartók and his research for his book  Musical Symbolism in the Operas of Debussy and Bartók."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bca246a4a4ab1d71cf129cab0ccd4011\" label=\"Abstract\"\u003eA collection of research and other documents concerning composer B\u0026#xE9;la Bart\u0026#xF3;k (1881-1945).\u003c/abstract\u003e"],"abstract_tesim":["A collection of research and other documents concerning composer Béla Bartók (1881-1945)."],"names_ssim":["USF Libraries - Tampa Special Collections","Suchoff, Benjamin, Dr. (1918-2011)","Antokoletz, Elliott (1942-)","Bartok, Bela (1881-1945)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Bartok, Bela (1881-1945)"],"persname_ssim":["Suchoff, Benjamin, Dr. (1918-2011)","Antokoletz, Elliott (1942-)","Bartok, Bela (1881-1945)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":742,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863055208841216,"_root_":"889b65a67fe6306550dd539e","timestamp":"2026-07-16T09:27:25.177Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"889b65a67fe6306550dd539e","title_ssm":["Suchoff-Antokoletz collection of Bartokiana"],"title_tesim":["Suchoff-Antokoletz collection of Bartokiana"],"ead_ssi":"889b65a67fe6306550dd539e","unitdate_ssm":["1945-2002","Date acquired: 07/25/2001"],"unitdate_inclusive_ssm":["1945-2002"],"unitdate_other_ssim":["Date acquired: 07/25/2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2001-06","/repositories/2/resources/420"],"text":["MS-2001-06","/repositories/2/resources/420","Suchoff-Antokoletz collection of Bartokiana, 1945-2002, Date acquired: 07/25/2001","Ethnomusicology -- Hungary -- History","Folk Music -- Hungary -- History and criticism","Ethnomusicology -- United States -- History","Composers","Suchoff interviews with Leafstedt are only accessible through reading room access. Researchers requesting access much sign a \"access agreement\" form before using the audio from these interviews.","Benjamin Suchoff interview transcripts and cassette tapes were donated by Carl Leafstedt in 2025.","The collection is arranged in series by subject:","1.  Bartók Estate Records","2.  Suchoff Research on Bartók","3.  Works of Béla Bartók","4.  Antokoletz Research on Bartók","Dr. Benjamin Suchoff (1918-2011) attended Cornell University, Julliard School of Music, and received a doctorate from New York University. During World War II, he served in the United States Army, enlisting in 1941 as a private. He was an accomplished pianist in both classical and jazz. He went on to become Professor of Ethnomusicology at UCLA and a recognized world authority on composer Béla Bartók, for whose estate he served as a curator and trustee. He has written numerous books and articles on Béla Bartók, as well as on topics in Ethnomusicology. He died in Palm Beach, Florida in March of 2011.","Obituary,  Palm Beach Post,  March 15, 2011.  http://www.legacy.com/obituaries/palmbeachpost/obituary.aspx?n=benjamin-suchoff\u0026pid=149133562#fbLoggedOut","Note written by Kevin Arms, 2013","Antokoletz, Elliott, and Paolo Susanni.  Béla Bartók: A Research and Information Guide . New York: Routledge, 2011. Internet resource.","http://www.usf.eblib.com/patron/FullRecord.aspx?p=668794","Antokoletz, Elliott.  Rhythmic Form in Three of Bartók's String Quartets . , 1970. Print.","Antokoletz, Elliott.  Principles of Pitch Organization in Bartók's Fourth String Quartet . , 1980. Print.","Antokoletz, Elliott.  Béla Bartók: A Guide to Research . New York: Garland Pub, 1988. Print.","Antokoletz, Elliott.  The Music of Béla Bartók: A Study of Tonality and Progression in Twentieth-Century Music . Berkeley: University of California Press, 1989. Print.","Bartók, Béla, and Benjamin Suchoff.  Béla Bartók Essays . Lincoln: University of Nebraska Press, 1993. Print.","Suchoff, Benjamin.  Béla Bartók and a Guide to the Mikrokosmos . , 1956. Print.","Suchoff, Benjamin.  Bartók, Concerto for Orchestra: Understanding Bartók's World . New York: Schirmer Books, 1995. Print.","Suchoff, Benjamin.  Béla Bartók: Life and Work . Lanham, Md: Scarecrow Press, 2001. Print","Suchoff, Benjamin.  Béla Bartók: A Celebration . Lanham, Md: Scarecrow Press, 2004. Print.","Suchoff, Benjamin.  Background and Sources of Bartók's Concerto for Orchestra . Frankfurt-am-Main: Peter Lang, 2006. Print.","This collection contains research, manuscripts, interviews, articles, and letters concerning composer Béla Bartók (1881–1945), as collected by Dr. Benjamin Suchoff and Dr. Elliott Antokoletz. The collection features 25 boxes of selected works of the composer and includes analyses by Dr. Suchoff as well as full manuscripts of certain works with sheet music. Also contained within the collection are miscellaneous papers and documents pertaining to the Estate of Béla Bartók and Dr. Suchoff's personal papers from his time as Trustee to the Estate after the death of the former Trustee, Viktor Bader. Finally, the collection contains the lecture notes and recordings of Dr. Elliott Antokoletz's work on Béla Bartók and his research for his book  Musical Symbolism in the Operas of Debussy and Bartók.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","A collection of research and other documents concerning composer Béla Bartók (1881-1945).","USF Libraries - Tampa Special Collections","Suchoff, Benjamin, Dr. (1918-2011)","Antokoletz, Elliott (1942-)","Bartok, Bela (1881-1945)","English"],"unitid_tesim":["MS-2001-06","/repositories/2/resources/420"],"normalized_date_ssm":["1945-2002, Date acquired: 07/25/2001"],"normalized_title_ssm":["Suchoff-Antokoletz collection of Bartokiana, 1945-2002, Date acquired: 07/25/2001"],"collection_title_tesim":["Suchoff-Antokoletz collection of Bartokiana, 1945-2002, Date acquired: 07/25/2001"],"collection_ssim":["Suchoff-Antokoletz collection of Bartokiana, 1945-2002, Date acquired: 07/25/2001"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Suchoff, Benjamin, Dr. (1918-2011)","Antokoletz, Elliott (1942-)"],"creator_ssim":["Suchoff, Benjamin, Dr. (1918-2011)","Antokoletz, Elliott (1942-)"],"creator_persname_ssim":["Suchoff, Benjamin, Dr. (1918-2011)","Antokoletz, Elliott (1942-)"],"creators_ssim":["Suchoff, Benjamin, Dr. (1918-2011)","Antokoletz, Elliott (1942-)"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Benjamin Suchoff","Donation."],"access_subjects_ssim":["Ethnomusicology -- Hungary -- History","Folk Music -- Hungary -- History and criticism","Ethnomusicology -- United States -- History","Composers"],"access_subjects_ssm":["Ethnomusicology -- Hungary -- History","Folk Music -- Hungary -- History and criticism","Ethnomusicology -- United States -- History","Composers"],"has_online_content_ssim":["false"],"extent_ssm":["24.8 Linear Feet","57 boxes"],"extent_tesim":["24.8 Linear Feet","57 boxes"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"accessrestrict_html_tesm":["\u003cp\u003eSuchoff interviews with Leafstedt are only accessible through reading room access. Researchers requesting access much sign a \"access agreement\" form before using the audio from these interviews.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Suchoff interviews with Leafstedt are only accessible through reading room access. Researchers requesting access much sign a \"access agreement\" form before using the audio from these interviews."],"accruals_html_tesm":["\u003cp\u003eBenjamin Suchoff interview transcripts and cassette tapes were donated by Carl Leafstedt in 2025.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Benjamin Suchoff interview transcripts and cassette tapes were donated by Carl Leafstedt in 2025."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in series by subject:\u003c/p\u003e\n","\u003cp\u003e1.\u0026#xA0; Bart\u0026#xF3;k Estate Records\u003c/p\u003e\n","\u003cp\u003e2.\u0026#xA0; Suchoff Research on Bart\u0026#xF3;k\u003c/p\u003e\n","\u003cp\u003e3.\u0026#xA0; Works of B\u0026#xE9;la Bart\u0026#xF3;k\u003c/p\u003e\n","\u003cp\u003e4.\u0026#xA0; Antokoletz Research on Bart\u0026#xF3;k\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged in series by subject:","1.  Bartók Estate Records","2.  Suchoff Research on Bartók","3.  Works of Béla Bartók","4.  Antokoletz Research on Bartók"],"bioghist_html_tesm":["\u003cp\u003eDr. Benjamin Suchoff (1918-2011) attended Cornell University, Julliard School of Music, and received a doctorate from New York University. During World War II, he served in the United States Army, enlisting in 1941 as a private. He was an accomplished pianist in both classical and jazz. He went on to become Professor of Ethnomusicology at UCLA and a recognized world authority on composer B\u0026#xE9;la Bart\u0026#xF3;k, for whose estate he served as a curator and trustee. He has written numerous books and articles on B\u0026#xE9;la Bart\u0026#xF3;k, as well as on topics in Ethnomusicology. He died in Palm Beach, Florida in March of 2011.\u003c/p\u003e\n","\u003cp\u003eObituary, \u003cemph render=\"italic\"\u003ePalm Beach Post, \u003c/emph\u003eMarch 15, 2011.\u0026#xA0; http://www.legacy.com/obituaries/palmbeachpost/obituary.aspx?n=benjamin-suchoff\u0026amp;pid=149133562#fbLoggedOut\u003c/p\u003e\n","\u003cp\u003eNote written by Kevin Arms, 2013\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Dr. Benjamin Suchoff (1918-2011) attended Cornell University, Julliard School of Music, and received a doctorate from New York University. During World War II, he served in the United States Army, enlisting in 1941 as a private. He was an accomplished pianist in both classical and jazz. He went on to become Professor of Ethnomusicology at UCLA and a recognized world authority on composer Béla Bartók, for whose estate he served as a curator and trustee. He has written numerous books and articles on Béla Bartók, as well as on topics in Ethnomusicology. He died in Palm Beach, Florida in March of 2011.","Obituary,  Palm Beach Post,  March 15, 2011.  http://www.legacy.com/obituaries/palmbeachpost/obituary.aspx?n=benjamin-suchoff\u0026pid=149133562#fbLoggedOut","Note written by Kevin Arms, 2013"],"prefercite_html_tesm":["\u003cp\u003eBenjamin Suchoff Collection of Bartokiana, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Benjamin Suchoff Collection of Bartokiana, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eAntokoletz, Elliott, and Paolo Susanni. \u003cemph render=\"italic\"\u003eBe\u0026#x301;la Barto\u0026#x301;k: A Research and Information Guide\u003c/emph\u003e. New York: Routledge, 2011. Internet resource.\u003c/p\u003e\n","\u003cp\u003ehttp://www.usf.eblib.com/patron/FullRecord.aspx?p=668794\u003c/p\u003e","\u003cp\u003eAntokoletz, Elliott. \u003cemph render=\"italic\"\u003eRhythmic Form in Three of Barto\u0026#x301;k's String Quartets\u003c/emph\u003e. , 1970. Print.\u003c/p\u003e\n","\u003cp\u003eAntokoletz, Elliott. \u003cemph render=\"italic\"\u003ePrinciples of Pitch Organization in Barto\u0026#x301;k's Fourth String Quartet\u003c/emph\u003e. , 1980. Print.\u003c/p\u003e\n","\u003cp\u003eAntokoletz, Elliott. \u003cemph render=\"italic\"\u003eBe\u0026#x301;la Barto\u0026#x301;k: A Guide to Research\u003c/emph\u003e. New York: Garland Pub, 1988. Print.\u003c/p\u003e\n","\u003cp\u003eAntokoletz, Elliott. \u003cemph render=\"italic\"\u003eThe Music of Be\u0026#x301;la Barto\u0026#x301;k: A Study of Tonality and Progression in Twentieth-Century Music\u003c/emph\u003e. Berkeley: University of California Press, 1989. Print.\u003c/p\u003e\n","\u003cp\u003eBarto\u0026#x301;k, Be\u0026#x301;la, and Benjamin Suchoff. \u003cemph render=\"italic\"\u003eBe\u0026#x301;la Barto\u0026#x301;k Essays\u003c/emph\u003e. Lincoln: University of Nebraska Press, 1993. Print.\u003c/p\u003e\n","\u003cp\u003eSuchoff, Benjamin. \u003cemph render=\"italic\"\u003eBe\u0026#x301;la Barto\u0026#x301;k and a Guide to the Mikrokosmos\u003c/emph\u003e. , 1956. Print.\u003c/p\u003e\n","\u003cp\u003eSuchoff, Benjamin. \u003cemph render=\"italic\"\u003eBarto\u0026#x301;k, Concerto for Orchestra: Understanding Barto\u0026#x301;k's World\u003c/emph\u003e. New York: Schirmer Books, 1995. Print.\u003c/p\u003e\n","\u003cp\u003eSuchoff, Benjamin. \u003cemph render=\"italic\"\u003eBe\u0026#x301;la Barto\u0026#x301;k: Life and Work\u003c/emph\u003e. Lanham, Md: Scarecrow Press, 2001. Print\u003c/p\u003e\n","\u003cp\u003eSuchoff, Benjamin. \u003cemph render=\"italic\"\u003eBe\u0026#x301;la Barto\u0026#x301;k: A Celebration\u003c/emph\u003e. Lanham, Md: Scarecrow Press, 2004. Print.\u003c/p\u003e\n","\u003cp\u003eSuchoff, Benjamin. \u003cemph render=\"italic\"\u003eBackground and Sources of Barto\u0026#x301;k's Concerto for Orchestra\u003c/emph\u003e. Frankfurt-am-Main: Peter Lang, 2006. Print.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Publications"],"relatedmaterial_tesim":["Antokoletz, Elliott, and Paolo Susanni.  Béla Bartók: A Research and Information Guide . New York: Routledge, 2011. Internet resource.","http://www.usf.eblib.com/patron/FullRecord.aspx?p=668794","Antokoletz, Elliott.  Rhythmic Form in Three of Bartók's String Quartets . , 1970. Print.","Antokoletz, Elliott.  Principles of Pitch Organization in Bartók's Fourth String Quartet . , 1980. Print.","Antokoletz, Elliott.  Béla Bartók: A Guide to Research . New York: Garland Pub, 1988. Print.","Antokoletz, Elliott.  The Music of Béla Bartók: A Study of Tonality and Progression in Twentieth-Century Music . Berkeley: University of California Press, 1989. Print.","Bartók, Béla, and Benjamin Suchoff.  Béla Bartók Essays . Lincoln: University of Nebraska Press, 1993. Print.","Suchoff, Benjamin.  Béla Bartók and a Guide to the Mikrokosmos . , 1956. Print.","Suchoff, Benjamin.  Bartók, Concerto for Orchestra: Understanding Bartók's World . New York: Schirmer Books, 1995. Print.","Suchoff, Benjamin.  Béla Bartók: Life and Work . Lanham, Md: Scarecrow Press, 2001. Print","Suchoff, Benjamin.  Béla Bartók: A Celebration . Lanham, Md: Scarecrow Press, 2004. Print.","Suchoff, Benjamin.  Background and Sources of Bartók's Concerto for Orchestra . Frankfurt-am-Main: Peter Lang, 2006. Print."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains research, manuscripts, interviews, articles, and letters concerning composer B\u0026#xE9;la Bart\u0026#xF3;k (1881\u0026#x2013;1945), as collected by Dr. Benjamin Suchoff and Dr. Elliott Antokoletz. The collection features 25 boxes of selected works of the composer and includes analyses by Dr. Suchoff as well as full manuscripts of certain works with sheet music. Also contained within the collection are miscellaneous papers and documents pertaining to the Estate of B\u0026#xE9;la Bart\u0026#xF3;k and Dr. Suchoff's personal papers from his time as Trustee to the Estate after the death of the former Trustee, Viktor Bader. Finally, the collection contains the lecture notes and recordings of Dr. Elliott Antokoletz's work on B\u0026#xE9;la Bart\u0026#xF3;k and his research for his book \u003cemph render=\"italic\"\u003eMusical Symbolism in the Operas of Debussy and Bart\u0026#xF3;k.\u003c/emph\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains research, manuscripts, interviews, articles, and letters concerning composer Béla Bartók (1881–1945), as collected by Dr. Benjamin Suchoff and Dr. Elliott Antokoletz. The collection features 25 boxes of selected works of the composer and includes analyses by Dr. Suchoff as well as full manuscripts of certain works with sheet music. Also contained within the collection are miscellaneous papers and documents pertaining to the Estate of Béla Bartók and Dr. Suchoff's personal papers from his time as Trustee to the Estate after the death of the former Trustee, Viktor Bader. Finally, the collection contains the lecture notes and recordings of Dr. Elliott Antokoletz's work on Béla Bartók and his research for his book  Musical Symbolism in the Operas of Debussy and Bartók."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bca246a4a4ab1d71cf129cab0ccd4011\" label=\"Abstract\"\u003eA collection of research and other documents concerning composer B\u0026#xE9;la Bart\u0026#xF3;k (1881-1945).\u003c/abstract\u003e"],"abstract_tesim":["A collection of research and other documents concerning composer Béla Bartók (1881-1945)."],"names_ssim":["USF Libraries - Tampa Special Collections","Suchoff, Benjamin, Dr. (1918-2011)","Antokoletz, Elliott (1942-)","Bartok, Bela (1881-1945)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Bartok, Bela (1881-1945)"],"persname_ssim":["Suchoff, Benjamin, Dr. (1918-2011)","Antokoletz, Elliott (1942-)","Bartok, Bela (1881-1945)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":742,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863055208841216,"_root_":"889b65a67fe6306550dd539e","timestamp":"2026-07-16T09:27:25.177Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/889b65a67fe6306550dd539e"}},{"id":"efb28b4294b35840dbdc1829","type":"collection","attributes":{"title":"Sue Bodishbaugh collection, 1946-2006, Date acquired: 08/29/2006, bulk 1977-1991","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/efb28b4294b35840dbdc1829#creator","type":"document_value","attributes":{"value":["Bodishbaugh, Sue"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/efb28b4294b35840dbdc1829#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection comprises press clippings, genealogical records, personal correspondence, and photographs. Press clippings reference Frank Garcia, a local amateur archaeologist. Autograph book on file contains the signatures of several well-known professional wrestlers from the 1950s, including Don Eagle, Don Kalt, Ray Stevens and Judy Glover. The genealogical records document several families from Marion County, Florida. Because of the voluminous and fragile nature of the bulk of the papers concerning Frank Garcia, a bibliography was created and many items were deaccessioned.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/efb28b4294b35840dbdc1829#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"efb28b4294b35840dbdc1829","title_ssm":["Sue Bodishbaugh collection"],"title_tesim":["Sue Bodishbaugh collection"],"ead_ssi":"efb28b4294b35840dbdc1829","unitdate_ssm":["1946-2006","1977-1991","Date acquired: 08/29/2006"],"unitdate_bulk_ssim":["1977-1991"],"unitdate_inclusive_ssm":["1946-2006"],"unitdate_other_ssim":["Date acquired: 08/29/2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2006-05","/repositories/2/resources/538"],"text":["MS-2006-05","/repositories/2/resources/538","Sue Bodishbaugh collection, 1946-2006, Date acquired: 08/29/2006, bulk 1977-1991","Tampa (Fla.) -- History -- 20th century","Alachua County (Fla.)","Paleontology","Marion County (Fla.) - Genealogy","Chronological","04/14/2020 ready","Complete; A bibliography of newspaper clippings removed from the collection is included as part of the print finding aid.","This collection comprises press clippings, genealogical records, personal correspondence, and photographs. 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Because of the voluminous and fragile nature of the bulk of the papers concerning Frank Garcia, a bibliography was created and many items were deaccessioned.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Bodishbaugh, Sue","English"],"unitid_tesim":["MS-2006-05","/repositories/2/resources/538"],"normalized_date_ssm":["1946-2006, Date acquired: 08/29/2006, bulk 1977-1991"],"normalized_title_ssm":["Sue Bodishbaugh collection, 1946-2006, Date acquired: 08/29/2006, bulk 1977-1991"],"collection_title_tesim":["Sue Bodishbaugh collection, 1946-2006, Date acquired: 08/29/2006, bulk 1977-1991"],"collection_ssim":["Sue Bodishbaugh collection, 1946-2006, Date acquired: 08/29/2006, bulk 1977-1991"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Tampa (Fla.) -- History -- 20th century","Alachua County (Fla.)"],"geogname_ssim":["Tampa (Fla.) -- History -- 20th century","Alachua County (Fla.)"],"creator_ssm":["Bodishbaugh, Sue"],"creator_ssim":["Bodishbaugh, Sue"],"creator_persname_ssim":["Bodishbaugh, Sue"],"creators_ssim":["Bodishbaugh, Sue"],"places_ssim":["Tampa (Fla.) -- History -- 20th century","Alachua County (Fla.)"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Sue Bodishbaugh","Donation"],"access_subjects_ssim":["Paleontology","Marion County (Fla.) - Genealogy"],"access_subjects_ssm":["Paleontology","Marion County (Fla.) - Genealogy"],"has_online_content_ssim":["false"],"extent_ssm":["2.02 Linear Feet","4  boxes"],"extent_tesim":["2.02 Linear Feet","4  boxes"],"date_range_isim":[1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"arrangement_html_tesm":["\u003cp\u003eChronological\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Chronological"],"prefercite_html_tesm":["\u003cp\u003eSue Bodishbaugh collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Sue Bodishbaugh collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"processinfo_html_tesm":["\u003cp\u003e04/14/2020 ready\u003c/p\u003e","\u003cp\u003eComplete; A bibliography of newspaper clippings removed from the collection is included as part of the print finding aid.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["04/14/2020 ready","Complete; A bibliography of newspaper clippings removed from the collection is included as part of the print finding aid."],"scopecontent_html_tesm":["\u003cp\u003eThis collection comprises press clippings, genealogical records, personal correspondence, and photographs. Press clippings reference Frank Garcia, a local amateur archaeologist. Autograph book on file contains the signatures of several well-known professional wrestlers from the 1950s, including Don Eagle, Don Kalt, Ray Stevens and Judy Glover. The genealogical records document several families from Marion County, Florida. Because of the voluminous and fragile nature of the bulk of the papers concerning Frank Garcia, a bibliography was created and many items were deaccessioned.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection comprises press clippings, genealogical records, personal correspondence, and photographs. Press clippings reference Frank Garcia, a local amateur archaeologist. Autograph book on file contains the signatures of several well-known professional wrestlers from the 1950s, including Don Eagle, Don Kalt, Ray Stevens and Judy Glover. The genealogical records document several families from Marion County, Florida. Because of the voluminous and fragile nature of the bulk of the papers concerning Frank Garcia, a bibliography was created and many items were deaccessioned."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Bodishbaugh, Sue"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Bodishbaugh, Sue"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":32,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"efb28b4294b35840dbdc1829","timestamp":"2026-04-21T05:12:33.978Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"efb28b4294b35840dbdc1829","title_ssm":["Sue Bodishbaugh collection"],"title_tesim":["Sue Bodishbaugh collection"],"ead_ssi":"efb28b4294b35840dbdc1829","unitdate_ssm":["1946-2006","1977-1991","Date acquired: 08/29/2006"],"unitdate_bulk_ssim":["1977-1991"],"unitdate_inclusive_ssm":["1946-2006"],"unitdate_other_ssim":["Date acquired: 08/29/2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2006-05","/repositories/2/resources/538"],"text":["MS-2006-05","/repositories/2/resources/538","Sue Bodishbaugh collection, 1946-2006, Date acquired: 08/29/2006, bulk 1977-1991","Tampa (Fla.) -- History -- 20th century","Alachua County (Fla.)","Paleontology","Marion County (Fla.) - Genealogy","Chronological","04/14/2020 ready","Complete; A bibliography of newspaper clippings removed from the collection is included as part of the print finding aid.","This collection comprises press clippings, genealogical records, personal correspondence, and photographs. 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Because of the voluminous and fragile nature of the bulk of the papers concerning Frank Garcia, a bibliography was created and many items were deaccessioned.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Bodishbaugh, Sue","English"],"unitid_tesim":["MS-2006-05","/repositories/2/resources/538"],"normalized_date_ssm":["1946-2006, Date acquired: 08/29/2006, bulk 1977-1991"],"normalized_title_ssm":["Sue Bodishbaugh collection, 1946-2006, Date acquired: 08/29/2006, bulk 1977-1991"],"collection_title_tesim":["Sue Bodishbaugh collection, 1946-2006, Date acquired: 08/29/2006, bulk 1977-1991"],"collection_ssim":["Sue Bodishbaugh collection, 1946-2006, Date acquired: 08/29/2006, bulk 1977-1991"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Tampa (Fla.) -- History -- 20th century","Alachua County (Fla.)"],"geogname_ssim":["Tampa (Fla.) -- History -- 20th century","Alachua County (Fla.)"],"creator_ssm":["Bodishbaugh, Sue"],"creator_ssim":["Bodishbaugh, Sue"],"creator_persname_ssim":["Bodishbaugh, Sue"],"creators_ssim":["Bodishbaugh, Sue"],"places_ssim":["Tampa (Fla.) -- History -- 20th century","Alachua County (Fla.)"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Sue Bodishbaugh","Donation"],"access_subjects_ssim":["Paleontology","Marion County (Fla.) - Genealogy"],"access_subjects_ssm":["Paleontology","Marion County (Fla.) - Genealogy"],"has_online_content_ssim":["false"],"extent_ssm":["2.02 Linear Feet","4  boxes"],"extent_tesim":["2.02 Linear Feet","4  boxes"],"date_range_isim":[1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"arrangement_html_tesm":["\u003cp\u003eChronological\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Chronological"],"prefercite_html_tesm":["\u003cp\u003eSue Bodishbaugh collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Sue Bodishbaugh collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"processinfo_html_tesm":["\u003cp\u003e04/14/2020 ready\u003c/p\u003e","\u003cp\u003eComplete; A bibliography of newspaper clippings removed from the collection is included as part of the print finding aid.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["04/14/2020 ready","Complete; A bibliography of newspaper clippings removed from the collection is included as part of the print finding aid."],"scopecontent_html_tesm":["\u003cp\u003eThis collection comprises press clippings, genealogical records, personal correspondence, and photographs. 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Because of the voluminous and fragile nature of the bulk of the papers concerning Frank Garcia, a bibliography was created and many items were deaccessioned."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Bodishbaugh, Sue"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Bodishbaugh, Sue"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":32,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"efb28b4294b35840dbdc1829","timestamp":"2026-04-21T05:12:33.978Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/efb28b4294b35840dbdc1829"}},{"id":"b8bf361dc0d2b04552d16184_aspace_67c7f935727f6473b064246e2afec50e","type":"File","attributes":{"title":"Sugar, 1972","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b8bf361dc0d2b04552d16184_aspace_67c7f935727f6473b064246e2afec50e#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_67c7f935727f6473b064246e2afec50e","ref_ssm":["aspace_67c7f935727f6473b064246e2afec50e","aspace_67c7f935727f6473b064246e2afec50e"],"id":"b8bf361dc0d2b04552d16184_aspace_67c7f935727f6473b064246e2afec50e","title_filing_ssi":"Sugar","title_ssm":["Sugar"],"title_tesim":["Sugar"],"unitdate_other_ssim":["1972"],"normalized_date_ssm":["1972"],"normalized_title_ssm":["Sugar, 1972"],"text":["Sugar, 1972","Louis Miano Theater Collection, 1896-2017","Box 6","Series XLIV: SU - SW","/repositories/2/archival_objects/78808","box 6","folder 5","object 5"],"component_level_isim":[3],"parent_ids_ssim":["b8bf361dc0d2b04552d16184","b8bf361dc0d2b04552d16184_aspace_1f412d22fde772e2ac81805f91231678","b8bf361dc0d2b04552d16184_aspace_3dd4b165e1bc3d7426bcf1d8deab7c48"],"parent_unittitles_ssm":["Louis Miano Theater Collection, 1896-2017","Box 6","Series XLIV: SU - SW"],"parent_unittitles_tesim":["Louis Miano Theater Collection, 1896-2017","Box 6","Series XLIV: SU - SW"],"parent_levels_ssm":["collection","Other level","Series"],"unitid_ssm":["/repositories/2/archival_objects/78808"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Louis Miano Theater Collection, 1896-2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":887,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["The Louis Miano Theater Collection is owned by Florida International University. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"date_range_isim":[1972],"containers_ssim":["box 6","folder 5","object 5"],"_nest_path_":"/components#5/components#4/components#4","_nest_parent_":"b8bf361dc0d2b04552d16184_aspace_3dd4b165e1bc3d7426bcf1d8deab7c48","_root_":"b8bf361dc0d2b04552d16184","_version_":1870844485139693568,"timestamp":"2026-07-16T04:32:15.452Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b8bf361dc0d2b04552d16184","title_ssm":["Louis Miano Theater Collection"],"title_tesim":["Louis Miano Theater Collection"],"ead_ssi":"b8bf361dc0d2b04552d16184","unitdate_ssm":["1896-2017"],"unitdate_inclusive_ssm":["1896-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9020","/repositories/2/resources/113"],"text":["SPC9020","/repositories/2/resources/113","Louis Miano Theater Collection, 1896-2017","Theater","Performing Arts","Performing Arts--Public Relations","Theaters - New York (State)","Theaters -- California","Theaters - South Florida","Theaters -- United Kingdom","Musical Theater","Advertising","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","The materials are arranged into the following series alphabetically based on the title of the performance:","1.\tAB – AL\n2.\tAM – AN\n3.\tAR – AU\n4.\tBA - BI\n5.\tBL - BO\n6.\tBR - BU\n7.\tCA\n8.\tCL - CI\n9.\tCO - CU\n10.\tDA - DE\n11.\tDI - DR\n12.\tEA - FA\n13.\tFE - FU\n14.\tGA - GO\n15.\tGR - GY\n16.\tHA - HE\n17.\tHI - HU\n18.\tI\n19.\tJ - K\n20.\tLA\n21.\tLE - LI\n22.\tLL - LU\n23.\tMAC - MAN\n24.\tMAR - MER\n25.\tMIC - MOO\n26.\tMOR - MYS\n27.\tN\n28.\tO\n29.\tPA - PI\n30.\tPL - PY\n31.\tRA - RI\n32.\tRO - RU\n33.\tSAC - SEX\n34.\tSHA - SLE\n35.\tSMA - STU\n36.\tSUB - SWE\n37.\tTAL - THO\n38.\tTHR - TOG\n39.\tTOM - TWE\n40.\tULY - WAL\n41.\tWEI - WIN\n42.\tWIT - ZOR","There are four more series arranged by type of material:\n1. Brochures\n2. Magazines\n3. Ephemera\n4. Audio","LANGUAGE WARNING: Some titles of plays, advertisements, and articles within the materials contain language that was common in the United States during the 20th century. Outdated language, slurs, and other terms that may be considered harmful or offensive are present.","personal correspondence and newspaper articles contain language that was common in the United States during the late-20th century. Outdated language and other terms that may be considered harmful or offensive are present.","The materials in this collection primarily consist of playbills, showbills, and programs that range from the mid-to-late 20th century and are primarily from the personal collection of Louis Miano. However, the contents are compiled from multiple collections of the same scope. There is a large collection of playbills, showbills, and programs from theater and opera in Miami and South Florida, as well as from across the United States and Europe. The collection also contains magazines, ephemera, and other materials related to musical theater in the United States and Europe.","The Louis Miano Theater Collection is owned by Florida International University. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","English Russian French"],"unitid_tesim":["SPC9020","/repositories/2/resources/113"],"normalized_date_ssm":["1896-2017"],"normalized_title_ssm":["Louis Miano Theater Collection, 1896-2017"],"collection_title_tesim":["Louis Miano Theater Collection, 1896-2017"],"collection_ssim":["Louis Miano Theater Collection, 1896-2017"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Theater","Performing Arts","Performing Arts--Public Relations","Theaters - New York (State)","Theaters -- California","Theaters - South Florida","Theaters -- United Kingdom","Musical Theater"],"geogname_ssim":["Theater","Performing Arts","Performing Arts--Public Relations","Theaters - New York (State)","Theaters -- California","Theaters - South Florida","Theaters -- United Kingdom","Musical Theater"],"places_ssim":["Theater","Performing Arts","Performing Arts--Public Relations","Theaters - New York (State)","Theaters -- California","Theaters - South Florida","Theaters -- United Kingdom","Musical Theater"],"access_terms_ssm":["The Louis Miano Theater Collection is owned by Florida International University. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by Louis Miano and others."],"access_subjects_ssim":["Advertising"],"access_subjects_ssm":["Advertising"],"has_online_content_ssim":["false"],"extent_ssm":["8.93 Linear Feet 7 Boxes\n1 Oversize Flat Box"],"extent_tesim":["8.93 Linear Feet 7 Boxes\n1 Oversize Flat Box"],"date_range_isim":[1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials are arranged into the following series alphabetically based on the title of the performance:\u003c/p\u003e\n","\u003cp\u003e1.\tAB \u0026#x2013; AL\n2.\tAM \u0026#x2013; AN\n3.\tAR \u0026#x2013; AU\n4.\tBA - BI\n5.\tBL - BO\n6.\tBR - BU\n7.\tCA\n8.\tCL - CI\n9.\tCO - CU\n10.\tDA - DE\n11.\tDI - DR\n12.\tEA - FA\n13.\tFE - FU\n14.\tGA - GO\n15.\tGR - GY\n16.\tHA - HE\n17.\tHI - HU\n18.\tI\n19.\tJ - K\n20.\tLA\n21.\tLE - LI\n22.\tLL - LU\n23.\tMAC - MAN\n24.\tMAR - MER\n25.\tMIC - MOO\n26.\tMOR - MYS\n27.\tN\n28.\tO\n29.\tPA - PI\n30.\tPL - PY\n31.\tRA - RI\n32.\tRO - RU\n33.\tSAC - SEX\n34.\tSHA - SLE\n35.\tSMA - STU\n36.\tSUB - SWE\n37.\tTAL - THO\n38.\tTHR - TOG\n39.\tTOM - TWE\n40.\tULY - WAL\n41.\tWEI - WIN\n42.\tWIT - ZOR\u003c/p\u003e\n","\u003cp\u003eThere are four more series arranged by type of material:\n1. Brochures\n2. Magazines\n3. Ephemera\n4. Audio\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials are arranged into the following series alphabetically based on the title of the performance:","1.\tAB – AL\n2.\tAM – AN\n3.\tAR – AU\n4.\tBA - BI\n5.\tBL - BO\n6.\tBR - BU\n7.\tCA\n8.\tCL - CI\n9.\tCO - CU\n10.\tDA - DE\n11.\tDI - DR\n12.\tEA - FA\n13.\tFE - FU\n14.\tGA - GO\n15.\tGR - GY\n16.\tHA - HE\n17.\tHI - HU\n18.\tI\n19.\tJ - K\n20.\tLA\n21.\tLE - LI\n22.\tLL - LU\n23.\tMAC - MAN\n24.\tMAR - MER\n25.\tMIC - MOO\n26.\tMOR - MYS\n27.\tN\n28.\tO\n29.\tPA - PI\n30.\tPL - PY\n31.\tRA - RI\n32.\tRO - RU\n33.\tSAC - SEX\n34.\tSHA - SLE\n35.\tSMA - STU\n36.\tSUB - SWE\n37.\tTAL - THO\n38.\tTHR - TOG\n39.\tTOM - TWE\n40.\tULY - WAL\n41.\tWEI - WIN\n42.\tWIT - ZOR","There are four more series arranged by type of material:\n1. Brochures\n2. Magazines\n3. Ephemera\n4. Audio"],"odd_html_tesm":["\u003cp\u003eLANGUAGE WARNING: Some titles of plays, advertisements, and articles within the materials contain language that was common in the United States during the 20th century. Outdated language, slurs, and other terms that may be considered harmful or offensive are present.\u003c/p\u003e\n","\u003cp\u003epersonal correspondence and newspaper articles contain language that was common in the United States during the late-20th century. Outdated language and other terms that may be considered harmful or offensive are present.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement"],"odd_tesim":["LANGUAGE WARNING: Some titles of plays, advertisements, and articles within the materials contain language that was common in the United States during the 20th century. Outdated language, slurs, and other terms that may be considered harmful or offensive are present.","personal correspondence and newspaper articles contain language that was common in the United States during the late-20th century. Outdated language and other terms that may be considered harmful or offensive are present."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection primarily consist of playbills, showbills, and programs that range from the mid-to-late 20th century and are primarily from the personal collection of Louis Miano. However, the contents are compiled from multiple collections of the same scope. There is a large collection of playbills, showbills, and programs from theater and opera in Miami and South Florida, as well as from across the United States and Europe. The collection also contains magazines, ephemera, and other materials related to musical theater in the United States and Europe.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection primarily consist of playbills, showbills, and programs that range from the mid-to-late 20th century and are primarily from the personal collection of Louis Miano. However, the contents are compiled from multiple collections of the same scope. There is a large collection of playbills, showbills, and programs from theater and opera in Miami and South Florida, as well as from across the United States and Europe. The collection also contains magazines, ephemera, and other materials related to musical theater in the United States and Europe."],"userestrict_html_tesm":["\u003cp\u003eThe Louis Miano Theater Collection is owned by Florida International University. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Louis Miano Theater Collection is owned by Florida International University. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Russian French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1032,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844485139693568,"_root_":"b8bf361dc0d2b04552d16184","timestamp":"2026-07-16T04:32:15.452Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b8bf361dc0d2b04552d16184_aspace_67c7f935727f6473b064246e2afec50e"}},{"id":"8b33a8c5177804a4b9511a5f_aspace_bb924527ec4d49c227bca33873aec74c","type":"File","attributes":{"title":"Summary of Patients, 1972-1975","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8b33a8c5177804a4b9511a5f_aspace_bb924527ec4d49c227bca33873aec74c#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_bb924527ec4d49c227bca33873aec74c","ref_ssm":["aspace_bb924527ec4d49c227bca33873aec74c","aspace_bb924527ec4d49c227bca33873aec74c"],"id":"8b33a8c5177804a4b9511a5f_aspace_bb924527ec4d49c227bca33873aec74c","title_filing_ssi":"Summary of Patients","title_ssm":["Summary of Patients"],"title_tesim":["Summary of Patients"],"unitdate_inclusive_ssm":["1972-1975"],"normalized_date_ssm":["1972-1975"],"normalized_title_ssm":["Summary of Patients, 1972-1975"],"text":["Summary of Patients, 1972-1975","Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Financial Records","Centro Asturiano Hospital, bulk 1959-1984","Folder 6","/repositories/2/archival_objects/159778","box 234","folder 6"],"component_level_isim":[3],"parent_ids_ssim":["8b33a8c5177804a4b9511a5f","8b33a8c5177804a4b9511a5f_aspace_185606","8b33a8c5177804a4b9511a5f_aspace_b2a49ca005d9cf46a0a57b90b94c2908"],"parent_unittitles_ssm":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Financial Records","Centro Asturiano Hospital, bulk 1959-1984"],"parent_unittitles_tesim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Financial Records","Centro Asturiano Hospital, bulk 1959-1984"],"parent_levels_ssm":["collection","Series","File"],"unitid_ssm":["Folder 6","/repositories/2/archival_objects/159778"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":988,"parent_access_terms_tesm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"date_range_isim":[1972,1973,1974,1975],"containers_ssim":["box 234","folder 6"],"_nest_path_":"/components#5/components#79/components#5","_nest_parent_":"8b33a8c5177804a4b9511a5f_aspace_b2a49ca005d9cf46a0a57b90b94c2908","_root_":"8b33a8c5177804a4b9511a5f","_version_":1875301659078295552,"timestamp":"2026-09-03T09:17:07.659Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8b33a8c5177804a4b9511a5f","title_ssm":["Centro Asturiano de Tampa collection"],"title_tesim":["Centro Asturiano de Tampa collection"],"ead_ssi":"8b33a8c5177804a4b9511a5f","unitdate_ssm":["1902-2007","1902-1987","Date acquired: 00/00/1989"],"unitdate_bulk_ssim":["1902-1987"],"unitdate_inclusive_ssm":["1902-2007"],"unitdate_other_ssim":["Date acquired: 00/00/1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1989-02","/repositories/2/resources/542"],"text":["MS-1989-02","/repositories/2/resources/542","Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Tampa (Fla.) -- History","Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa","The Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records.","When Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Español, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Español to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.","On January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the  Tampa Morning Tribune  called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.","A central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.","The largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.","Note written by Paul Camp, 2006; Joe Tamargo, 2011.","Centro Asturiano De Tampa Membership Records Photograph Collection . Tampa, Florida: University of South Florida Libraries, 2003.","Centro Asturiano Library Collection,  Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Centro Español De Tampa Collection , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Cuban Club Records , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","The Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club.","None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information.","USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","English"],"unitid_tesim":["MS-1989-02","/repositories/2/resources/542"],"normalized_date_ssm":["1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"normalized_title_ssm":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"collection_title_tesim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"collection_ssim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Tampa (Fla.) -- History"],"geogname_ssim":["Tampa (Fla.) -- History"],"creator_ssm":["Centro Asturiano de Tampa"],"creator_ssim":["Centro Asturiano de Tampa"],"creator_corpname_ssim":["Centro Asturiano de Tampa"],"creators_ssim":["Centro Asturiano de Tampa"],"places_ssim":["Tampa (Fla.) -- History"],"access_terms_ssm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"acqinfo_ssim":["Centro Asturiano de Tampa","Donation"],"access_subjects_ssim":["Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa"],"access_subjects_ssm":["Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa"],"has_online_content_ssim":["false"],"extent_ssm":["164.7 Linear Feet","241 boxes"],"extent_tesim":["164.7 Linear Feet","241 boxes"],"genreform_ssim":["Playbills -- Florida -- Tampa"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"arrangement_html_tesm":["\u003cp\u003eThe Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records."],"bioghist_html_tesm":["\u003cp\u003eWhen Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Espa\u0026#xF1;ol, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Espa\u0026#xF1;ol to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.\u003c/p\u003e\n","\u003cp\u003eOn January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the \u003cemph render=\"italic\"\u003eTampa Morning Tribune\u003c/emph\u003e called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.\u003c/p\u003e\n","\u003cp\u003eA central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.\u003c/p\u003e\n","\u003cp\u003eThe largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.\u003c/p\u003e\n","\u003cp\u003eNote written by Paul Camp, 2006; Joe Tamargo, 2011.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["When Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Español, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Español to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.","On January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the  Tampa Morning Tribune  called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.","A central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.","The largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.","Note written by Paul Camp, 2006; Joe Tamargo, 2011."],"prefercite_html_tesm":["\u003cp\u003eCentro Asturiano de Tampa collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Centro Asturiano de Tampa collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Asturiano De Tampa Membership Records Photograph Collection\u003c/emph\u003e. Tampa, Florida: University of South Florida Libraries, 2003.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Asturiano Library Collection,\u003c/emph\u003e Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Espan\u0026#x303;ol De Tampa Collection\u003c/emph\u003e, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCuban Club Records\u003c/emph\u003e, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Centro Asturiano De Tampa Membership Records Photograph Collection . Tampa, Florida: University of South Florida Libraries, 2003.","Centro Asturiano Library Collection,  Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Centro Español De Tampa Collection , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Cuban Club Records , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. "],"scopecontent_html_tesm":["\u003cp\u003eThe Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at http://www.copyright.gov/for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"names_coll_ssim":["Centro Asturiano de Tampa"],"names_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1038,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1875301659078295552,"_root_":"8b33a8c5177804a4b9511a5f","timestamp":"2026-09-03T09:17:07.659Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8b33a8c5177804a4b9511a5f_aspace_bb924527ec4d49c227bca33873aec74c"}},{"id":"a4f23414bd98e567e07b4a7d_aspace_687b1097387687ef7b73f5d18f593444","type":"File","attributes":{"title":"\"Summer of '40 in Machu Picchu\", Miami Herald, 1972-09-24","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a4f23414bd98e567e07b4a7d_aspace_687b1097387687ef7b73f5d18f593444#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_687b1097387687ef7b73f5d18f593444","ref_ssm":["aspace_687b1097387687ef7b73f5d18f593444","aspace_687b1097387687ef7b73f5d18f593444"],"id":"a4f23414bd98e567e07b4a7d_aspace_687b1097387687ef7b73f5d18f593444","title_filing_ssi":"\"Summer of '40 in Machu Picchu\", Miami Herald","title_ssm":["\"Summer of '40 in Machu Picchu\", Miami Herald"],"title_tesim":["\"Summer of '40 in Machu Picchu\", Miami Herald"],"unitdate_other_ssim":["1972-09-24"],"normalized_date_ssm":["1972-09-24"],"normalized_title_ssm":["\"Summer of '40 in Machu Picchu\", Miami Herald, 1972-09-24"],"text":["\"Summer of '40 in Machu Picchu\", Miami Herald, 1972-09-24","Frederick DeCoste Collection, 1920-1977","Writings, 1938-1975","/repositories/4/archival_objects/13414","box 6","folder 3"],"component_level_isim":[2],"parent_ids_ssim":["a4f23414bd98e567e07b4a7d","a4f23414bd98e567e07b4a7d_aspace_8191913c8d89119249ca28163b4c3411"],"parent_unittitles_ssm":["Frederick DeCoste Collection, 1920-1977","Writings, 1938-1975"],"parent_unittitles_tesim":["Frederick DeCoste Collection, 1920-1977","Writings, 1938-1975"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/4/archival_objects/13414"],"repository_ssim":["Broward County Historical Archives"],"collection_ssim":["Frederick DeCoste Collection, 1920-1977"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":115,"parent_access_restrict_tesm":["The Frederick DeCoste Collection is open for research."],"date_range_isim":[1972],"containers_ssim":["box 6","folder 3"],"_nest_path_":"/components#3/components#40","_nest_parent_":"a4f23414bd98e567e07b4a7d_aspace_8191913c8d89119249ca28163b4c3411","_root_":"a4f23414bd98e567e07b4a7d","timestamp":"2026-07-09T02:36:49.803Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a4f23414bd98e567e07b4a7d","title_filing_ssi":"DeCoste, Frederick Collection","title_ssm":["Frederick DeCoste Collection"],"title_tesim":["Frederick DeCoste Collection"],"ead_ssi":"a4f23414bd98e567e07b4a7d","unitdate_ssm":["1920-1977"],"unitdate_inclusive_ssm":["1920-1977"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BCHA.1978.10","/repositories/4/resources/69"],"text":["BCHA.1978.10","/repositories/4/resources/69","Frederick DeCoste Collection, 1920-1977","Saint Augustine (Fla.)","Historians","Travel","Lectures and lecturing","Correspondence","Publications","Notebooks","Photographs","Local history","Non-fiction","The Frederick DeCoste Collection is open for research.","Frederick DeCoste Collection is organized in five series: Series I: Personal papers, Series II. Correspondence, Series III. Professional papers, Series IV. Writings, Series V. Publications.","Frederick DeCoste (1910-1977) [1] was an American specialist in Cultural Affairs and International Relations between the United States and Latin America. When he retired in the 1960s, he settled in Saint Augustine, Florida, where he became a freelance writer. ","Frederick DeCoste was born in 1910 in Boston, Massachusetts. He attended school in Massachusetts and Connecticut. After high school, he traveled to South America becoming a \"merchant marine cadet with the Munson Steamship Line\" [2]. He then attended college for one year at the University of Transylvania, Kentucky, where he studied English. The Great Depression in 1929 forced him to try different jobs until 1936. That year, he had the opportunity to live in Peru where he studied for one year at the University of San Marcos. Additionally, Frederick DeCoste published articles for the West Coast Leader, an English language magazine edited in Lima. He was also Director of Public Relations for the Condor Peruana de Aviación, S. A. ","In 1939, Frederick DeCoste returned to the United States and lived in Putney, Vermont. He worked as Assistant Director for Experiment in International Living, a company specializing in exchange programs. DeCoste was a \"counselor-guide\" in charge of Latin American programs, sending American students to Peru and Colombia. ","In 1941, Frederick DeCoste became the Coordinator of Inter-American Affairs in Washington D.C. He was sent to Tegucigalpa, Honduras, to manage the war information program. In 1944, he moved to Balboa, Panama, where he stayed for two years for the Public Relations Office. ","Between 1946 and 1947, Frederick DeCoste lived in Mexico and worked for the United States International Book Association to set up an exhibit of 7000 books. When the association dissolved in 1947, he decided to move back to the United States to be Assistant Director for the Council for Inter-American Cooperation Inc. in New York. Concomitantly, he was also Assistant Director for the National Foreign Trade Council, Inc., in charge of the Western Hemisphere Division. There, he edited Noticias, an internal weekly digest for the Council members, providing news and reports about the Hemisphere.","Around 1959, Frederick DeCoste retired and moved to Saint Augustine, Florida, to become a freelance writer and local historian about Florida and Saint Augustine's history. During this time, he wrote and published books and articles. ","Frederick DeCoste died in Quincy [3], Massachusetts, in 1977. He was buried in Plymouth [4].","Notes:\n[1] This biography is a synthesis of the information found in different sources: Fredrick DeCoste's Personal Papers (resume); the newspaper article \"Miracle of the hangman's rope\" in The Florida Times Union Sunday Magazine (August 7, 1966); and the following book reference: Peters, Williams, Passport to friendship. The story of the experiment and international living, J. B. Lipincott Company, Philadelphia and New York, First Edition, 1957, p. 79.\n[2] Peters, Williams, Passport to friendship. The story of the experiment and international living, op. cit.\n[3] Fredrick W. Decoste, U.S. Death Index, 1970-2003.\n[4] Frederick DeCoste, Find a Grave Index, 1600s-Current.","The Frederick DeCoste collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The Frederick DeCoste Collection contains papers produced or gathered by Frederick DeCoste concerning his career and activities such as writings, correspondence, photographs, publications, and research files on Florida and Saint Augustine history."," Broward County Historical Archives","English Spanish; Castilian"],"unitid_tesim":["BCHA.1978.10","/repositories/4/resources/69"],"normalized_date_ssm":["1920-1977"],"normalized_title_ssm":["Frederick DeCoste Collection, 1920-1977"],"collection_title_tesim":["Frederick DeCoste Collection, 1920-1977"],"collection_ssim":["Frederick DeCoste Collection, 1920-1977"],"repository_ssm":["Broward County Historical Archives"],"repository_ssim":["Broward County Historical Archives"],"geogname_ssm":["Saint Augustine (Fla.)"],"geogname_ssim":["Saint Augustine (Fla.)"],"places_ssim":["Saint Augustine (Fla.)"],"access_subjects_ssim":["Historians","Travel","Lectures and lecturing","Correspondence","Publications","Notebooks","Photographs","Local history","Non-fiction"],"access_subjects_ssm":["Historians","Travel","Lectures and lecturing","Correspondence","Publications","Notebooks","Photographs","Local history","Non-fiction"],"has_online_content_ssim":["false"],"extent_ssm":["9 Hollinger Boxes"],"extent_tesim":["9 Hollinger Boxes"],"genreform_ssim":["Correspondence","Publications","Notebooks","Photographs","Local history","Non-fiction"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"accessrestrict_html_tesm":["\u003cp\u003eThe Frederick DeCoste Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Frederick DeCoste Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eFrederick DeCoste Collection is organized in five series: Series I: Personal papers, Series II. Correspondence, Series III. Professional papers, Series IV. Writings, Series V. Publications.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Frederick DeCoste Collection is organized in five series: Series I: Personal papers, Series II. Correspondence, Series III. Professional papers, Series IV. Writings, Series V. Publications."],"bioghist_html_tesm":["\u003cp\u003eFrederick DeCoste (1910-1977) [1] was an American specialist in Cultural Affairs and International Relations between the United States and Latin America. When he retired in the 1960s, he settled in Saint Augustine, Florida, where he became a freelance writer. \u003c/p\u003e\n","\u003cp\u003eFrederick DeCoste was born in 1910 in Boston, Massachusetts. He attended school in Massachusetts and Connecticut. After high school, he traveled to South America becoming a \"merchant marine cadet with the Munson Steamship Line\" [2]. He then attended college for one year at the University of Transylvania, Kentucky, where he studied English. The Great Depression in 1929 forced him to try different jobs until 1936. That year, he had the opportunity to live in Peru where he studied for one year at the University of San Marcos. Additionally, Frederick DeCoste published articles for the West Coast Leader, an English language magazine edited in Lima. He was also Director of Public Relations for the Condor Peruana de Aviaci\u0026#xF3;n, S. A. \u003c/p\u003e\n","\u003cp\u003eIn 1939, Frederick DeCoste returned to the United States and lived in Putney, Vermont. He worked as Assistant Director for Experiment in International Living, a company specializing in exchange programs. DeCoste was a \"counselor-guide\" in charge of Latin American programs, sending American students to Peru and Colombia. \u003c/p\u003e\n","\u003cp\u003eIn 1941, Frederick DeCoste became the Coordinator of Inter-American Affairs in Washington D.C. He was sent to Tegucigalpa, Honduras, to manage the war information program. In 1944, he moved to Balboa, Panama, where he stayed for two years for the Public Relations Office. \u003c/p\u003e\n","\u003cp\u003eBetween 1946 and 1947, Frederick DeCoste lived in Mexico and worked for the United States International Book Association to set up an exhibit of 7000 books. When the association dissolved in 1947, he decided to move back to the United States to be Assistant Director for the Council for Inter-American Cooperation Inc. in New York. Concomitantly, he was also Assistant Director for the National Foreign Trade Council, Inc., in charge of the Western Hemisphere Division. There, he edited Noticias, an internal weekly digest for the Council members, providing news and reports about the Hemisphere.\u003c/p\u003e\n","\u003cp\u003eAround 1959, Frederick DeCoste retired and moved to Saint Augustine, Florida, to become a freelance writer and local historian about Florida and Saint Augustine's history. During this time, he wrote and published books and articles. \u003c/p\u003e\n","\u003cp\u003eFrederick DeCoste died in Quincy [3], Massachusetts, in 1977. He was buried in Plymouth [4].\u003c/p\u003e\n","\u003cp\u003eNotes:\n[1] This biography is a synthesis of the information found in different sources: Fredrick DeCoste's Personal Papers (resume); the newspaper article \"Miracle of the hangman's rope\" in The Florida Times Union Sunday Magazine (August 7, 1966); and the following book reference: Peters, Williams, Passport to friendship. The story of the experiment and international living, J. B. Lipincott Company, Philadelphia and New York, First Edition, 1957, p. 79.\n[2] Peters, Williams, Passport to friendship. The story of the experiment and international living, op. cit.\n[3] Fredrick W. Decoste, U.S. Death Index, 1970-2003.\n[4] Frederick DeCoste, Find a Grave Index, 1600s-Current.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Frederick DeCoste (1910-1977) [1] was an American specialist in Cultural Affairs and International Relations between the United States and Latin America. When he retired in the 1960s, he settled in Saint Augustine, Florida, where he became a freelance writer. ","Frederick DeCoste was born in 1910 in Boston, Massachusetts. He attended school in Massachusetts and Connecticut. After high school, he traveled to South America becoming a \"merchant marine cadet with the Munson Steamship Line\" [2]. He then attended college for one year at the University of Transylvania, Kentucky, where he studied English. The Great Depression in 1929 forced him to try different jobs until 1936. That year, he had the opportunity to live in Peru where he studied for one year at the University of San Marcos. Additionally, Frederick DeCoste published articles for the West Coast Leader, an English language magazine edited in Lima. He was also Director of Public Relations for the Condor Peruana de Aviación, S. A. ","In 1939, Frederick DeCoste returned to the United States and lived in Putney, Vermont. He worked as Assistant Director for Experiment in International Living, a company specializing in exchange programs. DeCoste was a \"counselor-guide\" in charge of Latin American programs, sending American students to Peru and Colombia. ","In 1941, Frederick DeCoste became the Coordinator of Inter-American Affairs in Washington D.C. He was sent to Tegucigalpa, Honduras, to manage the war information program. In 1944, he moved to Balboa, Panama, where he stayed for two years for the Public Relations Office. ","Between 1946 and 1947, Frederick DeCoste lived in Mexico and worked for the United States International Book Association to set up an exhibit of 7000 books. When the association dissolved in 1947, he decided to move back to the United States to be Assistant Director for the Council for Inter-American Cooperation Inc. in New York. Concomitantly, he was also Assistant Director for the National Foreign Trade Council, Inc., in charge of the Western Hemisphere Division. There, he edited Noticias, an internal weekly digest for the Council members, providing news and reports about the Hemisphere.","Around 1959, Frederick DeCoste retired and moved to Saint Augustine, Florida, to become a freelance writer and local historian about Florida and Saint Augustine's history. During this time, he wrote and published books and articles. ","Frederick DeCoste died in Quincy [3], Massachusetts, in 1977. He was buried in Plymouth [4].","Notes:\n[1] This biography is a synthesis of the information found in different sources: Fredrick DeCoste's Personal Papers (resume); the newspaper article \"Miracle of the hangman's rope\" in The Florida Times Union Sunday Magazine (August 7, 1966); and the following book reference: Peters, Williams, Passport to friendship. The story of the experiment and international living, J. B. Lipincott Company, Philadelphia and New York, First Edition, 1957, p. 79.\n[2] Peters, Williams, Passport to friendship. The story of the experiment and international living, op. cit.\n[3] Fredrick W. Decoste, U.S. Death Index, 1970-2003.\n[4] Frederick DeCoste, Find a Grave Index, 1600s-Current."],"prefercite_html_tesm":["\u003cp\u003eFrederick DeCoste Collection, Broward County Historical Archives, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Frederick DeCoste Collection, Broward County Historical Archives, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Frederick DeCoste collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Frederick DeCoste collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Frederick DeCoste Collection contains papers produced or gathered by Frederick DeCoste concerning his career and activities such as writings, correspondence, photographs, publications, and research files on Florida and Saint Augustine history.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Frederick DeCoste Collection contains papers produced or gathered by Frederick DeCoste concerning his career and activities such as writings, correspondence, photographs, publications, and research files on Florida and Saint Augustine history."],"names_ssim":[" Broward County Historical Archives"],"corpname_ssim":[" Broward County Historical Archives"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":249,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"a4f23414bd98e567e07b4a7d","timestamp":"2026-07-09T02:36:49.803Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a4f23414bd98e567e07b4a7d_aspace_687b1097387687ef7b73f5d18f593444"}},{"id":"27369c77877e52a2084a08b3_aspace_bd5651ae55774ad862949ca16d7847e8","type":"Item","attributes":{"title":"Summer Repertory '77; 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Brochure with ticket order form for \"An Evening with Edward Albee,\" November 20, 1986 at the University Theatre, Qty: 3; Booklet announcing the building of a reproduction of the Theatre of Dionysus in Athens, Greece next to the Humanities building, includes drawings and a model, c. 1963, Qty: 2, cellophane tape on the left side on one booklet\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/27369c77877e52a2084a08b3_aspace_bd5651ae55774ad862949ca16d7847e8#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_bd5651ae55774ad862949ca16d7847e8","ref_ssm":["aspace_bd5651ae55774ad862949ca16d7847e8","aspace_bd5651ae55774ad862949ca16d7847e8"],"id":"27369c77877e52a2084a08b3_aspace_bd5651ae55774ad862949ca16d7847e8","title_filing_ssi":"Summer Repertory '77; University Theatre 1986-87 Season; Romeo and Juliet; Philharmonia Virtuosi; An Evening with Edward Albee; Theatre of Dionysus","title_ssm":["Summer Repertory '77; 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Brochure for the 1986-1987 season, plays performed: \"Amadeus,\" \"Noises Off,\" and Much Ado About Nothing,\" includes ticket order form and general ordering information; Program for the ballet \"Romeo and Juliet\" performed by Ballet Florida March 11-12, 1987 at the University Theatre, play by William Shakespeare, music by Serge Prokofiev; Program for performance of the Orchestra Philharmonia Virtuosi, March 12, 1987 at the University Theatre, Richard Kapp, conductor; Brochure with ticket order form for \"An Evening with Edward Albee,\" November 20, 1986 at the University Theatre, Qty: 3; Booklet announcing the building of a reproduction of the Theatre of Dionysus in Athens, Greece next to the Humanities building, includes drawings and a model, c. 1963, Qty: 2, cellophane tape on the left side on one booklet"],"component_level_isim":[2],"parent_ids_ssim":["27369c77877e52a2084a08b3","27369c77877e52a2084a08b3_aspace_47b0d4d01dc41d6530a45d5c59dfe9a9"],"parent_unittitles_ssm":["FAU Student Pamphlets, bulk 1962-2010","Office of the Provost"],"parent_unittitles_tesim":["FAU Student Pamphlets, bulk 1962-2010","Office of the Provost"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/71357"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["FAU Student Pamphlets, bulk 1962-2010"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":80,"parent_access_restrict_tesm":["The collection is open for research. If publishing photographs, the researcher must fill out the University Archives Permission to Publish form. In addition, it is the researcher's responsibility to obtain permission from the copyright holder to publish a photograph that is copyrighted. Florida Atlantic University Archives requests that it be credited as being the repository of the photograph."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987],"containers_ssim":["box 3","folder 20"],"scopecontent_html_tesm":["\u003cp\u003eBrochure for \"The Skin of Our Teeth\" by Thornton Wilder performed July 20-23, 28, 30, August 3, 5, 1977 and \"Purlie Victorious\" performed July 13-16, 27, 29, August 4, 16, 1977, both plays are at the University Theatre, include ticket order form; Brochure for the 1986-1987 season, plays performed: \"Amadeus,\" \"Noises Off,\" and Much Ado About Nothing,\" includes ticket order form and general ordering information; Program for the ballet \"Romeo and Juliet\" performed by Ballet Florida March 11-12, 1987 at the University Theatre, play by William Shakespeare, music by Serge Prokofiev; Program for performance of the Orchestra Philharmonia Virtuosi, March 12, 1987 at the University Theatre, Richard Kapp, conductor; Brochure with ticket order form for \"An Evening with Edward Albee,\" November 20, 1986 at the University Theatre, Qty: 3; Booklet announcing the building of a reproduction of the Theatre of Dionysus in Athens, Greece next to the Humanities building, includes drawings and a model, c. 1963, Qty: 2, cellophane tape on the left side on one booklet\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Brochure for \"The Skin of Our Teeth\" by Thornton Wilder performed July 20-23, 28, 30, August 3, 5, 1977 and \"Purlie Victorious\" performed July 13-16, 27, 29, August 4, 16, 1977, both plays are at the University Theatre, include ticket order form; Brochure for the 1986-1987 season, plays performed: \"Amadeus,\" \"Noises Off,\" and Much Ado About Nothing,\" includes ticket order form and general ordering information; Program for the ballet \"Romeo and Juliet\" performed by Ballet Florida March 11-12, 1987 at the University Theatre, play by William Shakespeare, music by Serge Prokofiev; Program for performance of the Orchestra Philharmonia Virtuosi, March 12, 1987 at the University Theatre, Richard Kapp, conductor; Brochure with ticket order form for \"An Evening with Edward Albee,\" November 20, 1986 at the University Theatre, Qty: 3; Booklet announcing the building of a reproduction of the Theatre of Dionysus in Athens, Greece next to the Humanities building, includes drawings and a model, c. 1963, Qty: 2, cellophane tape on the left side on one booklet"],"_nest_path_":"/components#1/components#68","_nest_parent_":"27369c77877e52a2084a08b3_aspace_47b0d4d01dc41d6530a45d5c59dfe9a9","_root_":"27369c77877e52a2084a08b3","timestamp":"2026-06-05T01:46:38.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"27369c77877e52a2084a08b3","title_ssm":["FAU Student Pamphlets"],"title_tesim":["FAU Student Pamphlets"],"ead_ssi":"27369c77877e52a2084a08b3","unitdate_ssm":["1962-2010"],"unitdate_bulk_ssim":["1962-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA00022","/repositories/2/resources/193"],"text":["UA00022","/repositories/2/resources/193","FAU Student Pamphlets, bulk 1962-2010","Florida Atlantic University -- History","Florida Atlantic University -- Students -- Periodicals","University Archives","The collection is open for research. If publishing photographs, the researcher must fill out the University Archives Permission to Publish form. In addition, it is the researcher's responsibility to obtain permission from the copyright holder to publish a photograph that is copyrighted. Florida Atlantic University Archives requests that it be credited as being the repository of the photograph.","This collection consists of just over 1,200 titles that include a variety of publications such as brochures, booklets, leaflets, reports, and newsletters. The publication years are from approximately 1962 to the mid-1990s. The majority of these publications are directed to students enrolled in degree seeking programs at Florida Atlantic University but it also includes material directed at the non-traditional student such as the older non-degree seeking student, and those taking professional seminars or workshops.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.","Florida Atlantic University Libraries","English"],"unitid_tesim":["UA00022","/repositories/2/resources/193"],"normalized_date_ssm":["bulk 1962-2010"],"normalized_title_ssm":["FAU Student Pamphlets, bulk 1962-2010"],"collection_title_tesim":["FAU Student Pamphlets, bulk 1962-2010"],"collection_ssim":["FAU Student Pamphlets, bulk 1962-2010"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"access_subjects_ssim":["Florida Atlantic University -- History","Florida Atlantic University -- Students -- Periodicals","University Archives"],"access_subjects_ssm":["Florida Atlantic University -- History","Florida Atlantic University -- Students -- Periodicals","University Archives"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet"],"extent_tesim":["9 Linear Feet"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. If publishing photographs, the researcher must fill out the University Archives Permission to Publish form. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). 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Additional materials were added to the end of the collection.","Sumter Lowry was born in St. Augustine, FL on August 27, 1893 to Sumter DeLeon Lowry and Willie Miller Lowry. Sumter Lowry was a Lt. General in the National Guard, a businessman, and political activist. In 1894 the Lowry family moved to the Tampa Bay area, by 1914 Sumter Lowry began his military career creating Company H and Infantry Company. In 1916 Sumter married Elizabeth Bellamy Parkhill, together they had 5 children. His military career included organizing the 116th Field Artillery Regiment of the Florida National Guard in 1921, as well as establishing Benjamin Field camp (Renamed Fort Homer Hesterly in 1940). By 1934 he received a promotion to Brigadier General and command over the 56th Field Artillery U.S. National Guard. Concurrent with his military career, Lowry established the Victory National Life Insurance in 1921 serving as president. 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In 1916 Sumter married Elizabeth Bellamy Parkhill, together they had 5 children. His military career included organizing the 116th Field Artillery Regiment of the Florida National Guard in 1921, as well as establishing Benjamin Field camp (Renamed Fort Homer Hesterly in 1940). By 1934 he received a promotion to Brigadier General and command over the 56th Field Artillery U.S. National Guard. Concurrent with his military career, Lowry established the Victory National Life Insurance in 1921 serving as president. In 1928, he served on the board for Gulf Life Insurance after a merger with Victory National Life Insurance. In 1952, Sumter Lowry retired to civilian life as a Lt. General. 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