{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1971\u0026page=335","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1971\u0026page=334","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1971\u0026page=336","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1971\u0026page=498"},"meta":{"pages":{"current_page":335,"next_page":336,"prev_page":334,"total_pages":498,"limit_value":10,"offset_value":3340,"total_count":4973,"first_page?":false,"last_page?":false}},"data":[{"id":"80404a58a5dc7a53adf9a2ec_aspace_5d973fa244956181c9d3f5301a0a94a9","type":"Series","attributes":{"title":"Nine postcards showing Broward restaurants and coastal areas., Circa 1970-1990","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/80404a58a5dc7a53adf9a2ec_aspace_5d973fa244956181c9d3f5301a0a94a9#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5d973fa244956181c9d3f5301a0a94a9","ref_ssm":["aspace_5d973fa244956181c9d3f5301a0a94a9","aspace_5d973fa244956181c9d3f5301a0a94a9"],"id":"80404a58a5dc7a53adf9a2ec_aspace_5d973fa244956181c9d3f5301a0a94a9","title_filing_ssi":"Nine postcards showing Broward restaurants and coastal areas.","title_ssm":["Nine postcards showing Broward restaurants and coastal areas."],"title_tesim":["Nine postcards showing Broward restaurants and coastal areas."],"unitdate_inclusive_ssm":["Circa 1970-1990"],"normalized_date_ssm":["Circa 1970-1990"],"normalized_title_ssm":["Nine postcards showing Broward restaurants and coastal areas., Circa 1970-1990"],"text":["Nine postcards showing Broward restaurants and coastal areas., Circa 1970-1990","Gillis Historic Postcards Collection, Circa 1970-1990","/repositories/4/archival_objects/7714"],"component_level_isim":[1],"parent_ids_ssim":["80404a58a5dc7a53adf9a2ec"],"parent_unittitles_ssm":["Gillis Historic Postcards Collection, Circa 1970-1990"],"parent_unittitles_tesim":["Gillis Historic Postcards Collection, Circa 1970-1990"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/4/archival_objects/7714"],"repository_ssim":["Broward County Historical Archives"],"collection_ssim":["Gillis Historic Postcards Collection, Circa 1970-1990"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["The Gillis Historic Postcards Collection is open for research."],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"_nest_path_":"/components#0","_nest_parent_":"80404a58a5dc7a53adf9a2ec","_root_":"80404a58a5dc7a53adf9a2ec","timestamp":"2026-07-08T02:15:20.150Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"80404a58a5dc7a53adf9a2ec","title_ssm":["Gillis Historic Postcards Collection"],"title_tesim":["Gillis Historic Postcards Collection"],"ead_ssi":"80404a58a5dc7a53adf9a2ec","unitdate_ssm":["Circa 1970-1990"],"unitdate_inclusive_ssm":["Circa 1970-1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["BCHA.2010.31","/repositories/4/resources/238"],"text":["BCHA.2010.31","/repositories/4/resources/238","Gillis Historic Postcards Collection, Circa 1970-1990","The Gillis Historic Postcards Collection is open for research.","The collection was donated by historian, author, and curator for the Boca Raton History Museum Susan Gillis. 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Pal's restaurant has been demolished since 2007."],"prefercite_html_tesm":["\u003cp\u003eThe Gillis Historic Postcards Collection, Broward County Historical Archives, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["The Gillis Historic Postcards Collection, Broward County Historical Archives, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received container level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received container level processing. 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The primary source material gives a \"slice-of-life\" analysis and journalistic reactions to Nixon's resignation."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_47f9c0e3fe7181430620684fb71b2d76\"\u003eCollection of newspapers around the United States document the reaction to Richard M. Nixon's resignation in August 1974.\u003c/abstract\u003e"],"abstract_tesim":["Collection of newspapers around the United States document the reaction to Richard M. 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Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974],"_nest_path_":"/components#0/components#2/components#1/components#3","_nest_parent_":"98ff5eee275a3aba6d1d8b92_aspace_145570","_root_":"98ff5eee275a3aba6d1d8b92","_version_":1870863090338234368,"timestamp":"2026-07-16T09:27:58.578Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"98ff5eee275a3aba6d1d8b92","title_filing_ssi":"Pugh Collection of Amateur Periodicals, The","title_ssm":["The Pugh Collection of Amateur Periodicals"],"title_tesim":["The Pugh Collection of Amateur Periodicals"],"ead_ssi":"98ff5eee275a3aba6d1d8b92","unitdate_ssm":["1930-1982","1930-1950","Date acquired: 10/00/1997"],"unitdate_bulk_ssim":["1930-1950"],"unitdate_inclusive_ssm":["1930-1982"],"unitdate_other_ssim":["Date acquired: 10/00/1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1997-05","/repositories/2/resources/39"],"text":["MS-1997-05","/repositories/2/resources/39","The Pugh Collection of Amateur Periodicals, 1930-1982, Date acquired: 10/00/1997, bulk 1930-1950","Science fiction -- American","amateur press periodicals","alphabetical order by series","Mary L. 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The collection also includes materials associated with the National Amateur Press Association (NAPA) such as the  Artis  which included essays and news regarding current NAPA members and the  Denver Dingbat  that highlighted specific amateur writers that are members of NAPA as well as current events. Material includes records associated with NAPA, the American Amateur Press Association (AAPA) as well as the British Amateur Press Association (BAPA).","None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","Amateur press periodicals were miniature newspapers and magazines published for pleasure and intellectual improvement. Primarily published by inexperienced young men and women, these journals experienced an amateur golden era during the 1940s and 1950s. 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(1918-2005)"],"creator_ssim":["Pugh, Mary L. (1918-2005)"],"creator_persname_ssim":["Pugh, Mary L. (1918-2005)"],"creators_ssim":["Pugh, Mary L. (1918-2005)"],"access_terms_ssm":["None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Mary L. Pugh","unknown"],"access_subjects_ssim":["Science fiction -- American","amateur press periodicals"],"access_subjects_ssm":["Science fiction -- American","amateur press periodicals"],"has_online_content_ssim":["false"],"extent_ssm":["16.68 Linear Feet","42 boxes"],"extent_tesim":["16.68 Linear Feet","42 boxes"],"genreform_ssim":["amateur press periodicals"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"arrangement_html_tesm":["\u003cp\u003ealphabetical order by series\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["alphabetical order by series"],"bioghist_html_tesm":["\u003cp\u003eMary L. Pugh (1918-2005) was born in Scotland, Maryland. She was the sister of Joseph F. Bradburn, the original collector of the amateur press periodicals who contributed to the amateur press with his own works, including, \"A guide to beginners in Amateur Journalism\"; a sort of amateur press \"creed\" for the amateur periodical enthusiast. Joseph F. Bradburn was also the collector and preparer of material that became the Pugh Hobby Printing Collection.\u003c/p\u003e\n","\u003cp\u003eNote written by Yahaira Cruz Castro\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Mary L. Pugh (1918-2005) was born in Scotland, Maryland. She was the sister of Joseph F. Bradburn, the original collector of the amateur press periodicals who contributed to the amateur press with his own works, including, \"A guide to beginners in Amateur Journalism\"; a sort of amateur press \"creed\" for the amateur periodical enthusiast. Joseph F. Bradburn was also the collector and preparer of material that became the Pugh Hobby Printing Collection.","Note written by Yahaira Cruz Castro"],"prefercite_html_tesm":["\u003cp\u003eThe Pugh Collection of Amateur Periodicals, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"prefercite_tesim":["The Pugh Collection of Amateur Periodicals, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed"],"relatedmaterial_html_tesm":["\u003cp\u003eThe Pugh Hobby Printing Collection\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Pugh Hobby Printing Collection"],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes printing style pamphlets, periodicals with themes of science fiction, fantasy, religion, poetry and satire that is international in scope but mostly limited to English speaking countries of North American and the United Kingdom. Additionally, there are several volumes of amateur journalism in the collection. Programs for annual conventions are included as well. The collection also includes materials associated with the National Amateur Press Association (NAPA) such as the \u003cemph render=\"italic\"\u003eArtis\u003c/emph\u003e which included essays and news regarding current NAPA members and the \u003cemph render=\"italic\"\u003eDenver Dingbat\u003c/emph\u003e that highlighted specific amateur writers that are members of NAPA as well as current events. Material includes records associated with NAPA, the American Amateur Press Association (AAPA) as well as the British Amateur Press Association (BAPA).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection includes printing style pamphlets, periodicals with themes of science fiction, fantasy, religion, poetry and satire that is international in scope but mostly limited to English speaking countries of North American and the United Kingdom. Additionally, there are several volumes of amateur journalism in the collection. Programs for annual conventions are included as well. The collection also includes materials associated with the National Amateur Press Association (NAPA) such as the  Artis  which included essays and news regarding current NAPA members and the  Denver Dingbat  that highlighted specific amateur writers that are members of NAPA as well as current events. Material includes records associated with NAPA, the American Amateur Press Association (AAPA) as well as the British Amateur Press Association (BAPA)."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a882cc3b6f79b003a1786492dd4b6619\" label=\"Abstract\"\u003eAmateur press periodicals were miniature newspapers and magazines published for pleasure and intellectual improvement. Primarily published by inexperienced young men and women, these journals experienced an amateur golden era during the 1940s and 1950s. A few associations like the National Amateur Press Association (NAPA) are still operating to this day.\n\t \n\t\"A History of Amateur Press Associations\" (Rutgers University library)\n\tAmericanAntiquarianSociety.org\u003c/abstract\u003e"],"abstract_tesim":["Amateur press periodicals were miniature newspapers and magazines published for pleasure and intellectual improvement. Primarily published by inexperienced young men and women, these journals experienced an amateur golden era during the 1940s and 1950s. A few associations like the National Amateur Press Association (NAPA) are still operating to this day.\n\t \n\t\"A History of Amateur Press Associations\" (Rutgers University library)\n\tAmericanAntiquarianSociety.org"],"names_ssim":["USF Libraries - Tampa Special Collections","Pugh, Mary L. (1918-2005)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Pugh, Mary L. (1918-2005)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2329,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863090338234368,"_root_":"98ff5eee275a3aba6d1d8b92","timestamp":"2026-07-16T09:27:58.578Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/98ff5eee275a3aba6d1d8b92_aspace_149037"}},{"id":"9814e559b5e5e7e356011795","type":"collection","attributes":{"title":"Noel Wisdom collection, 1915-1982","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/9814e559b5e5e7e356011795#creator","type":"document_value","attributes":{"value":["Wisdom, Noel (1897-1983)"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/9814e559b5e5e7e356011795#abstract_or_scope","type":"document_value","attributes":{"value":["This collection contains original silhouette and sketch works of art by Wisdom, works published in newspapers, and the rough draft and final copy of his unpublished manuscript, \u003cem\u003eAround The World On Scissors\u003c/em\u003e. It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/9814e559b5e5e7e356011795#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"9814e559b5e5e7e356011795","title_ssm":["Noel Wisdom collection"],"title_tesim":["Noel Wisdom collection"],"ead_ssi":"9814e559b5e5e7e356011795","unitdate_ssm":["1915-1982"],"unitdate_inclusive_ssm":["1915-1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1976-02","/repositories/2/resources/191"],"text":["MS-1976-02","/repositories/2/resources/191","Noel Wisdom collection, 1915-1982","Portraits","Silhouettes","Letters","Photographs","World War, 1914-1918 -- Personal Narratives","Artists","This collection is arranged by type of work and is further sorted by subject. Wisdom's original silhouettes and some of those published in newspapers are found in Box 1 of the collection, while his written work, additional published materials, and the work of other artists are located in Box 2.","Noel Cuthbert Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side.  His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches.  Most of what he did in the trenches consisited of sketching profiles of his platoon.  One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching.  In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever.  He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles.  Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day.  At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island.  He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast.   Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs.  He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed.  During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago.  About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist.  In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg.  Noel Cuthbert Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve","Noel Wisdom Collection of Chromolithographic Prints","This collection consists of artwork, correspondence, photographs, postcards, diaries, and manuscripts.","None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information.","This collection contains original silhouette and sketch works of art by Wisdom, works published in newspapers, and the rough draft and final copy of his unpublished manuscript,  Around The World On Scissors . It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom.","USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)","English"],"unitid_tesim":["MS-1976-02","/repositories/2/resources/191"],"normalized_date_ssm":["1915-1982"],"normalized_title_ssm":["Noel Wisdom collection, 1915-1982"],"collection_title_tesim":["Noel Wisdom collection, 1915-1982"],"collection_ssim":["Noel Wisdom collection, 1915-1982"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Wisdom, Noel (1897-1983)"],"creator_ssim":["Wisdom, Noel (1897-1983)"],"creator_persname_ssim":["Wisdom, Noel (1897-1983)"],"creators_ssim":["Wisdom, Noel (1897-1983)"],"access_terms_ssm":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Noel Wisdom","Donation."],"access_subjects_ssim":["Portraits","Silhouettes","Letters","Photographs","World War, 1914-1918 -- Personal Narratives","Artists"],"access_subjects_ssm":["Portraits","Silhouettes","Letters","Photographs","World War, 1914-1918 -- Personal Narratives","Artists"],"has_online_content_ssim":["false"],"extent_ssm":["0.83 Linear Feet","2 boxes"],"extent_tesim":["0.83 Linear Feet","2 boxes"],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by type of work and is further sorted by subject. Wisdom's original silhouettes and some of those published in newspapers are found in Box 1 of the collection, while his written work, additional published materials, and the work of other artists are located in Box 2.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged by type of work and is further sorted by subject. Wisdom's original silhouettes and some of those published in newspapers are found in Box 1 of the collection, while his written work, additional published materials, and the work of other artists are located in Box 2."],"bioghist_html_tesm":["\u003cp\u003eNoel Cuthbert Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side.\u0026#xA0; His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.\u003c/p\u003e\n","\u003cp\u003eWisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"\u003c/p\u003e\n","\u003cp\u003eIn 1915 Wisdom was accepted for service and found himself in the British trenches.\u0026#xA0; Most of what he did in the trenches consisited of sketching profiles of his platoon.\u0026#xA0; One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.\u003c/p\u003e\n","\u003cp\u003eWhen the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching.\u0026#xA0; In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever.\u0026#xA0; He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles.\u0026#xA0; Within six weeks, Noel Wisdom had landed on the shores of Australia.\u003c/p\u003e\n","\u003cp\u003eHe worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day.\u0026#xA0; At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island.\u0026#xA0; He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast.\u0026#xA0;  Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.\u003c/p\u003e\n","\u003cp\u003eUpon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs.\u0026#xA0; He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed.\u0026#xA0; During World War II he snipped hundreds of servicemen for free.\u003c/p\u003e\n","\u003cp\u003eWisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago.\u0026#xA0; About this time he penned his still unpublished \u003cemph render=\"italic\"\u003eAround The World On Scissors\u003c/emph\u003e, a retrospective of his life as a soldier and silhouette artist.\u0026#xA0; In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg.\u0026#xA0; Noel Cuthbert Wisdom passed away in St. Petersburg in December of 1983.\u003c/p\u003e\n","\u003cp\u003eNote written by Rebecca Rieve\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Noel Cuthbert Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side.  His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches.  Most of what he did in the trenches consisited of sketching profiles of his platoon.  One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching.  In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever.  He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles.  Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day.  At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island.  He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast.   Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs.  He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed.  During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago.  About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist.  In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg.  Noel Cuthbert Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve"],"prefercite_html_tesm":["\u003cp\u003eNoel Wisdom Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Noel Wisdom Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eNoel Wisdom Collection of Chromolithographic Prints\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Noel Wisdom Collection of Chromolithographic Prints"],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of artwork, correspondence, photographs, postcards, diaries, and manuscripts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of artwork, correspondence, photographs, postcards, diaries, and manuscripts."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%C2%A0\"\u003ehttp://www.copyright.gov/\u003c/extref\u003efor more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_85dd84c4f239c5db38df45c917446121\" label=\"Abstract\"\u003eThis collection contains original silhouette and sketch works of art by Wisdom, works published in newspapers, and the rough draft and final copy of his unpublished manuscript, \u003cemph render=\"italic\"\u003eAround The World On Scissors\u003c/emph\u003e. It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains original silhouette and sketch works of art by Wisdom, works published in newspapers, and the rough draft and final copy of his unpublished manuscript,  Around The World On Scissors . It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom."],"names_ssim":["USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Wisdom, Noel (1897-1983)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":22,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"9814e559b5e5e7e356011795","timestamp":"2026-07-10T03:34:50.892Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"9814e559b5e5e7e356011795","title_ssm":["Noel Wisdom collection"],"title_tesim":["Noel Wisdom collection"],"ead_ssi":"9814e559b5e5e7e356011795","unitdate_ssm":["1915-1982"],"unitdate_inclusive_ssm":["1915-1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1976-02","/repositories/2/resources/191"],"text":["MS-1976-02","/repositories/2/resources/191","Noel Wisdom collection, 1915-1982","Portraits","Silhouettes","Letters","Photographs","World War, 1914-1918 -- Personal Narratives","Artists","This collection is arranged by type of work and is further sorted by subject. Wisdom's original silhouettes and some of those published in newspapers are found in Box 1 of the collection, while his written work, additional published materials, and the work of other artists are located in Box 2.","Noel Cuthbert Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side.  His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches.  Most of what he did in the trenches consisited of sketching profiles of his platoon.  One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching.  In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever.  He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles.  Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day.  At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island.  He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast.   Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs.  He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed.  During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago.  About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist.  In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg.  Noel Cuthbert Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve","Noel Wisdom Collection of Chromolithographic Prints","This collection consists of artwork, correspondence, photographs, postcards, diaries, and manuscripts.","None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information.","This collection contains original silhouette and sketch works of art by Wisdom, works published in newspapers, and the rough draft and final copy of his unpublished manuscript,  Around The World On Scissors . It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom.","USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)","English"],"unitid_tesim":["MS-1976-02","/repositories/2/resources/191"],"normalized_date_ssm":["1915-1982"],"normalized_title_ssm":["Noel Wisdom collection, 1915-1982"],"collection_title_tesim":["Noel Wisdom collection, 1915-1982"],"collection_ssim":["Noel Wisdom collection, 1915-1982"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Wisdom, Noel (1897-1983)"],"creator_ssim":["Wisdom, Noel (1897-1983)"],"creator_persname_ssim":["Wisdom, Noel (1897-1983)"],"creators_ssim":["Wisdom, Noel (1897-1983)"],"access_terms_ssm":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Noel Wisdom","Donation."],"access_subjects_ssim":["Portraits","Silhouettes","Letters","Photographs","World War, 1914-1918 -- Personal Narratives","Artists"],"access_subjects_ssm":["Portraits","Silhouettes","Letters","Photographs","World War, 1914-1918 -- Personal Narratives","Artists"],"has_online_content_ssim":["false"],"extent_ssm":["0.83 Linear Feet","2 boxes"],"extent_tesim":["0.83 Linear Feet","2 boxes"],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by type of work and is further sorted by subject. Wisdom's original silhouettes and some of those published in newspapers are found in Box 1 of the collection, while his written work, additional published materials, and the work of other artists are located in Box 2.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged by type of work and is further sorted by subject. Wisdom's original silhouettes and some of those published in newspapers are found in Box 1 of the collection, while his written work, additional published materials, and the work of other artists are located in Box 2."],"bioghist_html_tesm":["\u003cp\u003eNoel Cuthbert Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side.\u0026#xA0; His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.\u003c/p\u003e\n","\u003cp\u003eWisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"\u003c/p\u003e\n","\u003cp\u003eIn 1915 Wisdom was accepted for service and found himself in the British trenches.\u0026#xA0; Most of what he did in the trenches consisited of sketching profiles of his platoon.\u0026#xA0; One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.\u003c/p\u003e\n","\u003cp\u003eWhen the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching.\u0026#xA0; In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever.\u0026#xA0; He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles.\u0026#xA0; Within six weeks, Noel Wisdom had landed on the shores of Australia.\u003c/p\u003e\n","\u003cp\u003eHe worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day.\u0026#xA0; At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island.\u0026#xA0; He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast.\u0026#xA0;  Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.\u003c/p\u003e\n","\u003cp\u003eUpon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs.\u0026#xA0; He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed.\u0026#xA0; During World War II he snipped hundreds of servicemen for free.\u003c/p\u003e\n","\u003cp\u003eWisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago.\u0026#xA0; About this time he penned his still unpublished \u003cemph render=\"italic\"\u003eAround The World On Scissors\u003c/emph\u003e, a retrospective of his life as a soldier and silhouette artist.\u0026#xA0; In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg.\u0026#xA0; Noel Cuthbert Wisdom passed away in St. Petersburg in December of 1983.\u003c/p\u003e\n","\u003cp\u003eNote written by Rebecca Rieve\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Noel Cuthbert Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side.  His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches.  Most of what he did in the trenches consisited of sketching profiles of his platoon.  One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching.  In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever.  He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles.  Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day.  At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island.  He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast.   Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs.  He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed.  During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago.  About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist.  In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg.  Noel Cuthbert Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve"],"prefercite_html_tesm":["\u003cp\u003eNoel Wisdom Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Noel Wisdom Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eNoel Wisdom Collection of Chromolithographic Prints\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Noel Wisdom Collection of Chromolithographic Prints"],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of artwork, correspondence, photographs, postcards, diaries, and manuscripts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of artwork, correspondence, photographs, postcards, diaries, and manuscripts."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%C2%A0\"\u003ehttp://www.copyright.gov/\u003c/extref\u003efor more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_85dd84c4f239c5db38df45c917446121\" label=\"Abstract\"\u003eThis collection contains original silhouette and sketch works of art by Wisdom, works published in newspapers, and the rough draft and final copy of his unpublished manuscript, \u003cemph render=\"italic\"\u003eAround The World On Scissors\u003c/emph\u003e. It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains original silhouette and sketch works of art by Wisdom, works published in newspapers, and the rough draft and final copy of his unpublished manuscript,  Around The World On Scissors . It also contains several volumes of Wisdom's diaries and handwritten observations of his life, as well as photographs of Wisdom."],"names_ssim":["USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Wisdom, Noel (1897-1983)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":22,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"9814e559b5e5e7e356011795","timestamp":"2026-07-10T03:34:50.892Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9814e559b5e5e7e356011795"}},{"id":"d04cab8476f09c07fda6d350_aspace_22bf8e61f19a662eadf10f8d2a5f2777","type":"File","attributes":{"title":"No Exit, 1971-02","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d04cab8476f09c07fda6d350_aspace_22bf8e61f19a662eadf10f8d2a5f2777#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_22bf8e61f19a662eadf10f8d2a5f2777","ref_ssm":["aspace_22bf8e61f19a662eadf10f8d2a5f2777","aspace_22bf8e61f19a662eadf10f8d2a5f2777"],"id":"d04cab8476f09c07fda6d350_aspace_22bf8e61f19a662eadf10f8d2a5f2777","title_filing_ssi":"No Exit","title_ssm":["No Exit"],"title_tesim":["No Exit"],"unitdate_other_ssim":["1971-02"],"normalized_date_ssm":["1971-02"],"normalized_title_ssm":["No Exit, 1971-02"],"text":["No Exit, 1971-02","Florida Southern College Vagabonds Records, 1926-2025","Box 10","/repositories/4/archival_objects/5806","folder 18"],"component_level_isim":[2],"parent_ids_ssim":["d04cab8476f09c07fda6d350","d04cab8476f09c07fda6d350_aspace_ab39ad6cb75bb28e0579195babf8a251"],"parent_unittitles_ssm":["Florida Southern College Vagabonds Records, 1926-2025","Box 10"],"parent_unittitles_tesim":["Florida Southern College Vagabonds Records, 1926-2025","Box 10"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["/repositories/4/archival_objects/5806"],"repository_ssim":["The Florida Southern College Archives"],"collection_ssim":["Florida Southern College Vagabonds Records, 1926-2025"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":213,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["The Vagabonds Records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions - archives@flsouthern.edu."],"date_range_isim":[1971],"containers_ssim":["folder 18"],"_nest_path_":"/components#9/components#17","_nest_parent_":"d04cab8476f09c07fda6d350_aspace_ab39ad6cb75bb28e0579195babf8a251","_root_":"d04cab8476f09c07fda6d350","_version_":1870846317419298816,"timestamp":"2026-07-16T05:01:22.860Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d04cab8476f09c07fda6d350","title_ssm":["Florida Southern College Vagabonds Records"],"title_tesim":["Florida Southern College Vagabonds Records"],"ead_ssi":"d04cab8476f09c07fda6d350","unitdate_ssm":["1926-2025"],"unitdate_inclusive_ssm":["1926-2025"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["CA8020","/repositories/4/resources/42"],"text":["CA8020","/repositories/4/resources/42","Florida Southern College Vagabonds Records, 1926-2025","College theater","Student organizations","Performing arts","Florida Southern College--Students.","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials.","The materials in this collection are arranged alphabetically by name of program/performance.","Vagabonds is a campus organization for those interested in theatre, theatre production, and dance. Vagabonds raises awareness for the performing arts represented on campus. Vagabond members are not limited to just students of the performing arts departments but also to those who enjoy and appreciate the performing arts. The Vagabonds is the oldest student organization on campus. It provides performance opportunities in lab productions, improv, and student cabarets.","This collection may include materials that reflect certain cultural attitudes and opinions common during the time of their creation. 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Please inquire if you have questions - archives@flsouthern.edu.","The Florida Southern College Archives","Florida Southern College","English"],"unitid_tesim":["CA8020","/repositories/4/resources/42"],"normalized_date_ssm":["1926-2025"],"normalized_title_ssm":["Florida Southern College Vagabonds Records, 1926-2025"],"collection_title_tesim":["Florida Southern College Vagabonds Records, 1926-2025"],"collection_ssim":["Florida Southern College Vagabonds Records, 1926-2025"],"repository_ssm":["The Florida Southern College Archives"],"repository_ssim":["The Florida Southern College Archives"],"creator_ssm":["Florida Southern College"],"creator_ssim":["Florida Southern College"],"creator_corpname_ssim":["Florida Southern College"],"creators_ssim":["Florida Southern College"],"access_terms_ssm":["The Vagabonds Records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions - archives@flsouthern.edu."],"acqinfo_ssim":["These materials were generated by the college and transferred to the archives upon completion of their active status.\nThis is an active record group and new materials are added periodically."],"access_subjects_ssim":["College theater","Student organizations","Performing arts","Florida Southern College--Students."],"access_subjects_ssm":["College theater","Student organizations","Performing arts","Florida Southern College--Students."],"has_online_content_ssim":["false"],"extent_ssm":["12.9 Linear Feet"],"extent_tesim":["12.9 Linear Feet"],"date_range_isim":[1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. 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Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials in this collection are arranged alphabetically by name of program/performance.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials in this collection are arranged alphabetically by name of program/performance."],"bioghist_html_tesm":["\u003cp\u003eVagabonds is a campus organization for those interested in theatre, theatre production, and dance. Vagabonds raises awareness for the performing arts represented on campus. Vagabond members are not limited to just students of the performing arts departments but also to those who enjoy and appreciate the performing arts. The Vagabonds is the oldest student organization on campus. It provides performance opportunities in lab productions, improv, and student cabarets.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Vagabonds is a campus organization for those interested in theatre, theatre production, and dance. Vagabonds raises awareness for the performing arts represented on campus. Vagabond members are not limited to just students of the performing arts departments but also to those who enjoy and appreciate the performing arts. The Vagabonds is the oldest student organization on campus. It provides performance opportunities in lab productions, improv, and student cabarets."],"odd_html_tesm":["\u003cp\u003eThis collection may include materials that reflect certain cultural attitudes and opinions common during the time of their creation. Florida Southern College, Roux Library, and McKay Archives do not promote the attitudes depicted in these materials, but they are included to document the historical record.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["This collection may include materials that reflect certain cultural attitudes and opinions common during the time of their creation. Florida Southern College, Roux Library, and McKay Archives do not promote the attitudes depicted in these materials, but they are included to document the historical record."],"scopecontent_html_tesm":["\u003cp\u003eThe records of the Vagabonds organization contain playbills and other promotional materials; photographs; scripts; newspaper articles; and sketches. 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Please inquire if you have questions - archives@flsouthern.edu."],"names_ssim":["The Florida Southern College Archives","Florida Southern College"],"corpname_ssim":["The Florida Southern College Archives","Florida Southern College"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":403,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870846317419298816,"_root_":"d04cab8476f09c07fda6d350","timestamp":"2026-07-16T05:01:22.860Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d04cab8476f09c07fda6d350_aspace_22bf8e61f19a662eadf10f8d2a5f2777"}},{"id":"5431aeb5d782b72e838eb840_aspace_52864","type":"File","attributes":{"title":"No-Fault Insurance Bill, 1971-1972","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5431aeb5d782b72e838eb840_aspace_52864#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_52864","ref_ssm":["aspace_52864","aspace_52864"],"id":"5431aeb5d782b72e838eb840_aspace_52864","title_filing_ssi":"No-Fault Insurance Bill","title_ssm":["No-Fault Insurance Bill"],"title_tesim":["No-Fault Insurance Bill"],"unitdate_inclusive_ssm":["1971-1972"],"normalized_date_ssm":["1971-1972"],"normalized_title_ssm":["No-Fault Insurance Bill, 1971-1972"],"text":["No-Fault Insurance Bill, 1971-1972","T. 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In 1963, Sessums was elected to the Florida House of Representatives, where he served as Speaker pro tempore from 1968 to 1970 and Speaker of the House from 1972 to 1974. During this time, Sessums remained greatly concerned with education in Florida.  He served as chairman of the House Education Committee from 1970 to 1972, and was particularly active in pressing for more equitable allocation of education funds. Sessums also played a major role in the establishment of the University of South Florida College of Medicine, which opened with its charter class in September of 1971.","Pearson, Paul. \"Silhouettes: Terrell Sessums.\"  La Gaceta . (August 19, 1994): 14.","Terrell T. Sessums, Carlton-Anthony Oral History Project, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Terrell T. Sessums Papers, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Note written by Jean Mcallister, 2010","T. 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Legislative Investigation Committee","University of South Florida "],"names_ssim":["USF Libraries - Tampa Special Collections","Florida. Legislature. Legislative Investigation Committee","University of South Florida ","Sessums, Thomas Terrell (1930-2020)"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Florida. Legislature. 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These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. \u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"d20aa889e8ea8129c93e6502","title_ssm":["Nola Perez Papers"],"title_tesim":["Nola Perez Papers"],"ead_ssi":"d20aa889e8ea8129c93e6502","unitdate_ssm":["1969-2022"],"unitdate_inclusive_ssm":["1969-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2016.006","/repositories/3/resources/78"],"text":["2016.006","/repositories/3/resources/78","Nola Perez Papers, 1969-2022","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. ","This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2016.006","/repositories/3/resources/78"],"normalized_date_ssm":["1969-2022"],"normalized_title_ssm":["Nola Perez Papers, 1969-2022"],"collection_title_tesim":["Nola Perez Papers, 1969-2022"],"collection_ssim":["Nola Perez Papers, 1969-2022"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Nola B. Perez, 2016-09-06."],"has_online_content_ssim":["false"],"extent_ssm":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"extent_tesim":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eNola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. \u003c/p\u003e\n","\u003cp\u003eDuring her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.\u003c/p\u003e\n","\u003cp\u003eIn the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.\u003c/p\u003e\n","\u003cp\u003eUpon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. "],"prefercite_html_tesm":["\u003cp\u003eNola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Nola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. \u003c/p\u003e\n","\u003cp\u003eSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1 \u0026#x2013; Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez\u003c/p\u003e\n","\u003cp\u003eSeries 2 \u0026#x2013; Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles\u003c/p\u003e\n","\u003cp\u003eSeries 3 \u0026#x2013; Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails\u003c/p\u003e\n","\u003cp\u003eSeries 4 \u0026#x2013; Critiques (arranged chronologically) include critical receptions of Nola Perez's work\u003c/p\u003e\n","\u003cp\u003eSeries 5 \u0026#x2013; Events (arranged alphabetically by subseries)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Book Signings and Poetry Readings (arranged chronologically) includes information and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"\u003c/p\u003e\n","\u003cp\u003eSeries 6 \u0026#x2013; Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation\u003c/p\u003e\n","\u003cp\u003eSeries 7 \u0026#x2013; Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career\u003c/p\u003e\n","\u003cp\u003eSeries 8 \u0026#x2013; Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Photographs (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Publications (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 5 \u0026#x2013; Workshops (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSeries 9 \u0026#x2013; Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events\u003c/p\u003e\n","\u003cp\u003eSeries 10 \u0026#x2013; Poetry (arranged chronologically) contains a collection of Nola's poetry\u003c/p\u003e\n","\u003cp\u003eSeries 11 \u0026#x2013; Publications (arranged alphabetically by type of publication)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Books (arranged chronologically by publication date; chronological files within each book published)\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Journals (arranged chronologically by publication date)\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website\u003c/p\u003e\n","\u003cp\u003eSeries 12 \u0026#x2013; Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia\u003c/p\u003e\n","\u003cp\u003eSeries 13 \u0026#x2013; Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop"],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":231,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860591887810560,"_root_":"d20aa889e8ea8129c93e6502","timestamp":"2026-07-16T08:48:16.050Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d20aa889e8ea8129c93e6502","title_ssm":["Nola Perez Papers"],"title_tesim":["Nola Perez Papers"],"ead_ssi":"d20aa889e8ea8129c93e6502","unitdate_ssm":["1969-2022"],"unitdate_inclusive_ssm":["1969-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2016.006","/repositories/3/resources/78"],"text":["2016.006","/repositories/3/resources/78","Nola Perez Papers, 1969-2022","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. ","This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2016.006","/repositories/3/resources/78"],"normalized_date_ssm":["1969-2022"],"normalized_title_ssm":["Nola Perez Papers, 1969-2022"],"collection_title_tesim":["Nola Perez Papers, 1969-2022"],"collection_ssim":["Nola Perez Papers, 1969-2022"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Nola B. Perez, 2016-09-06."],"has_online_content_ssim":["false"],"extent_ssm":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"extent_tesim":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eNola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. \u003c/p\u003e\n","\u003cp\u003eDuring her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.\u003c/p\u003e\n","\u003cp\u003eIn the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.\u003c/p\u003e\n","\u003cp\u003eUpon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. "],"prefercite_html_tesm":["\u003cp\u003eNola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Nola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. \u003c/p\u003e\n","\u003cp\u003eSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1 \u0026#x2013; Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez\u003c/p\u003e\n","\u003cp\u003eSeries 2 \u0026#x2013; Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles\u003c/p\u003e\n","\u003cp\u003eSeries 3 \u0026#x2013; Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails\u003c/p\u003e\n","\u003cp\u003eSeries 4 \u0026#x2013; Critiques (arranged chronologically) include critical receptions of Nola Perez's work\u003c/p\u003e\n","\u003cp\u003eSeries 5 \u0026#x2013; Events (arranged alphabetically by subseries)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Book Signings and Poetry Readings (arranged chronologically) includes information and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"\u003c/p\u003e\n","\u003cp\u003eSeries 6 \u0026#x2013; Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation\u003c/p\u003e\n","\u003cp\u003eSeries 7 \u0026#x2013; Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career\u003c/p\u003e\n","\u003cp\u003eSeries 8 \u0026#x2013; Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Photographs (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Publications (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 5 \u0026#x2013; Workshops (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSeries 9 \u0026#x2013; Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events\u003c/p\u003e\n","\u003cp\u003eSeries 10 \u0026#x2013; Poetry (arranged chronologically) contains a collection of Nola's poetry\u003c/p\u003e\n","\u003cp\u003eSeries 11 \u0026#x2013; Publications (arranged alphabetically by type of publication)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Books (arranged chronologically by publication date; chronological files within each book published)\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Journals (arranged chronologically by publication date)\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website\u003c/p\u003e\n","\u003cp\u003eSeries 12 \u0026#x2013; Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia\u003c/p\u003e\n","\u003cp\u003eSeries 13 \u0026#x2013; Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop"],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":231,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860591887810560,"_root_":"d20aa889e8ea8129c93e6502","timestamp":"2026-07-16T08:48:16.050Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502"}},{"id":"5431aeb5d782b72e838eb840_aspace_54646","type":"File","attributes":{"title":"Nominee Letters and Steering Campaign, Part 1, 1968-1972","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5431aeb5d782b72e838eb840_aspace_54646#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_54646","ref_ssm":["aspace_54646","aspace_54646"],"id":"5431aeb5d782b72e838eb840_aspace_54646","title_filing_ssi":"Nominee Letters and Steering Campaign, Part 1","title_ssm":["Nominee Letters and Steering Campaign, Part 1"],"title_tesim":["Nominee Letters and Steering Campaign, Part 1"],"unitdate_inclusive_ssm":["1968-1972"],"normalized_date_ssm":["1968-1972"],"normalized_title_ssm":["Nominee Letters and Steering Campaign, Part 1, 1968-1972"],"text":["Nominee Letters and Steering Campaign, Part 1, 1968-1972","T. 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