{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1968\u0026f%5Blevel%5D%5B%5D=Item\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1968\u0026f%5Blevel%5D%5B%5D=Item\u0026page=2\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1968\u0026f%5Blevel%5D%5B%5D=Item\u0026page=34\u0026view=compact"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":34,"limit_value":10,"offset_value":0,"total_count":338,"first_page?":true,"last_page?":false}},"data":[{"id":"ea79c365e3251287a50710fe_aspace_75604","type":"Item","attributes":{"title":"11 obituary cards for Maria T. Medina and 4 notes that read \"With Deepest Sympathy\", 1894-08-18-1981-01-07","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ea79c365e3251287a50710fe_aspace_75604#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_75604","ref_ssm":["aspace_75604","aspace_75604"],"id":"ea79c365e3251287a50710fe_aspace_75604","title_filing_ssi":"11 obituary cards for Maria T. Medina and 4 notes that read \"With Deepest Sympathy\"","title_ssm":["11 obituary cards for Maria T. Medina and 4 notes that read \"With Deepest Sympathy\""],"title_tesim":["11 obituary cards for Maria T. Medina and 4 notes that read \"With Deepest Sympathy\""],"unitdate_inclusive_ssm":["1894-08-18-1981-01-07"],"normalized_date_ssm":["1894-08-18-1981-01-07"],"normalized_title_ssm":["11 obituary cards for Maria T. Medina and 4 notes that read \"With Deepest Sympathy\", 1894-08-18-1981-01-07"],"text":["11 obituary cards for Maria T. Medina and 4 notes that read \"With Deepest Sympathy\", 1894-08-18-1981-01-07","Barnett Family Collection, bulk 1859-1934","Series I: Documents","Item 36","/repositories/2/archival_objects/4453","box 1","folder 36"],"component_level_isim":[2],"parent_ids_ssim":["ea79c365e3251287a50710fe","ea79c365e3251287a50710fe_aspace_75637"],"parent_unittitles_ssm":["Barnett Family Collection, bulk 1859-1934","Series I: Documents"],"parent_unittitles_tesim":["Barnett Family Collection, bulk 1859-1934","Series I: Documents"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Item 36","/repositories/2/archival_objects/4453"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Barnett Family Collection, bulk 1859-1934"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":37,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"date_range_isim":[1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981],"containers_ssim":["box 1","folder 36"],"_nest_path_":"/components#0/components#35","_nest_parent_":"ea79c365e3251287a50710fe_aspace_75637","_root_":"ea79c365e3251287a50710fe","_version_":1870844520888795136,"timestamp":"2026-07-16T04:32:49.559Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ea79c365e3251287a50710fe","title_ssm":["Barnett Family Collection"],"title_tesim":["Barnett Family Collection"],"ead_ssi":"ea79c365e3251287a50710fe","unitdate_ssm":["1859-1934"],"unitdate_bulk_ssim":["1859-1934"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC8045","/repositories/2/resources/18"],"text":["SPC8045","/repositories/2/resources/18","Barnett Family Collection, bulk 1859-1934","The collection is open for research.","This collection contains an assortment of personal belongings of Carlos Barnett and his family and their transition to the United States. This includes personal letters, immigration papers, photographs, negatives of photographs, obituaries, and personal mementos, including of religious beliefs.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC8045","/repositories/2/resources/18"],"normalized_date_ssm":["bulk 1859-1934"],"normalized_title_ssm":["Barnett Family Collection, bulk 1859-1934"],"collection_title_tesim":["Barnett Family Collection, bulk 1859-1934"],"collection_ssim":["Barnett Family Collection, bulk 1859-1934"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation"],"has_online_content_ssim":["false"],"extent_ssm":["0.00 Linear Feet"],"extent_tesim":["0.00 Linear Feet"],"date_range_isim":[1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains an assortment of personal belongings of Carlos Barnett and his family and their transition to the United States. This includes personal letters, immigration papers, photographs, negatives of photographs, obituaries, and personal mementos, including of religious beliefs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains an assortment of personal belongings of Carlos Barnett and his family and their transition to the United States. This includes personal letters, immigration papers, photographs, negatives of photographs, obituaries, and personal mementos, including of religious beliefs."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":83,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844520888795136,"_root_":"ea79c365e3251287a50710fe","timestamp":"2026-07-16T04:32:49.559Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ea79c365e3251287a50710fe_aspace_75604"}},{"id":"6ef8107929816c0a1803c8ae_aspace_1b614106dc2a4dc00b5798d2b1229e02","type":"Item","attributes":{"title":"1960's Scrapbook, 1960-1969","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6ef8107929816c0a1803c8ae_aspace_1b614106dc2a4dc00b5798d2b1229e02#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1b614106dc2a4dc00b5798d2b1229e02","ref_ssm":["aspace_1b614106dc2a4dc00b5798d2b1229e02","aspace_1b614106dc2a4dc00b5798d2b1229e02"],"id":"6ef8107929816c0a1803c8ae_aspace_1b614106dc2a4dc00b5798d2b1229e02","title_filing_ssi":"1960's Scrapbook","title_ssm":["1960's Scrapbook"],"title_tesim":["1960's Scrapbook"],"unitdate_inclusive_ssm":["1960-1969"],"normalized_date_ssm":["1960-1969"],"normalized_title_ssm":["1960's Scrapbook, 1960-1969"],"text":["1960's Scrapbook, 1960-1969","Jordan Park collection, 1938-1980","Scrapbooks, 1940-1969","/repositories/3/archival_objects/186504","box 8"],"component_level_isim":[2],"parent_ids_ssim":["6ef8107929816c0a1803c8ae","6ef8107929816c0a1803c8ae_aspace_0897a36e4339a1f852bb92a25d97c696"],"parent_unittitles_ssm":["Jordan Park collection, 1938-1980","Scrapbooks, 1940-1969"],"parent_unittitles_tesim":["Jordan Park collection, 1938-1980","Scrapbooks, 1940-1969"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/186504"],"repository_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"collection_ssim":["Jordan Park collection, 1938-1980"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":24,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969],"containers_ssim":["box 8"],"_nest_path_":"/components#2/components#3","_nest_parent_":"6ef8107929816c0a1803c8ae_aspace_0897a36e4339a1f852bb92a25d97c696","_root_":"6ef8107929816c0a1803c8ae","timestamp":"2026-07-10T03:12:42.653Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6ef8107929816c0a1803c8ae","title_ssm":["Jordan Park collection"],"title_tesim":["Jordan Park collection"],"ead_ssi":"6ef8107929816c0a1803c8ae","unitdate_ssm":["1938-1980"],"unitdate_inclusive_ssm":["1938-1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SP-MS-2009-01","/repositories/3/resources/647"],"text":["SP-MS-2009-01","/repositories/3/resources/647","Jordan Park collection, 1938-1980","Florida—Race relations.","African Americans -- Segregation","African Americans -- Florida -- St. Petersburg (Fla.) ","The materials in the Jordan Park Collection nearly were discarded; the good fortune of the preservation of these items is considerable. Special Collections and Archives at the Poynter Library received the various photographs, property records, maps, documents, and scrapbooks from Dayton Stone on 18 June 2009. Stone had discovered these items while cleaning out an abandoned property in St. Petersburg. Subsequent review of the materials revealed the necessity of some conservation work and arrangement due to the condition in which these items had existed prior to his fortunate discovery. These records fill an important gap in our history.","Historic sources strongly indicate that Jordan Park was named for local black pioneer, Elder Jordan Sr., and that he donated land for the housing project. Indeed, Jordan Sr. was a successful entrepreneur who owned a reckonable amount of real estate in St. Petersburg during the height of the Jim Crow years. It should also be noted that Jordan Elementary School, the second school available to local African American students in St. Petersburg, sat in close proximity to the site where Jordan Park housing project was built. (The red brick school building still stands and has been renovated for use by a local Head Start program as part of the city's Midtown initiatives.) Elder Jordan Sr. built housing along 22nd Street South (the thoroughfare at the heart of St. Petersburg's black community), as well as houses laid out in courts further southeast of this area. Logical inference based on several historic sources point toward the housing project being named for Jordan Elementary School, and the school being named for Jordan Sr., who was for all purposes, a prominent developer in the local African American community.","These records fill an important gap in our history. The initial Jordan Park residential units were constructed between 1939 and 1941. After some success in relocating residents from \"derelict\" structures to this new facility, authorities approved additional housing at the Jordan Park site. The majority of the funding for its construction came from federal sources during the New Deal as part of the Wagner-Steagall Housing Act passed in August 1937. Beyond the importance of the items specifically concerned with Jordan Park, there are several photographs and records that document the substandard housing that existed in St. Petersburg's African American neighborhoods at the time that Jordan Park was expected to replace, including structures in Peppertown and the Gas Plant district. Many of the original black neighborhoods have since transitioned into other use (including the site of Tropicana Field on the former Gas Plant property) with little reference material available to researchers to learn about them.","Beyond the importance of the items specifically concerned with Jordan Park, there are several photographs and records that document the substandard housing that existed in St. Petersburg's African American neighborhoods at the time that Jordan Park was expected to replace, including structures in Peppertown and the Gas Plant district. Many of the original black neighborhoods have since transitioned into other use (including the site of Tropicana Field on the former Gas Plant property) with little reference material available to researchers to learn about them. The Jordan Park Collection fills many gaps in the historical record and allows researchers to reconstruct, in part, certain neighborhoods from the time in a way not previously possible.","This collection was originally published in 2009 and was updated in 2024.","Materials related to the Jordan Park Housing Project in St. Petersburg, Florida including project documentation, photographs and album, scrapbooks, and maps.","None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","The materials in the Jordan Park Collection nearly were discarded; the good fortune of the preservation of these items is considerable. Poynter Library received the various photographs, property records, maps, documents, and scrapbooks from Dayton Stone in June 2009. These materials depict the Jordan Park residential units built by the St. Petersburg Housing Authority.","USF Libraries - St. Petersburg Special Collections \u0026 University Archives","West Coast Title Company (St. Petersburg, Fla.)","St. Petersburg Times ","Housing Authority of the City of St. Petersburg (Fla.)","English"],"unitid_tesim":["SP-MS-2009-01","/repositories/3/resources/647"],"normalized_date_ssm":["1938-1980"],"normalized_title_ssm":["Jordan Park collection, 1938-1980"],"collection_title_tesim":["Jordan Park collection, 1938-1980"],"collection_ssim":["Jordan Park collection, 1938-1980"],"repository_ssm":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"repository_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"creator_ssm":["West Coast Title Company (St. Petersburg, Fla.)","St. Petersburg Times "],"creator_ssim":["West Coast Title Company (St. Petersburg, Fla.)","St. Petersburg Times "],"creator_corpname_ssim":["West Coast Title Company (St. Petersburg, Fla.)","St. Petersburg Times "],"creators_ssim":["West Coast Title Company (St. Petersburg, Fla.)","St. Petersburg Times "],"access_terms_ssm":["None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"access_subjects_ssim":["Florida—Race relations.","African Americans -- Segregation","African Americans -- Florida -- St. Petersburg (Fla.) "],"access_subjects_ssm":["Florida—Race relations.","African Americans -- Segregation","African Americans -- Florida -- St. Petersburg (Fla.) "],"has_online_content_ssim":["false"],"extent_ssm":["10 boxes 4 Document Boxes, 4 Object Boxes, 2 Oversized Boxes"],"extent_tesim":["10 boxes 4 Document Boxes, 4 Object Boxes, 2 Oversized Boxes"],"date_range_isim":[1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"bioghist_html_tesm":["\u003cp\u003eThe materials in the Jordan Park Collection nearly were discarded; the good fortune of the preservation of these items is considerable. Special Collections and Archives at the Poynter Library received the various photographs, property records, maps, documents, and scrapbooks from Dayton Stone on 18 June 2009. Stone had discovered these items while cleaning out an abandoned property in St. Petersburg. Subsequent review of the materials revealed the necessity of some conservation work and arrangement due to the condition in which these items had existed prior to his fortunate discovery. These records fill an important gap in our history.\u003c/p\u003e\n","\u003cp\u003eHistoric sources strongly indicate that Jordan Park was named for local black pioneer, Elder Jordan Sr., and that he donated land for the housing project. Indeed, Jordan Sr. was a successful entrepreneur who owned a reckonable amount of real estate in St. Petersburg during the height of the Jim Crow years. It should also be noted that Jordan Elementary School, the second school available to local African American students in St. Petersburg, sat in close proximity to the site where Jordan Park housing project was built. (The red brick school building still stands and has been renovated for use by a local Head Start program as part of the city's Midtown initiatives.) Elder Jordan Sr. built housing along 22nd Street South (the thoroughfare at the heart of St. Petersburg's black community), as well as houses laid out in courts further southeast of this area. Logical inference based on several historic sources point toward the housing project being named for Jordan Elementary School, and the school being named for Jordan Sr., who was for all purposes, a prominent developer in the local African American community.\u003c/p\u003e\n","\u003cp\u003eThese records fill an important gap in our history. The initial Jordan Park residential units were constructed between 1939 and 1941. After some success in relocating residents from \"derelict\" structures to this new facility, authorities approved additional housing at the Jordan Park site. The majority of the funding for its construction came from federal sources during the New Deal as part of the Wagner-Steagall Housing Act passed in August 1937. Beyond the importance of the items specifically concerned with Jordan Park, there are several photographs and records that document the substandard housing that existed in St. Petersburg's African American neighborhoods at the time that Jordan Park was expected to replace, including structures in Peppertown and the Gas Plant district. Many of the original black neighborhoods have since transitioned into other use (including the site of Tropicana Field on the former Gas Plant property) with little reference material available to researchers to learn about them.\u003c/p\u003e\n","\u003cp\u003eBeyond the importance of the items specifically concerned with Jordan Park, there are several photographs and records that document the substandard housing that existed in St. Petersburg's African American neighborhoods at the time that Jordan Park was expected to replace, including structures in Peppertown and the Gas Plant district. Many of the original black neighborhoods have since transitioned into other use (including the site of Tropicana Field on the former Gas Plant property) with little reference material available to researchers to learn about them. The Jordan Park Collection fills many gaps in the historical record and allows researchers to reconstruct, in part, certain neighborhoods from the time in a way not previously possible.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The materials in the Jordan Park Collection nearly were discarded; the good fortune of the preservation of these items is considerable. Special Collections and Archives at the Poynter Library received the various photographs, property records, maps, documents, and scrapbooks from Dayton Stone on 18 June 2009. Stone had discovered these items while cleaning out an abandoned property in St. Petersburg. Subsequent review of the materials revealed the necessity of some conservation work and arrangement due to the condition in which these items had existed prior to his fortunate discovery. These records fill an important gap in our history.","Historic sources strongly indicate that Jordan Park was named for local black pioneer, Elder Jordan Sr., and that he donated land for the housing project. Indeed, Jordan Sr. was a successful entrepreneur who owned a reckonable amount of real estate in St. Petersburg during the height of the Jim Crow years. It should also be noted that Jordan Elementary School, the second school available to local African American students in St. Petersburg, sat in close proximity to the site where Jordan Park housing project was built. (The red brick school building still stands and has been renovated for use by a local Head Start program as part of the city's Midtown initiatives.) Elder Jordan Sr. built housing along 22nd Street South (the thoroughfare at the heart of St. Petersburg's black community), as well as houses laid out in courts further southeast of this area. Logical inference based on several historic sources point toward the housing project being named for Jordan Elementary School, and the school being named for Jordan Sr., who was for all purposes, a prominent developer in the local African American community.","These records fill an important gap in our history. The initial Jordan Park residential units were constructed between 1939 and 1941. After some success in relocating residents from \"derelict\" structures to this new facility, authorities approved additional housing at the Jordan Park site. The majority of the funding for its construction came from federal sources during the New Deal as part of the Wagner-Steagall Housing Act passed in August 1937. Beyond the importance of the items specifically concerned with Jordan Park, there are several photographs and records that document the substandard housing that existed in St. Petersburg's African American neighborhoods at the time that Jordan Park was expected to replace, including structures in Peppertown and the Gas Plant district. Many of the original black neighborhoods have since transitioned into other use (including the site of Tropicana Field on the former Gas Plant property) with little reference material available to researchers to learn about them.","Beyond the importance of the items specifically concerned with Jordan Park, there are several photographs and records that document the substandard housing that existed in St. Petersburg's African American neighborhoods at the time that Jordan Park was expected to replace, including structures in Peppertown and the Gas Plant district. Many of the original black neighborhoods have since transitioned into other use (including the site of Tropicana Field on the former Gas Plant property) with little reference material available to researchers to learn about them. The Jordan Park Collection fills many gaps in the historical record and allows researchers to reconstruct, in part, certain neighborhoods from the time in a way not previously possible."],"prefercite_html_tesm":["\u003cp\u003eJordan Park collection, Nelson Poynter Memorial Library Special Collections and University Archives, University of South Florida, St. Petersburg, FL.\u003c/p\u003e"],"prefercite_tesim":["Jordan Park collection, Nelson Poynter Memorial Library Special Collections and University Archives, University of South Florida, St. Petersburg, FL."],"processinfo_html_tesm":["\u003cp\u003eThis collection was originally published in 2009 and was updated in 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was originally published in 2009 and was updated in 2024."],"scopecontent_html_tesm":["\u003cp\u003eMaterials related to the Jordan Park Housing Project in St. Petersburg, Florida including project documentation, photographs and album, scrapbooks, and maps.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Materials related to the Jordan Park Housing Project in St. Petersburg, Florida including project documentation, photographs and album, scrapbooks, and maps."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_97bc1bd41e67edcfa435a97daf74d656\"\u003eThe materials in the Jordan Park Collection nearly were discarded; the good fortune of the preservation of these items is considerable. Poynter Library received the various photographs, property records, maps, documents, and scrapbooks from Dayton Stone in June 2009. These materials depict the Jordan Park residential units built by the St. Petersburg Housing Authority.\u003c/abstract\u003e"],"abstract_tesim":["The materials in the Jordan Park Collection nearly were discarded; the good fortune of the preservation of these items is considerable. Poynter Library received the various photographs, property records, maps, documents, and scrapbooks from Dayton Stone in June 2009. These materials depict the Jordan Park residential units built by the St. Petersburg Housing Authority."],"names_coll_ssim":["Housing Authority of the City of St. Petersburg (Fla.)"],"names_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives","West Coast Title Company (St. Petersburg, Fla.)","St. Petersburg Times ","Housing Authority of the City of St. Petersburg (Fla.)"],"corpname_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives","West Coast Title Company (St. Petersburg, Fla.)","St. Petersburg Times ","Housing Authority of the City of St. Petersburg (Fla.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":28,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"6ef8107929816c0a1803c8ae","timestamp":"2026-07-10T03:12:42.653Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6ef8107929816c0a1803c8ae_aspace_1b614106dc2a4dc00b5798d2b1229e02"}},{"id":"bf94ada4377f2dbc813062ab_aspace_20449","type":"Item","attributes":{"title":"\"58- Open Air Post Office, Fort Myers, Florida. 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Leeper won numerous awards in her lifetime.","\nAfter she moved to New Smyrna Beach in 1958, Leeper became very involved with the protection of the Canaveral Seashore and a leader in environmental protection. In 1982 the Atlantic Center for the Arts, an internationally renowned artists' community that Leeper was instrumental in creating, opened. Leeper was also a founding member and creator of the Alliance of Artists' Communities, a consortium of artists' colonies and residency programs throughout the U.S. Leeper also co-owned a commercial visual arts gallery located in New Smyrna Beach, \"Arts on Douglas\"."],"prefercite_html_tesm":["\u003cp\u003eDoris Leeper Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Doris Leeper Papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollecton processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.\u003c/p\u003e","\u003cp\u003eLoose items in the scrapbooks were secured and the books were wrapped in acid-free archival paper. All other materials have been housed in acid-free containers and rusty metal items such as paper clips and staples have been removed so as to stop any further deterioration.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collecton processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.","Loose items in the scrapbooks were secured and the books were wrapped in acid-free archival paper. All other materials have been housed in acid-free containers and rusty metal items such as paper clips and staples have been removed so as to stop any further deterioration."],"relatedmaterial_html_tesm":["\u003cp\u003eApproximately 100 pieces of Doris Leeper's artwork, as well as slides of many of the artist's works, are located in the UCF Art Gallery located in the Visual Arts Building.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1999-01\"\u003eSol \u0026amp; Sadie Malkoff Papers\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1993-03\"\u003eAlbin Polasek Collection\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2004-01\"\u003eWalter Gaudnek Collection,\u003c/extref\u003e Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Approximately 100 pieces of Doris Leeper's artwork, as well as slides of many of the artist's works, are located in the UCF Art Gallery located in the Visual Arts Building.","Sol \u0026 Sadie Malkoff Papers , Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida.","Albin Polasek Collection , Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida.","Walter Gaudnek Collection,  Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is divided into two series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Scrapbooks, 1951-1999, contains scrapbooks that hold materials pertaining to Leeper's art and activism.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Exhibition Catalogs, 1964-1997, focus on Leeper's artwork, starting with her work as a graphic artist to her years as a Florida artist.\u003c/p\u003e\n","\u003cp\u003eSeries III: Personal Files, 1952,1974, includes Doris Leeper's identification cards; United States of America passport issued by\nthe Department of State and and international driver license by the American Automobile Association.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is divided into two series:","\nSeries I: Scrapbooks, 1951-1999, contains scrapbooks that hold materials pertaining to Leeper's art and activism.","\nSeries II: Exhibition Catalogs, 1964-1997, focus on Leeper's artwork, starting with her work as a graphic artist to her years as a Florida artist.","Series III: Personal Files, 1952,1974, includes Doris Leeper's identification cards; United States of America passport issued by\nthe Department of State and and international driver license by the American Automobile Association."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5e032cb26c667a773e2539c5ae66b419\" label=\"Abstract\"\u003eThe Doris Leeper Papers contain scrapbooks and catalogs that chronicle the artistic career of the Florida artist, Doris Leeper. Founder of the Atlantic Center for the Arts in New Smyrna Beach, this collection highlights Leeper's early years as a graphic artist through to her later years as a renowned Florida artist.\u003c/abstract\u003e"],"abstract_tesim":["The Doris Leeper Papers contain scrapbooks and catalogs that chronicle the artistic career of the Florida artist, Doris Leeper. Founder of the Atlantic Center for the Arts in New Smyrna Beach, this collection highlights Leeper's early years as a graphic artist through to her later years as a renowned Florida artist."],"names_ssim":["UCF Special Collections","Leeper, Doris, 1929-2000"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Leeper, Doris, 1929-2000"],"persname_ssim":["Leeper, Doris, 1929-2000"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":122,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876384019800653824,"_root_":"b4d8d0d376a6ea3e6898852d","timestamp":"2026-09-15T08:00:47.398Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b4d8d0d376a6ea3e6898852d_aspace_14298"}},{"id":"6ef9b12dd4f42eb4de7a67c1_aspace_f5bbbace8233b7dfa087a8dc6504c71a","type":"Item","attributes":{"title":"AAUW Vero Beach Photographs, bulk 1964-2015","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/6ef9b12dd4f42eb4de7a67c1_aspace_f5bbbace8233b7dfa087a8dc6504c71a#abstract_or_scope","type":"document_value","attributes":{"value":["The sub-folders of this item contain a variety of dated and undated photographs documenting the history and events of the AAUW Vero Beach branch between the years of 1964 and 2015. A large portion of these photographs cannot be dated - for those without dates, approximate time periods have been inferred."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6ef9b12dd4f42eb4de7a67c1_aspace_f5bbbace8233b7dfa087a8dc6504c71a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_f5bbbace8233b7dfa087a8dc6504c71a","ref_ssm":["aspace_f5bbbace8233b7dfa087a8dc6504c71a","aspace_f5bbbace8233b7dfa087a8dc6504c71a"],"id":"6ef9b12dd4f42eb4de7a67c1_aspace_f5bbbace8233b7dfa087a8dc6504c71a","title_filing_ssi":"AAUW Vero Beach Photographs","title_ssm":["AAUW Vero Beach Photographs"],"title_tesim":["AAUW Vero Beach Photographs"],"unitdate_bulk_ssim":["1964-2015"],"normalized_date_ssm":["bulk 1964-2015"],"normalized_title_ssm":["AAUW Vero Beach Photographs, bulk 1964-2015"],"text":["AAUW Vero Beach Photographs, bulk 1964-2015","American Association of University Women (AAUW) Collection, 1964-2018","AAUW Vero Beach Branch, 1964-2018","AAUW Vero Beach Photographs and Scrapbooks, 1964-2015","AAUW Vero Beach Scrapbooks and Photographs, 2005-2015","4","/repositories/2/archival_objects/21280","Community organization.","Vero Beach (Fla.)","American Association of University Women","English","box 7","object 4","The sub-folders of this item contain a variety of dated and undated photographs documenting the history and events of the AAUW Vero Beach branch between the years of 1964 and 2015. A large portion of these photographs cannot be dated - for those without dates, approximate time periods have been inferred."],"component_level_isim":[4],"parent_ids_ssim":["6ef9b12dd4f42eb4de7a67c1","6ef9b12dd4f42eb4de7a67c1_aspace_fd4404c97b134ed1454b14305d8e80b5","6ef9b12dd4f42eb4de7a67c1_aspace_74cc5f9a7a374bd264526114111f1213","6ef9b12dd4f42eb4de7a67c1_aspace_bb596a366e32f9942c21a7fc0481e8ea"],"parent_unittitles_ssm":["American Association of University Women (AAUW) Collection, 1964-2018","AAUW Vero Beach Branch, 1964-2018","AAUW Vero Beach Photographs and Scrapbooks, 1964-2015","AAUW Vero Beach Scrapbooks and Photographs, 2005-2015"],"parent_unittitles_tesim":["American Association of University Women (AAUW) Collection, 1964-2018","AAUW Vero Beach Branch, 1964-2018","AAUW Vero Beach Photographs and Scrapbooks, 1964-2015","AAUW Vero Beach Scrapbooks and Photographs, 2005-2015"],"parent_levels_ssm":["collection","Series","Series","Box"],"unitid_ssm":["4","/repositories/2/archival_objects/21280"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["American Association of University Women (AAUW) Collection, 1964-2018"],"has_online_content_ssim":["false"],"child_component_count_isi":5,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":161,"parent_access_restrict_tesm":["Some materials are restricted; consult repository for details."],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"geogname_ssim":["Community organization.","Vero Beach (Fla.)"],"geogname_ssm":["Community organization.","Vero Beach (Fla.)"],"places_ssim":["Community organization.","Vero Beach (Fla.)"],"access_subjects_ssim":["American Association of University Women"],"access_subjects_ssm":["American Association of University Women"],"language_ssim":["English"],"containers_ssim":["box 7","object 4"],"abstract_html_tesm":["\u003cabstract id=\"aspace_31f8018f3e06129266a6384e456fd958\"\u003eThe sub-folders of this item contain a variety of dated and undated photographs documenting the history and events of the AAUW Vero Beach branch between the years of 1964 and 2015. A large portion of these photographs cannot be dated - for those without dates, approximate time periods have been inferred.\u003c/abstract\u003e"],"abstract_tesim":["The sub-folders of this item contain a variety of dated and undated photographs documenting the history and events of the AAUW Vero Beach branch between the years of 1964 and 2015. A large portion of these photographs cannot be dated - for those without dates, approximate time periods have been inferred."],"_nest_path_":"/components#0/components#3/components#3/components#3","_nest_parent_":"6ef9b12dd4f42eb4de7a67c1_aspace_bb596a366e32f9942c21a7fc0481e8ea","_root_":"6ef9b12dd4f42eb4de7a67c1","_version_":1870843535614279680,"timestamp":"2026-07-16T04:17:09.925Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6ef9b12dd4f42eb4de7a67c1","title_ssm":["American Association of University Women (AAUW) Collection"],"title_tesim":["American Association of University Women (AAUW) Collection"],"ead_ssi":"6ef9b12dd4f42eb4de7a67c1","unitdate_ssm":["1964-2018"],"unitdate_inclusive_ssm":["1964-2018"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["02/01/36","/repositories/2/resources/28"],"text":["02/01/36","/repositories/2/resources/28","American Association of University Women (AAUW) Collection, 1964-2018","Community organization.","American Association of University Women","Gender studies \u0026 applied sciences","Political science.","Social science.","Some materials are restricted; consult repository for details.","Organized in three series: Series 1, AAUW Vero Beach Branch, ca. 1964-2018; Series 2, AAUW Greater Naples Branch, ca. 1974-2017; Series 3, AAUW Southwest Florida Branch, 1970 - 2020.","The American Association of University Women record group is a growing collection, with more branches of AAUW throughout Florida that will be added. Each collection within this record group is named after the branch it is from, with their following series detailing  documents, images, and ephermera related to the series. ","About the American Association of University Women\n\"AAUW has been empowering women as individuals and as a community since 1881. For more than 130 years, we have worked together as a national grassroots organization to improve the lives of millions of women and their families\" \n(https://www.aauw.org/what-we-do/)","AAUW Initiatives include: College Campus Outreach, Education and Training, Educational Funding, Financial Planning and Security, Leadership, Legal Support, Salary Negotiation, and STEM Education. ","Florida Gulf Coast University Special Collections","English"],"unitid_tesim":["02/01/36","/repositories/2/resources/28"],"normalized_date_ssm":["1964-2018"],"normalized_title_ssm":["American Association of University Women (AAUW) Collection, 1964-2018"],"collection_title_tesim":["American Association of University Women (AAUW) Collection, 1964-2018"],"collection_ssim":["American Association of University Women (AAUW) Collection, 1964-2018"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Community organization."],"geogname_ssim":["Community organization."],"places_ssim":["Community organization."],"access_subjects_ssim":["American Association of University Women","Gender studies \u0026 applied sciences","Political science.","Social science."],"access_subjects_ssm":["American Association of University Women","Gender studies \u0026 applied sciences","Political science.","Social science."],"has_online_content_ssim":["false"],"extent_ssm":["12 Linear Feet"],"extent_tesim":["12 Linear Feet"],"genreform_ssim":["American Association of University Women","Gender studies \u0026 applied sciences","Political science.","Social science."],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eSome materials are restricted; consult repository for details.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Certain Restrictions Apply"],"accessrestrict_tesim":["Some materials are restricted; consult repository for details."],"arrangement_html_tesm":["\u003cp\u003eOrganized in three series: Series 1, AAUW Vero Beach Branch, ca. 1964-2018; Series 2, AAUW Greater Naples Branch, ca. 1974-2017; Series 3, AAUW Southwest Florida Branch, 1970 - 2020.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized in three series: Series 1, AAUW Vero Beach Branch, ca. 1964-2018; Series 2, AAUW Greater Naples Branch, ca. 1974-2017; Series 3, AAUW Southwest Florida Branch, 1970 - 2020."],"scopecontent_html_tesm":["\u003cp\u003eThe American Association of University Women record group is a growing collection, with more branches of AAUW throughout Florida that will be added. Each collection within this record group is named after the branch it is from, with their following series detailing  documents, images, and ephermera related to the series. \u003c/p\u003e\n","\u003cp\u003eAbout the American Association of University Women\n\"AAUW has been empowering women as individuals and as a community since 1881. For more than 130 years, we have worked together as a national grassroots organization to improve the lives of millions of women and their families\" \n(https://www.aauw.org/what-we-do/)\u003c/p\u003e\n","\u003cp\u003eAAUW Initiatives include: College Campus Outreach, Education and Training, Educational Funding, Financial Planning and Security, Leadership, Legal Support, Salary Negotiation, and STEM Education. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The American Association of University Women record group is a growing collection, with more branches of AAUW throughout Florida that will be added. Each collection within this record group is named after the branch it is from, with their following series detailing  documents, images, and ephermera related to the series. ","About the American Association of University Women\n\"AAUW has been empowering women as individuals and as a community since 1881. For more than 130 years, we have worked together as a national grassroots organization to improve the lives of millions of women and their families\" \n(https://www.aauw.org/what-we-do/)","AAUW Initiatives include: College Campus Outreach, Education and Training, Educational Funding, Financial Planning and Security, Leadership, Legal Support, Salary Negotiation, and STEM Education. "],"names_ssim":["Florida Gulf Coast University Special Collections"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":269,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870843535614279680,"_root_":"6ef9b12dd4f42eb4de7a67c1","timestamp":"2026-07-16T04:17:09.925Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6ef9b12dd4f42eb4de7a67c1_aspace_f5bbbace8233b7dfa087a8dc6504c71a"}},{"id":"3b651bebb556d00cec8728df_aspace_1d3a63255c18f018fba46e9acecce8a7","type":"Item","attributes":{"title":"A-B, 1916-1979, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3b651bebb556d00cec8728df_aspace_1d3a63255c18f018fba46e9acecce8a7#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1d3a63255c18f018fba46e9acecce8a7","ref_ssm":["aspace_1d3a63255c18f018fba46e9acecce8a7","aspace_1d3a63255c18f018fba46e9acecce8a7"],"id":"3b651bebb556d00cec8728df_aspace_1d3a63255c18f018fba46e9acecce8a7","title_filing_ssi":"A-B","title_ssm":["A-B"],"title_tesim":["A-B"],"unitdate_inclusive_ssm":["1916-1979, Undated"],"normalized_date_ssm":["1916-1979, Undated"],"normalized_title_ssm":["A-B, 1916-1979, Undated"],"text":["A-B, 1916-1979, Undated","Walter and Dorothy Donnelly family papers, 1887-2021","Additional Materials, 1909-2021","CFM2020_06, 1909-1980, Undated","Item 1","/repositories/4/archival_objects/56034","box 3","Tray 1"],"component_level_isim":[3],"parent_ids_ssim":["3b651bebb556d00cec8728df","3b651bebb556d00cec8728df_aspace_f58acf1e5bb3c4c23984bca2eb8d71a6","3b651bebb556d00cec8728df_aspace_ae697aac9aa8e49f69af925a6e770bb7"],"parent_unittitles_ssm":["Walter and Dorothy Donnelly family papers, 1887-2021","Additional Materials, 1909-2021","CFM2020_06, 1909-1980, Undated"],"parent_unittitles_tesim":["Walter and Dorothy Donnelly family papers, 1887-2021","Additional Materials, 1909-2021","CFM2020_06, 1909-1980, Undated"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Item 1","/repositories/4/archival_objects/56034"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Walter and Dorothy Donnelly family papers, 1887-2021"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":133,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"containers_ssim":["box 3","Tray 1"],"_nest_path_":"/components#2/components#0/components#0","_nest_parent_":"3b651bebb556d00cec8728df_aspace_ae697aac9aa8e49f69af925a6e770bb7","_root_":"3b651bebb556d00cec8728df","timestamp":"2026-06-03T02:50:58.042Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3b651bebb556d00cec8728df","title_ssm":["Walter and Dorothy Donnelly family papers"],"title_tesim":["Walter and Dorothy Donnelly family papers"],"ead_ssi":"3b651bebb556d00cec8728df","unitdate_ssm":["1887-2021"],"unitdate_inclusive_ssm":["1887-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.33","/repositories/4/resources/35"],"text":["SC.33","/repositories/4/resources/35","Walter and Dorothy Donnelly family papers, 1887-2021","Women poets, American","Poets, American -- 20th Century -- correspondence","diaries","poems","The entire collection is open for research.","Walter Donnelly and Dorothy Boillotat Donnelly collected thousands of fine books between 1920-1994, for their family library at 612 Lawrence Street, Ann Arbor, Michigan. Walter (1900-1981) was Editor of the University of Michigan Press when he retired in 1970. Dorothy (1903-1994) was an award-winning poet. They have three sons, Jerome, Stephen, and Denis.","\nIn 1931 Dorothy and Walter were married, Dorothy completed her Master's Degree from the University of Michigan, and she won the Avery Hopwood Contest. The $1,500 prize enabled the couple to live in France and Italy for a time. Dorothy wrote several acclaimed books of poetry as well as numerous articles for the magazine transition (always spelled in the lower case), publishing work by writers such as Hart Crane, Ernest Hemingway and Carl Jung. Eugene Jolas, the French editor of transition, wrote Dorothy in 1931, \"You are the only one in America whose writing seems to me to be going in the right direction.\"","\nWalter also published some poetry and wrote plays with playwright and screenwriter Paul Osborn when the two were in college at the University of Michigan. After living in Greenwich Village and Paris, he returned to Ann Arbor to accept a position at the University of Michigan editing Museum Publications as well as doing editorial work for the Press.","\nThe Donnelly's had a keen interest in the printing arts. Collected materials include examples from the best paper-makers, type designers, typographers, book binders, and printers as well as those artists involved in book illustrations. Notable in the collection are numerous publications of The Typophiles, a small group of graphic arts professionals based in New York, including luminaries like Bruce Rogers and Frederic W. Goudy. The Typophiles, who began meeting around 1932, are still meeting and publishing today.","Collection processed by Nadine Helm and Elizabeth Konzak; finding aid created by Nadine Helm and Elizabeth Konzak. The materials were organized and foldered. Some materials have water damage and were freeze dried in August 2006. Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021.  Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021. Addition processed and finding aid updated by Amelia Cuttle in 2023.","Patrick Boland collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","The collection is arranged in three series, Family Papers, Typophiles and Additional Materials. ","Series I, Family Papers, 1887-1979, Undated, contains family photographs, memorabilia, poetry, and collected information on printers, printing and typography.","\nSeries II, Typophiles, 1941-1969, Undated, consists of materials collected by the Donnellys as members of the organization of printers, typographers and appreciators of bookmaking. Materials include Chap Book Commentaries, fine press published information about the typophiles as a group, similar to an organizational newsletter that includes a colophon. Keepsakes were items created for an event such as Christmas to exhibit typographic skills. The Monographs are small examples of printing that exemplify the best of design, typography, and technique. "," \nSeries III, Additional Materials, 1909-2021, Undated, consists of seven boxes of card catalogs Walter and Dorothy Donnelly created to keep track of their inventory of the book collection. Various incoming and outgoing letters to the Donnellys, newspaper clippings, articles, poetry, and unpublished and published writings by the Donnellys can be found in the series. The personal books of Dorothy Donnelly, including her daily missal and reading and diary journals, are also featured.","Books donated with the Walter and Dorothy Donnelly Family Papers have been cataloged individually. Please search the Library Catalog using the series Walter and Dorothy Donnelly Collection.","The papers of Patrick Boland were separated into their own collection. ","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The materials show the Donnellys' diverse and far-reaching interests, primarily in the humanities. A majority of the materials are about typography and typophiles, including monographs and chap books.","UCF Special Collections","Donnelly, Walter","Donnelly, Dorothy, 1903-1994","English"],"unitid_tesim":["SC.33","/repositories/4/resources/35"],"normalized_date_ssm":["1887-2021"],"normalized_title_ssm":["Walter and Dorothy Donnelly family papers, 1887-2021"],"collection_title_tesim":["Walter and Dorothy Donnelly family papers, 1887-2021"],"collection_ssim":["Walter and Dorothy Donnelly family papers, 1887-2021"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"creator_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"creator_persname_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"creators_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The Donnelly sons donated their parents' collection to the University of Central Florida Library in 1999 (CFM1999_08). Additional materials received from Jerome Donnelly in 2020 (CFM2020_06; CFM2020_10), 2021 (CFM2021_21), and 2022 (CFM2022_05)."],"access_subjects_ssim":["Women poets, American","Poets, American -- 20th Century -- correspondence","diaries","poems"],"access_subjects_ssm":["Women poets, American","Poets, American -- 20th Century -- correspondence","diaries","poems"],"has_online_content_ssim":["false"],"extent_ssm":["7.5 Linear Feet 15 Boxes, 1 Flat File"],"extent_tesim":["7.5 Linear Feet 15 Boxes, 1 Flat File"],"genreform_ssim":["diaries","poems"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eWalter Donnelly and Dorothy Boillotat Donnelly collected thousands of fine books between 1920-1994, for their family library at 612 Lawrence Street, Ann Arbor, Michigan. Walter (1900-1981) was Editor of the University of Michigan Press when he retired in 1970. Dorothy (1903-1994) was an award-winning poet. They have three sons, Jerome, Stephen, and Denis.\u003c/p\u003e\n","\u003cp\u003e\nIn 1931 Dorothy and Walter were married, Dorothy completed her Master's Degree from the University of Michigan, and she won the Avery Hopwood Contest. The $1,500 prize enabled the couple to live in France and Italy for a time. Dorothy wrote several acclaimed books of poetry as well as numerous articles for the magazine transition (always spelled in the lower case), publishing work by writers such as Hart Crane, Ernest Hemingway and Carl Jung. Eugene Jolas, the French editor of transition, wrote Dorothy in 1931, \"You are the only one in America whose writing seems to me to be going in the right direction.\"\u003c/p\u003e\n","\u003cp\u003e\nWalter also published some poetry and wrote plays with playwright and screenwriter Paul Osborn when the two were in college at the University of Michigan. After living in Greenwich Village and Paris, he returned to Ann Arbor to accept a position at the University of Michigan editing Museum Publications as well as doing editorial work for the Press.\u003c/p\u003e\n","\u003cp\u003e\nThe Donnelly's had a keen interest in the printing arts. Collected materials include examples from the best paper-makers, type designers, typographers, book binders, and printers as well as those artists involved in book illustrations. Notable in the collection are numerous publications of The Typophiles, a small group of graphic arts professionals based in New York, including luminaries like Bruce Rogers and Frederic W. Goudy. The Typophiles, who began meeting around 1932, are still meeting and publishing today.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Walter Donnelly and Dorothy Boillotat Donnelly collected thousands of fine books between 1920-1994, for their family library at 612 Lawrence Street, Ann Arbor, Michigan. Walter (1900-1981) was Editor of the University of Michigan Press when he retired in 1970. Dorothy (1903-1994) was an award-winning poet. They have three sons, Jerome, Stephen, and Denis.","\nIn 1931 Dorothy and Walter were married, Dorothy completed her Master's Degree from the University of Michigan, and she won the Avery Hopwood Contest. The $1,500 prize enabled the couple to live in France and Italy for a time. Dorothy wrote several acclaimed books of poetry as well as numerous articles for the magazine transition (always spelled in the lower case), publishing work by writers such as Hart Crane, Ernest Hemingway and Carl Jung. Eugene Jolas, the French editor of transition, wrote Dorothy in 1931, \"You are the only one in America whose writing seems to me to be going in the right direction.\"","\nWalter also published some poetry and wrote plays with playwright and screenwriter Paul Osborn when the two were in college at the University of Michigan. After living in Greenwich Village and Paris, he returned to Ann Arbor to accept a position at the University of Michigan editing Museum Publications as well as doing editorial work for the Press.","\nThe Donnelly's had a keen interest in the printing arts. Collected materials include examples from the best paper-makers, type designers, typographers, book binders, and printers as well as those artists involved in book illustrations. Notable in the collection are numerous publications of The Typophiles, a small group of graphic arts professionals based in New York, including luminaries like Bruce Rogers and Frederic W. Goudy. The Typophiles, who began meeting around 1932, are still meeting and publishing today."],"prefercite_html_tesm":["\u003cp\u003eWalter and Dorothy Donnelly Family Papers, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Walter and Dorothy Donnelly Family Papers, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadine Helm and Elizabeth Konzak; finding aid created by Nadine Helm and Elizabeth Konzak. The materials were organized and foldered. Some materials have water damage and were freeze dried in August 2006. Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021.  Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021. Addition processed and finding aid updated by Amelia Cuttle in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadine Helm and Elizabeth Konzak; finding aid created by Nadine Helm and Elizabeth Konzak. The materials were organized and foldered. Some materials have water damage and were freeze dried in August 2006. Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021.  Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021. Addition processed and finding aid updated by Amelia Cuttle in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/289\"\u003ePatrick Boland collection\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Patrick Boland collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is arranged in three series, Family Papers, Typophiles and Additional Materials. \u003c/p\u003e\n","\u003cp\u003eSeries I, Family Papers, 1887-1979, Undated, contains family photographs, memorabilia, poetry, and collected information on printers, printing and typography.\u003c/p\u003e\n","\u003cp\u003e\nSeries II, Typophiles, 1941-1969, Undated, consists of materials collected by the Donnellys as members of the organization of printers, typographers and appreciators of bookmaking. Materials include Chap Book Commentaries, fine press published information about the typophiles as a group, similar to an organizational newsletter that includes a colophon. Keepsakes were items created for an event such as Christmas to exhibit typographic skills. The Monographs are small examples of printing that exemplify the best of design, typography, and technique. \u003c/p\u003e\n","\u003cp\u003e \nSeries III, Additional Materials, 1909-2021, Undated, consists of seven boxes of card catalogs Walter and Dorothy Donnelly created to keep track of their inventory of the book collection. Various incoming and outgoing letters to the Donnellys, newspaper clippings, articles, poetry, and unpublished and published writings by the Donnellys can be found in the series. The personal books of Dorothy Donnelly, including her daily missal and reading and diary journals, are also featured.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is arranged in three series, Family Papers, Typophiles and Additional Materials. ","Series I, Family Papers, 1887-1979, Undated, contains family photographs, memorabilia, poetry, and collected information on printers, printing and typography.","\nSeries II, Typophiles, 1941-1969, Undated, consists of materials collected by the Donnellys as members of the organization of printers, typographers and appreciators of bookmaking. Materials include Chap Book Commentaries, fine press published information about the typophiles as a group, similar to an organizational newsletter that includes a colophon. Keepsakes were items created for an event such as Christmas to exhibit typographic skills. The Monographs are small examples of printing that exemplify the best of design, typography, and technique. "," \nSeries III, Additional Materials, 1909-2021, Undated, consists of seven boxes of card catalogs Walter and Dorothy Donnelly created to keep track of their inventory of the book collection. Various incoming and outgoing letters to the Donnellys, newspaper clippings, articles, poetry, and unpublished and published writings by the Donnellys can be found in the series. The personal books of Dorothy Donnelly, including her daily missal and reading and diary journals, are also featured."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks donated with the Walter and Dorothy Donnelly Family Papers have been cataloged individually. Please search the Library Catalog using the series Walter and Dorothy Donnelly Collection.\u003c/p\u003e\n","\u003cp\u003eThe papers of Patrick Boland were separated into their own collection.\u0026#xA0;\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books donated with the Walter and Dorothy Donnelly Family Papers have been cataloged individually. Please search the Library Catalog using the series Walter and Dorothy Donnelly Collection.","The papers of Patrick Boland were separated into their own collection. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_58a62762084b860db899b0bb6eea27dd\" label=\"Abstract\"\u003eThe materials show the Donnellys' diverse and far-reaching interests, primarily in the humanities. A majority of the materials are about typography and typophiles, including monographs and chap books.\u003c/abstract\u003e"],"abstract_tesim":["The materials show the Donnellys' diverse and far-reaching interests, primarily in the humanities. A majority of the materials are about typography and typophiles, including monographs and chap books."],"names_ssim":["UCF Special Collections","Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":255,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"3b651bebb556d00cec8728df","timestamp":"2026-06-03T02:50:58.042Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3b651bebb556d00cec8728df_aspace_1d3a63255c18f018fba46e9acecce8a7"}},{"id":"d331ed22985bd548fd56cca6","type":"collection","attributes":{"title":"Abril Lamarque Collection, 1883-2001","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/d331ed22985bd548fd56cca6#creator","type":"document_value","attributes":{"value":["Lamarque Sarno, Martha"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/d331ed22985bd548fd56cca6#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip \u003cem\u003eMonguito. \u003c/em\u003e\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d331ed22985bd548fd56cca6#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"d331ed22985bd548fd56cca6","title_ssm":["Abril Lamarque Collection"],"title_tesim":["Abril Lamarque Collection"],"ead_ssi":"d331ed22985bd548fd56cca6","unitdate_ssm":["1883-2001"],"unitdate_inclusive_ssm":["1883-2001"],"level_ssm":["collection"],"level_ssim":["Item","Collection"],"unitid_ssm":["SPC6045","/repositories/2/resources/71"],"text":["SPC6045","/repositories/2/resources/71","Abril Lamarque Collection, 1883-2001","Cuba","Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs","The collection is open for research.","The Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2. Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs.","Eduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the  New York World-Telegram and Evening Mail  at age 15. Four years later he created  Bla-Bla , a comic strip that appeared regularly in the  New York Daily News . He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character,  Monguito , was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.","When he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper  Lunes de Diario de Cuba . He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the  New York World Telegram and Evening Mail  as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.","In 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included  Film Fun ,  I Confess ,  War Stories ,  Modern Screen ,  Popular Song ,  Spotlight ,  Radio Stars ,  Theatrical Page ,  Ballyhoo , and  Modern Romances . He continued working there for 14 years.","In 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.","Between 1941 and 1946, Lamarque became the first art director for the Sunday edition of the  New York Times  and redesigned the  New York Times Magazine  and the  New York Times Book Review . Throughout his career, Lamarque designed and redesigned countless magazines and journals, including  American Weekly ,  New York News ,  Metropolitan Life ,  Popular Science ,  This Week ,  US News-World Report , and others.","In 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.","His success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.","Lamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.","Lamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art","Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.","Related material to the collection may be found in the following repository. ","Archives of the American Art.","http://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more","The Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip  Monguito. ","The collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip  Monguito  and editions of the Havana newspaper  Lunes de Diario de Cuba .In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.","The collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine  Social , published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of  Social , a segment that included Massaguer's caricatures of prominent members of Cuban high society.","Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.","FIU Special Collections","Society of American Magicians","Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999","English Spanish; Castilian"],"unitid_tesim":["SPC6045","/repositories/2/resources/71"],"normalized_date_ssm":["1883-2001"],"normalized_title_ssm":["Abril Lamarque Collection, 1883-2001"],"collection_title_tesim":["Abril Lamarque Collection, 1883-2001"],"collection_ssim":["Abril Lamarque Collection, 1883-2001"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Cuba"],"geogname_ssim":["Cuba"],"creator_ssm":["Lamarque Sarno, Martha"],"creator_ssim":["Lamarque Sarno, Martha"],"creator_persname_ssim":["Lamarque Sarno, Martha"],"creators_ssim":["Lamarque Sarno, Martha"],"places_ssim":["Cuba"],"access_terms_ssm":["Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"acqinfo_ssim":["Martha Lamarque Sarno donated her father's papers to Special Collections at Florida International University."],"access_subjects_ssim":["Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs"],"access_subjects_ssm":["Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["2.00 boxes"],"extent_tesim":["2.00 boxes"],"genreform_ssim":["Works of art","Sketches","Photographs"],"date_range_isim":[1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2.\u0026#xA0;Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2. Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs."],"bioghist_html_tesm":["\u003cp\u003eEduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the \u003cemph render=\"italic\"\u003eNew York World-Telegram and Evening Mail\u003c/emph\u003e at age 15. Four years later he created \u003cemph render=\"italic\"\u003eBla-Bla\u003c/emph\u003e, a comic strip that appeared regularly in the \u003cemph render=\"italic\"\u003eNew York Daily News\u003c/emph\u003e. He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character, \u003cemph render=\"italic\"\u003eMonguito\u003c/emph\u003e, was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.\u003c/p\u003e\n","\u003cp\u003eWhen he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper \u003cemph render=\"italic\"\u003eLunes de Diario de Cuba\u003c/emph\u003e. He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the \u003cemph render=\"italic\"\u003eNew York World Telegram and Evening Mail\u003c/emph\u003e as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.\u003c/p\u003e\n","\u003cp\u003eIn 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included \u003cemph render=\"italic\"\u003eFilm Fun\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eI Confess\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eWar Stories\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eModern Screen\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePopular Song\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eSpotlight\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eRadio Stars\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eTheatrical Page\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eBallyhoo\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eModern Romances\u003c/emph\u003e. He continued working there for 14 years.\u003c/p\u003e\n","\u003cp\u003eIn 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.\u003c/p\u003e\n","\u003cp\u003eBetween 1941 and 1946, Lamarque became the first art director for the Sunday edition of the \u003cemph render=\"italic\"\u003eNew York Times\u003c/emph\u003e and redesigned the \u003cemph render=\"italic\"\u003eNew York Times Magazine\u003c/emph\u003e and the \u003cemph render=\"italic\"\u003eNew York Times Book Review\u003c/emph\u003e. Throughout his career, Lamarque designed and redesigned countless magazines and journals, including \u003cemph render=\"italic\"\u003eAmerican Weekly\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eNew York News\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eMetropolitan Life\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePopular Science\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eThis Week\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eUS News-World Report\u003c/emph\u003e, and others.\u003c/p\u003e\n","\u003cp\u003eIn 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.\u003c/p\u003e\n","\u003cp\u003eHis success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.\u003c/p\u003e\n","\u003cp\u003eLamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.\u003c/p\u003e\n","\u003cp\u003eLamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Eduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the  New York World-Telegram and Evening Mail  at age 15. Four years later he created  Bla-Bla , a comic strip that appeared regularly in the  New York Daily News . He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character,  Monguito , was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.","When he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper  Lunes de Diario de Cuba . He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the  New York World Telegram and Evening Mail  as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.","In 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included  Film Fun ,  I Confess ,  War Stories ,  Modern Screen ,  Popular Song ,  Spotlight ,  Radio Stars ,  Theatrical Page ,  Ballyhoo , and  Modern Romances . He continued working there for 14 years.","In 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.","Between 1941 and 1946, Lamarque became the first art director for the Sunday edition of the  New York Times  and redesigned the  New York Times Magazine  and the  New York Times Book Review . Throughout his career, Lamarque designed and redesigned countless magazines and journals, including  American Weekly ,  New York News ,  Metropolitan Life ,  Popular Science ,  This Week ,  US News-World Report , and others.","In 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.","His success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.","Lamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.","Lamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art"],"odd_html_tesm":["\u003cp\u003eLanguage from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement"],"odd_tesim":["Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated material to the collection may be found in the following repository. \u003c/p\u003e\n","\u003cp\u003eArchives of the American Art.\u003c/p\u003e\n","\u003cp\u003ehttp://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related material to the collection may be found in the following repository. ","Archives of the American Art.","http://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more"],"scopecontent_html_tesm":["\u003cp\u003eThe Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip \u003cemph render=\"italic\"\u003eMonguito. \u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eThe collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip \u003cemph render=\"italic\"\u003eMonguito \u003c/emph\u003eand editions of the Havana newspaper \u003cemph render=\"italic\"\u003eLunes de Diario de Cuba\u003c/emph\u003e.In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.\u003c/p\u003e\n","\u003cp\u003eThe collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine \u003cemph render=\"italic\"\u003eSocial\u003c/emph\u003e, published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of \u003cemph render=\"italic\"\u003eSocial\u003c/emph\u003e, a segment that included Massaguer's caricatures of prominent members of Cuban high society.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents "],"scopecontent_tesim":["The Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip  Monguito. ","The collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip  Monguito  and editions of the Havana newspaper  Lunes de Diario de Cuba .In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.","The collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine  Social , published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of  Social , a segment that included Massaguer's caricatures of prominent members of Cuban high society."],"userestrict_html_tesm":["\u003cp\u003eRights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"names_coll_ssim":["Society of American Magicians","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"names_ssim":["FIU Special Collections","Society of American Magicians","Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"corpname_ssim":["FIU Special Collections","Society of American Magicians"],"persname_ssim":["Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":247,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844705641594880,"_root_":"d331ed22985bd548fd56cca6","timestamp":"2026-07-16T04:35:45.752Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d331ed22985bd548fd56cca6","title_ssm":["Abril Lamarque Collection"],"title_tesim":["Abril Lamarque Collection"],"ead_ssi":"d331ed22985bd548fd56cca6","unitdate_ssm":["1883-2001"],"unitdate_inclusive_ssm":["1883-2001"],"level_ssm":["collection"],"level_ssim":["Item","Collection"],"unitid_ssm":["SPC6045","/repositories/2/resources/71"],"text":["SPC6045","/repositories/2/resources/71","Abril Lamarque Collection, 1883-2001","Cuba","Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs","The collection is open for research.","The Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2. Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs.","Eduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the  New York World-Telegram and Evening Mail  at age 15. Four years later he created  Bla-Bla , a comic strip that appeared regularly in the  New York Daily News . He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character,  Monguito , was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.","When he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper  Lunes de Diario de Cuba . He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the  New York World Telegram and Evening Mail  as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.","In 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included  Film Fun ,  I Confess ,  War Stories ,  Modern Screen ,  Popular Song ,  Spotlight ,  Radio Stars ,  Theatrical Page ,  Ballyhoo , and  Modern Romances . He continued working there for 14 years.","In 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.","Between 1941 and 1946, Lamarque became the first art director for the Sunday edition of the  New York Times  and redesigned the  New York Times Magazine  and the  New York Times Book Review . Throughout his career, Lamarque designed and redesigned countless magazines and journals, including  American Weekly ,  New York News ,  Metropolitan Life ,  Popular Science ,  This Week ,  US News-World Report , and others.","In 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.","His success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.","Lamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.","Lamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art","Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.","Related material to the collection may be found in the following repository. ","Archives of the American Art.","http://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more","The Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip  Monguito. ","The collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip  Monguito  and editions of the Havana newspaper  Lunes de Diario de Cuba .In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.","The collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine  Social , published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of  Social , a segment that included Massaguer's caricatures of prominent members of Cuban high society.","Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.","FIU Special Collections","Society of American Magicians","Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999","English Spanish; Castilian"],"unitid_tesim":["SPC6045","/repositories/2/resources/71"],"normalized_date_ssm":["1883-2001"],"normalized_title_ssm":["Abril Lamarque Collection, 1883-2001"],"collection_title_tesim":["Abril Lamarque Collection, 1883-2001"],"collection_ssim":["Abril Lamarque Collection, 1883-2001"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Cuba"],"geogname_ssim":["Cuba"],"creator_ssm":["Lamarque Sarno, Martha"],"creator_ssim":["Lamarque Sarno, Martha"],"creator_persname_ssim":["Lamarque Sarno, Martha"],"creators_ssim":["Lamarque Sarno, Martha"],"places_ssim":["Cuba"],"access_terms_ssm":["Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"acqinfo_ssim":["Martha Lamarque Sarno donated her father's papers to Special Collections at Florida International University."],"access_subjects_ssim":["Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs"],"access_subjects_ssm":["Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["2.00 boxes"],"extent_tesim":["2.00 boxes"],"genreform_ssim":["Works of art","Sketches","Photographs"],"date_range_isim":[1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2.\u0026#xA0;Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2. Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs."],"bioghist_html_tesm":["\u003cp\u003eEduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the \u003cemph render=\"italic\"\u003eNew York World-Telegram and Evening Mail\u003c/emph\u003e at age 15. Four years later he created \u003cemph render=\"italic\"\u003eBla-Bla\u003c/emph\u003e, a comic strip that appeared regularly in the \u003cemph render=\"italic\"\u003eNew York Daily News\u003c/emph\u003e. He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character, \u003cemph render=\"italic\"\u003eMonguito\u003c/emph\u003e, was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.\u003c/p\u003e\n","\u003cp\u003eWhen he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper \u003cemph render=\"italic\"\u003eLunes de Diario de Cuba\u003c/emph\u003e. He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the \u003cemph render=\"italic\"\u003eNew York World Telegram and Evening Mail\u003c/emph\u003e as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.\u003c/p\u003e\n","\u003cp\u003eIn 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included \u003cemph render=\"italic\"\u003eFilm Fun\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eI Confess\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eWar Stories\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eModern Screen\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePopular Song\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eSpotlight\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eRadio Stars\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eTheatrical Page\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eBallyhoo\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eModern Romances\u003c/emph\u003e. He continued working there for 14 years.\u003c/p\u003e\n","\u003cp\u003eIn 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.\u003c/p\u003e\n","\u003cp\u003eBetween 1941 and 1946, Lamarque became the first art director for the Sunday edition of the \u003cemph render=\"italic\"\u003eNew York Times\u003c/emph\u003e and redesigned the \u003cemph render=\"italic\"\u003eNew York Times Magazine\u003c/emph\u003e and the \u003cemph render=\"italic\"\u003eNew York Times Book Review\u003c/emph\u003e. Throughout his career, Lamarque designed and redesigned countless magazines and journals, including \u003cemph render=\"italic\"\u003eAmerican Weekly\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eNew York News\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eMetropolitan Life\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePopular Science\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eThis Week\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eUS News-World Report\u003c/emph\u003e, and others.\u003c/p\u003e\n","\u003cp\u003eIn 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.\u003c/p\u003e\n","\u003cp\u003eHis success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.\u003c/p\u003e\n","\u003cp\u003eLamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.\u003c/p\u003e\n","\u003cp\u003eLamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Eduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the  New York World-Telegram and Evening Mail  at age 15. Four years later he created  Bla-Bla , a comic strip that appeared regularly in the  New York Daily News . He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character,  Monguito , was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.","When he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper  Lunes de Diario de Cuba . He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the  New York World Telegram and Evening Mail  as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.","In 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included  Film Fun ,  I Confess ,  War Stories ,  Modern Screen ,  Popular Song ,  Spotlight ,  Radio Stars ,  Theatrical Page ,  Ballyhoo , and  Modern Romances . He continued working there for 14 years.","In 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.","Between 1941 and 1946, Lamarque became the first art director for the Sunday edition of the  New York Times  and redesigned the  New York Times Magazine  and the  New York Times Book Review . Throughout his career, Lamarque designed and redesigned countless magazines and journals, including  American Weekly ,  New York News ,  Metropolitan Life ,  Popular Science ,  This Week ,  US News-World Report , and others.","In 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.","His success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.","Lamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.","Lamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art"],"odd_html_tesm":["\u003cp\u003eLanguage from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement"],"odd_tesim":["Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated material to the collection may be found in the following repository. \u003c/p\u003e\n","\u003cp\u003eArchives of the American Art.\u003c/p\u003e\n","\u003cp\u003ehttp://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related material to the collection may be found in the following repository. ","Archives of the American Art.","http://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more"],"scopecontent_html_tesm":["\u003cp\u003eThe Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip \u003cemph render=\"italic\"\u003eMonguito. \u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eThe collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip \u003cemph render=\"italic\"\u003eMonguito \u003c/emph\u003eand editions of the Havana newspaper \u003cemph render=\"italic\"\u003eLunes de Diario de Cuba\u003c/emph\u003e.In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.\u003c/p\u003e\n","\u003cp\u003eThe collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine \u003cemph render=\"italic\"\u003eSocial\u003c/emph\u003e, published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of \u003cemph render=\"italic\"\u003eSocial\u003c/emph\u003e, a segment that included Massaguer's caricatures of prominent members of Cuban high society.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents "],"scopecontent_tesim":["The Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip  Monguito. ","The collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip  Monguito  and editions of the Havana newspaper  Lunes de Diario de Cuba .In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.","The collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine  Social , published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of  Social , a segment that included Massaguer's caricatures of prominent members of Cuban high society."],"userestrict_html_tesm":["\u003cp\u003eRights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"names_coll_ssim":["Society of American Magicians","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"names_ssim":["FIU Special Collections","Society of American Magicians","Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"corpname_ssim":["FIU Special Collections","Society of American Magicians"],"persname_ssim":["Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":247,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844705641594880,"_root_":"d331ed22985bd548fd56cca6","timestamp":"2026-07-16T04:35:45.752Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d331ed22985bd548fd56cca6"}},{"id":"27369c77877e52a2084a08b3_aspace_1d731ff6e855344a7ba1a530386889ba","type":"Item","attributes":{"title":"Academic Calendars; Schedule of Fees; Academic Calendar; Postcard; Application for Admission; Envelope, bulk 1966-1980","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/27369c77877e52a2084a08b3_aspace_1d731ff6e855344a7ba1a530386889ba#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eAcademic calendar for 1973-1974; Schedule of fees for academic year 1974-1975 that supersedes the fee schedule published in the 1974-1975 FAU catalog; Postage paid postcard to request information from the Office of Admissions, no date c.1974; Blank form for admission to Florida Atlantic University; Blank envelope with the return address of the Office of Admissions\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/27369c77877e52a2084a08b3_aspace_1d731ff6e855344a7ba1a530386889ba#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1d731ff6e855344a7ba1a530386889ba","ref_ssm":["aspace_1d731ff6e855344a7ba1a530386889ba","aspace_1d731ff6e855344a7ba1a530386889ba"],"id":"27369c77877e52a2084a08b3_aspace_1d731ff6e855344a7ba1a530386889ba","title_filing_ssi":"Academic Calendars; Schedule of Fees; Academic Calendar; Postcard; Application for Admission; Envelope","title_ssm":["Academic Calendars; Schedule of Fees; Academic Calendar; Postcard; Application for Admission; Envelope"],"title_tesim":["Academic Calendars; Schedule of Fees; Academic Calendar; Postcard; Application for Admission; Envelope"],"unitdate_bulk_ssim":["1966-1980"],"normalized_date_ssm":["bulk 1966-1980"],"normalized_title_ssm":["Academic Calendars; Schedule of Fees; Academic Calendar; Postcard; Application for Admission; Envelope, bulk 1966-1980"],"text":["Academic Calendars; Schedule of Fees; Academic Calendar; Postcard; Application for Admission; Envelope, bulk 1966-1980","FAU Student Pamphlets, bulk 1962-2010","Office of the Provost","/repositories/2/archival_objects/71310","box 2","folder 1","Academic calendar for 1973-1974; Schedule of fees for academic year 1974-1975 that supersedes the fee schedule published in the 1974-1975 FAU catalog; Postage paid postcard to request information from the Office of Admissions, no date c.1974; Blank form for admission to Florida Atlantic University; Blank envelope with the return address of the Office of Admissions"],"component_level_isim":[2],"parent_ids_ssim":["27369c77877e52a2084a08b3","27369c77877e52a2084a08b3_aspace_47b0d4d01dc41d6530a45d5c59dfe9a9"],"parent_unittitles_ssm":["FAU Student Pamphlets, bulk 1962-2010","Office of the Provost"],"parent_unittitles_tesim":["FAU Student Pamphlets, bulk 1962-2010","Office of the Provost"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/71310"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["FAU Student Pamphlets, bulk 1962-2010"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":34,"parent_access_restrict_tesm":["The collection is open for research. If publishing photographs, the researcher must fill out the University Archives Permission to Publish form. In addition, it is the researcher's responsibility to obtain permission from the copyright holder to publish a photograph that is copyrighted. Florida Atlantic University Archives requests that it be credited as being the repository of the photograph."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"date_range_isim":[1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"containers_ssim":["box 2","folder 1"],"scopecontent_html_tesm":["\u003cp\u003eAcademic calendar for 1973-1974; Schedule of fees for academic year 1974-1975 that supersedes the fee schedule published in the 1974-1975 FAU catalog; Postage paid postcard to request information from the Office of Admissions, no date c.1974; Blank form for admission to Florida Atlantic University; Blank envelope with the return address of the Office of Admissions\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Academic calendar for 1973-1974; Schedule of fees for academic year 1974-1975 that supersedes the fee schedule published in the 1974-1975 FAU catalog; Postage paid postcard to request information from the Office of Admissions, no date c.1974; Blank form for admission to Florida Atlantic University; Blank envelope with the return address of the Office of Admissions"],"_nest_path_":"/components#1/components#22","_nest_parent_":"27369c77877e52a2084a08b3_aspace_47b0d4d01dc41d6530a45d5c59dfe9a9","_root_":"27369c77877e52a2084a08b3","timestamp":"2026-06-05T01:46:38.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"27369c77877e52a2084a08b3","title_ssm":["FAU Student Pamphlets"],"title_tesim":["FAU Student Pamphlets"],"ead_ssi":"27369c77877e52a2084a08b3","unitdate_ssm":["1962-2010"],"unitdate_bulk_ssim":["1962-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA00022","/repositories/2/resources/193"],"text":["UA00022","/repositories/2/resources/193","FAU Student Pamphlets, bulk 1962-2010","Florida Atlantic University -- History","Florida Atlantic University -- Students -- Periodicals","University Archives","The collection is open for research. If publishing photographs, the researcher must fill out the University Archives Permission to Publish form. In addition, it is the researcher's responsibility to obtain permission from the copyright holder to publish a photograph that is copyrighted. Florida Atlantic University Archives requests that it be credited as being the repository of the photograph.","This collection consists of just over 1,200 titles that include a variety of publications such as brochures, booklets, leaflets, reports, and newsletters. The publication years are from approximately 1962 to the mid-1990s. The majority of these publications are directed to students enrolled in degree seeking programs at Florida Atlantic University but it also includes material directed at the non-traditional student such as the older non-degree seeking student, and those taking professional seminars or workshops.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.","Florida Atlantic University Libraries","English"],"unitid_tesim":["UA00022","/repositories/2/resources/193"],"normalized_date_ssm":["bulk 1962-2010"],"normalized_title_ssm":["FAU Student Pamphlets, bulk 1962-2010"],"collection_title_tesim":["FAU Student Pamphlets, bulk 1962-2010"],"collection_ssim":["FAU Student Pamphlets, bulk 1962-2010"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"access_subjects_ssim":["Florida Atlantic University -- History","Florida Atlantic University -- Students -- Periodicals","University Archives"],"access_subjects_ssm":["Florida Atlantic University -- History","Florida Atlantic University -- Students -- Periodicals","University Archives"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet"],"extent_tesim":["9 Linear Feet"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. If publishing photographs, the researcher must fill out the University Archives Permission to Publish form. In addition, it is the researcher's responsibility to obtain permission from the copyright holder to publish a photograph that is copyrighted. Florida Atlantic University Archives requests that it be credited as being the repository of the photograph.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. If publishing photographs, the researcher must fill out the University Archives Permission to Publish form. In addition, it is the researcher's responsibility to obtain permission from the copyright holder to publish a photograph that is copyrighted. Florida Atlantic University Archives requests that it be credited as being the repository of the photograph."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of just over 1,200 titles that include a variety of publications such as brochures, booklets, leaflets, reports, and newsletters. The publication years are from approximately 1962 to the mid-1990s. The majority of these publications are directed to students enrolled in degree seeking programs at Florida Atlantic University but it also includes material directed at the non-traditional student such as the older non-degree seeking student, and those taking professional seminars or workshops.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of just over 1,200 titles that include a variety of publications such as brochures, booklets, leaflets, reports, and newsletters. The publication years are from approximately 1962 to the mid-1990s. The majority of these publications are directed to students enrolled in degree seeking programs at Florida Atlantic University but it also includes material directed at the non-traditional student such as the older non-degree seeking student, and those taking professional seminars or workshops."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement. When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder. Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":345,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"27369c77877e52a2084a08b3","timestamp":"2026-06-05T01:46:38.972Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/27369c77877e52a2084a08b3_aspace_1d731ff6e855344a7ba1a530386889ba"}},{"id":"8e7cc91182fb37aa8e307166_aspace_39679","type":"Item","attributes":{"title":"ACE-S/C Wideband Signal Distrubtion Patching System Units 245, 247 and 299 Configuration, January 15, 1968","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8e7cc91182fb37aa8e307166_aspace_39679#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_39679","ref_ssm":["aspace_39679","aspace_39679"],"id":"8e7cc91182fb37aa8e307166_aspace_39679","title_filing_ssi":"ACE-S/C Wideband Signal Distrubtion Patching System Units 245, 247 and 299 Configuration","title_ssm":["ACE-S/C Wideband Signal Distrubtion Patching System Units 245, 247 and 299 Configuration"],"title_tesim":["ACE-S/C Wideband Signal Distrubtion Patching System Units 245, 247 and 299 Configuration"],"unitdate_other_ssim":["January 15, 1968"],"normalized_date_ssm":["January 15, 1968"],"normalized_title_ssm":["ACE-S/C Wideband Signal Distrubtion Patching System Units 245, 247 and 299 Configuration, January 15, 1968"],"text":["ACE-S/C Wideband Signal Distrubtion Patching System Units 245, 247 and 299 Configuration, January 15, 1968","Wagar Space collection, 1944-1986","Technical Manuals, 1952-1968, Undated","Folder 34","/repositories/4/archival_objects/5962","box 6","folder 34"],"component_level_isim":[2],"parent_ids_ssim":["8e7cc91182fb37aa8e307166","8e7cc91182fb37aa8e307166_aspace_39674"],"parent_unittitles_ssm":["Wagar Space collection, 1944-1986","Technical Manuals, 1952-1968, Undated"],"parent_unittitles_tesim":["Wagar Space collection, 1944-1986","Technical Manuals, 1952-1968, Undated"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 34","/repositories/4/archival_objects/5962"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Wagar Space collection, 1944-1986"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":115,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1968],"containers_ssim":["box 6","folder 34"],"_nest_path_":"/components#3/components#3","_nest_parent_":"8e7cc91182fb37aa8e307166_aspace_39674","_root_":"8e7cc91182fb37aa8e307166","_version_":1878014775185637376,"timestamp":"2026-10-03T08:00:56.924Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8e7cc91182fb37aa8e307166","title_ssm":["Wagar Space collection"],"title_tesim":["Wagar Space collection"],"ead_ssi":"8e7cc91182fb37aa8e307166","unitdate_ssm":["1944-1986"],"unitdate_inclusive_ssm":["1944-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC010","/repositories/4/resources/27"],"text":["SC010","/repositories/4/resources/27","Wagar Space collection, 1944-1986","Outer space -- Exploration -- United States","Lunar excursion module -- Landing","Space race","newspaper clippings","The entire collection is open for research.","The collection is arranged by material type.","Commander Howard Wagar was born in Fairmont, Minnesota in 1906. He moved to New Jersey in the 1920s, where he worked for WAAM radio station in Newark. He received his radio operators liscense in 1928 and worked as an operator for the merchant marines in various radio stations. Wagar joined the Navy in 1943, where he served until 1966, advancing to the rank of Commander. In the Navy, Wagar participated in sensitive Navy missions, including the Bikini Atoll atomic bomb tests, the Atlas Intercontinental Ballistic Missile Project, and the Apollo Space Project.","Processed and finding aid prepared by Jessica Achberger. Finding aid revised for consistency by Chloe Lanham in 2026.","This collection is similar in content to the  Scott H. Simpkinson collection .","The Wagar Space collection, 1944-1986 represents the interests of Commander Howard Wagar, from the 1940s to the 1980s. His main collecting interest was the space program, for which he collected periodicals, newspaper clippings, public relations materials, photographs, and prints. Subjects include the Apollo missions, the lunar module landing, the Skylab and Viking projects, Mars, the Russian Space Program, and astronauts. The collection also includes information about events such as the post World War II atomic bomb tests, the rise of Fidel Castro to power in Cuba, and the assassination of U.S President John F. Kennedy. This collection provides insight into International space program activities. ","Series I: Periodicals, 1945-1981, Undated, contains periodicals about the space program. The periodicals are in French, Italian and Russian and English, and include issues of major periodicals such as Newsweek, Time and numerous issues of LIFE Magazine, as well as special editions of newspapers such as the Orlando Sentinel. Major headlines include the Gemini mission, the lunar module landing and a multitude of articles on astronauts.","Series II: Newspaper Clippings, 1945- 1982, contains bound and unbound newspaper clippings related to the space program and other major world events. The Space Shot collection includes twenty-three volumes of bound newspaper clippings of all aspects of the space program from 1956 to 1976. Other bound volumes include articles on the rise of Fidel Castro to power in Cuba and the assassination of President Kennedy. Unbound clippings cover various other aspects of the space program, including Mars, the Russian Space Program and Viking 1 and 2.","Series III: Public Relation and Press Materials, 1963-1983, includes a range of public relations materials related to the space program, including brochures, pamphlets and press releases created for the public. Topics covered included the Apollo-Suyuz Test Mission, Space Project Mercury and Skylab 1 and 2.","Series IV: Technical Manuals, 1952-1968 contains technical manuals for a variety of electronic equipment, including different types of lenses, television equipment, utility monitors and film equipment.","Series V: Photographs and Prints, 1954-1986, contains a variety of photographs and prints related to the space program and the U.S. Military. This series includes three volumes of bound official NASA black and white photographs, ranging in date from 1960 to 1974, as well as unbound official photographs of the Apollo 10 and 15 missions and the orbiter Discovery launch. The series also contains photographic prints from the U.S. Army and Air Force, some of which are oversize. Finally, the series includes oil and watercolor prints from various artists depicting events in the space program such as guided missile launches.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Wagar Space collection, 1944-1986 represents the interests of Commander Howard Wagar, from the 1940s to the 1980s. His main collecting interest was the space program, for which he collected periodicals, newspaper clippings, public relations materials, photographs, and prints. Subjects include the Apollo missions, the lunar module landing, the Skylab and Viking projects, Mars, the Russian Space Program, and astronauts. The collection also includes information about events such as the post World War II atomic bomb tests, the rise of Fidel Castro to power in Cuba, and the assassination of U.S President John F. Kennedy. This collection provides insight into International space program activities. \n\nCommander Howard Wagar was born in Fairmont, Minnesota in 1906. He moved to New Jersey in the 1920s, where he worked for WAAM radio station in Newark. He received his radio operators liscense in 1928 and worked as an operator for the merchant marines in various radio stations. Wagar joined the Navy in 1943, where he served until 1966, advancing to the rank of Commander. In the Navy, Wagar participated in sensitive Navy missions, including the Bikini Atoll atomic bomb tests, the Atlas Intercontinental Ballistic Missile Project, and the Apollo Space Project.","UCF Special Collections","United States. National Aeronautics and Space Administration","Project Apollo (U.S.)","Skylab Program","Viking Mars Program (U.S.)","Wagar, Howard C. (Howard Carlyle), 1906-1995","Castro, Fidel (Fidel Alejandro Castro Ruz), 1926-2016","Kennedy, John F. (John Fitzgerald), 1917-1963","English"],"unitid_tesim":["SC010","/repositories/4/resources/27"],"normalized_date_ssm":["1944-1986"],"normalized_title_ssm":["Wagar Space collection, 1944-1986"],"collection_title_tesim":["Wagar Space collection, 1944-1986"],"collection_ssim":["Wagar Space collection, 1944-1986"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Outer space -- Exploration -- United States"],"geogname_ssim":["Outer space -- Exploration -- United States"],"creator_ssm":["Wagar, Howard C. (Howard Carlyle), 1906-1995"],"creator_ssim":["Wagar, Howard C. (Howard Carlyle), 1906-1995"],"creator_persname_ssim":["Wagar, Howard C. (Howard Carlyle), 1906-1995"],"creators_ssim":["Wagar, Howard C. (Howard Carlyle), 1906-1995"],"places_ssim":["Outer space -- Exploration -- United States"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Howard Wagar in 1973 (Accession no. CFM1973_06)."],"access_subjects_ssim":["Lunar excursion module -- Landing","Space race","newspaper clippings"],"access_subjects_ssm":["Lunar excursion module -- Landing","Space race","newspaper clippings"],"has_online_content_ssim":["false"],"extent_ssm":["18.6 Linear Feet 6 boxes, 37 volumes and 1 flat file"],"extent_tesim":["18.6 Linear Feet 6 boxes, 37 volumes and 1 flat file"],"genreform_ssim":["newspaper clippings"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by material type.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged by material type."],"bioghist_html_tesm":["\u003cp\u003eCommander Howard Wagar was born in Fairmont, Minnesota in 1906. He moved to New Jersey in the 1920s, where he worked for WAAM radio station in Newark. He received his radio operators liscense in 1928 and worked as an operator for the merchant marines in various radio stations. Wagar joined the Navy in 1943, where he served until 1966, advancing to the rank of Commander. In the Navy, Wagar participated in sensitive Navy missions, including the Bikini Atoll atomic bomb tests, the Atlas Intercontinental Ballistic Missile Project, and the Apollo Space Project.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Commander Howard Wagar was born in Fairmont, Minnesota in 1906. He moved to New Jersey in the 1920s, where he worked for WAAM radio station in Newark. He received his radio operators liscense in 1928 and worked as an operator for the merchant marines in various radio stations. Wagar joined the Navy in 1943, where he served until 1966, advancing to the rank of Commander. In the Navy, Wagar participated in sensitive Navy missions, including the Bikini Atoll atomic bomb tests, the Atlas Intercontinental Ballistic Missile Project, and the Apollo Space Project."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Wagar Space collection, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Wagar Space collection, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed and finding aid prepared by Jessica Achberger. Finding aid revised for consistency by Chloe Lanham in 2026.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed and finding aid prepared by Jessica Achberger. Finding aid revised for consistency by Chloe Lanham in 2026."],"relatedmaterial_html_tesm":["\u003cp\u003eThis collection is similar in content to the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2003-08\"\u003eScott H. Simpkinson collection\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["This collection is similar in content to the  Scott H. Simpkinson collection ."],"scopecontent_html_tesm":["\u003cp\u003eThe Wagar Space collection, 1944-1986 represents the interests of Commander Howard Wagar, from the 1940s to the 1980s. His main collecting interest was the space program, for which he collected periodicals, newspaper clippings, public relations materials, photographs, and prints. Subjects include the Apollo missions, the lunar module landing, the Skylab and Viking projects, Mars, the Russian Space Program, and astronauts. The collection also includes information about events such as the post World War II atomic bomb tests, the rise of Fidel Castro to power in Cuba, and the assassination of U.S President John F. Kennedy. This collection provides insight into International space program activities. \u003c/p\u003e\n","\u003cp\u003eSeries I: Periodicals, 1945-1981, Undated, contains periodicals about the space program. The periodicals are in French, Italian and Russian and English, and include issues of major periodicals such as Newsweek, Time and numerous issues of LIFE Magazine, as well as special editions of newspapers such as the Orlando Sentinel. Major headlines include the Gemini mission, the lunar module landing and a multitude of articles on astronauts.\u003c/p\u003e\n","\u003cp\u003eSeries II: Newspaper Clippings, 1945- 1982, contains bound and unbound newspaper clippings related to the space program and other major world events. The Space Shot collection includes twenty-three volumes of bound newspaper clippings of all aspects of the space program from 1956 to 1976. Other bound volumes include articles on the rise of Fidel Castro to power in Cuba and the assassination of President Kennedy. Unbound clippings cover various other aspects of the space program, including Mars, the Russian Space Program and Viking 1 and 2.\u003c/p\u003e\n","\u003cp\u003eSeries III: Public Relation and Press Materials, 1963-1983, includes a range of public relations materials related to the space program, including brochures, pamphlets and press releases created for the public. Topics covered included the Apollo-Suyuz Test Mission, Space Project Mercury and Skylab 1 and 2.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Technical Manuals, 1952-1968 contains technical manuals for a variety of electronic equipment, including different types of lenses, television equipment, utility monitors and film equipment.\u003c/p\u003e\n","\u003cp\u003eSeries V: Photographs and Prints, 1954-1986, contains a variety of photographs and prints related to the space program and the U.S. Military. This series includes three volumes of bound official NASA black and white photographs, ranging in date from 1960 to 1974, as well as unbound official photographs of the Apollo 10 and 15 missions and the orbiter Discovery launch. The series also contains photographic prints from the U.S. Army and Air Force, some of which are oversize. Finally, the series includes oil and watercolor prints from various artists depicting events in the space program such as guided missile launches.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Wagar Space collection, 1944-1986 represents the interests of Commander Howard Wagar, from the 1940s to the 1980s. His main collecting interest was the space program, for which he collected periodicals, newspaper clippings, public relations materials, photographs, and prints. Subjects include the Apollo missions, the lunar module landing, the Skylab and Viking projects, Mars, the Russian Space Program, and astronauts. The collection also includes information about events such as the post World War II atomic bomb tests, the rise of Fidel Castro to power in Cuba, and the assassination of U.S President John F. Kennedy. This collection provides insight into International space program activities. ","Series I: Periodicals, 1945-1981, Undated, contains periodicals about the space program. The periodicals are in French, Italian and Russian and English, and include issues of major periodicals such as Newsweek, Time and numerous issues of LIFE Magazine, as well as special editions of newspapers such as the Orlando Sentinel. Major headlines include the Gemini mission, the lunar module landing and a multitude of articles on astronauts.","Series II: Newspaper Clippings, 1945- 1982, contains bound and unbound newspaper clippings related to the space program and other major world events. The Space Shot collection includes twenty-three volumes of bound newspaper clippings of all aspects of the space program from 1956 to 1976. Other bound volumes include articles on the rise of Fidel Castro to power in Cuba and the assassination of President Kennedy. Unbound clippings cover various other aspects of the space program, including Mars, the Russian Space Program and Viking 1 and 2.","Series III: Public Relation and Press Materials, 1963-1983, includes a range of public relations materials related to the space program, including brochures, pamphlets and press releases created for the public. Topics covered included the Apollo-Suyuz Test Mission, Space Project Mercury and Skylab 1 and 2.","Series IV: Technical Manuals, 1952-1968 contains technical manuals for a variety of electronic equipment, including different types of lenses, television equipment, utility monitors and film equipment.","Series V: Photographs and Prints, 1954-1986, contains a variety of photographs and prints related to the space program and the U.S. Military. This series includes three volumes of bound official NASA black and white photographs, ranging in date from 1960 to 1974, as well as unbound official photographs of the Apollo 10 and 15 missions and the orbiter Discovery launch. The series also contains photographic prints from the U.S. Army and Air Force, some of which are oversize. Finally, the series includes oil and watercolor prints from various artists depicting events in the space program such as guided missile launches."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e6d99f139afb97d5decc6cfd183686b7\" label=\"Abstract\"\u003eThe Wagar Space collection, 1944-1986 represents the interests of Commander Howard Wagar, from the 1940s to the 1980s. His main collecting interest was the space program, for which he collected periodicals, newspaper clippings, public relations materials, photographs, and prints. Subjects include the Apollo missions, the lunar module landing, the Skylab and Viking projects, Mars, the Russian Space Program, and astronauts. The collection also includes information about events such as the post World War II atomic bomb tests, the rise of Fidel Castro to power in Cuba, and the assassination of U.S President John F. Kennedy. This collection provides insight into International space program activities. \n\nCommander Howard Wagar was born in Fairmont, Minnesota in 1906. He moved to New Jersey in the 1920s, where he worked for WAAM radio station in Newark. He received his radio operators liscense in 1928 and worked as an operator for the merchant marines in various radio stations. Wagar joined the Navy in 1943, where he served until 1966, advancing to the rank of Commander. In the Navy, Wagar participated in sensitive Navy missions, including the Bikini Atoll atomic bomb tests, the Atlas Intercontinental Ballistic Missile Project, and the Apollo Space Project.\u003c/abstract\u003e"],"abstract_tesim":["The Wagar Space collection, 1944-1986 represents the interests of Commander Howard Wagar, from the 1940s to the 1980s. His main collecting interest was the space program, for which he collected periodicals, newspaper clippings, public relations materials, photographs, and prints. Subjects include the Apollo missions, the lunar module landing, the Skylab and Viking projects, Mars, the Russian Space Program, and astronauts. The collection also includes information about events such as the post World War II atomic bomb tests, the rise of Fidel Castro to power in Cuba, and the assassination of U.S President John F. Kennedy. This collection provides insight into International space program activities. \n\nCommander Howard Wagar was born in Fairmont, Minnesota in 1906. He moved to New Jersey in the 1920s, where he worked for WAAM radio station in Newark. He received his radio operators liscense in 1928 and worked as an operator for the merchant marines in various radio stations. Wagar joined the Navy in 1943, where he served until 1966, advancing to the rank of Commander. In the Navy, Wagar participated in sensitive Navy missions, including the Bikini Atoll atomic bomb tests, the Atlas Intercontinental Ballistic Missile Project, and the Apollo Space Project."],"names_coll_ssim":["United States. National Aeronautics and Space Administration","Project Apollo (U.S.)","Skylab Program","Viking Mars Program (U.S.)","Wagar, Howard C. (Howard Carlyle), 1906-1995","Castro, Fidel (Fidel Alejandro Castro Ruz), 1926-2016","Kennedy, John F. (John Fitzgerald), 1917-1963"],"names_ssim":["UCF Special Collections","United States. National Aeronautics and Space Administration","Project Apollo (U.S.)","Skylab Program","Viking Mars Program (U.S.)","Wagar, Howard C. (Howard Carlyle), 1906-1995","Castro, Fidel (Fidel Alejandro Castro Ruz), 1926-2016","Kennedy, John F. (John Fitzgerald), 1917-1963"],"corpname_ssim":["UCF Special Collections","United States. National Aeronautics and Space Administration","Project Apollo (U.S.)","Skylab Program","Viking Mars Program (U.S.)"],"persname_ssim":["Wagar, Howard C. (Howard Carlyle), 1906-1995","Castro, Fidel (Fidel Alejandro Castro Ruz), 1926-2016","Kennedy, John F. (John Fitzgerald), 1917-1963"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":206,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1878014775185637376,"_root_":"8e7cc91182fb37aa8e307166","timestamp":"2026-10-03T08:00:56.924Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8e7cc91182fb37aa8e307166_aspace_39679"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 1950-1987.","value":"UCF Home Movie Archives, Circa 1920-1989, Circa 2010-2014, Undated., bulk 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