{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1971\u0026page=212","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1971\u0026page=211","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1971\u0026page=213","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1971\u0026page=498"},"meta":{"pages":{"current_page":212,"next_page":213,"prev_page":211,"total_pages":498,"limit_value":10,"offset_value":2110,"total_count":4973,"first_page?":false,"last_page?":false}},"data":[{"id":"949504c75ba6663d25604ef1","type":"collection","attributes":{"title":"Harrison Sayre Circus Collection, 1863-2001, Date acquired: 00/00/2010, bulk 1949-1994","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/949504c75ba6663d25604ef1#abstract_or_scope","type":"document_value","attributes":{"value":["Materials about circuses, circus performers, and circus industry from all over the world, mainly North and South America and Europe. 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After Mr. Sayre's death the collection was donated by his daughter, Carol Sayre Perfit, to the Florida State University Libraries, Special Collections and Archives division, in 2010.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Collection was created by Harrison Sayre. After Mr. Sayre's death the collection was donated by his daughter, Carol Sayre Perfit, to the Florida State University Libraries, Special Collections and Archives division, in 2010."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Harrison Sayre Circus Collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \nhttps://purl.lib.fsu.edu/fa/MSS-2010-007\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Harrison Sayre Circus Collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. \nhttps://purl.lib.fsu.edu/fa/MSS-2010-007"],"scopecontent_html_tesm":["\u003cp\u003eThe Harrison Sayre Circus Collection contains approximately 8,000 photographs, including 8\" x 10\" autographs, snapshots, slides and negatives, as well as circus programs, posters and other circus memorabilia collected from circuses attended mostly in the mid-Atlantic region during the second half of the 20th century. As a collection, many of the photographs offer a comprehensive study of circus performer costume design and production style.\n\u003cbr\u003e\u003cbr\u003e\u003cemph render=\"bold\"\u003eNote to researchers:\u003c/emph\u003e This collection is in process, and portions remain unavailable to researchers at this time. Please contact FSU Libraries Special Collections \u0026amp; Archives for more information.\u003c/p\u003e","\u003cp\u003eSelect materials from the Sayre Collection have been digitized and are available through the \u003cextref href=\"https://diginole.lib.fsu.edu/islandora/object/fsu:sayrecircus\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["The Harrison Sayre Circus Collection contains approximately 8,000 photographs, including 8\" x 10\" autographs, snapshots, slides and negatives, as well as circus programs, posters and other circus memorabilia collected from circuses attended mostly in the mid-Atlantic region during the second half of the 20th century. 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A list of books received is in the donor file."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e8bfdf8f775ea163293ed18613358c3c\" label=\"Abstract\"\u003eMaterials about circuses, circus performers, and circus industry from all over the world, mainly North and South America and Europe. Includes photographs, books, posters, flyers, pamphlets, circus programs, and related materials dating primarily from the 1940s-1990s..\u003c/abstract\u003e"],"abstract_tesim":["Materials about circuses, circus performers, and circus industry from all over the world, mainly North and South America and Europe. Includes photographs, books, posters, flyers, pamphlets, circus programs, and related materials dating primarily from the 1940s-1990s.."],"names_coll_ssim":["Ringling Brothers Barnum and Bailey Combined Shows","Clyde Beatty-Cole Bros. Circus","Big Apple Circus"],"names_ssim":["FSU Special Collections \u0026 Archives","Ringling Brothers Barnum and Bailey Combined Shows","Clyde Beatty-Cole Bros. 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For nearly all of his adult life, Sayre visited the circus whenever he could and fastidiously photographed and collected artifacts of all that he experienced. As a member of the Circus Fans of America, he traveled to see circuses in places as far away as Australia, Russia and Hawaii.","Collection was created by Harrison Sayre. After Mr. Sayre's death the collection was donated by his daughter, Carol Sayre Perfit, to the Florida State University Libraries, Special Collections and Archives division, in 2010.","The Harrison Sayre Circus Collection contains approximately 8,000 photographs, including 8\" x 10\" autographs, snapshots, slides and negatives, as well as circus programs, posters and other circus memorabilia collected from circuses attended mostly in the mid-Atlantic region during the second half of the 20th century. 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For nearly all of his adult life, Sayre visited the circus whenever he could and fastidiously photographed and collected artifacts of all that he experienced. As a member of the Circus Fans of America, he traveled to see circuses in places as far away as Australia, Russia and Hawaii.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["While on the surface a quiet, reserved Navy veteran from New England, Harrison Sayre (1913-2005) also had an alter ego that loved the spectacle of the Big Top. For nearly all of his adult life, Sayre visited the circus whenever he could and fastidiously photographed and collected artifacts of all that he experienced. As a member of the Circus Fans of America, he traveled to see circuses in places as far away as Australia, Russia and Hawaii."],"custodhist_html_tesm":["\u003cp\u003eCollection was created by Harrison Sayre. After Mr. Sayre's death the collection was donated by his daughter, Carol Sayre Perfit, to the Florida State University Libraries, Special Collections and Archives division, in 2010.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Collection was created by Harrison Sayre. After Mr. Sayre's death the collection was donated by his daughter, Carol Sayre Perfit, to the Florida State University Libraries, Special Collections and Archives division, in 2010."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Harrison Sayre Circus Collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \nhttps://purl.lib.fsu.edu/fa/MSS-2010-007\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Harrison Sayre Circus Collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. \nhttps://purl.lib.fsu.edu/fa/MSS-2010-007"],"scopecontent_html_tesm":["\u003cp\u003eThe Harrison Sayre Circus Collection contains approximately 8,000 photographs, including 8\" x 10\" autographs, snapshots, slides and negatives, as well as circus programs, posters and other circus memorabilia collected from circuses attended mostly in the mid-Atlantic region during the second half of the 20th century. As a collection, many of the photographs offer a comprehensive study of circus performer costume design and production style.\n\u003cbr\u003e\u003cbr\u003e\u003cemph render=\"bold\"\u003eNote to researchers:\u003c/emph\u003e This collection is in process, and portions remain unavailable to researchers at this time. Please contact FSU Libraries Special Collections \u0026amp; Archives for more information.\u003c/p\u003e","\u003cp\u003eSelect materials from the Sayre Collection have been digitized and are available through the \u003cextref href=\"https://diginole.lib.fsu.edu/islandora/object/fsu:sayrecircus\"\u003eFSU Digital Library\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available"],"scopecontent_tesim":["The Harrison Sayre Circus Collection contains approximately 8,000 photographs, including 8\" x 10\" autographs, snapshots, slides and negatives, as well as circus programs, posters and other circus memorabilia collected from circuses attended mostly in the mid-Atlantic region during the second half of the 20th century. As a collection, many of the photographs offer a comprehensive study of circus performer costume design and production style.\n Note to researchers:  This collection is in process, and portions remain unavailable to researchers at this time. Please contact FSU Libraries Special Collections \u0026 Archives for more information.","Select materials from the Sayre Collection have been digitized and are available through the  FSU Digital Library ."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks have been separated from the collection in order to be cataloged. A list of books received is in the donor file.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books have been separated from the collection in order to be cataloged. A list of books received is in the donor file."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e8bfdf8f775ea163293ed18613358c3c\" label=\"Abstract\"\u003eMaterials about circuses, circus performers, and circus industry from all over the world, mainly North and South America and Europe. Includes photographs, books, posters, flyers, pamphlets, circus programs, and related materials dating primarily from the 1940s-1990s..\u003c/abstract\u003e"],"abstract_tesim":["Materials about circuses, circus performers, and circus industry from all over the world, mainly North and South America and Europe. Includes photographs, books, posters, flyers, pamphlets, circus programs, and related materials dating primarily from the 1940s-1990s.."],"names_coll_ssim":["Ringling Brothers Barnum and Bailey Combined Shows","Clyde Beatty-Cole Bros. Circus","Big Apple Circus"],"names_ssim":["FSU Special Collections \u0026 Archives","Ringling Brothers Barnum and Bailey Combined Shows","Clyde Beatty-Cole Bros. 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"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/ad063c55a8b24474c74ce541#abstract_or_scope","type":"document_value","attributes":{"value":["Collection includes documents and photographs related to real estate developer Harrison W. Fox's business and activities during Post-World War II St. Petersburg."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ad063c55a8b24474c74ce541#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"ad063c55a8b24474c74ce541","title_ssm":["Harrison W. Fox Real Estate collection"],"title_tesim":["Harrison W. Fox Real Estate collection"],"ead_ssi":"ad063c55a8b24474c74ce541","unitdate_ssm":["1946-1987"],"unitdate_inclusive_ssm":["1946-1987"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SP-MS-1996-001","/repositories/3/resources/686"],"text":["SP-MS-1996-001","/repositories/3/resources/686","Harrison W. Fox Real Estate collection, 1946-1987","St. Petersburg (Fla.) ","Real estate developers","Real estate developers -- Florida","Real estate developers -- Florida -- Correspondence","Real estate development","Architecture","Records and Correspondence","Harrison W. Fox was a prominent and successful third generation real estate developer in post-WWII St Petersburg. Mr. Fox was a very active member of the National Association of Homebuilders (NAHB), and an officer in both the Homebuilder's Association of Greater St. Petersburg (of which he was a charter member and the Association's first secretary) and the St. Petersburg Builder's and Contractor's Association.","The collection contains the personal papers of Harrison W. Fox and materials documenting the National Association of Homebuilders, the Homebuilder's Association of Greater St. Petersburg, and St. Petersburg Builder's and Contractor's Association. Material types include correspondence, membership information, telegrams, board meeting notes and bylaws from 1946 through 1987. The collection includes photographs and home floor plans for properties constructed by Fox and Fox Builders. Corporate and business information such as ledger books, payroll records, and accounts from Empire Realty Company of William G. Fox (Harrison W. Fox's grandfather) are also in the collection.  ","Since the bulk of the collection traces the years immediately following World War II (1946-1955), it serves as an excellent micro-study of construction trends and concerns during this period in St. Petersburg. Please note there is also a portion of the collection containing incorporation and charter materials (c. 1925) of the Empire Realty Company of William G. Fox (grandfather of Harrison W. Fox). The collection's brochures, photographs and floor plans illustrate the popular designs of the period, while the personal correspondence and professional association papers indicate a feel for the costs and policies of that time. Although the collection is regional in nature, several NAHB documents contained within the collection characterize some of the building industry's particular concerns of the time period, such as veteran's housing and economics, that extends beyond purely regional concerns. The collection will be suited for researchers interested in the architecture, real estate development, and building practices of the time period.","None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","Collection includes documents and photographs related to real estate developer Harrison W. 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"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"acqinfo_ssim":["In 1996, Dr. Raymond Arsenault, Professor of History at the University of South Florida, donated the Fox real estate collection to the Special Collections department of the USF St. Petersburg Library."],"access_subjects_ssim":["Real estate developers","Real estate developers -- Florida","Real estate developers -- Florida -- Correspondence","Real estate development","Architecture","Records and Correspondence"],"access_subjects_ssm":["Real estate developers","Real estate developers -- Florida","Real estate developers -- Florida -- Correspondence","Real estate development","Architecture","Records and Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["6 boxes"],"extent_tesim":["6 boxes"],"date_range_isim":[1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987],"bioghist_html_tesm":["\u003cp\u003eHarrison W. Fox was a prominent and successful third generation real estate developer in post-WWII St Petersburg. Mr. Fox was a very active member of the National Association of Homebuilders (NAHB), and an officer in both the Homebuilder's Association of Greater St. Petersburg (of which he was a charter member and the Association's first secretary) and the St. Petersburg Builder's and Contractor's Association.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Harrison W. Fox was a prominent and successful third generation real estate developer in post-WWII St Petersburg. Mr. Fox was a very active member of the National Association of Homebuilders (NAHB), and an officer in both the Homebuilder's Association of Greater St. Petersburg (of which he was a charter member and the Association's first secretary) and the St. Petersburg Builder's and Contractor's Association."],"prefercite_html_tesm":["\u003cp\u003eHarrison W. Fox real estate collection, Nelson Poynter Memorial Library Special Collections and University Archives, University of South Florida, St. Petersburg, FL.\u003c/p\u003e"],"prefercite_tesim":["Harrison W. Fox real estate collection, Nelson Poynter Memorial Library Special Collections and University Archives, University of South Florida, St. Petersburg, FL."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains the personal papers of Harrison W. Fox and materials documenting the National Association of Homebuilders, the Homebuilder's Association of Greater St. Petersburg, and St. Petersburg Builder's and Contractor's Association. Material types include correspondence, membership information, telegrams, board meeting notes and bylaws from 1946 through 1987. The collection includes photographs and home floor plans for properties constructed by Fox and Fox Builders. Corporate and business information such as ledger books, payroll records, and accounts from Empire Realty Company of William G. Fox (Harrison W. Fox's grandfather) are also in the collection.  \u003c/p\u003e\n","\u003cp\u003eSince the bulk of the collection traces the years immediately following World War II (1946-1955), it serves as an excellent micro-study of construction trends and concerns during this period in St. Petersburg. Please note there is also a portion of the collection containing incorporation and charter materials (c. 1925) of the Empire Realty Company of William G. Fox (grandfather of Harrison W. Fox). The collection's brochures, photographs and floor plans illustrate the popular designs of the period, while the personal correspondence and professional association papers indicate a feel for the costs and policies of that time. Although the collection is regional in nature, several NAHB documents contained within the collection characterize some of the building industry's particular concerns of the time period, such as veteran's housing and economics, that extends beyond purely regional concerns. The collection will be suited for researchers interested in the architecture, real estate development, and building practices of the time period.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains the personal papers of Harrison W. Fox and materials documenting the National Association of Homebuilders, the Homebuilder's Association of Greater St. Petersburg, and St. Petersburg Builder's and Contractor's Association. Material types include correspondence, membership information, telegrams, board meeting notes and bylaws from 1946 through 1987. The collection includes photographs and home floor plans for properties constructed by Fox and Fox Builders. Corporate and business information such as ledger books, payroll records, and accounts from Empire Realty Company of William G. Fox (Harrison W. Fox's grandfather) are also in the collection.  ","Since the bulk of the collection traces the years immediately following World War II (1946-1955), it serves as an excellent micro-study of construction trends and concerns during this period in St. Petersburg. Please note there is also a portion of the collection containing incorporation and charter materials (c. 1925) of the Empire Realty Company of William G. Fox (grandfather of Harrison W. Fox). The collection's brochures, photographs and floor plans illustrate the popular designs of the period, while the personal correspondence and professional association papers indicate a feel for the costs and policies of that time. Although the collection is regional in nature, several NAHB documents contained within the collection characterize some of the building industry's particular concerns of the time period, such as veteran's housing and economics, that extends beyond purely regional concerns. The collection will be suited for researchers interested in the architecture, real estate development, and building practices of the time period."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4fb481189551b2b539137723d2129a33\"\u003eCollection includes documents and photographs related to real estate developer Harrison W. Fox's business and activities during Post-World War II St. Petersburg.\u003c/abstract\u003e"],"abstract_tesim":["Collection includes documents and photographs related to real estate developer Harrison W. Fox's business and activities during Post-World War II St. Petersburg."],"names_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives","Fox, Harrison W. "],"corpname_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"persname_ssim":["Fox, Harrison W. "],"language_ssim":["English"],"total_component_count_is":53,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870951977587834880,"_root_":"ad063c55a8b24474c74ce541","timestamp":"2026-07-17T09:00:48.254Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ad063c55a8b24474c74ce541","title_ssm":["Harrison W. Fox Real Estate collection"],"title_tesim":["Harrison W. Fox Real Estate collection"],"ead_ssi":"ad063c55a8b24474c74ce541","unitdate_ssm":["1946-1987"],"unitdate_inclusive_ssm":["1946-1987"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SP-MS-1996-001","/repositories/3/resources/686"],"text":["SP-MS-1996-001","/repositories/3/resources/686","Harrison W. Fox Real Estate collection, 1946-1987","St. Petersburg (Fla.) ","Real estate developers","Real estate developers -- Florida","Real estate developers -- Florida -- Correspondence","Real estate development","Architecture","Records and Correspondence","Harrison W. Fox was a prominent and successful third generation real estate developer in post-WWII St Petersburg. Mr. Fox was a very active member of the National Association of Homebuilders (NAHB), and an officer in both the Homebuilder's Association of Greater St. Petersburg (of which he was a charter member and the Association's first secretary) and the St. Petersburg Builder's and Contractor's Association.","The collection contains the personal papers of Harrison W. Fox and materials documenting the National Association of Homebuilders, the Homebuilder's Association of Greater St. Petersburg, and St. Petersburg Builder's and Contractor's Association. Material types include correspondence, membership information, telegrams, board meeting notes and bylaws from 1946 through 1987. The collection includes photographs and home floor plans for properties constructed by Fox and Fox Builders. Corporate and business information such as ledger books, payroll records, and accounts from Empire Realty Company of William G. Fox (Harrison W. Fox's grandfather) are also in the collection.  ","Since the bulk of the collection traces the years immediately following World War II (1946-1955), it serves as an excellent micro-study of construction trends and concerns during this period in St. Petersburg. Please note there is also a portion of the collection containing incorporation and charter materials (c. 1925) of the Empire Realty Company of William G. Fox (grandfather of Harrison W. Fox). The collection's brochures, photographs and floor plans illustrate the popular designs of the period, while the personal correspondence and professional association papers indicate a feel for the costs and policies of that time. Although the collection is regional in nature, several NAHB documents contained within the collection characterize some of the building industry's particular concerns of the time period, such as veteran's housing and economics, that extends beyond purely regional concerns. The collection will be suited for researchers interested in the architecture, real estate development, and building practices of the time period.","None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","Collection includes documents and photographs related to real estate developer Harrison W. Fox's business and activities during Post-World War II St. Petersburg.","USF Libraries - St. Petersburg Special Collections \u0026 University Archives","Fox, Harrison W. ","English"],"unitid_tesim":["SP-MS-1996-001","/repositories/3/resources/686"],"normalized_date_ssm":["1946-1987"],"normalized_title_ssm":["Harrison W. Fox Real Estate collection, 1946-1987"],"collection_title_tesim":["Harrison W. Fox Real Estate collection, 1946-1987"],"collection_ssim":["Harrison W. Fox Real Estate collection, 1946-1987"],"repository_ssm":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"repository_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"geogname_ssm":["St. Petersburg (Fla.) "],"geogname_ssim":["St. Petersburg (Fla.) "],"creator_ssm":["Fox, Harrison W. "],"creator_ssim":["Fox, Harrison W. "],"creator_persname_ssim":["Fox, Harrison W. "],"creators_ssim":["Fox, Harrison W. "],"places_ssim":["St. Petersburg (Fla.) "],"access_terms_ssm":["None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"acqinfo_ssim":["In 1996, Dr. Raymond Arsenault, Professor of History at the University of South Florida, donated the Fox real estate collection to the Special Collections department of the USF St. Petersburg Library."],"access_subjects_ssim":["Real estate developers","Real estate developers -- Florida","Real estate developers -- Florida -- Correspondence","Real estate development","Architecture","Records and Correspondence"],"access_subjects_ssm":["Real estate developers","Real estate developers -- Florida","Real estate developers -- Florida -- Correspondence","Real estate development","Architecture","Records and Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["6 boxes"],"extent_tesim":["6 boxes"],"date_range_isim":[1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987],"bioghist_html_tesm":["\u003cp\u003eHarrison W. Fox was a prominent and successful third generation real estate developer in post-WWII St Petersburg. Mr. Fox was a very active member of the National Association of Homebuilders (NAHB), and an officer in both the Homebuilder's Association of Greater St. Petersburg (of which he was a charter member and the Association's first secretary) and the St. Petersburg Builder's and Contractor's Association.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Harrison W. Fox was a prominent and successful third generation real estate developer in post-WWII St Petersburg. Mr. Fox was a very active member of the National Association of Homebuilders (NAHB), and an officer in both the Homebuilder's Association of Greater St. Petersburg (of which he was a charter member and the Association's first secretary) and the St. Petersburg Builder's and Contractor's Association."],"prefercite_html_tesm":["\u003cp\u003eHarrison W. Fox real estate collection, Nelson Poynter Memorial Library Special Collections and University Archives, University of South Florida, St. Petersburg, FL.\u003c/p\u003e"],"prefercite_tesim":["Harrison W. Fox real estate collection, Nelson Poynter Memorial Library Special Collections and University Archives, University of South Florida, St. Petersburg, FL."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains the personal papers of Harrison W. Fox and materials documenting the National Association of Homebuilders, the Homebuilder's Association of Greater St. Petersburg, and St. Petersburg Builder's and Contractor's Association. Material types include correspondence, membership information, telegrams, board meeting notes and bylaws from 1946 through 1987. The collection includes photographs and home floor plans for properties constructed by Fox and Fox Builders. Corporate and business information such as ledger books, payroll records, and accounts from Empire Realty Company of William G. Fox (Harrison W. Fox's grandfather) are also in the collection.  \u003c/p\u003e\n","\u003cp\u003eSince the bulk of the collection traces the years immediately following World War II (1946-1955), it serves as an excellent micro-study of construction trends and concerns during this period in St. Petersburg. Please note there is also a portion of the collection containing incorporation and charter materials (c. 1925) of the Empire Realty Company of William G. Fox (grandfather of Harrison W. Fox). The collection's brochures, photographs and floor plans illustrate the popular designs of the period, while the personal correspondence and professional association papers indicate a feel for the costs and policies of that time. Although the collection is regional in nature, several NAHB documents contained within the collection characterize some of the building industry's particular concerns of the time period, such as veteran's housing and economics, that extends beyond purely regional concerns. The collection will be suited for researchers interested in the architecture, real estate development, and building practices of the time period.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains the personal papers of Harrison W. Fox and materials documenting the National Association of Homebuilders, the Homebuilder's Association of Greater St. Petersburg, and St. Petersburg Builder's and Contractor's Association. Material types include correspondence, membership information, telegrams, board meeting notes and bylaws from 1946 through 1987. The collection includes photographs and home floor plans for properties constructed by Fox and Fox Builders. Corporate and business information such as ledger books, payroll records, and accounts from Empire Realty Company of William G. Fox (Harrison W. Fox's grandfather) are also in the collection.  ","Since the bulk of the collection traces the years immediately following World War II (1946-1955), it serves as an excellent micro-study of construction trends and concerns during this period in St. Petersburg. Please note there is also a portion of the collection containing incorporation and charter materials (c. 1925) of the Empire Realty Company of William G. Fox (grandfather of Harrison W. Fox). The collection's brochures, photographs and floor plans illustrate the popular designs of the period, while the personal correspondence and professional association papers indicate a feel for the costs and policies of that time. Although the collection is regional in nature, several NAHB documents contained within the collection characterize some of the building industry's particular concerns of the time period, such as veteran's housing and economics, that extends beyond purely regional concerns. The collection will be suited for researchers interested in the architecture, real estate development, and building practices of the time period."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4fb481189551b2b539137723d2129a33\"\u003eCollection includes documents and photographs related to real estate developer Harrison W. Fox's business and activities during Post-World War II St. Petersburg.\u003c/abstract\u003e"],"abstract_tesim":["Collection includes documents and photographs related to real estate developer Harrison W. Fox's business and activities during Post-World War II St. Petersburg."],"names_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives","Fox, Harrison W. "],"corpname_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"persname_ssim":["Fox, Harrison W. "],"language_ssim":["English"],"total_component_count_is":53,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870951977587834880,"_root_":"ad063c55a8b24474c74ce541","timestamp":"2026-07-17T09:00:48.254Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ad063c55a8b24474c74ce541"}},{"id":"d52338797b12a30d7208f7b4","type":"collection","attributes":{"title":"Harry A. Cronk collection, 1957-1990","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/d52338797b12a30d7208f7b4#creator","type":"document_value","attributes":{"value":["Cronk, Harry A."],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/d52338797b12a30d7208f7b4#abstract_or_scope","type":"document_value","attributes":{"value":["The Harry A. Cronk collection, 1957-1990 primarily documents Cronk's career with Pan American World Airways, or Pan Am, and NASA, supporting national defense and manned spaceflight during the height of the space race between 1950 and 1970. Materials consist of certificates, ephemera, photographs, publications, reports, and a hard hat. This collection is useful to historical research into Harry Cronk, Pan Am, and NASA projects. Harry Alden Cronk was born in Cleveland, Ohio in 1922 and died in Merritt Island, Florida in 2004. He enlisted in the United States Army during World War II, earned a mechanical engineering degree from Georgia Tech, and served in the Army Corps of Engineers. In 1950, Cronk married Mary Jane Brewer and worked for Bendix in a defense contractor position. In 1957, he began to work for Armco steel before moving to Merritt Island, Florida, accepting a job with Pan American World Airways in 1960. Cronk became Chief Staff Engineer in 1962. Pan Am, and Cronk, directly supported the Apollo 11 mission that achieved the moon landing on July 20th, 1969. He also contributed to the Skylab missions and the first international manned space mission in 1975. He retired from Johnson Controls in 1990. He later passed away in 2004."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d52338797b12a30d7208f7b4#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"d52338797b12a30d7208f7b4","title_ssm":["Harry A. Cronk collection"],"title_tesim":["Harry A. Cronk collection"],"ead_ssi":"d52338797b12a30d7208f7b4","unitdate_ssm":["1957-1990"],"unitdate_inclusive_ssm":["1957-1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC126","/repositories/4/resources/231"],"text":["SC126","/repositories/4/resources/231","Harry A. Cronk collection, 1957-1990","Aerospace industries -- Employees","Government contractors -- United States","Space race","Space Transportation System","Engineers","photographs","publications (documents)","The entire collection is open for research.","The collection is arranged into 5 series based on record type. Each series is arranged chronologically.","Harry Alden Cronk was born in Cleveland, Ohio in 1922 and died in Merritt Island, Florida in 2004. He enlisted in the United States Army during World War II, earned a mechanical engineering degree from Georgia Tech, and served in the Army Corps of Engineers. In 1950, Cronk married Mary Jane Brewer and worked for Bendix in a defense contractor position. In 1957, he began to work for Armco steel before moving to Merritt Island, Florida, accepting a job with Pan American World Airways in 1960. Cronk became Chief Staff Engineer in 1962. Pan Am, and Cronk, directly supported the Apollo 11 mission that achieved the moon landing on July 20th, 1969. He also contributed to the Skylab missions and the first international manned space mission in 1975. He retired from Johnson Controls in 1990. He later passed away in 2004.","Processed by Antonice L. Morin. Finding aid prepared by Antonice L. Morin and Adam Hunt. Finding aid revised for consistency by Chloe Lanham in 2026.","Similar content may be found in the  Calvin D. Fowler collection , the  Scott H. Simpkinson collection , and the  Wagar Space collection .","The Harry A. Cronk collection, 1957-1990 primarily documents Cronk's career with Pan American World Airways, or Pan Am, and NASA, supporting national defense and manned spaceflight during the height of the space race between 1950 and 1970. Materials consist of certificates, ephemera, photographs, publications, reports, and a hard hat. This collection is useful to historical research into Harry Cronk, Pan Am, and NASA projects. ","Series I: Certificates, 1969-1986, undated contains certificates given to Cronk from Pan Am and NASA for missions he contributed to. ","Series II: Ephemera, undated contains ephemera including patches and pins from Cronk's time working with Pan Am and NASA. ","Series III: Photographs, 1960-1978, undated contains photographic prints of Pan Am workers, NASA Apollo and Gemini projects, astronauts, and other Aerospace subjects. ","Series IV: Publications, 1957-1990, undated contains Pan Am, NASA, and Aerospace technical and entertainment publications. ","Series V: Reports, 1961-1988, undated contains memoranda and other textual documents Cronk collected during his time with Pan Am and NASA.","Two publications  Pictorial History of Cape Kennedy, 1950-1965  and NASA SP-425  The Martian Landscape  were removed and cataloged separately. Search the UCF Libraries catalog to view the catalog records for these items.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Harry A. Cronk collection, 1957-1990 primarily documents Cronk's career with Pan American World Airways, or Pan Am, and NASA, supporting national defense and manned spaceflight during the height of the space race between 1950 and 1970. Materials consist of certificates, ephemera, photographs, publications, reports, and a hard hat. This collection is useful to historical research into Harry Cronk, Pan Am, and NASA projects.\n\nHarry Alden Cronk was born in Cleveland, Ohio in 1922 and died in Merritt Island, Florida in 2004. He enlisted in the United States Army during World War II, earned a mechanical engineering degree from Georgia Tech, and served in the Army Corps of Engineers. In 1950, Cronk married Mary Jane Brewer and worked for Bendix in a defense contractor position. In 1957, he began to work for Armco steel before moving to Merritt Island, Florida, accepting a job with Pan American World Airways in 1960. Cronk became Chief Staff Engineer in 1962. Pan Am, and Cronk, directly supported the Apollo 11 mission that achieved the moon landing on July 20th, 1969. He also contributed to the Skylab missions and the first international manned space mission in 1975. He retired from Johnson Controls in 1990. He later passed away in 2004.","UCF Special Collections","John F. Kennedy Space Center","United States. National Aeronautics and Space Administration","Pan American World Airways, Inc.","Cronk, Harry A.","English"],"unitid_tesim":["SC126","/repositories/4/resources/231"],"normalized_date_ssm":["1957-1990"],"normalized_title_ssm":["Harry A. Cronk collection, 1957-1990"],"collection_title_tesim":["Harry A. Cronk collection, 1957-1990"],"collection_ssim":["Harry A. Cronk collection, 1957-1990"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Cronk, Harry A.","Cronk, Harry A."],"creator_ssim":["Cronk, Harry A.","Cronk, Harry A."],"creator_persname_ssim":["Cronk, Harry A.","Cronk, Harry A."],"creators_ssim":["Cronk, Harry A.","Cronk, Harry A."],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Donated by Lori Walters in 2021 (CFM2021_05)."],"access_subjects_ssim":["Aerospace industries -- Employees","Government contractors -- United States","Space race","Space Transportation System","Engineers","photographs","publications (documents)"],"access_subjects_ssm":["Aerospace industries -- Employees","Government contractors -- United States","Space race","Space Transportation System","Engineers","photographs","publications (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["3.6 Linear Feet 4 boxes"],"extent_tesim":["3.6 Linear Feet 4 boxes"],"genreform_ssim":["photographs","publications (documents)"],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 5 series based on record type. Each series is arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into 5 series based on record type. Each series is arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eHarry Alden Cronk was born in Cleveland, Ohio in 1922 and died in Merritt Island, Florida in 2004. He enlisted in the United States Army during World War II, earned a mechanical engineering degree from Georgia Tech, and served in the Army Corps of Engineers. In 1950, Cronk married Mary Jane Brewer and worked for Bendix in a defense contractor position. In 1957, he began to work for Armco steel before moving to Merritt Island, Florida, accepting a job with Pan American World Airways in 1960. Cronk became Chief Staff Engineer in 1962. Pan Am, and Cronk, directly supported the Apollo 11 mission that achieved the moon landing on July 20th, 1969. He also contributed to the Skylab missions and the first international manned space mission in 1975. He retired from Johnson Controls in 1990. He later passed away in 2004.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Harry Alden Cronk was born in Cleveland, Ohio in 1922 and died in Merritt Island, Florida in 2004. He enlisted in the United States Army during World War II, earned a mechanical engineering degree from Georgia Tech, and served in the Army Corps of Engineers. In 1950, Cronk married Mary Jane Brewer and worked for Bendix in a defense contractor position. In 1957, he began to work for Armco steel before moving to Merritt Island, Florida, accepting a job with Pan American World Airways in 1960. Cronk became Chief Staff Engineer in 1962. Pan Am, and Cronk, directly supported the Apollo 11 mission that achieved the moon landing on July 20th, 1969. He also contributed to the Skylab missions and the first international manned space mission in 1975. He retired from Johnson Controls in 1990. He later passed away in 2004."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Harry A. Cronk collection, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Harry A. Cronk collection, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Antonice L. Morin. Finding aid prepared by Antonice L. Morin and Adam Hunt. Finding aid revised for consistency by Chloe Lanham in 2026.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["Processed by Antonice L. Morin. Finding aid prepared by Antonice L. Morin and Adam Hunt. Finding aid revised for consistency by Chloe Lanham in 2026."],"relatedmaterial_html_tesm":["\u003cp\u003eSimilar content may be found in the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2021_04\"\u003eCalvin D. Fowler collection\u003c/extref\u003e, the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2003-08\"\u003eScott H. Simpkinson collection\u003c/extref\u003e, and the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1973-06\"\u003eWagar Space collection\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Similar content may be found in the  Calvin D. Fowler collection , the  Scott H. Simpkinson collection , and the  Wagar Space collection ."],"scopecontent_html_tesm":["\u003cp\u003eThe Harry A. Cronk collection, 1957-1990 primarily documents Cronk's career with Pan American World Airways, or Pan Am, and NASA, supporting national defense and manned spaceflight during the height of the space race between 1950 and 1970. Materials consist of certificates, ephemera, photographs, publications, reports, and a hard hat. This collection is useful to historical research into Harry Cronk, Pan Am, and NASA projects. \u003c/p\u003e\n","\u003cp\u003eSeries I: Certificates, 1969-1986, undated contains certificates given to Cronk from Pan Am and NASA for missions he contributed to. \u003c/p\u003e\n","\u003cp\u003eSeries II: Ephemera, undated contains ephemera including patches and pins from Cronk's time working with Pan Am and NASA. \u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1960-1978, undated contains photographic prints of Pan Am workers, NASA Apollo and Gemini projects, astronauts, and other Aerospace subjects. \u003c/p\u003e\n","\u003cp\u003eSeries IV: Publications, 1957-1990, undated contains Pan Am, NASA, and Aerospace technical and entertainment publications. \u003c/p\u003e\n","\u003cp\u003eSeries V: Reports, 1961-1988, undated contains memoranda and other textual documents Cronk collected during his time with Pan Am and NASA.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Harry A. Cronk collection, 1957-1990 primarily documents Cronk's career with Pan American World Airways, or Pan Am, and NASA, supporting national defense and manned spaceflight during the height of the space race between 1950 and 1970. Materials consist of certificates, ephemera, photographs, publications, reports, and a hard hat. This collection is useful to historical research into Harry Cronk, Pan Am, and NASA projects. ","Series I: Certificates, 1969-1986, undated contains certificates given to Cronk from Pan Am and NASA for missions he contributed to. ","Series II: Ephemera, undated contains ephemera including patches and pins from Cronk's time working with Pan Am and NASA. ","Series III: Photographs, 1960-1978, undated contains photographic prints of Pan Am workers, NASA Apollo and Gemini projects, astronauts, and other Aerospace subjects. ","Series IV: Publications, 1957-1990, undated contains Pan Am, NASA, and Aerospace technical and entertainment publications. ","Series V: Reports, 1961-1988, undated contains memoranda and other textual documents Cronk collected during his time with Pan Am and NASA."],"separatedmaterial_html_tesm":["\u003cp\u003eTwo publications \u003ci\u003ePictorial History of Cape Kennedy, 1950-1965\u003c/i\u003e and NASA SP-425 \u003ci\u003eThe Martian Landscape\u003c/i\u003e were removed and cataloged separately. Search the UCF Libraries catalog to view the catalog records for these items.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Two publications  Pictorial History of Cape Kennedy, 1950-1965  and NASA SP-425  The Martian Landscape  were removed and cataloged separately. Search the UCF Libraries catalog to view the catalog records for these items."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ef7f71da3efc79e619ecc611792c1975\" label=\"Abstract\"\u003eThe Harry A. Cronk collection, 1957-1990 primarily documents Cronk's career with Pan American World Airways, or Pan Am, and NASA, supporting national defense and manned spaceflight during the height of the space race between 1950 and 1970. Materials consist of certificates, ephemera, photographs, publications, reports, and a hard hat. This collection is useful to historical research into Harry Cronk, Pan Am, and NASA projects.\n\nHarry Alden Cronk was born in Cleveland, Ohio in 1922 and died in Merritt Island, Florida in 2004. He enlisted in the United States Army during World War II, earned a mechanical engineering degree from Georgia Tech, and served in the Army Corps of Engineers. In 1950, Cronk married Mary Jane Brewer and worked for Bendix in a defense contractor position. In 1957, he began to work for Armco steel before moving to Merritt Island, Florida, accepting a job with Pan American World Airways in 1960. Cronk became Chief Staff Engineer in 1962. Pan Am, and Cronk, directly supported the Apollo 11 mission that achieved the moon landing on July 20th, 1969. He also contributed to the Skylab missions and the first international manned space mission in 1975. He retired from Johnson Controls in 1990. He later passed away in 2004.\u003c/abstract\u003e"],"abstract_tesim":["The Harry A. Cronk collection, 1957-1990 primarily documents Cronk's career with Pan American World Airways, or Pan Am, and NASA, supporting national defense and manned spaceflight during the height of the space race between 1950 and 1970. Materials consist of certificates, ephemera, photographs, publications, reports, and a hard hat. This collection is useful to historical research into Harry Cronk, Pan Am, and NASA projects.\n\nHarry Alden Cronk was born in Cleveland, Ohio in 1922 and died in Merritt Island, Florida in 2004. He enlisted in the United States Army during World War II, earned a mechanical engineering degree from Georgia Tech, and served in the Army Corps of Engineers. In 1950, Cronk married Mary Jane Brewer and worked for Bendix in a defense contractor position. In 1957, he began to work for Armco steel before moving to Merritt Island, Florida, accepting a job with Pan American World Airways in 1960. Cronk became Chief Staff Engineer in 1962. Pan Am, and Cronk, directly supported the Apollo 11 mission that achieved the moon landing on July 20th, 1969. He also contributed to the Skylab missions and the first international manned space mission in 1975. He retired from Johnson Controls in 1990. He later passed away in 2004."],"names_coll_ssim":["John F. Kennedy Space Center","United States. National Aeronautics and Space Administration","Pan American World Airways, Inc.","Cronk, Harry A.","Cronk, Harry A."],"names_ssim":["UCF Special Collections","John F. Kennedy Space Center","United States. National Aeronautics and Space Administration","Pan American World Airways, Inc.","Cronk, Harry A."],"corpname_ssim":["UCF Special Collections","John F. Kennedy Space Center","United States. National Aeronautics and Space Administration","Pan American World Airways, Inc."],"persname_ssim":["Cronk, Harry A."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":77,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008255665176576,"_root_":"d52338797b12a30d7208f7b4","timestamp":"2026-11-05T09:01:02.374Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d52338797b12a30d7208f7b4","title_ssm":["Harry A. Cronk collection"],"title_tesim":["Harry A. Cronk collection"],"ead_ssi":"d52338797b12a30d7208f7b4","unitdate_ssm":["1957-1990"],"unitdate_inclusive_ssm":["1957-1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC126","/repositories/4/resources/231"],"text":["SC126","/repositories/4/resources/231","Harry A. Cronk collection, 1957-1990","Aerospace industries -- Employees","Government contractors -- United States","Space race","Space Transportation System","Engineers","photographs","publications (documents)","The entire collection is open for research.","The collection is arranged into 5 series based on record type. Each series is arranged chronologically.","Harry Alden Cronk was born in Cleveland, Ohio in 1922 and died in Merritt Island, Florida in 2004. He enlisted in the United States Army during World War II, earned a mechanical engineering degree from Georgia Tech, and served in the Army Corps of Engineers. In 1950, Cronk married Mary Jane Brewer and worked for Bendix in a defense contractor position. In 1957, he began to work for Armco steel before moving to Merritt Island, Florida, accepting a job with Pan American World Airways in 1960. Cronk became Chief Staff Engineer in 1962. Pan Am, and Cronk, directly supported the Apollo 11 mission that achieved the moon landing on July 20th, 1969. He also contributed to the Skylab missions and the first international manned space mission in 1975. He retired from Johnson Controls in 1990. He later passed away in 2004.","Processed by Antonice L. Morin. Finding aid prepared by Antonice L. Morin and Adam Hunt. Finding aid revised for consistency by Chloe Lanham in 2026.","Similar content may be found in the  Calvin D. Fowler collection , the  Scott H. Simpkinson collection , and the  Wagar Space collection .","The Harry A. Cronk collection, 1957-1990 primarily documents Cronk's career with Pan American World Airways, or Pan Am, and NASA, supporting national defense and manned spaceflight during the height of the space race between 1950 and 1970. Materials consist of certificates, ephemera, photographs, publications, reports, and a hard hat. This collection is useful to historical research into Harry Cronk, Pan Am, and NASA projects. ","Series I: Certificates, 1969-1986, undated contains certificates given to Cronk from Pan Am and NASA for missions he contributed to. ","Series II: Ephemera, undated contains ephemera including patches and pins from Cronk's time working with Pan Am and NASA. ","Series III: Photographs, 1960-1978, undated contains photographic prints of Pan Am workers, NASA Apollo and Gemini projects, astronauts, and other Aerospace subjects. ","Series IV: Publications, 1957-1990, undated contains Pan Am, NASA, and Aerospace technical and entertainment publications. ","Series V: Reports, 1961-1988, undated contains memoranda and other textual documents Cronk collected during his time with Pan Am and NASA.","Two publications  Pictorial History of Cape Kennedy, 1950-1965  and NASA SP-425  The Martian Landscape  were removed and cataloged separately. Search the UCF Libraries catalog to view the catalog records for these items.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Harry A. Cronk collection, 1957-1990 primarily documents Cronk's career with Pan American World Airways, or Pan Am, and NASA, supporting national defense and manned spaceflight during the height of the space race between 1950 and 1970. Materials consist of certificates, ephemera, photographs, publications, reports, and a hard hat. This collection is useful to historical research into Harry Cronk, Pan Am, and NASA projects.\n\nHarry Alden Cronk was born in Cleveland, Ohio in 1922 and died in Merritt Island, Florida in 2004. He enlisted in the United States Army during World War II, earned a mechanical engineering degree from Georgia Tech, and served in the Army Corps of Engineers. In 1950, Cronk married Mary Jane Brewer and worked for Bendix in a defense contractor position. In 1957, he began to work for Armco steel before moving to Merritt Island, Florida, accepting a job with Pan American World Airways in 1960. Cronk became Chief Staff Engineer in 1962. Pan Am, and Cronk, directly supported the Apollo 11 mission that achieved the moon landing on July 20th, 1969. He also contributed to the Skylab missions and the first international manned space mission in 1975. He retired from Johnson Controls in 1990. He later passed away in 2004.","UCF Special Collections","John F. Kennedy Space Center","United States. National Aeronautics and Space Administration","Pan American World Airways, Inc.","Cronk, Harry A.","English"],"unitid_tesim":["SC126","/repositories/4/resources/231"],"normalized_date_ssm":["1957-1990"],"normalized_title_ssm":["Harry A. Cronk collection, 1957-1990"],"collection_title_tesim":["Harry A. Cronk collection, 1957-1990"],"collection_ssim":["Harry A. Cronk collection, 1957-1990"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Cronk, Harry A.","Cronk, Harry A."],"creator_ssim":["Cronk, Harry A.","Cronk, Harry A."],"creator_persname_ssim":["Cronk, Harry A.","Cronk, Harry A."],"creators_ssim":["Cronk, Harry A.","Cronk, Harry A."],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Donated by Lori Walters in 2021 (CFM2021_05)."],"access_subjects_ssim":["Aerospace industries -- Employees","Government contractors -- United States","Space race","Space Transportation System","Engineers","photographs","publications (documents)"],"access_subjects_ssm":["Aerospace industries -- Employees","Government contractors -- United States","Space race","Space Transportation System","Engineers","photographs","publications (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["3.6 Linear Feet 4 boxes"],"extent_tesim":["3.6 Linear Feet 4 boxes"],"genreform_ssim":["photographs","publications (documents)"],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 5 series based on record type. Each series is arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into 5 series based on record type. Each series is arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eHarry Alden Cronk was born in Cleveland, Ohio in 1922 and died in Merritt Island, Florida in 2004. He enlisted in the United States Army during World War II, earned a mechanical engineering degree from Georgia Tech, and served in the Army Corps of Engineers. In 1950, Cronk married Mary Jane Brewer and worked for Bendix in a defense contractor position. In 1957, he began to work for Armco steel before moving to Merritt Island, Florida, accepting a job with Pan American World Airways in 1960. Cronk became Chief Staff Engineer in 1962. Pan Am, and Cronk, directly supported the Apollo 11 mission that achieved the moon landing on July 20th, 1969. He also contributed to the Skylab missions and the first international manned space mission in 1975. He retired from Johnson Controls in 1990. He later passed away in 2004.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Harry Alden Cronk was born in Cleveland, Ohio in 1922 and died in Merritt Island, Florida in 2004. He enlisted in the United States Army during World War II, earned a mechanical engineering degree from Georgia Tech, and served in the Army Corps of Engineers. In 1950, Cronk married Mary Jane Brewer and worked for Bendix in a defense contractor position. In 1957, he began to work for Armco steel before moving to Merritt Island, Florida, accepting a job with Pan American World Airways in 1960. Cronk became Chief Staff Engineer in 1962. Pan Am, and Cronk, directly supported the Apollo 11 mission that achieved the moon landing on July 20th, 1969. He also contributed to the Skylab missions and the first international manned space mission in 1975. He retired from Johnson Controls in 1990. He later passed away in 2004."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Harry A. Cronk collection, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Harry A. Cronk collection, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Antonice L. Morin. Finding aid prepared by Antonice L. Morin and Adam Hunt. Finding aid revised for consistency by Chloe Lanham in 2026.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["Processed by Antonice L. Morin. Finding aid prepared by Antonice L. Morin and Adam Hunt. Finding aid revised for consistency by Chloe Lanham in 2026."],"relatedmaterial_html_tesm":["\u003cp\u003eSimilar content may be found in the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2021_04\"\u003eCalvin D. Fowler collection\u003c/extref\u003e, the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2003-08\"\u003eScott H. Simpkinson collection\u003c/extref\u003e, and the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1973-06\"\u003eWagar Space collection\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Similar content may be found in the  Calvin D. Fowler collection , the  Scott H. Simpkinson collection , and the  Wagar Space collection ."],"scopecontent_html_tesm":["\u003cp\u003eThe Harry A. Cronk collection, 1957-1990 primarily documents Cronk's career with Pan American World Airways, or Pan Am, and NASA, supporting national defense and manned spaceflight during the height of the space race between 1950 and 1970. Materials consist of certificates, ephemera, photographs, publications, reports, and a hard hat. This collection is useful to historical research into Harry Cronk, Pan Am, and NASA projects. \u003c/p\u003e\n","\u003cp\u003eSeries I: Certificates, 1969-1986, undated contains certificates given to Cronk from Pan Am and NASA for missions he contributed to. \u003c/p\u003e\n","\u003cp\u003eSeries II: Ephemera, undated contains ephemera including patches and pins from Cronk's time working with Pan Am and NASA. \u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1960-1978, undated contains photographic prints of Pan Am workers, NASA Apollo and Gemini projects, astronauts, and other Aerospace subjects. \u003c/p\u003e\n","\u003cp\u003eSeries IV: Publications, 1957-1990, undated contains Pan Am, NASA, and Aerospace technical and entertainment publications. \u003c/p\u003e\n","\u003cp\u003eSeries V: Reports, 1961-1988, undated contains memoranda and other textual documents Cronk collected during his time with Pan Am and NASA.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Harry A. Cronk collection, 1957-1990 primarily documents Cronk's career with Pan American World Airways, or Pan Am, and NASA, supporting national defense and manned spaceflight during the height of the space race between 1950 and 1970. Materials consist of certificates, ephemera, photographs, publications, reports, and a hard hat. This collection is useful to historical research into Harry Cronk, Pan Am, and NASA projects. ","Series I: Certificates, 1969-1986, undated contains certificates given to Cronk from Pan Am and NASA for missions he contributed to. ","Series II: Ephemera, undated contains ephemera including patches and pins from Cronk's time working with Pan Am and NASA. ","Series III: Photographs, 1960-1978, undated contains photographic prints of Pan Am workers, NASA Apollo and Gemini projects, astronauts, and other Aerospace subjects. ","Series IV: Publications, 1957-1990, undated contains Pan Am, NASA, and Aerospace technical and entertainment publications. ","Series V: Reports, 1961-1988, undated contains memoranda and other textual documents Cronk collected during his time with Pan Am and NASA."],"separatedmaterial_html_tesm":["\u003cp\u003eTwo publications \u003ci\u003ePictorial History of Cape Kennedy, 1950-1965\u003c/i\u003e and NASA SP-425 \u003ci\u003eThe Martian Landscape\u003c/i\u003e were removed and cataloged separately. Search the UCF Libraries catalog to view the catalog records for these items.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Two publications  Pictorial History of Cape Kennedy, 1950-1965  and NASA SP-425  The Martian Landscape  were removed and cataloged separately. Search the UCF Libraries catalog to view the catalog records for these items."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ef7f71da3efc79e619ecc611792c1975\" label=\"Abstract\"\u003eThe Harry A. Cronk collection, 1957-1990 primarily documents Cronk's career with Pan American World Airways, or Pan Am, and NASA, supporting national defense and manned spaceflight during the height of the space race between 1950 and 1970. Materials consist of certificates, ephemera, photographs, publications, reports, and a hard hat. This collection is useful to historical research into Harry Cronk, Pan Am, and NASA projects.\n\nHarry Alden Cronk was born in Cleveland, Ohio in 1922 and died in Merritt Island, Florida in 2004. He enlisted in the United States Army during World War II, earned a mechanical engineering degree from Georgia Tech, and served in the Army Corps of Engineers. In 1950, Cronk married Mary Jane Brewer and worked for Bendix in a defense contractor position. In 1957, he began to work for Armco steel before moving to Merritt Island, Florida, accepting a job with Pan American World Airways in 1960. Cronk became Chief Staff Engineer in 1962. Pan Am, and Cronk, directly supported the Apollo 11 mission that achieved the moon landing on July 20th, 1969. He also contributed to the Skylab missions and the first international manned space mission in 1975. He retired from Johnson Controls in 1990. He later passed away in 2004.\u003c/abstract\u003e"],"abstract_tesim":["The Harry A. Cronk collection, 1957-1990 primarily documents Cronk's career with Pan American World Airways, or Pan Am, and NASA, supporting national defense and manned spaceflight during the height of the space race between 1950 and 1970. Materials consist of certificates, ephemera, photographs, publications, reports, and a hard hat. This collection is useful to historical research into Harry Cronk, Pan Am, and NASA projects.\n\nHarry Alden Cronk was born in Cleveland, Ohio in 1922 and died in Merritt Island, Florida in 2004. He enlisted in the United States Army during World War II, earned a mechanical engineering degree from Georgia Tech, and served in the Army Corps of Engineers. In 1950, Cronk married Mary Jane Brewer and worked for Bendix in a defense contractor position. In 1957, he began to work for Armco steel before moving to Merritt Island, Florida, accepting a job with Pan American World Airways in 1960. Cronk became Chief Staff Engineer in 1962. Pan Am, and Cronk, directly supported the Apollo 11 mission that achieved the moon landing on July 20th, 1969. He also contributed to the Skylab missions and the first international manned space mission in 1975. He retired from Johnson Controls in 1990. He later passed away in 2004."],"names_coll_ssim":["John F. Kennedy Space Center","United States. National Aeronautics and Space Administration","Pan American World Airways, Inc.","Cronk, Harry A.","Cronk, Harry A."],"names_ssim":["UCF Special Collections","John F. Kennedy Space Center","United States. National Aeronautics and Space Administration","Pan American World Airways, Inc.","Cronk, Harry A."],"corpname_ssim":["UCF Special Collections","John F. Kennedy Space Center","United States. National Aeronautics and Space Administration","Pan American World Airways, Inc."],"persname_ssim":["Cronk, Harry A."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":77,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008255665176576,"_root_":"d52338797b12a30d7208f7b4","timestamp":"2026-11-05T09:01:02.374Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d52338797b12a30d7208f7b4"}},{"id":"cfc95d7f733d790136ba73f5","type":"collection","attributes":{"title":"Harry Harrison collection, 1964-2004, Date acquired: 00/00/2003","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/cfc95d7f733d790136ba73f5#creator","type":"document_value","attributes":{"value":["Harrison, Harry (1925-2012)"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/cfc95d7f733d790136ba73f5#abstract_or_scope","type":"document_value","attributes":{"value":["The papers of science fiction writer Harry Harrison, who was probably best known for his Stainless Steel Rat character. The collection primarily consists of typescripts, setting copies, and copyedited proofs of many of Harrison's published and unpublished works as well as a small amount of correspondence. "],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/cfc95d7f733d790136ba73f5#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"cfc95d7f733d790136ba73f5","title_ssm":["Harry Harrison collection"],"title_tesim":["Harry Harrison collection"],"ead_ssi":"cfc95d7f733d790136ba73f5","unitdate_ssm":["1964-2004","Date acquired: 00/00/2003"],"unitdate_inclusive_ssm":["1964-2004"],"unitdate_other_ssim":["Date acquired: 00/00/2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2003-08","/repositories/2/resources/439"],"text":["MS-2003-08","/repositories/2/resources/439","Harry Harrison collection, 1964-2004, Date acquired: 00/00/2003","Science fiction -- American","Fantasy fiction -- American","Speculative fiction","The collection is organized into eleven alphabetically arranged series: Anthologies, Books, Comics, Correspondence, Courses, Essays, Lectures, Novelettes, Posters, Unpublished Manuscripts, and Videos.","Harry Harrison (1925 - 2012) was born Henry Maxwell Dempsey to Henry Leo and Ria (Kirjassoff) Harrison.  During the Depression, the elder Harrison worked intermittently as a newspaper compositor and proof-reader.  He first introduced Harry to science fiction as a seven-year-old, giving him a copy of the large-format pulp magazine Amazing Stories.  At the age of thirteen, Harry became a founding member of the Queens Chapter of the Science Fiction League; at the age of fifteen, he wrote his first fan letter, published in the Fall 1940 issue of Captain Future.","Upon graduating from Forest Hills High School (NY), Harrison was drafted into the U.S. Army Air Corps.  In 1944, while stationed in Laredo, Texas, he began studying the international language Esperanto, a lifelong pursuit and an influence on his later writings.  Discharged in 1946, Harrison eventually began studying art, attending the Manhattan Cartoonists and Illustrators School. The young illustrator teamed up with Wally Wood, and the two garnered the attention of Bill Gaines at E.C. Comics. Wood and Harrison persuaded Gaines to create a science fiction comic, and the editor responded with Weird Science.","Harrison's gradual move from illustration to writing began in the early 1950s when he was a member of the legendary New York Hydra Club (1946-1957/58),  founded in Frederick Pohl's Greenwich Village apartment.  During this period, Harrison developed an illness that limited his drawing abilities.  Using a typewriter, he wrote a short story called \"I Walk through the Rocks,\" which he sold to fellow Hydra member Damon Knight for $100.  Worlds Beyond published the story under the title \"Rock Diver\" in February 1951.  Harrison's second science fiction story, published under the pseudonym Felix Boyd, appeared in the September 1953 issue of  Rocket Stories.","In June 1954, Harrison married Joan Merkler, a dress designer and ballet dancer.  Harrison worked as an art director, a freelance comics script-writer and editor until the mid-1950s, when the scandal of Congressional hearings focused on Bill Gaines resulted in backlash, censoring, and the demise of E.C. Comics.  Harrison moved his family to Cuautla (Morelos) Mexico in 1956, so that he could work on Deathworld, his first full-length science fiction novel.  In August of the following year, Harrison published the short story, \"The Stainless Steel Rat,\" in John W. Campbell's Astounding Science Fiction.  This work introduced Harrison's most famous character, James Boliver, alias 'Slippery Jim' DiGriz.  Campbell's positive reception buoyed Harrison into writing more science fiction stories.  He rapidly became one of \"Campbell's writers,\" a group writers  now equated with the Golden Age of American science fiction.","During the early 1960s, Deathworld, Planet of the Damned and Vendetta for the Saint appeared in serialized form.  A novel he provisionally entitled If You Can Read This, You're Too Damn Close appeared in Frederick Pohl's Galaxy as \"Starsloggers\" and in Michael Moorcock's New Worlds under the title \"Bill, the Galactic Hero.\"  In 1965, he published his first short story collection, Two Tales and Eight Tomorrows, with an introduction by Brian Aldiss.  The two writers became lifelong friends and collaborators on over 20 science fiction anthologies.  Their most famous collaboration, the Best SF Series, was published consistently from 1967-1976.","During the late 1960s, the Harrisons returned to the United States, residing in San Diego, California.  Harrison's novels Plague from Space, The Technicolor Time Machine, Captive Universe, Spaceship Medic and Make Room! Make Room! appeared in print.  The latter formed the basis of the 1973 film, Soylent Green, for which Harrison received a \"Best Dramatic Presentation\" Nebula Award (1973).","In the 1970s, Harrison taught science fiction at San Diego State College and contributed to two college texts: A Science Fiction Reader (1973) and Science Fiction Novellas (1975).  During the decade, he edited 25 science fiction anthologies, including one in honor of his mentor-patron, John W. Campbell, who died in 1971.  Two years later, he and Brian Aldiss honored Campbell by establishing the John W. Campbell Memorial Award, an annual international juried award for the best science fiction novel.","Throughout the 1980s and 1990s, Harrison published his West of Eden trilogy, the first part of his Stars and Stripes Forever trilogy, five Bill, the Galactic Hero novels, and a number of short stories.  During this period, he formed collaborations with Tom Shippey, Jack Cohen, Robert E. Myers, and Marvin Minsky.  The first full-length study of Harrison's work, Harry Harrison by Leon Stover, appeared in 1990.","A prolific author, editor, fan, critic and historian of science fiction, Harrison's professional career spans more than five decades. He was the first president of the World SF (1978-80) and was nominated for three Nebula Awards and two Hugo Awards.  In 2001, Harrison celebrated his 50th anniversary as a science fiction writer by publishing 50 in 50, an anthology of his finest short stories.  He was inducted into the SF Hall of Fame in 2003.","Note written by ","published","This collection primarily consists of typescripts, setting copies, and copyedited proofs of many of Harrison's published and unpublished works as well as a small amount of correspondence.  Coverage of short stories dates from 1964-1987; coverage of novels dates from 1996-2002; correspondence dates from 1972-2004.  Editorial notation is prevalent throughout the collection.","None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","The papers of science fiction writer Harry Harrison, who was probably best known for his Stainless Steel Rat character. The collection primarily consists of typescripts, setting copies, and copyedited proofs of many of Harrison's published and unpublished works as well as a small amount of correspondence. ","USF Libraries - Tampa Special Collections","Harrison, Harry (1925-2012)","English"],"unitid_tesim":["MS-2003-08","/repositories/2/resources/439"],"normalized_date_ssm":["1964-2004, Date acquired: 00/00/2003"],"normalized_title_ssm":["Harry Harrison collection, 1964-2004, Date acquired: 00/00/2003"],"collection_title_tesim":["Harry Harrison collection, 1964-2004, Date acquired: 00/00/2003"],"collection_ssim":["Harry Harrison collection, 1964-2004, Date acquired: 00/00/2003"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Harrison, Harry (1925-2012)"],"creator_ssim":["Harrison, Harry (1925-2012)"],"creator_persname_ssim":["Harrison, Harry (1925-2012)"],"creators_ssim":["Harrison, Harry (1925-2012)"],"access_terms_ssm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Harry Harrison and David Merkler","Donation."],"access_subjects_ssim":["Science fiction -- American","Fantasy fiction -- American","Speculative fiction"],"access_subjects_ssm":["Science fiction -- American","Fantasy fiction -- American","Speculative fiction"],"has_online_content_ssim":["false"],"extent_ssm":["10.00 Linear Feet","17 boxes"],"extent_tesim":["10.00 Linear Feet","17 boxes"],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into eleven alphabetically arranged series: Anthologies, Books, Comics, Correspondence, Courses, Essays, Lectures, Novelettes, Posters, Unpublished Manuscripts, and Videos.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is organized into eleven alphabetically arranged series: Anthologies, Books, Comics, Correspondence, Courses, Essays, Lectures, Novelettes, Posters, Unpublished Manuscripts, and Videos."],"bioghist_html_tesm":["\u003cp\u003eHarry Harrison (1925 - 2012) was born Henry Maxwell Dempsey to Henry Leo and Ria (Kirjassoff) Harrison.  During the Depression, the elder Harrison worked intermittently as a newspaper compositor and proof-reader.  He first introduced Harry to science fiction as a seven-year-old, giving him a copy of the large-format pulp magazine Amazing Stories.  At the age of thirteen, Harry became a founding member of the Queens Chapter of the Science Fiction League; at the age of fifteen, he wrote his first fan letter, published in the Fall 1940 issue of Captain Future.\u003c/p\u003e\n","\u003cp\u003eUpon graduating from Forest Hills High School (NY), Harrison was drafted into the U.S. Army Air Corps.  In 1944, while stationed in Laredo, Texas, he began studying the international language Esperanto, a lifelong pursuit and an influence on his later writings.  Discharged in 1946, Harrison eventually began studying art, attending the Manhattan Cartoonists and Illustrators School. The young illustrator teamed up with Wally Wood, and the two garnered the attention of Bill Gaines at E.C. Comics. Wood and Harrison persuaded Gaines to create a science fiction comic, and the editor responded with Weird Science.\u003c/p\u003e\n","\u003cp\u003eHarrison's gradual move from illustration to writing began in the early 1950s when he was a member of the legendary New York Hydra Club (1946-1957/58),  founded in Frederick Pohl's Greenwich Village apartment.  During this period, Harrison developed an illness that limited his drawing abilities.  Using a typewriter, he wrote a short story called \"I Walk through the Rocks,\" which he sold to fellow Hydra member Damon Knight for $100.  Worlds Beyond published the story under the title \"Rock Diver\" in February 1951.  Harrison's second science fiction story, published under the pseudonym Felix Boyd, appeared in the September 1953 issue of  Rocket Stories.\u003c/p\u003e\n","\u003cp\u003eIn June 1954, Harrison married Joan Merkler, a dress designer and ballet dancer.  Harrison worked as an art director, a freelance comics script-writer and editor until the mid-1950s, when the scandal of Congressional hearings focused on Bill Gaines resulted in backlash, censoring, and the demise of E.C. Comics.  Harrison moved his family to Cuautla (Morelos) Mexico in 1956, so that he could work on Deathworld, his first full-length science fiction novel.  In August of the following year, Harrison published the short story, \"The Stainless Steel Rat,\" in John W. Campbell's Astounding Science Fiction.  This work introduced Harrison's most famous character, James Boliver, alias 'Slippery Jim' DiGriz.  Campbell's positive reception buoyed Harrison into writing more science fiction stories.  He rapidly became one of \"Campbell's writers,\" a group writers  now equated with the Golden Age of American science fiction.\u003c/p\u003e\n","\u003cp\u003eDuring the early 1960s, Deathworld, Planet of the Damned and Vendetta for the Saint appeared in serialized form.  A novel he provisionally entitled If You Can Read This, You're Too Damn Close appeared in Frederick Pohl's Galaxy as \"Starsloggers\" and in Michael Moorcock's New Worlds under the title \"Bill, the Galactic Hero.\"  In 1965, he published his first short story collection, Two Tales and Eight Tomorrows, with an introduction by Brian Aldiss.  The two writers became lifelong friends and collaborators on over 20 science fiction anthologies.  Their most famous collaboration, the Best SF Series, was published consistently from 1967-1976.\u003c/p\u003e\n","\u003cp\u003eDuring the late 1960s, the Harrisons returned to the United States, residing in San Diego, California.  Harrison's novels Plague from Space, The Technicolor Time Machine, Captive Universe, Spaceship Medic and Make Room! Make Room! appeared in print.  The latter formed the basis of the 1973 film, Soylent Green, for which Harrison received a \"Best Dramatic Presentation\" Nebula Award (1973).\u003c/p\u003e\n","\u003cp\u003eIn the 1970s, Harrison taught science fiction at San Diego State College and contributed to two college texts: A Science Fiction Reader (1973) and Science Fiction Novellas (1975).  During the decade, he edited 25 science fiction anthologies, including one in honor of his mentor-patron, John W. Campbell, who died in 1971.  Two years later, he and Brian Aldiss honored Campbell by establishing the John W. Campbell Memorial Award, an annual international juried award for the best science fiction novel.\u003c/p\u003e\n","\u003cp\u003eThroughout the 1980s and 1990s, Harrison published his West of Eden trilogy, the first part of his Stars and Stripes Forever trilogy, five Bill, the Galactic Hero novels, and a number of short stories.  During this period, he formed collaborations with Tom Shippey, Jack Cohen, Robert E. Myers, and Marvin Minsky.  The first full-length study of Harrison's work, Harry Harrison by Leon Stover, appeared in 1990.\u003c/p\u003e\n","\u003cp\u003eA prolific author, editor, fan, critic and historian of science fiction, Harrison's professional career spans more than five decades. He was the first president of the World SF (1978-80) and was nominated for three Nebula Awards and two Hugo Awards.  In 2001, Harrison celebrated his 50th anniversary as a science fiction writer by publishing 50 in 50, an anthology of his finest short stories.  He was inducted into the SF Hall of Fame in 2003.\u003c/p\u003e\n","\u003cp\u003eNote written by \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Harry Harrison (1925 - 2012) was born Henry Maxwell Dempsey to Henry Leo and Ria (Kirjassoff) Harrison.  During the Depression, the elder Harrison worked intermittently as a newspaper compositor and proof-reader.  He first introduced Harry to science fiction as a seven-year-old, giving him a copy of the large-format pulp magazine Amazing Stories.  At the age of thirteen, Harry became a founding member of the Queens Chapter of the Science Fiction League; at the age of fifteen, he wrote his first fan letter, published in the Fall 1940 issue of Captain Future.","Upon graduating from Forest Hills High School (NY), Harrison was drafted into the U.S. Army Air Corps.  In 1944, while stationed in Laredo, Texas, he began studying the international language Esperanto, a lifelong pursuit and an influence on his later writings.  Discharged in 1946, Harrison eventually began studying art, attending the Manhattan Cartoonists and Illustrators School. The young illustrator teamed up with Wally Wood, and the two garnered the attention of Bill Gaines at E.C. Comics. Wood and Harrison persuaded Gaines to create a science fiction comic, and the editor responded with Weird Science.","Harrison's gradual move from illustration to writing began in the early 1950s when he was a member of the legendary New York Hydra Club (1946-1957/58),  founded in Frederick Pohl's Greenwich Village apartment.  During this period, Harrison developed an illness that limited his drawing abilities.  Using a typewriter, he wrote a short story called \"I Walk through the Rocks,\" which he sold to fellow Hydra member Damon Knight for $100.  Worlds Beyond published the story under the title \"Rock Diver\" in February 1951.  Harrison's second science fiction story, published under the pseudonym Felix Boyd, appeared in the September 1953 issue of  Rocket Stories.","In June 1954, Harrison married Joan Merkler, a dress designer and ballet dancer.  Harrison worked as an art director, a freelance comics script-writer and editor until the mid-1950s, when the scandal of Congressional hearings focused on Bill Gaines resulted in backlash, censoring, and the demise of E.C. Comics.  Harrison moved his family to Cuautla (Morelos) Mexico in 1956, so that he could work on Deathworld, his first full-length science fiction novel.  In August of the following year, Harrison published the short story, \"The Stainless Steel Rat,\" in John W. Campbell's Astounding Science Fiction.  This work introduced Harrison's most famous character, James Boliver, alias 'Slippery Jim' DiGriz.  Campbell's positive reception buoyed Harrison into writing more science fiction stories.  He rapidly became one of \"Campbell's writers,\" a group writers  now equated with the Golden Age of American science fiction.","During the early 1960s, Deathworld, Planet of the Damned and Vendetta for the Saint appeared in serialized form.  A novel he provisionally entitled If You Can Read This, You're Too Damn Close appeared in Frederick Pohl's Galaxy as \"Starsloggers\" and in Michael Moorcock's New Worlds under the title \"Bill, the Galactic Hero.\"  In 1965, he published his first short story collection, Two Tales and Eight Tomorrows, with an introduction by Brian Aldiss.  The two writers became lifelong friends and collaborators on over 20 science fiction anthologies.  Their most famous collaboration, the Best SF Series, was published consistently from 1967-1976.","During the late 1960s, the Harrisons returned to the United States, residing in San Diego, California.  Harrison's novels Plague from Space, The Technicolor Time Machine, Captive Universe, Spaceship Medic and Make Room! Make Room! appeared in print.  The latter formed the basis of the 1973 film, Soylent Green, for which Harrison received a \"Best Dramatic Presentation\" Nebula Award (1973).","In the 1970s, Harrison taught science fiction at San Diego State College and contributed to two college texts: A Science Fiction Reader (1973) and Science Fiction Novellas (1975).  During the decade, he edited 25 science fiction anthologies, including one in honor of his mentor-patron, John W. Campbell, who died in 1971.  Two years later, he and Brian Aldiss honored Campbell by establishing the John W. Campbell Memorial Award, an annual international juried award for the best science fiction novel.","Throughout the 1980s and 1990s, Harrison published his West of Eden trilogy, the first part of his Stars and Stripes Forever trilogy, five Bill, the Galactic Hero novels, and a number of short stories.  During this period, he formed collaborations with Tom Shippey, Jack Cohen, Robert E. Myers, and Marvin Minsky.  The first full-length study of Harrison's work, Harry Harrison by Leon Stover, appeared in 1990.","A prolific author, editor, fan, critic and historian of science fiction, Harrison's professional career spans more than five decades. He was the first president of the World SF (1978-80) and was nominated for three Nebula Awards and two Hugo Awards.  In 2001, Harrison celebrated his 50th anniversary as a science fiction writer by publishing 50 in 50, an anthology of his finest short stories.  He was inducted into the SF Hall of Fame in 2003.","Note written by "],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003eHarry Harrison Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Harry Harrison Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection primarily consists of typescripts, setting copies, and copyedited proofs of many of Harrison's published and unpublished works as well as a small amount of correspondence.\u0026#xA0; Coverage of short stories dates from 1964-1987; coverage of novels dates from 1996-2002; correspondence dates from 1972-2004.\u0026#xA0; Editorial notation is prevalent throughout the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection primarily consists of typescripts, setting copies, and copyedited proofs of many of Harrison's published and unpublished works as well as a small amount of correspondence.  Coverage of short stories dates from 1964-1987; coverage of novels dates from 1996-2002; correspondence dates from 1972-2004.  Editorial notation is prevalent throughout the collection."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_64c0cb274364750baf6307962fdbc5a1\"\u003eThe papers of science fiction writer Harry Harrison, who was probably best known for his Stainless Steel Rat character. The collection primarily consists of typescripts, setting copies, and copyedited proofs of many of Harrison's published and unpublished works as well as a small amount of correspondence.\u0026#xA0;\u003c/abstract\u003e"],"abstract_tesim":["The papers of science fiction writer Harry Harrison, who was probably best known for his Stainless Steel Rat character. The collection primarily consists of typescripts, setting copies, and copyedited proofs of many of Harrison's published and unpublished works as well as a small amount of correspondence. "],"names_ssim":["USF Libraries - Tampa Special Collections","Harrison, Harry (1925-2012)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Harrison, Harry (1925-2012)"],"persname_ssim":["Harrison, Harry (1925-2012)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":124,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863117407223808,"_root_":"cfc95d7f733d790136ba73f5","timestamp":"2026-07-16T09:28:24.581Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"cfc95d7f733d790136ba73f5","title_ssm":["Harry Harrison collection"],"title_tesim":["Harry Harrison collection"],"ead_ssi":"cfc95d7f733d790136ba73f5","unitdate_ssm":["1964-2004","Date acquired: 00/00/2003"],"unitdate_inclusive_ssm":["1964-2004"],"unitdate_other_ssim":["Date acquired: 00/00/2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2003-08","/repositories/2/resources/439"],"text":["MS-2003-08","/repositories/2/resources/439","Harry Harrison collection, 1964-2004, Date acquired: 00/00/2003","Science fiction -- American","Fantasy fiction -- American","Speculative fiction","The collection is organized into eleven alphabetically arranged series: Anthologies, Books, Comics, Correspondence, Courses, Essays, Lectures, Novelettes, Posters, Unpublished Manuscripts, and Videos.","Harry Harrison (1925 - 2012) was born Henry Maxwell Dempsey to Henry Leo and Ria (Kirjassoff) Harrison.  During the Depression, the elder Harrison worked intermittently as a newspaper compositor and proof-reader.  He first introduced Harry to science fiction as a seven-year-old, giving him a copy of the large-format pulp magazine Amazing Stories.  At the age of thirteen, Harry became a founding member of the Queens Chapter of the Science Fiction League; at the age of fifteen, he wrote his first fan letter, published in the Fall 1940 issue of Captain Future.","Upon graduating from Forest Hills High School (NY), Harrison was drafted into the U.S. Army Air Corps.  In 1944, while stationed in Laredo, Texas, he began studying the international language Esperanto, a lifelong pursuit and an influence on his later writings.  Discharged in 1946, Harrison eventually began studying art, attending the Manhattan Cartoonists and Illustrators School. The young illustrator teamed up with Wally Wood, and the two garnered the attention of Bill Gaines at E.C. Comics. Wood and Harrison persuaded Gaines to create a science fiction comic, and the editor responded with Weird Science.","Harrison's gradual move from illustration to writing began in the early 1950s when he was a member of the legendary New York Hydra Club (1946-1957/58),  founded in Frederick Pohl's Greenwich Village apartment.  During this period, Harrison developed an illness that limited his drawing abilities.  Using a typewriter, he wrote a short story called \"I Walk through the Rocks,\" which he sold to fellow Hydra member Damon Knight for $100.  Worlds Beyond published the story under the title \"Rock Diver\" in February 1951.  Harrison's second science fiction story, published under the pseudonym Felix Boyd, appeared in the September 1953 issue of  Rocket Stories.","In June 1954, Harrison married Joan Merkler, a dress designer and ballet dancer.  Harrison worked as an art director, a freelance comics script-writer and editor until the mid-1950s, when the scandal of Congressional hearings focused on Bill Gaines resulted in backlash, censoring, and the demise of E.C. Comics.  Harrison moved his family to Cuautla (Morelos) Mexico in 1956, so that he could work on Deathworld, his first full-length science fiction novel.  In August of the following year, Harrison published the short story, \"The Stainless Steel Rat,\" in John W. Campbell's Astounding Science Fiction.  This work introduced Harrison's most famous character, James Boliver, alias 'Slippery Jim' DiGriz.  Campbell's positive reception buoyed Harrison into writing more science fiction stories.  He rapidly became one of \"Campbell's writers,\" a group writers  now equated with the Golden Age of American science fiction.","During the early 1960s, Deathworld, Planet of the Damned and Vendetta for the Saint appeared in serialized form.  A novel he provisionally entitled If You Can Read This, You're Too Damn Close appeared in Frederick Pohl's Galaxy as \"Starsloggers\" and in Michael Moorcock's New Worlds under the title \"Bill, the Galactic Hero.\"  In 1965, he published his first short story collection, Two Tales and Eight Tomorrows, with an introduction by Brian Aldiss.  The two writers became lifelong friends and collaborators on over 20 science fiction anthologies.  Their most famous collaboration, the Best SF Series, was published consistently from 1967-1976.","During the late 1960s, the Harrisons returned to the United States, residing in San Diego, California.  Harrison's novels Plague from Space, The Technicolor Time Machine, Captive Universe, Spaceship Medic and Make Room! Make Room! appeared in print.  The latter formed the basis of the 1973 film, Soylent Green, for which Harrison received a \"Best Dramatic Presentation\" Nebula Award (1973).","In the 1970s, Harrison taught science fiction at San Diego State College and contributed to two college texts: A Science Fiction Reader (1973) and Science Fiction Novellas (1975).  During the decade, he edited 25 science fiction anthologies, including one in honor of his mentor-patron, John W. Campbell, who died in 1971.  Two years later, he and Brian Aldiss honored Campbell by establishing the John W. Campbell Memorial Award, an annual international juried award for the best science fiction novel.","Throughout the 1980s and 1990s, Harrison published his West of Eden trilogy, the first part of his Stars and Stripes Forever trilogy, five Bill, the Galactic Hero novels, and a number of short stories.  During this period, he formed collaborations with Tom Shippey, Jack Cohen, Robert E. Myers, and Marvin Minsky.  The first full-length study of Harrison's work, Harry Harrison by Leon Stover, appeared in 1990.","A prolific author, editor, fan, critic and historian of science fiction, Harrison's professional career spans more than five decades. He was the first president of the World SF (1978-80) and was nominated for three Nebula Awards and two Hugo Awards.  In 2001, Harrison celebrated his 50th anniversary as a science fiction writer by publishing 50 in 50, an anthology of his finest short stories.  He was inducted into the SF Hall of Fame in 2003.","Note written by ","published","This collection primarily consists of typescripts, setting copies, and copyedited proofs of many of Harrison's published and unpublished works as well as a small amount of correspondence.  Coverage of short stories dates from 1964-1987; coverage of novels dates from 1996-2002; correspondence dates from 1972-2004.  Editorial notation is prevalent throughout the collection.","None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","The papers of science fiction writer Harry Harrison, who was probably best known for his Stainless Steel Rat character. The collection primarily consists of typescripts, setting copies, and copyedited proofs of many of Harrison's published and unpublished works as well as a small amount of correspondence. ","USF Libraries - Tampa Special Collections","Harrison, Harry (1925-2012)","English"],"unitid_tesim":["MS-2003-08","/repositories/2/resources/439"],"normalized_date_ssm":["1964-2004, Date acquired: 00/00/2003"],"normalized_title_ssm":["Harry Harrison collection, 1964-2004, Date acquired: 00/00/2003"],"collection_title_tesim":["Harry Harrison collection, 1964-2004, Date acquired: 00/00/2003"],"collection_ssim":["Harry Harrison collection, 1964-2004, Date acquired: 00/00/2003"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Harrison, Harry (1925-2012)"],"creator_ssim":["Harrison, Harry (1925-2012)"],"creator_persname_ssim":["Harrison, Harry (1925-2012)"],"creators_ssim":["Harrison, Harry (1925-2012)"],"access_terms_ssm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Harry Harrison and David Merkler","Donation."],"access_subjects_ssim":["Science fiction -- American","Fantasy fiction -- American","Speculative fiction"],"access_subjects_ssm":["Science fiction -- American","Fantasy fiction -- American","Speculative fiction"],"has_online_content_ssim":["false"],"extent_ssm":["10.00 Linear Feet","17 boxes"],"extent_tesim":["10.00 Linear Feet","17 boxes"],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into eleven alphabetically arranged series: Anthologies, Books, Comics, Correspondence, Courses, Essays, Lectures, Novelettes, Posters, Unpublished Manuscripts, and Videos.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is organized into eleven alphabetically arranged series: Anthologies, Books, Comics, Correspondence, Courses, Essays, Lectures, Novelettes, Posters, Unpublished Manuscripts, and Videos."],"bioghist_html_tesm":["\u003cp\u003eHarry Harrison (1925 - 2012) was born Henry Maxwell Dempsey to Henry Leo and Ria (Kirjassoff) Harrison.  During the Depression, the elder Harrison worked intermittently as a newspaper compositor and proof-reader.  He first introduced Harry to science fiction as a seven-year-old, giving him a copy of the large-format pulp magazine Amazing Stories.  At the age of thirteen, Harry became a founding member of the Queens Chapter of the Science Fiction League; at the age of fifteen, he wrote his first fan letter, published in the Fall 1940 issue of Captain Future.\u003c/p\u003e\n","\u003cp\u003eUpon graduating from Forest Hills High School (NY), Harrison was drafted into the U.S. Army Air Corps.  In 1944, while stationed in Laredo, Texas, he began studying the international language Esperanto, a lifelong pursuit and an influence on his later writings.  Discharged in 1946, Harrison eventually began studying art, attending the Manhattan Cartoonists and Illustrators School. The young illustrator teamed up with Wally Wood, and the two garnered the attention of Bill Gaines at E.C. Comics. Wood and Harrison persuaded Gaines to create a science fiction comic, and the editor responded with Weird Science.\u003c/p\u003e\n","\u003cp\u003eHarrison's gradual move from illustration to writing began in the early 1950s when he was a member of the legendary New York Hydra Club (1946-1957/58),  founded in Frederick Pohl's Greenwich Village apartment.  During this period, Harrison developed an illness that limited his drawing abilities.  Using a typewriter, he wrote a short story called \"I Walk through the Rocks,\" which he sold to fellow Hydra member Damon Knight for $100.  Worlds Beyond published the story under the title \"Rock Diver\" in February 1951.  Harrison's second science fiction story, published under the pseudonym Felix Boyd, appeared in the September 1953 issue of  Rocket Stories.\u003c/p\u003e\n","\u003cp\u003eIn June 1954, Harrison married Joan Merkler, a dress designer and ballet dancer.  Harrison worked as an art director, a freelance comics script-writer and editor until the mid-1950s, when the scandal of Congressional hearings focused on Bill Gaines resulted in backlash, censoring, and the demise of E.C. Comics.  Harrison moved his family to Cuautla (Morelos) Mexico in 1956, so that he could work on Deathworld, his first full-length science fiction novel.  In August of the following year, Harrison published the short story, \"The Stainless Steel Rat,\" in John W. Campbell's Astounding Science Fiction.  This work introduced Harrison's most famous character, James Boliver, alias 'Slippery Jim' DiGriz.  Campbell's positive reception buoyed Harrison into writing more science fiction stories.  He rapidly became one of \"Campbell's writers,\" a group writers  now equated with the Golden Age of American science fiction.\u003c/p\u003e\n","\u003cp\u003eDuring the early 1960s, Deathworld, Planet of the Damned and Vendetta for the Saint appeared in serialized form.  A novel he provisionally entitled If You Can Read This, You're Too Damn Close appeared in Frederick Pohl's Galaxy as \"Starsloggers\" and in Michael Moorcock's New Worlds under the title \"Bill, the Galactic Hero.\"  In 1965, he published his first short story collection, Two Tales and Eight Tomorrows, with an introduction by Brian Aldiss.  The two writers became lifelong friends and collaborators on over 20 science fiction anthologies.  Their most famous collaboration, the Best SF Series, was published consistently from 1967-1976.\u003c/p\u003e\n","\u003cp\u003eDuring the late 1960s, the Harrisons returned to the United States, residing in San Diego, California.  Harrison's novels Plague from Space, The Technicolor Time Machine, Captive Universe, Spaceship Medic and Make Room! Make Room! appeared in print.  The latter formed the basis of the 1973 film, Soylent Green, for which Harrison received a \"Best Dramatic Presentation\" Nebula Award (1973).\u003c/p\u003e\n","\u003cp\u003eIn the 1970s, Harrison taught science fiction at San Diego State College and contributed to two college texts: A Science Fiction Reader (1973) and Science Fiction Novellas (1975).  During the decade, he edited 25 science fiction anthologies, including one in honor of his mentor-patron, John W. Campbell, who died in 1971.  Two years later, he and Brian Aldiss honored Campbell by establishing the John W. Campbell Memorial Award, an annual international juried award for the best science fiction novel.\u003c/p\u003e\n","\u003cp\u003eThroughout the 1980s and 1990s, Harrison published his West of Eden trilogy, the first part of his Stars and Stripes Forever trilogy, five Bill, the Galactic Hero novels, and a number of short stories.  During this period, he formed collaborations with Tom Shippey, Jack Cohen, Robert E. Myers, and Marvin Minsky.  The first full-length study of Harrison's work, Harry Harrison by Leon Stover, appeared in 1990.\u003c/p\u003e\n","\u003cp\u003eA prolific author, editor, fan, critic and historian of science fiction, Harrison's professional career spans more than five decades. He was the first president of the World SF (1978-80) and was nominated for three Nebula Awards and two Hugo Awards.  In 2001, Harrison celebrated his 50th anniversary as a science fiction writer by publishing 50 in 50, an anthology of his finest short stories.  He was inducted into the SF Hall of Fame in 2003.\u003c/p\u003e\n","\u003cp\u003eNote written by \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Harry Harrison (1925 - 2012) was born Henry Maxwell Dempsey to Henry Leo and Ria (Kirjassoff) Harrison.  During the Depression, the elder Harrison worked intermittently as a newspaper compositor and proof-reader.  He first introduced Harry to science fiction as a seven-year-old, giving him a copy of the large-format pulp magazine Amazing Stories.  At the age of thirteen, Harry became a founding member of the Queens Chapter of the Science Fiction League; at the age of fifteen, he wrote his first fan letter, published in the Fall 1940 issue of Captain Future.","Upon graduating from Forest Hills High School (NY), Harrison was drafted into the U.S. Army Air Corps.  In 1944, while stationed in Laredo, Texas, he began studying the international language Esperanto, a lifelong pursuit and an influence on his later writings.  Discharged in 1946, Harrison eventually began studying art, attending the Manhattan Cartoonists and Illustrators School. The young illustrator teamed up with Wally Wood, and the two garnered the attention of Bill Gaines at E.C. Comics. Wood and Harrison persuaded Gaines to create a science fiction comic, and the editor responded with Weird Science.","Harrison's gradual move from illustration to writing began in the early 1950s when he was a member of the legendary New York Hydra Club (1946-1957/58),  founded in Frederick Pohl's Greenwich Village apartment.  During this period, Harrison developed an illness that limited his drawing abilities.  Using a typewriter, he wrote a short story called \"I Walk through the Rocks,\" which he sold to fellow Hydra member Damon Knight for $100.  Worlds Beyond published the story under the title \"Rock Diver\" in February 1951.  Harrison's second science fiction story, published under the pseudonym Felix Boyd, appeared in the September 1953 issue of  Rocket Stories.","In June 1954, Harrison married Joan Merkler, a dress designer and ballet dancer.  Harrison worked as an art director, a freelance comics script-writer and editor until the mid-1950s, when the scandal of Congressional hearings focused on Bill Gaines resulted in backlash, censoring, and the demise of E.C. Comics.  Harrison moved his family to Cuautla (Morelos) Mexico in 1956, so that he could work on Deathworld, his first full-length science fiction novel.  In August of the following year, Harrison published the short story, \"The Stainless Steel Rat,\" in John W. Campbell's Astounding Science Fiction.  This work introduced Harrison's most famous character, James Boliver, alias 'Slippery Jim' DiGriz.  Campbell's positive reception buoyed Harrison into writing more science fiction stories.  He rapidly became one of \"Campbell's writers,\" a group writers  now equated with the Golden Age of American science fiction.","During the early 1960s, Deathworld, Planet of the Damned and Vendetta for the Saint appeared in serialized form.  A novel he provisionally entitled If You Can Read This, You're Too Damn Close appeared in Frederick Pohl's Galaxy as \"Starsloggers\" and in Michael Moorcock's New Worlds under the title \"Bill, the Galactic Hero.\"  In 1965, he published his first short story collection, Two Tales and Eight Tomorrows, with an introduction by Brian Aldiss.  The two writers became lifelong friends and collaborators on over 20 science fiction anthologies.  Their most famous collaboration, the Best SF Series, was published consistently from 1967-1976.","During the late 1960s, the Harrisons returned to the United States, residing in San Diego, California.  Harrison's novels Plague from Space, The Technicolor Time Machine, Captive Universe, Spaceship Medic and Make Room! Make Room! appeared in print.  The latter formed the basis of the 1973 film, Soylent Green, for which Harrison received a \"Best Dramatic Presentation\" Nebula Award (1973).","In the 1970s, Harrison taught science fiction at San Diego State College and contributed to two college texts: A Science Fiction Reader (1973) and Science Fiction Novellas (1975).  During the decade, he edited 25 science fiction anthologies, including one in honor of his mentor-patron, John W. Campbell, who died in 1971.  Two years later, he and Brian Aldiss honored Campbell by establishing the John W. Campbell Memorial Award, an annual international juried award for the best science fiction novel.","Throughout the 1980s and 1990s, Harrison published his West of Eden trilogy, the first part of his Stars and Stripes Forever trilogy, five Bill, the Galactic Hero novels, and a number of short stories.  During this period, he formed collaborations with Tom Shippey, Jack Cohen, Robert E. Myers, and Marvin Minsky.  The first full-length study of Harrison's work, Harry Harrison by Leon Stover, appeared in 1990.","A prolific author, editor, fan, critic and historian of science fiction, Harrison's professional career spans more than five decades. He was the first president of the World SF (1978-80) and was nominated for three Nebula Awards and two Hugo Awards.  In 2001, Harrison celebrated his 50th anniversary as a science fiction writer by publishing 50 in 50, an anthology of his finest short stories.  He was inducted into the SF Hall of Fame in 2003.","Note written by "],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003eHarry Harrison Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Harry Harrison Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection primarily consists of typescripts, setting copies, and copyedited proofs of many of Harrison's published and unpublished works as well as a small amount of correspondence.\u0026#xA0; Coverage of short stories dates from 1964-1987; coverage of novels dates from 1996-2002; correspondence dates from 1972-2004.\u0026#xA0; Editorial notation is prevalent throughout the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection primarily consists of typescripts, setting copies, and copyedited proofs of many of Harrison's published and unpublished works as well as a small amount of correspondence.  Coverage of short stories dates from 1964-1987; coverage of novels dates from 1996-2002; correspondence dates from 1972-2004.  Editorial notation is prevalent throughout the collection."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_64c0cb274364750baf6307962fdbc5a1\"\u003eThe papers of science fiction writer Harry Harrison, who was probably best known for his Stainless Steel Rat character. The collection primarily consists of typescripts, setting copies, and copyedited proofs of many of Harrison's published and unpublished works as well as a small amount of correspondence.\u0026#xA0;\u003c/abstract\u003e"],"abstract_tesim":["The papers of science fiction writer Harry Harrison, who was probably best known for his Stainless Steel Rat character. The collection primarily consists of typescripts, setting copies, and copyedited proofs of many of Harrison's published and unpublished works as well as a small amount of correspondence. "],"names_ssim":["USF Libraries - Tampa Special Collections","Harrison, Harry (1925-2012)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Harrison, Harry (1925-2012)"],"persname_ssim":["Harrison, Harry (1925-2012)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":124,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863117407223808,"_root_":"cfc95d7f733d790136ba73f5","timestamp":"2026-07-16T09:28:24.581Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/cfc95d7f733d790136ba73f5"}},{"id":"5f967fc8601f35fa42db0563","type":"collection","attributes":{"title":"Harry K. Hudson collection, 1934-1987, bulk 1953-1981","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/5f967fc8601f35fa42db0563#creator","type":"document_value","attributes":{"value":["Hudson, Harry K."],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/5f967fc8601f35fa42db0563#abstract_or_scope","type":"document_value","attributes":{"value":["Harry K. Hudson, the Boys' Book collector who was one the sources for many of USF's resources in its Children's and Young Adult Literature Collections, was an avid collector of adventure novels, particularly serialized boys' books."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5f967fc8601f35fa42db0563#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"5f967fc8601f35fa42db0563","title_ssm":["Harry K. Hudson collection"],"title_tesim":["Harry K. Hudson collection"],"ead_ssi":"5f967fc8601f35fa42db0563","unitdate_ssm":["1934-1987","1953-1981"],"unitdate_bulk_ssim":["1953-1981"],"unitdate_inclusive_ssm":["1934-1987"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["H37","/repositories/2/resources/130"],"text":["H37","/repositories/2/resources/130","Harry K. Hudson collection, 1934-1987, bulk 1953-1981","Book collecting -- Florida","Children's literature","Children's literature in series","Children","Swift, Tom (Fictitious character)","Children's stories","Dime novels","The collection is arranged topically, with the major divisions being Hudson's materials on various authors, his personal papers, assorted bibliographies, magazines, and his correspondence, all arranged alphabetically. Hudson's correspondence and personal papers are grouped by topic or person, which leads to some small overlaps between correspondence and personal boxes (for example, a folder in a personal box might have correspondence, but is mixed with other materials related to the subject being discussed).","published","processed","John T. Dizer papers, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Hudson's collection documents his research for his bibliographies, his collecting, and his correspondence with others interested in children's literature.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","Harry K. Hudson, the Boys' Book collector who was one the sources for many of USF's resources in its Children's and Young Adult Literature Collections, was an avid collector of adventure novels, particularly serialized boys' books.","USF Libraries - Tampa Special Collections","Hudson, Harry K.","English"],"unitid_tesim":["H37","/repositories/2/resources/130"],"normalized_date_ssm":["1934-1987, bulk 1953-1981"],"normalized_title_ssm":["Harry K. Hudson collection, 1934-1987, bulk 1953-1981"],"collection_title_tesim":["Harry K. Hudson collection, 1934-1987, bulk 1953-1981"],"collection_ssim":["Harry K. Hudson collection, 1934-1987, bulk 1953-1981"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Hudson, Harry K."],"creator_ssim":["Hudson, Harry K."],"creator_persname_ssim":["Hudson, Harry K."],"creators_ssim":["Hudson, Harry K."],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Harry K. Hudson","Donation."],"access_subjects_ssim":["Book collecting -- Florida","Children's literature","Children's literature in series","Children","Swift, Tom (Fictitious character)","Children's stories","Dime novels"],"access_subjects_ssm":["Book collecting -- Florida","Children's literature","Children's literature in series","Children","Swift, Tom (Fictitious character)","Children's stories","Dime novels"],"has_online_content_ssim":["false"],"extent_ssm":["3.13 Linear Feet","8 boxes"],"extent_tesim":["3.13 Linear Feet","8 boxes"],"genreform_ssim":["Dime novels"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged topically, with the major divisions being Hudson's materials on various authors, his personal papers, assorted bibliographies, magazines, and his correspondence, all arranged alphabetically. Hudson's correspondence and personal papers are grouped by topic or person, which leads to some small overlaps between correspondence and personal boxes (for example, a folder in a personal box might have correspondence, but is mixed with other materials related to the subject being discussed).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged topically, with the major divisions being Hudson's materials on various authors, his personal papers, assorted bibliographies, magazines, and his correspondence, all arranged alphabetically. Hudson's correspondence and personal papers are grouped by topic or person, which leads to some small overlaps between correspondence and personal boxes (for example, a folder in a personal box might have correspondence, but is mixed with other materials related to the subject being discussed)."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003eHarry K. Hudson Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Harry K. Hudson Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"processinfo_html_tesm":["\u003cp\u003eprocessed\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["processed"],"relatedmaterial_html_tesm":["\u003cp\u003eJohn T. Dizer papers, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["John T. Dizer papers, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"scopecontent_html_tesm":["\u003cp\u003eHudson's collection documents his research for his bibliographies, his collecting, and his correspondence with others interested in children's literature.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Hudson's collection documents his research for his bibliographies, his collecting, and his correspondence with others interested in children's literature."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a6431d77af526243c6a9dffd8eff4775\" label=\"Abstract\"\u003eHarry K. 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Hudson, the Boys' Book collector who was one the sources for many of USF's resources in its Children's and Young Adult Literature Collections, was an avid collector of adventure novels, particularly serialized boys' books."],"names_ssim":["USF Libraries - Tampa Special Collections","Hudson, Harry K."],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Hudson, Harry K."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":125,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870862429216309248,"_root_":"5f967fc8601f35fa42db0563","timestamp":"2026-07-16T09:17:28.271Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5f967fc8601f35fa42db0563","title_ssm":["Harry K. Hudson collection"],"title_tesim":["Harry K. 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Hudson's correspondence and personal papers are grouped by topic or person, which leads to some small overlaps between correspondence and personal boxes (for example, a folder in a personal box might have correspondence, but is mixed with other materials related to the subject being discussed).","published","processed","John T. Dizer papers, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Hudson's collection documents his research for his bibliographies, his collecting, and his correspondence with others interested in children's literature.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","Harry K. Hudson, the Boys' Book collector who was one the sources for many of USF's resources in its Children's and Young Adult Literature Collections, was an avid collector of adventure novels, particularly serialized boys' books.","USF Libraries - Tampa Special Collections","Hudson, Harry K.","English"],"unitid_tesim":["H37","/repositories/2/resources/130"],"normalized_date_ssm":["1934-1987, bulk 1953-1981"],"normalized_title_ssm":["Harry K. Hudson collection, 1934-1987, bulk 1953-1981"],"collection_title_tesim":["Harry K. Hudson collection, 1934-1987, bulk 1953-1981"],"collection_ssim":["Harry K. 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Hudson","Donation."],"access_subjects_ssim":["Book collecting -- Florida","Children's literature","Children's literature in series","Children","Swift, Tom (Fictitious character)","Children's stories","Dime novels"],"access_subjects_ssm":["Book collecting -- Florida","Children's literature","Children's literature in series","Children","Swift, Tom (Fictitious character)","Children's stories","Dime novels"],"has_online_content_ssim":["false"],"extent_ssm":["3.13 Linear Feet","8 boxes"],"extent_tesim":["3.13 Linear Feet","8 boxes"],"genreform_ssim":["Dime novels"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged topically, with the major divisions being Hudson's materials on various authors, his personal papers, assorted bibliographies, magazines, and his correspondence, all arranged alphabetically. Hudson's correspondence and personal papers are grouped by topic or person, which leads to some small overlaps between correspondence and personal boxes (for example, a folder in a personal box might have correspondence, but is mixed with other materials related to the subject being discussed).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged topically, with the major divisions being Hudson's materials on various authors, his personal papers, assorted bibliographies, magazines, and his correspondence, all arranged alphabetically. Hudson's correspondence and personal papers are grouped by topic or person, which leads to some small overlaps between correspondence and personal boxes (for example, a folder in a personal box might have correspondence, but is mixed with other materials related to the subject being discussed)."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003eHarry K. Hudson Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Harry K. Hudson Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"processinfo_html_tesm":["\u003cp\u003eprocessed\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["processed"],"relatedmaterial_html_tesm":["\u003cp\u003eJohn T. Dizer papers, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["John T. Dizer papers, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"scopecontent_html_tesm":["\u003cp\u003eHudson's collection documents his research for his bibliographies, his collecting, and his correspondence with others interested in children's literature.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Hudson's collection documents his research for his bibliographies, his collecting, and his correspondence with others interested in children's literature."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a6431d77af526243c6a9dffd8eff4775\" label=\"Abstract\"\u003eHarry K. 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Hudson, the Boys' Book collector who was one the sources for many of USF's resources in its Children's and Young Adult Literature Collections, was an avid collector of adventure novels, particularly serialized boys' books."],"names_ssim":["USF Libraries - Tampa Special Collections","Hudson, Harry K."],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Hudson, Harry K."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":125,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870862429216309248,"_root_":"5f967fc8601f35fa42db0563","timestamp":"2026-07-16T09:17:28.271Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5f967fc8601f35fa42db0563"}},{"id":"ed077e60eb73ac6816605368_aspace_5eaf0ad78284802614567c90701ea29f","type":"File","attributes":{"title":"Harvesting (1 of 2), 1967-2002","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ed077e60eb73ac6816605368_aspace_5eaf0ad78284802614567c90701ea29f#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5eaf0ad78284802614567c90701ea29f","ref_ssm":["aspace_5eaf0ad78284802614567c90701ea29f","aspace_5eaf0ad78284802614567c90701ea29f"],"id":"ed077e60eb73ac6816605368_aspace_5eaf0ad78284802614567c90701ea29f","title_filing_ssi":"Harvesting (1 of 2)","title_ssm":["Harvesting (1 of 2)"],"title_tesim":["Harvesting (1 of 2)"],"unitdate_inclusive_ssm":["1967-2002"],"normalized_date_ssm":["1967-2002"],"normalized_title_ssm":["Harvesting (1 of 2), 1967-2002"],"text":["Harvesting (1 of 2), 1967-2002","Glenn Coppock Collection, 1949-2007","Press Clippings","/repositories/3/archival_objects/25323","box 1","folder 16"],"component_level_isim":[2],"parent_ids_ssim":["ed077e60eb73ac6816605368","ed077e60eb73ac6816605368_aspace_a56711347e2eac7cd086f120d2b3cde0"],"parent_unittitles_ssm":["Glenn Coppock Collection, 1949-2007","Press Clippings"],"parent_unittitles_tesim":["Glenn Coppock Collection, 1949-2007","Press Clippings"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/25323"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"collection_ssim":["Glenn Coppock Collection, 1949-2007"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":18,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"containers_ssim":["box 1","folder 16"],"_nest_path_":"/components#1/components#4","_nest_parent_":"ed077e60eb73ac6816605368_aspace_a56711347e2eac7cd086f120d2b3cde0","_root_":"ed077e60eb73ac6816605368","_version_":1870852009075146752,"timestamp":"2026-07-16T06:31:50.851Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ed077e60eb73ac6816605368","title_ssm":["Glenn Coppock Collection"],"title_tesim":["Glenn Coppock Collection"],"ead_ssi":"ed077e60eb73ac6816605368","unitdate_ssm":["1949-2007"],"unitdate_inclusive_ssm":["1949-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["CIT5050","/repositories/3/resources/134"],"text":["CIT5050","/repositories/3/resources/134","Glenn Coppock Collection, 1949-2007","Citrus fruits--Harvesting--Florida","Citrus fruits--Harvesting--Florida","Agricultural chemicals--Florida","Citrus fruit industry--Florida--History.","Engineering drawings--Florida","Photographs","Slides (photographs)","Newspaper clippings","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials.","Glenn Coppock was a professional researcher and a mechanical engineer who focused on new technologies for harvesting citrus fruits.  He was heavily involved in the Citrus Processors' Association, the American Society of Association Executives (ASAE), and the Florida Citrus Commission.","This collection contains comprehensive information relating to the development of mechanical harvesting machinery and the process of invention and marketing.  It has detailed records of various designs for machinery, as well as the abscission chemicals used to make mechanical harvesting easier.  It also contains photographs of machinery in use.","This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Thomas B. Mack Florida Citrus Archives","English"],"unitid_tesim":["CIT5050","/repositories/3/resources/134"],"normalized_date_ssm":["1949-2007"],"normalized_title_ssm":["Glenn Coppock Collection, 1949-2007"],"collection_title_tesim":["Glenn Coppock Collection, 1949-2007"],"collection_ssim":["Glenn Coppock Collection, 1949-2007"],"repository_ssm":["Thomas B. Mack Florida Citrus Archives"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"access_terms_ssm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. 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Mack Florida Citrus Archives"],"collection_ssim":["Glenn Coppock Collection, 1949-2007"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":19,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. 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It also contains photographs of machinery in use.","This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Thomas B. Mack Florida Citrus Archives","English"],"unitid_tesim":["CIT5050","/repositories/3/resources/134"],"normalized_date_ssm":["1949-2007"],"normalized_title_ssm":["Glenn Coppock Collection, 1949-2007"],"collection_title_tesim":["Glenn Coppock Collection, 1949-2007"],"collection_ssim":["Glenn Coppock Collection, 1949-2007"],"repository_ssm":["Thomas B. Mack Florida Citrus Archives"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"access_terms_ssm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. 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A letter from Madeline details a bank robbery conducted by a radical Braudeis University student and the police response to it, which reminds her of the McCarthy era. Madeline also describes her wedding plans, and there is correspondence between family members about their family trip to Europe. There are letters from Gerald Hine updating Giulia Koritschoner on his professional and daily life. There are also postcards from France and Switzerland.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378_aspace_7e9167b32fa38d733a74a7538a6ba490#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_7e9167b32fa38d733a74a7538a6ba490","ref_ssm":["aspace_7e9167b32fa38d733a74a7538a6ba490","aspace_7e9167b32fa38d733a74a7538a6ba490"],"id":"8a73df5bac3fcd9650e65378_aspace_7e9167b32fa38d733a74a7538a6ba490","title_filing_ssi":"Hasterlik Family Correspondence","title_ssm":["Hasterlik Family Correspondence"],"title_tesim":["Hasterlik Family Correspondence"],"unitdate_inclusive_ssm":["October 1970- September 1971"],"normalized_date_ssm":["October 1970- September 1971"],"normalized_title_ssm":["Hasterlik Family Correspondence, October 1970- September 1971"],"text":["Hasterlik Family Correspondence, October 1970- September 1971","Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04","006","/repositories/10/archival_objects/180836","98.0729 Box 8","folder 006","This folder contains letters from Madeline and Peter Hine discussing their daily lives at school and summer travels. A letter from Madeline details a bank robbery conducted by a radical Braudeis University student and the police response to it, which reminds her of the McCarthy era. Madeline also describes her wedding plans, and there is correspondence between family members about their family trip to Europe. There are letters from Gerald Hine updating Giulia Koritschoner on his professional and daily life. There are also postcards from France and Switzerland."],"component_level_isim":[1],"parent_ids_ssim":["8a73df5bac3fcd9650e65378"],"parent_unittitles_ssm":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"parent_unittitles_tesim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"parent_levels_ssm":["collection"],"unitid_ssm":["006","/repositories/10/archival_objects/180836"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":98,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"date_range_isim":[1970,1971],"containers_ssim":["98.0729 Box 8","folder 006"],"scopecontent_html_tesm":["\u003cp\u003eThis folder contains letters from Madeline and Peter Hine discussing their daily lives at school and summer travels. A letter from Madeline details a bank robbery conducted by a radical Braudeis University student and the police response to it, which reminds her of the McCarthy era. Madeline also describes her wedding plans, and there is correspondence between family members about their family trip to Europe. There are letters from Gerald Hine updating Giulia Koritschoner on his professional and daily life. There are also postcards from France and Switzerland.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This folder contains letters from Madeline and Peter Hine discussing their daily lives at school and summer travels. A letter from Madeline details a bank robbery conducted by a radical Braudeis University student and the police response to it, which reminds her of the McCarthy era. Madeline also describes her wedding plans, and there is correspondence between family members about their family trip to Europe. There are letters from Gerald Hine updating Giulia Koritschoner on his professional and daily life. There are also postcards from France and Switzerland."],"_nest_path_":"/components#97","_nest_parent_":"8a73df5bac3fcd9650e65378","_root_":"8a73df5bac3fcd9650e65378","timestamp":"2026-05-21T02:46:35.829Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8a73df5bac3fcd9650e65378","title_filing_ssi":"Hasterlik-Hine collection","title_ssm":["Hasterlik-Hine collection"],"title_tesim":["Hasterlik-Hine collection"],"ead_ssi":"8a73df5bac3fcd9650e65378","unitdate_ssm":["1700-2000","Date accessioned: 2019-12-04"],"unitdate_inclusive_ssm":["1700-2000"],"unitdate_other_ssim":["Date accessioned: 2019-12-04"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["98.0729","/repositories/10/resources/110"],"text":["98.0729","/repositories/10/resources/110","Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04","World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards.","This collection is open to all researchers.","Giulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado.  \nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless. \nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as Ällägg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna. \nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life. \nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of… all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna. \nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal. \nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you… about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things…\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll","The Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates.","FSU Special Collections \u0026 Archives","Christansen","Hine, Giulia, 1925-2015","Hasterlik, Paul","English German"],"unitid_tesim":["98.0729","/repositories/10/resources/110"],"normalized_date_ssm":["1700-2000, Date accessioned: 2019-12-04"],"normalized_title_ssm":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"collection_title_tesim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"collection_ssim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Hine, Giulia, 1925-2015","Christansen","Hasterlik, Paul"],"creator_ssim":["Hine, Giulia, 1925-2015","Christansen","Hasterlik, Paul"],"creator_persname_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul"],"creator_famname_ssim":["Christansen"],"creators_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul","Christansen"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"access_subjects_ssim":["World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards."],"access_subjects_ssm":["World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards."],"has_online_content_ssim":["false"],"extent_ssm":["15.5 Linear Feet 18 boxes, 13 1LF boxes and 5 .5LF boxes"],"extent_tesim":["15.5 Linear Feet 18 boxes, 13 1LF boxes and 5 .5LF boxes"],"genreform_ssim":["Personal correspondence","Postcards."],"date_range_isim":[1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Giulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado.  \nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless. \nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as Ällägg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna. \nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life. \nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of… all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna. \nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal. \nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you… about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things…\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Hasterlik-Hine collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_98_0729\"\u003ehttp://purl.fcla.edu/fsu/WWII_98_0729\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Hasterlik-Hine collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_98_0729 ."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll\" target=\"_blank\"\u003ehttps://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Link to selected digitized materials from this collection."],"relatedmaterial_tesim":["https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll"],"scopecontent_html_tesm":["\u003cp\u003eThe Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"names_ssim":["FSU Special Collections \u0026 Archives","Christansen","Hine, Giulia, 1925-2015","Hasterlik, Paul"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Christansen","Hasterlik, Paul"],"famname_ssim":["Christansen"],"persname_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul"],"language_ssim":["English German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":169,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"8a73df5bac3fcd9650e65378","timestamp":"2026-05-21T02:46:35.829Z","bioghist_html_tesm":["\u003cp\u003eGiulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado. \u003cbr\u003e\u003cbr\u003e\nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless.\u003cbr\u003e\u003cbr\u003e\nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as \u0026#xC4;ll\u0026#xE4;gg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna.\u003cbr\u003e\u003cbr\u003e\nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life.\u003cbr\u003e\u003cbr\u003e\nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of\u0026#x2026; all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna.\u003cbr\u003e\u003cbr\u003e\nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal.\u003cbr\u003e\u003cbr\u003e\nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you\u0026#x2026; about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things\u0026#x2026;\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90.\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378_aspace_7e9167b32fa38d733a74a7538a6ba490"}},{"id":"8a73df5bac3fcd9650e65378_aspace_6a8211ddfe70635e60cb9d1bf8888423","type":"File","attributes":{"title":"Hasterlik Family Correspondence, October 1971- August 1972","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378_aspace_6a8211ddfe70635e60cb9d1bf8888423#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis folder contains a booklet written by Gerald Hine titled \"Utilizing Source Phantoms to Check the Performance of Scintigraphic Intruments.\" There is also a postcard from Guatemala, France, Switzerland and Yugoslavia and a letter from Boni to Mia Hasterlik. There are childhood letters Harvey Hine to Auguste \"Gusti\" Hasterlik, and there is a program for lecture titled \"Robert Oppenheimer Memorial Lecture.\" There is also correspondence between Auguste \"Gusti\" Hasterlik and her friends about the lasting literary fame of Heimito von Doderer, Gusti's ex-husband.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378_aspace_6a8211ddfe70635e60cb9d1bf8888423#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_6a8211ddfe70635e60cb9d1bf8888423","ref_ssm":["aspace_6a8211ddfe70635e60cb9d1bf8888423","aspace_6a8211ddfe70635e60cb9d1bf8888423"],"id":"8a73df5bac3fcd9650e65378_aspace_6a8211ddfe70635e60cb9d1bf8888423","title_filing_ssi":"Hasterlik Family Correspondence","title_ssm":["Hasterlik Family Correspondence"],"title_tesim":["Hasterlik Family Correspondence"],"unitdate_inclusive_ssm":["October 1971- August 1972"],"normalized_date_ssm":["October 1971- August 1972"],"normalized_title_ssm":["Hasterlik Family Correspondence, October 1971- August 1972"],"text":["Hasterlik Family Correspondence, October 1971- August 1972","Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04","007","/repositories/10/archival_objects/180837","98.0729 Box 8","folder 007","This folder contains a booklet written by Gerald Hine titled \"Utilizing Source Phantoms to Check the Performance of Scintigraphic Intruments.\" There is also a postcard from Guatemala, France, Switzerland and Yugoslavia and a letter from Boni to Mia Hasterlik. There are childhood letters Harvey Hine to Auguste \"Gusti\" Hasterlik, and there is a program for lecture titled \"Robert Oppenheimer Memorial Lecture.\" There is also correspondence between Auguste \"Gusti\" Hasterlik and her friends about the lasting literary fame of Heimito von Doderer, Gusti's ex-husband."],"component_level_isim":[1],"parent_ids_ssim":["8a73df5bac3fcd9650e65378"],"parent_unittitles_ssm":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"parent_unittitles_tesim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"parent_levels_ssm":["collection"],"unitid_ssm":["007","/repositories/10/archival_objects/180837"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":99,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"date_range_isim":[1971,1972],"containers_ssim":["98.0729 Box 8","folder 007"],"scopecontent_html_tesm":["\u003cp\u003eThis folder contains a booklet written by Gerald Hine titled \"Utilizing Source Phantoms to Check the Performance of Scintigraphic Intruments.\" There is also a postcard from Guatemala, France, Switzerland and Yugoslavia and a letter from Boni to Mia Hasterlik. There are childhood letters Harvey Hine to Auguste \"Gusti\" Hasterlik, and there is a program for lecture titled \"Robert Oppenheimer Memorial Lecture.\" There is also correspondence between Auguste \"Gusti\" Hasterlik and her friends about the lasting literary fame of Heimito von Doderer, Gusti's ex-husband.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This folder contains a booklet written by Gerald Hine titled \"Utilizing Source Phantoms to Check the Performance of Scintigraphic Intruments.\" There is also a postcard from Guatemala, France, Switzerland and Yugoslavia and a letter from Boni to Mia Hasterlik. There are childhood letters Harvey Hine to Auguste \"Gusti\" Hasterlik, and there is a program for lecture titled \"Robert Oppenheimer Memorial Lecture.\" There is also correspondence between Auguste \"Gusti\" Hasterlik and her friends about the lasting literary fame of Heimito von Doderer, Gusti's ex-husband."],"_nest_path_":"/components#98","_nest_parent_":"8a73df5bac3fcd9650e65378","_root_":"8a73df5bac3fcd9650e65378","timestamp":"2026-05-21T02:46:35.829Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8a73df5bac3fcd9650e65378","title_filing_ssi":"Hasterlik-Hine collection","title_ssm":["Hasterlik-Hine collection"],"title_tesim":["Hasterlik-Hine collection"],"ead_ssi":"8a73df5bac3fcd9650e65378","unitdate_ssm":["1700-2000","Date accessioned: 2019-12-04"],"unitdate_inclusive_ssm":["1700-2000"],"unitdate_other_ssim":["Date accessioned: 2019-12-04"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["98.0729","/repositories/10/resources/110"],"text":["98.0729","/repositories/10/resources/110","Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04","World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards.","This collection is open to all researchers.","Giulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado.  \nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless. \nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as Ällägg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna. \nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life. \nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of… all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna. \nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal. \nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you… about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things…\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll","The Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates.","FSU Special Collections \u0026 Archives","Christansen","Hine, Giulia, 1925-2015","Hasterlik, Paul","English German"],"unitid_tesim":["98.0729","/repositories/10/resources/110"],"normalized_date_ssm":["1700-2000, Date accessioned: 2019-12-04"],"normalized_title_ssm":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"collection_title_tesim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"collection_ssim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Hine, Giulia, 1925-2015","Christansen","Hasterlik, Paul"],"creator_ssim":["Hine, Giulia, 1925-2015","Christansen","Hasterlik, Paul"],"creator_persname_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul"],"creator_famname_ssim":["Christansen"],"creators_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul","Christansen"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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boxes"],"genreform_ssim":["Personal correspondence","Postcards."],"date_range_isim":[1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Giulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado.  \nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless. \nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as Ällägg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna. \nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life. \nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of… all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna. \nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal. \nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you… about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things…\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Hasterlik-Hine collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_98_0729\"\u003ehttp://purl.fcla.edu/fsu/WWII_98_0729\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Hasterlik-Hine collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_98_0729 ."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll\" target=\"_blank\"\u003ehttps://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Link to selected digitized materials from this collection."],"relatedmaterial_tesim":["https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll"],"scopecontent_html_tesm":["\u003cp\u003eThe Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"names_ssim":["FSU Special Collections \u0026 Archives","Christansen","Hine, Giulia, 1925-2015","Hasterlik, Paul"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Christansen","Hasterlik, Paul"],"famname_ssim":["Christansen"],"persname_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul"],"language_ssim":["English German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":169,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"8a73df5bac3fcd9650e65378","timestamp":"2026-05-21T02:46:35.829Z","bioghist_html_tesm":["\u003cp\u003eGiulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado. \u003cbr\u003e\u003cbr\u003e\nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless.\u003cbr\u003e\u003cbr\u003e\nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as \u0026#xC4;ll\u0026#xE4;gg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna.\u003cbr\u003e\u003cbr\u003e\nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life.\u003cbr\u003e\u003cbr\u003e\nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of\u0026#x2026; all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna.\u003cbr\u003e\u003cbr\u003e\nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal.\u003cbr\u003e\u003cbr\u003e\nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you\u0026#x2026; about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things\u0026#x2026;\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90.\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378_aspace_6a8211ddfe70635e60cb9d1bf8888423"}},{"id":"8a73df5bac3fcd9650e65378","type":"collection","attributes":{"title":"Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378#creator","type":"document_value","attributes":{"value":["Hine, Giulia, 1925-2015"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"8a73df5bac3fcd9650e65378","title_filing_ssi":"Hasterlik-Hine collection","title_ssm":["Hasterlik-Hine collection"],"title_tesim":["Hasterlik-Hine collection"],"ead_ssi":"8a73df5bac3fcd9650e65378","unitdate_ssm":["1700-2000","Date accessioned: 2019-12-04"],"unitdate_inclusive_ssm":["1700-2000"],"unitdate_other_ssim":["Date accessioned: 2019-12-04"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["98.0729","/repositories/10/resources/110"],"text":["98.0729","/repositories/10/resources/110","Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04","World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards.","This collection is open to all researchers.","Giulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado.  \nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless. \nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as Ällägg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna. \nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life. \nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of… all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna. \nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal. \nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you… about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things…\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll","The Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates.","FSU Special Collections \u0026 Archives","Christansen","Hine, Giulia, 1925-2015","Hasterlik, Paul","English German"],"unitid_tesim":["98.0729","/repositories/10/resources/110"],"normalized_date_ssm":["1700-2000, Date accessioned: 2019-12-04"],"normalized_title_ssm":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"collection_title_tesim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"collection_ssim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Hine, Giulia, 1925-2015","Christansen","Hasterlik, Paul"],"creator_ssim":["Hine, Giulia, 1925-2015","Christansen","Hasterlik, Paul"],"creator_persname_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul"],"creator_famname_ssim":["Christansen"],"creators_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul","Christansen"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"access_subjects_ssim":["World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards."],"access_subjects_ssm":["World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards."],"has_online_content_ssim":["false"],"extent_ssm":["15.5 Linear Feet 18 boxes, 13 1LF boxes and 5 .5LF boxes"],"extent_tesim":["15.5 Linear Feet 18 boxes, 13 1LF boxes and 5 .5LF boxes"],"genreform_ssim":["Personal correspondence","Postcards."],"date_range_isim":[1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Giulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado.  \nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless. \nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as Ällägg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna. \nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life. \nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of… all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna. \nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal. \nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you… about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things…\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Hasterlik-Hine collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_98_0729\"\u003ehttp://purl.fcla.edu/fsu/WWII_98_0729\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Hasterlik-Hine collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_98_0729 ."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll\" target=\"_blank\"\u003ehttps://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Link to selected digitized materials from this collection."],"relatedmaterial_tesim":["https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll"],"scopecontent_html_tesm":["\u003cp\u003eThe Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"names_ssim":["FSU Special Collections \u0026 Archives","Christansen","Hine, Giulia, 1925-2015","Hasterlik, Paul"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Christansen","Hasterlik, Paul"],"famname_ssim":["Christansen"],"persname_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul"],"language_ssim":["English German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":169,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"8a73df5bac3fcd9650e65378","timestamp":"2026-05-21T02:46:35.829Z","bioghist_html_tesm":["\u003cp\u003eGiulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado. \u003cbr\u003e\u003cbr\u003e\nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless.\u003cbr\u003e\u003cbr\u003e\nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as \u0026#xC4;ll\u0026#xE4;gg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna.\u003cbr\u003e\u003cbr\u003e\nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life.\u003cbr\u003e\u003cbr\u003e\nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of\u0026#x2026; all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna.\u003cbr\u003e\u003cbr\u003e\nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal.\u003cbr\u003e\u003cbr\u003e\nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you\u0026#x2026; about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things\u0026#x2026;\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90.\u003c/p\u003e"],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8a73df5bac3fcd9650e65378","title_filing_ssi":"Hasterlik-Hine collection","title_ssm":["Hasterlik-Hine collection"],"title_tesim":["Hasterlik-Hine collection"],"ead_ssi":"8a73df5bac3fcd9650e65378","unitdate_ssm":["1700-2000","Date accessioned: 2019-12-04"],"unitdate_inclusive_ssm":["1700-2000"],"unitdate_other_ssim":["Date accessioned: 2019-12-04"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["98.0729","/repositories/10/resources/110"],"text":["98.0729","/repositories/10/resources/110","Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04","World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards.","This collection is open to all researchers.","Giulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado.  \nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless. \nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as Ällägg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna. \nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life. \nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of… all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna. \nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal. \nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you… about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things…\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll","The Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates.","FSU Special Collections \u0026 Archives","Christansen","Hine, Giulia, 1925-2015","Hasterlik, Paul","English German"],"unitid_tesim":["98.0729","/repositories/10/resources/110"],"normalized_date_ssm":["1700-2000, Date accessioned: 2019-12-04"],"normalized_title_ssm":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"collection_title_tesim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"collection_ssim":["Hasterlik-Hine collection, 1700-2000, Date accessioned: 2019-12-04"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Hine, Giulia, 1925-2015","Christansen","Hasterlik, Paul"],"creator_ssim":["Hine, Giulia, 1925-2015","Christansen","Hasterlik, Paul"],"creator_persname_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul"],"creator_famname_ssim":["Christansen"],"creators_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul","Christansen"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"access_subjects_ssim":["World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards."],"access_subjects_ssm":["World War, 1939-1945","Jewish refugees--Germany--History--20th century","World War, 1939-1945--Austria","World War, 1939-1945--England","World War, 1939-1945--Switzerland","World War, 1939-1945--United States","World War, 1939-1945--Africa","World War, 1939-1945--Japan","World War, 1939-1945--Children","World War, 1939-1945--Censorship","World War, 1939-1945--Social aspects--United States","United States--Race relations--History--20th century","Protestantism--20th century","Emigration and immigration","United States--Emigration and immigration--History--20th century","Formulas, recipes, etc.","New York World's Fair (1939-1940 : New York, N.Y.)","Burgtheater (Vienna, Austria)","Get-well cards","Children's drawings","Save the Children International Union","Poliomyelitis","Catholicism","Women--Employment--Switzerland","World War, 1939-1945--Campaigns--Western Front","Nuns","Obstetrics","Child rearing in literature","Women--Employment--United States--History--20th century","Rationing","Diphtheria","V-J Day, 1945","Atomic bomb--History--20th century","Naturalization--United States","V-E Day, 1945","Theresienstadt (Concentration camp)","Switzerland--Social life and customs","Austria--History--Allied occupation, 1945-1955","United States--Social life and customs--1945-1970","Concentration Camps","World War, 1939-1945--Underground movements--Greece","Gurs (Concentration camp)","Education--Austria","Europe--Social conditions--20th century","United States--Social conditions--20th century","Africa--Race relations","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","Antisemitism","Infatuation","Kinderhilfswerk","Jews--Austria--Vienna--History","Scarcity","Gynecology","Personal correspondence","Postcards."],"has_online_content_ssim":["false"],"extent_ssm":["15.5 Linear Feet 18 boxes, 13 1LF boxes and 5 .5LF boxes"],"extent_tesim":["15.5 Linear Feet 18 boxes, 13 1LF boxes and 5 .5LF boxes"],"genreform_ssim":["Personal correspondence","Postcards."],"date_range_isim":[1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Giulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado.  \nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless. \nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as Ällägg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna. \nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life. \nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of… all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna. \nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal. \nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you… about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things…\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Hasterlik-Hine collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_98_0729\"\u003ehttp://purl.fcla.edu/fsu/WWII_98_0729\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Hasterlik-Hine collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_98_0729 ."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll\" target=\"_blank\"\u003ehttps://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Link to selected digitized materials from this collection."],"relatedmaterial_tesim":["https://repository.lib.fsu.edu/islandora/object/fsu:wwiihasterlikhinecoll"],"scopecontent_html_tesm":["\u003cp\u003eThe Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Hasterlik-Hine collection consists personal correspondence between Giulia Kortischoner (married name Hine) and her family and friends. The personal correspondence consists of letters, postcards, get-well-soon cards, greeting cards, and a small number of travel documents. The collection contains discussions about the Holocaust, life as a Jewish refugee, and the progress of the war and life afterwards."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. rates."],"names_ssim":["FSU Special Collections \u0026 Archives","Christansen","Hine, Giulia, 1925-2015","Hasterlik, Paul"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Christansen","Hasterlik, Paul"],"famname_ssim":["Christansen"],"persname_ssim":["Hine, Giulia, 1925-2015","Hasterlik, Paul"],"language_ssim":["English German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":169,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"8a73df5bac3fcd9650e65378","timestamp":"2026-05-21T02:46:35.829Z","bioghist_html_tesm":["\u003cp\u003eGiulia M. Kortischoner (married Hine) was born in Vienna, Austria on September 30, 1925 and passed away on June 16, 2015 in Boulder, Colorado. \u003cbr\u003e\u003cbr\u003e\nOnly thirteen years old when World War II began, Giulia Koritschoner came of age in a time of uncertainty and chaos. Despite the context in which Giulia grew up, however, the letters of the Hasterlik-Hine collection demonstrate the fact that, for those on the home front, daily life often continued on as normal. Indeed, Giulia's correspondence throughout 1942 regularly includes cheerful greeting cards for holidays that are decorated with personalized drawings and beautiful calligraphy. These letters were sent from not only family members but also a vast array of friends and acquaintances that Giulia made throughout the war years. Giulia's letters to and from schoolmates portray scenes of growing up that remained largely unchanged even in times of war. This is particularly evident in Giulia's letters to and from Margaret Wolf, a friend from Schaffhausen who evolved from sending letters complaining about disliked teachers and unbearably boring school lessons to letters that explained her fears about graduating from school and having to enter the workforce. Giulia's own letters mirror this development, as she wrote to her family contemplating a variety of jobs, from a lab technician to a stenographer to a masseuse. Even in the midst of the war, the possibilities for the future seemed endless.\u003cbr\u003e\u003cbr\u003e\nYet, elements of the war do seep into many of the letters. Discussions of rationing figure prominently in much of Giulia's correspondence, as \u0026#xC4;ll\u0026#xE4;gg Bechtold, a school friend from Schaffhausen, described how school was let out early in the spring because of a shortage of coal to keep students warm. Margaret Wolf complained that bakeries purposely sold old bread because it was thought that individuals would consume it more slowly than fresh bread. Even the letter that Giulia's school principal sent to her was written not on regular paper but rather on postcards that students were encouraged to fill with holiday greetings and send to soldiers in order to boost their morale. Many of Giulia's letters to and from her family during this time contain anxiety about Giulia's grandfather, Paul Hasterlik, who remained behind in Vienna while the rest of the family escaped. Although attempts were made to organize his passage to the United States, these efforts ultimately proved unsuccessful, and the letters reflect concerns about everything from whether Paul was able to find food to whether he was, in fact, actively being \"tormented.\" Although letters from Paul contained joy about Giulia's recovery from polio and excitement about her prospects for the future, he remained vague in descriptions of his own life, only briefly mentioning that he was forced to move to another apartment in Vienna.\u003cbr\u003e\u003cbr\u003e\nOther members of Giulia's family struggled during this time as well. Mia Hasterlik's letters outline her difficulties finding suitable employment in New York while living in unpleasant conditions. Perhaps most dramatically, Susi Weiss, Giulia's older sister who moved to Nairobi at the beginning of the war, describes the emotional and physical abuse to which her husband subjected her to and her overwhelming happiness at finally being free of him. This vast array of voices and subject matter reflected in the Hasterlik-Hine collection depict a strange intersection between war and daily life that occurred for those living on the home front during World War II. Ultimately, the collection offers an invaluable glimpse of what it means to come of age in a time of war, highlighting the fears, delights, and amusements that punctuated daily life.\u003cbr\u003e\u003cbr\u003e\nAs World War II came to an end in 1945, individuals across the globe celebrated the cessation of one of the deadliest conflicts in human history. Yet, for many people, the end of the war did not necessarily mean a return to normal life. The letters of the Hasterlik-Hine Collection provide a nuanced first-hand account of the tumultuous period following the end of the war, chronicling the story of a family that had to cope with not only the loss of family members and friends but also, perhaps most significantly, the loss of a homeland. Letters from Mia Hasterlik to her daughter, Giulia Koritschoner, highlight the joy with which the end of the war was received in the United States, expressing disbelief at the fact that \"this nightmare is really past, that it's over,\" and expressing excitement at a future that was \"spreading more beautiful in front of our eyes.\" Mia described the jubilation with which VE Day (Victory in Europe) and VJ Day (Victory over Japan) were celebrated in New York, where \"all the people [were] happy and drunk and all the soldiers and sailors [were] out of their minds. All the girls got kissed, everybody had lipstick on their faces, thousands of tons of paper, which people had thrown out their windows.\"Underlying the joy of these letters, however, was a lingering sense of sadness and loss. Mia lamented the \"heavy, irreplaceable loss\" of her father, Paul Hasterlik, who died at Theresienstadt in 1944. While Giulia expressed nostalgia for the Vienna that she was forced to flee from at the beginning of the war, Mia instead stated, \"I have no yearning whatsoever for Vienna, could never return. Because of\u0026#x2026; all the crimes which they carried out with their 'Golden Viennese Hearts.'\" Much of the correspondence during this time also highlights the desperate search for missing family members and friends that took place after the war. Mia, in particular, made frantic attempts to find Boni, an old family friend who had stayed behind in Vienna with Paul, and Ellen Christansen, a childhood friend of Giulia's who was also forced to remain in Vienna.\u003cbr\u003e\u003cbr\u003e\nExcitement over Giulia Koritschoner's upcoming trip to the United States characterizes many of the post-war letters, as does joy about reconnecting with the family friends that the Hasterlik-Hine family had lost contact with during the war. However, the final portion of the collection contains numerous insights, offering a view into the difficulties that accompanied post-war life in Austria. Supplies were so scarce that \"people had to fetch water in buckets an hour away on foot after having stood in line for an hour\" and had to \"take long walks in the woods to find small pieces of wood to have a little bit of heat.\" Yet, perceptions of the former Axis powers varied dramatically. Mia felt pity for those living in these countries, expressing sadness that individuals were \"starving\" in Vienna while those in the United States were \"suffocating in superabundance.\" Others, however, only expressed contempt for the former Axis powers, even stating that they did not see the point of sending rations and supplies to \"enemies who should starve to death.\"The one consensus among all parties seemed to be the dramatic nature of the occupation of Austria by Allied forces after the war, which was so severe that it seemed as if \"all the nations have sent their soldiers to Vienna.\" However, even in Vienna, life would, eventually, return to normal.\u003cbr\u003e\u003cbr\u003e\nIn a letter from March of 1946, Boni celebrated the future of Vienna, writing, \"Surely the people will tell you\u0026#x2026; about Vienna. About ruins and hunger, about cold rooms and deserted streets, about demoralization and despair. All that is also true here. But alongside that are also attractive things. People who want to live well, who certainly feel themselves to be unfortunate, but who are interested in the tragedies and little jokes of the greater evolution of things\u0026#x2026;\" Reflecting the tenacity, resilience, and hope for the future that characterizes the Hasterlik-Hine collection, Boni's letter exemplifies the sentiments upon which many of the survivors of World War II ultimately constructed their futures. Giulia's letters to childhood friends such as Ellen Christansen and Lisl Urbantschitsch transformed from letters filled with cartoons that complained about teachers to letters that reflected exciting plans for the future. While Giulia discussed her upcoming trip to the United States, Lisl shared her plans to emigrate to California and live with her father. Developing an increased sense of independence throughout the post-war years, Lisl would employ her artistic talent in order to secure a lucrative job making puppets. By 1947, Lisl was living in Paris and enjoying her independence. Giulia's life was, ultimately, one of joy and success as well. On April 21, 1946, she sailed from Paris, France to New York City, finally reuniting with her mother, Mia Hasterlik, from whom she had been separated for eight years. By 1948, Giulia had married Gerald Hine and was pregnant with their first child. Giulia would return to Vienna for a few years with her husband before living out the rest of her life in the United States. She passed away on June 16, 2015, at the age of 90.\u003c/p\u003e"]}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8a73df5bac3fcd9650e65378"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Michael A. Spencer Bromeliad Research Collection, 1754-2014","value":"Michael A. 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