{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1972\u0026page=147","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1972\u0026page=146","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1972\u0026page=148","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1972\u0026page=505"},"meta":{"pages":{"current_page":147,"next_page":148,"prev_page":146,"total_pages":505,"limit_value":10,"offset_value":1460,"total_count":5047,"first_page?":false,"last_page?":false}},"data":[{"id":"ef24c6bcc6e3eac7b082603c","type":"collection","attributes":{"title":"El Círculo Cubano (Cuban Club) records, 1852-1989, Date acquired: 00/00/2000, bulk 1902-1959","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/ef24c6bcc6e3eac7b082603c#creator","type":"document_value","attributes":{"value":["Circulo Cubano de Tampa"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/ef24c6bcc6e3eac7b082603c#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection includes organizational documents such as committee meeting notes, financial records, professional correspondence, insurance records, and programs and announcements for special events.  Also includes theatrical playscripts which range in date from the mid-19\u003csup\u003eth\u003c/sup\u003e to early 20\u003csup\u003eth\u003c/sup\u003e century.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ef24c6bcc6e3eac7b082603c#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"ef24c6bcc6e3eac7b082603c","title_filing_ssi":"Circulo Cubano records, El","title_ssm":["El Círculo Cubano (Cuban Club) records"],"title_tesim":["El Círculo Cubano (Cuban Club) records"],"ead_ssi":"ef24c6bcc6e3eac7b082603c","unitdate_ssm":["1852-1989","1902-1959","Date acquired: 00/00/2000"],"unitdate_bulk_ssim":["1902-1959"],"unitdate_inclusive_ssm":["1852-1989"],"unitdate_other_ssim":["Date acquired: 00/00/2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2000-05","/repositories/2/resources/568"],"text":["MS-2000-05","/repositories/2/resources/568","El Círculo Cubano (Cuban Club) records, 1852-1989, Date acquired: 00/00/2000, bulk 1902-1959","Tampa (Fla.) -- Race relations.","Cuban Americans -- Florida -- Tampa -- History","The collection is arranged into series according to subject. 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Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"770cdf6cadfcc1cf966f91c1","timestamp":"2026-07-11T05:06:17.257Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"770cdf6cadfcc1cf966f91c1","title_ssm":["Eldon B Tucker collection"],"title_tesim":["Eldon B Tucker collection"],"ead_ssi":"770cdf6cadfcc1cf966f91c1","unitdate_ssm":["1937-1977","Date accessioned: 2005-05-15"],"unitdate_inclusive_ssm":["1937-1977"],"unitdate_other_ssim":["Date accessioned: 2005-05-15"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01.0121","/repositories/10/resources/1949"],"text":["01.0121","/repositories/10/resources/1949","Eldon B Tucker collection, 1937-1977, Date accessioned: 2005-05-15","World War, 1939-1945--Campaigns--Pacific Area","This collection is open to all researchers.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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Williams Collection, 1941-1992","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/aef1a6bfdaefc69ba4e0a2db#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003ePapers and 12 original photographs from Lt. Col. Eldrige F. Williams' time in the United States Army and Air Force. The materials date from 1941 to 1992 and document Williams' experience as a Tuskegee Airman as well as his life after World War II. The photographs include a portrait of Captain Charles \"Buster\" Hall, the first Black pilot to down a German fighter, official Air Force photographs of Black military basketball, football, baseball, and tennis players and teams (including the Tuskeegee War Hawks), and photographs of Tuskegee airmen with their planes.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/aef1a6bfdaefc69ba4e0a2db#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"aef1a6bfdaefc69ba4e0a2db","title_filing_ssi":"Williams, Eldrige F. Collection","title_ssm":["Eldrige F. Williams Collection"],"title_tesim":["Eldrige F. Williams Collection"],"ead_ssi":"aef1a6bfdaefc69ba4e0a2db","unitdate_ssm":["1941-1992"],"unitdate_inclusive_ssm":["1941-1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2024.6","/repositories/2/resources/281"],"text":["AARLCC.2024.6","/repositories/2/resources/281","Eldrige F. Williams Collection, 1941-1992","Airmen","World War, 1939-1945","Baseball teams","United States--Armed Forces--African Americans","Photographs","The Eldrige F. Williams Collection is open for research.","Lieutenant Colonel Eldridge F. Williams (1917-2015) was one of the first trainers of Tuskegee Airmen. He was born to cotton sharecroppers in Harris, Texas on November 2, 1917. He earned a degree in business from Western University in 1936, a second degree in education from Xavier Universiyt in 1941, and a Master's Degree from the University of Michicgan in 1941. That same year, Williams applied for flight training but was rejected due to poor eyesight. After that he joined an Black infantry unit and received combat enginer training at Fort Leonard Wood. He earned the rank of 1st Sergant and entered Officer Training School (OCS) at Miami Beach in 1942. Ater graduating from OCS he was commissioned as a Second Lieutenant and assigned to the Tuskeegee Airmen Program as the Assistant Director of Physical Training. In 1944 he was promoted to Captain. ","After WWII, Williams worked as the head tennis and basketball coach North Carolina A\u0026T College He returned to military service in 1948 during the Berlin Airlift Crisis and served through the Korean War. In December of 1949, a year after President Harry Truman signed Executive Order 9981, which integrated the U.S. armed forces, Williams departed for his first integrated assignment on the island of Okinawa, Japan. He retired from the military service on November 30, 1963 with the rank of Lieutenant Colonel.","In 1964 at the age of 47 Williams began a second career as a teacher with the Miami-Dade County Public School System and retired in 1985. Lt. 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In December of 1949, a year after President Harry Truman signed Executive Order 9981, which integrated the U.S. armed forces, Williams departed for his first integrated assignment on the island of Okinawa, Japan. He retired from the military service on November 30, 1963 with the rank of Lieutenant Colonel.","In 1964 at the age of 47 Williams began a second career as a teacher with the Miami-Dade County Public School System and retired in 1985. Lt. Colonel Williams also wrote an autobiography, \"Without Wings I Soared.\" He was a member of several organizations including the Tuskegee Airmen; Alpha Phi Alpha Fraternity, and the Rotary Club of Miami-Kendall. He was also President of Lake Chara (Florida) Homeowners Association where he lived for 42 years. 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That same year, Williams applied for flight training but was rejected due to poor eyesight. After that he joined an Black infantry unit and received combat enginer training at Fort Leonard Wood. He earned the rank of 1st Sergant and entered Officer Training School (OCS) at Miami Beach in 1942. Ater graduating from OCS he was commissioned as a Second Lieutenant and assigned to the Tuskeegee Airmen Program as the Assistant Director of Physical Training. In 1944 he was promoted to Captain. ","After WWII, Williams worked as the head tennis and basketball coach North Carolina A\u0026T College He returned to military service in 1948 during the Berlin Airlift Crisis and served through the Korean War. In December of 1949, a year after President Harry Truman signed Executive Order 9981, which integrated the U.S. armed forces, Williams departed for his first integrated assignment on the island of Okinawa, Japan. He retired from the military service on November 30, 1963 with the rank of Lieutenant Colonel.","In 1964 at the age of 47 Williams began a second career as a teacher with the Miami-Dade County Public School System and retired in 1985. Lt. Colonel Williams also wrote an autobiography, \"Without Wings I Soared.\" He was a member of several organizations including the Tuskegee Airmen; Alpha Phi Alpha Fraternity, and the Rotary Club of Miami-Kendall. He was also President of Lake Chara (Florida) Homeowners Association where he lived for 42 years. On March 29, 2007, Williams was presented the Congressional Gold Medal by President Barack Obama.","Lieutenant Colonel Eldridge Williams died in Miami, Florida on July 2, 2015 and was buried in Arlington National Cemetery in Virginia.","This collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Papers and 12 original photographs from Lt. Col. 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He earned a degree in business from Western University in 1936, a second degree in education from Xavier Universiyt in 1941, and a Master's Degree from the University of Michicgan in 1941. That same year, Williams applied for flight training but was rejected due to poor eyesight. After that he joined an Black infantry unit and received combat enginer training at Fort Leonard Wood. He earned the rank of 1st Sergant and entered Officer Training School (OCS) at Miami Beach in 1942. Ater graduating from OCS he was commissioned as a Second Lieutenant and assigned to the Tuskeegee Airmen Program as the Assistant Director of Physical Training. In 1944 he was promoted to Captain. ","After WWII, Williams worked as the head tennis and basketball coach North Carolina A\u0026T College He returned to military service in 1948 during the Berlin Airlift Crisis and served through the Korean War. In December of 1949, a year after President Harry Truman signed Executive Order 9981, which integrated the U.S. armed forces, Williams departed for his first integrated assignment on the island of Okinawa, Japan. He retired from the military service on November 30, 1963 with the rank of Lieutenant Colonel.","In 1964 at the age of 47 Williams began a second career as a teacher with the Miami-Dade County Public School System and retired in 1985. Lt. Colonel Williams also wrote an autobiography, \"Without Wings I Soared.\" He was a member of several organizations including the Tuskegee Airmen; Alpha Phi Alpha Fraternity, and the Rotary Club of Miami-Kendall. He was also President of Lake Chara (Florida) Homeowners Association where he lived for 42 years. On March 29, 2007, Williams was presented the Congressional Gold Medal by President Barack Obama.","Lieutenant Colonel Eldridge Williams died in Miami, Florida on July 2, 2015 and was buried in Arlington National Cemetery in Virginia."],"prefercite_html_tesm":["\u003cp\u003eEldrige F. Williams Collection (AALRCC-2024.6), AARLCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Eldrige F. Williams Collection (AALRCC-2024.6), AARLCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003ePapers and 12 original photographs from Lt. Col. Eldrige F. Williams' time in the United States Army and Air Force. The materials date from 1941 to 1992 and document Williams' experience as a Tuskegee Airman as well as his life after World War II. The photographs include a portrait of Captain Charles \"Buster\" Hall, the first Black pilot to down a German fighter, official Air Force photographs of Black military basketball, football, baseball, and tennis players and teams (including the Tuskeegee War Hawks), and photographs of Tuskegee airmen with their planes.\u003c/p\u003e\n","\u003cp\u003eThe papers include reproductions of Williams' military papers and newspaper clippings, as well as an original 1985 newspaper clipping of an article about Williams and a letter to Williams from the White House.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers and 12 original photographs from Lt. Col. Eldrige F. Williams' time in the United States Army and Air Force. The materials date from 1941 to 1992 and document Williams' experience as a Tuskegee Airman as well as his life after World War II. The photographs include a portrait of Captain Charles \"Buster\" Hall, the first Black pilot to down a German fighter, official Air Force photographs of Black military basketball, football, baseball, and tennis players and teams (including the Tuskeegee War Hawks), and photographs of Tuskegee airmen with their planes.","The papers include reproductions of Williams' military papers and newspaper clippings, as well as an original 1985 newspaper clipping of an article about Williams and a letter to Williams from the White House."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"aef1a6bfdaefc69ba4e0a2db","timestamp":"2026-04-21T01:43:56.629Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/aef1a6bfdaefc69ba4e0a2db"}},{"id":"be6ce791bcd745e39261598f","type":"collection","attributes":{"title":"Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/be6ce791bcd745e39261598f#abstract_or_scope","type":"document_value","attributes":{"value":["The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career. Her involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/be6ce791bcd745e39261598f#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"be6ce791bcd745e39261598f","title_ssm":["Eleanor Merritt [Darlington] Collection"],"title_tesim":["Eleanor Merritt [Darlington] Collection"],"ead_ssi":"be6ce791bcd745e39261598f","unitdate_ssm":["1950-2019","1990-2019"],"unitdate_bulk_ssim":["1990-2019"],"unitdate_inclusive_ssm":["1950-2019"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["A.2022.0004","/repositories/11/resources/1933"],"text":["A.2022.0004","/repositories/11/resources/1933","Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019","Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting.","This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.","The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.","All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.","The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.","The John and Mable Ringling Museum of Art Archives","English"],"unitid_tesim":["A.2022.0004","/repositories/11/resources/1933"],"normalized_date_ssm":["1950-2019, bulk 1990-2019"],"normalized_title_ssm":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"collection_title_tesim":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"collection_ssim":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"repository_ssm":["The John and Mable Ringling Museum of Art Archives"],"repository_ssim":["The John and Mable Ringling Museum of Art Archives"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"access_subjects_ssim":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"access_subjects_ssm":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"has_online_content_ssim":["false"],"extent_ssm":["5.3 Linear Feet 17 Boxes"],"extent_tesim":["5.3 Linear Feet 17 Boxes"],"genreform_ssim":["Painting."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals."],"prefercite_html_tesm":["\u003cp\u003eThe John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019.\u003c/p\u003e"],"prefercite_tesim":["The John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019."],"scopecontent_html_tesm":["\u003cp\u003eThe Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.\u003c/p\u003e\n","\u003cp\u003eThe collection is arranged by subject in chronological order spanning from 1950 \u0026#x2013; 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. \u003c/p\u003e\n","\u003cp\u003eMerritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0d3e798eb2a8cee06c3eebf554d917ee\"\u003eThe Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.\u003c/abstract\u003e"],"abstract_tesim":["The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists."],"names_ssim":["The John and Mable Ringling Museum of Art Archives"],"corpname_ssim":["The John and Mable Ringling Museum of Art Archives"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"be6ce791bcd745e39261598f","timestamp":"2026-04-21T02:41:46.838Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"be6ce791bcd745e39261598f","title_ssm":["Eleanor Merritt [Darlington] Collection"],"title_tesim":["Eleanor Merritt [Darlington] Collection"],"ead_ssi":"be6ce791bcd745e39261598f","unitdate_ssm":["1950-2019","1990-2019"],"unitdate_bulk_ssim":["1990-2019"],"unitdate_inclusive_ssm":["1950-2019"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["A.2022.0004","/repositories/11/resources/1933"],"text":["A.2022.0004","/repositories/11/resources/1933","Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019","Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting.","This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.","The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.","All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.","The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.","The John and Mable Ringling Museum of Art Archives","English"],"unitid_tesim":["A.2022.0004","/repositories/11/resources/1933"],"normalized_date_ssm":["1950-2019, bulk 1990-2019"],"normalized_title_ssm":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"collection_title_tesim":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"collection_ssim":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"repository_ssm":["The John and Mable Ringling Museum of Art Archives"],"repository_ssim":["The John and Mable Ringling Museum of Art Archives"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"access_subjects_ssim":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"access_subjects_ssm":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"has_online_content_ssim":["false"],"extent_ssm":["5.3 Linear Feet 17 Boxes"],"extent_tesim":["5.3 Linear Feet 17 Boxes"],"genreform_ssim":["Painting."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals."],"prefercite_html_tesm":["\u003cp\u003eThe John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019.\u003c/p\u003e"],"prefercite_tesim":["The John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019."],"scopecontent_html_tesm":["\u003cp\u003eThe Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.\u003c/p\u003e\n","\u003cp\u003eThe collection is arranged by subject in chronological order spanning from 1950 \u0026#x2013; 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. \u003c/p\u003e\n","\u003cp\u003eMerritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0d3e798eb2a8cee06c3eebf554d917ee\"\u003eThe Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.\u003c/abstract\u003e"],"abstract_tesim":["The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists."],"names_ssim":["The John and Mable Ringling Museum of Art Archives"],"corpname_ssim":["The John and Mable Ringling Museum of Art Archives"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"be6ce791bcd745e39261598f","timestamp":"2026-04-21T02:41:46.838Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/be6ce791bcd745e39261598f"}},{"id":"4ecd9741f5ab1f086d98fc86_aspace_8fdd719698facdf40cf95b5217922cba","type":"File","attributes":{"title":"Eleanor Roosevelt - Articles, 1940-1984","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/4ecd9741f5ab1f086d98fc86_aspace_8fdd719698facdf40cf95b5217922cba#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eArticles and records surrounding Eleanor Roosevelt and conscientious objectors\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4ecd9741f5ab1f086d98fc86_aspace_8fdd719698facdf40cf95b5217922cba#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_8fdd719698facdf40cf95b5217922cba","ref_ssm":["aspace_8fdd719698facdf40cf95b5217922cba","aspace_8fdd719698facdf40cf95b5217922cba"],"id":"4ecd9741f5ab1f086d98fc86_aspace_8fdd719698facdf40cf95b5217922cba","title_filing_ssi":"Eleanor Roosevelt - Articles","title_ssm":["Eleanor Roosevelt - Articles"],"title_tesim":["Eleanor Roosevelt - Articles"],"unitdate_inclusive_ssm":["1940-1984"],"normalized_date_ssm":["1940-1984"],"normalized_title_ssm":["Eleanor Roosevelt - Articles, 1940-1984"],"text":["Eleanor Roosevelt - Articles, 1940-1984","Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006","Research, bulk 1871-2006","/repositories/2/archival_objects/77939","box 35","folder 1","Articles and records surrounding Eleanor Roosevelt and conscientious objectors"],"component_level_isim":[2],"parent_ids_ssim":["4ecd9741f5ab1f086d98fc86","4ecd9741f5ab1f086d98fc86_aspace_ff3bc41a85011bea5a51cdad9b65b38a"],"parent_unittitles_ssm":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006","Research, bulk 1871-2006"],"parent_unittitles_tesim":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006","Research, bulk 1871-2006"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/77939"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":350,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library. See less"],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections. See less See less"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"containers_ssim":["box 35","folder 1"],"scopecontent_html_tesm":["\u003cp\u003eArticles and records surrounding Eleanor Roosevelt and conscientious objectors\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Articles and records surrounding Eleanor Roosevelt and conscientious objectors"],"_nest_path_":"/components#0/components#348","_nest_parent_":"4ecd9741f5ab1f086d98fc86_aspace_ff3bc41a85011bea5a51cdad9b65b38a","_root_":"4ecd9741f5ab1f086d98fc86","timestamp":"2026-07-11T02:01:13.886Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4ecd9741f5ab1f086d98fc86","title_ssm":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection"],"title_tesim":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection"],"ead_ssi":"4ecd9741f5ab1f086d98fc86","unitdate_ssm":["1871 - 2006"],"unitdate_inclusive_ssm":["1871 - 2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UAFP0012","/repositories/2/resources/203"],"text":["UAFP0012","/repositories/2/resources/203","Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006","United States","World War, 1939-1945","University Archives","University Archives -- Faculty Papers"," Civilian Public Service -- History","World War, 1939-1945 -- Conscientious objectors -- United States","Oral history","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library. See less","The Frazer-O'Sullivan Collection contains the research for the co- authored book, We Have Just Begun to Not Fight: An Oral History of Conscientious Objectors in the Civilian Public Service During World War II, by Heather Frazer and John O'Sullivan. More than 40,000 American men refused to fight during World War II. Citing principled opposition, they declared themselves conscientious objectors. Rejecting combat duty, nearly 12,000 men entered Civilian Public Service (CPS) with the intent to perform \"work of national importance\" as an alternative to combat duty. The CPS program was set up by members of the historic peace churches (Mennonites, Brethren, and Quakers) and participated in by pacifists from other churches, of no specific religious persuasion, and, in the case of a few, no persuasion except not to fight in that particular war. CPS men worked as aides in mental hospitals, volunteered as smoke jumpers in forest fires, and participated in grueling medical and scientific experiments.  Frazer and O'Sullivan use the oral histories of 15 CPS men and two of their wives to illuminate their experience during World War II. ","Heather T. Frazer (1940 – 2016) was a professor of history at Florida Atlantic University. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure, she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history.","John O'Sullivan (1939-2000) was a professor of history at Florida Atlantic University. In 1971, he came to Florida Atlantic University where he served as chair of the History Department (1975-1978) and devoted his entire academic career. Dr. O'Sullivan received numerous research fellowships including the American Philosophical Society, the American Historical Association, and the Sloan Foundation. His areas of specialization were World War II, Vietnam War, Nuclear Age, the Holocaust, Peace History, Oral History and Modern American Political and Diplomatic Affairs.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections. See less See less","Florida Atlantic University Libraries","English"],"unitid_tesim":["UAFP0012","/repositories/2/resources/203"],"normalized_date_ssm":["1871 - 2006"],"normalized_title_ssm":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006"],"collection_title_tesim":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006"],"collection_ssim":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"geogname_ssm":["United States"],"geogname_ssim":["United States"],"places_ssim":["United States"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections. See less See less"],"access_subjects_ssim":["World War, 1939-1945","University Archives","University Archives -- Faculty Papers"," Civilian Public Service -- History","World War, 1939-1945 -- Conscientious objectors -- United States","Oral history"],"access_subjects_ssm":["World War, 1939-1945","University Archives","University Archives -- Faculty Papers"," Civilian Public Service -- History","World War, 1939-1945 -- Conscientious objectors -- United States","Oral history"],"has_online_content_ssim":["false"],"extent_ssm":["67 boxes"],"extent_tesim":["67 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library. See less\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library. See less"],"scopecontent_html_tesm":["\u003cp\u003eThe Frazer-O'Sullivan Collection contains the research for the co- authored book, We Have Just Begun to Not Fight: An Oral History of Conscientious Objectors in the Civilian Public Service During World War II, by Heather Frazer and John O'Sullivan. More than 40,000 American men refused to fight during World War II. Citing principled opposition, they declared themselves conscientious objectors. Rejecting combat duty, nearly 12,000 men entered Civilian Public Service (CPS) with the intent to perform \"work of national importance\" as an alternative to combat duty. The CPS program was set up by members of the historic peace churches (Mennonites, Brethren, and Quakers) and participated in by pacifists from other churches, of no specific religious persuasion, and, in the case of a few, no persuasion except not to fight in that particular war. CPS men worked as aides in mental hospitals, volunteered as smoke jumpers in forest fires, and participated in grueling medical and scientific experiments.  Frazer and O'Sullivan use the oral histories of 15 CPS men and two of their wives to illuminate their experience during World War II. \u003c/p\u003e\n","\u003cp\u003eHeather T. Frazer (1940 \u0026#x2013; 2016) was a professor of history at Florida Atlantic University. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure, she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history.\u003c/p\u003e\n","\u003cp\u003eJohn O'Sullivan (1939-2000) was a professor of history at Florida Atlantic University. In 1971, he came to Florida Atlantic University where he served as chair of the History Department (1975-1978) and devoted his entire academic career. Dr. O'Sullivan received numerous research fellowships including the American Philosophical Society, the American Historical Association, and the Sloan Foundation. His areas of specialization were World War II, Vietnam War, Nuclear Age, the Holocaust, Peace History, Oral History and Modern American Political and Diplomatic Affairs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Frazer-O'Sullivan Collection contains the research for the co- authored book, We Have Just Begun to Not Fight: An Oral History of Conscientious Objectors in the Civilian Public Service During World War II, by Heather Frazer and John O'Sullivan. More than 40,000 American men refused to fight during World War II. Citing principled opposition, they declared themselves conscientious objectors. Rejecting combat duty, nearly 12,000 men entered Civilian Public Service (CPS) with the intent to perform \"work of national importance\" as an alternative to combat duty. The CPS program was set up by members of the historic peace churches (Mennonites, Brethren, and Quakers) and participated in by pacifists from other churches, of no specific religious persuasion, and, in the case of a few, no persuasion except not to fight in that particular war. CPS men worked as aides in mental hospitals, volunteered as smoke jumpers in forest fires, and participated in grueling medical and scientific experiments.  Frazer and O'Sullivan use the oral histories of 15 CPS men and two of their wives to illuminate their experience during World War II. ","Heather T. Frazer (1940 – 2016) was a professor of history at Florida Atlantic University. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure, she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history.","John O'Sullivan (1939-2000) was a professor of history at Florida Atlantic University. In 1971, he came to Florida Atlantic University where he served as chair of the History Department (1975-1978) and devoted his entire academic career. Dr. O'Sullivan received numerous research fellowships including the American Philosophical Society, the American Historical Association, and the Sloan Foundation. His areas of specialization were World War II, Vietnam War, Nuclear Age, the Holocaust, Peace History, Oral History and Modern American Political and Diplomatic Affairs."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections. See less See less\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections. See less See less"],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"total_component_count_is":808,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"4ecd9741f5ab1f086d98fc86","timestamp":"2026-07-11T02:01:13.886Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4ecd9741f5ab1f086d98fc86_aspace_8fdd719698facdf40cf95b5217922cba"}},{"id":"d9915248895df739abe6b52e_aspace_f708408d01d47b2beca5ca6c19ae48b0","type":"Subseries","attributes":{"title":"Election, 1971-02-1-1979-04-24","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d9915248895df739abe6b52e_aspace_f708408d01d47b2beca5ca6c19ae48b0#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_f708408d01d47b2beca5ca6c19ae48b0","ref_ssm":["aspace_f708408d01d47b2beca5ca6c19ae48b0","aspace_f708408d01d47b2beca5ca6c19ae48b0"],"id":"d9915248895df739abe6b52e_aspace_f708408d01d47b2beca5ca6c19ae48b0","title_filing_ssi":"Election","title_ssm":["Election"],"title_tesim":["Election"],"unitdate_inclusive_ssm":["1971-02-1-1979-04-24"],"normalized_date_ssm":["1971-02-1-1979-04-24"],"normalized_title_ssm":["Election, 1971-02-1-1979-04-24"],"text":["Election, 1971-02-1-1979-04-24","Sallye Brooks Mathis Papers, 1934-2015","City Council and Governmental, 1949-08-17-2015-05-21","/repositories/3/archival_objects/9487","box 2","folder 5","box 6","folder 2"],"component_level_isim":[2],"parent_ids_ssim":["d9915248895df739abe6b52e","d9915248895df739abe6b52e_aspace_e10d563ebce10eb0e9fafdc7023b3af4"],"parent_unittitles_ssm":["Sallye Brooks Mathis Papers, 1934-2015","City Council and Governmental, 1949-08-17-2015-05-21"],"parent_unittitles_tesim":["Sallye Brooks Mathis Papers, 1934-2015","City Council and Governmental, 1949-08-17-2015-05-21"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/9487"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Sallye Brooks Mathis Papers, 1934-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":25,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringment and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information."],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977,1978,1979],"containers_ssim":["box 2","folder 5","box 6","folder 2"],"_nest_path_":"/components#1/components#1","_nest_parent_":"d9915248895df739abe6b52e_aspace_e10d563ebce10eb0e9fafdc7023b3af4","_root_":"d9915248895df739abe6b52e","timestamp":"2026-07-10T03:22:16.950Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d9915248895df739abe6b52e","title_ssm":["Sallye Brooks Mathis Papers"],"title_tesim":["Sallye Brooks Mathis Papers"],"ead_ssi":"d9915248895df739abe6b52e","unitdate_ssm":["1934-2015"],"unitdate_inclusive_ssm":["1934-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2017.005","/repositories/3/resources/79"],"text":["2017.005","/repositories/3/resources/79","Sallye Brooks Mathis Papers, 1934-2015","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","Sallye Brooks Mathis, born on May 18, 1912, in Jacksonville, Florida, embarked upon her academic journey by obtaining an Associate of Arts Degree from Bethune-Cookman College. Following this, she pursued advanced studies at the Tuskegee Institute, ultimately graduating with her masters from the Florida Agricultural and Mechanical University. Her degrees earned were all in education. Her professional career unfolded as a distinguished educator in the Duval County Public School system, where she imparted knowledge to elementary school students and dispensed her expertise in high school history at Matthew Gilbert High School over a span of 28 years.","Beyond the confines of the classroom, Mathis demonstrated a fervent commitment to civil rights, rendering substantial service to the National Association for the Advancement of Colored People (NAACP). Instrumental in spearheading voter registration initiatives and orchestrating local events, her advocacy extended to membership in the League of Women Voters. The local NAACP chapter, recognizing her indomitable dedication, established an annual community service award in her honor. In 1967, Mathis etched her name in history as one of the first women and African Americans elected to the Jacksonville City Council.","Her legislative endeavors during her tenure on the City Council were indicative of her unwavering commitment to societal equity. Initiatives included the proposal for a Citizens' Police Review Board, advocacy for freely accessible public toilets, championing equal job opportunities in public agencies, and the advocacy for reduced bus fares for senior citizens. In 1977, Mathis assumed the mantle of founder for the Minority Women's Coalition (MWC), an organization designed to nurture the comprehensive development of women through educational and professional avenues while encouraging civic engagement. The MWC's core mission is geared towards the enhancement of educational opportunities through an annual scholarship awards program and the provision of emergency assistance to vulnerable families facing existential threats.","Acknowledging Mathis's formidable contributions to education, a Jacksonville school was christened the Sallye B. Mathis Elementary School in her honor. The campaign to immortalize Mathis's legacy was led by her sister, Grace Brooks Solomon. Solomon was an advocate for racial equality and education much like her sister. Subsequently, Solomon assumed the presidency of the MWC. Sallye Brooks Mathis passed away in 1982 at the age of 70, leaving an enduring legacy in Jacksonville that secured her a distinguished position in the Florida Civil Rights Hall of Fame.","See also: ","Grace Brooks Solomon Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.","Walch, B. H. (1990). New Black Voices: The growth and contributions of Sallye Mathis and Mary Singleton in Florida government. ","This collection is home to the personal papers of Sallye Brooks Mathis, one of Jacksonville, Florida's first Black women elected to its city council. These papers provide insight into the professional, political, and activist career of Mathis and the effect she had in shaping Jacksonville.","Series in this collection include the following:","Series 1 — Awards and Certificates (arranged chronologically) houses awards certificates, metals, plaques, and trophies that honor Sallye Brooks Mathis and her accomplishments.","Series 2 — City Council / Governmental (arranged alphabetically by sub-series).","Sub-Series 1 — Business Cards and Contacts houses the contact information of city council officials and associates of Mathis.","Sub-Series 2 — Elections (arranged chronologically) contains documents pertaining to Sallye Mathis' city council elections and campaigns.","Sub-Series 3 — Miscellaneous (arranged chronologically) houses governmental guides and deed books, as well as a conference ID.","Sub-Series 4 — Name Plates houses plaques and signs displaying Mathis' tenure throughout various districts on the Jacksonville City Council.","Sub-Series 5 — Newspaper clippings (arranged chronologically) houses newspaper articles concerning Mathis' professional career.","Sub-Series 6 — Photos (arranged chronologically) consists of photos of Mathis working on the Jacksonville City Council.","Series 3 — Miscellaneous houses one item, a 4H Insignia.","Series 4 — Obituaries and Death (arranged chronologically) consists of various documents detailing and honoring the deaths of Sallye Mathis, her mother, and others.","Series 5 — Personal (arranged alphabetically by sub-series).","Sub-Series 1 — Correspondence (arranged chronologically) contains short personal letters from friends.","Sub-Series 2 — Education (arranged chronologically) consists of various diplomas and yearbooks from Mathis' time as a graduate student and teacher.","Sub-Series 3 — Photos/Family Ephemera (arranged chronologically) houses various photos of family and tintypes and daguerreotypes of unknown peoples believed to be bought by the Mathis or Solomon family for personal collection.","Series 6 — Scrapbook. This series houses a large scrapbook filled with newspaper clippings detailing Mathis' political career.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringment and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information.","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2017.005","/repositories/3/resources/79"],"normalized_date_ssm":["1934-2015"],"normalized_title_ssm":["Sallye Brooks Mathis Papers, 1934-2015"],"collection_title_tesim":["Sallye Brooks Mathis Papers, 1934-2015"],"collection_ssim":["Sallye Brooks Mathis Papers, 1934-2015"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringment and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information."],"acqinfo_ssim":["The collection was acquired through donation from Brooke M. Stephens, 2017-07-27 and 2018-12-18."],"has_online_content_ssim":["false"],"extent_ssm":["3.83 Linear Feet"],"extent_tesim":["3.83 Linear Feet"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eSallye Brooks Mathis, born on May 18, 1912, in Jacksonville, Florida, embarked upon her academic journey by obtaining an Associate of Arts Degree from Bethune-Cookman College. Following this, she pursued advanced studies at the Tuskegee Institute, ultimately graduating with her masters from the Florida Agricultural and Mechanical University. Her degrees earned were all in education. Her professional career unfolded as a distinguished educator in the Duval County Public School system, where she imparted knowledge to elementary school students and dispensed her expertise in high school history at Matthew Gilbert High School over a span of 28 years.\u003c/p\u003e\n","\u003cp\u003eBeyond the confines of the classroom, Mathis demonstrated a fervent commitment to civil rights, rendering substantial service to the National Association for the Advancement of Colored People (NAACP). Instrumental in spearheading voter registration initiatives and orchestrating local events, her advocacy extended to membership in the League of Women Voters. The local NAACP chapter, recognizing her indomitable dedication, established an annual community service award in her honor. In 1967, Mathis etched her name in history as one of the first women and African Americans elected to the Jacksonville City Council.\u003c/p\u003e\n","\u003cp\u003eHer legislative endeavors during her tenure on the City Council were indicative of her unwavering commitment to societal equity. Initiatives included the proposal for a Citizens' Police Review Board, advocacy for freely accessible public toilets, championing equal job opportunities in public agencies, and the advocacy for reduced bus fares for senior citizens. In 1977, Mathis assumed the mantle of founder for the Minority Women's Coalition (MWC), an organization designed to nurture the comprehensive development of women through educational and professional avenues while encouraging civic engagement. The MWC's core mission is geared towards the enhancement of educational opportunities through an annual scholarship awards program and the provision of emergency assistance to vulnerable families facing existential threats.\u003c/p\u003e\n","\u003cp\u003eAcknowledging Mathis's formidable contributions to education, a Jacksonville school was christened the Sallye B. Mathis Elementary School in her honor. The campaign to immortalize Mathis's legacy was led by her sister, Grace Brooks Solomon. Solomon was an advocate for racial equality and education much like her sister. Subsequently, Solomon assumed the presidency of the MWC. Sallye Brooks Mathis passed away in 1982 at the age of 70, leaving an enduring legacy in Jacksonville that secured her a distinguished position in the Florida Civil Rights Hall of Fame.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Sallye Brooks Mathis, born on May 18, 1912, in Jacksonville, Florida, embarked upon her academic journey by obtaining an Associate of Arts Degree from Bethune-Cookman College. Following this, she pursued advanced studies at the Tuskegee Institute, ultimately graduating with her masters from the Florida Agricultural and Mechanical University. Her degrees earned were all in education. Her professional career unfolded as a distinguished educator in the Duval County Public School system, where she imparted knowledge to elementary school students and dispensed her expertise in high school history at Matthew Gilbert High School over a span of 28 years.","Beyond the confines of the classroom, Mathis demonstrated a fervent commitment to civil rights, rendering substantial service to the National Association for the Advancement of Colored People (NAACP). Instrumental in spearheading voter registration initiatives and orchestrating local events, her advocacy extended to membership in the League of Women Voters. The local NAACP chapter, recognizing her indomitable dedication, established an annual community service award in her honor. In 1967, Mathis etched her name in history as one of the first women and African Americans elected to the Jacksonville City Council.","Her legislative endeavors during her tenure on the City Council were indicative of her unwavering commitment to societal equity. Initiatives included the proposal for a Citizens' Police Review Board, advocacy for freely accessible public toilets, championing equal job opportunities in public agencies, and the advocacy for reduced bus fares for senior citizens. In 1977, Mathis assumed the mantle of founder for the Minority Women's Coalition (MWC), an organization designed to nurture the comprehensive development of women through educational and professional avenues while encouraging civic engagement. The MWC's core mission is geared towards the enhancement of educational opportunities through an annual scholarship awards program and the provision of emergency assistance to vulnerable families facing existential threats.","Acknowledging Mathis's formidable contributions to education, a Jacksonville school was christened the Sallye B. Mathis Elementary School in her honor. The campaign to immortalize Mathis's legacy was led by her sister, Grace Brooks Solomon. Solomon was an advocate for racial equality and education much like her sister. Subsequently, Solomon assumed the presidency of the MWC. Sallye Brooks Mathis passed away in 1982 at the age of 70, leaving an enduring legacy in Jacksonville that secured her a distinguished position in the Florida Civil Rights Hall of Fame."],"prefercite_html_tesm":["\u003cp\u003eSallye Brooks Mathis Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Sallye Brooks Mathis Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also: \u003c/p\u003e\n","\u003cp\u003eGrace Brooks Solomon Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e\n","\u003cp\u003eWalch, B. H. (1990). New Black Voices: The growth and contributions of Sallye Mathis and Mary Singleton in Florida government. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["See also: ","Grace Brooks Solomon Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.","Walch, B. H. (1990). New Black Voices: The growth and contributions of Sallye Mathis and Mary Singleton in Florida government. "],"scopecontent_html_tesm":["\u003cp\u003eThis collection is home to the personal papers of Sallye Brooks Mathis, one of Jacksonville, Florida's first Black women elected to its city council. These papers provide insight into the professional, political, and activist career\u0026#xA0;of Mathis and the effect she had in shaping Jacksonville.\u003c/p\u003e\n","\u003cp\u003eSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1 \u0026#x2014; Awards and Certificates (arranged chronologically) houses awards certificates, metals, plaques, and trophies that honor Sallye Brooks Mathis and her accomplishments.\u003c/p\u003e\n","\u003cp\u003eSeries 2 \u0026#x2014; City Council / Governmental (arranged alphabetically by sub-series).\u003c/p\u003e\n","\u003cp\u003eSub-Series 1 \u0026#x2014; Business Cards and Contacts houses the contact information of city council officials and associates of Mathis.\u003c/p\u003e\n","\u003cp\u003eSub-Series 2 \u0026#x2014; Elections (arranged chronologically) contains documents pertaining to Sallye Mathis' city council elections and campaigns.\u003c/p\u003e\n","\u003cp\u003eSub-Series 3 \u0026#x2014; Miscellaneous (arranged chronologically) houses governmental guides and deed books, as well as a conference ID.\u003c/p\u003e\n","\u003cp\u003eSub-Series 4 \u0026#x2014; Name Plates houses plaques and signs displaying Mathis' tenure throughout various districts on the Jacksonville City Council.\u003c/p\u003e\n","\u003cp\u003eSub-Series 5 \u0026#x2014; Newspaper clippings (arranged chronologically) houses newspaper articles concerning Mathis' professional career.\u003c/p\u003e\n","\u003cp\u003eSub-Series 6 \u0026#x2014; Photos (arranged chronologically) consists of photos of Mathis working on the Jacksonville City Council.\u003c/p\u003e\n","\u003cp\u003eSeries 3 \u0026#x2014; Miscellaneous houses one item, a 4H Insignia.\u003c/p\u003e\n","\u003cp\u003eSeries 4 \u0026#x2014; Obituaries and Death (arranged chronologically) consists of various documents detailing and honoring the deaths of Sallye Mathis, her mother, and others.\u003c/p\u003e\n","\u003cp\u003eSeries 5 \u0026#x2014; Personal (arranged alphabetically by sub-series).\u003c/p\u003e\n","\u003cp\u003eSub-Series 1 \u0026#x2014; Correspondence (arranged chronologically) contains short personal letters from friends.\u003c/p\u003e\n","\u003cp\u003eSub-Series 2 \u0026#x2014; Education (arranged chronologically) consists of various diplomas and yearbooks from Mathis' time as a graduate student and teacher.\u003c/p\u003e\n","\u003cp\u003eSub-Series 3 \u0026#x2014; Photos/Family Ephemera (arranged chronologically) houses various photos of family and tintypes and daguerreotypes of unknown peoples believed to be bought by the Mathis or Solomon family for personal collection.\u003c/p\u003e\n","\u003cp\u003eSeries 6 \u0026#x2014; Scrapbook. This series houses a large scrapbook filled with newspaper clippings detailing Mathis' political career.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is home to the personal papers of Sallye Brooks Mathis, one of Jacksonville, Florida's first Black women elected to its city council. These papers provide insight into the professional, political, and activist career of Mathis and the effect she had in shaping Jacksonville.","Series in this collection include the following:","Series 1 — Awards and Certificates (arranged chronologically) houses awards certificates, metals, plaques, and trophies that honor Sallye Brooks Mathis and her accomplishments.","Series 2 — City Council / Governmental (arranged alphabetically by sub-series).","Sub-Series 1 — Business Cards and Contacts houses the contact information of city council officials and associates of Mathis.","Sub-Series 2 — Elections (arranged chronologically) contains documents pertaining to Sallye Mathis' city council elections and campaigns.","Sub-Series 3 — Miscellaneous (arranged chronologically) houses governmental guides and deed books, as well as a conference ID.","Sub-Series 4 — Name Plates houses plaques and signs displaying Mathis' tenure throughout various districts on the Jacksonville City Council.","Sub-Series 5 — Newspaper clippings (arranged chronologically) houses newspaper articles concerning Mathis' professional career.","Sub-Series 6 — Photos (arranged chronologically) consists of photos of Mathis working on the Jacksonville City Council.","Series 3 — Miscellaneous houses one item, a 4H Insignia.","Series 4 — Obituaries and Death (arranged chronologically) consists of various documents detailing and honoring the deaths of Sallye Mathis, her mother, and others.","Series 5 — Personal (arranged alphabetically by sub-series).","Sub-Series 1 — Correspondence (arranged chronologically) contains short personal letters from friends.","Sub-Series 2 — Education (arranged chronologically) consists of various diplomas and yearbooks from Mathis' time as a graduate student and teacher.","Sub-Series 3 — Photos/Family Ephemera (arranged chronologically) houses various photos of family and tintypes and daguerreotypes of unknown peoples believed to be bought by the Mathis or Solomon family for personal collection.","Series 6 — Scrapbook. This series houses a large scrapbook filled with newspaper clippings detailing Mathis' political career."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringment and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringment and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information."],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":63,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"d9915248895df739abe6b52e","timestamp":"2026-07-10T03:22:16.950Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d9915248895df739abe6b52e_aspace_f708408d01d47b2beca5ca6c19ae48b0"}},{"id":"5431aeb5d782b72e838eb840_aspace_52940","type":"File","attributes":{"title":"Election and Apportionment: Filing Fees, 1972","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5431aeb5d782b72e838eb840_aspace_52940#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_52940","ref_ssm":["aspace_52940","aspace_52940"],"id":"5431aeb5d782b72e838eb840_aspace_52940","title_filing_ssi":"Election and Apportionment: Filing Fees","title_ssm":["Election and Apportionment: Filing Fees"],"title_tesim":["Election and Apportionment: Filing Fees"],"unitdate_other_ssim":["1972"],"normalized_date_ssm":["1972"],"normalized_title_ssm":["Election and Apportionment: Filing Fees, 1972"],"text":["Election and Apportionment: Filing Fees, 1972","T. 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Terrell Sessums collection"],"ead_ssi":"5431aeb5d782b72e838eb840","unitdate_ssm":["1952-2009","Date acquired: 12/13/1974"],"unitdate_inclusive_ssm":["1952-2009"],"unitdate_other_ssim":["Date acquired: 12/13/1974"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1974-03","/repositories/2/resources/394"],"text":["MS-1974-03","/repositories/2/resources/394","T. Terrell Sessums collection, 1952-2009, Date acquired: 12/13/1974","Citrus County (Fla.)","Pasco County (Fla.)","Tampa (Fla.) -- History","Hernando County (Fla.) -- History","Constitutions","Education, Higher -- Florida","Florida -- Legislature -- House of Representatives","Florida Agricultural and Mechanical University","Hillsborough County (Fla.) -- Charters","School integration -- Florida -- Hillsborough County","State universities and colleges -- Florida","Sessums, T. Terrell -- Correspondence","Within series, by subject and type of material","A native Floridian, Terrell Sessums was born in 1930 in Daytona Beach. He was raised in Jacksonville, Florida, and received his bachelor's degree in political science from the University of Florida in 1953. After graduation, Sessums was commissioned as a 2 nd  Lieutenant in the United States Air Force. He was stationed in Alabama for three years before returning to the University of Florida to obtain his law degree, which he received in 1958. His legal career began in Tampa, where he gained exposure to Hillsborough County politics while working at the law firm of Hardee and Ott. During the 1959 and 1961 legislative sessions, Sessums worked as a legislative aide to former Senator Sam Gibbons, who played a key role in the establishment of the University of South Florida.  In 1963, Sessums was elected to the Florida House of Representatives, where he served as Speaker pro tempore from 1968 to 1970 and Speaker of the House from 1972 to 1974. During this time, Sessums remained greatly concerned with education in Florida.  He served as chairman of the House Education Committee from 1970 to 1972, and was particularly active in pressing for more equitable allocation of education funds. Sessums also played a major role in the establishment of the University of South Florida College of Medicine, which opened with its charter class in September of 1971.","Pearson, Paul. \"Silhouettes: Terrell Sessums.\"  La Gaceta . (August 19, 1994): 14.","Terrell T. Sessums, Carlton-Anthony Oral History Project, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Terrell T. Sessums Papers, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Note written by Jean Mcallister, 2010","T. 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He was stationed in Alabama for three years before returning to the University of Florida to obtain his law degree, which he received in 1958. His legal career began in Tampa, where he gained exposure to Hillsborough County politics while working at the law firm of Hardee and Ott. During the 1959 and 1961 legislative sessions, Sessums worked as a legislative aide to former Senator Sam Gibbons, who played a key role in the establishment of the University of South Florida.  In 1963, Sessums was elected to the Florida House of Representatives, where he served as Speaker pro tempore from 1968 to 1970 and Speaker of the House from 1972 to 1974. During this time, Sessums remained greatly concerned with education in Florida.  He served as chairman of the House Education Committee from 1970 to 1972, and was particularly active in pressing for more equitable allocation of education funds. 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