{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1972\u0026page=193\u0026view=list","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1972\u0026page=192\u0026view=list","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1972\u0026page=194\u0026view=list","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1972\u0026page=505\u0026view=list"},"meta":{"pages":{"current_page":193,"next_page":194,"prev_page":192,"total_pages":505,"limit_value":10,"offset_value":1920,"total_count":5045,"first_page?":false,"last_page?":false}},"data":[{"id":"c3b2e469870f2f2d65d0f733","type":"collection","attributes":{"title":"Frederick W. Ritter collection, 1942-2007, Date acquired: 07/24/0012, bulk 1942-1946","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/c3b2e469870f2f2d65d0f733#creator","type":"document_value","attributes":{"value":["Frederick W. 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Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Frederik Pohl","Donation"],"access_subjects_ssim":["Environmental protection","Authors, American -- 20th century","Chernobyl Nuclear Accident, Chernobyl', Ukraine, 1986 -- Fiction","Chernobyľ (Ukraine) -- History -- 20th century -- Fiction","Nature conservation -- Political aspects","Politics, practical","Pollution","Pohl, Frederik","Science fiction -- American","Science fiction","Science Fiction, American -- History and criticism","Science Fiction Writers of America"],"access_subjects_ssm":["Environmental protection","Authors, American -- 20th century","Chernobyl Nuclear Accident, Chernobyl', Ukraine, 1986 -- Fiction","Chernobyľ (Ukraine) -- History -- 20th century -- Fiction","Nature conservation -- Political aspects","Politics, practical","Pollution","Pohl, Frederik","Science fiction -- American","Science fiction","Science Fiction, American -- History and criticism","Science Fiction Writers of America"],"has_online_content_ssim":["false"],"extent_ssm":["23.36 Linear Feet","68 boxes"],"extent_tesim":["23.36 Linear Feet","68 boxes"],"date_range_isim":[1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accruals_html_tesm":["\u003cp\u003eThe first papers were shipped to the library in August of 2005, with subsequent accessions received in September and October 2005 and June 2006.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["The first papers were shipped to the library in August of 2005, with subsequent accessions received in September and October 2005 and June 2006."],"arrangement_html_tesm":["\u003cp\u003eCollection is organized into series alphabetically by title of work or by topic, as appropriate.\u0026#xA0; Original order was retained where extant.\u0026#xA0; Where present, the donor's notes identifying documents or groups of documents were used to generate folder headings for the container listing.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Collection is organized into series alphabetically by title of work or by topic, as appropriate.  Original order was retained where extant.  Where present, the donor's notes identifying documents or groups of documents were used to generate folder headings for the container listing."],"bioghist_html_tesm":["\u003cp\u003eFrederik Pohl, American science fiction writer, editor, and anthologist, was born in Brooklyn, New York on November 26, 1919.\u0026#xA0; In a literary career spanning nearly seventy years, Pohl wrote more than 200 short stories and over 134 books, including 54 novels, 31 story collections, 1 graphic novel, and 6 nonfiction works, in addition to editing 42 anthologies.\u0026#xA0; From 1959 to 1969, Pohl edited the award-winning science fiction magazines \u003cemph render=\"italic\"\u003eGalaxy \u003c/emph\u003eand \u003cemph render=\"italic\"\u003eIf.\u0026#xA0; \u003c/emph\u003eHe was executive editor for Ace Books, 1971 to 1973, and science fiction editor at Ballantine Books, 1973 to 1979.\u0026#xA0; He also served as president of the Science Fiction Writers of America from 1974 to 1976, and of World Science Fiction from 1980 to 1982. Pohl earned virtually every significant award the field of science fiction offered, many of them more than once.\u0026#xA0; The World Science Fiction Society (WSFS) presented him with six Hugo awards, three for writing and three for editing.\u0026#xA0; The Science Fiction and Fantasy Writers of America (SFWA) recognized him with two Nebula awards, and in 1993 named him a SFWA Grand Master.\u0026#xA0; He was inducted into the Science Fiction Hall of Fame.\u0026#xA0; Beyond the field of science fiction, Pohl was a noted lecturer and writer in the fields of future studies and environmental studies.\u0026#xA0; He wrote nonfiction books and articles on topics ranging from global warming to the life of the Roman emperor Tiberius.\u0026#xA0; He was a Fellow of the British Interplanetary Society and the American Association for the Advancement of Science.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Frederik Pohl, American science fiction writer, editor, and anthologist, was born in Brooklyn, New York on November 26, 1919.  In a literary career spanning nearly seventy years, Pohl wrote more than 200 short stories and over 134 books, including 54 novels, 31 story collections, 1 graphic novel, and 6 nonfiction works, in addition to editing 42 anthologies.  From 1959 to 1969, Pohl edited the award-winning science fiction magazines  Galaxy  and  If.   He was executive editor for Ace Books, 1971 to 1973, and science fiction editor at Ballantine Books, 1973 to 1979.  He also served as president of the Science Fiction Writers of America from 1974 to 1976, and of World Science Fiction from 1980 to 1982. Pohl earned virtually every significant award the field of science fiction offered, many of them more than once.  The World Science Fiction Society (WSFS) presented him with six Hugo awards, three for writing and three for editing.  The Science Fiction and Fantasy Writers of America (SFWA) recognized him with two Nebula awards, and in 1993 named him a SFWA Grand Master.  He was inducted into the Science Fiction Hall of Fame.  Beyond the field of science fiction, Pohl was a noted lecturer and writer in the fields of future studies and environmental studies.  He wrote nonfiction books and articles on topics ranging from global warming to the life of the Roman emperor Tiberius.  He was a Fellow of the British Interplanetary Society and the American Association for the Advancement of Science."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003eFrederick Pohl Papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Frederick Pohl Papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eFrederik Pohl Collection, Cushing Memorial Library, Texas A\u0026amp;M University, College Station, Texas.\u003c/p\u003e\n","\u003cp\u003ehttp://www.lib.utexas.edu/taro/tamucush/00213/tamu-00213.html\u003c/p\u003e","\u003cp\u003ePohl, Frederik. \u003cemph render=\"italic\"\u003eThe Way the Future Was: A Memoir\u003c/emph\u003e. New York: Ballantine Books, 1978. Print.\u003c/p\u003e\n","\u003cp\u003ePohl, Frederik. \u003cemph render=\"italic\"\u003eThe Early Pohl\u003c/emph\u003e. Garden City, N.Y: Doubleday, 1976. Print.\u003c/p\u003e\n","\u003cp\u003ePohl, Frederik. \u003cemph render=\"italic\"\u003eMan Plus\u003c/emph\u003e. New York: Random House, 1976. Print.\u003c/p\u003e\n","\u003cp\u003ePohl, Frederik. \u003cemph render=\"italic\"\u003eHomegoing\u003c/emph\u003e. New York: Ballantine Books, 1989. Print.\u003c/p\u003e\n","\u003cp\u003ePohl, Frederik. \u003cemph render=\"italic\"\u003eChernobyl: A Novel\u003c/emph\u003e. Toronto: Bantam Books, 1987. Print.\u003c/p\u003e\n","\u003cp\u003ePohl, Frederik. \u003cemph render=\"italic\"\u003eThe Annals of the Heechee\u003c/emph\u003e. New York: Ballantine Books, 1987. Print.\u003c/p\u003e\n","\u003cp\u003ePohl, Frederik. \u003cemph render=\"italic\"\u003eBlack Star Rising\u003c/emph\u003e. New York: Ballantine Books, 1985. Print.\u003c/p\u003e\n","\u003cp\u003ePohl, Frederik. \u003cemph render=\"italic\"\u003eO Pioneer!\u003c/emph\u003e New York: Tor, 1998. Print.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Publications"],"relatedmaterial_tesim":["Frederik Pohl Collection, Cushing Memorial Library, Texas A\u0026M University, College Station, Texas.","http://www.lib.utexas.edu/taro/tamucush/00213/tamu-00213.html","Pohl, Frederik.  The Way the Future Was: A Memoir . New York: Ballantine Books, 1978. Print.","Pohl, Frederik.  The Early Pohl . Garden City, N.Y: Doubleday, 1976. Print.","Pohl, Frederik.  Man Plus . New York: Random House, 1976. Print.","Pohl, Frederik.  Homegoing . New York: Ballantine Books, 1989. Print.","Pohl, Frederik.  Chernobyl: A Novel . Toronto: Bantam Books, 1987. Print.","Pohl, Frederik.  The Annals of the Heechee . New York: Ballantine Books, 1987. Print.","Pohl, Frederik.  Black Star Rising . New York: Ballantine Books, 1985. Print.","Pohl, Frederik.  O Pioneer!  New York: Tor, 1998. Print."],"scopecontent_html_tesm":["\u003cp\u003eThe Pohl Papers are comprised principally of manuscripts, drafts, notes, proofs, and other documents relating to science fiction and nonfiction works written by Frederik Pohl.\u0026#xA0; The collection also includes correspondence, speeches given by Mr. Pohl, and reviews of his publications.\u0026#xA0; Although the earliest items date from 1952, most of the materials range from the early 1970s through 2005.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Pohl Papers are comprised principally of manuscripts, drafts, notes, proofs, and other documents relating to science fiction and nonfiction works written by Frederik Pohl.  The collection also includes correspondence, speeches given by Mr. Pohl, and reviews of his publications.  Although the earliest items date from 1952, most of the materials range from the early 1970s through 2005."],"userestrict_html_tesm":["\u003cp\u003eOpen for scholarly research use.\u0026#xA0; Copyright retained by Frederik Pohl. Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%C2%A0\"\u003ehttp://www.copyright.gov/\u003c/extref\u003efor more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Open for scholarly research use.  Copyright retained by Frederik Pohl. Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Pohl, Frederik George, Jr. (1919-2013)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Pohl, Frederik George, Jr. (1919-2013)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":493,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"82c0014c0ee2a606387c6c13","timestamp":"2026-07-02T03:24:15.751Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/82c0014c0ee2a606387c6c13"}},{"id":"2a6a6aa34a3c99c1b1b95ea9","type":"collection","attributes":{"title":"Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9#creator","type":"document_value","attributes":{"value":["Martin, Francis John, Jr."],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9#abstract_or_scope","type":"document_value","attributes":{"value":["The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"2a6a6aa34a3c99c1b1b95ea9","title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"ead_ssi":"2a6a6aa34a3c99c1b1b95ea9","unitdate_ssm":["1829-2006"],"unitdate_inclusive_ssm":["1829-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.113","/repositories/4/resources/225"],"text":["SC.113","/repositories/4/resources/225","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations","The entire collection is open for research.","This collection is itemized and arranged in alphabetical and chronological order.","Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.","Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.","A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog .","This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.","UCF Special Collections","Martin, Francis John, Jr.","The materials are written in English."],"unitid_tesim":["SC.113","/repositories/4/resources/225"],"normalized_date_ssm":["1829-2006"],"normalized_title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Martin, Francis John, Jr."],"creator_ssim":["Martin, Francis John, Jr."],"creator_persname_ssim":["Martin, Francis John, Jr."],"creators_ssim":["Martin, Francis John, Jr."],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Francis Martin Jr. donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2018 (CFM2018_15) and 2020 (CFM2020_02, CFM2020_03, CFM2020_16)."],"access_subjects_ssim":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"access_subjects_ssm":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"has_online_content_ssim":["false"],"extent_ssm":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"extent_tesim":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"genreform_ssim":["manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"date_range_isim":[1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is itemized and arranged in alphabetical and chronological order."],"bioghist_html_tesm":["\u003cp\u003eFrancis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners."],"prefercite_html_tesm":["\u003cp\u003eFred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMarlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eA small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online \u003cextref href=\"https://library.ucf.edu\"\u003eLibrary Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e\n","\u003cp\u003eSeries I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.\u003c/p\u003e\n","\u003cp\u003eSeries II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026amp; posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.\u003c/p\u003e\n","\u003cp\u003eSeries III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.\u003c/p\u003e\n","\u003cp\u003eSeries IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4a581e455cb123495b610919f342aacb\"\u003eThe Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.\u003c/abstract\u003e"],"abstract_tesim":["The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection."],"names_ssim":["UCF Special Collections","Martin, Francis John, Jr."],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Martin, Francis John, Jr."],"language_ssim":["The materials are written in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":459,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872035374829666304,"_root_":"2a6a6aa34a3c99c1b1b95ea9","timestamp":"2026-07-29T08:00:56.373Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2a6a6aa34a3c99c1b1b95ea9","title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"ead_ssi":"2a6a6aa34a3c99c1b1b95ea9","unitdate_ssm":["1829-2006"],"unitdate_inclusive_ssm":["1829-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.113","/repositories/4/resources/225"],"text":["SC.113","/repositories/4/resources/225","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations","The entire collection is open for research.","This collection is itemized and arranged in alphabetical and chronological order.","Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.","Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.","A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog .","This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.","UCF Special Collections","Martin, Francis John, Jr.","The materials are written in English."],"unitid_tesim":["SC.113","/repositories/4/resources/225"],"normalized_date_ssm":["1829-2006"],"normalized_title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Martin, Francis John, Jr."],"creator_ssim":["Martin, Francis John, Jr."],"creator_persname_ssim":["Martin, Francis John, Jr."],"creators_ssim":["Martin, Francis John, Jr."],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Francis Martin Jr. donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2018 (CFM2018_15) and 2020 (CFM2020_02, CFM2020_03, CFM2020_16)."],"access_subjects_ssim":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"access_subjects_ssm":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"has_online_content_ssim":["false"],"extent_ssm":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"extent_tesim":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"genreform_ssim":["manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"date_range_isim":[1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is itemized and arranged in alphabetical and chronological order."],"bioghist_html_tesm":["\u003cp\u003eFrancis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners."],"prefercite_html_tesm":["\u003cp\u003eFred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMarlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eA small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online \u003cextref href=\"https://library.ucf.edu\"\u003eLibrary Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e\n","\u003cp\u003eSeries I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.\u003c/p\u003e\n","\u003cp\u003eSeries II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026amp; posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.\u003c/p\u003e\n","\u003cp\u003eSeries III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.\u003c/p\u003e\n","\u003cp\u003eSeries IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4a581e455cb123495b610919f342aacb\"\u003eThe Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.\u003c/abstract\u003e"],"abstract_tesim":["The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection."],"names_ssim":["UCF Special Collections","Martin, Francis John, Jr."],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Martin, Francis John, Jr."],"language_ssim":["The materials are written in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":459,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872035374829666304,"_root_":"2a6a6aa34a3c99c1b1b95ea9","timestamp":"2026-07-29T08:00:56.373Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9"}},{"id":"eff0e690d997f164b897e38e","type":"collection","attributes":{"title":"Fred S. Bertsch Jr. collection, 1941-1991, Date acquired: 04/20/2012, bulk 1941-1943","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/eff0e690d997f164b897e38e#creator","type":"document_value","attributes":{"value":["Bertsch, Fred S. , Jr. , 1920-2012"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/eff0e690d997f164b897e38e#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection relates to retired U.S. Navy Captain Fred S. Bertsch Jr. who served as the Engineer Officer during World War II in the Pacific Theater of Operations on the destroyer U.S.S. \u003cem\u003eCase\u003c/em\u003e and the Korean War as a naval aviator.  The collection includes a daily handwritten log journal of activities aboard the U.S.S \u003cem\u003eCase\u003c/em\u003e which begins with his eyewitness account of the Japanese attack on Pearl Harbor on December 7, 1941, including the attack of the U.S.S. \u003cem\u003eArizona \u003c/em\u003eBattleship, through the end of 1943.  The collection also contains 133 original color slides, and digitized prints of the slides, taken by Bertsch Jr. aboard the U.S.S  \u003cem\u003eCase\u003c/em\u003e during the Aleutian Island campaign in 1942, additional photographs, documents, artifacts, newspaper articles, and two publications authored by Bertsch Jr.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/eff0e690d997f164b897e38e#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"eff0e690d997f164b897e38e","title_filing_ssi":"Bertsch, Fred S. collection","title_ssm":["Fred S. Bertsch Jr. collection"],"title_tesim":["Fred S. Bertsch Jr. collection"],"ead_ssi":"eff0e690d997f164b897e38e","unitdate_ssm":["1941-1991","1941-1943","Date acquired: 04/20/2012"],"unitdate_bulk_ssim":["1941-1943"],"unitdate_inclusive_ssm":["1941-1991"],"unitdate_other_ssim":["Date acquired: 04/20/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["08.0134","/repositories/10/resources/731"],"text":["08.0134","/repositories/10/resources/731","Fred S. Bertsch Jr. collection, 1941-1991, Date acquired: 04/20/2012, bulk 1941-1943","Palm City (Fla.)","Holland (Mich.)","World War, 1939-1945--Campaigns--Pacific Area","Guadalcanal, Battle of, Solomon Islands, 1942-1943","World War, 1939-1945--Campaigns--Alaska--Aleutian Islands","Midway, Battle of, 1942","Korean War, 1950-1953","Destroyer (Ship)","Pearl Harbor (Hawaii), Attack on, 1941","This collection is open to all researchers.","Retired U.S. Navy Captain Fred S. Bertsch Jr. was born October 8, 1920, and grew up in Holland, Michigan. He enlisted in the U.S. Naval Reserve during his junior year at Hope College and spent the following summer vacation as an unpaid sailor aboard the U.S.S.  Wyoming  battleship. Toward the end of his senior year, he was recalled to active duty. He graduated from Hope College in 1941 and entered the U.S. Navy as an ensign. Stationed at Pearl Harbor at the outbreak of war, he survived the attack and served almost three consecutive years of combat on the destroyer USS  Case  (DD-370) in the Western Pacific. Experiences documented in his handwritten journal include the Japanese Pearl Harbor attack,  Midway Island, Aleutian Island campaign, and Guadalcanal campaign. He married Ensign Lorraine Timmer of the United States Naval Reserve (Women's Reserve) on October 16, 1943, in Elmendorf Chapel, New York, NY.  Lorraine served with the Women's Reserve from 1943-1945 in the Communications Annex, Washington, D.C. After World War II, Capt. Bertsch attended flight school and was designated a naval aviator. He served 18 months flying combat patrol missions over and around Korea from 1950 to 1952. He transferred into the Naval Reserve in 1957 and returned to Holland, where he taught math at Holland High School and later was principal from 1964 to 1978. Upon retirement, he moved to Stuart, FL with Lorraine.  Lorraine passed away on August 23, 1997, and is buried in Arlington National Cemetery.  Bertsch Jr. remarried Dorothy Kirk Bertsch in 1998. Bertsch Jr. was active in business, subdividing several properties along Lake Macatawa and engaged in several other entrepreneurial activities. He was a member of the Macatawa Bay Yacht Club, serving two terms as Commodore. He also was a member of the Holland Rotary Club, serving a term as district governor. Bertsch Jr. passed away on October 10, 2012, in Palm City, FL and is buried in Arlington National Cemetery.","Bertsch Jr. was also a gifted amateur photographer and captured all of the images in this collection.  He designed a dark room aboard the U.S.S.  Case  to develop his photographs. Moreover, he published two books based on his naval experiences before World War II entitled  My Paradise, Dad's Hell  and another book about his experiences during World War II entitled Every Day is Navy Day. In addition, his experiences during the Pearl Harbor attack are published in  Voices of My Comrades: America's Reserve Officers Remember World War  II,  edited by Carol Adele Kelly.","Link to oral history interview of Fred S. Bertsch Jr. conducted by the National Park Service on December 5, 2001:  [url=https://www.nps.gov/valr/learn/historyculture/upload/FredBertsch.pdf]https://www.nps.gov/valr/learn/historyculture/upload/FredBertsch.pdf[/url]","Note written by ","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","This collection relates to retired U.S. Navy Captain Fred S. Bertsch Jr. who served as the Engineer Officer during World War II in the Pacific Theater of Operations on the destroyer U.S.S.  Case  and the Korean War as a naval aviator.  The collection includes a daily handwritten log journal of activities aboard the U.S.S  Case  which begins with his eyewitness account of the Japanese attack on Pearl Harbor on December 7, 1941, including the attack of the U.S.S.  Arizona  Battleship, through the end of 1943.  The collection also contains 133 original color slides, and digitized prints of the slides, taken by Bertsch Jr. aboard the U.S.S   Case  during the Aleutian Island campaign in 1942, additional photographs, documents, artifacts, newspaper articles, and two publications authored by Bertsch Jr.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Wyoming (Battleship : BB-32)","Bertsch, Fred S. , Jr. , 1920-2012","English"],"unitid_tesim":["08.0134","/repositories/10/resources/731"],"normalized_date_ssm":["1941-1991, Date acquired: 04/20/2012, bulk 1941-1943"],"normalized_title_ssm":["Fred S. Bertsch Jr. collection, 1941-1991, Date acquired: 04/20/2012, bulk 1941-1943"],"collection_title_tesim":["Fred S. Bertsch Jr. collection, 1941-1991, Date acquired: 04/20/2012, bulk 1941-1943"],"collection_ssim":["Fred S. Bertsch Jr. collection, 1941-1991, Date acquired: 04/20/2012, bulk 1941-1943"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Palm City (Fla.)","Holland (Mich.)"],"geogname_ssim":["Palm City (Fla.)","Holland (Mich.)"],"creator_ssm":["Bertsch, Fred S. , Jr. , 1920-2012"],"creator_ssim":["Bertsch, Fred S. , Jr. , 1920-2012"],"creator_persname_ssim":["Bertsch, Fred S. , Jr. , 1920-2012"],"creators_ssim":["Bertsch, Fred S. , Jr. , 1920-2012"],"places_ssim":["Palm City (Fla.)","Holland (Mich.)"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["Fred S. Bertsch Jr.","Donation"],"access_subjects_ssim":["World War, 1939-1945--Campaigns--Pacific Area","Guadalcanal, Battle of, Solomon Islands, 1942-1943","World War, 1939-1945--Campaigns--Alaska--Aleutian Islands","Midway, Battle of, 1942","Korean War, 1950-1953","Destroyer (Ship)","Pearl Harbor (Hawaii), Attack on, 1941"],"access_subjects_ssm":["World War, 1939-1945--Campaigns--Pacific Area","Guadalcanal, Battle of, Solomon Islands, 1942-1943","World War, 1939-1945--Campaigns--Alaska--Aleutian Islands","Midway, Battle of, 1942","Korean War, 1950-1953","Destroyer (Ship)","Pearl Harbor (Hawaii), Attack on, 1941"],"has_online_content_ssim":["false"],"extent_ssm":["1 boxes","2 items 2 books"],"extent_tesim":["1 boxes","2 items 2 books"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,2012],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_html_tesm":["\u003cp\u003eRetired U.S. Navy Captain Fred S. Bertsch Jr. was born October 8, 1920, and grew up in Holland, Michigan. He enlisted in the U.S. Naval Reserve during his junior year at Hope College and spent the following summer vacation as an unpaid sailor aboard the U.S.S. \u003cemph render=\"italic\"\u003eWyoming\u003c/emph\u003e battleship. Toward the end of his senior year, he was recalled to active duty. He graduated from Hope College in 1941 and entered the U.S. Navy as an ensign. Stationed at Pearl Harbor at the outbreak of war, he survived the attack and served almost three consecutive years of combat on the destroyer USS \u003cemph render=\"italic\"\u003eCase\u003c/emph\u003e (DD-370) in the Western Pacific. Experiences documented in his handwritten journal include the Japanese Pearl Harbor attack,\u0026#xA0; Midway Island, Aleutian Island campaign, and Guadalcanal campaign. He married Ensign Lorraine Timmer of the United States Naval Reserve (Women's Reserve) on October 16, 1943, in Elmendorf Chapel, New York, NY.\u0026#xA0; Lorraine served with the Women's Reserve from 1943-1945 in the Communications Annex, Washington, D.C. After World War II, Capt. Bertsch attended flight school and was designated a naval aviator. He served 18 months flying combat patrol missions over and around Korea from 1950 to 1952. He transferred into the Naval Reserve in 1957 and returned to Holland, where he taught math at Holland High School and later was principal from 1964 to 1978. Upon retirement, he moved to Stuart, FL with Lorraine.\u0026#xA0; Lorraine passed away on August 23, 1997, and is buried in Arlington National Cemetery.\u0026#xA0; Bertsch Jr. remarried Dorothy Kirk Bertsch in 1998. Bertsch Jr. was active in business, subdividing several properties along Lake Macatawa and engaged in several other entrepreneurial activities. He was a member of the Macatawa Bay Yacht Club, serving two terms as Commodore. He also was a member of the Holland Rotary Club, serving a term as district governor. Bertsch Jr. passed away on October 10, 2012, in Palm City, FL and is buried in Arlington National Cemetery.\u003c/p\u003e\n","\u003cp\u003e\u003cbr\u003e\u003cbr\u003eBertsch Jr. was also a gifted amateur photographer and captured all of the images in this collection.\u0026#xA0; He designed a dark room aboard the U.S.S. \u003cemph render=\"italic\"\u003eCase\u003c/emph\u003e to develop his photographs. Moreover, he published two books based on his naval experiences before World War II entitled \u003cemph render=\"italic\"\u003eMy Paradise, Dad's Hell \u003c/emph\u003eand another book about his experiences during World War II entitled Every Day is Navy Day. In addition, his experiences during the Pearl Harbor attack are published in \u003cemph render=\"italic\"\u003eVoices of My Comrades: America's Reserve Officers Remember World War \u003c/emph\u003e\u003cemph render=\"italic\"\u003eII, \u003c/emph\u003eedited by Carol Adele Kelly.\u003c/p\u003e\n","\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cemph render=\"italic\"\u003eLink to oral history interview of Fred S. Bertsch Jr. conducted by the National Park Service on December 5, 2001:\u0026#xA0; [url=https://www.nps.gov/valr/learn/historyculture/upload/FredBertsch.pdf]https://www.nps.gov/valr/learn/historyculture/upload/FredBertsch.pdf[/url]\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eNote written by \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Retired U.S. Navy Captain Fred S. Bertsch Jr. was born October 8, 1920, and grew up in Holland, Michigan. He enlisted in the U.S. Naval Reserve during his junior year at Hope College and spent the following summer vacation as an unpaid sailor aboard the U.S.S.  Wyoming  battleship. Toward the end of his senior year, he was recalled to active duty. He graduated from Hope College in 1941 and entered the U.S. Navy as an ensign. Stationed at Pearl Harbor at the outbreak of war, he survived the attack and served almost three consecutive years of combat on the destroyer USS  Case  (DD-370) in the Western Pacific. Experiences documented in his handwritten journal include the Japanese Pearl Harbor attack,  Midway Island, Aleutian Island campaign, and Guadalcanal campaign. He married Ensign Lorraine Timmer of the United States Naval Reserve (Women's Reserve) on October 16, 1943, in Elmendorf Chapel, New York, NY.  Lorraine served with the Women's Reserve from 1943-1945 in the Communications Annex, Washington, D.C. After World War II, Capt. Bertsch attended flight school and was designated a naval aviator. He served 18 months flying combat patrol missions over and around Korea from 1950 to 1952. He transferred into the Naval Reserve in 1957 and returned to Holland, where he taught math at Holland High School and later was principal from 1964 to 1978. Upon retirement, he moved to Stuart, FL with Lorraine.  Lorraine passed away on August 23, 1997, and is buried in Arlington National Cemetery.  Bertsch Jr. remarried Dorothy Kirk Bertsch in 1998. Bertsch Jr. was active in business, subdividing several properties along Lake Macatawa and engaged in several other entrepreneurial activities. He was a member of the Macatawa Bay Yacht Club, serving two terms as Commodore. He also was a member of the Holland Rotary Club, serving a term as district governor. Bertsch Jr. passed away on October 10, 2012, in Palm City, FL and is buried in Arlington National Cemetery.","Bertsch Jr. was also a gifted amateur photographer and captured all of the images in this collection.  He designed a dark room aboard the U.S.S.  Case  to develop his photographs. Moreover, he published two books based on his naval experiences before World War II entitled  My Paradise, Dad's Hell  and another book about his experiences during World War II entitled Every Day is Navy Day. In addition, his experiences during the Pearl Harbor attack are published in  Voices of My Comrades: America's Reserve Officers Remember World War  II,  edited by Carol Adele Kelly.","Link to oral history interview of Fred S. Bertsch Jr. conducted by the National Park Service on December 5, 2001:  [url=https://www.nps.gov/valr/learn/historyculture/upload/FredBertsch.pdf]https://www.nps.gov/valr/learn/historyculture/upload/FredBertsch.pdf[/url]","Note written by "],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Fred S. Bertsch, Jr. collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_08_0134\"\u003ehttp://purl.fcla.edu/fsu/WWII_08_0134\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Fred S. Bertsch, Jr. collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_08_0134 ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to retired U.S. Navy Captain Fred S. Bertsch Jr. who served as the Engineer Officer during World War II in the Pacific Theater of Operations on the destroyer U.S.S. \u003cemph render=\"italic\"\u003eCase\u003c/emph\u003e and the Korean War as a naval aviator.\u0026#xA0; The collection includes a daily handwritten log journal of activities aboard the U.S.S \u003cemph render=\"italic\"\u003eCase\u003c/emph\u003e which begins with his eyewitness account of the Japanese attack on Pearl Harbor on December 7, 1941, including the attack of the U.S.S. \u003cemph render=\"italic\"\u003eArizona \u003c/emph\u003eBattleship, through the end of 1943.\u0026#xA0; The collection also contains 133 original color slides, and digitized prints of the slides, taken by Bertsch Jr. aboard the U.S.S\u0026#xA0; \u003cemph render=\"italic\"\u003eCase\u003c/emph\u003e during the Aleutian Island campaign in 1942, additional photographs, documents, artifacts, newspaper articles, and two publications authored by Bertsch Jr.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection relates to retired U.S. Navy Captain Fred S. Bertsch Jr. who served as the Engineer Officer during World War II in the Pacific Theater of Operations on the destroyer U.S.S.  Case  and the Korean War as a naval aviator.  The collection includes a daily handwritten log journal of activities aboard the U.S.S  Case  which begins with his eyewitness account of the Japanese attack on Pearl Harbor on December 7, 1941, including the attack of the U.S.S.  Arizona  Battleship, through the end of 1943.  The collection also contains 133 original color slides, and digitized prints of the slides, taken by Bertsch Jr. aboard the U.S.S   Case  during the Aleutian Island campaign in 1942, additional photographs, documents, artifacts, newspaper articles, and two publications authored by Bertsch Jr."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_coll_ssim":["Wyoming (Battleship : BB-32)"],"names_ssim":["FSU Special Collections \u0026 Archives","Wyoming (Battleship : BB-32)","Bertsch, Fred S. , Jr. , 1920-2012"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Wyoming (Battleship : BB-32)"],"persname_ssim":["Bertsch, Fred S. , Jr. , 1920-2012"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"eff0e690d997f164b897e38e","timestamp":"2026-07-08T12:17:15.030Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"eff0e690d997f164b897e38e","title_filing_ssi":"Bertsch, Fred S. collection","title_ssm":["Fred S. Bertsch Jr. collection"],"title_tesim":["Fred S. Bertsch Jr. collection"],"ead_ssi":"eff0e690d997f164b897e38e","unitdate_ssm":["1941-1991","1941-1943","Date acquired: 04/20/2012"],"unitdate_bulk_ssim":["1941-1943"],"unitdate_inclusive_ssm":["1941-1991"],"unitdate_other_ssim":["Date acquired: 04/20/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["08.0134","/repositories/10/resources/731"],"text":["08.0134","/repositories/10/resources/731","Fred S. Bertsch Jr. collection, 1941-1991, Date acquired: 04/20/2012, bulk 1941-1943","Palm City (Fla.)","Holland (Mich.)","World War, 1939-1945--Campaigns--Pacific Area","Guadalcanal, Battle of, Solomon Islands, 1942-1943","World War, 1939-1945--Campaigns--Alaska--Aleutian Islands","Midway, Battle of, 1942","Korean War, 1950-1953","Destroyer (Ship)","Pearl Harbor (Hawaii), Attack on, 1941","This collection is open to all researchers.","Retired U.S. Navy Captain Fred S. Bertsch Jr. was born October 8, 1920, and grew up in Holland, Michigan. He enlisted in the U.S. Naval Reserve during his junior year at Hope College and spent the following summer vacation as an unpaid sailor aboard the U.S.S.  Wyoming  battleship. Toward the end of his senior year, he was recalled to active duty. He graduated from Hope College in 1941 and entered the U.S. Navy as an ensign. Stationed at Pearl Harbor at the outbreak of war, he survived the attack and served almost three consecutive years of combat on the destroyer USS  Case  (DD-370) in the Western Pacific. Experiences documented in his handwritten journal include the Japanese Pearl Harbor attack,  Midway Island, Aleutian Island campaign, and Guadalcanal campaign. He married Ensign Lorraine Timmer of the United States Naval Reserve (Women's Reserve) on October 16, 1943, in Elmendorf Chapel, New York, NY.  Lorraine served with the Women's Reserve from 1943-1945 in the Communications Annex, Washington, D.C. After World War II, Capt. Bertsch attended flight school and was designated a naval aviator. He served 18 months flying combat patrol missions over and around Korea from 1950 to 1952. He transferred into the Naval Reserve in 1957 and returned to Holland, where he taught math at Holland High School and later was principal from 1964 to 1978. Upon retirement, he moved to Stuart, FL with Lorraine.  Lorraine passed away on August 23, 1997, and is buried in Arlington National Cemetery.  Bertsch Jr. remarried Dorothy Kirk Bertsch in 1998. Bertsch Jr. was active in business, subdividing several properties along Lake Macatawa and engaged in several other entrepreneurial activities. He was a member of the Macatawa Bay Yacht Club, serving two terms as Commodore. He also was a member of the Holland Rotary Club, serving a term as district governor. Bertsch Jr. passed away on October 10, 2012, in Palm City, FL and is buried in Arlington National Cemetery.","Bertsch Jr. was also a gifted amateur photographer and captured all of the images in this collection.  He designed a dark room aboard the U.S.S.  Case  to develop his photographs. Moreover, he published two books based on his naval experiences before World War II entitled  My Paradise, Dad's Hell  and another book about his experiences during World War II entitled Every Day is Navy Day. In addition, his experiences during the Pearl Harbor attack are published in  Voices of My Comrades: America's Reserve Officers Remember World War  II,  edited by Carol Adele Kelly.","Link to oral history interview of Fred S. Bertsch Jr. conducted by the National Park Service on December 5, 2001:  [url=https://www.nps.gov/valr/learn/historyculture/upload/FredBertsch.pdf]https://www.nps.gov/valr/learn/historyculture/upload/FredBertsch.pdf[/url]","Note written by ","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","This collection relates to retired U.S. Navy Captain Fred S. Bertsch Jr. who served as the Engineer Officer during World War II in the Pacific Theater of Operations on the destroyer U.S.S.  Case  and the Korean War as a naval aviator.  The collection includes a daily handwritten log journal of activities aboard the U.S.S  Case  which begins with his eyewitness account of the Japanese attack on Pearl Harbor on December 7, 1941, including the attack of the U.S.S.  Arizona  Battleship, through the end of 1943.  The collection also contains 133 original color slides, and digitized prints of the slides, taken by Bertsch Jr. aboard the U.S.S   Case  during the Aleutian Island campaign in 1942, additional photographs, documents, artifacts, newspaper articles, and two publications authored by Bertsch Jr.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Wyoming (Battleship : BB-32)","Bertsch, Fred S. , Jr. , 1920-2012","English"],"unitid_tesim":["08.0134","/repositories/10/resources/731"],"normalized_date_ssm":["1941-1991, Date acquired: 04/20/2012, bulk 1941-1943"],"normalized_title_ssm":["Fred S. Bertsch Jr. collection, 1941-1991, Date acquired: 04/20/2012, bulk 1941-1943"],"collection_title_tesim":["Fred S. Bertsch Jr. collection, 1941-1991, Date acquired: 04/20/2012, bulk 1941-1943"],"collection_ssim":["Fred S. Bertsch Jr. collection, 1941-1991, Date acquired: 04/20/2012, bulk 1941-1943"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Palm City (Fla.)","Holland (Mich.)"],"geogname_ssim":["Palm City (Fla.)","Holland (Mich.)"],"creator_ssm":["Bertsch, Fred S. , Jr. , 1920-2012"],"creator_ssim":["Bertsch, Fred S. , Jr. , 1920-2012"],"creator_persname_ssim":["Bertsch, Fred S. , Jr. , 1920-2012"],"creators_ssim":["Bertsch, Fred S. , Jr. , 1920-2012"],"places_ssim":["Palm City (Fla.)","Holland (Mich.)"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["Fred S. Bertsch Jr.","Donation"],"access_subjects_ssim":["World War, 1939-1945--Campaigns--Pacific Area","Guadalcanal, Battle of, Solomon Islands, 1942-1943","World War, 1939-1945--Campaigns--Alaska--Aleutian Islands","Midway, Battle of, 1942","Korean War, 1950-1953","Destroyer (Ship)","Pearl Harbor (Hawaii), Attack on, 1941"],"access_subjects_ssm":["World War, 1939-1945--Campaigns--Pacific Area","Guadalcanal, Battle of, Solomon Islands, 1942-1943","World War, 1939-1945--Campaigns--Alaska--Aleutian Islands","Midway, Battle of, 1942","Korean War, 1950-1953","Destroyer (Ship)","Pearl Harbor (Hawaii), Attack on, 1941"],"has_online_content_ssim":["false"],"extent_ssm":["1 boxes","2 items 2 books"],"extent_tesim":["1 boxes","2 items 2 books"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,2012],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_html_tesm":["\u003cp\u003eRetired U.S. Navy Captain Fred S. Bertsch Jr. was born October 8, 1920, and grew up in Holland, Michigan. He enlisted in the U.S. Naval Reserve during his junior year at Hope College and spent the following summer vacation as an unpaid sailor aboard the U.S.S. \u003cemph render=\"italic\"\u003eWyoming\u003c/emph\u003e battleship. Toward the end of his senior year, he was recalled to active duty. He graduated from Hope College in 1941 and entered the U.S. Navy as an ensign. Stationed at Pearl Harbor at the outbreak of war, he survived the attack and served almost three consecutive years of combat on the destroyer USS \u003cemph render=\"italic\"\u003eCase\u003c/emph\u003e (DD-370) in the Western Pacific. Experiences documented in his handwritten journal include the Japanese Pearl Harbor attack,\u0026#xA0; Midway Island, Aleutian Island campaign, and Guadalcanal campaign. He married Ensign Lorraine Timmer of the United States Naval Reserve (Women's Reserve) on October 16, 1943, in Elmendorf Chapel, New York, NY.\u0026#xA0; Lorraine served with the Women's Reserve from 1943-1945 in the Communications Annex, Washington, D.C. After World War II, Capt. Bertsch attended flight school and was designated a naval aviator. He served 18 months flying combat patrol missions over and around Korea from 1950 to 1952. He transferred into the Naval Reserve in 1957 and returned to Holland, where he taught math at Holland High School and later was principal from 1964 to 1978. Upon retirement, he moved to Stuart, FL with Lorraine.\u0026#xA0; Lorraine passed away on August 23, 1997, and is buried in Arlington National Cemetery.\u0026#xA0; Bertsch Jr. remarried Dorothy Kirk Bertsch in 1998. Bertsch Jr. was active in business, subdividing several properties along Lake Macatawa and engaged in several other entrepreneurial activities. He was a member of the Macatawa Bay Yacht Club, serving two terms as Commodore. He also was a member of the Holland Rotary Club, serving a term as district governor. Bertsch Jr. passed away on October 10, 2012, in Palm City, FL and is buried in Arlington National Cemetery.\u003c/p\u003e\n","\u003cp\u003e\u003cbr\u003e\u003cbr\u003eBertsch Jr. was also a gifted amateur photographer and captured all of the images in this collection.\u0026#xA0; He designed a dark room aboard the U.S.S. \u003cemph render=\"italic\"\u003eCase\u003c/emph\u003e to develop his photographs. Moreover, he published two books based on his naval experiences before World War II entitled \u003cemph render=\"italic\"\u003eMy Paradise, Dad's Hell \u003c/emph\u003eand another book about his experiences during World War II entitled Every Day is Navy Day. In addition, his experiences during the Pearl Harbor attack are published in \u003cemph render=\"italic\"\u003eVoices of My Comrades: America's Reserve Officers Remember World War \u003c/emph\u003e\u003cemph render=\"italic\"\u003eII, \u003c/emph\u003eedited by Carol Adele Kelly.\u003c/p\u003e\n","\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cemph render=\"italic\"\u003eLink to oral history interview of Fred S. Bertsch Jr. conducted by the National Park Service on December 5, 2001:\u0026#xA0; [url=https://www.nps.gov/valr/learn/historyculture/upload/FredBertsch.pdf]https://www.nps.gov/valr/learn/historyculture/upload/FredBertsch.pdf[/url]\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eNote written by \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Retired U.S. Navy Captain Fred S. Bertsch Jr. was born October 8, 1920, and grew up in Holland, Michigan. He enlisted in the U.S. Naval Reserve during his junior year at Hope College and spent the following summer vacation as an unpaid sailor aboard the U.S.S.  Wyoming  battleship. Toward the end of his senior year, he was recalled to active duty. He graduated from Hope College in 1941 and entered the U.S. Navy as an ensign. Stationed at Pearl Harbor at the outbreak of war, he survived the attack and served almost three consecutive years of combat on the destroyer USS  Case  (DD-370) in the Western Pacific. Experiences documented in his handwritten journal include the Japanese Pearl Harbor attack,  Midway Island, Aleutian Island campaign, and Guadalcanal campaign. He married Ensign Lorraine Timmer of the United States Naval Reserve (Women's Reserve) on October 16, 1943, in Elmendorf Chapel, New York, NY.  Lorraine served with the Women's Reserve from 1943-1945 in the Communications Annex, Washington, D.C. After World War II, Capt. Bertsch attended flight school and was designated a naval aviator. He served 18 months flying combat patrol missions over and around Korea from 1950 to 1952. He transferred into the Naval Reserve in 1957 and returned to Holland, where he taught math at Holland High School and later was principal from 1964 to 1978. Upon retirement, he moved to Stuart, FL with Lorraine.  Lorraine passed away on August 23, 1997, and is buried in Arlington National Cemetery.  Bertsch Jr. remarried Dorothy Kirk Bertsch in 1998. Bertsch Jr. was active in business, subdividing several properties along Lake Macatawa and engaged in several other entrepreneurial activities. He was a member of the Macatawa Bay Yacht Club, serving two terms as Commodore. He also was a member of the Holland Rotary Club, serving a term as district governor. Bertsch Jr. passed away on October 10, 2012, in Palm City, FL and is buried in Arlington National Cemetery.","Bertsch Jr. was also a gifted amateur photographer and captured all of the images in this collection.  He designed a dark room aboard the U.S.S.  Case  to develop his photographs. Moreover, he published two books based on his naval experiences before World War II entitled  My Paradise, Dad's Hell  and another book about his experiences during World War II entitled Every Day is Navy Day. In addition, his experiences during the Pearl Harbor attack are published in  Voices of My Comrades: America's Reserve Officers Remember World War  II,  edited by Carol Adele Kelly.","Link to oral history interview of Fred S. Bertsch Jr. conducted by the National Park Service on December 5, 2001:  [url=https://www.nps.gov/valr/learn/historyculture/upload/FredBertsch.pdf]https://www.nps.gov/valr/learn/historyculture/upload/FredBertsch.pdf[/url]","Note written by "],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Fred S. Bertsch, Jr. collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_08_0134\"\u003ehttp://purl.fcla.edu/fsu/WWII_08_0134\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Fred S. Bertsch, Jr. collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_08_0134 ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to retired U.S. Navy Captain Fred S. Bertsch Jr. who served as the Engineer Officer during World War II in the Pacific Theater of Operations on the destroyer U.S.S. \u003cemph render=\"italic\"\u003eCase\u003c/emph\u003e and the Korean War as a naval aviator.\u0026#xA0; The collection includes a daily handwritten log journal of activities aboard the U.S.S \u003cemph render=\"italic\"\u003eCase\u003c/emph\u003e which begins with his eyewitness account of the Japanese attack on Pearl Harbor on December 7, 1941, including the attack of the U.S.S. \u003cemph render=\"italic\"\u003eArizona \u003c/emph\u003eBattleship, through the end of 1943.\u0026#xA0; The collection also contains 133 original color slides, and digitized prints of the slides, taken by Bertsch Jr. aboard the U.S.S\u0026#xA0; \u003cemph render=\"italic\"\u003eCase\u003c/emph\u003e during the Aleutian Island campaign in 1942, additional photographs, documents, artifacts, newspaper articles, and two publications authored by Bertsch Jr.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection relates to retired U.S. Navy Captain Fred S. Bertsch Jr. who served as the Engineer Officer during World War II in the Pacific Theater of Operations on the destroyer U.S.S.  Case  and the Korean War as a naval aviator.  The collection includes a daily handwritten log journal of activities aboard the U.S.S  Case  which begins with his eyewitness account of the Japanese attack on Pearl Harbor on December 7, 1941, including the attack of the U.S.S.  Arizona  Battleship, through the end of 1943.  The collection also contains 133 original color slides, and digitized prints of the slides, taken by Bertsch Jr. aboard the U.S.S   Case  during the Aleutian Island campaign in 1942, additional photographs, documents, artifacts, newspaper articles, and two publications authored by Bertsch Jr."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_coll_ssim":["Wyoming (Battleship : BB-32)"],"names_ssim":["FSU Special Collections \u0026 Archives","Wyoming (Battleship : BB-32)","Bertsch, Fred S. , Jr. , 1920-2012"],"corpname_ssim":["FSU Special Collections \u0026 Archives","Wyoming (Battleship : BB-32)"],"persname_ssim":["Bertsch, Fred S. , Jr. , 1920-2012"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"eff0e690d997f164b897e38e","timestamp":"2026-07-08T12:17:15.030Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/eff0e690d997f164b897e38e"}},{"id":"fa7267d0d7c856054ef95e7d_aspace_18186","type":"File","attributes":{"title":"French and Vietnamese Language Articles, 1946, 1977-1986","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/fa7267d0d7c856054ef95e7d_aspace_18186#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_18186","ref_ssm":["aspace_18186","aspace_18186"],"id":"fa7267d0d7c856054ef95e7d_aspace_18186","title_filing_ssi":"French and Vietnamese Language Articles","title_ssm":["French and Vietnamese Language Articles"],"title_tesim":["French and Vietnamese Language Articles"],"unitdate_inclusive_ssm":["1946, 1977-1986"],"normalized_date_ssm":["1946, 1977-1986"],"normalized_title_ssm":["French and Vietnamese Language Articles, 1946, 1977-1986"],"text":["French and Vietnamese Language Articles, 1946, 1977-1986","Archimedes L. A. Patti Research Papers, 1922-1993","Research, 1922-1993, undated.","Subject Files, 1940-1990, undated.","Vietnam, 1945-1990, undated.","Press Releases, Articles, and News Letters, 1946-1947, 1976-1990","Folder 16","/repositories/4/archival_objects/40308","box 3","folder 16"],"component_level_isim":[5],"parent_ids_ssim":["fa7267d0d7c856054ef95e7d","fa7267d0d7c856054ef95e7d_aspace_18113","fa7267d0d7c856054ef95e7d_aspace_18170","fa7267d0d7c856054ef95e7d_aspace_18171","fa7267d0d7c856054ef95e7d_aspace_18175"],"parent_unittitles_ssm":["Archimedes L. A. Patti Research Papers, 1922-1993","Research, 1922-1993, undated.","Subject Files, 1940-1990, undated.","Vietnam, 1945-1990, undated.","Press Releases, Articles, and News Letters, 1946-1947, 1976-1990"],"parent_unittitles_tesim":["Archimedes L. A. Patti Research Papers, 1922-1993","Research, 1922-1993, undated.","Subject Files, 1940-1990, undated.","Vietnam, 1945-1990, undated.","Press Releases, Articles, and News Letters, 1946-1947, 1976-1990"],"parent_levels_ssm":["collection","Series","Subseries","File","File"],"unitid_ssm":["Folder 16","/repositories/4/archival_objects/40308"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Archimedes L. A. Patti Research Papers, 1922-1993"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":65,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Equipment is not available for playing the 8 inch floppy disks in Series I."],"date_range_isim":[1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"containers_ssim":["box 3","folder 16"],"_nest_path_":"/components#0/components#1/components#0/components#2/components#9","_nest_parent_":"fa7267d0d7c856054ef95e7d_aspace_18175","_root_":"fa7267d0d7c856054ef95e7d","_version_":1874662718601953280,"timestamp":"2026-08-27T08:01:26.645Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"fa7267d0d7c856054ef95e7d","title_ssm":["Archimedes L. A. Patti Research Papers"],"title_tesim":["Archimedes L. A. Patti Research Papers"],"ead_ssi":"fa7267d0d7c856054ef95e7d","unitdate_ssm":["1922-1993"],"unitdate_inclusive_ssm":["1922-1993"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC026","/repositories/4/resources/170"],"text":["SC026","/repositories/4/resources/170","Archimedes L. A. Patti Research Papers, 1922-1993","United States -- Foreign relations -- 1945-1989","United States -- Foreign relations -- Vietnam","Vietnam -- Foreign relations -- United States","Vietnam -- History -- 1945-1975","Photographic prints","The entire collection is open for research.","Archimedes L. A. Patti was a writer, historian and retired Army lieutenant colonel best known for his work with Ho Chi Minh 1945 and his subsequent 1980 book, Why Viet Nam? Prelude to America's Albatross. After his service in the European Theater during World War II, Patti was transferred to the Office of Strategic Services (OSS – precursor to CIA) in Hanoi, Vietnam. While there, Patti was named head of a secret OSS mission under President Franklin Delano Roosevelt designed to support anti-colonialism in Asia. Part of Patti's mission was to befriend Ho Chi Minh and train Ho's men to fight the occupying Japanese forces in Vietnam. Patti was later pulled out of Vietnam by the United States in 1945 but he continued his friendly relations with Ho and his representatives. After his retirement, Patti worked closely with federal agencies in creating plans for civil governance in the event of a catastrophic attack on the US. Patti also became a well-known writer, recounting his work with Ho in 1945 and the changing face of politics in the Indochina region. Held for publication in the 1950s due to its controversial subject matter on communism, Patti's book, Why Viet Nam? Prelude to America's Albatross was published in 1980 and became known as a critical work on the study of politics in Asia. Patti passed away in Winter Park in 1998 at age 84 and is buried at Arlington National Cemetery in Washington DC.","Processed by Alexandra Olsen, April Karlene Anderson and Katie Seeler; finding aid prepared by April Karlene Anderson, Jonathon Teasley and Katie Seeler. Photographs processed by Sandra Varry, encoded by Kelly Gaiser.\t ","Rusty staples and paper clips have been removed where necessary. Paper materials were placed in acid free folders which in turn are housed in acid free boxes. Some photographs were placed in mylar enclosures to protect flaking emulsion. All photographs were placed in acid free folders. Negatives were placed into acid free sleeves and stored in acid free folders. Scrapbooks have been wrapped in acid free paper and tied with cotton cloth to prevent further damage.","Books collected by Archimedes L. A. Patti can be found by performing a series search for \"Archimedes L. A. Patti collection\" in the   Library Catalog  .","\nPatti, Archimedes L. A. Why Viet Nam?: Prelude to America's Albatross. Berkeley: University of California Press, 1980. Call Number: Special Collections -  E183.8.V5 P3 1980 .","The collection is divided into three series based on the type of manuscript materials found in the collection. Many parts of this collection were found not to be in the original order as created by Patti. Where possible, original order was retained while remaining materials were organized by material type.","\nSeries I: Research, 1922-1993, Undated, contains research notes created by Patti. These notes can be found throughout the series in various forms, mostly handwritten directly on news clippings, photocopied monographs, magazines and in personal notebooks. This series also includes photographs, an audio tape, handwritten and typed index notecards, maps of Indochina and scrapbooks created by Patti.","\nSeries II: Photographs, 1919-1990, Undated, Materials in this series include original negatives and images, as well as those given to and collected or copied by Patti. Please refer to the included scrapbooks (Series I, box 10) for additional notations and images.","\nSeries III: Publications, 1948-1990, Undated, contains draft and final manuscript materials for the author's published and unpublished works. This series includes reviews of the author's published work by the Washington Post, New York Times, and CBS.","Equipment is not available for playing the 8 inch floppy disks in Series I.","This collection contains the research materials collected by Archimedes L. A. Patti for use in his historical writings. Known for his military career, his work in the Office of Strategic Services (OSS) and his relationship with Ho Chi Minh, Patti was recognized later in life as a respected researcher and historian on Indochina affairs. Notes, manuscripts, ephemera, photographs, maps, books and scrapbooks are held in this collection. Of important note are photographs given to Patti by Ho Chi Minh in 1945.","UCF Special Collections","United States. Central Intelligence Agency","United States. Army","Patti, Archimedes L. A.","Hồ, Chí Minh, 1890-1969","English"],"unitid_tesim":["SC026","/repositories/4/resources/170"],"normalized_date_ssm":["1922-1993"],"normalized_title_ssm":["Archimedes L. A. Patti Research Papers, 1922-1993"],"collection_title_tesim":["Archimedes L. A. Patti Research Papers, 1922-1993"],"collection_ssim":["Archimedes L. A. Patti Research Papers, 1922-1993"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["United States -- Foreign relations -- 1945-1989","United States -- Foreign relations -- Vietnam","Vietnam -- Foreign relations -- United States","Vietnam -- History -- 1945-1975"],"geogname_ssim":["United States -- Foreign relations -- 1945-1989","United States -- Foreign relations -- Vietnam","Vietnam -- Foreign relations -- United States","Vietnam -- History -- 1945-1975"],"places_ssim":["United States -- Foreign relations -- 1945-1989","United States -- Foreign relations -- Vietnam","Vietnam -- Foreign relations -- United States","Vietnam -- History -- 1945-1975"],"access_terms_ssm":["Equipment is not available for playing the 8 inch floppy disks in Series I."],"acqinfo_ssim":["Mr. Patti's wife, Margaret Telford Patti donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 1998 (CFM1998_02)."],"access_subjects_ssim":["Photographic prints"],"access_subjects_ssm":["Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["20.25 Linear Feet 27 Boxes, 1 Flat File"],"extent_tesim":["20.25 Linear Feet 27 Boxes, 1 Flat File"],"genreform_ssim":["Photographic prints"],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eArchimedes L. A. Patti was a writer, historian and retired Army lieutenant colonel best known for his work with Ho Chi Minh 1945 and his subsequent 1980 book, Why Viet Nam? Prelude to America's Albatross. After his service in the European Theater during World War II, Patti was transferred to the Office of Strategic Services (OSS \u0026#x2013; precursor to CIA) in Hanoi, Vietnam. While there, Patti was named head of a secret OSS mission under President Franklin Delano Roosevelt designed to support anti-colonialism in Asia. Part of Patti's mission was to befriend Ho Chi Minh and train Ho's men to fight the occupying Japanese forces in Vietnam. Patti was later pulled out of Vietnam by the United States in 1945 but he continued his friendly relations with Ho and his representatives. After his retirement, Patti worked closely with federal agencies in creating plans for civil governance in the event of a catastrophic attack on the US. Patti also became a well-known writer, recounting his work with Ho in 1945 and the changing face of politics in the Indochina region. Held for publication in the 1950s due to its controversial subject matter on communism, Patti's book, Why Viet Nam? Prelude to America's Albatross was published in 1980 and became known as a critical work on the study of politics in Asia. Patti passed away in Winter Park in 1998 at age 84 and is buried at Arlington National Cemetery in Washington DC.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Archimedes L. A. Patti was a writer, historian and retired Army lieutenant colonel best known for his work with Ho Chi Minh 1945 and his subsequent 1980 book, Why Viet Nam? Prelude to America's Albatross. After his service in the European Theater during World War II, Patti was transferred to the Office of Strategic Services (OSS – precursor to CIA) in Hanoi, Vietnam. While there, Patti was named head of a secret OSS mission under President Franklin Delano Roosevelt designed to support anti-colonialism in Asia. Part of Patti's mission was to befriend Ho Chi Minh and train Ho's men to fight the occupying Japanese forces in Vietnam. Patti was later pulled out of Vietnam by the United States in 1945 but he continued his friendly relations with Ho and his representatives. After his retirement, Patti worked closely with federal agencies in creating plans for civil governance in the event of a catastrophic attack on the US. Patti also became a well-known writer, recounting his work with Ho in 1945 and the changing face of politics in the Indochina region. Held for publication in the 1950s due to its controversial subject matter on communism, Patti's book, Why Viet Nam? Prelude to America's Albatross was published in 1980 and became known as a critical work on the study of politics in Asia. Patti passed away in Winter Park in 1998 at age 84 and is buried at Arlington National Cemetery in Washington DC."],"prefercite_html_tesm":["\u003cp\u003eThe Archimedes L. A. Patti Research Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["The Archimedes L. A. Patti Research Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Alexandra Olsen, April Karlene Anderson and Katie Seeler; finding aid prepared by April Karlene Anderson, Jonathon Teasley and Katie Seeler. Photographs processed by Sandra Varry, encoded by Kelly Gaiser.\t \u003c/p\u003e","\u003cp\u003eRusty staples and paper clips have been removed where necessary. Paper materials were placed in acid free folders which in turn are housed in acid free boxes. Some photographs were placed in mylar enclosures to protect flaking emulsion. All photographs were placed in acid free folders. Negatives were placed into acid free sleeves and stored in acid free folders. Scrapbooks have been wrapped in acid free paper and tied with cotton cloth to prevent further damage.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Alexandra Olsen, April Karlene Anderson and Katie Seeler; finding aid prepared by April Karlene Anderson, Jonathon Teasley and Katie Seeler. Photographs processed by Sandra Varry, encoded by Kelly Gaiser.\t ","Rusty staples and paper clips have been removed where necessary. Paper materials were placed in acid free folders which in turn are housed in acid free boxes. Some photographs were placed in mylar enclosures to protect flaking emulsion. All photographs were placed in acid free folders. Negatives were placed into acid free sleeves and stored in acid free folders. Scrapbooks have been wrapped in acid free paper and tied with cotton cloth to prevent further damage."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks collected by Archimedes L. A. Patti can be found by performing a series search for \"Archimedes L. A. Patti collection\" in the \u003cextref href=\"https://library.ucf.edu\"\u003e Library Catalog\u003c/extref\u003e .\u003c/p\u003e\n","\u003cp\u003e\nPatti, Archimedes L. A. Why Viet Nam?: Prelude to America's Albatross. Berkeley: University of California Press, 1980. Call Number: Special Collections - \u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990239794040306596\"\u003eE183.8.V5 P3 1980\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Books collected by Archimedes L. A. Patti can be found by performing a series search for \"Archimedes L. A. Patti collection\" in the   Library Catalog  .","\nPatti, Archimedes L. A. Why Viet Nam?: Prelude to America's Albatross. Berkeley: University of California Press, 1980. Call Number: Special Collections -  E183.8.V5 P3 1980 ."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is divided into three series based on the type of manuscript materials found in the collection. Many parts of this collection were found not to be in the original order as created by Patti. Where possible, original order was retained while remaining materials were organized by material type.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Research, 1922-1993, Undated, contains research notes created by Patti. These notes can be found throughout the series in various forms, mostly handwritten directly on news clippings, photocopied monographs, magazines and in personal notebooks. This series also includes photographs, an audio tape, handwritten and typed index notecards, maps of Indochina and scrapbooks created by Patti.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Photographs, 1919-1990, Undated, Materials in this series include original negatives and images, as well as those given to and collected or copied by Patti. Please refer to the included scrapbooks (Series I, box 10) for additional notations and images.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1948-1990, Undated, contains draft and final manuscript materials for the author's published and unpublished works. This series includes reviews of the author's published work by the Washington Post, New York Times, and CBS.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is divided into three series based on the type of manuscript materials found in the collection. Many parts of this collection were found not to be in the original order as created by Patti. Where possible, original order was retained while remaining materials were organized by material type.","\nSeries I: Research, 1922-1993, Undated, contains research notes created by Patti. These notes can be found throughout the series in various forms, mostly handwritten directly on news clippings, photocopied monographs, magazines and in personal notebooks. This series also includes photographs, an audio tape, handwritten and typed index notecards, maps of Indochina and scrapbooks created by Patti.","\nSeries II: Photographs, 1919-1990, Undated, Materials in this series include original negatives and images, as well as those given to and collected or copied by Patti. Please refer to the included scrapbooks (Series I, box 10) for additional notations and images.","\nSeries III: Publications, 1948-1990, Undated, contains draft and final manuscript materials for the author's published and unpublished works. This series includes reviews of the author's published work by the Washington Post, New York Times, and CBS."],"userestrict_html_tesm":["\u003cp\u003eEquipment is not available for playing the 8 inch floppy disks in Series I.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Equipment is not available for playing the 8 inch floppy disks in Series I."],"abstract_html_tesm":["\u003cabstract id=\"aspace_c343b6effee0bd568c36f0980a6f0f2a\" label=\"Abstract\"\u003eThis collection contains the research materials collected by Archimedes L. A. Patti for use in his historical writings. Known for his military career, his work in the Office of Strategic Services (OSS) and his relationship with Ho Chi Minh, Patti was recognized later in life as a respected researcher and historian on Indochina affairs. Notes, manuscripts, ephemera, photographs, maps, books and scrapbooks are held in this collection. Of important note are photographs given to Patti by Ho Chi Minh in 1945.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains the research materials collected by Archimedes L. A. Patti for use in his historical writings. Known for his military career, his work in the Office of Strategic Services (OSS) and his relationship with Ho Chi Minh, Patti was recognized later in life as a respected researcher and historian on Indochina affairs. Notes, manuscripts, ephemera, photographs, maps, books and scrapbooks are held in this collection. Of important note are photographs given to Patti by Ho Chi Minh in 1945."],"names_coll_ssim":["United States. Central Intelligence Agency","United States. Army","Patti, Archimedes L. A.","Hồ, Chí Minh, 1890-1969"],"names_ssim":["UCF Special Collections","United States. Central Intelligence Agency","United States. Army","Patti, Archimedes L. A.","Hồ, Chí Minh, 1890-1969"],"corpname_ssim":["UCF Special Collections","United States. Central Intelligence Agency","United States. Army"],"persname_ssim":["Patti, Archimedes L. A.","Hồ, Chí Minh, 1890-1969"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":691,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1874662718601953280,"_root_":"fa7267d0d7c856054ef95e7d","timestamp":"2026-08-27T08:01:26.645Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/fa7267d0d7c856054ef95e7d_aspace_18186"}},{"id":"8b037d01cf0e657624cceb24","type":"collection","attributes":{"title":"Friday Morning Musicale records, 1905-1984","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/8b037d01cf0e657624cceb24#creator","type":"document_value","attributes":{"value":["Friday Morning Musicale and Federated Clubs (Tampa, Fla.)"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/8b037d01cf0e657624cceb24#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eIncludes materials related to the organizational structure and functionality of the club, club building, and affiliated organizations. Primarily consists of committee reports, yearbooks, member records, and scrapbooks detailing approximately 30 years of the organization's civic interests.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8b037d01cf0e657624cceb24#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"8b037d01cf0e657624cceb24","title_ssm":["Friday Morning Musicale records"],"title_tesim":["Friday Morning Musicale records"],"ead_ssi":"8b037d01cf0e657624cceb24","unitdate_ssm":["1905-1984"],"unitdate_inclusive_ssm":["1905-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["F29","/repositories/2/resources/353"],"text":["F29","/repositories/2/resources/353","Friday Morning Musicale records, 1905-1984","Friday Morning Musicale (Tampa, Fla.)","The collection is arranged by material type:","1. Yearbooks","2. Minutes","3. Financial Records","4. Reports","5. Rental Records","6. Scrapbooks","The Friday Morning Musicale serves the civic and cultural needs of the Tampa community by providing educational and artistic activities. Officially established in 1902, the organization was formed as a women's club limited to 25 musically inclined members.  Eventually merging with the Hillsborough County Federation of Women's Clubs, the Friday Morning Musicale opened the Friday Morning Musicale and Federated Clubs building at 809 Horatio Street in 1927. Since its inception, the organization and the building have showcased a wide variety of musical, dance and theatrical performances. Today, the Friday Morning Musicale organization continues to provide community entertainment in the original building, which is now a historic landmark.","Helene Steer Saxby Collection, Special Collections Department,  Tampa Library, University of South Florida, Tampa, Florida.","Hampton Dunn Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Includes materials related to the organizational structure and functionality of the club, club building, and affiliated organizations. Primarily consists of committee reports, yearbooks, member records, and scrapbooks detailing approximately 30 years of the organization's civic interests.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Friday Morning Musicale and Federated Clubs (Tampa, Fla.)","English"],"unitid_tesim":["F29","/repositories/2/resources/353"],"normalized_date_ssm":["1905-1984"],"normalized_title_ssm":["Friday Morning Musicale records, 1905-1984"],"collection_title_tesim":["Friday Morning Musicale records, 1905-1984"],"collection_ssim":["Friday Morning Musicale records, 1905-1984"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Friday Morning Musicale and Federated Clubs (Tampa, Fla.)"],"creator_ssim":["Friday Morning Musicale and Federated Clubs (Tampa, Fla.)"],"creator_corpname_ssim":["Friday Morning Musicale and Federated Clubs (Tampa, Fla.)"],"creators_ssim":["Friday Morning Musicale and Federated Clubs (Tampa, Fla.)"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Friday Morning Musicale","Donation"],"access_subjects_ssim":["Friday Morning Musicale (Tampa, Fla.)"],"access_subjects_ssm":["Friday Morning Musicale (Tampa, Fla.)"],"has_online_content_ssim":["false"],"extent_ssm":["14.69 Linear Feet","20 boxes"],"extent_tesim":["14.69 Linear Feet","20 boxes"],"date_range_isim":[1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by material type:\u003c/p\u003e\n","\u003cp\u003e1. 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Today, the Friday Morning Musicale organization continues to provide community entertainment in the original building, which is now a historic landmark."],"prefercite_html_tesm":["\u003cp\u003eFriday Morning Musicale collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Friday Morning Musicale collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eHelene Steer Saxby Collection, Special Collections Department,\u0026#xA0; Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eHampton Dunn Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Helene Steer Saxby Collection, Special Collections Department,  Tampa Library, University of South Florida, Tampa, Florida.","Hampton Dunn Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"scopecontent_html_tesm":["\u003cp\u003eIncludes materials related to the organizational structure and functionality of the club, club building, and affiliated organizations. Primarily consists of committee reports, yearbooks, member records, and scrapbooks detailing approximately 30 years of the organization's civic interests.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Includes materials related to the organizational structure and functionality of the club, club building, and affiliated organizations. Primarily consists of committee reports, yearbooks, member records, and scrapbooks detailing approximately 30 years of the organization's civic interests."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_coll_ssim":["Friday Morning Musicale and Federated Clubs (Tampa, Fla.)"],"names_ssim":["USF Libraries - Tampa Special Collections","Friday Morning Musicale and Federated Clubs (Tampa, Fla.)"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Friday Morning Musicale and Federated Clubs (Tampa, Fla.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":243,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870862873195970560,"_root_":"8b037d01cf0e657624cceb24","timestamp":"2026-07-16T09:24:31.682Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8b037d01cf0e657624cceb24","title_ssm":["Friday Morning Musicale records"],"title_tesim":["Friday Morning Musicale records"],"ead_ssi":"8b037d01cf0e657624cceb24","unitdate_ssm":["1905-1984"],"unitdate_inclusive_ssm":["1905-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["F29","/repositories/2/resources/353"],"text":["F29","/repositories/2/resources/353","Friday Morning Musicale records, 1905-1984","Friday Morning Musicale (Tampa, Fla.)","The collection is arranged by material type:","1. Yearbooks","2. Minutes","3. Financial Records","4. Reports","5. Rental Records","6. Scrapbooks","The Friday Morning Musicale serves the civic and cultural needs of the Tampa community by providing educational and artistic activities. Officially established in 1902, the organization was formed as a women's club limited to 25 musically inclined members.  Eventually merging with the Hillsborough County Federation of Women's Clubs, the Friday Morning Musicale opened the Friday Morning Musicale and Federated Clubs building at 809 Horatio Street in 1927. Since its inception, the organization and the building have showcased a wide variety of musical, dance and theatrical performances. Today, the Friday Morning Musicale organization continues to provide community entertainment in the original building, which is now a historic landmark.","Helene Steer Saxby Collection, Special Collections Department,  Tampa Library, University of South Florida, Tampa, Florida.","Hampton Dunn Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Includes materials related to the organizational structure and functionality of the club, club building, and affiliated organizations. Primarily consists of committee reports, yearbooks, member records, and scrapbooks detailing approximately 30 years of the organization's civic interests.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Friday Morning Musicale and Federated Clubs (Tampa, Fla.)","English"],"unitid_tesim":["F29","/repositories/2/resources/353"],"normalized_date_ssm":["1905-1984"],"normalized_title_ssm":["Friday Morning Musicale records, 1905-1984"],"collection_title_tesim":["Friday Morning Musicale records, 1905-1984"],"collection_ssim":["Friday Morning Musicale records, 1905-1984"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Friday Morning Musicale and Federated Clubs (Tampa, Fla.)"],"creator_ssim":["Friday Morning Musicale and Federated Clubs (Tampa, Fla.)"],"creator_corpname_ssim":["Friday Morning Musicale and Federated Clubs (Tampa, Fla.)"],"creators_ssim":["Friday Morning Musicale and Federated Clubs (Tampa, Fla.)"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Friday Morning Musicale","Donation"],"access_subjects_ssim":["Friday Morning Musicale (Tampa, Fla.)"],"access_subjects_ssm":["Friday Morning Musicale (Tampa, Fla.)"],"has_online_content_ssim":["false"],"extent_ssm":["14.69 Linear Feet","20 boxes"],"extent_tesim":["14.69 Linear Feet","20 boxes"],"date_range_isim":[1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by material type:\u003c/p\u003e\n","\u003cp\u003e1. 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Today, the Friday Morning Musicale organization continues to provide community entertainment in the original building, which is now a historic landmark."],"prefercite_html_tesm":["\u003cp\u003eFriday Morning Musicale collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Friday Morning Musicale collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eHelene Steer Saxby Collection, Special Collections Department,\u0026#xA0; Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eHampton Dunn Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Helene Steer Saxby Collection, Special Collections Department,  Tampa Library, University of South Florida, Tampa, Florida.","Hampton Dunn Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"scopecontent_html_tesm":["\u003cp\u003eIncludes materials related to the organizational structure and functionality of the club, club building, and affiliated organizations. 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Primarily consists of committee reports, yearbooks, member records, and scrapbooks detailing approximately 30 years of the organization's civic interests."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_coll_ssim":["Friday Morning Musicale and Federated Clubs (Tampa, Fla.)"],"names_ssim":["USF Libraries - Tampa Special Collections","Friday Morning Musicale and Federated Clubs (Tampa, Fla.)"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Friday Morning Musicale and Federated Clubs (Tampa, Fla.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":243,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870862873195970560,"_root_":"8b037d01cf0e657624cceb24","timestamp":"2026-07-16T09:24:31.682Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8b037d01cf0e657624cceb24"}},{"id":"45807c67f367973431520ee3_aspace_9c158a7f2272d0be1513ea65c32215d9","type":"Series","attributes":{"title":"Friendship Park; Jacksonville, Florida, 1960-1990, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/45807c67f367973431520ee3_aspace_9c158a7f2272d0be1513ea65c32215d9#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9c158a7f2272d0be1513ea65c32215d9","ref_ssm":["aspace_9c158a7f2272d0be1513ea65c32215d9","aspace_9c158a7f2272d0be1513ea65c32215d9"],"id":"45807c67f367973431520ee3_aspace_9c158a7f2272d0be1513ea65c32215d9","title_filing_ssi":"Friendship Park; Jacksonville, Florida","title_ssm":["Friendship Park; Jacksonville, Florida"],"title_tesim":["Friendship Park; Jacksonville, Florida"],"unitdate_inclusive_ssm":["1960-1990"],"unitdate_other_ssim":["Undated"],"normalized_date_ssm":["1960-1990, Undated"],"normalized_title_ssm":["Friendship Park; Jacksonville, Florida, 1960-1990, Undated"],"text":["Friendship Park; Jacksonville, Florida, 1960-1990, Undated","Northeast Florida Regional Postcard Collection, 1858-2019","/repositories/3/archival_objects/9647","box 1","folder 21"],"component_level_isim":[1],"parent_ids_ssim":["45807c67f367973431520ee3"],"parent_unittitles_ssm":["Northeast Florida Regional Postcard Collection, 1858-2019"],"parent_unittitles_tesim":["Northeast Florida Regional Postcard Collection, 1858-2019"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/3/archival_objects/9647"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Northeast Florida Regional Postcard Collection, 1858-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":21,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"containers_ssim":["box 1","folder 21"],"_nest_path_":"/components#20","_nest_parent_":"45807c67f367973431520ee3","_root_":"45807c67f367973431520ee3","_version_":1872853597225484288,"timestamp":"2026-08-07T08:46:14.061Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"45807c67f367973431520ee3","title_ssm":["Northeast Florida Regional Postcard Collection"],"title_tesim":["Northeast Florida Regional Postcard Collection"],"ead_ssi":"45807c67f367973431520ee3","unitdate_ssm":["1858-2019"],"unitdate_inclusive_ssm":["1858-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2024.001","/repositories/3/resources/82"],"text":["2024.001","/repositories/3/resources/82","Northeast Florida Regional Postcard Collection, 1858-2019","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","\tIn the United States, the traditional picture postcard rose to popularity in the early 20th century. Postcard history is often divided into eight distinct \"eras\" beginning in the 1850s and continuing through the \"Golden Age of Postcards\" beginning around 1905 and lasting through 1915. In this golden age, millions of cards were printed and sold throughout the entire U.S. and collecting cards became a popular hobby. The Northeast Florida Regional Postcard Collection contains examples from many of the documented eras, including photographic cards popularized in the nineteen teens and twenties. ","\nAdvances in printing and photographic techniques along with faster shipping methods between the U.S. and Europe allowed for the mass production of brightly colored pictorial cards to be quickly manufactured and distributed to sellers. In addition to the printers in major U.S. cities, a network of publishers and photographers allowed many local businesses in small towns across the U.S. to commission postcards of local \"views\" that were cheaply printed in Germany. Many images of small-town life, including municipal architecture, private residences, and street scenes were preserved and are a useful tool for local historians and researchers. These views act as a \"visual record of a town\" and help develop a fuller understanding of the locations represented in the postcards. Additionally, postcards depicted natural disasters, fires, local amusements, and tourist attractions and were important to the souvenir trade of the time.  ","\nAt the height of the industry's popularity, publishers would often share or even steal negatives to create their own postcards and often would change or distort the negative to make them appear different from other printers. Misspellings were common and incorrectly captioned cards were also prevalent. The Northeast Florida Regional Postcard collection has several examples of this business tactic and many examples of misspellings in the captions or titles on the cards. ","\nEnthusiasm for postcard collecting began to wane around 1912 and ended with the start of World War I. Even though the initial craze for postcards diminished, they are still produced and continue to be a useful visual record for researchers and historians of the late 19th and early 20th centuries. The Northeast Florida Regional Postcard Collection supports many of our Florida ephemera or Floridiana collections and is a great resource for the visual history of Jacksonville, St. Augustine, and the other towns of Northeast Florida. ","Sources:\n New York State Library Postcard Collection-Appendix C","Greetings from the Smithsonian: A Postcard History","This collection contains postcards related to Northeast Florida's agricultural, shipping, manufacturing, and tourism industries and is part of a larger ephemera collection related to region. The collection was donated over several years by UNF library staff. Postcards range in date from the late 19th century through the late 20th century, with the bulk dates falling between 1900 and 1950. The collection is arranged alphabetically by series and chronologically within each series. \nSeries in this collection include the following:","Series 1- Advertising Cards (arranged chronologically) contains business advertisement cards from Northeast Florida business and organizations.","Series 2- Agriculture (arranged chronologically) contains postcards depicting the agricultural industry in Northeast Florida","Series 3- Airports (arranged chronologically) contains postcards depicting Jacksonville International Airport and local municipal airports in Northeast Florida.","Series 4- Alligator Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the Alligator farm, an early 20th century tourist attraction in Jacksonville, Florida.","Series 5- Atlantic Beach, Florida (arranged chronologically) contains postcards depicting panoramic views of Atlantic Beach, local hotels, and other tourist attractions.","Series 6- Atlantic Intracoastal Waterway (arranged chronologically) contains postcards depicting steamer ships owned by the Clyde Line, commercial shipping docks, and views of the intracoastal waterway.","Series 7- Bank Buildings (arranged chronologically) contains postcards depicting the Florida National Bank, Atlantic National Bank, Barnett First National Bank, and other local Northeast Florida Bank buildings.","Series 8- Bridges (arranged chronologically) contains postcards depicting local Jacksonville, Florida bridges, including the Fuller Warren Bridge, Main Street Bridge, Matthews Bridge, Napolean Bonaparte Broward Bridge, and Hart Bridge.","Series 9- Buildings (arranged chronologically) contains postcards depicting buildings in downtown Jacksonville, including structures of architectural significance like the St. James Building and the Shriners Temple.","Series 10- Church Buildings (arranged chronologically) contains postcards depicting churches of different denominations, including Catholic, Baptist, Methodist, and Episcopal, in the Northeast Florida area.","Series 11- Clubs (arranged chronologically) contains postcards depicting Jacksonville area athletic and social clubs. Examples include the Seminole Club, Fort George Club, Masonic Temple, and San Jose Golf Club.","Series 12- Cumberland Island, Georgia (arranged chronologically) contains postcards depicting Thomas M. Carnegie's home, Dungeness. ","Series 13- Dixieland Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting early 20th century tourist attraction on the Southbank of Jacksonville. ","Series 14- Docks and Shipping (arranged chronologically) contains postcards depicting scenes of commercial shipping docks and steamer ships on the St Johns River in downtown Jacksonville. ","Series 15- Dwellings (arranged chronologically) contains postcards depicting private residences in the Riverside, Springfield, Mandarin, and Ortega neighborhoods of Jacksonville. ","Series 16- Epping Forest; Jacksonville, Florida (arranged chronologically) contains postcards depicting the mansion of Alfred I. du Pont, now the Epping Forest Yacht Club.","Series 17- Eustis, Florida (arranged chronologically) contains postcards depicting photographic postcard taken in Eustis, Florida.","Series 18- Fernandina Beach, Florida (arranged chronologically) contains postcards depicting businesses, municipal buildings, hotels, private residences, and beach scenes.","Series 19- Florida Ostrich Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting tourist attraction popular in the early 20th century, with scenes of the farm with birds and ostriches racing. ","Series 20- Fort Clinch State Park, Florida (arranged chronologically) contains postcards depicting structures and ruins of the Civil War fort near Amelia Island and Fernandina Beach.","Series 21- Friendship Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting Friendship fountain and the downtown Jacksonville skyline across from the park located on the Southbank. ","Series 22- Gardens (arranged chronologically) contains postcards depicting scenes of plants native to Northeast Florida and Cummer Museum and Gardens. ","Series 23- General (arranged chronologically) contains postcards depicting a variety of scenes of locations in Jacksonville, cards printed by local printer H\u0026WB Drew Company, and cards addressed to Jacksonville addresses.","Series 24- Green Cove Springs, Florida (arranged chronologically) contains postcards depicting Springs, the bathing pavilion, and the Qui-Si-Sana Hotel and Health Spa. ","Series 25- Hemming Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting the grounds and businesses surrounding the park, known today as James Weldon Johnson Park. ","Series 26- Highways (arranged chronologically) contains postcards depicting several multi-lane highways and expressways in Jacksonville. ","Series 27- Hilliard, Florida (arranged chronologically) contains postcards depicting a hotel located in Hilliard, Florida near the Florida/Georgia Border. ","Series 28- Hospitals (arranged chronologically) contains postcards depicting Jacksonville area hospitals, including St. Vincent's Hospital, De Soto Sanatorium, St. Luke's Hospital, and Brewster Hospital. ","Series 29- Hotels (arranged chronologically) contains postcards depicting Jacksonville area hotels, including Hotel Burbridge, Hotel Roosevelt, Aragon Hotel, and Windsor Hotel. ","Series 30- Jacksonville Beach, Florida (arranged chronologically) contains postcards depicting scenes of local businesses, hotels, restaurants, and beaches.","Series 31- Keystone Heights, Florida (arranged chronologically) contains postcards depicting a hotel in Keystone Heights, Florida. ","Series 32- Kingsley Plantation; Fort George Island, Florida (arranged chronologically) contains postcards depicting National Park Kingsley Plantation on Fort George Island. ","Series 33- Library Buildings (arranged chronologically) contains postcards depicting the exteriors of Jacksonville area public library buildings.","Series 34- Marineland, Florida (arranged chronologically) contains postcards depicting aerial views of Marineland Studios, dolphins, and businesses at the historic tourist attraction. ","Series 35- Military Bases (arranged chronologically) contains photographic postcards depicting Camp Foster, founded as a work camp during the Great Depression, Camp Blanding Army Camp, and Camp Joseph E. Johnston.","Series 36- Mining (arranged chronologically) contains postcards depicting phosphate mining in Florida. ","Series 37- Monuments (arranged chronologically) contains postcards depicting monuments in the Jacksonville area.","Series 38- Motels (arranged chronologically) contains postcards depicting mid-20th century tourist motels in the Jacksonville area along U.S. Highway 1.","Series 39- Museums (arranged chronologically) contains postcards depicting artwork from the collections of the Cummer Museum in the Riverside neighborhood of Jacksonville, Florida. ","Series 40- Naval Air Station; Jacksonville, Florida (arranged chronologically) contains postcards depicting structures at Mayport, Cecil Field, and Jacksonville Naval Air stations. ","Series 41- Neptune Beach, Florida (arranged chronologically) contains postcards depicting scenes of beach front at Neptune Beach.","Series 42- Orange Park, Florida (arranged chronologically) contains postcards depicting structures at Moosehaven Retirement Community located in Orange Park, Florida on the St. Johns River. ","Series 43- Oriental Gardens; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the former tourist attraction located on San Jose Boulevard.","Series 44- Parks (arranged chronologically) contains postcards depicting historic images of parks in various Jacksonville neighborhoods, including Riverside and Springfield parks. ","Series 45- Persons (arranged chronologically) contains photographic postcards depicting portraits of visitors to Jacksonville. ","Series 46- Ponte Vedra Beach, Florida (arranged chronologically) contains postcards depicting views of structures on the Ponte Vedra Inn and Club.","Series 47- Post Office Building (arranged chronologically) contains postcards depicting early 20th century Federal Post Office in downtown Jacksonville. ","Series 48- Public Buildings (arranged chronologically) contains postcards depicting various municipal buildings including the original Duval County Courthouse, The Armory, and the Civic Auditorium of Jacksonville. ","Series 49- Restaurants (arranged chronologically) contains postcards depicting Jacksonville area restaurants.","Series 50- St. Augustine, Florida (arranged chronologically) contains postcards depicting businesses, tourist attractions, and historic sites in St. Augustine, Florida","Series 51- St. Johns River, Florida (arranged chronologically) contains postcards depicting scenes from the St. Johns River, ","Series 52- Sanford, Florida (arranged chronologically) contains postcards depicting a steamer ship in Sanford, Florida.","Series 53- Schools (arranged chronologically) contains postcards depicting school buildings in the Jacksonville area including Central Grammar School, Duval High School, Edward Waters College.","Series 54- Silver Springs, Florida (arranged chronologically) contains postcards depicting a scene of glass-bottom boats at the springs. ","Series 55- Souvenir Postcard Booklets (arranged chronologically) contains multi-postcard booklets depicting scenes from Northeast Florida.","Series 56- Streets (arranged chronologically) contains postcards depicting street views in downtown Jacksonville, and the Riverside and Springfield neighborhoods. ","Series 57- Theaters (arranged chronologically) contains postcards depicting the Palace and New Palace theaters.","Series 58- Trailer Camps (arranged chronologically) contains postcards depicting scenes of tourist trailer campgrounds near Jacksonville. ","Series 59- Trees (arranged chronologically) contains postcards depicting various species of trees native to Northeast Florida and the famous Treaty Oak live oak tree located in Jesse Ball duPont Park. ","Series 60- Turpentine Industry (arranged chronologically) contains postcards depicting scenes of turpentine camps in Northeast Florida.","Series 61- Union Station (arranged chronologically) contains postcards depicting various scenes of the historic Union Station in Downtown Jacksonville, now the Prime F. Osborn III Convention Center.","Series 62- Universities and Colleges (arranged chronologically) contains postcards depicting Jacksonville University, University of North Florida, and Edward Waters College campuses. ","Series 63- Viaducts/Trains (arranged chronologically) contains postcards depicting railroad viaducts and close-up depictions of train engines. ","Series 64- Waterfronts (arranged chronologically) contains postcards depicting various views of the Jacksonville skyline as seen from the St. Johns River. ","Series 65- Waterworks; Jacksonville, Florida (arranged chronologically) contains postcards depicting the historic waterworks located in the Springfield neighborhood of Jacksonville. ","Series 66- Zoos (arranged chronologically) contains postcards depicting views from the Jacksonville Zoo during the early and mid-20th century. ","Series 67- Sensitive Content (arranged chronologically) contains postcards depicting content that may be harmful or distressing to viewers. These items are available to review in person only.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2024.001","/repositories/3/resources/82"],"normalized_date_ssm":["1858-2019"],"normalized_title_ssm":["Northeast Florida Regional Postcard Collection, 1858-2019"],"collection_title_tesim":["Northeast Florida Regional Postcard Collection, 1858-2019"],"collection_ssim":["Northeast Florida Regional Postcard Collection, 1858-2019"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation."],"has_online_content_ssim":["false"],"extent_ssm":["1.92 Linear Feet"],"extent_tesim":["1.92 Linear Feet"],"date_range_isim":[1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003e\tIn the United States, the traditional picture postcard rose to popularity in the early 20th century. Postcard history is often divided into eight distinct \"eras\" beginning in the 1850s and continuing through the \"Golden Age of Postcards\" beginning around 1905 and lasting through 1915. In this golden age, millions of cards were printed and sold throughout the entire U.S. and collecting cards became a popular hobby. The Northeast Florida Regional Postcard Collection contains examples from many of the documented eras, including photographic cards popularized in the nineteen teens and twenties. \u003c/p\u003e\n","\u003cp\u003e\nAdvances in printing and photographic techniques along with faster shipping methods between the U.S. and Europe allowed for the mass production of brightly colored pictorial cards to be quickly manufactured and distributed to sellers. In addition to the printers in major U.S. cities, a network of publishers and photographers allowed many local businesses in small towns across the U.S. to commission postcards of local \"views\" that were cheaply printed in Germany. Many images of small-town life, including municipal architecture, private residences, and street scenes were preserved and are a useful tool for local historians and researchers. These views act as a \"visual record of a town\" and help develop a fuller understanding of the locations represented in the postcards. Additionally, postcards depicted natural disasters, fires, local amusements, and tourist attractions and were important to the souvenir trade of the time.  \u003c/p\u003e\n","\u003cp\u003e\nAt the height of the industry's popularity, publishers would often share or even steal negatives to create their own postcards and often would change or distort the negative to make them appear different from other printers. Misspellings were common and incorrectly captioned cards were also prevalent. The Northeast Florida Regional Postcard collection has several examples of this business tactic and many examples of misspellings in the captions or titles on the cards. \u003c/p\u003e\n","\u003cp\u003e\nEnthusiasm for postcard collecting began to wane around 1912 and ended with the start of World War I. Even though the initial craze for postcards diminished, they are still produced and continue to be a useful visual record for researchers and historians of the late 19th and early 20th centuries. The Northeast Florida Regional Postcard Collection supports many of our Florida ephemera or Floridiana collections and is a great resource for the visual history of Jacksonville, St. Augustine, and the other towns of Northeast Florida. \u003c/p\u003e\n","\u003cp\u003eSources:\n\u003cextref href=\"https://www.nysl.nysed.gov/msscfa/qc16510ess.htm\"\u003eNew York State Library Postcard Collection-Appendix C\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://siarchives.si.edu/history/featured-topics/postcard/postcard-history\"\u003eGreetings from the Smithsonian: A Postcard History\u003c/extref\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\tIn the United States, the traditional picture postcard rose to popularity in the early 20th century. Postcard history is often divided into eight distinct \"eras\" beginning in the 1850s and continuing through the \"Golden Age of Postcards\" beginning around 1905 and lasting through 1915. In this golden age, millions of cards were printed and sold throughout the entire U.S. and collecting cards became a popular hobby. The Northeast Florida Regional Postcard Collection contains examples from many of the documented eras, including photographic cards popularized in the nineteen teens and twenties. ","\nAdvances in printing and photographic techniques along with faster shipping methods between the U.S. and Europe allowed for the mass production of brightly colored pictorial cards to be quickly manufactured and distributed to sellers. In addition to the printers in major U.S. cities, a network of publishers and photographers allowed many local businesses in small towns across the U.S. to commission postcards of local \"views\" that were cheaply printed in Germany. Many images of small-town life, including municipal architecture, private residences, and street scenes were preserved and are a useful tool for local historians and researchers. These views act as a \"visual record of a town\" and help develop a fuller understanding of the locations represented in the postcards. Additionally, postcards depicted natural disasters, fires, local amusements, and tourist attractions and were important to the souvenir trade of the time.  ","\nAt the height of the industry's popularity, publishers would often share or even steal negatives to create their own postcards and often would change or distort the negative to make them appear different from other printers. Misspellings were common and incorrectly captioned cards were also prevalent. The Northeast Florida Regional Postcard collection has several examples of this business tactic and many examples of misspellings in the captions or titles on the cards. ","\nEnthusiasm for postcard collecting began to wane around 1912 and ended with the start of World War I. Even though the initial craze for postcards diminished, they are still produced and continue to be a useful visual record for researchers and historians of the late 19th and early 20th centuries. The Northeast Florida Regional Postcard Collection supports many of our Florida ephemera or Floridiana collections and is a great resource for the visual history of Jacksonville, St. Augustine, and the other towns of Northeast Florida. ","Sources:\n New York State Library Postcard Collection-Appendix C","Greetings from the Smithsonian: A Postcard History"],"prefercite_html_tesm":["\u003cp\u003eNortheast Florida Regional Postcard Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Northeast Florida Regional Postcard Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains postcards related to Northeast Florida's agricultural, shipping, manufacturing, and tourism industries and is part of a larger ephemera collection related to region. The collection was donated over several years by UNF library staff. Postcards range in date from the late 19th century through the late 20th century, with the bulk dates falling between 1900 and 1950. The collection is arranged alphabetically by series and chronologically within each series. \nSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1- Advertising Cards (arranged chronologically) contains business advertisement cards from Northeast Florida business and organizations.\u003c/p\u003e\n","\u003cp\u003eSeries 2- Agriculture (arranged chronologically) contains postcards depicting the agricultural industry in Northeast Florida\u003c/p\u003e\n","\u003cp\u003eSeries 3- Airports (arranged chronologically) contains postcards depicting Jacksonville International Airport and local municipal airports in Northeast Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 4- Alligator Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the Alligator farm, an early 20th century tourist attraction in Jacksonville, Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 5- Atlantic Beach, Florida (arranged chronologically) contains postcards depicting panoramic views of Atlantic Beach, local hotels, and other tourist attractions.\u003c/p\u003e\n","\u003cp\u003eSeries 6- Atlantic Intracoastal Waterway (arranged chronologically) contains postcards depicting steamer ships owned by the Clyde Line, commercial shipping docks, and views of the intracoastal waterway.\u003c/p\u003e\n","\u003cp\u003eSeries 7- Bank Buildings (arranged chronologically) contains postcards depicting the Florida National Bank, Atlantic National Bank, Barnett First National Bank, and other local Northeast Florida Bank buildings.\u003c/p\u003e\n","\u003cp\u003eSeries 8- Bridges (arranged chronologically) contains postcards depicting local Jacksonville, Florida bridges, including the Fuller Warren Bridge, Main Street Bridge, Matthews Bridge, Napolean Bonaparte Broward Bridge, and Hart Bridge.\u003c/p\u003e\n","\u003cp\u003eSeries 9- Buildings (arranged chronologically) contains postcards depicting buildings in downtown Jacksonville, including structures of architectural significance like the St. James Building and the Shriners Temple.\u003c/p\u003e\n","\u003cp\u003eSeries 10- Church Buildings (arranged chronologically) contains postcards depicting churches of different denominations, including Catholic, Baptist, Methodist, and Episcopal, in the Northeast Florida area.\u003c/p\u003e\n","\u003cp\u003eSeries 11- Clubs (arranged chronologically) contains postcards depicting Jacksonville area athletic and social clubs. Examples include the Seminole Club, Fort George Club, Masonic Temple, and San Jose Golf Club.\u003c/p\u003e\n","\u003cp\u003eSeries 12- Cumberland Island, Georgia (arranged chronologically) contains postcards depicting Thomas M. Carnegie's home, Dungeness. \u003c/p\u003e\n","\u003cp\u003eSeries 13- Dixieland Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting early 20th century tourist attraction on the Southbank of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 14- Docks and Shipping (arranged chronologically) contains postcards depicting scenes of commercial shipping docks and steamer ships on the St Johns River in downtown Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 15- Dwellings (arranged chronologically) contains postcards depicting private residences in the Riverside, Springfield, Mandarin, and Ortega neighborhoods of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 16- Epping Forest; Jacksonville, Florida (arranged chronologically) contains postcards depicting the mansion of Alfred I. du Pont, now the Epping Forest Yacht Club.\u003c/p\u003e\n","\u003cp\u003eSeries 17- Eustis, Florida (arranged chronologically) contains postcards depicting photographic postcard taken in Eustis, Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 18- Fernandina Beach, Florida (arranged chronologically) contains postcards depicting businesses, municipal buildings, hotels, private residences, and beach scenes.\u003c/p\u003e\n","\u003cp\u003eSeries 19- Florida Ostrich Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting tourist attraction popular in the early 20th century, with scenes of the farm with birds and ostriches racing. \u003c/p\u003e\n","\u003cp\u003eSeries 20- Fort Clinch State Park, Florida (arranged chronologically) contains postcards depicting structures and ruins of the Civil War fort near Amelia Island and Fernandina Beach.\u003c/p\u003e\n","\u003cp\u003eSeries 21- Friendship Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting Friendship fountain and the downtown Jacksonville skyline across from the park located on the Southbank. \u003c/p\u003e\n","\u003cp\u003eSeries 22- Gardens (arranged chronologically) contains postcards depicting scenes of plants native to Northeast Florida and Cummer Museum and Gardens. \u003c/p\u003e\n","\u003cp\u003eSeries 23- General (arranged chronologically) contains postcards depicting a variety of scenes of locations in Jacksonville, cards printed by local printer H\u0026amp;WB Drew Company, and cards addressed to Jacksonville addresses.\u003c/p\u003e\n","\u003cp\u003eSeries 24- Green Cove Springs, Florida (arranged chronologically) contains postcards depicting Springs, the bathing pavilion, and the Qui-Si-Sana Hotel and Health Spa. \u003c/p\u003e\n","\u003cp\u003eSeries 25- Hemming Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting the grounds and businesses surrounding the park, known today as James Weldon Johnson Park. \u003c/p\u003e\n","\u003cp\u003eSeries 26- Highways (arranged chronologically) contains postcards depicting several multi-lane highways and expressways in Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 27- Hilliard, Florida (arranged chronologically) contains postcards depicting a hotel located in Hilliard, Florida near the Florida/Georgia Border. \u003c/p\u003e\n","\u003cp\u003eSeries 28- Hospitals (arranged chronologically) contains postcards depicting Jacksonville area hospitals, including St. Vincent's Hospital, De Soto Sanatorium, St. Luke's Hospital, and Brewster Hospital. \u003c/p\u003e\n","\u003cp\u003eSeries 29- Hotels (arranged chronologically) contains postcards depicting Jacksonville area hotels, including Hotel Burbridge, Hotel Roosevelt, Aragon Hotel, and Windsor Hotel. \u003c/p\u003e\n","\u003cp\u003eSeries 30- Jacksonville Beach, Florida (arranged chronologically) contains postcards depicting scenes of local businesses, hotels, restaurants, and beaches.\u003c/p\u003e\n","\u003cp\u003eSeries 31- Keystone Heights, Florida (arranged chronologically) contains postcards depicting a hotel in Keystone Heights, Florida. \u003c/p\u003e\n","\u003cp\u003eSeries 32- Kingsley Plantation; Fort George Island, Florida (arranged chronologically) contains postcards depicting National Park Kingsley Plantation on Fort George Island. \u003c/p\u003e\n","\u003cp\u003eSeries 33- Library Buildings (arranged chronologically) contains postcards depicting the exteriors of Jacksonville area public library buildings.\u003c/p\u003e\n","\u003cp\u003eSeries 34- Marineland, Florida (arranged chronologically) contains postcards depicting aerial views of Marineland Studios, dolphins, and businesses at the historic tourist attraction. \u003c/p\u003e\n","\u003cp\u003eSeries 35- Military Bases (arranged chronologically) contains photographic postcards depicting Camp Foster, founded as a work camp during the Great Depression, Camp Blanding Army Camp, and Camp Joseph E. Johnston.\u003c/p\u003e\n","\u003cp\u003eSeries 36- Mining (arranged chronologically) contains postcards depicting phosphate mining in Florida. \u003c/p\u003e\n","\u003cp\u003eSeries 37- Monuments (arranged chronologically) contains postcards depicting monuments in the Jacksonville area.\u003c/p\u003e\n","\u003cp\u003eSeries 38- Motels (arranged chronologically) contains postcards depicting mid-20th century tourist motels in the Jacksonville area along U.S. Highway 1.\u003c/p\u003e\n","\u003cp\u003eSeries 39- Museums (arranged chronologically) contains postcards depicting artwork from the collections of the Cummer Museum in the Riverside neighborhood of Jacksonville, Florida. \u003c/p\u003e\n","\u003cp\u003eSeries 40- Naval Air Station; Jacksonville, Florida (arranged chronologically) contains postcards depicting structures at Mayport, Cecil Field, and Jacksonville Naval Air stations. \u003c/p\u003e\n","\u003cp\u003eSeries 41- Neptune Beach, Florida (arranged chronologically) contains postcards depicting scenes of beach front at Neptune Beach.\u003c/p\u003e\n","\u003cp\u003eSeries 42- Orange Park, Florida (arranged chronologically) contains postcards depicting structures at Moosehaven Retirement Community located in Orange Park, Florida on the St. Johns River. \u003c/p\u003e\n","\u003cp\u003eSeries 43- Oriental Gardens; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the former tourist attraction located on San Jose Boulevard.\u003c/p\u003e\n","\u003cp\u003eSeries 44- Parks (arranged chronologically) contains postcards depicting historic images of parks in various Jacksonville neighborhoods, including Riverside and Springfield parks. \u003c/p\u003e\n","\u003cp\u003eSeries 45- Persons (arranged chronologically) contains photographic postcards depicting portraits of visitors to Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 46- Ponte Vedra Beach, Florida (arranged chronologically) contains postcards depicting views of structures on the Ponte Vedra Inn and Club.\u003c/p\u003e\n","\u003cp\u003eSeries 47- Post Office Building (arranged chronologically) contains postcards depicting early 20th century Federal Post Office in downtown Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 48- Public Buildings (arranged chronologically) contains postcards depicting various municipal buildings including the original Duval County Courthouse, The Armory, and the Civic Auditorium of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 49- Restaurants (arranged chronologically) contains postcards depicting Jacksonville area restaurants.\u003c/p\u003e\n","\u003cp\u003eSeries 50- St. Augustine, Florida (arranged chronologically) contains postcards depicting businesses, tourist attractions, and historic sites in St. Augustine, Florida\u003c/p\u003e\n","\u003cp\u003eSeries 51- St. Johns River, Florida (arranged chronologically) contains postcards depicting scenes from the St. Johns River, \u003c/p\u003e\n","\u003cp\u003eSeries 52- Sanford, Florida (arranged chronologically) contains postcards depicting a steamer ship in Sanford, Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 53- Schools (arranged chronologically) contains postcards depicting school buildings in the Jacksonville area including Central Grammar School, Duval High School, Edward Waters College.\u003c/p\u003e\n","\u003cp\u003eSeries 54- Silver Springs, Florida (arranged chronologically) contains postcards depicting a scene of glass-bottom boats at the springs. \u003c/p\u003e\n","\u003cp\u003eSeries 55- Souvenir Postcard Booklets (arranged chronologically) contains multi-postcard booklets depicting scenes from Northeast Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 56- Streets (arranged chronologically) contains postcards depicting street views in downtown Jacksonville, and the Riverside and Springfield neighborhoods. \u003c/p\u003e\n","\u003cp\u003eSeries 57- Theaters (arranged chronologically) contains postcards depicting the Palace and New Palace theaters.\u003c/p\u003e\n","\u003cp\u003eSeries 58- Trailer Camps (arranged chronologically) contains postcards depicting scenes of tourist trailer campgrounds near Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 59- Trees (arranged chronologically) contains postcards depicting various species of trees native to Northeast Florida and the famous Treaty Oak live oak tree located in Jesse Ball duPont Park. \u003c/p\u003e\n","\u003cp\u003eSeries 60- Turpentine Industry (arranged chronologically) contains postcards depicting scenes of turpentine camps in Northeast Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 61- Union Station (arranged chronologically) contains postcards depicting various scenes of the historic Union Station in Downtown Jacksonville, now the Prime F. Osborn III Convention Center.\u003c/p\u003e\n","\u003cp\u003eSeries 62- Universities and Colleges (arranged chronologically) contains postcards depicting Jacksonville University, University of North Florida, and Edward Waters College campuses. \u003c/p\u003e\n","\u003cp\u003eSeries 63- Viaducts/Trains (arranged chronologically) contains postcards depicting railroad viaducts and close-up depictions of train engines. \u003c/p\u003e\n","\u003cp\u003eSeries 64- Waterfronts (arranged chronologically) contains postcards depicting various views of the Jacksonville skyline as seen from the St. Johns River. \u003c/p\u003e\n","\u003cp\u003eSeries 65- Waterworks; Jacksonville, Florida (arranged chronologically) contains postcards depicting the historic waterworks located in the Springfield neighborhood of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 66- Zoos (arranged chronologically) contains postcards depicting views from the Jacksonville Zoo during the early and mid-20th century. \u003c/p\u003e\n","\u003cp\u003eSeries 67- Sensitive Content (arranged chronologically) contains postcards depicting content that may be harmful or distressing to viewers. These items are available to review in person only.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains postcards related to Northeast Florida's agricultural, shipping, manufacturing, and tourism industries and is part of a larger ephemera collection related to region. The collection was donated over several years by UNF library staff. Postcards range in date from the late 19th century through the late 20th century, with the bulk dates falling between 1900 and 1950. The collection is arranged alphabetically by series and chronologically within each series. \nSeries in this collection include the following:","Series 1- Advertising Cards (arranged chronologically) contains business advertisement cards from Northeast Florida business and organizations.","Series 2- Agriculture (arranged chronologically) contains postcards depicting the agricultural industry in Northeast Florida","Series 3- Airports (arranged chronologically) contains postcards depicting Jacksonville International Airport and local municipal airports in Northeast Florida.","Series 4- Alligator Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the Alligator farm, an early 20th century tourist attraction in Jacksonville, Florida.","Series 5- Atlantic Beach, Florida (arranged chronologically) contains postcards depicting panoramic views of Atlantic Beach, local hotels, and other tourist attractions.","Series 6- Atlantic Intracoastal Waterway (arranged chronologically) contains postcards depicting steamer ships owned by the Clyde Line, commercial shipping docks, and views of the intracoastal waterway.","Series 7- Bank Buildings (arranged chronologically) contains postcards depicting the Florida National Bank, Atlantic National Bank, Barnett First National Bank, and other local Northeast Florida Bank buildings.","Series 8- Bridges (arranged chronologically) contains postcards depicting local Jacksonville, Florida bridges, including the Fuller Warren Bridge, Main Street Bridge, Matthews Bridge, Napolean Bonaparte Broward Bridge, and Hart Bridge.","Series 9- Buildings (arranged chronologically) contains postcards depicting buildings in downtown Jacksonville, including structures of architectural significance like the St. James Building and the Shriners Temple.","Series 10- Church Buildings (arranged chronologically) contains postcards depicting churches of different denominations, including Catholic, Baptist, Methodist, and Episcopal, in the Northeast Florida area.","Series 11- Clubs (arranged chronologically) contains postcards depicting Jacksonville area athletic and social clubs. Examples include the Seminole Club, Fort George Club, Masonic Temple, and San Jose Golf Club.","Series 12- Cumberland Island, Georgia (arranged chronologically) contains postcards depicting Thomas M. Carnegie's home, Dungeness. ","Series 13- Dixieland Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting early 20th century tourist attraction on the Southbank of Jacksonville. ","Series 14- Docks and Shipping (arranged chronologically) contains postcards depicting scenes of commercial shipping docks and steamer ships on the St Johns River in downtown Jacksonville. ","Series 15- Dwellings (arranged chronologically) contains postcards depicting private residences in the Riverside, Springfield, Mandarin, and Ortega neighborhoods of Jacksonville. ","Series 16- Epping Forest; Jacksonville, Florida (arranged chronologically) contains postcards depicting the mansion of Alfred I. du Pont, now the Epping Forest Yacht Club.","Series 17- Eustis, Florida (arranged chronologically) contains postcards depicting photographic postcard taken in Eustis, Florida.","Series 18- Fernandina Beach, Florida (arranged chronologically) contains postcards depicting businesses, municipal buildings, hotels, private residences, and beach scenes.","Series 19- Florida Ostrich Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting tourist attraction popular in the early 20th century, with scenes of the farm with birds and ostriches racing. ","Series 20- Fort Clinch State Park, Florida (arranged chronologically) contains postcards depicting structures and ruins of the Civil War fort near Amelia Island and Fernandina Beach.","Series 21- Friendship Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting Friendship fountain and the downtown Jacksonville skyline across from the park located on the Southbank. ","Series 22- Gardens (arranged chronologically) contains postcards depicting scenes of plants native to Northeast Florida and Cummer Museum and Gardens. ","Series 23- General (arranged chronologically) contains postcards depicting a variety of scenes of locations in Jacksonville, cards printed by local printer H\u0026WB Drew Company, and cards addressed to Jacksonville addresses.","Series 24- Green Cove Springs, Florida (arranged chronologically) contains postcards depicting Springs, the bathing pavilion, and the Qui-Si-Sana Hotel and Health Spa. ","Series 25- Hemming Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting the grounds and businesses surrounding the park, known today as James Weldon Johnson Park. ","Series 26- Highways (arranged chronologically) contains postcards depicting several multi-lane highways and expressways in Jacksonville. ","Series 27- Hilliard, Florida (arranged chronologically) contains postcards depicting a hotel located in Hilliard, Florida near the Florida/Georgia Border. ","Series 28- Hospitals (arranged chronologically) contains postcards depicting Jacksonville area hospitals, including St. Vincent's Hospital, De Soto Sanatorium, St. Luke's Hospital, and Brewster Hospital. ","Series 29- Hotels (arranged chronologically) contains postcards depicting Jacksonville area hotels, including Hotel Burbridge, Hotel Roosevelt, Aragon Hotel, and Windsor Hotel. ","Series 30- Jacksonville Beach, Florida (arranged chronologically) contains postcards depicting scenes of local businesses, hotels, restaurants, and beaches.","Series 31- Keystone Heights, Florida (arranged chronologically) contains postcards depicting a hotel in Keystone Heights, Florida. ","Series 32- Kingsley Plantation; Fort George Island, Florida (arranged chronologically) contains postcards depicting National Park Kingsley Plantation on Fort George Island. ","Series 33- Library Buildings (arranged chronologically) contains postcards depicting the exteriors of Jacksonville area public library buildings.","Series 34- Marineland, Florida (arranged chronologically) contains postcards depicting aerial views of Marineland Studios, dolphins, and businesses at the historic tourist attraction. ","Series 35- Military Bases (arranged chronologically) contains photographic postcards depicting Camp Foster, founded as a work camp during the Great Depression, Camp Blanding Army Camp, and Camp Joseph E. Johnston.","Series 36- Mining (arranged chronologically) contains postcards depicting phosphate mining in Florida. ","Series 37- Monuments (arranged chronologically) contains postcards depicting monuments in the Jacksonville area.","Series 38- Motels (arranged chronologically) contains postcards depicting mid-20th century tourist motels in the Jacksonville area along U.S. Highway 1.","Series 39- Museums (arranged chronologically) contains postcards depicting artwork from the collections of the Cummer Museum in the Riverside neighborhood of Jacksonville, Florida. ","Series 40- Naval Air Station; Jacksonville, Florida (arranged chronologically) contains postcards depicting structures at Mayport, Cecil Field, and Jacksonville Naval Air stations. ","Series 41- Neptune Beach, Florida (arranged chronologically) contains postcards depicting scenes of beach front at Neptune Beach.","Series 42- Orange Park, Florida (arranged chronologically) contains postcards depicting structures at Moosehaven Retirement Community located in Orange Park, Florida on the St. Johns River. ","Series 43- Oriental Gardens; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the former tourist attraction located on San Jose Boulevard.","Series 44- Parks (arranged chronologically) contains postcards depicting historic images of parks in various Jacksonville neighborhoods, including Riverside and Springfield parks. ","Series 45- Persons (arranged chronologically) contains photographic postcards depicting portraits of visitors to Jacksonville. ","Series 46- Ponte Vedra Beach, Florida (arranged chronologically) contains postcards depicting views of structures on the Ponte Vedra Inn and Club.","Series 47- Post Office Building (arranged chronologically) contains postcards depicting early 20th century Federal Post Office in downtown Jacksonville. ","Series 48- Public Buildings (arranged chronologically) contains postcards depicting various municipal buildings including the original Duval County Courthouse, The Armory, and the Civic Auditorium of Jacksonville. ","Series 49- Restaurants (arranged chronologically) contains postcards depicting Jacksonville area restaurants.","Series 50- St. Augustine, Florida (arranged chronologically) contains postcards depicting businesses, tourist attractions, and historic sites in St. Augustine, Florida","Series 51- St. Johns River, Florida (arranged chronologically) contains postcards depicting scenes from the St. Johns River, ","Series 52- Sanford, Florida (arranged chronologically) contains postcards depicting a steamer ship in Sanford, Florida.","Series 53- Schools (arranged chronologically) contains postcards depicting school buildings in the Jacksonville area including Central Grammar School, Duval High School, Edward Waters College.","Series 54- Silver Springs, Florida (arranged chronologically) contains postcards depicting a scene of glass-bottom boats at the springs. ","Series 55- Souvenir Postcard Booklets (arranged chronologically) contains multi-postcard booklets depicting scenes from Northeast Florida.","Series 56- Streets (arranged chronologically) contains postcards depicting street views in downtown Jacksonville, and the Riverside and Springfield neighborhoods. ","Series 57- Theaters (arranged chronologically) contains postcards depicting the Palace and New Palace theaters.","Series 58- Trailer Camps (arranged chronologically) contains postcards depicting scenes of tourist trailer campgrounds near Jacksonville. ","Series 59- Trees (arranged chronologically) contains postcards depicting various species of trees native to Northeast Florida and the famous Treaty Oak live oak tree located in Jesse Ball duPont Park. ","Series 60- Turpentine Industry (arranged chronologically) contains postcards depicting scenes of turpentine camps in Northeast Florida.","Series 61- Union Station (arranged chronologically) contains postcards depicting various scenes of the historic Union Station in Downtown Jacksonville, now the Prime F. Osborn III Convention Center.","Series 62- Universities and Colleges (arranged chronologically) contains postcards depicting Jacksonville University, University of North Florida, and Edward Waters College campuses. ","Series 63- Viaducts/Trains (arranged chronologically) contains postcards depicting railroad viaducts and close-up depictions of train engines. ","Series 64- Waterfronts (arranged chronologically) contains postcards depicting various views of the Jacksonville skyline as seen from the St. Johns River. ","Series 65- Waterworks; Jacksonville, Florida (arranged chronologically) contains postcards depicting the historic waterworks located in the Springfield neighborhood of Jacksonville. ","Series 66- Zoos (arranged chronologically) contains postcards depicting views from the Jacksonville Zoo during the early and mid-20th century. ","Series 67- Sensitive Content (arranged chronologically) contains postcards depicting content that may be harmful or distressing to viewers. These items are available to review in person only."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":67,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872853597225484288,"_root_":"45807c67f367973431520ee3","timestamp":"2026-08-07T08:46:14.061Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/45807c67f367973431520ee3_aspace_9c158a7f2272d0be1513ea65c32215d9"}},{"id":"6b367e372e87bdf79ce17e89","type":"collection","attributes":{"title":"Friends of Perdido Bay Collection, 1836-1991, bulk 1970-1989","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/6b367e372e87bdf79ce17e89#abstract_or_scope","type":"document_value","attributes":{"value":["Research files and library, 1980-1993, of the Friends of Perdido Bay consisting of environmental publications, reports, studies, government documents, consultant reports, water pollution data, fish reports, and other materials pertaining to the environment of Perdido Bay and the Perdido River.  Topics include geology, pollution, water quality, sediments and related issues including concerns over pollution and foam emanating from the St. Regis Paper Company."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6b367e372e87bdf79ce17e89#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"6b367e372e87bdf79ce17e89","title_ssm":["Friends of Perdido Bay Collection"],"title_tesim":["Friends of Perdido Bay Collection"],"ead_ssi":"6b367e372e87bdf79ce17e89","unitdate_ssm":["1836-1991","1970-1989"],"unitdate_bulk_ssim":["1970-1989"],"unitdate_inclusive_ssm":["1836-1991"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M1993-06.##olx","/repositories/2/resources/55"],"text":["M1993-06.##olx","/repositories/2/resources/55","Friends of Perdido Bay Collection, 1836-1991, bulk 1970-1989","Friends of Perdido Bay","Marine pollution--Perdido Bay (Ala. and Fla.)","Geology","Pollution--Florida.","Environmental policy--Florida.","Open to researchers, dependent on our compliance with U.S. Copyright Law, HIPPA requirements, donor agreements and other applicable state and federal statutes.  Occasionally we may need to review a collection before permitting immediate access.","Collection remains in the order it was received from the Friends of Perdido Bay. No additional order has been imposed.","Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the University Archivist for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years.","Research files and library, 1980-1993, of the Friends of Perdido Bay consisting of environmental publications, reports, studies, government documents, consultant reports, water pollution data, fish reports, and other materials pertaining to the environment of Perdido Bay and the Perdido River.   Topics include geology, pollution, water quality, sediments and related issues including concerns over pollution and foam emanating from the St. Regis Paper Company.","UWF University Archives and West Florida History Center","St. Regis Paper Company.","United States. 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Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"acqinfo_ssim":["Friends of Perdido Bay","Gift of the Friends of Perdido Bay"],"access_subjects_ssim":["Friends of Perdido Bay","Marine pollution--Perdido Bay (Ala. and Fla.)","Geology","Pollution--Florida.","Environmental policy--Florida."],"access_subjects_ssm":["Friends of Perdido Bay","Marine pollution--Perdido Bay (Ala. and Fla.)","Geology","Pollution--Florida.","Environmental policy--Florida."],"has_online_content_ssim":["false"],"extent_ssm":["11.00 boxes"],"extent_tesim":["11.00 boxes"],"date_range_isim":[1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers, dependent on our compliance with U.S. Copyright Law, HIPPA requirements, donor agreements and other applicable state and federal statutes.  Occasionally we may need to review a collection before permitting immediate access.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers, dependent on our compliance with U.S. Copyright Law, HIPPA requirements, donor agreements and other applicable state and federal statutes.  Occasionally we may need to review a collection before permitting immediate access."],"arrangement_html_tesm":["\u003cp\u003eCollection remains in the order it was received from the Friends of Perdido Bay. No additional order has been imposed.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Collection remains in the order it was received from the Friends of Perdido Bay. No additional order has been imposed."],"userestrict_html_tesm":["\u003cp\u003eDigital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the University Archivist for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the University Archivist for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"abstract_html_tesm":["\u003cabstract id=\"aspace_350f8f34c2d6735a00bcc01f4c80e3da\" label=\"Abstract\"\u003eResearch files and library, 1980-1993, of the Friends of Perdido Bay consisting of environmental publications, reports, studies, government documents, consultant reports, water pollution data, fish reports, and other materials pertaining to the environment of Perdido Bay and the Perdido River.\u0026#xA0;  Topics include geology, pollution, water quality, sediments and related issues including concerns over pollution and foam emanating from the St. Regis Paper Company.\u003c/abstract\u003e"],"abstract_tesim":["Research files and library, 1980-1993, of the Friends of Perdido Bay consisting of environmental publications, reports, studies, government documents, consultant reports, water pollution data, fish reports, and other materials pertaining to the environment of Perdido Bay and the Perdido River.   Topics include geology, pollution, water quality, sediments and related issues including concerns over pollution and foam emanating from the St. Regis Paper Company."],"names_coll_ssim":["St. Regis Paper Company.","United States. Environmental Protection Agency."],"names_ssim":["UWF University Archives and West Florida History Center","St. Regis Paper Company.","United States. Environmental Protection Agency."],"corpname_ssim":["UWF University Archives and West Florida History Center","St. Regis Paper Company.","United States. 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Occasionally we may need to review a collection before permitting immediate access.","Collection remains in the order it was received from the Friends of Perdido Bay. No additional order has been imposed.","Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the University Archivist for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years.","Research files and library, 1980-1993, of the Friends of Perdido Bay consisting of environmental publications, reports, studies, government documents, consultant reports, water pollution data, fish reports, and other materials pertaining to the environment of Perdido Bay and the Perdido River.   Topics include geology, pollution, water quality, sediments and related issues including concerns over pollution and foam emanating from the St. Regis Paper Company.","UWF University Archives and West Florida History Center","St. Regis Paper Company.","United States. 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Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"acqinfo_ssim":["Friends of Perdido Bay","Gift of the Friends of Perdido Bay"],"access_subjects_ssim":["Friends of Perdido Bay","Marine pollution--Perdido Bay (Ala. and Fla.)","Geology","Pollution--Florida.","Environmental policy--Florida."],"access_subjects_ssm":["Friends of Perdido Bay","Marine pollution--Perdido Bay (Ala. and Fla.)","Geology","Pollution--Florida.","Environmental policy--Florida."],"has_online_content_ssim":["false"],"extent_ssm":["11.00 boxes"],"extent_tesim":["11.00 boxes"],"date_range_isim":[1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers, dependent on our compliance with U.S. Copyright Law, HIPPA requirements, donor agreements and other applicable state and federal statutes.  Occasionally we may need to review a collection before permitting immediate access.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers, dependent on our compliance with U.S. Copyright Law, HIPPA requirements, donor agreements and other applicable state and federal statutes.  Occasionally we may need to review a collection before permitting immediate access."],"arrangement_html_tesm":["\u003cp\u003eCollection remains in the order it was received from the Friends of Perdido Bay. No additional order has been imposed.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Collection remains in the order it was received from the Friends of Perdido Bay. No additional order has been imposed."],"userestrict_html_tesm":["\u003cp\u003eDigital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the University Archivist for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the University Archivist for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"abstract_html_tesm":["\u003cabstract id=\"aspace_350f8f34c2d6735a00bcc01f4c80e3da\" label=\"Abstract\"\u003eResearch files and library, 1980-1993, of the Friends of Perdido Bay consisting of environmental publications, reports, studies, government documents, consultant reports, water pollution data, fish reports, and other materials pertaining to the environment of Perdido Bay and the Perdido River.\u0026#xA0;  Topics include geology, pollution, water quality, sediments and related issues including concerns over pollution and foam emanating from the St. Regis Paper Company.\u003c/abstract\u003e"],"abstract_tesim":["Research files and library, 1980-1993, of the Friends of Perdido Bay consisting of environmental publications, reports, studies, government documents, consultant reports, water pollution data, fish reports, and other materials pertaining to the environment of Perdido Bay and the Perdido River.   Topics include geology, pollution, water quality, sediments and related issues including concerns over pollution and foam emanating from the St. Regis Paper Company."],"names_coll_ssim":["St. Regis Paper Company.","United States. Environmental Protection Agency."],"names_ssim":["UWF University Archives and West Florida History Center","St. Regis Paper Company.","United States. Environmental Protection Agency."],"corpname_ssim":["UWF University Archives and West Florida History Center","St. Regis Paper Company.","United States. Environmental Protection Agency."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":321,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863817206923264,"_root_":"6b367e372e87bdf79ce17e89","timestamp":"2026-07-16T09:39:31.958Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6b367e372e87bdf79ce17e89"}},{"id":"b4d8d0d376a6ea3e6898852d_aspace_14340","type":"Item","attributes":{"title":"Friends of the Jacksonville Art Museum Second Annual Collectors Opportunity, Jacksonville Art Museum, 1972","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b4d8d0d376a6ea3e6898852d_aspace_14340#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_14340","ref_ssm":["aspace_14340","aspace_14340"],"id":"b4d8d0d376a6ea3e6898852d_aspace_14340","title_filing_ssi":"Friends of the Jacksonville Art Museum Second Annual Collectors Opportunity, Jacksonville Art Museum","title_ssm":["Friends of the Jacksonville Art Museum Second Annual Collectors Opportunity, Jacksonville Art Museum"],"title_tesim":["Friends of the Jacksonville Art Museum Second Annual Collectors Opportunity, Jacksonville Art Museum"],"unitdate_other_ssim":["1972"],"normalized_date_ssm":["1972"],"normalized_title_ssm":["Friends of the Jacksonville Art Museum Second Annual Collectors Opportunity, Jacksonville Art Museum, 1972"],"text":["Friends of the Jacksonville Art Museum Second Annual Collectors Opportunity, Jacksonville Art Museum, 1972","Doris Leeper Papers, 1951-1999","Exhibition Catalogs, 1964-1997.","Item 12","/repositories/4/archival_objects/31056","box 1","folder 3"],"component_level_isim":[2],"parent_ids_ssim":["b4d8d0d376a6ea3e6898852d","b4d8d0d376a6ea3e6898852d_aspace_14294"],"parent_unittitles_ssm":["Doris Leeper Papers, 1951-1999","Exhibition Catalogs, 1964-1997."],"parent_unittitles_tesim":["Doris Leeper Papers, 1951-1999","Exhibition Catalogs, 1964-1997."],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Item 12","/repositories/4/archival_objects/31056"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Doris Leeper Papers, 1951-1999"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":74,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1972],"containers_ssim":["box 1","folder 3"],"_nest_path_":"/components#1/components#44","_nest_parent_":"b4d8d0d376a6ea3e6898852d_aspace_14294","_root_":"b4d8d0d376a6ea3e6898852d","_version_":1876384019800653824,"timestamp":"2026-09-15T08:00:47.398Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b4d8d0d376a6ea3e6898852d","title_ssm":["Doris Leeper Papers"],"title_tesim":["Doris Leeper Papers"],"ead_ssi":"b4d8d0d376a6ea3e6898852d","unitdate_ssm":["1951-1999"],"unitdate_inclusive_ssm":["1951-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.043","/repositories/4/resources/137"],"text":["SC.043","/repositories/4/resources/137","Doris Leeper Papers, 1951-1999","Artists","Conservation of Natural Resources","Folk art -- Exhibitions","Artists -- Florida -- Biography","Folk art -- Florida","The entire collection is open for research.","Doris \"Doc\" Leeper was a renowned Florida artist and environmental activist. Leeper was a founder of the Atlantic Center for the Arts in New Smyrna Beach and instrumental in the creation of the Canaveral National Seashore and the Spruce Creek Preserve, renamed the Doris Leeper Spruce Creek Preserve in memoriam. A Florida Alliance for Arts Education Award in named in her honor and in 1999 Leeper was inducted into the Florida Artists Hall of Fame.","\nLeeper was born in Charlotte, North Carolina on April 4, 1929 and died in New Smyrna on April 11, 2000. Leeper graduated Phi Beta Kappa from Duke University with a BA in Art History, 1951. In 1961 Leeper left the commercial graphics field to work in sculpture and painting full-time. Her work is in almost 100 public collections and during her lifetime she widely exhibited in one-person and group exhibitions both nationally and internationally. A 45-year retrospective of her work was held at the Cornell Fine Arts Museum in 1995. Leeper won numerous awards in her lifetime.","\nAfter she moved to New Smyrna Beach in 1958, Leeper became very involved with the protection of the Canaveral Seashore and a leader in environmental protection. In 1982 the Atlantic Center for the Arts, an internationally renowned artists' community that Leeper was instrumental in creating, opened. Leeper was also a founding member and creator of the Alliance of Artists' Communities, a consortium of artists' colonies and residency programs throughout the U.S. Leeper also co-owned a commercial visual arts gallery located in New Smyrna Beach, \"Arts on Douglas\".","Collecton processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.","Loose items in the scrapbooks were secured and the books were wrapped in acid-free archival paper. All other materials have been housed in acid-free containers and rusty metal items such as paper clips and staples have been removed so as to stop any further deterioration.","Approximately 100 pieces of Doris Leeper's artwork, as well as slides of many of the artist's works, are located in the UCF Art Gallery located in the Visual Arts Building.","Sol \u0026 Sadie Malkoff Papers , Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida.","Albin Polasek Collection , Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida.","Walter Gaudnek Collection,  Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida.","The collection is divided into two series:","\nSeries I: Scrapbooks, 1951-1999, contains scrapbooks that hold materials pertaining to Leeper's art and activism.","\nSeries II: Exhibition Catalogs, 1964-1997, focus on Leeper's artwork, starting with her work as a graphic artist to her years as a Florida artist.","Series III: Personal Files, 1952,1974, includes Doris Leeper's identification cards; United States of America passport issued by\nthe Department of State and and international driver license by the American Automobile Association.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The Doris Leeper Papers contain scrapbooks and catalogs that chronicle the artistic career of the Florida artist, Doris Leeper. Founder of the Atlantic Center for the Arts in New Smyrna Beach, this collection highlights Leeper's early years as a graphic artist through to her later years as a renowned Florida artist.","UCF Special Collections","Leeper, Doris, 1929-2000","English"],"unitid_tesim":["SC.043","/repositories/4/resources/137"],"normalized_date_ssm":["1951-1999"],"normalized_title_ssm":["Doris Leeper Papers, 1951-1999"],"collection_title_tesim":["Doris Leeper Papers, 1951-1999"],"collection_ssim":["Doris Leeper Papers, 1951-1999"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The Doris Leeper Papers were donated to the College of Arts and Sciences along with slides of the artist's works and approximately 100 pieces of Leeper's artwork by a bequest from her estate. The executor of the Leeper Estate, Mary Jane \"Jay\" Urban, offered the collections to the Dean of the College of Arts and Sciences, Kathryn Seidel. Urban was Leeper's neighbor, and named heir and executor in her will. Leeper's scrapbooks and other documents were given to the Special Collections Department while her artworks and slides were given to the UCF Art Gallery.","This collection was donated to the University of Central Florida Libraries, Special Collections and University Archives by Doris Leeper in 2003 (CFM2003_03)"],"access_subjects_ssim":["Artists","Conservation of Natural Resources","Folk art -- Exhibitions","Artists -- Florida -- Biography","Folk art -- Florida"],"access_subjects_ssm":["Artists","Conservation of Natural Resources","Folk art -- Exhibitions","Artists -- Florida -- Biography","Folk art -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["8.00 Linear Feet 27 scrapbooks, 2 boxes"],"extent_tesim":["8.00 Linear Feet 27 scrapbooks, 2 boxes"],"date_range_isim":[1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eDoris \"Doc\" Leeper was a renowned Florida artist and environmental activist. Leeper was a founder of the Atlantic Center for the Arts in New Smyrna Beach and instrumental in the creation of the Canaveral National Seashore and the Spruce Creek Preserve, renamed the Doris Leeper Spruce Creek Preserve in memoriam. A Florida Alliance for Arts Education Award in named in her honor and in 1999 Leeper was inducted into the Florida Artists Hall of Fame.\u003c/p\u003e\n","\u003cp\u003e\nLeeper was born in Charlotte, North Carolina on April 4, 1929 and died in New Smyrna on April 11, 2000. Leeper graduated Phi Beta Kappa from Duke University with a BA in Art History, 1951. In 1961 Leeper left the commercial graphics field to work in sculpture and painting full-time. Her work is in almost 100 public collections and during her lifetime she widely exhibited in one-person and group exhibitions both nationally and internationally. A 45-year retrospective of her work was held at the Cornell Fine Arts Museum in 1995. Leeper won numerous awards in her lifetime.\u003c/p\u003e\n","\u003cp\u003e\nAfter she moved to New Smyrna Beach in 1958, Leeper became very involved with the protection of the Canaveral Seashore and a leader in environmental protection. In 1982 the Atlantic Center for the Arts, an internationally renowned artists' community that Leeper was instrumental in creating, opened. Leeper was also a founding member and creator of the Alliance of Artists' Communities, a consortium of artists' colonies and residency programs throughout the U.S. Leeper also co-owned a commercial visual arts gallery located in New Smyrna Beach, \"Arts on Douglas\".\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Doris \"Doc\" Leeper was a renowned Florida artist and environmental activist. Leeper was a founder of the Atlantic Center for the Arts in New Smyrna Beach and instrumental in the creation of the Canaveral National Seashore and the Spruce Creek Preserve, renamed the Doris Leeper Spruce Creek Preserve in memoriam. A Florida Alliance for Arts Education Award in named in her honor and in 1999 Leeper was inducted into the Florida Artists Hall of Fame.","\nLeeper was born in Charlotte, North Carolina on April 4, 1929 and died in New Smyrna on April 11, 2000. Leeper graduated Phi Beta Kappa from Duke University with a BA in Art History, 1951. In 1961 Leeper left the commercial graphics field to work in sculpture and painting full-time. Her work is in almost 100 public collections and during her lifetime she widely exhibited in one-person and group exhibitions both nationally and internationally. A 45-year retrospective of her work was held at the Cornell Fine Arts Museum in 1995. Leeper won numerous awards in her lifetime.","\nAfter she moved to New Smyrna Beach in 1958, Leeper became very involved with the protection of the Canaveral Seashore and a leader in environmental protection. In 1982 the Atlantic Center for the Arts, an internationally renowned artists' community that Leeper was instrumental in creating, opened. Leeper was also a founding member and creator of the Alliance of Artists' Communities, a consortium of artists' colonies and residency programs throughout the U.S. Leeper also co-owned a commercial visual arts gallery located in New Smyrna Beach, \"Arts on Douglas\"."],"prefercite_html_tesm":["\u003cp\u003eDoris Leeper Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Doris Leeper Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollecton processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.\u003c/p\u003e","\u003cp\u003eLoose items in the scrapbooks were secured and the books were wrapped in acid-free archival paper. All other materials have been housed in acid-free containers and rusty metal items such as paper clips and staples have been removed so as to stop any further deterioration.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collecton processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.","Loose items in the scrapbooks were secured and the books were wrapped in acid-free archival paper. All other materials have been housed in acid-free containers and rusty metal items such as paper clips and staples have been removed so as to stop any further deterioration."],"relatedmaterial_html_tesm":["\u003cp\u003eApproximately 100 pieces of Doris Leeper's artwork, as well as slides of many of the artist's works, are located in the UCF Art Gallery located in the Visual Arts Building.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1999-01\"\u003eSol \u0026amp; Sadie Malkoff Papers\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1993-03\"\u003eAlbin Polasek Collection\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2004-01\"\u003eWalter Gaudnek Collection,\u003c/extref\u003e Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Approximately 100 pieces of Doris Leeper's artwork, as well as slides of many of the artist's works, are located in the UCF Art Gallery located in the Visual Arts Building.","Sol \u0026 Sadie Malkoff Papers , Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida.","Albin Polasek Collection , Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida.","Walter Gaudnek Collection,  Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is divided into two series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Scrapbooks, 1951-1999, contains scrapbooks that hold materials pertaining to Leeper's art and activism.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Exhibition Catalogs, 1964-1997, focus on Leeper's artwork, starting with her work as a graphic artist to her years as a Florida artist.\u003c/p\u003e\n","\u003cp\u003eSeries III: Personal Files, 1952,1974, includes Doris Leeper's identification cards; United States of America passport issued by\nthe Department of State and and international driver license by the American Automobile Association.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is divided into two series:","\nSeries I: Scrapbooks, 1951-1999, contains scrapbooks that hold materials pertaining to Leeper's art and activism.","\nSeries II: Exhibition Catalogs, 1964-1997, focus on Leeper's artwork, starting with her work as a graphic artist to her years as a Florida artist.","Series III: Personal Files, 1952,1974, includes Doris Leeper's identification cards; United States of America passport issued by\nthe Department of State and and international driver license by the American Automobile Association."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5e032cb26c667a773e2539c5ae66b419\" label=\"Abstract\"\u003eThe Doris Leeper Papers contain scrapbooks and catalogs that chronicle the artistic career of the Florida artist, Doris Leeper. Founder of the Atlantic Center for the Arts in New Smyrna Beach, this collection highlights Leeper's early years as a graphic artist through to her later years as a renowned Florida artist.\u003c/abstract\u003e"],"abstract_tesim":["The Doris Leeper Papers contain scrapbooks and catalogs that chronicle the artistic career of the Florida artist, Doris Leeper. Founder of the Atlantic Center for the Arts in New Smyrna Beach, this collection highlights Leeper's early years as a graphic artist through to her later years as a renowned Florida artist."],"names_ssim":["UCF Special Collections","Leeper, Doris, 1929-2000"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Leeper, Doris, 1929-2000"],"persname_ssim":["Leeper, Doris, 1929-2000"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":122,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876384019800653824,"_root_":"b4d8d0d376a6ea3e6898852d","timestamp":"2026-09-15T08:00:47.398Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b4d8d0d376a6ea3e6898852d_aspace_14340"}},{"id":"4674dbbf638dff3316591cb2_aspace_54773","type":"File","attributes":{"title":"Frogs, 1950-1976","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4674dbbf638dff3316591cb2_aspace_54773#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_54773","ref_ssm":["aspace_54773","aspace_54773"],"id":"4674dbbf638dff3316591cb2_aspace_54773","title_filing_ssi":"Frogs","title_ssm":["Frogs"],"title_tesim":["Frogs"],"unitdate_inclusive_ssm":["1950-1976"],"normalized_date_ssm":["1950-1976"],"normalized_title_ssm":["Frogs, 1950-1976"],"text":["Frogs, 1950-1976","Michael A. Spencer Bromeliad Research Collection, 1754-2014","Natural History, 1853-1997.","Folder 10","/repositories/4/archival_objects/34056","box 159","folder 10"],"component_level_isim":[2],"parent_ids_ssim":["4674dbbf638dff3316591cb2","4674dbbf638dff3316591cb2_aspace_54625"],"parent_unittitles_ssm":["Michael A. Spencer Bromeliad Research Collection, 1754-2014","Natural History, 1853-1997."],"parent_unittitles_tesim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014","Natural History, 1853-1997."],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 10","/repositories/4/archival_objects/34056"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":3262,"parent_access_restrict_tesm":["The entire collection is open for research except for the following:\n\n  Boxes 180-181: Personal correspondence\n  Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"\n"],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"containers_ssim":["box 159","folder 10"],"_nest_path_":"/components#4/components#102","_nest_parent_":"4674dbbf638dff3316591cb2_aspace_54625","_root_":"4674dbbf638dff3316591cb2","timestamp":"2026-07-11T02:53:59.490Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4674dbbf638dff3316591cb2","title_ssm":["Michael A. Spencer Bromeliad Research Collection"],"title_tesim":["Michael A. Spencer Bromeliad Research Collection"],"ead_ssi":"4674dbbf638dff3316591cb2","unitdate_ssm":["1754-2014"],"unitdate_inclusive_ssm":["1754-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 068","/repositories/4/resources/148"],"text":["SC 068","/repositories/4/resources/148","Michael A. Spencer Bromeliad Research Collection, 1754-2014","Marineland (Fla.)","Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)","The entire collection is open for research except for the following:\n Boxes 180-181: Personal correspondence Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"","The collection is divided into eight series by type of file.","Michael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004.","Materials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023.","A large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library  Online Catalog .  Michael A. Spencer Collection on Julian Nally ,  Michael A. Spencer Collection on Theodore Mead ,  Michael A. Spencer Collection on Henry Nehrling  and the  Henry Nehrling Papers  are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the  Harry P. Leu Gardens . The  Henry Nehrling Collection  and the  Theodore L. Mead Collection  are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the  Smithsonian Institution Archives .","Series I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.","\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.","\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.","\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.","\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.","\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.","\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.","\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here.","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder.","Michael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here.","UCF Special Collections","Bromeliad Society","Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991","English"],"unitid_tesim":["SC 068","/repositories/4/resources/148"],"normalized_date_ssm":["1754-2014"],"normalized_title_ssm":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"collection_title_tesim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"collection_ssim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Marineland (Fla.)"],"geogname_ssim":["Marineland (Fla.)"],"creator_ssm":["Spencer, Michael A."],"creator_ssim":["Spencer, Michael A."],"creator_persname_ssim":["Spencer, Michael A."],"creators_ssim":["Spencer, Michael A."],"places_ssim":["Marineland (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"acqinfo_ssim":["Some of these materials were donated to and others were purchased by the University of Central Florida Libraries, Special Collections and University Archives from Michael A. Spencer in 2006 (CFM2006_09), 2011 (CFM2011_02), 2012 (CFM2012_10), and 2014 (CFM2014_01)."],"access_subjects_ssim":["Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"access_subjects_ssm":["Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["130 Linear Feet 259 boxes, 2 flat files"],"extent_tesim":["130 Linear Feet 259 boxes, 2 flat files"],"genreform_ssim":["botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"date_range_isim":[1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research except for the following:\n\u003cul\u003e\n  \u003cli\u003eBoxes 180-181: Personal correspondence\u003c/li\u003e\n  \u003cli\u003eBoxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research except for the following:\n Boxes 180-181: Personal correspondence Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\""],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into eight series by type of file.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is divided into eight series by type of file."],"bioghist_html_tesm":["\u003cp\u003eMichael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Michael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004."],"prefercite_html_tesm":["\u003cp\u003eMichael A. Spencer Bromeliad Research Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Michael A. Spencer Bromeliad Research Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eA large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e. \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08c\"\u003eMichael A. Spencer Collection on Julian Nally\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08b\"\u003eMichael A. Spencer Collection on Theodore Mead\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08a\"\u003eMichael A. Spencer Collection on Henry Nehrling\u003c/extref\u003e and the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1999-03\"\u003eHenry Nehrling Papers\u003c/extref\u003e are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the \u003cextref href=\"http://www.leugardens.org/\"\u003eHarry P. Leu Gardens\u003c/extref\u003e. The \u003cextref href=\"https://aspace.rollins.edu/repositories/2/resources/4\"\u003eHenry Nehrling Collection\u003c/extref\u003e and the \u003cextref href=\"https://aspace.rollins.edu/repositories/2/resources/97\"\u003eTheodore L. Mead Collection\u003c/extref\u003e are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the \u003cextref href=\"http://siarchives.si.edu/\"\u003eSmithsonian Institution Archives\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library  Online Catalog .  Michael A. Spencer Collection on Julian Nally ,  Michael A. Spencer Collection on Theodore Mead ,  Michael A. Spencer Collection on Henry Nehrling  and the  Henry Nehrling Papers  are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the  Harry P. Leu Gardens . The  Henry Nehrling Collection  and the  Theodore L. Mead Collection  are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the  Smithsonian Institution Archives ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.","\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.","\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.","\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.","\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.","\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.","\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.","\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_8e33310d6b1a70e4d88f1e2d3043cf71\" label=\"Abstract\"\u003eMichael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here.\u003c/abstract\u003e"],"abstract_tesim":["Michael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here."],"names_coll_ssim":["Bromeliad Society","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"names_ssim":["UCF Special Collections","Bromeliad Society","Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"corpname_ssim":["UCF Special Collections","Bromeliad Society"],"persname_ssim":["Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3662,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"4674dbbf638dff3316591cb2","timestamp":"2026-07-11T02:53:59.490Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4674dbbf638dff3316591cb2_aspace_54773"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Michael A. Spencer Bromeliad Research Collection, 1754-2014","value":"Michael A. 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