{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1972\u0026page=304\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1972\u0026page=303\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1972\u0026page=305\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1972\u0026page=505\u0026view=compact"},"meta":{"pages":{"current_page":304,"next_page":305,"prev_page":303,"total_pages":505,"limit_value":10,"offset_value":3030,"total_count":5047,"first_page?":false,"last_page?":false}},"data":[{"id":"8975b96576c8598e6f81b9ac_aspace_204659","type":"File","attributes":{"title":"Miscellaneous, 1942-1995","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/8975b96576c8598e6f81b9ac_aspace_204659#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis folder contains miscellaneous documents including: George's 1943 Graduation Exercises Program; The Normandale College Concert Band Program 1975; The American Legion September 1995 Magazine; Army Patch Labels Poster; Officer's Candidate School Insignia.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8975b96576c8598e6f81b9ac_aspace_204659#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_204659","ref_ssm":["aspace_204659","aspace_204659"],"id":"8975b96576c8598e6f81b9ac_aspace_204659","title_filing_ssi":"Miscellaneous","title_ssm":["Miscellaneous"],"title_tesim":["Miscellaneous"],"unitdate_inclusive_ssm":["1942-1995"],"normalized_date_ssm":["1942-1995"],"normalized_title_ssm":["Miscellaneous, 1942-1995"],"text":["Miscellaneous, 1942-1995","George R. and Laura E. Nehls collection, 1940-1996, Date acquired: 05/06/2008","Folder 007","/repositories/10/archival_objects/132522","08.0113 - Box 7","folder 007","This folder contains miscellaneous documents including: George's 1943 Graduation Exercises Program; The Normandale College Concert Band Program 1975; The American Legion September 1995 Magazine; Army Patch Labels Poster; Officer's Candidate School Insignia."],"component_level_isim":[1],"parent_ids_ssim":["8975b96576c8598e6f81b9ac"],"parent_unittitles_ssm":["George R. and Laura E. Nehls collection, 1940-1996, Date acquired: 05/06/2008"],"parent_unittitles_tesim":["George R. and Laura E. Nehls collection, 1940-1996, Date acquired: 05/06/2008"],"parent_levels_ssm":["collection"],"unitid_ssm":["Folder 007","/repositories/10/archival_objects/132522"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["George R. and Laura E. 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Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"containers_ssim":["08.0113 - Box 7","folder 007"],"scopecontent_html_tesm":["\u003cp\u003eThis folder contains miscellaneous documents including: George's 1943 Graduation Exercises Program; The Normandale College Concert Band Program 1975; The American Legion September 1995 Magazine; Army Patch Labels Poster; Officer's Candidate School Insignia.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This folder contains miscellaneous documents including: George's 1943 Graduation Exercises Program; The Normandale College Concert Band Program 1975; The American Legion September 1995 Magazine; Army Patch Labels Poster; Officer's Candidate School Insignia."],"_nest_path_":"/components#55","_nest_parent_":"8975b96576c8598e6f81b9ac","_root_":"8975b96576c8598e6f81b9ac","timestamp":"2026-07-08T13:01:46.718Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8975b96576c8598e6f81b9ac","title_filing_ssi":"Nehls, George R., and Laura E. collection","title_ssm":["George R. and Laura E. Nehls collection"],"title_tesim":["George R. and Laura E. Nehls collection"],"ead_ssi":"8975b96576c8598e6f81b9ac","unitdate_ssm":["1940-1996","Date acquired: 05/06/2008"],"unitdate_inclusive_ssm":["1940-1996"],"unitdate_other_ssim":["Date acquired: 05/06/2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["08.0113","/repositories/10/resources/894"],"text":["08.0113","/repositories/10/resources/894","George R. and Laura E. Nehls collection, 1940-1996, Date acquired: 05/06/2008","World War, 1939-1945--Medical care","Camp Barkeley (Tex.)","Medical Replacement Training Center (Camp Barkeley, Tex.)--History","McCloskey General Hospital (Temple, Tex.)","World War, 1939-1945--Europe","United States. Army. Medical Service Corps--History.","United States. Army. Infantry Division, 34th--History.","Paper money","Stars and stripes","Vehicles, Military -- Periodicals.","Military hospitals","United States. Veterans Administration.","Disabled veterans","Postcards","This collection is open to all researchers.","George R. Nehls served in the United States Army before and during World War II in the 105th Medical Battalion, 22nd Medical Regiment, and 136th Medical Regiment under the 34th Division. George began his service as enlisted and earned the rank of sergeant before attending Officer Candidate School and commissioning in the U.S. Army Medical Corps. George held a variety of roles in his career, including surgeon's assistant and was an instructor for a variety of training courses, ultimately reaching the rank of 1st Lieutenant and serving in the European Theater of Operations.\n Laura E. Nehls, maiden name Teeple who was also nicknamed \"Betty,\" served in the medical corps working at McCloskey General Hospital, where she met George. She became a Register Nurse on December 16, 1940 and entered service on December 18, 1942. She worked in the medical, orthopedics, and dental wards with Americans, German POWs, and Italian POWs. Unfortunately, Laura contracted tuberculosis and was hospitalized at the end of the war. She was subsequently ruled by the U.S. Army as retired with disability due to her military service and received authorized benefits. She separated from service on August 31, 1945.  George and Laura were married on December 9, 1945 in Minneapolis, MN.\n Laura was born on December 20, 1918, and passed away on January 28, 2016. George was born on November 9, 1917 and passed away on May 18, 2005. Both Laura and George are buried in Arlington National Cemetery.","This collection was donated by Nancy Nehls Nelson, daughter of George R. and Laura E. Nehls. The collection was acquired by the Institute on World War II and the Human Experience on May 6, 2008.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","This collection is related to U.S. Army Captain George R. Nehls and 1st Lieutenant Laura E. Nehls who served in the Medical Corps during World War II. George served with Company \"H\", 136th Medical Regiment, 34th Infantry Division. This collection contains personal papers, letters, financial documents, military documents, books, army publications including training manuals, artifacts, artifacts, and uniform pieces from George R. and Laura E. Nehls during their World War II service. The collection also contains a three-page interview transcript, and photograph, of Robert Perry Teeple, brother of Laura E. Nehls, who served with the 86th Fighter-Bomber Group in Italy during World War II, was wounded and subsequently became a German POW.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Western Union Telegraph Company.","United States. Army. Infantry Division, 34th","United States. Army. European Theater of Operations","American Red Cross","United States. Army. Medical Battalion, 105th","Fitzsimons Army Hospital","Fitzsimons General Hospital","United States. Army Air Forces. 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Nehls collection, 1940-1996, Date acquired: 05/06/2008"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Nehls, George R.","Nehls, Laura E.","Teeple, Robert Perry"],"creator_ssim":["Nehls, George R.","Nehls, Laura E.","Teeple, Robert Perry"],"creator_persname_ssim":["Nehls, George R.","Nehls, Laura E.","Teeple, Robert Perry"],"creators_ssim":["Nehls, George R.","Nehls, Laura E.","Teeple, Robert Perry"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"access_subjects_ssim":["World War, 1939-1945--Medical care","Camp Barkeley (Tex.)","Medical Replacement Training Center (Camp Barkeley, Tex.)--History","McCloskey General Hospital (Temple, Tex.)","World War, 1939-1945--Europe","United States. Army. Medical Service Corps--History.","United States. Army. Infantry Division, 34th--History.","Paper money","Stars and stripes","Vehicles, Military -- Periodicals.","Military hospitals","United States. Veterans Administration.","Disabled veterans","Postcards"],"access_subjects_ssm":["World War, 1939-1945--Medical care","Camp Barkeley (Tex.)","Medical Replacement Training Center (Camp Barkeley, Tex.)--History","McCloskey General Hospital (Temple, Tex.)","World War, 1939-1945--Europe","United States. Army. Medical Service Corps--History.","United States. Army. Infantry Division, 34th--History.","Paper money","Stars and stripes","Vehicles, Military -- Periodicals.","Military hospitals","United States. Veterans Administration.","Disabled veterans","Postcards"],"has_online_content_ssim":["false"],"extent_ssm":["9 boxes","13 items 13 maps","1 articles"],"extent_tesim":["9 boxes","13 items 13 maps","1 articles"],"genreform_ssim":["Postcards"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,2008],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_html_tesm":["\u003cp\u003eGeorge R. Nehls served in the United States Army before and during World War II in the 105th Medical Battalion, 22nd Medical Regiment, and 136th Medical Regiment under the 34th Division. George began his service as enlisted and earned the rank of sergeant before attending Officer Candidate School and commissioning in the U.S. Army Medical Corps. George held a variety of roles in his career, including surgeon's assistant and was an instructor for a variety of training courses, ultimately reaching the rank of 1st Lieutenant and serving in the European Theater of Operations.\n\u003cbr\u003e\u003cbr\u003eLaura E. Nehls, maiden name Teeple who was also nicknamed \"Betty,\" served in the medical corps working at McCloskey General Hospital, where she met George. She became a Register Nurse on December 16, 1940 and entered service on December 18, 1942. She worked in the medical, orthopedics, and dental wards with Americans, German POWs, and Italian POWs. Unfortunately, Laura contracted tuberculosis and was hospitalized at the end of the war. She was subsequently ruled by the U.S. Army as retired with disability due to her military service and received authorized benefits. She separated from service on August 31, 1945.\u0026#xA0; George and Laura were married on December 9, 1945 in Minneapolis, MN.\n\u003cbr\u003e\u003cbr\u003eLaura was born on December 20, 1918, and passed away on January 28, 2016. George was born on November 9, 1917 and passed away on May 18, 2005. Both Laura and George are buried in Arlington National Cemetery.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["George R. Nehls served in the United States Army before and during World War II in the 105th Medical Battalion, 22nd Medical Regiment, and 136th Medical Regiment under the 34th Division. George began his service as enlisted and earned the rank of sergeant before attending Officer Candidate School and commissioning in the U.S. Army Medical Corps. George held a variety of roles in his career, including surgeon's assistant and was an instructor for a variety of training courses, ultimately reaching the rank of 1st Lieutenant and serving in the European Theater of Operations.\n Laura E. Nehls, maiden name Teeple who was also nicknamed \"Betty,\" served in the medical corps working at McCloskey General Hospital, where she met George. She became a Register Nurse on December 16, 1940 and entered service on December 18, 1942. She worked in the medical, orthopedics, and dental wards with Americans, German POWs, and Italian POWs. Unfortunately, Laura contracted tuberculosis and was hospitalized at the end of the war. She was subsequently ruled by the U.S. Army as retired with disability due to her military service and received authorized benefits. She separated from service on August 31, 1945.  George and Laura were married on December 9, 1945 in Minneapolis, MN.\n Laura was born on December 20, 1918, and passed away on January 28, 2016. George was born on November 9, 1917 and passed away on May 18, 2005. Both Laura and George are buried in Arlington National Cemetery."],"custodhist_html_tesm":["\u003cp\u003eThis collection was donated by Nancy Nehls Nelson, daughter of George R. and Laura E. Nehls. The collection was acquired by the Institute on World War II and the Human Experience on May 6, 2008.\u003c/p\u003e","\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History","Custodial History"],"custodhist_tesim":["This collection was donated by Nancy Nehls Nelson, daughter of George R. and Laura E. Nehls. The collection was acquired by the Institute on World War II and the Human Experience on May 6, 2008.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], George R. and Laura E. Nehls collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_08_0113\"\u003ehttp://purl.fcla.edu/fsu/WWII_08_0113\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], George R. and Laura E. Nehls collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_08_0113 ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is related to U.S. Army Captain George R. Nehls and 1st Lieutenant Laura E. Nehls who served in the Medical Corps during World War II. George served with Company \"H\", 136th Medical Regiment, 34th Infantry Division. This collection contains personal papers, letters, financial documents, military documents, books, army publications including training manuals, artifacts, artifacts, and uniform pieces from George R. and Laura E. Nehls during their World War II service. The collection also contains a three-page interview transcript, and photograph, of Robert Perry Teeple, brother of Laura E. Nehls, who served with the 86th Fighter-Bomber Group in Italy during World War II, was wounded and subsequently became a German POW.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is related to U.S. Army Captain George R. Nehls and 1st Lieutenant Laura E. Nehls who served in the Medical Corps during World War II. George served with Company \"H\", 136th Medical Regiment, 34th Infantry Division. This collection contains personal papers, letters, financial documents, military documents, books, army publications including training manuals, artifacts, artifacts, and uniform pieces from George R. and Laura E. Nehls during their World War II service. The collection also contains a three-page interview transcript, and photograph, of Robert Perry Teeple, brother of Laura E. Nehls, who served with the 86th Fighter-Bomber Group in Italy during World War II, was wounded and subsequently became a German POW."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_coll_ssim":["Western Union Telegraph Company.","United States. Army. Infantry Division, 34th","United States. Army. European Theater of Operations","American Red Cross","United States. Army. Medical Battalion, 105th","Fitzsimons Army Hospital","Fitzsimons General Hospital","United States. Army Air Forces. Fighter Group, 86th"],"names_ssim":["FSU Special Collections \u0026 Archives","Western Union Telegraph Company.","United States. Army. Infantry Division, 34th","United States. Army. European Theater of Operations","American Red Cross","United States. Army. Medical Battalion, 105th","Fitzsimons Army Hospital","Fitzsimons General Hospital","United States. Army Air Forces. Fighter Group, 86th","Nehls, George R.","Nehls, Laura E.","Teeple, Robert Perry"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Western Union Telegraph Company.","United States. Army. Infantry Division, 34th","United States. Army. European Theater of Operations","American Red Cross","United States. Army. Medical Battalion, 105th","Fitzsimons Army Hospital","Fitzsimons General Hospital","United States. Army Air Forces. Fighter Group, 86th"],"persname_ssim":["Nehls, George R.","Nehls, Laura E.","Teeple, Robert Perry"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":96,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"8975b96576c8598e6f81b9ac","timestamp":"2026-07-08T13:01:46.718Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8975b96576c8598e6f81b9ac_aspace_204659"}},{"id":"d9915248895df739abe6b52e_aspace_56db98ae9b8660c609d8715803110347","type":"Subseries","attributes":{"title":"Miscellaneous, 1949-08-17-1976","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d9915248895df739abe6b52e_aspace_56db98ae9b8660c609d8715803110347#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_56db98ae9b8660c609d8715803110347","ref_ssm":["aspace_56db98ae9b8660c609d8715803110347","aspace_56db98ae9b8660c609d8715803110347"],"id":"d9915248895df739abe6b52e_aspace_56db98ae9b8660c609d8715803110347","title_filing_ssi":"Miscellaneous","title_ssm":["Miscellaneous"],"title_tesim":["Miscellaneous"],"unitdate_inclusive_ssm":["1949-08-17-1976"],"normalized_date_ssm":["1949-08-17-1976"],"normalized_title_ssm":["Miscellaneous, 1949-08-17-1976"],"text":["Miscellaneous, 1949-08-17-1976","Sallye Brooks Mathis Papers, 1934-2015","City Council and Governmental, 1949-08-17-2015-05-21","/repositories/3/archival_objects/9488","box 2","folder 6"],"component_level_isim":[2],"parent_ids_ssim":["d9915248895df739abe6b52e","d9915248895df739abe6b52e_aspace_e10d563ebce10eb0e9fafdc7023b3af4"],"parent_unittitles_ssm":["Sallye Brooks Mathis Papers, 1934-2015","City Council and Governmental, 1949-08-17-2015-05-21"],"parent_unittitles_tesim":["Sallye Brooks Mathis Papers, 1934-2015","City Council and Governmental, 1949-08-17-2015-05-21"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/9488"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Sallye Brooks Mathis Papers, 1934-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":26,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringment and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information."],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"containers_ssim":["box 2","folder 6"],"_nest_path_":"/components#1/components#2","_nest_parent_":"d9915248895df739abe6b52e_aspace_e10d563ebce10eb0e9fafdc7023b3af4","_root_":"d9915248895df739abe6b52e","timestamp":"2026-07-10T03:22:16.950Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d9915248895df739abe6b52e","title_ssm":["Sallye Brooks Mathis Papers"],"title_tesim":["Sallye Brooks Mathis Papers"],"ead_ssi":"d9915248895df739abe6b52e","unitdate_ssm":["1934-2015"],"unitdate_inclusive_ssm":["1934-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2017.005","/repositories/3/resources/79"],"text":["2017.005","/repositories/3/resources/79","Sallye Brooks Mathis Papers, 1934-2015","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","Sallye Brooks Mathis, born on May 18, 1912, in Jacksonville, Florida, embarked upon her academic journey by obtaining an Associate of Arts Degree from Bethune-Cookman College. Following this, she pursued advanced studies at the Tuskegee Institute, ultimately graduating with her masters from the Florida Agricultural and Mechanical University. Her degrees earned were all in education. Her professional career unfolded as a distinguished educator in the Duval County Public School system, where she imparted knowledge to elementary school students and dispensed her expertise in high school history at Matthew Gilbert High School over a span of 28 years.","Beyond the confines of the classroom, Mathis demonstrated a fervent commitment to civil rights, rendering substantial service to the National Association for the Advancement of Colored People (NAACP). Instrumental in spearheading voter registration initiatives and orchestrating local events, her advocacy extended to membership in the League of Women Voters. The local NAACP chapter, recognizing her indomitable dedication, established an annual community service award in her honor. In 1967, Mathis etched her name in history as one of the first women and African Americans elected to the Jacksonville City Council.","Her legislative endeavors during her tenure on the City Council were indicative of her unwavering commitment to societal equity. Initiatives included the proposal for a Citizens' Police Review Board, advocacy for freely accessible public toilets, championing equal job opportunities in public agencies, and the advocacy for reduced bus fares for senior citizens. In 1977, Mathis assumed the mantle of founder for the Minority Women's Coalition (MWC), an organization designed to nurture the comprehensive development of women through educational and professional avenues while encouraging civic engagement. The MWC's core mission is geared towards the enhancement of educational opportunities through an annual scholarship awards program and the provision of emergency assistance to vulnerable families facing existential threats.","Acknowledging Mathis's formidable contributions to education, a Jacksonville school was christened the Sallye B. Mathis Elementary School in her honor. The campaign to immortalize Mathis's legacy was led by her sister, Grace Brooks Solomon. Solomon was an advocate for racial equality and education much like her sister. Subsequently, Solomon assumed the presidency of the MWC. Sallye Brooks Mathis passed away in 1982 at the age of 70, leaving an enduring legacy in Jacksonville that secured her a distinguished position in the Florida Civil Rights Hall of Fame.","See also: ","Grace Brooks Solomon Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.","Walch, B. H. (1990). New Black Voices: The growth and contributions of Sallye Mathis and Mary Singleton in Florida government. ","This collection is home to the personal papers of Sallye Brooks Mathis, one of Jacksonville, Florida's first Black women elected to its city council. These papers provide insight into the professional, political, and activist career of Mathis and the effect she had in shaping Jacksonville.","Series in this collection include the following:","Series 1 — Awards and Certificates (arranged chronologically) houses awards certificates, metals, plaques, and trophies that honor Sallye Brooks Mathis and her accomplishments.","Series 2 — City Council / Governmental (arranged alphabetically by sub-series).","Sub-Series 1 — Business Cards and Contacts houses the contact information of city council officials and associates of Mathis.","Sub-Series 2 — Elections (arranged chronologically) contains documents pertaining to Sallye Mathis' city council elections and campaigns.","Sub-Series 3 — Miscellaneous (arranged chronologically) houses governmental guides and deed books, as well as a conference ID.","Sub-Series 4 — Name Plates houses plaques and signs displaying Mathis' tenure throughout various districts on the Jacksonville City Council.","Sub-Series 5 — Newspaper clippings (arranged chronologically) houses newspaper articles concerning Mathis' professional career.","Sub-Series 6 — Photos (arranged chronologically) consists of photos of Mathis working on the Jacksonville City Council.","Series 3 — Miscellaneous houses one item, a 4H Insignia.","Series 4 — Obituaries and Death (arranged chronologically) consists of various documents detailing and honoring the deaths of Sallye Mathis, her mother, and others.","Series 5 — Personal (arranged alphabetically by sub-series).","Sub-Series 1 — Correspondence (arranged chronologically) contains short personal letters from friends.","Sub-Series 2 — Education (arranged chronologically) consists of various diplomas and yearbooks from Mathis' time as a graduate student and teacher.","Sub-Series 3 — Photos/Family Ephemera (arranged chronologically) houses various photos of family and tintypes and daguerreotypes of unknown peoples believed to be bought by the Mathis or Solomon family for personal collection.","Series 6 — Scrapbook. This series houses a large scrapbook filled with newspaper clippings detailing Mathis' political career.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringment and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information.","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2017.005","/repositories/3/resources/79"],"normalized_date_ssm":["1934-2015"],"normalized_title_ssm":["Sallye Brooks Mathis Papers, 1934-2015"],"collection_title_tesim":["Sallye Brooks Mathis Papers, 1934-2015"],"collection_ssim":["Sallye Brooks Mathis Papers, 1934-2015"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringment and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information."],"acqinfo_ssim":["The collection was acquired through donation from Brooke M. Stephens, 2017-07-27 and 2018-12-18."],"has_online_content_ssim":["false"],"extent_ssm":["3.83 Linear Feet"],"extent_tesim":["3.83 Linear Feet"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eSallye Brooks Mathis, born on May 18, 1912, in Jacksonville, Florida, embarked upon her academic journey by obtaining an Associate of Arts Degree from Bethune-Cookman College. Following this, she pursued advanced studies at the Tuskegee Institute, ultimately graduating with her masters from the Florida Agricultural and Mechanical University. Her degrees earned were all in education. Her professional career unfolded as a distinguished educator in the Duval County Public School system, where she imparted knowledge to elementary school students and dispensed her expertise in high school history at Matthew Gilbert High School over a span of 28 years.\u003c/p\u003e\n","\u003cp\u003eBeyond the confines of the classroom, Mathis demonstrated a fervent commitment to civil rights, rendering substantial service to the National Association for the Advancement of Colored People (NAACP). Instrumental in spearheading voter registration initiatives and orchestrating local events, her advocacy extended to membership in the League of Women Voters. The local NAACP chapter, recognizing her indomitable dedication, established an annual community service award in her honor. In 1967, Mathis etched her name in history as one of the first women and African Americans elected to the Jacksonville City Council.\u003c/p\u003e\n","\u003cp\u003eHer legislative endeavors during her tenure on the City Council were indicative of her unwavering commitment to societal equity. Initiatives included the proposal for a Citizens' Police Review Board, advocacy for freely accessible public toilets, championing equal job opportunities in public agencies, and the advocacy for reduced bus fares for senior citizens. In 1977, Mathis assumed the mantle of founder for the Minority Women's Coalition (MWC), an organization designed to nurture the comprehensive development of women through educational and professional avenues while encouraging civic engagement. The MWC's core mission is geared towards the enhancement of educational opportunities through an annual scholarship awards program and the provision of emergency assistance to vulnerable families facing existential threats.\u003c/p\u003e\n","\u003cp\u003eAcknowledging Mathis's formidable contributions to education, a Jacksonville school was christened the Sallye B. Mathis Elementary School in her honor. The campaign to immortalize Mathis's legacy was led by her sister, Grace Brooks Solomon. Solomon was an advocate for racial equality and education much like her sister. Subsequently, Solomon assumed the presidency of the MWC. Sallye Brooks Mathis passed away in 1982 at the age of 70, leaving an enduring legacy in Jacksonville that secured her a distinguished position in the Florida Civil Rights Hall of Fame.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Sallye Brooks Mathis, born on May 18, 1912, in Jacksonville, Florida, embarked upon her academic journey by obtaining an Associate of Arts Degree from Bethune-Cookman College. Following this, she pursued advanced studies at the Tuskegee Institute, ultimately graduating with her masters from the Florida Agricultural and Mechanical University. Her degrees earned were all in education. Her professional career unfolded as a distinguished educator in the Duval County Public School system, where she imparted knowledge to elementary school students and dispensed her expertise in high school history at Matthew Gilbert High School over a span of 28 years.","Beyond the confines of the classroom, Mathis demonstrated a fervent commitment to civil rights, rendering substantial service to the National Association for the Advancement of Colored People (NAACP). Instrumental in spearheading voter registration initiatives and orchestrating local events, her advocacy extended to membership in the League of Women Voters. The local NAACP chapter, recognizing her indomitable dedication, established an annual community service award in her honor. In 1967, Mathis etched her name in history as one of the first women and African Americans elected to the Jacksonville City Council.","Her legislative endeavors during her tenure on the City Council were indicative of her unwavering commitment to societal equity. Initiatives included the proposal for a Citizens' Police Review Board, advocacy for freely accessible public toilets, championing equal job opportunities in public agencies, and the advocacy for reduced bus fares for senior citizens. In 1977, Mathis assumed the mantle of founder for the Minority Women's Coalition (MWC), an organization designed to nurture the comprehensive development of women through educational and professional avenues while encouraging civic engagement. The MWC's core mission is geared towards the enhancement of educational opportunities through an annual scholarship awards program and the provision of emergency assistance to vulnerable families facing existential threats.","Acknowledging Mathis's formidable contributions to education, a Jacksonville school was christened the Sallye B. Mathis Elementary School in her honor. The campaign to immortalize Mathis's legacy was led by her sister, Grace Brooks Solomon. Solomon was an advocate for racial equality and education much like her sister. Subsequently, Solomon assumed the presidency of the MWC. Sallye Brooks Mathis passed away in 1982 at the age of 70, leaving an enduring legacy in Jacksonville that secured her a distinguished position in the Florida Civil Rights Hall of Fame."],"prefercite_html_tesm":["\u003cp\u003eSallye Brooks Mathis Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Sallye Brooks Mathis Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also: \u003c/p\u003e\n","\u003cp\u003eGrace Brooks Solomon Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e\n","\u003cp\u003eWalch, B. H. (1990). New Black Voices: The growth and contributions of Sallye Mathis and Mary Singleton in Florida government. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["See also: ","Grace Brooks Solomon Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.","Walch, B. H. (1990). New Black Voices: The growth and contributions of Sallye Mathis and Mary Singleton in Florida government. "],"scopecontent_html_tesm":["\u003cp\u003eThis collection is home to the personal papers of Sallye Brooks Mathis, one of Jacksonville, Florida's first Black women elected to its city council. These papers provide insight into the professional, political, and activist career\u0026#xA0;of Mathis and the effect she had in shaping Jacksonville.\u003c/p\u003e\n","\u003cp\u003eSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1 \u0026#x2014; Awards and Certificates (arranged chronologically) houses awards certificates, metals, plaques, and trophies that honor Sallye Brooks Mathis and her accomplishments.\u003c/p\u003e\n","\u003cp\u003eSeries 2 \u0026#x2014; City Council / Governmental (arranged alphabetically by sub-series).\u003c/p\u003e\n","\u003cp\u003eSub-Series 1 \u0026#x2014; Business Cards and Contacts houses the contact information of city council officials and associates of Mathis.\u003c/p\u003e\n","\u003cp\u003eSub-Series 2 \u0026#x2014; Elections (arranged chronologically) contains documents pertaining to Sallye Mathis' city council elections and campaigns.\u003c/p\u003e\n","\u003cp\u003eSub-Series 3 \u0026#x2014; Miscellaneous (arranged chronologically) houses governmental guides and deed books, as well as a conference ID.\u003c/p\u003e\n","\u003cp\u003eSub-Series 4 \u0026#x2014; Name Plates houses plaques and signs displaying Mathis' tenure throughout various districts on the Jacksonville City Council.\u003c/p\u003e\n","\u003cp\u003eSub-Series 5 \u0026#x2014; Newspaper clippings (arranged chronologically) houses newspaper articles concerning Mathis' professional career.\u003c/p\u003e\n","\u003cp\u003eSub-Series 6 \u0026#x2014; Photos (arranged chronologically) consists of photos of Mathis working on the Jacksonville City Council.\u003c/p\u003e\n","\u003cp\u003eSeries 3 \u0026#x2014; Miscellaneous houses one item, a 4H Insignia.\u003c/p\u003e\n","\u003cp\u003eSeries 4 \u0026#x2014; Obituaries and Death (arranged chronologically) consists of various documents detailing and honoring the deaths of Sallye Mathis, her mother, and others.\u003c/p\u003e\n","\u003cp\u003eSeries 5 \u0026#x2014; Personal (arranged alphabetically by sub-series).\u003c/p\u003e\n","\u003cp\u003eSub-Series 1 \u0026#x2014; Correspondence (arranged chronologically) contains short personal letters from friends.\u003c/p\u003e\n","\u003cp\u003eSub-Series 2 \u0026#x2014; Education (arranged chronologically) consists of various diplomas and yearbooks from Mathis' time as a graduate student and teacher.\u003c/p\u003e\n","\u003cp\u003eSub-Series 3 \u0026#x2014; Photos/Family Ephemera (arranged chronologically) houses various photos of family and tintypes and daguerreotypes of unknown peoples believed to be bought by the Mathis or Solomon family for personal collection.\u003c/p\u003e\n","\u003cp\u003eSeries 6 \u0026#x2014; Scrapbook. This series houses a large scrapbook filled with newspaper clippings detailing Mathis' political career.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is home to the personal papers of Sallye Brooks Mathis, one of Jacksonville, Florida's first Black women elected to its city council. These papers provide insight into the professional, political, and activist career of Mathis and the effect she had in shaping Jacksonville.","Series in this collection include the following:","Series 1 — Awards and Certificates (arranged chronologically) houses awards certificates, metals, plaques, and trophies that honor Sallye Brooks Mathis and her accomplishments.","Series 2 — City Council / Governmental (arranged alphabetically by sub-series).","Sub-Series 1 — Business Cards and Contacts houses the contact information of city council officials and associates of Mathis.","Sub-Series 2 — Elections (arranged chronologically) contains documents pertaining to Sallye Mathis' city council elections and campaigns.","Sub-Series 3 — Miscellaneous (arranged chronologically) houses governmental guides and deed books, as well as a conference ID.","Sub-Series 4 — Name Plates houses plaques and signs displaying Mathis' tenure throughout various districts on the Jacksonville City Council.","Sub-Series 5 — Newspaper clippings (arranged chronologically) houses newspaper articles concerning Mathis' professional career.","Sub-Series 6 — Photos (arranged chronologically) consists of photos of Mathis working on the Jacksonville City Council.","Series 3 — Miscellaneous houses one item, a 4H Insignia.","Series 4 — Obituaries and Death (arranged chronologically) consists of various documents detailing and honoring the deaths of Sallye Mathis, her mother, and others.","Series 5 — Personal (arranged alphabetically by sub-series).","Sub-Series 1 — Correspondence (arranged chronologically) contains short personal letters from friends.","Sub-Series 2 — Education (arranged chronologically) consists of various diplomas and yearbooks from Mathis' time as a graduate student and teacher.","Sub-Series 3 — Photos/Family Ephemera (arranged chronologically) houses various photos of family and tintypes and daguerreotypes of unknown peoples believed to be bought by the Mathis or Solomon family for personal collection.","Series 6 — Scrapbook. This series houses a large scrapbook filled with newspaper clippings detailing Mathis' political career."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringment and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringment and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information."],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":63,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"d9915248895df739abe6b52e","timestamp":"2026-07-10T03:22:16.950Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d9915248895df739abe6b52e_aspace_56db98ae9b8660c609d8715803110347"}},{"id":"eb6a6a5d90312bb9355a16aa_aspace_bdacba0435bb2562e73f8a449ab42ea3","type":"Item","attributes":{"title":"Miscellaneous, 1965-1997","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/eb6a6a5d90312bb9355a16aa_aspace_bdacba0435bb2562e73f8a449ab42ea3#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eCatch the Wave of College…and ride it to a career/News Release for 1987-88 In-Residence Summer College Reach-Out Program (handwritten notations on page); Promotional information for Vinie Burrows-Walk Together Children; 2 photographic contact sheets with attached negatives for Junior/Senior Minority Day (11-17-87); 127-page publication titled, Florida Atlantic University: Its Beginnings and Early Years-The Inside Story by Roger H. 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Miller"],"component_level_isim":[2],"parent_ids_ssim":["eb6a6a5d90312bb9355a16aa","eb6a6a5d90312bb9355a16aa_aspace_5bc7cf56a4cfc81b361124a005e6b509"],"parent_unittitles_ssm":["Office of Equal Opportunity Programs at Florida Atlantic University, bulk 1980-1990","Minority Student Services, bulk 1970-1997"],"parent_unittitles_tesim":["Office of Equal Opportunity Programs at Florida Atlantic University, bulk 1980-1990","Minority Student Services, bulk 1970-1997"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/67459"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Office of Equal Opportunity Programs at Florida Atlantic University, bulk 1980-1990"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":113,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. 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It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"containers_ssim":["box 2","folder 27"],"scopecontent_html_tesm":["\u003cp\u003eCatch the Wave of College\u0026#x2026;and ride it to a career/News Release for 1987-88 In-Residence Summer College Reach-Out Program (handwritten notations on page); Promotional information for Vinie Burrows-Walk Together Children; 2 photographic contact sheets with attached negatives for Junior/Senior Minority Day (11-17-87); 127-page publication titled, Florida Atlantic University: Its Beginnings and Early Years-The Inside Story by Roger H. Miller\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Catch the Wave of College…and ride it to a career/News Release for 1987-88 In-Residence Summer College Reach-Out Program (handwritten notations on page); Promotional information for Vinie Burrows-Walk Together Children; 2 photographic contact sheets with attached negatives for Junior/Senior Minority Day (11-17-87); 127-page publication titled, Florida Atlantic University: Its Beginnings and Early Years-The Inside Story by Roger H. Miller"],"_nest_path_":"/components#5/components#7","_nest_parent_":"eb6a6a5d90312bb9355a16aa_aspace_5bc7cf56a4cfc81b361124a005e6b509","_root_":"eb6a6a5d90312bb9355a16aa","timestamp":"2026-04-21T17:28:34.370Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"eb6a6a5d90312bb9355a16aa","title_ssm":["Office of Equal Opportunity Programs at Florida Atlantic University"],"title_tesim":["Office of Equal Opportunity Programs at Florida Atlantic University"],"ead_ssi":"eb6a6a5d90312bb9355a16aa","unitdate_ssm":["1980-1990"],"unitdate_bulk_ssim":["1980-1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA00025","/repositories/2/resources/176"],"text":["UA00025","/repositories/2/resources/176","Office of Equal Opportunity Programs at Florida Atlantic University, bulk 1980-1990","Florida","Florida Atlantic University -- History","University Archives","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","The Office of Equal Opportunity Programs Collections at Florida Atlantic University consists of documentation produced and received by the office spanning an approximate date range of thirty years. Starting in 1965, under the legal expectations of the 1964 Civil Rights Act, this collection centers on the overall desegregation plans of and for Florida Atlantic University. Most of the documentation predominantly focuses on the office's work during Dr. Gwendolyn G. High's tenure, aspects include FAU's ongoing participation in the State University System's Florida's Plan for Equal Access and Equal Opportunity in Public Higher Education, annual Salary Surveys, and the creation of Minority Student Services. Items include memoranda, reports, letters, handbills, news clippings, posters, newsletters and an audio recording pertaining to minority issues at Florida Atlantic University.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.","Florida Atlantic University Libraries","English"],"unitid_tesim":["UA00025","/repositories/2/resources/176"],"normalized_date_ssm":["bulk 1980-1990"],"normalized_title_ssm":["Office of Equal Opportunity Programs at Florida Atlantic University, bulk 1980-1990"],"collection_title_tesim":["Office of Equal Opportunity Programs at Florida Atlantic University, bulk 1980-1990"],"collection_ssim":["Office of Equal Opportunity Programs at Florida Atlantic University, bulk 1980-1990"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"geogname_ssm":["Florida"],"geogname_ssim":["Florida"],"places_ssim":["Florida"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). 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Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"access_subjects_ssim":["Florida Atlantic University -- History","University Archives"],"access_subjects_ssm":["Florida Atlantic University -- History","University Archives"],"has_online_content_ssim":["false"],"extent_ssm":["3 boxes"],"extent_tesim":["3 boxes"],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. 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In addition, selected materials are digitized and available electronically through the Digital Library."],"scopecontent_html_tesm":["\u003cp\u003eThe Office of Equal Opportunity Programs Collections at Florida Atlantic University consists of documentation produced and received by the office spanning an approximate date range of thirty years. Starting in 1965, under the legal expectations of the 1964 Civil Rights Act, this collection centers on the overall desegregation plans of and for Florida Atlantic University. Most of the documentation predominantly focuses on the office's work during Dr. Gwendolyn G. High's tenure, aspects include FAU's ongoing participation in the State University System's Florida's Plan for Equal Access and Equal Opportunity in Public Higher Education, annual Salary Surveys, and the creation of Minority Student Services. Items include memoranda, reports, letters, handbills, news clippings, posters, newsletters and an audio recording pertaining to minority issues at Florida Atlantic University.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Office of Equal Opportunity Programs Collections at Florida Atlantic University consists of documentation produced and received by the office spanning an approximate date range of thirty years. Starting in 1965, under the legal expectations of the 1964 Civil Rights Act, this collection centers on the overall desegregation plans of and for Florida Atlantic University. Most of the documentation predominantly focuses on the office's work during Dr. Gwendolyn G. High's tenure, aspects include FAU's ongoing participation in the State University System's Florida's Plan for Equal Access and Equal Opportunity in Public Higher Education, annual Salary Surveys, and the creation of Minority Student Services. Items include memoranda, reports, letters, handbills, news clippings, posters, newsletters and an audio recording pertaining to minority issues at Florida Atlantic University."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":150,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"eb6a6a5d90312bb9355a16aa","timestamp":"2026-04-21T17:28:34.370Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/eb6a6a5d90312bb9355a16aa_aspace_bdacba0435bb2562e73f8a449ab42ea3"}},{"id":"c5c7a60ad1585ca3dbd593be_aspace_3dfe8a3ed940ae16cec8e7e28d8a1cc8","type":"File","attributes":{"title":"Miscellaneous, 1966-1968, 1971, 1972, 1974","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/c5c7a60ad1585ca3dbd593be_aspace_3dfe8a3ed940ae16cec8e7e28d8a1cc8#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_3dfe8a3ed940ae16cec8e7e28d8a1cc8","ref_ssm":["aspace_3dfe8a3ed940ae16cec8e7e28d8a1cc8","aspace_3dfe8a3ed940ae16cec8e7e28d8a1cc8"],"id":"c5c7a60ad1585ca3dbd593be_aspace_3dfe8a3ed940ae16cec8e7e28d8a1cc8","title_filing_ssi":"Miscellaneous","title_ssm":["Miscellaneous"],"title_tesim":["Miscellaneous"],"unitdate_inclusive_ssm":["1966-1968"],"unitdate_other_ssim":["1971","1972","1974"],"normalized_date_ssm":["1966-1968, 1971, 1972, 1974"],"normalized_title_ssm":["Miscellaneous, 1966-1968, 1971, 1972, 1974"],"text":["Miscellaneous, 1966-1968, 1971, 1972, 1974","Thomas Mack Archives, 1910-2003","Trees","General","/repositories/3/archival_objects/38621","box 12","folder 7"],"component_level_isim":[3],"parent_ids_ssim":["c5c7a60ad1585ca3dbd593be","c5c7a60ad1585ca3dbd593be_aspace_060eb0690a73056e5b8796506300fdeb","c5c7a60ad1585ca3dbd593be_aspace_a8c8dd8b72e81531b97201279eeaf7a7"],"parent_unittitles_ssm":["Thomas Mack Archives, 1910-2003","Trees","General"],"parent_unittitles_tesim":["Thomas Mack Archives, 1910-2003","Trees","General"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/3/archival_objects/38621"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"collection_ssim":["Thomas Mack Archives, 1910-2003"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":160,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials"],"parent_access_terms_tesm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"date_range_isim":[1966,1967,1968,1971,1972,1974],"containers_ssim":["box 12","folder 7"],"_nest_path_":"/components#20/components#0/components#0","_nest_parent_":"c5c7a60ad1585ca3dbd593be_aspace_a8c8dd8b72e81531b97201279eeaf7a7","_root_":"c5c7a60ad1585ca3dbd593be","_version_":1877193769379430400,"timestamp":"2026-09-24T06:31:24.773Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"c5c7a60ad1585ca3dbd593be","title_ssm":["Thomas Mack Archives"],"title_tesim":["Thomas Mack Archives"],"ead_ssi":"c5c7a60ad1585ca3dbd593be","unitdate_ssm":["1910-2003"],"unitdate_inclusive_ssm":["1910-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["CIT1000","/repositories/3/resources/137"],"text":["CIT1000","/repositories/3/resources/137","Thomas Mack Archives, 1910-2003","Citrus fruit industry--Florida--History.","Nurseries (Horticulture)--Florida--History.","Citrus fruits--Diseases and pests--Control","Citrus--Fertilizers--Florida","Citrus fruits--Processing--Florida","Citrus fruits--Marketing--Florida","Citrus fruit industry--By-products","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials","Thomas B. Mack never owned a grove or operated a packinghouse, but nevertheless was an integral member of Florida's Citrus community for over half a century. Born in Orangeburg, South Carolina, on October 27, 1914, Mack himself always said that he may have been destined to join the citrus world. His family moved to Florida seven years after his birth, initially landing in Wauchula before finally settling in Plant City. Mack's father was involved in agriculture, managing the Wauchula-based Kilgore Seed Company (later known as the Asgrow Florida Company) during the 1920s.","Mack graduated from Plant City High School in 1933 and entered the University of Florida in 1934 with the intention of becoming a doctor. At the urging of a professor, he abandoned his plan and instead declared himself an Ornamental Horticulture major. In 1937, Mack got married and was forced to drop out of school. He worked with a candy company in Plant City before joining the army at the outbreak of World War II. Mack served throughout the war and returned to the University of Florida in 1946, graduating in 1947 with a degree in Ornamental Horticulture with an emphasis in landscape architecture. Prior to graduation, Mack received offers from Florida Southern College to join in the formation of a new Citrus Department, but he considered the salary too low and declined the offer.","Mack gained employment with the Department of Education in what was dubbed a \"veteran's vocational agriculture\" program, designed to allow veterans to utilize their GI Bill of Rights. He was given control of the citrus aspect of the program despite only having a basic knowledge of the subject, leading to an arrangement with Dr. A.F. Camp of the University of Florida Research Center in Lake Alfred, where Dr. Camp would handle the bulk of the teaching while Mack supervised and handled the more rudimentary tasks. The program benefited Mack as much as the veterans, as he gained five years of experience in the field before the program ended in 1951. In this same year, Mack was once again approached by Florida Southern College, and this time he accepted.","Mack and his colleagues had their work cut out for them, as the college's idea of a vocational program, designed to train students for jobs in the field, rather than a research-based program, was not entirely accepted by those in the collegiate community. Nevertheless, Mack and his peers eventually developed a premier citrus program at the school. Florida Southern had the benefit of having a large amount of grove land on campus, which Mack and his colleagues used extensively. Mack and fellow faculty member Raymond Lyle used their connections as University of Florida graduates to set up opportunities for students to learn at the Research Center in Lake Alfred. In addition to regular full-time students, Mack and his colleagues set up a part-time program where students from within the industry could be sent to be educated in the field, often financially backed by their employers. Mack was most effective at gaining industry support for the citrus program as a whole, even reviving the idea of an advisory board composed of industry leaders, known as the Citrus Advisory Committee.","In 1958, the program gained publicity when it moved into the Polk Science Building, designed by renowned architect Frank Lloyd Wright. Mack was often called upon to act as a P.R. man to visitors and as a campus liaison with Wright himself. He was initially excited to hear of plans for the first Wright-designed greenhouse in the world, but was dismayed to find it essentially useless when it was built almost entirely out of concrete, according to the architect's calculations on light needed for plant growth. This forced Mack to adopt the role of fund raiser, and he eventually raised funds to build a functioning greenhouse, which he cheekily dubbed the \"Frank Lloyd Wright Greenhouse.\" Throughout the remainder of his career, Mack was an effective if sometimes eccentric fund raiser, raising money for an even larger greenhouse and eventually an entirely new citrus building, which he dedicated to one of the primary benefactors, naming it the Jack M. Berry Citrus Building. Mack raised funds for a mini-bus for the department at an alumni dinner in 1978, where he convinced those attending that the doors were locked and they would not be opened until money had been raised.","Mack became chair of the Department in 1971, re-naming it the Citrus Institute. He served in this capacity for ten years, retiring from full-time teaching in 1981. In his honor, a \"Roast Professor Mack Night\" was held, upon which he received a $12,000 retirement gift. He continued teaching on a part-time basis until 1999, earning the title of Professor Emeritus. Throughout his half-century of teaching, Mack had taught many of the current industry leaders.","His retirement in 1999 came about so he could spend more time organizing a citrus archives collection which he had been assembling since 1947, when he first entered the citrus field. Throughout the remainder of his life he collected citrus labels, magazines, text books, photographs, business records, and other forms of citrus memorabilia, eventually amassing the world's largest collection of citrus-related items. Over 60,000 photos and 1,000 labels are present, and many books date to the nineteenth century, including an 1881 copy of Orange Culture. Mack's intention was to create an open source of information for the industry. The Jack M. Berry Citrus building was built with room for the collection, but it eventually outgrew these facilities and had to be moved elsewhere on the Florida Southern campus. The collection currently is housed in the Sarah D. and L. Kirk McKay Jr. Archives Center on the Florida Southern campus.","Mack also made a name for himself as a writer. He was dubbed \"Mr. Citrifacts\" for his production of a column called \"Citrifacts,\" which contained random citrus-related trivia. These were later compiled into the books Citrifacts I and Citrifacts II, whose sale benefited Florida Southern College. He also wrote a column called Polk Garden Clinic, where he answered plant-related questions every Saturday for twelve years. He was also a prominent landscaper and community member, once having a day dedicated to him by the city of Lakeland. He was chosen for the honor of building a garden to represent it in the sister-city project with the Japanese city Imabari.","Mack was inducted to the Florida Citrus Hall of Fame in 1997. In 2004, the citrus world said goodbye to one of its most colorful members when Thomas B. Mack passed away due to cancer at the age of 90.\nBiographical Information found via Florida Citrus Hall of Fame website.","This collection contains information ranging from citrus pest biology to citrus products and byproducts.  It has business data on the industry, including individual groves' records, and photographical and historical accounts of citrus varieties and storage techniques.  It contains information on both pests and various pesticides, as well as soil health.  Other, non-citrus plants are included in this horticultural collection.  Lastly, this collection has a record of its own existence in Florida Southern's Archives.","This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Thomas B. Mack Florida Citrus Archives","English"],"unitid_tesim":["CIT1000","/repositories/3/resources/137"],"normalized_date_ssm":["1910-2003"],"normalized_title_ssm":["Thomas Mack Archives, 1910-2003"],"collection_title_tesim":["Thomas Mack Archives, 1910-2003"],"collection_ssim":["Thomas Mack Archives, 1910-2003"],"repository_ssm":["Thomas B. Mack Florida Citrus Archives"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"access_terms_ssm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["This collection was built by Professor Thomas Mack sometime prior to 2002."],"access_subjects_ssim":["Citrus fruit industry--Florida--History.","Nurseries (Horticulture)--Florida--History.","Citrus fruits--Diseases and pests--Control","Citrus--Fertilizers--Florida","Citrus fruits--Processing--Florida","Citrus fruits--Marketing--Florida","Citrus fruit industry--By-products"],"access_subjects_ssm":["Citrus fruit industry--Florida--History.","Nurseries (Horticulture)--Florida--History.","Citrus fruits--Diseases and pests--Control","Citrus--Fertilizers--Florida","Citrus fruits--Processing--Florida","Citrus fruits--Marketing--Florida","Citrus fruit industry--By-products"],"has_online_content_ssim":["false"],"extent_ssm":["3.45 Linear Feet"],"extent_tesim":["3.45 Linear Feet"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials"],"bioghist_html_tesm":["\u003cp\u003eThomas B. Mack never owned a grove or operated a packinghouse, but nevertheless was an integral member of Florida's Citrus community for over half a century. Born in Orangeburg, South Carolina, on October 27, 1914, Mack himself always said that he may have been destined to join the citrus world. His family moved to Florida seven years after his birth, initially landing in Wauchula before finally settling in Plant City. Mack's father was involved in agriculture, managing the Wauchula-based Kilgore Seed Company (later known as the Asgrow Florida Company) during the 1920s.\u003c/p\u003e\n","\u003cp\u003eMack graduated from Plant City High School in 1933 and entered the University of Florida in 1934 with the intention of becoming a doctor. At the urging of a professor, he abandoned his plan and instead declared himself an Ornamental Horticulture major. In 1937, Mack got married and was forced to drop out of school. He worked with a candy company in Plant City before joining the army at the outbreak of World War II. Mack served throughout the war and returned to the University of Florida in 1946, graduating in 1947 with a degree in Ornamental Horticulture with an emphasis in landscape architecture. Prior to graduation, Mack received offers from Florida Southern College to join in the formation of a new Citrus Department, but he considered the salary too low and declined the offer.\u003c/p\u003e\n","\u003cp\u003eMack gained employment with the Department of Education in what was dubbed a \"veteran's vocational agriculture\" program, designed to allow veterans to utilize their GI Bill of Rights. He was given control of the citrus aspect of the program despite only having a basic knowledge of the subject, leading to an arrangement with Dr. A.F. Camp of the University of Florida Research Center in Lake Alfred, where Dr. Camp would handle the bulk of the teaching while Mack supervised and handled the more rudimentary tasks. The program benefited Mack as much as the veterans, as he gained five years of experience in the field before the program ended in 1951. In this same year, Mack was once again approached by Florida Southern College, and this time he accepted.\u003c/p\u003e\n","\u003cp\u003eMack and his colleagues had their work cut out for them, as the college's idea of a vocational program, designed to train students for jobs in the field, rather than a research-based program, was not entirely accepted by those in the collegiate community. Nevertheless, Mack and his peers eventually developed a premier citrus program at the school. Florida Southern had the benefit of having a large amount of grove land on campus, which Mack and his colleagues used extensively. Mack and fellow faculty member Raymond Lyle used their connections as University of Florida graduates to set up opportunities for students to learn at the Research Center in Lake Alfred. In addition to regular full-time students, Mack and his colleagues set up a part-time program where students from within the industry could be sent to be educated in the field, often financially backed by their employers. Mack was most effective at gaining industry support for the citrus program as a whole, even reviving the idea of an advisory board composed of industry leaders, known as the Citrus Advisory Committee.\u003c/p\u003e\n","\u003cp\u003eIn 1958, the program gained publicity when it moved into the Polk Science Building, designed by renowned architect Frank Lloyd Wright. Mack was often called upon to act as a P.R. man to visitors and as a campus liaison with Wright himself. He was initially excited to hear of plans for the first Wright-designed greenhouse in the world, but was dismayed to find it essentially useless when it was built almost entirely out of concrete, according to the architect's calculations on light needed for plant growth. This forced Mack to adopt the role of fund raiser, and he eventually raised funds to build a functioning greenhouse, which he cheekily dubbed the \"Frank Lloyd Wright Greenhouse.\" Throughout the remainder of his career, Mack was an effective if sometimes eccentric fund raiser, raising money for an even larger greenhouse and eventually an entirely new citrus building, which he dedicated to one of the primary benefactors, naming it the Jack M. Berry Citrus Building. Mack raised funds for a mini-bus for the department at an alumni dinner in 1978, where he convinced those attending that the doors were locked and they would not be opened until money had been raised.\u003c/p\u003e\n","\u003cp\u003eMack became chair of the Department in 1971, re-naming it the Citrus Institute. He served in this capacity for ten years, retiring from full-time teaching in 1981. In his honor, a \"Roast Professor Mack Night\" was held, upon which he received a $12,000 retirement gift. He continued teaching on a part-time basis until 1999, earning the title of Professor Emeritus. Throughout his half-century of teaching, Mack had taught many of the current industry leaders.\u003c/p\u003e\n","\u003cp\u003eHis retirement in 1999 came about so he could spend more time organizing a citrus archives collection which he had been assembling since 1947, when he first entered the citrus field. Throughout the remainder of his life he collected citrus labels, magazines, text books, photographs, business records, and other forms of citrus memorabilia, eventually amassing the world's largest collection of citrus-related items. Over 60,000 photos and 1,000 labels are present, and many books date to the nineteenth century, including an 1881 copy of Orange Culture. Mack's intention was to create an open source of information for the industry. The Jack M. Berry Citrus building was built with room for the collection, but it eventually outgrew these facilities and had to be moved elsewhere on the Florida Southern campus. The collection currently is housed in the Sarah D. and L. Kirk McKay Jr. Archives Center on the Florida Southern campus.\u003c/p\u003e\n","\u003cp\u003eMack also made a name for himself as a writer. He was dubbed \"Mr. Citrifacts\" for his production of a column called \"Citrifacts,\" which contained random citrus-related trivia. These were later compiled into the books Citrifacts I and Citrifacts II, whose sale benefited Florida Southern College. He also wrote a column called Polk Garden Clinic, where he answered plant-related questions every Saturday for twelve years. He was also a prominent landscaper and community member, once having a day dedicated to him by the city of Lakeland. He was chosen for the honor of building a garden to represent it in the sister-city project with the Japanese city Imabari.\u003c/p\u003e\n","\u003cp\u003eMack was inducted to the Florida Citrus Hall of Fame in 1997. In 2004, the citrus world said goodbye to one of its most colorful members when Thomas B. Mack passed away due to cancer at the age of 90.\nBiographical Information found via Florida Citrus Hall of Fame website.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Thomas B. Mack never owned a grove or operated a packinghouse, but nevertheless was an integral member of Florida's Citrus community for over half a century. Born in Orangeburg, South Carolina, on October 27, 1914, Mack himself always said that he may have been destined to join the citrus world. His family moved to Florida seven years after his birth, initially landing in Wauchula before finally settling in Plant City. Mack's father was involved in agriculture, managing the Wauchula-based Kilgore Seed Company (later known as the Asgrow Florida Company) during the 1920s.","Mack graduated from Plant City High School in 1933 and entered the University of Florida in 1934 with the intention of becoming a doctor. At the urging of a professor, he abandoned his plan and instead declared himself an Ornamental Horticulture major. In 1937, Mack got married and was forced to drop out of school. He worked with a candy company in Plant City before joining the army at the outbreak of World War II. Mack served throughout the war and returned to the University of Florida in 1946, graduating in 1947 with a degree in Ornamental Horticulture with an emphasis in landscape architecture. Prior to graduation, Mack received offers from Florida Southern College to join in the formation of a new Citrus Department, but he considered the salary too low and declined the offer.","Mack gained employment with the Department of Education in what was dubbed a \"veteran's vocational agriculture\" program, designed to allow veterans to utilize their GI Bill of Rights. He was given control of the citrus aspect of the program despite only having a basic knowledge of the subject, leading to an arrangement with Dr. A.F. Camp of the University of Florida Research Center in Lake Alfred, where Dr. Camp would handle the bulk of the teaching while Mack supervised and handled the more rudimentary tasks. The program benefited Mack as much as the veterans, as he gained five years of experience in the field before the program ended in 1951. In this same year, Mack was once again approached by Florida Southern College, and this time he accepted.","Mack and his colleagues had their work cut out for them, as the college's idea of a vocational program, designed to train students for jobs in the field, rather than a research-based program, was not entirely accepted by those in the collegiate community. Nevertheless, Mack and his peers eventually developed a premier citrus program at the school. Florida Southern had the benefit of having a large amount of grove land on campus, which Mack and his colleagues used extensively. Mack and fellow faculty member Raymond Lyle used their connections as University of Florida graduates to set up opportunities for students to learn at the Research Center in Lake Alfred. In addition to regular full-time students, Mack and his colleagues set up a part-time program where students from within the industry could be sent to be educated in the field, often financially backed by their employers. Mack was most effective at gaining industry support for the citrus program as a whole, even reviving the idea of an advisory board composed of industry leaders, known as the Citrus Advisory Committee.","In 1958, the program gained publicity when it moved into the Polk Science Building, designed by renowned architect Frank Lloyd Wright. Mack was often called upon to act as a P.R. man to visitors and as a campus liaison with Wright himself. He was initially excited to hear of plans for the first Wright-designed greenhouse in the world, but was dismayed to find it essentially useless when it was built almost entirely out of concrete, according to the architect's calculations on light needed for plant growth. This forced Mack to adopt the role of fund raiser, and he eventually raised funds to build a functioning greenhouse, which he cheekily dubbed the \"Frank Lloyd Wright Greenhouse.\" Throughout the remainder of his career, Mack was an effective if sometimes eccentric fund raiser, raising money for an even larger greenhouse and eventually an entirely new citrus building, which he dedicated to one of the primary benefactors, naming it the Jack M. Berry Citrus Building. Mack raised funds for a mini-bus for the department at an alumni dinner in 1978, where he convinced those attending that the doors were locked and they would not be opened until money had been raised.","Mack became chair of the Department in 1971, re-naming it the Citrus Institute. He served in this capacity for ten years, retiring from full-time teaching in 1981. In his honor, a \"Roast Professor Mack Night\" was held, upon which he received a $12,000 retirement gift. He continued teaching on a part-time basis until 1999, earning the title of Professor Emeritus. Throughout his half-century of teaching, Mack had taught many of the current industry leaders.","His retirement in 1999 came about so he could spend more time organizing a citrus archives collection which he had been assembling since 1947, when he first entered the citrus field. Throughout the remainder of his life he collected citrus labels, magazines, text books, photographs, business records, and other forms of citrus memorabilia, eventually amassing the world's largest collection of citrus-related items. Over 60,000 photos and 1,000 labels are present, and many books date to the nineteenth century, including an 1881 copy of Orange Culture. Mack's intention was to create an open source of information for the industry. The Jack M. Berry Citrus building was built with room for the collection, but it eventually outgrew these facilities and had to be moved elsewhere on the Florida Southern campus. The collection currently is housed in the Sarah D. and L. Kirk McKay Jr. Archives Center on the Florida Southern campus.","Mack also made a name for himself as a writer. He was dubbed \"Mr. Citrifacts\" for his production of a column called \"Citrifacts,\" which contained random citrus-related trivia. These were later compiled into the books Citrifacts I and Citrifacts II, whose sale benefited Florida Southern College. He also wrote a column called Polk Garden Clinic, where he answered plant-related questions every Saturday for twelve years. He was also a prominent landscaper and community member, once having a day dedicated to him by the city of Lakeland. He was chosen for the honor of building a garden to represent it in the sister-city project with the Japanese city Imabari.","Mack was inducted to the Florida Citrus Hall of Fame in 1997. In 2004, the citrus world said goodbye to one of its most colorful members when Thomas B. Mack passed away due to cancer at the age of 90.\nBiographical Information found via Florida Citrus Hall of Fame website."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains information ranging from citrus pest biology to citrus products and byproducts.  It has business data on the industry, including individual groves' records, and photographical and historical accounts of citrus varieties and storage techniques.  It contains information on both pests and various pesticides, as well as soil health.  Other, non-citrus plants are included in this horticultural collection.  Lastly, this collection has a record of its own existence in Florida Southern's Archives.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains information ranging from citrus pest biology to citrus products and byproducts.  It has business data on the industry, including individual groves' records, and photographical and historical accounts of citrus varieties and storage techniques.  It contains information on both pests and various pesticides, as well as soil health.  Other, non-citrus plants are included in this horticultural collection.  Lastly, this collection has a record of its own existence in Florida Southern's Archives."],"userestrict_html_tesm":["\u003cp\u003eThis collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"names_ssim":["Thomas B. Mack Florida Citrus Archives"],"corpname_ssim":["Thomas B. Mack Florida Citrus Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":194,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877193769379430400,"_root_":"c5c7a60ad1585ca3dbd593be","timestamp":"2026-09-24T06:31:24.773Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/c5c7a60ad1585ca3dbd593be_aspace_3dfe8a3ed940ae16cec8e7e28d8a1cc8"}},{"id":"236a3c88b766327883b2e155_aspace_27b1d0dc45ce81795f0b6d0b13852aa9","type":"File","attributes":{"title":"Miscellaneous, 1967–2010, undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_27b1d0dc45ce81795f0b6d0b13852aa9#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_27b1d0dc45ce81795f0b6d0b13852aa9","ref_ssm":["aspace_27b1d0dc45ce81795f0b6d0b13852aa9","aspace_27b1d0dc45ce81795f0b6d0b13852aa9"],"id":"236a3c88b766327883b2e155_aspace_27b1d0dc45ce81795f0b6d0b13852aa9","title_filing_ssi":"Miscellaneous","title_ssm":["Miscellaneous"],"title_tesim":["Miscellaneous"],"unitdate_inclusive_ssm":["1967–2010","undated"],"normalized_date_ssm":["1967–2010, undated"],"normalized_title_ssm":["Miscellaneous, 1967–2010, undated"],"text":["Miscellaneous, 1967–2010, undated","Joy Postle papers, 1910-2015","Personal Files, 1910–2015","/repositories/4/archival_objects/87940","/repositories/4/archival_objects/91159","box 8","folder 108"],"component_level_isim":[2],"parent_ids_ssim":["236a3c88b766327883b2e155","236a3c88b766327883b2e155_aspace_5dbb28d34a5754be60933b8120ba5670"],"parent_unittitles_ssm":["Joy Postle papers, 1910-2015","Personal Files, 1910–2015"],"parent_unittitles_tesim":["Joy Postle papers, 1910-2015","Personal Files, 1910–2015"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/4/archival_objects/87940","/repositories/4/archival_objects/91159"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Joy Postle papers, 1910-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":407,"parent_access_restrict_tesm":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"containers_ssim":["box 8","folder 108"],"_nest_path_":"/components#3/components#4","_nest_parent_":"236a3c88b766327883b2e155_aspace_5dbb28d34a5754be60933b8120ba5670","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. 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Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_27b1d0dc45ce81795f0b6d0b13852aa9"}},{"id":"41fcb0a4c4dd61a7a3fe4a91_aspace_959","type":"File","attributes":{"title":"Miscellaneous, 1969-1978","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/41fcb0a4c4dd61a7a3fe4a91_aspace_959#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_959","ref_ssm":["aspace_959","aspace_959"],"id":"41fcb0a4c4dd61a7a3fe4a91_aspace_959","title_filing_ssi":"Miscellaneous","title_ssm":["Miscellaneous"],"title_tesim":["Miscellaneous"],"unitdate_inclusive_ssm":["1969-1978"],"normalized_date_ssm":["1969-1978"],"normalized_title_ssm":["Miscellaneous, 1969-1978"],"text":["Miscellaneous, 1969-1978","Ben White Raceway Papers, 1946-1978","Organizational Files, 1946-1978","Folder 11","/repositories/4/archival_objects/3754","box 1","folder 11"],"component_level_isim":[2],"parent_ids_ssim":["41fcb0a4c4dd61a7a3fe4a91","41fcb0a4c4dd61a7a3fe4a91_aspace_947"],"parent_unittitles_ssm":["Ben White Raceway Papers, 1946-1978","Organizational Files, 1946-1978"],"parent_unittitles_tesim":["Ben White Raceway Papers, 1946-1978","Organizational Files, 1946-1978"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 11","/repositories/4/archival_objects/3754"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Ben White Raceway Papers, 1946-1978"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":12,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978],"containers_ssim":["box 1","folder 11"],"_nest_path_":"/components#0/components#10","_nest_parent_":"41fcb0a4c4dd61a7a3fe4a91_aspace_947","_root_":"41fcb0a4c4dd61a7a3fe4a91","_version_":1874753293978173440,"timestamp":"2026-08-28T08:01:06.065Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"41fcb0a4c4dd61a7a3fe4a91","title_ssm":["Ben White Raceway Papers"],"title_tesim":["Ben White Raceway Papers"],"ead_ssi":"41fcb0a4c4dd61a7a3fe4a91","unitdate_ssm":["1946-1978"],"unitdate_inclusive_ssm":["1946-1978"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC011","/repositories/4/resources/16"],"text":["SC011","/repositories/4/resources/16","Ben White Raceway Papers, 1946-1978","Orlando (Fla.)","Orange County (Fla.)","Harness racing","The entire collection is open for research.","Ben White Raceway was the largest training facility and winter home for champion racehorses. Located in Fairview Park, a 120-acre tract about 3 miles from downtown Orlando, the raceway was owned and maintained by the City of Orlando. The track was named in honor of one of the nation's most famous trainers, Ben White, who won numerous titles and chose Orlando as a training site in 1920. As a result of White's international reputation, the track became known as \"the colt capital of harness racing\".","\nBen White Raceway, however, lost popularity as it proved to be too expensive to ship horses to Orlando. In July 2001, the name was changed to Trotters Park at the request of Ben White's family because the track no longer had anything to do with harness racing. By January 10, 2002, the City of Orlando decided to close the already struggling facility and use the property for a city park.","Collection processed by Nadine Helm; finding aid prepared by Nadine Helm.\nMaterial is housed in one box and separated into folders by content. Directories, minutes and programs are then arranged in chronological order.","The Ben White Raceway Papers include historical background, correspondence, photographs, newspaper clippings, and directories of the many champion horses that trained at the facility throughout its 30 year existence.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Ben White Raceway located on a 120- acre tract in Fairview Park, near downtown Orlando, Florida, was the largest training facility and winter home for champion racehorses. The track was named in honor of one of the nation's most famous trainers, Ben White, who won numerous titles and chose Orlando as a training site in 1920. The track lost popularity as the expense to ship horses to Orlando became too great. In July 2001, the name was changed to Trotters Park. In January 10, 2002, the City of Orlando decided to close the struggling facility to convert the property into a city park.","UCF Special Collections","Ben White Raceway","English"],"unitid_tesim":["SC011","/repositories/4/resources/16"],"normalized_date_ssm":["1946-1978"],"normalized_title_ssm":["Ben White Raceway Papers, 1946-1978"],"collection_title_tesim":["Ben White Raceway Papers, 1946-1978"],"collection_ssim":["Ben White Raceway Papers, 1946-1978"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Orlando (Fla.)","Orange County (Fla.)"],"geogname_ssim":["Orlando (Fla.)","Orange County (Fla.)"],"creator_ssm":["Ben White Raceway"],"creator_ssim":["Ben White Raceway"],"creator_corpname_ssim":["Ben White Raceway"],"creators_ssim":["Ben White Raceway"],"places_ssim":["Orlando (Fla.)","Orange County (Fla.)"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The collection was donated to the University of Central Florida Libraries during or after 1978 (CFM1978_01)."],"access_subjects_ssim":["Harness racing"],"access_subjects_ssm":["Harness racing"],"has_online_content_ssim":["false"],"extent_ssm":["0.50 Linear Feet 1 Box"],"extent_tesim":["0.50 Linear Feet 1 Box"],"date_range_isim":[1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eBen White Raceway was the largest training facility and winter home for champion racehorses. Located in Fairview Park, a 120-acre tract about 3 miles from downtown Orlando, the raceway was owned and maintained by the City of Orlando. The track was named in honor of one of the nation's most famous trainers, Ben White, who won numerous titles and chose Orlando as a training site in 1920. As a result of White's international reputation, the track became known as \"the colt capital of harness racing\".\u003c/p\u003e\n","\u003cp\u003e\nBen White Raceway, however, lost popularity as it proved to be too expensive to ship horses to Orlando. In July 2001, the name was changed to Trotters Park at the request of Ben White's family because the track no longer had anything to do with harness racing. By January 10, 2002, the City of Orlando decided to close the already struggling facility and use the property for a city park.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Ben White Raceway was the largest training facility and winter home for champion racehorses. Located in Fairview Park, a 120-acre tract about 3 miles from downtown Orlando, the raceway was owned and maintained by the City of Orlando. The track was named in honor of one of the nation's most famous trainers, Ben White, who won numerous titles and chose Orlando as a training site in 1920. As a result of White's international reputation, the track became known as \"the colt capital of harness racing\".","\nBen White Raceway, however, lost popularity as it proved to be too expensive to ship horses to Orlando. In July 2001, the name was changed to Trotters Park at the request of Ben White's family because the track no longer had anything to do with harness racing. By January 10, 2002, the City of Orlando decided to close the already struggling facility and use the property for a city park."],"prefercite_html_tesm":["\u003cp\u003eBen White Raceway Papers, 1946-1978, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Ben White Raceway Papers, 1946-1978, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadine Helm; finding aid prepared by Nadine Helm.\nMaterial is housed in one box and separated into folders by content. Directories, minutes and programs are then arranged in chronological order.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadine Helm; finding aid prepared by Nadine Helm.\nMaterial is housed in one box and separated into folders by content. Directories, minutes and programs are then arranged in chronological order."],"scopecontent_html_tesm":["\u003cp\u003eThe Ben White Raceway Papers include historical background, correspondence, photographs, newspaper clippings, and directories of the many champion horses that trained at the facility throughout its 30 year existence.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Ben White Raceway Papers include historical background, correspondence, photographs, newspaper clippings, and directories of the many champion horses that trained at the facility throughout its 30 year existence."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_8606b837b4637641cac975c990db55e1\" label=\"Abstract\"\u003eBen White Raceway located on a 120- acre tract in Fairview Park, near downtown Orlando, Florida, was the largest training facility and winter home for champion racehorses. The track was named in honor of one of the nation's most famous trainers, Ben White, who won numerous titles and chose Orlando as a training site in 1920. The track lost popularity as the expense to ship horses to Orlando became too great. In July 2001, the name was changed to Trotters Park. In January 10, 2002, the City of Orlando decided to close the struggling facility to convert the property into a city park.\u003c/abstract\u003e"],"abstract_tesim":["Ben White Raceway located on a 120- acre tract in Fairview Park, near downtown Orlando, Florida, was the largest training facility and winter home for champion racehorses. The track was named in honor of one of the nation's most famous trainers, Ben White, who won numerous titles and chose Orlando as a training site in 1920. The track lost popularity as the expense to ship horses to Orlando became too great. In July 2001, the name was changed to Trotters Park. In January 10, 2002, the City of Orlando decided to close the struggling facility to convert the property into a city park."],"names_ssim":["UCF Special Collections","Ben White Raceway"],"corpname_ssim":["UCF Special Collections","Ben White Raceway"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":12,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1874753293978173440,"_root_":"41fcb0a4c4dd61a7a3fe4a91","timestamp":"2026-08-28T08:01:06.065Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/41fcb0a4c4dd61a7a3fe4a91_aspace_959"}},{"id":"4674dbbf638dff3316591cb2_aspace_52890","type":"File","attributes":{"title":"Miscellaneous, 1969-1995","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4674dbbf638dff3316591cb2_aspace_52890#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_52890","ref_ssm":["aspace_52890","aspace_52890"],"id":"4674dbbf638dff3316591cb2_aspace_52890","title_filing_ssi":"Miscellaneous","title_ssm":["Miscellaneous"],"title_tesim":["Miscellaneous"],"unitdate_inclusive_ssm":["1969-1995"],"normalized_date_ssm":["1969-1995"],"normalized_title_ssm":["Miscellaneous, 1969-1995"],"text":["Miscellaneous, 1969-1995","Michael A. Spencer Bromeliad Research Collection, 1754-2014","Subject Files, 1880-2003.","Notecards, 1969-1995","Folder 5","/repositories/4/archival_objects/33503","box 59","folder 5"],"component_level_isim":[3],"parent_ids_ssim":["4674dbbf638dff3316591cb2","4674dbbf638dff3316591cb2_aspace_52621","4674dbbf638dff3316591cb2_aspace_52887"],"parent_unittitles_ssm":["Michael A. Spencer Bromeliad Research Collection, 1754-2014","Subject Files, 1880-2003.","Notecards, 1969-1995"],"parent_unittitles_tesim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014","Subject Files, 1880-2003.","Notecards, 1969-1995"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 5","/repositories/4/archival_objects/33503"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1459,"parent_access_restrict_tesm":["The entire collection is open for research except for the following:\n\n  Boxes 180-181: Personal correspondence\n  Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"\n"],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"containers_ssim":["box 59","folder 5"],"_nest_path_":"/components#1/components#124/components#1","_nest_parent_":"4674dbbf638dff3316591cb2_aspace_52887","_root_":"4674dbbf638dff3316591cb2","timestamp":"2026-07-11T02:53:59.490Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4674dbbf638dff3316591cb2","title_ssm":["Michael A. Spencer Bromeliad Research Collection"],"title_tesim":["Michael A. Spencer Bromeliad Research Collection"],"ead_ssi":"4674dbbf638dff3316591cb2","unitdate_ssm":["1754-2014"],"unitdate_inclusive_ssm":["1754-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 068","/repositories/4/resources/148"],"text":["SC 068","/repositories/4/resources/148","Michael A. Spencer Bromeliad Research Collection, 1754-2014","Marineland (Fla.)","Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)","The entire collection is open for research except for the following:\n Boxes 180-181: Personal correspondence Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"","The collection is divided into eight series by type of file.","Michael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004.","Materials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023.","A large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library  Online Catalog .  Michael A. Spencer Collection on Julian Nally ,  Michael A. Spencer Collection on Theodore Mead ,  Michael A. Spencer Collection on Henry Nehrling  and the  Henry Nehrling Papers  are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the  Harry P. Leu Gardens . The  Henry Nehrling Collection  and the  Theodore L. Mead Collection  are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the  Smithsonian Institution Archives .","Series I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.","\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.","\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.","\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.","\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.","\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.","\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.","\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here.","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder.","Michael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here.","UCF Special Collections","Bromeliad Society","Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991","English"],"unitid_tesim":["SC 068","/repositories/4/resources/148"],"normalized_date_ssm":["1754-2014"],"normalized_title_ssm":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"collection_title_tesim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"collection_ssim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Marineland (Fla.)"],"geogname_ssim":["Marineland (Fla.)"],"creator_ssm":["Spencer, Michael A."],"creator_ssim":["Spencer, Michael A."],"creator_persname_ssim":["Spencer, Michael A."],"creators_ssim":["Spencer, Michael A."],"places_ssim":["Marineland (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"acqinfo_ssim":["Some of these materials were donated to and others were purchased by the University of Central Florida Libraries, Special Collections and University Archives from Michael A. Spencer in 2006 (CFM2006_09), 2011 (CFM2011_02), 2012 (CFM2012_10), and 2014 (CFM2014_01)."],"access_subjects_ssim":["Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"access_subjects_ssm":["Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["130 Linear Feet 259 boxes, 2 flat files"],"extent_tesim":["130 Linear Feet 259 boxes, 2 flat files"],"genreform_ssim":["botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"date_range_isim":[1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research except for the following:\n\u003cul\u003e\n  \u003cli\u003eBoxes 180-181: Personal correspondence\u003c/li\u003e\n  \u003cli\u003eBoxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research except for the following:\n Boxes 180-181: Personal correspondence Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\""],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into eight series by type of file.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is divided into eight series by type of file."],"bioghist_html_tesm":["\u003cp\u003eMichael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Michael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004."],"prefercite_html_tesm":["\u003cp\u003eMichael A. Spencer Bromeliad Research Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Michael A. Spencer Bromeliad Research Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eA large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e. \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08c\"\u003eMichael A. Spencer Collection on Julian Nally\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08b\"\u003eMichael A. Spencer Collection on Theodore Mead\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08a\"\u003eMichael A. Spencer Collection on Henry Nehrling\u003c/extref\u003e and the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1999-03\"\u003eHenry Nehrling Papers\u003c/extref\u003e are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the \u003cextref href=\"http://www.leugardens.org/\"\u003eHarry P. Leu Gardens\u003c/extref\u003e. The \u003cextref href=\"https://aspace.rollins.edu/repositories/2/resources/4\"\u003eHenry Nehrling Collection\u003c/extref\u003e and the \u003cextref href=\"https://aspace.rollins.edu/repositories/2/resources/97\"\u003eTheodore L. Mead Collection\u003c/extref\u003e are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the \u003cextref href=\"http://siarchives.si.edu/\"\u003eSmithsonian Institution Archives\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library  Online Catalog .  Michael A. Spencer Collection on Julian Nally ,  Michael A. Spencer Collection on Theodore Mead ,  Michael A. Spencer Collection on Henry Nehrling  and the  Henry Nehrling Papers  are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the  Harry P. Leu Gardens . The  Henry Nehrling Collection  and the  Theodore L. Mead Collection  are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the  Smithsonian Institution Archives ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.","\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.","\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.","\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.","\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.","\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.","\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.","\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_8e33310d6b1a70e4d88f1e2d3043cf71\" label=\"Abstract\"\u003eMichael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here.\u003c/abstract\u003e"],"abstract_tesim":["Michael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here."],"names_coll_ssim":["Bromeliad Society","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"names_ssim":["UCF Special Collections","Bromeliad Society","Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"corpname_ssim":["UCF Special Collections","Bromeliad Society"],"persname_ssim":["Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3662,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"4674dbbf638dff3316591cb2","timestamp":"2026-07-11T02:53:59.490Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4674dbbf638dff3316591cb2_aspace_52890"}},{"id":"eccf200246c0c0801ef714fb_aspace_47272","type":"Series","attributes":{"title":"Miscellaneous, 1969-2007","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/eccf200246c0c0801ef714fb_aspace_47272#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eSeries VI holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/eccf200246c0c0801ef714fb_aspace_47272#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_47272","ref_ssm":["aspace_47272","aspace_47272"],"id":"eccf200246c0c0801ef714fb_aspace_47272","title_filing_ssi":"Miscellaneous","title_ssm":["Miscellaneous"],"title_tesim":["Miscellaneous"],"unitdate_inclusive_ssm":["1969-2007"],"normalized_date_ssm":["1969-2007"],"normalized_title_ssm":["Miscellaneous, 1969-2007"],"text":["Miscellaneous, 1969-2007","Walter Gaudnek Collection, 1945-2009","Series 6","/repositories/4/archival_objects/19918","Series VI holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order."],"component_level_isim":[1],"parent_ids_ssim":["eccf200246c0c0801ef714fb"],"parent_unittitles_ssm":["Walter Gaudnek Collection, 1945-2009"],"parent_unittitles_tesim":["Walter Gaudnek Collection, 1945-2009"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 6","/repositories/4/archival_objects/19918"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Walter Gaudnek Collection, 1945-2009"],"has_online_content_ssim":["false"],"child_component_count_isi":5,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":380,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"scopecontent_html_tesm":["\u003cp\u003eSeries VI holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series VI holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order."],"_nest_path_":"/components#5","_nest_parent_":"eccf200246c0c0801ef714fb","_root_":"eccf200246c0c0801ef714fb","timestamp":"2026-04-21T03:53:25.929Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"eccf200246c0c0801ef714fb","title_ssm":["Walter Gaudnek Collection"],"title_tesim":["Walter Gaudnek Collection"],"ead_ssi":"eccf200246c0c0801ef714fb","unitdate_ssm":["1945-2009"],"unitdate_inclusive_ssm":["1945-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.053","/repositories/4/resources/88"],"text":["SC.053","/repositories/4/resources/88","Walter Gaudnek Collection, 1945-2009","University of Central Florida","Artists","The collection is open for research.","Walter Gaudnek, Ph.D., born in 1931 in Czechoslovakia is a self-proclaimed 'rebel artist'. Known for his blending of bold colors with philosophy, labyrinth installations, and personal mixtures of performance and art, Gaudnek has influenced generations with his stark look at world issues through these mediums. Gaudnek continues his work today both as an artist and an educator with the University of Central Florida's Art Department. Gaudnek's work is featured in permanent collections around the world, including the Gaudnek Studio in Altomünster, Germany (now the Gaudnek Museum) and at the University of Central Florida libraries.","News clippings were photocopied onto acid-free paper and metal clips replaced with plastic clips. Some materials were rehoused in acid-free folders while all of the manuscript material is held in boxes. Duplicates were removed and several pieces of art are stored in a climate controlled facility. Additional materials added as receieved.","Collection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.","Flying Horse Editions","University of Central Florida Office of the President Records , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","University of Central Florida Photograph Collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","Art that can be found in the John C. Hitt Library includes: Science and Humanities (1989) and Mapping the Florida Terrain (1989). ","The Gaudnek Collection includes manuscript materials, exhibition booklets, pamphlets, photographs, news articles, original artwork and posters. The collection is divided into six series.","\nSeries I: Exhibition Booklets, 1980-2005, are five art exhibition books in both English and German that focus on specific exhibitions by the artist. These books are what a patron could purchase or would receive with admission to an art exhibition. Exhibition booklets also appear in multiple bound books found in series III.","\nSeries II: Posters and Photographs, 1969-2007, comprises publicity posters and photographs used to promote various exhibitions.","\nSeries III: Artist Books, 1945-2008, are books that were specially bound by Flying Horse Press at the request of the artist and contains memorabilia either produced by or for the artist. The books are created according to themes and time periods important to the artist. Some compilation books have been created by third parties. The books cover a wide span of time, including Gaudnek's early years as an artist in college through to his more current work at the University of Central Florida.","\nSeries IV: Oversize Artist Books, 1962-2006, are bound by UCF Library contains \"Gaudnek Broadway Drawings\" dating from 1962-1968 and compiled in 2006. \"Elegy to New Orleans\" is another title compiled by Gaudnek which includes art and media photographs from the aftermath of Hurricane Katrina in New Orleans, Louisiana. Series also holds a title \"Walter Gaudnek Introspective Portraits\" compiled by University of Central Florida Professor Jagdish J. Chavda.","\nSeries V: Portfolios, 1961-2009, includes portfolios that are housed in individiual custom constructed from hard archival cover board. Portfolios contain Gaudnek's digital collage prints, signed and dated by the artist.","\nSeries VI: Miscellaneous, 1969-2007, holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The Walter Gaudnek Collection comprises manuscript materials, original works, posters, and photographs that chronicle the life and artistic development of Dr. Walter Gaudnek, a University of Central Florida art faculty member. Ranging from 1945 to the present, the collection focuses on the artist and gives voice to Gaudnek's fans and critics alike. World events such as the 1972 Olympic Games, the Holocaust, and the September 11th attacks are featured in the collection through his work both as a commissioned artist who is witness to the event (Munich Games) and as an artist expressing his deep emotions for human tragedy.","UCF Special Collections","Gaudnek, Walter, 1931-","English"],"unitid_tesim":["SC.053","/repositories/4/resources/88"],"normalized_date_ssm":["1945-2009"],"normalized_title_ssm":["Walter Gaudnek Collection, 1945-2009"],"collection_title_tesim":["Walter Gaudnek Collection, 1945-2009"],"collection_ssim":["Walter Gaudnek Collection, 1945-2009"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were transferred to the Special Collections and University Archives by Dr. Walter Gaudnek in 2004 (CFM2004_01), 2006, and 2007 (CFM2007_XX)."],"access_subjects_ssim":["University of Central Florida","Artists"],"access_subjects_ssm":["University of Central Florida","Artists"],"has_online_content_ssim":["false"],"extent_ssm":["7.25 Linear Feet 7 Boxes, 6 Portfolios, 1 Flat File"],"extent_tesim":["7.25 Linear Feet 7 Boxes, 6 Portfolios, 1 Flat File"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eWalter Gaudnek, Ph.D., born in 1931 in Czechoslovakia is a self-proclaimed 'rebel artist'. Known for his blending of bold colors with philosophy, labyrinth installations, and personal mixtures of performance and art, Gaudnek has influenced generations with his stark look at world issues through these mediums. Gaudnek continues his work today both as an artist and an educator with the University of Central Florida's Art Department. Gaudnek's work is featured in permanent collections around the world, including the Gaudnek Studio in Altom\u0026#xFC;nster, Germany (now the Gaudnek Museum) and at the University of Central Florida libraries.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Walter Gaudnek, Ph.D., born in 1931 in Czechoslovakia is a self-proclaimed 'rebel artist'. Known for his blending of bold colors with philosophy, labyrinth installations, and personal mixtures of performance and art, Gaudnek has influenced generations with his stark look at world issues through these mediums. Gaudnek continues his work today both as an artist and an educator with the University of Central Florida's Art Department. Gaudnek's work is featured in permanent collections around the world, including the Gaudnek Studio in Altomünster, Germany (now the Gaudnek Museum) and at the University of Central Florida libraries."],"prefercite_html_tesm":["\u003cp\u003eWalter Gaudnek Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Walter Gaudnek Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eNews clippings were photocopied onto acid-free paper and metal clips replaced with plastic clips. Some materials were rehoused in acid-free folders while all of the manuscript material is held in boxes. Duplicates were removed and several pieces of art are stored in a climate controlled facility. Additional materials added as receieved.\u003c/p\u003e","\u003cp\u003eCollection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["News clippings were photocopied onto acid-free paper and metal clips replaced with plastic clips. Some materials were rehoused in acid-free folders while all of the manuscript material is held in boxes. Duplicates were removed and several pieces of art are stored in a climate controlled facility. Additional materials added as receieved.","Collection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://flyinghorse.cah.ucf.edu\"\u003eFlying Horse Editions\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://library.ucf.edu/about/departments/special-collections-university-archives/university-archives/university-archives-collection-guides/#UniversityPresidentsRecords\"\u003eUniversity of Central Florida Office of the President Records\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/ead/UCFPhotographs\"\u003eUniversity of Central Florida Photograph Collection\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003eArt that can be found in the John C. Hitt Library includes: Science and Humanities (1989) and Mapping the Florida Terrain (1989). \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Flying Horse Editions","University of Central Florida Office of the President Records , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","University of Central Florida Photograph Collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","Art that can be found in the John C. Hitt Library includes: Science and Humanities (1989) and Mapping the Florida Terrain (1989). "],"scopecontent_html_tesm":["\u003cp\u003eThe Gaudnek Collection includes manuscript materials, exhibition booklets, pamphlets, photographs, news articles, original artwork and posters. The collection is divided into six series.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Exhibition Booklets, 1980-2005, are five art exhibition books in both English and German that focus on specific exhibitions by the artist. These books are what a patron could purchase or would receive with admission to an art exhibition. Exhibition booklets also appear in multiple bound books found in series III.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Posters and Photographs, 1969-2007, comprises publicity posters and photographs used to promote various exhibitions.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Artist Books, 1945-2008, are books that were specially bound by Flying Horse Press at the request of the artist and contains memorabilia either produced by or for the artist. The books are created according to themes and time periods important to the artist. Some compilation books have been created by third parties. The books cover a wide span of time, including Gaudnek's early years as an artist in college through to his more current work at the University of Central Florida.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Oversize Artist Books, 1962-2006, are bound by UCF Library contains \"Gaudnek Broadway Drawings\" dating from 1962-1968 and compiled in 2006. \"Elegy to New Orleans\" is another title compiled by Gaudnek which includes art and media photographs from the aftermath of Hurricane Katrina in New Orleans, Louisiana. Series also holds a title \"Walter Gaudnek Introspective Portraits\" compiled by University of Central Florida Professor Jagdish J. Chavda.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Portfolios, 1961-2009, includes portfolios that are housed in individiual custom constructed from hard archival cover board. Portfolios contain Gaudnek's digital collage prints, signed and dated by the artist.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Miscellaneous, 1969-2007, holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Gaudnek Collection includes manuscript materials, exhibition booklets, pamphlets, photographs, news articles, original artwork and posters. The collection is divided into six series.","\nSeries I: Exhibition Booklets, 1980-2005, are five art exhibition books in both English and German that focus on specific exhibitions by the artist. These books are what a patron could purchase or would receive with admission to an art exhibition. Exhibition booklets also appear in multiple bound books found in series III.","\nSeries II: Posters and Photographs, 1969-2007, comprises publicity posters and photographs used to promote various exhibitions.","\nSeries III: Artist Books, 1945-2008, are books that were specially bound by Flying Horse Press at the request of the artist and contains memorabilia either produced by or for the artist. The books are created according to themes and time periods important to the artist. Some compilation books have been created by third parties. The books cover a wide span of time, including Gaudnek's early years as an artist in college through to his more current work at the University of Central Florida.","\nSeries IV: Oversize Artist Books, 1962-2006, are bound by UCF Library contains \"Gaudnek Broadway Drawings\" dating from 1962-1968 and compiled in 2006. \"Elegy to New Orleans\" is another title compiled by Gaudnek which includes art and media photographs from the aftermath of Hurricane Katrina in New Orleans, Louisiana. Series also holds a title \"Walter Gaudnek Introspective Portraits\" compiled by University of Central Florida Professor Jagdish J. Chavda.","\nSeries V: Portfolios, 1961-2009, includes portfolios that are housed in individiual custom constructed from hard archival cover board. Portfolios contain Gaudnek's digital collage prints, signed and dated by the artist.","\nSeries VI: Miscellaneous, 1969-2007, holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4f11a3ccc45b185611fc52b134bae889\" label=\"Abstract\"\u003eThe Walter Gaudnek Collection comprises manuscript materials, original works, posters, and photographs that chronicle the life and artistic development of Dr. Walter Gaudnek, a University of Central Florida art faculty member. Ranging from 1945 to the present, the collection focuses on the artist and gives voice to Gaudnek's fans and critics alike. World events such as the 1972 Olympic Games, the Holocaust, and the September 11th attacks are featured in the collection through his work both as a commissioned artist who is witness to the event (Munich Games) and as an artist expressing his deep emotions for human tragedy.\u003c/abstract\u003e"],"abstract_tesim":["The Walter Gaudnek Collection comprises manuscript materials, original works, posters, and photographs that chronicle the life and artistic development of Dr. Walter Gaudnek, a University of Central Florida art faculty member. Ranging from 1945 to the present, the collection focuses on the artist and gives voice to Gaudnek's fans and critics alike. World events such as the 1972 Olympic Games, the Holocaust, and the September 11th attacks are featured in the collection through his work both as a commissioned artist who is witness to the event (Munich Games) and as an artist expressing his deep emotions for human tragedy."],"names_ssim":["UCF Special Collections","Gaudnek, Walter, 1931-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Gaudnek, Walter, 1931-"],"persname_ssim":["Gaudnek, Walter, 1931-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":412,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"eccf200246c0c0801ef714fb","timestamp":"2026-04-21T03:53:25.929Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/eccf200246c0c0801ef714fb_aspace_47272"}},{"id":"236a3c88b766327883b2e155_aspace_3c66df09ab3f2288a91af2b3ba0ece85","type":"File","attributes":{"title":"Miscellaneous, 1971–1995, undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_3c66df09ab3f2288a91af2b3ba0ece85#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_3c66df09ab3f2288a91af2b3ba0ece85","ref_ssm":["aspace_3c66df09ab3f2288a91af2b3ba0ece85","aspace_3c66df09ab3f2288a91af2b3ba0ece85"],"id":"236a3c88b766327883b2e155_aspace_3c66df09ab3f2288a91af2b3ba0ece85","title_filing_ssi":"Miscellaneous","title_ssm":["Miscellaneous"],"title_tesim":["Miscellaneous"],"unitdate_inclusive_ssm":["1971–1995","undated"],"normalized_date_ssm":["1971–1995, undated"],"normalized_title_ssm":["Miscellaneous, 1971–1995, undated"],"text":["Miscellaneous, 1971–1995, undated","Joy Postle papers, 1910-2015","Personal Files, 1910–2015","Correspondence","/repositories/4/archival_objects/87954","/repositories/4/archival_objects/91287","box 8","folder 94"],"component_level_isim":[3],"parent_ids_ssim":["236a3c88b766327883b2e155","236a3c88b766327883b2e155_aspace_5dbb28d34a5754be60933b8120ba5670","236a3c88b766327883b2e155_aspace_11d8d69bea370d639deee8f829169cfc"],"parent_unittitles_ssm":["Joy Postle papers, 1910-2015","Personal Files, 1910–2015","Correspondence"],"parent_unittitles_tesim":["Joy Postle papers, 1910-2015","Personal Files, 1910–2015","Correspondence"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/87954","/repositories/4/archival_objects/91287"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Joy Postle papers, 1910-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":405,"parent_access_restrict_tesm":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"containers_ssim":["box 8","folder 94"],"_nest_path_":"/components#3/components#2/components#2","_nest_parent_":"236a3c88b766327883b2e155_aspace_11d8d69bea370d639deee8f829169cfc","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_3c66df09ab3f2288a91af2b3ba0ece85"}},{"id":"595da6ad0514b2d689ec320a_aspace_188842","type":"File","attributes":{"title":"Miscellaneous Aerospace Magazines, 1945-1989","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/595da6ad0514b2d689ec320a_aspace_188842#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eIncludes a copy of TIME Magazine from July 5, 1976, the December 1945 issue of Air News with Air Tech, the 1989 issue of Victorious Eagles Magazine, Airpower Magazine from July 1982, the April 1977 issue of Aeroplane Monthly, and Newsweek from January 10, 1977\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/595da6ad0514b2d689ec320a_aspace_188842#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_188842","ref_ssm":["aspace_188842","aspace_188842"],"id":"595da6ad0514b2d689ec320a_aspace_188842","title_filing_ssi":"Miscellaneous Aerospace Magazines","title_ssm":["Miscellaneous Aerospace Magazines"],"title_tesim":["Miscellaneous Aerospace Magazines"],"unitdate_inclusive_ssm":["1945-1989"],"normalized_date_ssm":["1945-1989"],"normalized_title_ssm":["Miscellaneous Aerospace Magazines, 1945-1989"],"text":["Miscellaneous Aerospace Magazines, 1945-1989","Harold E. 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