{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1969\u0026page=366","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1969\u0026page=365","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1969\u0026page=367","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1969\u0026page=485"},"meta":{"pages":{"current_page":366,"next_page":367,"prev_page":365,"total_pages":485,"limit_value":10,"offset_value":3650,"total_count":4844,"first_page?":false,"last_page?":false}},"data":[{"id":"4ecd9741f5ab1f086d98fc86_aspace_1a3553fc81bb048965b4239b3aa9df5a","type":"File","attributes":{"title":"Post CPS Experience - Correspondence, 1944-1976","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/4ecd9741f5ab1f086d98fc86_aspace_1a3553fc81bb048965b4239b3aa9df5a#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003ePersonal and professional correspondence and documents covering the experience of conscientious objectors after service in the CPS\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4ecd9741f5ab1f086d98fc86_aspace_1a3553fc81bb048965b4239b3aa9df5a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1a3553fc81bb048965b4239b3aa9df5a","ref_ssm":["aspace_1a3553fc81bb048965b4239b3aa9df5a","aspace_1a3553fc81bb048965b4239b3aa9df5a"],"id":"4ecd9741f5ab1f086d98fc86_aspace_1a3553fc81bb048965b4239b3aa9df5a","title_filing_ssi":"Post CPS Experience - Correspondence","title_ssm":["Post CPS Experience - Correspondence"],"title_tesim":["Post CPS Experience - Correspondence"],"unitdate_inclusive_ssm":["1944-1976"],"normalized_date_ssm":["1944-1976"],"normalized_title_ssm":["Post CPS Experience - Correspondence, 1944-1976"],"text":["Post CPS Experience - Correspondence, 1944-1976","Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006","Research, bulk 1871-2006","/repositories/2/archival_objects/77927","box 32","folder 10","Personal and professional correspondence and documents covering the experience of conscientious objectors after service in the CPS"],"component_level_isim":[2],"parent_ids_ssim":["4ecd9741f5ab1f086d98fc86","4ecd9741f5ab1f086d98fc86_aspace_ff3bc41a85011bea5a51cdad9b65b38a"],"parent_unittitles_ssm":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006","Research, bulk 1871-2006"],"parent_unittitles_tesim":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006","Research, bulk 1871-2006"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/77927"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":338,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library. See less"],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections. See less See less"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"containers_ssim":["box 32","folder 10"],"scopecontent_html_tesm":["\u003cp\u003ePersonal and professional correspondence and documents covering the experience of conscientious objectors after service in the CPS\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Personal and professional correspondence and documents covering the experience of conscientious objectors after service in the CPS"],"_nest_path_":"/components#0/components#336","_nest_parent_":"4ecd9741f5ab1f086d98fc86_aspace_ff3bc41a85011bea5a51cdad9b65b38a","_root_":"4ecd9741f5ab1f086d98fc86","timestamp":"2026-07-11T02:01:13.886Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4ecd9741f5ab1f086d98fc86","title_ssm":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection"],"title_tesim":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection"],"ead_ssi":"4ecd9741f5ab1f086d98fc86","unitdate_ssm":["1871 - 2006"],"unitdate_inclusive_ssm":["1871 - 2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UAFP0012","/repositories/2/resources/203"],"text":["UAFP0012","/repositories/2/resources/203","Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006","United States","World War, 1939-1945","University Archives","University Archives -- Faculty Papers"," Civilian Public Service -- History","World War, 1939-1945 -- Conscientious objectors -- United States","Oral history","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library. See less","The Frazer-O'Sullivan Collection contains the research for the co- authored book, We Have Just Begun to Not Fight: An Oral History of Conscientious Objectors in the Civilian Public Service During World War II, by Heather Frazer and John O'Sullivan. More than 40,000 American men refused to fight during World War II. Citing principled opposition, they declared themselves conscientious objectors. Rejecting combat duty, nearly 12,000 men entered Civilian Public Service (CPS) with the intent to perform \"work of national importance\" as an alternative to combat duty. The CPS program was set up by members of the historic peace churches (Mennonites, Brethren, and Quakers) and participated in by pacifists from other churches, of no specific religious persuasion, and, in the case of a few, no persuasion except not to fight in that particular war. CPS men worked as aides in mental hospitals, volunteered as smoke jumpers in forest fires, and participated in grueling medical and scientific experiments.  Frazer and O'Sullivan use the oral histories of 15 CPS men and two of their wives to illuminate their experience during World War II. ","Heather T. Frazer (1940 – 2016) was a professor of history at Florida Atlantic University. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure, she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history.","John O'Sullivan (1939-2000) was a professor of history at Florida Atlantic University. In 1971, he came to Florida Atlantic University where he served as chair of the History Department (1975-1978) and devoted his entire academic career. Dr. O'Sullivan received numerous research fellowships including the American Philosophical Society, the American Historical Association, and the Sloan Foundation. His areas of specialization were World War II, Vietnam War, Nuclear Age, the Holocaust, Peace History, Oral History and Modern American Political and Diplomatic Affairs.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections. See less See less","Florida Atlantic University Libraries","English"],"unitid_tesim":["UAFP0012","/repositories/2/resources/203"],"normalized_date_ssm":["1871 - 2006"],"normalized_title_ssm":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006"],"collection_title_tesim":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006"],"collection_ssim":["Dr. Heather Frazer and Dr. John O'Sullivan Research Collection, 1871 - 2006"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"geogname_ssm":["United States"],"geogname_ssim":["United States"],"places_ssim":["United States"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections. See less See less"],"access_subjects_ssim":["World War, 1939-1945","University Archives","University Archives -- Faculty Papers"," Civilian Public Service -- History","World War, 1939-1945 -- Conscientious objectors -- United States","Oral history"],"access_subjects_ssm":["World War, 1939-1945","University Archives","University Archives -- Faculty Papers"," Civilian Public Service -- History","World War, 1939-1945 -- Conscientious objectors -- United States","Oral history"],"has_online_content_ssim":["false"],"extent_ssm":["67 boxes"],"extent_tesim":["67 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library. See less\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library. See less"],"scopecontent_html_tesm":["\u003cp\u003eThe Frazer-O'Sullivan Collection contains the research for the co- authored book, We Have Just Begun to Not Fight: An Oral History of Conscientious Objectors in the Civilian Public Service During World War II, by Heather Frazer and John O'Sullivan. More than 40,000 American men refused to fight during World War II. Citing principled opposition, they declared themselves conscientious objectors. Rejecting combat duty, nearly 12,000 men entered Civilian Public Service (CPS) with the intent to perform \"work of national importance\" as an alternative to combat duty. The CPS program was set up by members of the historic peace churches (Mennonites, Brethren, and Quakers) and participated in by pacifists from other churches, of no specific religious persuasion, and, in the case of a few, no persuasion except not to fight in that particular war. CPS men worked as aides in mental hospitals, volunteered as smoke jumpers in forest fires, and participated in grueling medical and scientific experiments.  Frazer and O'Sullivan use the oral histories of 15 CPS men and two of their wives to illuminate their experience during World War II. \u003c/p\u003e\n","\u003cp\u003eHeather T. Frazer (1940 \u0026#x2013; 2016) was a professor of history at Florida Atlantic University. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure, she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history.\u003c/p\u003e\n","\u003cp\u003eJohn O'Sullivan (1939-2000) was a professor of history at Florida Atlantic University. In 1971, he came to Florida Atlantic University where he served as chair of the History Department (1975-1978) and devoted his entire academic career. Dr. O'Sullivan received numerous research fellowships including the American Philosophical Society, the American Historical Association, and the Sloan Foundation. His areas of specialization were World War II, Vietnam War, Nuclear Age, the Holocaust, Peace History, Oral History and Modern American Political and Diplomatic Affairs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Frazer-O'Sullivan Collection contains the research for the co- authored book, We Have Just Begun to Not Fight: An Oral History of Conscientious Objectors in the Civilian Public Service During World War II, by Heather Frazer and John O'Sullivan. More than 40,000 American men refused to fight during World War II. Citing principled opposition, they declared themselves conscientious objectors. Rejecting combat duty, nearly 12,000 men entered Civilian Public Service (CPS) with the intent to perform \"work of national importance\" as an alternative to combat duty. The CPS program was set up by members of the historic peace churches (Mennonites, Brethren, and Quakers) and participated in by pacifists from other churches, of no specific religious persuasion, and, in the case of a few, no persuasion except not to fight in that particular war. CPS men worked as aides in mental hospitals, volunteered as smoke jumpers in forest fires, and participated in grueling medical and scientific experiments.  Frazer and O'Sullivan use the oral histories of 15 CPS men and two of their wives to illuminate their experience during World War II. ","Heather T. Frazer (1940 – 2016) was a professor of history at Florida Atlantic University. In 1971, she became the first female faculty member in the FAU history department where she taught for 35 years before retiring in 2006. During her tenure, she served as Department Chair and Director of Graduate Studies. She also pioneered the study of women's history at FAU, helping establish the Women's Studies program, which is now the Center for Women, Gender and Sexuality Studies. Dr. Frazer taught courses in women's history, modern Britain and British Empire, Indian history, and oral history.","John O'Sullivan (1939-2000) was a professor of history at Florida Atlantic University. In 1971, he came to Florida Atlantic University where he served as chair of the History Department (1975-1978) and devoted his entire academic career. Dr. O'Sullivan received numerous research fellowships including the American Philosophical Society, the American Historical Association, and the Sloan Foundation. His areas of specialization were World War II, Vietnam War, Nuclear Age, the Holocaust, Peace History, Oral History and Modern American Political and Diplomatic Affairs."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections. See less See less\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections. See less See less"],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"total_component_count_is":808,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"4ecd9741f5ab1f086d98fc86","timestamp":"2026-07-11T02:01:13.886Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4ecd9741f5ab1f086d98fc86_aspace_1a3553fc81bb048965b4239b3aa9df5a"}},{"id":"05176a8238a411947dafe2de_aspace_16745","type":"File","attributes":{"title":"Poster, 1969","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/05176a8238a411947dafe2de_aspace_16745#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_16745","ref_ssm":["aspace_16745","aspace_16745"],"id":"05176a8238a411947dafe2de_aspace_16745","title_filing_ssi":"Poster","title_ssm":["Poster"],"title_tesim":["Poster"],"unitdate_other_ssim":["1969"],"normalized_date_ssm":["1969"],"normalized_title_ssm":["Poster, 1969"],"text":["Poster, 1969","George and Anne Millay Collection, 1959-2006","Sea World, 1959-2004","Ohio Files, 1969-1981","Folder 2","/repositories/4/archival_objects/37081","Flat File 6","folder 2"],"component_level_isim":[3],"parent_ids_ssim":["05176a8238a411947dafe2de","05176a8238a411947dafe2de_aspace_16680","05176a8238a411947dafe2de_aspace_16724"],"parent_unittitles_ssm":["George and Anne Millay Collection, 1959-2006","Sea World, 1959-2004","Ohio Files, 1969-1981"],"parent_unittitles_tesim":["George and Anne Millay Collection, 1959-2006","Sea World, 1959-2004","Ohio Files, 1969-1981"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 2","/repositories/4/archival_objects/37081"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["George and Anne Millay Collection, 1959-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":355,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1969],"containers_ssim":["Flat File 6","folder 2"],"_nest_path_":"/components#1/components#5/components#10","_nest_parent_":"05176a8238a411947dafe2de_aspace_16724","_root_":"05176a8238a411947dafe2de","timestamp":"2026-07-09T03:02:51.250Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"05176a8238a411947dafe2de","title_ssm":["George and Anne Millay Collection"],"title_tesim":["George and Anne Millay Collection"],"ead_ssi":"05176a8238a411947dafe2de","unitdate_ssm":["1959-2006"],"unitdate_inclusive_ssm":["1959-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.079","/repositories/4/resources/154"],"text":["SC.079","/repositories/4/resources/154","George and Anne Millay Collection, 1959-2006","Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)","Amusement parks","Water parks","Marine aquariums","Public aquariums","Tourism","Blueprints","Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings","The entire collection is open for research.","The papers are arranged in five series by topic.","George Millay was born on 4th July 1929. While his Father was in the navy, George's family lived at Pearl Harbor, and he witnessed the 1941 attack. George himself served in the navy for more than three years as a weather forecaster; for part of the time he was on the USS Bairoko. After graduating from the University of California, Los Angeles with a degree in meteorology in 1955, George Millay worked for a stockbroking firm until 1960. He married Anne Real in 1963; they eventually had three sons and a daughter.","\nIn 1958, Millay opened the Reef restaurant in Los Angeles with David Tallichet. He planned to create a submarine bar there so that customers could view sea creatures while enjoying cocktails. The plan failed because the water in the harbor was too cloudy. However, his interest in marine life introduced him to Dr. Kenneth Norris, curator at Marineland. Together with Milton Shedd and David DeMott, they organized the Marine Park Corporation to create a marine park in San Diego. Sea World opened in 1964 and expanded in 1970 with a park in Ohio followed by the Orlando park in 1972. Sea World Inc. opened an amusement park in Valencia California on 29th May 1971 in partnership with Newhall Land and Farming. Officially named \"Magic Mountain\", the park was designated \"Tragic Mountain\" by a reporter who was injured there. Sea World did not make a profit on the venture and sold out to its partner late in 1971. Millay resigned from Sea World Inc in 1974 because of a disagreement with his partners over how the company should develop.","\nGeorge Millay had spent a lot of time at Sea World in Orlando, and he thought that families would enjoy water activities as a break from the Florida heat. He pulled together ideas from a water playground at the Toronto World's Fair, a flume near Sacramento and a wave pool in Alabama, added a children's playgound, restrooms, gift shop and snack bar to create a new concept. He formed the Leisure Marine Corporation to develop his idea. Initially, the company ran the Seven Seas park in Arlington, TX, for a season, but the venture did not develop further. Wet 'n Wild eventually became a reality in Orlando, where it opened in 1977. The company took over the failing Seven Seas park and redeveloped it into the second Wet 'n Wild in 1983 followed by Las Vegas in 1985. Additional sites opened in Garland, TX, Brazil and Mexico. Wet 'n Wild was named the Best of Aquatics for 2003 by Aquatics International magazine.","\nMillay retired from Wet 'n Wild in 1998, but he continued to work on new projects. He designed and patented a system for moving visitors down into the center of a circular aquarium so that everyone had a good view of the fish. Millay partnered with William Watts and David Powell in creating a company named Sea Venture to sell the system. At the time of his death in 2006, no examples of the system had been sold.","\nGeorge Millay received Lifetime Achievement Awards from the International Association of Amusement Parks and Attractions and the Themed Entertainment Association, and he was named the Father of the Waterpark Industry by the World Waterpark Association. Tim O'Brien wrote Millay's biography entitled The Wave Maker in 2004.","Collection processed by Judith Beale; finding aid prepared by Judith Beale. Materials received in 2010 processed and added to the collection in 2016 by Suphi Burak Ogreten. ","Materials were removed from binders. Some smaller items were removed from frames. One photograph was digitized, as it was stuck to glass, then removed from the glass. Photographs and slides were sleeved. Faxes were photocopied and traced in pencil to make them clearer. Audiocassettes and slides were removed from their cases because the foam was disintegrating. Plaques and awards were wrapped and documents were placed in pH neutral folders and boxes.","Other collections include Harrison \"Buzz\" Price Papers and the Al Turner, Splash Magazine Collection may be found by searching our online  Library Catalog .","Series I: Wet 'n Wild, 1974-2005 holds correspondence, minutes, advertising materials, photographs, memorabilia, news clippings, reports and plans concerning all aspects of the founding and management of the Wet 'n Wild Parks.","\nSeries II: Sea World, 1959-2004 contains correspondence, news clippings, scrapbooks, photographs, reports and memorabilia documenting all aspects of the founding and management of Sea World, Inc.","\nSeries III: Sea Venture, 1998-2004 contains correspondence, plans, photographs and contracts concerning the patenting and marketing of George Millay's system for transporting visitors down into a doughnut-shaped aquarium.","\nSeries IV: Personal, 1965-2006 holds photographs, audio, video, correspondence, memorabilia and brochures that document projects, accolades and memorials. The series includes resources used in Millay's biography and a file on the opening of Disney World.","\nSeries V: Additional Materials, 1965-1999 includes newspaper and magazine clippings, photographs, pamphlets, correspondence, annual reports, proposals, and various ephemera related to the Wet'n Wild, Sea World, and Seven Seas parks.","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","George Millay founded both Sea World and Wet 'n Wild for which he was named Father of the Waterpark Industry. This collection of correspondence, photographs, memorabilia, news clippings, reports and audio visual materials documents the complicated and not always successful process of building a new waterpark. In addition to materials concerning Sea World and Wet 'n Wild, the collection contains information on George Millay's other projects and his personal achievements.","UCF Special Collections","Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World","Millay, Anne, 1934-2006","Millay, George","English"],"unitid_tesim":["SC.079","/repositories/4/resources/154"],"normalized_date_ssm":["1959-2006"],"normalized_title_ssm":["George and Anne Millay Collection, 1959-2006"],"collection_title_tesim":["George and Anne Millay Collection, 1959-2006"],"collection_ssim":["George and Anne Millay Collection, 1959-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)"],"geogname_ssim":["Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)"],"creator_ssm":["Millay, Anne, 1934-2006"],"creator_ssim":["Millay, Anne, 1934-2006"],"creator_persname_ssim":["Millay, Anne, 1934-2006"],"creators_ssim":["Millay, Anne, 1934-2006"],"places_ssim":["Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The Millay family donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2007 (CFM2007_15) and 2010 (CFM2010_04)."],"access_subjects_ssim":["Amusement parks","Water parks","Marine aquariums","Public aquariums","Tourism","Blueprints","Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings"],"access_subjects_ssm":["Amusement parks","Water parks","Marine aquariums","Public aquariums","Tourism","Blueprints","Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings"],"has_online_content_ssim":["false"],"extent_ssm":["21.25 Linear Feet 22 Boxes, 8 Flat Files, 5 Framed Items"],"extent_tesim":["21.25 Linear Feet 22 Boxes, 8 Flat Files, 5 Framed Items"],"genreform_ssim":["Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings"],"date_range_isim":[1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe papers are arranged in five series by topic.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The papers are arranged in five series by topic."],"bioghist_html_tesm":["\u003cp\u003eGeorge Millay was born on 4th July 1929. While his Father was in the navy, George's family lived at Pearl Harbor, and he witnessed the 1941 attack. George himself served in the navy for more than three years as a weather forecaster; for part of the time he was on the USS Bairoko. After graduating from the University of California, Los Angeles with a degree in meteorology in 1955, George Millay worked for a stockbroking firm until 1960. He married Anne Real in 1963; they eventually had three sons and a daughter.\u003c/p\u003e\n","\u003cp\u003e\nIn 1958, Millay opened the Reef restaurant in Los Angeles with David Tallichet. He planned to create a submarine bar there so that customers could view sea creatures while enjoying cocktails. The plan failed because the water in the harbor was too cloudy. However, his interest in marine life introduced him to Dr. Kenneth Norris, curator at Marineland. Together with Milton Shedd and David DeMott, they organized the Marine Park Corporation to create a marine park in San Diego. Sea World opened in 1964 and expanded in 1970 with a park in Ohio followed by the Orlando park in 1972. Sea World Inc. opened an amusement park in Valencia California on 29th May 1971 in partnership with Newhall Land and Farming. Officially named \"Magic Mountain\", the park was designated \"Tragic Mountain\" by a reporter who was injured there. Sea World did not make a profit on the venture and sold out to its partner late in 1971. Millay resigned from Sea World Inc in 1974 because of a disagreement with his partners over how the company should develop.\u003c/p\u003e\n","\u003cp\u003e\nGeorge Millay had spent a lot of time at Sea World in Orlando, and he thought that families would enjoy water activities as a break from the Florida heat. He pulled together ideas from a water playground at the Toronto World's Fair, a flume near Sacramento and a wave pool in Alabama, added a children's playgound, restrooms, gift shop and snack bar to create a new concept. He formed the Leisure Marine Corporation to develop his idea. Initially, the company ran the Seven Seas park in Arlington, TX, for a season, but the venture did not develop further. Wet 'n Wild eventually became a reality in Orlando, where it opened in 1977. The company took over the failing Seven Seas park and redeveloped it into the second Wet 'n Wild in 1983 followed by Las Vegas in 1985. Additional sites opened in Garland, TX, Brazil and Mexico. Wet 'n Wild was named the Best of Aquatics for 2003 by Aquatics International magazine.\u003c/p\u003e\n","\u003cp\u003e\nMillay retired from Wet 'n Wild in 1998, but he continued to work on new projects. He designed and patented a system for moving visitors down into the center of a circular aquarium so that everyone had a good view of the fish. Millay partnered with William Watts and David Powell in creating a company named Sea Venture to sell the system. At the time of his death in 2006, no examples of the system had been sold.\u003c/p\u003e\n","\u003cp\u003e\nGeorge Millay received Lifetime Achievement Awards from the International Association of Amusement Parks and Attractions and the Themed Entertainment Association, and he was named the Father of the Waterpark Industry by the World Waterpark Association. Tim O'Brien wrote Millay's biography entitled The Wave Maker in 2004.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["George Millay was born on 4th July 1929. While his Father was in the navy, George's family lived at Pearl Harbor, and he witnessed the 1941 attack. George himself served in the navy for more than three years as a weather forecaster; for part of the time he was on the USS Bairoko. After graduating from the University of California, Los Angeles with a degree in meteorology in 1955, George Millay worked for a stockbroking firm until 1960. He married Anne Real in 1963; they eventually had three sons and a daughter.","\nIn 1958, Millay opened the Reef restaurant in Los Angeles with David Tallichet. He planned to create a submarine bar there so that customers could view sea creatures while enjoying cocktails. The plan failed because the water in the harbor was too cloudy. However, his interest in marine life introduced him to Dr. Kenneth Norris, curator at Marineland. Together with Milton Shedd and David DeMott, they organized the Marine Park Corporation to create a marine park in San Diego. Sea World opened in 1964 and expanded in 1970 with a park in Ohio followed by the Orlando park in 1972. Sea World Inc. opened an amusement park in Valencia California on 29th May 1971 in partnership with Newhall Land and Farming. Officially named \"Magic Mountain\", the park was designated \"Tragic Mountain\" by a reporter who was injured there. Sea World did not make a profit on the venture and sold out to its partner late in 1971. Millay resigned from Sea World Inc in 1974 because of a disagreement with his partners over how the company should develop.","\nGeorge Millay had spent a lot of time at Sea World in Orlando, and he thought that families would enjoy water activities as a break from the Florida heat. He pulled together ideas from a water playground at the Toronto World's Fair, a flume near Sacramento and a wave pool in Alabama, added a children's playgound, restrooms, gift shop and snack bar to create a new concept. He formed the Leisure Marine Corporation to develop his idea. Initially, the company ran the Seven Seas park in Arlington, TX, for a season, but the venture did not develop further. Wet 'n Wild eventually became a reality in Orlando, where it opened in 1977. The company took over the failing Seven Seas park and redeveloped it into the second Wet 'n Wild in 1983 followed by Las Vegas in 1985. Additional sites opened in Garland, TX, Brazil and Mexico. Wet 'n Wild was named the Best of Aquatics for 2003 by Aquatics International magazine.","\nMillay retired from Wet 'n Wild in 1998, but he continued to work on new projects. He designed and patented a system for moving visitors down into the center of a circular aquarium so that everyone had a good view of the fish. Millay partnered with William Watts and David Powell in creating a company named Sea Venture to sell the system. At the time of his death in 2006, no examples of the system had been sold.","\nGeorge Millay received Lifetime Achievement Awards from the International Association of Amusement Parks and Attractions and the Themed Entertainment Association, and he was named the Father of the Waterpark Industry by the World Waterpark Association. Tim O'Brien wrote Millay's biography entitled The Wave Maker in 2004."],"prefercite_html_tesm":["\u003cp\u003eGeorge and Anne Millay Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["George and Anne Millay Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Judith Beale; finding aid prepared by Judith Beale. Materials received in 2010 processed and added to the collection in 2016 by Suphi Burak Ogreten. \u003c/p\u003e","\u003cp\u003eMaterials were removed from binders. Some smaller items were removed from frames. One photograph was digitized, as it was stuck to glass, then removed from the glass. Photographs and slides were sleeved. Faxes were photocopied and traced in pencil to make them clearer. Audiocassettes and slides were removed from their cases because the foam was disintegrating. Plaques and awards were wrapped and documents were placed in pH neutral folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Judith Beale; finding aid prepared by Judith Beale. Materials received in 2010 processed and added to the collection in 2016 by Suphi Burak Ogreten. ","Materials were removed from binders. Some smaller items were removed from frames. One photograph was digitized, as it was stuck to glass, then removed from the glass. Photographs and slides were sleeved. Faxes were photocopied and traced in pencil to make them clearer. Audiocassettes and slides were removed from their cases because the foam was disintegrating. Plaques and awards were wrapped and documents were placed in pH neutral folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eOther collections include Harrison \"Buzz\" Price Papers and the Al Turner, Splash Magazine Collection may be found by searching our online \u003cextref href=\"https://library.ucf.edu\"\u003eLibrary Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other collections include Harrison \"Buzz\" Price Papers and the Al Turner, Splash Magazine Collection may be found by searching our online  Library Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Wet 'n Wild, 1974-2005 holds correspondence, minutes, advertising materials, photographs, memorabilia, news clippings, reports and plans concerning all aspects of the founding and management of the Wet 'n Wild Parks.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Sea World, 1959-2004 contains correspondence, news clippings, scrapbooks, photographs, reports and memorabilia documenting all aspects of the founding and management of Sea World, Inc.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Sea Venture, 1998-2004 contains correspondence, plans, photographs and contracts concerning the patenting and marketing of George Millay's system for transporting visitors down into a doughnut-shaped aquarium.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal, 1965-2006 holds photographs, audio, video, correspondence, memorabilia and brochures that document projects, accolades and memorials. The series includes resources used in Millay's biography and a file on the opening of Disney World.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Additional Materials, 1965-1999 includes newspaper and magazine clippings, photographs, pamphlets, correspondence, annual reports, proposals, and various ephemera related to the Wet'n Wild, Sea World, and Seven Seas parks.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Wet 'n Wild, 1974-2005 holds correspondence, minutes, advertising materials, photographs, memorabilia, news clippings, reports and plans concerning all aspects of the founding and management of the Wet 'n Wild Parks.","\nSeries II: Sea World, 1959-2004 contains correspondence, news clippings, scrapbooks, photographs, reports and memorabilia documenting all aspects of the founding and management of Sea World, Inc.","\nSeries III: Sea Venture, 1998-2004 contains correspondence, plans, photographs and contracts concerning the patenting and marketing of George Millay's system for transporting visitors down into a doughnut-shaped aquarium.","\nSeries IV: Personal, 1965-2006 holds photographs, audio, video, correspondence, memorabilia and brochures that document projects, accolades and memorials. The series includes resources used in Millay's biography and a file on the opening of Disney World.","\nSeries V: Additional Materials, 1965-1999 includes newspaper and magazine clippings, photographs, pamphlets, correspondence, annual reports, proposals, and various ephemera related to the Wet'n Wild, Sea World, and Seven Seas parks."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e2b9aba5ed67fc882ac4591fdb37c3fb\" label=\"Abstract\"\u003eGeorge Millay founded both Sea World and Wet 'n Wild for which he was named Father of the Waterpark Industry. This collection of correspondence, photographs, memorabilia, news clippings, reports and audio visual materials documents the complicated and not always successful process of building a new waterpark. In addition to materials concerning Sea World and Wet 'n Wild, the collection contains information on George Millay's other projects and his personal achievements.\u003c/abstract\u003e"],"abstract_tesim":["George Millay founded both Sea World and Wet 'n Wild for which he was named Father of the Waterpark Industry. This collection of correspondence, photographs, memorabilia, news clippings, reports and audio visual materials documents the complicated and not always successful process of building a new waterpark. In addition to materials concerning Sea World and Wet 'n Wild, the collection contains information on George Millay's other projects and his personal achievements."],"names_coll_ssim":["Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World","Millay, George","Millay, Anne, 1934-2006"],"names_ssim":["UCF Special Collections","Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World","Millay, Anne, 1934-2006","Millay, George"],"corpname_ssim":["UCF Special Collections","Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World"],"persname_ssim":["Millay, Anne, 1934-2006","Millay, George"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":680,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"05176a8238a411947dafe2de","timestamp":"2026-07-09T03:02:51.250Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/05176a8238a411947dafe2de_aspace_16745"}},{"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_318edd7ebca6dc086595d6ce9ab7cb79","type":"Subseries","attributes":{"title":"Posters, 1869-1981, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_318edd7ebca6dc086595d6ce9ab7cb79#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_318edd7ebca6dc086595d6ce9ab7cb79","ref_ssm":["aspace_318edd7ebca6dc086595d6ce9ab7cb79","aspace_318edd7ebca6dc086595d6ce9ab7cb79"],"id":"2a6a6aa34a3c99c1b1b95ea9_aspace_318edd7ebca6dc086595d6ce9ab7cb79","title_filing_ssi":"Posters","title_ssm":["Posters"],"title_tesim":["Posters"],"unitdate_inclusive_ssm":["1869-1981, Undated"],"normalized_date_ssm":["1869-1981, Undated"],"normalized_title_ssm":["Posters, 1869-1981, Undated"],"text":["Posters, 1869-1981, Undated","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Personal Files, 1895-2005, Undated.","Sub-Series 8","/repositories/4/archival_objects/56626"],"component_level_isim":[2],"parent_ids_ssim":["2a6a6aa34a3c99c1b1b95ea9","2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesII"],"parent_unittitles_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Personal Files, 1895-2005, Undated."],"parent_unittitles_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Personal Files, 1895-2005, Undated."],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Sub-Series 8","/repositories/4/archival_objects/56626"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":25,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":217,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981],"_nest_path_":"/components#1/components#8","_nest_parent_":"2a6a6aa34a3c99c1b1b95ea9_aspace_SeriesII","_root_":"2a6a6aa34a3c99c1b1b95ea9","_version_":1872035374829666304,"timestamp":"2026-07-29T08:00:56.373Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2a6a6aa34a3c99c1b1b95ea9","title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection"],"ead_ssi":"2a6a6aa34a3c99c1b1b95ea9","unitdate_ssm":["1829-2006"],"unitdate_inclusive_ssm":["1829-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.113","/repositories/4/resources/225"],"text":["SC.113","/repositories/4/resources/225","Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006","Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations","The entire collection is open for research.","This collection is itemized and arranged in alphabetical and chronological order.","Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.","Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.","A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog .","This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.","UCF Special Collections","Martin, Francis John, Jr.","The materials are written in English."],"unitid_tesim":["SC.113","/repositories/4/resources/225"],"normalized_date_ssm":["1829-2006"],"normalized_title_ssm":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_title_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"collection_ssim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, 1829-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Martin, Francis John, Jr."],"creator_ssim":["Martin, Francis John, Jr."],"creator_persname_ssim":["Martin, Francis John, Jr."],"creators_ssim":["Martin, Francis John, Jr."],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Francis Martin Jr. donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2018 (CFM2018_15) and 2020 (CFM2020_02, CFM2020_03, CFM2020_16)."],"access_subjects_ssim":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"access_subjects_ssm":["Racism in art","American wit and humor, Pictorial","Caricatures and cartoons -- Social aspects -- United States","Canaries","manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"has_online_content_ssim":["false"],"extent_ssm":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"extent_tesim":["3.25 Linear Feet 8 Boxes, 1 Flat File, 3 Art Frames"],"genreform_ssim":["manuscripts (documents)","maps (documents)","photographs","drawings","illustrations"],"date_range_isim":[1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is itemized and arranged in alphabetical and chronological order."],"bioghist_html_tesm":["\u003cp\u003eFrancis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Francis Martin Jr. was a professor at UCF for several years. He wrote his master's thesis on the American illustrator Edward W. Kemble. Martin Jr. was also heavily interested in birds and had quite the collection of bird illustrations and drawings from artist A.F. Lydon. Martin Jr. received the Journal of Popular Culture's Top award, the Russel B. Nye award, for his contribution to the publication with his article \"To Ignore is to Deny: E.W. Kemble's Racial Caricature as Popular Art.\" This award is named after the scholar who won the Pulitzer Prize in 1944 and is awarded to the Journal's best published article each year. In 2009, Martin Jr. was credited as the mentor for Amanda C. Banacki who was an honorable mention in the Showcase of Undergraduate Research Excellence 2009 Winners."],"prefercite_html_tesm":["\u003cp\u003eFred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Fred Rodgers and Dr. Francis Martin Jr. Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMarlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing History"],"processinfo_tesim":["Marlon Ffrench processed the collection in 2021. Items are sorted based on the format and placed them in acid-free folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eA small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online \u003cextref href=\"https://library.ucf.edu\"\u003eLibrary Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["A small book collection accompanies this collection and may be accessed by performing a series search for the \"Fred Rodgers and Dr. Francis Martin Jr. Collection\" in the Online  Library Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is itemized and arranged in alphabetical and chronological order.\u003c/p\u003e\n","\u003cp\u003eSeries I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.\u003c/p\u003e\n","\u003cp\u003eSeries II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026amp; posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.\u003c/p\u003e\n","\u003cp\u003eSeries III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.\u003c/p\u003e\n","\u003cp\u003eSeries IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["This collection is itemized and arranged in alphabetical and chronological order.","Series I, Artwork, 1881-2006, Undated, contains various drawings, illustrations, paintings, and posters from many artists, but primarily from  Edward W. Kemble. Art from other contributors such as Pataky, Joan Cromwell and Richard Caton Woodville are also present. Subjects of the drawings mostly include canaries, depictions of Black Americans and various Mexican landscape. An illustration of particular note is the portrait of Alexander Hamilton by William Sartain.","Series II, Personal Files, 1895-2005, Undated, contains correspondence mainly to the Kemble family concerning Edward W. Kemble's work, awards from the Wishaw Association, newspaper clippings, news releases, hand-drawn comics by Charles Crumb, post cards, exhibition flyers, catalogs, \u0026 posters, and written work which involves Francis Martin's Thesis, Book copyright, chapters and appendices. Christmas cards from the Kemble family and postcards from R. Crumb testifies to the fact that Francis Martin developed a relationship with the families while he conducted research for the thesis being written. Additionally, clippings that feature art by Edward W. Kemble and an article on Steve Lotz and his family can be seen. Original comics meticulously crafted and created by Charles Crumb can also be found here.","Series III, Photographs, 1829-1962, Undated, contains prints of various subjects but mainly comics hand-drawn by Charles Crumb, portraits, illustrations and museum pieces. Photos of very small writing give the impression of Charles Crumb practicing to write the dialog in the comics he created. Photos of various museum art by artists such as Edward W. Kemble and Winslow Homer. Portraits of Edward W. Kemble and his family are also here.","Series IV, Publications, 1858-1952, Undated, contains clippings and issues of various magazine publications that features art from various artists such as Edward Kemble and Winslow Homer. The art in these clippings show the meticulous nature that Winslow Homer used to create the pieces found within. Harper's Weekly, which seems to focus more on news of a political nature, makes up the majority of the publications collected."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4a581e455cb123495b610919f342aacb\"\u003eThe Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection.\u003c/abstract\u003e"],"abstract_tesim":["The Francis Martin Jr. and Fred Rodgers collection contains a plethora of art pieces, correspondence, and photographs that correlate with numerous artists. The art pieces have varying subjects which include many species of canaries, depictions of Black Americans (mostly created by Edward W. Kemble), and various Mexican landscapes by Pataky. A key piece is the portrait of Alexander Hamilton by William Sartain. Edward W. Kemble is mostly known for his artistical satire of Black Americans in the 19th Century. The collection also contains meticulously hand drawn comics by Charles Crumb and beautifully rendered art by Winslow Homer found in antique magazine issues of publications such as Appleton's Journal and Harper's Weekly. Dr. Francis Martin Jr's processes in collecting information regarding his thesis on Edward W. Kemble which includes many items of correspondence with Kemble's family can also be found in the collection."],"names_ssim":["UCF Special Collections","Martin, Francis John, Jr."],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Martin, Francis John, Jr."],"language_ssim":["The materials are written in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":459,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872035374829666304,"_root_":"2a6a6aa34a3c99c1b1b95ea9","timestamp":"2026-07-29T08:00:56.373Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2a6a6aa34a3c99c1b1b95ea9_aspace_318edd7ebca6dc086595d6ce9ab7cb79"}},{"id":"dd1185e4a432441cb5a55467_aspace_7473cb344a3ae2c4c5b7ebe589c17240","type":"File","attributes":{"title":"Posters, 1969, 1989, 1994","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/dd1185e4a432441cb5a55467_aspace_7473cb344a3ae2c4c5b7ebe589c17240#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_7473cb344a3ae2c4c5b7ebe589c17240","ref_ssm":["aspace_7473cb344a3ae2c4c5b7ebe589c17240","aspace_7473cb344a3ae2c4c5b7ebe589c17240"],"id":"dd1185e4a432441cb5a55467_aspace_7473cb344a3ae2c4c5b7ebe589c17240","title_filing_ssi":"Posters","title_ssm":["Posters"],"title_tesim":["Posters"],"unitdate_inclusive_ssm":["1969","1989","1994"],"normalized_date_ssm":["1969, 1989, 1994"],"normalized_title_ssm":["Posters, 1969, 1989, 1994"],"text":["Posters, 1969, 1989, 1994","Beatrice B. Ettinger papers, 1962-2015","Personal, 1969–1994","/repositories/4/archival_objects/91807","box OVA 1","Flat File 4"],"component_level_isim":[2],"parent_ids_ssim":["dd1185e4a432441cb5a55467","dd1185e4a432441cb5a55467_aspace_b35b8394e79658e6df580bc69e6b344f"],"parent_unittitles_ssm":["Beatrice B. Ettinger papers, 1962-2015","Personal, 1969–1994"],"parent_unittitles_tesim":["Beatrice B. Ettinger papers, 1962-2015","Personal, 1969–1994"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/4/archival_objects/91807"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Beatrice B. Ettinger papers, 1962-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":169,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder"],"date_range_isim":[1969,1989,1994],"containers_ssim":["box OVA 1","Flat File 4"],"_nest_path_":"/components#2/components#4","_nest_parent_":"dd1185e4a432441cb5a55467_aspace_b35b8394e79658e6df580bc69e6b344f","_root_":"dd1185e4a432441cb5a55467","_version_":1874753310664163328,"timestamp":"2026-08-28T08:01:21.975Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"dd1185e4a432441cb5a55467","title_ssm":["Beatrice B. Ettinger papers"],"title_tesim":["Beatrice B. Ettinger papers"],"ead_ssi":"dd1185e4a432441cb5a55467","unitdate_ssm":["1962-2015"],"unitdate_inclusive_ssm":["1962-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC37","/repositories/4/resources/38"],"text":["SC37","/repositories/4/resources/38","Beatrice B. Ettinger papers, 1962-2015","Adult Education of Women","Women -- Education","Hotels","Equal Rights Amendments","Feminism -- United States","Feminism","International Women's Decade, 1976-1985","International Women's Year, 1975","Women's rights -- United States","Feminism and education","Equal Rights Amendments -- United States","photographs","scrapbooks","The entire collection is open for research.","The collection is arranged into three series by topic, then arranged alphabetically within each series.","Beatrice \"Bea\" Bornstein Ettinger was born in Paterson, New Jersey, on June 21, 1917. In 1932, she moved to Orlando, Florida with her parents at age 15. She graduated from the University of Miami and the University of Miami Law School. Ettinger was active in a variety of organizations, serving as Vice President of the Florida League of Women Voters, Director of Region IV of the National Displaced Homemaker Network, and Secretary of Learning Institute for Elders. Ettinger was instrumental in establishing the Central Florida Educational Consortium for Women. Her achievements were honored by the local community as Orlando's Outstanding Woman of the Year in 1977, Woman of Achievement in 1979 and Community Leader of the Year in 1981. She was nominated for the Florida Women's Hall of Fame in 1982 and 1984. \n \nIn 1966, a group of women met to start the Council for Continuing Education for Women in Orlando, an organization that offered educational and career opportunities for women. It was run by volunteers until 1974, when it cooperated with the Valencia Community College to establish the Center for Continuing Education for Women. The Center created and sponsored programs on a variety of topics designed to assist women who wanted to further their education and possibly return to the workforce. Ettinger was president of the Council and directed the Center until 1986, when Connie Fisher became Director. In 1991, the Council moved from Valencia Community College and entered into a new agreement with the University of Central Florida, where it continued with its work in association with the Women's Studies Program. Ettinger passed away in 2015.","Collection processed by Judith Beale; finding aid prepared by Judith Beale. Duplications were removed, news clippings were photocopied onto acid free paper and the materials were rehoused. Rehoused and additional materials processed by Ava Botwin in 2026.","Similar materials may be found in the  Phyllis J. Hudson Papers  and the  Lynda Van Scoyoc Papers .","Series I: Council for Continuing Education for Women, 1964-1997 is the largest series and fully documents the Council's activities and that of the Center that it sponsored. Its programs included Displaced Homemaker, Florida Women in Agriculture and Women in Citrus. The Center received awards from Walt Disney World in 1975, 1979, 1981, 1984 and 1986 when it received the \"Spirit of Epcot\" Award. Financial Aid for Career Training Inc. worked with the Center and provided loans for women to improve their skills so that they could return to the work force.","\nSeries II: Other Organizations, 1971-1988 holds materials concerning various other organizations in which Ettinger had an interest. Most of these organizations concern women and education, such as, the Central Florida Educational Consortium for Women. However, political and community organizations, such as, the League of Women Voters and the Jewish Community Center are also represented here.","\nSeries III: Personal, 1969-1994 contains documents of a more personal nature and includes Ettinger's date book, certificates, the documents prepared for her nomination to the Florida Women's Hall of Fame and information about her relationship with Valencia Community College.","Series IV: Additional Materials, 1962-2015, contains additional papers and photographs relating to Ettinger's personal achievements and involvement in various Florida organizations.","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder","The Beatrice B. Ettinger papers contain correspondence, leaflets, posters, minutes and reports that show women's position in society in the 1970s and 1980s. Continuing Education is the focus of these papers since Ettinger accumulated many of the materials between 1970 and 1992 when she was President of the Council for Continuing Education for Women. This organization established a Center that was based first at Valencia Community College and later at the University of Central Florida. Ettinger also collected documents concerning other organizations in which she was interested that fostered women's intellectual and political growth, such as, the Central Florida Women's Resource Center Inc. and the League of Women Voters. Additional materials provide some personal information about Mrs. Ettinger.","UCF Special Collections","Central Florida Educational Consortium for Women","Central Florida Women's Resource Center","Council for Continuing Education for Women of Central Florida","Florida League of Women Voters","Valencia Community College","Center for Women's Medicine at Florida Hospital","University of Central Florida","Ettinger, Beatrice B., 1917-2015","English"],"unitid_tesim":["SC37","/repositories/4/resources/38"],"normalized_date_ssm":["1962-2015"],"normalized_title_ssm":["Beatrice B. Ettinger papers, 1962-2015"],"collection_title_tesim":["Beatrice B. Ettinger papers, 1962-2015"],"collection_ssim":["Beatrice B. Ettinger papers, 1962-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Ettinger, Beatrice B., 1917-2015"],"creator_ssim":["Ettinger, Beatrice B., 1917-2015"],"creator_persname_ssim":["Ettinger, Beatrice B., 1917-2015"],"creators_ssim":["Ettinger, Beatrice B., 1917-2015"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder"],"acqinfo_ssim":["Beatrice B. Ettinger donated these materials to the University of Central Florida Libraries Special Collections Department in 2002 (CFM2002_02). Additional materials gifted by Marilyn Crotty, Bea's daughter, in 2026 (CFM2026_04)."],"access_subjects_ssim":["Adult Education of Women","Women -- Education","Hotels","Equal Rights Amendments","Feminism -- United States","Feminism","International Women's Decade, 1976-1985","International Women's Year, 1975","Women's rights -- United States","Feminism and education","Equal Rights Amendments -- United States","photographs","scrapbooks"],"access_subjects_ssm":["Adult Education of Women","Women -- Education","Hotels","Equal Rights Amendments","Feminism -- United States","Feminism","International Women's Decade, 1976-1985","International Women's Year, 1975","Women's rights -- United States","Feminism and education","Equal Rights Amendments -- United States","photographs","scrapbooks"],"has_online_content_ssim":["false"],"extent_ssm":["10.2 Linear Feet 17 boxes, 5 flat files"],"extent_tesim":["10.2 Linear Feet 17 boxes, 5 flat files"],"genreform_ssim":["photographs","scrapbooks"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into three series by topic, then arranged alphabetically within each series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into three series by topic, then arranged alphabetically within each series."],"bioghist_html_tesm":["\u003cp\u003eBeatrice \"Bea\" Bornstein Ettinger was born in Paterson, New Jersey, on June 21, 1917. In 1932, she moved to Orlando, Florida with her parents at age 15. She graduated from the University of Miami and the University of Miami Law School. Ettinger was active in a variety of organizations, serving as Vice President of the Florida League of Women Voters, Director of Region IV of the National Displaced Homemaker Network, and Secretary of Learning Institute for Elders. Ettinger was instrumental in establishing the Central Florida Educational Consortium for Women. Her achievements were honored by the local community as Orlando's Outstanding Woman of the Year in 1977, Woman of Achievement in 1979 and Community Leader of the Year in 1981. She was nominated for the Florida Women's Hall of Fame in 1982 and 1984. \n \nIn 1966, a group of women met to start the Council for Continuing Education for Women in Orlando, an organization that offered educational and career opportunities for women. It was run by volunteers until 1974, when it cooperated with the Valencia Community College to establish the Center for Continuing Education for Women. The Center created and sponsored programs on a variety of topics designed to assist women who wanted to further their education and possibly return to the workforce. Ettinger was president of the Council and directed the Center until 1986, when Connie Fisher became Director. In 1991, the Council moved from Valencia Community College and entered into a new agreement with the University of Central Florida, where it continued with its work in association with the Women's Studies Program. Ettinger passed away in 2015.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Beatrice \"Bea\" Bornstein Ettinger was born in Paterson, New Jersey, on June 21, 1917. In 1932, she moved to Orlando, Florida with her parents at age 15. She graduated from the University of Miami and the University of Miami Law School. Ettinger was active in a variety of organizations, serving as Vice President of the Florida League of Women Voters, Director of Region IV of the National Displaced Homemaker Network, and Secretary of Learning Institute for Elders. Ettinger was instrumental in establishing the Central Florida Educational Consortium for Women. Her achievements were honored by the local community as Orlando's Outstanding Woman of the Year in 1977, Woman of Achievement in 1979 and Community Leader of the Year in 1981. She was nominated for the Florida Women's Hall of Fame in 1982 and 1984. \n \nIn 1966, a group of women met to start the Council for Continuing Education for Women in Orlando, an organization that offered educational and career opportunities for women. It was run by volunteers until 1974, when it cooperated with the Valencia Community College to establish the Center for Continuing Education for Women. The Center created and sponsored programs on a variety of topics designed to assist women who wanted to further their education and possibly return to the workforce. Ettinger was president of the Council and directed the Center until 1986, when Connie Fisher became Director. In 1991, the Council moved from Valencia Community College and entered into a new agreement with the University of Central Florida, where it continued with its work in association with the Women's Studies Program. Ettinger passed away in 2015."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Beatrice B. Ettinger Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Beatrice B. Ettinger Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Judith Beale; finding aid prepared by Judith Beale. Duplications were removed, news clippings were photocopied onto acid free paper and the materials were rehoused. Rehoused and additional materials processed by Ava Botwin in 2026.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Judith Beale; finding aid prepared by Judith Beale. Duplications were removed, news clippings were photocopied onto acid free paper and the materials were rehoused. Rehoused and additional materials processed by Ava Botwin in 2026."],"relatedmaterial_html_tesm":["\u003cp\u003eSimilar materials may be found in the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2005-02\"\u003ePhyllis J. Hudson Papers\u003c/extref\u003e and the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2005-15\"\u003eLynda Van Scoyoc Papers\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Similar materials may be found in the  Phyllis J. Hudson Papers  and the  Lynda Van Scoyoc Papers ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Council for Continuing Education for Women, 1964-1997 is the largest series and fully documents the Council's activities and that of the Center that it sponsored. Its programs included Displaced Homemaker, Florida Women in Agriculture and Women in Citrus. The Center received awards from Walt Disney World in 1975, 1979, 1981, 1984 and 1986 when it received the \"Spirit of Epcot\" Award. Financial Aid for Career Training Inc. worked with the Center and provided loans for women to improve their skills so that they could return to the work force.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Other Organizations, 1971-1988 holds materials concerning various other organizations in which Ettinger had an interest. Most of these organizations concern women and education, such as, the Central Florida Educational Consortium for Women. However, political and community organizations, such as, the League of Women Voters and the Jewish Community Center are also represented here.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Personal, 1969-1994 contains documents of a more personal nature and includes Ettinger's date book, certificates, the documents prepared for her nomination to the Florida Women's Hall of Fame and information about her relationship with Valencia Community College.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Additional Materials, 1962-2015, contains additional papers and photographs relating to Ettinger's personal achievements and involvement in various Florida organizations.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Council for Continuing Education for Women, 1964-1997 is the largest series and fully documents the Council's activities and that of the Center that it sponsored. Its programs included Displaced Homemaker, Florida Women in Agriculture and Women in Citrus. The Center received awards from Walt Disney World in 1975, 1979, 1981, 1984 and 1986 when it received the \"Spirit of Epcot\" Award. Financial Aid for Career Training Inc. worked with the Center and provided loans for women to improve their skills so that they could return to the work force.","\nSeries II: Other Organizations, 1971-1988 holds materials concerning various other organizations in which Ettinger had an interest. Most of these organizations concern women and education, such as, the Central Florida Educational Consortium for Women. However, political and community organizations, such as, the League of Women Voters and the Jewish Community Center are also represented here.","\nSeries III: Personal, 1969-1994 contains documents of a more personal nature and includes Ettinger's date book, certificates, the documents prepared for her nomination to the Florida Women's Hall of Fame and information about her relationship with Valencia Community College.","Series IV: Additional Materials, 1962-2015, contains additional papers and photographs relating to Ettinger's personal achievements and involvement in various Florida organizations."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder"],"abstract_html_tesm":["\u003cabstract id=\"aspace_a2224d4bedac95e53f407a622a6fe541\"\u003eThe Beatrice B. Ettinger papers contain correspondence, leaflets, posters, minutes and reports that show women's position in society in the 1970s and 1980s. Continuing Education is the focus of these papers since Ettinger accumulated many of the materials between 1970 and 1992 when she was President of the Council for Continuing Education for Women. This organization established a Center that was based first at Valencia Community College and later at the University of Central Florida. Ettinger also collected documents concerning other organizations in which she was interested that fostered women's intellectual and political growth, such as, the Central Florida Women's Resource Center Inc. and the League of Women Voters. Additional materials provide some personal information about Mrs. Ettinger.\u003c/abstract\u003e"],"abstract_tesim":["The Beatrice B. Ettinger papers contain correspondence, leaflets, posters, minutes and reports that show women's position in society in the 1970s and 1980s. Continuing Education is the focus of these papers since Ettinger accumulated many of the materials between 1970 and 1992 when she was President of the Council for Continuing Education for Women. This organization established a Center that was based first at Valencia Community College and later at the University of Central Florida. Ettinger also collected documents concerning other organizations in which she was interested that fostered women's intellectual and political growth, such as, the Central Florida Women's Resource Center Inc. and the League of Women Voters. Additional materials provide some personal information about Mrs. Ettinger."],"names_coll_ssim":["Central Florida Educational Consortium for Women","Central Florida Women's Resource Center","Council for Continuing Education for Women of Central Florida","Florida League of Women Voters","Valencia Community College","Center for Women's Medicine at Florida Hospital","University of Central Florida","Ettinger, Beatrice B., 1917-2015"],"names_ssim":["UCF Special Collections","Central Florida Educational Consortium for Women","Central Florida Women's Resource Center","Council for Continuing Education for Women of Central Florida","Florida League of Women Voters","Valencia Community College","Center for Women's Medicine at Florida Hospital","University of Central Florida","Ettinger, Beatrice B., 1917-2015"],"corpname_ssim":["UCF Special Collections","Central Florida Educational Consortium for Women","Central Florida Women's Resource Center","Council for Continuing Education for Women of Central Florida","Florida League of Women Voters","Valencia Community College","Center for Women's Medicine at Florida Hospital","University of Central Florida"],"persname_ssim":["Ettinger, Beatrice B., 1917-2015"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":200,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1874753310664163328,"_root_":"dd1185e4a432441cb5a55467","timestamp":"2026-08-28T08:01:21.975Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/dd1185e4a432441cb5a55467_aspace_7473cb344a3ae2c4c5b7ebe589c17240"}},{"id":"eccf200246c0c0801ef714fb_aspace_46841","type":"Series","attributes":{"title":"Posters and Photographs, 1969-2007, Undated","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/eccf200246c0c0801ef714fb_aspace_46841#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eSeries II contains posters used as publicity for many of the artist's exhibits. Two photographs are also held in this series as they were used in the exhibition booklet \"Gaudnek and Napoleon\".\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/eccf200246c0c0801ef714fb_aspace_46841#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_46841","ref_ssm":["aspace_46841","aspace_46841"],"id":"eccf200246c0c0801ef714fb_aspace_46841","title_filing_ssi":"Posters and Photographs","title_ssm":["Posters and Photographs"],"title_tesim":["Posters and Photographs"],"unitdate_inclusive_ssm":["1969-2007, Undated"],"normalized_date_ssm":["1969-2007, Undated"],"normalized_title_ssm":["Posters and Photographs, 1969-2007, Undated"],"text":["Posters and Photographs, 1969-2007, Undated","Walter Gaudnek Collection, 1945-2009","Series 2","/repositories/4/archival_objects/19908","Series II contains posters used as publicity for many of the artist's exhibits. Two photographs are also held in this series as they were used in the exhibition booklet \"Gaudnek and Napoleon\"."],"component_level_isim":[1],"parent_ids_ssim":["eccf200246c0c0801ef714fb"],"parent_unittitles_ssm":["Walter Gaudnek Collection, 1945-2009"],"parent_unittitles_tesim":["Walter Gaudnek Collection, 1945-2009"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 2","/repositories/4/archival_objects/19908"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Walter Gaudnek Collection, 1945-2009"],"has_online_content_ssim":["false"],"child_component_count_isi":14,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":26,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"scopecontent_html_tesm":["\u003cp\u003eSeries II contains posters used as publicity for many of the artist's exhibits. Two photographs are also held in this series as they were used in the exhibition booklet \"Gaudnek and Napoleon\".\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series II contains posters used as publicity for many of the artist's exhibits. Two photographs are also held in this series as they were used in the exhibition booklet \"Gaudnek and Napoleon\"."],"_nest_path_":"/components#1","_nest_parent_":"eccf200246c0c0801ef714fb","_root_":"eccf200246c0c0801ef714fb","timestamp":"2026-04-21T03:53:25.929Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"eccf200246c0c0801ef714fb","title_ssm":["Walter Gaudnek Collection"],"title_tesim":["Walter Gaudnek Collection"],"ead_ssi":"eccf200246c0c0801ef714fb","unitdate_ssm":["1945-2009"],"unitdate_inclusive_ssm":["1945-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.053","/repositories/4/resources/88"],"text":["SC.053","/repositories/4/resources/88","Walter Gaudnek Collection, 1945-2009","University of Central Florida","Artists","The collection is open for research.","Walter Gaudnek, Ph.D., born in 1931 in Czechoslovakia is a self-proclaimed 'rebel artist'. Known for his blending of bold colors with philosophy, labyrinth installations, and personal mixtures of performance and art, Gaudnek has influenced generations with his stark look at world issues through these mediums. Gaudnek continues his work today both as an artist and an educator with the University of Central Florida's Art Department. Gaudnek's work is featured in permanent collections around the world, including the Gaudnek Studio in Altomünster, Germany (now the Gaudnek Museum) and at the University of Central Florida libraries.","News clippings were photocopied onto acid-free paper and metal clips replaced with plastic clips. Some materials were rehoused in acid-free folders while all of the manuscript material is held in boxes. Duplicates were removed and several pieces of art are stored in a climate controlled facility. Additional materials added as receieved.","Collection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.","Flying Horse Editions","University of Central Florida Office of the President Records , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","University of Central Florida Photograph Collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","Art that can be found in the John C. Hitt Library includes: Science and Humanities (1989) and Mapping the Florida Terrain (1989). ","The Gaudnek Collection includes manuscript materials, exhibition booklets, pamphlets, photographs, news articles, original artwork and posters. The collection is divided into six series.","\nSeries I: Exhibition Booklets, 1980-2005, are five art exhibition books in both English and German that focus on specific exhibitions by the artist. These books are what a patron could purchase or would receive with admission to an art exhibition. Exhibition booklets also appear in multiple bound books found in series III.","\nSeries II: Posters and Photographs, 1969-2007, comprises publicity posters and photographs used to promote various exhibitions.","\nSeries III: Artist Books, 1945-2008, are books that were specially bound by Flying Horse Press at the request of the artist and contains memorabilia either produced by or for the artist. The books are created according to themes and time periods important to the artist. Some compilation books have been created by third parties. The books cover a wide span of time, including Gaudnek's early years as an artist in college through to his more current work at the University of Central Florida.","\nSeries IV: Oversize Artist Books, 1962-2006, are bound by UCF Library contains \"Gaudnek Broadway Drawings\" dating from 1962-1968 and compiled in 2006. \"Elegy to New Orleans\" is another title compiled by Gaudnek which includes art and media photographs from the aftermath of Hurricane Katrina in New Orleans, Louisiana. Series also holds a title \"Walter Gaudnek Introspective Portraits\" compiled by University of Central Florida Professor Jagdish J. Chavda.","\nSeries V: Portfolios, 1961-2009, includes portfolios that are housed in individiual custom constructed from hard archival cover board. Portfolios contain Gaudnek's digital collage prints, signed and dated by the artist.","\nSeries VI: Miscellaneous, 1969-2007, holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The Walter Gaudnek Collection comprises manuscript materials, original works, posters, and photographs that chronicle the life and artistic development of Dr. Walter Gaudnek, a University of Central Florida art faculty member. Ranging from 1945 to the present, the collection focuses on the artist and gives voice to Gaudnek's fans and critics alike. World events such as the 1972 Olympic Games, the Holocaust, and the September 11th attacks are featured in the collection through his work both as a commissioned artist who is witness to the event (Munich Games) and as an artist expressing his deep emotions for human tragedy.","UCF Special Collections","Gaudnek, Walter, 1931-","English"],"unitid_tesim":["SC.053","/repositories/4/resources/88"],"normalized_date_ssm":["1945-2009"],"normalized_title_ssm":["Walter Gaudnek Collection, 1945-2009"],"collection_title_tesim":["Walter Gaudnek Collection, 1945-2009"],"collection_ssim":["Walter Gaudnek Collection, 1945-2009"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were transferred to the Special Collections and University Archives by Dr. Walter Gaudnek in 2004 (CFM2004_01), 2006, and 2007 (CFM2007_XX)."],"access_subjects_ssim":["University of Central Florida","Artists"],"access_subjects_ssm":["University of Central Florida","Artists"],"has_online_content_ssim":["false"],"extent_ssm":["7.25 Linear Feet 7 Boxes, 6 Portfolios, 1 Flat File"],"extent_tesim":["7.25 Linear Feet 7 Boxes, 6 Portfolios, 1 Flat File"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eWalter Gaudnek, Ph.D., born in 1931 in Czechoslovakia is a self-proclaimed 'rebel artist'. Known for his blending of bold colors with philosophy, labyrinth installations, and personal mixtures of performance and art, Gaudnek has influenced generations with his stark look at world issues through these mediums. Gaudnek continues his work today both as an artist and an educator with the University of Central Florida's Art Department. Gaudnek's work is featured in permanent collections around the world, including the Gaudnek Studio in Altom\u0026#xFC;nster, Germany (now the Gaudnek Museum) and at the University of Central Florida libraries.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Walter Gaudnek, Ph.D., born in 1931 in Czechoslovakia is a self-proclaimed 'rebel artist'. Known for his blending of bold colors with philosophy, labyrinth installations, and personal mixtures of performance and art, Gaudnek has influenced generations with his stark look at world issues through these mediums. Gaudnek continues his work today both as an artist and an educator with the University of Central Florida's Art Department. Gaudnek's work is featured in permanent collections around the world, including the Gaudnek Studio in Altomünster, Germany (now the Gaudnek Museum) and at the University of Central Florida libraries."],"prefercite_html_tesm":["\u003cp\u003eWalter Gaudnek Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Walter Gaudnek Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eNews clippings were photocopied onto acid-free paper and metal clips replaced with plastic clips. Some materials were rehoused in acid-free folders while all of the manuscript material is held in boxes. Duplicates were removed and several pieces of art are stored in a climate controlled facility. Additional materials added as receieved.\u003c/p\u003e","\u003cp\u003eCollection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["News clippings were photocopied onto acid-free paper and metal clips replaced with plastic clips. Some materials were rehoused in acid-free folders while all of the manuscript material is held in boxes. Duplicates were removed and several pieces of art are stored in a climate controlled facility. Additional materials added as receieved.","Collection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://flyinghorse.cah.ucf.edu\"\u003eFlying Horse Editions\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://library.ucf.edu/about/departments/special-collections-university-archives/university-archives/university-archives-collection-guides/#UniversityPresidentsRecords\"\u003eUniversity of Central Florida Office of the President Records\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/ead/UCFPhotographs\"\u003eUniversity of Central Florida Photograph Collection\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003eArt that can be found in the John C. Hitt Library includes: Science and Humanities (1989) and Mapping the Florida Terrain (1989). \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Flying Horse Editions","University of Central Florida Office of the President Records , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","University of Central Florida Photograph Collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","Art that can be found in the John C. Hitt Library includes: Science and Humanities (1989) and Mapping the Florida Terrain (1989). "],"scopecontent_html_tesm":["\u003cp\u003eThe Gaudnek Collection includes manuscript materials, exhibition booklets, pamphlets, photographs, news articles, original artwork and posters. The collection is divided into six series.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Exhibition Booklets, 1980-2005, are five art exhibition books in both English and German that focus on specific exhibitions by the artist. These books are what a patron could purchase or would receive with admission to an art exhibition. Exhibition booklets also appear in multiple bound books found in series III.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Posters and Photographs, 1969-2007, comprises publicity posters and photographs used to promote various exhibitions.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Artist Books, 1945-2008, are books that were specially bound by Flying Horse Press at the request of the artist and contains memorabilia either produced by or for the artist. The books are created according to themes and time periods important to the artist. Some compilation books have been created by third parties. The books cover a wide span of time, including Gaudnek's early years as an artist in college through to his more current work at the University of Central Florida.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Oversize Artist Books, 1962-2006, are bound by UCF Library contains \"Gaudnek Broadway Drawings\" dating from 1962-1968 and compiled in 2006. \"Elegy to New Orleans\" is another title compiled by Gaudnek which includes art and media photographs from the aftermath of Hurricane Katrina in New Orleans, Louisiana. Series also holds a title \"Walter Gaudnek Introspective Portraits\" compiled by University of Central Florida Professor Jagdish J. Chavda.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Portfolios, 1961-2009, includes portfolios that are housed in individiual custom constructed from hard archival cover board. Portfolios contain Gaudnek's digital collage prints, signed and dated by the artist.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Miscellaneous, 1969-2007, holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Gaudnek Collection includes manuscript materials, exhibition booklets, pamphlets, photographs, news articles, original artwork and posters. The collection is divided into six series.","\nSeries I: Exhibition Booklets, 1980-2005, are five art exhibition books in both English and German that focus on specific exhibitions by the artist. These books are what a patron could purchase or would receive with admission to an art exhibition. Exhibition booklets also appear in multiple bound books found in series III.","\nSeries II: Posters and Photographs, 1969-2007, comprises publicity posters and photographs used to promote various exhibitions.","\nSeries III: Artist Books, 1945-2008, are books that were specially bound by Flying Horse Press at the request of the artist and contains memorabilia either produced by or for the artist. The books are created according to themes and time periods important to the artist. Some compilation books have been created by third parties. The books cover a wide span of time, including Gaudnek's early years as an artist in college through to his more current work at the University of Central Florida.","\nSeries IV: Oversize Artist Books, 1962-2006, are bound by UCF Library contains \"Gaudnek Broadway Drawings\" dating from 1962-1968 and compiled in 2006. \"Elegy to New Orleans\" is another title compiled by Gaudnek which includes art and media photographs from the aftermath of Hurricane Katrina in New Orleans, Louisiana. Series also holds a title \"Walter Gaudnek Introspective Portraits\" compiled by University of Central Florida Professor Jagdish J. Chavda.","\nSeries V: Portfolios, 1961-2009, includes portfolios that are housed in individiual custom constructed from hard archival cover board. Portfolios contain Gaudnek's digital collage prints, signed and dated by the artist.","\nSeries VI: Miscellaneous, 1969-2007, holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4f11a3ccc45b185611fc52b134bae889\" label=\"Abstract\"\u003eThe Walter Gaudnek Collection comprises manuscript materials, original works, posters, and photographs that chronicle the life and artistic development of Dr. Walter Gaudnek, a University of Central Florida art faculty member. Ranging from 1945 to the present, the collection focuses on the artist and gives voice to Gaudnek's fans and critics alike. World events such as the 1972 Olympic Games, the Holocaust, and the September 11th attacks are featured in the collection through his work both as a commissioned artist who is witness to the event (Munich Games) and as an artist expressing his deep emotions for human tragedy.\u003c/abstract\u003e"],"abstract_tesim":["The Walter Gaudnek Collection comprises manuscript materials, original works, posters, and photographs that chronicle the life and artistic development of Dr. Walter Gaudnek, a University of Central Florida art faculty member. Ranging from 1945 to the present, the collection focuses on the artist and gives voice to Gaudnek's fans and critics alike. World events such as the 1972 Olympic Games, the Holocaust, and the September 11th attacks are featured in the collection through his work both as a commissioned artist who is witness to the event (Munich Games) and as an artist expressing his deep emotions for human tragedy."],"names_ssim":["UCF Special Collections","Gaudnek, Walter, 1931-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Gaudnek, Walter, 1931-"],"persname_ssim":["Gaudnek, Walter, 1931-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":412,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"eccf200246c0c0801ef714fb","timestamp":"2026-04-21T03:53:25.929Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/eccf200246c0c0801ef714fb_aspace_46841"}},{"id":"5c1d3cacb20af4c5d0f16be1_aspace_209357","type":"File","attributes":{"title":"Postwar Ephemera, 1948-1970","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/5c1d3cacb20af4c5d0f16be1_aspace_209357#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eContains a U.S. Air Force base Christmas Dinner menu; clovers; photographer passes to the 1949 President Harry Truman inauguration; academic transcripts; and awards for the Wildlife Photography Contest held by the Oklahoma Zoological Society.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5c1d3cacb20af4c5d0f16be1_aspace_209357#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_209357","ref_ssm":["aspace_209357","aspace_209357"],"id":"5c1d3cacb20af4c5d0f16be1_aspace_209357","title_filing_ssi":"Postwar Ephemera","title_ssm":["Postwar Ephemera"],"title_tesim":["Postwar Ephemera"],"unitdate_inclusive_ssm":["1948-1970"],"normalized_date_ssm":["1948-1970"],"normalized_title_ssm":["Postwar Ephemera, 1948-1970"],"text":["Postwar Ephemera, 1948-1970","Charlotte D. 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Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957"],"parent_levels_ssm":["collection"],"unitid_ssm":["Folder 020","/repositories/10/archival_objects/44485"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":20,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"date_range_isim":[1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970],"containers_ssim":["box 08.0158 - Box 1","folder 020"],"scopecontent_html_tesm":["\u003cp\u003eContains a U.S. Air Force base Christmas Dinner menu; clovers; photographer passes to the 1949 President Harry Truman inauguration; academic transcripts; and awards for the Wildlife Photography Contest held by the Oklahoma Zoological Society.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Contains a U.S. Air Force base Christmas Dinner menu; clovers; photographer passes to the 1949 President Harry Truman inauguration; academic transcripts; and awards for the Wildlife Photography Contest held by the Oklahoma Zoological Society."],"_nest_path_":"/components#19","_nest_parent_":"5c1d3cacb20af4c5d0f16be1","_root_":"5c1d3cacb20af4c5d0f16be1","timestamp":"2026-07-09T08:47:20.226Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5c1d3cacb20af4c5d0f16be1","title_filing_ssi":"Mansfield, Charlotte D. collection","title_ssm":["Charlotte D. Mansfield collection"],"title_tesim":["Charlotte D. Mansfield collection"],"ead_ssi":"5c1d3cacb20af4c5d0f16be1","unitdate_ssm":["1915-2017","1942-1957","Date acquired: 09/10/2008","Date accessioned: 2020-06-07"],"unitdate_bulk_ssim":["1942-1957"],"unitdate_inclusive_ssm":["1915-2017"],"unitdate_other_ssim":["Date acquired: 09/10/2008","Date accessioned: 2020-06-07"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["08.0158","/repositories/10/resources/362"],"text":["08.0158","/repositories/10/resources/362","Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957","Bad Kissingen (Germany)","Des Moines (Iowa)","Spokane (Wash.)","Denver (Colo.)","London (England)","High Wycombe (England)","Erding (Germany)","Berlin (Germany)","World War, 1939-1945--Great Britain","World War, 1939-1945--Germany","World War, 1939-1945--Personal narratives, American","World War, 1939-1945--Women","Photography, Military","World War, 1939-1945--England--London","Europe--Description and Travel","World War, 1939-1945--Europe","Sports for women","Military sports","Friendship","Meritorious Service Medal","United States, Oklahoma--Military records","Oktoberfest","Military Discharge--United States","United States. Army Air Forces--Military life","Sexism","Retirement","V-E Day, 1945","Dogs","Awards","United States. Army Air Forces. Medals, badges, decorations, etc","Photojournalism","World War, 1939-1945--Photography","Basic training (Military education)","Aerial photographs","Scrapbooks","Photographs","Clippings (Books, newspapers, etc.)","Newsletters","Correspondence","Letters","Certificates","Buttons","Plaques","This collection is open to all researchers.","Early Life - Charlotte Dee Mansfield was born in Hanford, CA, August 31, 1915, and moved to Oklahoma when she was eight years old. She had been an avid photographer ever since her father took her to the darkroom of an old Army buddy, and she saw strips of film hanging on a line. She graduated from Garber High School in 1934, and then went on to Tonkawa College before receiving her Bachelor's degree in English from the University of Central Oklahoma in 1941. Mansfield was a reporter, writer, and editor for the college newspaper, which demonstrated how her fascination for photography followed her throughout her educational years. It was an article in  Popular Photography  Magazine about British military women photographers and their work in aerial photography that inspired her to enlist in the Women's Army Auxiliary Corps (W.A.A.C.) when World War II began.\n          World War II Service - Mansfield enlisted as a W.A.A.C. on October 17, 1942. She attended basic training at Ft. Des Moines, Iowa until February 1943 and then transferred to Lowry Field Photo School in Denver, Colorado. She was one of fifty who made up the first all-women class to be trained as aerial photo technicians. The women did better academically than the men who doubted them, as well as handled the cameras and darkroom work well. After graduating in April 1943, Mansfield went to Felts Field in Spokane, Washington for further training. While there, W.A.A.C. was converted to full status as a branch of the United States Army and became the Women's Army Corps (W.A.C.) in July 1943. Mansfield was also stationed at Peterson Field, Colorado Springs, Colorado and Fort Oglethorpe, Georgia before being assigned overseas work in May 1944. Throughout her service, Mansfield kept her Graflex 4x5 Pacemaker Speed Graphic camera and a supply of personal film provided by her father, who was incredibly supportive of her photographic endeavors throughout her life. She used these to document her experience at each location in the states, photographing her friends and surroundings. The pictures Mansfield took feature the women training, completing their work, and socializing.","      Mansfield was assigned to the 8 th  Air Force under James Doolittle stationed in High Wycombe, England. The codename for the camp was \"Pinetree,\" with Mansfield interchanging between the two location names in documents and on her pictures. The majority of the correspondence in the collection is from her time in England, where she described to her parents her visit to London and conditions at the camp. Food was a common topic for Mansfield, as well as conditions in the lab. Mansfield continued to take personal photographs, documenting the English countryside and life in the military huts where the women were housed. She celebrated Victory in Europe Day at this station, and there are numerous pictures of the service members rejoicing. Though the war on the western front was over, Mansfield stated in a letter to her parents that W.A.C.s were essential for the army of occupation and were scheduled to transfer to Germany.","      Mansfield was then transferred to the 9 th  Air Force stationed in Bad Kissingen, Germany to work with the 13 th  Photo Tech Unit. This resort town was occupied by the United States Army, and Mansfield noted the barbed wire and boarded up shops in letters. The lab was in a large, empty house and took considerable time to construct. Before it was finished, Mansfield worked mainly in the contact printing room or other labs in the region that needed assistance. She mentioned in letters that she and her peers often had to prove they could do the work, as many officers seemed doubtful. This testified to the sexism the W.A.C.s experienced, and that they did their job, and did it well, regardless of the obstacles. Mansfield continued her routine of taking personal photographs, which included several pictures of local Germans that accompanied the usual shots of friends and surroundings. She remained in Germany from July to November 1945, then returned to the United States after being honorably discharged from the military.","Post-War U.S. Air Force Service - After being discharged, Mansfield remained a civilian for fifteen months. Most of that time was spent helping a friend, Bertha Brownback. The two had become very close friends while in the military together but towards the end of their service, Bertha found herself pregnant without a husband. This meant she was automatically discharged from the military. When Mansfield returned to the United States, she moved with Bertha and the baby to Philadelphia where she worked for a short while with a photofinishing company. They then moved to Oklahoma because Mansfield wanted to be near family again. Soon after, Bertha died in a car accident, leaving Mansfield guardian of her child. She arranged for a couple related to her to adopt the baby, which freed her to reenlist in the military. This entire situation served as a testament to Mansfield's character; she was willing to put her career on hold to help a friend in need. It is this quality of love and friendship that stood out most strongly in her photography.","      In September 1946, Mansfield re-enlisted in the W.A.C. where she worked in Photo Labs at U.S. Bases and in Germany. When the U.S. Air Force became a separate service, she became part of the Women in the Air Force. Mansfield was stationed in Erding, Germany from 1952 to 1955. While there, she toured Europe, visiting Berlin, Paris, and Rome as well as the scenic countryside of Germany and Austria. She took numerous photographs and assembled them into a scrapbook, accompanied with historical commentary and descriptions of events. Mansfield was even able to revisit Bad Kissingen, Germany, where she had been stationed during the war, and commented on its marked difference in appearance.","      Mansfield remained in the U.S. Air Force until her retirement in 1973, after thirty years of military service where she earned the rank of Senior Master Sergeant(E-8). Throughout her military documents, Mansfield received numerous letters of praise and strong recommendations based on her work ethic. Because of her strong record, Mansfield was awarded the Meritorious Service Medal upon retirement, which is the highest award for military service during peacetime. This demonstrated to Mansfield that her hard work was appreciated, and she was very proud of it.","Retirement - Shortly before retirement, in 1970, Mansfield met Lorraine Caddy and the two became best friends. They decided that they liked each other enough to live together, and while Caddy was still in the military, they moved wherever she was stationed until her retirement in 1977. They decided to settle in Oklahoma outside Oklahoma City due to Mansfield's familial connection to the area. Mansfield returned to the University of Central Oklahoma in 1981 to complete a Bachelor of Science in Photo Journalism and a Master's Degree in Journalism in 1983. Photography remained her first love throughout her life, and she was an active member of the Oklahoma Camera Club since 1963. Mansfield passed away Sunday, December 30, 2007, at the age of 92. She is survived by her companion of 37 years, Lorraine Caddy.","This collection was donated by Lorraine A. Caddy. The collection was acquired by the Institute on World War II and the Human Experience on September 10, 2008.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","Processed Summer and Fall 2017","This collection relates to Charlotte D. Mansfield who served in the Women's Army Corps during World War II in the European Theater as a photographer and photograph processor. She subsequently retired from the U.S. Air Force. This collection contains documents, photographs, scrapbooks, and artifacts. The documents include personal correspondence, military records, newspaper clippings, newsletters, magazines, and certificates for military service. Various military medals and patches, mugs from U.S. Air Force service, and Graflex 4x5 Pacemaker Speed Graphic camera make up the artifacts. There are eight scrapbooks that Mansfield assembled documenting her military service, primarily overseas, both during World War II and after. Photographs make up the majority of the collection, with one box of loose photographs in separate folders and five archival scrapbooks filled with pictures. There are also four enlarged portraits of Mansfield.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","Charlotte Mansfield enlisted in the Women's Army Auxiliary Corps (W.A.A.C.) in 1942 to pursue work in photograph processing for the military. She was part of the first all-women graduating class from Lowry Field Photo School in Colorado, where she was trained to be a photo technician that developed primarily aerial shots in photography labs. Mansfield was stationed at various locations throughout the United States before being transferred to lab work overseas in England and Germany. By this time, W.A.A.C. had transitioned to Women's Army Corps (W.A.C.). Throughout her military service, Mansfield took numerous personal photographs that featured her friends and surroundings. They provide an unparalleled amount of insight into the private lives of W.A.C.s as they negotiated what it meant to serve in World War II. Mansfield reenlisted after the war, eventually becoming part of the Women in the Air Force (W.A.F.), and retired in 1973. Photography remained her passion until her death in 2007.","FSU Special Collections \u0026 Archives","United States. Army. Women's Army Corps","Women's Army Corps Training Center (Fort Oglethorpe, Ga.)","Air Corps Technical School (Lowry Field, Colo.)","United States. Army. European Theater of Operations","United States. Air Force","University of Central Oklahoma","United States. Army Air Forces. Air Force, 9th","United States. Army Air Forces. Air Force, 8th","United States. Army. Women's Army Auxiliary Corps","Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone). Office of Military Government","Mansfield, Charlotte D.","Doolittle, James Harold, 1896-1993","English"],"unitid_tesim":["08.0158","/repositories/10/resources/362"],"normalized_date_ssm":["1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957"],"normalized_title_ssm":["Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957"],"collection_title_tesim":["Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957"],"collection_ssim":["Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Bad Kissingen (Germany)","Des Moines (Iowa)","Spokane (Wash.)","Denver (Colo.)","London (England)","High Wycombe (England)","Erding (Germany)","Berlin (Germany)"],"geogname_ssim":["Bad Kissingen (Germany)","Des Moines (Iowa)","Spokane (Wash.)","Denver (Colo.)","London (England)","High Wycombe (England)","Erding (Germany)","Berlin (Germany)"],"creator_ssm":["Mansfield, Charlotte D."],"creator_ssim":["Mansfield, Charlotte D."],"creator_persname_ssim":["Mansfield, Charlotte D."],"creators_ssim":["Mansfield, Charlotte D."],"places_ssim":["Bad Kissingen (Germany)","Des Moines (Iowa)","Spokane (Wash.)","Denver (Colo.)","London (England)","High Wycombe (England)","Erding (Germany)","Berlin (Germany)"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"access_subjects_ssim":["World War, 1939-1945--Great Britain","World War, 1939-1945--Germany","World War, 1939-1945--Personal narratives, American","World War, 1939-1945--Women","Photography, Military","World War, 1939-1945--England--London","Europe--Description and Travel","World War, 1939-1945--Europe","Sports for women","Military sports","Friendship","Meritorious Service Medal","United States, Oklahoma--Military records","Oktoberfest","Military Discharge--United States","United States. Army Air Forces--Military life","Sexism","Retirement","V-E Day, 1945","Dogs","Awards","United States. Army Air Forces. Medals, badges, decorations, etc","Photojournalism","World War, 1939-1945--Photography","Basic training (Military education)","Aerial photographs","Scrapbooks","Photographs","Clippings (Books, newspapers, etc.)","Newsletters","Correspondence","Letters","Certificates","Buttons","Plaques"],"access_subjects_ssm":["World War, 1939-1945--Great Britain","World War, 1939-1945--Germany","World War, 1939-1945--Personal narratives, American","World War, 1939-1945--Women","Photography, Military","World War, 1939-1945--England--London","Europe--Description and Travel","World War, 1939-1945--Europe","Sports for women","Military sports","Friendship","Meritorious Service Medal","United States, Oklahoma--Military records","Oktoberfest","Military Discharge--United States","United States. Army Air Forces--Military life","Sexism","Retirement","V-E Day, 1945","Dogs","Awards","United States. Army Air Forces. Medals, badges, decorations, etc","Photojournalism","World War, 1939-1945--Photography","Basic training (Military education)","Aerial photographs","Scrapbooks","Photographs","Clippings (Books, newspapers, etc.)","Newsletters","Correspondence","Letters","Certificates","Buttons","Plaques"],"has_online_content_ssim":["false"],"extent_ssm":["14 Linear Feet","1 items 1 camera case"],"extent_tesim":["14 Linear Feet","1 items 1 camera case"],"dimensions_tesim":["21x9.75"],"genreform_ssim":["Aerial photographs","Scrapbooks","Photographs","Clippings (Books, newspapers, etc.)","Newsletters","Correspondence","Letters","Certificates","Buttons","Plaques"],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_html_tesm":["\u003cp\u003e\u003ctitle\u003eEarly Life\u003c/title\u003e- Charlotte Dee Mansfield was born in Hanford, CA, August 31, 1915, and moved to Oklahoma when she was eight years old. She had been an avid photographer ever since her father took her to the darkroom of an old Army buddy, and she saw strips of film hanging on a line. She graduated from Garber High School in 1934, and then went on to Tonkawa College before receiving her Bachelor's degree in English from the University of Central Oklahoma in 1941. Mansfield was a reporter, writer, and editor for the college newspaper, which demonstrated how her fascination for photography followed her throughout her educational years. It was an article in \u003cemph render=\"italic\"\u003ePopular Photography\u003c/emph\u003e Magazine about British military women photographers and their work in aerial photography that inspired her to enlist in the Women's Army Auxiliary Corps (W.A.A.C.) when World War II began.\n         \u003cbr\u003e\u003cbr\u003e\u003ctitle\u003eWorld War II Service\u003c/title\u003e- Mansfield enlisted as a W.A.A.C. on October 17, 1942. She attended basic training at Ft. Des Moines, Iowa until February 1943 and then transferred to Lowry Field Photo School in Denver, Colorado. She was one of fifty who made up the first all-women class to be trained as aerial photo technicians. The women did better academically than the men who doubted them, as well as handled the cameras and darkroom work well. After graduating in April 1943, Mansfield went to Felts Field in Spokane, Washington for further training. While there, W.A.A.C. was converted to full status as a branch of the United States Army and became the Women's Army Corps (W.A.C.) in July 1943. Mansfield was also stationed at Peterson Field, Colorado Springs, Colorado and Fort Oglethorpe, Georgia before being assigned overseas work in May 1944. Throughout her service, Mansfield kept her Graflex 4x5 Pacemaker Speed Graphic camera and a supply of personal film provided by her father, who was incredibly supportive of her photographic endeavors throughout her life. She used these to document her experience at each location in the states, photographing her friends and surroundings. The pictures Mansfield took feature the women training, completing their work, and socializing.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0;\u0026#xA0; \u003cbr\u003e\u003cbr\u003eMansfield was assigned to the 8\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Air Force under James Doolittle stationed in High Wycombe, England. The codename for the camp was \"Pinetree,\" with Mansfield interchanging between the two location names in documents and on her pictures. The majority of the correspondence in the collection is from her time in England, where she described to her parents her visit to London and conditions at the camp. Food was a common topic for Mansfield, as well as conditions in the lab. Mansfield continued to take personal photographs, documenting the English countryside and life in the military huts where the women were housed. She celebrated Victory in Europe Day at this station, and there are numerous pictures of the service members rejoicing. Though the war on the western front was over, Mansfield stated in a letter to her parents that W.A.C.s were essential for the army of occupation and were scheduled to transfer to Germany.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0;\u0026#xA0; \u003cbr\u003e\u003cbr\u003eMansfield was then transferred to the 9\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Air Force stationed in Bad Kissingen, Germany to work with the 13\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Photo Tech Unit. This resort town was occupied by the United States Army, and Mansfield noted the barbed wire and boarded up shops in letters. The lab was in a large, empty house and took considerable time to construct. Before it was finished, Mansfield worked mainly in the contact printing room or other labs in the region that needed assistance. She mentioned in letters that she and her peers often had to prove they could do the work, as many officers seemed doubtful. This testified to the sexism the W.A.C.s experienced, and that they did their job, and did it well, regardless of the obstacles. Mansfield continued her routine of taking personal photographs, which included several pictures of local Germans that accompanied the usual shots of friends and surroundings. She remained in Germany from July to November 1945, then returned to the United States after being honorably discharged from the military.\u003c/p\u003e\n","\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003ctitle\u003ePost-War U.S. Air Force Service\u003c/title\u003e- After being discharged, Mansfield remained a civilian for fifteen months. Most of that time was spent helping a friend, Bertha Brownback. The two had become very close friends while in the military together but towards the end of their service, Bertha found herself pregnant without a husband. This meant she was automatically discharged from the military. When Mansfield returned to the United States, she moved with Bertha and the baby to Philadelphia where she worked for a short while with a photofinishing company. They then moved to Oklahoma because Mansfield wanted to be near family again. Soon after, Bertha died in a car accident, leaving Mansfield guardian of her child. She arranged for a couple related to her to adopt the baby, which freed her to reenlist in the military. This entire situation served as a testament to Mansfield's character; she was willing to put her career on hold to help a friend in need. It is this quality of love and friendship that stood out most strongly in her photography.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0;\u0026#xA0; \u003cbr\u003e\u003cbr\u003eIn September 1946, Mansfield re-enlisted in the W.A.C. where she worked in Photo Labs at U.S. Bases and in Germany. When the U.S. Air Force became a separate service, she became part of the Women in the Air Force. Mansfield was stationed in Erding, Germany from 1952 to 1955. While there, she toured Europe, visiting Berlin, Paris, and Rome as well as the scenic countryside of Germany and Austria. She took numerous photographs and assembled them into a scrapbook, accompanied with historical commentary and descriptions of events. Mansfield was even able to revisit Bad Kissingen, Germany, where she had been stationed during the war, and commented on its marked difference in appearance.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0;\u0026#xA0; \u003cbr\u003e\u003cbr\u003eMansfield remained in the U.S. Air Force until her retirement in 1973, after thirty years of military service where she earned the rank of Senior Master Sergeant(E-8). Throughout her military documents, Mansfield received numerous letters of praise and strong recommendations based on her work ethic. Because of her strong record, Mansfield was awarded the Meritorious Service Medal upon retirement, which is the highest award for military service during peacetime. This demonstrated to Mansfield that her hard work was appreciated, and she was very proud of it.\u003c/p\u003e\n","\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003ctitle\u003eRetirement\u003c/title\u003e- Shortly before retirement, in 1970, Mansfield met Lorraine Caddy and the two became best friends. They decided that they liked each other enough to live together, and while Caddy was still in the military, they moved wherever she was stationed until her retirement in 1977. They decided to settle in Oklahoma outside Oklahoma City due to Mansfield's familial connection to the area. Mansfield returned to the University of Central Oklahoma in 1981 to complete a Bachelor of Science in Photo Journalism and a Master's Degree in Journalism in 1983. Photography remained her first love throughout her life, and she was an active member of the Oklahoma Camera Club since 1963. Mansfield passed away Sunday, December 30, 2007, at the age of 92. She is survived by her companion of 37 years, Lorraine Caddy.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Early Life - Charlotte Dee Mansfield was born in Hanford, CA, August 31, 1915, and moved to Oklahoma when she was eight years old. She had been an avid photographer ever since her father took her to the darkroom of an old Army buddy, and she saw strips of film hanging on a line. She graduated from Garber High School in 1934, and then went on to Tonkawa College before receiving her Bachelor's degree in English from the University of Central Oklahoma in 1941. Mansfield was a reporter, writer, and editor for the college newspaper, which demonstrated how her fascination for photography followed her throughout her educational years. It was an article in  Popular Photography  Magazine about British military women photographers and their work in aerial photography that inspired her to enlist in the Women's Army Auxiliary Corps (W.A.A.C.) when World War II began.\n          World War II Service - Mansfield enlisted as a W.A.A.C. on October 17, 1942. She attended basic training at Ft. Des Moines, Iowa until February 1943 and then transferred to Lowry Field Photo School in Denver, Colorado. She was one of fifty who made up the first all-women class to be trained as aerial photo technicians. The women did better academically than the men who doubted them, as well as handled the cameras and darkroom work well. After graduating in April 1943, Mansfield went to Felts Field in Spokane, Washington for further training. While there, W.A.A.C. was converted to full status as a branch of the United States Army and became the Women's Army Corps (W.A.C.) in July 1943. Mansfield was also stationed at Peterson Field, Colorado Springs, Colorado and Fort Oglethorpe, Georgia before being assigned overseas work in May 1944. Throughout her service, Mansfield kept her Graflex 4x5 Pacemaker Speed Graphic camera and a supply of personal film provided by her father, who was incredibly supportive of her photographic endeavors throughout her life. She used these to document her experience at each location in the states, photographing her friends and surroundings. The pictures Mansfield took feature the women training, completing their work, and socializing.","      Mansfield was assigned to the 8 th  Air Force under James Doolittle stationed in High Wycombe, England. The codename for the camp was \"Pinetree,\" with Mansfield interchanging between the two location names in documents and on her pictures. The majority of the correspondence in the collection is from her time in England, where she described to her parents her visit to London and conditions at the camp. Food was a common topic for Mansfield, as well as conditions in the lab. Mansfield continued to take personal photographs, documenting the English countryside and life in the military huts where the women were housed. She celebrated Victory in Europe Day at this station, and there are numerous pictures of the service members rejoicing. Though the war on the western front was over, Mansfield stated in a letter to her parents that W.A.C.s were essential for the army of occupation and were scheduled to transfer to Germany.","      Mansfield was then transferred to the 9 th  Air Force stationed in Bad Kissingen, Germany to work with the 13 th  Photo Tech Unit. This resort town was occupied by the United States Army, and Mansfield noted the barbed wire and boarded up shops in letters. The lab was in a large, empty house and took considerable time to construct. Before it was finished, Mansfield worked mainly in the contact printing room or other labs in the region that needed assistance. She mentioned in letters that she and her peers often had to prove they could do the work, as many officers seemed doubtful. This testified to the sexism the W.A.C.s experienced, and that they did their job, and did it well, regardless of the obstacles. Mansfield continued her routine of taking personal photographs, which included several pictures of local Germans that accompanied the usual shots of friends and surroundings. She remained in Germany from July to November 1945, then returned to the United States after being honorably discharged from the military.","Post-War U.S. Air Force Service - After being discharged, Mansfield remained a civilian for fifteen months. Most of that time was spent helping a friend, Bertha Brownback. The two had become very close friends while in the military together but towards the end of their service, Bertha found herself pregnant without a husband. This meant she was automatically discharged from the military. When Mansfield returned to the United States, she moved with Bertha and the baby to Philadelphia where she worked for a short while with a photofinishing company. They then moved to Oklahoma because Mansfield wanted to be near family again. Soon after, Bertha died in a car accident, leaving Mansfield guardian of her child. She arranged for a couple related to her to adopt the baby, which freed her to reenlist in the military. This entire situation served as a testament to Mansfield's character; she was willing to put her career on hold to help a friend in need. It is this quality of love and friendship that stood out most strongly in her photography.","      In September 1946, Mansfield re-enlisted in the W.A.C. where she worked in Photo Labs at U.S. Bases and in Germany. When the U.S. Air Force became a separate service, she became part of the Women in the Air Force. Mansfield was stationed in Erding, Germany from 1952 to 1955. While there, she toured Europe, visiting Berlin, Paris, and Rome as well as the scenic countryside of Germany and Austria. She took numerous photographs and assembled them into a scrapbook, accompanied with historical commentary and descriptions of events. Mansfield was even able to revisit Bad Kissingen, Germany, where she had been stationed during the war, and commented on its marked difference in appearance.","      Mansfield remained in the U.S. Air Force until her retirement in 1973, after thirty years of military service where she earned the rank of Senior Master Sergeant(E-8). Throughout her military documents, Mansfield received numerous letters of praise and strong recommendations based on her work ethic. Because of her strong record, Mansfield was awarded the Meritorious Service Medal upon retirement, which is the highest award for military service during peacetime. This demonstrated to Mansfield that her hard work was appreciated, and she was very proud of it.","Retirement - Shortly before retirement, in 1970, Mansfield met Lorraine Caddy and the two became best friends. They decided that they liked each other enough to live together, and while Caddy was still in the military, they moved wherever she was stationed until her retirement in 1977. They decided to settle in Oklahoma outside Oklahoma City due to Mansfield's familial connection to the area. Mansfield returned to the University of Central Oklahoma in 1981 to complete a Bachelor of Science in Photo Journalism and a Master's Degree in Journalism in 1983. Photography remained her first love throughout her life, and she was an active member of the Oklahoma Camera Club since 1963. Mansfield passed away Sunday, December 30, 2007, at the age of 92. She is survived by her companion of 37 years, Lorraine Caddy."],"custodhist_html_tesm":["\u003cp\u003eThis collection was donated by Lorraine A. Caddy. The collection was acquired by the Institute on World War II and the Human Experience on September 10, 2008.\u003c/p\u003e","\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History","Custodial History"],"custodhist_tesim":["This collection was donated by Lorraine A. Caddy. The collection was acquired by the Institute on World War II and the Human Experience on September 10, 2008.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Charlotte D. Mansfield collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_08_0158\"\u003ehttp://purl.fcla.edu/fsu/WWII_08_0158\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Charlotte D. Mansfield collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_08_0158 ."],"processinfo_html_tesm":["\u003cp\u003eProcessed Summer and Fall 2017\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed Summer and Fall 2017"],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to Charlotte D. Mansfield who served in the Women's Army Corps during World War II in the European Theater as a photographer and photograph processor. She subsequently retired from the U.S. Air Force. This collection contains documents, photographs, scrapbooks, and artifacts. The documents include personal correspondence, military records, newspaper clippings, newsletters, magazines, and certificates for military service. Various military medals and patches, mugs from U.S. Air Force service, and Graflex 4x5 Pacemaker Speed Graphic camera make up the artifacts. There are eight scrapbooks that Mansfield assembled documenting her military service, primarily overseas, both during World War II and after. Photographs make up the majority of the collection, with one box of loose photographs in separate folders and five archival scrapbooks filled with pictures. There are also four enlarged portraits of Mansfield.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection relates to Charlotte D. Mansfield who served in the Women's Army Corps during World War II in the European Theater as a photographer and photograph processor. She subsequently retired from the U.S. Air Force. This collection contains documents, photographs, scrapbooks, and artifacts. The documents include personal correspondence, military records, newspaper clippings, newsletters, magazines, and certificates for military service. Various military medals and patches, mugs from U.S. Air Force service, and Graflex 4x5 Pacemaker Speed Graphic camera make up the artifacts. There are eight scrapbooks that Mansfield assembled documenting her military service, primarily overseas, both during World War II and after. Photographs make up the majority of the collection, with one box of loose photographs in separate folders and five archival scrapbooks filled with pictures. There are also four enlarged portraits of Mansfield."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4c0fe496351ee46fff18977354e86118\" label=\"Abstract\"\u003eCharlotte Mansfield enlisted in the Women's Army Auxiliary Corps (W.A.A.C.) in 1942 to pursue work in photograph processing for the military. She was part of the first all-women graduating class from Lowry Field Photo School in Colorado, where she was trained to be a photo technician that developed primarily aerial shots in photography labs. Mansfield was stationed at various locations throughout the United States before being transferred to lab work overseas in England and Germany. By this time, W.A.A.C. had transitioned to Women's Army Corps (W.A.C.). Throughout her military service, Mansfield took numerous personal photographs that featured her friends and surroundings. They provide an unparalleled amount of insight into the private lives of W.A.C.s as they negotiated what it meant to serve in World War II. Mansfield reenlisted after the war, eventually becoming part of the Women in the Air Force (W.A.F.), and retired in 1973. Photography remained her passion until her death in 2007.\u003c/abstract\u003e"],"abstract_tesim":["Charlotte Mansfield enlisted in the Women's Army Auxiliary Corps (W.A.A.C.) in 1942 to pursue work in photograph processing for the military. She was part of the first all-women graduating class from Lowry Field Photo School in Colorado, where she was trained to be a photo technician that developed primarily aerial shots in photography labs. Mansfield was stationed at various locations throughout the United States before being transferred to lab work overseas in England and Germany. By this time, W.A.A.C. had transitioned to Women's Army Corps (W.A.C.). Throughout her military service, Mansfield took numerous personal photographs that featured her friends and surroundings. They provide an unparalleled amount of insight into the private lives of W.A.C.s as they negotiated what it meant to serve in World War II. Mansfield reenlisted after the war, eventually becoming part of the Women in the Air Force (W.A.F.), and retired in 1973. Photography remained her passion until her death in 2007."],"names_coll_ssim":["United States. Army. Women's Army Corps","Women's Army Corps Training Center (Fort Oglethorpe, Ga.)","Air Corps Technical School (Lowry Field, Colo.)","United States. Army. European Theater of Operations","United States. Air Force","University of Central Oklahoma","United States. Army Air Forces. Air Force, 9th","United States. Army Air Forces. Air Force, 8th","United States. Army. Women's Army Auxiliary Corps","Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone). Office of Military Government","Doolittle, James Harold, 1896-1993"],"names_ssim":["FSU Special Collections \u0026 Archives","United States. Army. Women's Army Corps","Women's Army Corps Training Center (Fort Oglethorpe, Ga.)","Air Corps Technical School (Lowry Field, Colo.)","United States. Army. European Theater of Operations","United States. Air Force","University of Central Oklahoma","United States. Army Air Forces. Air Force, 9th","United States. Army Air Forces. Air Force, 8th","United States. Army. Women's Army Auxiliary Corps","Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone). Office of Military Government","Mansfield, Charlotte D.","Doolittle, James Harold, 1896-1993"],"corpname_ssim":["FSU Special Collections \u0026 Archives","United States. Army. Women's Army Corps","Women's Army Corps Training Center (Fort Oglethorpe, Ga.)","Air Corps Technical School (Lowry Field, Colo.)","United States. Army. European Theater of Operations","United States. Air Force","University of Central Oklahoma","United States. Army Air Forces. Air Force, 9th","United States. Army Air Forces. Air Force, 8th","United States. Army. Women's Army Auxiliary Corps","Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone). Office of Military Government"],"persname_ssim":["Mansfield, Charlotte D.","Doolittle, James Harold, 1896-1993"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":86,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"5c1d3cacb20af4c5d0f16be1","timestamp":"2026-07-09T08:47:20.226Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5c1d3cacb20af4c5d0f16be1_aspace_209357"}},{"id":"ac7d6a0a0158449d100e35da_aspace_77edd49bd2e94041ff27e1894b776616","type":"File","attributes":{"title":"Post-War Letters/Miscellaneous, August 1948-September 1969","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/ac7d6a0a0158449d100e35da_aspace_77edd49bd2e94041ff27e1894b776616#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis folder contains a letter to Irene Prince to get her to join a hanky club, a series of greeting cards, newspaper clippings from Amelia, Ohio, and a letter from 1969.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ac7d6a0a0158449d100e35da_aspace_77edd49bd2e94041ff27e1894b776616#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_77edd49bd2e94041ff27e1894b776616","ref_ssm":["aspace_77edd49bd2e94041ff27e1894b776616","aspace_77edd49bd2e94041ff27e1894b776616"],"id":"ac7d6a0a0158449d100e35da_aspace_77edd49bd2e94041ff27e1894b776616","title_filing_ssi":"Post-War Letters/Miscellaneous","title_ssm":["Post-War Letters/Miscellaneous"],"title_tesim":["Post-War Letters/Miscellaneous"],"unitdate_inclusive_ssm":["August 1948-September 1969"],"normalized_date_ssm":["August 1948-September 1969"],"normalized_title_ssm":["Post-War Letters/Miscellaneous, August 1948-September 1969"],"text":["Post-War Letters/Miscellaneous, August 1948-September 1969","Clifford Prince papers, 1944-1969, Date accessioned: 2019-05-23","016","/repositories/10/archival_objects/178910","19.0008 - Box 1","folder 016","This folder contains a letter to Irene Prince to get her to join a hanky club, a series of greeting cards,  newspaper clippings from Amelia, Ohio, and a letter from 1969."],"component_level_isim":[1],"parent_ids_ssim":["ac7d6a0a0158449d100e35da"],"parent_unittitles_ssm":["Clifford Prince papers, 1944-1969, Date accessioned: 2019-05-23"],"parent_unittitles_tesim":["Clifford Prince papers, 1944-1969, Date accessioned: 2019-05-23"],"parent_levels_ssm":["collection"],"unitid_ssm":["016","/repositories/10/archival_objects/178910"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Clifford Prince papers, 1944-1969, Date accessioned: 2019-05-23"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":16,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"date_range_isim":[1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969],"containers_ssim":["19.0008 - Box 1","folder 016"],"scopecontent_html_tesm":["\u003cp\u003eThis folder contains a letter to Irene Prince to get her to join a hanky club, a series of greeting cards,  newspaper clippings from Amelia, Ohio, and a letter from 1969.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This folder contains a letter to Irene Prince to get her to join a hanky club, a series of greeting cards,  newspaper clippings from Amelia, Ohio, and a letter from 1969."],"_nest_path_":"/components#15","_nest_parent_":"ac7d6a0a0158449d100e35da","_root_":"ac7d6a0a0158449d100e35da","timestamp":"2026-07-11T04:19:26.705Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ac7d6a0a0158449d100e35da","title_filing_ssi":"Prince, Clifford papers","title_ssm":["Clifford Prince papers"],"title_tesim":["Clifford Prince papers"],"ead_ssi":"ac7d6a0a0158449d100e35da","unitdate_ssm":["1944-1969","Date accessioned: 2019-05-23"],"unitdate_inclusive_ssm":["1944-1969"],"unitdate_other_ssim":["Date accessioned: 2019-05-23"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["19.0008","/repositories/10/resources/1466"],"text":["19.0008","/repositories/10/resources/1466","Clifford Prince papers, 1944-1969, Date accessioned: 2019-05-23","San Diego (Calif.)","Great Lakes Naval Training Center (Great Lakes, Ill.)","United States. Navy--History--20th century","World War, 1939-1945","Great Lakes Region (North America)--History, Naval.","This collection is open to all researchers.","Clifford Prince was born July 2nd, 1912.  Prince was received his initial training at Great Lakes Naval Training Center from April to Mid-August of 1944 until he was transferred to San Diego until at least January 1945.  His letters and documents reflect that he suffered from an ailment that prevented him from being cleared for overseas duty.  He worked in various jobs during his service including kitchen work, Seaman guard duties, and mechanical work. He was able to see his wife, Irene, and the rest of his family only once during his service in June 1944. Prince and his family are from Amelia, Ohio and once he returned back home, he spent the remainder of his life there. Prince passed away on August 10, 1999 at the age of 87.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","This collection relates to Seaman Second Class Clifford Prince who was stationed at Great Lakes Naval Training Center and San Diego with the U.S. Navy during World War II.  This collection includes letters sent to and from Prince's family, greeting cards, photographs, and documents.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Prince, Clifford, 1912-1999","English"],"unitid_tesim":["19.0008","/repositories/10/resources/1466"],"normalized_date_ssm":["1944-1969, Date accessioned: 2019-05-23"],"normalized_title_ssm":["Clifford Prince papers, 1944-1969, Date accessioned: 2019-05-23"],"collection_title_tesim":["Clifford Prince papers, 1944-1969, Date accessioned: 2019-05-23"],"collection_ssim":["Clifford Prince papers, 1944-1969, Date accessioned: 2019-05-23"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["San Diego (Calif.)","Great Lakes Naval Training Center (Great Lakes, Ill.)"],"geogname_ssim":["San Diego (Calif.)","Great Lakes Naval Training Center (Great Lakes, Ill.)"],"creator_ssm":["Prince, Clifford, 1912-1999"],"creator_ssim":["Prince, Clifford, 1912-1999"],"creator_persname_ssim":["Prince, Clifford, 1912-1999"],"creators_ssim":["Prince, Clifford, 1912-1999"],"places_ssim":["San Diego (Calif.)","Great Lakes Naval Training Center (Great Lakes, Ill.)"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["This collection was donated by Steve Jemison."],"access_subjects_ssim":["United States. Navy--History--20th century","World War, 1939-1945","Great Lakes Region (North America)--History, Naval."],"access_subjects_ssm":["United States. Navy--History--20th century","World War, 1939-1945","Great Lakes Region (North America)--History, Naval."],"has_online_content_ssim":["false"],"extent_ssm":[".5 Linear Feet 1/2 box"],"extent_tesim":[".5 Linear Feet 1/2 box"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_html_tesm":["\u003cp\u003eClifford Prince was born July 2nd, 1912.  Prince was received his initial training at Great Lakes Naval Training Center from April to Mid-August of 1944 until he was transferred to San Diego until at least January 1945.  His letters and documents reflect that he suffered from an ailment that prevented him from being cleared for overseas duty.  He worked in various jobs during his service including kitchen work, Seaman guard duties, and mechanical work. He was able to see his wife, Irene, and the rest of his family only once during his service in June 1944. Prince and his family are from Amelia, Ohio and once he returned back home, he spent the remainder of his life there. Prince passed away on August 10, 1999 at the age of 87.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Clifford Prince was born July 2nd, 1912.  Prince was received his initial training at Great Lakes Naval Training Center from April to Mid-August of 1944 until he was transferred to San Diego until at least January 1945.  His letters and documents reflect that he suffered from an ailment that prevented him from being cleared for overseas duty.  He worked in various jobs during his service including kitchen work, Seaman guard duties, and mechanical work. He was able to see his wife, Irene, and the rest of his family only once during his service in June 1944. Prince and his family are from Amelia, Ohio and once he returned back home, he spent the remainder of his life there. Prince passed away on August 10, 1999 at the age of 87."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Clifford Prince Papers, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_19_0008\"\u003ehttp://purl.fcla.edu/fsu/WWII_19_0008\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Clifford Prince Papers, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_19_0008"],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to Seaman Second Class Clifford Prince who was stationed at Great Lakes Naval Training Center and San Diego with the U.S. Navy during World War II.  This collection includes letters sent to and from Prince's family, greeting cards, photographs, and documents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection relates to Seaman Second Class Clifford Prince who was stationed at Great Lakes Naval Training Center and San Diego with the U.S. Navy during World War II.  This collection includes letters sent to and from Prince's family, greeting cards, photographs, and documents."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. 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Many photographs of Mrs.Bertram at the 80th aniversary of the Army Nurse Corps.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5db3c6cc50db660f93b14fbf_aspace_188953#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_188953","ref_ssm":["aspace_188953","aspace_188953"],"id":"5db3c6cc50db660f93b14fbf_aspace_188953","title_filing_ssi":"Post-War Photographs of Margaritte Ivory - Bertram","title_ssm":["Post-War Photographs of Margaritte Ivory - Bertram"],"title_tesim":["Post-War Photographs of Margaritte Ivory - Bertram"],"unitdate_inclusive_ssm":["1941-2007"],"normalized_date_ssm":["1941-2007"],"normalized_title_ssm":["Post-War Photographs of Margaritte Ivory - Bertram, 1941-2007"],"text":["Post-War Photographs of Margaritte Ivory - Bertram, 1941-2007","Gertrude Margaritte Ivory Bertram collection, 1938-2007, Date acquired: 10/07/2007, Date accessioned: 2020-04-22, bulk 1942","Folder 004","/repositories/10/archival_objects/47984","07.0114 - Box 1","folder 004","Mostly color Photographs of Gertrude Margaritte Ivory-Bertram Post - War. 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Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"containers_ssim":["07.0114 - Box 1","folder 004"],"scopecontent_html_tesm":["\u003cp\u003eMostly color Photographs of Gertrude Margaritte Ivory-Bertram Post - War. 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She attended nursing school at the Brewster Hospital and School of Nurse Training in Jacksonville, Florida, which was the first African American hospital in the United States. She then enlisted in the U.S. Army on May 1, 1941 at Fort Bragg, North Carolina, as a ward nurse. While in the Army, Bertram served as a ward nurse in Fort Bragg and later in the West African theater and Louisiana. After the war, she continued to work as a nurse, wrote a book, and raised a family.","This collection was donated by Gertrude Margaritte Ivory Bertram. The collection was acquired by the Institute on World War II and the Human Experience on October 7, 2007.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","This World War II collection relates to Gertrude Margaritte Ivory Bertram, an African American nurse who served in the U.S. Army. The collection consists of letters, photographs (depicting herself and her fellow nurses in uniform, as well as African American G.I.s, and a few photographs from her time in West Africa), personal items, books, manuscripts, newspaper clippings, and interviews. The materials mainly document Bertram's time at Fort Bragg, NC, but there is some information concerning her life before enlistment, travels during enlistment, and life after enlistment. Most of her enlistment was spent in West Africa and at Fort Bragg, NC. This collection is important, as it covers the unique experiences of women and African Americans during World War II, and offers insight that differs from the majority white male G.I. perspective. It depicts African American nurses in both a professional setting and casual settings as Bertram enjoyed downtime with her friends.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","United States. 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Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"access_subjects_ssim":["Military nursing--United States","Military nursing--Europe","African American soldiers--Biography","African American veterans--Biography","United States--Armed Forces--African Americans--History--20th century","United States--Armed Forces--Biography","United States -- History, Military -- 20th century -- Sources","Women--United States","World War, 1939-1945--Women--United States","Nurses -- United States -- Biography","United States--Armed Forces--Nurses--Biography","World War, 1939-1945--Medical care--United States","African American women--Civil rights--History--20th century","African American women employees","African American women--History","African Americans--Civil rights","African Americans--Employment","United States--Race relations--History--20th century","World War, 1939-1945--African Americans","World War, 1939-1945--Africa","World War, 1939-1945--Pictorial works","World War, 1939-1945--Personal narratives, American"],"access_subjects_ssm":["Military nursing--United States","Military nursing--Europe","African American soldiers--Biography","African American veterans--Biography","United States--Armed Forces--African Americans--History--20th century","United States--Armed Forces--Biography","United States -- History, Military -- 20th century -- Sources","Women--United States","World War, 1939-1945--Women--United States","Nurses -- United States -- Biography","United States--Armed Forces--Nurses--Biography","World War, 1939-1945--Medical care--United States","African American women--Civil rights--History--20th century","African American women employees","African American women--History","African Americans--Civil rights","African Americans--Employment","United States--Race relations--History--20th century","World War, 1939-1945--African Americans","World War, 1939-1945--Africa","World War, 1939-1945--Pictorial works","World War, 1939-1945--Personal narratives, American"],"has_online_content_ssim":["false"],"extent_ssm":[".25 Linear Feet"],"extent_tesim":[".25 Linear Feet"],"date_range_isim":[1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"arrangement_html_tesm":["\u003cp\u003eCreator\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Creator"],"bioghist_html_tesm":["\u003cp\u003eBertram was born in Clarksville, Georgia, on February 17, 1916. She attended nursing school at the Brewster Hospital and School of Nurse Training in Jacksonville, Florida, which was the first African American hospital in the United States. She then enlisted in the U.S. Army on May 1, 1941 at Fort Bragg, North Carolina, as a ward nurse. While in the Army, Bertram served as a ward nurse in Fort Bragg and later in the West African theater and Louisiana. After the war, she continued to work as a nurse, wrote a book, and raised a family.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Bertram was born in Clarksville, Georgia, on February 17, 1916. She attended nursing school at the Brewster Hospital and School of Nurse Training in Jacksonville, Florida, which was the first African American hospital in the United States. She then enlisted in the U.S. Army on May 1, 1941 at Fort Bragg, North Carolina, as a ward nurse. While in the Army, Bertram served as a ward nurse in Fort Bragg and later in the West African theater and Louisiana. After the war, she continued to work as a nurse, wrote a book, and raised a family."],"custodhist_html_tesm":["\u003cp\u003eThis collection was donated by Gertrude Margaritte Ivory Bertram. The collection was acquired by the Institute on World War II and the Human Experience on October 7, 2007.\u003c/p\u003e","\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History","Custodial History"],"custodhist_tesim":["This collection was donated by Gertrude Margaritte Ivory Bertram. The collection was acquired by the Institute on World War II and the Human Experience on October 7, 2007.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Gertrude Margaritte Ivory Bertram collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_07_0114\"\u003ehttp://purl.fcla.edu/fsu/WWII_07_0114\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Gertrude Margaritte Ivory Bertram collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_07_0114 ."],"scopecontent_html_tesm":["\u003cp\u003eThis World War II collection relates to Gertrude Margaritte Ivory Bertram, an African American nurse who served in the U.S. Army. The collection consists of letters, photographs (depicting herself and her fellow nurses in uniform, as well as African American G.I.s, and a few photographs from her time in West Africa), personal items, books, manuscripts, newspaper clippings, and interviews. The materials mainly document Bertram's time at Fort Bragg, NC, but there is some information concerning her life before enlistment, travels during enlistment, and life after enlistment. Most of her enlistment was spent in West Africa and at Fort Bragg, NC. This collection is important, as it covers the unique experiences of women and African Americans during World War II, and offers insight that differs from the majority white male G.I. perspective. It depicts African American nurses in both a professional setting and casual settings as Bertram enjoyed downtime with her friends.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This World War II collection relates to Gertrude Margaritte Ivory Bertram, an African American nurse who served in the U.S. Army. The collection consists of letters, photographs (depicting herself and her fellow nurses in uniform, as well as African American G.I.s, and a few photographs from her time in West Africa), personal items, books, manuscripts, newspaper clippings, and interviews. The materials mainly document Bertram's time at Fort Bragg, NC, but there is some information concerning her life before enlistment, travels during enlistment, and life after enlistment. Most of her enlistment was spent in West Africa and at Fort Bragg, NC. This collection is important, as it covers the unique experiences of women and African Americans during World War II, and offers insight that differs from the majority white male G.I. perspective. It depicts African American nurses in both a professional setting and casual settings as Bertram enjoyed downtime with her friends."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_coll_ssim":["United States. Army Nurse Corps"],"names_ssim":["FSU Special Collections \u0026 Archives","United States. Army Nurse Corps","Bertram, Gertrude Margaritte Ivory"],"corpname_ssim":["FSU Special Collections \u0026 Archives","United States. 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Photographs showcase Mansfield\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5c1d3cacb20af4c5d0f16be1_aspace_209434#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_209434","ref_ssm":["aspace_209434","aspace_209434"],"id":"5c1d3cacb20af4c5d0f16be1_aspace_209434","title_filing_ssi":"Post World War II Archival Scrapbook","title_ssm":["Post World War II Archival Scrapbook"],"title_tesim":["Post World War II Archival Scrapbook"],"unitdate_inclusive_ssm":["1947-2006"],"normalized_date_ssm":["1947-2006"],"normalized_title_ssm":["Post World War II Archival Scrapbook, 1947-2006"],"text":["Post World War II Archival Scrapbook, 1947-2006","Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957","Folder 001","/repositories/10/archival_objects/44550","box 08.0158 - Box 13","folder 001","Loose photographs assembled into an archival scrapbook by location and subject matter. Photographs showcase Mansfield"],"component_level_isim":[1],"parent_ids_ssim":["5c1d3cacb20af4c5d0f16be1"],"parent_unittitles_ssm":["Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957"],"parent_unittitles_tesim":["Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957"],"parent_levels_ssm":["collection"],"unitid_ssm":["Folder 001","/repositories/10/archival_objects/44550"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":85,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"date_range_isim":[1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"containers_ssim":["box 08.0158 - Box 13","folder 001"],"scopecontent_html_tesm":["\u003cp\u003eLoose photographs assembled into an archival scrapbook by location and subject matter. Photographs showcase Mansfield\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Loose photographs assembled into an archival scrapbook by location and subject matter. Photographs showcase Mansfield"],"_nest_path_":"/components#84","_nest_parent_":"5c1d3cacb20af4c5d0f16be1","_root_":"5c1d3cacb20af4c5d0f16be1","timestamp":"2026-07-09T08:47:20.226Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5c1d3cacb20af4c5d0f16be1","title_filing_ssi":"Mansfield, Charlotte D. collection","title_ssm":["Charlotte D. Mansfield collection"],"title_tesim":["Charlotte D. Mansfield collection"],"ead_ssi":"5c1d3cacb20af4c5d0f16be1","unitdate_ssm":["1915-2017","1942-1957","Date acquired: 09/10/2008","Date accessioned: 2020-06-07"],"unitdate_bulk_ssim":["1942-1957"],"unitdate_inclusive_ssm":["1915-2017"],"unitdate_other_ssim":["Date acquired: 09/10/2008","Date accessioned: 2020-06-07"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["08.0158","/repositories/10/resources/362"],"text":["08.0158","/repositories/10/resources/362","Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957","Bad Kissingen (Germany)","Des Moines (Iowa)","Spokane (Wash.)","Denver (Colo.)","London (England)","High Wycombe (England)","Erding (Germany)","Berlin (Germany)","World War, 1939-1945--Great Britain","World War, 1939-1945--Germany","World War, 1939-1945--Personal narratives, American","World War, 1939-1945--Women","Photography, Military","World War, 1939-1945--England--London","Europe--Description and Travel","World War, 1939-1945--Europe","Sports for women","Military sports","Friendship","Meritorious Service Medal","United States, Oklahoma--Military records","Oktoberfest","Military Discharge--United States","United States. Army Air Forces--Military life","Sexism","Retirement","V-E Day, 1945","Dogs","Awards","United States. Army Air Forces. Medals, badges, decorations, etc","Photojournalism","World War, 1939-1945--Photography","Basic training (Military education)","Aerial photographs","Scrapbooks","Photographs","Clippings (Books, newspapers, etc.)","Newsletters","Correspondence","Letters","Certificates","Buttons","Plaques","This collection is open to all researchers.","Early Life - Charlotte Dee Mansfield was born in Hanford, CA, August 31, 1915, and moved to Oklahoma when she was eight years old. She had been an avid photographer ever since her father took her to the darkroom of an old Army buddy, and she saw strips of film hanging on a line. She graduated from Garber High School in 1934, and then went on to Tonkawa College before receiving her Bachelor's degree in English from the University of Central Oklahoma in 1941. Mansfield was a reporter, writer, and editor for the college newspaper, which demonstrated how her fascination for photography followed her throughout her educational years. It was an article in  Popular Photography  Magazine about British military women photographers and their work in aerial photography that inspired her to enlist in the Women's Army Auxiliary Corps (W.A.A.C.) when World War II began.\n          World War II Service - Mansfield enlisted as a W.A.A.C. on October 17, 1942. She attended basic training at Ft. Des Moines, Iowa until February 1943 and then transferred to Lowry Field Photo School in Denver, Colorado. She was one of fifty who made up the first all-women class to be trained as aerial photo technicians. The women did better academically than the men who doubted them, as well as handled the cameras and darkroom work well. After graduating in April 1943, Mansfield went to Felts Field in Spokane, Washington for further training. While there, W.A.A.C. was converted to full status as a branch of the United States Army and became the Women's Army Corps (W.A.C.) in July 1943. Mansfield was also stationed at Peterson Field, Colorado Springs, Colorado and Fort Oglethorpe, Georgia before being assigned overseas work in May 1944. Throughout her service, Mansfield kept her Graflex 4x5 Pacemaker Speed Graphic camera and a supply of personal film provided by her father, who was incredibly supportive of her photographic endeavors throughout her life. She used these to document her experience at each location in the states, photographing her friends and surroundings. The pictures Mansfield took feature the women training, completing their work, and socializing.","      Mansfield was assigned to the 8 th  Air Force under James Doolittle stationed in High Wycombe, England. The codename for the camp was \"Pinetree,\" with Mansfield interchanging between the two location names in documents and on her pictures. The majority of the correspondence in the collection is from her time in England, where she described to her parents her visit to London and conditions at the camp. Food was a common topic for Mansfield, as well as conditions in the lab. Mansfield continued to take personal photographs, documenting the English countryside and life in the military huts where the women were housed. She celebrated Victory in Europe Day at this station, and there are numerous pictures of the service members rejoicing. Though the war on the western front was over, Mansfield stated in a letter to her parents that W.A.C.s were essential for the army of occupation and were scheduled to transfer to Germany.","      Mansfield was then transferred to the 9 th  Air Force stationed in Bad Kissingen, Germany to work with the 13 th  Photo Tech Unit. This resort town was occupied by the United States Army, and Mansfield noted the barbed wire and boarded up shops in letters. The lab was in a large, empty house and took considerable time to construct. Before it was finished, Mansfield worked mainly in the contact printing room or other labs in the region that needed assistance. She mentioned in letters that she and her peers often had to prove they could do the work, as many officers seemed doubtful. This testified to the sexism the W.A.C.s experienced, and that they did their job, and did it well, regardless of the obstacles. Mansfield continued her routine of taking personal photographs, which included several pictures of local Germans that accompanied the usual shots of friends and surroundings. She remained in Germany from July to November 1945, then returned to the United States after being honorably discharged from the military.","Post-War U.S. Air Force Service - After being discharged, Mansfield remained a civilian for fifteen months. Most of that time was spent helping a friend, Bertha Brownback. The two had become very close friends while in the military together but towards the end of their service, Bertha found herself pregnant without a husband. This meant she was automatically discharged from the military. When Mansfield returned to the United States, she moved with Bertha and the baby to Philadelphia where she worked for a short while with a photofinishing company. They then moved to Oklahoma because Mansfield wanted to be near family again. Soon after, Bertha died in a car accident, leaving Mansfield guardian of her child. She arranged for a couple related to her to adopt the baby, which freed her to reenlist in the military. This entire situation served as a testament to Mansfield's character; she was willing to put her career on hold to help a friend in need. It is this quality of love and friendship that stood out most strongly in her photography.","      In September 1946, Mansfield re-enlisted in the W.A.C. where she worked in Photo Labs at U.S. Bases and in Germany. When the U.S. Air Force became a separate service, she became part of the Women in the Air Force. Mansfield was stationed in Erding, Germany from 1952 to 1955. While there, she toured Europe, visiting Berlin, Paris, and Rome as well as the scenic countryside of Germany and Austria. She took numerous photographs and assembled them into a scrapbook, accompanied with historical commentary and descriptions of events. Mansfield was even able to revisit Bad Kissingen, Germany, where she had been stationed during the war, and commented on its marked difference in appearance.","      Mansfield remained in the U.S. Air Force until her retirement in 1973, after thirty years of military service where she earned the rank of Senior Master Sergeant(E-8). Throughout her military documents, Mansfield received numerous letters of praise and strong recommendations based on her work ethic. Because of her strong record, Mansfield was awarded the Meritorious Service Medal upon retirement, which is the highest award for military service during peacetime. This demonstrated to Mansfield that her hard work was appreciated, and she was very proud of it.","Retirement - Shortly before retirement, in 1970, Mansfield met Lorraine Caddy and the two became best friends. They decided that they liked each other enough to live together, and while Caddy was still in the military, they moved wherever she was stationed until her retirement in 1977. They decided to settle in Oklahoma outside Oklahoma City due to Mansfield's familial connection to the area. Mansfield returned to the University of Central Oklahoma in 1981 to complete a Bachelor of Science in Photo Journalism and a Master's Degree in Journalism in 1983. Photography remained her first love throughout her life, and she was an active member of the Oklahoma Camera Club since 1963. Mansfield passed away Sunday, December 30, 2007, at the age of 92. She is survived by her companion of 37 years, Lorraine Caddy.","This collection was donated by Lorraine A. Caddy. The collection was acquired by the Institute on World War II and the Human Experience on September 10, 2008.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","Processed Summer and Fall 2017","This collection relates to Charlotte D. Mansfield who served in the Women's Army Corps during World War II in the European Theater as a photographer and photograph processor. She subsequently retired from the U.S. Air Force. This collection contains documents, photographs, scrapbooks, and artifacts. The documents include personal correspondence, military records, newspaper clippings, newsletters, magazines, and certificates for military service. Various military medals and patches, mugs from U.S. Air Force service, and Graflex 4x5 Pacemaker Speed Graphic camera make up the artifacts. There are eight scrapbooks that Mansfield assembled documenting her military service, primarily overseas, both during World War II and after. Photographs make up the majority of the collection, with one box of loose photographs in separate folders and five archival scrapbooks filled with pictures. There are also four enlarged portraits of Mansfield.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","Charlotte Mansfield enlisted in the Women's Army Auxiliary Corps (W.A.A.C.) in 1942 to pursue work in photograph processing for the military. She was part of the first all-women graduating class from Lowry Field Photo School in Colorado, where she was trained to be a photo technician that developed primarily aerial shots in photography labs. Mansfield was stationed at various locations throughout the United States before being transferred to lab work overseas in England and Germany. By this time, W.A.A.C. had transitioned to Women's Army Corps (W.A.C.). Throughout her military service, Mansfield took numerous personal photographs that featured her friends and surroundings. They provide an unparalleled amount of insight into the private lives of W.A.C.s as they negotiated what it meant to serve in World War II. Mansfield reenlisted after the war, eventually becoming part of the Women in the Air Force (W.A.F.), and retired in 1973. Photography remained her passion until her death in 2007.","FSU Special Collections \u0026 Archives","United States. Army. Women's Army Corps","Women's Army Corps Training Center (Fort Oglethorpe, Ga.)","Air Corps Technical School (Lowry Field, Colo.)","United States. Army. European Theater of Operations","United States. Air Force","University of Central Oklahoma","United States. Army Air Forces. Air Force, 9th","United States. Army Air Forces. Air Force, 8th","United States. Army. Women's Army Auxiliary Corps","Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone). Office of Military Government","Mansfield, Charlotte D.","Doolittle, James Harold, 1896-1993","English"],"unitid_tesim":["08.0158","/repositories/10/resources/362"],"normalized_date_ssm":["1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957"],"normalized_title_ssm":["Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957"],"collection_title_tesim":["Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957"],"collection_ssim":["Charlotte D. Mansfield collection, 1915-2017, Date acquired: 09/10/2008, Date accessioned: 2020-06-07, bulk 1942-1957"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Bad Kissingen (Germany)","Des Moines (Iowa)","Spokane (Wash.)","Denver (Colo.)","London (England)","High Wycombe (England)","Erding (Germany)","Berlin (Germany)"],"geogname_ssim":["Bad Kissingen (Germany)","Des Moines (Iowa)","Spokane (Wash.)","Denver (Colo.)","London (England)","High Wycombe (England)","Erding (Germany)","Berlin (Germany)"],"creator_ssm":["Mansfield, Charlotte D."],"creator_ssim":["Mansfield, Charlotte D."],"creator_persname_ssim":["Mansfield, Charlotte D."],"creators_ssim":["Mansfield, Charlotte D."],"places_ssim":["Bad Kissingen (Germany)","Des Moines (Iowa)","Spokane (Wash.)","Denver (Colo.)","London (England)","High Wycombe (England)","Erding (Germany)","Berlin (Germany)"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"access_subjects_ssim":["World War, 1939-1945--Great Britain","World War, 1939-1945--Germany","World War, 1939-1945--Personal narratives, American","World War, 1939-1945--Women","Photography, Military","World War, 1939-1945--England--London","Europe--Description and Travel","World War, 1939-1945--Europe","Sports for women","Military sports","Friendship","Meritorious Service Medal","United States, Oklahoma--Military records","Oktoberfest","Military Discharge--United States","United States. Army Air Forces--Military life","Sexism","Retirement","V-E Day, 1945","Dogs","Awards","United States. Army Air Forces. Medals, badges, decorations, etc","Photojournalism","World War, 1939-1945--Photography","Basic training (Military education)","Aerial photographs","Scrapbooks","Photographs","Clippings (Books, newspapers, etc.)","Newsletters","Correspondence","Letters","Certificates","Buttons","Plaques"],"access_subjects_ssm":["World War, 1939-1945--Great Britain","World War, 1939-1945--Germany","World War, 1939-1945--Personal narratives, American","World War, 1939-1945--Women","Photography, Military","World War, 1939-1945--England--London","Europe--Description and Travel","World War, 1939-1945--Europe","Sports for women","Military sports","Friendship","Meritorious Service Medal","United States, Oklahoma--Military records","Oktoberfest","Military Discharge--United States","United States. Army Air Forces--Military life","Sexism","Retirement","V-E Day, 1945","Dogs","Awards","United States. Army Air Forces. Medals, badges, decorations, etc","Photojournalism","World War, 1939-1945--Photography","Basic training (Military education)","Aerial photographs","Scrapbooks","Photographs","Clippings (Books, newspapers, etc.)","Newsletters","Correspondence","Letters","Certificates","Buttons","Plaques"],"has_online_content_ssim":["false"],"extent_ssm":["14 Linear Feet","1 items 1 camera case"],"extent_tesim":["14 Linear Feet","1 items 1 camera case"],"dimensions_tesim":["21x9.75"],"genreform_ssim":["Aerial photographs","Scrapbooks","Photographs","Clippings (Books, newspapers, etc.)","Newsletters","Correspondence","Letters","Certificates","Buttons","Plaques"],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_html_tesm":["\u003cp\u003e\u003ctitle\u003eEarly Life\u003c/title\u003e- Charlotte Dee Mansfield was born in Hanford, CA, August 31, 1915, and moved to Oklahoma when she was eight years old. She had been an avid photographer ever since her father took her to the darkroom of an old Army buddy, and she saw strips of film hanging on a line. She graduated from Garber High School in 1934, and then went on to Tonkawa College before receiving her Bachelor's degree in English from the University of Central Oklahoma in 1941. Mansfield was a reporter, writer, and editor for the college newspaper, which demonstrated how her fascination for photography followed her throughout her educational years. It was an article in \u003cemph render=\"italic\"\u003ePopular Photography\u003c/emph\u003e Magazine about British military women photographers and their work in aerial photography that inspired her to enlist in the Women's Army Auxiliary Corps (W.A.A.C.) when World War II began.\n         \u003cbr\u003e\u003cbr\u003e\u003ctitle\u003eWorld War II Service\u003c/title\u003e- Mansfield enlisted as a W.A.A.C. on October 17, 1942. She attended basic training at Ft. Des Moines, Iowa until February 1943 and then transferred to Lowry Field Photo School in Denver, Colorado. She was one of fifty who made up the first all-women class to be trained as aerial photo technicians. The women did better academically than the men who doubted them, as well as handled the cameras and darkroom work well. After graduating in April 1943, Mansfield went to Felts Field in Spokane, Washington for further training. While there, W.A.A.C. was converted to full status as a branch of the United States Army and became the Women's Army Corps (W.A.C.) in July 1943. Mansfield was also stationed at Peterson Field, Colorado Springs, Colorado and Fort Oglethorpe, Georgia before being assigned overseas work in May 1944. Throughout her service, Mansfield kept her Graflex 4x5 Pacemaker Speed Graphic camera and a supply of personal film provided by her father, who was incredibly supportive of her photographic endeavors throughout her life. She used these to document her experience at each location in the states, photographing her friends and surroundings. The pictures Mansfield took feature the women training, completing their work, and socializing.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0;\u0026#xA0; \u003cbr\u003e\u003cbr\u003eMansfield was assigned to the 8\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Air Force under James Doolittle stationed in High Wycombe, England. The codename for the camp was \"Pinetree,\" with Mansfield interchanging between the two location names in documents and on her pictures. The majority of the correspondence in the collection is from her time in England, where she described to her parents her visit to London and conditions at the camp. Food was a common topic for Mansfield, as well as conditions in the lab. Mansfield continued to take personal photographs, documenting the English countryside and life in the military huts where the women were housed. She celebrated Victory in Europe Day at this station, and there are numerous pictures of the service members rejoicing. Though the war on the western front was over, Mansfield stated in a letter to her parents that W.A.C.s were essential for the army of occupation and were scheduled to transfer to Germany.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0;\u0026#xA0; \u003cbr\u003e\u003cbr\u003eMansfield was then transferred to the 9\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Air Force stationed in Bad Kissingen, Germany to work with the 13\u003cemph render=\"super\"\u003eth\u003c/emph\u003e Photo Tech Unit. This resort town was occupied by the United States Army, and Mansfield noted the barbed wire and boarded up shops in letters. The lab was in a large, empty house and took considerable time to construct. Before it was finished, Mansfield worked mainly in the contact printing room or other labs in the region that needed assistance. She mentioned in letters that she and her peers often had to prove they could do the work, as many officers seemed doubtful. This testified to the sexism the W.A.C.s experienced, and that they did their job, and did it well, regardless of the obstacles. Mansfield continued her routine of taking personal photographs, which included several pictures of local Germans that accompanied the usual shots of friends and surroundings. She remained in Germany from July to November 1945, then returned to the United States after being honorably discharged from the military.\u003c/p\u003e\n","\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003ctitle\u003ePost-War U.S. Air Force Service\u003c/title\u003e- After being discharged, Mansfield remained a civilian for fifteen months. Most of that time was spent helping a friend, Bertha Brownback. The two had become very close friends while in the military together but towards the end of their service, Bertha found herself pregnant without a husband. This meant she was automatically discharged from the military. When Mansfield returned to the United States, she moved with Bertha and the baby to Philadelphia where she worked for a short while with a photofinishing company. They then moved to Oklahoma because Mansfield wanted to be near family again. Soon after, Bertha died in a car accident, leaving Mansfield guardian of her child. She arranged for a couple related to her to adopt the baby, which freed her to reenlist in the military. This entire situation served as a testament to Mansfield's character; she was willing to put her career on hold to help a friend in need. It is this quality of love and friendship that stood out most strongly in her photography.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0;\u0026#xA0; \u003cbr\u003e\u003cbr\u003eIn September 1946, Mansfield re-enlisted in the W.A.C. where she worked in Photo Labs at U.S. Bases and in Germany. When the U.S. Air Force became a separate service, she became part of the Women in the Air Force. Mansfield was stationed in Erding, Germany from 1952 to 1955. While there, she toured Europe, visiting Berlin, Paris, and Rome as well as the scenic countryside of Germany and Austria. She took numerous photographs and assembled them into a scrapbook, accompanied with historical commentary and descriptions of events. Mansfield was even able to revisit Bad Kissingen, Germany, where she had been stationed during the war, and commented on its marked difference in appearance.\u003c/p\u003e\n","\u003cp\u003e\u0026#xA0; \u0026#xA0;\u0026#xA0; \u003cbr\u003e\u003cbr\u003eMansfield remained in the U.S. Air Force until her retirement in 1973, after thirty years of military service where she earned the rank of Senior Master Sergeant(E-8). Throughout her military documents, Mansfield received numerous letters of praise and strong recommendations based on her work ethic. Because of her strong record, Mansfield was awarded the Meritorious Service Medal upon retirement, which is the highest award for military service during peacetime. This demonstrated to Mansfield that her hard work was appreciated, and she was very proud of it.\u003c/p\u003e\n","\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003ctitle\u003eRetirement\u003c/title\u003e- Shortly before retirement, in 1970, Mansfield met Lorraine Caddy and the two became best friends. They decided that they liked each other enough to live together, and while Caddy was still in the military, they moved wherever she was stationed until her retirement in 1977. They decided to settle in Oklahoma outside Oklahoma City due to Mansfield's familial connection to the area. Mansfield returned to the University of Central Oklahoma in 1981 to complete a Bachelor of Science in Photo Journalism and a Master's Degree in Journalism in 1983. Photography remained her first love throughout her life, and she was an active member of the Oklahoma Camera Club since 1963. Mansfield passed away Sunday, December 30, 2007, at the age of 92. She is survived by her companion of 37 years, Lorraine Caddy.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Early Life - Charlotte Dee Mansfield was born in Hanford, CA, August 31, 1915, and moved to Oklahoma when she was eight years old. She had been an avid photographer ever since her father took her to the darkroom of an old Army buddy, and she saw strips of film hanging on a line. She graduated from Garber High School in 1934, and then went on to Tonkawa College before receiving her Bachelor's degree in English from the University of Central Oklahoma in 1941. Mansfield was a reporter, writer, and editor for the college newspaper, which demonstrated how her fascination for photography followed her throughout her educational years. It was an article in  Popular Photography  Magazine about British military women photographers and their work in aerial photography that inspired her to enlist in the Women's Army Auxiliary Corps (W.A.A.C.) when World War II began.\n          World War II Service - Mansfield enlisted as a W.A.A.C. on October 17, 1942. She attended basic training at Ft. Des Moines, Iowa until February 1943 and then transferred to Lowry Field Photo School in Denver, Colorado. She was one of fifty who made up the first all-women class to be trained as aerial photo technicians. The women did better academically than the men who doubted them, as well as handled the cameras and darkroom work well. After graduating in April 1943, Mansfield went to Felts Field in Spokane, Washington for further training. While there, W.A.A.C. was converted to full status as a branch of the United States Army and became the Women's Army Corps (W.A.C.) in July 1943. Mansfield was also stationed at Peterson Field, Colorado Springs, Colorado and Fort Oglethorpe, Georgia before being assigned overseas work in May 1944. Throughout her service, Mansfield kept her Graflex 4x5 Pacemaker Speed Graphic camera and a supply of personal film provided by her father, who was incredibly supportive of her photographic endeavors throughout her life. She used these to document her experience at each location in the states, photographing her friends and surroundings. The pictures Mansfield took feature the women training, completing their work, and socializing.","      Mansfield was assigned to the 8 th  Air Force under James Doolittle stationed in High Wycombe, England. The codename for the camp was \"Pinetree,\" with Mansfield interchanging between the two location names in documents and on her pictures. The majority of the correspondence in the collection is from her time in England, where she described to her parents her visit to London and conditions at the camp. Food was a common topic for Mansfield, as well as conditions in the lab. Mansfield continued to take personal photographs, documenting the English countryside and life in the military huts where the women were housed. She celebrated Victory in Europe Day at this station, and there are numerous pictures of the service members rejoicing. Though the war on the western front was over, Mansfield stated in a letter to her parents that W.A.C.s were essential for the army of occupation and were scheduled to transfer to Germany.","      Mansfield was then transferred to the 9 th  Air Force stationed in Bad Kissingen, Germany to work with the 13 th  Photo Tech Unit. This resort town was occupied by the United States Army, and Mansfield noted the barbed wire and boarded up shops in letters. The lab was in a large, empty house and took considerable time to construct. Before it was finished, Mansfield worked mainly in the contact printing room or other labs in the region that needed assistance. She mentioned in letters that she and her peers often had to prove they could do the work, as many officers seemed doubtful. This testified to the sexism the W.A.C.s experienced, and that they did their job, and did it well, regardless of the obstacles. Mansfield continued her routine of taking personal photographs, which included several pictures of local Germans that accompanied the usual shots of friends and surroundings. She remained in Germany from July to November 1945, then returned to the United States after being honorably discharged from the military.","Post-War U.S. Air Force Service - After being discharged, Mansfield remained a civilian for fifteen months. Most of that time was spent helping a friend, Bertha Brownback. The two had become very close friends while in the military together but towards the end of their service, Bertha found herself pregnant without a husband. This meant she was automatically discharged from the military. When Mansfield returned to the United States, she moved with Bertha and the baby to Philadelphia where she worked for a short while with a photofinishing company. They then moved to Oklahoma because Mansfield wanted to be near family again. Soon after, Bertha died in a car accident, leaving Mansfield guardian of her child. She arranged for a couple related to her to adopt the baby, which freed her to reenlist in the military. This entire situation served as a testament to Mansfield's character; she was willing to put her career on hold to help a friend in need. It is this quality of love and friendship that stood out most strongly in her photography.","      In September 1946, Mansfield re-enlisted in the W.A.C. where she worked in Photo Labs at U.S. Bases and in Germany. When the U.S. Air Force became a separate service, she became part of the Women in the Air Force. Mansfield was stationed in Erding, Germany from 1952 to 1955. While there, she toured Europe, visiting Berlin, Paris, and Rome as well as the scenic countryside of Germany and Austria. She took numerous photographs and assembled them into a scrapbook, accompanied with historical commentary and descriptions of events. Mansfield was even able to revisit Bad Kissingen, Germany, where she had been stationed during the war, and commented on its marked difference in appearance.","      Mansfield remained in the U.S. Air Force until her retirement in 1973, after thirty years of military service where she earned the rank of Senior Master Sergeant(E-8). Throughout her military documents, Mansfield received numerous letters of praise and strong recommendations based on her work ethic. Because of her strong record, Mansfield was awarded the Meritorious Service Medal upon retirement, which is the highest award for military service during peacetime. This demonstrated to Mansfield that her hard work was appreciated, and she was very proud of it.","Retirement - Shortly before retirement, in 1970, Mansfield met Lorraine Caddy and the two became best friends. They decided that they liked each other enough to live together, and while Caddy was still in the military, they moved wherever she was stationed until her retirement in 1977. They decided to settle in Oklahoma outside Oklahoma City due to Mansfield's familial connection to the area. Mansfield returned to the University of Central Oklahoma in 1981 to complete a Bachelor of Science in Photo Journalism and a Master's Degree in Journalism in 1983. Photography remained her first love throughout her life, and she was an active member of the Oklahoma Camera Club since 1963. Mansfield passed away Sunday, December 30, 2007, at the age of 92. She is survived by her companion of 37 years, Lorraine Caddy."],"custodhist_html_tesm":["\u003cp\u003eThis collection was donated by Lorraine A. Caddy. The collection was acquired by the Institute on World War II and the Human Experience on September 10, 2008.\u003c/p\u003e","\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History","Custodial History"],"custodhist_tesim":["This collection was donated by Lorraine A. Caddy. The collection was acquired by the Institute on World War II and the Human Experience on September 10, 2008.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Charlotte D. Mansfield collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_08_0158\"\u003ehttp://purl.fcla.edu/fsu/WWII_08_0158\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Charlotte D. Mansfield collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_08_0158 ."],"processinfo_html_tesm":["\u003cp\u003eProcessed Summer and Fall 2017\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed Summer and Fall 2017"],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to Charlotte D. Mansfield who served in the Women's Army Corps during World War II in the European Theater as a photographer and photograph processor. She subsequently retired from the U.S. Air Force. This collection contains documents, photographs, scrapbooks, and artifacts. The documents include personal correspondence, military records, newspaper clippings, newsletters, magazines, and certificates for military service. Various military medals and patches, mugs from U.S. Air Force service, and Graflex 4x5 Pacemaker Speed Graphic camera make up the artifacts. There are eight scrapbooks that Mansfield assembled documenting her military service, primarily overseas, both during World War II and after. Photographs make up the majority of the collection, with one box of loose photographs in separate folders and five archival scrapbooks filled with pictures. There are also four enlarged portraits of Mansfield.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection relates to Charlotte D. Mansfield who served in the Women's Army Corps during World War II in the European Theater as a photographer and photograph processor. She subsequently retired from the U.S. Air Force. This collection contains documents, photographs, scrapbooks, and artifacts. The documents include personal correspondence, military records, newspaper clippings, newsletters, magazines, and certificates for military service. Various military medals and patches, mugs from U.S. Air Force service, and Graflex 4x5 Pacemaker Speed Graphic camera make up the artifacts. There are eight scrapbooks that Mansfield assembled documenting her military service, primarily overseas, both during World War II and after. Photographs make up the majority of the collection, with one box of loose photographs in separate folders and five archival scrapbooks filled with pictures. There are also four enlarged portraits of Mansfield."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4c0fe496351ee46fff18977354e86118\" label=\"Abstract\"\u003eCharlotte Mansfield enlisted in the Women's Army Auxiliary Corps (W.A.A.C.) in 1942 to pursue work in photograph processing for the military. She was part of the first all-women graduating class from Lowry Field Photo School in Colorado, where she was trained to be a photo technician that developed primarily aerial shots in photography labs. Mansfield was stationed at various locations throughout the United States before being transferred to lab work overseas in England and Germany. By this time, W.A.A.C. had transitioned to Women's Army Corps (W.A.C.). Throughout her military service, Mansfield took numerous personal photographs that featured her friends and surroundings. They provide an unparalleled amount of insight into the private lives of W.A.C.s as they negotiated what it meant to serve in World War II. Mansfield reenlisted after the war, eventually becoming part of the Women in the Air Force (W.A.F.), and retired in 1973. Photography remained her passion until her death in 2007.\u003c/abstract\u003e"],"abstract_tesim":["Charlotte Mansfield enlisted in the Women's Army Auxiliary Corps (W.A.A.C.) in 1942 to pursue work in photograph processing for the military. She was part of the first all-women graduating class from Lowry Field Photo School in Colorado, where she was trained to be a photo technician that developed primarily aerial shots in photography labs. Mansfield was stationed at various locations throughout the United States before being transferred to lab work overseas in England and Germany. By this time, W.A.A.C. had transitioned to Women's Army Corps (W.A.C.). Throughout her military service, Mansfield took numerous personal photographs that featured her friends and surroundings. They provide an unparalleled amount of insight into the private lives of W.A.C.s as they negotiated what it meant to serve in World War II. Mansfield reenlisted after the war, eventually becoming part of the Women in the Air Force (W.A.F.), and retired in 1973. Photography remained her passion until her death in 2007."],"names_coll_ssim":["United States. Army. Women's Army Corps","Women's Army Corps Training Center (Fort Oglethorpe, Ga.)","Air Corps Technical School (Lowry Field, Colo.)","United States. Army. European Theater of Operations","United States. Air Force","University of Central Oklahoma","United States. Army Air Forces. Air Force, 9th","United States. Army Air Forces. Air Force, 8th","United States. Army. Women's Army Auxiliary Corps","Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone). Office of Military Government","Doolittle, James Harold, 1896-1993"],"names_ssim":["FSU Special Collections \u0026 Archives","United States. Army. Women's Army Corps","Women's Army Corps Training Center (Fort Oglethorpe, Ga.)","Air Corps Technical School (Lowry Field, Colo.)","United States. Army. European Theater of Operations","United States. Air Force","University of Central Oklahoma","United States. Army Air Forces. Air Force, 9th","United States. Army Air Forces. Air Force, 8th","United States. Army. Women's Army Auxiliary Corps","Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone). Office of Military Government","Mansfield, Charlotte D.","Doolittle, James Harold, 1896-1993"],"corpname_ssim":["FSU Special Collections \u0026 Archives","United States. Army. Women's Army Corps","Women's Army Corps Training Center (Fort Oglethorpe, Ga.)","Air Corps Technical School (Lowry Field, Colo.)","United States. Army. European Theater of Operations","United States. Air Force","University of Central Oklahoma","United States. Army Air Forces. Air Force, 9th","United States. Army Air Forces. Air Force, 8th","United States. Army. Women's Army Auxiliary Corps","Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone). 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To see this big ship roll over and see it go belly up, knowing hundreds of soldiers could be trapped inside, made me feel ill… made me feel useless.\" While Ellingwood ended up in the water after two bombs had struck the Shaw, he spent hours after the attack helping wounded soldiers swim to shore and removing the bodies of his former shipmates.\n \nAfter surviving the attack on the USS  Shaw , Ellingwood served as the Acting Pay Clerk on the USS  Dixie and the USS Fomalhaut  until he attended flight training from 1942 to 1945. Yet in September 1946, Ellingwood joined the Supply Corps -- a career path which remained with him for the rest of his time in the Navy. By the time of his compulsory retirement in 1966, Ellingwood had attained the rank of Commander and his final duty in the service was as a Contracting Officer with the Office of the Supervisor of Shipbuilding, USN. He retired on August 31, 1966. 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